UPC · Release
Alfred Brendel
Last verified:
The UPC for “Complete Philips Recordings” by Alfred Brendel is 028947888277. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2016-01-01. Label: Decca. This release contains 1000 tracks, each with its own ISRC. Tracks include NLA507610401, NLA507610402, NLA507610403.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Italienisches Konzert F-Dur BWV 971: I. (Allegro) | Alfred Brendel | T-306.395.786-4 | |
| 2 | Italienisches Konzert F-Dur BWV 971: II. Andante | Alfred Brendel | T-312.198.890-3 | |
| 3 | Italienisches Konzert F-Dur BWV 971: III. Presto | Alfred Brendel | T-312.198.890-3 | |
| 4 | Choralvorspiel "Ich ruf' zu dir, Herr Jesu Christ" BWV 639 (Bearb.: Ferruccio Busoni) | Alfred Brendel | — | |
| 5 | Präludium (Fantasie) a-moll BWV 922 | Alfred Brendel | — | |
| 6 | Chromatische Fantasie und Fuge d-moll BWV 903 | Alfred Brendel | — | |
| 7 | Choralbearbeitung "Nun komm' der Heiden Heiland" BWV 659 (Bearb.: Ferruccio Busoni) | Alfred Brendel | — | |
| 8 | Fantasie und Fuge a-moll BWV 904 | Alfred Brendel | — | |
| 2-1 | Sonate für Klavier No. 33 in C-moll, Hob. XVI:20: I. Moderato | Alfred Brendel | — | |
| 2-2 | Sonate für Klavier No. 33 in C-moll, Hob. XVI:20: II. Andante con moto | Alfred Brendel | — | |
| 2-3 | Sonate für Klavier No. 33 in C-moll, Hob. XVI:20: III. Finale. Allegro | Alfred Brendel | — | |
| 2-4 | Sonate für Klavier No. 59 in Es-dur, Hob. XVI:49: I. Allegro | Alfred Brendel | — | |
| 2-5 | Sonate für Klavier No. 59 in Es-dur, Hob. XVI:49: II. Adagio e cantabile | Alfred Brendel | T-001.397.158-8 | |
| 2-6 | Sonate für Klavier No. 59 in Es-dur, Hob. XVI:49: III. Finale: Tempo di menuet | Alfred Brendel | — | |
| 3-1 | Sonate für Klavier no. 53 in E-moll, Hob. XVI:34: I. Presto | Alfred Brendel | — | |
| 3-2 | Sonate für Klavier no. 53 in E-moll, Hob. XVI:34: II. Adagio | Alfred Brendel | T-802.445.410-3 | |
| 3-3 | Sonate für Klavier no. 53 in E-moll, Hob. XVI:34: III. Vivace molto | Alfred Brendel | — | |
| 3-4 | Sonate für Klavier No. 47 H-moll, Hob. XVI:32: I. Allegro moderato | Alfred Brendel | — | |
| 3-5 | Sonate für Klavier No. 47 H-moll, Hob. XVI:32: II. Menuet | Alfred Brendel | — | |
| 3-6 | Sonate für Klavier No. 47 H-moll, Hob. XVI:32: III. Finale. Presto | Alfred Brendel | T-928.635.675-0 | |
| 3-7 | Sonate für Klavier no. 56 in D-dur, Hob. XVI:42: I. Andante con espressione | Alfred Brendel | — | |
| 3-8 | Sonate für Klavier no. 56 in D-dur, Hob. XVI:42: II. Presto | Alfred Brendel | — | |
| 3-9 | Fantasia in C-dur, Hob. XVII:4 | Alfred Brendel | — | |
| 3-10 | Adagio in F-dur, Hob. XVII:9 | Alfred Brendel | — | |
| 4-1 | Sonate für Klavier No. 58 in C-dur, Hob. XVI:48: I. Andante con espressione | Alfred Brendel | — | |
| 4-2 | Sonate für Klavier No. 58 in C-dur, Hob. XVI:48: II. Rondo. Presto | Alfred Brendel | — | |
| 4-3 | Sonate für Klavier No. 61 in D-dur, Hob. XVI:51: I. Andante | Alfred Brendel | — | |
| 4-4 | Sonate für Klavier No. 61 in D-dur, Hob. XVI:51: II. Finale. Presto | Alfred Brendel | — | |
| 4-5 | Sonate für Klavier No. 60 in C-dur, Hob. XVI:50: I. Allegro | Alfred Brendel | T-306.395.786-4 | |
| 4-6 | Sonate für Klavier No. 60 in C-dur, Hob. XVI:50: II. Adagio | Alfred Brendel | — | |
| 4-7 | Sonate für Klavier No. 60 in C-dur, Hob. XVI:50: III. Allegro molto | Alfred Brendel | — | |
| 5-1 | Sonate für Klavier no. 62 in Es-dur, Hob. XVI:52: I. Allegro | Alfred Brendel | — | |
| 5-2 | Sonate für Klavier no. 62 in Es-dur, Hob. XVI:52: II. Adagio | Alfred Brendel | T-802.445.410-3 | |
| 5-3 | Sonate für Klavier no. 62 in Es-dur, Hob. XVI:52: III. Finale. Presto | Alfred Brendel | T-928.635.675-0 | |
| 5-4 | Sonate für Klavier no. 54 in G-dur, Hob. XVI:40: I. Allegretto innocente | Alfred Brendel | — | |
| 5-5 | Sonate für Klavier no. 54 in G-dur, Hob. XVI:40: II. Presto | Alfred Brendel | — | |
| 5-6 | Sonate für Klavier No. 50 in D-dur, Hob. XVI:37: I. Allegro con brio | Alfred Brendel | — | |
| 5-7 | Sonate für Klavier No. 50 in D-dur, Hob. XVI:37: II. Largo e sostenuto | Alfred Brendel | — | |
| 5-8 | Sonate für Klavier No. 50 in D-dur, Hob. XVI:37: III. Finale | Alfred Brendel | — | |
| 5-9 | Andante con variazioni in F-moll, Hob. XVII:6 "Un piccolo divertimento" | Alfred Brendel | — | |
| 6-1 | Sonata for Piano no. 8 in A minor, K. 300d/310: I. Allegro maestoso | Alfred Brendel | — | |
| 6-2 | Sonata for Piano no. 8 in A minor, K. 300d/310: II. Andante cantabile con espressione | Alfred Brendel | — | |
| 6-3 | Sonata for Piano no. 8 in A minor, K. 300d/310: III. Presto | Alfred Brendel | — | |
| 6-4 | Piano Sonata No. 14 in C minor, K. 457: I. Allegro molto | Alfred Brendel | T-925.645.333-5 | |
| 6-5 | Piano Sonata No. 14 in C minor, K. 457: II. Adagio | Alfred Brendel | T-927.972.088-6 | |
| 6-6 | Piano Sonata no. 14 in C minor, K. 457: III. Allegro assai | Alfred Brendel | T-306.395.786-4 | |
| 6-7 | Sonata for Piano no. 13 in B-flat major, K. 315c/333: I. Allegro | Alfred Brendel | T-306.395.786-4 | |
| 6-8 | Sonata for Piano no. 13 in B-flat major, K. 315c/333: II. Andante cantabile | Alfred Brendel | — | |
| 6-9 | Sonata for Piano no. 13 in B-flat major, K. 315c/333: III. Allegretto grazioso | Alfred Brendel | — | |
| 7-1 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": I. Tema con variazioni. Andante grazioso | Alfred Brendel | — | |
| 7-2 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": II. Minuetto | Alfred Brendel | T-313.706.466-1 | |
| 7-3 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Alfred Brendel | T-912.655.618-1 | |
| 7-4 | Adagio for Piano in B minor, K. 540: Adagio | Alfred Brendel | T-002.561.175-9 | |
| 7-5 | 9 Variations on Jean-Pierre Duport: Minuet for Piano in D major, K. 573 "Duport Variationen" | Alfred Brendel | — | |
| 8-1 | Piano Sonata no. 3 in B-flat major, K. 281: I. Allegro | Alfred Brendel | T-306.395.786-4 | |
| 8-2 | Piano Sonata no. 3 in B-flat major, K. 281: II. Andante amoroso | Alfred Brendel | — | |
| 8-3 | Piano Sonata no. 3 in B-flat major, K. 281: III. Rondeau (Allegro) | Alfred Brendel | — | |
| 8-4 | Piano Sonata no. 4 in E-flat major, K. 282: I. Adagio | Alfred Brendel | — | |
| 8-5 | Piano Sonata no. 4 in E-flat major, K. 282: II. Menuetto I-II | Alfred Brendel | — | |
| 8-6 | Piano Sonata no. 4 in E-flat major, K. 282: III. Allegro | Alfred Brendel | T-306.395.786-4 | |
| 8-7 | Piano Sonata no. 18 in D major, K. 576: I. Allegro | Alfred Brendel | T-306.395.786-4 | |
| 8-8 | Piano Sonata no. 18 in D major, K. 576: II. Adagio | Alfred Brendel | T-802.445.410-3 | |
| 8-9 | Piano Sonata no. 18 in D major, K. 576: III. Allegretto | Alfred Brendel | — | |
| 8-10 | Fantasia in C minor, K. 396 (Fragment) | Alfred Brendel | T-915.717.075-7 | |
| 9-1 | Sonata for Piano No. 15 in F major, K. 494+533: I. Allegro | Alfred Brendel | — | |
| 9-2 | Sonata for Piano No. 15 in F major, K. 494+533: II. Andante | Alfred Brendel | — | |
| 9-3 | Sonata for Piano No. 15 in F major, K. 494+533: III. Rondeau | Alfred Brendel | — | |
| 9-4 | Fantasia for Piano in D minor, K. 385g/397 (fragment) | Alfred Brendel | — | |
| 9-5 | Sonata for Piano No. 8 in A minor, K. 300d/310: I. Allegro maestoso | Alfred Brendel | — | |
| 9-6 | Sonata for Piano No. 8 in A minor, K. 300d/310: II. Andante cantabile con espressione | Alfred Brendel | — | |
| 9-7 | Sonata for Piano No. 8 in A minor, K. 300d/310: III. Presto | Alfred Brendel | — | |
| 9-8 | Sonata for Piano No. 9 in D major, K. 284c/311: I. Allegro con spirito | Alfred Brendel | — | |
| 9-9 | Sonata for Piano No. 9 in D major, K. 284c/311: II. Andante con espressione | Alfred Brendel | — | |
| 9-10 | Sonata for Piano No. 9 in D major, K. 284c/311: III. Rondeau. Allegro - andante - presto - adagio - tempo primo | Alfred Brendel | — | |
| 10-1 | Rondo for Piano No. 3 in A minor, K. 511: Andante | Alfred Brendel | — | |
| 10-2 | Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": I. Tema con variazioni. Andante grazioso | Alfred Brendel | — | |
| 10-3 | Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": II. Minuetto | Alfred Brendel | T-313.706.466-1 | |
| 10-4 | Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Alfred Brendel | T-912.655.618-1 | |
| 10-5 | Sonata for Piano No. 17 in B-flat major, K. 570: I. Allegro | Alfred Brendel | T-306.395.786-4 | |
| 10-6 | Sonata for Piano No. 17 in B-flat major, K. 570: II. Adagio | Alfred Brendel | T-802.445.410-3 | |
| 10-7 | Sonata for Piano No. 17 in B-flat major, K. 570: III. Allegretto | Alfred Brendel | — | |
| 10-8 | Sonata for Piano No. 10 in C major, K. 300h/330: I. Allegro moderato | Alfred Brendel | — | |
| 10-9 | Sonata for Piano No. 10 in C major, K. 300h/330: II. Andante cantabile | Alfred Brendel | — | |
| 10-10 | Sonata for Piano No. 10 in C major, K. 300h/330: III. Allegretto | Alfred Brendel | — | |
| 11-1 | Sonata for Piano No. 12 in F major, K. 300k/332: I. Allegro | Alfred Brendel | T-313.706.306-6 | |
| 11-2 | Sonata for Piano No. 12 in F major, K. 300k/332: II. Adagio | Alfred Brendel | T-313.706.315-7 | |
| 11-3 | Sonata for Piano No. 12 in F major, K. 300k/332: III. Allegro assai | Alfred Brendel | T-306.395.786-4 | |
| 11-4 | Sonata for Piano No. 13 in B-flat major, K. 315c/333: I. Allegro | Alfred Brendel | T-306.395.786-4 | |
| 11-5 | Sonata for Piano No. 13 in B-flat major, K. 315c/333: II. Andante cantabile | Alfred Brendel | — | |
| 11-6 | Sonata for Piano No. 13 in B-flat major, K. 315c/333: III. Allegretto grazioso | Alfred Brendel | — | |
| 11-7 | Sonata for Piano No. 14 in C minor, K. 457: I. Allegro molto | Alfred Brendel | T-003.035.132-6 | |
| 11-8 | Sonata for Piano No. 14 in C minor, K. 457: II. Adagio | Alfred Brendel | T-927.972.088-6 | |
| 11-9 | Sonata for Piano No. 14 in C minor, K. 457: III. Allegro assai | Alfred Brendel | T-306.395.786-4 | |
| 11-10 | Adagio for Piano in B minor, K. 540: Adagio | Alfred Brendel | T-002.561.175-9 | |
| 12-1 | Fantasia C minor KV475 Adagio Allegro Andantino | Alfred Brendel | — | |
| 12-2 | Sonata for Piano No. 15 in F major, K. 494+533: I. Allegro | Alfred Brendel | — | |
| 12-3 | Sonata for Piano No. 15 in F major, K. 494+533: II. Andante | Alfred Brendel | — | |
| 12-4 | Sonata for Piano No. 15 in F major, K. 494+533: III. Rondeau | Alfred Brendel | — | |
| 12-5 | Sonata for Piano No. 4 in E-flat major, K. 189g/282: I. Adagio | Alfred Brendel | — | |
| 12-6 | Sonata for Piano No. 4 in E-flat major, K. 189g/282: II. Minutetto I / III. Minutetto II | Alfred Brendel | — | |
| 12-7 | Sonata for Piano No. 4 in E-flat major, K. 189g/282: IV. Allegro | Alfred Brendel | — | |
| 12-8 | Rondo for Piano no. 3 in A minor, K. 511: Andante | Alfred Brendel | — | |
| 13-1 | Concerto for Piano No. 5 in D major, K. 175: I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-011.422.353-8 | |
| 13-2 | Concerto for Piano No. 5 in D major, K. 175: II. Andante ma un poco adagio | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-3 | Concerto for Piano No. 5 in D major, K. 175: III. Allegro (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 13-4 | Concerto for Piano No. 6 in B-flat major, K. 238: I. Allegro aperto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-5 | Concerto for Piano No. 6 in B-flat major, K. 238: II. Andante un poco adagio | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-6 | Concerto for Piano No. 6 in B-flat major, K. 238: III. Rondeau. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-7 | Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: I. Allegro | Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 13-8 | Concerto for 2 Pianos & Orchestra No. 10 in E-flat major, K. 316a/365: II. Andante | Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-9 | Concerto for 2 Pianos & Orchestra No. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro | Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-1 | Concerto for 3 Pianos & Orchestra No. 7 in F major, K. 242 "Lodron": I. Allegro | Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 14-2 | Concerto for 3 Pianos & Orchestra No. 7 in F major, K. 242 "Lodron": II. Adagio | Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-3 | Concerto for 3 Pianos & Orchestra No. 7 in F major, K. 242 "Lodron": III. Rondo. Tempo di minuetto | Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-4 | Concerto for Piano No. 8 in C major, K. 246 "Lutzow": I. Allegro aperto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-5 | Concerto for Piano No. 8 in C major, K. 246 "Lutzow": II. Andante | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 14-6 | Concerto for Piano No. 8 in C major, K. 246 "Lutzow": III. Rondeau. Tempo di menuetto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-7 | Concerto for Piano No. 11 in F major, K. 387a/413: I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-011.422.353-8 | |
| 14-8 | Concerto for Piano No. 11 in F major, K. 387a/413: II. Larghetto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-800.132.125-2 | |
| 14-9 | Concerto for Piano No. 11 in F major, K. 387a/413: III. Tempo di Minuetto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 15-1 | Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 15-2 | Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 15-3 | Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": III. Rondeau. Presto - adagio & Menuetto. Cantabile - tempo primo | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 15-4 | Concerto for Piano No. 12 in A major, K. 385p/414: I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-011.422.353-8 | |
| 15-5 | Concerto for Piano No. 12 in A major, K. 385p/414: II. Andante | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 15-6 | Concerto for Piano No. 12 in A major, K. 385p/414: III. Rondo. Allegretto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 15-7 | Rondo for Piano & Orchestra in A major, K. 386 (Erik Smith & Alfred Brendel completion, cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-1 | Concerto for Piano No. 13 in C major, K. 387b/415: I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-011.422.353-8 | |
| 16-2 | Concerto for Piano No. 13 in C major, K. 387b/415: II. Andante | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 16-3 | Concerto for Piano No. 13 in C major, K. 387b/415: III. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-4 | Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-011.422.353-8 | |
| 16-5 | Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": II. Andante | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 16-6 | Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-7 | Rondo for Piano & Orchestra in D major, K. 382: I. Rondo. Allegretto grazioso | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-8 | Rondo for Piano & Orchestra in D major, K. 382: II. Rondo. Adagio | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-9 | Rondo for Piano & Orchestra in D major, K. 382: III. Rondo. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-001.312.909-3 | |
| 17-1 | Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": I. Allegro vivace | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-2 | Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": II. Andantino | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-3 | Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": III. Allegro ma non troppo | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-4 | Concerto for Piano No. 15 in B-flat major, K. 450: I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-070.161.055-0 | |
| 17-5 | Concerto for Piano No. 15 in B-flat major, K. 450: II. Andante | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 17-6 | Concerto for Piano No. 15 in B-flat major, K. 450: III. Allegro assai | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 17-7 | Concerto for Piano No. 16 in D major, K. 451: I. Allegro assai | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 17-8 | Concerto for Piano No. 16 in D major, K. 451: II. Andante | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 17-9 | Concerto for Piano No. 16 in D major, K. 451: III. Rondo. Allegro di molto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-1 | Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": I. Allegro vivace | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-2 | Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": II. Andante un poco sostenuto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-3 | Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": III. Allegro vivace | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-4 | Concerto for Piano No. 19 in F major, K. 459: I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-5 | Concerto for Piano No. 19 in F major, K. 459: II. Allegretto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-6 | Concerto for Piano No. 19 in F major, K. 459: III. Allegro assai | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 19-1 | Concerto for Piano No. 20 in D minor, K. 466: I. Allegro (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 19-2 | Concerto for Piano No. 20 in D minor, K. 466: II. Romanze (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-3 | Concerto for Piano No. 20 in D minor, K. 466: III. Rondo. Allegro assai (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 19-4 | Concerto for Piano No. 21 in C major, K. 467 “Elvira Madigan”: I. Allegro (cadenza: Radu Lupu) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-001.312.909-3 | |
| 19-5 | Concerto for Piano No. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (cadenza: Radu Lupu) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 19-6 | Concerto for Piano No. 21 in C major, K. 467 “Elvira Madigan”: III. Allegro vivace assai (cadenza: Radu Lupu) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 20-1 | Concerto for Piano No. 22 in E-flat major, K. 482: I. Allegro (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 20-2 | Concerto for Piano No. 22 in E-flat major, K. 482: II. Andante (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 20-3 | Concerto for Piano No. 22 in E-flat major, K. 482: III. Allegro (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-800.132.125-2 | |
| 20-4 | Concerto for Piano No. 23 in A major, K. 488: I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 20-5 | Concerto for Piano No. 23 in A major, K. 488: II. Andante | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 20-6 | Concerto for Piano No. 23 in A major, K. 488: III. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 21-1 | Concerto for Piano No. 24 in C minor, K. 491: I. Allegro (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 21-2 | Concerto for Piano No. 24 in C minor, K. 491: II. Larghetto (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 21-3 | Concerto for Piano No. 24 in C minor, K. 491: III. Allegretto (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 21-4 | Concerto for Piano No. 25 in C major, K. 503: I. Allegro maestoso (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-070.161.055-0 | |
| 21-5 | Concerto for Piano No. 25 in C major, K. 503: II. Andante | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 21-6 | Concerto for Piano No. 25 in C major, K. 503: III. Allegretto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.566-9 | |
| 22-1 | Concerto for Piano No. 26 in D major, K. 537 "Coronation": I. Allegro (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 22-2 | Concerto for Piano No. 26 in D major, K. 537 "Coronation": II. Larghetto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-800.132.125-2 | |
| 22-3 | Concerto for Piano No. 26 in D major, K. 537 "Coronation": III. Allegretto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 22-4 | Concerto for Piano No. 27 in B-flat major, K. 595: I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 22-5 | Concerto for Piano No. 27 in B-flat major, K. 595: II. Larghetto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 22-6 | Concerto for Piano No. 27 in B-flat major, K. 595: III. Rondo. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 23-1 | Piano Concerto no. 20 in D minor, KV 466: I. Allegro | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | T-001.312.909-3 | |
| 23-2 | Piano Concerto no. 20 in D minor, KV 466: II. Romance | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 23-3 | Piano Concerto no. 20 in D minor, KV 466: III. Allegro assai | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | T-306.395.786-4 | |
| 23-4 | Piano Concerto no. 24 in C minor, KV 491: I. (Allegro) | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | T-001.312.909-3 | |
| 23-5 | Piano Concerto no. 24 in C minor, KV 491: II. Larghetto | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | T-926.819.124-8 | |
| 23-6 | Piano Concerto no. 24 in C minor, KV 491: III. (Allegretto) | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 24-1 | Concerto for Piano no. 22 in E-flat major, K. 482: I. Allegro | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | T-001.312.909-3 | |
| 24-2 | Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 24-3 | Concerto for Piano no. 22 in E-flat major, K. 482: III. Allegro | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 24-4 | Concerto no. 27 in B-flat major for Piano, K. 595: I. Allegro | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | T-001.312.909-3 | |
| 24-5 | Concerto no. 27 in B-flat major for Piano, K. 595: II. Larghetto | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 24-6 | Concerto no. 27 in B-flat major for Piano, K. 595: III. Rondo. Allegro | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | T-306.395.786-4 | |
| 25-1 | Concerto for Piano no. 9 in E-flat major, K. 271 "Jeunehomme": I. Allegro | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | T-306.395.786-4 | |
| 25-2 | Concerto for Piano no. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 25-3 | Concerto for Piano no. 9 in E-flat major, K. 271 "Jeunehomme": III. Rondeau. Presto - adagio & Menuetto. Cantabile - tempo primo | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 25-4 | Concerto for Piano no. 25 in C major, K. 503: I. Allegro maestoso | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 25-5 | Concerto for Piano no. 25 in C major, K. 503: II. Andante | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 25-6 | Concerto for Piano no. 25 in C major, K. 503: III. Allegretto | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 26-1 | Concerto no. 12 in A major, K. 414: I. Allegro | — | ||
| 26-2 | Concerto no. 12 in A major, K. 414: II. Andante | — | ||
| 26-3 | Concerto no. 12 in A major, K. 414: III. Rondeau: Allegretto | — | ||
| 26-4 | Concerto no. 17 in G major, K. 453: I. Allegro | — | ||
