UPC · Release
The Masterpieces
Benjamin Britten
028947857235
34 tracksReleased 2013-06-17
Last verified:
028947857235 is the Universal Product Code (UPC barcode) for the release “The Masterpieces” by Benjamin Britten, released 2013-06-17. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 34 tracks, each with its own ISRC. Tracks include GBF076341901, GBF076341902, GBF076341903.
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UPCThe Masterpieces
ISRC34 recordings
ISWC30 works
IPI1 songwriter
Track List (34)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Theme - Allegro maestoso e largamente | London Symphony Orchestra, Benjamin Britten | — | |
| 2 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation A: Flutes and Piccolo - Presto | London Symphony Orchestra, Benjamin Britten | — | |
| 3 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation B: Oboes - Lento | London Symphony Orchestra, Benjamin Britten | — | |
| 4 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation C: Clarinets - Moderato | London Symphony Orchestra, Benjamin Britten | — | |
| 5 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation D: Bassoons - Allegro alla marcia | London Symphony Orchestra, Benjamin Britten | — | |
| 6 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation E: Violins - Brillante - alla polacca | London Symphony Orchestra, Benjamin Britten | — | |
| 7 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation F: Violas - Meno mosso | London Symphony Orchestra, Benjamin Britten | — | |
| 8 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation G: Cellos | London Symphony Orchestra, Benjamin Britten | — | |
| 9 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation H: Double Basses - Cominciando lento ma poco a poco accelerando | London Symphony Orchestra, Benjamin Britten | — | |
| 10 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation I: Harp - Maestoso | London Symphony Orchestra, Benjamin Britten | — | |
| 11 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation J: Horns - L'istesso tempo | London Symphony Orchestra, Benjamin Britten | — | |
| 12 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation K: Trumpets - Vivace | London Symphony Orchestra, Benjamin Britten | — | |
| 13 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation L: Trombones and Bass Tuba - Allegro pomposo | London Symphony Orchestra, Benjamin Britten | — | |
| 14 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation M: Percussion - Moderato | London Symphony Orchestra, Benjamin Britten | — | |
| 15 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Fugue - Allegro molto | London Symphony Orchestra, Benjamin Britten | T9001074595 | |
| 16 | Simple Symphony for String Orchestra, op. 4: I. Boisterous Bourrée. Allegro ritmico | English Chamber Orchestra, Benjamin Britten | — | |
| 17 | Simple Symphony for String Orchestra, op. 4: II. Playful Pizzicato. Presto possibile pizzicato sempre | English Chamber Orchestra, Benjamin Britten | — | |
| 18 | Simple Symphony for String Orchestra, op. 4: III. Sentimental Saraband. Poco lento e pesante | English Chamber Orchestra, Benjamin Britten | — | |
| 19 | Simple Symphony for String Orchestra, op. 4: IV. Frolicsome Finale. Prestissimo con fuoco | English Chamber Orchestra, Benjamin Britten | — | |
| 20 | Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme. Lento maestoso – Allegretto poco lento | English Chamber Orchestra, Benjamin Britten | — | |
| 21 | Variations on a Theme of Frank Bridge, op. 10: Adagio | English Chamber Orchestra, Benjamin Britten | — | |
| 22 | Variations on a Theme of Frank Bridge, op. 10: March. Presto alla marcia | English Chamber Orchestra, Benjamin Britten | — | |
| 23 | Variations on a Theme of Frank Bridge, op. 10: Romance. Allegretto grazioso | English Chamber Orchestra, Benjamin Britten | — | |
| 24 | Variations on a Theme of Frank Bridge, op. 10: Aria Italiana. Allegro brillante | English Chamber Orchestra, Benjamin Britten | T9053803842 | |
