UPC · Release
Various Artists
Last verified:
The UPC for “Decca Sound: Mono Years: 1944-1956” by Various Artists is 028947879466. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: Decca. This release contains 697 tracks, each with its own ISRC. Tracks include GBF075041201, GBF075041202, GBF075041203.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 5 | Le Sacre du printemps: L'Adoration de la Terre. 1. Introduction | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 6 | Le Sacre du printemps: L'Adoration de la Terre. 2. Les augures printaniers - Danses des adolescentes | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 7 | Le Sacre du printemps: L'Adoration de la Terre. 3. Jeu du rapt | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 8 | Le Sacre du printemps: L'Adoration de la Terre. 4. Rondes printanières | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 9 | Le Sacre du printemps: L'Adoration de la Terre. 5. Jeux des cités | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 10 | Le Sacre du printemps: L'Adoration de la Terre. 6. Cortège du sage - Le sage | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 11 | Le Sacre du printemps: L'Adoration de la Terre. 6b. Le sage | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 12 | Le Sacre du printemps: L'Adoration de la Terre. 7. Danse de la terre | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 13 | Le Sacre du printemps: Le Sacrifice. 1. Introduction | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 14 | Le Sacre du printemps: Le Sacrifice. 2. Cercles mysteriéux des adolescentes | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15 | Le Sacre du printemps: Le Sacrifice. 3. Glorification d'élue | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 16 | Le Sacre du printemps: Le Sacrifice. 4. Évocation des ancêtres | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 17 | Le Sacre du printemps: Le Sacrifice. 5. Action rituelle des ancêtres | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 18 | Le Sacre du printemps: Le Sacrifice. 6. Danse sacrale: l'élue | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 2-1 | Le festin de l'araigneé, op. 17: Lent... | — | ||
| 2-2 | Le festin de l'araigneé, op. 17: Lent... | — | ||
| 2-3 | Le festin de l'araigneé, op. 17: Très modéré... | — | ||
| 2-4 | Le festin de l'araigneé, op. 17: Très lent... | — | ||
| 2-5 | Petite Suite pour Orchestre, op. 39: I. Aubade | — | ||
| 2-6 | Petite Suite pour Orchestre, op. 39: II. Pastorale | — | ||
| 2-7 | Petite Suite pour Orchestre, op. 39: III. Masquerade | — | ||
| 2-8 | Le tombeau de Couperin, M. 68a: I. Prélude | — | ||
| 2-9 | Le tombeau de Couperin, M. 68a: II. Forlane | — | ||
| 2-10 | Le tombeau de Couperin, M. 68a: III. Menuet | — | ||
| 2-11 | Le tombeau de Couperin, M. 68a: IV. Rigaudon | — | ||
| 2-12 | Valses nobles et sentimentales: I. Modéré / II. Assez lent | — | ||
| 2-13 | Valses nobles et sentimentales: III. Modéré / IV. Assez animé | — | ||
| 2-14 | Valses nobles et sentimentales: V. Presque lent / VI. Assez vif | — | ||
| 2-15 | Valses nobles et sentimentales: VII. Moins vif / VIII. Epilogue | — | ||
| 3-1 | The Isle of the Dead, op. 29 | — | ||
| 3-2 | La Peri: Poeme Danse | — | ||
| 3-3 | 6 Épigraphes antiques, L. 131 (arr. Ansermet): Pour invoquer Pan, dieu du vent d'été | — | ||
| 3-4 | 6 Épigraphes antiques, L. 131: No. 2. Pour un tombeau sans nom | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 3-5 | 6 Épigraphes antiques, L. 131 (arr. Ansermet): Pour que la nuit soit propice | — | ||
| 3-6 | 6 Épigraphes antiques, L. 131: No. 4. Pour la danseuse aux crotales | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 3-7 | 6 Épigraphes antiques, L. 131 (arr. Ansermet): Pour l'égyptienne | — | ||
| 3-8 | 6 Épigraphes antiques, L. 131 (arr. Ansermet): Pour remercier la pluie au matin | — | ||
| 3-9 | Jeux (Poème dansé), L. 126 | — | ||
| 4-1 | Iberia: Book 1. 1. Evocación | — | ||
| 4-2 | Iberia: Book 1. 3. El Corpus en Sevilla | — | ||
| 4-3 | Iberia: Book 2. 6. Triana | — | ||
| 4-4 | Iberia: Book 1. 2. El Puerto | — | ||
| 4-5 | Iberia: Book 3. 7. El Albaicín | — | ||
| 4-6 | Danzas Fantásticas: I. Exaltación | — | ||
| 4-7 | Danzas Fantásticas: II. Ensueño | — | ||
| 4-8 | Danzas Fantásticas: III. Orgía | — | ||
| 4-9 | Les biches Suite, FP 36: I. Rondeau | — | ||
| 4-10 | Les biches Suite, FP 36: II. Chanson dansée | — | ||
| 4-11 | Les biches Suite, FP 36: III. Adagietto | — | ||
| 4-12 | Les biches Suite, FP 36: IV. Rag - Mazurka | — | ||
| 4-13 | Les biches Suite, FP 36: V. Andantino | — | ||
| 4-14 | Les biches Suite, FP 36: VI. Final | — | ||
| 5-1 | Symphony no. 101 in D major, Hob. I:101 "The Clock": I. Adagio - Presto | — | ||
| 5-2 | Symphony no. 101 in D major, Hob. I:101 "The Clock": II. Andante | — | ||
| 5-3 | Symphony no. 101 in D major, Hob. I:101 "The Clock": III. Menuet (Allegretto) - Trio | — | ||
| 5-4 | Symphony no. 101 in D major, Hob. I:101 "The Clock": IV. Finale (Vivace) | — | ||
| 5-5 | Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro | — | ||
| 5-6 | Symphony no. 88 in G major, Hob. I:88: II. Largo | — | ||
| 5-7 | Symphony no. 88 in G major, Hob. I:88: III. Menuetto (Allegretto) | — | ||
| 5-8 | Symphony no. 88 in G major, Hob. I:88: IV. Finale (Allegro con spirito) | — | ||
| 5-9 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | — | ||
| 5-10 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 5-11 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo (Allegro) | — | ||
| 6-1 | The Gingerbread Heart Suite: I. At the Fair | — | ||
| 6-2 | The Gingerbread Heart Suite: II. Boys & Girls Enter | — | ||
| 6-3 | The Gingerbread Heart Suite: III. The Gingerbread Figures Come to Life | — | ||
| 6-4 | The Gingerbread Heart Suite: IV. Pas de Deux of the Two Gingerbread Hearts | — | ||
| 6-5 | The Gingerbread Heart Suite: V. Outside the Church | — | ||
| 6-6 | The Gingerbread Heart Suite: VI. Celebration | — | ||
| 6-7 | The Devil in the Village Suite: I. The Devil Plots Against the Two Lovers, Mirko & Yela | — | ||
| 6-8 | The Devil in the Village Suite: II. Dance | — | ||
| 6-9 | The Devil in the Village Suite: III. In Hell | — | ||
| 6-10 | The Devil in the Village Suite: IV. Witches' Sabbath | — | ||
| 6-11 | The Devil in the Village Suite: V. Witches' Orgy | — | ||
| 6-12 | The Devil in the Village Suite: VI. The Return of Light | — | ||
| 6-13 | The Devil in the Village Suite: VII. Mirko's Escape From Hell, General Rejoicing | — | ||
| 7-1 | Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace | — | ||
| 7-2 | Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando | — | ||
| 7-3 | Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo | — | ||
| 7-4 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | — | ||
| 7-5 | Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto | — | ||
| 7-6 | Symphony no. 3, K. 71 | — | ||
| 7-7 | Marsyas Suite: I. Prelude | — | ||
| 7-8 | Marsyas Suite: II. Entr'acte: Vagabondes à travers les forêts | — | ||
| 8-1 | A Colour Symphony, F. 106: I. Purple (Andante maestoso) | — | ||
| 8-2 | A Colour Symphony, F. 106: II. Red (Allegro Vivace) | — | ||
| 8-3 | A Colour Symphony, F. 106: III. Blue (Gentle Flowing) | — | ||
| 8-4 | A Colour Symphony, F. 106: IV. Green (Moderato) | — | ||
| 8-5 | Introduction and Allegro, F. 117 | — | ||
| 8-6 | Concerto for Violin & Orchestra, F. 111: I. Allegro ma non troppo | — | ||
| 8-7 | Concerto for Violin & Orchestra, F. 111: II. Scherzo (vivo) | — | ||
| 8-8 | Concerto for Violin & Orchestra, F. 111: III. Introduzione - allegro deciso in modo zingara | — | ||
| 9-1 | Suite for Orchestra no. 3 in G, op. 55: I. Elégie | — | ||
| 9-2 | Suite for Orchestra no. 3 in G, op. 55: II. Valse mélancolique | — | ||
| 9-3 | Suite for Orchestra no. 3 in G, op. 55: III. Scherzo | — | ||
| 9-4 | Suite for Orchestra no. 3 in G, op. 55: IV. Tema con variazioni | — | ||
| 9-5 | The Love for Three Oranges, op. 33bis: I. The Ridiculous People | — | ||
| 9-6 | The Love for Three Oranges, op. 33bis: II. Infernal Scene | — | ||
| 9-7 | The Love for Three Oranges, op. 33bis: III. March | — | ||
| 9-8 | The Love for Three Oranges, op. 33bis: IV. Scherzo | — | ||
| 9-9 | The Love for Three Oranges, op. 33bis: V. The Prince and the Princess | — | ||
| 9-10 | The Love for Three Oranges, op. 33bis: VI. The Escape | — | ||
| 9-11 | Lieutenant Kijé, op. 60: I. Naissance de Kijé | — | ||
| 9-12 | Lieutenant Kijé, op. 60: II. Romance | — | ||
| 9-13 | Lieutenant Kijé, op. 60: III. Noces de Kijé | — | ||
| 9-14 | Lieutenant Kijé, op. 60: IV. Troïka | — | ||
| 9-15 | Lieutenant Kijé, op. 60: V. Enterrement de Kijé | — | ||
| 10-1 | Job (A Masque for Dancing): Scene 1: Introduction & Sarabande of the Sons of God | — | ||
| 10-2 | Job (A Masque for Dancing): Scene 2: Satan's Dance of Triumph | — | ||
| 10-3 | Job (A Masque for Dancing): Scene 3: Minuet of the Sons of Job and Their Wives | — | ||
| 10-4 | Job (A Masque for Dancing): Scene 4: Job's Dream | — | ||
| 10-5 | Job (A Masque for Dancing): Scene 5: Dance of the Three Messengers | — | ||
| 10-6 | Job (A Masque for Dancing): Scene 6: Dance of Job's Comforters | — | ||
| 10-7 | Job (A Masque for Dancing): Scene 7: Elihu's Dance of Youth and Beauty | — | ||
| 10-8 | Job (A Masque for Dancing): Scene 8: Galliard of the Sons of the Morning | — | ||
| 10-9 | Job (A Masque for Dancing): Scene 9: Epilogue | — | ||
| 10-10 | The Wasps - An Aristophanic Suite: Overture | — | ||
| 10-11 | The Wasps - An Aristophanic Suite: Entr'acte | — | ||
| 10-12 | The Wasps - An Aristophanic Suite: March Past of the Kitchen Utensils | — | ||
| 10-13 | The Wasps - An Aristophanic Suite: Entr'acte | — | ||
| 10-14 | The Wasps - An Aristophanic Suite: Ballet & Final Tableau | — | ||
| 11-1 | Sinfonia da Requiem, op. 20: I. Lacrymosa | — | ||
| 11-2 | Sinfonia da Requiem, op. 20: II. Dies irae | — | ||
| 11-3 | Sinfonia da Requiem, op. 20: III. Requiem aeternam | — | ||
| 11-4 | Diversions for Piano Left Hand and Orchestra, op. 21: Theme | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-5 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation I. Recitative | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-6 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation II. Romance | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-7 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation III. March | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-8 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation IV. Arabesque | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-9 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation V. Chant | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-10 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation VI. Nocturne | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-11 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation VII. Badinerie | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-12 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation VIII. Burlesque | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-13 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXa. Toccata I | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-14 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXb. Toccata II | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-15 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation X. Adagio | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-16 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation XI. Tarantella | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-17 | Four Sea Interludes from "Peter Grimes", op. 33a: I. Dawn | — | ||
| 11-18 | Four Sea Interludes from "Peter Grimes", op. 33a: II. Sunday Morning | — | ||
| 11-19 | Four Sea Interludes from "Peter Grimes", op. 33a: III. Moonlight | — | ||
| 11-20 | Four Sea Interludes from "Peter Grimes", op. 33a: IV. Storm | — | ||
| 11-21 | Passacaglia, from "Peter Grimes", op. 33b | — | ||
| 11-22 | The Young Person's Guide to the Orchestra, op. 34: Theme. Allegro maestoso e largamente | — | ||
| 11-23 | The Young Person's Guide to the Orchestra, op. 34: Variation A. Flutes & Piccolo - Presto | — | ||
| 11-24 | The Young Person's Guide to the Orchestra, op. 34: Variation B. Oboes - Lento | — | ||
| 11-25 | The Young Person's Guide to the Orchestra, op. 34: Variation C. Clarinets - Moderato | — | ||
| 11-26 | The Young Person's Guide to the Orchestra, op. 34: Variation D. Bassoons - Allegro alla marcia | — | ||
| 11-27 | The Young Person's Guide to the Orchestra, op. 34: Variation E. Violins - Brillante - alla polacca | — | ||
| 11-28 | The Young Person's Guide to the Orchestra, op. 34: Variation F. Violas - Meno mosso | — | ||
| 11-29 | The Young Person's Guide to the Orchestra, op. 34: Variation G. Cellos | — | ||
| 11-30 | The Young Person's Guide to the Orchestra, op. 34: Variation H. Double Basses - Cominciando lento ma poco a poco accelerando | — | ||
| 11-31 | The Young Person's Guide to the Orchestra, op. 34: Variation I. Harp - Maestoso | — | ||
| 11-32 | The Young Person's Guide to the Orchestra, op. 34: Variation J. Horns - L'istesso tempo | — | ||
| 11-33 | The Young Person's Guide to the Orchestra, op. 34: Variation K. Trumpets - Vivace | — | ||
| 11-34 | The Young Person's Guide to the Orchestra, op. 34: Variation L. Trombones & Bass Tuba - Allegro pomposo | — | ||
| 11-35 | The Young Person's Guide to the Orchestra, op. 34: Variation M. Percussion - Moderato | — | ||
| 11-36 | The Young Person's Guide to the Orchestra, op. 34: Fugue - Allegro molto | — | ||
| 12-1 | Praeludium & Allegro | — | ||
| 12-2 | Liebesleid | — | ||
| 12-3 | Liebesfreud | — | ||
| 12-4 | Polichinelle (Sérénade) | — | ||
| 12-5 | Schön Rosmarin | — | ||
| 12-6 | Caprice viennois, op. 2 | — | ||
| 12-7 | Tambourin chinois | — | ||
| 12-8 | Menuet Célèbre, op. 14: No. 1 in G | — | ||
| 12-9 | Caprice in E-flat | — | ||
| 12-10 | Caprice in A minor | — | ||
| 12-11 | Rondino on a Theme by Beethoven | — | ||
| 12-12 | La Chasse (in the style of Cartier) | — | ||
| 12-13 | La Gitana | — | ||
