UPC · Release
The Cleveland Years: Complete Recordings
The Cleveland Orchestra, Lorin Maazel
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028947877790 is the Universal Product Code (UPC barcode) for the release “The Cleveland Years: Complete Recordings” by The Cleveland Orchestra, Lorin Maazel, released 2014-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC. Tracks include GBF077340301, GBF077340302, GBF077340303.
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- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
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Track List (22)
Additional database matches (85)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Romeo and Juliet, op. 64: Act II, Scene II. No. 28 Romeo at Friar Laurence's | The Cleveland Orchestra, Lorin Maazel | T0035067436 |
| Romeo and Juliet, op. 64: Act II, Scene II. No. 29 Juliet at Friar Laurence's | The Cleveland Orchestra, Lorin Maazel | T0035067436 |
| Romeo and Juliet, op. 64: Act II, Scene III. No. 30 The People Continue to Make Merry - No. 31 Further Public Festivities | The Cleveland Orchestra, Lorin Maazel | T0035067436 |
| Romeo and Juliet, op. 64: Act II, Scene III. No. 32 Tybalt Meets Mercutio - No. 33 Tybalt and Mercutio Fight - No. 34 Mercutio Dies | The Cleveland Orchestra, Lorin Maazel | T0035067436 |
| Romeo and Juliet, op. 64: Act II, Scene III. No. 35 Romeo Resolves to Avenge Mercutio's Death - No. 36 Finale | The Cleveland Orchestra, Lorin Maazel | T0035067436 |
| Romeo and Juliet, op. 64: Act III, Scene I. No. 37 Introduction | The Cleveland Orchestra, Lorin Maazel | T0035067436 |
| Romeo and Juliet, op. 64: Act III, Scene I. No. 38 Romeo and Juliet (Juliet's Bedroom) - No. 39 The Last Farewell | The Cleveland Orchestra, Lorin Maazel | T0035067436 |
| Romeo and Juliet, op. 64: Act III, Scene I. No. 40 The Nurse | The Cleveland Orchestra, Lorin Maazel | T0035067436 |
| Romeo and Juliet, op. 64: Act III, Scene I. No. 41 Juliet Refuses to Marry Paris | The Cleveland Orchestra, Lorin Maazel | T0035067436 |
| Romeo and Juliet, op. 64: Act III, Scene I. No. 42 Juliet Alone - No. 43 Interlude | The Cleveland Orchestra, Lorin Maazel | T0035067436 |
| Romeo and Juliet, op. 64: Act III, Scene II. No. 44 At Friar Laurence's - No. 45 Interlude | The Cleveland Orchestra, Lorin Maazel | T0035067436 |
| Romeo and Juliet, op. 64: Act III, Scene III. No. 46 Again in Juliet's Bedroom | The Cleveland Orchestra, Lorin Maazel | T0035067436 |
| Romeo and Juliet, op. 64: Act III, Scene III. No. 47 Juliet Alone | The Cleveland Orchestra, Lorin Maazel | T0035067436 |
| Romeo and Juliet, op. 64: Act III, Scene III. No. 48 Morning Serenade | The Cleveland Orchestra, Lorin Maazel | T0035067436 |
| Romeo and Juliet, op. 64: Act III, Scene III. No. 49 Dance of the Girls With Lilies | The Cleveland Orchestra, Lorin Maazel | — |
| Romeo and Juliet, op. 64: Act III, Scene III. No. 50 At Juliet's Bedside | The Cleveland Orchestra, Lorin Maazel | T0035067436 |
| Romeo and Juliet, op. 64: Act IV (Epilogue). No. 51 Juliet's Funeral - No. 52 Juliet's Death | The Cleveland Orchestra, Lorin Maazel | T0035067436 |
| Rhapsody in Blue | Ivan Davis, Cleveland Orchestra, Lorin Maazel | T-010.244.926-2 |
| Variations symphoniques | Pascal Rogé, The Cleveland Orchestra, Lorin Maazel | T9117814207 |
| Porgy and Bess: Act I, Scene I. Introduction: Jasbo Brown Blues | The Cleveland Orchestra Chorus, Joela Jones, The Cleveland Orchestra, Lorin Maazel | — |
| Porgy and Bess: Act I, Scene I. "Summertime" - "Oh, nobody knows when the Lawd is goin' to call..." - "I been sweatin' all day" | Barbara Hendricks, The Cleveland Orchestra, Lorin Maazel | T9091321663 |
| Porgy and Bess: Act I, Scene I. "A woman is a sometime thing (Lissen to yo' daddy warn you)" | Arthur Thompson, The Cleveland Orchestra, Lorin Maazel | T-004.011.617-3 |
| Porgy and Bess: Act I, Scene I. “Here come de honey man” – “Here’s the ol’ crap shark“ | Arthur Thompson, The Cleveland Orchestra, Lorin Maazel | T-070.012.937-8 |
