UPC · Release
Various Artists
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028947878964 is the Universal Product Code (UPC barcode) for the release “Mercury Living Presence: The Collector's Edition, Vol. 3” by Various Artists, released 2015-01-01 on Mercury Living Presence. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 550 tracks, each with its own ISRC. Tracks include NLA505900988, NLA505900989, NLA505900990.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C minor, op. 68: 1. Un poco sostenuto – Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 2 | Symphony no. 1 in C minor, op. 68: 2. Andante sostenuto | London Symphony Orchestra, Antal Doráti | — | |
| 3 | Symphony no. 1 in C minor, op. 68: 3. Un poco allegretto e grazioso | London Symphony Orchestra, Antal Doráti | — | |
| 4 | Symphony no. 1 in C minor, op. 68: 4. Adagio – Più andante – Allegro non troppo, ma con brio | London Symphony Orchestra, Antal Doráti | — | |
| 5 | Symphony no. 3 in F, op. 90: Allegro con brio | London Symphony Orchestra, Antal Doráti | T-329.366.811-4 | |
| 6 | Symphony no. 3 in F, op. 90: Andante | London Symphony Orchestra, Antal Doráti | T-329.366.812-5 | |
| 7 | Symphony no. 3 in F, op. 90: Poco allegretto | London Symphony Orchestra, Antal Doráti | — | |
| 8 | Symphony no. 3 in F, op. 90: Allegro | London Symphony Orchestra, Antal Doráti | T-329.367.586-8 | |
| 2-1 | Symphony no. 2 in D Major, op. 73 - 1. Allegro non troppo | — | ||
| 2-2 | Symphony no. 2 in D Major, op. 73 - 2. Adagio non troppo - L'Istesso tempo ma grazioso | — | ||
| 2-3 | Symphony no. 2 in D Major, op. 73 - 3. Allegretto grazioso quasi andantino | — | ||
| 2-4 | Symphony no. 2 in D Major, op. 73 - 4. Allegro con spirito | — | ||
| 2-5 | Symphony no. 4 in E minor, op. 98: Allegro non troppo | London Symphony Orchestra, Antal Doráti | T-902.764.002-4 | |
| 2-6 | Symphony no. 4 in E minor, op. 98: Andante moderato | London Symphony Orchestra, Antal Doráti | — | |
| 2-7 | Symphony no. 4 in E minor, op. 98: Allegro giocoso – Poco meno presto – Tempo I | London Symphony Orchestra, Antal Doráti | T-902.764.002-4 | |
| 2-8 | Symphony no. 4 in E minor, op. 98: Allegro energico e passionato – Piu allegro | London Symphony Orchestra, Antal Doráti | — | |
| 3-1 | Waltz from the Merry Widow | — | ||
| 3-2 | The Gypsy Princess Waltz | — | ||
| 3-3 | Village Swallows, op. 164 | — | ||
| 3-4 | Wedding Waltz from The Veil of Pierette | — | ||
| 3-5 | Skaters Waltz, op. 183 | — | ||
| 3-6 | Die Schönbrunner, op. 200 | — | ||
| 3-7 | Voices of Spring, op. 410 | — | ||
| 3-8 | Aquarellen Waltzes, op. 258 | — | ||
| 3-9 | Doctrinen Waltz, op. 79 | — | ||
| 4-1 | Water Music, Suite: I. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 4-2 | Water Music, Suite: II. Air | London Symphony Orchestra, Antal Doráti | — | |
| 4-3 | Water Music, Suite: III. Bourrée | London Symphony Orchestra, Antal Doráti | — | |
| 4-4 | Water Music, Suite: IV. Horn-Pipe | London Symphony Orchestra, Antal Doráti | — | |
| 4-5 | Water Music Suite: V. Andante / VI. Allegro deciso | London Symphony Orchestra, Antal Doráti | — | |
| 4-6 | Music for the Royal Fireworks: I. Overture | London Symphony Orchestra, Antal Doráti | — | |
| 4-7 | Music for the Royal Fireworks: II. Alla Siciliana | London Symphony Orchestra, Antal Doráti | — | |
| 4-8 | Music for the Royal Fireworks: III. Bourrée | London Symphony Orchestra, Antal Doráti | — | |
| 4-9 | Music for the Royal Fireworks: IV. Menuetto | London Symphony Orchestra, Antal Doráti | — | |
| 4-10 | Eine kleine Nachtmusik, K. 525: 1. Allegro | London Symphony Orchestra, Antal Doráti | T-070.160.313-5 | |
| 4-11 | Eine kleine Nachtmusik, K. 525: 2. Romanze | London Symphony Orchestra, Antal Doráti | — | |
| 4-12 | Eine kleine Nachtmusik, K. 525: 3. Menuetto | London Symphony Orchestra, Antal Doráti | T-335.909.880-5 | |
| 4-13 | Eine kleine Nachtmusik, K. 525: 4. Rondo | London Symphony Orchestra, Antal Doráti | — | |
| 4-14 | Two Marches in D major, K335: no. 1 | Festival Chamber Orchestra, Antal Doráti | — | |
| 4-15 | Two Marches in D major, K335: no. 2 | Festival Chamber Orchestra, Antal Doráti | — | |
| 4-16 | Allegro in D major K. 121 | Festival Chamber Orchestra, Antal Doráti | — | |
| 4-17 | March in D major, K. 249 | Festival Chamber Orchestra, Antal Doráti | T-915.711.552-1 | |
| 4-18 | Minuet in C major, K. 409 | Festival Chamber Orchestra, Antal Doráti | — | |
| 4-19 | Three German Dances, K. 605: no. 1 | Festival Chamber Orchestra, Antal Doráti | — | |
| 4-20 | Three German Dances, K. 605: no. 2 | Festival Chamber Orchestra, Antal Doráti | — | |
| 4-21 | Three German Dances, K. 605: no. 3 | Festival Chamber Orchestra, Antal Doráti | — | |
| 5-1 | Fingal’s Cave Overture, op. 26 | London Symphony Orchestra, Antal Doráti | — | |
| 5-2 | Symphony no. 3 in A minor, op. 56 (“Scotch”): 1. Andante con moto | London Symphony Orchestra, Antal Doráti | — | |
| 5-3 | Symphony no. 3 in A minor, op. 56 (“Scotch”): 2. Vivace non troppo | London Symphony Orchestra, Antal Doráti | — | |
| 5-4 | Symphony no. 3 in A minor, op. 56 (“Scotch”): 3. Adagio | London Symphony Orchestra, Antal Doráti | — | |
| 5-5 | Symphony no. 3 in A minor, op. 56 (“Scotch”): 4 Allegro vivacissimo – Allegro maestoso assai | London Symphony Orchestra, Antal Doráti | T-306.395.786-4 | |
| 5-6 | Symphony No. 4 In A Major, Op. 90 ("Italian"): 1. Allegro Vivace | — | ||
| 5-7 | Symphony No. 4 In A Major, Op. 90 ("Italian"): 2. Andante Con Moto | — | ||
| 5-8 | Symphony No. 4 In A Major, Op. 90 ("Italian"): 3. Con Moto Moderato | — | ||
| 5-9 | Symphony No. 4 In A Major, Op. 90 ("Italian"): 4. Saltarello: Presto | — | ||
| 6-1 | Scheherazade, Op. 35: The Sea and Sinbad's Ship | — | ||
| 6-2 | Scheherazade, Op. 35: The Tale of Prince Kalandar | — | ||
| 6-3 | Scheherazade, Op. 35: The Young Prince and the Young Princess | — | ||
| 6-4 | Scheherazade, Op. 35: Festival at Bagdad - The Sea - The Shipwreck Against a Rock Surmounted by a Bronze Warrior - Conclusion | — | ||
| 6-5 | Valse triste | London Symphony Orchestra, Antal Doráti | T-000.769.449-6 | |
| 6-6 | Les Préludes | London Symphony Orchestra, Antal Doráti | — | |
| 6-7 | The Moldau ("Vltava") | London Symphony Orchestra, Antal Doráti | — | |
| 7-1 | Capriccio Espagnol, op. 34: I. Alborada | London Symphony Orchestra, Antal Doráti | — | |
| 7-2 | Capriccio Espagnol, op. 34: II. Variazioni | London Symphony Orchestra, Antal Doráti | — | |
| 7-3 | Capriccio Espagnol, op. 34: III. Alborada | London Symphony Orchestra, Antal Doráti | — | |
| 7-4 | Capriccio Espagnol, op. 34: IV. Scena e canto gitano | London Symphony Orchestra, Antal Doráti | — | |
| 7-5 | Capriccio Espagnol, op. 34: V. Fandango asturiano | London Symphony Orchestra, Antal Doráti | — | |
| 7-6 | Le Coq d’or Suite: 1. King Dodon in His Palace | London Symphony Orchestra, Antal Doráti | T-802.124.289-8 | |
| 7-7 | Le Coq d’or Suite: 2. King Dodon on the Battlefield | London Symphony Orchestra, Antal Doráti | T-802.124.289-8 | |
| 7-8 | Le Coq d’or Suite: 3. King Dodon With Queen Shemakha | London Symphony Orchestra, Antal Doráti | T-802.124.289-8 | |
| 7-9 | Le Coq d’or Suite: 4. Marriage Feast and Lamentable End of King Dodon | London Symphony Orchestra, Antal Doráti | — | |
| 7-10 | Russian Easter Overture, op. 36 | London Symphony Orchestra, Antal Doráti | — | |
| 7-11 | “Prince Igor”: Polovetsian Dances (with chorus) | London Symphony Orchestra, Chorus, Antal Dorati | T-902.804.388-1 | |
| 8-1 | La forza del destino: Overture | London Symphony Orchestra, Antal Doráti | T-306.483.068-4 | |
| 8-2 | Nabucco: Overture | London Symphony Orchestra, Antal Doráti | T-911.382.704-6 | |
| 8-3 | I vespri siciliani: Overture | London Symphony Orchestra, Antal Doráti | — | |
| 8-4 | La traviata: Prelude to Act I | London Symphony Orchestra, Antal Doráti | — | |
| 8-5 | La traviata: Prelude to Act III | London Symphony Orchestra, Antal Doráti | — | |
| 8-6 | La gazza ladra: Overture | — | ||
| 8-7 | La scala di seta: Overture | Minnesota Orchestra, Antal Doráti | — | |
| 8-8 | La Cenerentola: Overture | — | ||
| 8-9 | Il barbiere di Siviglia: Overture | — | ||
| 8-10 | L’italiana in Algeri: Overture | — | ||
| 8-11 | Il signor Bruschino: Overture | — | ||
| 9-1 | Don Juan, op. 20 | — | ||
| 9-2 | Death and Transfiguration, op. 24 | — | ||
| 9-3 | Till Eulenspiegel's Merry Pranks, op. 28 | — | ||
| 9-4 | Suite from "Der Rosenkavalier" | — | ||
| 10-1 | Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Allegro tranquillo (Dreams of a Winter Journey) | London Symphony Orchestra, Antal Doráti | — | |
| 10-2 | Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists: Andante cantabile ma non tanto | London Symphony Orchestra, Antal Doráti | — | |
| 10-3 | Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo. Allegro scherzando giocoso | London Symphony Orchestra, Antal Doráti | — | |
| 10-4 | Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale. Andante lugubre - Allegro maestoso | London Symphony Orchestra, Antal Doráti | — | |
| 10-5 | Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto – Allegro vivo | London Symphony Orchestra, Antal Doráti | — | |
| 10-6 | Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato | London Symphony Orchestra, Antal Doráti | — | |
| 10-7 | Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo and Trio: Allegro molto vivace | London Symphony Orchestra, Antal Doráti | — | |
| 10-8 | Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai – Allegro vivo | London Symphony Orchestra, Antal Doráti | — | |
| 11-1 | Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e Allegro - Moderato assai - Allegro brillante | London Symphony Orchestra, Antal Doráti | — | |
| 11-2 | Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca. Allegro moderato e semplice | London Symphony Orchestra, Antal Doráti | — | |
| 11-3 | Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco | London Symphony Orchestra, Antal Doráti | — | |
| 11-4 | Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo. Allegro vivo | London Symphony Orchestra, Antal Doráti | — | |
| 11-5 | Symphony no. 3 in D major, op. 29 "Polish": V. Finale. Allegro con fuoco – Tempo di Polacca | London Symphony Orchestra, Antal Doráti | — | |
| 11-6 | Variations on a theme of Tchaikovsky, op. 35a | Philharmonia Hungarica, Antal Doráti | — | |
| 12-1 | Symphony No. 5 In E Minor, op. 64: Andante | London Symphony, Antal Doráti | — | |
| 12-2 | Symphony No. 5 In E Minor, op. 64: Andante Cantabile, Con Alcuna Licenza | London Symphony, Antal Doráti | — | |
| 12-3 | Symphony No. 5 In E Minor, op. 64: Valse. Allegro Moderato | London Symphony, Antal Doráti | — | |
| 12-4 | Symphony No. 5 In E Minor, op. 64: Finale. Andante Maestoso | London Symphony, Antal Doráti | — | |
| 12-5 | March Slav, op. 31 | — | ||
| 12-6 | Eugene Onegin: Waltz | — | ||
| 12-7 | Eugene Onegin: Polonaise | — | ||
