UPC · Release
Decca Sound: Mono Years: 1944-1956
Various Artists
028947879466
697 tracksReleased 2015-01-01Decca
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028947879466 is the Universal Product Code (UPC barcode) for the release “Decca Sound: Mono Years: 1944-1956” by Various Artists, released 2015-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 697 tracks, each with its own ISRC. Tracks include GBF075041201, GBF075041202, GBF075041203.
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Credit Chain
UPCDecca Sound: Mono Years: 1944-1956
ISRC88 recordings
ISWC9 works
IPI3 songwriters
Track List (697)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 5 | Le Sacre du printemps: L'Adoration de la Terre. 1. Introduction | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 6 | Le Sacre du printemps: L'Adoration de la Terre. 2. Les augures printaniers - Danses des adolescentes | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 7 | Le Sacre du printemps: L'Adoration de la Terre. 3. Jeu du rapt | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 8 | Le Sacre du printemps: L'Adoration de la Terre. 4. Rondes printanières | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 9 | Le Sacre du printemps: L'Adoration de la Terre. 5. Jeux des cités | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 10 | Le Sacre du printemps: L'Adoration de la Terre. 6. Cortège du sage - Le sage | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 11 | Le Sacre du printemps: L'Adoration de la Terre. 6b. Le sage | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 12 | Le Sacre du printemps: L'Adoration de la Terre. 7. Danse de la terre | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 13 | Le Sacre du printemps: Le Sacrifice. 1. Introduction | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 14 | Le Sacre du printemps: Le Sacrifice. 2. Cercles mysteriéux des adolescentes | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15 | Le Sacre du printemps: Le Sacrifice. 3. Glorification d'élue | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 16 | Le Sacre du printemps: Le Sacrifice. 4. Évocation des ancêtres | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 17 | Le Sacre du printemps: Le Sacrifice. 5. Action rituelle des ancêtres | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 18 | Le Sacre du printemps: Le Sacrifice. 6. Danse sacrale: l'élue | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 2-1 | Le festin de l'araigneé, op. 17: Lent... | — | ||
| 2-2 | Le festin de l'araigneé, op. 17: Lent... | — | ||
| 2-3 | Le festin de l'araigneé, op. 17: Très modéré... | — | ||
| 2-4 | Le festin de l'araigneé, op. 17: Très lent... | — | ||
| 2-5 | Petite Suite pour Orchestre, op. 39: I. Aubade | — | ||
| 2-6 | Petite Suite pour Orchestre, op. 39: II. Pastorale | — | ||
| 2-7 | Petite Suite pour Orchestre, op. 39: III. Masquerade | — | ||
| 2-8 | Le tombeau de Couperin, M. 68a: I. Prélude | — | ||
| 2-9 | Le tombeau de Couperin, M. 68a: II. Forlane | — | ||
| 2-10 | Le tombeau de Couperin, M. 68a: III. Menuet | — | ||
| 2-11 | Le tombeau de Couperin, M. 68a: IV. Rigaudon | — | ||
| 2-12 | Valses nobles et sentimentales: I. Modéré / II. Assez lent | — | ||
| 2-13 | Valses nobles et sentimentales: III. Modéré / IV. Assez animé | — | ||
| 2-14 | Valses nobles et sentimentales: V. Presque lent / VI. Assez vif | — | ||
| 2-15 | Valses nobles et sentimentales: VII. Moins vif / VIII. Epilogue | — | ||
| 3-1 | The Isle of the Dead, op. 29 | — | ||
| 3-2 | La Peri: Poeme Danse | — | ||
| 3-3 | 6 Épigraphes antiques, L. 131 (arr. Ansermet): Pour invoquer Pan, dieu du vent d'été | — | ||
| 3-4 | 6 Épigraphes antiques, L. 131: No. 2. Pour un tombeau sans nom | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 3-5 | 6 Épigraphes antiques, L. 131 (arr. Ansermet): Pour que la nuit soit propice | — | ||
| 3-6 | 6 Épigraphes antiques, L. 131: No. 4. Pour la danseuse aux crotales | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 3-7 | 6 Épigraphes antiques, L. 131 (arr. Ansermet): Pour l'égyptienne | — | ||
| 3-8 | 6 Épigraphes antiques, L. 131 (arr. Ansermet): Pour remercier la pluie au matin | — | ||
| 3-9 | Jeux (Poème dansé), L. 126 | — | ||
| 4-1 | Iberia: Book 1. 1. Evocación | — | ||
| 4-2 | Iberia: Book 1. 3. El Corpus en Sevilla | — | ||
| 4-3 | Iberia: Book 2. 6. Triana | — | ||
| 4-4 | Iberia: Book 1. 2. El Puerto | — | ||
| 4-5 | Iberia: Book 3. 7. El Albaicín | — | ||
| 4-6 | Danzas Fantásticas: I. Exaltación | — | ||
| 4-7 | Danzas Fantásticas: II. Ensueño | — | ||
| 4-8 | Danzas Fantásticas: III. Orgía | — | ||
| 4-9 | Les biches Suite, FP 36: I. Rondeau | — | ||
| 4-10 | Les biches Suite, FP 36: II. Chanson dansée | — | ||
| 4-11 | Les biches Suite, FP 36: III. Adagietto | — | ||
| 4-12 | Les biches Suite, FP 36: IV. Rag - Mazurka | — | ||
| 4-13 | Les biches Suite, FP 36: V. Andantino | — | ||
| 4-14 | Les biches Suite, FP 36: VI. Final | — | ||
| 5-1 | Symphony no. 101 in D major, Hob. I:101 "The Clock": I. Adagio - Presto | — | ||
| 5-2 | Symphony no. 101 in D major, Hob. I:101 "The Clock": II. Andante | — | ||
| 5-3 | Symphony no. 101 in D major, Hob. I:101 "The Clock": III. Menuet (Allegretto) - Trio | — | ||
| 5-4 | Symphony no. 101 in D major, Hob. I:101 "The Clock": IV. Finale (Vivace) | — | ||
| 5-5 | Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro | — | ||
| 5-6 | Symphony no. 88 in G major, Hob. I:88: II. Largo | — | ||
| 5-7 | Symphony no. 88 in G major, Hob. I:88: III. Menuetto (Allegretto) | — | ||
| 5-8 | Symphony no. 88 in G major, Hob. I:88: IV. Finale (Allegro con spirito) | — | ||
| 5-9 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | — | ||
| 5-10 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 5-11 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo (Allegro) | — | ||
| 6-1 | The Gingerbread Heart Suite: I. At the Fair | — | ||
| 6-2 | The Gingerbread Heart Suite: II. Boys & Girls Enter | — | ||
| 6-3 | The Gingerbread Heart Suite: III. The Gingerbread Figures Come to Life | — | ||
| 6-4 | The Gingerbread Heart Suite: IV. Pas de Deux of the Two Gingerbread Hearts | — | ||
| 6-5 | The Gingerbread Heart Suite: V. Outside the Church | — | ||
| 6-6 | The Gingerbread Heart Suite: VI. Celebration | — | ||
| 6-7 | The Devil in the Village Suite: I. The Devil Plots Against the Two Lovers, Mirko & Yela | — | ||
| 6-8 | The Devil in the Village Suite: II. Dance | — | ||
| 6-9 | The Devil in the Village Suite: III. In Hell | — | ||
| 6-10 | The Devil in the Village Suite: IV. Witches' Sabbath | — | ||
| 6-11 | The Devil in the Village Suite: V. Witches' Orgy | — | ||
| 6-12 | The Devil in the Village Suite: VI. The Return of Light | — | ||
| 6-13 | The Devil in the Village Suite: VII. Mirko's Escape From Hell, General Rejoicing | — | ||
| 7-1 | Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace | — | ||
| 7-2 | Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando | — | ||
| 7-3 | Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo | — | ||
| 7-4 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | — | ||
| 7-5 | Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto | — | ||
| 7-6 | Symphony no. 3, K. 71 | — | ||
| 7-7 | Marsyas Suite: I. Prelude | — | ||
| 7-8 | Marsyas Suite: II. Entr'acte: Vagabondes à travers les forêts | — | ||
| 8-1 | A Colour Symphony, F. 106: I. Purple (Andante maestoso) | — | ||
| 8-2 | A Colour Symphony, F. 106: II. Red (Allegro Vivace) | — | ||
| 8-3 | A Colour Symphony, F. 106: III. Blue (Gentle Flowing) | — | ||
| 8-4 | A Colour Symphony, F. 106: IV. Green (Moderato) | — | ||
| 8-5 | Introduction and Allegro, F. 117 | — | ||
| 8-6 | Concerto for Violin & Orchestra, F. 111: I. Allegro ma non troppo | — | ||
| 8-7 | Concerto for Violin & Orchestra, F. 111: II. Scherzo (vivo) | — | ||
| 8-8 | Concerto for Violin & Orchestra, F. 111: III. Introduzione - allegro deciso in modo zingara | — | ||
| 9-1 | Suite for Orchestra no. 3 in G, op. 55: I. Elégie | — | ||
| 9-2 | Suite for Orchestra no. 3 in G, op. 55: II. Valse mélancolique | — | ||
| 9-3 | Suite for Orchestra no. 3 in G, op. 55: III. Scherzo | — | ||
| 9-4 | Suite for Orchestra no. 3 in G, op. 55: IV. Tema con variazioni | — | ||
| 9-5 | The Love for Three Oranges, op. 33bis: I. The Ridiculous People | — | ||
| 9-6 | The Love for Three Oranges, op. 33bis: II. Infernal Scene | — | ||
| 9-7 | The Love for Three Oranges, op. 33bis: III. March | — | ||
| 9-8 | The Love for Three Oranges, op. 33bis: IV. Scherzo | — | ||
| 9-9 | The Love for Three Oranges, op. 33bis: V. The Prince and the Princess | — | ||
| 9-10 | The Love for Three Oranges, op. 33bis: VI. The Escape | — | ||
| 9-11 | Lieutenant Kijé, op. 60: I. Naissance de Kijé | — | ||
| 9-12 | Lieutenant Kijé, op. 60: II. Romance | — | ||
| 9-13 | Lieutenant Kijé, op. 60: III. Noces de Kijé | — | ||
| 9-14 | Lieutenant Kijé, op. 60: IV. Troïka | — | ||
| 9-15 | Lieutenant Kijé, op. 60: V. Enterrement de Kijé | — | ||
| 10-1 | Job (A Masque for Dancing): Scene 1: Introduction & Sarabande of the Sons of God | — | ||
| 10-2 | Job (A Masque for Dancing): Scene 2: Satan's Dance of Triumph | — | ||
| 10-3 | Job (A Masque for Dancing): Scene 3: Minuet of the Sons of Job and Their Wives | — | ||
| 10-4 | Job (A Masque for Dancing): Scene 4: Job's Dream | — | ||
| 10-5 | Job (A Masque for Dancing): Scene 5: Dance of the Three Messengers | — | ||
| 10-6 | Job (A Masque for Dancing): Scene 6: Dance of Job's Comforters | — | ||
| 10-7 | Job (A Masque for Dancing): Scene 7: Elihu's Dance of Youth and Beauty | — | ||
| 10-8 | Job (A Masque for Dancing): Scene 8: Galliard of the Sons of the Morning | — | ||
| 10-9 | Job (A Masque for Dancing): Scene 9: Epilogue | — | ||
| 10-10 | The Wasps - An Aristophanic Suite: Overture | — | ||
| 10-11 | The Wasps - An Aristophanic Suite: Entr'acte | — | ||
| 10-12 | The Wasps - An Aristophanic Suite: March Past of the Kitchen Utensils | — | ||
| 10-13 | The Wasps - An Aristophanic Suite: Entr'acte | — | ||
| 10-14 | The Wasps - An Aristophanic Suite: Ballet & Final Tableau | — | ||
| 11-1 | Sinfonia da Requiem, op. 20: I. Lacrymosa | — | ||
| 11-2 | Sinfonia da Requiem, op. 20: II. Dies irae | — | ||
| 11-3 | Sinfonia da Requiem, op. 20: III. Requiem aeternam | — | ||
| 11-4 | Diversions for Piano Left Hand and Orchestra, op. 21: Theme | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-5 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation I. Recitative | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-6 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation II. Romance | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-7 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation III. March | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-8 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation IV. Arabesque | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-9 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation V. Chant | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-10 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation VI. Nocturne | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-11 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation VII. Badinerie | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-12 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation VIII. Burlesque | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-13 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXa. Toccata I | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-14 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXb. Toccata II | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-15 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation X. Adagio | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-16 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation XI. Tarantella | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-17 | Four Sea Interludes from "Peter Grimes", op. 33a: I. Dawn | — | ||
| 11-18 | Four Sea Interludes from "Peter Grimes", op. 33a: II. Sunday Morning | — | ||
| 11-19 | Four Sea Interludes from "Peter Grimes", op. 33a: III. Moonlight | — | ||
| 11-20 | Four Sea Interludes from "Peter Grimes", op. 33a: IV. Storm | — | ||
| 11-21 | Passacaglia, from "Peter Grimes", op. 33b | — | ||
| 11-22 | The Young Person's Guide to the Orchestra, op. 34: Theme. Allegro maestoso e largamente | — | ||
| 11-23 | The Young Person's Guide to the Orchestra, op. 34: Variation A. Flutes & Piccolo - Presto | — | ||
| 11-24 | The Young Person's Guide to the Orchestra, op. 34: Variation B. Oboes - Lento | — | ||
| 11-25 | The Young Person's Guide to the Orchestra, op. 34: Variation C. Clarinets - Moderato | — | ||
| 11-26 | The Young Person's Guide to the Orchestra, op. 34: Variation D. Bassoons - Allegro alla marcia | — | ||
| 11-27 | The Young Person's Guide to the Orchestra, op. 34: Variation E. Violins - Brillante - alla polacca | — | ||
| 11-28 | The Young Person's Guide to the Orchestra, op. 34: Variation F. Violas - Meno mosso | — | ||
| 11-29 | The Young Person's Guide to the Orchestra, op. 34: Variation G. Cellos | — | ||
| 11-30 | The Young Person's Guide to the Orchestra, op. 34: Variation H. Double Basses - Cominciando lento ma poco a poco accelerando | — | ||
