UPC · Release
Various Artists
Last verified:
The UPC for “Philips Classics: The Stereo Years” by Various Artists is 028947889779. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2016-01-01. Label: Decca. This release contains 617 tracks, each with its own ISRC. Tracks include NLA507801501, NLA507801502, NLA507801503.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Salvatore Accardo, London Symphony Orchestra, Sir Colin Davis | — | |
| 2 | Violin Concerto in D minor, op. 47: II. Adagio di molto | Salvatore Accardo, London Symphony Orchestra, Sir Colin Davis | — | |
| 3 | Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto | Salvatore Accardo, London Symphony Orchestra, Sir Colin Davis | — | |
| 4 | Humoresques for Violin and Orchestra, op. 89: No. 3 in G minor: Alla gavotta | — | ||
| 5 | Humoresques for Violin and Orchestra, op. 89: No. 4 in G minor: Andantino | — | ||
| 6 | Humoresques for Violin and Orchestra, op. 89: No. 5 in E-flat major: Commodo | — | ||
| 7 | Humoresques for Violin and Orchestra, op. 89: No. 6 in G minor: Allegro | — | ||
| 8 | Violin Concerto in D major, op. 35: I. Allegro moderato | — | ||
| 9 | Violin Concerto in D major, op. 35: II. Canzonetta (Andante) | — | ||
| 10 | Violin Concerto in D major, op. 35: III. Allegro vivacissimo | — | ||
| 2-1 | Frauenliebe und -leben, op. 42: I. Seit ich ihn gesehen | — | ||
| 2-2 | Frauenliebe und -leben, op. 42: II. Er, der Herrlichste von allen | — | ||
| 2-3 | Frauenliebe und -leben, op. 42: III. Ich kann's nicht fassen | — | ||
| 2-4 | Frauenliebe und -leben, op. 42: IV. Du Ring an meinem Finger | — | ||
| 2-5 | Frauenliebe und -leben, op. 42: V. Helft mir, ihr Schwestern | — | ||
| 2-6 | Frauenliebe und -leben, op. 42: VI. Süsser Freund, du blickest | — | ||
| 2-7 | Frauenliebe und -leben, op. 42: VII. An meinem Herzen | — | ||
| 2-8 | Frauenliebe und -leben, op. 42: VII. Nun hast du mir der ersten Schmerz getan | — | ||
| 2-9 | Das Lied im Grünen, D. 917 | Elly Ameling, Dalton Baldwin | — | |
| 2-10 | Der Schmetterling, D. 633 | — | ||
| 2-11 | An die Nachtigall, D. 497 | — | ||
| 2-12 | An die Nachtigall, D. 196 | — | ||
| 2-13 | Der Wachtelschlag, D. 742 | — | ||
| 2-14 | Im Freien, D. 880 | — | ||
| 2-15 | Die Vögel, D. 691 | — | ||
| 2-16 | Fischerweise, D. 881 | Elly Ameling, Dalton Baldwin | — | |
| 2-17 | Die Gebüsche, D. 646 | — | ||
| 2-18 | Im Haine, D. 738 | — | ||
| 2-19 | Liederkreis, op. 39: I. In der Fremde | — | ||
| 2-20 | Liederkreis, op. 39: II. Intermezzo | — | ||
| 2-21 | Liederkreis, op. 39: III. Waldesgespräch | — | ||
| 2-22 | Liederkreis, op. 39: IV. Die Stille | — | ||
| 2-23 | Liederkreis, op. 39: V. Mondnacht | — | ||
| 2-24 | Liederkreis, op. 39: VI. Schöne Fremde | — | ||
| 2-25 | Liederkreis, op. 39: VII. Auf einer Burg | — | ||
| 2-26 | Liederkreis, op. 39: VIII. In der Fremde | — | ||
| 2-27 | Liederkreis, op. 39: IX. Wehmut | — | ||
| 2-28 | Liederkreis, op. 39: X. Zwielicht | — | ||
| 2-29 | Liederkreis, op. 39: XI. Im Walde | — | ||
| 2-30 | Liederkreis, op. 39: XII. Frühlingsnacht | — | ||
| 3-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 3-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 3-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 3-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Claudio Arrau, Royal Concertgebouw Orchestra Amsterdam, Bernard Haitink | — | |
| 3-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Claudio Arrau, Royal Concertgebouw Orchestra Amsterdam, Bernard Haitink | — | |
| 3-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Claudio Arrau, Royal Concertgebouw Orchestra Amsterdam, Bernard Haitink | — | |
| 4-1 | Études d'exécution transcendante, S. 139: No. 1. Preludio in C major | — | ||
| 4-2 | Études d'exécution transcendante, S. 139: No. 2. Étude in A minor. Molto vivace | — | ||
| 4-3 | Études d'exécution transcendante, S. 139: No. 3. "Paysage" in F major. Poco adagio | — | ||
| 4-4 | Études d'exécution transcendante, S. 139: No. 4. "Mazeppa" in D minor. Allegro | — | ||
| 4-5 | 12 Études d'exécution transcendante: Feux follets (Allegretto) | Claudio Arrau | T-924.490.462-9 | |
| 4-6 | Études d'exécution transcendante, S. 139: No. 6. "Vision" in G minor. Lento | — | ||
| 4-7 | Études d'exécution transcendante, S. 139: No. 7. "Eroica" in E-flat major. Allegro | — | ||
| 4-8 | Études d'exécution transcendante, S. 139: No. 8. "Wilde Jagd" in C minor. Presto furioso | — | ||
| 4-9 | Études d'exécution transcendante, S. 139: No. 9. "Ricordanza" in A-flat major. Andantino, improvisato | — | ||
| 4-10 | Études d'exécution transcendante, S. 139: No. 10. Étude in F minor. Allegro agitato molto | — | ||
| 4-11 | Études d'exécution transcendante, S. 139: No. 11. "Harmonies du soir" in D-flat major. Andantino | — | ||
| 4-12 | Études d'exécution transcendante, S. 139: No. 12. "Chasse-neige" in B-flat minor. Andante con moto | — | ||
| 4-13 | Paraphrases de concert sur des opéras de Verdi: Aida | Claudio Arrau | — | |
| 5-1 | Lucrezia: O Numi eterni! | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-2 | Lucrezia: Gia superbo del mio affanno | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-3 | Lucrezia: Ma voi forse nel cielo | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-4 | Lucrezia: Il suol che preme | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-5 | Lucrezia: Ah! che ancor nell'abisso | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-6 | Lucrezia: Questi la disperata anima | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-7 | Lucrezia: A voi, a voi, padre, consorte | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-8 | Lucrezia: Gia nel seno comincia compir | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-9 | Lucrezia: Sento ch'il cor | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-10 | Rodelinda: Atto I. ""Pompe vane di morte!" / "Dove sei, amato bene?" | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-11 | Ariodante: Atto III. "Dopo notte" | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-12 | Serse: Atto I. "Frondi tenere e belle" / "Ombra mai fù" | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-13 | Hercules: "Where shall I fly?" | Janet Baker, Raymond Leppard, English Chamber Orchestra | T-911.061.076-9 | |
| 5-14 | Atalanta: Atto I. "Care selve" | Janet Baker, Raymond Leppard, English Chamber Orchestra | T-900.231.958-6 | |
| 5-15 | Joshua: Act III. "O Had I Jubal's Lyre" | Janet Baker, Raymond Leppard, English Chamber Orchestra | T-900.230.391-5 | |
| 5-16 | Alceste: Divinités du Styx | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 5-17 | La rencontre imprévue: Bel inconnu | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 5-18 | La rencontre imprévue: Je cherche à vous faire | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 5-19 | Paride ed Elena: Spiagge amate | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 5-20 | Paride ed Elena: O del mio dolce ardor | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 5-21 | Paride ed Elena: Le belle immagini | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 5-22 | Paride ed Elena: Di te scordami | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 5-23 | Orfeo ed Euridice: Atto II. "Che puro ciel" | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 5-24 | Orfeo ed Euridice: Atto II. "Che faro senza Euridice" | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 6-1 | Piano trio in B-flat major, D. 898: I. Allegro moderato | Beaux Arts Trio | — | |
| 6-2 | Piano trio in B-flat major, D. 898: II. Andante un poco mosso | Beaux Arts Trio | — | |
| 6-3 | Piano trio in B-flat major, D. 898: III. Scherzo: Allegro | Beaux Arts Trio | — | |
| 6-4 | Piano trio in B-flat major, D. 898: IV. Rondo: Allegro vivace | Beaux Arts Trio | — | |
| 6-5 | Piano Trio in E-flat, D. 929: I. Allegro | Beaux Arts Trio | — | |
| 6-6 | Piano Trio in E‐flat, D. 929: II. Andante con moto | Beaux Arts Trio | — | |
| 6-7 | Piano Trio in E-flat, D. 929: III. Scherzo (Allegro moderato) | Beaux Arts Trio | — | |
| 6-8 | Piano Trio in E-flat, D. 929: IV. Allegro moderato | Beaux Arts Trio | — | |
| 7-1 | Piano Trio no. 4 in B-flat major, op. 11 "Gassenhauer": I. Allegro con brio | — | ||
| 7-2 | Piano Trio no. 4 in B-flat major, op. 11 “Gassenhauer”: II. Adagio | Beaux Arts Trio | T-001.397.158-8 | |
| 7-3 | Piano Trio no. 4 in B-flat major, op. 11 "Gassenhauer": III. Tema con variazioni: Adagio | — | ||
| 7-4 | Piano Trio no. 5 in D major, op. 70 no. 1 "Ghost": I. Allegro vivace e con brio | — | ||
| 7-5 | Piano Trio no. 5 in D major, op. 70 no. 1 "Ghost": II. Largo assai ed espressivo | — | ||
| 7-6 | Piano Trio no. 5 in D major, op. 70 no. 1 "Ghost": III. Presto | — | ||
| 7-7 | Piano Trio no. 6 in E-flat major, op. 70 no. 2: I. Poco sostenuto - Allegro ma non troppo | — | ||
| 7-8 | Piano Trio no. 6 in E-flat major, op. 70 no. 2: II. Allegretto | — | ||
| 7-9 | Piano Trio no. 6 in E-flat major, op. 70 no. 2: III. Allegretto ma non troppo | — | ||
| 7-10 | Piano Trio no. 6 in E-flat major, op. 70 no. 2: IV. Finale: Allegro | — | ||
| 7-11 | Piano Trio no. 9 in E-flat major, WoO 38: I. Allegro moderato | — | ||
| 7-12 | Piano Trio no. 9 in E-flat major, WoO 38: II. Scherzo (Allegro ma non troppo) | — | ||
| 7-13 | Piano Trio no. 9 in E-flat major, WoO 38: III. Rondo (Allegretto) | — | ||
| 8-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro – Molto allegro | — | ||
| 8-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 8-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 8-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio – Allegro non troppo, ma con brio | — | ||
| 8-5 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 8-6 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 8-7 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | — | ||
| 8-8 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato | — | ||
| 9-1 | Septet in E-flat major, op. 20: I. Adagio – Allegro con brio | — | ||
| 9-2 | Septet in E-flat major, op. 20: II. Adagio cantabile | Members of Berlin Philharmonic Octet | T-001.397.158-8 | |
| 9-3 | Septet in E-flat major, op. 20: III. Tempo di Menuetto | Berlin Philharmonic Octet | — | |
| 9-4 | Septet in E-flat major, op. 20: IV. Tema con variazioni | — | ||
| 9-5 | Septet in E-flat major, op. 20: V. Scherzo | — | ||
| 9-6 | Septet in E-flat major, op. 20: VI. Andante con moto alla Marcia – Presto | — | ||
| 9-7 | Sextet in E-flat major, op. 81b: I. Allegro con brio | — | ||
| 9-8 | Sextet in E-flat major, op. 81b: II. Adagio | — | ||
| 9-9 | Sextet in E-flat major, op. 81b: III. Rondo (Allegro) | — | ||
| 10-1 | Piano Sonata no. 21 in B-flat major, D. 960: I. Molto moderato | — | ||
| 10-2 | Piano Sonata no. 21 in B-flat major, D. 960: II. Andante sostenuto | — | ||
| 10-3 | Piano Sonata no. 21 in B-flat major, D. 960: III. Scherzo. Allegro vivace con delicatezza | — | ||
| 10-4 | Piano Sonata no. 21 in B-flat major, D. 960: IV. Allegro ma non troppo | — | ||
| 10-5 | Fantasy in C major, op. 15, D. 760 "Wanderer": I. Allegro con fuoco ma non troppo | — | ||
| 10-6 | Fantasy in C major, op. 15, D. 760 "Wanderer": II. Adagio | — | ||
| 10-7 | Fantasy in C major, op. 15, D. 760 "Wanderer": III. Presto | — | ||
| 10-8 | Fantasy in C major, op. 15, D. 760 "Wanderer": IV. Allegro | — | ||
| 10-9 | 3 Klavierstücke (Impromptus), D. 946: No. 1 in E-flat minor | — | ||
| 10-10 | 3 Klavierstücke (Impromptus), D. 946: No. 2 in E-flat major | — | ||
| 10-11 | 3 Klavierstücke (Impromptus), D. 946: No. 3 in C major | — | ||
| 11-1 | Concerto for Piano No. 21 in C major, K. 467 “Elvira Madigan”: I. Allegro (cadenza: Radu Lupu) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-001.312.909-3 | |
| 11-2 | Concerto for Piano No. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (cadenza: Radu Lupu) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 11-3 | Concerto for Piano No. 21 in C major, K. 467 “Elvira Madigan”: III. Allegro vivace assai (cadenza: Radu Lupu) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 11-4 | Concerto for Piano No. 15 in B-flat major, K. 450: I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-070.161.055-0 | |
| 11-5 | Concerto for Piano No. 15 in B-flat major, K. 450: II. Andante | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 11-6 | Concerto for Piano No. 15 in B-flat major, K. 450: III. Allegro assai | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 11-7 | Concerto for Piano No. 23 in A major, K. 488: I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 11-8 | Concerto for Piano No. 23 in A major, K. 488: II. Andante | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 11-9 | Concerto for Piano No. 23 in A major, K. 488: III. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 12-1 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | — | ||
| 12-2 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio – Allegretto vivace – Allegro animato | — | ||
| 12-3 | Piano Concerto no. 1 in E-flat major, S. 124: III. Allegro marziale animato | — | ||
| 12-4 | Piano Concerto no. 2 in A major, S. 125: I. Adagio sostenuto assai – Allegro agitato assai | — | ||
| 12-5 | Piano Concerto no. 2 in A major, S. 125: II. Allegro moderato | — | ||
| 12-6 | Piano Concerto no. 2 in A major, S. 125: III. Allegro | — | ||
| 12-7 | Piano Concerto no. 2 in A major, S. 125: IV. Allegro animato | — | ||
| 12-8 | Totentans, S. 126 | — | ||
| 12-9 | Csárdás macabre, S. 224 | — | ||
| 12-10 | Valse oubliée no. 1 in F-sharp major, S. 215 | — | ||
| 12-11 | Mosonyis Grabgeleit, S. 194 | — | ||
| 12-12 | Schlaflos! Frage und Antwort, S. 203 | — | ||
| 12-13 | Unstern! Sinistre, disastro, S. 208 | — | ||
| 13-1 | I lombardi: "La mia letizia infondere" | — | ||
| 13-2 | La forza del destino: "La vita è inferno... Oh, tu che in seno agli angeli" | — | ||
| 13-3 | Luisa Miller: "Oh! Fede negar potessi... Quando le sere al placido" | — | ||
| 13-4 | Un ballo in maschera: "Forse la soglia attinse... Ma se m'è forza perderti" | — | ||
| 13-5 | Jérusalem: "L'infamie... Ô mes amis, mes frères" | — | ||
| 13-6 | Il giuramento: "La Dea di tutti i cor... Bella adorata incognita" | — | ||
| 13-7 | Il giuramento: "Compiuta è omai... Fu celeste" | — | ||
| 13-8 | Il duca d'Alba: "Inosservato... Angelo casto e bel" | — | ||
| 13-9 | Maria di Rohan: "Nel fragor della festa... Alma soave e cara" | — | ||
| 13-10 | Adelson e Salvini: "Ecco, signor, la sposa" | — | ||
| 13-11 | Il figliuol prodigo: "Il padre!... Tenda natal" | — | ||
| 13-12 | I vespri siciliani: "È di monforte il cenno!... Giorno di pianto" | — | ||
| 13-13 | L'elisir d'amore: "Una furtiva lagrima" | — | ||
| 13-14 | Robert Devereux: "Ed ancor la tremenda porta... lo ti diró" | — | ||
| 13-15 | Stabat Mater: "Cujus animam gementem" | — | ||
| 13-16 | Guglielmo Tell: "Ah, non mi lasciar, o speme di vendetta... O muto asil del pianto" | — | ||
| 14-1 | Symphony no. 3 in C minor, op. 78 "Organ Symphony": Ia. Adagio - Allegro moderato | Daniel Chorzempa, Rotterdam Philharmonic Orchestra, Edo de Waart | — | |
| 14-2 | Symphony no. 3 in C minor, op. 78 "Organ Symphony": Ib. Poco adagio | Daniel Chorzempa, Rotterdam Philharmonic Orchestra, Edo de Waart | — | |