| 13-1 | Die Meistersinger von Nürnberg, Overture | London Symphony Orchestra, Antal Doráti | — | |
| 13-2 | Parsifal, Good Friday Spell | London Symphony Orchestra, Antal Doráti | — | |
| 13-3 | Lohengrin, Prelude to Act I | London Symphony Orchestra, Antal Doráti | T-050.071.427-1 | |
| 13-4 | Lohengrin, Prelude to Act III | London Symphony Orchestra, Antal Doráti | T-050.071.427-1 | |
| 13-5 | Tannhäuser, Overture and Venusberg Music | London Symphony Orchestra, Antal Doráti | — | |
| 13-6 | Tristan und Isolde, Prelude and Liebestod | London Symphony Orchestra, Antal Doráti | T-900.151.755-1 | |
| 14-1 | I Got Rhythm | — | ||
| 14-2 | Love Is Sweeping the Country | — | ||
| 14-3 | Love Walked In | — | ||
| 14-4 | ’S Wonderful | — | ||
| 14-5 | Bidin’ My Time | — | ||
| 14-6 | Oh, Lady, Be Good | — | ||
| 14-7 | Fascinating Rhythm | — | ||
| 14-8 | Liza | — | ||
| 14-9 | Embraceable You | — | ||
| 14-10 | The Man I Love | — | ||
| 14-11 | Someone to Watch Over Me | — | ||
| 14-12 | But Not for Me | — | ||
| 15-1 | Streets Of New York | — | ||
| 15-2 | Habanera | — | ||
| 15-3 | I'm Falling In Love With Someone | — | ||
| 15-4 | March Of The Toys | — | ||
| 15-5 | Sweethearts | — | ||
| 15-6 | Ah, Sweet Mystery Of Life | — | ||
| 15-7 | Italian Street Song | — | ||
| 15-8 | The Irish Have A Great Day Tonight | — | ||
| 15-9 | A Kiss In The Dark | — | ||
| 15-10 | Romany Life | — | ||
| 15-11 | Thine Alone | — | ||
| 15-12 | Kiss Me Again | — | ||
| 16-1 | Blow, Gabriel, Blow | — | ||
| 16-2 | So in Love | — | ||
| 16-3 | It’s All Right With Me | — | ||
| 16-4 | Ridin’ High | — | ||
| 16-5 | In the Still of the Night | — | ||
| 16-6 | Begin the Beguine | — | ||
| 16-7 | Night and Day | — | ||
| 16-8 | My Heart Belongs to Daddy | — | ||
| 16-9 | Anything Goes | — | ||
| 16-10 | I’ve Got You Under My Skin | — | ||
| 16-11 | It’s De‐Lovely | — | ||
| 16-12 | You’d Be So Nice to Come Home To | — | ||
| 17-1 | Waltz from Carousel | — | ||
| 17-2 | Ballet from Le Cid: I. Aubade | — | ||
| 17-3 | Ballet from Le Cid: II. Aragonaise | — | ||
| 17-4 | Minuet | — | ||
| 17-5 | Henry VIII Dances: I. Morris Dance | — | ||
| 17-6 | Henry VIII Dances: II. Shepherd's Dance | — | ||
| 17-7 | Henry VIII Dances: III. Torch Dance | — | ||
| 17-8 | Cotillon Suite | — | ||
| 17-9 | Passo a sei from William Tell | — | ||
| 17-10 | Dance of the Tumblers | — | ||
| 17-11 | Prelude in G Minor | — | ||
| 17-12 | Dance of the Russian Sailors | — | ||
| 17-13 | Procession of the Nobles | — | ||
| 17-14 | Polka and Fugue from Schwanda | — | ||
| 18-1 | Pineapple Poll Suite: 1. Opening Number | — | ||
| 18-2 | Pineapple Poll Suite: 2. Jasper's Dance | — | ||
| 18-3 | Pineapple Poll Suite: 3. Poll's Dance | — | ||
| 18-4 | Pineapple Poll Suite: 4. Finale | — | ||
| 18-5 | Suite La boutique fantasque: 1. Danse cosaque | — | ||
| 18-6 | Suite La boutique fantasque: 2. Nocturne | — | ||
| 18-7 | Suite La boutique fantasque: 3. Allegro non troppo | — | ||
| 18-8 | Suite La boutique fantasque: 4. Mazurka | — | ||
| 18-9 | Suite La boutique fantasque: 5. Tarantelle | — | ||
| 18-10 | Suite La boutique fantasque: 6. Valse lente | — | ||
| 18-11 | Suite La boutique fantasque: 7. Can-can | — | ||
| 18-12 | Suite La boutique fantasque: 8. Andantino | — | ||
| 18-13 | Suite La boutique fantasque: 9. Galop | — | ||
| 18-14 | Faust, Ballet Music (1869): 1. Les Nubiennes, valse (Allegretto) | — | ||
| 18-15 | Faust, Ballet Music (1869): 2. Adagio | — | ||
| 18-16 | Faust, Ballet Music (1869): 3. Danse antique (Allegretto) | — | ||
| 18-17 | Faust, Ballet Music (1869): 4. Variations de Cléopatre (Moderato maestoso) - 5. Les Troyennes (Moderato con moto) - 6. Variations du miroir (Allegretto) | — | ||
| 18-18 | Faust, Ballet Music (1869): 7. Danse de Phryné (Allegro vivo) | — | ||
| 18-19 | Lohengrin - Act 3: Prelude to Act III - Bridal Chorus | — | ||
| 18-20 | Lohengrin - Act 3: Elsa's Procession to the Cathedral | — | ||
| 18-21 | Das Rheingold - Vierte Szene : Entry of the Gods into Valhalla | — | ||
| 19-1 | Orb and Sceptre (Coronation March) (1953) | Eastman-Rochester "Pops" Orchestra, Frederick Fennell | — | |
| 19-2 | Turkish March from "The Ruins of Athens" | Eastman-Rochester Pops Orchestra, Frederick Fennell | — | |
| 19-3 | Alla Marcia from "Karelia" Suite | Eastman-Rochester Pops Orchestra, Frederick Fennell | — | |
| 19-4 | March from "Prince Igor" | Eastman-Rochester Pops Orchestra, Frederick Fennell | — | |
| 19-5 | Marche militaire, op. 51 no. 1 | Eastman-Rochester Pops Orchestra, Frederick Fennell | — | |
| 19-6 | Homage March from "Sigurd Jorsalfar" | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-900.037.282-7 | |
| 19-7 | March from "Tannhäuser" | Eastman-Rochester Pops Orchestra, Frederick Fennell | — | |
| 19-8 | Overture to "Rienzi" | Eastman-Rochester Pops Orchestra, Frederick Fennell | — | |
| 19-9 | Good Friday Music from "Parsifal" | Eastman-Rochester Pops Orchestra, Frederick Fennell | — | |
| 20-1 | Giselle: Act I: Introduction | — | ||
| 20-2 | Giselle: Act I: Les Vendangeurs | — | ||
| 20-3 | Giselle: Act I: Entrée du Prince | — | ||
| 20-4 | Giselle: Act I: Entrée de Giselle | — | ||
| 20-5 | Giselle: Act I: Retour de la Vendange | — | ||
| 20-6 | Giselle: Act I: La Chasse Part 1 | — | ||
| 20-7 | Giselle: Act I: Pas de Deux and La Chasse Part 2 | — | ||
| 20-8 | Giselle: Act I: Scène d'Hilarion: Marche des Vendanges | — | ||
| 20-9 | Giselle: Act I: Galop | — | ||
| 20-10 | Giselle: Act I: Final | — | ||
| 20-11 | Giselle: Act II: La halte des Chasseurs | — | ||
| 20-12 | Giselle: Act II: Apparition et Scène de Myrtha | — | ||
| 20-13 | Giselle: Act II: Apparition et Scène de Myrtha | — | ||
| 20-14 | Giselle: Act II: Apparition et Scène de Myrtha | — | ||
| 20-15 | Giselle: Act II: Apparition de Giselle | — | ||
| 20-16 | Giselle: Act II: Apparition de Giselle | — | ||
| 20-17 | Giselle: Act II: Entrée d'Albert et Wilfred | — | ||
| 21-1 | Giselle: Act II: Entrée d'Hilarion | — | ||
| 21-2 | Giselle: Act II: Grand pas de deux (a: Andante) | — | ||
| 21-3 | Giselle: Act II: Grand pas de deux (b: Variation de Loys) | — | ||
| 21-4 | Giselle: Act II: Grand pas de deux (c: Variation de Giselle) | — | ||
| 21-5 | Giselle: Act II: Grand pas de deux (d: Ensemble des Willis) | — | ||
| 21-6 | Giselle: Act II: Final | — | ||
| 21-7 | Graduation Ball | — | ||
| 21-8 | Gaîté Parisienne | — | ||
| 22-1 | Concerto Grosso no. 1: I. Prelude | — | ||
| 22-2 | Concerto Grosso no. 1: II. Dirge | — | ||
| 22-3 | Concerto Grosso no. 1: III. Pastorale, Rustic Dances | — | ||
| 22-4 | Concerto Grosso no. 1: IV. Fugue | — | ||
| 22-5 | Concerto Grosso no. 2: I. Maestoso, Allegro, Maestoso | — | ||
| 22-6 | Concerto Grosso no. 2: II. Andante | — | ||
| 22-7 | Concerto Grosso no. 2: III. Allegro | — | ||
| 22-8 | Concerto Grosso no. 2: IV. Tranquillo, Animato | — | ||
| 22-9 | Schelomo | — | ||
| 23-1 | Concerto in F for Piano and Orchestra: I. Allegro | — | ||
| 23-2 | Concerto in F for Piano and Orchestra: II. Adagio - Andante con moto | — | ||
| 23-3 | Concerto in F for Piano and Orchestra: III. Allegro agitato | — | ||
| 23-4 | Rhapsody in Blue | — | ||
| 23-5 | Cuban Overture | — | ||
| 23-6 | The Stars and Stripes Forever | — | ||
| 24-1 | Merry Mount Suite: Lecture 1. Introduction, colors of the orchestra | — | ||
| 24-2 | Merry Mount Suite: Lecture 2. Woodwinds | — | ||
| 24-3 | Merry Mount Suite: Lecture 3. Brass | — | ||
| 24-4 | Merry Mount Suite: Lecture 4. Strings | — | ||
| 24-5 | Merry Mount Suite: Lecture 5. Harps and Percussion | — | ||
| 24-6 | Merry Mount Suite: Lecture 6. Putting the sections together | — | ||
| 24-7 | Merry Mount Suite: 1. Overture | — | ||
| 24-8 | Merry Mount Suite: 2. Children's Dance | — | ||
| 24-9 | Merry Mount Suite: 3. Love Duet | — | ||
| 24-10 | Merry Mount Suite: 4. Prelude to Act II and Maypole Dances | — | ||
| 25-1 | Mosaics: Lecture 1. Introduction and theme | — | ||
| 25-2 | Mosaics: Lecture 2. Variation 1 | — | ||
| 25-3 | Mosaics: Lecture 3. Variation 2 | — | ||
| 25-4 | Mosaics: Lecture 4. Variation 3 | — | ||
| 25-5 | Mosaics: Lecture 5. Variation 4 | — | ||
| 25-6 | Mosaics: Lecture 6. Variation 5 and conclusion | — | ||
| 25-7 | Mosaics | — | ||
| 25-8 | For the First Time: Lecture 1. Introduction, scales and intervals | — | ||
| 25-9 | For the First Time: Lecture 2. Bells | — | ||
| 25-10 | For the First Time: Lecture 3. Mist | — | ||
| 25-11 | For the First Time: Lecture 4. Fireworks | — | ||
| 25-12 | For the First Time: Lecture 5. Clowns | — | ||
| 25-13 | For the First Time: Lecture 6. Tamara and Peter Bolshoi | — | ||
| 25-14 | For the First Time: Lecture 7. Deserted House | — | ||
| 25-15 | For the First Time: Lecture 8. Dance | — | ||
| 25-16 | For the First Time: Lecture 9. The Deep Forest | — | ||
| 25-17 | For the First Time: Lecture 10. Serious Conversation | — | ||
| 25-18 | For the First Time: Lecture 11. Eccentric Clock | — | ||
| 25-19 | For the First Time: Lecture 12. Kikimora | — | ||
| 25-20 | For the First Time: Lecture 13. Dreams | — | ||
| 25-21 | For the First Time: 1. Bells | — | ||
| 25-22 | For the First Time: 2. Tamara and Peter Bolshoi | — | ||
| 25-23 | For the First Time: 3. Deserted House | — | ||
| 25-24 | For the First Time: 4. Eccentric Clock | — | ||
| 25-25 | For the First Time: 5. Deep Forest | — | ||
| 25-26 | For the First Time: 6. Clowns | — | ||
| 25-27 | For the First Time: 7. Dance | — | ||
| 25-28 | For the First Time: 8. Serious Conversations | — | ||
| 25-29 | For the First Time: 9. Kikimora | — | ||
| 25-30 | For the First Time: 10. Mist | — | ||
| 25-31 | For the First Time: 11. Fireworks | — | ||
| 25-32 | For the First Time: 12. Dreams | — | ||
| 26-1 | THE BARTERED BRIDE / ACT 3: DANCE OF THE COMEDIANS | London Symphony Orchestra, Charles Mackerras | — | |
| 26-2 | THE MERRY WIVES OF WINDSOR: OVERTURE | London Symphony Orchestra, Charles Mackerras | — | |
| 26-3 | RADETZKY-MARSCH, OP. 228 | London Symphony Orchestra, Charles Mackerras | — | |
| 26-4 | OVERTURE | London Symphony Orchestra, Charles Mackerras | T-900.143.994-7 | |
| 26-5 | CORONATION MARCH | London Symphony Orchestra, Charles Mackerras | — | |
| 26-6 | HUNGARIAN DANCE NO. 1 IN G MINOR, WOO 1 | London Symphony Orchestra, Charles Mackerras | T-329.367.585-7 | |
| 26-7 | MIGNON: OVERTURE | London Symphony Orchestra, Charles Mackerras | T-310.771.053-8 | |
| 26-8 | COSSACK DANCE | London Symphony Orchestra, Charles Mackerras | — | |
| 26-9 | OVERTURE | London Symphony Orchestra, Charles Mackerras | T-900.010.809-8 | |
| 26-10 | ORPHEUS IN THE UNDERWORLD: OVERTURE | London Symphony Orchestra, Charles Mackerras | T-926.360.283-1 | |
| 26-11 | OFFENBACH: ORPHEUS IN THE UNDERWORLD - CAN-CAN | London Symphony Orchestra, Charles Mackerras | T-304.373.260-7 | |
| 26-12 | INVITATION TO THE DANCE, OP. 65 (ORCH. BERLIOZ) | London Symphony Orchestra, Charles Mackerras | — | |
| 26-13 | GLINKA JOTA ARAGONESA | London Symphony Orchestra, Charles Mackerras | — | |