| 11-31 | The Young Person's Guide to the Orchestra, op. 34: Variation I. Harp - Maestoso | — | ||
| 11-32 | The Young Person's Guide to the Orchestra, op. 34: Variation J. Horns - L'istesso tempo | — | ||
| 11-33 | The Young Person's Guide to the Orchestra, op. 34: Variation K. Trumpets - Vivace | — | ||
| 11-34 | The Young Person's Guide to the Orchestra, op. 34: Variation L. Trombones & Bass Tuba - Allegro pomposo | — | ||
| 11-35 | The Young Person's Guide to the Orchestra, op. 34: Variation M. Percussion - Moderato | — | ||
| 11-36 | The Young Person's Guide to the Orchestra, op. 34: Fugue - Allegro molto | — | ||
| 12-1 | Praeludium & Allegro | — | ||
| 12-2 | Liebesleid | — | ||
| 12-3 | Liebesfreud | — | ||
| 12-4 | Polichinelle (Sérénade) | — | ||
| 12-5 | Schön Rosmarin | — | ||
| 12-6 | Caprice viennois, op. 2 | — | ||
| 12-7 | Tambourin chinois | — | ||
| 12-8 | Menuet Célèbre, op. 14: No. 1 in G | — | ||
| 12-9 | Caprice in E-flat | — | ||
| 12-10 | Caprice in A minor | — | ||
| 12-11 | Rondino on a Theme by Beethoven | — | ||
| 12-12 | La Chasse (in the style of Cartier) | — | ||
| 12-13 | La Gitana | — | ||
| 12-14 | Spanish Dance, op. 37: No. 5. "Andaluza" | — | ||
| 12-15 | Variations on a theme of Corelli | — | ||
| 12-16 | Symphonie espagnole in D minor, op. 21: I. Allegro non troppo | — | ||
| 12-17 | Symphonie espagnole in D minor, op. 21: II. Scherzando (Allegro molto) | — | ||
| 12-18 | Symphonie espagnole in D minor, op. 21: III. Intermezzo (Allegretto non troppo) | — | ||
| 12-19 | Symphonie espagnole in D minor, op. 21: IV. Andante | — | ||
| 12-20 | Symphonie espagnole in D minor, op. 21: V. Rondo (Allegro) | — | ||
| 13-1 | Violin Concerto in B minor, op. 61: I. Allegro | Alfredo Campoli, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 13-2 | Violin Concerto in B minor, op. 61: II. Andante | Alfredo Campoli, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 13-3 | Violin Concerto in B minor, op. 61: III. Allegro molto | Alfredo Campoli, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 13-4 | A Shropshire Lad - Rhapsody | — | ||
| 13-5 | The Banks of Green Willow | — | ||
| 13-6 | Tintagel | — | ||
| 13-7 | The Perfect Fool, op. 39: Ballet Music | — | ||
| 14-1 | Façade - an Entertainment: Fanfare - Hornpipe | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-2 | Façade - an Entertainment: En famille | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-3 | Façade - an Entertainment: Mariner Man | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-4 | Façade - an Entertainment: Long Steel Grass | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-5 | Façade - an Entertainment: Through Gilded Trellises | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-6 | Façade - an Entertainment: Tango-Pasodoble | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-7 | Façade - an Entertainment: Lullaby for Jumbo | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-8 | Façade - an Entertainment: Black Mrs Behemoth | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-9 | Façade - an Entertainment: Tarantella | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-10 | Façade - an Entertainment: A Man From a Far Countree | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-11 | Façade - an Entertainment: By The Lake | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-12 | Façade - an Entertainment: Country Dance | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-13 | Façade - an Entertainment: Polka | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-14 | Façade - an Entertainment: Four in the Morning | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-15 | Façade - an Entertainment: Something Lies Beyond the Scene | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-16 | Façade - an Entertainment: Valse | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-17 | Façade - an Entertainment: Jodelling Song | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-18 | Façade - an Entertainment: Scotch Rhapsody | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-19 | Façade - an Entertainment: Popular Song | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-20 | Façade - an Entertainment: Fox-Trot | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-21 | Façade - an Entertainment: Sir Beelzebub | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-22 | Façade - Suite no. 2 for Orchestra: I. Fanfare | — | ||
| 14-23 | Façade - Suite no. 2 for Orchestra: II. Scotch Rhapsody | — | ||
| 14-24 | Façade - Suite no. 1 for Orchestra: II. Valse | — | ||
| 14-25 | Façade - Suite no. 1 for Orchestra: IV. Tango-Pasodoble | — | ||
| 14-26 | Façade - Suite no. 1 for Orchestra: III. Jodelling Song | — | ||
| 14-27 | Façade - Suite no. 2 for Orchestra: III. Country Dance | — | ||
| 14-28 | Façade - Suite no. 1 for Orchestra: I. Polka | — | ||
| 14-29 | Façade - Suite no. 2 for Orchestra: IV. Noche Espagnole | — | ||
| 14-30 | Façade - Suite no. 2 for Orchestra: V. Popular Song | — | ||
| 14-31 | Façade - Suite no. 2 for Orchestra: VI. Old Sir Faulk | — | ||
| 14-32 | Façade - Suite no. 1 for Orchestra: V. Tarantelle Sevillana | — | ||
| 14-33 | Horoscope Suite: I. Dance of the Followers of Leo | — | ||
| 14-34 | Horoscope Suite: II. Saraband for the followers of Virgo | — | ||
| 14-35 | Horoscope Suite: III. Valse of the Gemini | — | ||
| 14-36 | Horoscope Suite: IV. Bacchanale | — | ||
| 14-37 | Horoscope Suite: V. Invocation to the Moon and Finale | — | ||
| 15-1 | Introduction and Allegro for Strings, op. 47 | — | ||
| 15-2 | Serenade in E minor for String Orchestra, op. 20: I. Allegro piacevole | — | ||
| 15-3 | Serenade in E minor for String Orchestra, op. 20: II. Larghetto | — | ||
| 15-4 | Serenade in E minor for String Orchestra, op. 20: III. Allegretto | — | ||
| 15-5 | Falstaff, op. 68: Allegro | — | ||
| 15-6 | Falstaff, op. 68: Allegro molto | — | ||
| 15-7 | Falstaff, op. 68: Dream Interlude (poco allegretto) | — | ||
| 15-8 | Falstaff, op. 68: Allegro | — | ||
| 15-9 | Falstaff, op. 68: Interlude (allegretto) | — | ||
| 15-10 | Falstaff, op. 68: Allegro molto | — | ||
| 15-11 | Fantasia on a Theme by Thomas Tallis | — | ||
| 15-12 | Fantasia on Greensleeves (arr. by Ralph Greaves) | — | ||
| 16-1 | Piano Quartet no. 1 in G minor, K. 478: I. Allegro | Sir Clifford Curzon, Members of the Amadeus Quartet | T-011.619.733-1 | |
| 16-2 | Piano Quartet no. 1 in G minor, K. 478: II. Andante | Sir Clifford Curzon, Members of the Amadeus Quartet | — | |
| 16-3 | Piano Quartet no. 1 in G minor, K. 478: III. Rondo (Allegro moderato) | Sir Clifford Curzon, Members of the Amadeus Quartet | — | |
| 16-4 | Piano Quartet no. 2 in E-flat, K. 493: I. Allegro | Sir Clifford Curzon, Members of the Amadeus Quartet | T-011.619.733-1 | |
| 16-5 | Piano Quartet no. 2 in E-flat, K. 493: II. Larghetto | Sir Clifford Curzon, Members of the Amadeus Quartet | T-913.918.862-8 | |
| 16-6 | Piano Quartet no. 2 in E-flat, K. 493: III. Allegretto | Sir Clifford Curzon, Members of the Amadeus Quartet | — | |
| 16-7 | Horn Quintet in E-flat, K. 407: I. Allegro | Dennis Brain, Sidney Griller, Max Gilbert, Philip Burton, Colin Hampton | T-070.160.313-5 | |
| 16-8 | Horn Quintet in E-flat, K. 407: II. Andante | Dennis Brain, Sidney Griller, Max Gilbert, Philip Burton, Colin Hampton | — | |
| 16-9 | Horn Quintet in E-flat, K. 407: III. Allegro | Dennis Brain, Sidney Griller, Max Gilbert, Philip Burton, Colin Hampton | — | |
| 17-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato | — | ||
| 17-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 17-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo (Allegro non troppo) | — | ||
| 17-4 | Symphony no. 4 in B-flat, op. 60: I. Adagio - Allegro vivace | — | ||
| 17-5 | Symphony no. 4 in B-flat, op. 60: II. Adagio | — | ||
| 17-6 | Symphony no. 4 in B-flat, op. 60: III. Allegro vivace | — | ||
| 17-7 | Symphony no. 4 in B-flat, op. 60: IV. Allegro ma non troppo | — | ||
| 18-1 | Symphony no. 3 "Liturgique": I. "Dies Irae" - Allegro marcato | — | ||
| 18-2 | Symphony no. 3 "Liturgique": II. "De Profundis Clamavi" - Adagio | — | ||
| 18-3 | Symphony no. 3 "Liturgique": III. "Dona Nobis Pacem" - Andante | — | ||
| 18-4 | Chant de joie | — | ||
| 18-5 | Concerto for Viola & Orchestra: I. Allegro moderato | — | ||
| 18-6 | Concerto for Viola & Orchestra: II. Andante sostenuto | — | ||
| 18-7 | Concerto for Viola & Orchestra: III. Allegro vivace | — | ||
| 18-8 | Concertino for Piano & Orchestra: I. Modéré (sans lenteur) | — | ||
| 18-9 | Concertino for Piano & Orchestra: II. Lento | — | ||
| 18-10 | Concertino for Piano & Orchestra: III. Allegro | — | ||
| 19-1 | Violin Concerto in D, op. 61: I. Allegro ma non troppo | — | ||
| 19-2 | Violin Concerto in D, op. 61: II. Larghetto - | — | ||
| 19-3 | Violin Concerto in D, op. 61: III. Rondo (Allegro) | — | ||
| 19-4 | Symphony no. 102 in B-flat major, Hob. I:102: I. Largo - Vivace | — | ||
| 19-5 | Symphony no. 102 in B-flat major, Hob. I:102: II. Adagio | — | ||
| 19-6 | Symphony no. 102 in B-flat major, Hob. I:102: III. Menuetto (Allegro) | — | ||
| 19-7 | Symphony no. 102 in B-flat major, Hob. I:102: IV. Finale. Presto | — | ||
| 20-1 | Violin Concerto in D, op. 77: I. Allegro non troppo | — | ||
| 20-2 | Violin Concerto in D, op. 77: II. Adagio | — | ||
| 20-3 | Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace (cadenza: Fritz Kreisler) | — | ||
| 20-4 | Violin Concerto: I. Allegro con fuoco | — | ||
| 20-5 | Violin Concerto: II. Adagio non troppo | — | ||
| 20-6 | Violin Concerto: III. Allegro | — | ||
| 20-7 | Concierto de estío: I. Prélude - Allegro molto leggiero | — | ||
| 20-8 | Concierto de estío: II. Siciliano - Andantino | — | ||
| 20-9 | Concierto de estío: III. Rondino - Allegro ma non troppo | — | ||
| 21-1 | Graduation Ball Suite: The Compère | — | ||
| 21-2 | Graduation Ball Suite: No. 1. The Drummer | — | ||
| 21-3 | Graduation Ball Suite: No. 2. La Sylphide and the Scotsman | — | ||
| 21-4 | Graduation Ball Suite: No. 3. Impromptu Dance | — | ||
| 21-5 | Graduation Ball Suite: No. 4. Dance-Step Competition | — | ||
| 21-6 | Graduation Ball Suite: No. 5. Mathematics and Natural History Lessons | — | ||
| 21-7 | Graduation Ball Suite: No. 6. Perpetuum mobile | — | ||
| 21-8 | Graduation Ball Suite: Mazurka Flirtation | — | ||
| 21-9 | Graduation Ball Suite: Grand Finale | — | ||
| 21-10 | Ballet Suite no. 1: Introduction (Don Juan) | — | ||
| 21-11 | Ballet Suite no. 1: Air gai - Lento - Air gai (Iphigénie en Aulide) | — | ||
| 21-12 | Ballet Suite no. 1: Dance of the Blessed Spirits | — | ||
| 21-13 | Ballet Suite no. 1: Musette (Armide) | — | ||
| 21-14 | Ballet Suite no. 1: Air gai (Iphigénie en Aulide) | — | ||
| 21-15 | Ballet Suite no. 1: Sicilienne (Armide) | — | ||
| 21-16 | Ballet Suite no. 1: Air gai (Iphigénie en Aulide) | — | ||
| 21-17 | Céphale et Procris Suite: Largo - Andante | — | ||
| 21-18 | Céphale et Procris Suite: Gigue légère | — | ||
| 21-19 | Céphale et Procris Suite: Pantomime | — | ||
| 21-20 | Céphale et Procris Suite: Passepied | — | ||
| 21-21 | Céphale et Procris Suite: Largo | — | ||
| 21-22 | Céphale et Procris Suite: Pantomime | — | ||
| 21-23 | Céphale et Procris Suite: Tambourin | — | ||
| 21-24 | Céphale et Procris Suite: Loure | — | ||
| 21-25 | Céphale et Procris Suite: Air lent | — | ||
| 21-26 | Céphale et Procris Suite: Passepied | — | ||
| 21-27 | Céphale et Procris Suite: Gavotte | — | ||
| 21-28 | Céphale et Procris Suite: Finale | — | ||
| 22-1 | Nutcracker Suite, op. 71a: I. Miniature Overture | — | ||
| 22-2 | Nutcracker Suite, op. 71a: II. March | — | ||
| 22-3 | Nutcracker Suite, op. 71a: III. Dance of the Sugar-Plum Fairy | — | ||
| 22-4 | Nutcracker Suite, op. 71a: IV. Russian Dance (Trepak) | — | ||
| 22-5 | Nutcracker Suite, op. 71a: V. Arabian Dance (Coffee) | — | ||
| 22-6 | Nutcracker Suite, op. 71a: VI. Chinese Dance (Tea) | — | ||
| 22-7 | Nutcracker Suite, op. 71a: VII. Dance of the Reed-Pipes (Merlitons) | — | ||
| 22-8 | Nutcracker Suite, op. 71a: VIII. Waltz of the Flowers | — | ||
| 22-9 | Nutcracker Suite no. 2 (selected by Fistoulari): Scene (Act 1) And Coda | — | ||
| 22-10 | Nutcracker Suite no. 2 (selected by Fistoulari): Pas de Deux (Permission de dix heures) - Scene & Dance of The Grandfather | — | ||
| 22-11 | Nutcracker Suite no. 2 (selected by Fistoulari): Pas de deux (Andante maestoso) | — | ||
| 22-12 | Nutcracker Suite no. 2 (selected by Fistoulari): Waltz of the Snowflakes | — | ||
| 22-13 | Nutcracker Suite no. 2 (selected by Fistoulari): Scene - Prelude to Act 2 | — | ||
| 22-14 | Nutcracker Suite no. 2 (selected by Fistoulari): Spanish Dance | — | ||
| 22-15 | Nutcracker Suite no. 2 (selected by Fistoulari): Final Waltz & Apotheosis | — | ||
| 22-16 | The Sleeping Beauty, Suite, op. 66a: I. Introduction - The Lilac Fairy | — | ||
| 22-17 | The Sleeping Beauty, Suite, op. 66a: II. Pas d'action: Rose Adagio | — | ||
| 22-18 | The Sleeping Beauty, Suite, op. 66a: III. Pas de caractère: Puss in Boots | — | ||
| 22-19 | The Sleeping Beauty, Suite, op. 66a: IV. Panorama (andantino) | — | ||
| 22-20 | The Sleeping Beauty, Suite, op. 66a: V. Valse | — | ||
