UPC · Release
The Cleveland Orchestra, Lorin Maazel
Last verified:
028947877790 is the Universal Product Code (UPC barcode) for the release “The Cleveland Years: Complete Recordings” by The Cleveland Orchestra, Lorin Maazel, released 2014-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 209 tracks, each with its own ISRC. Tracks include GBF077611341, GBF077611342, GBF077611343.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La Mer: I. De L'Aube a Midi Sur la Mer | — | ||
| 2 | La Mer: II. Jeux de Vagues | — | ||
| 3 | La Mer: III. Dialogue du Vent et de la Mer | — | ||
| 4 | Nocturne: I. Nuages | — | ||
| 5 | Nocturne: II. Fetes | — | ||
| 6 | Nocturne: III. Sirenes | — | ||
| 7 | Images: I. Par les Rues at Par les Chemins | — | ||
| 8 | Images: II. Les Parfums de la Nuit | — | ||
| 9 | Images: III. Le Marin D'un Jour de Fete | — | ||
| 2-1 | Daphnis et Chloé, M. 57, Premiere partie: Introduction et danse religieuse | — | ||
| 2-2 | Daphnis et Chloé, M. 57, Premiere partie: Scene - Danse generale | — | ||
| 2-3 | Daphnis et Chloé, M. 57, Premiere partie: Danse grotesque de Dorcon - Scene | — | ||
| 2-4 | Daphnis et Chloé, M. 57, Premiere partie: Danse legere et gracieuse de Daphnis | — | ||
| 2-5 | Daphnis et Chloé, M. 57, Premiere partie: Scene - Danse de Lyceion - Scene (Les pirates) | — | ||
| 2-6 | Daphnis et Chloé, M. 57, Premiere partie: Scene - Danse lente et mysterieuse | — | ||
| 2-7 | Daphnis et Chloé, M. 57, Deuxieme partie: Introduction | — | ||
| 2-8 | Daphnis et Chloé, M. 57, Deuxieme partie: Danse guerriere | — | ||
| 2-9 | Daphnis et Chloé, M. 57, Deuxieme partie: Scene - Danse suppliante de Chloe | — | ||
| 2-10 | Daphnis et Chloé, M. 57, Troisieme partie: Lever du jour - Scene | — | ||
| 2-11 | Daphnis et Chloé, M. 57, Troisieme partie: Daphnis et Chloe miment l'aventure de Pan et Syrinx | — | ||
| 2-12 | Daphnis et Chloé, M. 57, Troisieme partie: Danse generale | — | ||
| 2-13 | Jeux | — | ||
| 3-1 | Feste romane: I. Circenses | The Cleveland Orchestra, Lorin Maazel | T-309.480.518-8 | |
| 3-2 | Feste romane: II. Il giubileo | The Cleveland Orchestra, Lorin Maazel | T-309.480.518-8 | |
| 3-3 | Feste romane: III. L'ottobrata | The Cleveland Orchestra, Lorin Maazel | T-309.480.518-8 | |
| 3-4 | Feste romane: IV. La Befana | The Cleveland Orchestra, Lorin Maazel | T-309.480.518-8 | |
| 3-5 | Pini di Roma: I. I pini di Villa Borghese | The Cleveland Orchestra, Lorin Maazel | — | |
| 3-6 | Pini di Roma: II. Pini presso una catacomba | The Cleveland Orchestra, Lorin Maazel | T-902.597.184-0 | |
| 3-7 | Pini di Roma: III. I pini del Gianicolo | The Cleveland Orchestra, Lorin Maazel | T-902.597.184-0 | |
| 3-8 | Pini di Roma: IV. I pini della Via Appia | The Cleveland Orchestra, Lorin Maazel | T-333.047.149-9 | |
| 3-9 | Suite From "Le Coq D'or": I. King Dodon n His Palace | The Cleveland Orchestra, Lorin Maazel | T-802.124.289-8 | |
| 3-10 | Suite From "Le Coq D'or": II. King Dodon on the Battlefield | The Cleveland Orchestra, Lorin Maazel | T-802.124.289-8 | |
| 3-11 | Suite From "Le Coq D'or": III. King Dodon With the Queen of Shemakha | The Cleveland Orchestra, Lorin Maazel | T-802.124.289-8 | |
| 3-12 | Suite From "Le Coq D'or": IV. The Marriage Feast and Lamentable End of King Dodon | The Cleveland Orchestra, Lorin Maazel | — | |