| 27-1 | Symphonie fantastique, op. 14: 1. Rêveries and Passions: Largo. Allegro agitato e appassionato assai | — | ||
| 27-2 | Symphonie fantastique, op. 14: 2. A Ball: Valse. Allegro non troppo | — | ||
| 27-3 | Symphonie fantastique, op. 14: 3. Scene in the Country: Adagio | — | ||
| 27-4 | Symphonie fantastique, op. 14: 4. March to the Scaffold: Allegretto non troppo | — | ||
| 27-5 | Symphonie fantastique, op. 14: 5. Dream of a Witches’ Sabbath: Larghetto. Allegro | — | ||
| 27-6 | Hungarian March | — | ||
| 27-7 | Trojan March | — | ||
| 27-8 | The Corsair, Overture | — | ||
| 27-9 | The Roman Carnival, Overture | — | ||
| 28-1 | Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio: Allegro molto | Detroit Symphony Orchestra, Paul Paray | — | |
| 28-2 | Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo | Detroit Symphony Orchestra, Paul Paray | T-902.286.256-2 | |
| 28-3 | Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo: molto vivace | Detroit Symphony Orchestra, Paul Paray | — | |
| 28-4 | Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco | Detroit Symphony Orchestra, Paul Paray | — | |
| 28-5 | Symphony no. 2 in D major, op. 43: I. Allegretto | Detroit Symphony Orchestra, Paul Paray | — | |
| 28-6 | Symphony no. 2 in D major, op. 43: II. Andante, ma rubato | Detroit Symphony Orchestra, Paul Paray | — | |
| 28-7 | Symphony no. 2 in D major, op. 43: III. Vivacissimo | Detroit Symphony Orchestra, Paul Paray | — | |
| 28-8 | Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato | Detroit Symphony Orchestra, Paul Paray | — | |
| 29-1 | Symphony in D minor: 1. Lento - Allegro non troppo | — | ||
| 29-2 | Symphony in D minor: 2. Allegretto | — | ||
| 29-3 | Symphony in D minor: 3. Allegro non troppo | — | ||
| 29-4 | Symphony no. 2 in E minor, op. 27: 1. Largo - Allegro moderato | — | ||
| 29-5 | Symphony no. 2 in E minor, op. 27: 2. Allegro molto | — | ||
| 29-6 | Symphony no. 2 in E minor, op. 27: 3. Adagio | — | ||
| 29-7 | Symphony no. 2 in E minor, op. 27: 4. Allegro vivace | — | ||
| 30-1 | Le Roi d'Ys Overture | — | ||
| 30-2 | Namouna Suite No. 1: I. Prélude | — | ||
| 30-3 | Namouna Suite No. 1: II. Sérénade | — | ||
| 30-4 | Namouna Suite No. 1: III. Thème varié | — | ||
| 30-5 | Namouna Suite No. 1: IV. Parades de foire | — | ||
| 30-6 | Namouna Suite No. 1: V. Fête foraine | — | ||
| 30-7 | Offrande à une ombre | — | ||
| 30-8 | Symphony in B-flat major, Op. 20: I. Lent – Allegro vivo | — | ||
| 30-9 | Symphony in B-flat major, Op. 20: II. Tres lent | — | ||
| 30-10 | Symphony in B-flat major, Op. 20: III. Animé – Tres animé | — | ||
| 31-1 | A Midsummer Night's Dream: I. Overture | — | ||
| 31-2 | A Midsummer Night's Dream: II. Scherzo | — | ||
| 31-3 | A Midsummer Night's Dream: III. Nocturne | — | ||
| 31-4 | A Midsummer Night's Dream: IV. Wedding March | — | ||
| 31-5 | Symphony no. 5 in D minor, op. 107 "Reformation": I. Andante – Allegro con fuoco | — | ||
| 31-6 | Symphony no. 5 in D minor, op. 107 "Reformation": II. Allegro vivace | — | ||
| 31-7 | Symphony no. 5 in D minor, op. 107 "Reformation": III. Andante | — | ||
| 31-8 | Symphony no. 5 in D minor, op. 107 "Reformation": IV. "Ein' feste Burg ist unser Gott!" Andante con moto – Allegro maestoso | — | ||
| 31-9 | Symphony no. 96 in D major, "Miracle": I. Adagio - Allegro | — | ||
| 31-10 | Symphony no. 96 in D major, "Miracle": II. Andante | — | ||
| 31-11 | Symphony no. 96 in D major, "Miracle": III. Menuetto. Allegretto | — | ||
| 31-12 | Symphony no. 96 in D major, "Miracle": IV. Finale. Vivace assai | — | ||
| 32-1 | Symphony no. 1 in B-flat major, op. 38 ("Spring"): I. Andante un poco maestoso. Allegro molto vivace | — | ||
| 32-2 | Symphony no. 1 in B-flat major, op. 38 ("Spring"): II. Larghetto | — | ||
| 32-3 | Symphony no. 1 in B-flat major, op. 38 ("Spring"): III. Scherzo. Molto vivace. Trio I/Trio II | — | ||
| 32-4 | Symphony no. 1 in B-flat major, op. 38 ("Spring"): IV. Allegro animato e grazioso | — | ||
| 32-5 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai. Allegro ma non troppo | — | ||
| 32-6 | Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace | — | ||
| 32-7 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo | — | ||
| 32-8 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace | — | ||
| 33-1 | Symphony no. 3 in E-flat major, op. 97 ("Rhenish"): I. Lebhaft | — | ||
| 33-2 | Symphony no. 3 in E-flat major, op. 97 ("Rhenish"): II. Scherzo. Sehr mässig | — | ||
| 33-3 | Symphony no. 3 in E-flat major, op. 97 ("Rhenish"): III. Nicht schnell | — | ||
| 33-4 | Symphony no. 3 in E-flat major, op. 97 ("Rhenish"): IV. Feierlich | — | ||
| 33-5 | Symphony no. 3 in E-flat major, op. 97 ("Rhenish"): V. Lebhaft | — | ||
| 33-6 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam; Lebhaft | — | ||
| 33-7 | Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam | — | ||
| 33-8 | Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft | — | ||
| 33-9 | Symphony no. 4 in D minor, op. 120: IV. Langsam; Lebhaft | — | ||
| 33-10 | Manfred, Overture for Orchestra, op. 115 | — | ||
| 34-1 | Coronation March | — | ||
| 34-2 | Funeral March of a Marionette | — | ||
| 34-3 | Marche militaire français | — | ||
| 34-4 | Marche héroïque | — | ||
| 34-5 | La Marseillaise | — | ||
| 34-6 | If I Were King | — | ||
| 34-7 | La Dame blanche | — | ||
| 34-8 | La belle Hélène | — | ||
| 34-9 | Orpheus in the Underworld | — | ||
| 34-10 | The Tales of Hoffmann (Suite) | — | ||
| 34-11 | William Tell Overture | — | ||
| 35-1 | Der Fliegende Holländer: Overture | — | ||
| 35-2 | Die Meistersinger von Nürnberg: Suite | — | ||
| 35-3 | Die Walküre: Wotan's Farewell and Magic Fire Music | — | ||
| 35-4 | Rienzi: Overture | — | ||
| 35-5 | Götterdämmerung: Dawn and Siegfried's Rhine Journey | — | ||
| 35-6 | Siegfried Idyll | — | ||
| 35-7 | Tristan und Isolde: Prelude to Act III | — | ||
| 36-1 | Symphony No. 5 in B flat major, D. 485: 1. Allegro | — | ||
| 36-2 | Symphony No. 5 in B flat major, D. 485: 2. Andante con moto | — | ||
| 36-3 | Symphony No. 5 in B flat major, D. 485: 3. Menuetto & Trio - Allegro molto | — | ||
| 36-4 | Symphony No. 5 in B flat major, D. 485: 4. Allegro vivace | — | ||
| 36-5 | Symphony in B minor, D. 759: 1. Allegro moderato | — | ||
| 36-6 | Symphony in B minor, D. 759: 2. Andante con moto | — | ||
| 36-7 | Rosamunde, incidental music: 1. Overture | — | ||
| 36-8 | Rosamunde, incidental music: 2. Entr'acte, No. 2 | — | ||
| 36-9 | Rosamunde, incidental music: 3. Ballet, No. 2 | — | ||
| 37-1 | Symphony No. 9 in C major ("The Great"), D. 944: 1. Andante - Allegro ma non troppo | — | ||
| 37-2 | Symphony No. 9 in C major ("The Great"), D. 944: 2. Andante con moto | — | ||
| 37-3 | Symphony No. 9 in C major ("The Great"), D. 944: 3. Scherzo: Allegro vivace | — | ||
| 37-4 | Symphony No. 9 in C major ("The Great"), D. 944: 4. Finale: Allegro vivace | — | ||
| 37-5 | Symphony No. 6 in C major ("Little C Major"), D. 589: 1. Adagio - Allegro | — | ||
| 37-6 | Symphony No. 6 in C major ("Little C Major"), D. 589: 2. Andante | — | ||
| 37-7 | Symphony No. 6 in C major ("Little C Major"), D. 589: 3. Scherzo: Presto | — | ||
| 37-8 | Symphony No. 6 in C major ("Little C Major"), D. 589: 4. Allegro moderato | — | ||
| 38-1 | Variaciones concertantes, Op. 23: 1. Theme for Cello & Harp | — | ||
| 38-2 | Variaciones concertantes, Op. 23: 2. Interlude for Strings | — | ||
| 38-3 | Variaciones concertantes, Op. 23: 3. "Giocoso" Variation for Flute | — | ||
| 38-4 | Variaciones concertantes, Op. 23: 4. "Scherzo" Variation for Clarinet | — | ||
| 38-5 | Variaciones concertantes, Op. 23: 5. Dramatic Variation for Viola | — | ||
| 38-6 | Variaciones concertantes, Op. 23: 6. Canonic Variation for Oboe & Bassoon | — | ||
| 38-7 | Variaciones concertantes, Op. 23: 7. Rhythmic Variation for Trumpet & Trombone | — | ||
| 38-8 | Variaciones concertantes, Op. 23: 8. "Perpetual Motion" Variation for Violin | — | ||
| 38-9 | Variaciones concertantes, Op. 23: 9. Pastoral Variation for French Horn | — | ||
| 38-10 | Variaciones concertantes, Op. 23: 10. Interlude for Winds | — | ||
| 38-11 | Variaciones concertantes, Op. 23: 11. Recapitulation of the Theme for Double Bass & Harp | — | ||
| 38-12 | Variaciones concertantes, Op. 23: 12. Final Variation in Rondo Form for Full Orchestra | — | ||
| 38-13 | The Young Person's Guide to the Orchestra, Op. 34: Theme - Allegro maestoso e largamente (without spoken text) | — | ||
| 38-14 | The Young Person's Guide to the Orchestra, Op. 34: Variation A: Flutes & Piccolo - Presto (without spoken text) | — | ||
| 38-15 | The Young Person's Guide to the Orchestra, Op. 34: Variation B: Oboes - Lento (without spoken text) | — | ||
| 38-16 | The Young Person's Guide to the Orchestra, Op. 34: Variation C: Clarinets - Moderato (without spoken text) | — | ||
| 38-17 | The Young Person's Guide to the Orchestra, Op. 34: Variation D: Bassoons - Allegro alla marcia (without spoken text) | — | ||
| 38-18 | The Young Person's Guide to the Orchestra, Op. 34: Variation E: Violins - Brillante - alla polacca (without spoken text) | — | ||
| 38-19 | The Young Person's Guide to the Orchestra, Op. 34: Variation F: Violas - Meno mosso (without spoken text) | — | ||
| 38-20 | The Young Person's Guide to the Orchestra, Op. 34: Variation G: Cellos (without spoken text) | — | ||
| 38-21 | The Young Person's Guide to the Orchestra, Op. 34: Variation H: Double Basses - Cominciando lento ma poco a poco accelerando (without spoken text) | — | ||
| 38-22 | The Young Person's Guide to the Orchestra, Op. 34: Variation I: Harp - Maestoso (without spoken text) | — | ||
| 38-23 | The Young Person's Guide to the Orchestra, Op. 34: Variation J: Horns - L'istesso tempo (without spoken text) | — | ||
| 38-24 | The Young Person's Guide to the Orchestra, Op. 34: Variation K: Trumpets - Vivace (without spoken text) | — | ||
| 38-25 | The Young Person's Guide to the Orchestra, Op. 34: Variation L: Trombones & Bass Tuba - Allegro pomposo (without spoken text) | — | ||
| 38-26 | The Young Person's Guide to the Orchestra, Op. 34: Variation M: Percussion - Moderato (without spoken text) | — | ||
| 38-27 | The Young Person's Guide to the Orchestra, Op. 34: Fugue - Allegro molto (without spoken text) | — | ||
| 39-1 | Symphony No. 3: I. Molto moderato | — | ||
| 39-2 | Symphony No. 3: II. Allegro molto | — | ||
| 39-3 | Symphony No. 3: III. Andantino quasi allegretto | — | ||
| 39-4 | Symphony No. 3: IV. Molto deliberato (Fanfare) -- Allegro risoluto | — | ||
| 40-1 | Roman Festivals: I. Circus Maximus | — | ||
| 40-2 | Roman Festivals: II. The Jubilee | — | ||
| 40-3 | Roman Festivals: III. The October Excursions | — | ||
| 40-4 | Roman Festivals: IV. Epiphany | — | ||
| 40-5 | Church Windows: I. The Flight into Egypt | — | ||
| 40-6 | Church Windows: II. St. Michael the Archangel | — | ||
| 40-7 | Church Windows: III. The Matins of St. Clare | — | ||
