UPC · Release
Emma Kirkby
Last verified:
The UPC for “The Complete Recitals” by Emma Kirkby is 028947878636. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: L'Oiseau-Lyre. This release contains 180 tracks, each with its own ISRC. Tracks include GBFO77841301, GBFO77841302, GBFO77841303.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Where Grypinge Griefs | Emma Kirkby, Anthony Rooley | — | |
| 2 | Come Let Us Sound | Emma Kirkby, Anthony Rooley | — | |
| 3 | In This Trembling Shadow | Emma Kirkby, Anthony Rooley | — | |
| 4 | Like as the Lute Delights | Emma Kirkby, Anthony Rooley | — | |
| 5 | I Saw My Ladye Weepe | Emma Kirkby, Anthony Rooley | — | |
| 6 | Rest Sweest Nimphs | Emma Kirkby, Anthony Rooley | — | |
| 7 | When to Her Lute | Emma Kirkby, Anthony Rooley | — | |
| 8 | Musick Deare Sollace | Emma Kirkby, Anthony Rooley | — | |
| 9 | I Saw My Ladye Weeping | Emma Kirkby, Anthony Rooley | — | |
| 10 | If in This Flesh | Emma Kirkby, Anthony Rooley | — | |
| 11 | Come All Ye | Emma Kirkby, Anthony Rooley | — | |
| 12 | Sweete Birdes Deprive Us Never | Emma Kirkby, Anthony Rooley | — | |
| 2-1 | Whither Runneth My Sweetheart | — | ||
| 2-2 | Fly Swift My Thoughts | — | ||
| 2-3 | We Yet Agree | — | ||
| 2-4 | Sorrow Stay, Lend True Repentant Tears - Die Not Before The Day - Mourne, Mourne, Day Is With Darkness Fled | — | ||
| 2-5 | As I Walked Forth | — | ||
| 2-6 | 'Tis Late And Cold | — | ||
| 2-7 | Charon, O Charon | — | ||
| 2-8 | Daphne and Strephon (Come, My Daphne, Come Away) | — | ||
| 2-9 | Venus and Vulcan (Vulcan, Vulcan, O Vulcan, My Love) | — | ||
| 2-10 | Non miri il mio bel sole | — | ||
| 2-11 | Al fonte, al prato | — | ||
| 2-12 | Perchè piangi, pastore | — | ||
| 2-13 | Che Farai, Meliseo? ... Qual Fiera Si Crudel? | — | ||
| 2-14 | Surge propera amica mea | — | ||
| 2-15 | Odi quel rosignuolo | — | ||
| 2-16 | Uccidetemi pur, bella tiranna | — | ||
| 2-17 | No, no, ch'io non mi fido | — | ||
| 3-1 | Whither Runneth My Sweetheart | — | ||
| 3-2 | Fayre cruell Nimph | — | ||
| 3-3 | Tell Me, O Love | — | ||
| 3-4 | Who Is It That This Dark Night? | — | ||
| 3-5 | Shut Not, Sweet Breast | — | ||
| 3-6 | A Dialogue Upon A Kiss | — | ||
| 3-7 | A Dialogue Betwixt Time And A Pilgrime: Aged Man That Moves These Fields | — | ||
| 3-8 | Bel Pastor | — | ||
| 3-9 | Da l'onde del mio pianto | — | ||
| 3-10 | Dialogo a due, Fileno e Lidia:Amar io to consiglio | — | ||
| 3-11 | Amanti io vo se dire | — | ||
| 3-12 | Dio ti salvi pastor | — | ||
| 3-13 | Bel pastor | — | ||
| 4-1 | Intenerite voi, lagrime mie | — | ||
| 4-2 | Alla guerra d'amore | — | ||
| 4-3 | Vanne, O carta amorosa | — | ||
| 4-4 | Maddalena alla Croce: sonetto spirituale | — | ||
| 4-5 | Spine care e soavi | — | ||
| 4-6 | Fortunato cantore | — | ||
| 4-7 | Chi vuol haver felice e lieto il core | — | ||
| 4-8 | O come sei gentile | — | ||
| 4-9 | La mia Filla crudel | — | ||
| 4-10 | Io mi sento morir | — | ||
| 4-11 | La Virtù | — | ||
| 4-12 | Udite, o selve | — | ||
| 4-13 | Fulmina da la bocca | — | ||
| 5-1 | "Hark! How All Things" | — | ||
| 5-2 | "Crown The Altar, Deck The Shrine" | — | ||
| 5-3 | "If Music Be The Food Of Love", Z.379 | — | ||