| 12-14 | Spanish Dance, op. 37: No. 5. "Andaluza" | — | ||
| 12-15 | Variations on a theme of Corelli | — | ||
| 12-16 | Symphonie espagnole in D minor, op. 21: I. Allegro non troppo | — | ||
| 12-17 | Symphonie espagnole in D minor, op. 21: II. Scherzando (Allegro molto) | — | ||
| 12-18 | Symphonie espagnole in D minor, op. 21: III. Intermezzo (Allegretto non troppo) | — | ||
| 12-19 | Symphonie espagnole in D minor, op. 21: IV. Andante | — | ||
| 12-20 | Symphonie espagnole in D minor, op. 21: V. Rondo (Allegro) | — | ||
| 13-1 | Violin Concerto in B minor, op. 61: I. Allegro | Alfredo Campoli, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 13-2 | Violin Concerto in B minor, op. 61: II. Andante | Alfredo Campoli, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 13-3 | Violin Concerto in B minor, op. 61: III. Allegro molto | Alfredo Campoli, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 13-4 | A Shropshire Lad - Rhapsody | — | ||
| 13-5 | The Banks of Green Willow | — | ||
| 13-6 | Tintagel | — | ||
| 13-7 | The Perfect Fool, op. 39: Ballet Music | — | ||
| 14-1 | Façade - an Entertainment: Fanfare - Hornpipe | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-2 | Façade - an Entertainment: En famille | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-3 | Façade - an Entertainment: Mariner Man | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-4 | Façade - an Entertainment: Long Steel Grass | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-5 | Façade - an Entertainment: Through Gilded Trellises | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-6 | Façade - an Entertainment: Tango-Pasodoble | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-7 | Façade - an Entertainment: Lullaby for Jumbo | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-8 | Façade - an Entertainment: Black Mrs Behemoth | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-9 | Façade - an Entertainment: Tarantella | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-10 | Façade - an Entertainment: A Man From a Far Countree | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-11 | Façade - an Entertainment: By The Lake | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-12 | Façade - an Entertainment: Country Dance | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-13 | Façade - an Entertainment: Polka | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-14 | Façade - an Entertainment: Four in the Morning | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-15 | Façade - an Entertainment: Something Lies Beyond the Scene | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-16 | Façade - an Entertainment: Valse | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-17 | Façade - an Entertainment: Jodelling Song | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-18 | Façade - an Entertainment: Scotch Rhapsody | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-19 | Façade - an Entertainment: Popular Song | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-20 | Façade - an Entertainment: Fox-Trot | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-21 | Façade - an Entertainment: Sir Beelzebub | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-22 | Façade - Suite no. 2 for Orchestra: I. Fanfare | — | ||
| 14-23 | Façade - Suite no. 2 for Orchestra: II. Scotch Rhapsody | — | ||
| 14-24 | Façade - Suite no. 1 for Orchestra: II. Valse | — | ||
| 14-25 | Façade - Suite no. 1 for Orchestra: IV. Tango-Pasodoble | — | ||
| 14-26 | Façade - Suite no. 1 for Orchestra: III. Jodelling Song | — | ||
| 14-27 | Façade - Suite no. 2 for Orchestra: III. Country Dance | — | ||
| 14-28 | Façade - Suite no. 1 for Orchestra: I. Polka | — | ||
| 14-29 | Façade - Suite no. 2 for Orchestra: IV. Noche Espagnole | — | ||
| 14-30 | Façade - Suite no. 2 for Orchestra: V. Popular Song | — | ||
| 14-31 | Façade - Suite no. 2 for Orchestra: VI. Old Sir Faulk | — | ||
| 14-32 | Façade - Suite no. 1 for Orchestra: V. Tarantelle Sevillana | — | ||
| 14-33 | Horoscope Suite: I. Dance of the Followers of Leo | — | ||
| 14-34 | Horoscope Suite: II. Saraband for the followers of Virgo | — | ||
| 14-35 | Horoscope Suite: III. Valse of the Gemini | — | ||
| 14-36 | Horoscope Suite: IV. Bacchanale | — | ||
| 14-37 | Horoscope Suite: V. Invocation to the Moon and Finale | — | ||
| 15-1 | Introduction and Allegro for Strings, op. 47 | — | ||
| 15-2 | Serenade in E minor for String Orchestra, op. 20: I. Allegro piacevole | — | ||
| 15-3 | Serenade in E minor for String Orchestra, op. 20: II. Larghetto | — | ||
| 15-4 | Serenade in E minor for String Orchestra, op. 20: III. Allegretto | — | ||
| 15-5 | Falstaff, op. 68: Allegro | — | ||
| 15-6 | Falstaff, op. 68: Allegro molto | — | ||
| 15-7 | Falstaff, op. 68: Dream Interlude (poco allegretto) | — | ||
| 15-8 | Falstaff, op. 68: Allegro | — | ||
| 15-9 | Falstaff, op. 68: Interlude (allegretto) | — | ||
| 15-10 | Falstaff, op. 68: Allegro molto | — | ||
| 15-11 | Fantasia on a Theme by Thomas Tallis | — | ||
| 15-12 | Fantasia on Greensleeves (arr. by Ralph Greaves) | — | ||
| 16-1 | Piano Quartet no. 1 in G minor, K. 478: I. Allegro | Sir Clifford Curzon, Members of the Amadeus Quartet | T-011.619.733-1 | |
| 16-2 | Piano Quartet no. 1 in G minor, K. 478: II. Andante | Sir Clifford Curzon, Members of the Amadeus Quartet | — | |
| 16-3 | Piano Quartet no. 1 in G minor, K. 478: III. Rondo (Allegro moderato) | Sir Clifford Curzon, Members of the Amadeus Quartet | — | |
| 16-4 | Piano Quartet no. 2 in E-flat, K. 493: I. Allegro | Sir Clifford Curzon, Members of the Amadeus Quartet | T-011.619.733-1 | |
| 16-5 | Piano Quartet no. 2 in E-flat, K. 493: II. Larghetto | Sir Clifford Curzon, Members of the Amadeus Quartet | T-913.918.862-8 | |
| 16-6 | Piano Quartet no. 2 in E-flat, K. 493: III. Allegretto | Sir Clifford Curzon, Members of the Amadeus Quartet | — | |
| 16-7 | Horn Quintet in E-flat, K. 407: I. Allegro | Dennis Brain, Sidney Griller, Max Gilbert, Philip Burton, Colin Hampton | T-070.160.313-5 | |
| 16-8 | Horn Quintet in E-flat, K. 407: II. Andante | Dennis Brain, Sidney Griller, Max Gilbert, Philip Burton, Colin Hampton | — | |
| 16-9 | Horn Quintet in E-flat, K. 407: III. Allegro | Dennis Brain, Sidney Griller, Max Gilbert, Philip Burton, Colin Hampton | — | |
| 17-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato | — | ||
| 17-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 17-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo (Allegro non troppo) | — | ||
| 17-4 | Symphony no. 4 in B-flat, op. 60: I. Adagio - Allegro vivace | — | ||
| 17-5 | Symphony no. 4 in B-flat, op. 60: II. Adagio | — | ||
| 17-6 | Symphony no. 4 in B-flat, op. 60: III. Allegro vivace | — | ||
| 17-7 | Symphony no. 4 in B-flat, op. 60: IV. Allegro ma non troppo | — | ||
| 18-1 | Symphony no. 3 "Liturgique": I. "Dies Irae" - Allegro marcato | — | ||
| 18-2 | Symphony no. 3 "Liturgique": II. "De Profundis Clamavi" - Adagio | — | ||
| 18-3 | Symphony no. 3 "Liturgique": III. "Dona Nobis Pacem" - Andante | — | ||
| 18-4 | Chant de joie | — | ||
| 18-5 | Concerto for Viola & Orchestra: I. Allegro moderato | — | ||
| 18-6 | Concerto for Viola & Orchestra: II. Andante sostenuto | — | ||
| 18-7 | Concerto for Viola & Orchestra: III. Allegro vivace | — | ||
| 18-8 | Concertino for Piano & Orchestra: I. Modéré (sans lenteur) | — | ||
| 18-9 | Concertino for Piano & Orchestra: II. Lento | — | ||
| 18-10 | Concertino for Piano & Orchestra: III. Allegro | — | ||
| 19-1 | Violin Concerto in D, op. 61: I. Allegro ma non troppo | — | ||
| 19-2 | Violin Concerto in D, op. 61: II. Larghetto - | — | ||
| 19-3 | Violin Concerto in D, op. 61: III. Rondo (Allegro) | — | ||
| 19-4 | Symphony no. 102 in B-flat major, Hob. I:102: I. Largo - Vivace | — | ||
| 19-5 | Symphony no. 102 in B-flat major, Hob. I:102: II. Adagio | — | ||
| 19-6 | Symphony no. 102 in B-flat major, Hob. I:102: III. Menuetto (Allegro) | — | ||
| 19-7 | Symphony no. 102 in B-flat major, Hob. I:102: IV. Finale. Presto | — | ||
| 20-1 | Violin Concerto in D, op. 77: I. Allegro non troppo | — | ||
| 20-2 | Violin Concerto in D, op. 77: II. Adagio | — | ||
| 20-3 | Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace (cadenza: Fritz Kreisler) | — | ||
| 20-4 | Violin Concerto: I. Allegro con fuoco | — | ||
| 20-5 | Violin Concerto: II. Adagio non troppo | — | ||
| 20-6 | Violin Concerto: III. Allegro | — | ||
| 20-7 | Concierto de estío: I. Prélude - Allegro molto leggiero | — | ||
| 20-8 | Concierto de estío: II. Siciliano - Andantino | — | ||
| 20-9 | Concierto de estío: III. Rondino - Allegro ma non troppo | — | ||
| 21-1 | Graduation Ball Suite: The Compère | — | ||
| 21-2 | Graduation Ball Suite: No. 1. The Drummer | — | ||
| 21-3 | Graduation Ball Suite: No. 2. La Sylphide and the Scotsman | — | ||
| 21-4 | Graduation Ball Suite: No. 3. Impromptu Dance | — | ||
| 21-5 | Graduation Ball Suite: No. 4. Dance-Step Competition | — | ||
| 21-6 | Graduation Ball Suite: No. 5. Mathematics and Natural History Lessons | — | ||
| 21-7 | Graduation Ball Suite: No. 6. Perpetuum mobile | — | ||
| 21-8 | Graduation Ball Suite: Mazurka Flirtation | — | ||
| 21-9 | Graduation Ball Suite: Grand Finale | — | ||
| 21-10 | Ballet Suite no. 1: Introduction (Don Juan) | — | ||
| 21-11 | Ballet Suite no. 1: Air gai - Lento - Air gai (Iphigénie en Aulide) | — | ||
| 21-12 | Ballet Suite no. 1: Dance of the Blessed Spirits | — | ||
| 21-13 | Ballet Suite no. 1: Musette (Armide) | — | ||
| 21-14 | Ballet Suite no. 1: Air gai (Iphigénie en Aulide) | — | ||
| 21-15 | Ballet Suite no. 1: Sicilienne (Armide) | — | ||
| 21-16 | Ballet Suite no. 1: Air gai (Iphigénie en Aulide) | — | ||
| 21-17 | Céphale et Procris Suite: Largo - Andante | — | ||
| 21-18 | Céphale et Procris Suite: Gigue légère | — | ||
| 21-19 | Céphale et Procris Suite: Pantomime | — | ||
| 21-20 | Céphale et Procris Suite: Passepied | — | ||
| 21-21 | Céphale et Procris Suite: Largo | — | ||
| 21-22 | Céphale et Procris Suite: Pantomime | — | ||
| 21-23 | Céphale et Procris Suite: Tambourin | — | ||
| 21-24 | Céphale et Procris Suite: Loure | — | ||
| 21-25 | Céphale et Procris Suite: Air lent | — | ||
| 21-26 | Céphale et Procris Suite: Passepied | — | ||
| 21-27 | Céphale et Procris Suite: Gavotte | — | ||
| 21-28 | Céphale et Procris Suite: Finale | — | ||
| 22-1 | Nutcracker Suite, op. 71a: I. Miniature Overture | — | ||
| 22-2 | Nutcracker Suite, op. 71a: II. March | — | ||
| 22-3 | Nutcracker Suite, op. 71a: III. Dance of the Sugar-Plum Fairy | — | ||
| 22-4 | Nutcracker Suite, op. 71a: IV. Russian Dance (Trepak) | — | ||
| 22-5 | Nutcracker Suite, op. 71a: V. Arabian Dance (Coffee) | — | ||
| 22-6 | Nutcracker Suite, op. 71a: VI. Chinese Dance (Tea) | — | ||
| 22-7 | Nutcracker Suite, op. 71a: VII. Dance of the Reed-Pipes (Merlitons) | — | ||
| 22-8 | Nutcracker Suite, op. 71a: VIII. Waltz of the Flowers | — | ||
| 22-9 | Nutcracker Suite no. 2 (selected by Fistoulari): Scene (Act 1) And Coda | — | ||
| 22-10 | Nutcracker Suite no. 2 (selected by Fistoulari): Pas de Deux (Permission de dix heures) - Scene & Dance of The Grandfather | — | ||
| 22-11 | Nutcracker Suite no. 2 (selected by Fistoulari): Pas de deux (Andante maestoso) | — | ||
| 22-12 | Nutcracker Suite no. 2 (selected by Fistoulari): Waltz of the Snowflakes | — | ||
| 22-13 | Nutcracker Suite no. 2 (selected by Fistoulari): Scene - Prelude to Act 2 | — | ||
| 22-14 | Nutcracker Suite no. 2 (selected by Fistoulari): Spanish Dance | — | ||
| 22-15 | Nutcracker Suite no. 2 (selected by Fistoulari): Final Waltz & Apotheosis | — | ||
| 22-16 | The Sleeping Beauty, Suite, op. 66a: I. Introduction - The Lilac Fairy | — | ||
| 22-17 | The Sleeping Beauty, Suite, op. 66a: II. Pas d'action: Rose Adagio | — | ||
| 22-18 | The Sleeping Beauty, Suite, op. 66a: III. Pas de caractère: Puss in Boots | — | ||
| 22-19 | The Sleeping Beauty, Suite, op. 66a: IV. Panorama (andantino) | — | ||
| 22-20 | The Sleeping Beauty, Suite, op. 66a: V. Valse | — | ||
| 23-1 | Sonata for Cello and Piano no. 1 in E minor, op. 38: I. Allegro non troppo | — | ||
| 23-2 | Sonata for Cello and Piano no. 1 in E minor, op. 38: II. Allegretto quasi minuetto | — | ||
| 23-3 | Sonata for Cello and Piano no. 1 in E minor, op. 38: III. Allegro - Più presto | — | ||
| 23-4 | Sonata for Cello and Piano no. 2 in F, op. 99: I. Allegro vivace | — | ||
| 23-5 | Sonata for Cello and Piano no. 2 in F, op. 99: II. Adagio affettuoso | — | ||
| 23-6 | Sonata for Cello and Piano no. 2 in F, op. 99: III. Allegro appassionata | — | ||
| 23-7 | Sonata for Cello and Piano no. 2 in F, op. 99: IV. Allegro molto | — | ||
| 23-8 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: I. Adagio | — | ||
| 23-9 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: II. Allegro ma non tanto | — | ||
| 23-10 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: III. Andante | — | ||
| 23-11 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: IV. Allegro moderato | — | ||
| 24-1 | Sonata for Arpeggione and Piano in A minor, D. 821: I. Allegro moderato | — | ||
| 24-2 | Sonata for Arpeggione and Piano in A minor, D. 821: II. Adagio | — | ||
| 24-3 | Sonata for Arpeggione and Piano in A minor, D. 821: III. Allegretto | — | ||
| 24-4 | Fantasiestücke, op. 73: No. 1. Zart und mit Ausdruck | — | ||
| 24-5 | Fantasiestücke, op. 73: No. 2. Lebhaft, leicht | — | ||
| 24-6 | Fantasiestücke, op. 73: No. 3. Rasch und mit Feuer | — | ||
| 24-7 | 3 Romances, op. 94: No. 1. Nicht schnell | — | ||
| 24-8 | 3 Romances, op. 94: No. 2. Einfach, innig | — | ||
| 24-9 | 3 Romances, op. 94: No. 3. Nicht schnell | — | ||
| 24-10 | Cello Concerto in A minor, op. 129: I. Nicht zu schnell | — | ||
| 24-11 | Cello Concerto in A minor, op. 129: II. Langsam | — | ||
| 24-12 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | — | ||
| 25-1 | String Quartet no. 1: I. Andante moderato | — | ||
| 25-2 | String Quartet no. 1: II. Allegro frenetico | — | ||
| 25-3 | String Quartet no. 1: III. Andante molto moderato (Pastorale) | — | ||
| 25-4 | String Quartet no. 1: IV. Finale (Vivace) | — | ||
