UPC · Release
Ludwig van Beethoven
Last verified:
The UPC for “Masterworks” by Ludwig van Beethoven is 028947910428. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Deutsche Grammophon. This release contains 293 tracks, each with its own ISRC. Tracks include DEF059203390, DEF059203390, DEF059203390.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: Adagio molto - Allegro con brio | — | ||
| 2 | Symphony no. 1 in C major, op. 21: Andante cantabile con moto | — | ||
| 3 | Symphony no. 1 in C major, op. 21: Menuetto. Allegro moto e vivace | — | ||
| 4 | Symphony no. 1 in C major, op. 21: Finale. Adagio - Allegro molto e vivace | — | ||
| 5 | Symphony no. 2 in D major, op. 36: Adagio molto - Allegro con brio | — | ||
| 6 | Symphony no. 2 in D major, op. 36: Larghetto | — | ||
| 7 | Symphony no. 2 in D major, op. 36: Scherzo. Allegro | — | ||
| 8 | Symphony no. 2 in D major, op. 36: Allegro molto | — | ||
| 2-1 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 2-2 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 2-3 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 2-4 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 2-5 | Symphony no. 4 in B‐flat major, op. 60: I. Adagio - Allegro vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-001.444.317-4 | |
| 2-6 | Symphony no. 4 in B‐flat major, op. 60: II. Adagio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-001.444.317-4 | |
| 2-7 | Symphony no. 4 in B‐flat major, op. 60: III. Allegro vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-001.444.317-4 | |
| 2-8 | Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-001.444.317-4 | |
| 3-1 | Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro | Wiener Philharmoniker, Carlos Kleiber | — | |
| 3-2 | Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro | Wiener Philharmoniker, Carlos Kleiber | — | |
| 3-3 | Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro | Wiener Philharmoniker, Carlos Kleiber | — | |
| 3-4 | Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro | Wiener Philharmoniker, Carlos Kleiber | — | |
| 3-5 | Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace | Wiener Philharmoniker, Carlos Kleiber | — | |
| 3-6 | Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace | Wiener Philharmoniker, Carlos Kleiber | — | |
| 3-7 | Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace | Wiener Philharmoniker, Carlos Kleiber | — | |
| 3-8 | Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace | Wiener Philharmoniker, Carlos Kleiber | — | |
| 4-1 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-2 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-3 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-4 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-5 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-6 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | T-001.444.317-4 | |
| 5-1 | Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai | Janet Perry, Anges Baltsa, Vinson Cole, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-2 | Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai | Janet Perry, Anges Baltsa, Vinson Cole, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-3 | Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai | Janet Perry, Anges Baltsa, Vinson Cole, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-4 | Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai | Janet Perry, Anges Baltsa, Vinson Cole, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-5 | Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai | Janet Perry, Anges Baltsa, Vinson Cole, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-1 | "The Creatures of Prometheus" Overture, op.43: Adagio - Allegro molto con brio | — | ||
| 6-2 | "King Stephen" Overture from the music to Kotzebue's Festival Play, op.117: Andante con moto - Presto | — | ||
| 6-3 | Overture "The Ruins of Athens" from the music to Kotzebue's Festival Play, op.113- Andante con moto: Marcia moderato - Allegro ma non troppo | — | ||
| 6-4 | Overture "The Consecration of the House", op.124: Maestoso e sostenuto - Allegro con brio | — | ||
| 6-5 | Great Overture in C major "Name Day", op.115: Maestoso - Allegro assai | — | ||
| 6-6 | Overture "Coriolan", op.62: Allegro con brio | — | ||
| 6-7 | Overture "Egmont", op.84: Sostenuto, ma non troppo - Allegro | — | ||
| 7-1 | Overture Fidelio, op. 72b | — | ||
| 7-2 | Overture Leonore I, op. 138 | — | ||
| 7-3 | Overture Leonore II, op. 72 | — | ||
| 7-4 | Overture Leonore III, op. 72a | — | ||
| 8-2 | Musik zu J.W. von Goethes Trauerspiel "Egmont", op. 84: Lied (Clärchen) "Die Trommel gerühret!" | Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-3 | Musik zu J.W. von Goethes Trauerspiel "Egmont", op. 84: Zwischenakt I | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-4 | Musik zu J.W. von Goethes Trauerspiel "Egmont", op. 84: Zwischenakt II | Berliner Philharmoniker, Herbert von Karajan | T-312.782.769-0 | |
| 8-5 | Musik zu J.W. von Goethes Trauerspiel "Egmont", op. 84: Lied (Clärchen) "Freudvoll und leidvoll" | Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-6 | Musik zu J.W. von Goethes Trauerspiel "Egmont", op. 84: Zwischenakt III | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-7 | Musik zu J.W. von Goethes Trauerspiel "Egmont", op. 84: Zwischenakt IV | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-8 | Musik zu J.W. von Goethes Trauerspiel "Egmont", op. 84: Musik, Clärchen Tod bezeichnend | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-9 | Musik zu J.W. von Goethes Trauerspiel "Egmont", op. 84: Melodram (Egmont) "Süßer Schlaf!" | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-10 | Musik zu J.W. von Goethes Trauerspiel "Egmont", op. 84: Siegessymphonie | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-11 | Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91 | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-12 | Marsch für Militärmusik D-dur WoO 24 | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-13 | Polonaise für Militärmusik D-dur WoO 21 | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-14 | Ecossaise für Militärmusik D-dur WoO22 | Bläser der Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-15 | Marsch für Militärmusik C-dur WoO 20 »Zapfenstreich« | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-16 | Marsch für 2 Klarinetten, 2 Hörner und 2 Fagotte B-dur WoO 29 | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-17 | Marsch für Militärmusik F-dur WoO 18 »Yorck'scher Marsch« | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-18 | Marsch für Militärmusik F-dur WoO 19 | Berliner Philharmoniker, Herbert von Karajan | — | |
| 9-1 | Concerto for Piano and Orchestra No. 1 in C major, Op. 15: I. Allegro con brio | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 9-2 | Concerto for Piano and Orchestra No. 1 in C major, Op. 15: II. Largo | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 9-3 | Concerto for Piano and Orchestra No. 1 in C major, Op. 15: III. Rondo. Allegro | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 9-4 | Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: I. Allegro con brio | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 9-5 | Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: II. Adagio | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 9-6 | Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: III. Rondo. Allegro molto | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 10-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | T-800.132.125-2 | |
| 10-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | T-909.876.873-1 | |