| 4-1 | Symphony no. 5 in B-flat major, op. 100: I. Andante | The Cleveland Orchestra, Lorin Maazel | T-011.422.353-8 | |
| 4-2 | Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato | The Cleveland Orchestra, Lorin Maazel | — | |
| 4-3 | Symphony no. 5 in B-flat major, op. 100: III. Adagio | The Cleveland Orchestra, Lorin Maazel | — | |
| 4-4 | Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso | The Cleveland Orchestra, Lorin Maazel | — | |
| 4-5 | Russian Easter Festival Overture, op. 36 | The Cleveland Orchestra, Lorin Maazel | — | |
| 4-6 | Capriccio Espagnol, op. 34: 3. Alborada | The Cleveland Orchestra, Lorin Maazel | — | |
| 4-7 | Capriccio Espagnol, op. 34: 2. Variazioni | The Cleveland Orchestra, Lorin Maazel | — | |
| 4-8 | Capriccio Espagnol, op. 34: 3. Alborada | The Cleveland Orchestra, Lorin Maazel | — | |
| 4-9 | Capriccio Espagnol, op. 34: 4. Scena e canto gitano | The Cleveland Orchestra, Lorin Maazel | — | |
| 4-10 | Capriccio Espagnol, op. 34: 5. Fandango asturiano | The Cleveland Orchestra, Lorin Maazel | — | |
| 5-1 | Ruslan and Lyudmila, Overture | — | ||
| 5-2 | Scheherazade, op. 35: 1. The sea and Sindbad's ship | — | ||
| 5-3 | Scheherazade, op. 35: 2. The story of the calender prince | — | ||
| 5-4 | Scheherazade, op. 35: 3. The young prince and the young princess | — | ||
| 5-5 | Scheherazade, op. 35: 4. Festival at Baghdad | — | ||
| 5-6 | Le Poème de l'extase, op. 54 | Lorin Maazel, The Cleveland Orchestra | — | |
| 6-1 | Requiem H. 75, op. 5 (Grande Messe des Morts): Requiem - Kyrie | — | ||
| 6-2 | Requiem H. 75, op. 5 (Grande Messe des Morts): Dies irae - Tuba mirum | — | ||
| 6-3 | Requiem H. 75, op. 5 (Grande Messe des Morts): Quid sum miser | — | ||
| 6-4 | Requiem H. 75, op. 5 (Grande Messe des Morts): Rex tremendae | — | ||
| 6-5 | Requiem H. 75, op. 5 (Grande Messe des Morts): Quaerens me | — | ||
| 6-6 | Requiem H. 75, op. 5 (Grande Messe des Morts): Lacrymosa | — | ||
| 6-7 | Requiem H. 75, op. 5 (Grande Messe des Morts): Domine Jesu Christe | — | ||
| 6-8 | Requiem H. 75, op. 5 (Grande Messe des Morts): Hostias | — | ||
| 7-1 | Requiem H. 75, op. 5 (Grande Messe des Morts): Sanctus | — | ||
| 7-2 | Requiem H. 75, op. 5 (Grande Messe des Morts): Agnus Dei | — | ||
| 7-3 | Harold in Italy: Harold in the Mountains. Scenes of sadness, of happiness and of joy | — | ||
| 7-4 | Harold in Italy: March of the Pilgrims singing their evening prayer | — | ||
| 7-5 | Harold in Italy: Serenade of an Abbruzzi mountaineer to his mistress | — | ||
| 7-6 | Harold in Italy: Orgy of the Brigands. Memories of past scenes | — | ||
| 8-1 | L’Arlésienne – Suite no. 1: Prélude | — | ||
| 8-2 | L’Arlésienne – Suite no. 1: Minuetto | — | ||
| 8-3 | L’Arlésienne – Suite no. 1: Adagietto | — | ||
| 8-4 | L’Arlésienne – Suite no. 1: Carillon | — | ||
| 8-5 | L’Arlésienne – Suite no. 2: Pastorale | — | ||
| 8-6 | L’Arlésienne – Suite no. 2: Intermezzo | — | ||
| 8-7 | L’Arlésienne – Suite no. 2: Menuet | — | ||
| 8-8 | L’Arlésienne – Suite no. 2: Farandole | — | ||
| 8-9 | Jeux d’enfants: Marche – Trompette et tambour | — | ||
| 8-10 | Jeux d’enfants: Berceuse – La poupée | — | ||
| 8-11 | Jeux d’enfants: Impromptu – La toupie | — | ||
| 8-12 | Jeux d’enfants: Duo – Petit mari, petite femme | — | ||
| 8-13 | Jeux d’enfants: Galop – Le bal | — | ||