| 25-5 | String Quartet no. 3: I. Allegro deciso | — | ||
| 25-6 | String Quartet no. 3: II. Adagio non troppo | — | ||
| 25-7 | String Quartet no. 3: III. Allegro molto | — | ||
| 26-1 | String Quartet no. 3: IV. Allegro | — | ||
| 26-2 | String Quartet no. 2: I. Moderato | — | ||
| 26-3 | String Quartet no. 2: II. Presto | — | ||
| 26-4 | String Quartet no. 2: III. Andante | — | ||
| 26-5 | String Quartet no. 2: IV. Allegro molto | — | ||
| 26-6 | String Quartet no. 4: I. Tranquillo - Allegro energico - Tranquillo | — | ||
| 26-7 | String Quartet no. 4: II. Andante | — | ||
| 26-8 | String Quartet no. 4: III. Presto - Moderato - Presto | — | ||
| 26-9 | String Quartet no. 4: IV. Calmo - Allegro deciso - Calmo | — | ||
| 27-1 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": I. Allegro | — | ||
| 27-2 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": II. Scherzo (Assai vivace - Presto - Prestissimo - Tempo I) | — | ||
| 27-3 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": III. Adagio sostenuto | — | ||
| 27-4 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": IV. Largo - Allegro risoluto | — | ||
| 27-5 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Introduction col basso del Tema | — | ||
| 27-6 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 1 | — | ||
| 27-7 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 2 | — | ||
| 27-8 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 3 | — | ||
| 27-9 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 4 | — | ||
| 27-10 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 5 | — | ||
| 27-11 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 6 | — | ||
| 27-12 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 7. Canone all'Ottava | — | ||
| 27-13 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 8 | — | ||
| 27-14 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 9 | — | ||
| 27-15 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 10 | — | ||
| 27-16 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 11 | — | ||
| 27-17 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 12 | — | ||
| 27-18 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 13 | — | ||
| 27-19 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 14. Minore | — | ||
| 27-20 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 15. Maggiore. Largo | — | ||
| 27-21 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Finale alla Fuga: Allegro con brio - Andante con moto | — | ||
| 27-22 | Piano Sonata no. 26 in E-flat, op. 81a "Les adieux": I. Das Lebewohl (Adagio - Allegro) | — | ||
| 27-23 | Piano Sonata no. 26 in E-flat, op. 81a "Les adieux": II. Abwesenheit (Andante espressivo) | — | ||
| 27-24 | Piano Sonata no. 26 in E-flat, op. 81a "Les adieux": III. Das Wiedersehen (Vivacissimamente) | — | ||
| 28-1 | String Quartet in E-flat major, Hob. III:64: I. Allegro | — | ||
| 28-2 | String Quartet in E-flat major, Hob. III:64: II. Andante | — | ||
| 28-3 | String Quartet in E-flat major, Hob. III:64: III. Menuet. Allegretto | — | ||
| 28-4 | String Quartet in E-flat major, Hob. III:64: IV. Finale. Presto | — | ||
| 28-5 | String Quartet in D major, op. 8 no. 1: I. Allegro vivace | — | ||
| 28-6 | String Quartet in D major, op. 8 no. 1: II. Adagio | — | ||
| 28-7 | String Quartet in D major, op. 8 no. 1: III. Minuetto in Rondeau | — | ||
| 28-8 | String Quartet no. 2 in F, op. 41 no. 2: I. Allegro vivace | — | ||
| 28-9 | String Quartet no. 2 in F, op. 41 no. 2: II. Andante, quasi Variazioni | — | ||
| 28-10 | String Quartet no. 2 in F, op. 41 no. 2: III. Scherzo (Presto) | — | ||
| 28-11 | String Quartet no. 2 in F, op. 41 no. 2: IV. Allegro molto vivace - Più mosso | — | ||
| 28-12 | String Quartet in E minor: I. Allegro | — | ||
| 28-13 | String Quartet in E minor: II. Andantino | — | ||
| 28-14 | String Quartet in E minor: III. Prestissimo | — | ||
| 28-15 | String Quartet in E minor: IV. Scherzo Fuga (Allegro assai mosso) | — | ||
| 29-1 | Lemminkäinen Suite, op. 22: I. Lemminkainen and the Maidens of the Island | Danish State Radio Symphony Orchestra, Thomas Jensen | — | |
| 29-2 | Lemminkäinen Suite, op. 22: II. The Swan of Tuonela | Tofte Hansen, Danish State Radio Symphony Orchestra, Thomas Jensen | — | |
| 29-3 | Lemminkäinen Suite, op. 22: III. Lemminkainen in Tuonela | Danish State Radio Symphony Orchestra, Thomas Jensen | — | |
| 29-4 | Lemminkäinen Suite, op. 22: IV. Lemminkainen's Return | Danish State Radio Symphony Orchestra, Thomas Jensen | — | |
| 29-5 | Karelia Suite, op. 11: I. Intermezzo (Moderato) | Danish Radio Symphony Orchestra, Thomas Jensen | — | |
| 29-6 | Karelia Suite, op. 11: II. Ballade (Tempo di menuetto) | Danish Radio Symphony Orchestra, Thomas Jensen | — | |
| 29-7 | Karelia Suite, op. 11: III. Alla marcia (Moderato) | Danish Radio Symphony Orchestra, Thomas Jensen | — | |
| 30-1 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | — | ||
| 30-2 | Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace | — | ||
| 30-3 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile | — | ||
| 30-4 | Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai | — | ||
| 31-1 | Symphony no. 6 in F, op. 68 Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | London Philharmonic Orchestra, Erich Kleiber | — | |
| 31-2 | Symphony no. 6 in F, op. 68 Pastoral": II. Szene am Bach: (Andante molto mosso) | Wiener Philharmoniker, Erich Kleiber | — | |
| 31-3 | Symphony no. 6 in F, op. 68 Pastoral": III. Lustiges Zusammensein der Landleute (Allegro) | Wiener Philharmoniker, Erich Kleiber | — | |
| 31-4 | Symphony no. 6 in F, op. 68 Pastoral": IV. Gewitter, Sturm (Allegro) | Wiener Philharmoniker, Erich Kleiber | — | |
| 31-5 | Symphony no. 6 in F, op. 68 Pastoral": V. Lustiges Zusammensein der Landleute (Allegro) - 4. Gewitter. Sturm (Allegro) - 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Allegretto) | Wiener Philharmoniker, Erich Kleiber | — | |
| 32-1 | Symphony no. 3 in D minor, WAB 103: I. Mäßig bewegt | — | ||
| 32-2 | Symphony no. 3 in D minor, WAB 103: II. Adagio (etwas bewegt) quasi andante | — | ||
| 32-3 | Symphony no. 3 in D minor, WAB 103: III. Scherzo (ziemlich schnell) | — | ||
| 32-4 | Symphony no. 3 in D minor, WAB 103: IV. Finale (allegro) | — | ||
| 32-5 | Tannhäuser: Act 1. Overture & Venusberg Music | — | ||
| 33-1 | String Quartet no. 3, op. 48: I. Lento | — | ||
| 33-2 | String Quartet no. 3, op. 48: II. Allegro assai e leggiero | — | ||
| 33-3 | String Quartet no. 3, op. 48: III. Andante quasi una ciacona | — | ||
| 33-4 | String Quartet no. 3, op. 48: IV. Allegro decido | — | ||
| 33-5 | String Quartet no. 3, op. 48: V. Lento | — | ||
| 33-6 | String Quartet no. 4 in F major, op. 44: I. Allegro non tanto e comodo | — | ||
| 33-7 | String Quartet no. 4 in F major, op. 44: II. Adagio con sentimento religioso | — | ||
| 33-8 | String Quartet no. 4 in F major, op. 44: III. Allegretto moderato ed innocente | — | ||
| 33-9 | String Quartet no. 4 in F major, op. 44: IV. Allegro non tanto, ma molto scherzoso | — | ||
| 33-10 | String Quartet in D minor, op. 56 "Voces intimae": I. Andante - Allegro molto moderato | Griller Quartet | — | |
| 33-11 | String Quartet in D minor, op. 56 "Voces intimae": II. Vivace | Griller Quartet | — | |
| 33-12 | String Quartet in D minor, op. 56 "Voces intimae": III. Adagio di molto | Griller Quartet | — | |
| 33-13 | String Quartet in D minor, op. 56 "Voces intimae": IV. Allegretto (ma pesante) | Griller Quartet | — | |
| 33-14 | String Quartet in D minor, op. 56 "Voces intimae": V. Allegro | Griller Quartet | — | |
| 34-1 | Jeux d'enfants Petite Suite, op. 22: I. Marche: Trompette et tambour | — | ||
| 34-2 | Jeux d'enfants Petite Suite, op. 22: II. Berceuse: La Poupée | — | ||
| 34-3 | Jeux d'enfants Petite Suite, op. 22: III. Impromptu: La toupie | — | ||
| 34-4 | Jeux d'enfants Petite Suite, op. 22: IV. Duo: Petit mari, petite femme | — | ||
| 34-5 | Jeux d'enfants Petite Suite, op. 22: V. Galop: Le bal | — | ||
| 34-6 | La jolie fille de Perth Suite: I. Prélude | — | ||
| 34-7 | La jolie fille de Perth Suite: II. Sérénade | — | ||
| 34-8 | La jolie fille de Perth Suite: III. Marche | — | ||
| 34-9 | La jolie fille de Perth Suite: IV. Danse bohémienne | — | ||
| 34-10 | Suite pastorale: I. Idylle | — | ||
| 34-11 | Suite pastorale: II. Danse villageoise | — | ||
| 34-12 | Suite pastorale: III. Sous-bois | — | ||
| 34-13 | Suite pastorale: IV. Scherzo-Valse | — | ||
| 34-14 | Ode à la Musique | — | ||
| 34-15 | Le roi malgré lui: Sextour des serves (Serf-girls' sextet) | — | ||
| 34-16 | Le roi malgré lui: Chanson tzigane | — | ||
| 34-17 | La damoiselle élue | — | ||
| 35-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | — | ||
| 35-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo (Adagio) | — | ||
| 35-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale (Alla breve) | — | ||
| 35-4 | Piano Concerto in D-flat: I. Allegro ma non troppo e maestoso | — | ||
| 35-5 | Piano Concerto in D-flat: II. Andante con anima | — | ||
| 35-6 | Piano Concerto in D-flat: III. Allegro brillante | — | ||
| 36-1 | Serenade in D, K. 203: I. Andante maestoso - Allegro assai | — | ||
| 36-2 | Serenade in D, K. 203: II. (Andante) | — | ||
| 36-3 | Serenade in D, K. 203: III. Menuetto | — | ||
| 36-4 | Serenade in D, K. 203: IV. (Allegro) | — | ||
| 36-5 | Serenade in D, K. 203: V. Menuetto | — | ||
| 36-6 | Serenade in D, K. 203: VI. (Andante) | — | ||
| 36-7 | Serenade in D, K. 203: VII. Menuetto | — | ||
| 36-8 | Serenade in D, K. 203: VIII. Prestissimo | — | ||
| 36-9 | Symphony no. 28 in C major, K. 189K (K. 200): I. Allegro spirituoso | — | ||
| 36-10 | Symphony no. 28 in C major, K. 189K (K. 200): II. Andante | — | ||
| 36-11 | Symphony no. 28 in C major, K. 189K (K. 200): III. Menuetto (Allegretto) | — | ||
| 36-12 | Symphony no. 28 in C major, K. 189K (K. 200): IV. Presto | — | ||
| 36-13 | Symphony no. 29 in A major, K. 186a (K. 201): I. Allegro moderato | — | ||
| 36-14 | Symphony no. 29 in A major, K. 186a (K. 201): II. Andante | — | ||
| 36-15 | Symphony no. 29 in A major, K. 186a (K. 201): III. Menuet & Trio | — | ||
| 36-16 | Symphony no. 29 in A major, K. 186a (K. 201): IV. Allegro con spirito | — | ||
| 37-1 | Goyescas Suite: I. Los requiebros | — | ||
| 37-2 | Goyescas Suite: II. Coloquio en la reja | — | ||
| 37-3 | Goyescas Suite: III. El Fandango del Candil | — | ||
| 37-4 | Goyescas Suite: IV. Quejas ó la maja y el ruiseñor | — | ||
| 37-5 | Goyescas Suite: V. El amor y la muerte (Balada) | — | ||
| 37-6 | Goyescas Suite: VI. Epilogo (Serenata del espectro) | — | ||
| 37-7 | Goyescas Suite: VII. El pelele (Escena goyesca) | — | ||
| 38-1 | Namouna Suite no. 1: I. Prélude | — | ||
| 38-2 | Namouna Suite no. 1: II. Sérénade | — | ||
| 38-3 | Namouna Suite no. 1: III. Thème varié | — | ||
| 38-4 | Namouna Suite no. 1: IV. Parade de foire | — | ||
| 38-5 | Namouna Suite no. 1: V. Fête foraine | — | ||
| 38-6 | Namouna Suite no. 2: I. Danse marocaine | — | ||
| 38-7 | Namouna Suite no. 2: II. Mazurka | — | ||
| 38-8 | Namouna Suite no. 2: III. La Siesta | — | ||
| 38-9 | Namouna Suite no. 2: IV. Pas de Cymbales | — | ||
| 38-10 | Namouna Suite no. 2: V. Danse des esclaves | — | ||
| 38-11 | Ballade in F-sharp, op. 19 | — | ||
| 38-12 | Nocturne no. 5 in B-flat major, op. 37 | — | ||
| 38-13 | Pièces brèves, op. 84: VIII. Nocturne no. 8 in D-flat | — | ||
| 38-14 | Nocturne no. 2 in B-major, op. 33 no. 2 | — | ||
| 38-15 | Nocturne no. 7 in C-sharp minor, op. 74 | — | ||
| 38-16 | Concertino for Piano and Orchestra: I. Presto leggiero | — | ||
| 38-17 | Concertino for Piano and Orchestra: II. Lent | — | ||
| 38-18 | Concertino for Piano and Orchestra: III. Allegretto | — | ||
| 38-19 | Concertino for Piano and Orchestra: IV. Rondo (Allegretto vivo) | — | ||
| 39-1 | Concerto grosso in G, op. 6 no. 1, HWV 319: I. A tempo giusto | — | ||
| 39-2 | Concerto grosso in G, op. 6 no. 1, HWV 319: II. Allegro | — | ||
| 39-3 | Concerto grosso in G, op. 6 no. 1, HWV 319: III. Adagio | — | ||
| 39-4 | Concerto grosso in G, op. 6 no. 1, HWV 319: IV. Allegro | — | ||
| 39-5 | Concerto grosso in G, op. 6 no. 1, HWV 319: V. Allegro | — | ||
| 39-6 | Concerto grosso in F, op. 6 no. 2, HWV 320: I. Andante larghetto | — | ||
| 39-7 | Concerto grosso in F, op. 6 no. 2, HWV 320: II. Allegro | — | ||
| 39-8 | Concerto grosso in F, op. 6 no. 2, HWV 320: III. Largo - Adagio - Larghetto andante, e piano | — | ||
| 39-9 | Concerto grosso in F, op. 6 no. 2, HWV 320: IV. Allegro, ma non troppo | — | ||
| 39-10 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: I. Larghetto | — | ||
| 39-11 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: II. Andante | — | ||
| 39-12 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: III. Allegro | — | ||
| 39-13 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: IV. Polonaise (Andante) | — | ||
| 39-14 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: V. Allegro, ma non troppo | — | ||
| 39-15 | Concerto grosso in A minor, op. 6 no. 4, HWV 322: I. Larghetto affettuoso | — | ||
| 39-16 | Concerto grosso in A minor, op. 6 no. 4, HWV 322: II. Allegro | — | ||
| 39-17 | Concerto grosso in A minor, op. 6 no. 4, HWV 322: III. Largo, e piano | — | ||
| 39-18 | Concerto grosso in A minor, op. 6 no. 4, HWV 322: IV. Allegro | — | ||
| 39-19 | Concerto grosso in D, op. 6 no. 5, HWV 323: I. (Larghetto, e staccato) | — | ||
| 39-20 | Concerto grosso in D, op. 6 no. 5, HWV 323: II. Allegro | — | ||
| 39-21 | Concerto grosso in D, op. 6 no. 5, HWV 323: III. Presto | — | ||
| 39-22 | Concerto grosso in D, op. 6 no. 5, HWV 323: IV. Largo | — | ||
| 39-23 | Concerto grosso in D, op. 6 no. 5, HWV 323: V. Allegro | — | ||
| 39-24 | Concerto grosso in D, op. 6 no. 5, HWV 323: VI. Menuet (un poco larghetto) | — | ||
| 40-1 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: I. Larghetto e affettuoso | — | ||
| 40-2 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: II. A tempo giusto | — | ||
| 40-3 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: III. Musette (Larghetto) | — | ||