| 11-1 | Piano Concerto no.5 in E flat major, op.73 "Emperor": I. Allegro | — | ||
| 11-2 | Piano Concerto no.5 in E flat major, op.73 "Emperor": II. Adagio un poco moto | — | ||
| 11-3 | Piano Concerto no.5 in E-flat major, op.73 "Emperor": III. Rondo. Allegro | — | ||
| 11-4 | Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": I. Allegro | — | ||
| 11-5 | Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": II. Largo | — | ||
| 11-6 | Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": III. Rondo alla polacca | — | ||
| 12-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | — | ||
| 12-2 | Violin Concerto in D major, op. 61: II. Larghetto | — | ||
| 12-3 | Violin Concerto in D major, Op. 61: III. Rondo. Allegro | Shlomo Mintz, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 12-4 | Romance for Violin and Orchestra no. 1 in G major, op. 40 | Shlomo Mintz, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 12-5 | Romance for Violin and Orchestra No. 2 in F major, op. 50 | — | ||
| 13-1 | String Quartet in F major, op. 18 no. 1: Allegro con brio | — | ||
| 13-2 | String Quartet in F major, op. 18 no. 1: Adagio affettuoso ed appasionato | — | ||
| 13-3 | String Quartet in F major, op. 18 no. 1: Scherzo. Allegro molto | — | ||
| 13-4 | String Quartet in F major, op. 18 no. 1: Allegro | — | ||
| 13-5 | String Quartet in G major, op. 18 no. 2: Allegro | — | ||
| 13-6 | String Quartet in G major, op. 18 no. 2: Adagio cantabile - Allegro - Tempo I | — | ||
| 13-7 | String Quartet in G major, op. 18 no. 2: Scherzo. Allegro | — | ||
| 13-8 | String Quartet in G major, op. 18 no. 2: Allegro moto, quasi Presto | — | ||
| 13-9 | String Quartet in D major, op. 18 no. 3: Allegro | — | ||
| 13-10 | String Quartet in D major, op. 18 no. 3: Andante con moto | — | ||
| 13-11 | String Quartet in D major, op. 18 no. 3: Allegro | — | ||
| 13-12 | String Quartet in D major, op. 18 no. 3: Presto | — | ||
| 14-1 | String Quartet in C minor, op.18 no.4: Allegro ma non tanto | — | ||
| 14-2 | String Quartet in C minor, op.18 no.4: Andante scherzoso, quasi Allegretto | — | ||
| 14-3 | String Quartet in C minor, op.18 no.4: Menuetto. Allegro | — | ||
| 14-4 | String Quartet in C minor, op.18 no.4: Allegro - Prestissimo | — | ||
| 14-5 | String Quartet in A major, op.18 no.5: Allegro | — | ||
| 14-6 | String Quartet in A major, op.18 no.5: Menuetto | — | ||
| 14-7 | String Quartet in A major, op.18 no.5: Andante cantabile | — | ||
| 14-8 | String Quartet in A major, op.18 no.5: Allegro | — | ||
| 14-9 | String Quartet in B flat major, op.18 no.6: Allegro con brio | — | ||
| 14-10 | String Quartet in B flat major, op.18 no.6: Adagio ma non troppo | — | ||
| 14-11 | String Quartet in B flat major, op.18 no.6: Scherzo. Allegro | — | ||
| 14-12 | String Quartet in B flat major, op.18 no.6: La Malinconia. Adagio - Allegretto quasi Allegro | — | ||
| 15-1 | String Quartet no. 7 in F major, op. 59 "Razumovsky" no. 1: I. Allegro | Emerson String Quartet | — | |
| 15-2 | String Quartet no. 7 in F major, op. 59 "Razumovsky" no. 1: II. Allegretto vivace e sempre scherzando | Emerson String Quartet | — | |
| 15-3 | String Quartet no. 7 in F major, op. 59 "Razumovsky" no. 1: III. Adagio molto e mesto - attacca- | Emerson String Quartet | — | |
| 15-4 | String Quartet no. 7 in F major, op. 59 "Razumovsky" no. 1: IV. "Theme russe": Allegro | Emerson String Quartet | — | |
| 15-5 | String Quartet no. 8 in E minor, op. 59 "Razumovsky" no. 2: I. Allegro | Emerson String Quartet | — | |
| 15-6 | String Quartet no. 8 in E minor, op. 59 "Razumovsky" no. 2: II. Molto Adagio: Si tratta questo pezzo con molto di sentimento | Emerson String Quartet | — | |
| 15-7 | String Quartet no. 8 in E minor, op. 59 "Razumovsky" no. 2: III. Allegretto - Maggiore ("Theme russe") | Emerson String Quartet | — | |
| 15-8 | String Quartet no. 8 in E minor, op. 59 "Razumovsky" no. 2: IV. Finale: Presto | Emerson String Quartet | T-003.055.867-8 | |
| 16-1 | String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: I. Introduzione: Andante con moto - Allegro vivace | Emerson String Quartet | — | |
| 16-2 | String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: II. Andante con moto quasi allegretto | Emerson String Quartet | — | |
| 16-3 | String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: III. Menuetto grazioso - attacca | Emerson String Quartet | T-700.095.171-5 | |
| 16-4 | String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: IV. Allegro molto | Emerson String Quartet | T-329.454.787-4 | |
| 16-5 | String Quartet no. 10 in E-flat major, op. 74 "Harp": I. Poco adagio - Allegro | Emerson String Quartet | T-915.714.772-3 | |
| 16-6 | String Quartet no. 10 in E-flat major, op. 74 "Harp": II. Adagio ma non troppo | Emerson String Quartet | — | |
| 16-7 | String Quartet no. 10 in E-flat major, op. 74 "Harp": III. Presto - Piu presto quasi prestissimo - attacca | Emerson String Quartet | — | |
| 16-8 | String Quartet no. 10 in E-flat major, op. 74 "Harp": IV. Allegretto con variazioni | Emerson String Quartet | — | |
| 16-9 | String Quartet no. 11 in F minor, op. 95 "Serioso": I. Allegro con brio | Emerson String Quartet | — | |
| 16-10 | String Quartet no. 11 in F minor, op. 95 "Serioso": II. Allegretto ma non troppo - attacca | Emerson String Quartet | — | |
| 16-11 | String Quartet no. 11 in F minor, op. 95 "Serioso": III. Allegro assai vivace ma serioso | Emerson String Quartet | — | |
| 16-12 | String Quartet no. 11 in F minor, op. 95 "Serioso": IV. Larghetto espressivo - Allegretto agitato - Allegro | Emerson String Quartet | — | |
| 17-1 | String Quartet No.12 in E Flat Major, Op.127: 1. Maestoso - Allegro | — | ||
| 17-2 | String Quartet No.12 in E Flat Major, Op.127: 2. Adagio ma non troppo e molto cantabile | — | ||
| 17-3 | String Quartet No.12 in E Flat Major, Op.127: 3. Scherzando vivace | — | ||
| 17-4 | String Quartet No.12 in E Flat Major, Op.127: 4. Finale | — | ||
| 17-5 | String Quartet No.15 in A Minor, Op.132: 1. Assai sostenuto - Allegro | — | ||
| 17-6 | String Quartet No.15 in A Minor, Op.132: 2. Allegro ma non tanto | — | ||
| 17-7 | String Quartet No.15 in A Minor, Op.132: 3. Canzona di ringraziamento offerta alla divinità da un guarito, in modo lidico (Molto adagio) - Sentendo nuova forza (Andante) | — | ||
| 17-8 | String Quartet No.15 in A Minor, Op.132: 4. Alla marcia, assai vivace - Più allegro - Presto | — | ||
| 17-9 | String Quartet No.15 in A Minor, Op.132: 5. Allegro appassionato | — | ||
| 18-1 | String Quartet in B-flat, op. 130: 1. Adagio ma non troppo - Allegro | — | ||
| 18-2 | String Quartet in B-flat, op. 130: 2. Presto | — | ||
| 18-3 | String Quartet in B-flat, op. 130: 3. Andante con moto ma non troppo. Poco scherzando | — | ||
| 18-4 | String Quartet in B-flat, op. 130: 4. Alla danza tedesca (Allegro assai) | — | ||
| 18-5 | String Quartet in B-flat, op. 130: 5. Cavatina (Adagio molto espressivo) | — | ||
| 18-6 | String Quartet in B-flat, op. 130: Grande Fugue op. 133 (original finale) | — | ||
| 19-1 | String Quartet In C Sharp Minor, Op.131: 1. Adagio ma non troppo e molto espressivo | — | ||
| 19-2 | String Quartet In C Sharp Minor, Op.131: 2. Allegro molto vivace | — | ||
| 19-3 | String Quartet In C Sharp Minor, Op.131: 3. Allegro moderato | — | ||
| 19-4 | String Quartet In C Sharp Minor, Op.131: 4. Andante ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto | — | ||
| 19-5 | String Quartet In C Sharp Minor, Op.131: 5. Presto | — | ||
| 19-6 | String Quartet In C Sharp Minor, Op.131: 6. Adagio quasi un poco andante | — | ||
| 19-7 | String Quartet In C Sharp Minor, Op.131: 7. Allegro | — | ||
