UPC · Release
Leonard Bernstein
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The UPC for “The Leonard Bernstein Collection, Volume One” by Leonard Bernstein is 028947910473. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2014-01-01. Label: Deutsche Grammophon. This release contains 628 tracks, each with its own ISRC. Tracks include DEF057803270, DEF057803270, DEF057803270.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 2 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 5 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 7 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 8 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 2-1 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 2-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 2-3 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 2-4 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 2-5 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 2-6 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 2-7 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 2-8 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 3-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 3-2 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 3-3 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 3-4 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 3-5 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 3-6 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 3-7 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 3-8 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 3-9 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-1 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-3 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-4 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-5 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | T-001.444.317-4 | |
| 5-1 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 5-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 5-3 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 5-4 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 5-5 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6-1 | Ouvertüre zu "Die Geschöpfe des Prometheus" c-Moll, Op. 43 | Wiener Philharmoniker, Leonard Bernstein | T-909.574.378-5 | |
| 6-2 | Egmont, Op. 84: Ouvertüre. Sostenuto, ma non troppo | Wiener Philharmoniker, Leonard Bernstein | T-909.574.378-5 | |
| 6-3 | Ouvertüre zu "Coriolan", Op. 62 | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6-4 | Ouvertüre zu "König Stephan", Op. 117 | Wiener Philharmoniker, Leonard Bernstein | T-909.574.378-5 | |
| 6-5 | Fidelio, op. 72: Overture | Wiener Philharmoniker, Leonard Bernstein | T-801.974.499-2 | |
| 6-6 | Ouvertüre "Leonore III", Op. 72a | Wiener Philharmoniker, Leonard Bernstein | — | |
| 7-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 7-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 7-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | T-800.132.125-2 | |
| 7-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 7-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 7-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | T-909.876.873-1 | |
| 8-1 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: I. Allegro | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-007.303.107-8 | |
| 8-2 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco moto – attacca | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-928.635.608-9 | |
| 8-3 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: III. Rondo. Allegro | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-031.682.208-8 | |
| 9-1 | Quartet for Strings No. 16 in F major, Op. 135: I. Allegretto | — | ||
| 9-2 | Quartet for Strings No. 16 in F major, Op. 135: II. Vivace | — | ||
| 9-3 | Quartet for Strings no. 16 in F major, op. 135: III. Lento assai e cantante tranquillo | Wiener Philharmoniker, Leonard Bernstein | — | |
| 9-4 | Quartet for Strings No. 16 in F major, Op. 135: IV. Der schwer gefasste Entschluss: Grave (Muss es sein?)-Allegro (Es muss sein)... | — | ||
| 9-5 | Quartet for Strings No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo | — | ||
| 9-6 | Quartet for Strings No. 14 in C-sharp minor, Op. 131: II. Allegretto | — | ||
| 9-7 | Quartet for Strings No. 14 in C-sharp minor, Op. 131: III. Allegro moderato | — | ||
| 9-8 | Quartet for Strings No. 14 in C-sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile... | — | ||
| 9-9 | Quartet for Strings No. 14 in C-sharp minor, Op. 131: V. Presto | — | ||
| 9-10 | Quartet for Strings No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante | — | ||
| 9-11 | Quartet for Strings No. 14 in C-sharp minor, Op. 131: VII. Allegro | — | ||