| 40-4 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: IV. Allegro | — | ||
| 40-5 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: V. Allegro | — | ||
| 40-6 | Concerto grosso in B-flat, op. 6 no. 7, HWV 325: I. Largo | — | ||
| 40-7 | Concerto grosso in B-flat, op. 6 no. 7, HWV 325: II. Allegro | — | ||
| 40-8 | Concerto grosso in B-flat, op. 6 no. 7, HWV 325: III. Largo, e piano | — | ||
| 40-9 | Concerto grosso in B-flat, op. 6 no. 7, HWV 325: IV. Andante | — | ||
| 40-10 | Concerto grosso in B-flat, op. 6 no. 7, HWV 325: V. Hornpipe | — | ||
| 40-11 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: I. Allemande (Andante) | — | ||
| 40-12 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: II. Grave | — | ||
| 40-13 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: III. Andante allegro | — | ||
| 40-14 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: IV. Adagio | — | ||
| 40-15 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: V. Siciliana (Andante) | — | ||
| 40-16 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: VI. Allegro | — | ||
| 40-17 | Concerto grosso in F, op. 6 no. 9, HWV 327: I. Largo | — | ||
| 40-18 | Concerto grosso in F, op. 6 no. 9, HWV 327: II. Allegro | — | ||
| 40-19 | Concerto grosso in F, op. 6 no. 9, HWV 327: III. Larghetto | — | ||
| 40-20 | Concerto grosso in F, op. 6 no. 9, HWV 327: IV. Allegro | — | ||
| 40-21 | Concerto grosso in F, op. 6 no. 9, HWV 327: V. Menuet | — | ||
| 40-22 | Concerto grosso in F, op. 6 no. 9, HWV 327: VI. Gigue | — | ||
| 40-23 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: I. Ouverture | — | ||
| 40-24 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: II. Allegro | — | ||
| 40-25 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: III. Air (Lento) | — | ||
| 40-26 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: IV. Allegro | — | ||
| 40-27 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: V. Allegro | — | ||
| 40-28 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: VI. Allegro moderato | — | ||
| 41-1 | Concerto grosso in A, op. 6 no. 11, HWV 329: I. Andante larghetto, e staccato | — | ||
| 41-2 | Concerto grosso in A, op. 6 no. 11, HWV 329: II. Allegro | — | ||
| 41-3 | Concerto grosso in A, op. 6 no. 11, HWV 329: III. Largo, e staccato | — | ||
| 41-4 | Concerto grosso in A, op. 6 no. 11, HWV 329: IV. Andante | — | ||
| 41-5 | Concerto grosso in A, op. 6 no. 11, HWV 329: V. Allegro | — | ||
| 41-6 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: I. Largo | — | ||
| 41-7 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: II. Allegro | — | ||
| 41-8 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Larghetto, e piano | — | ||
| 41-9 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: IV. Largo | — | ||
| 41-10 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: V. Allegro | — | ||
| 41-11 | The Water Music: Overture | — | ||
| 41-12 | The Water Music: Adagio e staccato | — | ||
| 41-13 | The Water Music: Allegro | — | ||
| 41-14 | The Water Music: Andante | — | ||
| 41-15 | The Water Music: Moderato | — | ||
| 41-16 | The Water Music: Air | — | ||
| 41-17 | The Water Music: Bourrée and Hornpipe | — | ||
| 41-18 | The Water Music: Minuet | — | ||
| 41-19 | The Water Music: Allegro molto | — | ||
| 41-20 | The Water Music: Allegro | — | ||
| 41-21 | The Water Music: Minuet | — | ||
| 41-22 | The Water Music: Aria | — | ||
| 41-23 | The Water Music: Lentement | — | ||
| 41-24 | The Water Music: Allegro | — | ||
| 41-25 | The Water Music: Minuet | — | ||
| 41-26 | The Water Music: Coro | — | ||
| 41-27 | The Water Music: Air | — | ||
| 41-28 | The Water Music: Hornpipe | — | ||
| 42-1 | Sonata in G minor for Cello & Piano, op. 19: I. Lento - Allegro moderato | — | ||
| 42-2 | Sonata in G minor for Cello & Piano, op. 19: II. Allegro scherzando | — | ||
| 42-3 | Sonata in G minor for Cello & Piano, op. 19: III. Andante | — | ||
| 42-4 | Sonata in G minor for Cello & Piano, op. 19: IV. Allegro mosso | — | ||
| 42-5 | Sonata for Solo Cello, op. 8: I. Allegro maestoso ma appassionato | — | ||
| 42-6 | Sonata for Solo Cello, op. 8: II. Adagio (Con gran espressione) | — | ||
| 42-7 | Sonata for Solo Cello, op. 8: III. Allegro molto vivace | — | ||
| 42-8 | Suite no. 2 for Unaccompanied Cello, op. 131c: I. Prelude (Largo) | — | ||
| 42-9 | Suite no. 2 for Unaccompanied Cello, op. 131c: II. Gavotte (Allegretto) | — | ||
| 42-10 | Suite no. 2 for Unaccompanied Cello, op. 131c: III. Largo | — | ||
| 42-11 | Suite no. 2 for Unaccompanied Cello, op. 131c: IV. Gigue (Vivace) | — | ||
| 42-12 | Suite for Cello Solo no. 3 in C, BWV 1009: V. Bourrée I-II | — | ||
| 43-1 | Piano Quintet in G minor, op. 57: I. Prelude (Lento - Poco piu mosso - lento) | — | ||
| 43-2 | Piano Quintet in G minor, op. 57: II. Fugue (Adagio) | — | ||
| 43-3 | Piano Quintet in G minor, op. 57: III. Scherzo (Allegretto) | — | ||
| 43-4 | Piano Quintet in G minor, op. 57: IV. Intermezzo (Lento - Appassionato) | — | ||
| 43-5 | Piano Quintet in G minor, op. 57: V. Finale (Allegretto) | — | ||
| 43-6 | Quintet no. 1 for Piano & Strings: I. Agitato | — | ||
| 43-7 | Quintet no. 1 for Piano & Strings: II. Andante mistico | — | ||
| 43-8 | Quintet no. 1 for Piano & Strings: III. Allegro energico | — | ||
| 44-1 | Piano Quintet no. 1 in A major, G. 413, op. 57 no. 1: I. Allegro moderato | — | ||
| 44-2 | Piano Quintet no. 1 in A major, G. 413, op. 57 no. 1: II. Minuet & Trio | — | ||
| 44-3 | Piano Quintet no. 1 in A major, G. 413, op. 57 no. 1: III. Andantino | — | ||
| 44-4 | Piano Quintet no. 1 in A major, G. 413, op. 57 no. 1: IV. Allegro | — | ||
| 44-5 | Piano Quintet no. 4 in D minor, G. 416, op. 57 no. 4: I. Allegro giusto ma con vivacità | — | ||
| 44-6 | Piano Quintet no. 4 in D minor, G. 416, op. 57 no. 4: II. Largo cantabile | — | ||
| 44-7 | Piano Quintet no. 4 in D minor, G. 416, op. 57 no. 4: III. Allegro assai | — | ||
| 44-8 | Piano Quintet in F minor, op. 34: I. Allegro non troppo | — | ||
| 44-9 | Piano Quintet in F minor, op. 34: II. Andante, un poco adagio | — | ||
| 44-10 | Piano Quintet in F minor, op. 34: III. Scherzo (Allegro) | — | ||
| 44-11 | Piano Quintet in F minor, op. 34: IV. Finale (poco sostenuto - Allegro non troppo) | — | ||
| 45-1 | Violin Concerto no. 1 in D, op. 6: I. Cadenza: Emile Sauret | — | ||
| 45-2 | Violin Concerto no. 1 in D, op. 6: II. Adagio | — | ||
| 45-3 | Violin Concerto no. 1 in D, op. 6: III. Rondo (Allegro spirituoso) | — | ||
| 45-4 | Violin Concerto no. 2 in B minor, op. 7: I. Allegro Maestoso | — | ||
| 45-5 | Violin Concerto no. 2 in B minor, op. 7: II. Adagio | — | ||
| 45-6 | Violin Concerto no. 2 in B minor, op. 7: III. Ronde à la clochette | — | ||
| 46-1 | Symphony no. 25 in G minor, K. 183: I. Allegro con brio | — | ||
| 46-2 | Symphony no. 25 in G minor, K. 183: II. Andante | — | ||
| 46-3 | Symphony no. 25 in G minor, K. 183: III. Menuetto | — | ||
| 46-4 | Symphony no. 25 in G minor, K. 183: IV. Allegro | — | ||
| 46-5 | Symphony no. 38 in D, K. 504 "Prague": I. Adagio - Allegro | — | ||
| 46-6 | Symphony no. 38 in D, K. 504 "Prague": II. Andante | — | ||
| 46-7 | Symphony no. 38 in D, K. 504 "Prague": III. Finale (Presto) | — | ||
| 46-8 | Le siège de Corinthe: Overture | — | ||
| 46-9 | William Tell: Overture | — | ||
| 46-10 | Tancredi: Overture | — | ||
| 46-11 | Il Signor Bruschino: Overture | — | ||
| 46-12 | La Cenerentola: Overture (Sinfonia) | — | ||
| 47-1 | Music for Strings, Percussion and Celesta, Sz. 106: I. Andante tranquillo | — | ||
| 47-2 | Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | — | ||
| 47-3 | Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio | — | ||
| 47-4 | Music for Strings, Percussion and Celesta, Sz. 106: IV. Allegro molto | — | ||
| 47-5 | Háry János Suite: I. Prelude; The Fairy Tale Begins | — | ||
| 47-6 | Háry János Suite: II. Viennese Musical Clock | — | ||
| 47-7 | Háry János Suite: III. Song | — | ||
| 47-8 | Háry János Suite: IV. The Battle and Defeat of Napoleon | — | ||
| 47-9 | Háry János Suite: V. Intermezzo | — | ||
| 47-10 | Háry János Suite: VI. Entrance of the Emperor and His Court | — | ||
| 47-11 | Symphony no. 100 in G major, Hob. I:100 "Military": I. Adagio - Allegro | — | ||
| 47-12 | Symphony no. 100 in G major, Hob. I:100 "Military": II. Allegretto | — | ||
| 47-13 | Symphony no. 100 in G major, Hob. I:100 "Military": III. Menuet (Moderato) | — | ||
| 47-14 | Symphony no. 100 in G major, Hob. I:100 "Military": IV. Finale (Presto) | — | ||
| 48-1 | Piano Trio no. 7 in B-flat, op. 97 "Archduke": I. Allegro moderato | — | ||
| 48-2 | Piano Trio no. 7 in B-flat, op. 97 "Archduke": II. Scherzo (Allegro) | — | ||
| 48-3 | Piano Trio no. 7 in B-flat, op. 97 "Archduke": III. Andante cantabile, ma però con moto - Poco più adagio | — | ||
| 48-4 | Piano Trio no. 7 in B-flat, op. 97 "Archduke": IV. Allegro moderato | — | ||
| 48-5 | Piano Trio no. 1 in B, op. 8: I. Allegro con brio | — | ||
| 48-6 | Piano Trio no. 1 in B, op. 8: II. Scherzo (Allegro molto) | — | ||
| 48-7 | Piano Trio no. 1 in B, op. 8: III. Adagio | — | ||
| 48-8 | Piano Trio no. 1 in B, op. 8: IV. Allegro | — | ||
| 49-1 | Symphony no. 5 in B-flat, op. 100: I. Andante | — | ||
| 49-2 | Symphony no. 5 in B-flat, op. 100: II. Allegro marcato | — | ||
| 49-3 | Symphony no. 5 in B-flat, op. 100: III. Adagio | — | ||
| 49-4 | Symphony no. 5 in B-flat, op. 100: IV. Allegro giocoso | — | ||
| 49-5 | Symphony no. 5 in E-flat, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato | The Danish State Radio Symphony Orchestra, Erik Tuxen | — | |
| 49-6 | Symphony no. 5 in E-flat, op. 82: II. Andante mosso, quasi allegretto | The Danish State Radio Symphony Orchestra, Erik Tuxen | — | |
| 49-7 | Symphony no. 5 in E-flat, op. 82: III. Allegro molto | The Danish State Radio Symphony Orchestra, Erik Tuxen | — | |
| 50-1 | Symphony no. 5, op. 50: I. Tempo giusto - Adagio non troppo | — | ||
| 50-2 | Symphony no. 5, op. 50: II. Allegro - Presto - Andante un poco tranquillo - Allegro | — | ||
| 50-3 | Flute Concerto: I. Allegro moderato | — | ||
| 50-4 | Flute Concerto: II. Allegretto | — | ||
| 50-5 | Clarinet Concerto, op. 57: I. Allegretto un poco | — | ||
| 50-6 | Clarinet Concerto, op. 57: II. Poco adagio | — | ||
| 50-7 | Clarinet Concerto, op. 57: III. Allegro non troppo | — | ||
| 50-8 | Clarinet Concerto, op. 57: IV. Allegro vivace | — | ||
| 51-1 | String Quartet no. 1 in E minor "From My Life": I. Allegro vivo appassionato | — | ||
| 51-2 | String Quartet no. 1 in E minor "From My Life": II. Allegro moderato alla Polka | — | ||
| 51-3 | String Quartet no. 1 in E minor "From My Life": III. Largo sostenuto | — | ||
| 51-4 | String Quartet no. 1 in E minor "From My Life": IV. Vivace | — | ||
| 51-5 | String Quartet no. 2, op. 10: I. Allegro | — | ||
| 51-6 | String Quartet no. 2, op. 10: II. Andante - Quasi recit - Andante con moto - Allegro giocoso | — | ||
| 51-7 | String Quartet no. 13 in A minor, D. 804 "Rosamunde": I. Allegro ma non troppo | — | ||
| 51-8 | String Quartet no. 13 in A minor, D. 804 "Rosamunde": II. Andante | — | ||
| 51-9 | String Quartet no. 13 in A minor, D. 804 "Rosamunde": III. Menuetto (Allegretto) | — | ||
| 51-10 | String Quartet no. 13 in A minor, D. 804 "Rosamunde": IV. Allegro moderato | — | ||
| 52-1 | Divertimento in D, K. 334: I. Allegro | Members of the Wiener Oktett | T-070.160.313-5 | |
| 52-2 | Divertimento in D, K. 334: II. Thema mit Variationen (Andante) | Members of the Wiener Oktett | — | |
| 52-3 | Divertimento in D, K. 334: III. Menuetto - Trio - Menuetto | Members of the Wiener Oktett | — | |
| 52-4 | Divertimento in D, K. 334: IV. Adagio | Members of the Wiener Oktett | — | |
| 52-5 | Divertimento in D, K. 334: V. Menuetto - Trio I - Menuetto - Trio II - Menuetto | Members of the Wiener Oktett | — | |
| 52-6 | Divertimento in D, K. 334: VI. Rondo (Allegro) | Members of the Wiener Oktett | — | |
| 52-7 | Divertimento in F, K. 247: I. Allegro | — | ||
| 52-8 | Divertimento in F, K. 247: II. Andante grazioso | — | ||
| 52-9 | Divertimento in F, K. 247: III. Menuetto | — | ||
| 52-10 | Divertimento in F, K. 247: IV. Adagio | — | ||
| 52-11 | Divertimento in F, K. 247: V. Menuetto | — | ||
| 52-12 | Divertimento in F, K. 247: VI. Andante - Allegro assai | — | ||
| 53-1 | Octet in E-flat, op. 20, MWV R20: I. Allegro moderato, ma con fuoco | — | ||
| 53-2 | Octet in E-flat, op. 20, MWV R20: II. Andante | — | ||
| 53-3 | Octet in E-flat, op. 20, MWV R20: III. Scherzo (Allegro leggierissimo) | — | ||
| 53-4 | Octet in E-flat, op. 20, MWV R20: IV. Presto | — | ||
| 53-5 | Clarinet Quintet in B minor, op. 115: I. Allegro | — | ||
| 53-6 | Clarinet Quintet in B minor, op. 115: II. Adagio | — | ||
| 53-7 | Clarinet Quintet in B minor, op. 115: III. Andantino - Presto non assai, ma con sentimento | — | ||
| 53-8 | Clarinet Quintet in B minor, op. 115: IV. Con moto | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028947879466 is a Universal Product Code (UPC) assigned to Decca Sound: Mono Years: 1944-1956 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 697 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Petrouchka (1911 version): Scene 1. The Shrovetide Fair - The Crowds - The Conjuring-trick | L’Orchestre de la Suisse Romande, Ernest Ansermet | — |
| Petrouchka (1911 version): Scene 2. Petrouchka's Room | L’Orchestre de la Suisse Romande, Ernest Ansermet | — |
| Petrouchka (1911 version): Scene 3. The Moor's Room - Dance of the Ballerina | L’Orchestre de la Suisse Romande, Ernest Ansermet | — |
| Petrouchka (1911 version): Scene 4. The Shrovetide Fair (Evening) | L’Orchestre de la Suisse Romande, Ernest Ansermet | — |
| Lemminkäinen Suite, op. 22: I. Lemminkainen and the Maidens of the Island | Danish State Radio Symphony Orchestra, Thomas Jensen | — |
| Lemminkäinen Suite, op. 22: II. The Swan of Tuonela | Tofte Hansen, Danish State Radio Symphony Orchestra, Thomas Jensen | — |
| Lemminkäinen Suite, op. 22: III. Lemminkainen in Tuonela | Danish State Radio Symphony Orchestra, Thomas Jensen | — |
