UPC · Album
L'Oiseau-Lyre: Medieval and Renaissance
Various Artists
028947881049
832 tracksReleased 2016-01-01L'Oiseau-Lyre
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028947881049 is the Universal Product Code (UPC barcode) for the release “L'Oiseau-Lyre: Medieval and Renaissance” by Various Artists, released 2016-01-01 on L'Oiseau-Lyre. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 832 tracks, each with its own ISRC. Tracks include GBF077641401, GBF077641402, GBF077641403.
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Credit Chain
UPCL'Oiseau-Lyre: Medieval and Renaissance
ISRC127 recordings
ISWC11 works
IPI1 songwriter
Track List (127)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| First Booke of Songs 1597: I. Unquiet thoughts | Anthony Rooley, The Consort of Musicke | GBF077641401 |
| First Booke of Songs 1597: II. Whoever thinks or hopes | Anthony Rooley, The Consort of Musicke | GBF077641402 |
| First Booke of Songs 1597: III. My thoughts are wing'd with hopes | Anthony Rooley, The Consort of Musicke | GBF077641403 |
| First Booke of Songs 1597: IV. If my complaints could passions move | Anthony Rooley, The Consort of Musicke | GBF077641404 |
| First Booke of Songs 1597: V. Can she excuse my wrongs | Anthony Rooley, The Consort of Musicke | GBF077641405 |
| First Booke of Songs 1597: VI. Now, O now I needs must part | Anthony Rooley, The Consort of Musicke | GBF077641406 |
| First Booke of Songs 1597: VII. Dear, if you change | Anthony Rooley, The Consort of Musicke | GBF077641407 |
| First Booke of Songs 1597: VIII. Burst forth my tears | Anthony Rooley, The Consort of Musicke | GBF077641408 |
| First Booke of Songs 1597: IX. Go crystal tears | Anthony Rooley, The Consort of Musicke | GBF077641409 |
| First Booke of Songs 1597: X. Think'st thou then | Anthony Rooley, The Consort of Musicke | GBF077641410 |
| First Booke of Songs 1597: XI. Come away, come sweet love | Anthony Rooley, The Consort of Musicke | GBF077641411 |
| First Booke of Songs 1597: XII. Rest awhile you cruel cares | Anthony Rooley, The Consort of Musicke | GBF077641412 |
| First Booke of Songs 1597: XIII. Sleep wayward thoughts | Anthony Rooley, The Consort of Musicke | GBF077641413 |
| First Booke of Songs 1597: XIV. All ye whom love or fortune | Anthony Rooley, The Consort of Musicke | GBF077641414 |
| First Booke of Songs 1597: XV. Wilt thou unkind | Anthony Rooley, The Consort of Musicke | GBF077641415 |
| First Booke of Songs 1597: XVI. Would my conceit | Anthony Rooley, The Consort of Musicke | GBF077641416 |
| First Booke of Songs 1597: XVII. Come again: sweet love doth now invite | Anthony Rooley, The Consort of Musicke | GBF077641417 |
| First Booke of Songs 1597: XVIII. His golden locks | Anthony Rooley, The Consort of Musicke | GBF077641418 |
| First Booke of Songs 1597: XIX. Awake, sweet love | Anthony Rooley, The Consort of Musicke | GBF077641419 |
| First Booke of Songs 1597: XX. Come heavy sleep | Anthony Rooley, The Consort of Musicke | GBF077641420 |
| First Booke of Songs 1597: XXI. Away with these self-loving lads | Anthony Rooley, The Consort of Musicke | GBF077641421 |
| Lachrimae 1604: Lachrimae Antiquae | The Consort of Musicke, Anthony Rooley | GBF077643101 |
| Lachrimae 1604: Lachrimae Antiquae Novae | The Consort of Musicke, Anthony Rooley | GBF077643102 |
| Lachrimae 1604: Lachrimae Gementes | The Consort of Musicke, Anthony Rooley | GBF077643103 |