| 25 | Variations on a Theme of Frank Bridge, op. 10: Bourrée Classique. Allegro e pesante | English Chamber Orchestra, Benjamin Britten | — | |
| 26 | Variations on a Theme of Frank Bridge, op. 10: Wierner Walzer. Vivace | English Chamber Orchestra, Benjamin Britten | — | |
| 27 | Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo. Allegro molto | English Chamber Orchestra, Benjamin Britten | — | |
| 28 | Variations on a theme of Frank Bridge, op. 10: IX. Funeral March | Benjamin Britten | T3214218512 | |
| 29 | Variations on a Theme of Frank Bridge, op. 10: Chant. Lento | English Chamber Orchestra, Benjamin Britten | — | |
| 30 | Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale. Allegro molto vivace – Lento e solenne | English Chamber Orchestra, Benjamin Britten | — | |
| 31 | Four Sea Interludes and Passacaglia: Dawn (Act I) | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 32 | Peter Grimes, op. 33, Act 1: Interlude II: The Storm | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 33 | Peter Grimes, op. 33, Act 2: Interlude III: Sunday morning by the beach | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 34 | Peter Grimes, op. 33, Act 3: Interlude V: Evening | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — |
The Young Person's Guide to the Orchestra, op.34 (without spoken text): Theme - Allegro maestoso e largamente
London Symphony Orchestra, Benjamin Britten
—
The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation A: Flutes and Piccolo - Presto
London Symphony Orchestra, Benjamin Britten
—
The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation B: Oboes - Lento
London Symphony Orchestra, Benjamin Britten
—
The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation C: Clarinets - Moderato
London Symphony Orchestra, Benjamin Britten
—
The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation D: Bassoons - Allegro alla marcia
London Symphony Orchestra, Benjamin Britten
—
The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation E: Violins - Brillante - alla polacca
London Symphony Orchestra, Benjamin Britten
—
The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation F: Violas - Meno mosso
London Symphony Orchestra, Benjamin Britten
—
The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation G: Cellos
London Symphony Orchestra, Benjamin Britten
—
The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation H: Double Basses - Cominciando lento ma poco a poco accelerando
London Symphony Orchestra, Benjamin Britten
—
The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation I: Harp - Maestoso
London Symphony Orchestra, Benjamin Britten
—
The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation J: Horns - L'istesso tempo
London Symphony Orchestra, Benjamin Britten
—
The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation K: Trumpets - Vivace
London Symphony Orchestra, Benjamin Britten
—
The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation L: Trombones and Bass Tuba - Allegro pomposo
London Symphony Orchestra, Benjamin Britten
—
The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation M: Percussion - Moderato
London Symphony Orchestra, Benjamin Britten
—
London Symphony Orchestra, Benjamin Britten
Simple Symphony for String Orchestra, op. 4: I. Boisterous Bourrée. Allegro ritmico
English Chamber Orchestra, Benjamin Britten
—
Simple Symphony for String Orchestra, op. 4: II. Playful Pizzicato. Presto possibile pizzicato sempre
English Chamber Orchestra, Benjamin Britten
—
Simple Symphony for String Orchestra, op. 4: III. Sentimental Saraband. Poco lento e pesante
English Chamber Orchestra, Benjamin Britten
—
Simple Symphony for String Orchestra, op. 4: IV. Frolicsome Finale. Prestissimo con fuoco
English Chamber Orchestra, Benjamin Britten
—
Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme. Lento maestoso – Allegretto poco lento
English Chamber Orchestra, Benjamin Britten
—
Variations on a Theme of Frank Bridge, op. 10: Adagio
English Chamber Orchestra, Benjamin Britten
—