| 23-1 | Sonata for Cello and Piano no. 1 in E minor, op. 38: I. Allegro non troppo | — | ||
| 23-2 | Sonata for Cello and Piano no. 1 in E minor, op. 38: II. Allegretto quasi minuetto | — | ||
| 23-3 | Sonata for Cello and Piano no. 1 in E minor, op. 38: III. Allegro - Più presto | — | ||
| 23-4 | Sonata for Cello and Piano no. 2 in F, op. 99: I. Allegro vivace | — | ||
| 23-5 | Sonata for Cello and Piano no. 2 in F, op. 99: II. Adagio affettuoso | — | ||
| 23-6 | Sonata for Cello and Piano no. 2 in F, op. 99: III. Allegro appassionata | — | ||
| 23-7 | Sonata for Cello and Piano no. 2 in F, op. 99: IV. Allegro molto | — | ||
| 23-8 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: I. Adagio | — | ||
| 23-9 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: II. Allegro ma non tanto | — | ||
| 23-10 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: III. Andante | — | ||
| 23-11 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: IV. Allegro moderato | — | ||
| 24-1 | Sonata for Arpeggione and Piano in A minor, D. 821: I. Allegro moderato | — | ||
| 24-2 | Sonata for Arpeggione and Piano in A minor, D. 821: II. Adagio | — | ||
| 24-3 | Sonata for Arpeggione and Piano in A minor, D. 821: III. Allegretto | — | ||
| 24-4 | Fantasiestücke, op. 73: No. 1. Zart und mit Ausdruck | — | ||
| 24-5 | Fantasiestücke, op. 73: No. 2. Lebhaft, leicht | — | ||
| 24-6 | Fantasiestücke, op. 73: No. 3. Rasch und mit Feuer | — | ||
| 24-7 | 3 Romances, op. 94: No. 1. Nicht schnell | — | ||
| 24-8 | 3 Romances, op. 94: No. 2. Einfach, innig | — | ||
| 24-9 | 3 Romances, op. 94: No. 3. Nicht schnell | — | ||
| 24-10 | Cello Concerto in A minor, op. 129: I. Nicht zu schnell | — | ||
| 24-11 | Cello Concerto in A minor, op. 129: II. Langsam | — | ||
| 24-12 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | — | ||
| 25-1 | String Quartet no. 1: I. Andante moderato | — | ||
| 25-2 | String Quartet no. 1: II. Allegro frenetico | — | ||
| 25-3 | String Quartet no. 1: III. Andante molto moderato (Pastorale) | — | ||
| 25-4 | String Quartet no. 1: IV. Finale (Vivace) | — | ||
| 25-5 | String Quartet no. 3: I. Allegro deciso | — | ||
| 25-6 | String Quartet no. 3: II. Adagio non troppo | — | ||
| 25-7 | String Quartet no. 3: III. Allegro molto | — | ||
| 26-1 | String Quartet no. 3: IV. Allegro | — | ||
| 26-2 | String Quartet no. 2: I. Moderato | — | ||
| 26-3 | String Quartet no. 2: II. Presto | — | ||
| 26-4 | String Quartet no. 2: III. Andante | — | ||
| 26-5 | String Quartet no. 2: IV. Allegro molto | — | ||
| 26-6 | String Quartet no. 4: I. Tranquillo - Allegro energico - Tranquillo | — | ||
| 26-7 | String Quartet no. 4: II. Andante | — | ||
| 26-8 | String Quartet no. 4: III. Presto - Moderato - Presto | — | ||
| 26-9 | String Quartet no. 4: IV. Calmo - Allegro deciso - Calmo | — | ||
| 27-1 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": I. Allegro | — | ||
| 27-2 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": II. Scherzo (Assai vivace - Presto - Prestissimo - Tempo I) | — | ||
| 27-3 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": III. Adagio sostenuto | — | ||
| 27-4 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": IV. Largo - Allegro risoluto | — | ||
| 27-5 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Introduction col basso del Tema | — | ||
| 27-6 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 1 | — | ||
| 27-7 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 2 | — | ||
| 27-8 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 3 | — | ||
| 27-9 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 4 | — | ||
| 27-10 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 5 | — | ||
| 27-11 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 6 | — | ||
| 27-12 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 7. Canone all'Ottava | — | ||
| 27-13 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 8 | — | ||
| 27-14 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 9 | — | ||
| 27-15 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 10 | — | ||
| 27-16 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 11 | — | ||
| 27-17 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 12 | — | ||
| 27-18 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 13 | — | ||
| 27-19 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 14. Minore | — | ||
| 27-20 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 15. Maggiore. Largo | — | ||
| 27-21 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Finale alla Fuga: Allegro con brio - Andante con moto | — | ||
| 27-22 | Piano Sonata no. 26 in E-flat, op. 81a "Les adieux": I. Das Lebewohl (Adagio - Allegro) | — | ||
| 27-23 | Piano Sonata no. 26 in E-flat, op. 81a "Les adieux": II. Abwesenheit (Andante espressivo) | — | ||
| 27-24 | Piano Sonata no. 26 in E-flat, op. 81a "Les adieux": III. Das Wiedersehen (Vivacissimamente) | — | ||
| 28-1 | String Quartet in E-flat major, Hob. III:64: I. Allegro | — | ||
| 28-2 | String Quartet in E-flat major, Hob. III:64: II. Andante | — | ||
| 28-3 | String Quartet in E-flat major, Hob. III:64: III. Menuet. Allegretto | — | ||
| 28-4 | String Quartet in E-flat major, Hob. III:64: IV. Finale. Presto | — | ||
| 28-5 | String Quartet in D major, op. 8 no. 1: I. Allegro vivace | — | ||
| 28-6 | String Quartet in D major, op. 8 no. 1: II. Adagio | — | ||
| 28-7 | String Quartet in D major, op. 8 no. 1: III. Minuetto in Rondeau | — | ||
| 28-8 | String Quartet no. 2 in F, op. 41 no. 2: I. Allegro vivace | — | ||
| 28-9 | String Quartet no. 2 in F, op. 41 no. 2: II. Andante, quasi Variazioni | — | ||
| 28-10 | String Quartet no. 2 in F, op. 41 no. 2: III. Scherzo (Presto) | — | ||
| 28-11 | String Quartet no. 2 in F, op. 41 no. 2: IV. Allegro molto vivace - Più mosso | — | ||
| 28-12 | String Quartet in E minor: I. Allegro | — | ||
| 28-13 | String Quartet in E minor: II. Andantino | — | ||
| 28-14 | String Quartet in E minor: III. Prestissimo | — | ||
| 28-15 | String Quartet in E minor: IV. Scherzo Fuga (Allegro assai mosso) | — | ||
| 29-1 | Lemminkäinen Suite, op. 22: I. Lemminkainen and the Maidens of the Island | Danish State Radio Symphony Orchestra, Thomas Jensen | — | |
| 29-2 | Lemminkäinen Suite, op. 22: II. The Swan of Tuonela | Tofte Hansen, Danish State Radio Symphony Orchestra, Thomas Jensen | — | |
| 29-3 | Lemminkäinen Suite, op. 22: III. Lemminkainen in Tuonela | Danish State Radio Symphony Orchestra, Thomas Jensen | — | |
| 29-4 | Lemminkäinen Suite, op. 22: IV. Lemminkainen's Return | Danish State Radio Symphony Orchestra, Thomas Jensen | — | |
| 29-5 | Karelia Suite, op. 11: I. Intermezzo (Moderato) | Danish Radio Symphony Orchestra, Thomas Jensen | — | |
| 29-6 | Karelia Suite, op. 11: II. Ballade (Tempo di menuetto) | Danish Radio Symphony Orchestra, Thomas Jensen | — | |
| 29-7 | Karelia Suite, op. 11: III. Alla marcia (Moderato) | Danish Radio Symphony Orchestra, Thomas Jensen | — | |
| 30-1 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | — | ||
| 30-2 | Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace | — | ||
| 30-3 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile | — | ||
| 30-4 | Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai | — | ||
| 31-1 | Symphony no. 6 in F, op. 68 Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | London Philharmonic Orchestra, Erich Kleiber | — | |
| 31-2 | Symphony no. 6 in F, op. 68 Pastoral": II. Szene am Bach: (Andante molto mosso) | Wiener Philharmoniker, Erich Kleiber | — | |
| 31-3 | Symphony no. 6 in F, op. 68 Pastoral": III. Lustiges Zusammensein der Landleute (Allegro) | Wiener Philharmoniker, Erich Kleiber | — | |
| 31-4 | Symphony no. 6 in F, op. 68 Pastoral": IV. Gewitter, Sturm (Allegro) | Wiener Philharmoniker, Erich Kleiber | — | |
| 31-5 | Symphony no. 6 in F, op. 68 Pastoral": V. Lustiges Zusammensein der Landleute (Allegro) - 4. Gewitter. Sturm (Allegro) - 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Allegretto) | Wiener Philharmoniker, Erich Kleiber | — | |
| 32-1 | Symphony no. 3 in D minor, WAB 103: I. Mäßig bewegt | — | ||
| 32-2 | Symphony no. 3 in D minor, WAB 103: II. Adagio (etwas bewegt) quasi andante | — | ||
| 32-3 | Symphony no. 3 in D minor, WAB 103: III. Scherzo (ziemlich schnell) | — | ||
| 32-4 | Symphony no. 3 in D minor, WAB 103: IV. Finale (allegro) | — | ||
| 32-5 | Tannhäuser: Act 1. Overture & Venusberg Music | — | ||
| 33-1 | String Quartet no. 3, op. 48: I. Lento | — | ||
| 33-2 | String Quartet no. 3, op. 48: II. Allegro assai e leggiero | — | ||
| 33-3 | String Quartet no. 3, op. 48: III. Andante quasi una ciacona | — | ||
| 33-4 | String Quartet no. 3, op. 48: IV. Allegro decido | — | ||
| 33-5 | String Quartet no. 3, op. 48: V. Lento | — | ||
| 33-6 | String Quartet no. 4 in F major, op. 44: I. Allegro non tanto e comodo | — | ||
| 33-7 | String Quartet no. 4 in F major, op. 44: II. Adagio con sentimento religioso | — | ||
| 33-8 | String Quartet no. 4 in F major, op. 44: III. Allegretto moderato ed innocente | — | ||
| 33-9 | String Quartet no. 4 in F major, op. 44: IV. Allegro non tanto, ma molto scherzoso | — | ||
| 33-10 | String Quartet in D minor, op. 56 "Voces intimae": I. Andante - Allegro molto moderato | Griller Quartet | — | |
| 33-11 | String Quartet in D minor, op. 56 "Voces intimae": II. Vivace | Griller Quartet | — | |
| 33-12 | String Quartet in D minor, op. 56 "Voces intimae": III. Adagio di molto | Griller Quartet | — | |
| 33-13 | String Quartet in D minor, op. 56 "Voces intimae": IV. Allegretto (ma pesante) | Griller Quartet | — | |
| 33-14 | String Quartet in D minor, op. 56 "Voces intimae": V. Allegro | Griller Quartet | — | |
| 34-1 | Jeux d'enfants Petite Suite, op. 22: I. Marche: Trompette et tambour | — | ||
| 34-2 | Jeux d'enfants Petite Suite, op. 22: II. Berceuse: La Poupée | — | ||
| 34-3 | Jeux d'enfants Petite Suite, op. 22: III. Impromptu: La toupie | — | ||
| 34-4 | Jeux d'enfants Petite Suite, op. 22: IV. Duo: Petit mari, petite femme | — | ||
| 34-5 | Jeux d'enfants Petite Suite, op. 22: V. Galop: Le bal | — | ||
| 34-6 | La jolie fille de Perth Suite: I. Prélude | — | ||
| 34-7 | La jolie fille de Perth Suite: II. Sérénade | — | ||
| 34-8 | La jolie fille de Perth Suite: III. Marche | — | ||
| 34-9 | La jolie fille de Perth Suite: IV. Danse bohémienne | — | ||
| 34-10 | Suite pastorale: I. Idylle | — | ||
| 34-11 | Suite pastorale: II. Danse villageoise | — | ||
| 34-12 | Suite pastorale: III. Sous-bois | — | ||
| 34-13 | Suite pastorale: IV. Scherzo-Valse | — | ||
| 34-14 | Ode à la Musique | — | ||
| 34-15 | Le roi malgré lui: Sextour des serves (Serf-girls' sextet) | — | ||
| 34-16 | Le roi malgré lui: Chanson tzigane | — | ||
| 34-17 | La damoiselle élue | — | ||
| 35-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | — | ||
| 35-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo (Adagio) | — | ||
| 35-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale (Alla breve) | — | ||
| 35-4 | Piano Concerto in D-flat: I. Allegro ma non troppo e maestoso | — | ||
| 35-5 | Piano Concerto in D-flat: II. Andante con anima | — | ||
| 35-6 | Piano Concerto in D-flat: III. Allegro brillante | — | ||
| 36-1 | Serenade in D, K. 203: I. Andante maestoso - Allegro assai | — | ||
| 36-2 | Serenade in D, K. 203: II. (Andante) | — | ||
| 36-3 | Serenade in D, K. 203: III. Menuetto | — | ||
| 36-4 | Serenade in D, K. 203: IV. (Allegro) | — | ||
| 36-5 | Serenade in D, K. 203: V. Menuetto | — | ||
| 36-6 | Serenade in D, K. 203: VI. (Andante) | — | ||
| 36-7 | Serenade in D, K. 203: VII. Menuetto | — | ||
| 36-8 | Serenade in D, K. 203: VIII. Prestissimo | — | ||
| 36-9 | Symphony no. 28 in C major, K. 189K (K. 200): I. Allegro spirituoso | — | ||
| 36-10 | Symphony no. 28 in C major, K. 189K (K. 200): II. Andante | — | ||
| 36-11 | Symphony no. 28 in C major, K. 189K (K. 200): III. Menuetto (Allegretto) | — | ||
| 36-12 | Symphony no. 28 in C major, K. 189K (K. 200): IV. Presto | — | ||
| 36-13 | Symphony no. 29 in A major, K. 186a (K. 201): I. Allegro moderato | — | ||
| 36-14 | Symphony no. 29 in A major, K. 186a (K. 201): II. Andante | — | ||
| 36-15 | Symphony no. 29 in A major, K. 186a (K. 201): III. Menuet & Trio | — | ||
| 36-16 | Symphony no. 29 in A major, K. 186a (K. 201): IV. Allegro con spirito | — | ||
| 37-1 | Goyescas Suite: I. Los requiebros | — | ||
| 37-2 | Goyescas Suite: II. Coloquio en la reja | — | ||
| 37-3 | Goyescas Suite: III. El Fandango del Candil | — | ||
| 37-4 | Goyescas Suite: IV. Quejas ó la maja y el ruiseñor | — | ||
| 37-5 | Goyescas Suite: V. El amor y la muerte (Balada) | — | ||
| 37-6 | Goyescas Suite: VI. Epilogo (Serenata del espectro) | — | ||
| 37-7 | Goyescas Suite: VII. El pelele (Escena goyesca) | — | ||
| 38-1 | Namouna Suite no. 1: I. Prélude | — | ||
| 38-2 | Namouna Suite no. 1: II. Sérénade | — | ||
| 38-3 | Namouna Suite no. 1: III. Thème varié | — | ||
| 38-4 | Namouna Suite no. 1: IV. Parade de foire | — | ||
| 38-5 | Namouna Suite no. 1: V. Fête foraine | — | ||
| 38-6 | Namouna Suite no. 2: I. Danse marocaine | — | ||
| 38-7 | Namouna Suite no. 2: II. Mazurka | — | ||
| 38-8 | Namouna Suite no. 2: III. La Siesta | — | ||