| 40-8 | Church Windows: IV. St. Gregory the Great | — | ||
| 41-1 | Suite No. 1 in D minor, Op. 43: I. Introduzione e Fuga (Andante sostenuto - Moderato e con anima) | — | ||
| 41-2 | Suite No. 1 in D minor, Op. 43: II. Divertimento (Allegro moderato) | — | ||
| 41-3 | Suite No. 1 in D minor, Op. 43: III. Intermezzo (Andante semplice) | — | ||
| 41-4 | Suite No. 1 in D minor, Op. 43: IV. Marche miniature (Moderato con moto) | — | ||
| 41-5 | Suite No. 1 in D minor, Op. 43: V. Scherzo. Allegro con moto | — | ||
| 41-6 | Suite No. 1 in D minor, Op. 43: VI. Gavotte. Allegro | — | ||
| 41-7 | Suite No. 2 in C major, Op. 53: I. Jeu de sons (Andantino un poco rubato - Allegro molto vivace) | — | ||
| 41-8 | Suite No. 2 in C major, Op. 53: II. Valse. Moderato. Tempo di Valse | — | ||
| 41-9 | Suite No. 2 in C major, Op. 53: III. Scherzo burlesque (Vivace, con spirito) | — | ||
| 41-10 | Suite No. 2 in C major, Op. 53: IV. Reves d'enfant (Andante molto sostenuto) | — | ||
| 41-11 | Suite No. 2 in C major, Op. 53: V. Danse baroque (Vivacissimo - Prestissimo) | — | ||
| 42-1 | Suite for Orchestra no. 3 in G major, op. 55: I. Elégie. Andantino molto cantabile | New Philharmonia Orchestra, Antal Doráti | — | |
| 42-2 | Suite for Orchestra no. 3 in G major, op. 55: II. Valse melancolique. Allegro moderato | New Philharmonia Orchestra, Antal Doráti | — | |
| 42-3 | Suite for Orchestra no. 3 in G major, op. 55: III. Scherzo. Molto vivace | New Philharmonia Orchestra, Antal Doráti | — | |
| 42-4 | Suite for Orchestra no. 3 in G major, op. 55: IV. Tema con variazioni. Andante con moto | Hugh Bean, New Philharmonia Orchestra, Antal Doráti | — | |
| 42-5 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: I. Gigue, K574. Allegro | New Philharmonia Orchestra, Antal Doráti | — | |
| 42-6 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: II. Menuet, K355. Moderato | New Philharmonia Orchestra, Antal Doráti | — | |
| 42-7 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: III. Preghiera. Andante non tanto | New Philharmonia Orchestra, Antal Doráti | T-329.460.887-6 | |
| 42-8 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: IV. Thème et variations. Allegro giusto | Hugh Bean, Colin Bradbury, New Philharmonia Orchestra, Antal Doráti | — | |
| 43-1 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | — | ||
| 43-2 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre (adagio assai) | — | ||
| 43-3 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo (allegro vivace) | — | ||
| 43-4 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale (allegro molto) | — | ||
| 44-1 | Piano Concerto no. 1 in E-flat major: I. Allegro maestoso | — | ||
| 44-2 | Piano Concerto no. 1 in E-flat major: II. Quasi adagio - | — | ||
| 44-3 | Piano Concerto no. 1 in E-flat major: II. Allegretto vivace - allegro animato - | — | ||
| 44-4 | Piano Concerto no. 1 in E-flat major: III. Allegro marziale animato | — | ||
| 44-5 | Piano Concerto no. 2 in A major: I. Adagio sostenuto assai - Allegro agitato assai - | — | ||
| 44-6 | Piano Concerto no. 2 in A major: II. Allegro moderato - | — | ||
| 44-7 | Piano Concerto no. 2 in A major: III. Allegro deciso - Marziale un poco meno allegro - | — | ||
| 44-8 | Piano Concerto no. 2 in A major: IV. Allegro animato | — | ||
| 45-1 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto – Allegro | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 45-2 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: II. Rondo. Allegro vivace | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 45-3 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: I. Andante – Allegro vivace | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 45-4 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: II. Adagio – Tempo d'andante – Allegro vivace | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 45-5 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 45-6 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 45-7 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: III. Allegro – Allegro fugato | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 46-1 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo – Allegro molto più tosto presto | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 46-2 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 46-3 | Sonata for Cello and Piano no. 3 in A major, op. 69: I. Allegro ma non tanto | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 46-4 | Sonata for Cello and Piano no. 3 in A major, op. 69: II. Scherzo. Allegro molto | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 46-5 | Sonata for Cello and Piano no. 3 in A major, op. 69: III. Adagio cantabile – Allegro vivace | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 47-1 | Songs and Dances of Death: 1. Lullaby | — | ||
| 47-2 | Songs and Dances of Death: 2. Serenade | — | ||
| 47-3 | Songs and Dances of Death: 3. Trepak | — | ||
| 47-4 | Songs and Dances of Death: 4. The Field Marshal | — | ||
| 47-5 | None but the Lonely Heart, Op. 6, No. 6 | — | ||
| 47-6 | Not a Word, Beloved, Op. 6, No. 2 | — | ||
| 47-7 | Do Not Believe, My Friend, Op. 6, No. 1 | — | ||
| 47-8 | Five Poems by Anna Akhmatova, Op. 27: 1. The Sun Filled the Room | — | ||
| 47-9 | Five Poems by Anna Akhmatova, Op. 27: 2. True Tenderness | — | ||
| 47-10 | Five Poems by Anna Akhmatova, Op. 27: 3. Memory of Sunlight | — | ||
| 47-11 | Five Poems by Anna Akhmatova, Op. 27: 4. Greetings! | — | ||
| 47-12 | Five Poems by Anna Akhmatova, Op. 27: 5. The Grey-eyed King | — | ||
| 48-1 | Sevillanas | — | ||
| 48-2 | Malagueñas | — | ||
| 48-3 | Saetas y Seguiriyas | — | ||
| 48-4 | Alegrías por Rosa | — | ||
| 48-5 | Rumba | — | ||
| 48-6 | Bulerías (Fiesta) | — | ||
| 48-7 | Zapateado | — | ||
| 48-8 | Alegrias | — | ||
| 48-9 | Bulerías al golpo | — | ||
| 48-10 | Soleáres de Cádiz | — | ||
| 48-11 | Taconeo Punteado | — | ||
| 48-12 | Improvisation On Guajiras | — | ||
| 48-13 | Tanguillos | — | ||
| 48-14 | Farrucas | — | ||
| 48-15 | Petenera | — | ||
| 48-16 | Caracoles (Alegrias de Madrid) | — | ||
| 48-17 | Milonga | — | ||
| 48-18 | Sevillanas | — | ||
| 49-1 | Concerto in A Minor for Sopranino Recorder, RV 445: I. Allegro | — | ||
| 49-2 | Concerto in A Minor for Sopranino Recorder, RV 445: II. Larghetto | — | ||
| 49-3 | Concerto in A Minor for Sopranino Recorder, RV 445: III. Allegro | — | ||
| 49-4 | Recorder Concerto in F Major, Op. 4 No. 5, HWV 293: I. Larghetto | Bernard Krainis, The London Strings, Sir Neville Marriner | — | |
| 49-5 | Recorder Concerto in F Major, Op. 4 No. 5, HWV 293: II. Allegro | Bernard Krainis, The London Strings, Sir Neville Marriner | — | |
| 49-6 | Recorder Concerto in F Major, Op. 4 No. 5, HWV 293: III. Alla Siciliana | Bernard Krainis, The London Strings, Sir Neville Marriner | — | |
| 49-7 | Recorder Concerto in F Major, Op. 4 No. 5, HWV 293: IV. Presto | Bernard Krainis, The London Strings, Sir Neville Marriner | — | |
| 49-8 | Concerto in G Major for Soprano Recorder (after Op. 3 No. 3, HWV 314): I. Largo | Bernard Krainis, The London Strings, Sir Neville Marriner | — | |
| 49-9 | Concerto in G Major for Soprano Recorder (after Op. 3 No. 3, HWV 314): II. Allegro | Bernard Krainis, The London Strings, Sir Neville Marriner | — | |
| 49-10 | Concerto in G Major for Soprano Recorder (after Op. 3 No. 3, HWV 314): III. Adagio | Bernard Krainis, The London Strings, Sir Neville Marriner | — | |
| 49-11 | Concerto in G Major for Soprano Recorder (after Op. 3 No. 3, HWV 314): IV. Andante | Bernard Krainis, The London Strings, Sir Neville Marriner | — | |
| 49-12 | Concerto TWV 51:C1 in C major for recorder, strings & b.c.: I. Allegretto | — | ||
| 49-13 | Concerto TWV 51:C1 in C major for recorder, strings & b.c.: II. Allegro | — | ||
| 49-14 | Concerto TWV 51:C1 in C major for recorder, strings & b.c.: III. Andante | — | ||
| 49-15 | Concerto TWV 51:C1 in C major for recorder, strings & b.c.: IV. Tempo di Minue | — | ||
| 50-1 | Symphony in B-flat major for Concert Band: I. Moderately fast, with vigor | — | ||
| 50-2 | Symphony in B-flat major for Concert Band: II. Andantino grazioso | — | ||
| 50-3 | Symphony in B-flat major for Concert Band: III. Fugue | — | ||
| 50-4 | Theme and Variations for Wind Band, op. 43a: 1. Theme | — | ||
| 50-5 | Theme and Variations for Wind Band, op. 43a: 2. Variation 1 | — | ||
| 50-6 | Theme and Variations for Wind Band, op. 43a: 3. Variation 2 | — | ||
| 50-7 | Theme and Variations for Wind Band, op. 43a: 4. Variation 3 | — | ||
| 50-8 | Theme and Variations for Wind Band, op. 43a: 5. Variation 4 | — | ||
| 50-9 | Theme and Variations for Wind Band, op. 43a: 6. Variation 5 | — | ||
| 50-10 | Theme and Variations for Wind Band, op. 43a: 7. Variation 6 | — | ||
| 50-11 | Theme and Variations for Wind Band, op. 43a: 8. Variation 7 | — | ||
| 50-12 | Theme and Variations for Wind Band, op. 43a: 9. Finale | — | ||
| 50-13 | Symphonies for Wind Instruments | — | ||
| 51-1 | Sonata in F Sharp Minor (Remastered 2014) | — | ||
| 51-2 | Sonata in C Sharp Minor (Remastered 2014) | — | ||
| 51-3 | Fandango in D minor (Remastered 2014) | — | ||
| 51-4 | Sonata in D Major (Remastered 2014) | — | ||
| 51-5 | Sonata in D Flat Major (Remastered 2014) | — | ||
| 51-6 | Sonata in D Minor (Remastered 2014) | — | ||
| 51-7 | Sonata in C Minor (Remastered 2014) | — | ||
| 51-8 | Concerto for 2 Harpsichords No. 3 in G Major: 1. Andantino (Original Version) | — | ||
| 51-9 | Concerto for 2 Harpsichords No. 3 in G Major: 2. Menuet (Original Version) | — | ||
| 52-1 | 1812 Festival Overture, op. 49 | — | ||
| 52-2 | [commentary] | — | ||
| 52-3 | Capriccio Italien, op. 45 | Minneapolis Symphony Orchestra, Antal Doráti | T-304.396.368-0 | |
| 53-1 | String Quartet No. 4 in D major, Op. 83: 1. Allegretto | — | ||
| 53-2 | String Quartet No. 4 in D major, Op. 83: 2. Andantino | — | ||
| 53-3 | String Quartet No. 4 in D major, Op. 83: 3. Allegretto | — | ||
| 53-4 | String Quartet No. 4 in D major, Op. 83: 4. Allegretto | — | ||
| 53-5 | String Quartet No. 8 in C minor, Op. 110: 1. Largo | — | ||
| 53-6 | String Quartet No. 8 in C minor, Op. 110: 2. Allegro molto | — | ||
| 53-7 | String Quartet No. 8 in C minor, Op. 110: 3. Allegretto | — | ||
| 53-8 | String Quartet No. 8 in C minor, Op. 110: 4. Largo | — | ||
| 53-9 | String Quartet No. 8 in C minor, Op. 110: 5. Largo | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 2 in D major, op. 43: I. Allegretto | Detroit Symphony Orchestra, Paul Paray | — |
| Symphony no. 2 in D major, op. 43: II. Andante, ma rubato | Detroit Symphony Orchestra, Paul Paray | — |
| Symphony no. 2 in D major, op. 43: III. Vivacissimo | Detroit Symphony Orchestra, Paul Paray | — |
| Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato | Detroit Symphony Orchestra, Paul Paray | T-318.676.528-2 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028947878964 is a Universal Product Code (UPC) assigned to Mercury Living Presence: The Collector's Edition, Vol. 3 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 550 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947878964 is the Universal Product Code (UPC barcode) for the release “Mercury Living Presence: The Collector's Edition, Vol. 3” by Various Artists, released 2015-01-01 on Mercury Living Presence. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 550 tracks, each with its own ISRC. Tracks include NLA505900988, NLA505900989, NLA505900990.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C minor, op. 68: 1. Un poco sostenuto – Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 2 | Symphony no. 1 in C minor, op. 68: 2. Andante sostenuto | London Symphony Orchestra, Antal Doráti | — | |
| 3 | Symphony no. 1 in C minor, op. 68: 3. Un poco allegretto e grazioso | London Symphony Orchestra, Antal Doráti | — | |
| 4 | Symphony no. 1 in C minor, op. 68: 4. Adagio – Più andante – Allegro non troppo, ma con brio | London Symphony Orchestra, Antal Doráti | — | |
| 5 | Symphony no. 3 in F, op. 90: Allegro con brio | London Symphony Orchestra, Antal Doráti | T-329.366.811-4 | |
| 6 | Symphony no. 3 in F, op. 90: Andante | London Symphony Orchestra, Antal Doráti | T-329.366.812-5 | |
| 7 | Symphony no. 3 in F, op. 90: Poco allegretto | London Symphony Orchestra, Antal Doráti | — | |
| 8 | Symphony no. 3 in F, op. 90: Allegro | London Symphony Orchestra, Antal Doráti | T-329.367.586-8 | |
| 2-1 | Symphony no. 2 in D Major, op. 73 - 1. Allegro non troppo | — | ||
| 2-2 | Symphony no. 2 in D Major, op. 73 - 2. Adagio non troppo - L'Istesso tempo ma grazioso | — | ||
| 2-3 | Symphony no. 2 in D Major, op. 73 - 3. Allegretto grazioso quasi andantino | — | ||
| 2-4 | Symphony no. 2 in D Major, op. 73 - 4. Allegro con spirito | — | ||
| 2-5 | Symphony no. 4 in E minor, op. 98: Allegro non troppo | London Symphony Orchestra, Antal Doráti | T-902.764.002-4 | |
| 2-6 | Symphony no. 4 in E minor, op. 98: Andante moderato | London Symphony Orchestra, Antal Doráti | — | |
| 2-7 | Symphony no. 4 in E minor, op. 98: Allegro giocoso – Poco meno presto – Tempo I | London Symphony Orchestra, Antal Doráti | T-902.764.002-4 | |
| 2-8 | Symphony no. 4 in E minor, op. 98: Allegro energico e passionato – Piu allegro | London Symphony Orchestra, Antal Doráti | — | |
| 3-1 | Waltz from the Merry Widow | — | ||
| 3-2 | The Gypsy Princess Waltz | — | ||
| 3-3 | Village Swallows, op. 164 | — | ||
| 3-4 | Wedding Waltz from The Veil of Pierette | — | ||
| 3-5 | Skaters Waltz, op. 183 | — | ||
| 3-6 | Die Schönbrunner, op. 200 | — | ||
| 3-7 | Voices of Spring, op. 410 | — | ||
| 3-8 | Aquarellen Waltzes, op. 258 | — | ||
| 3-9 | Doctrinen Waltz, op. 79 | — | ||
| 4-1 | Water Music, Suite: I. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 4-2 | Water Music, Suite: II. Air | London Symphony Orchestra, Antal Doráti | — | |
| 4-3 | Water Music, Suite: III. Bourrée | London Symphony Orchestra, Antal Doráti | — | |
| 4-4 | Water Music, Suite: IV. Horn-Pipe | London Symphony Orchestra, Antal Doráti | — | |
| 4-5 | Water Music Suite: V. Andante / VI. Allegro deciso | London Symphony Orchestra, Antal Doráti | — | |
| 4-6 | Music for the Royal Fireworks: I. Overture | London Symphony Orchestra, Antal Doráti | — | |
| 4-7 | Music for the Royal Fireworks: II. Alla Siciliana | London Symphony Orchestra, Antal Doráti | — | |
| 4-8 | Music for the Royal Fireworks: III. Bourrée | London Symphony Orchestra, Antal Doráti | — | |
| 4-9 | Music for the Royal Fireworks: IV. Menuetto | London Symphony Orchestra, Antal Doráti | — | |
| 4-10 | Eine kleine Nachtmusik, K. 525: 1. Allegro | London Symphony Orchestra, Antal Doráti | T-070.160.313-5 | |
| 4-11 | Eine kleine Nachtmusik, K. 525: 2. Romanze | London Symphony Orchestra, Antal Doráti | — | |
| 4-12 | Eine kleine Nachtmusik, K. 525: 3. Menuetto | London Symphony Orchestra, Antal Doráti | T-335.909.880-5 | |
| 4-13 | Eine kleine Nachtmusik, K. 525: 4. Rondo | London Symphony Orchestra, Antal Doráti | — | |
| 4-14 | Two Marches in D major, K335: no. 1 | Festival Chamber Orchestra, Antal Doráti | — | |
| 4-15 | Two Marches in D major, K335: no. 2 | Festival Chamber Orchestra, Antal Doráti | — | |
| 4-16 | Allegro in D major K. 121 | Festival Chamber Orchestra, Antal Doráti | — | |
| 4-17 | March in D major, K. 249 | Festival Chamber Orchestra, Antal Doráti | T-915.711.552-1 | |
| 4-18 | Minuet in C major, K. 409 | Festival Chamber Orchestra, Antal Doráti | — | |
| 4-19 | Three German Dances, K. 605: no. 1 | Festival Chamber Orchestra, Antal Doráti | — | |
| 4-20 | Three German Dances, K. 605: no. 2 | Festival Chamber Orchestra, Antal Doráti | — | |
| 4-21 | Three German Dances, K. 605: no. 3 | Festival Chamber Orchestra, Antal Doráti | — | |
| 5-1 | Fingal’s Cave Overture, op. 26 | London Symphony Orchestra, Antal Doráti | — | |
| 5-2 | Symphony no. 3 in A minor, op. 56 (“Scotch”): 1. Andante con moto | London Symphony Orchestra, Antal Doráti | — | |
| 5-3 | Symphony no. 3 in A minor, op. 56 (“Scotch”): 2. Vivace non troppo | London Symphony Orchestra, Antal Doráti | — | |
| 5-4 | Symphony no. 3 in A minor, op. 56 (“Scotch”): 3. Adagio | London Symphony Orchestra, Antal Doráti | — | |
| 5-5 | Symphony no. 3 in A minor, op. 56 (“Scotch”): 4 Allegro vivacissimo – Allegro maestoso assai | London Symphony Orchestra, Antal Doráti | T-306.395.786-4 | |
| 5-6 | Symphony No. 4 In A Major, Op. 90 ("Italian"): 1. Allegro Vivace | — | ||
| 5-7 | Symphony No. 4 In A Major, Op. 90 ("Italian"): 2. Andante Con Moto | — | ||
| 5-8 | Symphony No. 4 In A Major, Op. 90 ("Italian"): 3. Con Moto Moderato | — | ||
| 5-9 | Symphony No. 4 In A Major, Op. 90 ("Italian"): 4. Saltarello: Presto | — | ||
| 6-1 | Scheherazade, Op. 35: The Sea and Sinbad's Ship | — | ||
| 6-2 | Scheherazade, Op. 35: The Tale of Prince Kalandar | — | ||
| 6-3 | Scheherazade, Op. 35: The Young Prince and the Young Princess | — | ||
| 6-4 | Scheherazade, Op. 35: Festival at Bagdad - The Sea - The Shipwreck Against a Rock Surmounted by a Bronze Warrior - Conclusion | — | ||
| 6-5 | Valse triste | London Symphony Orchestra, Antal Doráti | T-000.769.449-6 | |
| 6-6 | Les Préludes | London Symphony Orchestra, Antal Doráti | — | |
| 6-7 | The Moldau ("Vltava") | London Symphony Orchestra, Antal Doráti | — | |
| 7-1 | Capriccio Espagnol, op. 34: I. Alborada | London Symphony Orchestra, Antal Doráti | — | |
| 7-2 | Capriccio Espagnol, op. 34: II. Variazioni | London Symphony Orchestra, Antal Doráti | — | |
| 7-3 | Capriccio Espagnol, op. 34: III. Alborada | London Symphony Orchestra, Antal Doráti | — | |
| 7-4 | Capriccio Espagnol, op. 34: IV. Scena e canto gitano | London Symphony Orchestra, Antal Doráti | — | |
| 7-5 | Capriccio Espagnol, op. 34: V. Fandango asturiano | London Symphony Orchestra, Antal Doráti | — | |
| 7-6 | Le Coq d’or Suite: 1. King Dodon in His Palace | London Symphony Orchestra, Antal Doráti | T-802.124.289-8 | |
| 7-7 | Le Coq d’or Suite: 2. King Dodon on the Battlefield | London Symphony Orchestra, Antal Doráti | T-802.124.289-8 | |
| 7-8 | Le Coq d’or Suite: 3. King Dodon With Queen Shemakha | London Symphony Orchestra, Antal Doráti | T-802.124.289-8 | |
| 7-9 | Le Coq d’or Suite: 4. Marriage Feast and Lamentable End of King Dodon | London Symphony Orchestra, Antal Doráti | — | |
| 7-10 | Russian Easter Overture, op. 36 | London Symphony Orchestra, Antal Doráti | — | |
| 7-11 | “Prince Igor”: Polovetsian Dances (with chorus) | London Symphony Orchestra, Chorus, Antal Dorati | T-902.804.388-1 | |
| 8-1 | La forza del destino: Overture | London Symphony Orchestra, Antal Doráti | T-306.483.068-4 | |
| 8-2 | Nabucco: Overture | London Symphony Orchestra, Antal Doráti | T-911.382.704-6 | |
| 8-3 | I vespri siciliani: Overture | London Symphony Orchestra, Antal Doráti | — | |
| 8-4 | La traviata: Prelude to Act I | London Symphony Orchestra, Antal Doráti | — | |
| 8-5 | La traviata: Prelude to Act III | London Symphony Orchestra, Antal Doráti | — | |
| 8-6 | La gazza ladra: Overture | — | ||
| 8-7 | La scala di seta: Overture | Minnesota Orchestra, Antal Doráti | — | |
| 8-8 | La Cenerentola: Overture | — | ||
| 8-9 | Il barbiere di Siviglia: Overture | — | ||
| 8-10 | L’italiana in Algeri: Overture | — | ||
| 8-11 | Il signor Bruschino: Overture | — | ||
| 9-1 | Don Juan, op. 20 | — | ||
| 9-2 | Death and Transfiguration, op. 24 | — | ||
| 9-3 | Till Eulenspiegel's Merry Pranks, op. 28 | — | ||
| 9-4 | Suite from "Der Rosenkavalier" | — | ||
| 10-1 | Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Allegro tranquillo (Dreams of a Winter Journey) | London Symphony Orchestra, Antal Doráti | — | |
| 10-2 | Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists: Andante cantabile ma non tanto | London Symphony Orchestra, Antal Doráti | — | |
| 10-3 | Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo. Allegro scherzando giocoso | London Symphony Orchestra, Antal Doráti | — | |
| 10-4 | Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale. Andante lugubre - Allegro maestoso | London Symphony Orchestra, Antal Doráti | — | |
| 10-5 | Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto – Allegro vivo | London Symphony Orchestra, Antal Doráti | — | |
| 10-6 | Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato | London Symphony Orchestra, Antal Doráti | — | |
| 10-7 | Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo and Trio: Allegro molto vivace | London Symphony Orchestra, Antal Doráti | — | |
| 10-8 | Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai – Allegro vivo | London Symphony Orchestra, Antal Doráti | — | |
| 11-1 | Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e Allegro - Moderato assai - Allegro brillante | London Symphony Orchestra, Antal Doráti | — | |
| 11-2 | Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca. Allegro moderato e semplice | London Symphony Orchestra, Antal Doráti | — | |
| 11-3 | Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco | London Symphony Orchestra, Antal Doráti | — | |
| 11-4 | Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo. Allegro vivo | London Symphony Orchestra, Antal Doráti | — | |
| 11-5 | Symphony no. 3 in D major, op. 29 "Polish": V. Finale. Allegro con fuoco – Tempo di Polacca | London Symphony Orchestra, Antal Doráti | — | |
| 11-6 | Variations on a theme of Tchaikovsky, op. 35a | Philharmonia Hungarica, Antal Doráti | — | |
| 12-1 | Symphony No. 5 In E Minor, op. 64: Andante | London Symphony, Antal Doráti | — | |
| 12-2 | Symphony No. 5 In E Minor, op. 64: Andante Cantabile, Con Alcuna Licenza | London Symphony, Antal Doráti | — | |
| 12-3 | Symphony No. 5 In E Minor, op. 64: Valse. Allegro Moderato | London Symphony, Antal Doráti | — | |
| 12-4 | Symphony No. 5 In E Minor, op. 64: Finale. Andante Maestoso | London Symphony, Antal Doráti | — | |
| 12-5 | March Slav, op. 31 | — | ||
| 12-6 | Eugene Onegin: Waltz | — | ||