| 5-4 | "Not All My Torments Can Your Pity Move", Z. 400 | — | ||
| 5-5 | "O Let Me Weep, For Ever Weep" | — | ||
| 5-6 | "I Attempt From Love's Sickness To Fly" | — | ||
| 5-7 | "Olinda In The Shades Unseen", Z.404 | — | ||
| 5-8 | "Urge Me No More", Z.426 | — | ||
| 5-9 | Mad Bess of Bedlam ("From Silent Shades"), Z.370 | — | ||
| 5-10 | "Lovely, Lovely Albina's Come Ashore", Z.394 | — | ||
| 5-11 | "Sweeter Than Roses", Z.585 | — | ||
| 5-12 | "Dear Pretty Youth" | — | ||
| 5-13 | "When First Amintas Sued For A Kiss", Z.430 | — | ||
| 5-14 | "The Cares Of Lovers" | — | ||
| 5-15 | "Ye Gentle Spirits Of The Air" | — | ||
| 5-16 | Evening Hymn, Z.193 | — | ||
| 6-1 | Kantate, BWV 211 "Schweigt stille, plaudert nicht": "Schweigt stille, plaudert nicht"..."Hat man nicht mit seinen Kindern" | — | ||
| 6-2 | Cantata BWV 211 "Schweigt stille, plaudert nicht": II. Arie: "Ei! wie schmeckt der Coffee süße" | Emma Kirkby, David Thomas, Academy of Ancient Music, Christopher Hogwood | — | |
| 6-3 | Kantate, BWV 211 "Schweigt stille, plaudert nicht": "Mädchen, die von harten Sinnen" | — | ||
| 6-4 | Kantate, BWV 211 "Schweigt stille, plaudert nicht": "Heute noch" | — | ||
| 6-5 | Kantate, BWV 211 "Schweigt stille, plaudert nicht": "Die Katze lässt das Mausen nicht" | — | ||
| 6-6 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 1. Ouverture | — | ||
| 6-7 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 2-3. Mer hahn en neue Oberkeet...Nu, Mieke, gib dein Guschel immer her | — | ||
| 6-8 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 4-5 Ach es schmeckt doch gar zu gut | — | ||
| 6-9 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 6-7. Ach, Herr Schösser, geht nicht gar zu schlimm | — | ||
| 6-10 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 8-9. Unser trefflicher, lieber Kammerherr | — | ||
| 6-11 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 10-11: Das ist galant, es spricht niemand | — | ||
| 6-12 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 12-13. Fünfzig Taler bares Geld | — | ||
| 6-13 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 14-15: Klein-Zsocher müsse so zart und süße | — | ||
| 6-14 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 16-17: Es nehme zehntausend Dukaten | — | ||
| 6-15 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 18-19: Gib, Schöne, viel Söhne | — | ||
| 6-16 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 20-21: Dein Wachstum sei feste | — | ||
| 6-17 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 22-23. Arie: Und daß ihr's alle wißt | — | ||
| 6-18 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 24. Chor (Duetto): Wir gehn nun, wo der Dudelsack | — | ||
| 7-1 | Kantate, BWV 202 "Weichet nur, betrübte Schatten": 1. Adagio: Weichet nur, betrübte Schatten | — | ||
| 7-2 | Kantate, BWV 202 "Weichet nur, betrübte Schatten": 2. Recit: Die Welt wird wieder neu | — | ||
| 7-3 | Kantate, BWV 202 "Weichet nur, betrübte Schatten": 3. Aria: Phöbus eilt mit schnellen Pferden | — | ||
| 7-4 | Kantate, BWV 202 "Weichet nur, betrübte Schatten": 4. Recit: D'rum sucht auch Amor sein Vergnügen | — | ||