| 38-9 | Namouna Suite no. 2: IV. Pas de Cymbales | — | ||
| 38-10 | Namouna Suite no. 2: V. Danse des esclaves | — | ||
| 38-11 | Ballade in F-sharp, op. 19 | — | ||
| 38-12 | Nocturne no. 5 in B-flat major, op. 37 | — | ||
| 38-13 | Pièces brèves, op. 84: VIII. Nocturne no. 8 in D-flat | — | ||
| 38-14 | Nocturne no. 2 in B-major, op. 33 no. 2 | — | ||
| 38-15 | Nocturne no. 7 in C-sharp minor, op. 74 | — | ||
| 38-16 | Concertino for Piano and Orchestra: I. Presto leggiero | — | ||
| 38-17 | Concertino for Piano and Orchestra: II. Lent | — | ||
| 38-18 | Concertino for Piano and Orchestra: III. Allegretto | — | ||
| 38-19 | Concertino for Piano and Orchestra: IV. Rondo (Allegretto vivo) | — | ||
| 39-1 | Concerto grosso in G, op. 6 no. 1, HWV 319: I. A tempo giusto | — | ||
| 39-2 | Concerto grosso in G, op. 6 no. 1, HWV 319: II. Allegro | — | ||
| 39-3 | Concerto grosso in G, op. 6 no. 1, HWV 319: III. Adagio | — | ||
| 39-4 | Concerto grosso in G, op. 6 no. 1, HWV 319: IV. Allegro | — | ||
| 39-5 | Concerto grosso in G, op. 6 no. 1, HWV 319: V. Allegro | — | ||
| 39-6 | Concerto grosso in F, op. 6 no. 2, HWV 320: I. Andante larghetto | — | ||
| 39-7 | Concerto grosso in F, op. 6 no. 2, HWV 320: II. Allegro | — | ||
| 39-8 | Concerto grosso in F, op. 6 no. 2, HWV 320: III. Largo - Adagio - Larghetto andante, e piano | — | ||
| 39-9 | Concerto grosso in F, op. 6 no. 2, HWV 320: IV. Allegro, ma non troppo | — | ||
| 39-10 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: I. Larghetto | — | ||
| 39-11 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: II. Andante | — | ||
| 39-12 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: III. Allegro | — | ||
| 39-13 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: IV. Polonaise (Andante) | — | ||
| 39-14 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: V. Allegro, ma non troppo | — | ||
| 39-15 | Concerto grosso in A minor, op. 6 no. 4, HWV 322: I. Larghetto affettuoso | — | ||
| 39-16 | Concerto grosso in A minor, op. 6 no. 4, HWV 322: II. Allegro | — | ||
| 39-17 | Concerto grosso in A minor, op. 6 no. 4, HWV 322: III. Largo, e piano | — | ||
| 39-18 | Concerto grosso in A minor, op. 6 no. 4, HWV 322: IV. Allegro | — | ||
| 39-19 | Concerto grosso in D, op. 6 no. 5, HWV 323: I. (Larghetto, e staccato) | — | ||
| 39-20 | Concerto grosso in D, op. 6 no. 5, HWV 323: II. Allegro | — | ||
| 39-21 | Concerto grosso in D, op. 6 no. 5, HWV 323: III. Presto | — | ||
| 39-22 | Concerto grosso in D, op. 6 no. 5, HWV 323: IV. Largo | — | ||
| 39-23 | Concerto grosso in D, op. 6 no. 5, HWV 323: V. Allegro | — | ||
| 39-24 | Concerto grosso in D, op. 6 no. 5, HWV 323: VI. Menuet (un poco larghetto) | — | ||
| 40-1 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: I. Larghetto e affettuoso | — | ||
| 40-2 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: II. A tempo giusto | — | ||
| 40-3 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: III. Musette (Larghetto) | — | ||
| 40-4 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: IV. Allegro | — | ||
| 40-5 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: V. Allegro | — | ||
| 40-6 | Concerto grosso in B-flat, op. 6 no. 7, HWV 325: I. Largo | — | ||
| 40-7 | Concerto grosso in B-flat, op. 6 no. 7, HWV 325: II. Allegro | — | ||
| 40-8 | Concerto grosso in B-flat, op. 6 no. 7, HWV 325: III. Largo, e piano | — | ||
| 40-9 | Concerto grosso in B-flat, op. 6 no. 7, HWV 325: IV. Andante | — | ||
| 40-10 | Concerto grosso in B-flat, op. 6 no. 7, HWV 325: V. Hornpipe | — | ||
| 40-11 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: I. Allemande (Andante) | — | ||
| 40-12 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: II. Grave | — | ||
| 40-13 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: III. Andante allegro | — | ||
| 40-14 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: IV. Adagio | — | ||
| 40-15 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: V. Siciliana (Andante) | — | ||
| 40-16 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: VI. Allegro | — | ||
| 40-17 | Concerto grosso in F, op. 6 no. 9, HWV 327: I. Largo | — | ||
| 40-18 | Concerto grosso in F, op. 6 no. 9, HWV 327: II. Allegro | — | ||
| 40-19 | Concerto grosso in F, op. 6 no. 9, HWV 327: III. Larghetto | — | ||
| 40-20 | Concerto grosso in F, op. 6 no. 9, HWV 327: IV. Allegro | — | ||
| 40-21 | Concerto grosso in F, op. 6 no. 9, HWV 327: V. Menuet | — | ||
| 40-22 | Concerto grosso in F, op. 6 no. 9, HWV 327: VI. Gigue | — | ||
| 40-23 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: I. Ouverture | — | ||
| 40-24 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: II. Allegro | — | ||
| 40-25 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: III. Air (Lento) | — | ||
| 40-26 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: IV. Allegro | — | ||
| 40-27 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: V. Allegro | — | ||
| 40-28 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: VI. Allegro moderato | — | ||
| 41-1 | Concerto grosso in A, op. 6 no. 11, HWV 329: I. Andante larghetto, e staccato | — | ||
| 41-2 | Concerto grosso in A, op. 6 no. 11, HWV 329: II. Allegro | — | ||
| 41-3 | Concerto grosso in A, op. 6 no. 11, HWV 329: III. Largo, e staccato | — | ||
| 41-4 | Concerto grosso in A, op. 6 no. 11, HWV 329: IV. Andante | — | ||
| 41-5 | Concerto grosso in A, op. 6 no. 11, HWV 329: V. Allegro | — | ||
| 41-6 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: I. Largo | — | ||
| 41-7 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: II. Allegro | — | ||
| 41-8 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Larghetto, e piano | — | ||
| 41-9 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: IV. Largo | — | ||
| 41-10 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: V. Allegro | — | ||
| 41-11 | The Water Music: Overture | — | ||
| 41-12 | The Water Music: Adagio e staccato | — | ||
| 41-13 | The Water Music: Allegro | — | ||
| 41-14 | The Water Music: Andante | — | ||
| 41-15 | The Water Music: Moderato | — | ||
| 41-16 | The Water Music: Air | — | ||
| 41-17 | The Water Music: Bourrée and Hornpipe | — | ||
| 41-18 | The Water Music: Minuet | — | ||
| 41-19 | The Water Music: Allegro molto | — | ||
| 41-20 | The Water Music: Allegro | — | ||
| 41-21 | The Water Music: Minuet | — | ||
| 41-22 | The Water Music: Aria | — | ||
| 41-23 | The Water Music: Lentement | — | ||
| 41-24 | The Water Music: Allegro | — | ||
| 41-25 | The Water Music: Minuet | — | ||
| 41-26 | The Water Music: Coro | — | ||
| 41-27 | The Water Music: Air | — | ||
| 41-28 | The Water Music: Hornpipe | — | ||
| 42-1 | Sonata in G minor for Cello & Piano, op. 19: I. Lento - Allegro moderato | — | ||
| 42-2 | Sonata in G minor for Cello & Piano, op. 19: II. Allegro scherzando | — | ||
| 42-3 | Sonata in G minor for Cello & Piano, op. 19: III. Andante | — | ||
| 42-4 | Sonata in G minor for Cello & Piano, op. 19: IV. Allegro mosso | — | ||
| 42-5 | Sonata for Solo Cello, op. 8: I. Allegro maestoso ma appassionato | — | ||
| 42-6 | Sonata for Solo Cello, op. 8: II. Adagio (Con gran espressione) | — | ||
| 42-7 | Sonata for Solo Cello, op. 8: III. Allegro molto vivace | — | ||
| 42-8 | Suite no. 2 for Unaccompanied Cello, op. 131c: I. Prelude (Largo) | — | ||
| 42-9 | Suite no. 2 for Unaccompanied Cello, op. 131c: II. Gavotte (Allegretto) | — | ||
| 42-10 | Suite no. 2 for Unaccompanied Cello, op. 131c: III. Largo | — | ||
| 42-11 | Suite no. 2 for Unaccompanied Cello, op. 131c: IV. Gigue (Vivace) | — | ||
| 42-12 | Suite for Cello Solo no. 3 in C, BWV 1009: V. Bourrée I-II | — | ||
| 43-1 | Piano Quintet in G minor, op. 57: I. Prelude (Lento - Poco piu mosso - lento) | — | ||
| 43-2 | Piano Quintet in G minor, op. 57: II. Fugue (Adagio) | — | ||
| 43-3 | Piano Quintet in G minor, op. 57: III. Scherzo (Allegretto) | — | ||
| 43-4 | Piano Quintet in G minor, op. 57: IV. Intermezzo (Lento - Appassionato) | — | ||
| 43-5 | Piano Quintet in G minor, op. 57: V. Finale (Allegretto) | — | ||
| 43-6 | Quintet no. 1 for Piano & Strings: I. Agitato | — | ||
| 43-7 | Quintet no. 1 for Piano & Strings: II. Andante mistico | — | ||
| 43-8 | Quintet no. 1 for Piano & Strings: III. Allegro energico | — | ||
| 44-1 | Piano Quintet no. 1 in A major, G. 413, op. 57 no. 1: I. Allegro moderato | — | ||
| 44-2 | Piano Quintet no. 1 in A major, G. 413, op. 57 no. 1: II. Minuet & Trio | — | ||
| 44-3 | Piano Quintet no. 1 in A major, G. 413, op. 57 no. 1: III. Andantino | — | ||
| 44-4 | Piano Quintet no. 1 in A major, G. 413, op. 57 no. 1: IV. Allegro | — | ||
| 44-5 | Piano Quintet no. 4 in D minor, G. 416, op. 57 no. 4: I. Allegro giusto ma con vivacità | — | ||
| 44-6 | Piano Quintet no. 4 in D minor, G. 416, op. 57 no. 4: II. Largo cantabile | — | ||
| 44-7 | Piano Quintet no. 4 in D minor, G. 416, op. 57 no. 4: III. Allegro assai | — | ||
| 44-8 | Piano Quintet in F minor, op. 34: I. Allegro non troppo | — | ||
| 44-9 | Piano Quintet in F minor, op. 34: II. Andante, un poco adagio | — | ||
| 44-10 | Piano Quintet in F minor, op. 34: III. Scherzo (Allegro) | — | ||
| 44-11 | Piano Quintet in F minor, op. 34: IV. Finale (poco sostenuto - Allegro non troppo) | — | ||
| 45-1 | Violin Concerto no. 1 in D, op. 6: I. Cadenza: Emile Sauret | — | ||
| 45-2 | Violin Concerto no. 1 in D, op. 6: II. Adagio | — | ||
| 45-3 | Violin Concerto no. 1 in D, op. 6: III. Rondo (Allegro spirituoso) | — | ||
| 45-4 | Violin Concerto no. 2 in B minor, op. 7: I. Allegro Maestoso | — | ||
| 45-5 | Violin Concerto no. 2 in B minor, op. 7: II. Adagio | — | ||
| 45-6 | Violin Concerto no. 2 in B minor, op. 7: III. Ronde à la clochette | — | ||
| 46-1 | Symphony no. 25 in G minor, K. 183: I. Allegro con brio | — | ||
| 46-2 | Symphony no. 25 in G minor, K. 183: II. Andante | — | ||
| 46-3 | Symphony no. 25 in G minor, K. 183: III. Menuetto | — | ||
| 46-4 | Symphony no. 25 in G minor, K. 183: IV. Allegro | — | ||
| 46-5 | Symphony no. 38 in D, K. 504 "Prague": I. Adagio - Allegro | — | ||
| 46-6 | Symphony no. 38 in D, K. 504 "Prague": II. Andante | — | ||
| 46-7 | Symphony no. 38 in D, K. 504 "Prague": III. Finale (Presto) | — | ||
| 46-8 | Le siège de Corinthe: Overture | — | ||
| 46-9 | William Tell: Overture | — | ||
| 46-10 | Tancredi: Overture | — | ||
| 46-11 | Il Signor Bruschino: Overture | — | ||
| 46-12 | La Cenerentola: Overture (Sinfonia) | — | ||
| 47-1 | Music for Strings, Percussion and Celesta, Sz. 106: I. Andante tranquillo | — | ||
| 47-2 | Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | — | ||
| 47-3 | Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio | — | ||
| 47-4 | Music for Strings, Percussion and Celesta, Sz. 106: IV. Allegro molto | — | ||
| 47-5 | Háry János Suite: I. Prelude; The Fairy Tale Begins | — | ||
| 47-6 | Háry János Suite: II. Viennese Musical Clock | — | ||
| 47-7 | Háry János Suite: III. Song | — | ||
| 47-8 | Háry János Suite: IV. The Battle and Defeat of Napoleon | — | ||
| 47-9 | Háry János Suite: V. Intermezzo | — | ||
| 47-10 | Háry János Suite: VI. Entrance of the Emperor and His Court | — | ||
| 47-11 | Symphony no. 100 in G major, Hob. I:100 "Military": I. Adagio - Allegro | — | ||
| 47-12 | Symphony no. 100 in G major, Hob. I:100 "Military": II. Allegretto | — | ||
| 47-13 | Symphony no. 100 in G major, Hob. I:100 "Military": III. Menuet (Moderato) | — | ||
| 47-14 | Symphony no. 100 in G major, Hob. I:100 "Military": IV. Finale (Presto) | — | ||
| 48-1 | Piano Trio no. 7 in B-flat, op. 97 "Archduke": I. Allegro moderato | — | ||
| 48-2 | Piano Trio no. 7 in B-flat, op. 97 "Archduke": II. Scherzo (Allegro) | — | ||
| 48-3 | Piano Trio no. 7 in B-flat, op. 97 "Archduke": III. Andante cantabile, ma però con moto - Poco più adagio | — | ||
| 48-4 | Piano Trio no. 7 in B-flat, op. 97 "Archduke": IV. Allegro moderato | — | ||
| 48-5 | Piano Trio no. 1 in B, op. 8: I. Allegro con brio | — | ||
| 48-6 | Piano Trio no. 1 in B, op. 8: II. Scherzo (Allegro molto) | — | ||
| 48-7 | Piano Trio no. 1 in B, op. 8: III. Adagio | — | ||
| 48-8 | Piano Trio no. 1 in B, op. 8: IV. Allegro | — | ||
| 49-1 | Symphony no. 5 in B-flat, op. 100: I. Andante | — | ||
| 49-2 | Symphony no. 5 in B-flat, op. 100: II. Allegro marcato | — | ||
| 49-3 | Symphony no. 5 in B-flat, op. 100: III. Adagio | — | ||
| 49-4 | Symphony no. 5 in B-flat, op. 100: IV. Allegro giocoso | — | ||
| 49-5 | Symphony no. 5 in E-flat, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato | The Danish State Radio Symphony Orchestra, Erik Tuxen | — | |
| 49-6 | Symphony no. 5 in E-flat, op. 82: II. Andante mosso, quasi allegretto | The Danish State Radio Symphony Orchestra, Erik Tuxen | — | |
| 49-7 | Symphony no. 5 in E-flat, op. 82: III. Allegro molto | The Danish State Radio Symphony Orchestra, Erik Tuxen | — | |
| 50-1 | Symphony no. 5, op. 50: I. Tempo giusto - Adagio non troppo | — | ||
| 50-2 | Symphony no. 5, op. 50: II. Allegro - Presto - Andante un poco tranquillo - Allegro | — | ||
| 50-3 | Flute Concerto: I. Allegro moderato | — | ||
| 50-4 | Flute Concerto: II. Allegretto | — | ||
| 50-5 | Clarinet Concerto, op. 57: I. Allegretto un poco | — | ||