| Lemminkäinen Suite, op. 22: IV. Lemminkainen's Return | Danish State Radio Symphony Orchestra, Thomas Jensen | — |
Creative Contributors (ISNI)
The UPC for “Decca Sound: Mono Years: 1944-1956” by Various Artists is 028947879466. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: Decca. This release contains 697 tracks, each with its own ISRC. Tracks include GBF075041201, GBF075041202, GBF075041203.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 5 | Le Sacre du printemps: L'Adoration de la Terre. 1. Introduction | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 6 | Le Sacre du printemps: L'Adoration de la Terre. 2. Les augures printaniers - Danses des adolescentes | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 7 | Le Sacre du printemps: L'Adoration de la Terre. 3. Jeu du rapt | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 8 | Le Sacre du printemps: L'Adoration de la Terre. 4. Rondes printanières | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 9 | Le Sacre du printemps: L'Adoration de la Terre. 5. Jeux des cités | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 10 | Le Sacre du printemps: L'Adoration de la Terre. 6. Cortège du sage - Le sage | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 11 | Le Sacre du printemps: L'Adoration de la Terre. 6b. Le sage | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 12 | Le Sacre du printemps: L'Adoration de la Terre. 7. Danse de la terre | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 13 | Le Sacre du printemps: Le Sacrifice. 1. Introduction | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 14 | Le Sacre du printemps: Le Sacrifice. 2. Cercles mysteriéux des adolescentes | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15 | Le Sacre du printemps: Le Sacrifice. 3. Glorification d'élue | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 16 | Le Sacre du printemps: Le Sacrifice. 4. Évocation des ancêtres | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 17 | Le Sacre du printemps: Le Sacrifice. 5. Action rituelle des ancêtres | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 18 | Le Sacre du printemps: Le Sacrifice. 6. Danse sacrale: l'élue | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 2-1 | Le festin de l'araigneé, op. 17: Lent... | — | ||
| 2-2 | Le festin de l'araigneé, op. 17: Lent... | — | ||
| 2-3 | Le festin de l'araigneé, op. 17: Très modéré... | — | ||
| 2-4 | Le festin de l'araigneé, op. 17: Très lent... | — | ||
| 2-5 | Petite Suite pour Orchestre, op. 39: I. Aubade | — | ||
| 2-6 | Petite Suite pour Orchestre, op. 39: II. Pastorale | — | ||
| 2-7 | Petite Suite pour Orchestre, op. 39: III. Masquerade | — | ||
| 2-8 | Le tombeau de Couperin, M. 68a: I. Prélude | — | ||
| 2-9 | Le tombeau de Couperin, M. 68a: II. Forlane | — | ||
| 2-10 | Le tombeau de Couperin, M. 68a: III. Menuet | — | ||
| 2-11 | Le tombeau de Couperin, M. 68a: IV. Rigaudon | — | ||
| 2-12 | Valses nobles et sentimentales: I. Modéré / II. Assez lent | — | ||
| 2-13 | Valses nobles et sentimentales: III. Modéré / IV. Assez animé | — | ||
| 2-14 | Valses nobles et sentimentales: V. Presque lent / VI. Assez vif | — | ||
| 2-15 | Valses nobles et sentimentales: VII. Moins vif / VIII. Epilogue | — | ||
| 3-1 | The Isle of the Dead, op. 29 | — | ||
| 3-2 | La Peri: Poeme Danse | — | ||
| 3-3 | 6 Épigraphes antiques, L. 131 (arr. Ansermet): Pour invoquer Pan, dieu du vent d'été | — | ||
| 3-4 | 6 Épigraphes antiques, L. 131: No. 2. Pour un tombeau sans nom | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 3-5 | 6 Épigraphes antiques, L. 131 (arr. Ansermet): Pour que la nuit soit propice | — | ||
| 3-6 | 6 Épigraphes antiques, L. 131: No. 4. Pour la danseuse aux crotales | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 3-7 | 6 Épigraphes antiques, L. 131 (arr. Ansermet): Pour l'égyptienne | — | ||
| 3-8 | 6 Épigraphes antiques, L. 131 (arr. Ansermet): Pour remercier la pluie au matin | — | ||
| 3-9 | Jeux (Poème dansé), L. 126 | — | ||
| 4-1 | Iberia: Book 1. 1. Evocación | — | ||
| 4-2 | Iberia: Book 1. 3. El Corpus en Sevilla | — | ||
| 4-3 | Iberia: Book 2. 6. Triana | — | ||
| 4-4 | Iberia: Book 1. 2. El Puerto | — | ||
| 4-5 | Iberia: Book 3. 7. El Albaicín | — | ||
| 4-6 | Danzas Fantásticas: I. Exaltación | — | ||
| 4-7 | Danzas Fantásticas: II. Ensueño | — | ||
| 4-8 | Danzas Fantásticas: III. Orgía | — | ||
| 4-9 | Les biches Suite, FP 36: I. Rondeau | — | ||
| 4-10 | Les biches Suite, FP 36: II. Chanson dansée | — | ||
| 4-11 | Les biches Suite, FP 36: III. Adagietto | — | ||
| 4-12 | Les biches Suite, FP 36: IV. Rag - Mazurka | — | ||
| 4-13 | Les biches Suite, FP 36: V. Andantino | — | ||
| 4-14 | Les biches Suite, FP 36: VI. Final | — | ||
| 5-1 | Symphony no. 101 in D major, Hob. I:101 "The Clock": I. Adagio - Presto | — | ||
| 5-2 | Symphony no. 101 in D major, Hob. I:101 "The Clock": II. Andante | — | ||
| 5-3 | Symphony no. 101 in D major, Hob. I:101 "The Clock": III. Menuet (Allegretto) - Trio | — | ||
| 5-4 | Symphony no. 101 in D major, Hob. I:101 "The Clock": IV. Finale (Vivace) | — | ||
| 5-5 | Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro | — | ||
| 5-6 | Symphony no. 88 in G major, Hob. I:88: II. Largo | — | ||
| 5-7 | Symphony no. 88 in G major, Hob. I:88: III. Menuetto (Allegretto) | — | ||
| 5-8 | Symphony no. 88 in G major, Hob. I:88: IV. Finale (Allegro con spirito) | — | ||
| 5-9 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | — | ||
| 5-10 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 5-11 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo (Allegro) | — | ||
| 6-1 | The Gingerbread Heart Suite: I. At the Fair | — | ||
| 6-2 | The Gingerbread Heart Suite: II. Boys & Girls Enter | — | ||
| 6-3 | The Gingerbread Heart Suite: III. The Gingerbread Figures Come to Life | — | ||
| 6-4 | The Gingerbread Heart Suite: IV. Pas de Deux of the Two Gingerbread Hearts | — | ||
| 6-5 | The Gingerbread Heart Suite: V. Outside the Church | — | ||
| 6-6 | The Gingerbread Heart Suite: VI. Celebration | — | ||
| 6-7 | The Devil in the Village Suite: I. The Devil Plots Against the Two Lovers, Mirko & Yela | — | ||
| 6-8 | The Devil in the Village Suite: II. Dance | — | ||
| 6-9 | The Devil in the Village Suite: III. In Hell | — | ||
| 6-10 | The Devil in the Village Suite: IV. Witches' Sabbath | — | ||
| 6-11 | The Devil in the Village Suite: V. Witches' Orgy | — | ||
| 6-12 | The Devil in the Village Suite: VI. The Return of Light | — | ||
| 6-13 | The Devil in the Village Suite: VII. Mirko's Escape From Hell, General Rejoicing | — | ||
| 7-1 | Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace | — | ||
| 7-2 | Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando | — | ||
| 7-3 | Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo | — | ||
| 7-4 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | — | ||
| 7-5 | Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto | — | ||
| 7-6 | Symphony no. 3, K. 71 | — | ||
| 7-7 | Marsyas Suite: I. Prelude | — | ||
| 7-8 | Marsyas Suite: II. Entr'acte: Vagabondes à travers les forêts | — | ||
| 8-1 | A Colour Symphony, F. 106: I. Purple (Andante maestoso) | — | ||
| 8-2 | A Colour Symphony, F. 106: II. Red (Allegro Vivace) | — | ||
| 8-3 | A Colour Symphony, F. 106: III. Blue (Gentle Flowing) | — | ||
| 8-4 | A Colour Symphony, F. 106: IV. Green (Moderato) | — | ||
| 8-5 | Introduction and Allegro, F. 117 | — | ||
| 8-6 | Concerto for Violin & Orchestra, F. 111: I. Allegro ma non troppo | — | ||
| 8-7 | Concerto for Violin & Orchestra, F. 111: II. Scherzo (vivo) | — | ||
| 8-8 | Concerto for Violin & Orchestra, F. 111: III. Introduzione - allegro deciso in modo zingara | — | ||
| 9-1 | Suite for Orchestra no. 3 in G, op. 55: I. Elégie | — | ||
| 9-2 | Suite for Orchestra no. 3 in G, op. 55: II. Valse mélancolique | — | ||
| 9-3 | Suite for Orchestra no. 3 in G, op. 55: III. Scherzo | — | ||
| 9-4 | Suite for Orchestra no. 3 in G, op. 55: IV. Tema con variazioni | — | ||
| 9-5 | The Love for Three Oranges, op. 33bis: I. The Ridiculous People | — | ||
| 9-6 | The Love for Three Oranges, op. 33bis: II. Infernal Scene | — | ||
| 9-7 | The Love for Three Oranges, op. 33bis: III. March | — | ||
| 9-8 | The Love for Three Oranges, op. 33bis: IV. Scherzo | — | ||
| 9-9 | The Love for Three Oranges, op. 33bis: V. The Prince and the Princess | — | ||
| 9-10 | The Love for Three Oranges, op. 33bis: VI. The Escape | — | ||
| 9-11 | Lieutenant Kijé, op. 60: I. Naissance de Kijé | — | ||
| 9-12 | Lieutenant Kijé, op. 60: II. Romance | — | ||
| 9-13 | Lieutenant Kijé, op. 60: III. Noces de Kijé | — | ||
| 9-14 | Lieutenant Kijé, op. 60: IV. Troïka | — | ||
| 9-15 | Lieutenant Kijé, op. 60: V. Enterrement de Kijé | — | ||
| 10-1 | Job (A Masque for Dancing): Scene 1: Introduction & Sarabande of the Sons of God | — | ||
| 10-2 | Job (A Masque for Dancing): Scene 2: Satan's Dance of Triumph | — | ||
| 10-3 | Job (A Masque for Dancing): Scene 3: Minuet of the Sons of Job and Their Wives | — | ||
| 10-4 | Job (A Masque for Dancing): Scene 4: Job's Dream | — | ||
| 10-5 | Job (A Masque for Dancing): Scene 5: Dance of the Three Messengers | — | ||
| 10-6 | Job (A Masque for Dancing): Scene 6: Dance of Job's Comforters | — | ||
| 10-7 | Job (A Masque for Dancing): Scene 7: Elihu's Dance of Youth and Beauty | — | ||
| 10-8 | Job (A Masque for Dancing): Scene 8: Galliard of the Sons of the Morning | — | ||
| 10-9 | Job (A Masque for Dancing): Scene 9: Epilogue | — | ||
| 10-10 | The Wasps - An Aristophanic Suite: Overture | — | ||
| 10-11 | The Wasps - An Aristophanic Suite: Entr'acte | — | ||
| 10-12 | The Wasps - An Aristophanic Suite: March Past of the Kitchen Utensils | — | ||
| 10-13 | The Wasps - An Aristophanic Suite: Entr'acte | — | ||
| 10-14 | The Wasps - An Aristophanic Suite: Ballet & Final Tableau | — | ||
| 11-1 | Sinfonia da Requiem, op. 20: I. Lacrymosa | — | ||
| 11-2 | Sinfonia da Requiem, op. 20: II. Dies irae | — | ||
| 11-3 | Sinfonia da Requiem, op. 20: III. Requiem aeternam | — | ||
| 11-4 | Diversions for Piano Left Hand and Orchestra, op. 21: Theme | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-5 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation I. Recitative | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-6 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation II. Romance | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-7 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation III. March | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-8 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation IV. Arabesque | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-9 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation V. Chant | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-10 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation VI. Nocturne | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-11 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation VII. Badinerie | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-12 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation VIII. Burlesque | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-13 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXa. Toccata I | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-14 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXb. Toccata II | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-15 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation X. Adagio | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-16 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation XI. Tarantella | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 11-17 | Four Sea Interludes from "Peter Grimes", op. 33a: I. Dawn | — | ||
| 11-18 | Four Sea Interludes from "Peter Grimes", op. 33a: II. Sunday Morning | — | ||
| 11-19 | Four Sea Interludes from "Peter Grimes", op. 33a: III. Moonlight | — | ||
| 11-20 | Four Sea Interludes from "Peter Grimes", op. 33a: IV. Storm | — | ||
| 11-21 | Passacaglia, from "Peter Grimes", op. 33b | — | ||
| 11-22 | The Young Person's Guide to the Orchestra, op. 34: Theme. Allegro maestoso e largamente | — | ||
| 11-23 | The Young Person's Guide to the Orchestra, op. 34: Variation A. Flutes & Piccolo - Presto | — | ||
| 11-24 | The Young Person's Guide to the Orchestra, op. 34: Variation B. Oboes - Lento | — | ||
| 11-25 | The Young Person's Guide to the Orchestra, op. 34: Variation C. Clarinets - Moderato | — | ||
| 11-26 | The Young Person's Guide to the Orchestra, op. 34: Variation D. Bassoons - Allegro alla marcia | — | ||
| 11-27 | The Young Person's Guide to the Orchestra, op. 34: Variation E. Violins - Brillante - alla polacca | — | ||
| 11-28 | The Young Person's Guide to the Orchestra, op. 34: Variation F. Violas - Meno mosso | — | ||
| 11-29 | The Young Person's Guide to the Orchestra, op. 34: Variation G. Cellos | — | ||
| 11-30 | The Young Person's Guide to the Orchestra, op. 34: Variation H. Double Basses - Cominciando lento ma poco a poco accelerando | — | ||
| 11-31 | The Young Person's Guide to the Orchestra, op. 34: Variation I. Harp - Maestoso | — | ||
| 11-32 | The Young Person's Guide to the Orchestra, op. 34: Variation J. Horns - L'istesso tempo | — | ||
| 11-33 | The Young Person's Guide to the Orchestra, op. 34: Variation K. Trumpets - Vivace | — | ||
| 11-34 | The Young Person's Guide to the Orchestra, op. 34: Variation L. Trombones & Bass Tuba - Allegro pomposo | — | ||
| 11-35 | The Young Person's Guide to the Orchestra, op. 34: Variation M. Percussion - Moderato | — | ||
| 11-36 | The Young Person's Guide to the Orchestra, op. 34: Fugue - Allegro molto | — | ||
| 12-1 | Praeludium & Allegro | — | ||
| 12-2 | Liebesleid | — | ||
| 12-3 | Liebesfreud | — | ||
| 12-4 | Polichinelle (Sérénade) | — | ||
| 12-5 | Schön Rosmarin | — | ||
| 12-6 | Caprice viennois, op. 2 | — | ||
| 12-7 | Tambourin chinois | — | ||
| 12-8 | Menuet Célèbre, op. 14: No. 1 in G | — | ||
| 12-9 | Caprice in E-flat | — | ||
| 12-10 | Caprice in A minor | — | ||
| 12-11 | Rondino on a Theme by Beethoven | — | ||