| 14-3 | Symphony no. 3 in C minor, op. 78 "Organ Symphony": II. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Daniel Chorzempa, Rotterdam Philharmonic Orchestra, Edo de Waart | — | |
| 14-4 | Symphony no. 3 in C minor, op. 78 "Organ Symphony": IIb. Maestoso - Più allegro - Molto allegro | Daniel Chorzempa, Rotterdam Philharmonic Orchestra, Edo de Waart | — | |
| 14-5 | Prelude and Fugue on the Name B.A.C.H., S. 260 | — | ||
| 14-6 | Funeral Ode, S. 268 no. 2 | — | ||
| 14-7 | Fantasy and Fugue on “Ad nos, ad salutarem undam”, S. 259 | — | ||
| 15-1 | Symphony no. 7 in D minor, op. 70: I. Allegro maestoso | Royal Concertgebouw Orchestra, Sir Colin Davis | — | |
| 15-2 | Symphony no. 7 in D minor, op. 70: II. Poco adagio | Royal Concertgebouw Orchestra, Sir Colin Davis | — | |
| 15-3 | Symphony no. 7 in D minor, op. 70: III. Scherzo (Vivace) | Royal Concertgebouw Orchestra, Sir Colin Davis | — | |
| 15-4 | Symphony no. 7 in D minor, op. 70: IV. Finale (Allegro) | Royal Concertgebouw Orchestra, Sir Colin Davis | — | |
| 15-5 | Cellokonzert h-Moll, Op. 104: Allegro | Heinrich Schiff, Royal Concertgebouw Orchestra, Sir Colin Davis | — | |
| 15-6 | Cellokonzert h-Moll, Op. 104: Adagio ma non troppo | Heinrich Schiff, Royal Concertgebouw Orchestra, Sir Colin Davis | — | |
| 15-7 | Cellokonzert h-Moll, Op. 104: Finale: Allegro moderato | Heinrich Schiff, Royal Concertgebouw Orchestra, Sir Colin Davis | — | |
| 16-1 | Harold en Italie, op. 16: 1. Harold aux montagnes (Adagio - Allegro) | Nobuko Imai, London Symphony Orchestra, Sir Colin Davis | — | |
| 16-2 | Harold en Italie, op. 16: 2. Marche des pèlerins (Allegretto) | Nobuko Imai, London Symphony Orchestra, Sir Colin Davis | — | |
| 16-3 | Harold en Italie, op. 16: 3. Sérénade (Allegro assai - Allegretto) | Nobuko Imai, London Symphony Orchestra, Sir Colin Davis | — | |
| 16-4 | Harold en Italie, op. 16: 4. Orgie des brigands (Allegro frenetico - Adagio - Allegro), Tempo I | Nobuko Imai, London Symphony Orchestra, Sir Colin Davis | — | |
| 16-5 | Tristia, op. 18: 1. Méditation religieuse (after Thomas Moore) | The John Alldis Choir, London Symphony Orchestra, Sir Colin Davis | — | |
| 16-6 | Tristia, op. 18: 2. La Mort d'Ophélie - Ballade (after Shakespeare) | The John Alldis Choir, London Symphony Orchestra, Sir Colin Davis | — | |
| 16-7 | Tristia H. 119, Op.18: Marche funèbre pour la dernière scène d'Hamlet | The John Alldis Choir, London Symphony Orchestra, Sir Colin Davis | — | |
| 16-8 | Le Carnaval romain, op. 9: Overture | London Symphony Orchestra, Sir Colin Davis | — | |
| 16-9 | Overture "Les francs-juges", op. 3 | — | ||
| 17-1 | Mercè, dilette amiche (I vespri siciliani) | — | ||
| 17-2 | Ernani! Ernani, involami (Ernani) | — | ||
| 17-3 | D'amor sull'ali rosee (Il Trovatore) | — | ||
| 17-4 | Tu che le vanità (Don Carlo) | — | ||
| 17-5 | Qui la voce sua soave (I Puritani) | — | ||
| 17-6 | O luce di quest'anima (Linda di Chamounix) | — | ||
| 17-7 | Ah, non credea mirarti (La Sonnambula) | — | ||
| 17-8 | Eccomi in lieta vesta... Oh! quante volte (Capuleti e i Montecchi) | — | ||
| 17-9 | Pester Csardas, op. 23 (arr. by Max Schönherr) | — | ||
| 17-10 | Wo die Zitronen blühn, op. 364 (arr. by Max Schönherr) | — | ||
| 17-11 | Sphärenklänge, op. 235 (arr. by Max Schönherr) | — | ||
| 17-12 | Wiener Waldlerchen (arr. by Max Schönherr) | — | ||
| 17-13 | Liebeswalzer (arr. Leo Blech) | — | ||
| 18-1 | The Nutcracker, op. 71: Ouverture | Koninklijk Concertgebouworkest, Antal Doráti | T-312.199.363-9 | |
| 18-2 | The Nutcracker: Act I, no. 1. The Christmas Tree | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-3 | The Nutcracker: Act I, no. 2. March | Koninklijk Concertgebouworkest, Antal Doráti | T-312.207.757-6 | |
| 18-4 | The Nutcracker: Act I, no. 3. Galop and Dance of the Parents | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-5 | The Nutcracker: Act I, no. 4. Dance Scene: The Presents of Drosselmeyer | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-6 | The Nutcracker: Act I, no. 5. Scene: Grandfather Dance | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-7 | The Nutcracker: Act I, no. 6. Clara and the Nutcracker | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-8 | The Nutcracker: Act I, no. 7. The Nutcracker Battles the Army of the Mouse King: He Wins and Is Transformed into Prince Charming | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-9 | The Nutcracker: Act I, no. 8. In the Christmas Tree | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-10 | The Nutcracker: Act I, no. 9. Scene and Waltz of the Snowflakes | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-11 | The Nutcracker: Act II, no. 10. The Magic Castle on the Mountain of Sweets | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-12 | The Nutcracker: Act II, no. 11. Clara and Prince Charming | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-13 | The Nutcracker: Act II, no. 12a. Character Dances: Chocolate (Spanish Dance) | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-14 | The Nutcracker: Act II, no. 12b. Character Dances: Coffee (Arabian Dance) | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-15 | The Nutcracker: Act II, no. 12c. Character Dances: Tea (Chinese Dance) | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-16 | The Nutcracker: Act II, no. 12d. Character Dances: Trépak (Russian Dance) | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-17 | The Nutcracker: Act II, no. 12e. Character Dances: Dance of the Reed Pipes | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-18 | The Nutcracker: Act II, no. 12f. Character Dances: Polchinelle (The Clown) | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-19 | The Nutcracker: Act II, no. 13. Waltz of the Flowers | Koninklijk Concertgebouworkest, Antal Doráti | T-918.336.772-8 | |
| 18-20 | The Nutcracker: Act II, no. 14a. Pas de deux: Intrada | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-21 | The Nutcracker: Act II, no. 14b. Pas de deux: Variation I (Tarantella) | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-22 | The Nutcracker: Act II, no. 14c. Pas de deux: Variation II (Dance of the Sugar-Plum Fairy) | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-23 | The Nutcracker: Act II, no. 14d. Pas de deux: Coda | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-24 | The Nutcracker: Act II, no. 15. Final Waltz and Apotheosis | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 19-1 | Concerto for Violin and Orchestra "To the Memory of an Angel": I. Andante - Allegro | Arthur Grumiaux, Concertgebouworkest, Igor Markevitch | — | |
| 19-2 | Concerto for Violin and Orchestra "To the Memory of an Angel": II. Allegro - Adagio | Arthur Grumiaux, Concertgebouworkest, Igor Markevitch | — | |
| 19-3 | Violin Concerto in D: I. Toccata | — | ||
| 19-4 | Violin Concerto in D: II. Aria I | — | ||
| 19-5 | Violin Concerto in D: III. Aria II | — | ||
| 19-6 | Violin Concerto in D: IV. Capriccio | — | ||
| 19-7 | Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364: I. Allegro maestoso | Arthur Grumiaux, Arrigo Pelliccia, London Symphony Orchestra, Colin Davis | — | |
| 19-8 | Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364: II. Andante | Arthur Grumiaux, Arrigo Pelliccia, London Symphony Orchestra, Colin Davis | — | |
| 19-9 | Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364: III. Presto | Arthur Grumiaux, Arrigo Pelliccia, London Symphony Orchestra, Colin Davis | T-312.438.541-3 | |
| 20-1 | Sonata For Piano And Violin in G major, K. 301: I. Allegro con spirito | — | ||
| 20-2 | Sonata For Piano And Violin in G major, K. 301: II. Allegro | — | ||
| 20-3 | Sonata For Piano And Violin in E minor, K. 304: I. Allegro | — | ||
| 20-4 | Sonata For Piano And Violin in E minor, K. 304: II. Tempo di minuetto | — | ||
| 20-5 | Sonata for Piano and Violin in F major, K. 376: I. Allegro | — | ||
| 20-6 | Sonata for Piano and Violin in F major, K. 376: II. Andante | — | ||
| 20-7 | Sonata for Piano and Violin in F major, K. 376: III. Rondo (Allegretto grazioso) | — | ||
| 20-8 | Sonata For Piano And Violin in B-flat major, K. 378: I. Allegro moderato | — | ||
| 20-9 | Sonata For Piano And Violin in B-flat major, K. 378: II. Andantino sostenuto e cantabile | — | ||
| 20-10 | Sonata For Piano And Violin in B-flat major, K. 378: III. Rondo (Allegro) | — | ||
| 21-1 | 4 Impromptus, op. 90, D. 899: No. 1 in C minor. Allegro molto moderato | — | ||
| 21-2 | 4 Impromptus, op. 90, D. 899: No. 2 in E-flat majo. Allegro | — | ||
| 21-3 | 4 Impromptus, op. 90, D. 899: No. 3 in G-flat major. Andante | — | ||
| 21-4 | 4 Impromptus, op. 90, D. 899: No. 4 in A-flat major. Allegretto | — | ||
| 21-5 | 4 Impromptus op. 142, D. 935: No. 1 in F minor. Allegro moderato | — | ||
| 21-6 | 4 Impromptus op. 142, D. 935: No. 2 in A-flat major. Allegretto | — | ||
| 21-7 | 4 Impromptus op. 142, D. 935: No. 3 in B-flat major. Theme (Andante) with Variations | — | ||
| 21-8 | 4 Impromptus op. 142, D. 935: No. 4 in F minor. Allegro scherzando | — | ||
| 21-9 | 2 Marches caractéristiques in C, op. 121: No. 1. Allegro vivace | — | ||
| 21-10 | 2 Marches caractéristiques in C, op. 121: No. 2. Allegro vivace | — | ||
| 22-1 | Symphony no. 96 in D major, Hob. I:96 “The Miracle”: I. Adagio – Allegro | — | ||
| 22-2 | Symphony no. 96 in D major, Hob. I:96 “The Miracle”: II. Andante | — | ||
| 22-3 | Symphony no. 96 in D major, Hob. I:96 “The Miracle”: III. Menuetto. Allegretto | — | ||
| 22-4 | Symphony no. 96 in D major, Hob. I:96 “The Miracle”: IV. Finale (Vivace) | — | ||
| 22-5 | Symphony no. 9 in C major, D. 944 “The Great”: I. Andante – Allegro ma non troppo | — | ||
| 22-6 | Symphony no. 9 in C major, D. 944 “The Great”: II. Andante con moto | — | ||
| 22-7 | Symphony no. 9 in C major, D. 944 “The Great”: III. Scherzo. Allegro vivace | — | ||
| 22-8 | Symphony no. 9 in C major, D. 944 “The Great”: IV. Allegro vivace | — | ||
| 23-1 | Ein Heldenleben, op. 40: I. Der Held | Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 23-2 | Ein Heldenleben, op. 40: II. Des Helden Widersacher | Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 23-3 | Ein Heldenleben, op. 40: III. Des Helden Gefährtin | Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 23-4 | Ein Heldenleben, op. 40: IV. Des Helden Walstatt | Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 23-5 | Ein Heldenleben, op. 40: V. Des Helden Friedenswerke | Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 23-6 | Ein Heldenleben, op. 40: VI. Des Helden Weltflucht und Vollendung | Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 23-7 | Tod und Verklärung, op. 24 | Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 24-1 | Symphony No. 9 in D minor: I. Feierlich. Misterioso | Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 24-2 | Symphony No. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo | Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 24-3 | Symphony No. 9 in D minor: III. Adagio. Langsam, feierlich | Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 25-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 25-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romance (Larghetto) | — | ||
| 25-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo (Vivace) | — | ||
| 25-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 25-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 25-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 26-1 | Oboe Concerto in C major, K. 314: I. Allegro aperto (cadenza: Heinz Holliger) | — | ||
| 26-2 | Oboe Concerto in C major, K. 314: II. Adagio ma non troppo (cadenza: Heinz Holliger) | — | ||
| 26-3 | Oboe Concerto in C major, K. 314: III. Rondo: Allegretto (cadenza: Heinz Holliger) | — | ||
| 26-4 | Concerto for Oboe and Small Orchestra in D major: I. Allegro moderato | — | ||
| 26-5 | Concerto for Oboe and Small Orchestra in D major: II. Andante | — | ||
| 26-6 | Concerto for Oboe and Small Orchestra in D major: III. Vivace: Allegro | — | ||
| 26-7 | Oboe Concerto in E-flat major, K. 314: I. Maestuoso e deciso: Larghetto cantabile | — | ||
| 26-8 | Oboe Concerto in E-flat major, K. 314: II. Allegro Polonese | — | ||
| 26-9 | Theme and Variations for Oboe and Orchestra in F minor | — | ||
| 27-1 | Symphony no. 5 in B-flat: I. Introduction. Adagio – Allegro, mäßig | Concertgebouw Orchestra, Eugen Jochum | — | |
| 27-2 | Symphony no. 5 in B-flat: II. Adagio. Sehr langsam | Concertgebouw Orchestra, Eugen Jochum | — | |
| 27-3 | Symphony no. 5 in B-flat: III. Scherzo. Molto vivace, schnell | Concertgebouw Orchestra, Eugen Jochum | — | |
| 27-4 | Symphony no. 5 in B-flat: IV. Finale. Adagio – Allegro moderato | Concertgebouw Orchestra, Eugen Jochum | T-318.676.528-2 | |
| 28-1 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Tema (Vivace), Variation I (Alla marcia maestoso) | Stephen Kovacevich | — | |
| 28-2 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation II (Poco allegro) | Stephen Kovacevich | — | |
| 28-3 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation III (L’istesso tempo) | Stephen Kovacevich | — | |
| 28-4 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation IV (Un poco più vivace) | Stephen Kovacevich | T-010.204.251-2 | |
| 28-5 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation V (Allegro vivace) | Stephen Kovacevich | T-003.038.364-2 | |
| 28-6 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation VI (Allegro ma non troppo e serioso) | Stephen Kovacevich | — | |
| 28-7 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation VII (Un poco più allegro) | Stephen Kovacevich | — | |
| 28-8 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation VIII (Poco vivace) | Stephen Kovacevich | — | |
| 28-9 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation IX (Allegro pesante e risoluto) | Stephen Kovacevich | — | |
| 28-10 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation X (Presto) | Stephen Kovacevich | — | |
| 28-11 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XI (Allegretto) | Stephen Kovacevich | — | |
| 28-12 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XII (Un poco più moto) | Stephen Kovacevich | — | |
| 28-13 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XIII (Vivace) | Stephen Kovacevich | — | |
| 28-14 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XIV (Grave e maestoso) | Stephen Kovacevich | — | |
| 28-15 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XV (Presto scherzando) | Stephen Kovacevich | — | |
| 28-16 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XVI (Allegro) | Stephen Kovacevich | — | |
| 28-17 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XVII | Stephen Kovacevich | — | |
| 28-18 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XVIII (Poco moderato) | Stephen Kovacevich | — | |
| 28-19 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XIX (Presto) | Stephen Kovacevich | — | |
| 28-20 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XX (Andante) | Stephen Kovacevich | — | |
| 28-21 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXI (Allegro con brio - Meno allegro - Tempo I) | Stephen Kovacevich | — | |
| 28-22 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXII (Allegro molto): Alla “Notte e giorno faticar” di Mozart | Stephen Kovacevich | — | |