| 50-6 | Clarinet Concerto, op. 57: II. Poco adagio | — | ||
| 50-7 | Clarinet Concerto, op. 57: III. Allegro non troppo | — | ||
| 50-8 | Clarinet Concerto, op. 57: IV. Allegro vivace | — | ||
| 51-1 | String Quartet no. 1 in E minor "From My Life": I. Allegro vivo appassionato | — | ||
| 51-2 | String Quartet no. 1 in E minor "From My Life": II. Allegro moderato alla Polka | — | ||
| 51-3 | String Quartet no. 1 in E minor "From My Life": III. Largo sostenuto | — | ||
| 51-4 | String Quartet no. 1 in E minor "From My Life": IV. Vivace | — | ||
| 51-5 | String Quartet no. 2, op. 10: I. Allegro | — | ||
| 51-6 | String Quartet no. 2, op. 10: II. Andante - Quasi recit - Andante con moto - Allegro giocoso | — | ||
| 51-7 | String Quartet no. 13 in A minor, D. 804 "Rosamunde": I. Allegro ma non troppo | — | ||
| 51-8 | String Quartet no. 13 in A minor, D. 804 "Rosamunde": II. Andante | — | ||
| 51-9 | String Quartet no. 13 in A minor, D. 804 "Rosamunde": III. Menuetto (Allegretto) | — | ||
| 51-10 | String Quartet no. 13 in A minor, D. 804 "Rosamunde": IV. Allegro moderato | — | ||
| 52-1 | Divertimento in D, K. 334: I. Allegro | Members of the Wiener Oktett | T-070.160.313-5 | |
| 52-2 | Divertimento in D, K. 334: II. Thema mit Variationen (Andante) | Members of the Wiener Oktett | — | |
| 52-3 | Divertimento in D, K. 334: III. Menuetto - Trio - Menuetto | Members of the Wiener Oktett | — | |
| 52-4 | Divertimento in D, K. 334: IV. Adagio | Members of the Wiener Oktett | — | |
| 52-5 | Divertimento in D, K. 334: V. Menuetto - Trio I - Menuetto - Trio II - Menuetto | Members of the Wiener Oktett | — | |
| 52-6 | Divertimento in D, K. 334: VI. Rondo (Allegro) | Members of the Wiener Oktett | — | |
| 52-7 | Divertimento in F, K. 247: I. Allegro | — | ||
| 52-8 | Divertimento in F, K. 247: II. Andante grazioso | — | ||
| 52-9 | Divertimento in F, K. 247: III. Menuetto | — | ||
| 52-10 | Divertimento in F, K. 247: IV. Adagio | — | ||
| 52-11 | Divertimento in F, K. 247: V. Menuetto | — | ||
| 52-12 | Divertimento in F, K. 247: VI. Andante - Allegro assai | — | ||
| 53-1 | Octet in E-flat, op. 20, MWV R20: I. Allegro moderato, ma con fuoco | — | ||
| 53-2 | Octet in E-flat, op. 20, MWV R20: II. Andante | — | ||
| 53-3 | Octet in E-flat, op. 20, MWV R20: III. Scherzo (Allegro leggierissimo) | — | ||
| 53-4 | Octet in E-flat, op. 20, MWV R20: IV. Presto | — | ||
| 53-5 | Clarinet Quintet in B minor, op. 115: I. Allegro | — | ||
| 53-6 | Clarinet Quintet in B minor, op. 115: II. Adagio | — | ||
| 53-7 | Clarinet Quintet in B minor, op. 115: III. Andantino - Presto non assai, ma con sentimento | — | ||
| 53-8 | Clarinet Quintet in B minor, op. 115: IV. Con moto | — |
Le Sacre du printemps: L'Adoration de la Terre. 1. Introduction
L’Orchestre de la Suisse Romande, Ernest Ansermet
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Le Sacre du printemps: L'Adoration de la Terre. 2. Les augures printaniers - Danses des adolescentes
L’Orchestre de la Suisse Romande, Ernest Ansermet
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Le Sacre du printemps: L'Adoration de la Terre. 3. Jeu du rapt
L’Orchestre de la Suisse Romande, Ernest Ansermet
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Le Sacre du printemps: L'Adoration de la Terre. 4. Rondes printanières
L’Orchestre de la Suisse Romande, Ernest Ansermet
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Le Sacre du printemps: L'Adoration de la Terre. 5. Jeux des cités
L’Orchestre de la Suisse Romande, Ernest Ansermet
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Le Sacre du printemps: L'Adoration de la Terre. 6. Cortège du sage - Le sage
L’Orchestre de la Suisse Romande, Ernest Ansermet
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Le Sacre du printemps: L'Adoration de la Terre. 6b. Le sage
L’Orchestre de la Suisse Romande, Ernest Ansermet
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Le Sacre du printemps: L'Adoration de la Terre. 7. Danse de la terre
L’Orchestre de la Suisse Romande, Ernest Ansermet
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Le Sacre du printemps: Le Sacrifice. 1. Introduction
L’Orchestre de la Suisse Romande, Ernest Ansermet
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Le Sacre du printemps: Le Sacrifice. 2. Cercles mysteriéux des adolescentes
L’Orchestre de la Suisse Romande, Ernest Ansermet
—
Le Sacre du printemps: Le Sacrifice. 3. Glorification d'élue
L’Orchestre de la Suisse Romande, Ernest Ansermet
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Le Sacre du printemps: Le Sacrifice. 4. Évocation des ancêtres
L’Orchestre de la Suisse Romande, Ernest Ansermet
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Le Sacre du printemps: Le Sacrifice. 5. Action rituelle des ancêtres
L’Orchestre de la Suisse Romande, Ernest Ansermet
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Le Sacre du printemps: Le Sacrifice. 6. Danse sacrale: l'élue
L’Orchestre de la Suisse Romande, Ernest Ansermet
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Le festin de l'araigneé, op. 17: Lent...
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Le festin de l'araigneé, op. 17: Lent...
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Le festin de l'araigneé, op. 17: Très modéré...
—
Le festin de l'araigneé, op. 17: Très lent...
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Petite Suite pour Orchestre, op. 39: I. Aubade
—
Petite Suite pour Orchestre, op. 39: II. Pastorale
—
Petite Suite pour Orchestre, op. 39: III. Masquerade
—
Le tombeau de Couperin, M. 68a: I. Prélude
—
Le tombeau de Couperin, M. 68a: II. Forlane
—
Le tombeau de Couperin, M. 68a: III. Menuet
—
Le tombeau de Couperin, M. 68a: IV. Rigaudon
—
Valses nobles et sentimentales: I. Modéré / II. Assez lent
—
Valses nobles et sentimentales: III. Modéré / IV. Assez animé
—
Valses nobles et sentimentales: V. Presque lent / VI. Assez vif
—
Valses nobles et sentimentales: VII. Moins vif / VIII. Epilogue
—
The Isle of the Dead, op. 29
—
La Peri: Poeme Danse
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6 Épigraphes antiques, L. 131 (arr. Ansermet): Pour invoquer Pan, dieu du vent d'été
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6 Épigraphes antiques, L. 131: No. 2. Pour un tombeau sans nom
Orchestre de la Suisse Romande, Ernest Ansermet
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6 Épigraphes antiques, L. 131 (arr. Ansermet): Pour que la nuit soit propice
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6 Épigraphes antiques, L. 131: No. 4. Pour la danseuse aux crotales
Orchestre de la Suisse Romande, Ernest Ansermet
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6 Épigraphes antiques, L. 131 (arr. Ansermet): Pour l'égyptienne
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6 Épigraphes antiques, L. 131 (arr. Ansermet): Pour remercier la pluie au matin
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Jeux (Poème dansé), L. 126
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Iberia: Book 1. 1. Evocación
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Iberia: Book 1. 3. El Corpus en Sevilla
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Iberia: Book 2. 6. Triana
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Iberia: Book 1. 2. El Puerto
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Iberia: Book 3. 7. El Albaicín
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Danzas Fantásticas: I. Exaltación
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Danzas Fantásticas: II. Ensueño
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Danzas Fantásticas: III. Orgía
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Les biches Suite, FP 36: I. Rondeau
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Les biches Suite, FP 36: II. Chanson dansée
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Les biches Suite, FP 36: III. Adagietto
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Les biches Suite, FP 36: IV. Rag - Mazurka
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Les biches Suite, FP 36: V. Andantino
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Les biches Suite, FP 36: VI. Final
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Symphony no. 101 in D major, Hob. I:101 "The Clock": I. Adagio - Presto
—
Symphony no. 101 in D major, Hob. I:101 "The Clock": II. Andante
—
Symphony no. 101 in D major, Hob. I:101 "The Clock": III. Menuet (Allegretto) - Trio
—
Symphony no. 101 in D major, Hob. I:101 "The Clock": IV. Finale (Vivace)
—
Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro
—
Symphony no. 88 in G major, Hob. I:88: II. Largo
—
Symphony no. 88 in G major, Hob. I:88: III. Menuetto (Allegretto)
—
Symphony no. 88 in G major, Hob. I:88: IV. Finale (Allegro con spirito)
—
Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro
—
Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso
—
Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo (Allegro)
—
The Gingerbread Heart Suite: I. At the Fair
—
The Gingerbread Heart Suite: II. Boys & Girls Enter
—
The Gingerbread Heart Suite: III. The Gingerbread Figures Come to Life
—
The Gingerbread Heart Suite: IV. Pas de Deux of the Two Gingerbread Hearts
—
The Gingerbread Heart Suite: V. Outside the Church
—
The Gingerbread Heart Suite: VI. Celebration
—
The Devil in the Village Suite: I. The Devil Plots Against the Two Lovers, Mirko & Yela
—
The Devil in the Village Suite: II. Dance
—
The Devil in the Village Suite: III. In Hell
—
The Devil in the Village Suite: IV. Witches' Sabbath
—
The Devil in the Village Suite: V. Witches' Orgy
—
The Devil in the Village Suite: VI. The Return of Light
—
The Devil in the Village Suite: VII. Mirko's Escape From Hell, General Rejoicing
—
Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace
—
Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando
—
Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo
—
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto
—
Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto
—
Symphony no. 3, K. 71
—
Marsyas Suite: I. Prelude
—
Marsyas Suite: II. Entr'acte: Vagabondes à travers les forêts
—
A Colour Symphony, F. 106: I. Purple (Andante maestoso)
—
A Colour Symphony, F. 106: II. Red (Allegro Vivace)
—
A Colour Symphony, F. 106: III. Blue (Gentle Flowing)
—
A Colour Symphony, F. 106: IV. Green (Moderato)
—
Introduction and Allegro, F. 117
—
Concerto for Violin & Orchestra, F. 111: I. Allegro ma non troppo
—
Concerto for Violin & Orchestra, F. 111: II. Scherzo (vivo)
—
Concerto for Violin & Orchestra, F. 111: III. Introduzione - allegro deciso in modo zingara
—
Suite for Orchestra no. 3 in G, op. 55: I. Elégie
—
Suite for Orchestra no. 3 in G, op. 55: II. Valse mélancolique
—
Suite for Orchestra no. 3 in G, op. 55: III. Scherzo
—
Suite for Orchestra no. 3 in G, op. 55: IV. Tema con variazioni
—
The Love for Three Oranges, op. 33bis: I. The Ridiculous People
—
The Love for Three Oranges, op. 33bis: II. Infernal Scene
—
The Love for Three Oranges, op. 33bis: III. March
—
The Love for Three Oranges, op. 33bis: IV. Scherzo
—
The Love for Three Oranges, op. 33bis: V. The Prince and the Princess
—
The Love for Three Oranges, op. 33bis: VI. The Escape
—
Lieutenant Kijé, op. 60: I. Naissance de Kijé
—
Lieutenant Kijé, op. 60: II. Romance
—
Lieutenant Kijé, op. 60: III. Noces de Kijé
—
Lieutenant Kijé, op. 60: IV. Troïka
—
Lieutenant Kijé, op. 60: V. Enterrement de Kijé
—
Job (A Masque for Dancing): Scene 1: Introduction & Sarabande of the Sons of God
—
Job (A Masque for Dancing): Scene 2: Satan's Dance of Triumph
—
Job (A Masque for Dancing): Scene 3: Minuet of the Sons of Job and Their Wives
—
Job (A Masque for Dancing): Scene 4: Job's Dream
—
Job (A Masque for Dancing): Scene 5: Dance of the Three Messengers
—
Job (A Masque for Dancing): Scene 6: Dance of Job's Comforters
—
Job (A Masque for Dancing): Scene 7: Elihu's Dance of Youth and Beauty
—
Job (A Masque for Dancing): Scene 8: Galliard of the Sons of the Morning
—
Job (A Masque for Dancing): Scene 9: Epilogue
—
The Wasps - An Aristophanic Suite: Overture
—
The Wasps - An Aristophanic Suite: Entr'acte
—
The Wasps - An Aristophanic Suite: March Past of the Kitchen Utensils
—
The Wasps - An Aristophanic Suite: Entr'acte
—
The Wasps - An Aristophanic Suite: Ballet & Final Tableau
—
Sinfonia da Requiem, op. 20: I. Lacrymosa
—
Sinfonia da Requiem, op. 20: II. Dies irae
—
Sinfonia da Requiem, op. 20: III. Requiem aeternam
—
Diversions for Piano Left Hand and Orchestra, op. 21: Theme
Julius Katchen, London Symphony Orchestra, Benjamin Britten
—
Diversions for Piano Left Hand and Orchestra, op. 21: Variation I. Recitative
Julius Katchen, London Symphony Orchestra, Benjamin Britten
—
Diversions for Piano Left Hand and Orchestra, op. 21: Variation II. Romance
Julius Katchen, London Symphony Orchestra, Benjamin Britten
—
Diversions for Piano Left Hand and Orchestra, op. 21: Variation III. March
Julius Katchen, London Symphony Orchestra, Benjamin Britten
—
Diversions for Piano Left Hand and Orchestra, op. 21: Variation IV. Arabesque
Julius Katchen, London Symphony Orchestra, Benjamin Britten
—
Diversions for Piano Left Hand and Orchestra, op. 21: Variation V. Chant
Julius Katchen, London Symphony Orchestra, Benjamin Britten