Variations on a Theme of Frank Bridge, op. 10: March. Presto alla marcia
English Chamber Orchestra, Benjamin Britten
—
Variations on a Theme of Frank Bridge, op. 10: Romance. Allegretto grazioso
English Chamber Orchestra, Benjamin Britten
—
English Chamber Orchestra, Benjamin Britten
Variations on a Theme of Frank Bridge, op. 10: Bourrée Classique. Allegro e pesante
English Chamber Orchestra, Benjamin Britten
—
Variations on a Theme of Frank Bridge, op. 10: Wierner Walzer. Vivace
English Chamber Orchestra, Benjamin Britten
—
Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo. Allegro molto
English Chamber Orchestra, Benjamin Britten
—
Variations on a Theme of Frank Bridge, op. 10: Chant. Lento
English Chamber Orchestra, Benjamin Britten
—
Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale. Allegro molto vivace – Lento e solenne
English Chamber Orchestra, Benjamin Britten
—
Four Sea Interludes and Passacaglia: Dawn (Act I)
Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
—
Peter Grimes, op. 33, Act 1: Interlude II: The Storm
Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
—
Peter Grimes, op. 33, Act 2: Interlude III: Sunday morning by the beach
Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
—
Peter Grimes, op. 33, Act 3: Interlude V: Evening
Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
—
Additional database matches (68)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Violin Concerto, op. 15: I. Moderato con moto | Janine Jansen, London Symphony Orchestra, Paavo Järvi | — |
| Violin Concerto, op. 15: II. Vivace - Cadenza - | Janine Jansen, London Symphony Orchestra, Paavo Järvi | — |
| Violin Concerto, op. 15: III. Passacaglia – Andante lento | Janine Jansen, London Symphony Orchestra, Paavo Järvi | — |
| Hymn to St. Cecilia (1942), op. 27: In a garden shady | London Symphony Chorus, George Malcolm | — |
| Hymn to St. Cecilia (1942), op. 27: I cannot grow | London Symphony Chorus, George Malcolm | — |
| Hymn to St. Cecilia (1942), op. 27: O ear whose creatures | London Symphony Chorus, George Malcolm | — |
| Noye's Fludde, op. 59, The Chester Miracle Play set to music: Lord Jesus, think on me | The Congregation, English Opera Group, Merlin Channon, Norman Del Mar | — |
| Noye's Fludde, op. 59, The Chester Miracle Play set to music: I God, that all this worlde hath wroughte | William Trevor Anthony, Owen Brannigan, English Opera Group, Merlin Channon, Norman Del Mar | — |
| Noye's Fludde, op. 59, The Chester Miracle Play set to music: Have done, you men and wemen all | Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Sheila Rex, English Opera Group, Merlin Channon, Norman Del Mar | — |
| Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now in the name of God I will begyne | Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Sheila Rex, English Opera Group, Merlin Channon, Norman Del Mar | — |
| Noye’s Fludde, children’s opera, op. 59: 3 Noye, Noye, take thou thy company | Trevor Anthony, Owen Brannigan, David Pinto, Darien Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Chorus of Animals, Merlin Channon, English Opera Group Orchestra, Norman Del Mar | — |
| Noye's Fludde, op. 59, The Chester Miracle Play set to music: Wiffe, come in! why standes thou their? | Owen Brannigan, Sheila Rex, David Pinto, Patricia Garrod, Margaret Hawes, Kathleen Petch, Gillian Saunders, Stephen Alexander, Darian Angadi, English Opera Group, Merlin Channon, Norman Del Mar | — |
| Noye's Fludde, op. 59, The Chester Miracle Play set to music: Ha! Children, me thinkes my botte removes | Owen Brannigan, Sheila Rex, David Pinto, Darian Angadi, Stephen Alexander, Chorus of Animals, The Congregation, English Opera Group, Merlin Channon, Norman Del Mar | — |
| Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now forty dayes are fullie gone | Owen Brannigan, English Opera Group, Merlin Channon, Norman Del Mar | — |
| Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, take thy wife anone | William Trevor Anthony, Chorus of Animals, Sheila Rex, David Pinto, Darian Angadi, Stephen Alexander, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar | — |
| Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, heare I behette thee a heste | Trevor Anthony, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar | — |
| Noye's Fludde, op. 59, The Chester Miracle Play set to music: The spacious firmament on high | David Pinto, Darian Angadi, Stephen Alexander, Owen Brannigan, Sheila Rex, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Patricia Garrod, Margaret Hawes, Kathleen Petch, Gillian Saunders, William Trevor Anthony, Chorus of Animals, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar | T9000457932 |
| A Hymn to the Virgin | The Choir of St John’s College, Cambridge, George Guest | T-900.010.952-4 |
| Festival Te Deum, op. 32 | The Choir of St John’s College, Cambridge, George Guest | — |
| Jubilate Deo | The Choir of St John’s College, Cambridge, George Guest | — |
| Serenade for Tenor, Horn & Strings, op. 31: Prologue | Barry Tuckwell | — |
| Serenade for Tenor, Horn & Strings, op. 31: Pastoral “The day’s grown old” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — |
| Serenade, for tenor, horn & strings, op. 31: Nocturne | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — |
| Serenade for Tenor, Horn & Strings, op. 31: Elegy “O Rose, thou art sick” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — |
| Serenade for Tenor, Horn & Strings, op. 31: Dirge “This ae nighte” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — |
| Serenade for Tenor, Horn & Strings, op. 31: Hymn “Queen and huntress, chaste and fair” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — |
| Serenade for Tenor, Horn & Strings, op. 31: Sonnet “O soft embalmer of the still midnight” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — |
| Serenade for Tenor, Horn & Strings, op. 31: Epilogue | Barry Tuckwell | — |
| Les Illuminations, op. 18: I. Fanfare | Peter Pears, English Chamber Orchestra, Benjamin Britten | — |
| Les Illuminations, op. 18: II. Villes | Peter Pears, English Chamber Orchestra, Benjamin Britten | — |
| Les Illuminations, op. 18: IIIa. Phrase | Peter Pears, English Chamber Orchestra, Benjamin Britten | — |
| Les Illuminations, op. 18: IIIb. Antique | Peter Pears, English Chamber Orchestra, Benjamin Britten | — |
| Les Illuminations, op. 18: IV. Royauté | Peter Pears, English Chamber Orchestra, Benjamin Britten | — |
| Les Illuminations, op. 18: V. Marine | Peter Pears, English Chamber Orchestra, Benjamin Britten | — |
| Les Illuminations, op. 18: VI. Interlude | Peter Pears, English Chamber Orchestra, Benjamin Britten | — |
| Les Illuminations, op. 18: VII. Being beauteous | Peter Pears, English Chamber Orchestra, Benjamin Britten | — |
| Les Illuminations, op. 18: VIII. Parade | Peter Pears, English Chamber Orchestra, Benjamin Britten | — |
| Les Illuminations, op. 18: IX. Départ | Peter Pears, English Chamber Orchestra, Benjamin Britten | — |
| Songs From "Friday Afternoons", op. 7: Begone, dull care | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.455.238-6 |
| Songs From "Friday Afternoons", op. 7: A tragic story | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-900.011.973-3 |
| Songs From "Friday Afternoons", op. 7: Cuckoo! | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-900.009.780-3 |
| Songs From "Friday Afternoons", op. 7: A New Year carol | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-011.260.559-0 |
| Songs From "Friday Afternoons", op. 7: I mun be married on Sunday | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.445.495-6 |
| Songs From "Friday Afternoons", op. 7: There was a man of Newington | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010241666-9 |
| Songs From "Friday Afternoons", op. 7: Fishing song | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.241.666-9 |
| Songs From "Friday Afternoons", op. 7: The useful plough | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.441.763-1 |