| 12-7 | Eugene Onegin: Polonaise | — | ||
| 13-1 | Die Meistersinger von Nürnberg, Overture | London Symphony Orchestra, Antal Doráti | — | |
| 13-2 | Parsifal, Good Friday Spell | London Symphony Orchestra, Antal Doráti | — | |
| 13-3 | Lohengrin, Prelude to Act I | London Symphony Orchestra, Antal Doráti | T-050.071.427-1 | |
| 13-4 | Lohengrin, Prelude to Act III | London Symphony Orchestra, Antal Doráti | T-050.071.427-1 | |
| 13-5 | Tannhäuser, Overture and Venusberg Music | London Symphony Orchestra, Antal Doráti | — | |
| 13-6 | Tristan und Isolde, Prelude and Liebestod | London Symphony Orchestra, Antal Doráti | T-900.151.755-1 | |
| 14-1 | I Got Rhythm | — | ||
| 14-2 | Love Is Sweeping the Country | — | ||
| 14-3 | Love Walked In | — | ||
| 14-4 | ’S Wonderful | — | ||
| 14-5 | Bidin’ My Time | — | ||
| 14-6 | Oh, Lady, Be Good | — | ||
| 14-7 | Fascinating Rhythm | — | ||
| 14-8 | Liza | — | ||
| 14-9 | Embraceable You | — | ||
| 14-10 | The Man I Love | — | ||
| 14-11 | Someone to Watch Over Me | — | ||
| 14-12 | But Not for Me | — | ||
| 15-1 | Streets Of New York | — | ||
| 15-2 | Habanera | — | ||
| 15-3 | I'm Falling In Love With Someone | — | ||
| 15-4 | March Of The Toys | — | ||
| 15-5 | Sweethearts | — | ||
| 15-6 | Ah, Sweet Mystery Of Life | — | ||
| 15-7 | Italian Street Song | — | ||
| 15-8 | The Irish Have A Great Day Tonight | — | ||
| 15-9 | A Kiss In The Dark | — | ||
| 15-10 | Romany Life | — | ||
| 15-11 | Thine Alone | — | ||
| 15-12 | Kiss Me Again | — | ||
| 16-1 | Blow, Gabriel, Blow | — | ||
| 16-2 | So in Love | — | ||
| 16-3 | It’s All Right With Me | — | ||
| 16-4 | Ridin’ High | — | ||
| 16-5 | In the Still of the Night | — | ||
| 16-6 | Begin the Beguine | — | ||
| 16-7 | Night and Day | — | ||
| 16-8 | My Heart Belongs to Daddy | — | ||
| 16-9 | Anything Goes | — | ||
| 16-10 | I’ve Got You Under My Skin | — | ||
| 16-11 | It’s De‐Lovely | — | ||
| 16-12 | You’d Be So Nice to Come Home To | — | ||
| 17-1 | Waltz from Carousel | — | ||
| 17-2 | Ballet from Le Cid: I. Aubade | — | ||
| 17-3 | Ballet from Le Cid: II. Aragonaise | — | ||
| 17-4 | Minuet | — | ||
| 17-5 | Henry VIII Dances: I. Morris Dance | — | ||
| 17-6 | Henry VIII Dances: II. Shepherd's Dance | — | ||
| 17-7 | Henry VIII Dances: III. Torch Dance | — | ||
| 17-8 | Cotillon Suite | — | ||
| 17-9 | Passo a sei from William Tell | — | ||
| 17-10 | Dance of the Tumblers | — | ||
| 17-11 | Prelude in G Minor | — | ||
| 17-12 | Dance of the Russian Sailors | — | ||
| 17-13 | Procession of the Nobles | — | ||
| 17-14 | Polka and Fugue from Schwanda | — | ||
| 18-1 | Pineapple Poll Suite: 1. Opening Number | — | ||
| 18-2 | Pineapple Poll Suite: 2. Jasper's Dance | — | ||
| 18-3 | Pineapple Poll Suite: 3. Poll's Dance | — | ||
| 18-4 | Pineapple Poll Suite: 4. Finale | — | ||
| 18-5 | Suite La boutique fantasque: 1. Danse cosaque | — | ||
| 18-6 | Suite La boutique fantasque: 2. Nocturne | — | ||
| 18-7 | Suite La boutique fantasque: 3. Allegro non troppo | — | ||
| 18-8 | Suite La boutique fantasque: 4. Mazurka | — | ||
| 18-9 | Suite La boutique fantasque: 5. Tarantelle | — | ||
| 18-10 | Suite La boutique fantasque: 6. Valse lente | — | ||
| 18-11 | Suite La boutique fantasque: 7. Can-can | — | ||
| 18-12 | Suite La boutique fantasque: 8. Andantino | — | ||
| 18-13 | Suite La boutique fantasque: 9. Galop | — | ||
| 18-14 | Faust, Ballet Music (1869): 1. Les Nubiennes, valse (Allegretto) | — | ||
| 18-15 | Faust, Ballet Music (1869): 2. Adagio | — | ||
| 18-16 | Faust, Ballet Music (1869): 3. Danse antique (Allegretto) | — | ||
| 18-17 | Faust, Ballet Music (1869): 4. Variations de Cléopatre (Moderato maestoso) - 5. Les Troyennes (Moderato con moto) - 6. Variations du miroir (Allegretto) | — | ||
| 18-18 | Faust, Ballet Music (1869): 7. Danse de Phryné (Allegro vivo) | — | ||
| 18-19 | Lohengrin - Act 3: Prelude to Act III - Bridal Chorus | — | ||
| 18-20 | Lohengrin - Act 3: Elsa's Procession to the Cathedral | — | ||
| 18-21 | Das Rheingold - Vierte Szene : Entry of the Gods into Valhalla | — | ||
| 19-1 | Orb and Sceptre (Coronation March) (1953) | Eastman-Rochester "Pops" Orchestra, Frederick Fennell | — | |
| 19-2 | Turkish March from "The Ruins of Athens" | Eastman-Rochester Pops Orchestra, Frederick Fennell | — | |
| 19-3 | Alla Marcia from "Karelia" Suite | Eastman-Rochester Pops Orchestra, Frederick Fennell | — | |
| 19-4 | March from "Prince Igor" | Eastman-Rochester Pops Orchestra, Frederick Fennell | — | |
| 19-5 | Marche militaire, op. 51 no. 1 | Eastman-Rochester Pops Orchestra, Frederick Fennell | — | |
| 19-6 | Homage March from "Sigurd Jorsalfar" | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-900.037.282-7 | |
| 19-7 | March from "Tannhäuser" | Eastman-Rochester Pops Orchestra, Frederick Fennell | — | |
| 19-8 | Overture to "Rienzi" | Eastman-Rochester Pops Orchestra, Frederick Fennell | — | |
| 19-9 | Good Friday Music from "Parsifal" | Eastman-Rochester Pops Orchestra, Frederick Fennell | — | |
| 20-1 | Giselle: Act I: Introduction | — | ||
| 20-2 | Giselle: Act I: Les Vendangeurs | — | ||
| 20-3 | Giselle: Act I: Entrée du Prince | — | ||
| 20-4 | Giselle: Act I: Entrée de Giselle | — | ||
| 20-5 | Giselle: Act I: Retour de la Vendange | — | ||
| 20-6 | Giselle: Act I: La Chasse Part 1 | — | ||
| 20-7 | Giselle: Act I: Pas de Deux and La Chasse Part 2 | — | ||
| 20-8 | Giselle: Act I: Scène d'Hilarion: Marche des Vendanges | — | ||
| 20-9 | Giselle: Act I: Galop | — | ||
| 20-10 | Giselle: Act I: Final | — | ||
| 20-11 | Giselle: Act II: La halte des Chasseurs | — | ||
| 20-12 | Giselle: Act II: Apparition et Scène de Myrtha | — | ||
| 20-13 | Giselle: Act II: Apparition et Scène de Myrtha | — | ||
| 20-14 | Giselle: Act II: Apparition et Scène de Myrtha | — | ||
| 20-15 | Giselle: Act II: Apparition de Giselle | — | ||
| 20-16 | Giselle: Act II: Apparition de Giselle | — | ||
| 20-17 | Giselle: Act II: Entrée d'Albert et Wilfred | — | ||
| 21-1 | Giselle: Act II: Entrée d'Hilarion | — | ||
| 21-2 | Giselle: Act II: Grand pas de deux (a: Andante) | — | ||
| 21-3 | Giselle: Act II: Grand pas de deux (b: Variation de Loys) | — | ||
| 21-4 | Giselle: Act II: Grand pas de deux (c: Variation de Giselle) | — | ||
| 21-5 | Giselle: Act II: Grand pas de deux (d: Ensemble des Willis) | — | ||
| 21-6 | Giselle: Act II: Final | — | ||
| 21-7 | Graduation Ball | — | ||
| 21-8 | Gaîté Parisienne | — | ||
| 22-1 | Concerto Grosso no. 1: I. Prelude | — | ||
| 22-2 | Concerto Grosso no. 1: II. Dirge | — | ||
| 22-3 | Concerto Grosso no. 1: III. Pastorale, Rustic Dances | — | ||
| 22-4 | Concerto Grosso no. 1: IV. Fugue | — | ||
| 22-5 | Concerto Grosso no. 2: I. Maestoso, Allegro, Maestoso | — | ||
| 22-6 | Concerto Grosso no. 2: II. Andante | — | ||
| 22-7 | Concerto Grosso no. 2: III. Allegro | — | ||
| 22-8 | Concerto Grosso no. 2: IV. Tranquillo, Animato | — | ||
| 22-9 | Schelomo | — | ||
| 23-1 | Concerto in F for Piano and Orchestra: I. Allegro | — | ||
| 23-2 | Concerto in F for Piano and Orchestra: II. Adagio - Andante con moto | — | ||
| 23-3 | Concerto in F for Piano and Orchestra: III. Allegro agitato | — | ||
| 23-4 | Rhapsody in Blue | — | ||
| 23-5 | Cuban Overture | — | ||
| 23-6 | The Stars and Stripes Forever | — | ||
| 24-1 | Merry Mount Suite: Lecture 1. Introduction, colors of the orchestra | — | ||
| 24-2 | Merry Mount Suite: Lecture 2. Woodwinds | — | ||
| 24-3 | Merry Mount Suite: Lecture 3. Brass | — | ||
| 24-4 | Merry Mount Suite: Lecture 4. Strings | — | ||
| 24-5 | Merry Mount Suite: Lecture 5. Harps and Percussion | — | ||
| 24-6 | Merry Mount Suite: Lecture 6. Putting the sections together | — | ||
| 24-7 | Merry Mount Suite: 1. Overture | — | ||
| 24-8 | Merry Mount Suite: 2. Children's Dance | — | ||
| 24-9 | Merry Mount Suite: 3. Love Duet | — | ||
| 24-10 | Merry Mount Suite: 4. Prelude to Act II and Maypole Dances | — | ||
| 25-1 | Mosaics: Lecture 1. Introduction and theme | — | ||
| 25-2 | Mosaics: Lecture 2. Variation 1 | — | ||
| 25-3 | Mosaics: Lecture 3. Variation 2 | — | ||
| 25-4 | Mosaics: Lecture 4. Variation 3 | — | ||
| 25-5 | Mosaics: Lecture 5. Variation 4 | — | ||
| 25-6 | Mosaics: Lecture 6. Variation 5 and conclusion | — | ||
| 25-7 | Mosaics | — | ||
| 25-8 | For the First Time: Lecture 1. Introduction, scales and intervals | — | ||
| 25-9 | For the First Time: Lecture 2. Bells | — | ||
| 25-10 | For the First Time: Lecture 3. Mist | — | ||
| 25-11 | For the First Time: Lecture 4. Fireworks | — | ||
| 25-12 | For the First Time: Lecture 5. Clowns | — | ||
| 25-13 | For the First Time: Lecture 6. Tamara and Peter Bolshoi | — | ||
| 25-14 | For the First Time: Lecture 7. Deserted House | — | ||
| 25-15 | For the First Time: Lecture 8. Dance | — | ||
| 25-16 | For the First Time: Lecture 9. The Deep Forest | — | ||
| 25-17 | For the First Time: Lecture 10. Serious Conversation | — | ||
| 25-18 | For the First Time: Lecture 11. Eccentric Clock | — | ||
| 25-19 | For the First Time: Lecture 12. Kikimora | — | ||
| 25-20 | For the First Time: Lecture 13. Dreams | — | ||
| 25-21 | For the First Time: 1. Bells | — | ||
| 25-22 | For the First Time: 2. Tamara and Peter Bolshoi | — | ||
| 25-23 | For the First Time: 3. Deserted House | — | ||
| 25-24 | For the First Time: 4. Eccentric Clock | — | ||
| 25-25 | For the First Time: 5. Deep Forest | — | ||
| 25-26 | For the First Time: 6. Clowns | — | ||
| 25-27 | For the First Time: 7. Dance | — | ||
| 25-28 | For the First Time: 8. Serious Conversations | — | ||
| 25-29 | For the First Time: 9. Kikimora | — | ||
| 25-30 | For the First Time: 10. Mist | — | ||
| 25-31 | For the First Time: 11. Fireworks | — | ||
| 25-32 | For the First Time: 12. Dreams | — | ||
| 26-1 | THE BARTERED BRIDE / ACT 3: DANCE OF THE COMEDIANS | London Symphony Orchestra, Charles Mackerras | — | |
| 26-2 | THE MERRY WIVES OF WINDSOR: OVERTURE | London Symphony Orchestra, Charles Mackerras | — | |
| 26-3 | RADETZKY-MARSCH, OP. 228 | London Symphony Orchestra, Charles Mackerras | — | |
| 26-4 | OVERTURE | London Symphony Orchestra, Charles Mackerras | T-900.143.994-7 | |
| 26-5 | CORONATION MARCH | London Symphony Orchestra, Charles Mackerras | — | |
| 26-6 | HUNGARIAN DANCE NO. 1 IN G MINOR, WOO 1 | London Symphony Orchestra, Charles Mackerras | T-329.367.585-7 | |
| 26-7 | MIGNON: OVERTURE | London Symphony Orchestra, Charles Mackerras | T-310.771.053-8 | |
| 26-8 | COSSACK DANCE | London Symphony Orchestra, Charles Mackerras | — | |
| 26-9 | OVERTURE | London Symphony Orchestra, Charles Mackerras | T-900.010.809-8 | |
| 26-10 | ORPHEUS IN THE UNDERWORLD: OVERTURE | London Symphony Orchestra, Charles Mackerras | T-926.360.283-1 | |
| 26-11 | OFFENBACH: ORPHEUS IN THE UNDERWORLD - CAN-CAN | London Symphony Orchestra, Charles Mackerras | T-304.373.260-7 | |
| 26-12 | INVITATION TO THE DANCE, OP. 65 (ORCH. BERLIOZ) | London Symphony Orchestra, Charles Mackerras | — | |