| Lachrimae 1604: Lachrimae Tristes | The Consort of Musicke, Anthony Rooley | GBF077643104 |
| Lachrimae 1604: Lachrimae Coactae | The Consort of Musicke, Anthony Rooley | GBF077643105 |
| Lachrimae 1604: Lachrimae Amantis | The Consort of Musicke, Anthony Rooley | GBF077643106 |
| Lachrimae 1604: Lachrimae Verae | The Consort of Musicke, Anthony Rooley | GBF077643107 |
| Lachrimae 1604: M. John Langton's Pavan | The Consort of Musicke, Anthony Rooley | GBF077643108 |
| Lachrimae 1604: M. Nicolas Gryffith his Galiard | The Consort of Musicke, Anthony Rooley | GBF077643109 |
| Lachrimae 1604: Sir John Souch, his Galiard | The Consort of Musicke, Anthony Rooley | GBF077643110 |
| Lachrimae 1604: Semper Dowland semper dolens | The Consort of Musicke, Anthony Rooley | GBF077643111 |
| Lachrimae 1604: M. Giles Hobies Galiard | The Consort of Musicke, Anthony Rooley | GBF077643112 |
| Lachrimae 1604: The King of Denmark's Galiard | The Consort of Musicke, Anthony Rooley | GBF077643113 |
| Lachrimae 1604: Sir Henry Upton's Funeral | The Consort of Musicke, Anthony Rooley | GBF077643114 |
| Lachrimae 1604: M. Henry Noel his Galiard | The Consort of Musicke, Anthony Rooley | GBF077643115 |
| Lachrimae 1604: The Earl of Essex Galiard | The Consort of Musicke, Anthony Rooley | GBF077643116 |
| Lachrimae 1604: M. Buctons Galiard | The Consort of Musicke, Anthony Rooley | GBF077643117 |
| Lachrimae 1604: M. George Whithead his Almand | The Consort of Musicke, Anthony Rooley | GBF077643118 |
| Lachrimae 1604: Captaine Digorie Piper his Galiard | The Consort of Musicke, Anthony Rooley | GBF077643119 |
| Lachrimae 1604: M. Thomas Collier his Galiard | The Consort of Musicke, Anthony Rooley | GBF077643120 |
| Lachrimae 1604: Mrs. Nichols Almand | The Consort of Musicke, Anthony Rooley | GBF077643121 |
| Symphoniae Sacrae II, 1615: Magnificat a 14 | Emma Kirkby, Martyn Hill, Nigel Rogers, Taverner Choir, London Cornett and Sackbut Ensemble, Andrew Parrott | GBF077711281 |
| Symphoniae Sacrae II, 1615: Suscipe a 12 | Rogers Covey-Crump, Paul Elliott, Martyn Hill, Nigel Rogers, Brian Etheridge, Taverner Choir, London Cornett and Sackbut Ensemble, Andrew Parrott | GBF077711282 |
| Symphoniae Sacrae II, 1615: Quem vidistis pastores a 14 | Kevin Smith, Paul Elliott, Martyn Hill, Nigel Rogers, William Mason, Geoffrey Shaw, David Thomas, Taverner Choir, London Cornett and Sackbut Ensemble, Andrew Parrott | GBF077711283 |
| Symphoniae Sacrae II, 1615: Buccinate in neomenia a 19 | Timothy Penrose, Nigel Rogers, Brian Etheridge, Taverner Choir, London Cornett and Sackbut Ensemble, Andrew Parrott | GBF077711284 |
| Symphoniae Sacrae II, 1615: In ecclesiis a 14 | Timothy Penrose, Paul Elliott, Martyn Hill, Nigel Rogers, Taverner Choir, London Cornett and Sackbut Ensemble, Andrew Parrott | GBF077711285 |
| Symphoniae Sacrae II, 1615: Jubilate Deo a 10 | Emma Kirkby, Timothy Penrose, Kevin Smith, Paul Elliott, Nigel Rogers, Taverner Choir, London Cornett and Sackbut Ensemble, Andrew Parrott | GBF077711286 |
| Symphoniae Sacrae II, 1615: Misericordia a 12 | Emma Kirkby, Rogers Covey-Crump, Nigel Rogers, Taverner Choir, London Cornett and Sackbut Ensemble, Andrew Parrott | GBF077711287 |
| Symphoniae Sacrae II, 1615: Surrexit Christus a 11 | Rogers Covey-Crump, Nigel Rogers, Brian Etheridge, Taverner Choir, London Cornett and Sackbut Ensemble, Andrew Parrott | GBF077711288 |