| 7-5 | Kantate, BWV 202 "Weichet nur, betrübte Schatten": 5. Aria: Wenn die Frühlingslüfte streichen | — | ||
| 7-6 | Kantate, BWV 202 "Weichet nur, betrübte Schatten": 6. Recit: Und dieses ist das Glücke | — | ||
| 7-7 | Kantate, BWV 202 "Weichet nur, betrübte Schatten": 7. Aria: Sich üben im Lieben | — | ||
| 7-8 | Kantate, BWV 202 "Weichet nur, betrübte Schatten": 8. Recit: So sei das Band der keuschen Liebe | — | ||
| 7-9 | Kantate, BWV 202 "Weichet nur, betrübte Schatten": 9. Gavotte: Sehet in Zufriedenheit | — | ||
| 7-10 | "Bist du bei mir", BWV 508 Aria | — | ||
| 7-11 | "Gedenke doch, mein Geist zurücke", BWV 509 | — | ||
| 7-12 | Kantate, BWV 82a "Ich habe genung": 2. Recitativo: Ich habe genug! Mein Trost ist nur allein | — | ||
| 7-13 | Kantate, BWV 82a "Ich habe genung": 3. Aria: Schlummert ein, ihr matten Augen | — | ||
| 7-14 | Kantate, BWV 210 "O holder Tag, erwünschte Zeit": 1. Recit: O holder Tag, erwünschte Zeit | — | ||
| 7-15 | Kantate, BWV 210 "O holder Tag, erwünschte Zeit": 2. Aria: Spielet, ihr beseelten Lieder | — | ||
| 7-16 | Kantate, BWV 210 "O holder Tag, erwünschte Zeit": 3. Recit: Doch haltet ein, ihr muntern Saiten | — | ||
| 7-17 | Kantate, BWV 210 "O holder Tag, erwünschte Zeit": 4. Aria: Ruhet hie, matte Töne | — | ||
| 7-18 | Kantate, BWV 210 "O holder Tag, erwünschte Zeit": 5. Recit: So glaubt man denn, daß die Musik verführe | — | ||
| 7-19 | Kantate, BWV 210 "O holder Tag, erwünschte Zeit": 6. Aria: Schweigt, ihr Flöten, schweigt ihr Töne | — | ||
| 7-20 | Kantate, BWV 210 "O holder Tag, erwünschte Zeit": 7. Recit: Was Luft? was Grab? | — | ||
| 7-21 | Kantate, BWV 210 "O holder Tag, erwünschte Zeit": 8. Aria: Großer Gönner, dein Vergnügen | — | ||
| 7-22 | Kantate, BWV 210 "O holder Tag, erwünschte Zeit": 9. Recit: Hochteurer Mann, so fahre ferner fort | — | ||
| 7-23 | Kantate, BWV 210 "O holder Tag, erwünschte Zeit": 10. Aria: Seid beglückt | — | ||
| 8-1 | Ouverture (Alessandro Severo) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-2 | Welcome Mars (Britannia) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-3 | Pretty Warbles (Dione) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | T-071.000.879-9 | |
| 8-4 | Hornpipe (1740) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-5 | Rise, Glory, Rise (Rosamond) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | T-919.075.892-0 | |
| 8-6 | Neghittosi or Voi Che Fate? (Ariodante) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-7 | Credete Al Mio Dolore (Alcina) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-8 | Tornami a Vagheggiar (Alcina) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-9 | March in D Major, HWV 345 | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-10 | War, He Sung, Is Toil and Trouble (Alexander's Feast) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-11 | Sweet Bird (L'Allegro, Il Penseroso E Il Moderato) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-12 | Capricious Man (Saul) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-13 | By the Rushy-Fringed Bank (Comus) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-14 | Brightest Lady - Thrice Upon Thy Finger's Tip (Comus) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-15 | Where the Bee Sucks There Lurk I (The Tempest) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 9-1 | Sonata | — | ||