| 10-1 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie. Kyrie eleison | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-2 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie. Christe eleison | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-3 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie. Kyrie eleison | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-4 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIa. Gloria. Gloria in excelsis Deo | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-5 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIc. Gloria. Qui tollis peccata mundi | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-6 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IId. Gloria. Quoniam tu solus Sanctus | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-7 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIe. Gloria. In gloria Dei Patris | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-8 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIf. Gloria. Amen, in gloria dei Patris | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-9 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIa. Credo. Credo in unum Deum | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-10 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIb. Credo. Et incarnatus est | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | T-915.866.113-3 | |
| 10-11 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-12 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIId. Credo. Et vitam venturi sauculi | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-13 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIe. Credo. Amen, et vitam venturi sauculi. Amen | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-14 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-15 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVb. Sanctus. Pleni sunt coeli et terra - Osanna in excelsis | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-16 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVc. Sanctus. Praeludium | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-17 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Herman Krebbers, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-18 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-19 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-20 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-21 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 11-1 | Fidelio, op. 72: Overture | Wiener Philharmoniker, Leonard Bernstein | T-801.974.499-2 | |
| 11-2 | Fidelio, op. 72: Act I, Scene I, no. 1. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) | Adolf Dallapozza, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-3 | Fidelio, op. 72: Act I, Scene I. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) | Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-4 | Fidelio, op. 72: Act I, Scene I, no. 2. Aria “O wär’ ich schon mit dir vereint” (Marzelline) | Lucia Popp, Gundula Janowitz, Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-5 | Fidelio, op. 72: Act I, Scene I. “Jaquino!” – “Ja, Meister Rocco?” (Rocco, Jaquino, Marzelline, Leonore) | Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-6 | Fidelio, op. 72: Act I, Scene I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-7 | Fidelio, op. 72: Act I, Scene I. “Höre, Fidelio!” (Rocco, Marzelline) | Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-8 | Fidelio, op. 72: Act I, Scene I, no. 4. Aria “Hat man nicht auch Gold beineben” (Rocco) | Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-9 | Fidelio, op. 72: Act I, Scene I. “Ihr habt recht, Vater Rocco” (Leonore, Rocco, Marzelline) | Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-10 | Fidelio, op. 72: Act I, Scene I, no. 5. Trio “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline) | Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-11 | Fidelio, op. 72: Act I, Scene II, no. 6. March | Wiener Philharmoniker, Leonard Bernstein | T-001.200.274-2 | |
| 11-12 | Fidelio, op. 72: Act I, Scene II. “Drei Mann Schildwachen auf den Wall” (Pizarro, Rocco) | Manfred Jungwirth, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-13 | Fidelio, op. 72: Act I, Scene II, no. 7. Aria “Ha! Welch ein Augenblick!” (Pizarro, Chorus) | Chor der Wiener Staatsoper, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-14 | Fidelio, op. 72: Act I, Scene II. “Hauptmann! Besteigen Sie mit einem Trompeter sogleich den Turm” (Pizarro, Rocco) | Manfred Jungwirth, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-15 | Fidelio, op. 72: Act I, Scene II, no. 8. Duet “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco) | Manfred Jungwirth, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-16 | Fidelio, op. 72: Act I, Scene II, no. 9. Recitative “Abscheulicher!” - Aria “Komm, Hoffnung” (Leonore) | Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-17 | Fidelio, op. 72: Act I, Scene II. “Marzelline!” – “Nein, ich will nicht …” (Jaquino, Marzelline, Rocco, Leonore) | Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-18 | Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust” | Chor der Wiener Staatsoper, Karl Terkal, Alfred Šramek, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-19 | Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative “Nun sprecht, wie ging’s?” (Leonore, Rocco) / no. 10c. Duet “Noch heute! Noch