| 26-5 | Concerto no. 17 in G major, K. 453: II. Andante | — | ||
| 26-6 | Concerto no. 17 in G major, K. 453: III. Finale: Allegretto | — | ||
| 27-1 | Concerto for Piano no. 12 in A major, K. 385p/414: I. Allegro | Alban Berg Quartett, Alfred Brendel | — | |
| 27-2 | Concerto for Piano no. 12 in A major, K. 385p/414: II. Andante | Alban Berg Quartett, Alfred Brendel | — | |
| 27-3 | Concerto for Piano no. 12 in A major, K. 385p/414: III. Rondo. Allegretto | Alban Berg Quartett, Alfred Brendel | — | |
| 27-4 | Quartet for Piano no. 2 in E-flat major, K. 493: I. Allegro | Alban Berg Quartett, Alfred Brendel | — | |
| 27-5 | Quartet for Piano no. 2 in E-flat major, K. 493: II. Larghetto | Alban Berg Quartett, Alfred Brendel | T-913.918.862-8 | |
| 27-6 | Quartet for Piano no. 2 in E-flat major, K. 493: III. Allegretto | Alban Berg Quartett, Alfred Brendel | — | |
| 28-1 | Ch'io mi scordi di te... Non temer, amato bene, K. 505 | Jessye Norman, Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 28-2 | Fantasia for Piano in C minor, K. 475 | Alfred Brendel | — | |
| 28-3 | Piano Sonata no. 14 in C minor, K. 457: I. Allegro | Alfred Brendel | T-306.395.786-4 | |
| 28-4 | Piano Sonata no. 14 in C minor, K. 457: II. Adagio | Alfred Brendel | T-802.445.410-3 | |
| 28-5 | Piano Sonata no. 14 in C minor, K. 457: III. Molto allegro | Alfred Brendel | — | |
| 28-6 | Ch'io mi scordi di te... Non temer, amato bene, K.505 | Sylvia McNair, Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-1 | Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | — | ||
| 29-2 | Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | — | ||
| 29-3 | Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto: Allegretto | — | ||
| 29-4 | Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | — | ||
| 29-5 | Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace | — | ||
| 29-6 | Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato | — | ||
| 29-7 | Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo: Allegretto | — | ||
| 29-8 | Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo: Grazioso | — | ||
| 29-9 | Sonata no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | — | ||
| 29-10 | Sonata no. 4 in E-flat major, op. 7: II. Largo, con gran espressione | — | ||
| 29-11 | Sonata no. 4 in E-flat major, op. 7: III. Allegro | — | ||
| 29-12 | Sonata no. 4 in E-flat major, op. 7: IV. Rondo: Poco allegretto e grazioso | — | ||
| 30-1 | Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio | — | ||
| 30-2 | Sonata no. 3 in C major, op. 2 no. 3: II. Adagio | — | ||
| 30-3 | Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo: Allegro | — | ||
| 30-4 | Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai | — | ||
| 30-5 | Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | — | ||
| 30-6 | Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto | — | ||
| 30-7 | Sonata no. 5 in C minor, op. 10 no. 1: III. Finale: Prestissimo | — | ||
| 30-8 | Sonata no. 6 in F major, op. 10 no. 2: I. Allegro | — | ||
| 30-9 | Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto | — | ||
| 30-10 | Sonata no. 6 in F major, op. 10 no. 2: III. Presto | — | ||
| 30-11 | Sonate Nr. 8 c-moll op. 13 "Pathétique": I. Grave – Allegro di molto e con brio | Alfred Brendel | T-915.723.669-6 | |
| 30-12 | Sonate Nr. 8 c-moll op. 13 "Pathétique": II. Adagio cantabile | Alfred Brendel | T-001.397.158-8 | |
| 30-13 | Sonate Nr. 8 c-moll op. 13 "Pathétique": III. Rondo. Allegro | Alfred Brendel | T-306.482.598-1 | |
| 31-1 | Sonata no. 7 in D major, op. 10 no. 3: I. Presto | — | ||
| 31-2 | Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto | — | ||
| 31-3 | Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto: Allegro | — | ||
| 31-4 | Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo: Allegro | — | ||
| 31-5 | Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | — | ||
| 31-6 | Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto | — | ||
| 31-7 | Sonata no. 9 in E major, op. 14 no. 1: III. Rondo: Allegro commodo | — | ||
| 31-8 | Sonata no. 10 in G major, op. 14 no. 2: I. Allegro | — | ||
| 31-9 | Sonata no. 10 in G major, op. 14 no. 2: II. Andante | — | ||
| 31-10 | Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo: Allegro assai | — | ||
| 31-11 | Sonata no. 11 in B-flat major, op. 22: I. Allegro con brio | — | ||
| 31-12 | Sonata no. 11 in B-flat major, op. 22: II. Adagio con molta espressione | — | ||
| 31-13 | Sonata no. 11 in B-flat major, op. 22: III. Menuetto | — | ||
| 31-14 | Sonata no. 11 in B-flat major, op. 22: IV. Rondo: Allegretto | — | ||
| 32-1 | Sonata no. 12 in A-flat major, op. 26: I. Andante con variazioni | — | ||
| 32-2 | Sonata no. 12 in A-flat major, op. 26: II. Scherzo: Allegro molto | — | ||
| 32-3 | Sonata no. 12 in A-flat major, op. 26: III. Marcia funebre sulla morte d'un eroe | — | ||
| 32-4 | Sonata no. 12 in A-flat major, op. 26: IV. Allegro | — | ||
| 32-5 | Sonata no. 13 in E-flat major, op. 27 no. 1: I. Andante - Allegro - Tempo I | — | ||
| 32-6 | Sonata no. 13 in E-flat major, op. 27 no. 1: II. Allegro molto e vivace - | — | ||
| 32-7 | Sonata no. 13 in E-flat major, op. 27 no. 1: III. Adagio con espressione - | — | ||
| 32-8 | Sonata no. 13 in E-flat major, op. 27 no. 1: IV. Allegro vivace - Tempo I - Presto | — | ||
| 32-9 | Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Alfred Brendel | — | |
| 32-10 | Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto | Alfred Brendel | — | |
| 32-11 | Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto | Alfred Brendel | — | |
| 32-12 | Sonata no. 15 in D major, op. 28 "Pastoral": I. Allegro | Alfred Brendel | — | |
| 32-13 | Sonata no. 15 in D major, op. 28 "Pastoral": II. Andante | Alfred Brendel | T-800.722.074-9 | |
| 32-14 | Sonata no. 15 in D major, op. 28 "Pastoral": III. Scherzo. Allegro assai | Alfred Brendel | T-306.395.786-4 | |
| 32-15 | Sonata no. 15 in D major, op. 28 "Pastoral": IV. Rondo. Allegro ma non troppo | Alfred Brendel | T-031.682.208-8 | |
| 33-1 | Sonata no. 16 in G major, op. 31 no. 1: I. Allegro vivace | — | ||
| 33-2 | Sonata no. 16 in G major, op. 31 no. 1: II. Adagio grazioso | — | ||
| 33-3 | Sonata no. 16 in G major, op. 31 no. 1: III. Rondo: Allegretto | — | ||
| 33-4 | Sonata No. 17 in D minor, Op. 31 No. 2 "Der Sturm": I. Largo – Allegro | Alfred Brendel | T-310.769.687-3 | |
| 33-5 | Sonata No. 17 in D minor, Op. 31 No. 2 "Der Sturm": II. Adagio | Alfred Brendel | — | |
| 33-6 | Sonata No. 17 in D minor, Op. 31 No. 2 "Der Sturm": III. Allegretto | Alfred Brendel | T-310.769.687-3 | |
| 33-7 | Sonata no. 18 in E-flat major, op. 31 no. 3: I. Allegro | — | ||
| 33-8 | Sonata no. 18 in E-flat major, op. 31 no. 3: II. Scherzo: Allegretto vivace | — | ||
| 33-9 | Sonata no. 18 in E-flat major, op. 31 no. 3: III. Menuetto: Moderato e grazioso | — | ||
| 33-10 | Sonata no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco | — | ||
| 33-11 | Sonata no. 19 in G minor, op. 49 no. 1: I. Andante | — | ||
| 33-12 | Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo: Allegro | — | ||
| 34-1 | Sonata no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo | — | ||
| 34-2 | Sonata no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto | — | ||
| 34-3 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": I. Allegro con brio | Alfred Brendel | — | |
| 34-4 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": II. Introduzione. Adagio molto | Alfred Brendel | — | |
| 34-5 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo | Alfred Brendel | T-312.439.094-5 | |
| 34-6 | Sonata no. 22 in F major, op. 54: I. In tempo d'un menuetto | — | ||
| 34-7 | Sonata no. 22 in F major, op. 54: II. Allegretto | — | ||
| 34-8 | Sonate Nr. 23 f-moll op. 57 "Appassionata": I. Allegro assai | Alfred Brendel | T-306.395.786-4 | |
| 34-9 | Sonate Nr. 23 f-moll op. 57 "Appassionata": II. Andante con moto – | Alfred Brendel | — | |
| 34-10 | Sonate Nr. 23 f-moll op. 57 "Appassionata": III. Allegro ma non troppo | Alfred Brendel | T-031.682.208-8 | |
| 35-1 | Sonata no. 24 in F-sharp major, op. 78: I. Adagio cantabile - Allegro ma non troppo | — | ||
| 35-2 | Sonata no. 24 in F-sharp major, op. 78: II. Allegro vivace | — | ||
| 35-3 | Sonata no. 25 in G major, op. 79: I. Presto alla tedesca | — | ||
| 35-4 | Sonata no. 25 in G major, op. 79: II. Andante | — | ||
| 35-5 | Sonata no. 25 in G major, op. 79: III. Vivace | — | ||
| 35-6 | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro "Les Adieux" | Alfred Brendel | — | |
| 35-7 | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo "L'Absence" | Alfred Brendel | T-800.722.074-9 | |
| 35-8 | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente "Le Retour" | Alfred Brendel | — | |
| 35-9 | Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 35-10 | Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | — | ||
| 35-11 | Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung (Allegro ma non troppo) | — | ||
| 35-12 | Sonata no. 28 in A major, op. 101: II. Lebhaft. Marschmäßig (Vivace alla marcia) | — | ||
| 35-13 | Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) - | — | ||
| 35-14 | Sonata no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit (Allegro) | — | ||
| 36-1 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: I. Allegro | — | ||
| 36-2 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: II. Scherzo: Assai vivace | — | ||
| 36-3 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: III. Adagio sostenuto, appassionato e con molto sentimento | — | ||
| 36-4 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: IV. Largo - Allegro risoluto | — | ||
| 36-5 | Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I | — | ||
| 36-6 | Sonata no. 30 in E major, op. 109: II. Prestissimo | — | ||
| 36-7 | Sonata no. 30 in E major, op. 109: III. Andante, molto cantabile ed espressivo (Gesangvoll, mit innigster Empfindung) | — | ||
| 37-1 | Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile, molto espressivo | — | ||
| 37-2 | Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | — | ||
| 37-3 | Sonata no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo - Arioso dolente - Fuga: Allegro, ma non troppo - L'istesso tempo di Arioso - L'inversione della Fuga | — | ||
| 37-4 | Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 37-5 | Sonata no. 32 in C minor, op. 111: II. Arietta: Adagio molto semplice e cantabile | — | ||
| 37-6 | Andante favori in F major, WoO 57 | — | ||
| 38-1 | Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | — | ||
| 38-2 | Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | — | ||
| 38-3 | Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto: Allegretto | — | ||
| 38-4 | Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | — | ||
| 38-5 | Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace | — | ||
| 38-6 | Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato | — | ||
| 38-7 | Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo: Allegretto | — | ||
| 38-8 | Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo: Grazioso | — | ||
| 38-9 | Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio | — | ||
| 38-10 | Sonata no. 3 in C major, op. 2 no. 3: II. Adagio | — | ||
| 38-11 | Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo: Allegro | — | ||
| 38-12 | Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai | — | ||
| 39-1 | Sonata no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | — | ||
| 39-2 | Sonata no. 4 in E-flat major, op. 7: II. Largo, con gran espressione | — | ||
| 39-3 | Sonata no. 4 in E-flat major, op. 7: III. Allegro | — | ||
| 39-4 | Sonata no. 4 in E-flat major, op. 7: IV. Rondo: Poco allegretto e grazioso | — | ||
| 39-5 | Sonata no. 15 in D major, op. 28 (“Pastoral”): I. Allegro | — | ||
| 39-6 | Sonata no. 15 in D major, op. 28 (“Pastoral”): II. Andante | — | ||
| 39-7 | Sonata no. 15 in D major, op. 28 (“Pastoral”): III. Scherzo: Allegro assai | — | ||
| 39-8 | Sonata no. 15 in D major, op. 28 (“Pastoral”): IV. Rondo: Allegro ma non troppo | — | ||
| 39-9 | Sonata no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo | — | ||
| 39-10 | Sonata no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto | — | ||
| 40-1 | Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | — | ||
| 40-2 | Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto | — | ||
| 40-3 | Sonata no. 5 in C minor, op. 10 no. 1: III. Finale: Prestissimo | — | ||
| 40-4 | Sonata no. 6 in F major, op. 10 no. 2: I. Allegro | — | ||
| 40-5 | Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto | — | ||
| 40-6 | Sonata no. 6 in F major, op. 10 no. 2: III. Presto | — | ||
| 40-7 | Sonata no. 7 in D major, op. 10 no. 3: I. Presto | — | ||
| 40-8 | Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto | — | ||
| 40-9 | Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto: Allegro | — | ||
| 40-10 | Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo: Allegro | — | ||
| 41-1 | Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave — Allegro di molto e con brio | — | ||
| 41-2 | Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | — | ||
| 41-3 | Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo: Allegro | — | ||
| 41-4 | Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | — | ||
| 41-5 | Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto | — | ||
| 41-6 | Sonata no. 9 in E major, op. 14 no. 1: III. Rondo: Allegro commodo | — | ||
| 41-7 | Sonata no. 10 in G major, op. 14 no. 2: I. Allegro | — | ||
| 41-8 | Sonata no. 10 in G major, op. 14 no. 2: II. Andante | — | ||
| 41-9 | Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo: Allegro assai | — | ||
| 41-10 | Sonata no. 11 in B-flat major, op. 22: I. Allegro con brio | — | ||
| 41-11 | Sonata no. 11 in B-flat major, op. 22: II. Adagio con molta espressione | — | ||
| 41-12 | Sonata no. 11 in B-flat major, op. 22: III. Minuetto | — | ||
| 41-13 | Sonata no. 11 in B-flat major, op. 22: IV. Rondo: Allegretto | — | ||
| 42-1 | Sonata no. 12 in A-flat major, op. 26: I. Andante con variazioni | — | ||
| 42-2 | Sonata no. 12 in A-flat major, op. 26: II. Scherzo: Allegro molto | — | ||
| 42-3 | Sonata no. 12 in A-flat major, op. 26: III. Marcia funebre sulla morte d'un eroe | — | ||
| 42-4 | Sonata no. 12 in A-flat major, op. 26: IV. Allegro | — | ||
| 42-5 | Sonata no. 13 in E-flat major, op. 27 no. 1: I. Andante — Allegro — Tempo I | — | ||
| 42-6 | Sonata no. 13 in E-flat major, op. 27 no. 1: II. Allegro molto e vivace — | — | ||
| 42-7 | Sonata no. 13 in E-flat major, op. 27 no. 1: III. Adagio con espressione — | — | ||
| 42-8 | Sonata no. 13 in E-flat major, op. 27 no. 1: IV. Allegro vivace — Tempo I — Presto | — | ||
| 42-9 | Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | — | ||
| 42-10 | Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto | — | ||
| 42-11 | Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: III. Presto | — | ||
| 42-12 | Sonata no. 19 in G minor, op. 49 no. 1: I. Andante | — | ||
| 42-13 | Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo: Allegro | — | ||
| 43-1 | Sonata no. 16 in G major, op. 31 no. 1: I. Allegro vivace | — | ||
| 43-2 | Sonata no. 16 in G major, op. 31 no. 1: II. Adagio grazioso | — | ||
| 43-3 | Sonata no. 16 in G major, op. 31 no. 1: III. Rondo: Allegretto | — | ||
| 43-4 | Sonata no. 17 in D minor, op. 31 no. 2 (“The Tempest”): I. Largo — Allegro | — | ||
| 43-5 | Sonata no. 17 in D minor, op. 31 no. 2 (“The Tempest”): II. Adagio | — | ||
| 43-6 | Sonata no. 17 in D minor, op. 31 no. 2 (“The Tempest”): III. Allegretto | — | ||
| 43-7 | Sonata no. 18 in E-flat major, op. 31 no. 3: I. Allegro | — | ||
| 43-8 | Sonata no. 18 in E-flat major, op. 31 no. 3: II. Scherzo: Allegretto vivace | — | ||
| 43-9 | Sonata no. 18 in E-flat major, op. 31 no. 3: III. Menuetto: Moderato e grazioso | — | ||
| 43-10 | Sonata no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco | — | ||
| 44-1 | Sonata no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio | — | ||
| 44-2 | Sonata no. 21 in C major, op. 53 “Waldstein”: II. Introduzione: Adagio molto — | — | ||
| 44-3 | Sonata no. 21 in C major, op. 53 “Waldstein”: III. Rondo: Allegretto moderato — Prestissimo | — | ||
| 44-4 | Sonata no. 22 in F major, op. 54: I. In tempo d'un menuetto | — | ||
| 44-5 | Sonata no. 22 in F major, op. 54: II. Allegretto | — | ||
| 44-6 | Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo) | — | ||
| 44-7 | Sonata no. 28 in A major, op. 101: II. Lebhaft. Marschmäßig (Vivace alla marcia) | — | ||
| 44-8 | Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) — | — | ||
| 44-9 | Sonata no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit (Allegro) | — | ||
| 44-10 | Andante favori in F major, WoO 57 | — | ||
| 45-1 | Sonata no. 25 in G major, op. 79: I. Presto alla tedesca | — | ||
| 45-2 | Sonata no. 25 in G major, op. 79: II. Andante | — | ||
| 45-3 | Sonata no. 25 in G major, op. 79: III. Vivace | — | ||
| 45-4 | Sonata no. 24 in F-sharp major, op. 78: I. Adagio cantabile — Allegro ma non troppo | — | ||
| 45-5 | Sonata no. 24 in F-sharp major, op. 78: II. Allegro vivace | — | ||
| 45-6 | Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 45-7 | Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | — | ||
| 45-8 | Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | — | ||
| 45-9 | Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | — | ||
| 45-10 | Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo | — | ||
| 46-1 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: I. Allegro | — | ||
| 46-2 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: II. Scherzo: Assai vivace | — | ||
| 46-3 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: III. Adagio sostenuto, appassionato e con molto sentimento | — | ||
| 46-4 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: IV. Largo — Allegro risoluto | — | ||
| 46-5 | Sonata no. 26 in E-flat major, op. 81a “Les Adieux”: I. Adagio — Allegro (Lebewohl) | — | ||
| 46-6 | Sonata no. 26 in E-flat major, op. 81a “Les Adieux”: II. Andante espressivo (Abwesenheit) | — | ||
| 46-7 | Sonata no. 26 in E-flat major, op. 81a “Les Adieux”: III. Vivacissimamente (Das Wiedersehn) | — | ||
| 47-1 | Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo — Adagio espressivo — Tempo I | — | ||
| 47-2 | Sonata no. 30 in E major, op. 109: II. Prestissimo | — | ||
| 47-3 | Sonata no. 30 in E major, op. 109: III. Andante, molto cantabile ed espressivo (Gesangvoll, mit innigster Empfindung) | — | ||
| 47-4 | Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile, molto espressivo | — | ||
| 47-5 | Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | — | ||
| 47-6 | Sonata no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo — Arioso dolente | — | ||
| 47-7 | Sonata no. 31 in A-flat major, op. 110: III. Fuga: Allegro, ma non troppo — L'istesso tempo di Arioso — L'inversione della Fuga | — | ||
| 47-8 | Sonata no. 32 in C minor, op. 111: I. Maestoso — Allegro con brio ed appassionato | — | ||
| 47-9 | Sonata no. 32 in C minor, op. 111: II. Arietta: Adagio molto semplice e cantabile | — | ||
| 48-1 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Introduzione col basso del tema - Tema | Alfred Brendel | — | |
| 48-2 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation I | Alfred Brendel | — | |
| 48-3 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation II | Alfred Brendel | — | |
| 48-4 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation III | Alfred Brendel | — | |
| 48-5 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation IV | Alfred Brendel | — | |
| 48-6 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation V | Alfred Brendel | — | |
| 48-7 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation VI-VII | Alfred Brendel | — | |
| 48-8 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation VIII | Alfred Brendel | — | |
| 48-9 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation IX | Alfred Brendel | — | |
| 48-10 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation X | Alfred Brendel | — | |
| 48-11 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation XI | Alfred Brendel | — | |
| 48-12 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation XII | Alfred Brendel | — | |
| 48-13 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation XIII | Alfred Brendel | — | |
| 48-14 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation XIV-XV | Alfred Brendel | — | |
| 48-15 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Finale. Alla fuga | Alfred Brendel | — | |
| 48-16 | Bagatelle for Piano, op. 126 no. 1 in G major: Andante con moto cantabile e compiacevole | Alfred Brendel | — | |
| 48-17 | Bagatelle for Piano, op. 126 no. 2 in G minor: Allegro | Alfred Brendel | — | |
| 48-18 | Bagatelle for Piano, op. 126 no. 3 in E-flat major: Andante cantabile e grazioso | Alfred Brendel | — | |
| 48-19 | Bagatelle for Piano, op. 126 no. 4 in B minor: Presto | Alfred Brendel | — | |
| 48-20 | Bagatelle for Piano, op. 126 no. 4 in B minor: Presto | Alfred Brendel | — | |
| 48-21 | Bagatelle for Piano, op. 126 no. 6 in E-flat major: Presto - Andante amabile e con moto - Tempo | Alfred Brendel | — | |
| 48-22 | 6 Ecossaises, WoO 83: No. 1 | Alfred Brendel | — | |
| 48-23 | 6 Ecossaises, WoO 83: No. 2 | Alfred Brendel | — | |
| 48-24 | 6 Ecossaises, WoO 83: No. 4 | Alfred Brendel | — | |
| 48-25 | 6 Ecossaises, WoO 83: No. 4 | Alfred Brendel | — | |
| 48-26 | 6 Ecossaises, WoO 83: No. 5 | Alfred Brendel | — | |
| 48-27 | 6 Ecossaises, WoO 83: No. 6 | Alfred Brendel | — | |
| 48-28 | 6 Variations on an Original Theme in F major, op. 34: Thema: Adagio | — | ||
| 48-29 | 6 Variations on an Original Theme in F major, op. 34: Variation I | — | ||
| 48-30 | 6 Variations on an Original Theme in F major, op. 34: Variation II: Allegro ma non troppo | — | ||
| 48-31 | 6 Variations on an Original Theme in F major, op. 34: Variation III: Allegretto | — | ||
| 48-32 | 6 Variations on an Original Theme in F major, op. 34: Variation IV: Tempo di menuetto | — | ||
| 48-33 | 6 Variations on an Original Theme in F major, op. 34: Variation V: Marcia: Allegretto | — | ||
| 48-34 | 6 Variations on an Original Theme in F major, op. 34: Variation VI - Coda: Allegretto | — | ||
| 48-35 | 5 Variations on “Rule Britannia” in D major, WoO 79: Thema: Tempo moderato | — | ||
| 48-36 | 5 Variations on “Rule Britannia” in D major, WoO 79: Variation I | — | ||
| 48-37 | 5 Variations on “Rule Britannia” in D major, WoO 79: Variation II | — | ||
| 48-38 | 5 Variations on “Rule Britannia” in D major, WoO 79: Variation III | — | ||