| 9-2 | Tu fedel? tu costante? | — | ||
| 9-3 | Cento belle ami, Fileno | — | ||
| 9-4 | L' occhio nero vivace di Filli | — | ||
| 9-5 | Se Licori, Filli ed io | — | ||
| 9-6 | Ma, se non hai più...Se non ti piace amarmi | — | ||
| 9-7 | Sì, crudel, ti lascierò | — | ||
| 9-8 | Mi palpita il cor | — | ||
| 9-9 | Ho tanti affanni in petto | — | ||
| 9-10 | Clori, di te mi lagno | — | ||
| 9-11 | S'un dì m'adora la mia crudele | — | ||
| 9-12 | Alpestre monte | — | ||
| 9-13 | Io son ben ch'il vostro orrore | — | ||
| 9-14 | Quindi men vengo a voi | — | ||
| 9-15 | Almen dopo il fato mio | — | ||
| 9-16 | Tra le fiamme tu scherzi pergioco | — | ||
| 9-17 | Dedalo già le fortunate penne | — | ||
| 9-18 | Pien di nuovo e bel diletto | — | ||
| 9-19 | Sì, sì, purtroppo è vero | — | ||
| 9-20 | Voli per l'aria chi può volare | — | ||
| 9-21 | L'uomo che nacque per salire al Cielo | — | ||
| 9-22 | Tra le fiamme tu scherzi per salire per gioco | — | ||
| 10-1 | "Quel fior che all'alba ride" (Duetto XV), HWV.192 | — | ||
| 10-2 | "Nell'Africaine selve....Langue trema" | — | ||
| 10-3 | "Nice, là fra confine....Chiedo amore" | — | ||
| 10-4 | "No, di voi non vuo' fidarmi" (Duetto XVI), HWV.189 | — | ||
| 10-5 | "Nella stagion che...Ride il fiore" | — | ||
| 10-6 | "Così la ninfa...Tergei il ciglio lagrimoso" | — | ||
| 10-7 | "Tacete, Ohimè, Tacete!" (Duetto X), HWV 196 | — | ||
| 10-8 | Se tu non lasci amore, HWV 201 | — | ||
| 10-9 | "Disserratevi, o porte d'Averno" | — | ||
| 10-10 | But who may abide the day of his coming | — | ||
| 10-11 | Thou art gone up on high | — | ||
| 10-12 | If God be for us | — | ||
| 10-13 | With Verdure Clad The Fields Appear | — | ||
| 10-14 | And God Said: "Let The Waters Bring Forth" | — | ||
| 10-15 | On Mighty Pens Uplifted Soars The Eagle Aloft | — | ||
| 10-16 | Graceful Consort! At Thy Side | — | ||
| 11-1 | Exsultate, jubilate | — | ||
| 11-2 | Tandem advenit hora | — | ||
| 11-3 | Tu virginum corona | — | ||
| 11-4 | Alleluia | — | ||
| 11-5 | Regina coeli in C, K.108 | — | ||
| 11-6 | Ergo interest... Quaere superna, K.143 | — | ||
| 11-7 | Regina coeli in B flat, K.127 | — | ||
| 12-1 | "Aer tranquillo" | Emma Kirkby, Academy of Ancient Music | — | |
| 12-2 | "L'amerò, sarò costante" | Emma Kirkby, Christopher Hirons, Academy of Ancient Music | T-801.376.595-3 | |
| 12-3 | "Voi avete un cor fedele", K.217 | Emma Kirkby, Academy of Ancient Music | — | |
| 12-4 | "Ah, lo previdi...Ah, t'invola agl'occhi miei", K.272 | Emma Kirkby, Academy of Ancient Music | — | |
| 12-5 | "Ruhe sanft, mein holdes Leben" | Emma Kirkby, Academy of Ancient Music | — | |
| 12-6 | "Trostlos schluchzet Philomele" | Emma Kirkby, Academy of Ancient Music | — | |
| 12-7 | "Nehmt meinen Dank", K.383 | Emma Kirkby, Academy of Ancient Music | — | |
| 12-8 | "Ch'io mi scordi di te... Non temer, amato bene", K.505 | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