| 19-8 | String Quartet No.16 in F Major, Op.135: 1. Allegretto | — | ||
| 19-9 | String Quartet No.16 in F Major, Op.135: 2. Vivace | — | ||
| 19-10 | String Quartet No.16 in F Major, Op.135: 3. Lento assai, cantante e tranquillo | — | ||
| 19-11 | String Quartet No.16 in F Major, Op.135: 4. Der schwer gefaßte Entschluß (Grave - Allegro - Grave ma non troppo tratto - Allegro) | — | ||
| 20-1 | Piano Trio No.1 in E flat major, op.1 no.1: 1. Allegro | — | ||
| 20-2 | Piano Trio No.1 in E flat major, op.1 no.1: 2. Adagio cantabile | — | ||
| 20-3 | Piano Trio No.1 in E flat major, op.1 no.1: 3. Scherzo (Allegro) | — | ||
| 20-4 | Piano Trio No.1 in E flat major, op.1 no.1: 4. Finale (Presto) | — | ||
| 20-5 | Piano Trio No.2 in G major, op.1 no.2: 1. Adagio - Allegro vivace | — | ||
| 20-6 | Piano Trio No.2 in G major, op.1 no.2: 2. Largo con espressione | — | ||
| 20-7 | Piano Trio No.2 in G major, op.1 no.2: 3. Scherzo (Allegro) | — | ||
| 20-8 | Piano Trio No.2 in G major, op.1 no.2: 4. Finale (Presto) | — | ||
| 21-1 | Piano Trio No.3 in C minor, op. 1 no.3: 1. Allegro con brio | — | ||
| 21-2 | Piano Trio No.3 in C minor, op. 1 no.3: 2. Andante cantabile con variazioni | — | ||
| 21-3 | Piano Trio No.3 in C minor, op. 1 no.3: 3. Menuetto (Quasi allegro) | — | ||
| 21-4 | Piano Trio No.3 in C minor, op. 1 no.3: 4. Finale (Prestissimo) | — | ||
| 21-5 | Piano Trio No.5 In D, op. 70 no.1 "Geistertrio": 1. Allegro vivace e con brio | — | ||
| 21-6 | Piano Trio No.5 In D, op. 70 no.1 "Geistertrio": 2. Largo assai ed espressivo | — | ||
| 21-7 | Piano Trio No.5 In D, op. 70 no.1 "Geistertrio": 3. Presto | — | ||
| 22-1 | Piano Trio No.6 in E flat, op. 70 no. 2: 1. Poco sostenuto - Allegro ma non troppo | — | ||
| 22-2 | Piano Trio No.6 in E flat, op. 70 no. 2: 2. Allegretto | — | ||
| 22-3 | Piano Trio No.6 in E flat, op. 70 no. 2: 3. Allegro ma non troppo | — | ||
| 22-4 | Piano Trio No.6 in E flat, op. 70 no. 2: 4. Finale (Allegro) | — | ||
| 22-5 | Piano Trio No.7 in B flat, op. 97 "Archduke": 1. Allegro moderato | — | ||
| 22-6 | Piano Trio No.7 in B flat, op. 97 "Archduke": 2. Scherzo (Allegro) | — | ||
| 22-7 | Piano Trio No.7 in B flat, op. 97 "Archduke": 3. Andante cantabile, ma però con moto - Poco più adagio | — | ||
| 22-8 | Piano Trio No.7 in B flat, op. 97 "Archduke": 4. Allegro moderato | — | ||
| 23-1 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: I. Allegro con brio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 23-2 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: II. Andante | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 23-3 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: III. Menuetto. Allegretto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 23-4 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: IV. Adagio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 23-5 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: V. Menuetto. Moderato | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 23-6 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: VI. Finale. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-802.326.793-9 | |
| 23-7 | Serenade for Violin, Viola, and Cello in D major, op. 8: I. Marcia. Allegro - Adagio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-915.714.772-3 | |
| 23-8 | Serenade for Violin, Viola, and Cello in D major, op. 8: II. Menuetto. Allegretto - Trio - Coda | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-912.972.346-2 | |
| 23-9 | Serenade for Violin, Viola, and Cello in D major, op. 8: III. Adagio - Scherzo. Allegro molto - Adagio - Allegro molto - Adagio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 23-10 | Serenade for Violin, Viola, and Cello in D major, op. 8: IV. Allegretto alla Polacca | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 23-11 | Serenade for Violin, Viola, and Cello in D major, op. 8: V. Thema con Variazioni. Andante quasi allegretto - Var. I-IV - Marcia. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 24-1 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: I. Adagio - Allegro con brio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 24-2 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: II. Adagio, ma non tanto, e cantabile | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 24-3 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: III. Scherzo. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 24-4 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: IV. Presto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-312.542.381-2 | |
| 24-5 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: I. Allegretto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 24-6 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: II. Andante quasi allegretto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 24-7 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: III. Menuetto. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 24-8 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: IV. Rondo. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 24-9 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: I. Allegro con spirito | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 24-10 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: II. Adagio con espressione | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 24-11 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: III. Scherzo. Allegro molto e vivace | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 24-12 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: IV. Finale. Presto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 25-1 | Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E flat, op. 71: 1. Adagio - Allegro | — | ||
| 25-2 | Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E flat, op. 71: 2. Adagio | — | ||
| 25-3 | Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E flat, op. 71: 3. Menuetto quasi allegretto | — | ||
| 25-4 | Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E flat, op. 71: 4. Rondo (Allegro) | — | ||
| 25-5 | Trio WoO 37 in G major for Piano, Flute and Basson: 1. Allegro | — | ||
| 25-6 | Trio WoO 37 in G major for Piano, Flute and Basson: 2. Adagio | — | ||
| 25-7 | Trio WoO 37 in G major for Piano, Flute and Basson: 3. Thema andante con variazioni | — | ||
| 25-8 | Serenade for Flute, Violin and Viola in D, op. 25: 1. Entrata (Allegro) | — | ||
| 25-9 | Serenade for Flute, Violin and Viola in D, op. 25: 2. Tempo ordinario d'un Menuetto | — | ||
| 25-10 | Serenade for Flute, Violin and Viola in D, op. 25: 3. Allegro molto | — | ||
| 25-11 | Serenade for Flute, Violin and Viola in D, op. 25: 4. Andante con Variazioni | — | ||
| 25-12 | Serenade for Flute, Violin and Viola in D, op. 25: 5. Allegro scherzando e vivace | — | ||
| 25-13 | Serenade for Flute, Violin and Viola in D, op. 25: 6. Adagio - | — | ||
| 26-1 | Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: I. Allegro con brio | Drolc-Quartett, Mitglieder der Berliner Philharmoniker | — | |
| 26-2 | Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: II. Adagio | Drolc-Quartett, Mitglieder der Berliner Philharmoniker | — | |
| 26-3 | Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: III. Rondo. Allegro | Drolc-Quartett, Mitglieder der Berliner Philharmoniker | — | |
| 26-4 | Sonata for Horn and Piano in F, op. 17: 1. Allegro moderato | — | ||
| 26-5 | Sonata for Horn and Piano in F, op. 17: 2. Poco adagio, quasi andante | — | ||
| 26-6 | Sonata for Horn and Piano in F, op. 17: 3. Rondo (Allegro moderato) | — | ||
| 26-7 | Octet in E flat, op. 103: 1. Allegro | — | ||