| Porgy and Bess: Act I, Scene I. "They pass by singin'" - "Here comes Big Boy!" - "Don't you ever let a woman grieve you" | Willard White, The Cleveland Orchestra, Lorin Maazel | — |
| Porgy and Bess: Act I, Scene I. "Oh, little stars" - "Touch that money an' meet yo' Gawd!" | McHenry Boatwright, Willard White, The Cleveland Orchestra, Lorin Maazel | — |
| Porgy and Bess: Act I, Scene I. "Wake up an' hit it out" - "That you, Sportin' Life?" | Leona Mitchell, The Cleveland Orchestra, Lorin Maazel | — |
| Porgy and Bess: Act I, Scene II. "Gone, gone, gone (Where is brudder Robbins?)" | Barbara Conrad, The Cleveland Orchestra, Lorin Maazel | T-900.008.917-8 |
| Porgy and Bess: Act I, Scene II. "Overflow, overflow" - "Gawd got plenty of money for de saucer" | The Cleveland Orchestra Chorus, Barbara Conrad, Florence Quivar, Willard White, The Cleveland Orchestra, Lorin Maazel | — |
| Porgy and Bess: Act I, Scene II. "Um! A saucer-burial setup, I see" | Robert Snook, The Cleveland Orchestra, Lorin Maazel | — |
| Porgy and Bess: Act I, Scene II. "My man's gone now" - "How de saucer stan' now, my sister?" | Florence Quivar, The Cleveland Orchestra, Lorin Maazel | T-903.720.769-5 |
| Porgy and Bess: Act I, Scene II. "Headin' for the Promis' Lan'" | Leona Mitchell, The Cleveland Orchestra, Lorin Maazel | T-070.095.273-3 |
| Porgy and Bess: Act II, Scene I. "It takes a long pull to get there" | The Cleveland Orchestra, Lorin Maazel | — |
| Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’” – “Lissen there, what I tells you” | Willard White, The Cleveland Orchestra, Lorin Maazel | — |
| Porgy and Bess: Act II, Scene I. "I hates yo' struttin' style" - "Mornin', lawyer, lookin' for somebody?" - "Dey's a Buckra comin'" | The Cleveland Orchestra, Lorin Maazel | — |
| Porgy and Bess: Act II, Scene I. Buzzard Song – “Lo, Bess, goin’ to picnic?” | François Clemmons, Willard White, The Cleveland Orchestra, Lorin Maazel | — |
| Porgy and Bess: Act II, Scene I. "Bess, you is my woman now" | Willard White, The Cleveland Orchestra, Lorin Maazel | T-903.624.216-7 |
| Porgy and Bess: Act II, Scene I. "Oh, I can't sit down" | The Cleveland Orchestra, Lorin Maazel | — |
| Porgy and Bess: Act II, Scene II. "I ain't got no shame" | The Cleveland Orchestra, Lorin Maazel | — |
| Porgy and Bess: Act II, Scene II. "It ain't necessarily so" - "Shame on all you sinners" - "Bess!...Crown!..." | The Cleveland Orchestra, Lorin Maazel | T9007578623 |
| Porgy and Bess: Act II, Scene II. "Oh, what you want wid Bess?" | The Cleveland Orchestra, Lorin Maazel | — |
| Porgy and Bess: Act II, Scene III. "Honey, dat's all de breakfast I got time for" - "Take yo' han's off me, I say" | The Cleveland Orchestra, Lorin Maazel | T9000179260 |
| Porgy and Bess: Act II, Scene III. "Oh, Doctor Jesus" | The Cleveland Orchestra, Lorin Maazel | T9000215714 |
| Porgy and Bess: Act II, Scene III. "Oh dey's so fresh an' fine" - "I'm talkin' about devil crabs" | The Cleveland Orchestra, Lorin Maazel | T9009016960 |
| Porgy and Bess: Act II, Scene III. "Porgy, Porgy, dat you there" | The Cleveland Orchestra, Lorin Maazel | — |
| Porgy and Bess: Act II, Scene III. "I loves you, Porgy" | Leona Mitchell, The Cleveland Orchestra, Lorin Maazel | T0700242030 |
| Porgy and Bess: Act II, Scene III. "Why you been out on that wharf" | The Cleveland Orchestra, Lorin Maazel | — |
| Porgy and Bess: Act II, Scene IV. "Oh, Doctor Jesus" | The Cleveland Orchestra, Lorin Maazel | T9000215714 |
| Porgy and Bess: Act II, Scene IV. "Oh, de Lawd shake de heavens" - "One of dese mornings you goin' to rise up singin'" | The Cleveland Orchestra, Lorin Maazel | — |
| Porgy and Bess: Act II, Scene IV. "Oh, dere's somebody knockin' at de do'" - "You is a nice parcel of Christians..." | The Cleveland Orchestra, Lorin Maazel | T9002298331 |
| Porgy and Bess: Act II, Scene IV. "A red-headed woman" - "Jake's boat in de river" - "Oh, Doctor Jesus" | The Cleveland Orchestra, Lorin Maazel | — |
| Porgy and Bess: Act III, Scene I. "Clara, Clara, don't you be downhearted" - "Crown, Crown, don't you..." - "Summertime" | The Cleveland Orchestra, Lorin Maazel | T9136759449 |