| 28-23 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXIII (Allegro assai) | Stephen Kovacevich | — | |
| 28-24 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXIV: Fughetta (Andante) | Stephen Kovacevich | — | |
| 28-25 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXV (Allegro) | Stephen Kovacevich | — | |
| 28-26 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVI | Stephen Kovacevich | — | |
| 28-27 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVII (Vivace) | Stephen Kovacevich | — | |
| 28-28 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVIII (Allegro) | Stephen Kovacevich | — | |
| 28-29 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXIX (Adagio ma non troppo) | Stephen Kovacevich | — | |
| 28-30 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXX (Andante, sempre cantabile) | Stephen Kovacevich | — | |
| 28-31 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXXI (Largo, molto espressivo) | Stephen Kovacevich | — | |
| 28-32 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXXII: Fuga (Allegro poco adagio) | Stephen Kovacevich | — | |
| 28-33 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXXIII (Tempo di minuetto moderato, ma non tirarsi dietro) | Stephen Kovacevich | — | |
| 28-34 | Piano Sonata no. 17 in D minor, op. 31 no. 2 “The Tempest”: I. Largo: Allegro | — | ||
| 28-35 | Piano Sonata no. 17 in D minor, op. 31 no. 2 “The Tempest”: II. Adagio | — | ||
| 28-36 | Piano Sonata no. 17 in D minor, op. 31 no. 2 “The Tempest”: III. Allegretto | — | ||
| 29-1 | Konzert für Violine und Orchester D-dur op. 61: I. Allegro ma non troppo | Herman Krebbers, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 29-2 | Konzert für Violine und Orchester D-dur op. 61: II. Larghetto | Herman Krebbers, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 29-3 | Konzert für Violine und Orchester D-dur op. 61: III. Rondo. Allegro | Herman Krebbers, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 29-4 | Violin Concerto in D, K. 218: Allegro | Herman Krebbers, Nederlands Kamerorkest, David Zinman | — | |
| 29-5 | Violin Concerto in D, K. 218: Andante cantabile | Herman Krebbers, Nederlands Kamerorkest, David Zinman | — | |
| 29-6 | Violin Concerto in D, K. 218: Rondeau (Andante grazioso) | Herman Krebbers, Nederlands Kamerorkest, David Zinman | — | |
| 30-1 | Partita no. 1 in B minor, BWV 1002: I. Allemanda / II. Double | Gidon Kremer | — | |
| 30-2 | Partita no. 1 in B minor, BWV 1002: III. Corrente / IV. Double (Presto) | Gidon Kremer | T-928.736.235-0 | |
| 30-3 | Partita no. 1 in B minor, BWV 1002: V. Sarabande / VI. Double | Gidon Kremer | — | |
| 30-4 | Partita no. 1 in B minor, BWV 1002: VII. Tempo Di Borea / VIII. Double | Gidon Kremer | T-312.438.630-3 | |
| 30-5 | Partita no. 2 in D minor, BWV 1004: I. Allemanda | Gidon Kremer | — | |
| 30-6 | Partita no. 2 in D minor, BWV 1004: II. Corrente | Gidon Kremer | — | |
| 30-7 | Partita no. 2 in D minor, BWV 1004: III. Sarabanda | Gidon Kremer | — | |
| 30-8 | Partita no. 2 in D minor, BWV 1004: IV. Giga | Gidon Kremer | — | |
| 30-9 | Partita No.2 in D minor, BWV 1004: V. Ciaccona | Gidon Kremer | — | |
| 30-10 | Partita no. 3 in E, BWV 1006: I. Preludio | Gidon Kremer | T-041.917.934-2 | |
| 30-11 | Partita no. 3 in E, BWV 1006: II. Loure | Gidon Kremer | — | |
| 30-12 | Partita no. 3 in E, BWV 1006: III. Gavotte en rondeau | Gidon Kremer | — | |
| 30-13 | Partita no. 3 in E, BWV 1006: IV. Menuet I / V. Menuet II | Gidon Kremer | — | |
| 30-14 | Partita no. 3 in E, BWV 1006: VI. Bourrée | Gidon Kremer | — | |
| 30-15 | Partita no. 3 in E, BWV 1006: VII. Gigue | Gidon Kremer | — | |
| 31-1 | Symphony no. 39 in E-flat major, K 543: I. Adagio - Allegro | Concertgebouw Orchestra, Josef Krips | T-011.422.353-8 | |
| 31-2 | Symphony no. 39 in E-flat major, K 543: II. Andante con moto | Concertgebouw Orchestra, Josef Krips | — | |
| 31-3 | Symphony no. 39 in E-flat major, K 543: III. Menuetto: Allegretto - Trio | Concertgebouw Orchestra, Josef Krips | T-312.542.381-2 | |
| 31-4 | Symphony no. 39 in E-flat major, K 543: IV. Finale: Allegro | Concertgebouw Orchestra, Josef Krips | T-312.542.381-2 | |
| 31-5 | Symphony no. 40 in G minor, K 550: I. Molto allegro | Concertgebouw Orchestra, Josef Krips | T-312.542.381-2 | |
| 31-6 | Symphony no. 40 in G minor, K 550: II. Andante | Concertgebouw Orchestra, Josef Krips | T-312.542.381-2 | |
| 31-7 | Symphony no. 40 in G minor, K 550: III. Menuetto: Allegretto - Trio | Concertgebouw Orchestra, Josef Krips | T-312.542.381-2 | |
| 31-8 | Symphony no. 40 in G minor, K 550: IV. Finale: Allegro assai | Concertgebouw Orchestra, Josef Krips | T-306.395.786-4 | |
| 31-9 | Symphony no. 35 in D major, K. 385 "Haffner": III. Minuetto | Concertgebouw Orchestra, Josef Krips | — | |
| 31-10 | Symphony no. 35 in D major, K. 385 "Haffner": II. Andante | Concertgebouw Orchestra, Josef Krips | — | |
| 31-11 | Symphony no. 35 in D major, K. 385 "Haffner": III. Minuetto | Concertgebouw Orchestra, Josef Krips | — | |
| 31-12 | Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto | Concertgebouw Orchestra, Josef Krips | T-318.676.528-2 | |
| 32-1 | 12 Etudes, op. 10: No. 1 in C major | — | ||
| 32-2 | 12 Etudes, op. 10: No. 2 in A minor | — | ||
| 32-3 | 12 Etudes, op. 10: No. 3 in E major | Nikita Magaloff | T-329.459.340-7 | |
| 32-4 | 12 Etudes, op. 10: No. 4 in C-Sharp minor | — | ||
| 32-5 | 12 Etudes, op. 10: No. 5 in G-Flat major | Nikita Magaloff | T-329.453.534-1 | |
| 32-6 | 12 Etudes, op. 10: No. 6 in E-Flat minor | — | ||
| 32-7 | 12 Etudes, op. 10: No. 7 in C major | — | ||
| 32-8 | 12 Etudes, op. 10: No. 8 in F major | — | ||
| 32-9 | 12 Etudes, op. 10: No. 9 in F minor | — | ||
| 32-10 | 12 Etudes, op. 10: No. 10 in A-Flat major | — | ||
| 32-11 | 12 Etudes, op. 10: No. 11 in E-Flat major | — | ||
| 32-12 | 12 Etudes, op. 10: No. 12 in C minor | Nikita Magaloff | — | |
| 32-13 | Etude in A-flat major, op. 25 no. 1 "Aeolian Harp" | Nikita Magaloff | — | |
| 32-14 | 12 Etudes, op. 25: No. 2 in F minor | — | ||
| 32-15 | 12 Etudes, op. 25: No. 3 in F major | — | ||
| 32-16 | 12 Etudes, op. 25: No. 4 in A minor | — | ||
| 32-17 | 12 Etudes, op. 25: No. 5 in E minor | — | ||
| 32-18 | 12 Etudes, op. 25: No. 6 in G-Sharp minor | — | ||
| 32-19 | 12 Etudes, op. 25: No. 7 in C-Sharp minor | — | ||
| 32-20 | 12 Etudes, op. 25: No. 8 in D-Flat major | — | ||
| 32-21 | 12 Etudes, op. 25: No. 9 in G-Flat major: "Butterfly Wings" | Nikita Magaloff | T-906.148.797-6 | |
| 32-22 | 12 Etudes, op. 25: No. 10 in B minor | — | ||
| 32-23 | 12 Etudes, op. 25: No. 11 in A minor "Winter Wind" | — | ||
| 32-24 | 12 Etudes, op. 25: No. 12 in C minor | — | ||
| 33-1 | Manfred Symphony, op. 58: I. Lento lugubre: Moderato con moto – Andante | London Symphony Orchestra, Igor Markevitch | — | |
| 33-2 | Manfred Symphony, op. 58: II. Vivace con spirito | London Symphony Orchestra, Igor Markevitch | — | |
| 33-3 | Manfred Symphony, op. 58: III. Andante con moto | London Symphony Orchestra, Igor Markevitch | — | |
| 33-4 | Manfred Symphony, op. 58: IV. Allegro con fuoco | London Symphony Orchestra, Igor Markevitch | — | |
| 33-5 | Russian Easter Overture | Concertgebouworkest, Igor Markevitch | — | |
| 33-6 | Polovtsian Dances from Prince Igor | Netherlands Radio Chorus, Concertgebouworkest, Igor Markevitch | — | |
| 34-1 | Carmen Suite no. 1: Les toreadors | London Symphony Orchestra, Sir Neville Marriner | T-308.092.565-7 | |
| 34-2 | Carmen Suite no. 1: Prélude | London Symphony Orchestra, Sir Neville Marriner | T-070.160.313-5 | |
| 34-3 | Carmen Suite no. 1: Les dragons d'Alcala | London Symphony Orchestra, Sir Neville Marriner | — | |
| 34-4 | Carmen Suite no. 1: Intermezzo | London Symphony Orchestra, Sir Neville Marriner | T-010.194.849-5 | |
| 34-5 | Carmen Suite no. 1: Aragonaise | London Symphony Orchestra, Sir Neville Marriner | T-903.060.246-1 | |
| 34-6 | Carmen Suite no. 1: Seguidille | London Symphony Orchestra, Sir Neville Marriner | T-031.602.996-5 | |
| 34-7 | Carmen Suite no. 2: Marche des contrebandiers | London Symphony Orchestra, Sir Neville Marriner | T-308.311.437-4 | |
| 34-8 | Carmen Suite no. 2: Habanera | London Symphony Orchestra, Sir Neville Marriner | T-010.194.854-2 | |
| 34-9 | Carmen Suite no. 2: Chanson du toreador | London Symphony Orchestra, Sir Neville Marriner | T-010.194.854-2 | |
| 34-10 | Carmen Suite no. 2: La garde montante | London Symphony Orchestra, Sir Neville Marriner | T-004.612.536-3 | |
| 34-11 | Carmen Suite no. 2: Danse bohème | London Symphony Orchestra, Sir Neville Marriner | T-010.194.854-2 | |
| 34-12 | L'Arlésienne Suite no. 1: I. Prélude | London Symphony Orchestra, Sir Neville Marriner | T-900.798.614-3 | |
| 34-13 | L'Arlésienne Suite no. 1: II. Minuetto | London Symphony Orchestra, Sir Neville Marriner | T-010.194.862-2 | |
| 34-14 | L'Arlésienne Suite no. 1: III. Adagietto | London Symphony Orchestra, Sir Neville Marriner | T-800.652.468-2 | |
| 34-15 | L'Arlésienne Suite no. 1: IV. Carillon | London Symphony Orchestra, Sir Neville Marriner | — | |
| 34-16 | L'Arlésienne Suite no. 2: I. Pastorale | London Symphony Orchestra, Sir Neville Marriner | T-071.478.968-0 | |
| 34-17 | L'Arlésienne Suite no. 2: II. Intermezzo | London Symphony Orchestra, Sir Neville Marriner | T-906.634.279-8 | |
| 34-18 | L'Arlésienne Suite no. 2: III. Menuet | London Symphony Orchestra, Sir Neville Marriner | T-310.225.113-4 | |
| 34-19 | L'Arlésienne Suite no. 2: IV. Farandole | London Symphony Orchestra, Sir Neville Marriner | T-010.194.866-6 | |
| 35-1 | Symphony no. 2 in D major, op. 73: Allegro non troppo | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 35-2 | Symphony no. 2 in D major, op. 73: Adagio non troppo - L'istesso tempo, ma grazioso | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 35-3 | Symphony no. 2 in D major, op. 73: Allegretto grazioso (Quasi andantino) - Presto, ma non assai - Tempo 1 | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 35-4 | Symphony no. 2 in D major, op. 73: Allegro con spirito | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 35-5 | Symphony no. 3 in F major, op. 90: Allegro con brio - Un poco sostenuto - Tempo 1 | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 35-6 | Symphony no. 3 in F major, op. 90: Andante | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 35-7 | Symphony no. 3 in F major, op. 90: Poco Allegretto | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 35-8 | Symphony no. 3 in F major, op. 90: Allegro | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 36-1 | Violin Concerto in E major, op. 8. no. 1, RV 269 "La Primavera'': I. Allegro | Felix Ayo, I Musici | T-902.836.120-8 | |
| 36-2 | Violin Concerto in E major, op. 8. no. 1, RV 269 "La Primavera'': II. Largo | Felix Ayo, I Musici | T-911.640.005-6 | |
| 36-3 | Violin Concerto in E major, op. 8. no. 1, RV 269 "La Primavera'': III. Allegro. Danza pastorale | Felix Ayo, I Musici | — | |
| 36-4 | Violin Concerto in G minor, op. 8 no. 2, RV. 315 "L'Estate": I. Allegro non molto - Allegro | Felix Ayo, I Musici | — | |
| 36-5 | Violin Concerto in G minor, op. 8 no. 2, RV. 315 "L'Estate": II. Adagio - Presto - Adagio | Felix Ayo, I Musici | — | |
| 36-6 | Violin Concerto in G minor, op. 8 no. 2, RV. 315 "L'Estate": III. Presto, Tempo impetuoso d'estate | Felix Ayo, I Musici | — | |
| 36-7 | Violin Concerto in F major, op. 8 no. 3, RV 293 "L'Autunno": I. Allegro, Ballo e canto de villanelli | Felix Ayo, I Musici | T-911.640.004-5 | |
| 36-8 | Violin Concerto in F major, op. 8 no. 3, RV 293 "L'Autunno": II. Adagio molto, Ubriachi dormienti | Felix Ayo, I Musici | — | |
| 36-9 | Violin Concerto in F major, op. 8 no. 3, RV 293 "L'Autunno": III. Adagio, La caccia | Felix Ayo, I Musici | — | |
| 36-10 | Violin Concerto in F minor, op. 8 no. 4, RV 297 "L'Inverno": I. Allegro non molto | Felix Ayo, I Musici | — | |
| 36-11 | Violin Concerto in F minor, op. 8 no. 4, RV 297 "L'Inverno": II. Largo | Felix Ayo, I Musici | T-911.640.005-6 | |
| 36-12 | Violin Concerto in F minor, op. 8 no. 4, RV 297 "L'Inverno": III. Allegro | Felix Ayo, I Musici | T-902.836.120-8 | |
| 36-13 | Concerto in E major, RV 271 "L’amoroso": I. Allegro | Felix Ayo, I Musici | T-070.161.055-0 | |
| 36-14 | Concerto in E major, RV 271 "L’amoroso": II. Cantabile | Felix Ayo, I Musici | — | |
| 36-15 | Concerto in E major, RV 271 "L’amoroso": III. Allegro | Felix Ayo, I Musici | T-902.836.120-8 | |
| 37-1 | Requiem in G minor: Introitus: Requiem | — | ||
| 37-2 | Requiem in G minor: Kyrie | — | ||
| 37-3 | Requiem in G minor: In memoria aeterna | — | ||
| 37-4 | Requiem in G minor: Dies irae | — | ||
| 37-5 | Requiem in G minor: Tuba mirum | — | ||
| 37-6 | Requiem in G minor: Mors stupebit | — | ||
| 37-7 | Requiem in G minor: Judex ergo | — | ||
| 37-8 | Requiem in G minor: Rex tremendae | — | ||
| 37-9 | Requiem in G minor: Recordare | — | ||
| 37-10 | Requiem in G minor: Ingeminsco | — | ||
| 37-11 | Requiem in G minor: Preces meae | — | ||
| 37-12 | Requiem in G minor: Inter oves | — | ||
| 37-13 | Requiem in G minor: Lacrymosa | — | ||
| 37-14 | Requiem in G minor: Domine Jesu | — | ||
| 37-15 | Requiem in G minor: Sanctus | — | ||
| 37-16 | Requiem in G minor: Benedictus | — | ||
| 37-17 | Requiem in G minor: Agnus Dei | — | ||
| 37-18 | Requiem in G minor: Lux aeterna | — | ||
| 37-19 | Concertante in G major for Flute, Oboe and Orchestra: I. Allegro | Aurèle Nicolet, Heinz Holliger, Academy of St Martin in the Fields, Kenneth Sillito | T-070.161.055-0 | |
| 37-20 | Concertante in G major for Flute, Oboe and Orchestra: II. Largo | Aurèle Nicolet, Heinz Holliger, Academy of St Martin in the Fields, Kenneth Sillito | — | |
| 37-21 | Concertante in G major for Flute, Oboe and Orchestra: III. Rondo. Allegretto ma non tanto | Aurèle Nicolet, Heinz Holliger, Academy of St Martin in the Fields, Kenneth Sillito | — | |
| 38-1 | Music from Don Giovanni, K. 527 (arr. Triebensee): Overture | Netherlands Wind Ensemble | T-306.482.861-7 | |
| 38-2 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act I. "Notte e giorno faticar" | Netherlands Wind Ensemble | — | |
| 38-3 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act I. "Madamina, il catalogo è questo" | Netherlands Wind Ensemble | T-929.621.870-7 | |
| 38-4 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act I. "Giovinette, che fate all'amore" | Netherlands Wind Ensemble | — | |
| 38-5 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act I. "Là ci darem la mano" | Netherlands Wind Ensemble | T-900.134.396-0 | |
| 38-6 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act I. "Dalla sua pace" (K. 540a) | Netherlands Wind Ensemble | T-929.621.872-9 | |
| 38-7 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act I. "Fin ch'han dal vino" | Netherlands Wind Ensemble | T-306.481.937-6 | |
| 38-8 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act I. Finale: "Presto, presto... pria ch'ei venga" | Netherlands Wind Ensemble | — | |
| 38-9 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act II. "Deh! vieni alla finestra" | Netherlands Wind Ensemble | T-306.483.075-3 | |
| 38-10 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act II. "Vedrai, carino" | Netherlands Wind Ensemble | T-921.158.751-8 | |