028947878636 is a Universal Product Code (UPC) assigned to The Complete Recitals by Emma Kirkby. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 180 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Complete Recitals” by Emma Kirkby is 028947878636. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: L'Oiseau-Lyre. This release contains 180 tracks, each with its own ISRC. Tracks include GBFO77841301, GBFO77841302, GBFO77841303.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Where Grypinge Griefs | Emma Kirkby, Anthony Rooley | — | |
| 2 | Come Let Us Sound | Emma Kirkby, Anthony Rooley | — | |
| 3 | In This Trembling Shadow | Emma Kirkby, Anthony Rooley | — | |
| 4 | Like as the Lute Delights | Emma Kirkby, Anthony Rooley | — | |
| 5 | I Saw My Ladye Weepe | Emma Kirkby, Anthony Rooley | — | |
| 6 | Rest Sweest Nimphs | Emma Kirkby, Anthony Rooley | — | |
| 7 | When to Her Lute | Emma Kirkby, Anthony Rooley | — | |
| 8 | Musick Deare Sollace | Emma Kirkby, Anthony Rooley | — | |
| 9 | I Saw My Ladye Weeping | Emma Kirkby, Anthony Rooley | — | |
| 10 | If in This Flesh | Emma Kirkby, Anthony Rooley | — | |
| 11 | Come All Ye | Emma Kirkby, Anthony Rooley | — | |
| 12 | Sweete Birdes Deprive Us Never | Emma Kirkby, Anthony Rooley | — | |
| 2-1 | Whither Runneth My Sweetheart | — | ||
| 2-2 | Fly Swift My Thoughts | — | ||
| 2-3 | We Yet Agree | — | ||
| 2-4 | Sorrow Stay, Lend True Repentant Tears - Die Not Before The Day - Mourne, Mourne, Day Is With Darkness Fled | — | ||
| 2-5 | As I Walked Forth | — | ||
| 2-6 | 'Tis Late And Cold | — | ||
| 2-7 | Charon, O Charon | — | ||
| 2-8 | Daphne and Strephon (Come, My Daphne, Come Away) | — | ||
| 2-9 | Venus and Vulcan (Vulcan, Vulcan, O Vulcan, My Love) | — | ||
| 2-10 | Non miri il mio bel sole | — | ||
| 2-11 | Al fonte, al prato | — | ||
| 2-12 | Perchè piangi, pastore | — | ||
| 2-13 | Che Farai, Meliseo? ... Qual Fiera Si Crudel? | — | ||
| 2-14 | Surge propera amica mea | — | ||
| 2-15 | Odi quel rosignuolo | — | ||
| 2-16 | Uccidetemi pur, bella tiranna | — | ||
| 2-17 | No, no, ch'io non mi fido | — | ||
| 3-1 | Whither Runneth My Sweetheart | — | ||
| 3-2 | Fayre cruell Nimph | — | ||
| 3-3 | Tell Me, O Love | — | ||
| 3-4 | Who Is It That This Dark Night? | — | ||
| 3-5 | Shut Not, Sweet Breast | — | ||
| 3-6 | A Dialogue Upon A Kiss | — | ||
| 3-7 | A Dialogue Betwixt Time And A Pilgrime: Aged Man That Moves These Fields | — | ||
| 3-8 | Bel Pastor | — | ||
| 3-9 | Da l'onde del mio pianto | — | ||
| 3-10 | Dialogo a due, Fileno e Lidia:Amar io to consiglio | — | ||
| 3-11 | Amanti io vo se dire | — | ||
| 3-12 | Dio ti salvi pastor | — | ||
| 3-13 | Bel pastor | — | ||
| 4-1 | Intenerite voi, lagrime mie | — | ||
| 4-2 | Alla guerra d'amore | — | ||
| 4-3 | Vanne, O carta amorosa | — | ||
| 4-4 | Maddalena alla Croce: sonetto spirituale | — | ||
| 4-5 | Spine care e soavi | — | ||
| 4-6 | Fortunato cantore | — | ||
| 4-7 | Chi vuol haver felice e lieto il core | — | ||
| 4-8 | O come sei gentile | — | ||
| 4-9 | La mia Filla crudel | — | ||
| 4-10 | Io mi sento morir | — | ||
| 4-11 | La Virtù | — | ||
| 4-12 | Udite, o selve | — | ||
| 4-13 | Fulmina da la bocca | — | ||
| 5-1 | "Hark! How All Things" | — | ||