| Porgy and Bess: Act III, Scene I. Interlude (Death of Crown) | The Cleveland Orchestra, Lorin Maazel | T3107551275 |
| Porgy and Bess: Act III, Scene II. Introduction - "Wait for us at the corner, Al" - "What is your name?" | The Cleveland Orchestra, Lorin Maazel | — |
| Porgy and Bess: Act III, Scene II. "You've got to go, Porgy" - "Oh, Gawd! They goin' make him look" | The Cleveland Orchestra, Lorin Maazel | — |
| Porgy and Bess: Act III, Scene II. "There's a boat dat's leavin'" | The Cleveland Orchestra, Lorin Maazel | T-004.025.172-6 |
| Porgy and Bess: Act III, Scene III. Introduction | The Cleveland Orchestra, Lorin Maazel | T9211508360 |
| Porgy and Bess: Act III, Scene III. "Good mornin', sistuh!" - "Thank Gawd I's home again!" | The Cleveland Orchestra, Lorin Maazel | — |
| Porgy and Bess: Act III, Scene III. "Dem white folks sure ain't put nuthin'" | The Cleveland Orchestra, Lorin Maazel | — |
| Porgy and Bess: Act III, Scene III. "Oh Bess, oh where's my Bess" | The Cleveland Orchestra, Lorin Maazel | T-801.269.905-8 |
| Porgy and Bess: Act III, Scene III. "Bess is gone" | The Cleveland Orchestra, Lorin Maazel | — |
| Porgy and Bess: Act III, Scene III. "Oh Lawd, I'm on my way" | The Cleveland Orchestra, Lorin Maazel | T8024990180 |
| Feste romane: I. Circenses | The Cleveland Orchestra, Lorin Maazel | T3094805188 |
| Feste romane: II. Il giubileo | The Cleveland Orchestra, Lorin Maazel | T3094805188 |
| Feste romane: III. L'ottobrata | The Cleveland Orchestra, Lorin Maazel | T3094805188 |
| Feste romane: IV. La Befana | The Cleveland Orchestra, Lorin Maazel | T3094805188 |
| Pini di Roma: I. I pini di Villa Borghese | The Cleveland Orchestra, Lorin Maazel | — |
| Pini di Roma: II. Pini presso una catacomba | The Cleveland Orchestra, Lorin Maazel | T9025971840 |
| Pini di Roma: III. I pini del Gianicolo | The Cleveland Orchestra, Lorin Maazel | T9025971840 |
| Pini di Roma: IV. I pini della Via Appia | The Cleveland Orchestra, Lorin Maazel | T3330471499 |
| Symphony no. 5 in B-flat major, op. 100: I. Andante | The Cleveland Orchestra, Lorin Maazel | T0114223538 |
| Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato | The Cleveland Orchestra, Lorin Maazel | — |
| Symphony no. 5 in B-flat major, op. 100: III. Adagio | The Cleveland Orchestra, Lorin Maazel | — |
| Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso | The Cleveland Orchestra, Lorin Maazel | — |
| Le Poème de l'extase, op. 54 | Lorin Maazel, The Cleveland Orchestra | — |
| Cello Concerto, op. 85: III. Adagio | Lynn Harrell, Cleveland Orchestra, Lorin Maazel | T-010.115.155-6 |
| Russian Easter Festival Overture, op. 36 | The Cleveland Orchestra, Lorin Maazel | — |
| Capriccio Espagnol, op. 34: 2. Variazioni | The Cleveland Orchestra, Lorin Maazel | — |
| Capriccio Espagnol, op. 34: 3. Alborada | The Cleveland Orchestra, Lorin Maazel | — |
| Capriccio Espagnol, op. 34: 4. Scena e canto gitano | The Cleveland Orchestra, Lorin Maazel | — |
| Capriccio Espagnol, op. 34: 5. Fandango asturiano | The Cleveland Orchestra, Lorin Maazel | — |
| Suite From "Le Coq D'or": I. King Dodon n His Palace | The Cleveland Orchestra, Lorin Maazel | T8021242898 |
| Suite From "Le Coq D'or": II. King Dodon on the Battlefield | The Cleveland Orchestra, Lorin Maazel | T8021242898 |
| Suite From "Le Coq D'or": III. King Dodon With the Queen of Shemakha | The Cleveland Orchestra, Lorin Maazel | T8021242898 |
| Suite From "Le Coq D'or": IV. The Marriage Feast and Lamentable End of King Dodon | The Cleveland Orchestra, Lorin Maazel | — |
| Cello Concerto, op. 85: III. Adagio | Lynn Harrell, Cleveland Orchestra, Lorin Maazel | T-010.115.155-6 |
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What is UPC 028947877790?
028947877790 is a Universal Product Code (UPC) assigned to The Cleveland Years: Complete Recordings by The Cleveland Orchestra, Lorin Maazel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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