| 26-8 | Octet in E flat, op. 103: 2. Andante | — | ||
| 26-9 | Octet in E flat, op. 103: 3. Menuetto (Allegro) | — | ||
| 26-10 | Octet in E flat, op. 103: 4. Finale (Presto) | — | ||
| 27-1 | Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 1. Grave - Allegro ma non troppo | — | ||
| 27-2 | Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 2. Andante cantabile | — | ||
| 27-3 | Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 3. Rondo (Allegro ma non troppo) | — | ||
| 27-4 | Septet in E flat, op. 20: 1. Adagio - Allegro con brio | — | ||
| 27-5 | Septet in E flat, op. 20: 2. Adagio cantabile | — | ||
| 27-6 | Septet in E flat, op. 20: 3. Tempo di Menuetto | — | ||
| 27-7 | Septet in E flat, op. 20: 4. Tema con variazioni (Andante) | — | ||
| 27-8 | Septet in E flat, op. 20: 5. Scherzo (Allegro molto e vivace) | — | ||
| 27-9 | Septet in E flat, op. 20: 6. Andante con moto alla Marcia - Presto | — | ||
| 28-1 | Sonata for Cello and Piano No.1 in F, Op.5 No.1: 1. Adagio sostenuto - Allegro | — | ||
| 28-2 | Sonata for Cello and Piano No.1 in F, Op.5 No.1: 2. Rondo (Allegro vivace) | — | ||
| 28-3 | Sonata for Cello and Piano No.2 in G minor, Op.5 No.2: 1. Adagio sostenuto ed espressivo/ Allegro molto più tosto presto | — | ||
| 28-4 | Sonata for Cello and Piano No.2 in G minor, Op.5 No.2: 2. Rondo (Allegro) | — | ||
| 28-5 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Theme. Andante | — | ||
| 28-6 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Variation I | — | ||
| 28-7 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Variation II | — | ||
| 28-8 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Variation III | — | ||
| 28-9 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Variation IV | — | ||
| 28-10 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Variation V. Si prenda il tempo un poco più vivace | — | ||
| 28-11 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Variation VI. Adagio | — | ||
| 28-12 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Variation VII. Allegro, ma non troppo | — | ||
| 28-13 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Thema. Allegretto | — | ||
| 28-14 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation I | — | ||
| 28-15 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation II | — | ||
| 28-16 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation III | — | ||
| 28-17 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation IV | — | ||
| 28-18 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation V | — | ||
| 28-19 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation VI | — | ||
| 28-20 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation VII | — | ||
| 28-21 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation VIII | — | ||
| 28-22 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation IX | — | ||
| 28-23 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation X. Adagio | — | ||
| 28-24 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation XI. Poco Adagio, quasi Andante | — | ||
| 28-25 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation XII. Allegro | — | ||
| 29-1 | Sonata for Piano and Cello no. 3 in A major, op. 69: I. Allegro ma non tanto | Martha Argerich, Mischa Maisky | T-318.567.058-6 | |
| 29-2 | Sonata for Piano and Cello no. 3 in A major, op. 69: II. Scherzo. Allegro molto | Martha Argerich, Mischa Maisky | T-329.454.787-4 | |
| 29-3 | Sonata for Piano and Cello no. 3 in A major, op. 69: III. Adagio cantabile | Martha Argerich, Mischa Maisky | T-001.397.158-8 | |
| 29-4 | Sonata for Piano and Cello no. 3 in A major, op. 69: IV. Allegro vivace | Martha Argerich, Mischa Maisky | T-909.238.805-1 | |
| 29-5 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: I. Andante | Martha Argerich, Mischa Maisky | — | |
| 29-6 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: II. Allegro vivace | Martha Argerich, Mischa Maisky | — | |
| 29-7 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: III. Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-8 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: IV. Allegro vivace | Martha Argerich, Mischa Maisky | — | |
| 29-9 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Martha Argerich, Mischa Maisky | — | |
| 29-10 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Martha Argerich, Mischa Maisky | — | |
| 29-11 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Martha Argerich, Mischa Maisky | — | |
| 29-12 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-13 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-14 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-15 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-16 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-17 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-18 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-19 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-20 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-21 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-22 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-23 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-24 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 30-1 | Sonata for Violin and Piano No.1 in D, Op.12 No.1: 1. Allegro con brio | — | ||
| 30-2 | Sonata for Violin and Piano No.1 in D, Op.12 No.1: 2. Tema con variazioni (Andante con moto) | — | ||
| 30-3 | Sonata for Violin and Piano No.1 in D, Op.12 No.1: 3. Rondo (Allegro) | — | ||
| 30-4 | Sonata for Violin and Piano No.2 in A, Op.12 No.2: 1. Allegro vivace | — | ||
| 30-5 | Sonata for Violin and Piano No.2 in A, Op.12 No.2: 2. Andante più tosto allegretto | — | ||
| 30-6 | Sonata for Violin and Piano No.2 in A, Op.12 No.2: 3. Allegro piacevole | — | ||
| 30-7 | Sonata for Violin and Piano No.3 in E flat, Op.12 No.3: 1. Allegro con spirito | — | ||
| 30-8 | Sonata for Violin and Piano No.3 in E flat, Op.12 No.3: 2. Adagio con molt' espressione | — | ||
| 30-9 | Sonata for Violin and Piano No.3 in E flat, Op.12 No.3: 3. Rondo (Allegro molto) | — | ||
| 30-10 | Rondo for Piano and Violin in G major, WoO 41 | Yehudi Menuhin, Wilhelm Kempff | T-801.974.499-2 |
Identifier Graph
028947910428 is a Universal Product Code (UPC) assigned to Masterworks by Ludwig van Beethoven. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 293 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro | Berliner Philharmoniker, Herbert von Karajan | — |
| Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro | Berliner Philharmoniker, Herbert von Karajan | T-909.574.378-5 |
| Symphonie Nr. 5 c‐moll, op. 67: 1. Satz: Allegro con brio | Wiener Philharmoniker, Carlos Kleiber | — |
| Symphonie Nr. 5 c‐moll, op. 67: 2. Satz: Andante con moto | Wiener Philharmoniker, Carlos Kleiber | T-800.121.578-8 |
| Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro | Wiener Philharmoniker, Carlos Kleiber | — |
| Symphonie Nr. 5 c‐moll, op. 67: 4. Satz: Allegro | Wiener Philharmoniker, Carlos Kleiber | T-312.542.381-2 |
| Symphonie nr. 7 A‐Dur, op. 92: II. Allegretto | Wiener Philharmoniker, Carlos Kleiber | T-314.638.300-4 |
| Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace | Wiener Philharmoniker, Carlos Kleiber | — |
| Symphonie nr. 7 A‐Dur, op. 92: III. Presto | Wiener Philharmoniker, Carlos Kleiber | T-915.710.750-1 |
| Symphonie nr. 7 A‐Dur, op. 92: IV. Allegro con brio | Wiener Philharmoniker, Carlos Kleiber | T-915.710.750-1 |