| 12-12 | La Chasse (in the style of Cartier) | — | ||
| 12-13 | La Gitana | — | ||
| 12-14 | Spanish Dance, op. 37: No. 5. "Andaluza" | — | ||
| 12-15 | Variations on a theme of Corelli | — | ||
| 12-16 | Symphonie espagnole in D minor, op. 21: I. Allegro non troppo | — | ||
| 12-17 | Symphonie espagnole in D minor, op. 21: II. Scherzando (Allegro molto) | — | ||
| 12-18 | Symphonie espagnole in D minor, op. 21: III. Intermezzo (Allegretto non troppo) | — | ||
| 12-19 | Symphonie espagnole in D minor, op. 21: IV. Andante | — | ||
| 12-20 | Symphonie espagnole in D minor, op. 21: V. Rondo (Allegro) | — | ||
| 13-1 | Violin Concerto in B minor, op. 61: I. Allegro | Alfredo Campoli, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 13-2 | Violin Concerto in B minor, op. 61: II. Andante | Alfredo Campoli, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 13-3 | Violin Concerto in B minor, op. 61: III. Allegro molto | Alfredo Campoli, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 13-4 | A Shropshire Lad - Rhapsody | — | ||
| 13-5 | The Banks of Green Willow | — | ||
| 13-6 | Tintagel | — | ||
| 13-7 | The Perfect Fool, op. 39: Ballet Music | — | ||
| 14-1 | Façade - an Entertainment: Fanfare - Hornpipe | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-2 | Façade - an Entertainment: En famille | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-3 | Façade - an Entertainment: Mariner Man | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-4 | Façade - an Entertainment: Long Steel Grass | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-5 | Façade - an Entertainment: Through Gilded Trellises | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-6 | Façade - an Entertainment: Tango-Pasodoble | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-7 | Façade - an Entertainment: Lullaby for Jumbo | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-8 | Façade - an Entertainment: Black Mrs Behemoth | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-9 | Façade - an Entertainment: Tarantella | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-10 | Façade - an Entertainment: A Man From a Far Countree | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-11 | Façade - an Entertainment: By The Lake | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-12 | Façade - an Entertainment: Country Dance | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-13 | Façade - an Entertainment: Polka | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-14 | Façade - an Entertainment: Four in the Morning | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-15 | Façade - an Entertainment: Something Lies Beyond the Scene | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-16 | Façade - an Entertainment: Valse | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-17 | Façade - an Entertainment: Jodelling Song | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-18 | Façade - an Entertainment: Scotch Rhapsody | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-19 | Façade - an Entertainment: Popular Song | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-20 | Façade - an Entertainment: Fox-Trot | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-21 | Façade - an Entertainment: Sir Beelzebub | Peter Pears, Dame Edith Sitwell, English Opera Group Ensemble, Anthony Collins | — | |
| 14-22 | Façade - Suite no. 2 for Orchestra: I. Fanfare | — | ||
| 14-23 | Façade - Suite no. 2 for Orchestra: II. Scotch Rhapsody | — | ||
| 14-24 | Façade - Suite no. 1 for Orchestra: II. Valse | — | ||
| 14-25 | Façade - Suite no. 1 for Orchestra: IV. Tango-Pasodoble | — | ||
| 14-26 | Façade - Suite no. 1 for Orchestra: III. Jodelling Song | — | ||
| 14-27 | Façade - Suite no. 2 for Orchestra: III. Country Dance | — | ||
| 14-28 | Façade - Suite no. 1 for Orchestra: I. Polka | — | ||
| 14-29 | Façade - Suite no. 2 for Orchestra: IV. Noche Espagnole | — | ||
| 14-30 | Façade - Suite no. 2 for Orchestra: V. Popular Song | — | ||
| 14-31 | Façade - Suite no. 2 for Orchestra: VI. Old Sir Faulk | — | ||
| 14-32 | Façade - Suite no. 1 for Orchestra: V. Tarantelle Sevillana | — | ||
| 14-33 | Horoscope Suite: I. Dance of the Followers of Leo | — | ||
| 14-34 | Horoscope Suite: II. Saraband for the followers of Virgo | — | ||
| 14-35 | Horoscope Suite: III. Valse of the Gemini | — | ||
| 14-36 | Horoscope Suite: IV. Bacchanale | — | ||
| 14-37 | Horoscope Suite: V. Invocation to the Moon and Finale | — | ||
| 15-1 | Introduction and Allegro for Strings, op. 47 | — | ||
| 15-2 | Serenade in E minor for String Orchestra, op. 20: I. Allegro piacevole | — | ||
| 15-3 | Serenade in E minor for String Orchestra, op. 20: II. Larghetto | — | ||
| 15-4 | Serenade in E minor for String Orchestra, op. 20: III. Allegretto | — | ||
| 15-5 | Falstaff, op. 68: Allegro | — | ||
| 15-6 | Falstaff, op. 68: Allegro molto | — | ||
| 15-7 | Falstaff, op. 68: Dream Interlude (poco allegretto) | — | ||
| 15-8 | Falstaff, op. 68: Allegro | — | ||
| 15-9 | Falstaff, op. 68: Interlude (allegretto) | — | ||
| 15-10 | Falstaff, op. 68: Allegro molto | — | ||
| 15-11 | Fantasia on a Theme by Thomas Tallis | — | ||
| 15-12 | Fantasia on Greensleeves (arr. by Ralph Greaves) | — | ||
| 16-1 | Piano Quartet no. 1 in G minor, K. 478: I. Allegro | Sir Clifford Curzon, Members of the Amadeus Quartet | T-011.619.733-1 | |
| 16-2 | Piano Quartet no. 1 in G minor, K. 478: II. Andante | Sir Clifford Curzon, Members of the Amadeus Quartet | — | |
| 16-3 | Piano Quartet no. 1 in G minor, K. 478: III. Rondo (Allegro moderato) | Sir Clifford Curzon, Members of the Amadeus Quartet | — | |
| 16-4 | Piano Quartet no. 2 in E-flat, K. 493: I. Allegro | Sir Clifford Curzon, Members of the Amadeus Quartet | T-011.619.733-1 | |
| 16-5 | Piano Quartet no. 2 in E-flat, K. 493: II. Larghetto | Sir Clifford Curzon, Members of the Amadeus Quartet | T-913.918.862-8 | |
| 16-6 | Piano Quartet no. 2 in E-flat, K. 493: III. Allegretto | Sir Clifford Curzon, Members of the Amadeus Quartet | — | |
| 16-7 | Horn Quintet in E-flat, K. 407: I. Allegro | Dennis Brain, Sidney Griller, Max Gilbert, Philip Burton, Colin Hampton | T-070.160.313-5 | |
| 16-8 | Horn Quintet in E-flat, K. 407: II. Andante | Dennis Brain, Sidney Griller, Max Gilbert, Philip Burton, Colin Hampton | — | |
| 16-9 | Horn Quintet in E-flat, K. 407: III. Allegro | Dennis Brain, Sidney Griller, Max Gilbert, Philip Burton, Colin Hampton | — | |
| 17-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato | — | ||
| 17-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 17-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo (Allegro non troppo) | — | ||
| 17-4 | Symphony no. 4 in B-flat, op. 60: I. Adagio - Allegro vivace | — | ||
| 17-5 | Symphony no. 4 in B-flat, op. 60: II. Adagio | — | ||
| 17-6 | Symphony no. 4 in B-flat, op. 60: III. Allegro vivace | — | ||
| 17-7 | Symphony no. 4 in B-flat, op. 60: IV. Allegro ma non troppo | — | ||
| 18-1 | Symphony no. 3 "Liturgique": I. "Dies Irae" - Allegro marcato | — | ||
| 18-2 | Symphony no. 3 "Liturgique": II. "De Profundis Clamavi" - Adagio | — | ||
| 18-3 | Symphony no. 3 "Liturgique": III. "Dona Nobis Pacem" - Andante | — | ||
| 18-4 | Chant de joie | — | ||
| 18-5 | Concerto for Viola & Orchestra: I. Allegro moderato | — | ||
| 18-6 | Concerto for Viola & Orchestra: II. Andante sostenuto | — | ||
| 18-7 | Concerto for Viola & Orchestra: III. Allegro vivace | — | ||
| 18-8 | Concertino for Piano & Orchestra: I. Modéré (sans lenteur) | — | ||
| 18-9 | Concertino for Piano & Orchestra: II. Lento | — | ||
| 18-10 | Concertino for Piano & Orchestra: III. Allegro | — | ||
| 19-1 | Violin Concerto in D, op. 61: I. Allegro ma non troppo | — | ||
| 19-2 | Violin Concerto in D, op. 61: II. Larghetto - | — | ||
| 19-3 | Violin Concerto in D, op. 61: III. Rondo (Allegro) | — | ||
| 19-4 | Symphony no. 102 in B-flat major, Hob. I:102: I. Largo - Vivace | — | ||
| 19-5 | Symphony no. 102 in B-flat major, Hob. I:102: II. Adagio | — | ||
| 19-6 | Symphony no. 102 in B-flat major, Hob. I:102: III. Menuetto (Allegro) | — | ||
| 19-7 | Symphony no. 102 in B-flat major, Hob. I:102: IV. Finale. Presto | — | ||
| 20-1 | Violin Concerto in D, op. 77: I. Allegro non troppo | — | ||
| 20-2 | Violin Concerto in D, op. 77: II. Adagio | — | ||
| 20-3 | Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace (cadenza: Fritz Kreisler) | — | ||
| 20-4 | Violin Concerto: I. Allegro con fuoco | — | ||
| 20-5 | Violin Concerto: II. Adagio non troppo | — | ||
| 20-6 | Violin Concerto: III. Allegro | — | ||
| 20-7 | Concierto de estío: I. Prélude - Allegro molto leggiero | — | ||
| 20-8 | Concierto de estío: II. Siciliano - Andantino | — | ||
| 20-9 | Concierto de estío: III. Rondino - Allegro ma non troppo | — | ||
| 21-1 | Graduation Ball Suite: The Compère | — | ||
| 21-2 | Graduation Ball Suite: No. 1. The Drummer | — | ||
| 21-3 | Graduation Ball Suite: No. 2. La Sylphide and the Scotsman | — | ||
| 21-4 | Graduation Ball Suite: No. 3. Impromptu Dance | — | ||
| 21-5 | Graduation Ball Suite: No. 4. Dance-Step Competition | — | ||
| 21-6 | Graduation Ball Suite: No. 5. Mathematics and Natural History Lessons | — | ||
| 21-7 | Graduation Ball Suite: No. 6. Perpetuum mobile | — | ||
| 21-8 | Graduation Ball Suite: Mazurka Flirtation | — | ||
| 21-9 | Graduation Ball Suite: Grand Finale | — | ||
| 21-10 | Ballet Suite no. 1: Introduction (Don Juan) | — | ||
| 21-11 | Ballet Suite no. 1: Air gai - Lento - Air gai (Iphigénie en Aulide) | — | ||
| 21-12 | Ballet Suite no. 1: Dance of the Blessed Spirits | — | ||
| 21-13 | Ballet Suite no. 1: Musette (Armide) | — | ||
| 21-14 | Ballet Suite no. 1: Air gai (Iphigénie en Aulide) | — | ||
| 21-15 | Ballet Suite no. 1: Sicilienne (Armide) | — | ||
| 21-16 | Ballet Suite no. 1: Air gai (Iphigénie en Aulide) | — | ||
| 21-17 | Céphale et Procris Suite: Largo - Andante | — | ||
| 21-18 | Céphale et Procris Suite: Gigue légère | — | ||
| 21-19 | Céphale et Procris Suite: Pantomime | — | ||
| 21-20 | Céphale et Procris Suite: Passepied | — | ||
| 21-21 | Céphale et Procris Suite: Largo | — | ||
| 21-22 | Céphale et Procris Suite: Pantomime | — | ||
| 21-23 | Céphale et Procris Suite: Tambourin | — | ||
| 21-24 | Céphale et Procris Suite: Loure | — | ||
| 21-25 | Céphale et Procris Suite: Air lent | — | ||
| 21-26 | Céphale et Procris Suite: Passepied | — | ||
| 21-27 | Céphale et Procris Suite: Gavotte | — | ||
| 21-28 | Céphale et Procris Suite: Finale | — | ||
| 22-1 | Nutcracker Suite, op. 71a: I. Miniature Overture | — | ||
| 22-2 | Nutcracker Suite, op. 71a: II. March | — | ||
| 22-3 | Nutcracker Suite, op. 71a: III. Dance of the Sugar-Plum Fairy | — | ||
| 22-4 | Nutcracker Suite, op. 71a: IV. Russian Dance (Trepak) | — | ||
| 22-5 | Nutcracker Suite, op. 71a: V. Arabian Dance (Coffee) | — | ||
| 22-6 | Nutcracker Suite, op. 71a: VI. Chinese Dance (Tea) | — | ||
| 22-7 | Nutcracker Suite, op. 71a: VII. Dance of the Reed-Pipes (Merlitons) | — | ||
| 22-8 | Nutcracker Suite, op. 71a: VIII. Waltz of the Flowers | — | ||
| 22-9 | Nutcracker Suite no. 2 (selected by Fistoulari): Scene (Act 1) And Coda | — | ||
| 22-10 | Nutcracker Suite no. 2 (selected by Fistoulari): Pas de Deux (Permission de dix heures) - Scene & Dance of The Grandfather | — | ||
| 22-11 | Nutcracker Suite no. 2 (selected by Fistoulari): Pas de deux (Andante maestoso) | — | ||
| 22-12 | Nutcracker Suite no. 2 (selected by Fistoulari): Waltz of the Snowflakes | — | ||
| 22-13 | Nutcracker Suite no. 2 (selected by Fistoulari): Scene - Prelude to Act 2 | — | ||
| 22-14 | Nutcracker Suite no. 2 (selected by Fistoulari): Spanish Dance | — | ||
| 22-15 | Nutcracker Suite no. 2 (selected by Fistoulari): Final Waltz & Apotheosis | — | ||
| 22-16 | The Sleeping Beauty, Suite, op. 66a: I. Introduction - The Lilac Fairy | — | ||
| 22-17 | The Sleeping Beauty, Suite, op. 66a: II. Pas d'action: Rose Adagio | — | ||
| 22-18 | The Sleeping Beauty, Suite, op. 66a: III. Pas de caractère: Puss in Boots | — | ||
| 22-19 | The Sleeping Beauty, Suite, op. 66a: IV. Panorama (andantino) | — | ||
| 22-20 | The Sleeping Beauty, Suite, op. 66a: V. Valse | — | ||
| 23-1 | Sonata for Cello and Piano no. 1 in E minor, op. 38: I. Allegro non troppo | — | ||
| 23-2 | Sonata for Cello and Piano no. 1 in E minor, op. 38: II. Allegretto quasi minuetto | — | ||
| 23-3 | Sonata for Cello and Piano no. 1 in E minor, op. 38: III. Allegro - Più presto | — | ||
| 23-4 | Sonata for Cello and Piano no. 2 in F, op. 99: I. Allegro vivace | — | ||
| 23-5 | Sonata for Cello and Piano no. 2 in F, op. 99: II. Adagio affettuoso | — | ||
| 23-6 | Sonata for Cello and Piano no. 2 in F, op. 99: III. Allegro appassionata | — | ||
| 23-7 | Sonata for Cello and Piano no. 2 in F, op. 99: IV. Allegro molto | — | ||
| 23-8 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: I. Adagio | — | ||
| 23-9 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: II. Allegro ma non tanto | — | ||
| 23-10 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: III. Andante | — | ||
| 23-11 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: IV. Allegro moderato | — | ||
| 24-1 | Sonata for Arpeggione and Piano in A minor, D. 821: I. Allegro moderato | — | ||
| 24-2 | Sonata for Arpeggione and Piano in A minor, D. 821: II. Adagio | — | ||
| 24-3 | Sonata for Arpeggione and Piano in A minor, D. 821: III. Allegretto | — | ||
| 24-4 | Fantasiestücke, op. 73: No. 1. Zart und mit Ausdruck | — | ||
| 24-5 | Fantasiestücke, op. 73: No. 2. Lebhaft, leicht | — | ||
| 24-6 | Fantasiestücke, op. 73: No. 3. Rasch und mit Feuer | — | ||
| 24-7 | 3 Romances, op. 94: No. 1. Nicht schnell | — | ||
| 24-8 | 3 Romances, op. 94: No. 2. Einfach, innig | — | ||
| 24-9 | 3 Romances, op. 94: No. 3. Nicht schnell | — | ||
| 24-10 | Cello Concerto in A minor, op. 129: I. Nicht zu schnell | — | ||
| 24-11 | Cello Concerto in A minor, op. 129: II. Langsam | — | ||
| 24-12 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | — | ||
| 25-1 | String Quartet no. 1: I. Andante moderato | — | ||
| 25-2 | String Quartet no. 1: II. Allegro frenetico | — | ||
