UPC · Release
Bach - Bachianas (Music by the Bach family)
Johann Sebastian Bach, Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel
028947903772
58 tracksReleased 2012-01-01Archiv Produktion
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028947903772 is the Universal Product Code (UPC barcode) for the release “Bach - Bachianas (Music by the Bach family)” by Johann Sebastian Bach, Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel, released 2012-01-01 on Archiv Produktion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 58 tracks, each with its own ISRC. Tracks include DEN960301760, DEN960301771, DEN960301772.
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28947Manufacturer
90377Product
2Check digit
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Credit Chain
UPCBach - Bachianas (Music by the Bach family)
ISRC17 recordings
Track List (58)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ach, bleib bei uns, Herr Jesu Christ | — | ||
| 2 | Auf, laßt uns den Herren loben | — | ||
| 3 | Es ist ein großer Gewinn | — | ||
| 4 | Liebster Jesu, hör mein Flehen Dialog zum Sonntag Reminiscere | — | ||
| 5 | Ach, wie sehnlich wart' ich der Zeit | — | ||
| 6 | Siehe, wie fein und lieblich Geburtstagskantate (Psalm 133) | — | ||
| 7 | Meine Freundin, du bist schön Hochzeitskantate | — | ||
| 2-1 | Es erhub sich ein Streit Kantate zum Michaelissonntag | — | ||
| 2-2 | Ach, dass ich Wassers g'nug hätte Lamento | — | ||
| 2-3 | Herr, wende dich und sei mir gnädig Dialogue | — | ||
| 2-4 | Wie bist du denn, o Gott, in Zorn auf mich entbrannt Lamento | — | ||
| 2-5 | Die Furcht des Herren Kantate zu einem Ratswechsel | — | ||
| 2-6 | Ich danke dir, Gott Kantate zum 1VII. Sonntag nach Trinitatis | — | ||
| 3-1 | Ach, dass ich Wassers g'nug hätte | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-2 | Languet anima mea: I. Recitativo: Languet anima mea amore tuo | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-3 | Languet anima mea: II. Aria: O vulnera, vita coelestis | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-4 | Languet anima mea: III. Recitativo: Amoris tui jaculo | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-5 | Languet anima mea: V. Alleluja | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-6 | Languet anima mea: V. Alleluja | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-7 | Vergnügte Ruh, beliebte Seelenlust, BWV 170: I. Aria: Vergnügte Ruh, beliebte Seelenlust | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-8 | Vergnügte Ruh, beliebte Seelenlust, BWV 170: II. Recitative: Die welt, das Sündenhaus | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-9 | Vergnügte Ruh, beliebte Seelenlust, BWV 170: III. Aria: Wie jammern mich doch die verkehrten Herzen | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-10 | Vergnügte Ruh, beliebte Seelenlust, BWV 170: IV. Recitative: Wer sollte sich demnach | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-11 | Vergnügte Ruh, beliebte Seelenlust, BWV 170: V. Aria: Mir ekelt mehr zu leben | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-12 | Bekennen will ich seinen Namen, BWV 200 | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-13 | Selma, H 739 (Wq. 236) | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-14 | Die Amerikanerin, BR JCFB G 47: I. Saide, komm, mein Wunsch, mein Lied! | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-15 | Die Amerikanerin, BR JCFB G 47: II. Schön ist mein Mädchen, wie die Traube | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-16 | Die Amerikanerin, BR JCFB G 47: IV. Mein Herz, mein Herz fleucht ihr entgegen | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-17 | Die Amerikanerin, BR JCFB G 47: IV. Mein Herz, mein Herz fleucht ihr entgegen | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-1 | Suite in G: Ouverture | — | ||
| 4-2 | Suite in G: Air I | — | ||
| 4-3 | Suite in G: Menuet | — | ||
| 4-4 | Suite in G: Gavotte | — | ||
| 4-5 | Suite in G: Air II | — | ||
| 4-6 | Suite in G: Bourrée | — | ||
| 4-7 | Sonata "a cinque" in C | — | ||
| 4-8 | Sonata "a cinque" in F | — | ||
| 4-9 | Concerto in D: I. Allegro | — | ||
| 4-10 | Concerto in D: II. Adagio | — | ||
| 4-11 | Concerto in D: III. Allegro | — | ||
| 4-12 | Aria Eberliniana pro dormente Camillo | — | ||
| 4-13 | Battaglia: anno 1659 composta | — | ||
| 4-14 | Sonata & Fantaisie in G minor | — | ||
| 4-15 | "Kommt, eilet und laufet" Cantata, BWV 249: "Oster-Oratorium", "Concerto" in D after BWV 249: I. Sinfonia | — | ||
| 4-16 | "Kommt, eilet und laufet" Cantata, BWV 249: "Oster-Oratorium", "Concerto" in D after BWV 249: II. Adagio | — | ||
| 4-17 | "Kommt, eilet und laufet" Cantata, BWV 249: "Oster-Oratorium", "Concerto" in D after BWV 249: III. Allegro | — | ||
| 5-1 | Sinfonia concertante in A major for Violin, Violoncello, 2 Horns, 2 Oboes, Strings and Basso continuo, T.284/4, CW C34, Cadenza: Stephan Schardt: I. Andante di molto | — | ||
| 5-2 | Sinfonia concertante in A major for Violin, Violoncello, 2 Horns, 2 Oboes, Strings and Basso continuo, T.284/4, CW C34: II. Rondeau. Allegro assai | — | ||
| 5-3 | Concerto in D major for Traversflute, Strings and Basso continuo, BR WFB C15: I. Un poco Allegro | — | ||
| 5-4 | Concerto in D major for Traversflute, Strings and Basso continuo, BR WFB C15: II. Largo | — | ||
| 5-5 | Concerto in D major for Traversflute, Strings and Basso continuo, BR WFB C15: III. Vivace | — | ||
| 5-6 | Concerto in E-flat major for Viola and Fortepiano, 2 Horns, 2 Oboes, Strings and Basso continuo: I. Allegro con brio | — | ||
| 5-7 | Concerto in E-flat major for Viola and Fortepiano, 2 Horns, 2 Oboes, Strings and Basso continuo: II. Larghetto cantabile | — | ||
| 5-8 | Concerto in E-flat major for Viola and Fortepiano, 2 Horns, 2 Oboes, Strings and Basso continuo: III. Allegretto | — | ||
| 5-9 | Concerto doppio in E-flat major for Harpsichord and Fortpiano, 2 Flutes, 2 Horns, Strings and Basso continuo, W.67, H.479: I. Allegro molto | — | ||
| 5-10 | Concerto doppio in E-flat major for Harpsichord and Fortpiano, 2 Flutes, 2 Horns, Strings and Basso continuo, W.67, H.479: II. Larghetto | — | ||
| 5-11 | Concerto doppio in E-flat major for Harpsichord and Fortpiano, 2 Flutes, 2 Horns, Strings and Basso continuo, W.67, H.479: III. Presto | — |
Ach, bleib bei uns, Herr Jesu Christ
—
Auf, laßt uns den Herren loben
—
Es ist ein großer Gewinn
—
Liebster Jesu, hör mein Flehen Dialog zum Sonntag Reminiscere
—
Ach, wie sehnlich wart' ich der Zeit
—
Siehe, wie fein und lieblich Geburtstagskantate (Psalm 133)
—
Meine Freundin, du bist schön Hochzeitskantate
—
Es erhub sich ein Streit Kantate zum Michaelissonntag
—
Ach, dass ich Wassers g'nug hätte Lamento
—
Herr, wende dich und sei mir gnädig Dialogue
—
Wie bist du denn, o Gott, in Zorn auf mich entbrannt Lamento
—
Die Furcht des Herren Kantate zu einem Ratswechsel
—
Ich danke dir, Gott Kantate zum 1VII. Sonntag nach Trinitatis
—
Ach, dass ich Wassers g'nug hätte
Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel
—
Languet anima mea: I. Recitativo: Languet anima mea amore tuo
Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel
—
Languet anima mea: II. Aria: O vulnera, vita coelestis
Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel
—
Languet anima mea: III. Recitativo: Amoris tui jaculo
Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel
—
Languet anima mea: V. Alleluja
Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel
—
Languet anima mea: V. Alleluja
Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel
—
Vergnügte Ruh, beliebte Seelenlust, BWV 170: I. Aria: Vergnügte Ruh, beliebte Seelenlust
Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel
—
Vergnügte Ruh, beliebte Seelenlust, BWV 170: II. Recitative: Die welt, das Sündenhaus
Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel
—
Vergnügte Ruh, beliebte Seelenlust, BWV 170: III. Aria: Wie jammern mich doch die verkehrten Herzen
Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel
—
Vergnügte Ruh, beliebte Seelenlust, BWV 170: IV. Recitative: Wer sollte sich demnach
Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel
—
Vergnügte Ruh, beliebte Seelenlust, BWV 170: V. Aria: Mir ekelt mehr zu leben
Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel
—
Bekennen will ich seinen Namen, BWV 200
Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel
—
Selma, H 739 (Wq. 236)
Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel
—
Die Amerikanerin, BR JCFB G 47: I. Saide, komm, mein Wunsch, mein Lied!
Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel
—
Die Amerikanerin, BR JCFB G 47: II. Schön ist mein Mädchen, wie die Traube
Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel
—
Die Amerikanerin, BR JCFB G 47: IV. Mein Herz, mein Herz fleucht ihr entgegen
Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel
—
Die Amerikanerin, BR JCFB G 47: IV. Mein Herz, mein Herz fleucht ihr entgegen
Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel
—
Suite in G: Ouverture
—
Suite in G: Air I
—
Suite in G: Menuet
—
Suite in G: Gavotte
—
Suite in G: Air II
—
Suite in G: Bourrée
—
Sonata "a cinque" in C
—
Sonata "a cinque" in F
—
Concerto in D: I. Allegro
—
Concerto in D: II. Adagio
—
Concerto in D: III. Allegro
—
Aria Eberliniana pro dormente Camillo
—
Battaglia: anno 1659 composta
—
Sonata & Fantaisie in G minor
—
"Kommt, eilet und laufet" Cantata, BWV 249: "Oster-Oratorium", "Concerto" in D after BWV 249: I. Sinfonia
—
"Kommt, eilet und laufet" Cantata, BWV 249: "Oster-Oratorium", "Concerto" in D after BWV 249: II. Adagio
—
"Kommt, eilet und laufet" Cantata, BWV 249: "Oster-Oratorium", "Concerto" in D after BWV 249: III. Allegro
—
Sinfonia concertante in A major for Violin, Violoncello, 2 Horns, 2 Oboes, Strings and Basso continuo, T.284/4, CW C34, Cadenza: Stephan Schardt: I. Andante di molto
—
Sinfonia concertante in A major for Violin, Violoncello, 2 Horns, 2 Oboes, Strings and Basso continuo, T.284/4, CW C34: II. Rondeau. Allegro assai
—
Concerto in D major for Traversflute, Strings and Basso continuo, BR WFB C15: I. Un poco Allegro
—
Concerto in D major for Traversflute, Strings and Basso continuo, BR WFB C15: II. Largo
—
Concerto in D major for Traversflute, Strings and Basso continuo, BR WFB C15: III. Vivace
—
Concerto in E-flat major for Viola and Fortepiano, 2 Horns, 2 Oboes, Strings and Basso continuo: I. Allegro con brio
—
Concerto in E-flat major for Viola and Fortepiano, 2 Horns, 2 Oboes, Strings and Basso continuo: II. Larghetto cantabile
—
Concerto in E-flat major for Viola and Fortepiano, 2 Horns, 2 Oboes, Strings and Basso continuo: III. Allegretto
—
Concerto doppio in E-flat major for Harpsichord and Fortpiano, 2 Flutes, 2 Horns, Strings and Basso continuo, W.67, H.479: I. Allegro molto
—
Concerto doppio in E-flat major for Harpsichord and Fortpiano, 2 Flutes, 2 Horns, Strings and Basso continuo, W.67, H.479: II. Larghetto
—
Concerto doppio in E-flat major for Harpsichord and Fortpiano, 2 Flutes, 2 Horns, Strings and Basso continuo, W.67, H.479: III. Presto
—
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What is UPC 028947903772?
028947903772 is a Universal Product Code (UPC) assigned to Bach - Bachianas (Music by the Bach family) by Johann Sebastian Bach, Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 58 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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