| 38-11 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act II. "Mi tradì quell'alma ingrata" (K540c, Aria) | Netherlands Wind Ensemble | T-929.621.869-4 | |
| 38-12 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act II. "Non mi dir, bell'idol mio" | Netherlands Wind Ensemble | — | |
| 38-13 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act II. Finale: "Già la mensa è preparata" | Netherlands Wind Ensemble | — | |
| 38-14 | Music from Die Entführung aus dem Serail, K. 384 (arr. Johann Went): Overture | Netherlands Wind Ensemble | — | |
| 38-15 | Music from Die Entführung aus dem Serail, K. 384 (arr. Johann Went): Act I. "Hier soll ich dich denn sehen" | Netherlands Wind Ensemble | T-000.200.350-0 | |
| 38-16 | Music from Die Entführung aus dem Serail, K. 384 (arr. Johann Went): Act I. "Durch Zärtlichkeit und Schmeicheln" | Netherlands Wind Ensemble | — | |
| 38-17 | Music from Die Entführung aus dem Serail, K. 384 (arr. Johann Went): Act I. "Ich gehe, doch rate ich dir" | Netherlands Wind Ensemble | — | |
| 38-18 | Music from Die Entführung aus dem Serail, K. 384 (arr. Johann Went): Act I. "Welche Wonne, welche Lust" | Netherlands Wind Ensemble | — | |
| 38-19 | Music from Die Entführung aus dem Serail, K. 384 (arr. Johann Went): Act I. "Vivat Bacchus! Bacchus lebe!" | Netherlands Wind Ensemble | — | |
| 38-20 | Music from Die Entführung aus dem Serail, K. 384 (arr. Johann Went): Act II. "Wenn der Freude Tränen fließen" | Netherlands Wind Ensemble | — | |
| 38-21 | Music from Die Entführung aus dem Serail, K. 384 (arr. Johann Went): Act II. "Ha, wie will ich triumphieren" | Netherlands Wind Ensemble | — | |
| 38-22 | Il barbiere di Siviglia: Overture (arr. Sedlak) | — | ||
| 38-23 | L'italiana in Algeria: Overture (arr. Sedlak) | — | ||
| 39-1 | Les Nuits d’été, op. 7 : Villanelle | Jessye Norman, London Symphony Orchestra, Sir Colin Davis | — | |
| 39-2 | Les Nuits d’été, op. 7 : Le Spectre de la rose | Jessye Norman, London Symphony Orchestra, Sir Colin Davis | — | |
| 39-3 | Les Nuits d’été, op. 7 : Sur les lagunes | Jessye Norman, London Symphony Orchestra, Sir Colin Davis | — | |
| 39-4 | Les Nuits d’été, op. 7 : Absence | Jessye Norman, London Symphony Orchestra, Sir Colin Davis | — | |
| 39-5 | Les Nuits d’été, op. 7 : Au cimetière (Clair de lune) | Jessye Norman, London Symphony Orchestra, Sir Colin Davis | — | |
| 39-6 | Les Nuits d’été, op. 7 : L’Île inconnue | Jessye Norman, London Symphony Orchestra, Sir Colin Davis | — | |
| 39-7 | Shéhérazade : Asie | Jessye Norman, London Symphony Orchestra, Sir Colin Davis | T-003.015.891-8 | |
| 39-8 | Shéhérazade : La Flûte enchantée | Jessye Norman, London Symphony Orchestra, Sir Colin Davis | T-003.015.891-8 | |
| 39-9 | Shéhérazade : L’Indifférent | Jessye Norman, London Symphony Orchestra, Sir Colin Davis | T-003.015.891-8 | |
| 40-1 | Symphony no. 6 in B minor, op. 74: I. Adagio: Allegro non troppo | Orchestre de Paris, Seiji Ozawa | — | |
| 40-2 | Symphony no. 6 in B minor, op. 74: II. Allegro con grazia | Orchestre de Paris, Seiji Ozawa | — | |
| 40-3 | Symphony no. 6 in B minor, op. 74: III. Allegro molto vivace | Orchestre de Paris, Seiji Ozawa | — | |
| 40-4 | Symphony no. 6 in B minor, op. 74: IV. Finale. Adagio lamentoso: Andante | Orchestre de Paris, Seiji Ozawa | T-003.055.867-8 | |
| 40-5 | Nutcracker Suite, op. 71a: Miniature Overture | Orchestre de Paris, Seiji Ozawa | — | |
| 40-6 | Nutcracker Suite, op. 71a: March | Orchestre de Paris, Seiji Ozawa | T-304.210.691-8 | |
| 40-7 | Nutcracker Suite, op. 71a: Dance of the Sugar-Plum Fairy | Orchestre de Paris, Seiji Ozawa | — | |
| 40-8 | Nutcracker Suite, op. 71a: Russian Dance (Trepak) | Orchestre de Paris, Seiji Ozawa | T-312.199.363-9 | |
| 40-9 | Nutcracker Suite, op. 71a: Arabian Dance (Coffee) | Orchestre de Paris, Seiji Ozawa | — | |
| 40-10 | Nutcracker Suite, op. 71a: Chinese Dance (Tea) | Orchestre de Paris, Seiji Ozawa | T-312.199.363-9 | |
| 40-11 | Nutcracker Suite, op. 71a: Dance of the Reed-Pipes (Merlitons) | Orchestre de Paris, Seiji Ozawa | — | |
| 40-12 | Nutcracker Suite, op. 71a: Waltz of the Flowers | Orchestre de Paris, Seiji Ozawa | T-921.960.902-6 | |
| 41-1 | String Quartet in G minor, op. 10: I. Animé et très décidé | Quartetto Italiano | — | |
| 41-2 | String Quartet in G minor, op. 10: II. Assez vif et bien rythmé | Quartetto Italiano | — | |
| 41-3 | String Quartet in G minor, op. 10: III. Andantino - doucement expressif | Quartetto Italiano | — | |
| 41-4 | String Quartet in G minor, op. 10: IV. Très modéré - très animé | Quartetto Italiano | — | |
| 41-5 | String Quartet in F major: I. Moderato très doux | Quartetto Italiano | T-003.014.983-7 | |
| 41-6 | String Quartet in F major: II. Assez vif - Très rythmé | Quartetto Italiano | T-003.014.983-7 | |
| 41-7 | String Quartet in F major: III. Très lent | Quartetto Italiano | T-003.014.983-7 | |
| 41-8 | String Quartet in F major: IV. Vif et agité | Quartetto Italiano | T-003.014.983-7 | |
| 42-1 | Pictures at an Exhibition: Promenade. Allegro giusto, nel modo rustico, senza allegrezza, ma poco sostenuto: attacca | — | ||
| 42-2 | Pictures at an Exhibition: Gnomus. Sempre vivo | — | ||
| 42-3 | Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza: attacca | — | ||
| 42-4 | Pictures at an Exhibition: The Old Castle: Promenade | — | ||
| 42-5 | Pictures at an Exhibition: The Tuileries Gardens. Allegretto non troppo troppo, capriccioso | — | ||
| 42-6 | Pictures at an Exhibition: Bydlo. Sempre moderato, pesante | — | ||
| 42-7 | Pictures at an Exhibition: Promenade. Tranquillo: attacca | — | ||
| 42-8 | Pictures at an Exhibition: Ballet of the Chickens in Their Shells | — | ||
| 42-9 | Pictures at an Exhibition: Samuel Goldenberg and Schmuyle. Andante. Grave-energico: Andantino | — | ||
| 42-10 | Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico, poco sostenuto: attacca | — | ||
| 42-11 | Pictures at an Exhibition: The Market-place at Limoges. Allegretto vivo, sempre scherzando: attacca | — | ||
| 42-12 | Pictures at an Exhibition: The Catacombs (Sepulchrum romanum): Cum mortuis in lingua mortua | — | ||
| 42-13 | Pictures at an Exhibition: The Hut on Fowl's Legs (Baba-Yaga). Allegro con brio, feroce: Andante mosso - Allegro molto - attacca | — | ||
| 42-14 | Pictures at an Exhibition: The Great Gate of Kiev. Allegro alla breve.Maestoso. Con grandezza | — | ||
| 42-15 | Moment Musical in C major, D. 780 no. 1 | — | ||
| 42-16 | Impromptu in E-flat major, D. 899 no. 2 | — | ||
| 42-17 | Impromptu in A-flat major, D. 899 no. 4 | — | ||
| 42-18 | Étude in E major, op. 10 no. 3 | — | ||
| 42-19 | Valse oubliée no. 1 in F-sharp major, S. 215 no. 1 | — | ||
| 42-20 | Valse oubliée no. 2 in A-flat major, S. 215 no. 2 | — | ||
| 42-21 | Feux follets (Etudes d'exécution transcendante, S. 139 no. 5 ) | — | ||
| 42-22 | Harmonies du soir (Etudes d'exécution transcendante, S. 139 no. 11) | — | ||
| 42-23 | Prélude in G-sharp minor, op. 32 no. 13 | — | ||
| 43-1 | Guitar Concerto no. 1 in A major, op. 30: Allegro maestoso | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-2 | Guitar Concerto no. 1 in A major, op. 30: Andantino: Siciliano | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-329.516.968-1 | |
| 43-3 | Guitar Concerto no. 1 in A major, op. 30: Polonaise. Allegretto | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-4 | Concierto Madrigal: I. Fanfare (Allegro marziale) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-035.113.918-8 | |
| 43-5 | Concierto Madrigal: II. Madrigal (Andante nostalgico) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 43-6 | Concierto Madrigal: III. Entrada (Allegro vivace) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 43-7 | Concierto Madrigal: IV. Pastorcito, tu que vienes, pastorcito, tu que vas (Allegro vivace) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 43-8 | Concierto Madrigal: V. Girardilla (Presto) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 43-9 | Concierto Madrigal: VI. Pastoral (Allegro) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.004.814-4 | |
| 43-10 | Concierto Madrigal: VII. Fandango | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.061-1 | |
| 43-11 | Concierto Madrigal: VIII. Arieta (Andante nostalgico) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 43-12 | Concierto Madrigal: IX. Zapateado (Allegro vivace) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 43-13 | Concierto madrigal: Caccio a la española. Allegro vivace - Andante nostalgico | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 43-14 | Concierto Andaluz: I. Tiempo De Bolero | Los Romeros, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.081-5 | |
| 43-15 | Concierto Andaluz: II. Adagio | Los Romeros, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.061-1 | |
| 43-16 | Concierto Andaluz: III. Allegretto | Los Romeros, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.081-5 | |
| 44-1 | Symphony no. 6 in D major, op. 60, B. 112: I. Allegro non tanto | London Symphony Orchestra, Witold Rowicki | — | |
| 44-2 | Symphony no. 6 in D major, op. 60, B. 112: II. Adagio | London Symphony Orchestra, Witold Rowicki | — | |
| 44-3 | Symphony no. 6 in D major, op. 60, B. 112: III. Scherzo [Furiant: Presto] | London Symphony Orchestra, Witold Rowicki | — | |
| 44-4 | Symphony no. 6 in D major, op. 60, B. 112: IV. Finale: Allegro con spirito | London Symphony Orchestra, Witold Rowicki | — | |
| 44-5 | Symphony no. 5 in F major, op. 76, B. 54: I. Allegro, ma non troppo | London Symphony Orchestra, Witold Rowicki | — | |
| 44-6 | Symphony no. 5 in F major, op. 76, B. 54: II. Andante con moto | London Symphony Orchestra, Witold Rowicki | — | |
| 44-7 | Symphony no. 5 in F major, op. 76, B. 54: III. Andante con moto — Allegro scherzando | London Symphony Orchestra, Witold Rowicki | — | |
| 44-8 | Symphony no. 5 in F major, op. 76, B. 54: IV. Finale: Allegro molto | London Symphony Orchestra, Witold Rowicki | — | |
| 45-1 | Ein deutsches Requiem, op. 45: I. "Selig sind, die da Leid tragen" | — | ||
| 45-2 | Ein deutsches Requiem, op. 45: II. "Denn alles Fleisch, es ist wie Gras" | — | ||
| 45-3 | Ein deutsches Requiem, op. 45: III. "Herr, lehre doch mich" | — | ||
| 45-4 | Ein deutsches Requiem, op. 45: IV. "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | — | ||
| 45-5 | Ein deutsches Requiem, op. 45: V. "Ihr habt nun Traurigkeit" | — | ||
| 45-6 | Ein deutsches Requiem, op. 45: VI. "Denn wir haben hie keine bleibende Statt" | — | ||
| 45-7 | Ein deutsches Requiem, op. 45: VII. "Selig sind die Toten, die in dem Herrn sterben" | — | ||
| 45-8 | Rhapsody for Alto, Chorus, and Orchestra, op. 53 | — | ||
| 46-1 | Rodelinda, HWV 34: Act 2. Scacciata dal suo nido | — | ||
| 46-2 | Tolomeo, HWV 25: Act 3. Che piu si tarda...Stille amare | — | ||
| 46-3 | Radamisto, HWV 12: Act 1. Perfido, di a quell'empio | — | ||
| 46-4 | Il Floridante, HWV 14: Act 1. Aria "Alma mia" | — | ||
| 46-5 | Berenice, HWV 38: Act 2. Si, tra i ceppi | — | ||
| 46-6 | Hippolyte et Aricie: Act 2. "Ah! qu'on daigne du moins...Puisque Pluton" | — | ||
| 46-7 | Castor et Pollux, RCT 32: Nature, amour, qui partagez mon coeur | — | ||
| 46-8 | Dardanus, RCT 35: Act 4. Voici les tristes lieux...Monstre affreux | — | ||
| 46-9 | Alceste: Act 4. Il faut passer tôt ou tard | — | ||
| 46-10 | Cadmus et Hermione: Act 5. Belle Hermione, hélas | — | ||
| 46-11 | Persée: Je ne puis dans votre malheur | — | ||
| 46-12 | Histoires naturelles, M. 50: I. Le paon | — | ||
| 46-13 | Histoires naturelles, M. 50: II. Le grillon | — | ||
| 46-14 | Histoires naturelles, M. 50: III. Le cygne | — | ||
| 46-15 | Histoires naturelles, M. 50: IV. Le marin-pêcheur | — | ||
| 46-16 | Histoires naturelles, M. 50: V. La pintade | — | ||
| 46-17 | Don Quichotte à Dulcinée, M. 84: I. Chanson romanesque | — | ||
| 46-18 | Don Quichotte à Dulcinée, M. 84: II. Chanson épique | — | ||
| 46-19 | Don Quichotte à Dulcinée, M. 84: III. Chanson à boire | — | ||
| 46-20 | 2 Epigrammes de Clément Marot: I. D'Anne qui me jecta de la neige, M. 21 | — | ||
| 46-21 | 2 Epigrammes de Clément Marot: II. D'Anne jouant de l'espinette, M. 10 | — | ||
| 47-1 | Symphony no. 2 in D major, op. 43: I. Allegretto – Poco allegro – Tranquillo, ma poco a poco ravvivando il tempo allegro | Concertgebouw Orchestra, George Szell | — | |
| 47-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato – Andante sostenuto | Concertgebouw Orchestra, George Szell | — | |
| 47-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo – Lento e suave – Largamente | Concertgebouw Orchestra, George Szell | — | |
| 47-4 | Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato | Concertgebouw Orchestra, George Szell | T-318.676.528-2 | |
| 47-5 | A Midsummer Night’s Dream: Overture, op. 21 | Concertgebouw Orchestra, George Szell | T-928.635.467-4 | |
| 47-6 | A Midsummer Night’s Dream: Scherzo, op. 61 no. 1 | Concertgebouw Orchestra, George Szell | — | |
| 47-7 | A Midsummer Night’s Dream: Notturno, op. 61 no. 7 | Concertgebouw Orchestra, George Szell | — | |
| 47-8 | A Midsummer Night’s Dream: Wedding March, op. 61 no. 9 | Concertgebouw Orchestra, George Szell | — | |
| 48-1 | Violin Concerto no. 2 in D minor, op. 22: I. Allegro moderato | — | ||
| 48-2 | Violin Concerto no. 2 in D minor, op. 22: II. Romance | — | ||
| 48-3 | Violin Concerto no. 2 in D minor, op. 22: III. Allegro confuoco | — | ||
| 48-4 | Violin Concerto no. 2, op. 61: I.: Moderato, molto tranquilo | — | ||
| 48-5 | Violin Concerto no. 2, op. 61: II.: Allegramente molto energico | — | ||
| 48-6 | Violin Concerto no. 2, op. 61: III.: Andantino molto tranquilo | — | ||
| 48-7 | Violin Concerto no. 1 in D, op. 6: 1. Allegro maestoso | Henryk Szeryng, London Symphony Orchestra, Sir Alexander Gibson | — | |
| 48-8 | Violin Concerto no. 1 in D major, op. 6 II. Adagio | Henryk Szeryng, London Symphony Orchestra, Sir Alexander Gibson | — | |
| 48-9 | Violin Concerto no. 1 in D major, op. 6 III. Rondo (Allegro spiritoso) | Henryk Szeryng, London Symphony Orchestra, Sir Alexander Gibson | — | |
| 49-1 | Symphony no. 1 "Sinfonie in einem Satz" | — | ||
| 49-2 | Symphony no. 2: I. Sostenuto: Allegro molto | — | ||
| 49-3 | Symphony no. 2: II. Largo | — | ||
| 49-4 | Symphony no. 2: III. Allegro vivace | — | ||
| 49-5 | Concerto in F major: I. Allegro | Werner Haas, Orchestre Philharmonique de Monte-Carlo, Edo de Waart | — | |
| 49-6 | Concerto in F major: II. Adagio | Werner Haas, Orchestre Philharmonique de Monte-Carlo, Edo de Waart | — | |
| 49-7 | Concerto in F major: III. Allegro agitato | Werner Haas, Orchestre Philharmonique de Monte-Carlo, Edo de Waart | — | |
| 50-1 | Cello Concerto in E minor, op. 58: I. Andante - | — | ||
| 50-2 | Cello Concerto in E minor, op. 58: II. Allegro giusto | — | ||
| 50-3 | Cello Concerto in E minor, op. 58: III. Allegro (Tema con variazioni) | — | ||
| 50-4 | Cello Concerto in E minor: I. Allegro moderato | — | ||
| 50-5 | Cello Concerto in E minor: II. Andante sostenuto - | — | ||
| 50-6 | Cello Concerto in E minor: III. Allegro a battuta | — | ||
| 50-7 | Variations on a Rococo Theme for Cello and Orchestra, op. 33 | — |
Identifier Graph