| 25-3 | String Quartet no. 1: III. Andante molto moderato (Pastorale) | — | ||
| 25-4 | String Quartet no. 1: IV. Finale (Vivace) | — | ||
| 25-5 | String Quartet no. 3: I. Allegro deciso | — | ||
| 25-6 | String Quartet no. 3: II. Adagio non troppo | — | ||
| 25-7 | String Quartet no. 3: III. Allegro molto | — | ||
| 26-1 | String Quartet no. 3: IV. Allegro | — | ||
| 26-2 | String Quartet no. 2: I. Moderato | — | ||
| 26-3 | String Quartet no. 2: II. Presto | — | ||
| 26-4 | String Quartet no. 2: III. Andante | — | ||
| 26-5 | String Quartet no. 2: IV. Allegro molto | — | ||
| 26-6 | String Quartet no. 4: I. Tranquillo - Allegro energico - Tranquillo | — | ||
| 26-7 | String Quartet no. 4: II. Andante | — | ||
| 26-8 | String Quartet no. 4: III. Presto - Moderato - Presto | — | ||
| 26-9 | String Quartet no. 4: IV. Calmo - Allegro deciso - Calmo | — | ||
| 27-1 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": I. Allegro | — | ||
| 27-2 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": II. Scherzo (Assai vivace - Presto - Prestissimo - Tempo I) | — | ||
| 27-3 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": III. Adagio sostenuto | — | ||
| 27-4 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": IV. Largo - Allegro risoluto | — | ||
| 27-5 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Introduction col basso del Tema | — | ||
| 27-6 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 1 | — | ||
| 27-7 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 2 | — | ||
| 27-8 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 3 | — | ||
| 27-9 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 4 | — | ||
| 27-10 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 5 | — | ||
| 27-11 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 6 | — | ||
| 27-12 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 7. Canone all'Ottava | — | ||
| 27-13 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 8 | — | ||
| 27-14 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 9 | — | ||
| 27-15 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 10 | — | ||
| 27-16 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 11 | — | ||
| 27-17 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 12 | — | ||
| 27-18 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 13 | — | ||
| 27-19 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 14. Minore | — | ||
| 27-20 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Variation 15. Maggiore. Largo | — | ||
| 27-21 | 15 Piano Variations and Fugue in E-flat, op. 35 "Eroica Variations": Finale alla Fuga: Allegro con brio - Andante con moto | — | ||
| 27-22 | Piano Sonata no. 26 in E-flat, op. 81a "Les adieux": I. Das Lebewohl (Adagio - Allegro) | — | ||
| 27-23 | Piano Sonata no. 26 in E-flat, op. 81a "Les adieux": II. Abwesenheit (Andante espressivo) | — | ||
| 27-24 | Piano Sonata no. 26 in E-flat, op. 81a "Les adieux": III. Das Wiedersehen (Vivacissimamente) | — | ||
| 28-1 | String Quartet in E-flat major, Hob. III:64: I. Allegro | — | ||
| 28-2 | String Quartet in E-flat major, Hob. III:64: II. Andante | — | ||
| 28-3 | String Quartet in E-flat major, Hob. III:64: III. Menuet. Allegretto | — | ||
| 28-4 | String Quartet in E-flat major, Hob. III:64: IV. Finale. Presto | — | ||
| 28-5 | String Quartet in D major, op. 8 no. 1: I. Allegro vivace | — | ||
| 28-6 | String Quartet in D major, op. 8 no. 1: II. Adagio | — | ||
| 28-7 | String Quartet in D major, op. 8 no. 1: III. Minuetto in Rondeau | — | ||
| 28-8 | String Quartet no. 2 in F, op. 41 no. 2: I. Allegro vivace | — | ||
| 28-9 | String Quartet no. 2 in F, op. 41 no. 2: II. Andante, quasi Variazioni | — | ||
| 28-10 | String Quartet no. 2 in F, op. 41 no. 2: III. Scherzo (Presto) | — | ||
| 28-11 | String Quartet no. 2 in F, op. 41 no. 2: IV. Allegro molto vivace - Più mosso | — | ||
| 28-12 | String Quartet in E minor: I. Allegro | — | ||
| 28-13 | String Quartet in E minor: II. Andantino | — | ||
| 28-14 | String Quartet in E minor: III. Prestissimo | — | ||
| 28-15 | String Quartet in E minor: IV. Scherzo Fuga (Allegro assai mosso) | — | ||
| 29-1 | Lemminkäinen Suite, op. 22: I. Lemminkainen and the Maidens of the Island | Danish State Radio Symphony Orchestra, Thomas Jensen | — | |
| 29-2 | Lemminkäinen Suite, op. 22: II. The Swan of Tuonela | Tofte Hansen, Danish State Radio Symphony Orchestra, Thomas Jensen | — | |
| 29-3 | Lemminkäinen Suite, op. 22: III. Lemminkainen in Tuonela | Danish State Radio Symphony Orchestra, Thomas Jensen | — | |
| 29-4 | Lemminkäinen Suite, op. 22: IV. Lemminkainen's Return | Danish State Radio Symphony Orchestra, Thomas Jensen | — | |
| 29-5 | Karelia Suite, op. 11: I. Intermezzo (Moderato) | Danish Radio Symphony Orchestra, Thomas Jensen | — | |
| 29-6 | Karelia Suite, op. 11: II. Ballade (Tempo di menuetto) | Danish Radio Symphony Orchestra, Thomas Jensen | — | |
| 29-7 | Karelia Suite, op. 11: III. Alla marcia (Moderato) | Danish Radio Symphony Orchestra, Thomas Jensen | — | |
| 30-1 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | — | ||
| 30-2 | Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace | — | ||
| 30-3 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile | — | ||
| 30-4 | Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai | — | ||
| 31-1 | Symphony no. 6 in F, op. 68 Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | London Philharmonic Orchestra, Erich Kleiber | — | |
| 31-2 | Symphony no. 6 in F, op. 68 Pastoral": II. Szene am Bach: (Andante molto mosso) | Wiener Philharmoniker, Erich Kleiber | — | |
| 31-3 | Symphony no. 6 in F, op. 68 Pastoral": III. Lustiges Zusammensein der Landleute (Allegro) | Wiener Philharmoniker, Erich Kleiber | — | |
| 31-4 | Symphony no. 6 in F, op. 68 Pastoral": IV. Gewitter, Sturm (Allegro) | Wiener Philharmoniker, Erich Kleiber | — | |
| 31-5 | Symphony no. 6 in F, op. 68 Pastoral": V. Lustiges Zusammensein der Landleute (Allegro) - 4. Gewitter. Sturm (Allegro) - 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Allegretto) | Wiener Philharmoniker, Erich Kleiber | — | |
| 32-1 | Symphony no. 3 in D minor, WAB 103: I. Mäßig bewegt | — | ||
| 32-2 | Symphony no. 3 in D minor, WAB 103: II. Adagio (etwas bewegt) quasi andante | — | ||
| 32-3 | Symphony no. 3 in D minor, WAB 103: III. Scherzo (ziemlich schnell) | — | ||
| 32-4 | Symphony no. 3 in D minor, WAB 103: IV. Finale (allegro) | — | ||
| 32-5 | Tannhäuser: Act 1. Overture & Venusberg Music | — | ||
| 33-1 | String Quartet no. 3, op. 48: I. Lento | — | ||
| 33-2 | String Quartet no. 3, op. 48: II. Allegro assai e leggiero | — | ||
| 33-3 | String Quartet no. 3, op. 48: III. Andante quasi una ciacona | — | ||
| 33-4 | String Quartet no. 3, op. 48: IV. Allegro decido | — | ||
| 33-5 | String Quartet no. 3, op. 48: V. Lento | — | ||
| 33-6 | String Quartet no. 4 in F major, op. 44: I. Allegro non tanto e comodo | — | ||
| 33-7 | String Quartet no. 4 in F major, op. 44: II. Adagio con sentimento religioso | — | ||
| 33-8 | String Quartet no. 4 in F major, op. 44: III. Allegretto moderato ed innocente | — | ||
| 33-9 | String Quartet no. 4 in F major, op. 44: IV. Allegro non tanto, ma molto scherzoso | — | ||
| 33-10 | String Quartet in D minor, op. 56 "Voces intimae": I. Andante - Allegro molto moderato | Griller Quartet | — | |
| 33-11 | String Quartet in D minor, op. 56 "Voces intimae": II. Vivace | Griller Quartet | — | |
| 33-12 | String Quartet in D minor, op. 56 "Voces intimae": III. Adagio di molto | Griller Quartet | — | |
| 33-13 | String Quartet in D minor, op. 56 "Voces intimae": IV. Allegretto (ma pesante) | Griller Quartet | — | |
| 33-14 | String Quartet in D minor, op. 56 "Voces intimae": V. Allegro | Griller Quartet | — | |
| 34-1 | Jeux d'enfants Petite Suite, op. 22: I. Marche: Trompette et tambour | — | ||
| 34-2 | Jeux d'enfants Petite Suite, op. 22: II. Berceuse: La Poupée | — | ||
| 34-3 | Jeux d'enfants Petite Suite, op. 22: III. Impromptu: La toupie | — | ||
| 34-4 | Jeux d'enfants Petite Suite, op. 22: IV. Duo: Petit mari, petite femme | — | ||
| 34-5 | Jeux d'enfants Petite Suite, op. 22: V. Galop: Le bal | — | ||
| 34-6 | La jolie fille de Perth Suite: I. Prélude | — | ||
| 34-7 | La jolie fille de Perth Suite: II. Sérénade | — | ||
| 34-8 | La jolie fille de Perth Suite: III. Marche | — | ||
| 34-9 | La jolie fille de Perth Suite: IV. Danse bohémienne | — | ||
| 34-10 | Suite pastorale: I. Idylle | — | ||
| 34-11 | Suite pastorale: II. Danse villageoise | — | ||
| 34-12 | Suite pastorale: III. Sous-bois | — | ||
| 34-13 | Suite pastorale: IV. Scherzo-Valse | — | ||
| 34-14 | Ode à la Musique | — | ||
| 34-15 | Le roi malgré lui: Sextour des serves (Serf-girls' sextet) | — | ||
| 34-16 | Le roi malgré lui: Chanson tzigane | — | ||
| 34-17 | La damoiselle élue | — | ||
| 35-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | — | ||
| 35-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo (Adagio) | — | ||
| 35-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale (Alla breve) | — | ||
| 35-4 | Piano Concerto in D-flat: I. Allegro ma non troppo e maestoso | — | ||
| 35-5 | Piano Concerto in D-flat: II. Andante con anima | — | ||
| 35-6 | Piano Concerto in D-flat: III. Allegro brillante | — | ||
| 36-1 | Serenade in D, K. 203: I. Andante maestoso - Allegro assai | — | ||
| 36-2 | Serenade in D, K. 203: II. (Andante) | — | ||
| 36-3 | Serenade in D, K. 203: III. Menuetto | — | ||
| 36-4 | Serenade in D, K. 203: IV. (Allegro) | — | ||
| 36-5 | Serenade in D, K. 203: V. Menuetto | — | ||
| 36-6 | Serenade in D, K. 203: VI. (Andante) | — | ||
| 36-7 | Serenade in D, K. 203: VII. Menuetto | — | ||
| 36-8 | Serenade in D, K. 203: VIII. Prestissimo | — | ||
| 36-9 | Symphony no. 28 in C major, K. 189K (K. 200): I. Allegro spirituoso | — | ||
| 36-10 | Symphony no. 28 in C major, K. 189K (K. 200): II. Andante | — | ||
| 36-11 | Symphony no. 28 in C major, K. 189K (K. 200): III. Menuetto (Allegretto) | — | ||
| 36-12 | Symphony no. 28 in C major, K. 189K (K. 200): IV. Presto | — | ||
| 36-13 | Symphony no. 29 in A major, K. 186a (K. 201): I. Allegro moderato | — | ||
| 36-14 | Symphony no. 29 in A major, K. 186a (K. 201): II. Andante | — | ||
| 36-15 | Symphony no. 29 in A major, K. 186a (K. 201): III. Menuet & Trio | — | ||
| 36-16 | Symphony no. 29 in A major, K. 186a (K. 201): IV. Allegro con spirito | — | ||
| 37-1 | Goyescas Suite: I. Los requiebros | — | ||
| 37-2 | Goyescas Suite: II. Coloquio en la reja | — | ||
| 37-3 | Goyescas Suite: III. El Fandango del Candil | — | ||
| 37-4 | Goyescas Suite: IV. Quejas ó la maja y el ruiseñor | — | ||
| 37-5 | Goyescas Suite: V. El amor y la muerte (Balada) | — | ||
| 37-6 | Goyescas Suite: VI. Epilogo (Serenata del espectro) | — | ||
| 37-7 | Goyescas Suite: VII. El pelele (Escena goyesca) | — | ||
| 38-1 | Namouna Suite no. 1: I. Prélude | — | ||
| 38-2 | Namouna Suite no. 1: II. Sérénade | — | ||
| 38-3 | Namouna Suite no. 1: III. Thème varié | — | ||
| 38-4 | Namouna Suite no. 1: IV. Parade de foire | — | ||
| 38-5 | Namouna Suite no. 1: V. Fête foraine | — | ||
| 38-6 | Namouna Suite no. 2: I. Danse marocaine | — | ||
| 38-7 | Namouna Suite no. 2: II. Mazurka | — | ||
| 38-8 | Namouna Suite no. 2: III. La Siesta | — | ||
| 38-9 | Namouna Suite no. 2: IV. Pas de Cymbales | — | ||
| 38-10 | Namouna Suite no. 2: V. Danse des esclaves | — | ||
| 38-11 | Ballade in F-sharp, op. 19 | — | ||
| 38-12 | Nocturne no. 5 in B-flat major, op. 37 | — | ||
| 38-13 | Pièces brèves, op. 84: VIII. Nocturne no. 8 in D-flat | — | ||
| 38-14 | Nocturne no. 2 in B-major, op. 33 no. 2 | — | ||
| 38-15 | Nocturne no. 7 in C-sharp minor, op. 74 | — | ||
| 38-16 | Concertino for Piano and Orchestra: I. Presto leggiero | — | ||
| 38-17 | Concertino for Piano and Orchestra: II. Lent | — | ||
| 38-18 | Concertino for Piano and Orchestra: III. Allegretto | — | ||
| 38-19 | Concertino for Piano and Orchestra: IV. Rondo (Allegretto vivo) | — | ||
| 39-1 | Concerto grosso in G, op. 6 no. 1, HWV 319: I. A tempo giusto | — | ||
| 39-2 | Concerto grosso in G, op. 6 no. 1, HWV 319: II. Allegro | — | ||
| 39-3 | Concerto grosso in G, op. 6 no. 1, HWV 319: III. Adagio | — | ||
| 39-4 | Concerto grosso in G, op. 6 no. 1, HWV 319: IV. Allegro | — | ||
| 39-5 | Concerto grosso in G, op. 6 no. 1, HWV 319: V. Allegro | — | ||
| 39-6 | Concerto grosso in F, op. 6 no. 2, HWV 320: I. Andante larghetto | — | ||
| 39-7 | Concerto grosso in F, op. 6 no. 2, HWV 320: II. Allegro | — | ||
| 39-8 | Concerto grosso in F, op. 6 no. 2, HWV 320: III. Largo - Adagio - Larghetto andante, e piano | — | ||
| 39-9 | Concerto grosso in F, op. 6 no. 2, HWV 320: IV. Allegro, ma non troppo | — | ||
| 39-10 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: I. Larghetto | — | ||
| 39-11 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: II. Andante | — | ||
| 39-12 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: III. Allegro | — | ||
| 39-13 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: IV. Polonaise (Andante) | — | ||
| 39-14 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: V. Allegro, ma non troppo | — | ||
| 39-15 | Concerto grosso in A minor, op. 6 no. 4, HWV 322: I. Larghetto affettuoso | — | ||
| 39-16 | Concerto grosso in A minor, op. 6 no. 4, HWV 322: II. Allegro | — | ||
| 39-17 | Concerto grosso in A minor, op. 6 no. 4, HWV 322: III. Largo, e piano | — | ||
| 39-18 | Concerto grosso in A minor, op. 6 no. 4, HWV 322: IV. Allegro | — | ||
| 39-19 | Concerto grosso in D, op. 6 no. 5, HWV 323: I. (Larghetto, e staccato) | — | ||
| 39-20 | Concerto grosso in D, op. 6 no. 5, HWV 323: II. Allegro | — | ||
| 39-21 | Concerto grosso in D, op. 6 no. 5, HWV 323: III. Presto | — | ||
| 39-22 | Concerto grosso in D, op. 6 no. 5, HWV 323: IV. Largo | — | ||
| 39-23 | Concerto grosso in D, op. 6 no. 5, HWV 323: V. Allegro | — | ||
| 39-24 | Concerto grosso in D, op. 6 no. 5, HWV 323: VI. Menuet (un poco larghetto) | — | ||
| 40-1 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: I. Larghetto e affettuoso | — | ||