| 8-14 | Symphony in D minor: I. Lento – Allegro non troppo | — | ||
| 8-15 | Symphony in D minor: II. Allegretto – Poco più lento – Tempo I | — | ||
| 8-16 | Symphony in D minor: III. Allegro non troppo | — | ||
| 9-1 | Romeo and Juliet, op. 64: Act I, Scene I. No. 1 Introduction | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 9-2 | Romeo and Juliet, op. 64: Act I, Scene I. No. 2 Romeo | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 9-3 | Romeo and Juliet, op. 64: Act I, Scene I. No. 3 The Street Awakens - No. 4 Morning Dance | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 9-4 | Romeo and Juliet, op. 64: Act I, Scene I. No. 5 The Quarrel | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 9-5 | Romeo and Juliet, op. 64: Act I, Scene I. No. 6 The Fight | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 9-6 | Romeo and Juliet, op. 64: Act I, Scene I. No. 7 The Prince Gives His Order - No. 8 Interlude | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 9-7 | Romeo and Juliet, op. 64: Act I, Scene II. No. 9 Preparing for the Ball (Juliet and the Nurse) | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 9-8 | Romeo and Juliet, op. 64: Act I, Scene II. No. 10 Juliet as a Young Girl | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 9-9 | Romeo and Juliet, op. 64: Act I, Scene II. No. 11 Arrival of the Guests (Minuet) | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 9-10 | Romeo and Juliet, op. 64: Act I, Scene II. No. 12 Masks | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 9-11 | Romeo and Juliet, op. 64: Act I. Scene II. no. 13. Dance of the Knights | Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 9-12 | Romeo and Juliet, op. 64: Act I, Scene II. No. 14 Juliet's Variation | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 9-13 | Romeo and Juliet, op. 64: Act I, Scene II. No. 15 Mercutio | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 9-14 | Romeo and Juliet, op. 64: Act I, Scene II. No. 16 Madrigal | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 9-15 | Romeo and Juliet, op. 64: Act I, Scene II. No. 17 Tybalt Recognizes Romeo | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 9-16 | Romeo and Juliet, op. 64: Act I, Scene II. No. 18 Departure of the Guests (Gavotte) | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 9-17 | Romeo and Juliet, op. 64: Act I, Scene II. No. 19 Balcony Scene - No. 20 Romeo's Variation - No. 21 Love Dance | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 9-18 | Romeo and Juliet, op. 64: Act II, Scene I. No. 22 Folk Dance | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 9-19 | Romeo and Juliet, op. 64: Act II, Scene I. No. 23 Romeo and Mercutio | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 9-20 | Romeo and Juliet, op. 64: Act II, Scene I. No. 24 Dance of the Five Couples | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 9-21 | Romeo and Juliet, op. 64: Act II, Scene I. No. 25 Dance With Mandolins | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 9-22 | Romeo and Juliet, op. 64: Act II, Scene I. No. 26 The Nurse - No. 27 The Nurse Delivers Juliet's Message to Romeo | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 10-1 | Romeo and Juliet, op. 64: Act II, Scene II. No. 28 Romeo at Friar Laurence's | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 10-2 | Romeo and Juliet, op. 64: Act II, Scene II. No. 29 Juliet at Friar Laurence's | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 10-3 | Romeo and Juliet, op. 64: Act II, Scene III. No. 30 The People Continue to Make Merry - No. 31 Further Public Festivities | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 10-4 | Romeo and Juliet, op. 64: Act II, Scene III. No. 32 Tybalt Meets Mercutio - No. 33 Tybalt and Mercutio Fight - No. 34 Mercutio Dies | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 10-5 | Romeo and Juliet, op. 64: Act II, Scene III. No. 35 Romeo Resolves to Avenge Mercutio's Death - No. 36 Finale | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 10-6 | Romeo and Juliet, op. 64: Act III, Scene I. No. 37 Introduction | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 10-7 | Romeo and Juliet, op. 64: Act III, Scene I. No. 38 Romeo and Juliet (Juliet's Bedroom) - No. 39 The Last Farewell | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 10-8 | Romeo and Juliet, op. 64: Act III, Scene I. No. 40 The Nurse | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 10-9 | Romeo and Juliet, op. 64: Act III, Scene I. No. 41 Juliet Refuses to Marry Paris | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 10-10 | Romeo and Juliet, op. 64: Act III, Scene I. No. 42 Juliet Alone - No. 43 Interlude | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 10-11 | Romeo and Juliet, op. 64: Act III, Scene II. No. 44 At Friar Laurence's - No. 45 Interlude | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 10-12 | Romeo and Juliet, op. 64: Act III, Scene III. No. 46 Again in Juliet's Bedroom | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 10-13 | Romeo and Juliet, op. 64: Act III, Scene III. No. 47 Juliet Alone | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 10-14 | Romeo and Juliet, op. 64: Act III, Scene III. No. 48 Morning Serenade | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 10-15 | Romeo and Juliet, op. 64: Act III, Scene III. No. 49 Dance of the Girls With Lilies | The Cleveland Orchestra, Lorin Maazel | — | |
| 10-16 | Romeo and Juliet, op. 64: Act III, Scene III. No. 50 At Juliet's Bedside | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 10-17 | Romeo and Juliet, op. 64: Act IV (Epilogue). No. 51 Juliet's Funeral - No. 52 Juliet's Death | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 11-1 | Porgy and Bess: Act I, Scene I. Introduction: Jasbo Brown Blues | The Cleveland Orchestra Chorus, Joela Jones, The Cleveland Orchestra, Lorin Maazel | — | |
| 11-2 | Porgy and Bess: Act I, Scene I. "Summertime" - "Oh, nobody knows when the Lawd is goin' to call..." - "I been sweatin' all day" | Barbara Hendricks, The Cleveland Orchestra, Lorin Maazel | T-909.132.166-3 | |
| 11-3 | Porgy and Bess: Act I, Scene I. "A woman is a sometime thing (Lissen to yo' daddy warn you)" | Arthur Thompson, The Cleveland Orchestra, Lorin Maazel | T-004.011.617-3 | |
| 11-4 | Porgy and Bess: Act I, Scene I. “Here come de honey man” – “Here’s the ol’ crap shark“ | Arthur Thompson, The Cleveland Orchestra, Lorin Maazel | T-070.012.937-8 | |
| 11-5 | Porgy and Bess: Act I, Scene I. "They pass by singin'" - "Here comes Big Boy!" - "Don't you ever let a woman grieve you" | Willard White, The Cleveland Orchestra, Lorin Maazel | — | |