—
Diversions for Piano Left Hand and Orchestra, op. 21: Variation VI. Nocturne
Julius Katchen, London Symphony Orchestra, Benjamin Britten
—
Diversions for Piano Left Hand and Orchestra, op. 21: Variation VII. Badinerie
Julius Katchen, London Symphony Orchestra, Benjamin Britten
—
Diversions for Piano Left Hand and Orchestra, op. 21: Variation VIII. Burlesque
Julius Katchen, London Symphony Orchestra, Benjamin Britten
—
Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXa. Toccata I
Julius Katchen, London Symphony Orchestra, Benjamin Britten
—
Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXb. Toccata II
Julius Katchen, London Symphony Orchestra, Benjamin Britten
—
Diversions for Piano Left Hand and Orchestra, op. 21: Variation X. Adagio
Julius Katchen, London Symphony Orchestra, Benjamin Britten
—
Diversions for Piano Left Hand and Orchestra, op. 21: Variation XI. Tarantella
Julius Katchen, London Symphony Orchestra, Benjamin Britten
—
Four Sea Interludes from "Peter Grimes", op. 33a: I. Dawn
—
Four Sea Interludes from "Peter Grimes", op. 33a: II. Sunday Morning
—
Four Sea Interludes from "Peter Grimes", op. 33a: III. Moonlight
—
Four Sea Interludes from "Peter Grimes", op. 33a: IV. Storm
—
Passacaglia, from "Peter Grimes", op. 33b
—
The Young Person's Guide to the Orchestra, op. 34: Theme. Allegro maestoso e largamente
—
The Young Person's Guide to the Orchestra, op. 34: Variation A. Flutes & Piccolo - Presto
—
The Young Person's Guide to the Orchestra, op. 34: Variation B. Oboes - Lento
—
The Young Person's Guide to the Orchestra, op. 34: Variation C. Clarinets - Moderato
—
The Young Person's Guide to the Orchestra, op. 34: Variation D. Bassoons - Allegro alla marcia
—
The Young Person's Guide to the Orchestra, op. 34: Variation E. Violins - Brillante - alla polacca
—
The Young Person's Guide to the Orchestra, op. 34: Variation F. Violas - Meno mosso
—
The Young Person's Guide to the Orchestra, op. 34: Variation G. Cellos
—
The Young Person's Guide to the Orchestra, op. 34: Variation H. Double Basses - Cominciando lento ma poco a poco accelerando
—
The Young Person's Guide to the Orchestra, op. 34: Variation I. Harp - Maestoso
—
The Young Person's Guide to the Orchestra, op. 34: Variation J. Horns - L'istesso tempo
—
The Young Person's Guide to the Orchestra, op. 34: Variation K. Trumpets - Vivace
—
The Young Person's Guide to the Orchestra, op. 34: Variation L. Trombones & Bass Tuba - Allegro pomposo
—
The Young Person's Guide to the Orchestra, op. 34: Variation M. Percussion - Moderato
—
The Young Person's Guide to the Orchestra, op. 34: Fugue - Allegro molto
—
Praeludium & Allegro
—
Liebesleid
—
Liebesfreud
—
Polichinelle (Sérénade)
—
Schön Rosmarin
—
Caprice viennois, op. 2
—
Tambourin chinois
—
Menuet Célèbre, op. 14: No. 1 in G
—
Caprice in E-flat
—
Caprice in A minor
—
Rondino on a Theme by Beethoven
—
La Chasse (in the style of Cartier)
—
La Gitana
—
Spanish Dance, op. 37: No. 5. "Andaluza"
—
Variations on a theme of Corelli
—
Symphonie espagnole in D minor, op. 21: I. Allegro non troppo
—
Symphonie espagnole in D minor, op. 21: II. Scherzando (Allegro molto)
—
Symphonie espagnole in D minor, op. 21: III. Intermezzo (Allegretto non troppo)
—
Symphonie espagnole in D minor, op. 21: IV. Andante
—
Symphonie espagnole in D minor, op. 21: V. Rondo (Allegro)
—
Violin Concerto in B minor, op. 61: I. Allegro
Alfredo Campoli, London Philharmonic Orchestra, Sir Adrian Boult
—
Violin Concerto in B minor, op. 61: II. Andante
Alfredo Campoli, London Philharmonic Orchestra, Sir Adrian Boult
—
Violin Concerto in B minor, op. 61: III. Allegro molto
Alfredo Campoli, London Philharmonic Orchestra, Sir Adrian Boult
—
A Shropshire Lad - Rhapsody
—
The Banks of Green Willow
—
Tintagel
—
The Perfect Fool, op. 39: Ballet Music
—
Façade - an Entertainment: Fanfare - Hornpipe
Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins
—
Façade - an Entertainment: En famille
Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins
—
Façade - an Entertainment: Mariner Man
Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins
—
Façade - an Entertainment: Long Steel Grass
Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins
—
Façade - an Entertainment: Through Gilded Trellises
Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins
—
Façade - an Entertainment: Tango-Pasodoble
Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins
—
Façade - an Entertainment: Lullaby for Jumbo
Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins
—
Façade - an Entertainment: Black Mrs Behemoth
Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins
—
Façade - an Entertainment: Tarantella
Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins
—
Façade - an Entertainment: A Man From a Far Countree
Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins
—
Façade - an Entertainment: By The Lake
Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins
—
Façade - an Entertainment: Country Dance
Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins
—
Façade - an Entertainment: Polka
Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins
—
Façade - an Entertainment: Four in the Morning
Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins
—
Façade - an Entertainment: Something Lies Beyond the Scene
Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins
—
Façade - an Entertainment: Valse
Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins
—
Façade - an Entertainment: Jodelling Song
Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins
—
Façade - an Entertainment: Scotch Rhapsody
Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins
—
Façade - an Entertainment: Popular Song
Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins
—
Façade - an Entertainment: Fox-Trot
Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins
—
Façade - an Entertainment: Sir Beelzebub
Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins
—
Façade - Suite no. 2 for Orchestra: I. Fanfare
—
Façade - Suite no. 2 for Orchestra: II. Scotch Rhapsody
—
Façade - Suite no. 1 for Orchestra: II. Valse
—
Façade - Suite no. 1 for Orchestra: IV. Tango-Pasodoble
—
Façade - Suite no. 1 for Orchestra: III. Jodelling Song
—
Façade - Suite no. 2 for Orchestra: III. Country Dance
—
Façade - Suite no. 1 for Orchestra: I. Polka
—
Façade - Suite no. 2 for Orchestra: IV. Noche Espagnole
—
Façade - Suite no. 2 for Orchestra: V. Popular Song
—
Façade - Suite no. 2 for Orchestra: VI. Old Sir Faulk
—
Façade - Suite no. 1 for Orchestra: V. Tarantelle Sevillana
—
Horoscope Suite: I. Dance of the Followers of Leo
—
Horoscope Suite: II. Saraband for the followers of Virgo
—
Horoscope Suite: III. Valse of the Gemini
—
Horoscope Suite: IV. Bacchanale
—
Horoscope Suite: V. Invocation to the Moon and Finale
—
Introduction and Allegro for Strings, op. 47
—
Serenade in E minor for String Orchestra, op. 20: I. Allegro piacevole
—
Serenade in E minor for String Orchestra, op. 20: II. Larghetto
—
Serenade in E minor for String Orchestra, op. 20: III. Allegretto
—
Falstaff, op. 68: Allegro
—
Falstaff, op. 68: Allegro molto
—
Falstaff, op. 68: Dream Interlude (poco allegretto)
—
Falstaff, op. 68: Allegro
—
Falstaff, op. 68: Interlude (allegretto)
—
Falstaff, op. 68: Allegro molto
—
Fantasia on a Theme by Thomas Tallis
—
Fantasia on Greensleeves (arr. by Ralph Greaves)
—
Sir Clifford Curzon, Members of the Amadeus Quartet
Piano Quartet no. 1 in G minor, K. 478: II. Andante
Sir Clifford Curzon, Members of the Amadeus Quartet
—
Piano Quartet no. 1 in G minor, K. 478: III. Rondo (Allegro moderato)
Sir Clifford Curzon, Members of the Amadeus Quartet
—
Sir Clifford Curzon, Members of the Amadeus Quartet
Sir Clifford Curzon, Members of the Amadeus Quartet
Piano Quartet no. 2 in E-flat, K. 493: III. Allegretto
Sir Clifford Curzon, Members of the Amadeus Quartet
—
Dennis Brain, Sidney Griller, Max Gilbert, Philip Burton, Colin Hampton
Horn Quintet in E-flat, K. 407: II. Andante
Dennis Brain, Sidney Griller, Max Gilbert, Philip Burton, Colin Hampton
—
Horn Quintet in E-flat, K. 407: III. Allegro
Dennis Brain, Sidney Griller, Max Gilbert, Philip Burton, Colin Hampton
—
Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato
—
Piano Concerto no. 1 in D minor, op. 15: II. Adagio
—
Piano Concerto no. 1 in D minor, op. 15: III. Rondo (Allegro non troppo)
—
Symphony no. 4 in B-flat, op. 60: I. Adagio - Allegro vivace
—
Symphony no. 4 in B-flat, op. 60: II. Adagio
—
Symphony no. 4 in B-flat, op. 60: III. Allegro vivace
—
Symphony no. 4 in B-flat, op. 60: IV. Allegro ma non troppo
—
Symphony no. 3 "Liturgique": I. "Dies Irae" - Allegro marcato
—
Symphony no. 3 "Liturgique": II. "De Profundis Clamavi" - Adagio
—
Symphony no. 3 "Liturgique": III. "Dona Nobis Pacem" - Andante
—
Chant de joie
—
Concerto for Viola & Orchestra: I. Allegro moderato
—
Concerto for Viola & Orchestra: II. Andante sostenuto
—
Concerto for Viola & Orchestra: III. Allegro vivace
—
Concertino for Piano & Orchestra: I. Modéré (sans lenteur)
—
Concertino for Piano & Orchestra: II. Lento
—
Concertino for Piano & Orchestra: III. Allegro
—
Violin Concerto in D, op. 61: I. Allegro ma non troppo
—
Violin Concerto in D, op. 61: II. Larghetto -
—
Violin Concerto in D, op. 61: III. Rondo (Allegro)
—
Symphony no. 102 in B-flat major, Hob. I:102: I. Largo - Vivace
—
Symphony no. 102 in B-flat major, Hob. I:102: II. Adagio
—
Symphony no. 102 in B-flat major, Hob. I:102: III. Menuetto (Allegro)
—
Symphony no. 102 in B-flat major, Hob. I:102: IV. Finale. Presto
—
Violin Concerto in D, op. 77: I. Allegro non troppo
—
Violin Concerto in D, op. 77: II. Adagio
—
Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace (cadenza: Fritz Kreisler)
—
Violin Concerto: I. Allegro con fuoco
—
Violin Concerto: II. Adagio non troppo
—
Violin Concerto: III. Allegro
—
Concierto de estío: I. Prélude - Allegro molto leggiero
—
Concierto de estío: II. Siciliano - Andantino
—
Concierto de estío: III. Rondino - Allegro ma non troppo
—
Graduation Ball Suite: The Compère
—
Graduation Ball Suite: No. 1. The Drummer
—
Graduation Ball Suite: No. 2. La Sylphide and the Scotsman
—
Graduation Ball Suite: No. 3. Impromptu Dance
—
Graduation Ball Suite: No. 4. Dance-Step Competition
—
Graduation Ball Suite: No. 5. Mathematics and Natural History Lessons
—
Graduation Ball Suite: No. 6. Perpetuum mobile
—
Graduation Ball Suite: Mazurka Flirtation
—
Graduation Ball Suite: Grand Finale
—
Ballet Suite no. 1: Introduction (Don Juan)
—
Ballet Suite no. 1: Air gai - Lento - Air gai (Iphigénie en Aulide)
—
Ballet Suite no. 1: Dance of the Blessed Spirits
—
Ballet Suite no. 1: Musette (Armide)
—
Ballet Suite no. 1: Air gai (Iphigénie en Aulide)
—
Ballet Suite no. 1: Sicilienne (Armide)
—
Ballet Suite no. 1: Air gai (Iphigénie en Aulide)
—
Céphale et Procris Suite: Largo - Andante
—
Céphale et Procris Suite: Gigue légère
—
Céphale et Procris Suite: Pantomime
—
Céphale et Procris Suite: Passepied
—
Céphale et Procris Suite: Largo
—
Céphale et Procris Suite: Pantomime
—
Céphale et Procris Suite: Tambourin
—
Céphale et Procris Suite: Loure
—
Céphale et Procris Suite: Air lent
—
Céphale et Procris Suite: Passepied
—
Céphale et Procris Suite: Gavotte
—
Céphale et Procris Suite: Finale
—
Nutcracker Suite, op. 71a: I. Miniature Overture
—
Nutcracker Suite, op. 71a: II. March
—
Nutcracker Suite, op. 71a: III. Dance of the Sugar-Plum Fairy
—
Nutcracker Suite, op. 71a: IV. Russian Dance (Trepak)
—
Nutcracker Suite, op. 71a: V. Arabian Dance (Coffee)
—
Nutcracker Suite, op. 71a: VI. Chinese Dance (Tea)
—
Nutcracker Suite, op. 71a: VII. Dance of the Reed-Pipes (Merlitons)
—
Nutcracker Suite, op. 71a: VIII. Waltz of the Flowers
—
Nutcracker Suite no. 2 (selected by Fistoulari): Scene (Act 1) And Coda
—
Nutcracker Suite no. 2 (selected by Fistoulari): Pas de Deux (Permission de dix heures) - Scene & Dance of The Grandfather
—
Nutcracker Suite no. 2 (selected by Fistoulari): Pas de deux (Andante maestoso)
—
Nutcracker Suite no. 2 (selected by Fistoulari): Waltz of the Snowflakes
—
Nutcracker Suite no. 2 (selected by Fistoulari): Scene - Prelude to Act 2
—
Nutcracker Suite no. 2 (selected by Fistoulari): Spanish Dance
—
Nutcracker Suite no. 2 (selected by Fistoulari): Final Waltz & Apotheosis
—
The Sleeping Beauty, Suite, op. 66a: I. Introduction - The Lilac Fairy
—
The Sleeping Beauty, Suite, op. 66a: II. Pas d'action: Rose Adagio
—
The Sleeping Beauty, Suite, op. 66a: III. Pas de caractère: Puss in Boots
—
The Sleeping Beauty, Suite, op. 66a: IV. Panorama (andantino)
—
The Sleeping Beauty, Suite, op. 66a: V. Valse
—
Sonata for Cello and Piano no. 1 in E minor, op. 38: I. Allegro non troppo
—
Sonata for Cello and Piano no. 1 in E minor, op. 38: II. Allegretto quasi minuetto
—
Sonata for Cello and Piano no. 1 in E minor, op. 38: III. Allegro - Più presto
—
Sonata for Cello and Piano no. 2 in F, op. 99: I. Allegro vivace
—
Sonata for Cello and Piano no. 2 in F, op. 99: II. Adagio affettuoso
—
Sonata for Cello and Piano no. 2 in F, op. 99: III. Allegro appassionata
—
Sonata for Cello and Piano no. 2 in F, op. 99: IV. Allegro molto
—
Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: I. Adagio
—
Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: II. Allegro ma non tanto