| 48-39 | 5 Variations on “Rule Britannia” in D major, WoO 79: Variation IV | — | ||
| 48-40 | 5 Variations on “Rule Britannia” in D major, WoO 79: Variation V - Coda | — | ||
| 48-41 | 6 Variations on “Nel cor più non mi sento” in G major, WoO 70: Thema [Andantino] | — | ||
| 48-42 | 6 Variations on “Nel cor più non mi sento” in G major, WoO 70: Variation I | — | ||
| 48-43 | 6 Variations on “Nel cor più non mi sento” in G major, WoO 70: Variation II | — | ||
| 48-44 | 6 Variations on “Nel cor più non mi sento” in G major, WoO 70: Variation III | — | ||
| 48-45 | 6 Variations on “Nel cor più non mi sento” in G major, WoO 70: Variation IV | — | ||
| 48-46 | 6 Variations on “Nel cor più non mi sento” in G major, WoO 70: Variation V | — | ||
| 48-47 | 6 Variations on “Nel cor più non mi sento” in G major, WoO 70: Variation VI | — | ||
| 49-1 | 7 Bagatelles, op. 33: Andante grazioso, quasi allegretto | — | ||
| 49-2 | 7 Bagatelles, op. 33: Scherzo: Allegro | — | ||
| 49-3 | 7 Bagatelles, op. 33: Allegretto | — | ||
| 49-4 | 7 Bagatelles, op. 33: Andante | — | ||
| 49-5 | 7 Bagatelles, op. 33: Allegro, ma non troppo | — | ||
| 49-6 | 7 Bagatelles, op. 33: Allegretto quasi andante | — | ||
| 49-7 | 7 Bagatelles, op. 33: Presto | — | ||
| 49-8 | Rondo in C major, op. 51 no. 1 | — | ||
| 49-9 | Allegretto in C minor, WoO 53 | — | ||
| 49-10 | 11 Bagatelles, op. 119: No. 1 Allegretto | — | ||
| 49-11 | 11 Bagatelles, op. 119: No. 2 Andante con moto | — | ||
| 49-12 | 11 Bagatelles, op. 119: No. 3 À l'allemande | — | ||
| 49-13 | 11 Bagatelles, op. 119: No. 4 Andante cantabile | — | ||
| 49-14 | 11 Bagatelles, Op. 119: Risoluto | Alfred Brendel | — | |
| 49-15 | 11 Bagatelles, op. 119: No. 6 Andante - Allegretto leggiermente | — | ||
| 49-16 | 11 Bagatelles, Op. 119: Allegro ma non troppo | Alfred Brendel | T-031.682.208-8 | |
| 49-17 | 11 Bagatelles, op. 119: No. 8 Moderato cantabile | — | ||
| 49-18 | 11 Bagatelles, op. 119: No. 9 Vivace moderato | — | ||
| 49-19 | 11 Bagatelles, op. 119: No. 10 Allegramente | — | ||
| 49-20 | 11 Bagatelles, op. 119: No. 11 Andante, ma non troppo | — | ||
| 49-21 | 6 Bagatelles, op. 126: No. 1 Andante con moto | — | ||
| 49-22 | 6 Bagatelles, op. 126: No. 2 Allegro | — | ||
| 49-23 | 6 Bagatelles, op. 126: No. 3 Andante cantabile e grazioso | — | ||
| 49-24 | 6 Bagatelles, op. 126: No. 4 Presto | — | ||
| 49-25 | 6 Bagatelles, op. 126: No. 5 Quasi allegretto | — | ||
| 49-26 | 6 Bagatelles, op. 126: No. 6 Presto - Andante amabile e con moto - Tempo I | — | ||
| 49-27 | Bagatelle in B-flat major, WoO 60 | — | ||
| 49-28 | Bagatelle in A minor, WoO 59 "Für Elise" | Alfred Brendel | T-304.254.199-7 | |
| 50-1 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Tema: Vivace - Variation I: Alla marcia maestoso | — | ||
| 50-2 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation II: Poco allegro | — | ||
| 50-3 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation III: L'istesso tempo | — | ||
| 50-4 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation IV: Un poco più vivace | — | ||
| 50-5 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation V: Allegro vivace | — | ||
| 50-6 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation VI: Allegro ma non troppo e serioso | — | ||
| 50-7 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation VII: Un poco più allegro | — | ||
| 50-8 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation VIII: Poco vivace | — | ||
| 50-9 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation IX: Allegro pesante e risoluto | — | ||
| 50-10 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation X: Presto | — | ||
| 50-11 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XI: Allegretto | — | ||
| 50-12 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XII: Un poco più moto | — | ||
| 50-13 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XIII: Vivace | — | ||
| 50-14 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XIV: Grave e maestoso | — | ||
| 50-15 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XV: Presto scherzando | — | ||
| 50-16 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XVI: Allegro | — | ||
| 50-17 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XVII: Allegro | — | ||
| 50-18 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XVIII: Poco moderato | — | ||
| 50-19 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XIX: Presto | — | ||
| 50-20 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XX: Andante | — | ||
| 50-21 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXI: Allegro con brio - Meno allegro | — | ||
| 50-22 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXII: Allegro molto (alla “Notte e giorno faticar” di Mozart) | — | ||
| 50-23 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXIII: Allegro assai | — | ||
| 50-24 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXIV: Fughetta: Andante | — | ||
| 50-25 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXV: Allegro | — | ||
| 50-26 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXVI: (Piacevole) | — | ||
| 50-27 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXVII: Vivace | — | ||
| 50-28 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXVIII: Allegro | — | ||
| 50-29 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXIX: Adagio ma non troppo | — | ||
| 50-30 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXX: Andante, sempre cantabile | — | ||
| 50-31 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXXI: Largo, molto espressivo | — | ||
| 50-32 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXXII: Fuga: Allegro - Poco adagio | — | ||
| 50-33 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXXIII: Tempo di minuetto moderato | — | ||
| 51-1 | Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 51-2 | Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 51-3 | Concerto no. 1 in C major, op. 15: III. Rondo: Allegro scherzando | — | ||
| 51-4 | Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 51-5 | Concerto no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 51-6 | Concerto no. 2 in B-flat major, op. 19: III. Rondo: Molto allegro | — | ||
| 52-1 | Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 52-2 | Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 52-3 | Concerto no. 3 in C minor, op. 37: III. Rondo: Allegro | — | ||
| 52-4 | Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 52-5 | Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 52-6 | Concerto no. 4 in G major, op. 58: III. Rondo: Vivace | — | ||
| 53-1 | Piano Concerto no. 5 in E-flat, op. 73 "Emperor": I. Allegro | Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink | — | |
| 53-2 | Piano Concerto no. 5 in E-flat, op. 73 "Emperor": II. Adagio un poco mosso | Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink | — | |
| 53-3 | Piano Concerto no. 5 in E-flat, op. 73 "Emperor": III. Rondo (Allegro) | Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink | — | |
| 53-4 | Fantasia for Piano, Chorus and Orchestra in C minor, op. 80: I. Adagio | London Philharmonic Choir, Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink | — | |
| 53-5 | Fantasia for Piano, Chorus and Orchestra in C minor, op. 80: II. Finale (Allegro) | London Philharmonic Choir, Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink | — | |
| 53-6 | Fantasia for Piano, Chorus and Orchestra in C minor, op. 80: III. Allegro ma non troppo | London Philharmonic Choir, Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink | — | |
| 54-1 | Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 54-2 | Piano Concerto No. 1 in C major, Op. 15: II. Largo | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 54-3 | Piano Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro scherzando | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 54-4 | Klavierkonzert Nr. 4 G-dur, Op. 58: I. Allegro moderato | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 54-5 | Klavierkonzert Nr. 4 G-dur, Op. 58: II. Andante con moto | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 54-6 | Klavierkonzert Nr. 4 G-dur, Op. 58: III. Rondo: Vivace | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 55-1 | Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 55-2 | Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 55-3 | Piano Concerto No. 2 in B-flat major, Op. 19: III. Rondo: Vivace | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 55-4 | Piano Concerto No. 3 in C minor, Op. 37: I. Allegro con brio | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 55-5 | Piano Concerto No. 3 in C minor, Op. 37: II. Largo | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 55-6 | Piano Concerto No. 3 in C minor, Op. 37: III. Rondo. Allegro | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | T-700.095.171-5 | |
| 56-1 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | T-306.395.786-4 | |
| 56-2 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 56-3 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro ma non troppo | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | T-800.132.125-2 | |
| 57-1 | Sonata no. 4 in A minor, D. 537: I. Allegro ma non troppo | — | ||
| 57-2 | Sonata no. 4 in A minor, D. 537: II. Allegretto quasi andantino | — | ||
| 57-3 | Sonata no. 4 in A minor, D. 537: III. Allegro vivace | — | ||
| 57-4 | Sonata no. 13 in A major, D. 664: I. Allegro moderato | — | ||
| 57-5 | Sonata no. 13 in A major, D. 664: II. Andante | — | ||
| 57-6 | Sonata no. 13 in A major, D. 664: III. Allegro | — | ||
| 58-1 | Sonata no. 14 in A minor, D. 784: I. Allegro giusto | — | ||
| 58-2 | Sonata no. 14 in A minor, D. 784: II. Andante | — | ||
| 58-3 | Sonata no. 14 in A minor, D. 784: III. Allegro vivace | — | ||
| 58-4 | Sonata in C major, D. 840 “Reliquie”: I. Moderato | — | ||
| 58-5 | Sonata in C major, D. 840 “Reliquie”: II. Andante | — | ||
| 58-6 | Sonata no. 16 in A minor, D. 845: I. Moderato | — | ||
| 58-7 | Sonata no. 16 in A minor, D. 845: II. Andante, poco mosso | — | ||
| 58-8 | Sonata no. 16 in A minor, D. 845: III. Scherzo: Allegro vivace - Trio: Un poco più lento | — | ||
| 58-9 | Sonata no. 16 in A minor, D. 845: IV. Rondo: Allegro vivace | — | ||
| 59-1 | Sonata no. 17 in D major, D. 850: I. Allegro vivace | — | ||
| 59-2 | Sonata no. 17 in D major, D. 850: II. Con moto | — | ||
| 59-3 | Sonata no. 17 in D major, D. 850: III. Scherzo: Allegro vivace | — | ||
| 59-4 | Sonata no. 17 in D major, D. 850: IV. Rondo: Allegro moderato | — | ||
| 59-5 | Sonata no. 18 in G major, D. 894: I. Molto moderato e cantabile | — | ||
| 59-6 | Sonata no. 18 in G major, D. 894: II. Andante | — | ||
| 59-7 | Sonata no. 18 in G major, D. 894: III. Menuetto: Allegro moderato | — | ||
| 59-8 | Sonata no. 18 in G major, D. 894: IV. Allegretto | — | ||
| 60-1 | Sonata no. 19 in C minor, D. 958: I. Allegro | — | ||
| 60-2 | Sonata no. 19 in C minor, D. 958: II. Adagio | — | ||
| 60-3 | Sonata no. 19 in C minor, D. 958: III. Menuetto: Allegro | — | ||
| 60-4 | Sonata no. 19 in C minor, D. 958: IV. Allegro | — | ||
| 60-5 | Sonata no. 20 in A major, D. 959: I. Allegro | — | ||
| 60-6 | Sonata no. 20 in A major, D. 959: II. Andantino | — | ||
| 60-7 | Sonata no. 20 in A major, D. 959: III. Scherzo: Allegro vivace | — | ||
| 60-8 | Sonata no. 20 in A major, D. 959: IV. Rondo: Allegretto | — | ||
| 61-1 | Sonata no. 21 in B-flat major, D. 960: I. Molto moderato | — | ||
| 61-2 | Sonata no. 21 in B-flat major, D. 960: II. Andante sostenuto | — | ||
| 61-3 | Sonata no. 21 in B-flat major, D. 960: III. Scherzo: Allegro vivace con delicatezza | — | ||
| 61-4 | Sonata no. 21 in B-flat major, D. 960: IV. Allegro ma non troppo | — | ||
| 61-5 | 3 Klavierstücke (impromptus), D. 946: No. 1 in E-flat minor: Allegro assai - Andante - Tempo I | — | ||
| 61-6 | 3 Klavierstücke (impromptus), D. 946: No. 2 in E-flat major: Allegretto | — | ||
| 61-7 | 3 Klavierstücke (impromptus), D. 946: No. 3 in C major: Allegro | — | ||
| 61-8 | 11 Ecossaises D. 781 | Alfred Brendel | — | |
| 61-9 | Hungarian Melody in B minor D. 817 | Alfred Brendel | — | |
| 61-10 | Allegretto in C minor D. 915 | Alfred Brendel | — | |
| 62-1 | Impromptu in C minor D. 899 No. 1: Allegro molto moderato | Alfred Brendel | — | |
| 62-2 | Impromptu in E-flat major D. 899 No. 2: Allegro | Alfred Brendel | — | |
| 62-3 | Impromptu in G-flat major D. 899 No. 3: Andante | Alfred Brendel | T-304.253.008-1 | |
| 62-4 | Impromptu in A-flat major D. 899 No. 4: Allegretto | Alfred Brendel | T-304.253.207-6 | |
| 62-5 | Impromptu in F minor, D. 935 No. 1: Allegro moderato | Alfred Brendel | — | |
| 62-6 | Impromptu in A-flat major, D. 935 No. 2: Allegretto | Alfred Brendel | T-318.569.264-8 | |
| 62-7 | Impromptu in B-flat major, D. 935 No. 3: Theme (Andante) with variations | Alfred Brendel | — | |
| 62-8 | Four Impromptus, op. 142, D. 935: no. 4 in F minor | Alfred Brendel | — | |
| 62-9 | 16 German Dances, D. 783 | — | ||
| 63-1 | Fantasy in C major, op. 15, D. 760 “Wanderer”: I. Allegro con fuoco ma non troppo | — | ||
| 63-2 | Fantasy in C major, op. 15, D. 760 “Wanderer”: II. Adagio | — | ||
| 63-3 | Fantasy in C major, op. 15, D. 760 “Wanderer”: III. Presto | — | ||
| 63-4 | Fantasy in C major, op. 15, D. 760 “Wanderer”: IV. Allegro | — | ||
| 63-5 | 6 Moments musicaux, op. 94, D. 780: No. 1 in C major: Moderato | — | ||
| 63-6 | 6 Moments musicaux, op. 94, D. 780: No. 2 in A-flat major: Andantino | — | ||
| 63-7 | 6 Moments musicaux, op. 94, D. 780: No. 3 in F minor: Allegro moderato | — | ||
| 63-8 | 6 Moments musicaux, op. 94, D. 780: No. 4 in C-sharp minor: Moderato | — | ||
| 63-9 | 6 Moments musicaux, op. 94, D. 780: No. 5 in F minor: Allegro vivace | — | ||
| 63-10 | 6 Moments musicaux, op. 94, D. 780: No. 6 in A-flat major: Allegretto | — | ||
| 63-11 | 12 German Dances, D. 790 | — | ||
| 64-1 | Piano Sonata no. 17 in D major, op. 53, D. 850: I. Allegro | Alfred Brendel | — | |
| 64-2 | Piano Sonata no. 17 in D major, op. 53, D. 850: II. Con moto | Alfred Brendel | T-918.982.163-4 | |
| 64-3 | Piano Sonata no. 17 in D major, op. 53, D. 850: III. Scherzo: Allegro vivace | Alfred Brendel | — | |
| 64-4 | Piano Sonata no. 17 in D major, op. 53, D. 850: IV. Rondo: Allegro moderato | Alfred Brendel | — | |
| 64-5 | Piano Sonata no. 14 in A minor, op. posth. 143, D. 784: I. Allegro giusto | Alfred Brendel | T-928.635.436-7 | |
| 64-6 | Piano Sonata no. 14 in A minor, op. posth. 143, D. 784: II. Andante | Alfred Brendel | — | |
| 64-7 | Piano Sonata no. 14 in A minor, op. posth. 143, D. 784: III. Allegro vivace | Alfred Brendel | — | |
| 65-1 | Piano Sonata no. 20 in A major, D. 959: I. Allegro | Alfred Brendel | T-304.359.215-6 | |
| 65-2 | Piano Sonata no. 20 in A major, D. 959: II. Andantino | Alfred Brendel | — | |
| 65-3 | Piano Sonata no. 20 in A major, D. 959: III. Scherzo: Allegro vivace | Alfred Brendel | — | |
| 65-4 | Piano Sonata no. 20 in A major, D. 959: IV. Rondo: Allegretto | Alfred Brendel | T-304.253.207-6 | |
| 65-5 | Hungarian Melody in B minor, D. 817 | Alfred Brendel | — | |
| 65-6 | Sixteen German Dances, D. 783 | Alfred Brendel | — | |
| 65-7 | Allegretto in C minor, D. 915 | Alfred Brendel | T-011.751.253-4 | |
| 66-1 | Piano Sonata no. 19 in C minor, D. 958: I. Allegro | Alfred Brendel | T-306.395.786-4 | |
| 66-2 | Piano Sonata no. 19 in C minor, D. 958: II. Adagio | Alfred Brendel | — | |
| 66-3 | Piano Sonata no. 19 in C minor, D. 958: III. Menuetto: Allegro | Alfred Brendel | — | |
| 66-4 | Piano Sonata no. 19 in C minor, D. 958: IV. Allegro | Alfred Brendel | T-318.676.528-2 | |
| 66-5 | Moments musicaux, op. 94, D. 780, no. 1 in C major: Moderato | Alfred Brendel | T-010.437.719-6 | |
| 66-6 | Moments musicaux, op. 94, D. 780, no. 2 in A-flat major: Andantino | Alfred Brendel | T-906.148.797-6 | |
| 66-7 | Moments musicaux, op. 94, D. 780, no. 3 in F minor: Allegro moderato | Alfred Brendel | — | |
| 66-8 | Moments musicaux, op. 94, D. 780, no. 4 in C-sharp minor: Moderato | Alfred Brendel | — | |
| 66-9 | Moments musicaux, op. 94, D. 780, no. 5 in F minor: Allegro vivace | Alfred Brendel | T-909.573.827-5 | |
| 66-10 | Moments musicaux, op. 94, D. 780, no. 6 in A-flat major: Allegretto | Alfred Brendel | T-917.141.515-9 | |
| 67-1 | Piano Sonata no. 16 in A minor, D. 845: I. Moderato | Alfred Brendel | — | |
| 67-2 | Piano Sonata no. 16 in A minor, D. 845: II. Andante poco mosso | Alfred Brendel | — | |
| 67-3 | Piano Sonata no. 16 in A minor, D. 845: III. Scherzo: Allegro vivace - Trio: Un poco più mosso | Alfred Brendel | — | |
| 67-4 | Piano Sonata no. 16 in A minor, D. 845: IV. Rondo: Allegro vivace | Alfred Brendel | — | |
| 67-5 | 3 Klavierstücke (Impromptus), D. 946 no. 1 in E-flat minor | Alfred Brendel | — | |
| 67-6 | 3 Klavierstücke (Impromptus), D. 946 no. 2 in E-flat major | Alfred Brendel | — | |
| 67-7 | 3 Klavierstücke (Impromptus), D. 946 no. 3 in C major | Alfred Brendel | — | |
| 68-1 | Four Impromptus, op. 90, D. 899: no. 1 in C minor | Alfred Brendel | — | |
| 68-2 | Four Impromptus, op. 90, D. 899: no. 2 in E-flat major | Alfred Brendel | — | |
| 68-3 | Four Impromptus, op. 90, D. 899: no. 3 in G-flat major | Alfred Brendel | T-304.253.008-1 | |
| 68-4 | Impromptus, op. 90: No. 4 in A‐flat major (Allegretto) | Alfred Brendel | T-304.253.207-6 | |
| 68-5 | Four Impromptus, op. 142, D. 935: no. 1 in F minor | Alfred Brendel | — | |
| 68-6 | Four Impromptus, op. 142, D. 935: no. 2 in A-flat major | Alfred Brendel | T-318.569.264-8 | |
| 68-7 | Four Impromptus, op. 142, D. 935: no. 3 in B-flat major | Alfred Brendel | — | |
| 68-8 | Impromptus Op. 142 D. 935, No. 4 in f-moll | Alfred Brendel | — | |
| 69-1 | Piano Sonata in G major, op. 78, D. 894: I. Molto moderato e cantabile | Alfred Brendel | — | |
| 69-2 | Piano Sonata in G major, op. 78, D. 894: II. Andante | Alfred Brendel | — | |
| 69-3 | Piano Sonata in G major, op. 78, D. 894: III. Menuetto. Allegro moderato | Alfred Brendel | — | |
| 69-4 | Piano Sonata in G major, op. 78, D. 894: IV. Allegretto | Alfred Brendel | T-304.253.207-6 | |
| 69-5 | Piano Sonata in C major, D. 840 “Reliquie”: I. Moderato | Alfred Brendel | — | |
| 69-6 | Piano Sonata in C major, D. 840 “Reliquie”: II. Andante | Alfred Brendel | — | |
| 70-1 | Piano Sonata no. 21 in B-flat, D. 960: I. Molto moderato | Alfred Brendel | — | |
| 70-2 | Piano Sonata no. 21 in B-flat, D. 960: II. Andante sostenuto | Alfred Brendel | — | |
| 70-3 | Piano Sonata no. 21 in B-flat, D. 960: III. Scherzo (Allegro vivace con delicatezza) | Alfred Brendel | — | |
| 70-4 | Piano Sonata no. 21 in B-flat, D. 960: IV. Allegro ma non troppo | Alfred Brendel | T-031.682.208-8 | |
| 70-5 | Fantasy in C Major "Wanderer": I. Allegro con fuoco ma non troppo | Alfred Brendel | — | |
| 70-6 | Fantasy in C Major "Wanderer": II. Adagio | Alfred Brendel | — | |
| 70-7 | Fantasia in C major, op. 15, D. 760 “Wanderer”: III. Presto | Alfred Brendel | — | |
| 70-8 | Fantasy in C Major "Wanderer": IV. Allegro | Alfred Brendel | T-031.682.208-8 | |
| 71-1 | Konzertstück in F minor, op. 79: I. Larghetto affettuoso - Allegro passionato - | — | ||
| 71-2 | Konzertstück in F minor, op. 79: II. Adagio - Tempo di marcia - Più mosso - Presto giojoso | — | ||
| 71-3 | Sonata no. 2 in A-flat major, op. 39: I. Allegro moderato con spirito ed assai legato | — | ||
| 71-4 | Sonata no. 2 in A-flat major, op. 39: II. Andante | — | ||
| 71-5 | Sonata no. 2 in A-flat major, op. 39: III. Menuetto capriccioso: Presto assai | — | ||
| 71-6 | Sonata no. 2 in A-flat major, op. 39: IV. Rondo: Moderato e molto grazioso | — | ||
| 71-7 | Variations sérieuses, op. 54 | — | ||
| 72-1 | Concerto for Piano and Orchestra in A minor, op. 54: 1. Allegro affettuoso | Alfred Brendel, London Symphony Orchestra, Claudio Abbado | — | |
| 72-2 | Concerto for Piano and Orchestra in A minor, op. 54: 2. Intermezzo. Andantino grazioso | Alfred Brendel, London Symphony Orchestra, Claudio Abbado | — | |
| 72-3 | Concerto for Piano and Orchestra in A minor, op. 54: 3. Allegro vivace | Alfred Brendel, London Symphony Orchestra, Claudio Abbado | — | |
| 72-4 | Fantasie C-dur, Op. 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen - im legenden-Ton | Alfred Brendel | — | |
| 72-5 | Fantasie C-dur, Op. 17: II. Mäßig. Durchaus energisch - etwas langsamer - viel bewegter | Alfred Brendel | — | |
| 72-6 | Fantasie C-dur, Op. 17: III. Langsam getragen. Durchweg leise zu halten - etwas bewegter | Alfred Brendel | — | |
| 73-1 | Piano Concerto in A minor, Op. 54: I. Allegro affettuoso | Alfred Brendel, Philharmonia Orchestra, Kurt Sanderling | T-909.264.262-1 | |
| 73-2 | Piano Concerto in A minor, Op. 54: II. Intermezzo. Andantino grazioso | Alfred Brendel, Philharmonia Orchestra, Kurt Sanderling | T-909.264.262-1 | |
| 73-3 | Piano Concerto in A minor, Op. 54: III. Allegro vivace | Alfred Brendel, Philharmonia Orchestra, Kurt Sanderling | T-909.264.262-1 | |
| 73-4 | Fantasy in C major, Op, 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen - Im Legendenton | Alfred Brendel | — | |
| 73-5 | Fantasy in C major, Op, 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter | Alfred Brendel | — | |
| 73-6 | Fantasy in C major, Op, 17: III. Langsam getragen. Durchweg leise zu halten - Etwas bewegter | Alfred Brendel | — | |
| 74-1 | Kreisleriana, op. 16: I. Äußerst bewegt | — | ||
| 74-2 | Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch / Intermezzo I: Sehr lebhaft / Intermezzo II: Etwas bewegter | — | ||
| 74-3 | Kreisleriana, op. 16: III. Sehr aufgeregt | — | ||
| 74-4 | Kreisleriana, op. 16: IV. Sehr langsam | — | ||
| 74-5 | Kreisleriana, op. 16: V. Sehr lebhaft | — | ||
| 74-6 | Kreisleriana, op. 16: VI. Sehr langsam | — | ||
| 74-7 | Kreisleriana, op. 16: VII. Sehr rasch | — | ||
| 74-8 | Kreisleriana, op. 16: VIII. Schnell und spielend | — | ||
| 74-9 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | — | ||
| 74-10 | Kinderszenen, op. 15: II. Kuriose Geschichte | — | ||
| 74-11 | Kinderszenen, op. 15: III. Haschemann | — | ||
| 74-12 | Kinderszenen, op. 15: IV. Bittendes Kind | — | ||
| 74-13 | Kinderszenen, op. 15: V. Glückes genung | — | ||
| 74-14 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | — | ||
| 74-15 | Kinderszenen, op. 15: VII. Träumerei | — | ||
| 74-16 | Kinderszenen, op. 15: VIII. Am Kamin | — | ||
| 74-17 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | — | ||
| 74-18 | Kinderszenen, op. 15: X. Fast zu ernst | — | ||
| 74-19 | Kinderszenen, op. 15: XI. Fürchtenmachen | — | ||
| 74-20 | Kinderszenen, op. 15: XII. Kind im Einschlummern | — | ||
| 74-21 | Kinderszenen, op. 15: XIII. Der Dichter spricht | — | ||
| 74-22 | 8 Fantasiestücke, op.12: I. Des Abends | Alfred Brendel | — | |