| Symphony No. 6 in F major, Op. 68 "Pastorale": I. Awakening of Cheerful Feelings upon Arrival in the Country: Allegro ma non troppo | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony No. 6 in F major, Op. 68 "Pastorale": III. Merry Gathering of Country Folk: Allegro | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Storm: Allegro | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony No. 6 in F major, Op. 68 "Pastorale": V. Shepherd's Song: Happy and Thankful Feelings after the Storm: Allegretto | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Wiener Philharmoniker, Leonard Bernstein | T-909.821.799-3 |
| Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto | Wiener Philharmoniker, Leonard Bernstein | T-312.439.209-8 |
| Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | T-900.167.504-3 |
| Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 9 in D minor, op. 125: II. Molto vivace | Berliner Philharmoniker, Herbert von Karajan | T-909.876.841-3 |
| Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | Berliner Philharmoniker, Herbert von Karajan | T-912.747.871-1 |
| Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai | Janet Perry, Anges Baltsa, Vinson Cole, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 9 in D minor, op. 125: IV. Presto | Berliner Philharmoniker, Herbert von Karajan | T-312.542.381-2 |
| Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: IV. Allegro vivace | Martha Argerich, Mischa Maisky | — |
| Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Martha Argerich, Mischa Maisky | — |
| Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto - attacca | Martha Argerich, Mischa Maisky | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Masterworks” by Ludwig van Beethoven is 028947910428. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Deutsche Grammophon. This release contains 293 tracks, each with its own ISRC. Tracks include DEF059203390, DEF059203390, DEF059203390.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: Adagio molto - Allegro con brio | — | ||
| 2 | Symphony no. 1 in C major, op. 21: Andante cantabile con moto | — | ||
| 3 | Symphony no. 1 in C major, op. 21: Menuetto. Allegro moto e vivace | — | ||
| 4 | Symphony no. 1 in C major, op. 21: Finale. Adagio - Allegro molto e vivace | — | ||
| 5 | Symphony no. 2 in D major, op. 36: Adagio molto - Allegro con brio | — | ||
| 6 | Symphony no. 2 in D major, op. 36: Larghetto | — | ||
| 7 | Symphony no. 2 in D major, op. 36: Scherzo. Allegro | — | ||
| 8 | Symphony no. 2 in D major, op. 36: Allegro molto | — | ||
| 2-1 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 2-2 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 2-3 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 2-4 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 2-5 | Symphony no. 4 in B‐flat major, op. 60: I. Adagio - Allegro vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-001.444.317-4 | |
| 2-6 | Symphony no. 4 in B‐flat major, op. 60: II. Adagio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-001.444.317-4 | |
| 2-7 | Symphony no. 4 in B‐flat major, op. 60: III. Allegro vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-001.444.317-4 | |
| 2-8 | Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-001.444.317-4 | |
| 3-1 | Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro | Wiener Philharmoniker, Carlos Kleiber | — | |
| 3-2 | Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro | Wiener Philharmoniker, Carlos Kleiber | — | |
| 3-3 | Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro | Wiener Philharmoniker, Carlos Kleiber | — | |
| 3-4 | Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro | Wiener Philharmoniker, Carlos Kleiber | — | |
| 3-5 | Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace | Wiener Philharmoniker, Carlos Kleiber | — | |
| 3-6 | Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace | Wiener Philharmoniker, Carlos Kleiber | — | |
| 3-7 | Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace | Wiener Philharmoniker, Carlos Kleiber | — | |
| 3-8 | Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace | Wiener Philharmoniker, Carlos Kleiber | — | |
| 4-1 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-2 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-3 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-4 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-5 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-6 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | T-001.444.317-4 | |
| 5-1 | Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai | Janet Perry, Anges Baltsa, Vinson Cole, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-2 | Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai | Janet Perry, Anges Baltsa, Vinson Cole, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-3 | Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai | Janet Perry, Anges Baltsa, Vinson Cole, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-4 | Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai | Janet Perry, Anges Baltsa, Vinson Cole, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-5 | Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai | Janet Perry, Anges Baltsa, Vinson Cole, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-1 | "The Creatures of Prometheus" Overture, op.43: Adagio - Allegro molto con brio | — | ||
| 6-2 | "King Stephen" Overture from the music to Kotzebue's Festival Play, op.117: Andante con moto - Presto | — | ||
| 6-3 | Overture "The Ruins of Athens" from the music to Kotzebue's Festival Play, op.113- Andante con moto: Marcia moderato - Allegro ma non troppo | — | ||
| 6-4 | Overture "The Consecration of the House", op.124: Maestoso e sostenuto - Allegro con brio | — | ||
| 6-5 | Great Overture in C major "Name Day", op.115: Maestoso - Allegro assai | — | ||
| 6-6 | Overture "Coriolan", op.62: Allegro con brio | — | ||
| 6-7 | Overture "Egmont", op.84: Sostenuto, ma non troppo - Allegro | — | ||
| 7-1 | Overture Fidelio, op. 72b | — | ||
| 7-2 | Overture Leonore I, op. 138 | — | ||
| 7-3 | Overture Leonore II, op. 72 | — | ||
| 7-4 | Overture Leonore III, op. 72a | — | ||
| 8-2 | Musik zu J.W. von Goethes Trauerspiel "Egmont", op. 84: Lied (Clärchen) "Die Trommel gerühret!" | Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-3 | Musik zu J.W. von Goethes Trauerspiel "Egmont", op. 84: Zwischenakt I | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-4 | Musik zu J.W. von Goethes Trauerspiel "Egmont", op. 84: Zwischenakt II | Berliner Philharmoniker, Herbert von Karajan | T-312.782.769-0 | |
| 8-5 | Musik zu J.W. von Goethes Trauerspiel "Egmont", op. 84: Lied (Clärchen) "Freudvoll und leidvoll" | Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-6 | Musik zu J.W. von Goethes Trauerspiel "Egmont", op. 84: Zwischenakt III | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-7 | Musik zu J.W. von Goethes Trauerspiel "Egmont", op. 84: Zwischenakt IV | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-8 | Musik zu J.W. von Goethes Trauerspiel "Egmont", op. 84: Musik, Clärchen Tod bezeichnend | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-9 | Musik zu J.W. von Goethes Trauerspiel "Egmont", op. 84: Melodram (Egmont) "Süßer Schlaf!" | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-10 | Musik zu J.W. von Goethes Trauerspiel "Egmont", op. 84: Siegessymphonie | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-11 | Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91 | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-12 | Marsch für Militärmusik D-dur WoO 24 | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-13 | Polonaise für Militärmusik D-dur WoO 21 | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-14 | Ecossaise für Militärmusik D-dur WoO22 | Bläser der Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-15 | Marsch für Militärmusik C-dur WoO 20 »Zapfenstreich« | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-16 | Marsch für 2 Klarinetten, 2 Hörner und 2 Fagotte B-dur WoO 29 | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-17 | Marsch für Militärmusik F-dur WoO 18 »Yorck'scher Marsch« | Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-18 | Marsch für Militärmusik F-dur WoO 19 | Berliner Philharmoniker, Herbert von Karajan | — | |