| Songs From "Friday Afternoons", op. 7: Jazz-man | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.441.763-1 |
| Songs From "Friday Afternoons", op. 7: There was a monkey | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010163324-2 |
| Songs From "Friday Afternoons", op. 7: Old Abram Brown | Downside School Choir, Viola Tunnard, Benjamin Britten | T-010163324-2 |
| A Ceremony of Carols: Procession | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — |
| A Ceremony of Carols: Wolcum Yole! | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — |
| A Ceremony of Carols: There is no rose | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — |
| A Ceremony of Carols: That yonge child | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — |
| A Ceremony of Carols: Balulalow | Choir of King’s College, Cambridge, Peter Winn, Rachel Masters, Stephen Cleobury | T9001437112 |
| A Ceremony of Carols, op. 28: V. As dew in Aprille | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — |
| A Ceremony of Carols: This little Babe | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — |
| A Ceremony of Carols: Interlude | Rachel Masters | T9001884599 |
| A Ceremony of Carols: In freezing winter night | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | T3082627901 |
| A Ceremony of Carols: Spring carol | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — |
| A Ceremony of Carols: Deo gracias - Adam lay ibounden | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — |
| A Ceremony of Carols: Recession | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — |
| A Boy was Born: Theme. A boy was born | Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir | — |
| A Boy was Born: Variation I. Lullay, Jesu | Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir | — |
| A Boy was Born: Variation II. Herod | Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir | — |
| A Boy was Born: Variation III. Jesu, as Thou art our Saviour | Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir | — |
| A Boy was Born: Variation IV. The three kings | Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir | — |
| A Boy was Born: Variation V. In the bleak mid-winter | Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir | — |
| A Boy was Born: Variation VI (Finale). Noel! | Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir | — |
Violin Concerto, op. 15: I. Moderato con moto
Janine Jansen, London Symphony Orchestra, Paavo Järvi
—
Violin Concerto, op. 15: II. Vivace - Cadenza -
Janine Jansen, London Symphony Orchestra, Paavo Järvi
—
Violin Concerto, op. 15: III. Passacaglia – Andante lento
Janine Jansen, London Symphony Orchestra, Paavo Järvi
—
Hymn to St. Cecilia (1942), op. 27: In a garden shady
London Symphony Chorus, George Malcolm
—
Hymn to St. Cecilia (1942), op. 27: I cannot grow
London Symphony Chorus, George Malcolm
—
Hymn to St. Cecilia (1942), op. 27: O ear whose creatures
London Symphony Chorus, George Malcolm
—
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Lord Jesus, think on me
The Congregation, English Opera Group, Merlin Channon, Norman Del Mar
—
Noye's Fludde, op. 59, The Chester Miracle Play set to music: I God, that all this worlde hath wroughte
William Trevor Anthony, Owen Brannigan, English Opera Group, Merlin Channon, Norman Del Mar
—
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Have done, you men and wemen all
Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Sheila Rex, English Opera Group, Merlin Channon, Norman Del Mar
—
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now in the name of God I will begyne
Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Sheila Rex, English Opera Group, Merlin Channon, Norman Del Mar
—
Noye’s Fludde, children’s opera, op. 59: 3 Noye, Noye, take thou thy company
Trevor Anthony, Owen Brannigan, David Pinto, Darien Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Chorus of Animals, Merlin Channon, English Opera Group Orchestra, Norman Del Mar
—
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Wiffe, come in! why standes thou their?