| 26-13 | GLINKA JOTA ARAGONESA | London Symphony Orchestra, Charles Mackerras | — | |
| 27-1 | Symphonie fantastique, op. 14: 1. Rêveries and Passions: Largo. Allegro agitato e appassionato assai | — | ||
| 27-2 | Symphonie fantastique, op. 14: 2. A Ball: Valse. Allegro non troppo | — | ||
| 27-3 | Symphonie fantastique, op. 14: 3. Scene in the Country: Adagio | — | ||
| 27-4 | Symphonie fantastique, op. 14: 4. March to the Scaffold: Allegretto non troppo | — | ||
| 27-5 | Symphonie fantastique, op. 14: 5. Dream of a Witches’ Sabbath: Larghetto. Allegro | — | ||
| 27-6 | Hungarian March | — | ||
| 27-7 | Trojan March | — | ||
| 27-8 | The Corsair, Overture | — | ||
| 27-9 | The Roman Carnival, Overture | — | ||
| 28-1 | Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio: Allegro molto | Detroit Symphony Orchestra, Paul Paray | — | |
| 28-2 | Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo | Detroit Symphony Orchestra, Paul Paray | T-902.286.256-2 | |
| 28-3 | Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo: molto vivace | Detroit Symphony Orchestra, Paul Paray | — | |
| 28-4 | Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco | Detroit Symphony Orchestra, Paul Paray | — | |
| 28-5 | Symphony no. 2 in D major, op. 43: I. Allegretto | Detroit Symphony Orchestra, Paul Paray | — | |
| 28-6 | Symphony no. 2 in D major, op. 43: II. Andante, ma rubato | Detroit Symphony Orchestra, Paul Paray | — | |
| 28-7 | Symphony no. 2 in D major, op. 43: III. Vivacissimo | Detroit Symphony Orchestra, Paul Paray | — | |
| 28-8 | Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato | Detroit Symphony Orchestra, Paul Paray | — | |
| 29-1 | Symphony in D minor: 1. Lento - Allegro non troppo | — | ||
| 29-2 | Symphony in D minor: 2. Allegretto | — | ||
| 29-3 | Symphony in D minor: 3. Allegro non troppo | — | ||
| 29-4 | Symphony no. 2 in E minor, op. 27: 1. Largo - Allegro moderato | — | ||
| 29-5 | Symphony no. 2 in E minor, op. 27: 2. Allegro molto | — | ||
| 29-6 | Symphony no. 2 in E minor, op. 27: 3. Adagio | — | ||
| 29-7 | Symphony no. 2 in E minor, op. 27: 4. Allegro vivace | — | ||
| 30-1 | Le Roi d'Ys Overture | — | ||
| 30-2 | Namouna Suite No. 1: I. Prélude | — | ||
| 30-3 | Namouna Suite No. 1: II. Sérénade | — | ||
| 30-4 | Namouna Suite No. 1: III. Thème varié | — | ||
| 30-5 | Namouna Suite No. 1: IV. Parades de foire | — | ||
| 30-6 | Namouna Suite No. 1: V. Fête foraine | — | ||
| 30-7 | Offrande à une ombre | — | ||
| 30-8 | Symphony in B-flat major, Op. 20: I. Lent – Allegro vivo | — | ||
| 30-9 | Symphony in B-flat major, Op. 20: II. Tres lent | — | ||
| 30-10 | Symphony in B-flat major, Op. 20: III. Animé – Tres animé | — | ||
| 31-1 | A Midsummer Night's Dream: I. Overture | — | ||
| 31-2 | A Midsummer Night's Dream: II. Scherzo | — | ||
| 31-3 | A Midsummer Night's Dream: III. Nocturne | — | ||
| 31-4 | A Midsummer Night's Dream: IV. Wedding March | — | ||
| 31-5 | Symphony no. 5 in D minor, op. 107 "Reformation": I. Andante – Allegro con fuoco | — | ||
| 31-6 | Symphony no. 5 in D minor, op. 107 "Reformation": II. Allegro vivace | — | ||
| 31-7 | Symphony no. 5 in D minor, op. 107 "Reformation": III. Andante | — | ||
| 31-8 | Symphony no. 5 in D minor, op. 107 "Reformation": IV. "Ein' feste Burg ist unser Gott!" Andante con moto – Allegro maestoso | — | ||
| 31-9 | Symphony no. 96 in D major, "Miracle": I. Adagio - Allegro | — | ||
| 31-10 | Symphony no. 96 in D major, "Miracle": II. Andante | — | ||
| 31-11 | Symphony no. 96 in D major, "Miracle": III. Menuetto. Allegretto | — | ||
| 31-12 | Symphony no. 96 in D major, "Miracle": IV. Finale. Vivace assai | — | ||
| 32-1 | Symphony no. 1 in B-flat major, op. 38 ("Spring"): I. Andante un poco maestoso. Allegro molto vivace | — | ||
| 32-2 | Symphony no. 1 in B-flat major, op. 38 ("Spring"): II. Larghetto | — | ||
| 32-3 | Symphony no. 1 in B-flat major, op. 38 ("Spring"): III. Scherzo. Molto vivace. Trio I/Trio II | — | ||
| 32-4 | Symphony no. 1 in B-flat major, op. 38 ("Spring"): IV. Allegro animato e grazioso | — | ||
| 32-5 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai. Allegro ma non troppo | — | ||
| 32-6 | Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace | — | ||
| 32-7 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo | — | ||
| 32-8 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace | — | ||
| 33-1 | Symphony no. 3 in E-flat major, op. 97 ("Rhenish"): I. Lebhaft | — | ||
| 33-2 | Symphony no. 3 in E-flat major, op. 97 ("Rhenish"): II. Scherzo. Sehr mässig | — | ||
| 33-3 | Symphony no. 3 in E-flat major, op. 97 ("Rhenish"): III. Nicht schnell | — | ||
| 33-4 | Symphony no. 3 in E-flat major, op. 97 ("Rhenish"): IV. Feierlich | — | ||
| 33-5 | Symphony no. 3 in E-flat major, op. 97 ("Rhenish"): V. Lebhaft | — | ||
| 33-6 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam; Lebhaft | — | ||
| 33-7 | Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam | — | ||
| 33-8 | Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft | — | ||
| 33-9 | Symphony no. 4 in D minor, op. 120: IV. Langsam; Lebhaft | — | ||
| 33-10 | Manfred, Overture for Orchestra, op. 115 | — | ||
| 34-1 | Coronation March | — | ||
| 34-2 | Funeral March of a Marionette | — | ||
| 34-3 | Marche militaire français | — | ||
| 34-4 | Marche héroïque | — | ||
| 34-5 | La Marseillaise | — | ||
| 34-6 | If I Were King | — | ||
| 34-7 | La Dame blanche | — | ||
| 34-8 | La belle Hélène | — | ||
| 34-9 | Orpheus in the Underworld | — | ||
| 34-10 | The Tales of Hoffmann (Suite) | — | ||
| 34-11 | William Tell Overture | — | ||
| 35-1 | Der Fliegende Holländer: Overture | — | ||
| 35-2 | Die Meistersinger von Nürnberg: Suite | — | ||
| 35-3 | Die Walküre: Wotan's Farewell and Magic Fire Music | — | ||
| 35-4 | Rienzi: Overture | — | ||
| 35-5 | Götterdämmerung: Dawn and Siegfried's Rhine Journey | — | ||
| 35-6 | Siegfried Idyll | — | ||
| 35-7 | Tristan und Isolde: Prelude to Act III | — | ||
| 36-1 | Symphony No. 5 in B flat major, D. 485: 1. Allegro | — | ||
| 36-2 | Symphony No. 5 in B flat major, D. 485: 2. Andante con moto | — | ||
| 36-3 | Symphony No. 5 in B flat major, D. 485: 3. Menuetto & Trio - Allegro molto | — | ||
| 36-4 | Symphony No. 5 in B flat major, D. 485: 4. Allegro vivace | — | ||
| 36-5 | Symphony in B minor, D. 759: 1. Allegro moderato | — | ||
| 36-6 | Symphony in B minor, D. 759: 2. Andante con moto | — | ||
| 36-7 | Rosamunde, incidental music: 1. Overture | — | ||
| 36-8 | Rosamunde, incidental music: 2. Entr'acte, No. 2 | — | ||
| 36-9 | Rosamunde, incidental music: 3. Ballet, No. 2 | — | ||
| 37-1 | Symphony No. 9 in C major ("The Great"), D. 944: 1. Andante - Allegro ma non troppo | — | ||
| 37-2 | Symphony No. 9 in C major ("The Great"), D. 944: 2. Andante con moto | — | ||
| 37-3 | Symphony No. 9 in C major ("The Great"), D. 944: 3. Scherzo: Allegro vivace | — | ||
| 37-4 | Symphony No. 9 in C major ("The Great"), D. 944: 4. Finale: Allegro vivace | — | ||
| 37-5 | Symphony No. 6 in C major ("Little C Major"), D. 589: 1. Adagio - Allegro | — | ||
| 37-6 | Symphony No. 6 in C major ("Little C Major"), D. 589: 2. Andante | — | ||
| 37-7 | Symphony No. 6 in C major ("Little C Major"), D. 589: 3. Scherzo: Presto | — | ||
| 37-8 | Symphony No. 6 in C major ("Little C Major"), D. 589: 4. Allegro moderato | — | ||
| 38-1 | Variaciones concertantes, Op. 23: 1. Theme for Cello & Harp | — | ||
| 38-2 | Variaciones concertantes, Op. 23: 2. Interlude for Strings | — | ||
| 38-3 | Variaciones concertantes, Op. 23: 3. "Giocoso" Variation for Flute | — | ||
| 38-4 | Variaciones concertantes, Op. 23: 4. "Scherzo" Variation for Clarinet | — | ||
| 38-5 | Variaciones concertantes, Op. 23: 5. Dramatic Variation for Viola | — | ||
| 38-6 | Variaciones concertantes, Op. 23: 6. Canonic Variation for Oboe & Bassoon | — | ||
| 38-7 | Variaciones concertantes, Op. 23: 7. Rhythmic Variation for Trumpet & Trombone | — | ||
| 38-8 | Variaciones concertantes, Op. 23: 8. "Perpetual Motion" Variation for Violin | — | ||
| 38-9 | Variaciones concertantes, Op. 23: 9. Pastoral Variation for French Horn | — | ||
| 38-10 | Variaciones concertantes, Op. 23: 10. Interlude for Winds | — | ||
| 38-11 | Variaciones concertantes, Op. 23: 11. Recapitulation of the Theme for Double Bass & Harp | — | ||
| 38-12 | Variaciones concertantes, Op. 23: 12. Final Variation in Rondo Form for Full Orchestra | — | ||
| 38-13 | The Young Person's Guide to the Orchestra, Op. 34: Theme - Allegro maestoso e largamente (without spoken text) | — | ||
| 38-14 | The Young Person's Guide to the Orchestra, Op. 34: Variation A: Flutes & Piccolo - Presto (without spoken text) | — | ||
| 38-15 | The Young Person's Guide to the Orchestra, Op. 34: Variation B: Oboes - Lento (without spoken text) | — | ||
| 38-16 | The Young Person's Guide to the Orchestra, Op. 34: Variation C: Clarinets - Moderato (without spoken text) | — | ||
| 38-17 | The Young Person's Guide to the Orchestra, Op. 34: Variation D: Bassoons - Allegro alla marcia (without spoken text) | — | ||
| 38-18 | The Young Person's Guide to the Orchestra, Op. 34: Variation E: Violins - Brillante - alla polacca (without spoken text) | — | ||
| 38-19 | The Young Person's Guide to the Orchestra, Op. 34: Variation F: Violas - Meno mosso (without spoken text) | — | ||
| 38-20 | The Young Person's Guide to the Orchestra, Op. 34: Variation G: Cellos (without spoken text) | — | ||
| 38-21 | The Young Person's Guide to the Orchestra, Op. 34: Variation H: Double Basses - Cominciando lento ma poco a poco accelerando (without spoken text) | — | ||
| 38-22 | The Young Person's Guide to the Orchestra, Op. 34: Variation I: Harp - Maestoso (without spoken text) | — | ||
| 38-23 | The Young Person's Guide to the Orchestra, Op. 34: Variation J: Horns - L'istesso tempo (without spoken text) | — | ||
| 38-24 | The Young Person's Guide to the Orchestra, Op. 34: Variation K: Trumpets - Vivace (without spoken text) | — | ||
| 38-25 | The Young Person's Guide to the Orchestra, Op. 34: Variation L: Trombones & Bass Tuba - Allegro pomposo (without spoken text) | — | ||
| 38-26 | The Young Person's Guide to the Orchestra, Op. 34: Variation M: Percussion - Moderato (without spoken text) | — | ||
| 38-27 | The Young Person's Guide to the Orchestra, Op. 34: Fugue - Allegro molto (without spoken text) | — | ||
| 39-1 | Symphony No. 3: I. Molto moderato | — | ||
| 39-2 | Symphony No. 3: II. Allegro molto | — | ||
| 39-3 | Symphony No. 3: III. Andantino quasi allegretto | — | ||
| 39-4 | Symphony No. 3: IV. Molto deliberato (Fanfare) -- Allegro risoluto | — | ||
| 40-1 | Roman Festivals: I. Circus Maximus | — | ||
| 40-2 | Roman Festivals: II. The Jubilee | — | ||
| 40-3 | Roman Festivals: III. The October Excursions | — | ||
| 40-4 | Roman Festivals: IV. Epiphany | — | ||
| 40-5 | Church Windows: I. The Flight into Egypt | — | ||