—
Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: III. Andante
—
Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: IV. Allegro moderato
—
Sonata for Arpeggione and Piano in A minor, D. 821: I. Allegro moderato
—
Sonata for Arpeggione and Piano in A minor, D. 821: II. Adagio
—
Sonata for Arpeggione and Piano in A minor, D. 821: III. Allegretto
—
Fantasiestücke, op. 73: No. 1. Zart und mit Ausdruck
—
Fantasiestücke, op. 73: No. 2. Lebhaft, leicht
—
Fantasiestücke, op. 73: No. 3. Rasch und mit Feuer
—
3 Romances, op. 94: No. 1. Nicht schnell
—
3 Romances, op. 94: No. 2. Einfach, innig
—
3 Romances, op. 94: No. 3. Nicht schnell
—
Cello Concerto in A minor, op. 129: I. Nicht zu schnell
—
Cello Concerto in A minor, op. 129: II. Langsam
—
Cello Concerto in A minor, op. 129: III. Sehr lebhaft
—
String Quartet no. 1: I. Andante moderato
—
String Quartet no. 1: II. Allegro frenetico
—
String Quartet no. 1: III. Andante molto moderato (Pastorale)
—
String Quartet no. 1: IV. Finale (Vivace)
—
String Quartet no. 3: I. Allegro deciso
—
String Quartet no. 3: II. Adagio non troppo
—
String Quartet no. 3: III. Allegro molto
—
String Quartet no. 3: IV. Allegro
—
String Quartet no. 2: I. Moderato
—
String Quartet no. 2: II. Presto
—
String Quartet no. 2: III. Andante
—
String Quartet no. 2: IV. Allegro molto
—
String Quartet no. 4: I. Tranquillo - Allegro energico - Tranquillo
—
String Quartet no. 4: II. Andante
—
String Quartet no. 4: III. Presto - Moderato - Presto
—
String Quartet no. 4: IV. Calmo - Allegro deciso - Calmo
—
Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": I. Allegro
—
Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": II. Scherzo (Assai vivace - Presto - Prestissimo - Tempo I)
—
Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": III. Adagio sostenuto
—
Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": IV. Largo - Allegro risoluto
—
15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Introduction col basso del Tema
—
15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 1
—
15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 2
—
15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 3
—
15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 4
—
15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 5
—
15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 6
—
15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 7. Canone all'Ottava
—
15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 8
—
15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 9
—
15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 10
—
15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 11
—
15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 12
—
15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 13
—
15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 14. Minore
—
15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 15. Maggiore. Largo
—
15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Finale alla Fuga: Allegro con brio - Andante con moto
—
Piano Sonata no. 26 in E-flat, op. 81a "Les adieux": I. Das Lebewohl (Adagio - Allegro)
—
Piano Sonata no. 26 in E-flat, op. 81a "Les adieux": II. Abwesenheit (Andante espressivo)
—
Piano Sonata no. 26 in E-flat, op. 81a "Les adieux": III. Das Wiedersehen (Vivacissimamente)
—
String Quartet in E-flat major, Hob. III:64: I. Allegro
—
String Quartet in E-flat major, Hob. III:64: II. Andante
—
String Quartet in E-flat major, Hob. III:64: III. Menuet. Allegretto
—
String Quartet in E-flat major, Hob. III:64: IV. Finale. Presto
—
String Quartet in D major, op. 8 no. 1: I. Allegro vivace
—
String Quartet in D major, op. 8 no. 1: II. Adagio
—
String Quartet in D major, op. 8 no. 1: III. Minuetto in Rondeau
—
String Quartet no. 2 in F, op. 41 no. 2: I. Allegro vivace
—
String Quartet no. 2 in F, op. 41 no. 2: II. Andante, quasi Variazioni
—
String Quartet no. 2 in F, op. 41 no. 2: III. Scherzo (Presto)
—
String Quartet no. 2 in F, op. 41 no. 2: IV. Allegro molto vivace - Più mosso
—
String Quartet in E minor: I. Allegro
—
String Quartet in E minor: II. Andantino
—
String Quartet in E minor: III. Prestissimo
—
String Quartet in E minor: IV. Scherzo Fuga (Allegro assai mosso)
—
Lemminkäinen Suite, op. 22: I. Lemminkainen and the Maidens of the Island
Danish State Radio Symphony Orchestra, Thomas Jensen
—
Lemminkäinen Suite, op. 22: II. The Swan of Tuonela
Tofte Hansen, Danish State Radio Symphony Orchestra, Thomas Jensen
—
Lemminkäinen Suite, op. 22: III. Lemminkainen in Tuonela
Danish State Radio Symphony Orchestra, Thomas Jensen
—
Lemminkäinen Suite, op. 22: IV. Lemminkainen's Return
Danish State Radio Symphony Orchestra, Thomas Jensen
—
Karelia Suite, op. 11: I. Intermezzo (Moderato)
Danish Radio Symphony Orchestra, Thomas Jensen
—
Karelia Suite, op. 11: II. Ballade (Tempo di menuetto)
Danish Radio Symphony Orchestra, Thomas Jensen
—
Karelia Suite, op. 11: III. Alla marcia (Moderato)
Danish Radio Symphony Orchestra, Thomas Jensen
—
Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso
—
Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace
—
Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile
—
Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai
—
Symphony no. 6 in F, op. 68 Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo
London Philharmonic Orchestra, Erich Kleiber
—
Symphony no. 6 in F, op. 68 Pastoral": II. Szene am Bach: (Andante molto mosso)
Wiener Philharmoniker, Erich Kleiber
—
Symphony no. 6 in F, op. 68 Pastoral": III. Lustiges Zusammensein der Landleute (Allegro)
Wiener Philharmoniker, Erich Kleiber
—
Symphony no. 6 in F, op. 68 Pastoral": IV. Gewitter, Sturm (Allegro)
Wiener Philharmoniker, Erich Kleiber
—
Symphony no. 6 in F, op. 68 Pastoral": V. Lustiges Zusammensein der Landleute (Allegro) - 4. Gewitter. Sturm (Allegro) - 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Allegretto)
Wiener Philharmoniker, Erich Kleiber
—
Symphony no. 3 in D minor, WAB 103: I. Mäßig bewegt
—
Symphony no. 3 in D minor, WAB 103: II. Adagio (etwas bewegt) quasi andante
—
Symphony no. 3 in D minor, WAB 103: III. Scherzo (ziemlich schnell)
—
Symphony no. 3 in D minor, WAB 103: IV. Finale (allegro)
—
Tannhäuser: Act 1. Overture & Venusberg Music
—
String Quartet no. 3, op. 48: I. Lento
—
String Quartet no. 3, op. 48: II. Allegro assai e leggiero
—
String Quartet no. 3, op. 48: III. Andante quasi una ciacona
—
String Quartet no. 3, op. 48: IV. Allegro decido
—
String Quartet no. 3, op. 48: V. Lento
—
String Quartet no. 4 in F major, op. 44: I. Allegro non tanto e comodo
—
String Quartet no. 4 in F major, op. 44: II. Adagio con sentimento religioso
—
String Quartet no. 4 in F major, op. 44: III. Allegretto moderato ed innocente
—
String Quartet no. 4 in F major, op. 44: IV. Allegro non tanto, ma molto scherzoso
—
String Quartet in D minor, op. 56 "Voces intimae": I. Andante - Allegro molto moderato
Griller Quartet
—
String Quartet in D minor, op. 56 "Voces intimae": II. Vivace
Griller Quartet
—
String Quartet in D minor, op. 56 "Voces intimae": III. Adagio di molto
Griller Quartet
—
String Quartet in D minor, op. 56 "Voces intimae": IV. Allegretto (ma pesante)
Griller Quartet
—
String Quartet in D minor, op. 56 "Voces intimae": V. Allegro
Griller Quartet
—
Jeux d'enfants Petite Suite, op. 22: I. Marche: Trompette et tambour
—
Jeux d'enfants Petite Suite, op. 22: II. Berceuse: La Poupée
—
Jeux d'enfants Petite Suite, op. 22: III. Impromptu: La toupie
—
Jeux d'enfants Petite Suite, op. 22: IV. Duo: Petit mari, petite femme
—
Jeux d'enfants Petite Suite, op. 22: V. Galop: Le bal
—
La jolie fille de Perth Suite: I. Prélude
—
La jolie fille de Perth Suite: II. Sérénade
—
La jolie fille de Perth Suite: III. Marche
—
La jolie fille de Perth Suite: IV. Danse bohémienne
—
Suite pastorale: I. Idylle
—
Suite pastorale: II. Danse villageoise
—
Suite pastorale: III. Sous-bois
—
Suite pastorale: IV. Scherzo-Valse
—
Ode à la Musique
—
Le roi malgré lui: Sextour des serves (Serf-girls' sextet)
—
Le roi malgré lui: Chanson tzigane
—
La damoiselle élue
—
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto
—
Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo (Adagio)
—
Piano Concerto no. 3 in D minor, op. 30: III. Finale (Alla breve)
—
Piano Concerto in D-flat: I. Allegro ma non troppo e maestoso
—
Piano Concerto in D-flat: II. Andante con anima
—
Piano Concerto in D-flat: III. Allegro brillante
—
Serenade in D, K. 203: I. Andante maestoso - Allegro assai
—
Serenade in D, K. 203: II. (Andante)
—
Serenade in D, K. 203: III. Menuetto
—
Serenade in D, K. 203: IV. (Allegro)
—
Serenade in D, K. 203: V. Menuetto
—
Serenade in D, K. 203: VI. (Andante)
—
Serenade in D, K. 203: VII. Menuetto
—
Serenade in D, K. 203: VIII. Prestissimo
—
Symphony no. 28 in C major, K. 189K (K. 200): I. Allegro spirituoso
—
Symphony no. 28 in C major, K. 189K (K. 200): II. Andante
—
Symphony no. 28 in C major, K. 189K (K. 200): III. Menuetto (Allegretto)
—
Symphony no. 28 in C major, K. 189K (K. 200): IV. Presto
—
Symphony no. 29 in A major, K. 186a (K. 201): I. Allegro moderato
—
Symphony no. 29 in A major, K. 186a (K. 201): II. Andante
—
Symphony no. 29 in A major, K. 186a (K. 201): III. Menuet & Trio
—
Symphony no. 29 in A major, K. 186a (K. 201): IV. Allegro con spirito
—
Goyescas Suite: I. Los requiebros
—
Goyescas Suite: II. Coloquio en la reja
—
Goyescas Suite: III. El Fandango del Candil
—
Goyescas Suite: IV. Quejas ó la maja y el ruiseñor
—
Goyescas Suite: V. El amor y la muerte (Balada)
—
Goyescas Suite: VI. Epilogo (Serenata del espectro)
—
Goyescas Suite: VII. El pelele (Escena goyesca)
—
Namouna Suite no. 1: I. Prélude
—
Namouna Suite no. 1: II. Sérénade
—
Namouna Suite no. 1: III. Thème varié
—
Namouna Suite no. 1: IV. Parade de foire
—
Namouna Suite no. 1: V. Fête foraine
—
Namouna Suite no. 2: I. Danse marocaine
—
Namouna Suite no. 2: II. Mazurka
—
Namouna Suite no. 2: III. La Siesta
—
Namouna Suite no. 2: IV. Pas de Cymbales
—
Namouna Suite no. 2: V. Danse des esclaves
—
Ballade in F-sharp, op. 19
—
Nocturne no. 5 in B-flat major, op. 37
—
Pièces brèves, op. 84: VIII. Nocturne no. 8 in D-flat
—
Nocturne no. 2 in B-major, op. 33 no. 2
—
Nocturne no. 7 in C-sharp minor, op. 74
—
Concertino for Piano and Orchestra: I. Presto leggiero
—
Concertino for Piano and Orchestra: II. Lent
—
Concertino for Piano and Orchestra: III. Allegretto
—
Concertino for Piano and Orchestra: IV. Rondo (Allegretto vivo)
—
Concerto grosso in G, op. 6 no. 1, HWV 319: I. A tempo giusto
—
Concerto grosso in G, op. 6 no. 1, HWV 319: II. Allegro
—
Concerto grosso in G, op. 6 no. 1, HWV 319: III. Adagio
—
Concerto grosso in G, op. 6 no. 1, HWV 319: IV. Allegro
—
Concerto grosso in G, op. 6 no. 1, HWV 319: V. Allegro
—
Concerto grosso in F, op. 6 no. 2, HWV 320: I. Andante larghetto
—
Concerto grosso in F, op. 6 no. 2, HWV 320: II. Allegro
—
Concerto grosso in F, op. 6 no. 2, HWV 320: III. Largo - Adagio - Larghetto andante, e piano
—
Concerto grosso in F, op. 6 no. 2, HWV 320: IV. Allegro, ma non troppo
—
Concerto grosso in E minor, op. 6 no. 3, HWV 321: I. Larghetto
—
Concerto grosso in E minor, op. 6 no. 3, HWV 321: II. Andante
—
Concerto grosso in E minor, op. 6 no. 3, HWV 321: III. Allegro
—
Concerto grosso in E minor, op. 6 no. 3, HWV 321: IV. Polonaise (Andante)
—
Concerto grosso in E minor, op. 6 no. 3, HWV 321: V. Allegro, ma non troppo
—
Concerto grosso in A minor, op. 6 no. 4, HWV 322: I. Larghetto affettuoso
—
Concerto grosso in A minor, op. 6 no. 4, HWV 322: II. Allegro
—
Concerto grosso in A minor, op. 6 no. 4, HWV 322: III. Largo, e piano
—
Concerto grosso in A minor, op. 6 no. 4, HWV 322: IV. Allegro
—
Concerto grosso in D, op. 6 no. 5, HWV 323: I. (Larghetto, e staccato)
—
Concerto grosso in D, op. 6 no. 5, HWV 323: II. Allegro
—
Concerto grosso in D, op. 6 no. 5, HWV 323: III. Presto
—
Concerto grosso in D, op. 6 no. 5, HWV 323: IV. Largo
—
Concerto grosso in D, op. 6 no. 5, HWV 323: V. Allegro
—
Concerto grosso in D, op. 6 no. 5, HWV 323: VI. Menuet (un poco larghetto)
—
Concerto grosso in G minor, op. 6 no. 6, HWV 324: I. Larghetto e affettuoso
—
Concerto grosso in G minor, op. 6 no. 6, HWV 324: II. A tempo giusto
—
Concerto grosso in G minor, op. 6 no. 6, HWV 324: III. Musette (Larghetto)
—
Concerto grosso in G minor, op. 6 no. 6, HWV 324: IV. Allegro
—
Concerto grosso in G minor, op. 6 no. 6, HWV 324: V. Allegro
—
Concerto grosso in B-flat, op. 6 no. 7, HWV 325: I. Largo
—
Concerto grosso in B-flat, op. 6 no. 7, HWV 325: II. Allegro
—
Concerto grosso in B-flat, op. 6 no. 7, HWV 325: III. Largo, e piano
—
Concerto grosso in B-flat, op. 6 no. 7, HWV 325: IV. Andante
—
Concerto grosso in B-flat, op. 6 no. 7, HWV 325: V. Hornpipe
—
Concerto grosso in C minor, op. 6 no. 8, HWV 326: I. Allemande (Andante)
—
Concerto grosso in C minor, op. 6 no. 8, HWV 326: II. Grave
—
Concerto grosso in C minor, op. 6 no. 8, HWV 326: III. Andante allegro
—
Concerto grosso in C minor, op. 6 no. 8, HWV 326: IV. Adagio
—
Concerto grosso in C minor, op. 6 no. 8, HWV 326: V. Siciliana (Andante)
—
Concerto grosso in C minor, op. 6 no. 8, HWV 326: VI. Allegro
—
Concerto grosso in F, op. 6 no. 9, HWV 327: I. Largo
—
Concerto grosso in F, op. 6 no. 9, HWV 327: II. Allegro