| 11-6 | Porgy and Bess: Act I, Scene I. "Oh, little stars" - "Touch that money an' meet yo' Gawd!" | McHenry Boatwright, Willard White, The Cleveland Orchestra, Lorin Maazel | — | |
| 11-7 | Porgy and Bess: Act I, Scene I. "Wake up an' hit it out" - "That you, Sportin' Life?" | Leona Mitchell, The Cleveland Orchestra, Lorin Maazel | — | |
| 11-8 | Porgy and Bess: Act I, Scene II. "Gone, gone, gone (Where is brudder Robbins?)" | Barbara Conrad, The Cleveland Orchestra, Lorin Maazel | T-900.008.917-8 | |
| 11-9 | Porgy and Bess: Act I, Scene II. "Overflow, overflow" - "Gawd got plenty of money for de saucer" | The Cleveland Orchestra Chorus, Barbara Conrad, Florence Quivar, Willard White, The Cleveland Orchestra, Lorin Maazel | — | |
| 11-10 | Porgy and Bess: Act I, Scene II. "Um! A saucer-burial setup, I see" | Robert Snook, The Cleveland Orchestra, Lorin Maazel | — | |
| 11-11 | Porgy and Bess: Act I, Scene II. "My man's gone now" - "How de saucer stan' now, my sister?" | Florence Quivar, The Cleveland Orchestra, Lorin Maazel | T-903.720.769-5 | |
| 11-12 | Porgy and Bess: Act I, Scene II. "Headin' for the Promis' Lan'" | Leona Mitchell, The Cleveland Orchestra, Lorin Maazel | T-070.095.273-3 | |
| 12-1 | Porgy and Bess: Act II, Scene I. "It takes a long pull to get there" | The Cleveland Orchestra, Lorin Maazel | — | |
| 12-2 | Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’” – “Lissen there, what I tells you” | Willard White, The Cleveland Orchestra, Lorin Maazel | — | |
| 12-3 | Porgy and Bess: Act II, Scene I. "I hates yo' struttin' style" - "Mornin', lawyer, lookin' for somebody?" - "Dey's a Buckra comin'" | The Cleveland Orchestra, Lorin Maazel | — | |
| 12-4 | Porgy and Bess: Act II, Scene I. Buzzard Song – “Lo, Bess, goin’ to picnic?” | François Clemmons, Willard White, The Cleveland Orchestra, Lorin Maazel | — | |
| 12-5 | Porgy and Bess: Act II, Scene I. "Bess, you is my woman now" | Willard White, The Cleveland Orchestra, Lorin Maazel | T-903.624.216-7 | |
| 12-6 | Porgy and Bess: Act II, Scene I. "Oh, I can't sit down" | The Cleveland Orchestra, Lorin Maazel | — | |
| 12-7 | Porgy and Bess: Act II, Scene II. "I ain't got no shame" | The Cleveland Orchestra, Lorin Maazel | — | |
| 12-8 | Porgy and Bess: Act II, Scene II. "It ain't necessarily so" - "Shame on all you sinners" - "Bess!...Crown!..." | The Cleveland Orchestra, Lorin Maazel | T-900.757.862-3 | |
| 12-9 | Porgy and Bess: Act II, Scene II. "Oh, what you want wid Bess?" | The Cleveland Orchestra, Lorin Maazel | — | |
| 12-10 | Porgy and Bess: Act II, Scene III. "Honey, dat's all de breakfast I got time for" - "Take yo' han's off me, I say" | The Cleveland Orchestra, Lorin Maazel | T-900.017.926-0 | |
| 12-11 | Porgy and Bess: Act II, Scene III. "Oh, Doctor Jesus" | The Cleveland Orchestra, Lorin Maazel | T-900.021.571-4 | |
| 12-12 | Porgy and Bess: Act II, Scene III. "Oh dey's so fresh an' fine" - "I'm talkin' about devil crabs" | The Cleveland Orchestra, Lorin Maazel | T-900.901.696-0 | |
| 12-13 | Porgy and Bess: Act II, Scene III. "Porgy, Porgy, dat you there" | The Cleveland Orchestra, Lorin Maazel | — | |
| 12-14 | Porgy and Bess: Act II, Scene III. "I loves you, Porgy" | Leona Mitchell, The Cleveland Orchestra, Lorin Maazel | T-070.024.203-0 | |