028947889779 is a Universal Product Code (UPC) assigned to Philips Classics: The Stereo Years by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 617 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Philips Classics: The Stereo Years” by Various Artists is 028947889779. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2016-01-01. Label: Decca. This release contains 617 tracks, each with its own ISRC. Tracks include NLA507801501, NLA507801502, NLA507801503.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Salvatore Accardo, London Symphony Orchestra, Sir Colin Davis | — | |
| 2 | Violin Concerto in D minor, op. 47: II. Adagio di molto | Salvatore Accardo, London Symphony Orchestra, Sir Colin Davis | — | |
| 3 | Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto | Salvatore Accardo, London Symphony Orchestra, Sir Colin Davis | — | |
| 4 | Humoresques for Violin and Orchestra, op. 89: No. 3 in G minor: Alla gavotta | — | ||
| 5 | Humoresques for Violin and Orchestra, op. 89: No. 4 in G minor: Andantino | — | ||
| 6 | Humoresques for Violin and Orchestra, op. 89: No. 5 in E-flat major: Commodo | — | ||
| 7 | Humoresques for Violin and Orchestra, op. 89: No. 6 in G minor: Allegro | — | ||
| 8 | Violin Concerto in D major, op. 35: I. Allegro moderato | — | ||
| 9 | Violin Concerto in D major, op. 35: II. Canzonetta (Andante) | — | ||
| 10 | Violin Concerto in D major, op. 35: III. Allegro vivacissimo | — | ||
| 2-1 | Frauenliebe und -leben, op. 42: I. Seit ich ihn gesehen | — | ||
| 2-2 | Frauenliebe und -leben, op. 42: II. Er, der Herrlichste von allen | — | ||
| 2-3 | Frauenliebe und -leben, op. 42: III. Ich kann's nicht fassen | — | ||
| 2-4 | Frauenliebe und -leben, op. 42: IV. Du Ring an meinem Finger | — | ||
| 2-5 | Frauenliebe und -leben, op. 42: V. Helft mir, ihr Schwestern | — | ||
| 2-6 | Frauenliebe und -leben, op. 42: VI. Süsser Freund, du blickest | — | ||
| 2-7 | Frauenliebe und -leben, op. 42: VII. An meinem Herzen | — | ||
| 2-8 | Frauenliebe und -leben, op. 42: VII. Nun hast du mir der ersten Schmerz getan | — | ||
| 2-9 | Das Lied im Grünen, D. 917 | Elly Ameling, Dalton Baldwin | — | |
| 2-10 | Der Schmetterling, D. 633 | — | ||
| 2-11 | An die Nachtigall, D. 497 | — | ||
| 2-12 | An die Nachtigall, D. 196 | — | ||
| 2-13 | Der Wachtelschlag, D. 742 | — | ||
| 2-14 | Im Freien, D. 880 | — | ||
| 2-15 | Die Vögel, D. 691 | — | ||
| 2-16 | Fischerweise, D. 881 | Elly Ameling, Dalton Baldwin | — | |
| 2-17 | Die Gebüsche, D. 646 | — | ||
| 2-18 | Im Haine, D. 738 | — | ||
| 2-19 | Liederkreis, op. 39: I. In der Fremde | — | ||
| 2-20 | Liederkreis, op. 39: II. Intermezzo | — | ||
| 2-21 | Liederkreis, op. 39: III. Waldesgespräch | — | ||
| 2-22 | Liederkreis, op. 39: IV. Die Stille | — | ||
| 2-23 | Liederkreis, op. 39: V. Mondnacht | — | ||
| 2-24 | Liederkreis, op. 39: VI. Schöne Fremde | — | ||
| 2-25 | Liederkreis, op. 39: VII. Auf einer Burg | — | ||
| 2-26 | Liederkreis, op. 39: VIII. In der Fremde | — | ||
| 2-27 | Liederkreis, op. 39: IX. Wehmut | — | ||
| 2-28 | Liederkreis, op. 39: X. Zwielicht | — | ||
| 2-29 | Liederkreis, op. 39: XI. Im Walde | — | ||
| 2-30 | Liederkreis, op. 39: XII. Frühlingsnacht | — | ||
| 3-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 3-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 3-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 3-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Claudio Arrau, Royal Concertgebouw Orchestra Amsterdam, Bernard Haitink | — | |
| 3-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Claudio Arrau, Royal Concertgebouw Orchestra Amsterdam, Bernard Haitink | — | |
| 3-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Claudio Arrau, Royal Concertgebouw Orchestra Amsterdam, Bernard Haitink | — | |
| 4-1 | Études d'exécution transcendante, S. 139: No. 1. Preludio in C major | — | ||
| 4-2 | Études d'exécution transcendante, S. 139: No. 2. Étude in A minor. Molto vivace | — | ||
| 4-3 | Études d'exécution transcendante, S. 139: No. 3. "Paysage" in F major. Poco adagio | — | ||
| 4-4 | Études d'exécution transcendante, S. 139: No. 4. "Mazeppa" in D minor. Allegro | — | ||
| 4-5 | 12 Études d'exécution transcendante: Feux follets (Allegretto) | Claudio Arrau | T-924.490.462-9 | |
| 4-6 | Études d'exécution transcendante, S. 139: No. 6. "Vision" in G minor. Lento | — | ||
| 4-7 | Études d'exécution transcendante, S. 139: No. 7. "Eroica" in E-flat major. Allegro | — | ||
| 4-8 | Études d'exécution transcendante, S. 139: No. 8. "Wilde Jagd" in C minor. Presto furioso | — | ||
| 4-9 | Études d'exécution transcendante, S. 139: No. 9. "Ricordanza" in A-flat major. Andantino, improvisato | — | ||
| 4-10 | Études d'exécution transcendante, S. 139: No. 10. Étude in F minor. Allegro agitato molto | — | ||
| 4-11 | Études d'exécution transcendante, S. 139: No. 11. "Harmonies du soir" in D-flat major. Andantino | — | ||
| 4-12 | Études d'exécution transcendante, S. 139: No. 12. "Chasse-neige" in B-flat minor. Andante con moto | — | ||
| 4-13 | Paraphrases de concert sur des opéras de Verdi: Aida | Claudio Arrau | — | |
| 5-1 | Lucrezia: O Numi eterni! | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-2 | Lucrezia: Gia superbo del mio affanno | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-3 | Lucrezia: Ma voi forse nel cielo | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-4 | Lucrezia: Il suol che preme | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-5 | Lucrezia: Ah! che ancor nell'abisso | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-6 | Lucrezia: Questi la disperata anima | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-7 | Lucrezia: A voi, a voi, padre, consorte | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-8 | Lucrezia: Gia nel seno comincia compir | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-9 | Lucrezia: Sento ch'il cor | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-10 | Rodelinda: Atto I. ""Pompe vane di morte!" / "Dove sei, amato bene?" | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-11 | Ariodante: Atto III. "Dopo notte" | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-12 | Serse: Atto I. "Frondi tenere e belle" / "Ombra mai fù" | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 5-13 | Hercules: "Where shall I fly?" | Janet Baker, Raymond Leppard, English Chamber Orchestra | T-911.061.076-9 | |
| 5-14 | Atalanta: Atto I. "Care selve" | Janet Baker, Raymond Leppard, English Chamber Orchestra | T-900.231.958-6 | |
| 5-15 | Joshua: Act III. "O Had I Jubal's Lyre" | Janet Baker, Raymond Leppard, English Chamber Orchestra | T-900.230.391-5 | |
| 5-16 | Alceste: Divinités du Styx | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 5-17 | La rencontre imprévue: Bel inconnu | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 5-18 | La rencontre imprévue: Je cherche à vous faire | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 5-19 | Paride ed Elena: Spiagge amate | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 5-20 | Paride ed Elena: O del mio dolce ardor | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 5-21 | Paride ed Elena: Le belle immagini | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 5-22 | Paride ed Elena: Di te scordami | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 5-23 | Orfeo ed Euridice: Atto II. "Che puro ciel" | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 5-24 | Orfeo ed Euridice: Atto II. "Che faro senza Euridice" | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 6-1 | Piano trio in B-flat major, D. 898: I. Allegro moderato | Beaux Arts Trio | — | |
| 6-2 | Piano trio in B-flat major, D. 898: II. Andante un poco mosso | Beaux Arts Trio | — | |
| 6-3 | Piano trio in B-flat major, D. 898: III. Scherzo: Allegro | Beaux Arts Trio | — | |
| 6-4 | Piano trio in B-flat major, D. 898: IV. Rondo: Allegro vivace | Beaux Arts Trio | — | |
| 6-5 | Piano Trio in E-flat, D. 929: I. Allegro | Beaux Arts Trio | — | |
| 6-6 | Piano Trio in E‐flat, D. 929: II. Andante con moto | Beaux Arts Trio | — | |
| 6-7 | Piano Trio in E-flat, D. 929: III. Scherzo (Allegro moderato) | Beaux Arts Trio | — | |
| 6-8 | Piano Trio in E-flat, D. 929: IV. Allegro moderato | Beaux Arts Trio | — | |
| 7-1 | Piano Trio no. 4 in B-flat major, op. 11 "Gassenhauer": I. Allegro con brio | — | ||
| 7-2 | Piano Trio no. 4 in B-flat major, op. 11 “Gassenhauer”: II. Adagio | Beaux Arts Trio | T-001.397.158-8 | |
| 7-3 | Piano Trio no. 4 in B-flat major, op. 11 "Gassenhauer": III. Tema con variazioni: Adagio | — | ||
| 7-4 | Piano Trio no. 5 in D major, op. 70 no. 1 "Ghost": I. Allegro vivace e con brio | — | ||
| 7-5 | Piano Trio no. 5 in D major, op. 70 no. 1 "Ghost": II. Largo assai ed espressivo | — | ||
| 7-6 | Piano Trio no. 5 in D major, op. 70 no. 1 "Ghost": III. Presto | — | ||
| 7-7 | Piano Trio no. 6 in E-flat major, op. 70 no. 2: I. Poco sostenuto - Allegro ma non troppo | — | ||
| 7-8 | Piano Trio no. 6 in E-flat major, op. 70 no. 2: II. Allegretto | — | ||
| 7-9 | Piano Trio no. 6 in E-flat major, op. 70 no. 2: III. Allegretto ma non troppo | — | ||
| 7-10 | Piano Trio no. 6 in E-flat major, op. 70 no. 2: IV. Finale: Allegro | — | ||
| 7-11 | Piano Trio no. 9 in E-flat major, WoO 38: I. Allegro moderato | — | ||
| 7-12 | Piano Trio no. 9 in E-flat major, WoO 38: II. Scherzo (Allegro ma non troppo) | — | ||
| 7-13 | Piano Trio no. 9 in E-flat major, WoO 38: III. Rondo (Allegretto) | — | ||
| 8-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro – Molto allegro | — | ||
| 8-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 8-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 8-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio – Allegro non troppo, ma con brio | — | ||
| 8-5 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 8-6 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 8-7 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | — | ||
| 8-8 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato | — | ||
| 9-1 | Septet in E-flat major, op. 20: I. Adagio – Allegro con brio | — | ||
| 9-2 | Septet in E-flat major, op. 20: II. Adagio cantabile | Members of Berlin Philharmonic Octet | T-001.397.158-8 | |
| 9-3 | Septet in E-flat major, op. 20: III. Tempo di Menuetto | Berlin Philharmonic Octet | — | |
| 9-4 | Septet in E-flat major, op. 20: IV. Tema con variazioni | — | ||
| 9-5 | Septet in E-flat major, op. 20: V. Scherzo | — | ||
| 9-6 | Septet in E-flat major, op. 20: VI. Andante con moto alla Marcia – Presto | — | ||
| 9-7 | Sextet in E-flat major, op. 81b: I. Allegro con brio | — | ||
| 9-8 | Sextet in E-flat major, op. 81b: II. Adagio | — | ||
| 9-9 | Sextet in E-flat major, op. 81b: III. Rondo (Allegro) | — | ||
| 10-1 | Piano Sonata no. 21 in B-flat major, D. 960: I. Molto moderato | — | ||
| 10-2 | Piano Sonata no. 21 in B-flat major, D. 960: II. Andante sostenuto | — | ||
| 10-3 | Piano Sonata no. 21 in B-flat major, D. 960: III. Scherzo. Allegro vivace con delicatezza | — | ||
| 10-4 | Piano Sonata no. 21 in B-flat major, D. 960: IV. Allegro ma non troppo | — | ||
| 10-5 | Fantasy in C major, op. 15, D. 760 "Wanderer": I. Allegro con fuoco ma non troppo | — | ||
| 10-6 | Fantasy in C major, op. 15, D. 760 "Wanderer": II. Adagio | — | ||
| 10-7 | Fantasy in C major, op. 15, D. 760 "Wanderer": III. Presto | — | ||
| 10-8 | Fantasy in C major, op. 15, D. 760 "Wanderer": IV. Allegro | — | ||
| 10-9 | 3 Klavierstücke (Impromptus), D. 946: No. 1 in E-flat minor | — | ||
| 10-10 | 3 Klavierstücke (Impromptus), D. 946: No. 2 in E-flat major | — | ||
| 10-11 | 3 Klavierstücke (Impromptus), D. 946: No. 3 in C major | — | ||
| 11-1 | Concerto for Piano No. 21 in C major, K. 467 “Elvira Madigan”: I. Allegro (cadenza: Radu Lupu) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-001.312.909-3 | |
| 11-2 | Concerto for Piano No. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (cadenza: Radu Lupu) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 11-3 | Concerto for Piano No. 21 in C major, K. 467 “Elvira Madigan”: III. Allegro vivace assai (cadenza: Radu Lupu) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 11-4 | Concerto for Piano No. 15 in B-flat major, K. 450: I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-070.161.055-0 | |
| 11-5 | Concerto for Piano No. 15 in B-flat major, K. 450: II. Andante | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 11-6 | Concerto for Piano No. 15 in B-flat major, K. 450: III. Allegro assai | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 11-7 | Concerto for Piano No. 23 in A major, K. 488: I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 11-8 | Concerto for Piano No. 23 in A major, K. 488: II. Andante | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 11-9 | Concerto for Piano No. 23 in A major, K. 488: III. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 12-1 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | — | ||
| 12-2 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio – Allegretto vivace – Allegro animato | — | ||
| 12-3 | Piano Concerto no. 1 in E-flat major, S. 124: III. Allegro marziale animato | — | ||
| 12-4 | Piano Concerto no. 2 in A major, S. 125: I. Adagio sostenuto assai – Allegro agitato assai | — | ||
| 12-5 | Piano Concerto no. 2 in A major, S. 125: II. Allegro moderato | — | ||
| 12-6 | Piano Concerto no. 2 in A major, S. 125: III. Allegro | — | ||
| 12-7 | Piano Concerto no. 2 in A major, S. 125: IV. Allegro animato | — | ||
| 12-8 | Totentans, S. 126 | — | ||
| 12-9 | Csárdás macabre, S. 224 | — | ||
| 12-10 | Valse oubliée no. 1 in F-sharp major, S. 215 | — | ||
| 12-11 | Mosonyis Grabgeleit, S. 194 | — | ||
| 12-12 | Schlaflos! Frage und Antwort, S. 203 | — | ||
| 12-13 | Unstern! Sinistre, disastro, S. 208 | — | ||
| 13-1 | I lombardi: "La mia letizia infondere" | — | ||
| 13-2 | La forza del destino: "La vita è inferno... Oh, tu che in seno agli angeli" | — | ||
| 13-3 | Luisa Miller: "Oh! Fede negar potessi... Quando le sere al placido" | — | ||
| 13-4 | Un ballo in maschera: "Forse la soglia attinse... Ma se m'è forza perderti" | — | ||
| 13-5 | Jérusalem: "L'infamie... Ô mes amis, mes frères" | — | ||
| 13-6 | Il giuramento: "La Dea di tutti i cor... Bella adorata incognita" | — | ||
| 13-7 | Il giuramento: "Compiuta è omai... Fu celeste" | — | ||
| 13-8 | Il duca d'Alba: "Inosservato... Angelo casto e bel" | — | ||
| 13-9 | Maria di Rohan: "Nel fragor della festa... Alma soave e cara" | — | ||
| 13-10 | Adelson e Salvini: "Ecco, signor, la sposa" | — | ||
| 13-11 | Il figliuol prodigo: "Il padre!... Tenda natal" | — | ||
| 13-12 | I vespri siciliani: "È di monforte il cenno!... Giorno di pianto" | — | ||
| 13-13 | L'elisir d'amore: "Una furtiva lagrima" | — | ||
| 13-14 | Robert Devereux: "Ed ancor la tremenda porta... lo ti diró" | — | ||
| 13-15 | Stabat Mater: "Cujus animam gementem" | — | ||
| 13-16 | Guglielmo Tell: "Ah, non mi lasciar, o speme di vendetta... O muto asil del pianto" | — | ||
| 14-1 | Symphony no. 3 in C minor, op. 78 "Organ Symphony": Ia. Adagio - Allegro moderato | Daniel Chorzempa, Rotterdam Philharmonic Orchestra, Edo de Waart | — | |
| 14-2 | Symphony no. 3 in C minor, op. 78 "Organ Symphony": Ib. Poco adagio | Daniel Chorzempa, Rotterdam Philharmonic Orchestra, Edo de Waart | — | |