| Symphoniae Sacrae II, 1615: Magnificat a 17 | Emma Kirkby, John Skinner, Martyn Hill, Nigel Rogers, Taverner Choir, London Cornett and Sackbut Ensemble, Andrew Parrott | GBF077711289 |
| Mi verry joy | The Medieval Ensemble of London | GBF078242201 |
| Le serviteur | The Medieval Ensemble of London | GBF078242203 |
| Myn hertis lust | The Medieval Ensemble of London | GBF078242204 |
| Durer ne puis | The Medieval Ensemble of London | GBF078242205 |
| Fortune alas | The Medieval Ensemble of London | GBF078242206 |
| Se bylle to hir | The Medieval Ensemble of London | GBF078242207 |
| Puisque m'amour | The Medieval Ensemble of London | GBF078242208 |
| Je languis | The Medieval Ensemble of London | GBF078242209 |
| I pray you alle | The Medieval Ensemble of London | GBF078242210 |
| O rosa bella | The Medieval Ensemble of London | GBF078242211 |
| Alas, alas, alas | The Medieval Ensemble of London | GBF078242212 |
| "Watlin frew" | The Medieval Ensemble of London | GBF078242213 |
| So ys emprentid | The Medieval Ensemble of London | GBF078242214 |
| Tout a par moy | The Medieval Ensemble of London | GBF078242215 |
| Terpsichore, No. 286: Passameze à 6 / No. 287: Gaillarde à 5 | New London Consort, Philip Pickett | GBF078540501 |
| Terpsichore, No. 32: La Bouree à 4 | New London Consort, Philip Pickett | GBF078540502 |
| Terpsichore, No. 15: Bransle de la Torche à 5 | New London Consort, Philip Pickett | GBF078540503 |
| Terpsichore, No. 4: Bransles simples / Bransles gays / Bransles doubles à 5 | New London Consort, Philip Pickett | GBF078540504 |
| Terpsichore, No. 14: Bransles de Villages à 5 | New London Consort, Philip Pickett | GBF078540505 |
| Terpsichore, No. 22: Philou à 4 | New London Consort, Philip Pickett | GBF078540506 |
| Terpsichore, No. 262: Ballet des sorciers à 4 / No. 277: Ballet des Princesses à 4 / No. 268: Ballet à 4 / No. 277: Ballet des Princesses à 4 | New London Consort, Philip Pickett | GBF078540507 |
| Terpsichore, No. 274: Ballet à 4 / No. 278: Ballet des Baccanales à 4 / No. 280: Ballet des Matelotz à 4 / No. 254: Ballet des coqs à 4 | New London Consort, Philip Pickett | GBF078540508 |
| Terpsichore, No. 15: Bransle de la Torche à 5 (arr. Pickett) | New London Consort, Philip Pickett | GBF078540509 |
| Terpsichore, No. 30: Pavane de Spaigne à 4 / No. 28: Spagnoletta à 4 | New London Consort, Philip Pickett | GBF078540510 |
| Terpsichore, No. 288: Passameze pour les cornetz à 6 | New London Consort, Philip Pickett | GBF078540511 |
| Terpsichore, No. 150: Courante M. M. Wüstrow à 4 / No. 179: Courante à 4 / No. 48: Courrant de Bataglia à 5 | New London Consort, Philip Pickett | GBF078540512 |
| Terpsichore, No. 33: La sarabande à 5 | New London Consort, Philip Pickett | GBF078540513 |
| Terpsichore, No. 199: Volte du tambour à 5 / No. 243: Volte à 4 / No. 242: Volte à 4 / No. 223: Volte à 5 | New London Consort, Philip Pickett | GBF078540514 |
| Terpsichore, No. 210: Volte à 5 / No. 211: Volte à 5 / No. 236: Volte à 4 / No. 201: Volte à 5 | New London Consort, Philip Pickett | GBF078540515 |
| In Gedeonis area (CB 37) | Tessa Bonner, Catherine Bott, Sally Dunkley, Michael George, Simon Grant, Andrew King, Allan Parkes, Philip Pickett, New London Consort | GBF078640601 |
| Homo, quo vigeas vide! (CB 22) | Michael George, Simon Grant, Andrew King, Philip Pickett, New London Consort | GBF078640602 |