| 12-15 | Porgy and Bess: Act II, Scene III. "Why you been out on that wharf" | The Cleveland Orchestra, Lorin Maazel | — | |
| 13-1 | Porgy and Bess: Act II, Scene IV. "Oh, Doctor Jesus" | The Cleveland Orchestra, Lorin Maazel | T-900.021.571-4 | |
| 13-2 | Porgy and Bess: Act II, Scene IV. "Oh, de Lawd shake de heavens" - "One of dese mornings you goin' to rise up singin'" | The Cleveland Orchestra, Lorin Maazel | — | |
| 13-3 | Porgy and Bess: Act II, Scene IV. "Oh, dere's somebody knockin' at de do'" - "You is a nice parcel of Christians..." | The Cleveland Orchestra, Lorin Maazel | T-900.229.833-1 | |
| 13-4 | Porgy and Bess: Act II, Scene IV. "A red-headed woman" - "Jake's boat in de river" - "Oh, Doctor Jesus" | The Cleveland Orchestra, Lorin Maazel | — | |
| 13-5 | Porgy and Bess: Act III, Scene I. "Clara, Clara, don't you be downhearted" - "Crown, Crown, don't you..." - "Summertime" | The Cleveland Orchestra, Lorin Maazel | T-913.675.944-9 | |
| 13-6 | Porgy and Bess: Act III, Scene I. Interlude (Death of Crown) | The Cleveland Orchestra, Lorin Maazel | T-310.755.127-5 | |
| 13-7 | Porgy and Bess: Act III, Scene II. Introduction - "Wait for us at the corner, Al" - "What is your name?" | The Cleveland Orchestra, Lorin Maazel | — | |
| 13-8 | Porgy and Bess: Act III, Scene II. "You've got to go, Porgy" - "Oh, Gawd! They goin' make him look" | The Cleveland Orchestra, Lorin Maazel | — | |
| 13-9 | Porgy and Bess: Act III, Scene II. "There's a boat dat's leavin'" | The Cleveland Orchestra, Lorin Maazel | T-004.025.172-6 | |
| 13-10 | Porgy and Bess: Act III, Scene III. Introduction | The Cleveland Orchestra, Lorin Maazel | T-921.150.836-0 | |
| 13-11 | Porgy and Bess: Act III, Scene III. "Good mornin', sistuh!" - "Thank Gawd I's home again!" | The Cleveland Orchestra, Lorin Maazel | — | |
| 13-12 | Porgy and Bess: Act III, Scene III. "Dem white folks sure ain't put nuthin'" | The Cleveland Orchestra, Lorin Maazel | — | |
| 13-13 | Porgy and Bess: Act III, Scene III. "Oh Bess, oh where's my Bess" | The Cleveland Orchestra, Lorin Maazel | T-801.269.905-8 | |
| 13-14 | Porgy and Bess: Act III, Scene III. "Bess is gone" | The Cleveland Orchestra, Lorin Maazel | — | |
| 13-15 | Porgy and Bess: Act III, Scene III. "Oh Lawd, I'm on my way" | The Cleveland Orchestra, Lorin Maazel | T-802.499.018-0 | |
| 14-1 | An American In Paris | — | ||
| 14-2 | Cuban Overture | — | ||
| 14-3 | Rhapsody in Blue | Ivan Davis, Cleveland Orchestra, Lorin Maazel | T-010.244.926-2 | |
| 14-4 | Variations symphoniques | Pascal Rogé, The Cleveland Orchestra, Lorin Maazel | T-911.781.420-7 | |
| 15-1 | Symphony no. 1 in C, op. 68: 1. Un poco sostenuto - Allegro - Meno allegro | — | ||
| 15-2 | Symphony no. 1 in C, op. 68: 2. Andante sostenuto | — | ||
| 15-3 | Symphony no. 1 in C, op. 68: 3. Un poco allegretto e grazioso | — | ||
| 15-4 | Symphony no. 1 in C, op. 68: 4. Adagio - Piu andante - Allegro non troppo, ma con brio - Piu allegro | — | ||
| 15-5 | Academic Festival Overture, op. 80 | — | ||
| 15-6 | Tragic Overture, op. 81 | — | ||
| 16-1 | Symphony no. 2 in D, op. 73: I. Allegro Non Troppo | — | ||
| 16-2 | Symphony no. 2 in D, op. 73: II. Adagio Non Troppo | — | ||
| 16-3 | Symphony no. 2 in D, op. 73: III. Allegretto Grazioso | — | ||