| 14-3 | Symphony no. 3 in C minor, op. 78 "Organ Symphony": II. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Daniel Chorzempa, Rotterdam Philharmonic Orchestra, Edo de Waart | — | |
| 14-4 | Symphony no. 3 in C minor, op. 78 "Organ Symphony": IIb. Maestoso - Più allegro - Molto allegro | Daniel Chorzempa, Rotterdam Philharmonic Orchestra, Edo de Waart | — | |
| 14-5 | Prelude and Fugue on the Name B.A.C.H., S. 260 | — | ||
| 14-6 | Funeral Ode, S. 268 no. 2 | — | ||
| 14-7 | Fantasy and Fugue on “Ad nos, ad salutarem undam”, S. 259 | — | ||
| 15-1 | Symphony no. 7 in D minor, op. 70: I. Allegro maestoso | Royal Concertgebouw Orchestra, Sir Colin Davis | — | |
| 15-2 | Symphony no. 7 in D minor, op. 70: II. Poco adagio | Royal Concertgebouw Orchestra, Sir Colin Davis | — | |
| 15-3 | Symphony no. 7 in D minor, op. 70: III. Scherzo (Vivace) | Royal Concertgebouw Orchestra, Sir Colin Davis | — | |
| 15-4 | Symphony no. 7 in D minor, op. 70: IV. Finale (Allegro) | Royal Concertgebouw Orchestra, Sir Colin Davis | — | |
| 15-5 | Cellokonzert h-Moll, Op. 104: Allegro | Heinrich Schiff, Royal Concertgebouw Orchestra, Sir Colin Davis | — | |
| 15-6 | Cellokonzert h-Moll, Op. 104: Adagio ma non troppo | Heinrich Schiff, Royal Concertgebouw Orchestra, Sir Colin Davis | — | |
| 15-7 | Cellokonzert h-Moll, Op. 104: Finale: Allegro moderato | Heinrich Schiff, Royal Concertgebouw Orchestra, Sir Colin Davis | — | |
| 16-1 | Harold en Italie, op. 16: 1. Harold aux montagnes (Adagio - Allegro) | Nobuko Imai, London Symphony Orchestra, Sir Colin Davis | — | |
| 16-2 | Harold en Italie, op. 16: 2. Marche des pèlerins (Allegretto) | Nobuko Imai, London Symphony Orchestra, Sir Colin Davis | — | |
| 16-3 | Harold en Italie, op. 16: 3. Sérénade (Allegro assai - Allegretto) | Nobuko Imai, London Symphony Orchestra, Sir Colin Davis | — | |
| 16-4 | Harold en Italie, op. 16: 4. Orgie des brigands (Allegro frenetico - Adagio - Allegro), Tempo I | Nobuko Imai, London Symphony Orchestra, Sir Colin Davis | — | |
| 16-5 | Tristia, op. 18: 1. Méditation religieuse (after Thomas Moore) | The John Alldis Choir, London Symphony Orchestra, Sir Colin Davis | — | |
| 16-6 | Tristia, op. 18: 2. La Mort d'Ophélie - Ballade (after Shakespeare) | The John Alldis Choir, London Symphony Orchestra, Sir Colin Davis | — | |
| 16-7 | Tristia H. 119, Op.18: Marche funèbre pour la dernière scène d'Hamlet | The John Alldis Choir, London Symphony Orchestra, Sir Colin Davis | — | |
| 16-8 | Le Carnaval romain, op. 9: Overture | London Symphony Orchestra, Sir Colin Davis | — | |
| 16-9 | Overture "Les francs-juges", op. 3 | — | ||
| 17-1 | Mercè, dilette amiche (I vespri siciliani) | — | ||
| 17-2 | Ernani! Ernani, involami (Ernani) | — | ||
| 17-3 | D'amor sull'ali rosee (Il Trovatore) | — | ||
| 17-4 | Tu che le vanità (Don Carlo) | — | ||
| 17-5 | Qui la voce sua soave (I Puritani) | — | ||
| 17-6 | O luce di quest'anima (Linda di Chamounix) | — | ||
| 17-7 | Ah, non credea mirarti (La Sonnambula) | — | ||
| 17-8 | Eccomi in lieta vesta... Oh! quante volte (Capuleti e i Montecchi) | — | ||
| 17-9 | Pester Csardas, op. 23 (arr. by Max Schönherr) | — | ||
| 17-10 | Wo die Zitronen blühn, op. 364 (arr. by Max Schönherr) | — | ||
| 17-11 | Sphärenklänge, op. 235 (arr. by Max Schönherr) | — | ||
| 17-12 | Wiener Waldlerchen (arr. by Max Schönherr) | — | ||
| 17-13 | Liebeswalzer (arr. Leo Blech) | — | ||
| 18-1 | The Nutcracker, op. 71: Ouverture | Koninklijk Concertgebouworkest, Antal Doráti | T-312.199.363-9 | |
| 18-2 | The Nutcracker: Act I, no. 1. The Christmas Tree | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-3 | The Nutcracker: Act I, no. 2. March | Koninklijk Concertgebouworkest, Antal Doráti | T-312.207.757-6 | |
| 18-4 | The Nutcracker: Act I, no. 3. Galop and Dance of the Parents | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-5 | The Nutcracker: Act I, no. 4. Dance Scene: The Presents of Drosselmeyer | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-6 | The Nutcracker: Act I, no. 5. Scene: Grandfather Dance | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-7 | The Nutcracker: Act I, no. 6. Clara and the Nutcracker | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-8 | The Nutcracker: Act I, no. 7. The Nutcracker Battles the Army of the Mouse King: He Wins and Is Transformed into Prince Charming | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-9 | The Nutcracker: Act I, no. 8. In the Christmas Tree | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-10 | The Nutcracker: Act I, no. 9. Scene and Waltz of the Snowflakes | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-11 | The Nutcracker: Act II, no. 10. The Magic Castle on the Mountain of Sweets | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-12 | The Nutcracker: Act II, no. 11. Clara and Prince Charming | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-13 | The Nutcracker: Act II, no. 12a. Character Dances: Chocolate (Spanish Dance) | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-14 | The Nutcracker: Act II, no. 12b. Character Dances: Coffee (Arabian Dance) | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-15 | The Nutcracker: Act II, no. 12c. Character Dances: Tea (Chinese Dance) | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-16 | The Nutcracker: Act II, no. 12d. Character Dances: Trépak (Russian Dance) | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-17 | The Nutcracker: Act II, no. 12e. Character Dances: Dance of the Reed Pipes | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-18 | The Nutcracker: Act II, no. 12f. Character Dances: Polchinelle (The Clown) | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-19 | The Nutcracker: Act II, no. 13. Waltz of the Flowers | Koninklijk Concertgebouworkest, Antal Doráti | T-918.336.772-8 | |
| 18-20 | The Nutcracker: Act II, no. 14a. Pas de deux: Intrada | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-21 | The Nutcracker: Act II, no. 14b. Pas de deux: Variation I (Tarantella) | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-22 | The Nutcracker: Act II, no. 14c. Pas de deux: Variation II (Dance of the Sugar-Plum Fairy) | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-23 | The Nutcracker: Act II, no. 14d. Pas de deux: Coda | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 18-24 | The Nutcracker: Act II, no. 15. Final Waltz and Apotheosis | Koninklijk Concertgebouworkest, Antal Doráti | — | |
| 19-1 | Concerto for Violin and Orchestra "To the Memory of an Angel": I. Andante - Allegro | Arthur Grumiaux, Concertgebouworkest, Igor Markevitch | — | |
| 19-2 | Concerto for Violin and Orchestra "To the Memory of an Angel": II. Allegro - Adagio | Arthur Grumiaux, Concertgebouworkest, Igor Markevitch | — | |
| 19-3 | Violin Concerto in D: I. Toccata | — | ||
| 19-4 | Violin Concerto in D: II. Aria I | — | ||
| 19-5 | Violin Concerto in D: III. Aria II | — | ||
| 19-6 | Violin Concerto in D: IV. Capriccio | — | ||
| 19-7 | Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364: I. Allegro maestoso | Arthur Grumiaux, Arrigo Pelliccia, London Symphony Orchestra, Colin Davis | — | |
| 19-8 | Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364: II. Andante | Arthur Grumiaux, Arrigo Pelliccia, London Symphony Orchestra, Colin Davis | — | |
| 19-9 | Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364: III. Presto | Arthur Grumiaux, Arrigo Pelliccia, London Symphony Orchestra, Colin Davis | T-312.438.541-3 | |
| 20-1 | Sonata For Piano And Violin in G major, K. 301: I. Allegro con spirito | — | ||
| 20-2 | Sonata For Piano And Violin in G major, K. 301: II. Allegro | — | ||
| 20-3 | Sonata For Piano And Violin in E minor, K. 304: I. Allegro | — | ||
| 20-4 | Sonata For Piano And Violin in E minor, K. 304: II. Tempo di minuetto | — | ||
| 20-5 | Sonata for Piano and Violin in F major, K. 376: I. Allegro | — | ||
| 20-6 | Sonata for Piano and Violin in F major, K. 376: II. Andante | — | ||
| 20-7 | Sonata for Piano and Violin in F major, K. 376: III. Rondo (Allegretto grazioso) | — | ||
| 20-8 | Sonata For Piano And Violin in B-flat major, K. 378: I. Allegro moderato | — | ||
| 20-9 | Sonata For Piano And Violin in B-flat major, K. 378: II. Andantino sostenuto e cantabile | — | ||
| 20-10 | Sonata For Piano And Violin in B-flat major, K. 378: III. Rondo (Allegro) | — | ||
| 21-1 | 4 Impromptus, op. 90, D. 899: No. 1 in C minor. Allegro molto moderato | — | ||
| 21-2 | 4 Impromptus, op. 90, D. 899: No. 2 in E-flat majo. Allegro | — | ||
| 21-3 | 4 Impromptus, op. 90, D. 899: No. 3 in G-flat major. Andante | — | ||
| 21-4 | 4 Impromptus, op. 90, D. 899: No. 4 in A-flat major. Allegretto | — | ||
| 21-5 | 4 Impromptus op. 142, D. 935: No. 1 in F minor. Allegro moderato | — | ||
| 21-6 | 4 Impromptus op. 142, D. 935: No. 2 in A-flat major. Allegretto | — | ||
| 21-7 | 4 Impromptus op. 142, D. 935: No. 3 in B-flat major. Theme (Andante) with Variations | — | ||
| 21-8 | 4 Impromptus op. 142, D. 935: No. 4 in F minor. Allegro scherzando | — | ||
| 21-9 | 2 Marches caractéristiques in C, op. 121: No. 1. Allegro vivace | — | ||
| 21-10 | 2 Marches caractéristiques in C, op. 121: No. 2. Allegro vivace | — | ||
| 22-1 | Symphony no. 96 in D major, Hob. I:96 “The Miracle”: I. Adagio – Allegro | — | ||
| 22-2 | Symphony no. 96 in D major, Hob. I:96 “The Miracle”: II. Andante | — | ||
| 22-3 | Symphony no. 96 in D major, Hob. I:96 “The Miracle”: III. Menuetto. Allegretto | — | ||
| 22-4 | Symphony no. 96 in D major, Hob. I:96 “The Miracle”: IV. Finale (Vivace) | — | ||
| 22-5 | Symphony no. 9 in C major, D. 944 “The Great”: I. Andante – Allegro ma non troppo | — | ||
| 22-6 | Symphony no. 9 in C major, D. 944 “The Great”: II. Andante con moto | — | ||
| 22-7 | Symphony no. 9 in C major, D. 944 “The Great”: III. Scherzo. Allegro vivace | — | ||
| 22-8 | Symphony no. 9 in C major, D. 944 “The Great”: IV. Allegro vivace | — | ||
| 23-1 | Ein Heldenleben, op. 40: I. Der Held | Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 23-2 | Ein Heldenleben, op. 40: II. Des Helden Widersacher | Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 23-3 | Ein Heldenleben, op. 40: III. Des Helden Gefährtin | Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 23-4 | Ein Heldenleben, op. 40: IV. Des Helden Walstatt | Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 23-5 | Ein Heldenleben, op. 40: V. Des Helden Friedenswerke | Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 23-6 | Ein Heldenleben, op. 40: VI. Des Helden Weltflucht und Vollendung | Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 23-7 | Tod und Verklärung, op. 24 | Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 24-1 | Symphony No. 9 in D minor: I. Feierlich. Misterioso | Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 24-2 | Symphony No. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo | Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 24-3 | Symphony No. 9 in D minor: III. Adagio. Langsam, feierlich | Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 25-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 25-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romance (Larghetto) | — | ||
| 25-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo (Vivace) | — | ||
| 25-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 25-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 25-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 26-1 | Oboe Concerto in C major, K. 314: I. Allegro aperto (cadenza: Heinz Holliger) | — | ||
| 26-2 | Oboe Concerto in C major, K. 314: II. Adagio ma non troppo (cadenza: Heinz Holliger) | — | ||
| 26-3 | Oboe Concerto in C major, K. 314: III. Rondo: Allegretto (cadenza: Heinz Holliger) | — | ||
| 26-4 | Concerto for Oboe and Small Orchestra in D major: I. Allegro moderato | — | ||
| 26-5 | Concerto for Oboe and Small Orchestra in D major: II. Andante | — | ||
| 26-6 | Concerto for Oboe and Small Orchestra in D major: III. Vivace: Allegro | — | ||
| 26-7 | Oboe Concerto in E-flat major, K. 314: I. Maestuoso e deciso: Larghetto cantabile | — | ||
| 26-8 | Oboe Concerto in E-flat major, K. 314: II. Allegro Polonese | — | ||
| 26-9 | Theme and Variations for Oboe and Orchestra in F minor | — | ||
| 27-1 | Symphony no. 5 in B-flat: I. Introduction. Adagio – Allegro, mäßig | Concertgebouw Orchestra, Eugen Jochum | — | |
| 27-2 | Symphony no. 5 in B-flat: II. Adagio. Sehr langsam | Concertgebouw Orchestra, Eugen Jochum | — | |
| 27-3 | Symphony no. 5 in B-flat: III. Scherzo. Molto vivace, schnell | Concertgebouw Orchestra, Eugen Jochum | — | |
| 27-4 | Symphony no. 5 in B-flat: IV. Finale. Adagio – Allegro moderato | Concertgebouw Orchestra, Eugen Jochum | T-318.676.528-2 | |
| 28-1 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Tema (Vivace), Variation I (Alla marcia maestoso) | Stephen Kovacevich | — | |
| 28-2 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation II (Poco allegro) | Stephen Kovacevich | — | |
| 28-3 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation III (L’istesso tempo) | Stephen Kovacevich | — | |
| 28-4 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation IV (Un poco più vivace) | Stephen Kovacevich | T-010.204.251-2 | |
| 28-5 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation V (Allegro vivace) | Stephen Kovacevich | T-003.038.364-2 | |
| 28-6 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation VI (Allegro ma non troppo e serioso) | Stephen Kovacevich | — | |
| 28-7 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation VII (Un poco più allegro) | Stephen Kovacevich | — | |
| 28-8 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation VIII (Poco vivace) | Stephen Kovacevich | — | |
| 28-9 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation IX (Allegro pesante e risoluto) | Stephen Kovacevich | — | |
| 28-10 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation X (Presto) | Stephen Kovacevich | — | |
| 28-11 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XI (Allegretto) | Stephen Kovacevich | — | |
| 28-12 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XII (Un poco più moto) | Stephen Kovacevich | — | |
| 28-13 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XIII (Vivace) | Stephen Kovacevich | — | |
| 28-14 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XIV (Grave e maestoso) | Stephen Kovacevich | — | |
| 28-15 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XV (Presto scherzando) | Stephen Kovacevich | — | |
| 28-16 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XVI (Allegro) | Stephen Kovacevich | — | |
| 28-17 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XVII | Stephen Kovacevich | — | |
| 28-18 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XVIII (Poco moderato) | Stephen Kovacevich | — | |
| 28-19 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XIX (Presto) | Stephen Kovacevich | — | |
| 28-20 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XX (Andante) | Stephen Kovacevich | — | |
| 28-21 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXI (Allegro con brio - Meno allegro - Tempo I) | Stephen Kovacevich | — | |