| Ecce torpet probitas (CB 3) | Catherine Bott, Philip Pickett, New London Consort | GBF078640603 |
| Nomen a solemnibus (CB 52) | Michael George, Simon Grant, Andrew King, Allan Parkes, Philip Pickett, New London Consort | GBF078640604 |
| Planctus ante nescia (CB 14) | Catherine Bott, Philip Pickett, New London Consort | GBF078640605 |
| Michi confer, venditor (CB 16) | Catherine Bott, Michael George, Philip Pickett, New London Consort | GBF078640606 |
| Olim sudor Herculis (CB 63) | Tessa Bonner, Catherine Bott, Sally Dunkley, Michael George, Simon Grant, Philip Pickett, New London Consort | GBF078640607 |
| Procurans odium (CB 12) | Michael George, Simon Grant, Andrew King, Philip Pickett, New London Consort | GBF078640608 |
| Dulce solum (CB 119) | Michael George, Philip Pickett, New London Consort | GBF078640609 |
| Axe Phebus aureo (CB 71) | Catherine Bott, Philip Pickett, New London Consort | GBF078640610 |
| Alte clamat Epicurus (CB 211) | Michael George, Philip Pickett, New London Consort | GBF078640611 |
| Exiit diluculo (CB 90) | Tessa Bonner, Catherine Bott, Philip Pickett, New London Consort | GBF078640612 |
| Hiemali tempore (CB 203) | Michael George, Simon Grant, Andrew King, Allan Parkes, Philip Pickett, New London Consort | GBF078640613 |
| Tempus est iocundum (CB 179) | Tessa Bonner, Catherine Bott, Sally Dunkley, Michael George, Simon Grant, Andrew King, Allan Parkes, Philip Pickett, New London Consort | GBF078640614 |
| Cantigas de Santa Maria: Quen a Virgen ben servira | Alfonso El Sabio | GBF078942901 |
| Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Belial Vocatur | [anonymous] | GBF078942902 |
| Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Surrexit de tumulo | [anonymous] | GBF078942903 |
| Cantigas de Santa Maria: Non e gran causa | Alfonso El Sabio | GBF078942904 |
| Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Ex illustri | [anonymous] | GBF078942905 |
| Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Alpha bovi et leoni/Domino | [anonymous] | GBF078942906 |
| Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: 4 Planctus | [anonymous] | GBF078942907 |
| Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Verbum bonum et suavi | [anonymous] | GBF078942908 |
| Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Agnus Dei/Regula moris | [anonymous] | GBF078942909 |
| Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Fa fa mi fa/Ut re mi ut | [anonymous] | GBF078942910 |
| Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Dum pater familias | [anonymous] | GBF078942911 |
| Cantigas de Santa Maria: De grad'a Santa Maria | New London Consort, Philip Pickett | GBF078942912 |
| Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Annua Gaudia | New London Consort, Philip Pickett | GBF078942913 |
| Cantigas de Santa Maria: Ben com'aos | New London Consort, Philip Pickett | GBF078942914 |
| Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Regi perennis | New London Consort, Philip Pickett | GBF078942915 |
| Cantigas de Santa Maria: Non sofre Santa Maria - Por dereito ten a Virgen | New London Consort, Philip Pickett | GBF078942916 |
| Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Nostra phalanx | New London Consort, Philip Pickett | GBF078942917 |
| Cantigas de Santa Maria: A madre de Deus | New London Consort, Philip Pickett | GBF078942918 |
| Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Congaudeant catholici | New London Consort, Philip Pickett | GBF078942919 |