| 74-23 | Fantasiestücke, op. 12: II. Aufschwung | — | ||
| 74-24 | 8 Fantasiestücke, op.12: III. Warum? | Alfred Brendel | — | |
| 74-25 | Fantasiestücke, op. 12: IV. Grillen | — | ||
| 74-26 | 8 Fantasiestücke, op.12: V. In der Nacht | Alfred Brendel | — | |
| 74-27 | Fantasiestücke, op. 12: VI. Fabel | — | ||
| 74-28 | Fantasiestücke, op. 12: VII. Traumes-Wirren | — | ||
| 74-29 | 8 Fantasiestücke, op.12: VIII. Ende vom Lied | Alfred Brendel | — | |
| 75-1 | Symphonic Studies, op.13: Theme | — | ||
| 75-2 | Symphonic Studies, op.13: Variation III (Appendix) | — | ||
| 75-3 | Symphonic Studies, op.13: Étude I | — | ||
| 75-4 | Symphonic Studies, op.13: Variation I | — | ||
| 75-5 | Symphonic Studies, op.13: Variation II | — | ||
| 75-6 | Symphonic Studies, op.13: Étude II | — | ||
| 75-7 | Symphonic Studies, op.13: Étude III | — | ||
| 75-8 | Symphonic Studies, op.13: Étude IV | — | ||
| 75-9 | Symphonic Studies, op.13: Étude V | — | ||
| 75-10 | Symphonic Studies, op.13: Variation IV | — | ||
| 75-11 | Symphonic Studies, op.13: Étude VI | — | ||
| 75-12 | Symphonic Studies, op.13: Étude VII | — | ||
| 75-13 | Symphonic Studies, op.13: Étude VIII | — | ||
| 75-14 | Symphonic Studies, op.13: Étude IX | — | ||
| 75-15 | Symphonic Studies, op.13: Variation V | — | ||
| 75-16 | Symphonic Studies, op.13: Étude X | — | ||
| 75-17 | Symphonic Studies, op.13: Étude XI | — | ||
| 75-18 | Symphonic Studies, op.13: Étude XII: Finale | — | ||
| 75-19 | Pictures at an Exhibition: I. Promenade | — | ||
| 75-20 | Pictures at an Exhibition: II. Gnomus | — | ||
| 75-21 | Pictures at an Exhibition: III. Promenade | — | ||
| 75-22 | Pictures at an Exhibition: IV. Il vecchio castello | — | ||
| 75-23 | Pictures at an Exhibition: V. Promenade | — | ||
| 75-24 | Pictures at an Exhibition: VI. Tuileries | — | ||
| 75-25 | Pictures at an Exhibition: VII. Bydlo | — | ||
| 75-26 | Pictures at an Exhibition: VIII. Promenade | — | ||
| 75-27 | Pictures at an Exhibition: IX. Ballet of the Chickens in their Shells | — | ||
| 75-28 | Pictures at an Exhibition: X. Samuel Goldenberg and Schmuyle | — | ||
| 75-29 | Pictures at an Exhibition: XI. Promenade | — | ||
| 75-30 | Pictures at an Exhibition: XII. The Market-place at Limoges | — | ||
| 75-31 | Pictures at an Exhibition: XIII. Catacombae (Sepulchrum romanum) | — | ||
| 75-32 | Pictures at an Exhibition: XIV. Cum mortuis in lingua mortua | — | ||
| 75-33 | Pictures at an Exhibition: XV. The Hut on Fowl's Legs (Baba Yaga) | — | ||
| 75-34 | Pictures at an Exhibition: XVI. The Great Gate at Kiev | — | ||
| 75-35 | Vexilla regis prodeunt, S. 185 | — | ||
| 75-36 | Weihnachtsbaum, S. 186: VI. Glockenspiel | — | ||
| 76-1 | Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | — | ||
| 76-2 | Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio - Allegretto vivace - Allegro animato | — | ||
| 76-3 | Concerto no. 1 in E-flat major, S. 124: III. Allegro marziale animato | — | ||
| 76-4 | Concerto no. 2 in A major, S. 125: I. Allegro sostenuto assai - Allegro agitato assai | — | ||
| 76-5 | Concerto no. 2 in A major, S. 125: II. Allegro moderato | — | ||
| 76-6 | Concerto no. 2 in A major, S. 125: III. Allegro deciso - Marziale un poco meno allegro | — | ||
| 76-7 | Concerto no. 2 in A major, S. 125: IV. Allegro animato | — | ||
| 76-8 | Totentanz, S. 126 | — | ||
| 76-9 | Csárdás macabre, S. 224 | — | ||
| 76-10 | Valse oubliée no. 1 in F-sharp major, S. 215 | — | ||
| 76-11 | Mosonyis Grabgeleit, S. 194 | — | ||
| 76-12 | Schlaflos! Frage und Antwort, S. 203 | — | ||
| 76-13 | Unstern! Sinestre, disastro, S. 208 | — | ||
| 77-1 | Sonata in B minor, S. 178: I. Lento assai - Allegro energico | — | ||
| 77-2 | Sonata in B minor, S. 178: II. Andante sostenuto | — | ||
| 77-3 | Sonata in B minor, S. 178: III. Allegro energico - Andante sostenuto - Lento assai | — | ||
| 77-4 | Années de pèlerinage: 2ème année: Italie, S. 161: I. Sposalizio | — | ||
| 77-5 | Années de pèlerinage: 2ème année: Italie, S. 161: II. Il Penseroso | — | ||
| 77-6 | Années de pèlerinage: 2ème année: Italie, S. 161: III. Canzonetta del Salvator Rosa | — | ||
| 77-7 | Années de pèlerinage: 2ème année: Italie, S. 161: IV. Sonetto 47 del Petrarca | — | ||
| 77-8 | Années de pèlerinage: 2ème année: Italie, S. 161: V. Sonetto 104 del Petrarca | — | ||
| 77-9 | Années de pèlerinage: 2ème année: Italie, S. 161: VI. Sonetto 123 del Petrarca | — | ||
| 77-10 | Années de pèlerinage: 2ème année: Italie, S. 161: VII. Après une lecture du Dante: Fantasia quasi Sonata | — | ||
| 77-11 | R.W.-Venezia, S. 201 | — | ||
| 77-12 | Nuages gris, S. 199 | — | ||
| 78-1 | Sonata in B minor, S178: I. Lento assai - Allegro energico | — | ||
| 78-2 | Sonata in B minor, S178: II. Andante sostenuto - | — | ||
| 78-3 | Sonata in B minor, S178: III. Allegro energico - Andante sostenuto - Lento assai | — | ||
| 78-4 | Années de pèlerinage, Deuxième année: Italie, S. 161 no. 1: Sposalizio | Alfred Brendel | — | |
| 78-5 | Années de pèlerinage, Deuxième année: Italie, S. 161 no. 2: Il penseroso | Alfred Brendel | — | |
| 78-6 | Années de pèlerinage, Deuxième année: Italie, S. 161 no. 3: Canzonetta del Salvator Rosa | Alfred Brendel | — | |
| 78-7 | Années de pèlerinage, Deuxième année: Italie, S. 161 no. 4: Sonetto 47 del Petrarca | Alfred Brendel | — | |
| 78-8 | Années de pèlerinage, Deuxième année: Italie, S. 161 no. 5: Sonetto 104 del Petrarca | Alfred Brendel | — | |
| 78-9 | Années de pèlerinage, Deuxième année: Italie, S. 161 no. 6: Sonetto 123 del Petrarca | Alfred Brendel | — | |
| 78-10 | Années de Pèlerinage, Deuxième année: Italie, S. 161 no. 7: Après une lecture du Dante: Fantasia quasi Sonata | Alfred Brendel | — | |
| 79-1 | Années de pèlerinage, Première année: Suisse, S. 160 no. 1: La Chapelle de Guillaume Tell | Alfred Brendel | — | |
| 79-2 | Années de pèlerinage, Première année: Suisse, S. 160 no. 2: Au lac de Wallenstadt | Alfred Brendel | — | |
| 79-3 | Années de pèlerinage, Première année: Suisse, S. 160 no. 3: Pastorale | Alfred Brendel | — | |
| 79-4 | Années de pèlerinage, Première année: Suisse, S. 160 no. 4: Au bord d'une source | Alfred Brendel | — | |
| 79-5 | Années de pèlerinage, Première année: Suisse, S. 160 no. 5: Orage | Alfred Brendel | — | |
| 79-6 | Années de pèlerinage, Première année: Suisse, S. 160 no. 6: Vallée d'Obermann | Alfred Brendel | T-900.146.326-9 | |
| 79-7 | Années de pèlerinage, Première année: Suisse, S. 160 no. 7: Eglogue | Alfred Brendel | — | |
| 79-8 | Années de pèlerinage, Première année: Suisse, S. 160 no. 8: Le mal du pays | Alfred Brendel | — | |
| 79-9 | Années de pèlerinage 1e année, Suisse, S. 160: IX. Les cloches de Genêve | Alfred Brendel | — | |
| 79-10 | Isoldes Liebestod, S. 447 (Piano transcription after Wagner's “Tristan und Isolde”) | — | ||
| 79-11 | Années de pèlerinage: 1ère année: Suisse, S. 160: VI. Vallée d'Obermann | — | ||
| 79-12 | 10 Harmonies poétiques et religieuses, S. 173: VII. Funérailles | — | ||
| 80-1 | Années de pèlerinage: 3ème année, S. 163 (excerpts): II. Aux cyprès de la Villa d'Este I (Thrénodie) | — | ||
| 80-2 | Années de pèlerinage: 3ème année, S. 163 (excerpts): IV. Les jeux d'eau à la Villa d'Este | — | ||
| 80-3 | Années de pèlerinage: 3ème année, S. 163 (excerpts): V. Sunt lacrymae rerum (En mode hongrois) | — | ||
| 80-4 | Années de pèlerinage: 3ème année, S. 163 (excerpts): VII. Sursum corda | — | ||
| 80-5 | Fantasia and Fugue on the Theme B.A.C.H., S. 529 | — | ||
| 80-6 | Weinen, Klagen, Sorgen, Zagen, S. 179 (Variations on Bach's cantata) | — | ||
| 80-7 | 5 kleine Klavierstücke, S. 192: No. 3 in F-sharp major | — | ||
| 80-8 | Weihnachtsbaum, S. 186: VII. Schlummerlied | — | ||
| 80-9 | En rêve, S. 207 | — | ||
| 80-10 | Années de pèlerinage: 2ème année: Italie, S. 161: I. Sposalizio | — | ||
| 80-11 | Bagatelle sans tonalité, S. 216a | — | ||
| 81-1 | 10 Harmonies poétiques et religieuses, S. 173: No. 1. Invocation | Alfred Brendel | — | |
| 81-2 | Harmonies poétiques et religieuses, S. 173 (excerpts): III. Bénédiction de Dieu dans la solitude | — | ||
| 81-3 | Harmonies poétiques et religieuses, S. 173 (excerpts): IV. Pensée des morts | — | ||
| 81-4 | Harmonies poétiques et religieuses, S. 173 (excerpts): VII. Funérailles | — | ||
| 81-5 | La lugubre gondola, S. 200 no. 1 | Alfred Brendel | — | |
| 81-6 | La lugubre gondola, S. 200 no. 2 | Alfred Brendel | — | |
| 81-7 | Legende, S. 175 no. 1 "St. Francis of Assisi Preaching to the Birds" | Alfred Brendel | — | |
| 81-8 | Legende, S. 175 no. 2 "St. Francis de Paule Walking on the Water" | Alfred Brendel | — | |
| 82-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato | — | ||
| 82-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 82-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro non troppo | — | ||
| 83-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato | — | ||
| 83-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 83-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro ma non troppo | — | ||
| 83-4 | Theme with variations in D minor (Arrangement of second movement of String Sextet no. 1, op. 18): Andante, ma moderato | — | ||
| 84-1 | Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 84-2 | Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 84-3 | Concerto no. 2 in B-flat major, op. 83: III. Andante – Più adagio | — | ||
| 84-4 | Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso – Un poco più presto | — | ||
| 85-1 | Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 85-2 | Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 85-3 | Concerto no. 2 in B-flat major, op. 83: III. Andante - Più adagio | — | ||
| 85-4 | Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso - un poco più presto | — | ||
| 85-5 | 4 Ballades, op. 10: No. 1 in D minor | — | ||
| 85-6 | 4 Ballades, op. 10: No. 2 in D major | — | ||
| 85-7 | 4 Ballades, op. 10: No. 3 in B minor | — | ||
| 85-8 | 4 Ballades, op. 10: No. 4 in B major | — | ||
| 86-1 | Concerto for Piano and Orchestra, op. 42: I. Andante | — | ||
| 86-2 | Concerto for Piano and Orchestra, op. 42: II. Molto allegro | — | ||
| 86-3 | Concerto for Piano and Orchestra, op. 42: III. Adagio | — | ||
| 86-4 | Concerto for Piano and Orchestra, op. 42: IV. Giocoso: Moderato | — | ||
| 86-5 | Toccata: Preludio, Fantasia, Ciaccona, Kind. 287 | — | ||
| 86-6 | Piano Sonata, op. 1 | — | ||
| 86-7 | Concerto for Piano and Orchestra, op. 42: I. Andante | — | ||
| 86-8 | Concerto for Piano and Orchestra, op. 42: II. Molto allegro | — | ||
| 86-9 | Concerto for Piano and Orchestra, op. 42: III. Adagio | — | ||
| 86-10 | Concerto for Piano and Orchestra, op. 42: IV. Giocoso: Moderato | — | ||
| 87-1 | Quintet in E-flat major, K. 452: I. Largo - Allegro moderato | — | ||
| 87-2 | Quintet in E-flat major, K. 452: II. Larghetto | — | ||
| 87-3 | Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452: III. Allegretto | Hermann Baumann, Alfred Brendel, Eduard Brunner, Heinz Holliger, Klaus Thunemann | — | |
| 87-4 | Quintet in E-flat major, op. 16: I. Grave - Allegro ma non troppo | — | ||
| 87-5 | Quintet in E-flat major, op. 16: II. Andante cantabile | — | ||
| 87-6 | Quintet in E-flat major, op. 16: III. Rondo: Allegro ma non troppo | — | ||
| 88-1 | Sonata no. 2 for Cello and Piano in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo | — | ||
| 88-2 | Sonata no. 2 for Cello and Piano in G minor, op. 5 no. 2: I. Allegro molto più tosto presto | — | ||
| 88-3 | Sonata no. 2 for Cello and Piano in G minor, op. 5 no. 2: II. Rondo: Allegro | — | ||
| 88-4 | Sonata no. 4 for Cello and Piano in C major, op. 102 no. 1: I. Andante – Allegro vivace | — | ||
| 88-5 | Sonata no. 4 for Cello and Piano in C major, op. 102 no. 1: II. Adagio – Tempo d'andante – Allegro vivace | — | ||
| 88-6 | Sonata no. 3 for Cello and Piano in A major, op. 69: I. Allegro ma non tanto | — | ||
| 88-7 | Sonata no. 3 for Cello and Piano in A major, op. 69: II. Scherzo: Allegro molto | — | ||
| 88-8 | Sonata no. 3 for Cello and Piano in A major, op. 69: III. Adagio cantabile – Allegro vivace | — | ||
| 88-9 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Theme: Allegretto | — | ||
| 88-10 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation I | — | ||
| 88-11 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation II | — | ||
| 88-12 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation III | — | ||
| 88-13 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation IV | — | ||
| 88-14 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation V | — | ||
| 88-15 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation VI | — | ||
| 88-16 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation VII | — | ||
| 88-17 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation VIII | — | ||
| 88-18 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation IX | — | ||
| 88-19 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation X: Adagio | — | ||
| 88-20 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation XI: Poco adagio, quasi andante | — | ||
| 88-21 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation XII: Allegro | — | ||
| 89-1 | 12 Variations on “See the conqu'ring hero comes”, WoO 45: Theme: Allegretto | — | ||
| 89-2 | 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation I | — | ||
| 89-3 | 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation II | — | ||
| 89-4 | 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation III | — | ||
| 89-5 | 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation IV | — | ||
| 89-6 | 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation V | — | ||
| 89-7 | 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation VI | — | ||
| 89-8 | 12 Variations on “See the conqu'ring hero comes,” WoO 45: Variation VII | — | ||
| 89-9 | 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation VIII | — | ||
| 89-10 | 12 Variations on “See the conqu'ring hero comes,” WoO 45: Variation IX | — | ||
| 89-11 | 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation X: Allegro | — | ||
| 89-12 | 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation X: Adagio | — | ||
| 89-13 | 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation X: Allegro | — | ||
| 89-14 | Sonata no. 5 for Cello and Piano in D major, op. 102 no. 2: I. Allegro con brio | — | ||
| 89-15 | Sonata no. 5 for Cello and Piano in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto | — | ||
| 89-16 | Sonata no. 5 for Cello and Piano in D major, op. 102 no. 2: III. Allegro - Allegro fugato | — | ||
| 89-17 | Sonata no. 1 for Cello and Piano in F major, op. 5 no. 1: I. Adagio sostenuto - Allegro | — | ||
| 89-18 | Sonata no. 1 for Cello and Piano in F major, op. 5 no. 1: II. Rondo: Allegro vivace | — | ||
| 89-19 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Theme: Andante | — | ||
| 89-20 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Variation I | — | ||
| 89-21 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Variation II | — | ||
| 89-22 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Variation III | — | ||
| 89-23 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Variation IV | — | ||
| 89-24 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Variation V: Si prenda il tempo un poco più vivace | — | ||
| 89-25 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Variation VI: Adagio | — | ||
| 89-26 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Variation VII: Allegro, ma non troppo | — | ||
| 90-1 | Piano Quintet in A major, D. 667 “The Trout”: I. Allegro vivace | — | ||
| 90-2 | Piano Quintet in A major, D. 667 “The Trout”: II. Andante | — | ||
| 90-3 | Piano Quintet in A major, D. 667 “The Trout”: III. Scherzo: Presto | — | ||
| 90-4 | Piano Quintet in A major, D. 667 “The Trout”: IV. Thema - Andantino - Variazioni I-V - Allegretto | — | ||
| 90-5 | Piano Quintet in A major, D. 667 “The Trout”: V. Finale: Allegro giusto | — | ||
| 91-1 | Piano Quintet in A, D.667, "The Trout": I. Allegro vivace | Alfred Brendel, Richard Duven, Peter Riegelbauer, Thomas Zehetmair, Tabea Zimmermann | — | |
| 91-2 | Piano Quintet in A, D.667, "The Trout": II. Andante | Alfred Brendel, Richard Duven, Peter Riegelbauer, Thomas Zehetmair, Tabea Zimmermann | — | |
| 91-3 | Piano Quintet in A, D.667, "The Trout": III. Scherzo (Presto) | Alfred Brendel, Richard Duven, Peter Riegelbauer, Thomas Zehetmair, Tabea Zimmermann | — | |
| 91-4 | Piano Quintet in A, D.667, "The Trout": IV. Theme and Variations (Andantino) | Alfred Brendel, Richard Duven, Peter Riegelbauer, Thomas Zehetmair, Tabea Zimmermann | — | |
| 91-5 | Piano Quintet in A, D.667, "The Trout": V. Finale (Allegro giusto) | Alfred Brendel, Richard Duven, Peter Riegelbauer, Thomas Zehetmair, Tabea Zimmermann | T-928.635.436-7 | |
| 91-6 | Piano Quartet No. 1 in G minor, K. 478: I. Allegro | Alfred Brendel, Richard Duven, Thomas Zehetmair, Tabea Zimmermann | T-306.395.786-4 | |
| 91-7 | Piano Quartet No. 1 in G minor, K. 478: II. Andante | Alfred Brendel, Richard Duven, Thomas Zehetmair, Tabea Zimmermann | — | |
| 91-8 | Piano Quartet No. 1 in G minor, K. 478: III. Rondo (Allegro moderato) | Alfred Brendel, Richard Duven, Thomas Zehetmair, Tabea Zimmermann | — | |
| 92-1 | 3 Romances, op. 94: no. 1 Nicht schnell | Alfred Brendel, Heinz Holliger | T-312.439.214-5 | |
| 92-2 | 3 Romances, op. 94: no. 2 Einfach, innig | Alfred Brendel, Heinz Holliger | T-312.439.208-7 | |
| 92-3 | 3 Romances, op. 94: no. 3 Nicht schnell | Alfred Brendel, Heinz Holliger | T-312.439.214-5 | |
| 92-4 | Abendlied, Op. 85 No. 12 | Alfred Brendel, Heinz Holliger | — | |
| 92-5 | Adagio and Allegro in A-flat major, op. 70 | — | ||
| 92-6 | Fantasiestücke, op. 73: no. 1 Zart und mit Ausdruck | Heinz Holliger, Alfred Brendel | — | |
| 92-7 | Fantasiestücke, op. 73: no. 2 Lebhaft, leicht | Heinz Holliger, Alfred Brendel | — | |
| 92-8 | Fantasiestücke, op. 73: no. 3 Rasch und mit Feuer | Heinz Holliger, Alfred Brendel | — | |
| 92-9 | Fünf Stücke im Volkston, Op. 102: II. Langsam | Alfred Brendel, Heinz Holliger | — | |
| 92-10 | Fünf Stücke im Volkston, Op. 102: III. Nicht schnell, mit viel Ton zu spielen | Alfred Brendel, Heinz Holliger | — | |
| 92-11 | Fünf Stücke im Volkston, Op. 102: IV. Nicht zu rasch | Alfred Brendel, Heinz Holliger | — | |
| 93-1 | Auflösung, D. 807 (Mayrhofer) | — | ||
| 93-2 | Hippolit's Lied, D. 890 (von Gerstenberg) | — | ||
| 93-3 | Der Einsame, D. 800 (Lappe) | — | ||
| 93-4 | Wer sich der Einsamkeit ergibt, D. 478 (Harfenspieler I) (Goethe) | — | ||
| 93-5 | Wer nie sein Brot mit Thränen aß, D. 480 (Harfenspieler III) (Goethe) | — | ||
| 93-6 | An die Türen will ich schleichen, D. 479 (Harfenspieler II) (Goethe) | — | ||
| 93-7 | Gruppe aus dem Tartarus, D. 583 (Schiller) | — | ||
| 93-8 | Herbst, D. 945 (Rellstab) | — | ||
| 93-9 | Nacht und Träume, D. 827 (von Collin) | — | ||
| 93-10 | Nachtstück, D. 672 (Mayrhofer) | — | ||
| 93-11 | Im Abendrot, D. 799 (Lappe) | — | ||
| 93-12 | Der Wanderer, D. 493 (Schmidt von Lübeck) | — | ||
| 93-13 | Über Wildemann, D. 884 (Schulze) | — | ||
| 93-14 | Der Wanderer an den Mond, D. 870 (Seidl) | — | ||
| 94-1 | Schwanengesang, D. 957: Liebesbotschaft (Rellstab) | — | ||
| 94-2 | Schwanengesang, D. 957: Kriegers Ahnung (Rellstab) | — | ||
| 94-3 | Schwanengesang, D. 957: Frühlingssehnsucht (Rellstab) | — | ||
| 94-4 | Schwanengesang, D. 957: Ständchen (Rellstab) | — | ||
| 94-5 | Schwanengesang, D. 957: Aufenthalt (Rellstab) | — | ||
| 94-6 | Schwanengesang, D. 957: In der Ferne (Rellstab) | — | ||
| 94-7 | Schwanengesang, D. 957: Abschied (Rellstab) | — | ||
| 94-8 | Schwanengesang, D. 957: Der Atlas (Heine) | — | ||
| 94-9 | Schwanengesang, D. 957: Ihr Bild (Heine) | — | ||
| 94-10 | Schwanengesang, D. 957: Das Fischermädchen (Heine) | — | ||
| 94-11 | Schwanengesang, D. 957: Die Stadt (Heine) | — | ||
| 94-12 | Schwanengesang, D. 957: Am Meer (Heine) | — | ||
| 94-13 | Schwanengesang, D. 957: Der Doppelgänger (Heine) | — | ||
| 94-14 | Schwanengesang, D. 957: Die Taubenpost (Seidl) | — | ||
| 95-1 | Applause | — | ||
| 95-2 | An die ferne Geliebte, op. 98: I. Auf dem Hügel sitz ich spähend | — | ||
| 95-3 | An die ferne Geliebte, op. 98: II. Wo die Berge so blau | — | ||
| 95-4 | An die ferne Geliebte, op. 98: III. Leichte Segler in den Höhen | — | ||
| 95-5 | An die ferne Geliebte, op. 98: IV. Diese Wolken in den Höhen | — | ||
| 95-6 | An die ferne Geliebte, op. 98: V. Es kehret der Maien, es blühet die Au | — | ||
| 95-7 | An die ferne Geliebte, op. 98: VI. Nimm sie hin denn diese Lieder | — | ||
| 95-8 | Applause | — | ||
| 95-9 | Schwanengesang, D. 957: Liebesbotschaft (Rellstab) | — | ||
| 95-10 | Schwanengesang, D. 957: Kriegers Ahnung (Rellstab) | — | ||
| 95-11 | Schwanengesang, D. 957: Frühlingssehnsucht (Rellstab) | — | ||
| 95-12 | Schwanengesang, D. 957: Ständchen (Rellstab) | — | ||
| 95-13 | Schwanengesang, D. 957: Aufenthalt (Rellstab) | — | ||
| 95-14 | Herbst, D. 945 (Rellstab) | — | ||
| 95-15 | Schwanengesang, D. 957: In der Ferne (Rellstab) | — | ||
| 95-16 | Schwanengesang, D. 957: Abschied (Rellstab) | — | ||
| 95-17 | Schwanengesang, D. 957: Der Atlas (Heine) | — | ||
| 95-18 | Schwanengesang, D. 957: Ihr Bild (Heine) | — | ||
| 95-19 | Schwanengesang, D. 957: Das Fischermädchen (Heine) | — | ||
| 95-20 | Schwanengesang, D. 957: Die Stadt (Heine) | — | ||
| 95-21 | Schwanengesang, D. 957: Am Meer (Heine) | — | ||
| 95-22 | Schwanengesang, D. 957: Der Doppelgänger (Heine) | — | ||
| 95-23 | Applause | — | ||
| 95-24 | Schwanengesang, D. 957: Die Taubenpost (Seidl) | — | ||
| 95-25 | Applause | — | ||
| 96-1 | Winterreise, D. 911: Gute Nacht | — | ||
| 96-2 | Winterreise, D. 911: Die Wetterfahne | — | ||
| 96-3 | Winterreise, D. 911: Gefrorene Tränen | — | ||
| 96-4 | Winterreise, D. 911: Erstarrung | — | ||
| 96-5 | Winterreise, D. 911: Der Lindenbaum | — | ||
| 96-6 | Winterreise, D. 911: Wasserflut | — | ||
| 96-7 | Winterreise, D. 911: Auf dem Flusse | — | ||
| 96-8 | Winterreise, D. 911: Rückblick | — | ||
| 96-9 | Winterreise, D. 911: Irrlicht | — | ||
| 96-10 | Winterreise, D. 911: Rast | — | ||
| 96-11 | Winterreise, D. 911: Frühlingstraum | — | ||
| 96-12 | Winterreise, D. 911: Einsamkeit | — | ||
| 96-13 | Winterreise, D. 911: Die Post | — | ||
| 96-14 | Winterreise, D. 911: Der greise Kopf | — | ||
| 96-15 | Winterreise, D. 911: Die Krähe | — | ||
| 96-16 | Winterreise, D. 911: Letzte Hoffnung | — | ||
| 96-17 | Winterreise, D. 911: Im Dorfe | — | ||
| 96-18 | Winterreise, D. 911: Der stürmische Morgen | — |
Identifier Graph