| 9-1 | Concerto for Piano and Orchestra No. 1 in C major, Op. 15: I. Allegro con brio | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 9-2 | Concerto for Piano and Orchestra No. 1 in C major, Op. 15: II. Largo | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 9-3 | Concerto for Piano and Orchestra No. 1 in C major, Op. 15: III. Rondo. Allegro | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 9-4 | Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: I. Allegro con brio | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 9-5 | Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: II. Adagio | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 9-6 | Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: III. Rondo. Allegro molto | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 10-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | T-800.132.125-2 | |
| 10-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | T-909.876.873-1 | |
| 11-1 | Piano Concerto no.5 in E flat major, op.73 "Emperor": I. Allegro | — | ||
| 11-2 | Piano Concerto no.5 in E flat major, op.73 "Emperor": II. Adagio un poco moto | — | ||
| 11-3 | Piano Concerto no.5 in E-flat major, op.73 "Emperor": III. Rondo. Allegro | — | ||
| 11-4 | Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": I. Allegro | — | ||
| 11-5 | Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": II. Largo | — | ||
| 11-6 | Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": III. Rondo alla polacca | — | ||
| 12-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | — | ||
| 12-2 | Violin Concerto in D major, op. 61: II. Larghetto | — | ||
| 12-3 | Violin Concerto in D major, Op. 61: III. Rondo. Allegro | Shlomo Mintz, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 12-4 | Romance for Violin and Orchestra no. 1 in G major, op. 40 | Shlomo Mintz, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 12-5 | Romance for Violin and Orchestra No. 2 in F major, op. 50 | — | ||
| 13-1 | String Quartet in F major, op. 18 no. 1: Allegro con brio | — | ||
| 13-2 | String Quartet in F major, op. 18 no. 1: Adagio affettuoso ed appasionato | — | ||
| 13-3 | String Quartet in F major, op. 18 no. 1: Scherzo. Allegro molto | — | ||
| 13-4 | String Quartet in F major, op. 18 no. 1: Allegro | — | ||
| 13-5 | String Quartet in G major, op. 18 no. 2: Allegro | — | ||
| 13-6 | String Quartet in G major, op. 18 no. 2: Adagio cantabile - Allegro - Tempo I | — | ||
| 13-7 | String Quartet in G major, op. 18 no. 2: Scherzo. Allegro | — | ||
| 13-8 | String Quartet in G major, op. 18 no. 2: Allegro moto, quasi Presto | — | ||
| 13-9 | String Quartet in D major, op. 18 no. 3: Allegro | — | ||
| 13-10 | String Quartet in D major, op. 18 no. 3: Andante con moto | — | ||
| 13-11 | String Quartet in D major, op. 18 no. 3: Allegro | — | ||
| 13-12 | String Quartet in D major, op. 18 no. 3: Presto | — | ||
| 14-1 | String Quartet in C minor, op.18 no.4: Allegro ma non tanto | — | ||
| 14-2 | String Quartet in C minor, op.18 no.4: Andante scherzoso, quasi Allegretto | — | ||
| 14-3 | String Quartet in C minor, op.18 no.4: Menuetto. Allegro | — | ||
| 14-4 | String Quartet in C minor, op.18 no.4: Allegro - Prestissimo | — | ||
| 14-5 | String Quartet in A major, op.18 no.5: Allegro | — | ||
| 14-6 | String Quartet in A major, op.18 no.5: Menuetto | — | ||
| 14-7 | String Quartet in A major, op.18 no.5: Andante cantabile | — | ||
| 14-8 | String Quartet in A major, op.18 no.5: Allegro | — | ||
| 14-9 | String Quartet in B flat major, op.18 no.6: Allegro con brio | — | ||
| 14-10 | String Quartet in B flat major, op.18 no.6: Adagio ma non troppo | — | ||
| 14-11 | String Quartet in B flat major, op.18 no.6: Scherzo. Allegro | — | ||
| 14-12 | String Quartet in B flat major, op.18 no.6: La Malinconia. Adagio - Allegretto quasi Allegro | — | ||
| 15-1 | String Quartet no. 7 in F major, op. 59 "Razumovsky" no. 1: I. Allegro | Emerson String Quartet | — | |
| 15-2 | String Quartet no. 7 in F major, op. 59 "Razumovsky" no. 1: II. Allegretto vivace e sempre scherzando | Emerson String Quartet | — | |
| 15-3 | String Quartet no. 7 in F major, op. 59 "Razumovsky" no. 1: III. Adagio molto e mesto - attacca- | Emerson String Quartet | — | |
| 15-4 | String Quartet no. 7 in F major, op. 59 "Razumovsky" no. 1: IV. "Theme russe": Allegro | Emerson String Quartet | — | |
| 15-5 | String Quartet no. 8 in E minor, op. 59 "Razumovsky" no. 2: I. Allegro | Emerson String Quartet | — | |
| 15-6 | String Quartet no. 8 in E minor, op. 59 "Razumovsky" no. 2: II. Molto Adagio: Si tratta questo pezzo con molto di sentimento | Emerson String Quartet | — | |
| 15-7 | String Quartet no. 8 in E minor, op. 59 "Razumovsky" no. 2: III. Allegretto - Maggiore ("Theme russe") | Emerson String Quartet | — | |
| 15-8 | String Quartet no. 8 in E minor, op. 59 "Razumovsky" no. 2: IV. Finale: Presto | Emerson String Quartet | T-003.055.867-8 | |
| 16-1 | String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: I. Introduzione: Andante con moto - Allegro vivace | Emerson String Quartet | — | |
| 16-2 | String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: II. Andante con moto quasi allegretto | Emerson String Quartet | — | |
| 16-3 | String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: III. Menuetto grazioso - attacca | Emerson String Quartet | T-700.095.171-5 | |
| 16-4 | String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: IV. Allegro molto | Emerson String Quartet | T-329.454.787-4 | |
| 16-5 | String Quartet no. 10 in E-flat major, op. 74 "Harp": I. Poco adagio - Allegro | Emerson String Quartet | T-915.714.772-3 | |
| 16-6 | String Quartet no. 10 in E-flat major, op. 74 "Harp": II. Adagio ma non troppo | Emerson String Quartet | — | |
| 16-7 | String Quartet no. 10 in E-flat major, op. 74 "Harp": III. Presto - Piu presto quasi prestissimo - attacca | Emerson String Quartet | — | |
| 16-8 | String Quartet no. 10 in E-flat major, op. 74 "Harp": IV. Allegretto con variazioni | Emerson String Quartet | — | |
| 16-9 | String Quartet no. 11 in F minor, op. 95 "Serioso": I. Allegro con brio | Emerson String Quartet | — | |
| 16-10 | String Quartet no. 11 in F minor, op. 95 "Serioso": II. Allegretto ma non troppo - attacca | Emerson String Quartet | — | |
| 16-11 | String Quartet no. 11 in F minor, op. 95 "Serioso": III. Allegro assai vivace ma serioso | Emerson String Quartet | — | |
| 16-12 | String Quartet no. 11 in F minor, op. 95 "Serioso": IV. Larghetto espressivo - Allegretto agitato - Allegro | Emerson String Quartet | — | |
| 17-1 | String Quartet No.12 in E Flat Major, Op.127: 1. Maestoso - Allegro | — | ||
| 17-2 | String Quartet No.12 in E Flat Major, Op.127: 2. Adagio ma non troppo e molto cantabile | — | ||
| 17-3 | String Quartet No.12 in E Flat Major, Op.127: 3. Scherzando vivace | — | ||
| 17-4 | String Quartet No.12 in E Flat Major, Op.127: 4. Finale | — | ||
| 17-5 | String Quartet No.15 in A Minor, Op.132: 1. Assai sostenuto - Allegro | — | ||
| 17-6 | String Quartet No.15 in A Minor, Op.132: 2. Allegro ma non tanto | — | ||