| Martim Codax: 7 Cantigas d'amigo | New London Consort, Philip Pickett | GBF078942920 |
| Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Dum pater familias | New London Consort, Philip Pickett | GBF078942921 |
| Reis glorios, verais lums e clartatz | Catherine Bott | GBF079541801 |
| Trop est mes maris jalos | Catherine Bott | GBF079541802 |
| Lanquan li jorn son lonc en may | Catherine Bott | GBF079541803 |
| Desconfortez, plains d’ire et de pesance | Catherine Bott | GBF079541804 |
| Fine amours en esperance | Catherine Bott | GBF079541805 |
| Can vei la lauzeta mover | Catherine Bott | GBF079541806 |
| Bele Yolanz en ses chambres seoit | Catherine Bott | GBF079541807 |
| A chantar m’er de so qu’ieu non volria | Catherine Bott | GBF079541808 |
| Deus est ausi comme li pellicans | Catherine Bott | GBF079541809 |
| Onques n’amai tant que jou fui amee | Catherine Bott | GBF079541810 |
| S’ie·us quer conselh, bell’ami’ Alamanda | Catherine Bott | GBF079541811 |
| Fortz chausa es que tot lo major dan | Catherine Bott | GBF079541812 |
First Booke of Songs 1597: I. Unquiet thoughts
Anthony Rooley, The Consort of Musicke
First Booke of Songs 1597: II. Whoever thinks or hopes
Anthony Rooley, The Consort of Musicke
First Booke of Songs 1597: III. My thoughts are wing'd with hopes
Anthony Rooley, The Consort of Musicke
First Booke of Songs 1597: IV. If my complaints could passions move
Anthony Rooley, The Consort of Musicke
First Booke of Songs 1597: V. Can she excuse my wrongs
Anthony Rooley, The Consort of Musicke
First Booke of Songs 1597: VI. Now, O now I needs must part
Anthony Rooley, The Consort of Musicke
First Booke of Songs 1597: VII. Dear, if you change
Anthony Rooley, The Consort of Musicke
First Booke of Songs 1597: VIII. Burst forth my tears
Anthony Rooley, The Consort of Musicke
First Booke of Songs 1597: IX. Go crystal tears
Anthony Rooley, The Consort of Musicke
First Booke of Songs 1597: X. Think'st thou then
Anthony Rooley, The Consort of Musicke
First Booke of Songs 1597: XI. Come away, come sweet love
Anthony Rooley, The Consort of Musicke
First Booke of Songs 1597: XII. Rest awhile you cruel cares
Anthony Rooley, The Consort of Musicke
First Booke of Songs 1597: XIII. Sleep wayward thoughts
Anthony Rooley, The Consort of Musicke
First Booke of Songs 1597: XIV. All ye whom love or fortune
Anthony Rooley, The Consort of Musicke
First Booke of Songs 1597: XV. Wilt thou unkind
Anthony Rooley, The Consort of Musicke
First Booke of Songs 1597: XVI. Would my conceit
Anthony Rooley, The Consort of Musicke
First Booke of Songs 1597: XVII. Come again: sweet love doth now invite
Anthony Rooley, The Consort of Musicke
First Booke of Songs 1597: XVIII. His golden locks
Anthony Rooley, The Consort of Musicke
First Booke of Songs 1597: XIX. Awake, sweet love
Anthony Rooley, The Consort of Musicke
First Booke of Songs 1597: XX. Come heavy sleep
Anthony Rooley, The Consort of Musicke
First Booke of Songs 1597: XXI. Away with these self-loving lads
Anthony Rooley, The Consort of Musicke
Lachrimae 1604: Lachrimae Antiquae
The Consort of Musicke, Anthony Rooley
Lachrimae 1604: Lachrimae Antiquae Novae
The Consort of Musicke, Anthony Rooley
Lachrimae 1604: Lachrimae Gementes
The Consort of Musicke, Anthony Rooley
Lachrimae 1604: Lachrimae Tristes
The Consort of Musicke, Anthony Rooley
Lachrimae 1604: Lachrimae Coactae
The Consort of Musicke, Anthony Rooley
Lachrimae 1604: Lachrimae Amantis
The Consort of Musicke, Anthony Rooley
Lachrimae 1604: Lachrimae Verae
The Consort of Musicke, Anthony Rooley
Lachrimae 1604: M. John Langton's Pavan
The Consort of Musicke, Anthony Rooley
Lachrimae 1604: M. Nicolas Gryffith his Galiard
The Consort of Musicke, Anthony Rooley
Lachrimae 1604: Sir John Souch, his Galiard
The Consort of Musicke, Anthony Rooley
Lachrimae 1604: Semper Dowland semper dolens
The Consort of Musicke, Anthony Rooley
Lachrimae 1604: M. Giles Hobies Galiard
The Consort of Musicke, Anthony Rooley
Lachrimae 1604: The King of Denmark's Galiard
The Consort of Musicke, Anthony Rooley
Lachrimae 1604: Sir Henry Upton's Funeral
The Consort of Musicke, Anthony Rooley
Lachrimae 1604: M. Henry Noel his Galiard
The Consort of Musicke, Anthony Rooley
Lachrimae 1604: The Earl of Essex Galiard
The Consort of Musicke, Anthony Rooley
Lachrimae 1604: M. Buctons Galiard
The Consort of Musicke, Anthony Rooley
Lachrimae 1604: M. George Whithead his Almand
The Consort of Musicke, Anthony Rooley
Lachrimae 1604: Captaine Digorie Piper his Galiard
The Consort of Musicke, Anthony Rooley
Lachrimae 1604: M. Thomas Collier his Galiard
The Consort of Musicke, Anthony Rooley
Lachrimae 1604: Mrs. Nichols Almand
The Consort of Musicke, Anthony Rooley
Symphoniae Sacrae II, 1615: Magnificat a 14
Emma Kirkby, Martyn Hill, Nigel Rogers, Taverner Choir, London Cornett and Sackbut Ensemble, Andrew Parrott
Symphoniae Sacrae II, 1615: Suscipe a 12
Rogers Covey-Crump, Paul Elliott, Martyn Hill, Nigel Rogers, Brian Etheridge, Taverner Choir, London Cornett and Sackbut Ensemble, Andrew Parrott
Symphoniae Sacrae II, 1615: Quem vidistis pastores a 14
Kevin Smith, Paul Elliott, Martyn Hill, Nigel Rogers, William Mason, Geoffrey Shaw, David Thomas, Taverner Choir, London Cornett and Sackbut Ensemble, Andrew Parrott
Symphoniae Sacrae II, 1615: Buccinate in neomenia a 19
Timothy Penrose, Nigel Rogers, Brian Etheridge, Taverner Choir, London Cornett and Sackbut Ensemble, Andrew Parrott
Symphoniae Sacrae II, 1615: In ecclesiis a 14
Timothy Penrose, Paul Elliott, Martyn Hill, Nigel Rogers, Taverner Choir, London Cornett and Sackbut Ensemble, Andrew Parrott
Symphoniae Sacrae II, 1615: Jubilate Deo a 10
Emma Kirkby, Timothy Penrose, Kevin Smith, Paul Elliott, Nigel Rogers, Taverner Choir, London Cornett and Sackbut Ensemble, Andrew Parrott
Symphoniae Sacrae II, 1615: Misericordia a 12
Emma Kirkby, Rogers Covey-Crump, Nigel Rogers, Taverner Choir, London Cornett and Sackbut Ensemble, Andrew Parrott
Symphoniae Sacrae II, 1615: Surrexit Christus a 11
Rogers Covey-Crump, Nigel Rogers, Brian Etheridge, Taverner Choir, London Cornett and Sackbut Ensemble, Andrew Parrott
Symphoniae Sacrae II, 1615: Magnificat a 17
Emma Kirkby, John Skinner, Martyn Hill, Nigel Rogers, Taverner Choir, London Cornett and Sackbut Ensemble, Andrew Parrott
Mi verry joy
The Medieval Ensemble of London
Le serviteur
The Medieval Ensemble of London
Myn hertis lust
The Medieval Ensemble of London
Durer ne puis
The Medieval Ensemble of London
Fortune alas
The Medieval Ensemble of London
Se bylle to hir
The Medieval Ensemble of London
Puisque m'amour
The Medieval Ensemble of London
Je languis
The Medieval Ensemble of London
I pray you alle
The Medieval Ensemble of London
O rosa bella
The Medieval Ensemble of London
Alas, alas, alas
The Medieval Ensemble of London
"Watlin frew"