| 5-2 | "Crown The Altar, Deck The Shrine" | — | ||
| 5-3 | "If Music Be The Food Of Love", Z.379 | — | ||
| 5-4 | "Not All My Torments Can Your Pity Move", Z. 400 | — | ||
| 5-5 | "O Let Me Weep, For Ever Weep" | — | ||
| 5-6 | "I Attempt From Love's Sickness To Fly" | — | ||
| 5-7 | "Olinda In The Shades Unseen", Z.404 | — | ||
| 5-8 | "Urge Me No More", Z.426 | — | ||
| 5-9 | Mad Bess of Bedlam ("From Silent Shades"), Z.370 | — | ||
| 5-10 | "Lovely, Lovely Albina's Come Ashore", Z.394 | — | ||
| 5-11 | "Sweeter Than Roses", Z.585 | — | ||
| 5-12 | "Dear Pretty Youth" | — | ||
| 5-13 | "When First Amintas Sued For A Kiss", Z.430 | — | ||
| 5-14 | "The Cares Of Lovers" | — | ||
| 5-15 | "Ye Gentle Spirits Of The Air" | — | ||
| 5-16 | Evening Hymn, Z.193 | — | ||
| 6-1 | Kantate, BWV 211 "Schweigt stille, plaudert nicht": "Schweigt stille, plaudert nicht"..."Hat man nicht mit seinen Kindern" | — | ||
| 6-2 | Cantata BWV 211 "Schweigt stille, plaudert nicht": II. Arie: "Ei! wie schmeckt der Coffee süße" | Emma Kirkby, David Thomas, Academy of Ancient Music, Christopher Hogwood | — | |
| 6-3 | Kantate, BWV 211 "Schweigt stille, plaudert nicht": "Mädchen, die von harten Sinnen" | — | ||
| 6-4 | Kantate, BWV 211 "Schweigt stille, plaudert nicht": "Heute noch" | — | ||
| 6-5 | Kantate, BWV 211 "Schweigt stille, plaudert nicht": "Die Katze lässt das Mausen nicht" | — | ||
| 6-6 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 1. Ouverture | — | ||
| 6-7 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 2-3. Mer hahn en neue Oberkeet...Nu, Mieke, gib dein Guschel immer her | — | ||
| 6-8 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 4-5 Ach es schmeckt doch gar zu gut | — | ||
| 6-9 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 6-7. Ach, Herr Schösser, geht nicht gar zu schlimm | — | ||
| 6-10 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 8-9. Unser trefflicher, lieber Kammerherr | — | ||
| 6-11 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 10-11: Das ist galant, es spricht niemand | — | ||
| 6-12 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 12-13. Fünfzig Taler bares Geld | — | ||
| 6-13 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 14-15: Klein-Zsocher müsse so zart und süße | — | ||
| 6-14 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 16-17: Es nehme zehntausend Dukaten | — | ||
| 6-15 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 18-19: Gib, Schöne, viel Söhne | — | ||
| 6-16 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 20-21: Dein Wachstum sei feste | — | ||
| 6-17 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 22-23. Arie: Und daß ihr's alle wißt | — | ||
| 6-18 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 24. Chor (Duetto): Wir gehn nun, wo der Dudelsack | — | ||
| 7-1 | Kantate, BWV 202 "Weichet nur, betrübte Schatten": 1. Adagio: Weichet nur, betrübte Schatten | — | ||
| 7-2 | Kantate, BWV 202 "Weichet nur, betrübte Schatten": 2. Recit: Die Welt wird wieder neu | — | ||
| 7-3 | Kantate, BWV 202 "Weichet nur, betrübte Schatten": 3. Aria: Phöbus eilt mit schnellen Pferden | — | ||
| 7-4 | Kantate, BWV 202 "Weichet nur, betrübte Schatten": 4. Recit: D'rum sucht auch Amor sein Vergnügen | — | ||