| 28-22 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXII (Allegro molto): Alla “Notte e giorno faticar” di Mozart | Stephen Kovacevich | — | |
| 28-23 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXIII (Allegro assai) | Stephen Kovacevich | — | |
| 28-24 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXIV: Fughetta (Andante) | Stephen Kovacevich | — | |
| 28-25 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXV (Allegro) | Stephen Kovacevich | — | |
| 28-26 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVI | Stephen Kovacevich | — | |
| 28-27 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVII (Vivace) | Stephen Kovacevich | — | |
| 28-28 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVIII (Allegro) | Stephen Kovacevich | — | |
| 28-29 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXIX (Adagio ma non troppo) | Stephen Kovacevich | — | |
| 28-30 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXX (Andante, sempre cantabile) | Stephen Kovacevich | — | |
| 28-31 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXXI (Largo, molto espressivo) | Stephen Kovacevich | — | |
| 28-32 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXXII: Fuga (Allegro poco adagio) | Stephen Kovacevich | — | |
| 28-33 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXXIII (Tempo di minuetto moderato, ma non tirarsi dietro) | Stephen Kovacevich | — | |
| 28-34 | Piano Sonata no. 17 in D minor, op. 31 no. 2 “The Tempest”: I. Largo: Allegro | — | ||
| 28-35 | Piano Sonata no. 17 in D minor, op. 31 no. 2 “The Tempest”: II. Adagio | — | ||
| 28-36 | Piano Sonata no. 17 in D minor, op. 31 no. 2 “The Tempest”: III. Allegretto | — | ||
| 29-1 | Konzert für Violine und Orchester D-dur op. 61: I. Allegro ma non troppo | Herman Krebbers, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 29-2 | Konzert für Violine und Orchester D-dur op. 61: II. Larghetto | Herman Krebbers, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 29-3 | Konzert für Violine und Orchester D-dur op. 61: III. Rondo. Allegro | Herman Krebbers, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 29-4 | Violin Concerto in D, K. 218: Allegro | Herman Krebbers, Nederlands Kamerorkest, David Zinman | — | |
| 29-5 | Violin Concerto in D, K. 218: Andante cantabile | Herman Krebbers, Nederlands Kamerorkest, David Zinman | — | |
| 29-6 | Violin Concerto in D, K. 218: Rondeau (Andante grazioso) | Herman Krebbers, Nederlands Kamerorkest, David Zinman | — | |
| 30-1 | Partita no. 1 in B minor, BWV 1002: I. Allemanda / II. Double | Gidon Kremer | — | |
| 30-2 | Partita no. 1 in B minor, BWV 1002: III. Corrente / IV. Double (Presto) | Gidon Kremer | T-928.736.235-0 | |
| 30-3 | Partita no. 1 in B minor, BWV 1002: V. Sarabande / VI. Double | Gidon Kremer | — | |
| 30-4 | Partita no. 1 in B minor, BWV 1002: VII. Tempo Di Borea / VIII. Double | Gidon Kremer | T-312.438.630-3 | |
| 30-5 | Partita no. 2 in D minor, BWV 1004: I. Allemanda | Gidon Kremer | — | |
| 30-6 | Partita no. 2 in D minor, BWV 1004: II. Corrente | Gidon Kremer | — | |
| 30-7 | Partita no. 2 in D minor, BWV 1004: III. Sarabanda | Gidon Kremer | — | |
| 30-8 | Partita no. 2 in D minor, BWV 1004: IV. Giga | Gidon Kremer | — | |
| 30-9 | Partita No.2 in D minor, BWV 1004: V. Ciaccona | Gidon Kremer | — | |
| 30-10 | Partita no. 3 in E, BWV 1006: I. Preludio | Gidon Kremer | T-041.917.934-2 | |
| 30-11 | Partita no. 3 in E, BWV 1006: II. Loure | Gidon Kremer | — | |
| 30-12 | Partita no. 3 in E, BWV 1006: III. Gavotte en rondeau | Gidon Kremer | — | |
| 30-13 | Partita no. 3 in E, BWV 1006: IV. Menuet I / V. Menuet II | Gidon Kremer | — | |
| 30-14 | Partita no. 3 in E, BWV 1006: VI. Bourrée | Gidon Kremer | — | |
| 30-15 | Partita no. 3 in E, BWV 1006: VII. Gigue | Gidon Kremer | — | |
| 31-1 | Symphony no. 39 in E-flat major, K 543: I. Adagio - Allegro | Concertgebouw Orchestra, Josef Krips | T-011.422.353-8 | |
| 31-2 | Symphony no. 39 in E-flat major, K 543: II. Andante con moto | Concertgebouw Orchestra, Josef Krips | — | |
| 31-3 | Symphony no. 39 in E-flat major, K 543: III. Menuetto: Allegretto - Trio | Concertgebouw Orchestra, Josef Krips | T-312.542.381-2 | |
| 31-4 | Symphony no. 39 in E-flat major, K 543: IV. Finale: Allegro | Concertgebouw Orchestra, Josef Krips | T-312.542.381-2 | |
| 31-5 | Symphony no. 40 in G minor, K 550: I. Molto allegro | Concertgebouw Orchestra, Josef Krips | T-312.542.381-2 | |
| 31-6 | Symphony no. 40 in G minor, K 550: II. Andante | Concertgebouw Orchestra, Josef Krips | T-312.542.381-2 | |
| 31-7 | Symphony no. 40 in G minor, K 550: III. Menuetto: Allegretto - Trio | Concertgebouw Orchestra, Josef Krips | T-312.542.381-2 | |
| 31-8 | Symphony no. 40 in G minor, K 550: IV. Finale: Allegro assai | Concertgebouw Orchestra, Josef Krips | T-306.395.786-4 | |
| 31-9 | Symphony no. 35 in D major, K. 385 "Haffner": III. Minuetto | Concertgebouw Orchestra, Josef Krips | — | |
| 31-10 | Symphony no. 35 in D major, K. 385 "Haffner": II. Andante | Concertgebouw Orchestra, Josef Krips | — | |
| 31-11 | Symphony no. 35 in D major, K. 385 "Haffner": III. Minuetto | Concertgebouw Orchestra, Josef Krips | — | |
| 31-12 | Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto | Concertgebouw Orchestra, Josef Krips | T-318.676.528-2 | |
| 32-1 | 12 Etudes, op. 10: No. 1 in C major | — | ||
| 32-2 | 12 Etudes, op. 10: No. 2 in A minor | — | ||
| 32-3 | 12 Etudes, op. 10: No. 3 in E major | Nikita Magaloff | T-329.459.340-7 | |
| 32-4 | 12 Etudes, op. 10: No. 4 in C-Sharp minor | — | ||
| 32-5 | 12 Etudes, op. 10: No. 5 in G-Flat major | Nikita Magaloff | T-329.453.534-1 | |
| 32-6 | 12 Etudes, op. 10: No. 6 in E-Flat minor | — | ||
| 32-7 | 12 Etudes, op. 10: No. 7 in C major | — | ||
| 32-8 | 12 Etudes, op. 10: No. 8 in F major | — | ||
| 32-9 | 12 Etudes, op. 10: No. 9 in F minor | — | ||
| 32-10 | 12 Etudes, op. 10: No. 10 in A-Flat major | — | ||
| 32-11 | 12 Etudes, op. 10: No. 11 in E-Flat major | — | ||
| 32-12 | 12 Etudes, op. 10: No. 12 in C minor | Nikita Magaloff | — | |
| 32-13 | Etude in A-flat major, op. 25 no. 1 "Aeolian Harp" | Nikita Magaloff | — | |
| 32-14 | 12 Etudes, op. 25: No. 2 in F minor | — | ||
| 32-15 | 12 Etudes, op. 25: No. 3 in F major | — | ||
| 32-16 | 12 Etudes, op. 25: No. 4 in A minor | — | ||
| 32-17 | 12 Etudes, op. 25: No. 5 in E minor | — | ||
| 32-18 | 12 Etudes, op. 25: No. 6 in G-Sharp minor | — | ||
| 32-19 | 12 Etudes, op. 25: No. 7 in C-Sharp minor | — | ||
| 32-20 | 12 Etudes, op. 25: No. 8 in D-Flat major | — | ||
| 32-21 | 12 Etudes, op. 25: No. 9 in G-Flat major: "Butterfly Wings" | Nikita Magaloff | T-906.148.797-6 | |
| 32-22 | 12 Etudes, op. 25: No. 10 in B minor | — | ||
| 32-23 | 12 Etudes, op. 25: No. 11 in A minor "Winter Wind" | — | ||
| 32-24 | 12 Etudes, op. 25: No. 12 in C minor | — | ||
| 33-1 | Manfred Symphony, op. 58: I. Lento lugubre: Moderato con moto – Andante | London Symphony Orchestra, Igor Markevitch | — | |
| 33-2 | Manfred Symphony, op. 58: II. Vivace con spirito | London Symphony Orchestra, Igor Markevitch | — | |
| 33-3 | Manfred Symphony, op. 58: III. Andante con moto | London Symphony Orchestra, Igor Markevitch | — | |
| 33-4 | Manfred Symphony, op. 58: IV. Allegro con fuoco | London Symphony Orchestra, Igor Markevitch | — | |
| 33-5 | Russian Easter Overture | Concertgebouworkest, Igor Markevitch | — | |
| 33-6 | Polovtsian Dances from Prince Igor | Netherlands Radio Chorus, Concertgebouworkest, Igor Markevitch | — | |
| 34-1 | Carmen Suite no. 1: Les toreadors | London Symphony Orchestra, Sir Neville Marriner | T-308.092.565-7 | |
| 34-2 | Carmen Suite no. 1: Prélude | London Symphony Orchestra, Sir Neville Marriner | T-070.160.313-5 | |
| 34-3 | Carmen Suite no. 1: Les dragons d'Alcala | London Symphony Orchestra, Sir Neville Marriner | — | |
| 34-4 | Carmen Suite no. 1: Intermezzo | London Symphony Orchestra, Sir Neville Marriner | T-010.194.849-5 | |
| 34-5 | Carmen Suite no. 1: Aragonaise | London Symphony Orchestra, Sir Neville Marriner | T-903.060.246-1 | |
| 34-6 | Carmen Suite no. 1: Seguidille | London Symphony Orchestra, Sir Neville Marriner | T-031.602.996-5 | |
| 34-7 | Carmen Suite no. 2: Marche des contrebandiers | London Symphony Orchestra, Sir Neville Marriner | T-308.311.437-4 | |
| 34-8 | Carmen Suite no. 2: Habanera | London Symphony Orchestra, Sir Neville Marriner | T-010.194.854-2 | |
| 34-9 | Carmen Suite no. 2: Chanson du toreador | London Symphony Orchestra, Sir Neville Marriner | T-010.194.854-2 | |
| 34-10 | Carmen Suite no. 2: La garde montante | London Symphony Orchestra, Sir Neville Marriner | T-004.612.536-3 | |
| 34-11 | Carmen Suite no. 2: Danse bohème | London Symphony Orchestra, Sir Neville Marriner | T-010.194.854-2 | |
| 34-12 | L'Arlésienne Suite no. 1: I. Prélude | London Symphony Orchestra, Sir Neville Marriner | T-900.798.614-3 | |
| 34-13 | L'Arlésienne Suite no. 1: II. Minuetto | London Symphony Orchestra, Sir Neville Marriner | T-010.194.862-2 | |
| 34-14 | L'Arlésienne Suite no. 1: III. Adagietto | London Symphony Orchestra, Sir Neville Marriner | T-800.652.468-2 | |
| 34-15 | L'Arlésienne Suite no. 1: IV. Carillon | London Symphony Orchestra, Sir Neville Marriner | — | |
| 34-16 | L'Arlésienne Suite no. 2: I. Pastorale | London Symphony Orchestra, Sir Neville Marriner | T-071.478.968-0 | |
| 34-17 | L'Arlésienne Suite no. 2: II. Intermezzo | London Symphony Orchestra, Sir Neville Marriner | T-906.634.279-8 | |
| 34-18 | L'Arlésienne Suite no. 2: III. Menuet | London Symphony Orchestra, Sir Neville Marriner | T-310.225.113-4 | |
| 34-19 | L'Arlésienne Suite no. 2: IV. Farandole | London Symphony Orchestra, Sir Neville Marriner | T-010.194.866-6 | |
| 35-1 | Symphony no. 2 in D major, op. 73: Allegro non troppo | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 35-2 | Symphony no. 2 in D major, op. 73: Adagio non troppo - L'istesso tempo, ma grazioso | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 35-3 | Symphony no. 2 in D major, op. 73: Allegretto grazioso (Quasi andantino) - Presto, ma non assai - Tempo 1 | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 35-4 | Symphony no. 2 in D major, op. 73: Allegro con spirito | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 35-5 | Symphony no. 3 in F major, op. 90: Allegro con brio - Un poco sostenuto - Tempo 1 | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 35-6 | Symphony no. 3 in F major, op. 90: Andante | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 35-7 | Symphony no. 3 in F major, op. 90: Poco Allegretto | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 35-8 | Symphony no. 3 in F major, op. 90: Allegro | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 36-1 | Violin Concerto in E major, op. 8. no. 1, RV 269 "La Primavera'': I. Allegro | Felix Ayo, I Musici | T-902.836.120-8 | |
| 36-2 | Violin Concerto in E major, op. 8. no. 1, RV 269 "La Primavera'': II. Largo | Felix Ayo, I Musici | T-911.640.005-6 | |
| 36-3 | Violin Concerto in E major, op. 8. no. 1, RV 269 "La Primavera'': III. Allegro. Danza pastorale | Felix Ayo, I Musici | — | |
| 36-4 | Violin Concerto in G minor, op. 8 no. 2, RV. 315 "L'Estate": I. Allegro non molto - Allegro | Felix Ayo, I Musici | — | |
| 36-5 | Violin Concerto in G minor, op. 8 no. 2, RV. 315 "L'Estate": II. Adagio - Presto - Adagio | Felix Ayo, I Musici | — | |
| 36-6 | Violin Concerto in G minor, op. 8 no. 2, RV. 315 "L'Estate": III. Presto, Tempo impetuoso d'estate | Felix Ayo, I Musici | — | |
| 36-7 | Violin Concerto in F major, op. 8 no. 3, RV 293 "L'Autunno": I. Allegro, Ballo e canto de villanelli | Felix Ayo, I Musici | T-911.640.004-5 | |
| 36-8 | Violin Concerto in F major, op. 8 no. 3, RV 293 "L'Autunno": II. Adagio molto, Ubriachi dormienti | Felix Ayo, I Musici | — | |
| 36-9 | Violin Concerto in F major, op. 8 no. 3, RV 293 "L'Autunno": III. Adagio, La caccia | Felix Ayo, I Musici | — | |
| 36-10 | Violin Concerto in F minor, op. 8 no. 4, RV 297 "L'Inverno": I. Allegro non molto | Felix Ayo, I Musici | — | |
| 36-11 | Violin Concerto in F minor, op. 8 no. 4, RV 297 "L'Inverno": II. Largo | Felix Ayo, I Musici | T-911.640.005-6 | |
| 36-12 | Violin Concerto in F minor, op. 8 no. 4, RV 297 "L'Inverno": III. Allegro | Felix Ayo, I Musici | T-902.836.120-8 | |
| 36-13 | Concerto in E major, RV 271 "L’amoroso": I. Allegro | Felix Ayo, I Musici | T-070.161.055-0 | |
| 36-14 | Concerto in E major, RV 271 "L’amoroso": II. Cantabile | Felix Ayo, I Musici | — | |
| 36-15 | Concerto in E major, RV 271 "L’amoroso": III. Allegro | Felix Ayo, I Musici | T-902.836.120-8 | |
| 37-1 | Requiem in G minor: Introitus: Requiem | — | ||
| 37-2 | Requiem in G minor: Kyrie | — | ||
| 37-3 | Requiem in G minor: In memoria aeterna | — | ||
| 37-4 | Requiem in G minor: Dies irae | — | ||
| 37-5 | Requiem in G minor: Tuba mirum | — | ||
| 37-6 | Requiem in G minor: Mors stupebit | — | ||
| 37-7 | Requiem in G minor: Judex ergo | — | ||
| 37-8 | Requiem in G minor: Rex tremendae | — | ||
| 37-9 | Requiem in G minor: Recordare | — | ||
| 37-10 | Requiem in G minor: Ingeminsco | — | ||
| 37-11 | Requiem in G minor: Preces meae | — | ||
| 37-12 | Requiem in G minor: Inter oves | — | ||
| 37-13 | Requiem in G minor: Lacrymosa | — | ||
| 37-14 | Requiem in G minor: Domine Jesu | — | ||
| 37-15 | Requiem in G minor: Sanctus | — | ||
| 37-16 | Requiem in G minor: Benedictus | — | ||
| 37-17 | Requiem in G minor: Agnus Dei | — | ||
| 37-18 | Requiem in G minor: Lux aeterna | — | ||
| 37-19 | Concertante in G major for Flute, Oboe and Orchestra: I. Allegro | Aurèle Nicolet, Heinz Holliger, Academy of St Martin in the Fields, Kenneth Sillito | T-070.161.055-0 | |
| 37-20 | Concertante in G major for Flute, Oboe and Orchestra: II. Largo | Aurèle Nicolet, Heinz Holliger, Academy of St Martin in the Fields, Kenneth Sillito | — | |
| 37-21 | Concertante in G major for Flute, Oboe and Orchestra: III. Rondo. Allegretto ma non tanto | Aurèle Nicolet, Heinz Holliger, Academy of St Martin in the Fields, Kenneth Sillito | — | |
| 38-1 | Music from Don Giovanni, K. 527 (arr. Triebensee): Overture | Netherlands Wind Ensemble | T-306.482.861-7 | |
| 38-2 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act I. "Notte e giorno faticar" | Netherlands Wind Ensemble | — | |
| 38-3 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act I. "Madamina, il catalogo è questo" | Netherlands Wind Ensemble | T-929.621.870-7 | |
| 38-4 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act I. "Giovinette, che fate all'amore" | Netherlands Wind Ensemble | — | |
| 38-5 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act I. "Là ci darem la mano" | Netherlands Wind Ensemble | T-900.134.396-0 | |
| 38-6 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act I. "Dalla sua pace" (K. 540a) | Netherlands Wind Ensemble | T-929.621.872-9 | |
| 38-7 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act I. "Fin ch'han dal vino" | Netherlands Wind Ensemble | T-306.481.937-6 | |
| 38-8 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act I. Finale: "Presto, presto... pria ch'ei venga" | Netherlands Wind Ensemble | — | |
| 38-9 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act II. "Deh! vieni alla finestra" | Netherlands Wind Ensemble | T-306.483.075-3 | |