028947888277 is a Universal Product Code (UPC) assigned to Complete Philips Recordings by Alfred Brendel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 1000 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Complete Philips Recordings” by Alfred Brendel is 028947888277. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2016-01-01. Label: Decca. This release contains 1000 tracks, each with its own ISRC. Tracks include NLA507610401, NLA507610402, NLA507610403.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Italienisches Konzert F-Dur BWV 971: I. (Allegro) | Alfred Brendel | T-306.395.786-4 | |
| 2 | Italienisches Konzert F-Dur BWV 971: II. Andante | Alfred Brendel | T-312.198.890-3 | |
| 3 | Italienisches Konzert F-Dur BWV 971: III. Presto | Alfred Brendel | T-312.198.890-3 | |
| 4 | Choralvorspiel "Ich ruf' zu dir, Herr Jesu Christ" BWV 639 (Bearb.: Ferruccio Busoni) | Alfred Brendel | — | |
| 5 | Präludium (Fantasie) a-moll BWV 922 | Alfred Brendel | — | |
| 6 | Chromatische Fantasie und Fuge d-moll BWV 903 | Alfred Brendel | — | |
| 7 | Choralbearbeitung "Nun komm' der Heiden Heiland" BWV 659 (Bearb.: Ferruccio Busoni) | Alfred Brendel | — | |
| 8 | Fantasie und Fuge a-moll BWV 904 | Alfred Brendel | — | |
| 2-1 | Sonate für Klavier No. 33 in C-moll, Hob. XVI:20: I. Moderato | Alfred Brendel | — | |
| 2-2 | Sonate für Klavier No. 33 in C-moll, Hob. XVI:20: II. Andante con moto | Alfred Brendel | — | |
| 2-3 | Sonate für Klavier No. 33 in C-moll, Hob. XVI:20: III. Finale. Allegro | Alfred Brendel | — | |
| 2-4 | Sonate für Klavier No. 59 in Es-dur, Hob. XVI:49: I. Allegro | Alfred Brendel | — | |
| 2-5 | Sonate für Klavier No. 59 in Es-dur, Hob. XVI:49: II. Adagio e cantabile | Alfred Brendel | T-001.397.158-8 | |
| 2-6 | Sonate für Klavier No. 59 in Es-dur, Hob. XVI:49: III. Finale: Tempo di menuet | Alfred Brendel | — | |
| 3-1 | Sonate für Klavier no. 53 in E-moll, Hob. XVI:34: I. Presto | Alfred Brendel | — | |
| 3-2 | Sonate für Klavier no. 53 in E-moll, Hob. XVI:34: II. Adagio | Alfred Brendel | T-802.445.410-3 | |
| 3-3 | Sonate für Klavier no. 53 in E-moll, Hob. XVI:34: III. Vivace molto | Alfred Brendel | — | |
| 3-4 | Sonate für Klavier No. 47 H-moll, Hob. XVI:32: I. Allegro moderato | Alfred Brendel | — | |
| 3-5 | Sonate für Klavier No. 47 H-moll, Hob. XVI:32: II. Menuet | Alfred Brendel | — | |
| 3-6 | Sonate für Klavier No. 47 H-moll, Hob. XVI:32: III. Finale. Presto | Alfred Brendel | T-928.635.675-0 | |
| 3-7 | Sonate für Klavier no. 56 in D-dur, Hob. XVI:42: I. Andante con espressione | Alfred Brendel | — | |
| 3-8 | Sonate für Klavier no. 56 in D-dur, Hob. XVI:42: II. Presto | Alfred Brendel | — | |
| 3-9 | Fantasia in C-dur, Hob. XVII:4 | Alfred Brendel | — | |
| 3-10 | Adagio in F-dur, Hob. XVII:9 | Alfred Brendel | — | |
| 4-1 | Sonate für Klavier No. 58 in C-dur, Hob. XVI:48: I. Andante con espressione | Alfred Brendel | — | |
| 4-2 | Sonate für Klavier No. 58 in C-dur, Hob. XVI:48: II. Rondo. Presto | Alfred Brendel | — | |
| 4-3 | Sonate für Klavier No. 61 in D-dur, Hob. XVI:51: I. Andante | Alfred Brendel | — | |
| 4-4 | Sonate für Klavier No. 61 in D-dur, Hob. XVI:51: II. Finale. Presto | Alfred Brendel | — | |
| 4-5 | Sonate für Klavier No. 60 in C-dur, Hob. XVI:50: I. Allegro | Alfred Brendel | T-306.395.786-4 | |
| 4-6 | Sonate für Klavier No. 60 in C-dur, Hob. XVI:50: II. Adagio | Alfred Brendel | — | |
| 4-7 | Sonate für Klavier No. 60 in C-dur, Hob. XVI:50: III. Allegro molto | Alfred Brendel | — | |
| 5-1 | Sonate für Klavier no. 62 in Es-dur, Hob. XVI:52: I. Allegro | Alfred Brendel | — | |
| 5-2 | Sonate für Klavier no. 62 in Es-dur, Hob. XVI:52: II. Adagio | Alfred Brendel | T-802.445.410-3 | |
| 5-3 | Sonate für Klavier no. 62 in Es-dur, Hob. XVI:52: III. Finale. Presto | Alfred Brendel | T-928.635.675-0 | |
| 5-4 | Sonate für Klavier no. 54 in G-dur, Hob. XVI:40: I. Allegretto innocente | Alfred Brendel | — | |
| 5-5 | Sonate für Klavier no. 54 in G-dur, Hob. XVI:40: II. Presto | Alfred Brendel | — | |
| 5-6 | Sonate für Klavier No. 50 in D-dur, Hob. XVI:37: I. Allegro con brio | Alfred Brendel | — | |
| 5-7 | Sonate für Klavier No. 50 in D-dur, Hob. XVI:37: II. Largo e sostenuto | Alfred Brendel | — | |
| 5-8 | Sonate für Klavier No. 50 in D-dur, Hob. XVI:37: III. Finale | Alfred Brendel | — | |
| 5-9 | Andante con variazioni in F-moll, Hob. XVII:6 "Un piccolo divertimento" | Alfred Brendel | — | |
| 6-1 | Sonata for Piano no. 8 in A minor, K. 300d/310: I. Allegro maestoso | Alfred Brendel | — | |
| 6-2 | Sonata for Piano no. 8 in A minor, K. 300d/310: II. Andante cantabile con espressione | Alfred Brendel | — | |
| 6-3 | Sonata for Piano no. 8 in A minor, K. 300d/310: III. Presto | Alfred Brendel | — | |
| 6-4 | Piano Sonata No. 14 in C minor, K. 457: I. Allegro molto | Alfred Brendel | T-925.645.333-5 | |
| 6-5 | Piano Sonata No. 14 in C minor, K. 457: II. Adagio | Alfred Brendel | T-927.972.088-6 | |
| 6-6 | Piano Sonata no. 14 in C minor, K. 457: III. Allegro assai | Alfred Brendel | T-306.395.786-4 | |
| 6-7 | Sonata for Piano no. 13 in B-flat major, K. 315c/333: I. Allegro | Alfred Brendel | T-306.395.786-4 | |
| 6-8 | Sonata for Piano no. 13 in B-flat major, K. 315c/333: II. Andante cantabile | Alfred Brendel | — | |
| 6-9 | Sonata for Piano no. 13 in B-flat major, K. 315c/333: III. Allegretto grazioso | Alfred Brendel | — | |
| 7-1 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": I. Tema con variazioni. Andante grazioso | Alfred Brendel | — | |
| 7-2 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": II. Minuetto | Alfred Brendel | T-313.706.466-1 | |
| 7-3 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Alfred Brendel | T-912.655.618-1 | |
| 7-4 | Adagio for Piano in B minor, K. 540: Adagio | Alfred Brendel | T-002.561.175-9 | |
| 7-5 | 9 Variations on Jean-Pierre Duport: Minuet for Piano in D major, K. 573 "Duport Variationen" | Alfred Brendel | — | |
| 8-1 | Piano Sonata no. 3 in B-flat major, K. 281: I. Allegro | Alfred Brendel | T-306.395.786-4 | |
| 8-2 | Piano Sonata no. 3 in B-flat major, K. 281: II. Andante amoroso | Alfred Brendel | — | |
| 8-3 | Piano Sonata no. 3 in B-flat major, K. 281: III. Rondeau (Allegro) | Alfred Brendel | — | |
| 8-4 | Piano Sonata no. 4 in E-flat major, K. 282: I. Adagio | Alfred Brendel | — | |
| 8-5 | Piano Sonata no. 4 in E-flat major, K. 282: II. Menuetto I-II | Alfred Brendel | — | |
| 8-6 | Piano Sonata no. 4 in E-flat major, K. 282: III. Allegro | Alfred Brendel | T-306.395.786-4 | |
| 8-7 | Piano Sonata no. 18 in D major, K. 576: I. Allegro | Alfred Brendel | T-306.395.786-4 | |
| 8-8 | Piano Sonata no. 18 in D major, K. 576: II. Adagio | Alfred Brendel | T-802.445.410-3 | |
| 8-9 | Piano Sonata no. 18 in D major, K. 576: III. Allegretto | Alfred Brendel | — | |
| 8-10 | Fantasia in C minor, K. 396 (Fragment) | Alfred Brendel | T-915.717.075-7 | |
| 9-1 | Sonata for Piano No. 15 in F major, K. 494+533: I. Allegro | Alfred Brendel | — | |
| 9-2 | Sonata for Piano No. 15 in F major, K. 494+533: II. Andante | Alfred Brendel | — | |
| 9-3 | Sonata for Piano No. 15 in F major, K. 494+533: III. Rondeau | Alfred Brendel | — | |
| 9-4 | Fantasia for Piano in D minor, K. 385g/397 (fragment) | Alfred Brendel | — | |
| 9-5 | Sonata for Piano No. 8 in A minor, K. 300d/310: I. Allegro maestoso | Alfred Brendel | — | |
| 9-6 | Sonata for Piano No. 8 in A minor, K. 300d/310: II. Andante cantabile con espressione | Alfred Brendel | — | |
| 9-7 | Sonata for Piano No. 8 in A minor, K. 300d/310: III. Presto | Alfred Brendel | — | |
| 9-8 | Sonata for Piano No. 9 in D major, K. 284c/311: I. Allegro con spirito | Alfred Brendel | — | |
| 9-9 | Sonata for Piano No. 9 in D major, K. 284c/311: II. Andante con espressione | Alfred Brendel | — | |
| 9-10 | Sonata for Piano No. 9 in D major, K. 284c/311: III. Rondeau. Allegro - andante - presto - adagio - tempo primo | Alfred Brendel | — | |
| 10-1 | Rondo for Piano No. 3 in A minor, K. 511: Andante | Alfred Brendel | — | |
| 10-2 | Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": I. Tema con variazioni. Andante grazioso | Alfred Brendel | — | |
| 10-3 | Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": II. Minuetto | Alfred Brendel | T-313.706.466-1 | |
| 10-4 | Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Alfred Brendel | T-912.655.618-1 | |
| 10-5 | Sonata for Piano No. 17 in B-flat major, K. 570: I. Allegro | Alfred Brendel | T-306.395.786-4 | |
| 10-6 | Sonata for Piano No. 17 in B-flat major, K. 570: II. Adagio | Alfred Brendel | T-802.445.410-3 | |
| 10-7 | Sonata for Piano No. 17 in B-flat major, K. 570: III. Allegretto | Alfred Brendel | — | |
| 10-8 | Sonata for Piano No. 10 in C major, K. 300h/330: I. Allegro moderato | Alfred Brendel | — | |
| 10-9 | Sonata for Piano No. 10 in C major, K. 300h/330: II. Andante cantabile | Alfred Brendel | — | |
| 10-10 | Sonata for Piano No. 10 in C major, K. 300h/330: III. Allegretto | Alfred Brendel | — | |
| 11-1 | Sonata for Piano No. 12 in F major, K. 300k/332: I. Allegro | Alfred Brendel | T-313.706.306-6 | |
| 11-2 | Sonata for Piano No. 12 in F major, K. 300k/332: II. Adagio | Alfred Brendel | T-313.706.315-7 | |
| 11-3 | Sonata for Piano No. 12 in F major, K. 300k/332: III. Allegro assai | Alfred Brendel | T-306.395.786-4 | |
| 11-4 | Sonata for Piano No. 13 in B-flat major, K. 315c/333: I. Allegro | Alfred Brendel | T-306.395.786-4 | |
| 11-5 | Sonata for Piano No. 13 in B-flat major, K. 315c/333: II. Andante cantabile | Alfred Brendel | — | |
| 11-6 | Sonata for Piano No. 13 in B-flat major, K. 315c/333: III. Allegretto grazioso | Alfred Brendel | — | |
| 11-7 | Sonata for Piano No. 14 in C minor, K. 457: I. Allegro molto | Alfred Brendel | T-003.035.132-6 | |
| 11-8 | Sonata for Piano No. 14 in C minor, K. 457: II. Adagio | Alfred Brendel | T-927.972.088-6 | |
| 11-9 | Sonata for Piano No. 14 in C minor, K. 457: III. Allegro assai | Alfred Brendel | T-306.395.786-4 | |
| 11-10 | Adagio for Piano in B minor, K. 540: Adagio | Alfred Brendel | T-002.561.175-9 | |
| 12-1 | Fantasia C minor KV475 Adagio Allegro Andantino | Alfred Brendel | — | |
| 12-2 | Sonata for Piano No. 15 in F major, K. 494+533: I. Allegro | Alfred Brendel | — | |
| 12-3 | Sonata for Piano No. 15 in F major, K. 494+533: II. Andante | Alfred Brendel | — | |
| 12-4 | Sonata for Piano No. 15 in F major, K. 494+533: III. Rondeau | Alfred Brendel | — | |
| 12-5 | Sonata for Piano No. 4 in E-flat major, K. 189g/282: I. Adagio | Alfred Brendel | — | |
| 12-6 | Sonata for Piano No. 4 in E-flat major, K. 189g/282: II. Minutetto I / III. Minutetto II | Alfred Brendel | — | |
| 12-7 | Sonata for Piano No. 4 in E-flat major, K. 189g/282: IV. Allegro | Alfred Brendel | — | |
| 12-8 | Rondo for Piano no. 3 in A minor, K. 511: Andante | Alfred Brendel | — | |
| 13-1 | Concerto for Piano No. 5 in D major, K. 175: I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-011.422.353-8 | |
| 13-2 | Concerto for Piano No. 5 in D major, K. 175: II. Andante ma un poco adagio | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-3 | Concerto for Piano No. 5 in D major, K. 175: III. Allegro (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 13-4 | Concerto for Piano No. 6 in B-flat major, K. 238: I. Allegro aperto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-5 | Concerto for Piano No. 6 in B-flat major, K. 238: II. Andante un poco adagio | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-6 | Concerto for Piano No. 6 in B-flat major, K. 238: III. Rondeau. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-7 | Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: I. Allegro | Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 13-8 | Concerto for 2 Pianos & Orchestra No. 10 in E-flat major, K. 316a/365: II. Andante | Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-9 | Concerto for 2 Pianos & Orchestra No. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro | Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-1 | Concerto for 3 Pianos & Orchestra No. 7 in F major, K. 242 "Lodron": I. Allegro | Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 14-2 | Concerto for 3 Pianos & Orchestra No. 7 in F major, K. 242 "Lodron": II. Adagio | Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-3 | Concerto for 3 Pianos & Orchestra No. 7 in F major, K. 242 "Lodron": III. Rondo. Tempo di minuetto | Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-4 | Concerto for Piano No. 8 in C major, K. 246 "Lutzow": I. Allegro aperto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-5 | Concerto for Piano No. 8 in C major, K. 246 "Lutzow": II. Andante | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 14-6 | Concerto for Piano No. 8 in C major, K. 246 "Lutzow": III. Rondeau. Tempo di menuetto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-7 | Concerto for Piano No. 11 in F major, K. 387a/413: I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-011.422.353-8 | |
| 14-8 | Concerto for Piano No. 11 in F major, K. 387a/413: II. Larghetto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-800.132.125-2 | |
| 14-9 | Concerto for Piano No. 11 in F major, K. 387a/413: III. Tempo di Minuetto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 15-1 | Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 15-2 | Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 15-3 | Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": III. Rondeau. Presto - adagio & Menuetto. Cantabile - tempo primo | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 15-4 | Concerto for Piano No. 12 in A major, K. 385p/414: I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-011.422.353-8 | |
| 15-5 | Concerto for Piano No. 12 in A major, K. 385p/414: II. Andante | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 15-6 | Concerto for Piano No. 12 in A major, K. 385p/414: III. Rondo. Allegretto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 15-7 | Rondo for Piano & Orchestra in A major, K. 386 (Erik Smith & Alfred Brendel completion, cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-1 | Concerto for Piano No. 13 in C major, K. 387b/415: I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-011.422.353-8 | |
| 16-2 | Concerto for Piano No. 13 in C major, K. 387b/415: II. Andante | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 16-3 | Concerto for Piano No. 13 in C major, K. 387b/415: III. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-4 | Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-011.422.353-8 | |
| 16-5 | Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": II. Andante | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 16-6 | Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-7 | Rondo for Piano & Orchestra in D major, K. 382: I. Rondo. Allegretto grazioso | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-8 | Rondo for Piano & Orchestra in D major, K. 382: II. Rondo. Adagio | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-9 | Rondo for Piano & Orchestra in D major, K. 382: III. Rondo. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-001.312.909-3 | |
| 17-1 | Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": I. Allegro vivace | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-2 | Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": II. Andantino | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-3 | Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": III. Allegro ma non troppo | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-4 | Concerto for Piano No. 15 in B-flat major, K. 450: I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-070.161.055-0 | |
| 17-5 | Concerto for Piano No. 15 in B-flat major, K. 450: II. Andante | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 17-6 | Concerto for Piano No. 15 in B-flat major, K. 450: III. Allegro assai | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 17-7 | Concerto for Piano No. 16 in D major, K. 451: I. Allegro assai | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 17-8 | Concerto for Piano No. 16 in D major, K. 451: II. Andante | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 17-9 | Concerto for Piano No. 16 in D major, K. 451: III. Rondo. Allegro di molto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-1 | Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": I. Allegro vivace | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-2 | Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": II. Andante un poco sostenuto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-3 | Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": III. Allegro vivace | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-4 | Concerto for Piano No. 19 in F major, K. 459: I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-5 | Concerto for Piano No. 19 in F major, K. 459: II. Allegretto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-6 | Concerto for Piano No. 19 in F major, K. 459: III. Allegro assai | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 19-1 | Concerto for Piano No. 20 in D minor, K. 466: I. Allegro (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 19-2 | Concerto for Piano No. 20 in D minor, K. 466: II. Romanze (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-3 | Concerto for Piano No. 20 in D minor, K. 466: III. Rondo. Allegro assai (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 19-4 | Concerto for Piano No. 21 in C major, K. 467 “Elvira Madigan”: I. Allegro (cadenza: Radu Lupu) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-001.312.909-3 | |
| 19-5 | Concerto for Piano No. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (cadenza: Radu Lupu) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 19-6 | Concerto for Piano No. 21 in C major, K. 467 “Elvira Madigan”: III. Allegro vivace assai (cadenza: Radu Lupu) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 20-1 | Concerto for Piano No. 22 in E-flat major, K. 482: I. Allegro (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 20-2 | Concerto for Piano No. 22 in E-flat major, K. 482: II. Andante (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 20-3 | Concerto for Piano No. 22 in E-flat major, K. 482: III. Allegro (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-800.132.125-2 | |
| 20-4 | Concerto for Piano No. 23 in A major, K. 488: I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 20-5 | Concerto for Piano No. 23 in A major, K. 488: II. Andante | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 20-6 | Concerto for Piano No. 23 in A major, K. 488: III. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 21-1 | Concerto for Piano No. 24 in C minor, K. 491: I. Allegro (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 21-2 | Concerto for Piano No. 24 in C minor, K. 491: II. Larghetto (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 21-3 | Concerto for Piano No. 24 in C minor, K. 491: III. Allegretto (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 21-4 | Concerto for Piano No. 25 in C major, K. 503: I. Allegro maestoso (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-070.161.055-0 | |
| 21-5 | Concerto for Piano No. 25 in C major, K. 503: II. Andante | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 21-6 | Concerto for Piano No. 25 in C major, K. 503: III. Allegretto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.566-9 | |
| 22-1 | Concerto for Piano No. 26 in D major, K. 537 "Coronation": I. Allegro (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 22-2 | Concerto for Piano No. 26 in D major, K. 537 "Coronation": II. Larghetto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-800.132.125-2 | |
| 22-3 | Concerto for Piano No. 26 in D major, K. 537 "Coronation": III. Allegretto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 22-4 | Concerto for Piano No. 27 in B-flat major, K. 595: I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 22-5 | Concerto for Piano No. 27 in B-flat major, K. 595: II. Larghetto | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 22-6 | Concerto for Piano No. 27 in B-flat major, K. 595: III. Rondo. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 23-1 | Piano Concerto no. 20 in D minor, KV 466: I. Allegro | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | T-001.312.909-3 | |
| 23-2 | Piano Concerto no. 20 in D minor, KV 466: II. Romance | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 23-3 | Piano Concerto no. 20 in D minor, KV 466: III. Allegro assai | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | T-306.395.786-4 | |
| 23-4 | Piano Concerto no. 24 in C minor, KV 491: I. (Allegro) | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | T-001.312.909-3 | |
| 23-5 | Piano Concerto no. 24 in C minor, KV 491: II. Larghetto | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | T-926.819.124-8 | |
| 23-6 | Piano Concerto no. 24 in C minor, KV 491: III. (Allegretto) | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 24-1 | Concerto for Piano no. 22 in E-flat major, K. 482: I. Allegro | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | T-001.312.909-3 | |
| 24-2 | Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 24-3 | Concerto for Piano no. 22 in E-flat major, K. 482: III. Allegro | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 24-4 | Concerto no. 27 in B-flat major for Piano, K. 595: I. Allegro | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | T-001.312.909-3 | |
| 24-5 | Concerto no. 27 in B-flat major for Piano, K. 595: II. Larghetto | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 24-6 | Concerto no. 27 in B-flat major for Piano, K. 595: III. Rondo. Allegro | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | T-306.395.786-4 | |
| 25-1 | Concerto for Piano no. 9 in E-flat major, K. 271 "Jeunehomme": I. Allegro | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | T-306.395.786-4 | |
| 25-2 | Concerto for Piano no. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 25-3 | Concerto for Piano no. 9 in E-flat major, K. 271 "Jeunehomme": III. Rondeau. Presto - adagio & Menuetto. Cantabile - tempo primo | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 25-4 | Concerto for Piano no. 25 in C major, K. 503: I. Allegro maestoso | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 25-5 | Concerto for Piano no. 25 in C major, K. 503: II. Andante | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 25-6 | Concerto for Piano no. 25 in C major, K. 503: III. Allegretto | Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 26-1 | Concerto no. 12 in A major, K. 414: I. Allegro | — | ||
| 26-2 | Concerto no. 12 in A major, K. 414: II. Andante | — | ||
| 26-3 | Concerto no. 12 in A major, K. 414: III. Rondeau: Allegretto | — | ||