The Medieval Ensemble of London
So ys emprentid
The Medieval Ensemble of London
Tout a par moy
The Medieval Ensemble of London
Terpsichore, No. 286: Passameze à 6 / No. 287: Gaillarde à 5
New London Consort, Philip Pickett
Terpsichore, No. 32: La Bouree à 4
New London Consort, Philip Pickett
Terpsichore, No. 15: Bransle de la Torche à 5
New London Consort, Philip Pickett
Terpsichore, No. 4: Bransles simples / Bransles gays / Bransles doubles à 5
New London Consort, Philip Pickett
Terpsichore, No. 14: Bransles de Villages à 5
New London Consort, Philip Pickett
Terpsichore, No. 22: Philou à 4
New London Consort, Philip Pickett
Terpsichore, No. 262: Ballet des sorciers à 4 / No. 277: Ballet des Princesses à 4 / No. 268: Ballet à 4 / No. 277: Ballet des Princesses à 4
New London Consort, Philip Pickett
Terpsichore, No. 274: Ballet à 4 / No. 278: Ballet des Baccanales à 4 / No. 280: Ballet des Matelotz à 4 / No. 254: Ballet des coqs à 4
New London Consort, Philip Pickett
Terpsichore, No. 15: Bransle de la Torche à 5 (arr. Pickett)
New London Consort, Philip Pickett
Terpsichore, No. 30: Pavane de Spaigne à 4 / No. 28: Spagnoletta à 4
New London Consort, Philip Pickett
Terpsichore, No. 288: Passameze pour les cornetz à 6
New London Consort, Philip Pickett
Terpsichore, No. 150: Courante M. M. Wüstrow à 4 / No. 179: Courante à 4 / No. 48: Courrant de Bataglia à 5
New London Consort, Philip Pickett
Terpsichore, No. 33: La sarabande à 5
New London Consort, Philip Pickett
Terpsichore, No. 199: Volte du tambour à 5 / No. 243: Volte à 4 / No. 242: Volte à 4 / No. 223: Volte à 5
New London Consort, Philip Pickett
Terpsichore, No. 210: Volte à 5 / No. 211: Volte à 5 / No. 236: Volte à 4 / No. 201: Volte à 5
New London Consort, Philip Pickett
In Gedeonis area (CB 37)
Tessa Bonner, Catherine Bott, Sally Dunkley, Michael George, Simon Grant, Andrew King, Allan Parkes, Philip Pickett, New London Consort
Homo, quo vigeas vide! (CB 22)
Michael George, Simon Grant, Andrew King, Philip Pickett, New London Consort
Ecce torpet probitas (CB 3)
Catherine Bott, Philip Pickett, New London Consort
Nomen a solemnibus (CB 52)
Michael George, Simon Grant, Andrew King, Allan Parkes, Philip Pickett, New London Consort
Planctus ante nescia (CB 14)
Catherine Bott, Philip Pickett, New London Consort
Michi confer, venditor (CB 16)
Catherine Bott, Michael George, Philip Pickett, New London Consort
Olim sudor Herculis (CB 63)
Tessa Bonner, Catherine Bott, Sally Dunkley, Michael George, Simon Grant, Philip Pickett, New London Consort
Procurans odium (CB 12)
Michael George, Simon Grant, Andrew King, Philip Pickett, New London Consort
Dulce solum (CB 119)
Michael George, Philip Pickett, New London Consort
Axe Phebus aureo (CB 71)
Catherine Bott, Philip Pickett, New London Consort
Alte clamat Epicurus (CB 211)
Michael George, Philip Pickett, New London Consort
Exiit diluculo (CB 90)
Tessa Bonner, Catherine Bott, Philip Pickett, New London Consort
Hiemali tempore (CB 203)
Michael George, Simon Grant, Andrew King, Allan Parkes, Philip Pickett, New London Consort
Tempus est iocundum (CB 179)
Tessa Bonner, Catherine Bott, Sally Dunkley, Michael George, Simon Grant, Andrew King, Allan Parkes, Philip Pickett, New London Consort
Cantigas de Santa Maria: Quen a Virgen ben servira
Alfonso El Sabio
Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Belial Vocatur
[anonymous]
Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Surrexit de tumulo
[anonymous]
Cantigas de Santa Maria: Non e gran causa
Alfonso El Sabio
Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Ex illustri
[anonymous]
Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Alpha bovi et leoni/Domino
[anonymous]
Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: 4 Planctus
[anonymous]
Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Verbum bonum et suavi
[anonymous]
Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Agnus Dei/Regula moris
[anonymous]
Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Fa fa mi fa/Ut re mi ut
[anonymous]
Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Dum pater familias
[anonymous]
Cantigas de Santa Maria: De grad'a Santa Maria
New London Consort, Philip Pickett
Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Annua Gaudia
New London Consort, Philip Pickett
Cantigas de Santa Maria: Ben com'aos
New London Consort, Philip Pickett
Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Regi perennis
New London Consort, Philip Pickett
Cantigas de Santa Maria: Non sofre Santa Maria - Por dereito ten a Virgen
New London Consort, Philip Pickett
Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Nostra phalanx
New London Consort, Philip Pickett
Cantigas de Santa Maria: A madre de Deus
New London Consort, Philip Pickett
Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Congaudeant catholici
New London Consort, Philip Pickett
Martim Codax: 7 Cantigas d'amigo
New London Consort, Philip Pickett
Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Dum pater familias
New London Consort, Philip Pickett
Reis glorios, verais lums e clartatz
Catherine Bott
Trop est mes maris jalos
Catherine Bott
Lanquan li jorn son lonc en may
Catherine Bott
Desconfortez, plains d’ire et de pesance
Catherine Bott
Fine amours en esperance
Catherine Bott
Can vei la lauzeta mover
Catherine Bott
Bele Yolanz en ses chambres seoit
Catherine Bott
A chantar m’er de so qu’ieu non volria
Catherine Bott
Deus est ausi comme li pellicans
Catherine Bott
Onques n’amai tant que jou fui amee
Catherine Bott
S’ie·us quer conselh, bell’ami’ Alamanda
Catherine Bott
Fortz chausa es que tot lo major dan
Catherine Bott
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000020947884000000005515178X0000000059226099000000005940325100000000594222680000000063083035000000007145083500000000725038550000000072559592000000007357337X
+40 more
00000000769213330000000078380331000000007839256X00000000784011200000000079756011000000007975602X000000008007602100000000801599860000000080450909000000008089549X000000008099167600000000812330250000000081517239000000008265302100000000841183050000000084133468000000009008499X00000001077490980000000108634444000000010871678100000001090620030000000109078208000000010914509500000001091816350000000109285039000000010936770400000001098785200000000110119767000000011019811900000001102554780000000110844459000000011092887100000001146368680000000114921204000000011648954X00000001181619860000000118453516000000011941688000000001195629410000000121021474
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What is UPC 028947881049?
028947881049 is a Universal Product Code (UPC) assigned to L'Oiseau-Lyre: Medieval and Renaissance by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 832 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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