| 38-10 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act II. "Vedrai, carino" | Netherlands Wind Ensemble | T-921.158.751-8 | |
| 38-11 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act II. "Mi tradì quell'alma ingrata" (K540c, Aria) | Netherlands Wind Ensemble | T-929.621.869-4 | |
| 38-12 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act II. "Non mi dir, bell'idol mio" | Netherlands Wind Ensemble | — | |
| 38-13 | Music from Don Giovanni, K. 527 (arr. Triebensee): Act II. Finale: "Già la mensa è preparata" | Netherlands Wind Ensemble | — | |
| 38-14 | Music from Die Entführung aus dem Serail, K. 384 (arr. Johann Went): Overture | Netherlands Wind Ensemble | — | |
| 38-15 | Music from Die Entführung aus dem Serail, K. 384 (arr. Johann Went): Act I. "Hier soll ich dich denn sehen" | Netherlands Wind Ensemble | T-000.200.350-0 | |
| 38-16 | Music from Die Entführung aus dem Serail, K. 384 (arr. Johann Went): Act I. "Durch Zärtlichkeit und Schmeicheln" | Netherlands Wind Ensemble | — | |
| 38-17 | Music from Die Entführung aus dem Serail, K. 384 (arr. Johann Went): Act I. "Ich gehe, doch rate ich dir" | Netherlands Wind Ensemble | — | |
| 38-18 | Music from Die Entführung aus dem Serail, K. 384 (arr. Johann Went): Act I. "Welche Wonne, welche Lust" | Netherlands Wind Ensemble | — | |
| 38-19 | Music from Die Entführung aus dem Serail, K. 384 (arr. Johann Went): Act I. "Vivat Bacchus! Bacchus lebe!" | Netherlands Wind Ensemble | — | |
| 38-20 | Music from Die Entführung aus dem Serail, K. 384 (arr. Johann Went): Act II. "Wenn der Freude Tränen fließen" | Netherlands Wind Ensemble | — | |
| 38-21 | Music from Die Entführung aus dem Serail, K. 384 (arr. Johann Went): Act II. "Ha, wie will ich triumphieren" | Netherlands Wind Ensemble | — | |
| 38-22 | Il barbiere di Siviglia: Overture (arr. Sedlak) | — | ||
| 38-23 | L'italiana in Algeria: Overture (arr. Sedlak) | — | ||
| 39-1 | Les Nuits d’été, op. 7 : Villanelle | Jessye Norman, London Symphony Orchestra, Sir Colin Davis | — | |
| 39-2 | Les Nuits d’été, op. 7 : Le Spectre de la rose | Jessye Norman, London Symphony Orchestra, Sir Colin Davis | — | |
| 39-3 | Les Nuits d’été, op. 7 : Sur les lagunes | Jessye Norman, London Symphony Orchestra, Sir Colin Davis | — | |
| 39-4 | Les Nuits d’été, op. 7 : Absence | Jessye Norman, London Symphony Orchestra, Sir Colin Davis | — | |
| 39-5 | Les Nuits d’été, op. 7 : Au cimetière (Clair de lune) | Jessye Norman, London Symphony Orchestra, Sir Colin Davis | — | |
| 39-6 | Les Nuits d’été, op. 7 : L’Île inconnue | Jessye Norman, London Symphony Orchestra, Sir Colin Davis | — | |
| 39-7 | Shéhérazade : Asie | Jessye Norman, London Symphony Orchestra, Sir Colin Davis | T-003.015.891-8 | |
| 39-8 | Shéhérazade : La Flûte enchantée | Jessye Norman, London Symphony Orchestra, Sir Colin Davis | T-003.015.891-8 | |
| 39-9 | Shéhérazade : L’Indifférent | Jessye Norman, London Symphony Orchestra, Sir Colin Davis | T-003.015.891-8 | |
| 40-1 | Symphony no. 6 in B minor, op. 74: I. Adagio: Allegro non troppo | Orchestre de Paris, Seiji Ozawa | — | |
| 40-2 | Symphony no. 6 in B minor, op. 74: II. Allegro con grazia | Orchestre de Paris, Seiji Ozawa | — | |
| 40-3 | Symphony no. 6 in B minor, op. 74: III. Allegro molto vivace | Orchestre de Paris, Seiji Ozawa | — | |
| 40-4 | Symphony no. 6 in B minor, op. 74: IV. Finale. Adagio lamentoso: Andante | Orchestre de Paris, Seiji Ozawa | T-003.055.867-8 | |
| 40-5 | Nutcracker Suite, op. 71a: Miniature Overture | Orchestre de Paris, Seiji Ozawa | — | |
| 40-6 | Nutcracker Suite, op. 71a: March | Orchestre de Paris, Seiji Ozawa | T-304.210.691-8 | |
| 40-7 | Nutcracker Suite, op. 71a: Dance of the Sugar-Plum Fairy | Orchestre de Paris, Seiji Ozawa | — | |
| 40-8 | Nutcracker Suite, op. 71a: Russian Dance (Trepak) | Orchestre de Paris, Seiji Ozawa | T-312.199.363-9 | |
| 40-9 | Nutcracker Suite, op. 71a: Arabian Dance (Coffee) | Orchestre de Paris, Seiji Ozawa | — | |
| 40-10 | Nutcracker Suite, op. 71a: Chinese Dance (Tea) | Orchestre de Paris, Seiji Ozawa | T-312.199.363-9 | |
| 40-11 | Nutcracker Suite, op. 71a: Dance of the Reed-Pipes (Merlitons) | Orchestre de Paris, Seiji Ozawa | — | |
| 40-12 | Nutcracker Suite, op. 71a: Waltz of the Flowers | Orchestre de Paris, Seiji Ozawa | T-921.960.902-6 | |
| 41-1 | String Quartet in G minor, op. 10: I. Animé et très décidé | Quartetto Italiano | — | |
| 41-2 | String Quartet in G minor, op. 10: II. Assez vif et bien rythmé | Quartetto Italiano | — | |
| 41-3 | String Quartet in G minor, op. 10: III. Andantino - doucement expressif | Quartetto Italiano | — | |
| 41-4 | String Quartet in G minor, op. 10: IV. Très modéré - très animé | Quartetto Italiano | — | |
| 41-5 | String Quartet in F major: I. Moderato très doux | Quartetto Italiano | T-003.014.983-7 | |
| 41-6 | String Quartet in F major: II. Assez vif - Très rythmé | Quartetto Italiano | T-003.014.983-7 | |
| 41-7 | String Quartet in F major: III. Très lent | Quartetto Italiano | T-003.014.983-7 | |
| 41-8 | String Quartet in F major: IV. Vif et agité | Quartetto Italiano | T-003.014.983-7 | |
| 42-1 | Pictures at an Exhibition: Promenade. Allegro giusto, nel modo rustico, senza allegrezza, ma poco sostenuto: attacca | — | ||
| 42-2 | Pictures at an Exhibition: Gnomus. Sempre vivo | — | ||
| 42-3 | Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza: attacca | — | ||
| 42-4 | Pictures at an Exhibition: The Old Castle: Promenade | — | ||
| 42-5 | Pictures at an Exhibition: The Tuileries Gardens. Allegretto non troppo troppo, capriccioso | — | ||
| 42-6 | Pictures at an Exhibition: Bydlo. Sempre moderato, pesante | — | ||
| 42-7 | Pictures at an Exhibition: Promenade. Tranquillo: attacca | — | ||
| 42-8 | Pictures at an Exhibition: Ballet of the Chickens in Their Shells | — | ||
| 42-9 | Pictures at an Exhibition: Samuel Goldenberg and Schmuyle. Andante. Grave-energico: Andantino | — | ||
| 42-10 | Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico, poco sostenuto: attacca | — | ||
| 42-11 | Pictures at an Exhibition: The Market-place at Limoges. Allegretto vivo, sempre scherzando: attacca | — | ||
| 42-12 | Pictures at an Exhibition: The Catacombs (Sepulchrum romanum): Cum mortuis in lingua mortua | — | ||
| 42-13 | Pictures at an Exhibition: The Hut on Fowl's Legs (Baba-Yaga). Allegro con brio, feroce: Andante mosso - Allegro molto - attacca | — | ||
| 42-14 | Pictures at an Exhibition: The Great Gate of Kiev. Allegro alla breve.Maestoso. Con grandezza | — | ||
| 42-15 | Moment Musical in C major, D. 780 no. 1 | — | ||
| 42-16 | Impromptu in E-flat major, D. 899 no. 2 | — | ||
| 42-17 | Impromptu in A-flat major, D. 899 no. 4 | — | ||
| 42-18 | Étude in E major, op. 10 no. 3 | — | ||
| 42-19 | Valse oubliée no. 1 in F-sharp major, S. 215 no. 1 | — | ||
| 42-20 | Valse oubliée no. 2 in A-flat major, S. 215 no. 2 | — | ||
| 42-21 | Feux follets (Etudes d'exécution transcendante, S. 139 no. 5 ) | — | ||
| 42-22 | Harmonies du soir (Etudes d'exécution transcendante, S. 139 no. 11) | — | ||
| 42-23 | Prélude in G-sharp minor, op. 32 no. 13 | — | ||
| 43-1 | Guitar Concerto no. 1 in A major, op. 30: Allegro maestoso | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-2 | Guitar Concerto no. 1 in A major, op. 30: Andantino: Siciliano | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-329.516.968-1 | |
| 43-3 | Guitar Concerto no. 1 in A major, op. 30: Polonaise. Allegretto | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-4 | Concierto Madrigal: I. Fanfare (Allegro marziale) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-035.113.918-8 | |
| 43-5 | Concierto Madrigal: II. Madrigal (Andante nostalgico) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 43-6 | Concierto Madrigal: III. Entrada (Allegro vivace) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 43-7 | Concierto Madrigal: IV. Pastorcito, tu que vienes, pastorcito, tu que vas (Allegro vivace) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 43-8 | Concierto Madrigal: V. Girardilla (Presto) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 43-9 | Concierto Madrigal: VI. Pastoral (Allegro) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.004.814-4 | |
| 43-10 | Concierto Madrigal: VII. Fandango | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.061-1 | |
| 43-11 | Concierto Madrigal: VIII. Arieta (Andante nostalgico) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 43-12 | Concierto Madrigal: IX. Zapateado (Allegro vivace) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 43-13 | Concierto madrigal: Caccio a la española. Allegro vivace - Andante nostalgico | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 43-14 | Concierto Andaluz: I. Tiempo De Bolero | Los Romeros, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.081-5 | |
| 43-15 | Concierto Andaluz: II. Adagio | Los Romeros, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.061-1 | |
| 43-16 | Concierto Andaluz: III. Allegretto | Los Romeros, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.081-5 | |
| 44-1 | Symphony no. 6 in D major, op. 60, B. 112: I. Allegro non tanto | London Symphony Orchestra, Witold Rowicki | — | |
| 44-2 | Symphony no. 6 in D major, op. 60, B. 112: II. Adagio | London Symphony Orchestra, Witold Rowicki | — | |
| 44-3 | Symphony no. 6 in D major, op. 60, B. 112: III. Scherzo [Furiant: Presto] | London Symphony Orchestra, Witold Rowicki | — | |
| 44-4 | Symphony no. 6 in D major, op. 60, B. 112: IV. Finale: Allegro con spirito | London Symphony Orchestra, Witold Rowicki | — | |
| 44-5 | Symphony no. 5 in F major, op. 76, B. 54: I. Allegro, ma non troppo | London Symphony Orchestra, Witold Rowicki | — | |
| 44-6 | Symphony no. 5 in F major, op. 76, B. 54: II. Andante con moto | London Symphony Orchestra, Witold Rowicki | — | |
| 44-7 | Symphony no. 5 in F major, op. 76, B. 54: III. Andante con moto — Allegro scherzando | London Symphony Orchestra, Witold Rowicki | — | |
| 44-8 | Symphony no. 5 in F major, op. 76, B. 54: IV. Finale: Allegro molto | London Symphony Orchestra, Witold Rowicki | — | |
| 45-1 | Ein deutsches Requiem, op. 45: I. "Selig sind, die da Leid tragen" | — | ||
| 45-2 | Ein deutsches Requiem, op. 45: II. "Denn alles Fleisch, es ist wie Gras" | — | ||
| 45-3 | Ein deutsches Requiem, op. 45: III. "Herr, lehre doch mich" | — | ||
| 45-4 | Ein deutsches Requiem, op. 45: IV. "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | — | ||
| 45-5 | Ein deutsches Requiem, op. 45: V. "Ihr habt nun Traurigkeit" | — | ||
| 45-6 | Ein deutsches Requiem, op. 45: VI. "Denn wir haben hie keine bleibende Statt" | — | ||
| 45-7 | Ein deutsches Requiem, op. 45: VII. "Selig sind die Toten, die in dem Herrn sterben" | — | ||
| 45-8 | Rhapsody for Alto, Chorus, and Orchestra, op. 53 | — | ||
| 46-1 | Rodelinda, HWV 34: Act 2. Scacciata dal suo nido | — | ||
| 46-2 | Tolomeo, HWV 25: Act 3. Che piu si tarda...Stille amare | — | ||
| 46-3 | Radamisto, HWV 12: Act 1. Perfido, di a quell'empio | — | ||
| 46-4 | Il Floridante, HWV 14: Act 1. Aria "Alma mia" | — | ||
| 46-5 | Berenice, HWV 38: Act 2. Si, tra i ceppi | — | ||
| 46-6 | Hippolyte et Aricie: Act 2. "Ah! qu'on daigne du moins...Puisque Pluton" | — | ||
| 46-7 | Castor et Pollux, RCT 32: Nature, amour, qui partagez mon coeur | — | ||
| 46-8 | Dardanus, RCT 35: Act 4. Voici les tristes lieux...Monstre affreux | — | ||
| 46-9 | Alceste: Act 4. Il faut passer tôt ou tard | — | ||
| 46-10 | Cadmus et Hermione: Act 5. Belle Hermione, hélas | — | ||
| 46-11 | Persée: Je ne puis dans votre malheur | — | ||
| 46-12 | Histoires naturelles, M. 50: I. Le paon | — | ||
| 46-13 | Histoires naturelles, M. 50: II. Le grillon | — | ||
| 46-14 | Histoires naturelles, M. 50: III. Le cygne | — | ||
| 46-15 | Histoires naturelles, M. 50: IV. Le marin-pêcheur | — | ||
| 46-16 | Histoires naturelles, M. 50: V. La pintade | — | ||
| 46-17 | Don Quichotte à Dulcinée, M. 84: I. Chanson romanesque | — | ||
| 46-18 | Don Quichotte à Dulcinée, M. 84: II. Chanson épique | — | ||
| 46-19 | Don Quichotte à Dulcinée, M. 84: III. Chanson à boire | — | ||
| 46-20 | 2 Epigrammes de Clément Marot: I. D'Anne qui me jecta de la neige, M. 21 | — | ||
| 46-21 | 2 Epigrammes de Clément Marot: II. D'Anne jouant de l'espinette, M. 10 | — | ||
| 47-1 | Symphony no. 2 in D major, op. 43: I. Allegretto – Poco allegro – Tranquillo, ma poco a poco ravvivando il tempo allegro | Concertgebouw Orchestra, George Szell | — | |
| 47-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato – Andante sostenuto | Concertgebouw Orchestra, George Szell | — | |
| 47-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo – Lento e suave – Largamente | Concertgebouw Orchestra, George Szell | — | |
| 47-4 | Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato | Concertgebouw Orchestra, George Szell | T-318.676.528-2 | |
| 47-5 | A Midsummer Night’s Dream: Overture, op. 21 | Concertgebouw Orchestra, George Szell | T-928.635.467-4 | |
| 47-6 | A Midsummer Night’s Dream: Scherzo, op. 61 no. 1 | Concertgebouw Orchestra, George Szell | — | |
| 47-7 | A Midsummer Night’s Dream: Notturno, op. 61 no. 7 | Concertgebouw Orchestra, George Szell | — | |
| 47-8 | A Midsummer Night’s Dream: Wedding March, op. 61 no. 9 | Concertgebouw Orchestra, George Szell | — | |
| 48-1 | Violin Concerto no. 2 in D minor, op. 22: I. Allegro moderato | — | ||
| 48-2 | Violin Concerto no. 2 in D minor, op. 22: II. Romance | — | ||
| 48-3 | Violin Concerto no. 2 in D minor, op. 22: III. Allegro confuoco | — | ||
| 48-4 | Violin Concerto no. 2, op. 61: I.: Moderato, molto tranquilo | — | ||
| 48-5 | Violin Concerto no. 2, op. 61: II.: Allegramente molto energico | — | ||
| 48-6 | Violin Concerto no. 2, op. 61: III.: Andantino molto tranquilo | — | ||
| 48-7 | Violin Concerto no. 1 in D, op. 6: 1. Allegro maestoso | Henryk Szeryng, London Symphony Orchestra, Sir Alexander Gibson | — | |
| 48-8 | Violin Concerto no. 1 in D major, op. 6 II. Adagio | Henryk Szeryng, London Symphony Orchestra, Sir Alexander Gibson | — | |
| 48-9 | Violin Concerto no. 1 in D major, op. 6 III. Rondo (Allegro spiritoso) | Henryk Szeryng, London Symphony Orchestra, Sir Alexander Gibson | — | |
| 49-1 | Symphony no. 1 "Sinfonie in einem Satz" | — | ||
| 49-2 | Symphony no. 2: I. Sostenuto: Allegro molto | — | ||
| 49-3 | Symphony no. 2: II. Largo | — | ||
| 49-4 | Symphony no. 2: III. Allegro vivace | — | ||
| 49-5 | Concerto in F major: I. Allegro | Werner Haas, Orchestre Philharmonique de Monte-Carlo, Edo de Waart | — | |
| 49-6 | Concerto in F major: II. Adagio | Werner Haas, Orchestre Philharmonique de Monte-Carlo, Edo de Waart | — | |
| 49-7 | Concerto in F major: III. Allegro agitato | Werner Haas, Orchestre Philharmonique de Monte-Carlo, Edo de Waart | — | |
| 50-1 | Cello Concerto in E minor, op. 58: I. Andante - | — | ||
| 50-2 | Cello Concerto in E minor, op. 58: II. Allegro giusto | — | ||
| 50-3 | Cello Concerto in E minor, op. 58: III. Allegro (Tema con variazioni) | — | ||
| 50-4 | Cello Concerto in E minor: I. Allegro moderato | — | ||
| 50-5 | Cello Concerto in E minor: II. Andante sostenuto - | — | ||
| 50-6 | Cello Concerto in E minor: III. Allegro a battuta | — | ||
| 50-7 | Variations on a Rococo Theme for Cello and Orchestra, op. 33 | — |