| 26-4 | Concerto no. 17 in G major, K. 453: I. Allegro | — | ||
| 26-5 | Concerto no. 17 in G major, K. 453: II. Andante | — | ||
| 26-6 | Concerto no. 17 in G major, K. 453: III. Finale: Allegretto | — | ||
| 27-1 | Concerto for Piano no. 12 in A major, K. 385p/414: I. Allegro | Alban Berg Quartett, Alfred Brendel | — | |
| 27-2 | Concerto for Piano no. 12 in A major, K. 385p/414: II. Andante | Alban Berg Quartett, Alfred Brendel | — | |
| 27-3 | Concerto for Piano no. 12 in A major, K. 385p/414: III. Rondo. Allegretto | Alban Berg Quartett, Alfred Brendel | — | |
| 27-4 | Quartet for Piano no. 2 in E-flat major, K. 493: I. Allegro | Alban Berg Quartett, Alfred Brendel | — | |
| 27-5 | Quartet for Piano no. 2 in E-flat major, K. 493: II. Larghetto | Alban Berg Quartett, Alfred Brendel | T-913.918.862-8 | |
| 27-6 | Quartet for Piano no. 2 in E-flat major, K. 493: III. Allegretto | Alban Berg Quartett, Alfred Brendel | — | |
| 28-1 | Ch'io mi scordi di te... Non temer, amato bene, K. 505 | Jessye Norman, Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 28-2 | Fantasia for Piano in C minor, K. 475 | Alfred Brendel | — | |
| 28-3 | Piano Sonata no. 14 in C minor, K. 457: I. Allegro | Alfred Brendel | T-306.395.786-4 | |
| 28-4 | Piano Sonata no. 14 in C minor, K. 457: II. Adagio | Alfred Brendel | T-802.445.410-3 | |
| 28-5 | Piano Sonata no. 14 in C minor, K. 457: III. Molto allegro | Alfred Brendel | — | |
| 28-6 | Ch'io mi scordi di te... Non temer, amato bene, K.505 | Sylvia McNair, Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-1 | Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | — | ||
| 29-2 | Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | — | ||
| 29-3 | Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto: Allegretto | — | ||
| 29-4 | Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | — | ||
| 29-5 | Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace | — | ||
| 29-6 | Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato | — | ||
| 29-7 | Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo: Allegretto | — | ||
| 29-8 | Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo: Grazioso | — | ||
| 29-9 | Sonata no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | — | ||
| 29-10 | Sonata no. 4 in E-flat major, op. 7: II. Largo, con gran espressione | — | ||
| 29-11 | Sonata no. 4 in E-flat major, op. 7: III. Allegro | — | ||
| 29-12 | Sonata no. 4 in E-flat major, op. 7: IV. Rondo: Poco allegretto e grazioso | — | ||
| 30-1 | Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio | — | ||
| 30-2 | Sonata no. 3 in C major, op. 2 no. 3: II. Adagio | — | ||
| 30-3 | Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo: Allegro | — | ||
| 30-4 | Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai | — | ||
| 30-5 | Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | — | ||
| 30-6 | Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto | — | ||
| 30-7 | Sonata no. 5 in C minor, op. 10 no. 1: III. Finale: Prestissimo | — | ||
| 30-8 | Sonata no. 6 in F major, op. 10 no. 2: I. Allegro | — | ||
| 30-9 | Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto | — | ||
| 30-10 | Sonata no. 6 in F major, op. 10 no. 2: III. Presto | — | ||
| 30-11 | Sonate Nr. 8 c-moll op. 13 "Pathétique": I. Grave – Allegro di molto e con brio | Alfred Brendel | T-915.723.669-6 | |
| 30-12 | Sonate Nr. 8 c-moll op. 13 "Pathétique": II. Adagio cantabile | Alfred Brendel | T-001.397.158-8 | |
| 30-13 | Sonate Nr. 8 c-moll op. 13 "Pathétique": III. Rondo. Allegro | Alfred Brendel | T-306.482.598-1 | |
| 31-1 | Sonata no. 7 in D major, op. 10 no. 3: I. Presto | — | ||
| 31-2 | Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto | — | ||
| 31-3 | Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto: Allegro | — | ||
| 31-4 | Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo: Allegro | — | ||
| 31-5 | Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | — | ||
| 31-6 | Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto | — | ||
| 31-7 | Sonata no. 9 in E major, op. 14 no. 1: III. Rondo: Allegro commodo | — | ||
| 31-8 | Sonata no. 10 in G major, op. 14 no. 2: I. Allegro | — | ||
| 31-9 | Sonata no. 10 in G major, op. 14 no. 2: II. Andante | — | ||
| 31-10 | Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo: Allegro assai | — | ||
| 31-11 | Sonata no. 11 in B-flat major, op. 22: I. Allegro con brio | — | ||
| 31-12 | Sonata no. 11 in B-flat major, op. 22: II. Adagio con molta espressione | — | ||
| 31-13 | Sonata no. 11 in B-flat major, op. 22: III. Menuetto | — | ||
| 31-14 | Sonata no. 11 in B-flat major, op. 22: IV. Rondo: Allegretto | — | ||
| 32-1 | Sonata no. 12 in A-flat major, op. 26: I. Andante con variazioni | — | ||
| 32-2 | Sonata no. 12 in A-flat major, op. 26: II. Scherzo: Allegro molto | — | ||
| 32-3 | Sonata no. 12 in A-flat major, op. 26: III. Marcia funebre sulla morte d'un eroe | — | ||
| 32-4 | Sonata no. 12 in A-flat major, op. 26: IV. Allegro | — | ||
| 32-5 | Sonata no. 13 in E-flat major, op. 27 no. 1: I. Andante - Allegro - Tempo I | — | ||
| 32-6 | Sonata no. 13 in E-flat major, op. 27 no. 1: II. Allegro molto e vivace - | — | ||
| 32-7 | Sonata no. 13 in E-flat major, op. 27 no. 1: III. Adagio con espressione - | — | ||
| 32-8 | Sonata no. 13 in E-flat major, op. 27 no. 1: IV. Allegro vivace - Tempo I - Presto | — | ||
| 32-9 | Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Alfred Brendel | — | |
| 32-10 | Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto | Alfred Brendel | — | |
| 32-11 | Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto | Alfred Brendel | — | |
| 32-12 | Sonata no. 15 in D major, op. 28 "Pastoral": I. Allegro | Alfred Brendel | — | |
| 32-13 | Sonata no. 15 in D major, op. 28 "Pastoral": II. Andante | Alfred Brendel | T-800.722.074-9 | |
| 32-14 | Sonata no. 15 in D major, op. 28 "Pastoral": III. Scherzo. Allegro assai | Alfred Brendel | T-306.395.786-4 | |
| 32-15 | Sonata no. 15 in D major, op. 28 "Pastoral": IV. Rondo. Allegro ma non troppo | Alfred Brendel | T-031.682.208-8 | |
| 33-1 | Sonata no. 16 in G major, op. 31 no. 1: I. Allegro vivace | — | ||
| 33-2 | Sonata no. 16 in G major, op. 31 no. 1: II. Adagio grazioso | — | ||
| 33-3 | Sonata no. 16 in G major, op. 31 no. 1: III. Rondo: Allegretto | — | ||
| 33-4 | Sonata No. 17 in D minor, Op. 31 No. 2 "Der Sturm": I. Largo – Allegro | Alfred Brendel | T-310.769.687-3 | |
| 33-5 | Sonata No. 17 in D minor, Op. 31 No. 2 "Der Sturm": II. Adagio | Alfred Brendel | — | |
| 33-6 | Sonata No. 17 in D minor, Op. 31 No. 2 "Der Sturm": III. Allegretto | Alfred Brendel | T-310.769.687-3 | |
| 33-7 | Sonata no. 18 in E-flat major, op. 31 no. 3: I. Allegro | — | ||
| 33-8 | Sonata no. 18 in E-flat major, op. 31 no. 3: II. Scherzo: Allegretto vivace | — | ||
| 33-9 | Sonata no. 18 in E-flat major, op. 31 no. 3: III. Menuetto: Moderato e grazioso | — | ||
| 33-10 | Sonata no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco | — | ||
| 33-11 | Sonata no. 19 in G minor, op. 49 no. 1: I. Andante | — | ||
| 33-12 | Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo: Allegro | — | ||
| 34-1 | Sonata no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo | — | ||
| 34-2 | Sonata no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto | — | ||
| 34-3 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": I. Allegro con brio | Alfred Brendel | — | |
| 34-4 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": II. Introduzione. Adagio molto | Alfred Brendel | — | |
| 34-5 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo | Alfred Brendel | T-312.439.094-5 | |
| 34-6 | Sonata no. 22 in F major, op. 54: I. In tempo d'un menuetto | — | ||
| 34-7 | Sonata no. 22 in F major, op. 54: II. Allegretto | — | ||
| 34-8 | Sonate Nr. 23 f-moll op. 57 "Appassionata": I. Allegro assai | Alfred Brendel | T-306.395.786-4 | |
| 34-9 | Sonate Nr. 23 f-moll op. 57 "Appassionata": II. Andante con moto – | Alfred Brendel | — | |
| 34-10 | Sonate Nr. 23 f-moll op. 57 "Appassionata": III. Allegro ma non troppo | Alfred Brendel | T-031.682.208-8 | |
| 35-1 | Sonata no. 24 in F-sharp major, op. 78: I. Adagio cantabile - Allegro ma non troppo | — | ||
| 35-2 | Sonata no. 24 in F-sharp major, op. 78: II. Allegro vivace | — | ||
| 35-3 | Sonata no. 25 in G major, op. 79: I. Presto alla tedesca | — | ||
| 35-4 | Sonata no. 25 in G major, op. 79: II. Andante | — | ||
| 35-5 | Sonata no. 25 in G major, op. 79: III. Vivace | — | ||
| 35-6 | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro "Les Adieux" | Alfred Brendel | — | |
| 35-7 | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo "L'Absence" | Alfred Brendel | T-800.722.074-9 | |
| 35-8 | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente "Le Retour" | Alfred Brendel | — | |
| 35-9 | Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 35-10 | Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | — | ||
| 35-11 | Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung (Allegro ma non troppo) | — | ||
| 35-12 | Sonata no. 28 in A major, op. 101: II. Lebhaft. Marschmäßig (Vivace alla marcia) | — | ||
| 35-13 | Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) - | — | ||
| 35-14 | Sonata no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit (Allegro) | — | ||
| 36-1 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: I. Allegro | — | ||
| 36-2 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: II. Scherzo: Assai vivace | — | ||
| 36-3 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: III. Adagio sostenuto, appassionato e con molto sentimento | — | ||
| 36-4 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: IV. Largo - Allegro risoluto | — | ||
| 36-5 | Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I | — | ||
| 36-6 | Sonata no. 30 in E major, op. 109: II. Prestissimo | — | ||
| 36-7 | Sonata no. 30 in E major, op. 109: III. Andante, molto cantabile ed espressivo (Gesangvoll, mit innigster Empfindung) | — | ||
| 37-1 | Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile, molto espressivo | — | ||
| 37-2 | Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | — | ||
| 37-3 | Sonata no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo - Arioso dolente - Fuga: Allegro, ma non troppo - L'istesso tempo di Arioso - L'inversione della Fuga | — | ||
| 37-4 | Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 37-5 | Sonata no. 32 in C minor, op. 111: II. Arietta: Adagio molto semplice e cantabile | — | ||
| 37-6 | Andante favori in F major, WoO 57 | — | ||
| 38-1 | Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | — | ||
| 38-2 | Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | — | ||
| 38-3 | Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto: Allegretto | — | ||
| 38-4 | Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | — | ||
| 38-5 | Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace | — | ||
| 38-6 | Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato | — | ||
| 38-7 | Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo: Allegretto | — | ||
| 38-8 | Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo: Grazioso | — | ||
| 38-9 | Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio | — | ||
| 38-10 | Sonata no. 3 in C major, op. 2 no. 3: II. Adagio | — | ||
| 38-11 | Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo: Allegro | — | ||
| 38-12 | Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai | — | ||
| 39-1 | Sonata no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | — | ||
| 39-2 | Sonata no. 4 in E-flat major, op. 7: II. Largo, con gran espressione | — | ||
| 39-3 | Sonata no. 4 in E-flat major, op. 7: III. Allegro | — | ||
| 39-4 | Sonata no. 4 in E-flat major, op. 7: IV. Rondo: Poco allegretto e grazioso | — | ||
| 39-5 | Sonata no. 15 in D major, op. 28 (“Pastoral”): I. Allegro | — | ||
| 39-6 | Sonata no. 15 in D major, op. 28 (“Pastoral”): II. Andante | — | ||
| 39-7 | Sonata no. 15 in D major, op. 28 (“Pastoral”): III. Scherzo: Allegro assai | — | ||
| 39-8 | Sonata no. 15 in D major, op. 28 (“Pastoral”): IV. Rondo: Allegro ma non troppo | — | ||
| 39-9 | Sonata no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo | — | ||
| 39-10 | Sonata no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto | — | ||
| 40-1 | Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | — | ||
| 40-2 | Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto | — | ||
| 40-3 | Sonata no. 5 in C minor, op. 10 no. 1: III. Finale: Prestissimo | — | ||
| 40-4 | Sonata no. 6 in F major, op. 10 no. 2: I. Allegro | — | ||
| 40-5 | Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto | — | ||
| 40-6 | Sonata no. 6 in F major, op. 10 no. 2: III. Presto | — | ||
| 40-7 | Sonata no. 7 in D major, op. 10 no. 3: I. Presto | — | ||
| 40-8 | Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto | — | ||
| 40-9 | Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto: Allegro | — | ||
| 40-10 | Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo: Allegro | — | ||
| 41-1 | Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave — Allegro di molto e con brio | — | ||
| 41-2 | Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | — | ||
| 41-3 | Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo: Allegro | — | ||
| 41-4 | Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | — | ||
| 41-5 | Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto | — | ||
| 41-6 | Sonata no. 9 in E major, op. 14 no. 1: III. Rondo: Allegro commodo | — | ||
| 41-7 | Sonata no. 10 in G major, op. 14 no. 2: I. Allegro | — | ||
| 41-8 | Sonata no. 10 in G major, op. 14 no. 2: II. Andante | — | ||
| 41-9 | Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo: Allegro assai | — | ||
| 41-10 | Sonata no. 11 in B-flat major, op. 22: I. Allegro con brio | — | ||
| 41-11 | Sonata no. 11 in B-flat major, op. 22: II. Adagio con molta espressione | — | ||
| 41-12 | Sonata no. 11 in B-flat major, op. 22: III. Minuetto | — | ||
| 41-13 | Sonata no. 11 in B-flat major, op. 22: IV. Rondo: Allegretto | — | ||
| 42-1 | Sonata no. 12 in A-flat major, op. 26: I. Andante con variazioni | — | ||
| 42-2 | Sonata no. 12 in A-flat major, op. 26: II. Scherzo: Allegro molto | — | ||
| 42-3 | Sonata no. 12 in A-flat major, op. 26: III. Marcia funebre sulla morte d'un eroe | — | ||
| 42-4 | Sonata no. 12 in A-flat major, op. 26: IV. Allegro | — | ||
| 42-5 | Sonata no. 13 in E-flat major, op. 27 no. 1: I. Andante — Allegro — Tempo I | — | ||
| 42-6 | Sonata no. 13 in E-flat major, op. 27 no. 1: II. Allegro molto e vivace — | — | ||
| 42-7 | Sonata no. 13 in E-flat major, op. 27 no. 1: III. Adagio con espressione — | — | ||
| 42-8 | Sonata no. 13 in E-flat major, op. 27 no. 1: IV. Allegro vivace — Tempo I — Presto | — | ||
| 42-9 | Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | — | ||
| 42-10 | Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto | — | ||
| 42-11 | Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: III. Presto | — | ||
| 42-12 | Sonata no. 19 in G minor, op. 49 no. 1: I. Andante | — | ||
| 42-13 | Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo: Allegro | — | ||
| 43-1 | Sonata no. 16 in G major, op. 31 no. 1: I. Allegro vivace | — | ||
| 43-2 | Sonata no. 16 in G major, op. 31 no. 1: II. Adagio grazioso | — | ||
| 43-3 | Sonata no. 16 in G major, op. 31 no. 1: III. Rondo: Allegretto | — | ||
| 43-4 | Sonata no. 17 in D minor, op. 31 no. 2 (“The Tempest”): I. Largo — Allegro | — | ||
| 43-5 | Sonata no. 17 in D minor, op. 31 no. 2 (“The Tempest”): II. Adagio | — | ||
| 43-6 | Sonata no. 17 in D minor, op. 31 no. 2 (“The Tempest”): III. Allegretto | — | ||
| 43-7 | Sonata no. 18 in E-flat major, op. 31 no. 3: I. Allegro | — | ||
| 43-8 | Sonata no. 18 in E-flat major, op. 31 no. 3: II. Scherzo: Allegretto vivace | — | ||
| 43-9 | Sonata no. 18 in E-flat major, op. 31 no. 3: III. Menuetto: Moderato e grazioso | — | ||
| 43-10 | Sonata no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco | — | ||
| 44-1 | Sonata no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio | — | ||
| 44-2 | Sonata no. 21 in C major, op. 53 “Waldstein”: II. Introduzione: Adagio molto — | — | ||
| 44-3 | Sonata no. 21 in C major, op. 53 “Waldstein”: III. Rondo: Allegretto moderato — Prestissimo | — | ||
| 44-4 | Sonata no. 22 in F major, op. 54: I. In tempo d'un menuetto | — | ||
| 44-5 | Sonata no. 22 in F major, op. 54: II. Allegretto | — | ||
| 44-6 | Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo) | — | ||
| 44-7 | Sonata no. 28 in A major, op. 101: II. Lebhaft. Marschmäßig (Vivace alla marcia) | — | ||
| 44-8 | Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) — | — | ||
| 44-9 | Sonata no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit (Allegro) | — | ||
| 44-10 | Andante favori in F major, WoO 57 | — | ||
| 45-1 | Sonata no. 25 in G major, op. 79: I. Presto alla tedesca | — | ||
| 45-2 | Sonata no. 25 in G major, op. 79: II. Andante | — | ||
| 45-3 | Sonata no. 25 in G major, op. 79: III. Vivace | — | ||
| 45-4 | Sonata no. 24 in F-sharp major, op. 78: I. Adagio cantabile — Allegro ma non troppo | — | ||
| 45-5 | Sonata no. 24 in F-sharp major, op. 78: II. Allegro vivace | — | ||
| 45-6 | Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 45-7 | Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | — | ||
| 45-8 | Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | — | ||
| 45-9 | Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | — | ||
| 45-10 | Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo | — | ||
| 46-1 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: I. Allegro | — | ||
| 46-2 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: II. Scherzo: Assai vivace | — | ||
| 46-3 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: III. Adagio sostenuto, appassionato e con molto sentimento | — | ||
| 46-4 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: IV. Largo — Allegro risoluto | — | ||
| 46-5 | Sonata no. 26 in E-flat major, op. 81a “Les Adieux”: I. Adagio — Allegro (Lebewohl) | — | ||
| 46-6 | Sonata no. 26 in E-flat major, op. 81a “Les Adieux”: II. Andante espressivo (Abwesenheit) | — | ||
| 46-7 | Sonata no. 26 in E-flat major, op. 81a “Les Adieux”: III. Vivacissimamente (Das Wiedersehn) | — | ||
| 47-1 | Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo — Adagio espressivo — Tempo I | — | ||
| 47-2 | Sonata no. 30 in E major, op. 109: II. Prestissimo | — | ||
| 47-3 | Sonata no. 30 in E major, op. 109: III. Andante, molto cantabile ed espressivo (Gesangvoll, mit innigster Empfindung) | — | ||
| 47-4 | Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile, molto espressivo | — | ||
| 47-5 | Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | — | ||
| 47-6 | Sonata no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo — Arioso dolente | — | ||
| 47-7 | Sonata no. 31 in A-flat major, op. 110: III. Fuga: Allegro, ma non troppo — L'istesso tempo di Arioso — L'inversione della Fuga | — | ||
| 47-8 | Sonata no. 32 in C minor, op. 111: I. Maestoso — Allegro con brio ed appassionato | — | ||
| 47-9 | Sonata no. 32 in C minor, op. 111: II. Arietta: Adagio molto semplice e cantabile | — | ||
| 48-1 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Introduzione col basso del tema - Tema | Alfred Brendel | — | |
| 48-2 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation I | Alfred Brendel | — | |
| 48-3 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation II | Alfred Brendel | — | |
| 48-4 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation III | Alfred Brendel | — | |
| 48-5 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation IV | Alfred Brendel | — | |
| 48-6 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation V | Alfred Brendel | — | |
| 48-7 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation VI-VII | Alfred Brendel | — | |
| 48-8 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation VIII | Alfred Brendel | — | |
| 48-9 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation IX | Alfred Brendel | — | |
| 48-10 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation X | Alfred Brendel | — | |
| 48-11 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation XI | Alfred Brendel | — | |
| 48-12 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation XII | Alfred Brendel | — | |
| 48-13 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation XIII | Alfred Brendel | — | |
| 48-14 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation XIV-XV | Alfred Brendel | — | |
| 48-15 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Finale. Alla fuga | Alfred Brendel | — | |
| 48-16 | Bagatelle for Piano, op. 126 no. 1 in G major: Andante con moto cantabile e compiacevole | Alfred Brendel | — | |
| 48-17 | Bagatelle for Piano, op. 126 no. 2 in G minor: Allegro | Alfred Brendel | — | |
| 48-18 | Bagatelle for Piano, op. 126 no. 3 in E-flat major: Andante cantabile e grazioso | Alfred Brendel | — | |
| 48-19 | Bagatelle for Piano, op. 126 no. 4 in B minor: Presto | Alfred Brendel | — | |
| 48-20 | Bagatelle for Piano, op. 126 no. 4 in B minor: Presto | Alfred Brendel | — | |
| 48-21 | Bagatelle for Piano, op. 126 no. 6 in E-flat major: Presto - Andante amabile e con moto - Tempo | Alfred Brendel | — | |
| 48-22 | 6 Ecossaises, WoO 83: No. 1 | Alfred Brendel | — | |
| 48-23 | 6 Ecossaises, WoO 83: No. 2 | Alfred Brendel | — | |
| 48-24 | 6 Ecossaises, WoO 83: No. 4 | Alfred Brendel | — | |
| 48-25 | 6 Ecossaises, WoO 83: No. 4 | Alfred Brendel | — | |
| 48-26 | 6 Ecossaises, WoO 83: No. 5 | Alfred Brendel | — | |
| 48-27 | 6 Ecossaises, WoO 83: No. 6 | Alfred Brendel | — | |
| 48-28 | 6 Variations on an Original Theme in F major, op. 34: Thema: Adagio | — | ||
| 48-29 | 6 Variations on an Original Theme in F major, op. 34: Variation I | — | ||
| 48-30 | 6 Variations on an Original Theme in F major, op. 34: Variation II: Allegro ma non troppo | — | ||
| 48-31 | 6 Variations on an Original Theme in F major, op. 34: Variation III: Allegretto | — | ||
| 48-32 | 6 Variations on an Original Theme in F major, op. 34: Variation IV: Tempo di menuetto | — | ||
| 48-33 | 6 Variations on an Original Theme in F major, op. 34: Variation V: Marcia: Allegretto | — | ||
| 48-34 | 6 Variations on an Original Theme in F major, op. 34: Variation VI - Coda: Allegretto | — | ||
| 48-35 | 5 Variations on “Rule Britannia” in D major, WoO 79: Thema: Tempo moderato | — | ||
| 48-36 | 5 Variations on “Rule Britannia” in D major, WoO 79: Variation I | — | ||
| 48-37 | 5 Variations on “Rule Britannia” in D major, WoO 79: Variation II | — | ||