heute!” (Leonore, Rocco) / no. 10d. Duet “Wir müssen gleich zu Werke schreiten” (Rocco, Leonore) / no. 10e. / no. 10f. | Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-20 | Fidelio, op. 72: Act I, Scene II, no. 10g. “Leb wohl, du warmes Sonnenlicht” (Soloists & Chorus) | Chor der Wiener Staatsoper, Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-1 | Fidelio, op. 72: Act II, Scene I, no. 11. Introduction “Gott! Welch Dunkel hier!” - Aria “In des Lebens Frühlingstagen” | René Kollo, Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-2 | Fidelio, op. 72: Act II, Scene I, no. 12. Melodrama “Wie kalt ist es in diesem unterirdischen Gewölbe!” – Duet “Nur hurtig fort, nur frisch gegraben” | Gundula Janowitz, Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-3 | Fidelio, op. 72: Act II, Scene I. “Er erwacht” | Gundula Janowitz, Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-4 | Fidelio, op. 72: Act II, Scene I, no. 13. Trio “Euch werde Lohn in bessem Welten” | Gundula Janowitz, Manfred Jungwirth, René Kollo, Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-5 | Fidelio, op. 72: Act II, Scene I. “Alles ist bereit” | Gundula Janowitz, Manfred Jungwirth, René Kollo, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-6 | Fidelio, op. 72: Act II, Scene I, no. 14. Quartet “Er sterbe! Doch er soll erst wissen” - “Vater Rocco! Der Herr Minister ist angekommen” - “Es schlägt der Rache Stunder” | Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, René Kollo, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-7 | Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” | Gundula Janowitz, René Kollo, Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-8 | Ouvertüre "Leonore III", Op. 72a | Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-9 | Fidelio, op. 72: Act II, Scene II, no. 16. Finale “Heil sei dem Tag” – “Bestrafet sei der Bösewicht” – “O Gott! Welch ein Augenblick!” – “Wer ein holdes Weib errungen” | Chor der Wiener Staatsoper, Adolf Dallapozza, Dietrich Fischer-Dieskau, Gundula Janowitz, Manfred Jungwirth, René Kollo, Lucia Popp, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-1 | Overture "Leonore no. 3", op. 72a | — | ||
| 13-2 | Piano Concerto no. 4 in G major, op. 58: 1. Allegro moderato | Claudio Arrau, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 13-3 | Piano Concerto no. 4 in G major, op. 58: 2. Andante con moto | Claudio Arrau, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 13-4 | Piano Concerto no. 4 in G major, op. 58: 3. Rondo (Vivace) | Claudio Arrau, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 14-1 | Symphony No.5 In C Minor, Op.67: 1. Allegro con brio | — | ||
| 14-2 | Symphony No.5 In C Minor, Op.67: 2. Andante con moto | — | ||
| 14-3 | Symphony No.5 In C Minor, Op.67: 3. Allegro | — | ||
| 14-4 | Symphony No.5 In C Minor, Op.67: 4. Allegro | — | ||
| 15-1 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 15-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-909.876.841-3 | |
| 15-3 | Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-912.747.871-1 | |
| 15-4 | Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-306.395.786-4 | |
| 16-1 | 4 Sea Interludes: I. Dawn. Lento e tranquillo | Boston Symphony Orchestra, Leonard Bernstein | — | |
| 16-2 | 4 Sea Interludes: II. Sunday Morning. Allegro spiritoso | Boston Symphony Orchestra, Leonard Bernstein | — | |
| 16-3 | 4 Sea Interludes: III. Moonlight. Andante comodo e rubato | Boston Symphony Orchestra, Leonard Bernstein | — | |
| 16-4 | 4 Sea Interludes: IV. Storm. Presto con fuoco | Boston Symphony Orchestra, Leonard Bernstein | — | |
| 16-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace | — | ||
| 16-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Leonard Bernstein | T-314.638.300-4 | |
| 16-7 | Symphony no. 7 in A major, op. 92: III. Presto | Wiener Philharmoniker, Leonard Bernstein | T-915.710.750-1 | |
| 16-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 17-1 | Symphony no. 1 "Jeremiah": I. Prophecy. Largamente | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 17-2 | Symphony no. 1 "Jeremiah": II. Profanation. Vivace con brio | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 17-3 | Symphony no. 1 "Jeremiah": III. Lamentation. Lento | Christa Ludwig, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 17-4 | Chichester Psalms: Psalm 108 (verse 2); Psalm 100 (complete) - Maestoso ma energico - Allegro molto | Günther Theuring, Michael Wager, Wiener Jeunesse-Chor, Solist der Wiener Sängerknaben, Israel Philharmonic Orchestra, Leonard Bernstein | T-070.027.200-9 | |
| 17-5 | Chichester Psalms: Psalm 23 (complete); Psalm 2 (verses 1-4) | Günther Theuring, Michael Wager, Wiener Jeunesse-Chor, Solist der Wiener Sängerknaben, Israel Philharmonic Orchestra, Leonard Bernstein | T-070.027.200-9 | |
| 17-6 | Chichester Psalms: Psalm 131 (complete); Psalm 133 (verse 1) | Günther Theuring, Wiener Jeunesse-Chor, Solist der Wiener Sängerknaben, Israel Philharmonic Orchestra, Leonard Bernstein | T-070.027.200-9 | |
| 17-7 | Song Of Songs: 1. Awake, O north wind | — | ||