| 17-7 | String Quartet No.15 in A Minor, Op.132: 3. Canzona di ringraziamento offerta alla divinità da un guarito, in modo lidico (Molto adagio) - Sentendo nuova forza (Andante) | — | ||
| 17-8 | String Quartet No.15 in A Minor, Op.132: 4. Alla marcia, assai vivace - Più allegro - Presto | — | ||
| 17-9 | String Quartet No.15 in A Minor, Op.132: 5. Allegro appassionato | — | ||
| 18-1 | String Quartet in B-flat, op. 130: 1. Adagio ma non troppo - Allegro | — | ||
| 18-2 | String Quartet in B-flat, op. 130: 2. Presto | — | ||
| 18-3 | String Quartet in B-flat, op. 130: 3. Andante con moto ma non troppo. Poco scherzando | — | ||
| 18-4 | String Quartet in B-flat, op. 130: 4. Alla danza tedesca (Allegro assai) | — | ||
| 18-5 | String Quartet in B-flat, op. 130: 5. Cavatina (Adagio molto espressivo) | — | ||
| 18-6 | String Quartet in B-flat, op. 130: Grande Fugue op. 133 (original finale) | — | ||
| 19-1 | String Quartet In C Sharp Minor, Op.131: 1. Adagio ma non troppo e molto espressivo | — | ||
| 19-2 | String Quartet In C Sharp Minor, Op.131: 2. Allegro molto vivace | — | ||
| 19-3 | String Quartet In C Sharp Minor, Op.131: 3. Allegro moderato | — | ||
| 19-4 | String Quartet In C Sharp Minor, Op.131: 4. Andante ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto | — | ||
| 19-5 | String Quartet In C Sharp Minor, Op.131: 5. Presto | — | ||
| 19-6 | String Quartet In C Sharp Minor, Op.131: 6. Adagio quasi un poco andante | — | ||
| 19-7 | String Quartet In C Sharp Minor, Op.131: 7. Allegro | — | ||
| 19-8 | String Quartet No.16 in F Major, Op.135: 1. Allegretto | — | ||
| 19-9 | String Quartet No.16 in F Major, Op.135: 2. Vivace | — | ||
| 19-10 | String Quartet No.16 in F Major, Op.135: 3. Lento assai, cantante e tranquillo | — | ||
| 19-11 | String Quartet No.16 in F Major, Op.135: 4. Der schwer gefaßte Entschluß (Grave - Allegro - Grave ma non troppo tratto - Allegro) | — | ||
| 20-1 | Piano Trio No.1 in E flat major, op.1 no.1: 1. Allegro | — | ||
| 20-2 | Piano Trio No.1 in E flat major, op.1 no.1: 2. Adagio cantabile | — | ||
| 20-3 | Piano Trio No.1 in E flat major, op.1 no.1: 3. Scherzo (Allegro) | — | ||
| 20-4 | Piano Trio No.1 in E flat major, op.1 no.1: 4. Finale (Presto) | — | ||
| 20-5 | Piano Trio No.2 in G major, op.1 no.2: 1. Adagio - Allegro vivace | — | ||
| 20-6 | Piano Trio No.2 in G major, op.1 no.2: 2. Largo con espressione | — | ||
| 20-7 | Piano Trio No.2 in G major, op.1 no.2: 3. Scherzo (Allegro) | — | ||
| 20-8 | Piano Trio No.2 in G major, op.1 no.2: 4. Finale (Presto) | — | ||
| 21-1 | Piano Trio No.3 in C minor, op. 1 no.3: 1. Allegro con brio | — | ||
| 21-2 | Piano Trio No.3 in C minor, op. 1 no.3: 2. Andante cantabile con variazioni | — | ||
| 21-3 | Piano Trio No.3 in C minor, op. 1 no.3: 3. Menuetto (Quasi allegro) | — | ||
| 21-4 | Piano Trio No.3 in C minor, op. 1 no.3: 4. Finale (Prestissimo) | — | ||
| 21-5 | Piano Trio No.5 In D, op. 70 no.1 "Geistertrio": 1. Allegro vivace e con brio | — | ||
| 21-6 | Piano Trio No.5 In D, op. 70 no.1 "Geistertrio": 2. Largo assai ed espressivo | — | ||
| 21-7 | Piano Trio No.5 In D, op. 70 no.1 "Geistertrio": 3. Presto | — | ||
| 22-1 | Piano Trio No.6 in E flat, op. 70 no. 2: 1. Poco sostenuto - Allegro ma non troppo | — | ||
| 22-2 | Piano Trio No.6 in E flat, op. 70 no. 2: 2. Allegretto | — | ||
| 22-3 | Piano Trio No.6 in E flat, op. 70 no. 2: 3. Allegro ma non troppo | — | ||
| 22-4 | Piano Trio No.6 in E flat, op. 70 no. 2: 4. Finale (Allegro) | — | ||
| 22-5 | Piano Trio No.7 in B flat, op. 97 "Archduke": 1. Allegro moderato | — | ||
| 22-6 | Piano Trio No.7 in B flat, op. 97 "Archduke": 2. Scherzo (Allegro) | — | ||
| 22-7 | Piano Trio No.7 in B flat, op. 97 "Archduke": 3. Andante cantabile, ma però con moto - Poco più adagio | — | ||
| 22-8 | Piano Trio No.7 in B flat, op. 97 "Archduke": 4. Allegro moderato | — | ||
| 23-1 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: I. Allegro con brio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 23-2 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: II. Andante | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 23-3 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: III. Menuetto. Allegretto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 23-4 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: IV. Adagio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 23-5 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: V. Menuetto. Moderato | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 23-6 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: VI. Finale. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-802.326.793-9 | |
| 23-7 | Serenade for Violin, Viola, and Cello in D major, op. 8: I. Marcia. Allegro - Adagio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-915.714.772-3 | |
| 23-8 | Serenade for Violin, Viola, and Cello in D major, op. 8: II. Menuetto. Allegretto - Trio - Coda | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-912.972.346-2 | |
| 23-9 | Serenade for Violin, Viola, and Cello in D major, op. 8: III. Adagio - Scherzo. Allegro molto - Adagio - Allegro molto - Adagio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 23-10 | Serenade for Violin, Viola, and Cello in D major, op. 8: IV. Allegretto alla Polacca | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 23-11 | Serenade for Violin, Viola, and Cello in D major, op. 8: V. Thema con Variazioni. Andante quasi allegretto - Var. I-IV - Marcia. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 24-1 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: I. Adagio - Allegro con brio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 24-2 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: II. Adagio, ma non tanto, e cantabile | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 24-3 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: III. Scherzo. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 24-4 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: IV. Presto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-312.542.381-2 | |
| 24-5 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: I. Allegretto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 24-6 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: II. Andante quasi allegretto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 24-7 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: III. Menuetto. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 24-8 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: IV. Rondo. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 24-9 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: I. Allegro con spirito | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 24-10 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: II. Adagio con espressione | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 24-11 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: III. Scherzo. Allegro molto e vivace | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 24-12 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: IV. Finale. Presto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 25-1 | Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E flat, op. 71: 1. Adagio - Allegro | — | ||
| 25-2 | Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E flat, op. 71: 2. Adagio | — | ||
| 25-3 | Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E flat, op. 71: 3. Menuetto quasi allegretto | — | ||
| 25-4 | Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E flat, op. 71: 4. Rondo (Allegro) | — | ||
| 25-5 | Trio WoO 37 in G major for Piano, Flute and Basson: 1. Allegro | — | ||