| 7-5 | Kantate, BWV 202 "Weichet nur, betrübte Schatten": 5. Aria: Wenn die Frühlingslüfte streichen | — | ||
| 7-6 | Kantate, BWV 202 "Weichet nur, betrübte Schatten": 6. Recit: Und dieses ist das Glücke | — | ||
| 7-7 | Kantate, BWV 202 "Weichet nur, betrübte Schatten": 7. Aria: Sich üben im Lieben | — | ||
| 7-8 | Kantate, BWV 202 "Weichet nur, betrübte Schatten": 8. Recit: So sei das Band der keuschen Liebe | — | ||
| 7-9 | Kantate, BWV 202 "Weichet nur, betrübte Schatten": 9. Gavotte: Sehet in Zufriedenheit | — | ||
| 7-10 | "Bist du bei mir", BWV 508 Aria | — | ||
| 7-11 | "Gedenke doch, mein Geist zurücke", BWV 509 | — | ||
| 7-12 | Kantate, BWV 82a "Ich habe genung": 2. Recitativo: Ich habe genug! Mein Trost ist nur allein | — | ||
| 7-13 | Kantate, BWV 82a "Ich habe genung": 3. Aria: Schlummert ein, ihr matten Augen | — | ||
| 7-14 | Kantate, BWV 210 "O holder Tag, erwünschte Zeit": 1. Recit: O holder Tag, erwünschte Zeit | — | ||
| 7-15 | Kantate, BWV 210 "O holder Tag, erwünschte Zeit": 2. Aria: Spielet, ihr beseelten Lieder | — | ||
| 7-16 | Kantate, BWV 210 "O holder Tag, erwünschte Zeit": 3. Recit: Doch haltet ein, ihr muntern Saiten | — | ||
| 7-17 | Kantate, BWV 210 "O holder Tag, erwünschte Zeit": 4. Aria: Ruhet hie, matte Töne | — | ||
| 7-18 | Kantate, BWV 210 "O holder Tag, erwünschte Zeit": 5. Recit: So glaubt man denn, daß die Musik verführe | — | ||
| 7-19 | Kantate, BWV 210 "O holder Tag, erwünschte Zeit": 6. Aria: Schweigt, ihr Flöten, schweigt ihr Töne | — | ||
| 7-20 | Kantate, BWV 210 "O holder Tag, erwünschte Zeit": 7. Recit: Was Luft? was Grab? | — | ||
| 7-21 | Kantate, BWV 210 "O holder Tag, erwünschte Zeit": 8. Aria: Großer Gönner, dein Vergnügen | — | ||
| 7-22 | Kantate, BWV 210 "O holder Tag, erwünschte Zeit": 9. Recit: Hochteurer Mann, so fahre ferner fort | — | ||
| 7-23 | Kantate, BWV 210 "O holder Tag, erwünschte Zeit": 10. Aria: Seid beglückt | — | ||
| 8-1 | Ouverture (Alessandro Severo) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-2 | Welcome Mars (Britannia) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-3 | Pretty Warbles (Dione) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | T-071.000.879-9 | |
| 8-4 | Hornpipe (1740) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-5 | Rise, Glory, Rise (Rosamond) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | T-919.075.892-0 | |
| 8-6 | Neghittosi or Voi Che Fate? (Ariodante) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-7 | Credete Al Mio Dolore (Alcina) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-8 | Tornami a Vagheggiar (Alcina) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-9 | March in D Major, HWV 345 | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-10 | War, He Sung, Is Toil and Trouble (Alexander's Feast) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-11 | Sweet Bird (L'Allegro, Il Penseroso E Il Moderato) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-12 | Capricious Man (Saul) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-13 | By the Rushy-Fringed Bank (Comus) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-14 | Brightest Lady - Thrice Upon Thy Finger's Tip (Comus) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-15 | Where the Bee Sucks There Lurk I (The Tempest) | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — | |
| 9-1 | Sonata | — | ||
| 9-2 | Tu fedel? tu costante? | — | ||
| 9-3 | Cento belle ami, Fileno | — | ||
| 9-4 | L' occhio nero vivace di Filli | — | ||
| 9-5 | Se Licori, Filli ed io | — | ||
| 9-6 | Ma, se non hai più...Se non ti piace amarmi | — | ||
| 9-7 | Sì, crudel, ti lascierò | — | ||
| 9-8 | Mi palpita il cor | — | ||
| 9-9 | Ho tanti affanni in petto | — | ||
| 9-10 | Clori, di te mi lagno | — | ||
| 9-11 | S'un dì m'adora la mia crudele | — | ||
| 9-12 | Alpestre monte | — | ||
| 9-13 | Io son ben ch'il vostro orrore | — | ||
| 9-14 | Quindi men vengo a voi | — | ||
| 9-15 | Almen dopo il fato mio | — | ||
| 9-16 | Tra le fiamme tu scherzi pergioco | — | ||
| 9-17 | Dedalo già le fortunate penne | — | ||
| 9-18 | Pien di nuovo e bel diletto | — | ||
| 9-19 | Sì, sì, purtroppo è vero | — | ||
| 9-20 | Voli per l'aria chi può volare | — | ||
| 9-21 | L'uomo che nacque per salire al Cielo | — | ||
| 9-22 | Tra le fiamme tu scherzi per salire per gioco | — | ||
| 10-1 | "Quel fior che all'alba ride" (Duetto XV), HWV.192 | — | ||
| 10-2 | "Nell'Africaine selve....Langue trema" | — | ||
| 10-3 | "Nice, là fra confine....Chiedo amore" | — | ||
| 10-4 | "No, di voi non vuo' fidarmi" (Duetto XVI), HWV.189 | — | ||
| 10-5 | "Nella stagion che...Ride il fiore" | — | ||
| 10-6 | "Così la ninfa...Tergei il ciglio lagrimoso" | — | ||
| 10-7 | "Tacete, Ohimè, Tacete!" (Duetto X), HWV 196 | — | ||
| 10-8 | Se tu non lasci amore, HWV 201 | — | ||
| 10-9 | "Disserratevi, o porte d'Averno" | — | ||
| 10-10 | But who may abide the day of his coming | — | ||
| 10-11 | Thou art gone up on high | — | ||
| 10-12 | If God be for us | — | ||
| 10-13 | With Verdure Clad The Fields Appear | — | ||
| 10-14 | And God Said: "Let The Waters Bring Forth" | — | ||
| 10-15 | On Mighty Pens Uplifted Soars The Eagle Aloft | — | ||
| 10-16 | Graceful Consort! At Thy Side | — | ||
| 11-1 | Exsultate, jubilate | — | ||
| 11-2 | Tandem advenit hora | — | ||
| 11-3 | Tu virginum corona | — | ||
| 11-4 | Alleluia | — | ||
| 11-5 | Regina coeli in C, K.108 | — | ||
| 11-6 | Ergo interest... Quaere superna, K.143 | — | ||
| 11-7 | Regina coeli in B flat, K.127 | — | ||
| 12-1 | "Aer tranquillo" | Emma Kirkby, Academy of Ancient Music | — | |
| 12-2 | "L'amerò, sarò costante" | Emma Kirkby, Christopher Hirons, Academy of Ancient Music | T-801.376.595-3 | |
| 12-3 | "Voi avete un cor fedele", K.217 | Emma Kirkby, Academy of Ancient Music | — | |
| 12-4 | "Ah, lo previdi...Ah, t'invola agl'occhi miei", K.272 | Emma Kirkby, Academy of Ancient Music | — | |
| 12-5 | "Ruhe sanft, mein holdes Leben" | Emma Kirkby, Academy of Ancient Music | — | |
| 12-6 | "Trostlos schluchzet Philomele" | Emma Kirkby, Academy of Ancient Music | — | |
| 12-7 | "Nehmt meinen Dank", K.383 | Emma Kirkby, Academy of Ancient Music | — | |
| 12-8 | "Ch'io mi scordi di te... Non temer, amato bene", K.505 | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | — |
