UPC · Release
Robert Schumann, Maurizio Pollini
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028947909088 is the Universal Product Code (UPC barcode) for the release “Maurizio Pollini - Schumann Complete Recordings” by Robert Schumann, Maurizio Pollini, released 2012-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 64 tracks, each with its own ISRC. Tracks include DEF057301831, DEF057301832, DEF057301833.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fantasy in C major, Op. 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen - Im Legendenton - Tempo I | Maurizio Pollini | — |
| 2 | Fantasie in C, Op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter | Maurizio Pollini | — |
| 3 | Fantasie in C, Op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas bewegter | Maurizio Pollini | — |
| 4 | Piano Sonata No. 1 in F Sharp Minor, Op. 11: I. Introduzione (Un poco adagio - Allegro vivace - Più lento) | Maurizio Pollini | — |
| 5 | Piano Sonata No. 1 in F Sharp Minor, Op. 11: II. Aria | Maurizio Pollini | — |
| 6 | Piano Sonata No. 1 in F Sharp Minor, Op. 11: III. Scherzo (Allegrissimo) ed Intermezzo | Maurizio Pollini | — |
| 7 | Piano Sonata No. 1 in F Sharp Minor, Op. 11: IV. Finale (Allegro un poco maestoso - Più allegro) | Maurizio Pollini | — |
| 2-1 | Symphonic Studies, Op. 13: Theme | Maurizio Pollini | T-061.498.272-7 |
| 2-2 | Symphonic Studies, Op. 13: Etude I | Maurizio Pollini | — |
| 2-3 | Symphonic Studies, Op. 13: Etude II | Maurizio Pollini | — |
| 2-4 | Symphonic Studies, Op. 13: Etude III | Maurizio Pollini | — |
| 2-5 | Symphonic Studies, Op. 13: Variation III - Etude IV | Maurizio Pollini | — |
| 2-6 | Symphonic Studies, Op. 13: Variation IV - Etude V | Maurizio Pollini | — |
| 2-7 | Symphonic Studies, Op. 13: Appendix - Variation I | Maurizio Pollini | — |
| 2-8 | Symphonic Studies, Op. 13: Appendix - Variation II | Maurizio Pollini | T-003.038.364-2 |
| 2-9 | Symphonic Studies, Op. 13 - Appendix: Variation III | Maurizio Pollini | — |
| 2-10 | Symphonic Studies, Op. 13 - Appendix: Variation IV | Maurizio Pollini | — |
| 2-11 | Symphonic Studies, Op. 13 - Appendix: Variation V | Maurizio Pollini | T-003.038.364-2 |
| 2-12 | Symphonic Studies, Op. 13: Etude VI | Maurizio Pollini | — |
| 2-13 | Symphonic Studies, Op. 13: Etude VII | Maurizio Pollini | — |
| 2-14 | Symphonic Studies, Op. 13: Etude VIII | Maurizio Pollini | — |
| 2-15 | Symphonic Studies, Op. 13: Etude IX | Maurizio Pollini | — |
| 2-16 | Symphonic Studies, Op. 13: Etude X | Maurizio Pollini | — |
| 2-17 | Symphonic Studies, Op. 13: Etude XI | Maurizio Pollini | — |
| 2-18 | Symphonic Studies, Op. 13: Etude XII (Finale) | Maurizio Pollini | — |
| 2-19 | Arabeske in C, Op. 18 | Maurizio Pollini | — |
| 2-20 | Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | T-909.264.262-1 |
| 2-21 | Konzert für Klavier und Orchester a-moll, op. 54: 2. Intermezzo. Andantino grazioso | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | T-909.264.262-1 |
| 2-22 | Konzert für Klavier und Orchester a-moll, op. 54: 3. Allegro vivace | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | T-909.264.262-1 |
| 3-1 | Davidsbündlertänze, Op. 6 - First Edition (1837): I. Lebhaft | Maurizio Pollini | — |
| 3-2 | Davidsbündlertänze, Op. 6 - First Edition (1837): II. Innig | Maurizio Pollini | T-312.439.208-7 |
| 3-3 | Davidsbündlertänze, Op. 6 - First Edition (1837): III. Etwas hahnbüchen | Maurizio Pollini | — |
| 3-4 | Davidsbündlertänze, Op. 6 - First Edition (1837): IV. Ungeduldig | Maurizio Pollini | — |
| 3-5 | Davidsbündlertänze, Op. 6 - First Edition (1837): V. Einfach | Maurizio Pollini | — |
| 3-6 | Davidsbündlertänze, Op. 6 - First Edition (1837): VI. Sehr rasch und in sich hinein | Maurizio Pollini | — |
| 3-7 | Davidsbündlertänze, Op. 6 - First Edition (1837): VII. Nicht schnell mit aeusserst starker Empfindung | Maurizio Pollini | — |
| 3-8 | Davidsbündlertänze, Op. 6 - First Edition (1837): VIII. Frisch | Maurizio Pollini | — |
| 3-9 | Davidsbündlertänze, Op. 6 - First Edition (1837): IX. [Lebhaft] | Maurizio Pollini | — |
| 3-10 | Davidsbündlertänze, Op. 6 - First Edition (1837): X. Balladenmässig, sehr rasch | Maurizio Pollini | — |
| 3-11 | Davidsbündlertänze, Op. 6 - First Edition (1837): XI. Einfach | Maurizio Pollini | — |
| 3-12 | Davidsbündlertänze, Op. 6 - First Edition (1837): XII. Mit Humor | Maurizio Pollini | — |
| 3-13 | Davidsbündlertänze, Op. 6 - First Edition (1837): XIII. Wild und lustig | Maurizio Pollini | — |
| 3-14 | Davidsbündlertänze, Op. 6 - First Edition (1837): XIV. Zart und singend | Maurizio Pollini | — |
| 3-15 | Davidsbündlertänze, Op. 6 - First Edition (1837): XV. Frisch | Maurizio Pollini | — |
| 3-16 | Davidsbündlertänze, Op. 6 - First Edition (1837): XVI. Mit gutem Humor | Maurizio Pollini | — |
| 3-17 | Davidsbündlertänze, Op. 6 - First Edition (1837): XVII. Wie aus der Ferne | Maurizio Pollini | — |
| 3-18 | Davidsbündlertänze, Op. 6 - First Edition (1837): XVIII. Nicht schnell | Maurizio Pollini | T-312.439.202-1 |
| 3-19 | Concert sans Orchestre, Op. 14, Piano Sonata No. 3 - First edition (1835/36): I. Allegro brillante | Maurizio Pollini | — |
| 3-20 | Concert sans Orchestre, Op. 14, Piano Sonata No. 3 - First edition (1835/36): II. Quasi Variazioni. Andantino de Clara Wieck | Maurizio Pollini | — |
| 3-21 | Concert sans Orchestre, Op. 14, Piano Sonata No. 3 - First edition (1835/36): III. Prestissimo possibile | Maurizio Pollini | — |
| 4-1 | Allegro in B Minor, Op. 8 | Maurizio Pollini | T-308.384.655-9 |
| 4-2 | Kreisleriana, Op. 16: I. Äusserst bewegt | Maurizio Pollini | — |
| 4-3 | Kreisleriana, Op. 16: II. Sehr innig und nicht zu rasch - Intermezzo I (Sehr lebhaft) - Tempo I - Intermezzo II (Etwas bewegter) - Tempo I | Maurizio Pollini | — |
| 4-4 | Kreisleriana, Op. 16: III. Sehr aufgeregt | Maurizio Pollini | — |
| 4-5 | Kreisleriana, Op. 16: IV. Sehr langsam | Maurizio Pollini | — |
| 4-6 | Kreisleriana, Op. 16: V. Sehr lebhaft | Maurizio Pollini | — |
| 4-7 | Kreisleriana, Op. 16: VI. Sehr langsam | Maurizio Pollini | — |
| 4-8 | Kreisleriana, Op. 16: VII. Sehr rasch | Maurizio Pollini | — |
| 4-9 | Kreisleriana, Op. 16: VIII. Schnell und spielend | Maurizio Pollini | — |
| 4-10 | Gesänge der Frühe, Op. 133: I. Im ruhigen Tempo | Maurizio Pollini | — |
| 4-11 | Gesänge der Frühe, Op. 133: II. Belebt, nicht zu rasch | Maurizio Pollini | — |
| 4-12 | Gesänge der Frühe, Op. 133: III. Lebhaft | Maurizio Pollini | — |
| 4-13 | Gesänge der Frühe, Op. 133: IV. Bewegt | Maurizio Pollini | — |
| 4-14 | Gesänge der Frühe, Op. 133: V. Im Anfang ruhiges, im Verlauf bewegtes Tempo | Maurizio Pollini | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
028947909088 is a Universal Product Code (UPC) assigned to Maurizio Pollini - Schumann Complete Recordings by Robert Schumann, Maurizio Pollini. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 64 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947909088 is the Universal Product Code (UPC barcode) for the release “Maurizio Pollini - Schumann Complete Recordings” by Robert Schumann, Maurizio Pollini, released 2012-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 64 tracks, each with its own ISRC. Tracks include DEF057301831, DEF057301832, DEF057301833.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fantasy in C major, Op. 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen - Im Legendenton - Tempo I | Maurizio Pollini | — |
| 2 | Fantasie in C, Op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter | Maurizio Pollini | — |
| 3 | Fantasie in C, Op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas bewegter | Maurizio Pollini | — |
| 4 | Piano Sonata No. 1 in F Sharp Minor, Op. 11: I. Introduzione (Un poco adagio - Allegro vivace - Più lento) | Maurizio Pollini | — |
| 5 | Piano Sonata No. 1 in F Sharp Minor, Op. 11: II. Aria | Maurizio Pollini | — |
| 6 | Piano Sonata No. 1 in F Sharp Minor, Op. 11: III. Scherzo (Allegrissimo) ed Intermezzo | Maurizio Pollini | — |
| 7 | Piano Sonata No. 1 in F Sharp Minor, Op. 11: IV. Finale (Allegro un poco maestoso - Più allegro) | Maurizio Pollini | — |
| 2-1 | Symphonic Studies, Op. 13: Theme | Maurizio Pollini | T-061.498.272-7 |
| 2-2 | Symphonic Studies, Op. 13: Etude I | Maurizio Pollini | — |
| 2-3 | Symphonic Studies, Op. 13: Etude II | Maurizio Pollini | — |
| 2-4 | Symphonic Studies, Op. 13: Etude III | Maurizio Pollini | — |
| 2-5 | Symphonic Studies, Op. 13: Variation III - Etude IV | Maurizio Pollini | — |
| 2-6 | Symphonic Studies, Op. 13: Variation IV - Etude V | Maurizio Pollini | — |
| 2-7 | Symphonic Studies, Op. 13: Appendix - Variation I | Maurizio Pollini | — |
| 2-8 | Symphonic Studies, Op. 13: Appendix - Variation II | Maurizio Pollini | T-003.038.364-2 |
| 2-9 | Symphonic Studies, Op. 13 - Appendix: Variation III | Maurizio Pollini | — |
| 2-10 | Symphonic Studies, Op. 13 - Appendix: Variation IV | Maurizio Pollini | — |
| 2-11 | Symphonic Studies, Op. 13 - Appendix: Variation V | Maurizio Pollini | T-003.038.364-2 |
| 2-12 | Symphonic Studies, Op. 13: Etude VI | Maurizio Pollini | — |
| 2-13 | Symphonic Studies, Op. 13: Etude VII | Maurizio Pollini | — |
| 2-14 | Symphonic Studies, Op. 13: Etude VIII | Maurizio Pollini | — |
| 2-15 | Symphonic Studies, Op. 13: Etude IX | Maurizio Pollini | — |
| 2-16 | Symphonic Studies, Op. 13: Etude X | Maurizio Pollini | — |
| 2-17 | Symphonic Studies, Op. 13: Etude XI | Maurizio Pollini | — |
| 2-18 | Symphonic Studies, Op. 13: Etude XII (Finale) | Maurizio Pollini | — |
| 2-19 | Arabeske in C, Op. 18 | Maurizio Pollini | — |
| 2-20 | Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | T-909.264.262-1 |
| 2-21 | Konzert für Klavier und Orchester a-moll, op. 54: 2. Intermezzo. Andantino grazioso | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | T-909.264.262-1 |
| 2-22 | Konzert für Klavier und Orchester a-moll, op. 54: 3. Allegro vivace | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | T-909.264.262-1 |
| 3-1 | Davidsbündlertänze, Op. 6 - First Edition (1837): I. Lebhaft | Maurizio Pollini | — |
| 3-2 | Davidsbündlertänze, Op. 6 - First Edition (1837): II. Innig | Maurizio Pollini | T-312.439.208-7 |
| 3-3 | Davidsbündlertänze, Op. 6 - First Edition (1837): III. Etwas hahnbüchen | Maurizio Pollini | — |
| 3-4 | Davidsbündlertänze, Op. 6 - First Edition (1837): IV. Ungeduldig | Maurizio Pollini | — |
| 3-5 | Davidsbündlertänze, Op. 6 - First Edition (1837): V. Einfach | Maurizio Pollini | — |
| 3-6 | Davidsbündlertänze, Op. 6 - First Edition (1837): VI. Sehr rasch und in sich hinein | Maurizio Pollini | — |
| 3-7 | Davidsbündlertänze, Op. 6 - First Edition (1837): VII. Nicht schnell mit aeusserst starker Empfindung | Maurizio Pollini | — |
| 3-8 | Davidsbündlertänze, Op. 6 - First Edition (1837): VIII. Frisch | Maurizio Pollini | — |
| 3-9 | Davidsbündlertänze, Op. 6 - First Edition (1837): IX. [Lebhaft] | Maurizio Pollini | — |
| 3-10 | Davidsbündlertänze, Op. 6 - First Edition (1837): X. Balladenmässig, sehr rasch | Maurizio Pollini | — |
| 3-11 | Davidsbündlertänze, Op. 6 - First Edition (1837): XI. Einfach | Maurizio Pollini | — |
| 3-12 | Davidsbündlertänze, Op. 6 - First Edition (1837): XII. Mit Humor | Maurizio Pollini | — |
| 3-13 | Davidsbündlertänze, Op. 6 - First Edition (1837): XIII. Wild und lustig | Maurizio Pollini | — |
| 3-14 | Davidsbündlertänze, Op. 6 - First Edition (1837): XIV. Zart und singend | Maurizio Pollini | — |
| 3-15 | Davidsbündlertänze, Op. 6 - First Edition (1837): XV. Frisch | Maurizio Pollini | — |
| 3-16 | Davidsbündlertänze, Op. 6 - First Edition (1837): XVI. Mit gutem Humor | Maurizio Pollini | — |
| 3-17 | Davidsbündlertänze, Op. 6 - First Edition (1837): XVII. Wie aus der Ferne | Maurizio Pollini | — |
| 3-18 | Davidsbündlertänze, Op. 6 - First Edition (1837): XVIII. Nicht schnell | Maurizio Pollini | T-312.439.202-1 |
| 3-19 | Concert sans Orchestre, Op. 14, Piano Sonata No. 3 - First edition (1835/36): I. Allegro brillante | Maurizio Pollini | — |
| 3-20 | Concert sans Orchestre, Op. 14, Piano Sonata No. 3 - First edition (1835/36): II. Quasi Variazioni. Andantino de Clara Wieck | Maurizio Pollini | — |
| 3-21 | Concert sans Orchestre, Op. 14, Piano Sonata No. 3 - First edition (1835/36): III. Prestissimo possibile | Maurizio Pollini | — |
| 4-1 | Allegro in B Minor, Op. 8 | Maurizio Pollini | T-308.384.655-9 |
| 4-2 | Kreisleriana, Op. 16: I. Äusserst bewegt | Maurizio Pollini | — |
| 4-3 | Kreisleriana, Op. 16: II. Sehr innig und nicht zu rasch - Intermezzo I (Sehr lebhaft) - Tempo I - Intermezzo II (Etwas bewegter) - Tempo I | Maurizio Pollini | — |
| 4-4 | Kreisleriana, Op. 16: III. Sehr aufgeregt | Maurizio Pollini | — |
| 4-5 | Kreisleriana, Op. 16: IV. Sehr langsam | Maurizio Pollini | — |
| 4-6 | Kreisleriana, Op. 16: V. Sehr lebhaft | Maurizio Pollini | — |
| 4-7 | Kreisleriana, Op. 16: VI. Sehr langsam | Maurizio Pollini | — |
| 4-8 | Kreisleriana, Op. 16: VII. Sehr rasch | Maurizio Pollini | — |
| 4-9 | Kreisleriana, Op. 16: VIII. Schnell und spielend | Maurizio Pollini | — |
| 4-10 | Gesänge der Frühe, Op. 133: I. Im ruhigen Tempo | Maurizio Pollini | — |
| 4-11 | Gesänge der Frühe, Op. 133: II. Belebt, nicht zu rasch | Maurizio Pollini | — |
| 4-12 | Gesänge der Frühe, Op. 133: III. Lebhaft | Maurizio Pollini | — |
| 4-13 | Gesänge der Frühe, Op. 133: IV. Bewegt | Maurizio Pollini | — |
| 4-14 | Gesänge der Frühe, Op. 133: V. Im Anfang ruhiges, im Verlauf bewegtes Tempo | Maurizio Pollini | — |