Owen Brannigan, Sheila Rex, David Pinto, Patricia Garrod, Margaret Hawes, Kathleen Petch, Gillian Saunders, Stephen Alexander, Darian Angadi, English Opera Group, Merlin Channon, Norman Del Mar
—
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Ha! Children, me thinkes my botte removes
Owen Brannigan, Sheila Rex, David Pinto, Darian Angadi, Stephen Alexander, Chorus of Animals, The Congregation, English Opera Group, Merlin Channon, Norman Del Mar
—
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now forty dayes are fullie gone
Owen Brannigan, English Opera Group, Merlin Channon, Norman Del Mar
—
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, take thy wife anone
William Trevor Anthony, Chorus of Animals, Sheila Rex, David Pinto, Darian Angadi, Stephen Alexander, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar
—
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, heare I behette thee a heste
Trevor Anthony, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar
—
David Pinto, Darian Angadi, Stephen Alexander, Owen Brannigan, Sheila Rex, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Patricia Garrod, Margaret Hawes, Kathleen Petch, Gillian Saunders, William Trevor Anthony, Chorus of Animals, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar
The Choir of St John’s College, Cambridge, George Guest
Festival Te Deum, op. 32
The Choir of St John’s College, Cambridge, George Guest
—
Jubilate Deo
The Choir of St John’s College, Cambridge, George Guest
—
Serenade for Tenor, Horn & Strings, op. 31: Prologue
Barry Tuckwell
—
Serenade for Tenor, Horn & Strings, op. 31: Pastoral “The day’s grown old”
Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten
—
Serenade, for tenor, horn & strings, op. 31: Nocturne
Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten
—
Serenade for Tenor, Horn & Strings, op. 31: Elegy “O Rose, thou art sick”
Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten
—
Serenade for Tenor, Horn & Strings, op. 31: Dirge “This ae nighte”
Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten
—
Serenade for Tenor, Horn & Strings, op. 31: Hymn “Queen and huntress, chaste and fair”
Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten
—
Serenade for Tenor, Horn & Strings, op. 31: Sonnet “O soft embalmer of the still midnight”
Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten
—
Serenade for Tenor, Horn & Strings, op. 31: Epilogue
Barry Tuckwell
—
Les Illuminations, op. 18: I. Fanfare
Peter Pears, English Chamber Orchestra, Benjamin Britten
—
Les Illuminations, op. 18: II. Villes
Peter Pears, English Chamber Orchestra, Benjamin Britten
—
Les Illuminations, op. 18: IIIa. Phrase
Peter Pears, English Chamber Orchestra, Benjamin Britten
—
Les Illuminations, op. 18: IIIb. Antique
Peter Pears, English Chamber Orchestra, Benjamin Britten
—
Les Illuminations, op. 18: IV. Royauté
Peter Pears, English Chamber Orchestra, Benjamin Britten
—
Les Illuminations, op. 18: V. Marine
Peter Pears, English Chamber Orchestra, Benjamin Britten
—
Les Illuminations, op. 18: VI. Interlude
Peter Pears, English Chamber Orchestra, Benjamin Britten
—
Les Illuminations, op. 18: VII. Being beauteous
Peter Pears, English Chamber Orchestra, Benjamin Britten
—
Les Illuminations, op. 18: VIII. Parade
Peter Pears, English Chamber Orchestra, Benjamin Britten
—
Les Illuminations, op. 18: IX. Départ
Peter Pears, English Chamber Orchestra, Benjamin Britten
—
Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten
Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten
Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten
Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten
Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten
Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten
Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten
Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten
Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten
Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten
Downside School Choir, Viola Tunnard, Benjamin Britten
A Ceremony of Carols: Procession
Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury
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A Ceremony of Carols: Wolcum Yole!
Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury
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A Ceremony of Carols: There is no rose
Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury
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A Ceremony of Carols: That yonge child
Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury
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Choir of King’s College, Cambridge, Peter Winn, Rachel Masters, Stephen Cleobury
A Ceremony of Carols, op. 28: V. As dew in Aprille
Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury
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A Ceremony of Carols: This little Babe
Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury
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Rachel Masters
Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury
A Ceremony of Carols: Spring carol
Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury
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A Ceremony of Carols: Deo gracias - Adam lay ibounden
Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury
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A Ceremony of Carols: Recession
Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury
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A Boy was Born: Theme. A boy was born
Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir
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A Boy was Born: Variation I. Lullay, Jesu
Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir
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A Boy was Born: Variation II. Herod
Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir
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A Boy was Born: Variation III. Jesu, as Thou art our Saviour
Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir
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A Boy was Born: Variation IV. The three kings
Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir
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A Boy was Born: Variation V. In the bleak mid-winter
Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir
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A Boy was Born: Variation VI (Finale). Noel!
Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir
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What is UPC 028947857235?
028947857235 is a Universal Product Code (UPC) assigned to The Masterpieces by Benjamin Britten. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 34 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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