—
Concerto grosso in F, op. 6 no. 9, HWV 327: III. Larghetto
—
Concerto grosso in F, op. 6 no. 9, HWV 327: IV. Allegro
—
Concerto grosso in F, op. 6 no. 9, HWV 327: V. Menuet
—
Concerto grosso in F, op. 6 no. 9, HWV 327: VI. Gigue
—
Concerto grosso in D minor, op. 6 no. 10, HWV 328: I. Ouverture
—
Concerto grosso in D minor, op. 6 no. 10, HWV 328: II. Allegro
—
Concerto grosso in D minor, op. 6 no. 10, HWV 328: III. Air (Lento)
—
Concerto grosso in D minor, op. 6 no. 10, HWV 328: IV. Allegro
—
Concerto grosso in D minor, op. 6 no. 10, HWV 328: V. Allegro
—
Concerto grosso in D minor, op. 6 no. 10, HWV 328: VI. Allegro moderato
—
Concerto grosso in A, op. 6 no. 11, HWV 329: I. Andante larghetto, e staccato
—
Concerto grosso in A, op. 6 no. 11, HWV 329: II. Allegro
—
Concerto grosso in A, op. 6 no. 11, HWV 329: III. Largo, e staccato
—
Concerto grosso in A, op. 6 no. 11, HWV 329: IV. Andante
—
Concerto grosso in A, op. 6 no. 11, HWV 329: V. Allegro
—
Concerto grosso in B minor, op. 6 no. 12, HWV 330: I. Largo
—
Concerto grosso in B minor, op. 6 no. 12, HWV 330: II. Allegro
—
Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Larghetto, e piano
—
Concerto grosso in B minor, op. 6 no. 12, HWV 330: IV. Largo
—
Concerto grosso in B minor, op. 6 no. 12, HWV 330: V. Allegro
—
The Water Music: Overture
—
The Water Music: Adagio e staccato
—
The Water Music: Allegro
—
The Water Music: Andante
—
The Water Music: Moderato
—
The Water Music: Air
—
The Water Music: Bourrée and Hornpipe
—
The Water Music: Minuet
—
The Water Music: Allegro molto
—
The Water Music: Allegro
—
The Water Music: Minuet
—
The Water Music: Aria
—
The Water Music: Lentement
—
The Water Music: Allegro
—
The Water Music: Minuet
—
The Water Music: Coro
—
The Water Music: Air
—
The Water Music: Hornpipe
—
Sonata in G minor for Cello & Piano, op. 19: I. Lento - Allegro moderato
—
Sonata in G minor for Cello & Piano, op. 19: II. Allegro scherzando
—
Sonata in G minor for Cello & Piano, op. 19: III. Andante
—
Sonata in G minor for Cello & Piano, op. 19: IV. Allegro mosso
—
Sonata for Solo Cello, op. 8: I. Allegro maestoso ma appassionato
—
Sonata for Solo Cello, op. 8: II. Adagio (Con gran espressione)
—
Sonata for Solo Cello, op. 8: III. Allegro molto vivace
—
Suite no. 2 for Unaccompanied Cello, op. 131c: I. Prelude (Largo)
—
Suite no. 2 for Unaccompanied Cello, op. 131c: II. Gavotte (Allegretto)
—
Suite no. 2 for Unaccompanied Cello, op. 131c: III. Largo
—
Suite no. 2 for Unaccompanied Cello, op. 131c: IV. Gigue (Vivace)
—
Suite for Cello Solo no. 3 in C, BWV 1009: V. Bourrée I-II
—
Piano Quintet in G minor, op. 57: I. Prelude (Lento - Poco piu mosso - lento)
—
Piano Quintet in G minor, op. 57: II. Fugue (Adagio)
—
Piano Quintet in G minor, op. 57: III. Scherzo (Allegretto)
—
Piano Quintet in G minor, op. 57: IV. Intermezzo (Lento - Appassionato)
—
Piano Quintet in G minor, op. 57: V. Finale (Allegretto)
—
Quintet no. 1 for Piano & Strings: I. Agitato
—
Quintet no. 1 for Piano & Strings: II. Andante mistico
—
Quintet no. 1 for Piano & Strings: III. Allegro energico
—
Piano Quintet no. 1 in A major, G. 413, op. 57 no. 1: I. Allegro moderato
—
Piano Quintet no. 1 in A major, G. 413, op. 57 no. 1: II. Minuet & Trio
—
Piano Quintet no. 1 in A major, G. 413, op. 57 no. 1: III. Andantino
—
Piano Quintet no. 1 in A major, G. 413, op. 57 no. 1: IV. Allegro
—
Piano Quintet no. 4 in D minor, G. 416, op. 57 no. 4: I. Allegro giusto ma con vivacità
—
Piano Quintet no. 4 in D minor, G. 416, op. 57 no. 4: II. Largo cantabile
—
Piano Quintet no. 4 in D minor, G. 416, op. 57 no. 4: III. Allegro assai
—
Piano Quintet in F minor, op. 34: I. Allegro non troppo
—
Piano Quintet in F minor, op. 34: II. Andante, un poco adagio
—
Piano Quintet in F minor, op. 34: III. Scherzo (Allegro)
—
Piano Quintet in F minor, op. 34: IV. Finale (poco sostenuto - Allegro non troppo)
—
Violin Concerto no. 1 in D, op. 6: I. Cadenza: Emile Sauret
—
Violin Concerto no. 1 in D, op. 6: II. Adagio
—
Violin Concerto no. 1 in D, op. 6: III. Rondo (Allegro spirituoso)
—
Violin Concerto no. 2 in B minor, op. 7: I. Allegro Maestoso
—
Violin Concerto no. 2 in B minor, op. 7: II. Adagio
—
Violin Concerto no. 2 in B minor, op. 7: III. Ronde à la clochette
—
Symphony no. 25 in G minor, K. 183: I. Allegro con brio
—
Symphony no. 25 in G minor, K. 183: II. Andante
—
Symphony no. 25 in G minor, K. 183: III. Menuetto
—
Symphony no. 25 in G minor, K. 183: IV. Allegro
—
Symphony no. 38 in D, K. 504 "Prague": I. Adagio - Allegro
—
Symphony no. 38 in D, K. 504 "Prague": II. Andante
—
Symphony no. 38 in D, K. 504 "Prague": III. Finale (Presto)
—
Le siège de Corinthe: Overture
—
William Tell: Overture
—
Tancredi: Overture
—
Il Signor Bruschino: Overture
—
La Cenerentola: Overture (Sinfonia)
—
Music for Strings, Percussion and Celesta, Sz. 106: I. Andante tranquillo
—
Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro
—
Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio
—
Music for Strings, Percussion and Celesta, Sz. 106: IV. Allegro molto
—
Háry János Suite: I. Prelude; The Fairy Tale Begins
—
Háry János Suite: II. Viennese Musical Clock
—
Háry János Suite: III. Song
—
Háry János Suite: IV. The Battle and Defeat of Napoleon
—
Háry János Suite: V. Intermezzo
—
Háry János Suite: VI. Entrance of the Emperor and His Court
—
Symphony no. 100 in G major, Hob. I:100 "Military": I. Adagio - Allegro
—
Symphony no. 100 in G major, Hob. I:100 "Military": II. Allegretto
—
Symphony no. 100 in G major, Hob. I:100 "Military": III. Menuet (Moderato)
—
Symphony no. 100 in G major, Hob. I:100 "Military": IV. Finale (Presto)
—
Piano Trio no. 7 in B-flat, op. 97 "Archduke": I. Allegro moderato
—
Piano Trio no. 7 in B-flat, op. 97 "Archduke": II. Scherzo (Allegro)
—
Piano Trio no. 7 in B-flat, op. 97 "Archduke": III. Andante cantabile, ma però con moto - Poco più adagio
—
Piano Trio no. 7 in B-flat, op. 97 "Archduke": IV. Allegro moderato
—
Piano Trio no. 1 in B, op. 8: I. Allegro con brio
—
Piano Trio no. 1 in B, op. 8: II. Scherzo (Allegro molto)
—
Piano Trio no. 1 in B, op. 8: III. Adagio
—
Piano Trio no. 1 in B, op. 8: IV. Allegro
—
Symphony no. 5 in B-flat, op. 100: I. Andante
—
Symphony no. 5 in B-flat, op. 100: II. Allegro marcato
—
Symphony no. 5 in B-flat, op. 100: III. Adagio
—
Symphony no. 5 in B-flat, op. 100: IV. Allegro giocoso
—
Symphony no. 5 in E-flat, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato
The Danish State Radio Symphony Orchestra, Erik Tuxen
—
Symphony no. 5 in E-flat, op. 82: II. Andante mosso, quasi allegretto
The Danish State Radio Symphony Orchestra, Erik Tuxen
—
Symphony no. 5 in E-flat, op. 82: III. Allegro molto
The Danish State Radio Symphony Orchestra, Erik Tuxen
—
Symphony no. 5, op. 50: I. Tempo giusto - Adagio non troppo
—
Symphony no. 5, op. 50: II. Allegro - Presto - Andante un poco tranquillo - Allegro
—
Flute Concerto: I. Allegro moderato
—
Flute Concerto: II. Allegretto
—
Clarinet Concerto, op. 57: I. Allegretto un poco
—
Clarinet Concerto, op. 57: II. Poco adagio
—
Clarinet Concerto, op. 57: III. Allegro non troppo
—
Clarinet Concerto, op. 57: IV. Allegro vivace
—
String Quartet no. 1 in E minor "From My Life": I. Allegro vivo appassionato
—
String Quartet no. 1 in E minor "From My Life": II. Allegro moderato alla Polka
—
String Quartet no. 1 in E minor "From My Life": III. Largo sostenuto
—
String Quartet no. 1 in E minor "From My Life": IV. Vivace
—
String Quartet no. 2, op. 10: I. Allegro
—
String Quartet no. 2, op. 10: II. Andante - Quasi recit - Andante con moto - Allegro giocoso
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String Quartet no. 13 in A minor, D. 804 "Rosamunde": I. Allegro ma non troppo
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String Quartet no. 13 in A minor, D. 804 "Rosamunde": II. Andante
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String Quartet no. 13 in A minor, D. 804 "Rosamunde": III. Menuetto (Allegretto)
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String Quartet no. 13 in A minor, D. 804 "Rosamunde": IV. Allegro moderato
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Divertimento in D, K. 334: II. Thema mit Variationen (Andante)
Members of the Wiener Oktett
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Divertimento in D, K. 334: III. Menuetto - Trio - Menuetto
Members of the Wiener Oktett
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Divertimento in D, K. 334: IV. Adagio
Members of the Wiener Oktett
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Divertimento in D, K. 334: V. Menuetto - Trio I - Menuetto - Trio II - Menuetto
Members of the Wiener Oktett
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Divertimento in D, K. 334: VI. Rondo (Allegro)
Members of the Wiener Oktett
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Divertimento in F, K. 247: I. Allegro
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Divertimento in F, K. 247: II. Andante grazioso
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Divertimento in F, K. 247: III. Menuetto
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Divertimento in F, K. 247: IV. Adagio
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Divertimento in F, K. 247: V. Menuetto
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Divertimento in F, K. 247: VI. Andante - Allegro assai
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Octet in E-flat, op. 20, MWV R20: I. Allegro moderato, ma con fuoco
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Octet in E-flat, op. 20, MWV R20: II. Andante
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Octet in E-flat, op. 20, MWV R20: III. Scherzo (Allegro leggierissimo)
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Octet in E-flat, op. 20, MWV R20: IV. Presto
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Clarinet Quintet in B minor, op. 115: I. Allegro
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Clarinet Quintet in B minor, op. 115: II. Adagio
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Clarinet Quintet in B minor, op. 115: III. Andantino - Presto non assai, ma con sentimento
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Clarinet Quintet in B minor, op. 115: IV. Con moto
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Additional database matches (8)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Petrouchka (1911 version): Scene 1. The Shrovetide Fair - The Crowds - The Conjuring-trick | L’Orchestre de la Suisse Romande, Ernest Ansermet | — |
| Petrouchka (1911 version): Scene 2. Petrouchka's Room | L’Orchestre de la Suisse Romande, Ernest Ansermet | — |
| Petrouchka (1911 version): Scene 3. The Moor's Room - Dance of the Ballerina | L’Orchestre de la Suisse Romande, Ernest Ansermet | — |
| Petrouchka (1911 version): Scene 4. The Shrovetide Fair (Evening) | L’Orchestre de la Suisse Romande, Ernest Ansermet | — |
| Lemminkäinen Suite, op. 22: I. Lemminkainen and the Maidens of the Island | Danish State Radio Symphony Orchestra, Thomas Jensen | — |
| Lemminkäinen Suite, op. 22: II. The Swan of Tuonela | Tofte Hansen, Danish State Radio Symphony Orchestra, Thomas Jensen | — |
| Lemminkäinen Suite, op. 22: III. Lemminkainen in Tuonela | Danish State Radio Symphony Orchestra, Thomas Jensen | — |
| Lemminkäinen Suite, op. 22: IV. Lemminkainen's Return | Danish State Radio Symphony Orchestra, Thomas Jensen | — |
Petrouchka (1911 version): Scene 1. The Shrovetide Fair - The Crowds - The Conjuring-trick
L’Orchestre de la Suisse Romande, Ernest Ansermet
—
Petrouchka (1911 version): Scene 2. Petrouchka's Room
L’Orchestre de la Suisse Romande, Ernest Ansermet
—
Petrouchka (1911 version): Scene 3. The Moor's Room - Dance of the Ballerina
L’Orchestre de la Suisse Romande, Ernest Ansermet
—
Petrouchka (1911 version): Scene 4. The Shrovetide Fair (Evening)
L’Orchestre de la Suisse Romande, Ernest Ansermet
—
Lemminkäinen Suite, op. 22: I. Lemminkainen and the Maidens of the Island
Danish State Radio Symphony Orchestra, Thomas Jensen
—
Lemminkäinen Suite, op. 22: II. The Swan of Tuonela
Tofte Hansen, Danish State Radio Symphony Orchestra, Thomas Jensen
—
Lemminkäinen Suite, op. 22: III. Lemminkainen in Tuonela
Danish State Radio Symphony Orchestra, Thomas Jensen
—
Lemminkäinen Suite, op. 22: IV. Lemminkainen's Return
Danish State Radio Symphony Orchestra, Thomas Jensen
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000551405540000000055286182000000005946900700000000736623050000000079727165000000007977851X0000000079898968000000008079587800000000807963280000000080991772
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000000008125570X0000000081255734000000008143802000000000815429440000000081709265000000008356211300000000836381060000000083695776000000008376304600000000841642480000000087386495000000008807162000000000928182050000000104145993000000010725633000000001077372220000000107882534000000010789076100000001081576250000000108559026
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What is UPC 028947879466?
028947879466 is a Universal Product Code (UPC) assigned to Decca Sound: Mono Years: 1944-1956 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
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