| 40-6 | Church Windows: II. St. Michael the Archangel | — | ||
| 40-7 | Church Windows: III. The Matins of St. Clare | — | ||
| 40-8 | Church Windows: IV. St. Gregory the Great | — | ||
| 41-1 | Suite No. 1 in D minor, Op. 43: I. Introduzione e Fuga (Andante sostenuto - Moderato e con anima) | — | ||
| 41-2 | Suite No. 1 in D minor, Op. 43: II. Divertimento (Allegro moderato) | — | ||
| 41-3 | Suite No. 1 in D minor, Op. 43: III. Intermezzo (Andante semplice) | — | ||
| 41-4 | Suite No. 1 in D minor, Op. 43: IV. Marche miniature (Moderato con moto) | — | ||
| 41-5 | Suite No. 1 in D minor, Op. 43: V. Scherzo. Allegro con moto | — | ||
| 41-6 | Suite No. 1 in D minor, Op. 43: VI. Gavotte. Allegro | — | ||
| 41-7 | Suite No. 2 in C major, Op. 53: I. Jeu de sons (Andantino un poco rubato - Allegro molto vivace) | — | ||
| 41-8 | Suite No. 2 in C major, Op. 53: II. Valse. Moderato. Tempo di Valse | — | ||
| 41-9 | Suite No. 2 in C major, Op. 53: III. Scherzo burlesque (Vivace, con spirito) | — | ||
| 41-10 | Suite No. 2 in C major, Op. 53: IV. Reves d'enfant (Andante molto sostenuto) | — | ||
| 41-11 | Suite No. 2 in C major, Op. 53: V. Danse baroque (Vivacissimo - Prestissimo) | — | ||
| 42-1 | Suite for Orchestra no. 3 in G major, op. 55: I. Elégie. Andantino molto cantabile | New Philharmonia Orchestra, Antal Doráti | — | |
| 42-2 | Suite for Orchestra no. 3 in G major, op. 55: II. Valse melancolique. Allegro moderato | New Philharmonia Orchestra, Antal Doráti | — | |
| 42-3 | Suite for Orchestra no. 3 in G major, op. 55: III. Scherzo. Molto vivace | New Philharmonia Orchestra, Antal Doráti | — | |
| 42-4 | Suite for Orchestra no. 3 in G major, op. 55: IV. Tema con variazioni. Andante con moto | Hugh Bean, New Philharmonia Orchestra, Antal Doráti | — | |
| 42-5 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: I. Gigue, K574. Allegro | New Philharmonia Orchestra, Antal Doráti | — | |
| 42-6 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: II. Menuet, K355. Moderato | New Philharmonia Orchestra, Antal Doráti | — | |
| 42-7 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: III. Preghiera. Andante non tanto | New Philharmonia Orchestra, Antal Doráti | T-329.460.887-6 | |
| 42-8 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: IV. Thème et variations. Allegro giusto | Hugh Bean, Colin Bradbury, New Philharmonia Orchestra, Antal Doráti | — | |
| 43-1 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | — | ||
| 43-2 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre (adagio assai) | — | ||
| 43-3 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo (allegro vivace) | — | ||
| 43-4 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale (allegro molto) | — | ||
| 44-1 | Piano Concerto no. 1 in E-flat major: I. Allegro maestoso | — | ||
| 44-2 | Piano Concerto no. 1 in E-flat major: II. Quasi adagio - | — | ||
| 44-3 | Piano Concerto no. 1 in E-flat major: II. Allegretto vivace - allegro animato - | — | ||
| 44-4 | Piano Concerto no. 1 in E-flat major: III. Allegro marziale animato | — | ||
| 44-5 | Piano Concerto no. 2 in A major: I. Adagio sostenuto assai - Allegro agitato assai - | — | ||
| 44-6 | Piano Concerto no. 2 in A major: II. Allegro moderato - | — | ||
| 44-7 | Piano Concerto no. 2 in A major: III. Allegro deciso - Marziale un poco meno allegro - | — | ||
| 44-8 | Piano Concerto no. 2 in A major: IV. Allegro animato | — | ||
| 45-1 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto – Allegro | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 45-2 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: II. Rondo. Allegro vivace | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 45-3 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: I. Andante – Allegro vivace | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 45-4 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: II. Adagio – Tempo d'andante – Allegro vivace | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 45-5 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 45-6 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 45-7 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: III. Allegro – Allegro fugato | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 46-1 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo – Allegro molto più tosto presto | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 46-2 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 46-3 | Sonata for Cello and Piano no. 3 in A major, op. 69: I. Allegro ma non tanto | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 46-4 | Sonata for Cello and Piano no. 3 in A major, op. 69: II. Scherzo. Allegro molto | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 46-5 | Sonata for Cello and Piano no. 3 in A major, op. 69: III. Adagio cantabile – Allegro vivace | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 47-1 | Songs and Dances of Death: 1. Lullaby | — | ||
| 47-2 | Songs and Dances of Death: 2. Serenade | — | ||
| 47-3 | Songs and Dances of Death: 3. Trepak | — | ||
| 47-4 | Songs and Dances of Death: 4. The Field Marshal | — | ||
| 47-5 | None but the Lonely Heart, Op. 6, No. 6 | — | ||
| 47-6 | Not a Word, Beloved, Op. 6, No. 2 | — | ||
| 47-7 | Do Not Believe, My Friend, Op. 6, No. 1 | — | ||
| 47-8 | Five Poems by Anna Akhmatova, Op. 27: 1. The Sun Filled the Room | — | ||
| 47-9 | Five Poems by Anna Akhmatova, Op. 27: 2. True Tenderness | — | ||
| 47-10 | Five Poems by Anna Akhmatova, Op. 27: 3. Memory of Sunlight | — | ||
| 47-11 | Five Poems by Anna Akhmatova, Op. 27: 4. Greetings! | — | ||
| 47-12 | Five Poems by Anna Akhmatova, Op. 27: 5. The Grey-eyed King | — | ||
| 48-1 | Sevillanas | — | ||
| 48-2 | Malagueñas | — | ||
| 48-3 | Saetas y Seguiriyas | — | ||
| 48-4 | Alegrías por Rosa | — | ||
| 48-5 | Rumba | — | ||
| 48-6 | Bulerías (Fiesta) | — | ||
| 48-7 | Zapateado | — | ||
| 48-8 | Alegrias | — | ||
| 48-9 | Bulerías al golpo | — | ||
| 48-10 | Soleáres de Cádiz | — | ||
| 48-11 | Taconeo Punteado | — | ||
| 48-12 | Improvisation On Guajiras | — | ||
| 48-13 | Tanguillos | — | ||
| 48-14 | Farrucas | — | ||
| 48-15 | Petenera | — | ||
| 48-16 | Caracoles (Alegrias de Madrid) | — | ||
| 48-17 | Milonga | — | ||
| 48-18 | Sevillanas | — | ||
| 49-1 | Concerto in A Minor for Sopranino Recorder, RV 445: I. Allegro | — | ||
| 49-2 | Concerto in A Minor for Sopranino Recorder, RV 445: II. Larghetto | — | ||
| 49-3 | Concerto in A Minor for Sopranino Recorder, RV 445: III. Allegro | — | ||
| 49-4 | Recorder Concerto in F Major, Op. 4 No. 5, HWV 293: I. Larghetto | Bernard Krainis, The London Strings, Sir Neville Marriner | — | |
| 49-5 | Recorder Concerto in F Major, Op. 4 No. 5, HWV 293: II. Allegro | Bernard Krainis, The London Strings, Sir Neville Marriner | — | |
| 49-6 | Recorder Concerto in F Major, Op. 4 No. 5, HWV 293: III. Alla Siciliana | Bernard Krainis, The London Strings, Sir Neville Marriner | — | |
| 49-7 | Recorder Concerto in F Major, Op. 4 No. 5, HWV 293: IV. Presto | Bernard Krainis, The London Strings, Sir Neville Marriner | — | |
| 49-8 | Concerto in G Major for Soprano Recorder (after Op. 3 No. 3, HWV 314): I. Largo | Bernard Krainis, The London Strings, Sir Neville Marriner | — | |
| 49-9 | Concerto in G Major for Soprano Recorder (after Op. 3 No. 3, HWV 314): II. Allegro | Bernard Krainis, The London Strings, Sir Neville Marriner | — | |
| 49-10 | Concerto in G Major for Soprano Recorder (after Op. 3 No. 3, HWV 314): III. Adagio | Bernard Krainis, The London Strings, Sir Neville Marriner | — | |
| 49-11 | Concerto in G Major for Soprano Recorder (after Op. 3 No. 3, HWV 314): IV. Andante | Bernard Krainis, The London Strings, Sir Neville Marriner | — | |
| 49-12 | Concerto TWV 51:C1 in C major for recorder, strings & b.c.: I. Allegretto | — | ||
| 49-13 | Concerto TWV 51:C1 in C major for recorder, strings & b.c.: II. Allegro | — | ||
| 49-14 | Concerto TWV 51:C1 in C major for recorder, strings & b.c.: III. Andante | — | ||
| 49-15 | Concerto TWV 51:C1 in C major for recorder, strings & b.c.: IV. Tempo di Minue | — | ||
| 50-1 | Symphony in B-flat major for Concert Band: I. Moderately fast, with vigor | — | ||
| 50-2 | Symphony in B-flat major for Concert Band: II. Andantino grazioso | — | ||
| 50-3 | Symphony in B-flat major for Concert Band: III. Fugue | — | ||
| 50-4 | Theme and Variations for Wind Band, op. 43a: 1. Theme | — | ||
| 50-5 | Theme and Variations for Wind Band, op. 43a: 2. Variation 1 | — | ||
| 50-6 | Theme and Variations for Wind Band, op. 43a: 3. Variation 2 | — | ||
| 50-7 | Theme and Variations for Wind Band, op. 43a: 4. Variation 3 | — | ||
| 50-8 | Theme and Variations for Wind Band, op. 43a: 5. Variation 4 | — | ||
| 50-9 | Theme and Variations for Wind Band, op. 43a: 6. Variation 5 | — | ||
| 50-10 | Theme and Variations for Wind Band, op. 43a: 7. Variation 6 | — | ||
| 50-11 | Theme and Variations for Wind Band, op. 43a: 8. Variation 7 | — | ||
| 50-12 | Theme and Variations for Wind Band, op. 43a: 9. Finale | — | ||
| 50-13 | Symphonies for Wind Instruments | — | ||
| 51-1 | Sonata in F Sharp Minor (Remastered 2014) | — | ||
| 51-2 | Sonata in C Sharp Minor (Remastered 2014) | — | ||
| 51-3 | Fandango in D minor (Remastered 2014) | — | ||
| 51-4 | Sonata in D Major (Remastered 2014) | — | ||
| 51-5 | Sonata in D Flat Major (Remastered 2014) | — | ||
| 51-6 | Sonata in D Minor (Remastered 2014) | — | ||
| 51-7 | Sonata in C Minor (Remastered 2014) | — | ||
| 51-8 | Concerto for 2 Harpsichords No. 3 in G Major: 1. Andantino (Original Version) | — | ||
| 51-9 | Concerto for 2 Harpsichords No. 3 in G Major: 2. Menuet (Original Version) | — | ||
| 52-1 | 1812 Festival Overture, op. 49 | — | ||
| 52-2 | [commentary] | — | ||
| 52-3 | Capriccio Italien, op. 45 | Minneapolis Symphony Orchestra, Antal Doráti | T-304.396.368-0 | |
| 53-1 | String Quartet No. 4 in D major, Op. 83: 1. Allegretto | — | ||
| 53-2 | String Quartet No. 4 in D major, Op. 83: 2. Andantino | — | ||
| 53-3 | String Quartet No. 4 in D major, Op. 83: 3. Allegretto | — | ||
| 53-4 | String Quartet No. 4 in D major, Op. 83: 4. Allegretto | — | ||
| 53-5 | String Quartet No. 8 in C minor, Op. 110: 1. Largo | — | ||
| 53-6 | String Quartet No. 8 in C minor, Op. 110: 2. Allegro molto | — | ||
| 53-7 | String Quartet No. 8 in C minor, Op. 110: 3. Allegretto | — | ||
| 53-8 | String Quartet No. 8 in C minor, Op. 110: 4. Largo | — | ||
| 53-9 | String Quartet No. 8 in C minor, Op. 110: 5. Largo | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 2 in D major, op. 43: I. Allegretto | Detroit Symphony Orchestra, Paul Paray | — |
| Symphony no. 2 in D major, op. 43: II. Andante, ma rubato | Detroit Symphony Orchestra, Paul Paray | — |
| Symphony no. 2 in D major, op. 43: III. Vivacissimo | Detroit Symphony Orchestra, Paul Paray | — |
| Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato | Detroit Symphony Orchestra, Paul Paray | T-318.676.528-2 |