| 25-6 | Trio WoO 37 in G major for Piano, Flute and Basson: 2. Adagio | — | ||
| 25-7 | Trio WoO 37 in G major for Piano, Flute and Basson: 3. Thema andante con variazioni | — | ||
| 25-8 | Serenade for Flute, Violin and Viola in D, op. 25: 1. Entrata (Allegro) | — | ||
| 25-9 | Serenade for Flute, Violin and Viola in D, op. 25: 2. Tempo ordinario d'un Menuetto | — | ||
| 25-10 | Serenade for Flute, Violin and Viola in D, op. 25: 3. Allegro molto | — | ||
| 25-11 | Serenade for Flute, Violin and Viola in D, op. 25: 4. Andante con Variazioni | — | ||
| 25-12 | Serenade for Flute, Violin and Viola in D, op. 25: 5. Allegro scherzando e vivace | — | ||
| 25-13 | Serenade for Flute, Violin and Viola in D, op. 25: 6. Adagio - | — | ||
| 26-1 | Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: I. Allegro con brio | Drolc-Quartett, Mitglieder der Berliner Philharmoniker | — | |
| 26-2 | Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: II. Adagio | Drolc-Quartett, Mitglieder der Berliner Philharmoniker | — | |
| 26-3 | Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: III. Rondo. Allegro | Drolc-Quartett, Mitglieder der Berliner Philharmoniker | — | |
| 26-4 | Sonata for Horn and Piano in F, op. 17: 1. Allegro moderato | — | ||
| 26-5 | Sonata for Horn and Piano in F, op. 17: 2. Poco adagio, quasi andante | — | ||
| 26-6 | Sonata for Horn and Piano in F, op. 17: 3. Rondo (Allegro moderato) | — | ||
| 26-7 | Octet in E flat, op. 103: 1. Allegro | — | ||
| 26-8 | Octet in E flat, op. 103: 2. Andante | — | ||
| 26-9 | Octet in E flat, op. 103: 3. Menuetto (Allegro) | — | ||
| 26-10 | Octet in E flat, op. 103: 4. Finale (Presto) | — | ||
| 27-1 | Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 1. Grave - Allegro ma non troppo | — | ||
| 27-2 | Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 2. Andante cantabile | — | ||
| 27-3 | Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 3. Rondo (Allegro ma non troppo) | — | ||
| 27-4 | Septet in E flat, op. 20: 1. Adagio - Allegro con brio | — | ||
| 27-5 | Septet in E flat, op. 20: 2. Adagio cantabile | — | ||
| 27-6 | Septet in E flat, op. 20: 3. Tempo di Menuetto | — | ||
| 27-7 | Septet in E flat, op. 20: 4. Tema con variazioni (Andante) | — | ||
| 27-8 | Septet in E flat, op. 20: 5. Scherzo (Allegro molto e vivace) | — | ||
| 27-9 | Septet in E flat, op. 20: 6. Andante con moto alla Marcia - Presto | — | ||
| 28-1 | Sonata for Cello and Piano No.1 in F, Op.5 No.1: 1. Adagio sostenuto - Allegro | — | ||
| 28-2 | Sonata for Cello and Piano No.1 in F, Op.5 No.1: 2. Rondo (Allegro vivace) | — | ||
| 28-3 | Sonata for Cello and Piano No.2 in G minor, Op.5 No.2: 1. Adagio sostenuto ed espressivo/ Allegro molto più tosto presto | — | ||
| 28-4 | Sonata for Cello and Piano No.2 in G minor, Op.5 No.2: 2. Rondo (Allegro) | — | ||
| 28-5 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Theme. Andante | — | ||
| 28-6 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Variation I | — | ||
| 28-7 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Variation II | — | ||
| 28-8 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Variation III | — | ||
| 28-9 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Variation IV | — | ||
| 28-10 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Variation V. Si prenda il tempo un poco più vivace | — | ||
| 28-11 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Variation VI. Adagio | — | ||
| 28-12 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Variation VII. Allegro, ma non troppo | — | ||
| 28-13 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Thema. Allegretto | — | ||
| 28-14 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation I | — | ||
| 28-15 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation II | — | ||
| 28-16 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation III | — | ||
| 28-17 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation IV | — | ||
| 28-18 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation V | — | ||
| 28-19 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation VI | — | ||
| 28-20 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation VII | — | ||
| 28-21 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation VIII | — | ||
| 28-22 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation IX | — | ||
| 28-23 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation X. Adagio | — | ||
| 28-24 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation XI. Poco Adagio, quasi Andante | — | ||
| 28-25 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation XII. Allegro | — | ||
| 29-1 | Sonata for Piano and Cello no. 3 in A major, op. 69: I. Allegro ma non tanto | Martha Argerich, Mischa Maisky | T-318.567.058-6 | |
| 29-2 | Sonata for Piano and Cello no. 3 in A major, op. 69: II. Scherzo. Allegro molto | Martha Argerich, Mischa Maisky | T-329.454.787-4 | |
| 29-3 | Sonata for Piano and Cello no. 3 in A major, op. 69: III. Adagio cantabile | Martha Argerich, Mischa Maisky | T-001.397.158-8 | |
| 29-4 | Sonata for Piano and Cello no. 3 in A major, op. 69: IV. Allegro vivace | Martha Argerich, Mischa Maisky | T-909.238.805-1 | |
| 29-5 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: I. Andante | Martha Argerich, Mischa Maisky | — | |
| 29-6 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: II. Allegro vivace | Martha Argerich, Mischa Maisky | — | |
| 29-7 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: III. Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-8 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: IV. Allegro vivace | Martha Argerich, Mischa Maisky | — | |
| 29-9 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Martha Argerich, Mischa Maisky | — | |
| 29-10 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Martha Argerich, Mischa Maisky | — | |
| 29-11 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Martha Argerich, Mischa Maisky | — | |
| 29-12 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-13 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-14 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-15 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-16 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-17 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-18 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-19 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-20 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-21 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-22 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-23 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-24 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 30-1 | Sonata for Violin and Piano No.1 in D, Op.12 No.1: 1. Allegro con brio | — | ||
| 30-2 | Sonata for Violin and Piano No.1 in D, Op.12 No.1: 2. Tema con variazioni (Andante con moto) | — | ||
| 30-3 | Sonata for Violin and Piano No.1 in D, Op.12 No.1: 3. Rondo (Allegro) | — | ||
| 30-4 | Sonata for Violin and Piano No.2 in A, Op.12 No.2: 1. Allegro vivace | — | ||
| 30-5 | Sonata for Violin and Piano No.2 in A, Op.12 No.2: 2. Andante più tosto allegretto | — | ||
| 30-6 | Sonata for Violin and Piano No.2 in A, Op.12 No.2: 3. Allegro piacevole | — | ||
| 30-7 | Sonata for Violin and Piano No.3 in E flat, Op.12 No.3: 1. Allegro con spirito | — | ||
| 30-8 | Sonata for Violin and Piano No.3 in E flat, Op.12 No.3: 2. Adagio con molt' espressione | — | ||
| 30-9 | Sonata for Violin and Piano No.3 in E flat, Op.12 No.3: 3. Rondo (Allegro molto) | — | ||
| 30-10 | Rondo for Piano and Violin in G major, WoO 41 | Yehudi Menuhin, Wilhelm Kempff | T-801.974.499-2 |