| 40-2 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: II. A tempo giusto | — | ||
| 40-3 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: III. Musette (Larghetto) | — | ||
| 40-4 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: IV. Allegro | — | ||
| 40-5 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: V. Allegro | — | ||
| 40-6 | Concerto grosso in B-flat, op. 6 no. 7, HWV 325: I. Largo | — | ||
| 40-7 | Concerto grosso in B-flat, op. 6 no. 7, HWV 325: II. Allegro | — | ||
| 40-8 | Concerto grosso in B-flat, op. 6 no. 7, HWV 325: III. Largo, e piano | — | ||
| 40-9 | Concerto grosso in B-flat, op. 6 no. 7, HWV 325: IV. Andante | — | ||
| 40-10 | Concerto grosso in B-flat, op. 6 no. 7, HWV 325: V. Hornpipe | — | ||
| 40-11 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: I. Allemande (Andante) | — | ||
| 40-12 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: II. Grave | — | ||
| 40-13 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: III. Andante allegro | — | ||
| 40-14 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: IV. Adagio | — | ||
| 40-15 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: V. Siciliana (Andante) | — | ||
| 40-16 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: VI. Allegro | — | ||
| 40-17 | Concerto grosso in F, op. 6 no. 9, HWV 327: I. Largo | — | ||
| 40-18 | Concerto grosso in F, op. 6 no. 9, HWV 327: II. Allegro | — | ||
| 40-19 | Concerto grosso in F, op. 6 no. 9, HWV 327: III. Larghetto | — | ||
| 40-20 | Concerto grosso in F, op. 6 no. 9, HWV 327: IV. Allegro | — | ||
| 40-21 | Concerto grosso in F, op. 6 no. 9, HWV 327: V. Menuet | — | ||
| 40-22 | Concerto grosso in F, op. 6 no. 9, HWV 327: VI. Gigue | — | ||
| 40-23 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: I. Ouverture | — | ||
| 40-24 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: II. Allegro | — | ||
| 40-25 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: III. Air (Lento) | — | ||
| 40-26 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: IV. Allegro | — | ||
| 40-27 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: V. Allegro | — | ||
| 40-28 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: VI. Allegro moderato | — | ||
| 41-1 | Concerto grosso in A, op. 6 no. 11, HWV 329: I. Andante larghetto, e staccato | — | ||
| 41-2 | Concerto grosso in A, op. 6 no. 11, HWV 329: II. Allegro | — | ||
| 41-3 | Concerto grosso in A, op. 6 no. 11, HWV 329: III. Largo, e staccato | — | ||
| 41-4 | Concerto grosso in A, op. 6 no. 11, HWV 329: IV. Andante | — | ||
| 41-5 | Concerto grosso in A, op. 6 no. 11, HWV 329: V. Allegro | — | ||
| 41-6 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: I. Largo | — | ||
| 41-7 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: II. Allegro | — | ||
| 41-8 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Larghetto, e piano | — | ||
| 41-9 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: IV. Largo | — | ||
| 41-10 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: V. Allegro | — | ||
| 41-11 | The Water Music: Overture | — | ||
| 41-12 | The Water Music: Adagio e staccato | — | ||
| 41-13 | The Water Music: Allegro | — | ||
| 41-14 | The Water Music: Andante | — | ||
| 41-15 | The Water Music: Moderato | — | ||
| 41-16 | The Water Music: Air | — | ||
| 41-17 | The Water Music: Bourrée and Hornpipe | — | ||
| 41-18 | The Water Music: Minuet | — | ||
| 41-19 | The Water Music: Allegro molto | — | ||
| 41-20 | The Water Music: Allegro | — | ||
| 41-21 | The Water Music: Minuet | — | ||
| 41-22 | The Water Music: Aria | — | ||
| 41-23 | The Water Music: Lentement | — | ||
| 41-24 | The Water Music: Allegro | — | ||
| 41-25 | The Water Music: Minuet | — | ||
| 41-26 | The Water Music: Coro | — | ||
| 41-27 | The Water Music: Air | — | ||
| 41-28 | The Water Music: Hornpipe | — | ||
| 42-1 | Sonata in G minor for Cello & Piano, op. 19: I. Lento - Allegro moderato | — | ||
| 42-2 | Sonata in G minor for Cello & Piano, op. 19: II. Allegro scherzando | — | ||
| 42-3 | Sonata in G minor for Cello & Piano, op. 19: III. Andante | — | ||
| 42-4 | Sonata in G minor for Cello & Piano, op. 19: IV. Allegro mosso | — | ||
| 42-5 | Sonata for Solo Cello, op. 8: I. Allegro maestoso ma appassionato | — | ||
| 42-6 | Sonata for Solo Cello, op. 8: II. Adagio (Con gran espressione) | — | ||
| 42-7 | Sonata for Solo Cello, op. 8: III. Allegro molto vivace | — | ||
| 42-8 | Suite no. 2 for Unaccompanied Cello, op. 131c: I. Prelude (Largo) | — | ||
| 42-9 | Suite no. 2 for Unaccompanied Cello, op. 131c: II. Gavotte (Allegretto) | — | ||
| 42-10 | Suite no. 2 for Unaccompanied Cello, op. 131c: III. Largo | — | ||
| 42-11 | Suite no. 2 for Unaccompanied Cello, op. 131c: IV. Gigue (Vivace) | — | ||
| 42-12 | Suite for Cello Solo no. 3 in C, BWV 1009: V. Bourrée I-II | — | ||
| 43-1 | Piano Quintet in G minor, op. 57: I. Prelude (Lento - Poco piu mosso - lento) | — | ||
| 43-2 | Piano Quintet in G minor, op. 57: II. Fugue (Adagio) | — | ||
| 43-3 | Piano Quintet in G minor, op. 57: III. Scherzo (Allegretto) | — | ||
| 43-4 | Piano Quintet in G minor, op. 57: IV. Intermezzo (Lento - Appassionato) | — | ||
| 43-5 | Piano Quintet in G minor, op. 57: V. Finale (Allegretto) | — | ||
| 43-6 | Quintet no. 1 for Piano & Strings: I. Agitato | — | ||
| 43-7 | Quintet no. 1 for Piano & Strings: II. Andante mistico | — | ||
| 43-8 | Quintet no. 1 for Piano & Strings: III. Allegro energico | — | ||
| 44-1 | Piano Quintet no. 1 in A major, G. 413, op. 57 no. 1: I. Allegro moderato | — | ||
| 44-2 | Piano Quintet no. 1 in A major, G. 413, op. 57 no. 1: II. Minuet & Trio | — | ||
| 44-3 | Piano Quintet no. 1 in A major, G. 413, op. 57 no. 1: III. Andantino | — | ||
| 44-4 | Piano Quintet no. 1 in A major, G. 413, op. 57 no. 1: IV. Allegro | — | ||
| 44-5 | Piano Quintet no. 4 in D minor, G. 416, op. 57 no. 4: I. Allegro giusto ma con vivacità | — | ||
| 44-6 | Piano Quintet no. 4 in D minor, G. 416, op. 57 no. 4: II. Largo cantabile | — | ||
| 44-7 | Piano Quintet no. 4 in D minor, G. 416, op. 57 no. 4: III. Allegro assai | — | ||
| 44-8 | Piano Quintet in F minor, op. 34: I. Allegro non troppo | — | ||
| 44-9 | Piano Quintet in F minor, op. 34: II. Andante, un poco adagio | — | ||
| 44-10 | Piano Quintet in F minor, op. 34: III. Scherzo (Allegro) | — | ||
| 44-11 | Piano Quintet in F minor, op. 34: IV. Finale (poco sostenuto - Allegro non troppo) | — | ||
| 45-1 | Violin Concerto no. 1 in D, op. 6: I. Cadenza: Emile Sauret | — | ||
| 45-2 | Violin Concerto no. 1 in D, op. 6: II. Adagio | — | ||
| 45-3 | Violin Concerto no. 1 in D, op. 6: III. Rondo (Allegro spirituoso) | — | ||
| 45-4 | Violin Concerto no. 2 in B minor, op. 7: I. Allegro Maestoso | — | ||
| 45-5 | Violin Concerto no. 2 in B minor, op. 7: II. Adagio | — | ||
| 45-6 | Violin Concerto no. 2 in B minor, op. 7: III. Ronde à la clochette | — | ||
| 46-1 | Symphony no. 25 in G minor, K. 183: I. Allegro con brio | — | ||
| 46-2 | Symphony no. 25 in G minor, K. 183: II. Andante | — | ||
| 46-3 | Symphony no. 25 in G minor, K. 183: III. Menuetto | — | ||
| 46-4 | Symphony no. 25 in G minor, K. 183: IV. Allegro | — | ||
| 46-5 | Symphony no. 38 in D, K. 504 "Prague": I. Adagio - Allegro | — | ||
| 46-6 | Symphony no. 38 in D, K. 504 "Prague": II. Andante | — | ||
| 46-7 | Symphony no. 38 in D, K. 504 "Prague": III. Finale (Presto) | — | ||
| 46-8 | Le siège de Corinthe: Overture | — | ||
| 46-9 | William Tell: Overture | — | ||
| 46-10 | Tancredi: Overture | — | ||
| 46-11 | Il Signor Bruschino: Overture | — | ||
| 46-12 | La Cenerentola: Overture (Sinfonia) | — | ||
| 47-1 | Music for Strings, Percussion and Celesta, Sz. 106: I. Andante tranquillo | — | ||
| 47-2 | Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | — | ||
| 47-3 | Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio | — | ||
| 47-4 | Music for Strings, Percussion and Celesta, Sz. 106: IV. Allegro molto | — | ||
| 47-5 | Háry János Suite: I. Prelude; The Fairy Tale Begins | — | ||
| 47-6 | Háry János Suite: II. Viennese Musical Clock | — | ||
| 47-7 | Háry János Suite: III. Song | — | ||
| 47-8 | Háry János Suite: IV. The Battle and Defeat of Napoleon | — | ||
| 47-9 | Háry János Suite: V. Intermezzo | — | ||
| 47-10 | Háry János Suite: VI. Entrance of the Emperor and His Court | — | ||
| 47-11 | Symphony no. 100 in G major, Hob. I:100 "Military": I. Adagio - Allegro | — | ||
| 47-12 | Symphony no. 100 in G major, Hob. I:100 "Military": II. Allegretto | — | ||
| 47-13 | Symphony no. 100 in G major, Hob. I:100 "Military": III. Menuet (Moderato) | — | ||
| 47-14 | Symphony no. 100 in G major, Hob. I:100 "Military": IV. Finale (Presto) | — | ||
| 48-1 | Piano Trio no. 7 in B-flat, op. 97 "Archduke": I. Allegro moderato | — | ||
| 48-2 | Piano Trio no. 7 in B-flat, op. 97 "Archduke": II. Scherzo (Allegro) | — | ||
| 48-3 | Piano Trio no. 7 in B-flat, op. 97 "Archduke": III. Andante cantabile, ma però con moto - Poco più adagio | — | ||
| 48-4 | Piano Trio no. 7 in B-flat, op. 97 "Archduke": IV. Allegro moderato | — | ||
| 48-5 | Piano Trio no. 1 in B, op. 8: I. Allegro con brio | — | ||
| 48-6 | Piano Trio no. 1 in B, op. 8: II. Scherzo (Allegro molto) | — | ||
| 48-7 | Piano Trio no. 1 in B, op. 8: III. Adagio | — | ||
| 48-8 | Piano Trio no. 1 in B, op. 8: IV. Allegro | — | ||
| 49-1 | Symphony no. 5 in B-flat, op. 100: I. Andante | — | ||
| 49-2 | Symphony no. 5 in B-flat, op. 100: II. Allegro marcato | — | ||
| 49-3 | Symphony no. 5 in B-flat, op. 100: III. Adagio | — | ||
| 49-4 | Symphony no. 5 in B-flat, op. 100: IV. Allegro giocoso | — | ||
| 49-5 | Symphony no. 5 in E-flat, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato | The Danish State Radio Symphony Orchestra, Erik Tuxen | — | |
| 49-6 | Symphony no. 5 in E-flat, op. 82: II. Andante mosso, quasi allegretto | The Danish State Radio Symphony Orchestra, Erik Tuxen | — | |
| 49-7 | Symphony no. 5 in E-flat, op. 82: III. Allegro molto | The Danish State Radio Symphony Orchestra, Erik Tuxen | — | |
| 50-1 | Symphony no. 5, op. 50: I. Tempo giusto - Adagio non troppo | — | ||
| 50-2 | Symphony no. 5, op. 50: II. Allegro - Presto - Andante un poco tranquillo - Allegro | — | ||
| 50-3 | Flute Concerto: I. Allegro moderato | — | ||
| 50-4 | Flute Concerto: II. Allegretto | — | ||
| 50-5 | Clarinet Concerto, op. 57: I. Allegretto un poco | — | ||
| 50-6 | Clarinet Concerto, op. 57: II. Poco adagio | — | ||
| 50-7 | Clarinet Concerto, op. 57: III. Allegro non troppo | — | ||
| 50-8 | Clarinet Concerto, op. 57: IV. Allegro vivace | — | ||
| 51-1 | String Quartet no. 1 in E minor "From My Life": I. Allegro vivo appassionato | — | ||
| 51-2 | String Quartet no. 1 in E minor "From My Life": II. Allegro moderato alla Polka | — | ||
| 51-3 | String Quartet no. 1 in E minor "From My Life": III. Largo sostenuto | — | ||
| 51-4 | String Quartet no. 1 in E minor "From My Life": IV. Vivace | — | ||
| 51-5 | String Quartet no. 2, op. 10: I. Allegro | — | ||
| 51-6 | String Quartet no. 2, op. 10: II. Andante - Quasi recit - Andante con moto - Allegro giocoso | — | ||
| 51-7 | String Quartet no. 13 in A minor, D. 804 "Rosamunde": I. Allegro ma non troppo | — | ||
| 51-8 | String Quartet no. 13 in A minor, D. 804 "Rosamunde": II. Andante | — | ||
| 51-9 | String Quartet no. 13 in A minor, D. 804 "Rosamunde": III. Menuetto (Allegretto) | — | ||
| 51-10 | String Quartet no. 13 in A minor, D. 804 "Rosamunde": IV. Allegro moderato | — | ||
| 52-1 | Divertimento in D, K. 334: I. Allegro | Members of the Wiener Oktett | T-070.160.313-5 | |
| 52-2 | Divertimento in D, K. 334: II. Thema mit Variationen (Andante) | Members of the Wiener Oktett | — | |
| 52-3 | Divertimento in D, K. 334: III. Menuetto - Trio - Menuetto | Members of the Wiener Oktett | — | |
| 52-4 | Divertimento in D, K. 334: IV. Adagio | Members of the Wiener Oktett | — | |
| 52-5 | Divertimento in D, K. 334: V. Menuetto - Trio I - Menuetto - Trio II - Menuetto | Members of the Wiener Oktett | — | |
| 52-6 | Divertimento in D, K. 334: VI. Rondo (Allegro) | Members of the Wiener Oktett | — | |
| 52-7 | Divertimento in F, K. 247: I. Allegro | — | ||
| 52-8 | Divertimento in F, K. 247: II. Andante grazioso | — | ||
| 52-9 | Divertimento in F, K. 247: III. Menuetto | — | ||
| 52-10 | Divertimento in F, K. 247: IV. Adagio | — | ||
| 52-11 | Divertimento in F, K. 247: V. Menuetto | — | ||
| 52-12 | Divertimento in F, K. 247: VI. Andante - Allegro assai | — | ||
| 53-1 | Octet in E-flat, op. 20, MWV R20: I. Allegro moderato, ma con fuoco | — | ||
| 53-2 | Octet in E-flat, op. 20, MWV R20: II. Andante | — | ||
| 53-3 | Octet in E-flat, op. 20, MWV R20: III. Scherzo (Allegro leggierissimo) | — | ||
| 53-4 | Octet in E-flat, op. 20, MWV R20: IV. Presto | — | ||
| 53-5 | Clarinet Quintet in B minor, op. 115: I. Allegro | — | ||
| 53-6 | Clarinet Quintet in B minor, op. 115: II. Adagio | — | ||
| 53-7 | Clarinet Quintet in B minor, op. 115: III. Andantino - Presto non assai, ma con sentimento | — | ||
| 53-8 | Clarinet Quintet in B minor, op. 115: IV. Con moto | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Petrouchka (1911 version): Scene 1. The Shrovetide Fair - The Crowds - The Conjuring-trick | L’Orchestre de la Suisse Romande, Ernest Ansermet | — |
| Petrouchka (1911 version): Scene 2. Petrouchka's Room | L’Orchestre de la Suisse Romande, Ernest Ansermet | — |
| Petrouchka (1911 version): Scene 3. The Moor's Room - Dance of the Ballerina | L’Orchestre de la Suisse Romande, Ernest Ansermet | — |
| Petrouchka (1911 version): Scene 4. The Shrovetide Fair (Evening) | L’Orchestre de la Suisse Romande, Ernest Ansermet | — |
| Lemminkäinen Suite, op. 22: I. Lemminkainen and the Maidens of the Island | Danish State Radio Symphony Orchestra, Thomas Jensen | — |
| Lemminkäinen Suite, op. 22: II. The Swan of Tuonela | Tofte Hansen, Danish State Radio Symphony Orchestra, Thomas Jensen | — |
| Lemminkäinen Suite, op. 22: III. Lemminkainen in Tuonela | Danish State Radio Symphony Orchestra, Thomas Jensen | — |
| Lemminkäinen Suite, op. 22: IV. Lemminkainen's Return | Danish State Radio Symphony Orchestra, Thomas Jensen | — |