| 16-4 | Symphony no. 2 in D, op. 73: IV. Allegro Con Spirito | — | ||
| 16-5 | Symphony no. 3 in F, op. 90: I. Allegro Con Brio | — | ||
| 16-6 | Symphony no. 3 in F, op. 90: II. Andante | — | ||
| 16-7 | Symphony no. 3 in F, op. 90: III. Poco Allegretto | — | ||
| 16-8 | Symphony no. 3 in F, op. 90: IV. Allegro | — | ||
| 17-1 | Symphony no. 4 In E minor, op. 98: 1. Allegro Non Troppo | — | ||
| 17-2 | Symphony no. 4 In E minor, op. 98: 2. Andante Moderato | — | ||
| 17-3 | Symphony no. 4 In E minor, op. 98: 3. Allegro giocoso-Poco Meno presto-Tempo I | — | ||
| 17-4 | Symphony no. 4 In E minor, op. 98: 4. Allegro Energico E passionato-Piu Allegro | — | ||
| 17-5 | Variations On A Theme Of Haydn, op. 56a: 1. Thema/Chorale St. Antoni; Andante | — | ||
| 17-6 | Variations On A Theme Of Haydn, op. 56a: 2. Variation I; Poco più animato | — | ||
| 17-7 | Variations On A Theme Of Haydn, op. 56a: 3. Variation II; Piu Vivace (Vivace) | — | ||
| 17-8 | Variations On A Theme Of Haydn, op. 56a: 4. Variation III; Con Moto | — | ||
| 17-9 | Variations On A Theme Of Haydn, op. 56a: 5. Variation IV; Andante Con Moto | — | ||
| 17-10 | Variations On A Theme Of Haydn, op. 56a: 6. Variation V; Vivace (Poco Presto) | — | ||
| 17-11 | Variations On A Theme Of Haydn, op. 56a: 7. Variation VI; Vivace | — | ||
| 17-12 | Variations On A Theme Of Haydn, op. 56a: 8. Variation VII; Grazioso | — | ||
| 17-13 | Variations On A Theme Of Haydn, op. 56a: 9. Variation VIII; Presto Non Troppo | — | ||
| 17-14 | Variations On A Theme Of Haydn, op. 56a: 10. Finale; Andante | — | ||
| 18-1 | Ballo della Regina - from Don Carlo Act 3 | — | ||
| 18-2 | Ballet Music - from Otello Act 3 | — | ||
| 18-3 | Le quattro stagioni: 1. L'inverno - from I vespri sicilliani Act 3 | — | ||
| 18-4 | Le quattro stagioni: 2. La primavera - from I vespri sicilliani Act 3 | — | ||
| 18-5 | Le quattro stagioni: 3. L'estate - from I vespri sicilliani Act 3 | — | ||
| 18-6 | Le quattro stagioni: 4. L'autunno - from I vespri sicilliani Act 3 | — | ||
| 18-7 | Overture (Sinfonia) from La forza del destino | — | ||
| 18-8 | Overture to The Creatures of Prometheus, op. 43 | — | ||
| 18-9 | Overture "Le carnaval romain", op. 9 | — | ||
| 19-1 | Cello Concerto in E minor, op. 85: 1. Adagio-Moderato | — | ||
| 19-2 | Cello Concerto in E minor, op. 85: 2. Lento--Allego Molto | — | ||
| 19-3 | Cello Concerto, op. 85: III. Adagio | Lynn Harrell, Cleveland Orchestra, Lorin Maazel | T-010.115.155-6 | |
| 19-4 | Cello Concerto in E minor, op. 85: 4. Allegro | — | ||
| 19-5 | Variations On A Rococo Theme, op. 33 | — | ||
| 19-6 | Pezzo Capriccioso, op. 62 | — | ||
| 19-7 | La Gazza Ladra 'Theiving Magpie', Overture | — |
Musical Works (ISWC)
Identifier Graph
028947877790 is a Universal Product Code (UPC) assigned to The Cleveland Years: Complete Recordings by The Cleveland Orchestra, Lorin Maazel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 209 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947877790 is the Universal Product Code (UPC barcode) for the release “The Cleveland Years: Complete Recordings” by The Cleveland Orchestra, Lorin Maazel, released 2014-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 209 tracks, each with its own ISRC. Tracks include GBF077611341, GBF077611342, GBF077611343.