| 48-38 | 5 Variations on “Rule Britannia” in D major, WoO 79: Variation III | — | ||
| 48-39 | 5 Variations on “Rule Britannia” in D major, WoO 79: Variation IV | — | ||
| 48-40 | 5 Variations on “Rule Britannia” in D major, WoO 79: Variation V - Coda | — | ||
| 48-41 | 6 Variations on “Nel cor più non mi sento” in G major, WoO 70: Thema [Andantino] | — | ||
| 48-42 | 6 Variations on “Nel cor più non mi sento” in G major, WoO 70: Variation I | — | ||
| 48-43 | 6 Variations on “Nel cor più non mi sento” in G major, WoO 70: Variation II | — | ||
| 48-44 | 6 Variations on “Nel cor più non mi sento” in G major, WoO 70: Variation III | — | ||
| 48-45 | 6 Variations on “Nel cor più non mi sento” in G major, WoO 70: Variation IV | — | ||
| 48-46 | 6 Variations on “Nel cor più non mi sento” in G major, WoO 70: Variation V | — | ||
| 48-47 | 6 Variations on “Nel cor più non mi sento” in G major, WoO 70: Variation VI | — | ||
| 49-1 | 7 Bagatelles, op. 33: Andante grazioso, quasi allegretto | — | ||
| 49-2 | 7 Bagatelles, op. 33: Scherzo: Allegro | — | ||
| 49-3 | 7 Bagatelles, op. 33: Allegretto | — | ||
| 49-4 | 7 Bagatelles, op. 33: Andante | — | ||
| 49-5 | 7 Bagatelles, op. 33: Allegro, ma non troppo | — | ||
| 49-6 | 7 Bagatelles, op. 33: Allegretto quasi andante | — | ||
| 49-7 | 7 Bagatelles, op. 33: Presto | — | ||
| 49-8 | Rondo in C major, op. 51 no. 1 | — | ||
| 49-9 | Allegretto in C minor, WoO 53 | — | ||
| 49-10 | 11 Bagatelles, op. 119: No. 1 Allegretto | — | ||
| 49-11 | 11 Bagatelles, op. 119: No. 2 Andante con moto | — | ||
| 49-12 | 11 Bagatelles, op. 119: No. 3 À l'allemande | — | ||
| 49-13 | 11 Bagatelles, op. 119: No. 4 Andante cantabile | — | ||
| 49-14 | 11 Bagatelles, Op. 119: Risoluto | Alfred Brendel | — | |
| 49-15 | 11 Bagatelles, op. 119: No. 6 Andante - Allegretto leggiermente | — | ||
| 49-16 | 11 Bagatelles, Op. 119: Allegro ma non troppo | Alfred Brendel | T-031.682.208-8 | |
| 49-17 | 11 Bagatelles, op. 119: No. 8 Moderato cantabile | — | ||
| 49-18 | 11 Bagatelles, op. 119: No. 9 Vivace moderato | — | ||
| 49-19 | 11 Bagatelles, op. 119: No. 10 Allegramente | — | ||
| 49-20 | 11 Bagatelles, op. 119: No. 11 Andante, ma non troppo | — | ||
| 49-21 | 6 Bagatelles, op. 126: No. 1 Andante con moto | — | ||
| 49-22 | 6 Bagatelles, op. 126: No. 2 Allegro | — | ||
| 49-23 | 6 Bagatelles, op. 126: No. 3 Andante cantabile e grazioso | — | ||
| 49-24 | 6 Bagatelles, op. 126: No. 4 Presto | — | ||
| 49-25 | 6 Bagatelles, op. 126: No. 5 Quasi allegretto | — | ||
| 49-26 | 6 Bagatelles, op. 126: No. 6 Presto - Andante amabile e con moto - Tempo I | — | ||
| 49-27 | Bagatelle in B-flat major, WoO 60 | — | ||
| 49-28 | Bagatelle in A minor, WoO 59 "Für Elise" | Alfred Brendel | T-304.254.199-7 | |
| 50-1 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Tema: Vivace - Variation I: Alla marcia maestoso | — | ||
| 50-2 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation II: Poco allegro | — | ||
| 50-3 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation III: L'istesso tempo | — | ||
| 50-4 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation IV: Un poco più vivace | — | ||
| 50-5 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation V: Allegro vivace | — | ||
| 50-6 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation VI: Allegro ma non troppo e serioso | — | ||
| 50-7 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation VII: Un poco più allegro | — | ||
| 50-8 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation VIII: Poco vivace | — | ||
| 50-9 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation IX: Allegro pesante e risoluto | — | ||
| 50-10 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation X: Presto | — | ||
| 50-11 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XI: Allegretto | — | ||
| 50-12 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XII: Un poco più moto | — | ||
| 50-13 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XIII: Vivace | — | ||
| 50-14 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XIV: Grave e maestoso | — | ||
| 50-15 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XV: Presto scherzando | — | ||
| 50-16 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XVI: Allegro | — | ||
| 50-17 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XVII: Allegro | — | ||
| 50-18 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XVIII: Poco moderato | — | ||
| 50-19 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XIX: Presto | — | ||
| 50-20 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XX: Andante | — | ||
| 50-21 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXI: Allegro con brio - Meno allegro | — | ||
| 50-22 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXII: Allegro molto (alla “Notte e giorno faticar” di Mozart) | — | ||
| 50-23 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXIII: Allegro assai | — | ||
| 50-24 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXIV: Fughetta: Andante | — | ||
| 50-25 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXV: Allegro | — | ||
| 50-26 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXVI: (Piacevole) | — | ||
| 50-27 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXVII: Vivace | — | ||
| 50-28 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXVIII: Allegro | — | ||
| 50-29 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXIX: Adagio ma non troppo | — | ||
| 50-30 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXX: Andante, sempre cantabile | — | ||
| 50-31 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXXI: Largo, molto espressivo | — | ||
| 50-32 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXXII: Fuga: Allegro - Poco adagio | — | ||
| 50-33 | 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXXIII: Tempo di minuetto moderato | — | ||
| 51-1 | Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 51-2 | Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 51-3 | Concerto no. 1 in C major, op. 15: III. Rondo: Allegro scherzando | — | ||
| 51-4 | Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 51-5 | Concerto no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 51-6 | Concerto no. 2 in B-flat major, op. 19: III. Rondo: Molto allegro | — | ||
| 52-1 | Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 52-2 | Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 52-3 | Concerto no. 3 in C minor, op. 37: III. Rondo: Allegro | — | ||
| 52-4 | Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 52-5 | Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 52-6 | Concerto no. 4 in G major, op. 58: III. Rondo: Vivace | — | ||
| 53-1 | Piano Concerto no. 5 in E-flat, op. 73 "Emperor": I. Allegro | Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink | — | |
| 53-2 | Piano Concerto no. 5 in E-flat, op. 73 "Emperor": II. Adagio un poco mosso | Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink | — | |
| 53-3 | Piano Concerto no. 5 in E-flat, op. 73 "Emperor": III. Rondo (Allegro) | Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink | — | |
| 53-4 | Fantasia for Piano, Chorus and Orchestra in C minor, op. 80: I. Adagio | London Philharmonic Choir, Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink | — | |
| 53-5 | Fantasia for Piano, Chorus and Orchestra in C minor, op. 80: II. Finale (Allegro) | London Philharmonic Choir, Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink | — | |
| 53-6 | Fantasia for Piano, Chorus and Orchestra in C minor, op. 80: III. Allegro ma non troppo | London Philharmonic Choir, Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink | — | |
| 54-1 | Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 54-2 | Piano Concerto No. 1 in C major, Op. 15: II. Largo | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 54-3 | Piano Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro scherzando | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 54-4 | Klavierkonzert Nr. 4 G-dur, Op. 58: I. Allegro moderato | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 54-5 | Klavierkonzert Nr. 4 G-dur, Op. 58: II. Andante con moto | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 54-6 | Klavierkonzert Nr. 4 G-dur, Op. 58: III. Rondo: Vivace | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 55-1 | Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 55-2 | Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 55-3 | Piano Concerto No. 2 in B-flat major, Op. 19: III. Rondo: Vivace | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 55-4 | Piano Concerto No. 3 in C minor, Op. 37: I. Allegro con brio | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 55-5 | Piano Concerto No. 3 in C minor, Op. 37: II. Largo | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 55-6 | Piano Concerto No. 3 in C minor, Op. 37: III. Rondo. Allegro | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | T-700.095.171-5 | |
| 56-1 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | T-306.395.786-4 | |
| 56-2 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 56-3 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro ma non troppo | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | T-800.132.125-2 | |
| 57-1 | Sonata no. 4 in A minor, D. 537: I. Allegro ma non troppo | — | ||
| 57-2 | Sonata no. 4 in A minor, D. 537: II. Allegretto quasi andantino | — | ||
| 57-3 | Sonata no. 4 in A minor, D. 537: III. Allegro vivace | — | ||
| 57-4 | Sonata no. 13 in A major, D. 664: I. Allegro moderato | — | ||
| 57-5 | Sonata no. 13 in A major, D. 664: II. Andante | — | ||
| 57-6 | Sonata no. 13 in A major, D. 664: III. Allegro | — | ||
| 58-1 | Sonata no. 14 in A minor, D. 784: I. Allegro giusto | — | ||
| 58-2 | Sonata no. 14 in A minor, D. 784: II. Andante | — | ||
| 58-3 | Sonata no. 14 in A minor, D. 784: III. Allegro vivace | — | ||
| 58-4 | Sonata in C major, D. 840 “Reliquie”: I. Moderato | — | ||
| 58-5 | Sonata in C major, D. 840 “Reliquie”: II. Andante | — | ||
| 58-6 | Sonata no. 16 in A minor, D. 845: I. Moderato | — | ||
| 58-7 | Sonata no. 16 in A minor, D. 845: II. Andante, poco mosso | — | ||
| 58-8 | Sonata no. 16 in A minor, D. 845: III. Scherzo: Allegro vivace - Trio: Un poco più lento | — | ||
| 58-9 | Sonata no. 16 in A minor, D. 845: IV. Rondo: Allegro vivace | — | ||
| 59-1 | Sonata no. 17 in D major, D. 850: I. Allegro vivace | — | ||
| 59-2 | Sonata no. 17 in D major, D. 850: II. Con moto | — | ||
| 59-3 | Sonata no. 17 in D major, D. 850: III. Scherzo: Allegro vivace | — | ||
| 59-4 | Sonata no. 17 in D major, D. 850: IV. Rondo: Allegro moderato | — | ||
| 59-5 | Sonata no. 18 in G major, D. 894: I. Molto moderato e cantabile | — | ||
| 59-6 | Sonata no. 18 in G major, D. 894: II. Andante | — | ||
| 59-7 | Sonata no. 18 in G major, D. 894: III. Menuetto: Allegro moderato | — | ||
| 59-8 | Sonata no. 18 in G major, D. 894: IV. Allegretto | — | ||
| 60-1 | Sonata no. 19 in C minor, D. 958: I. Allegro | — | ||
| 60-2 | Sonata no. 19 in C minor, D. 958: II. Adagio | — | ||
| 60-3 | Sonata no. 19 in C minor, D. 958: III. Menuetto: Allegro | — | ||
| 60-4 | Sonata no. 19 in C minor, D. 958: IV. Allegro | — | ||
| 60-5 | Sonata no. 20 in A major, D. 959: I. Allegro | — | ||
| 60-6 | Sonata no. 20 in A major, D. 959: II. Andantino | — | ||
| 60-7 | Sonata no. 20 in A major, D. 959: III. Scherzo: Allegro vivace | — | ||
| 60-8 | Sonata no. 20 in A major, D. 959: IV. Rondo: Allegretto | — | ||
| 61-1 | Sonata no. 21 in B-flat major, D. 960: I. Molto moderato | — | ||
| 61-2 | Sonata no. 21 in B-flat major, D. 960: II. Andante sostenuto | — | ||
| 61-3 | Sonata no. 21 in B-flat major, D. 960: III. Scherzo: Allegro vivace con delicatezza | — | ||
| 61-4 | Sonata no. 21 in B-flat major, D. 960: IV. Allegro ma non troppo | — | ||
| 61-5 | 3 Klavierstücke (impromptus), D. 946: No. 1 in E-flat minor: Allegro assai - Andante - Tempo I | — | ||
| 61-6 | 3 Klavierstücke (impromptus), D. 946: No. 2 in E-flat major: Allegretto | — | ||
| 61-7 | 3 Klavierstücke (impromptus), D. 946: No. 3 in C major: Allegro | — | ||
| 61-8 | 11 Ecossaises D. 781 | Alfred Brendel | — | |
| 61-9 | Hungarian Melody in B minor D. 817 | Alfred Brendel | — | |
| 61-10 | Allegretto in C minor D. 915 | Alfred Brendel | — | |
| 62-1 | Impromptu in C minor D. 899 No. 1: Allegro molto moderato | Alfred Brendel | — | |
| 62-2 | Impromptu in E-flat major D. 899 No. 2: Allegro | Alfred Brendel | — | |
| 62-3 | Impromptu in G-flat major D. 899 No. 3: Andante | Alfred Brendel | T-304.253.008-1 | |
| 62-4 | Impromptu in A-flat major D. 899 No. 4: Allegretto | Alfred Brendel | T-304.253.207-6 | |
| 62-5 | Impromptu in F minor, D. 935 No. 1: Allegro moderato | Alfred Brendel | — | |
| 62-6 | Impromptu in A-flat major, D. 935 No. 2: Allegretto | Alfred Brendel | T-318.569.264-8 | |
| 62-7 | Impromptu in B-flat major, D. 935 No. 3: Theme (Andante) with variations | Alfred Brendel | — | |
| 62-8 | Four Impromptus, op. 142, D. 935: no. 4 in F minor | Alfred Brendel | — | |
| 62-9 | 16 German Dances, D. 783 | — | ||
| 63-1 | Fantasy in C major, op. 15, D. 760 “Wanderer”: I. Allegro con fuoco ma non troppo | — | ||
| 63-2 | Fantasy in C major, op. 15, D. 760 “Wanderer”: II. Adagio | — | ||
| 63-3 | Fantasy in C major, op. 15, D. 760 “Wanderer”: III. Presto | — | ||
| 63-4 | Fantasy in C major, op. 15, D. 760 “Wanderer”: IV. Allegro | — | ||
| 63-5 | 6 Moments musicaux, op. 94, D. 780: No. 1 in C major: Moderato | — | ||
| 63-6 | 6 Moments musicaux, op. 94, D. 780: No. 2 in A-flat major: Andantino | — | ||
| 63-7 | 6 Moments musicaux, op. 94, D. 780: No. 3 in F minor: Allegro moderato | — | ||
| 63-8 | 6 Moments musicaux, op. 94, D. 780: No. 4 in C-sharp minor: Moderato | — | ||
| 63-9 | 6 Moments musicaux, op. 94, D. 780: No. 5 in F minor: Allegro vivace | — | ||
| 63-10 | 6 Moments musicaux, op. 94, D. 780: No. 6 in A-flat major: Allegretto | — | ||
| 63-11 | 12 German Dances, D. 790 | — | ||
| 64-1 | Piano Sonata no. 17 in D major, op. 53, D. 850: I. Allegro | Alfred Brendel | — | |
| 64-2 | Piano Sonata no. 17 in D major, op. 53, D. 850: II. Con moto | Alfred Brendel | T-918.982.163-4 | |
| 64-3 | Piano Sonata no. 17 in D major, op. 53, D. 850: III. Scherzo: Allegro vivace | Alfred Brendel | — | |
| 64-4 | Piano Sonata no. 17 in D major, op. 53, D. 850: IV. Rondo: Allegro moderato | Alfred Brendel | — | |
| 64-5 | Piano Sonata no. 14 in A minor, op. posth. 143, D. 784: I. Allegro giusto | Alfred Brendel | T-928.635.436-7 | |
| 64-6 | Piano Sonata no. 14 in A minor, op. posth. 143, D. 784: II. Andante | Alfred Brendel | — | |
| 64-7 | Piano Sonata no. 14 in A minor, op. posth. 143, D. 784: III. Allegro vivace | Alfred Brendel | — | |
| 65-1 | Piano Sonata no. 20 in A major, D. 959: I. Allegro | Alfred Brendel | T-304.359.215-6 | |
| 65-2 | Piano Sonata no. 20 in A major, D. 959: II. Andantino | Alfred Brendel | — | |
| 65-3 | Piano Sonata no. 20 in A major, D. 959: III. Scherzo: Allegro vivace | Alfred Brendel | — | |
| 65-4 | Piano Sonata no. 20 in A major, D. 959: IV. Rondo: Allegretto | Alfred Brendel | T-304.253.207-6 | |
| 65-5 | Hungarian Melody in B minor, D. 817 | Alfred Brendel | — | |
| 65-6 | Sixteen German Dances, D. 783 | Alfred Brendel | — | |
| 65-7 | Allegretto in C minor, D. 915 | Alfred Brendel | T-011.751.253-4 | |
| 66-1 | Piano Sonata no. 19 in C minor, D. 958: I. Allegro | Alfred Brendel | T-306.395.786-4 | |
| 66-2 | Piano Sonata no. 19 in C minor, D. 958: II. Adagio | Alfred Brendel | — | |
| 66-3 | Piano Sonata no. 19 in C minor, D. 958: III. Menuetto: Allegro | Alfred Brendel | — | |
| 66-4 | Piano Sonata no. 19 in C minor, D. 958: IV. Allegro | Alfred Brendel | T-318.676.528-2 | |
| 66-5 | Moments musicaux, op. 94, D. 780, no. 1 in C major: Moderato | Alfred Brendel | T-010.437.719-6 | |
| 66-6 | Moments musicaux, op. 94, D. 780, no. 2 in A-flat major: Andantino | Alfred Brendel | T-906.148.797-6 | |
| 66-7 | Moments musicaux, op. 94, D. 780, no. 3 in F minor: Allegro moderato | Alfred Brendel | — | |
| 66-8 | Moments musicaux, op. 94, D. 780, no. 4 in C-sharp minor: Moderato | Alfred Brendel | — | |
| 66-9 | Moments musicaux, op. 94, D. 780, no. 5 in F minor: Allegro vivace | Alfred Brendel | T-909.573.827-5 | |
| 66-10 | Moments musicaux, op. 94, D. 780, no. 6 in A-flat major: Allegretto | Alfred Brendel | T-917.141.515-9 | |
| 67-1 | Piano Sonata no. 16 in A minor, D. 845: I. Moderato | Alfred Brendel | — | |
| 67-2 | Piano Sonata no. 16 in A minor, D. 845: II. Andante poco mosso | Alfred Brendel | — | |
| 67-3 | Piano Sonata no. 16 in A minor, D. 845: III. Scherzo: Allegro vivace - Trio: Un poco più mosso | Alfred Brendel | — | |
| 67-4 | Piano Sonata no. 16 in A minor, D. 845: IV. Rondo: Allegro vivace | Alfred Brendel | — | |
| 67-5 | 3 Klavierstücke (Impromptus), D. 946 no. 1 in E-flat minor | Alfred Brendel | — | |
| 67-6 | 3 Klavierstücke (Impromptus), D. 946 no. 2 in E-flat major | Alfred Brendel | — | |
| 67-7 | 3 Klavierstücke (Impromptus), D. 946 no. 3 in C major | Alfred Brendel | — | |
| 68-1 | Four Impromptus, op. 90, D. 899: no. 1 in C minor | Alfred Brendel | — | |
| 68-2 | Four Impromptus, op. 90, D. 899: no. 2 in E-flat major | Alfred Brendel | — | |
| 68-3 | Four Impromptus, op. 90, D. 899: no. 3 in G-flat major | Alfred Brendel | T-304.253.008-1 | |
| 68-4 | Impromptus, op. 90: No. 4 in A‐flat major (Allegretto) | Alfred Brendel | T-304.253.207-6 | |
| 68-5 | Four Impromptus, op. 142, D. 935: no. 1 in F minor | Alfred Brendel | — | |
| 68-6 | Four Impromptus, op. 142, D. 935: no. 2 in A-flat major | Alfred Brendel | T-318.569.264-8 | |
| 68-7 | Four Impromptus, op. 142, D. 935: no. 3 in B-flat major | Alfred Brendel | — | |
| 68-8 | Impromptus Op. 142 D. 935, No. 4 in f-moll | Alfred Brendel | — | |
| 69-1 | Piano Sonata in G major, op. 78, D. 894: I. Molto moderato e cantabile | Alfred Brendel | — | |
| 69-2 | Piano Sonata in G major, op. 78, D. 894: II. Andante | Alfred Brendel | — | |
| 69-3 | Piano Sonata in G major, op. 78, D. 894: III. Menuetto. Allegro moderato | Alfred Brendel | — | |
| 69-4 | Piano Sonata in G major, op. 78, D. 894: IV. Allegretto | Alfred Brendel | T-304.253.207-6 | |
| 69-5 | Piano Sonata in C major, D. 840 “Reliquie”: I. Moderato | Alfred Brendel | — | |
| 69-6 | Piano Sonata in C major, D. 840 “Reliquie”: II. Andante | Alfred Brendel | — | |
| 70-1 | Piano Sonata no. 21 in B-flat, D. 960: I. Molto moderato | Alfred Brendel | — | |
| 70-2 | Piano Sonata no. 21 in B-flat, D. 960: II. Andante sostenuto | Alfred Brendel | — | |
| 70-3 | Piano Sonata no. 21 in B-flat, D. 960: III. Scherzo (Allegro vivace con delicatezza) | Alfred Brendel | — | |
| 70-4 | Piano Sonata no. 21 in B-flat, D. 960: IV. Allegro ma non troppo | Alfred Brendel | T-031.682.208-8 | |
| 70-5 | Fantasy in C Major "Wanderer": I. Allegro con fuoco ma non troppo | Alfred Brendel | — | |
| 70-6 | Fantasy in C Major "Wanderer": II. Adagio | Alfred Brendel | — | |
| 70-7 | Fantasia in C major, op. 15, D. 760 “Wanderer”: III. Presto | Alfred Brendel | — | |
| 70-8 | Fantasy in C Major "Wanderer": IV. Allegro | Alfred Brendel | T-031.682.208-8 | |
| 71-1 | Konzertstück in F minor, op. 79: I. Larghetto affettuoso - Allegro passionato - | — | ||
| 71-2 | Konzertstück in F minor, op. 79: II. Adagio - Tempo di marcia - Più mosso - Presto giojoso | — | ||
| 71-3 | Sonata no. 2 in A-flat major, op. 39: I. Allegro moderato con spirito ed assai legato | — | ||
| 71-4 | Sonata no. 2 in A-flat major, op. 39: II. Andante | — | ||
| 71-5 | Sonata no. 2 in A-flat major, op. 39: III. Menuetto capriccioso: Presto assai | — | ||
| 71-6 | Sonata no. 2 in A-flat major, op. 39: IV. Rondo: Moderato e molto grazioso | — | ||
| 71-7 | Variations sérieuses, op. 54 | — | ||
| 72-1 | Concerto for Piano and Orchestra in A minor, op. 54: 1. Allegro affettuoso | Alfred Brendel, London Symphony Orchestra, Claudio Abbado | — | |
| 72-2 | Concerto for Piano and Orchestra in A minor, op. 54: 2. Intermezzo. Andantino grazioso | Alfred Brendel, London Symphony Orchestra, Claudio Abbado | — | |
| 72-3 | Concerto for Piano and Orchestra in A minor, op. 54: 3. Allegro vivace | Alfred Brendel, London Symphony Orchestra, Claudio Abbado | — | |
| 72-4 | Fantasie C-dur, Op. 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen - im legenden-Ton | Alfred Brendel | — | |
| 72-5 | Fantasie C-dur, Op. 17: II. Mäßig. Durchaus energisch - etwas langsamer - viel bewegter | Alfred Brendel | — | |
| 72-6 | Fantasie C-dur, Op. 17: III. Langsam getragen. Durchweg leise zu halten - etwas bewegter | Alfred Brendel | — | |
| 73-1 | Piano Concerto in A minor, Op. 54: I. Allegro affettuoso | Alfred Brendel, Philharmonia Orchestra, Kurt Sanderling | T-909.264.262-1 | |
| 73-2 | Piano Concerto in A minor, Op. 54: II. Intermezzo. Andantino grazioso | Alfred Brendel, Philharmonia Orchestra, Kurt Sanderling | T-909.264.262-1 | |
| 73-3 | Piano Concerto in A minor, Op. 54: III. Allegro vivace | Alfred Brendel, Philharmonia Orchestra, Kurt Sanderling | T-909.264.262-1 | |
| 73-4 | Fantasy in C major, Op, 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen - Im Legendenton | Alfred Brendel | — | |
| 73-5 | Fantasy in C major, Op, 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter | Alfred Brendel | — | |
| 73-6 | Fantasy in C major, Op, 17: III. Langsam getragen. Durchweg leise zu halten - Etwas bewegter | Alfred Brendel | — | |
| 74-1 | Kreisleriana, op. 16: I. Äußerst bewegt | — | ||
| 74-2 | Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch / Intermezzo I: Sehr lebhaft / Intermezzo II: Etwas bewegter | — | ||
| 74-3 | Kreisleriana, op. 16: III. Sehr aufgeregt | — | ||
| 74-4 | Kreisleriana, op. 16: IV. Sehr langsam | — | ||
| 74-5 | Kreisleriana, op. 16: V. Sehr lebhaft | — | ||
| 74-6 | Kreisleriana, op. 16: VI. Sehr langsam | — | ||
| 74-7 | Kreisleriana, op. 16: VII. Sehr rasch | — | ||
| 74-8 | Kreisleriana, op. 16: VIII. Schnell und spielend | — | ||
| 74-9 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | — | ||
| 74-10 | Kinderszenen, op. 15: II. Kuriose Geschichte | — | ||
| 74-11 | Kinderszenen, op. 15: III. Haschemann | — | ||
| 74-12 | Kinderszenen, op. 15: IV. Bittendes Kind | — | ||
| 74-13 | Kinderszenen, op. 15: V. Glückes genung | — | ||
| 74-14 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | — | ||
| 74-15 | Kinderszenen, op. 15: VII. Träumerei | — | ||
| 74-16 | Kinderszenen, op. 15: VIII. Am Kamin | — | ||
| 74-17 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | — | ||
| 74-18 | Kinderszenen, op. 15: X. Fast zu ernst | — | ||
| 74-19 | Kinderszenen, op. 15: XI. Fürchtenmachen | — | ||
| 74-20 | Kinderszenen, op. 15: XII. Kind im Einschlummern | — | ||
| 74-21 | Kinderszenen, op. 15: XIII. Der Dichter spricht | — | ||
| 74-22 | 8 Fantasiestücke, op.12: I. Des Abends | Alfred Brendel | — | |
| 74-23 | Fantasiestücke, op. 12: II. Aufschwung | — | ||
| 74-24 | 8 Fantasiestücke, op.12: III. Warum? | Alfred Brendel | — | |
| 74-25 | Fantasiestücke, op. 12: IV. Grillen | — | ||
| 74-26 | 8 Fantasiestücke, op.12: V. In der Nacht | Alfred Brendel | — | |
| 74-27 | Fantasiestücke, op. 12: VI. Fabel | — | ||
| 74-28 | Fantasiestücke, op. 12: VII. Traumes-Wirren | — | ||
| 74-29 | 8 Fantasiestücke, op.12: VIII. Ende vom Lied | Alfred Brendel | — | |
| 75-1 | Symphonic Studies, op.13: Theme | — | ||
| 75-2 | Symphonic Studies, op.13: Variation III (Appendix) | — | ||
| 75-3 | Symphonic Studies, op.13: Étude I | — | ||
| 75-4 | Symphonic Studies, op.13: Variation I | — | ||
| 75-5 | Symphonic Studies, op.13: Variation II | — | ||
| 75-6 | Symphonic Studies, op.13: Étude II | — | ||
| 75-7 | Symphonic Studies, op.13: Étude III | — | ||
| 75-8 | Symphonic Studies, op.13: Étude IV | — | ||
| 75-9 | Symphonic Studies, op.13: Étude V | — | ||
| 75-10 | Symphonic Studies, op.13: Variation IV | — | ||
| 75-11 | Symphonic Studies, op.13: Étude VI | — | ||
| 75-12 | Symphonic Studies, op.13: Étude VII | — | ||
| 75-13 | Symphonic Studies, op.13: Étude VIII | — | ||
| 75-14 | Symphonic Studies, op.13: Étude IX | — | ||
| 75-15 | Symphonic Studies, op.13: Variation V | — | ||
| 75-16 | Symphonic Studies, op.13: Étude X | — | ||
| 75-17 | Symphonic Studies, op.13: Étude XI | — | ||
| 75-18 | Symphonic Studies, op.13: Étude XII: Finale | — | ||
| 75-19 | Pictures at an Exhibition: I. Promenade | — | ||
| 75-20 | Pictures at an Exhibition: II. Gnomus | — | ||
| 75-21 | Pictures at an Exhibition: III. Promenade | — | ||
| 75-22 | Pictures at an Exhibition: IV. Il vecchio castello | — | ||
| 75-23 | Pictures at an Exhibition: V. Promenade | — | ||
| 75-24 | Pictures at an Exhibition: VI. Tuileries | — | ||
| 75-25 | Pictures at an Exhibition: VII. Bydlo | — | ||
| 75-26 | Pictures at an Exhibition: VIII. Promenade | — | ||
| 75-27 | Pictures at an Exhibition: IX. Ballet of the Chickens in their Shells | — | ||
| 75-28 | Pictures at an Exhibition: X. Samuel Goldenberg and Schmuyle | — | ||
| 75-29 | Pictures at an Exhibition: XI. Promenade | — | ||
| 75-30 | Pictures at an Exhibition: XII. The Market-place at Limoges | — | ||
| 75-31 | Pictures at an Exhibition: XIII. Catacombae (Sepulchrum romanum) | — | ||
| 75-32 | Pictures at an Exhibition: XIV. Cum mortuis in lingua mortua | — | ||
| 75-33 | Pictures at an Exhibition: XV. The Hut on Fowl's Legs (Baba Yaga) | — | ||
| 75-34 | Pictures at an Exhibition: XVI. The Great Gate at Kiev | — | ||
| 75-35 | Vexilla regis prodeunt, S. 185 | — | ||
| 75-36 | Weihnachtsbaum, S. 186: VI. Glockenspiel | — | ||
| 76-1 | Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | — | ||
| 76-2 | Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio - Allegretto vivace - Allegro animato | — | ||
| 76-3 | Concerto no. 1 in E-flat major, S. 124: III. Allegro marziale animato | — | ||
| 76-4 | Concerto no. 2 in A major, S. 125: I. Allegro sostenuto assai - Allegro agitato assai | — | ||
| 76-5 | Concerto no. 2 in A major, S. 125: II. Allegro moderato | — | ||
| 76-6 | Concerto no. 2 in A major, S. 125: III. Allegro deciso - Marziale un poco meno allegro | — | ||
| 76-7 | Concerto no. 2 in A major, S. 125: IV. Allegro animato | — | ||
| 76-8 | Totentanz, S. 126 | — | ||
| 76-9 | Csárdás macabre, S. 224 | — | ||
| 76-10 | Valse oubliée no. 1 in F-sharp major, S. 215 | — | ||
| 76-11 | Mosonyis Grabgeleit, S. 194 | — | ||
| 76-12 | Schlaflos! Frage und Antwort, S. 203 | — | ||
| 76-13 | Unstern! Sinestre, disastro, S. 208 | — | ||
| 77-1 | Sonata in B minor, S. 178: I. Lento assai - Allegro energico | — | ||
| 77-2 | Sonata in B minor, S. 178: II. Andante sostenuto | — | ||
| 77-3 | Sonata in B minor, S. 178: III. Allegro energico - Andante sostenuto - Lento assai | — | ||
| 77-4 | Années de pèlerinage: 2ème année: Italie, S. 161: I. Sposalizio | — | ||
| 77-5 | Années de pèlerinage: 2ème année: Italie, S. 161: II. Il Penseroso | — | ||
| 77-6 | Années de pèlerinage: 2ème année: Italie, S. 161: III. Canzonetta del Salvator Rosa | — | ||
| 77-7 | Années de pèlerinage: 2ème année: Italie, S. 161: IV. Sonetto 47 del Petrarca | — | ||
| 77-8 | Années de pèlerinage: 2ème année: Italie, S. 161: V. Sonetto 104 del Petrarca | — | ||
| 77-9 | Années de pèlerinage: 2ème année: Italie, S. 161: VI. Sonetto 123 del Petrarca | — | ||
| 77-10 | Années de pèlerinage: 2ème année: Italie, S. 161: VII. Après une lecture du Dante: Fantasia quasi Sonata | — | ||
| 77-11 | R.W.-Venezia, S. 201 | — | ||
| 77-12 | Nuages gris, S. 199 | — | ||
| 78-1 | Sonata in B minor, S178: I. Lento assai - Allegro energico | — | ||
| 78-2 | Sonata in B minor, S178: II. Andante sostenuto - | — | ||
| 78-3 | Sonata in B minor, S178: III. Allegro energico - Andante sostenuto - Lento assai | — | ||
| 78-4 | Années de pèlerinage, Deuxième année: Italie, S. 161 no. 1: Sposalizio | Alfred Brendel | — | |
| 78-5 | Années de pèlerinage, Deuxième année: Italie, S. 161 no. 2: Il penseroso | Alfred Brendel | — | |
| 78-6 | Années de pèlerinage, Deuxième année: Italie, S. 161 no. 3: Canzonetta del Salvator Rosa | Alfred Brendel | — | |
| 78-7 | Années de pèlerinage, Deuxième année: Italie, S. 161 no. 4: Sonetto 47 del Petrarca | Alfred Brendel | — | |
| 78-8 | Années de pèlerinage, Deuxième année: Italie, S. 161 no. 5: Sonetto 104 del Petrarca | Alfred Brendel | — | |
| 78-9 | Années de pèlerinage, Deuxième année: Italie, S. 161 no. 6: Sonetto 123 del Petrarca | Alfred Brendel | — | |
| 78-10 | Années de Pèlerinage, Deuxième année: Italie, S. 161 no. 7: Après une lecture du Dante: Fantasia quasi Sonata | Alfred Brendel | — | |
| 79-1 | Années de pèlerinage, Première année: Suisse, S. 160 no. 1: La Chapelle de Guillaume Tell | Alfred Brendel | — | |
| 79-2 | Années de pèlerinage, Première année: Suisse, S. 160 no. 2: Au lac de Wallenstadt | Alfred Brendel | — | |
| 79-3 | Années de pèlerinage, Première année: Suisse, S. 160 no. 3: Pastorale | Alfred Brendel | — | |
| 79-4 | Années de pèlerinage, Première année: Suisse, S. 160 no. 4: Au bord d'une source | Alfred Brendel | — | |
| 79-5 | Années de pèlerinage, Première année: Suisse, S. 160 no. 5: Orage | Alfred Brendel | — | |
| 79-6 | Années de pèlerinage, Première année: Suisse, S. 160 no. 6: Vallée d'Obermann | Alfred Brendel | T-900.146.326-9 | |
| 79-7 | Années de pèlerinage, Première année: Suisse, S. 160 no. 7: Eglogue | Alfred Brendel | — | |
| 79-8 | Années de pèlerinage, Première année: Suisse, S. 160 no. 8: Le mal du pays | Alfred Brendel | — | |
| 79-9 | Années de pèlerinage 1e année, Suisse, S. 160: IX. Les cloches de Genêve | Alfred Brendel | — | |
| 79-10 | Isoldes Liebestod, S. 447 (Piano transcription after Wagner's “Tristan und Isolde”) | — | ||
| 79-11 | Années de pèlerinage: 1ère année: Suisse, S. 160: VI. Vallée d'Obermann | — | ||
| 79-12 | 10 Harmonies poétiques et religieuses, S. 173: VII. Funérailles | — | ||
| 80-1 | Années de pèlerinage: 3ème année, S. 163 (excerpts): II. Aux cyprès de la Villa d'Este I (Thrénodie) | — | ||
| 80-2 | Années de pèlerinage: 3ème année, S. 163 (excerpts): IV. Les jeux d'eau à la Villa d'Este | — | ||
| 80-3 | Années de pèlerinage: 3ème année, S. 163 (excerpts): V. Sunt lacrymae rerum (En mode hongrois) | — | ||
| 80-4 | Années de pèlerinage: 3ème année, S. 163 (excerpts): VII. Sursum corda | — | ||
| 80-5 | Fantasia and Fugue on the Theme B.A.C.H., S. 529 | — | ||
| 80-6 | Weinen, Klagen, Sorgen, Zagen, S. 179 (Variations on Bach's cantata) | — | ||
| 80-7 | 5 kleine Klavierstücke, S. 192: No. 3 in F-sharp major | — | ||
| 80-8 | Weihnachtsbaum, S. 186: VII. Schlummerlied | — | ||
| 80-9 | En rêve, S. 207 | — | ||
| 80-10 | Années de pèlerinage: 2ème année: Italie, S. 161: I. Sposalizio | — | ||
| 80-11 | Bagatelle sans tonalité, S. 216a | — | ||
| 81-1 | 10 Harmonies poétiques et religieuses, S. 173: No. 1. Invocation | Alfred Brendel | — | |
| 81-2 | Harmonies poétiques et religieuses, S. 173 (excerpts): III. Bénédiction de Dieu dans la solitude | — | ||
| 81-3 | Harmonies poétiques et religieuses, S. 173 (excerpts): IV. Pensée des morts | — | ||
| 81-4 | Harmonies poétiques et religieuses, S. 173 (excerpts): VII. Funérailles | — | ||
| 81-5 | La lugubre gondola, S. 200 no. 1 | Alfred Brendel | — | |
| 81-6 | La lugubre gondola, S. 200 no. 2 | Alfred Brendel | — | |
| 81-7 | Legende, S. 175 no. 1 "St. Francis of Assisi Preaching to the Birds" | Alfred Brendel | — | |
| 81-8 | Legende, S. 175 no. 2 "St. Francis de Paule Walking on the Water" | Alfred Brendel | — | |
| 82-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato | — | ||
| 82-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 82-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro non troppo | — | ||
| 83-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato | — | ||
| 83-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 83-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro ma non troppo | — | ||
| 83-4 | Theme with variations in D minor (Arrangement of second movement of String Sextet no. 1, op. 18): Andante, ma moderato | — | ||
| 84-1 | Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 84-2 | Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 84-3 | Concerto no. 2 in B-flat major, op. 83: III. Andante – Più adagio | — | ||
| 84-4 | Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso – Un poco più presto | — | ||
| 85-1 | Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 85-2 | Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 85-3 | Concerto no. 2 in B-flat major, op. 83: III. Andante - Più adagio | — | ||
| 85-4 | Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso - un poco più presto | — | ||
| 85-5 | 4 Ballades, op. 10: No. 1 in D minor | — | ||
| 85-6 | 4 Ballades, op. 10: No. 2 in D major | — | ||
| 85-7 | 4 Ballades, op. 10: No. 3 in B minor | — | ||
| 85-8 | 4 Ballades, op. 10: No. 4 in B major | — | ||
| 86-1 | Concerto for Piano and Orchestra, op. 42: I. Andante | — | ||
| 86-2 | Concerto for Piano and Orchestra, op. 42: II. Molto allegro | — | ||
| 86-3 | Concerto for Piano and Orchestra, op. 42: III. Adagio | — | ||
| 86-4 | Concerto for Piano and Orchestra, op. 42: IV. Giocoso: Moderato | — | ||
| 86-5 | Toccata: Preludio, Fantasia, Ciaccona, Kind. 287 | — | ||
| 86-6 | Piano Sonata, op. 1 | — | ||
| 86-7 | Concerto for Piano and Orchestra, op. 42: I. Andante | — | ||
| 86-8 | Concerto for Piano and Orchestra, op. 42: II. Molto allegro | — | ||
| 86-9 | Concerto for Piano and Orchestra, op. 42: III. Adagio | — | ||
| 86-10 | Concerto for Piano and Orchestra, op. 42: IV. Giocoso: Moderato | — | ||
| 87-1 | Quintet in E-flat major, K. 452: I. Largo - Allegro moderato | — | ||
| 87-2 | Quintet in E-flat major, K. 452: II. Larghetto | — | ||
| 87-3 | Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452: III. Allegretto | Hermann Baumann, Alfred Brendel, Eduard Brunner, Heinz Holliger, Klaus Thunemann | — | |
| 87-4 | Quintet in E-flat major, op. 16: I. Grave - Allegro ma non troppo | — | ||
| 87-5 | Quintet in E-flat major, op. 16: II. Andante cantabile | — | ||
| 87-6 | Quintet in E-flat major, op. 16: III. Rondo: Allegro ma non troppo | — | ||
| 88-1 | Sonata no. 2 for Cello and Piano in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo | — | ||
| 88-2 | Sonata no. 2 for Cello and Piano in G minor, op. 5 no. 2: I. Allegro molto più tosto presto | — | ||
| 88-3 | Sonata no. 2 for Cello and Piano in G minor, op. 5 no. 2: II. Rondo: Allegro | — | ||
| 88-4 | Sonata no. 4 for Cello and Piano in C major, op. 102 no. 1: I. Andante – Allegro vivace | — | ||
| 88-5 | Sonata no. 4 for Cello and Piano in C major, op. 102 no. 1: II. Adagio – Tempo d'andante – Allegro vivace | — | ||
| 88-6 | Sonata no. 3 for Cello and Piano in A major, op. 69: I. Allegro ma non tanto | — | ||
| 88-7 | Sonata no. 3 for Cello and Piano in A major, op. 69: II. Scherzo: Allegro molto | — | ||
| 88-8 | Sonata no. 3 for Cello and Piano in A major, op. 69: III. Adagio cantabile – Allegro vivace | — | ||
| 88-9 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Theme: Allegretto | — | ||
| 88-10 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation I | — | ||
| 88-11 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation II | — | ||
| 88-12 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation III | — | ||
| 88-13 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation IV | — | ||
| 88-14 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation V | — | ||
| 88-15 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation VI | — | ||
| 88-16 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation VII | — | ||
| 88-17 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation VIII | — | ||
| 88-18 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation IX | — | ||
| 88-19 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation X: Adagio | — | ||
| 88-20 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation XI: Poco adagio, quasi andante | — | ||
| 88-21 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation XII: Allegro | — | ||
| 89-1 | 12 Variations on “See the conqu'ring hero comes”, WoO 45: Theme: Allegretto | — | ||
| 89-2 | 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation I | — | ||
| 89-3 | 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation II | — | ||
| 89-4 | 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation III | — | ||
| 89-5 | 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation IV | — | ||
| 89-6 | 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation V | — | ||
| 89-7 | 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation VI | — | ||
| 89-8 | 12 Variations on “See the conqu'ring hero comes,” WoO 45: Variation VII | — | ||
| 89-9 | 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation VIII | — | ||
| 89-10 | 12 Variations on “See the conqu'ring hero comes,” WoO 45: Variation IX | — | ||
| 89-11 | 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation X: Allegro | — | ||
| 89-12 | 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation X: Adagio | — | ||
| 89-13 | 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation X: Allegro | — | ||
| 89-14 | Sonata no. 5 for Cello and Piano in D major, op. 102 no. 2: I. Allegro con brio | — | ||
| 89-15 | Sonata no. 5 for Cello and Piano in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto | — | ||
| 89-16 | Sonata no. 5 for Cello and Piano in D major, op. 102 no. 2: III. Allegro - Allegro fugato | — | ||
| 89-17 | Sonata no. 1 for Cello and Piano in F major, op. 5 no. 1: I. Adagio sostenuto - Allegro | — | ||
| 89-18 | Sonata no. 1 for Cello and Piano in F major, op. 5 no. 1: II. Rondo: Allegro vivace | — | ||
| 89-19 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Theme: Andante | — | ||
| 89-20 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Variation I | — | ||
| 89-21 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Variation II | — | ||
| 89-22 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Variation III | — | ||
| 89-23 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Variation IV | — | ||
| 89-24 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Variation V: Si prenda il tempo un poco più vivace | — | ||
| 89-25 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Variation VI: Adagio | — | ||
| 89-26 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Variation VII: Allegro, ma non troppo | — | ||
| 90-1 | Piano Quintet in A major, D. 667 “The Trout”: I. Allegro vivace | — | ||
| 90-2 | Piano Quintet in A major, D. 667 “The Trout”: II. Andante | — | ||
| 90-3 | Piano Quintet in A major, D. 667 “The Trout”: III. Scherzo: Presto | — | ||
| 90-4 | Piano Quintet in A major, D. 667 “The Trout”: IV. Thema - Andantino - Variazioni I-V - Allegretto | — | ||
| 90-5 | Piano Quintet in A major, D. 667 “The Trout”: V. Finale: Allegro giusto | — | ||
| 91-1 | Piano Quintet in A, D.667, "The Trout": I. Allegro vivace | Alfred Brendel, Richard Duven, Peter Riegelbauer, Thomas Zehetmair, Tabea Zimmermann | — | |
| 91-2 | Piano Quintet in A, D.667, "The Trout": II. Andante | Alfred Brendel, Richard Duven, Peter Riegelbauer, Thomas Zehetmair, Tabea Zimmermann | — | |
| 91-3 | Piano Quintet in A, D.667, "The Trout": III. Scherzo (Presto) | Alfred Brendel, Richard Duven, Peter Riegelbauer, Thomas Zehetmair, Tabea Zimmermann | — | |
| 91-4 | Piano Quintet in A, D.667, "The Trout": IV. Theme and Variations (Andantino) | Alfred Brendel, Richard Duven, Peter Riegelbauer, Thomas Zehetmair, Tabea Zimmermann | — | |
| 91-5 | Piano Quintet in A, D.667, "The Trout": V. Finale (Allegro giusto) | Alfred Brendel, Richard Duven, Peter Riegelbauer, Thomas Zehetmair, Tabea Zimmermann | T-928.635.436-7 | |
| 91-6 | Piano Quartet No. 1 in G minor, K. 478: I. Allegro | Alfred Brendel, Richard Duven, Thomas Zehetmair, Tabea Zimmermann | T-306.395.786-4 | |
| 91-7 | Piano Quartet No. 1 in G minor, K. 478: II. Andante | Alfred Brendel, Richard Duven, Thomas Zehetmair, Tabea Zimmermann | — | |
| 91-8 | Piano Quartet No. 1 in G minor, K. 478: III. Rondo (Allegro moderato) | Alfred Brendel, Richard Duven, Thomas Zehetmair, Tabea Zimmermann | — | |
| 92-1 | 3 Romances, op. 94: no. 1 Nicht schnell | Alfred Brendel, Heinz Holliger | T-312.439.214-5 | |
| 92-2 | 3 Romances, op. 94: no. 2 Einfach, innig | Alfred Brendel, Heinz Holliger | T-312.439.208-7 | |
| 92-3 | 3 Romances, op. 94: no. 3 Nicht schnell | Alfred Brendel, Heinz Holliger | T-312.439.214-5 | |
| 92-4 | Abendlied, Op. 85 No. 12 | Alfred Brendel, Heinz Holliger | — | |
| 92-5 | Adagio and Allegro in A-flat major, op. 70 | — | ||
| 92-6 | Fantasiestücke, op. 73: no. 1 Zart und mit Ausdruck | Heinz Holliger, Alfred Brendel | — | |
| 92-7 | Fantasiestücke, op. 73: no. 2 Lebhaft, leicht | Heinz Holliger, Alfred Brendel | — | |
| 92-8 | Fantasiestücke, op. 73: no. 3 Rasch und mit Feuer | Heinz Holliger, Alfred Brendel | — | |
| 92-9 | Fünf Stücke im Volkston, Op. 102: II. Langsam | Alfred Brendel, Heinz Holliger | — | |
| 92-10 | Fünf Stücke im Volkston, Op. 102: III. Nicht schnell, mit viel Ton zu spielen | Alfred Brendel, Heinz Holliger | — | |
| 92-11 | Fünf Stücke im Volkston, Op. 102: IV. Nicht zu rasch | Alfred Brendel, Heinz Holliger | — | |
| 93-1 | Auflösung, D. 807 (Mayrhofer) | — | ||
| 93-2 | Hippolit's Lied, D. 890 (von Gerstenberg) | — | ||
| 93-3 | Der Einsame, D. 800 (Lappe) | — | ||
| 93-4 | Wer sich der Einsamkeit ergibt, D. 478 (Harfenspieler I) (Goethe) | — | ||
| 93-5 | Wer nie sein Brot mit Thränen aß, D. 480 (Harfenspieler III) (Goethe) | — | ||
| 93-6 | An die Türen will ich schleichen, D. 479 (Harfenspieler II) (Goethe) | — | ||
| 93-7 | Gruppe aus dem Tartarus, D. 583 (Schiller) | — | ||
| 93-8 | Herbst, D. 945 (Rellstab) | — | ||
| 93-9 | Nacht und Träume, D. 827 (von Collin) | — | ||
| 93-10 | Nachtstück, D. 672 (Mayrhofer) | — | ||
| 93-11 | Im Abendrot, D. 799 (Lappe) | — | ||
| 93-12 | Der Wanderer, D. 493 (Schmidt von Lübeck) | — | ||
| 93-13 | Über Wildemann, D. 884 (Schulze) | — | ||
| 93-14 | Der Wanderer an den Mond, D. 870 (Seidl) | — | ||
| 94-1 | Schwanengesang, D. 957: Liebesbotschaft (Rellstab) | — | ||
| 94-2 | Schwanengesang, D. 957: Kriegers Ahnung (Rellstab) | — | ||
| 94-3 | Schwanengesang, D. 957: Frühlingssehnsucht (Rellstab) | — | ||
| 94-4 | Schwanengesang, D. 957: Ständchen (Rellstab) | — | ||
| 94-5 | Schwanengesang, D. 957: Aufenthalt (Rellstab) | — | ||
| 94-6 | Schwanengesang, D. 957: In der Ferne (Rellstab) | — | ||
| 94-7 | Schwanengesang, D. 957: Abschied (Rellstab) | — | ||
| 94-8 | Schwanengesang, D. 957: Der Atlas (Heine) | — | ||
| 94-9 | Schwanengesang, D. 957: Ihr Bild (Heine) | — | ||
| 94-10 | Schwanengesang, D. 957: Das Fischermädchen (Heine) | — | ||
| 94-11 | Schwanengesang, D. 957: Die Stadt (Heine) | — | ||
| 94-12 | Schwanengesang, D. 957: Am Meer (Heine) | — | ||
| 94-13 | Schwanengesang, D. 957: Der Doppelgänger (Heine) | — | ||
| 94-14 | Schwanengesang, D. 957: Die Taubenpost (Seidl) | — | ||
| 95-1 | Applause | — | ||
| 95-2 | An die ferne Geliebte, op. 98: I. Auf dem Hügel sitz ich spähend | — | ||
| 95-3 | An die ferne Geliebte, op. 98: II. Wo die Berge so blau | — | ||
| 95-4 | An die ferne Geliebte, op. 98: III. Leichte Segler in den Höhen | — | ||
| 95-5 | An die ferne Geliebte, op. 98: IV. Diese Wolken in den Höhen | — | ||
| 95-6 | An die ferne Geliebte, op. 98: V. Es kehret der Maien, es blühet die Au | — | ||
| 95-7 | An die ferne Geliebte, op. 98: VI. Nimm sie hin denn diese Lieder | — | ||
| 95-8 | Applause | — | ||
| 95-9 | Schwanengesang, D. 957: Liebesbotschaft (Rellstab) | — | ||
| 95-10 | Schwanengesang, D. 957: Kriegers Ahnung (Rellstab) | — | ||
| 95-11 | Schwanengesang, D. 957: Frühlingssehnsucht (Rellstab) | — | ||
| 95-12 | Schwanengesang, D. 957: Ständchen (Rellstab) | — | ||
| 95-13 | Schwanengesang, D. 957: Aufenthalt (Rellstab) | — | ||
| 95-14 | Herbst, D. 945 (Rellstab) | — | ||
| 95-15 | Schwanengesang, D. 957: In der Ferne (Rellstab) | — | ||
| 95-16 | Schwanengesang, D. 957: Abschied (Rellstab) | — | ||
| 95-17 | Schwanengesang, D. 957: Der Atlas (Heine) | — | ||
| 95-18 | Schwanengesang, D. 957: Ihr Bild (Heine) | — | ||
| 95-19 | Schwanengesang, D. 957: Das Fischermädchen (Heine) | — | ||
| 95-20 | Schwanengesang, D. 957: Die Stadt (Heine) | — | ||
| 95-21 | Schwanengesang, D. 957: Am Meer (Heine) | — | ||
| 95-22 | Schwanengesang, D. 957: Der Doppelgänger (Heine) | — | ||
| 95-23 | Applause | — | ||
| 95-24 | Schwanengesang, D. 957: Die Taubenpost (Seidl) | — | ||
| 95-25 | Applause | — | ||
| 96-1 | Winterreise, D. 911: Gute Nacht | — | ||
| 96-2 | Winterreise, D. 911: Die Wetterfahne | — | ||
| 96-3 | Winterreise, D. 911: Gefrorene Tränen | — | ||
| 96-4 | Winterreise, D. 911: Erstarrung | — | ||
| 96-5 | Winterreise, D. 911: Der Lindenbaum | — | ||
| 96-6 | Winterreise, D. 911: Wasserflut | — | ||
| 96-7 | Winterreise, D. 911: Auf dem Flusse | — | ||
| 96-8 | Winterreise, D. 911: Rückblick | — | ||
| 96-9 | Winterreise, D. 911: Irrlicht | — | ||
| 96-10 | Winterreise, D. 911: Rast | — | ||
| 96-11 | Winterreise, D. 911: Frühlingstraum | — | ||
| 96-12 | Winterreise, D. 911: Einsamkeit | — | ||
| 96-13 | Winterreise, D. 911: Die Post | — | ||
| 96-14 | Winterreise, D. 911: Der greise Kopf | — | ||
| 96-15 | Winterreise, D. 911: Die Krähe | — | ||
| 96-16 | Winterreise, D. 911: Letzte Hoffnung | — | ||
| 96-17 | Winterreise, D. 911: Im Dorfe | — | ||
| 96-18 | Winterreise, D. 911: Der stürmische Morgen | — |