| 17-8 | Song Of Songs: 2. Come my beloved | — | ||
| 17-9 | Song Of Songs: 3. By night on my bed | — | ||
| 17-10 | Song Of Songs: 4. Set me as a seal | — | ||
| 18-1 | Symphony no. 2 "The Age of Anxiety": Part I. The Prologue. Lento moderato | Lukas Foss, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-2 | Symphony no. 2 "The Age of Anxiety": Part I. The Seven Ages. Var. 1-7 | Lukas Foss, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-3 | Symphony no. 2 "The Age of Anxiety": Part I. The Seven Ages. Var 8-14 | Lukas Foss, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-4 | Symphony no. 2 "The Age of Anxiety": Part II. The Dirge. Largo | Lukas Foss, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-5 | Symphony no. 2 "The Age of Anxiety": Part II. The Masque. Extremly fast | Lukas Foss, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-6 | Symphony no. 2 "The Age of Anxiety": Part II. The Epilogue. L'istesso tempo - Adagio - Andante - Con moto | Lukas Foss, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-7 | Symphony no. 3 "Kaddish": Invocation | Michael Wager, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-8 | Symphony no. 3 "Kaddish": Kaddish I | Michael Wager, Wiener Jeunesse-Chor, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-9 | Symphony no. 3 "Kaddish": Din-Torah | Michael Wager, Wiener Jeunesse-Chor, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-10 | Symphony no. 3 "Kaddish": Kaddish II | Montserrat Caballé, Michael Wager, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-11 | Symphony no. 3 "Kaddish": Scherzo (Kaddish III) | Michael Wager, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-12 | Symphony no. 3 "Kaddish": Finale (Kaddish III) | Michael Wager, Wiener Sängerknaben, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-13 | Symphony no. 3 "Kaddish": Allegro, con gioia (Kaddish III) | Michael Wager, Wiener Jeunesse-Chor, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 19-1 | Serenade after Plato’s “Symposium”: I. Phaedrus – Pausanias: Lento – Allegro marcato | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 19-2 | Serenade after Plato’s “Symposium”: II. Aristophanes: Allegretto | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 19-3 | Serenade after Plato’s “Symposium”: III. Eryximachus: Presto | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 19-4 | Serenade after Plato’s “Symposium”: IV. Agathon: Adagio | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 19-5 | Serenade after Plato’s “Symposium”: V. Socrates – Alcibiades: Molto tenuto – Allegro molto vivace | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 19-6 | Fancy Free: Big Stuff (Blues) | — | ||
| 19-7 | Fancy Free: I. Opening Dance | — | ||
| 19-8 | Fancy Free: II. Scene at the Bar | — | ||
| 19-9 | Fancy Free: III. Enter Two Girls | — | ||
| 19-10 | Fancy Free: IV. Pas de Deux | — | ||
| 19-11 | Fancy Free: V. Competition Scene | — | ||
| 19-12 | Fancy Free: VI. Variation I: Galop | — | ||
| 19-13 | Fancy Free: VI. Variation II: Waltz | — | ||
| 19-14 | Fancy Free: VI. Variation III: Danzon | — | ||
| 19-15 | Fancy Free: VII. Finale | — | ||
| 19-16 | Fancy Free: Big Stuff (Blues) | — | ||
| 20-1 | Dybbuk Suite No.1: 1. Invocation and Trance | — | ||
| 20-2 | Dybbuk Suite No.1: 2. The Pledge | — | ||
| 20-3 | Dybbuk Suite No.1: 3. Kabbalah | — | ||
| 20-4 | Dybbuk Suite No.1: 4. Possession | — | ||
| 20-5 | Dybbuk Suite No.1: 5. Pas de deux | — | ||
| 20-6 | Dybbuk Suite No.1: 6. Exorcism | — | ||
| 20-7 | Dybbuk Suite No.2: 1. The Messengers | — | ||
| 20-8 | Dybbuk Suite No.2: 2. Leah | — | ||
| 20-9 | Dybbuk Suite No.2: 3. 5 Kabbalah Variations | — | ||
| 20-10 | Dybbuk Suite No.2: 4. Dream | — | ||
| 21-1 | 1. "To the Poem" | — | ||
| 21-2 | 2. "The Pennycandystore Beyond the El" | — | ||
| 21-3 | 3. "A Julia de Burgos" | — | ||
| 21-4 | 4. "To What You Said ..." | — | ||
| 21-5 | 5. "I, Too, Sing America" / Okay "Negroes" | — | ||
| 21-6 | 6. "To My Dear and Loving Husband" | — | ||
| 21-7 | 7. "Storyette H.M." | — | ||
| 21-8 | 8. "If you can't eat you got to" | — | ||
| 21-9 | 9. "Music I Heard With You" | — | ||
| 21-10 | 10. "Zizi's Lament" | — | ||
| 21-11 | 11. "What lips my lips have kissed ..." | — | ||
| 21-12 | 12. "Israfel" | — | ||
| 22-1 | 8 Divertimentos for Orchestra: 1. Sennets and Tuckets (Allegro non troppo, ma con brio) | — | ||
| 22-2 | 8 Divertimentos for Orchestra: 2. Waltz (Allegretto, con grazia) | — | ||
| 22-3 | 8 Divertimentos for Orchestra: 3. Mazurka (Mesto (Molto moderato)) | — | ||
| 22-4 | 8 Divertimentos for Orchestra: 4. Samba (Allegro giusto) | — | ||
| 22-5 | 8 Divertimentos for Orchestra: 5. Turkey Trot (Allegretto, ben misurato) | — | ||
| 22-6 | 8 Divertimentos for Orchestra: 6. Sphinxes (Adagio lugubre) | — | ||
| 22-7 | 8 Divertimentos for Orchestra: 7. Blues (Slow blues tempo) | — | ||
| 22-8 | 8 Divertimentos for Orchestra: 8. March: "The BSO Forever" (Andante (In memoriam)) - Doppio movimento (Alla marcia) | — | ||
| 22-9 | A Musical Toast: Allegro con brio | — | ||
| 22-10 | Slava! - A Political Overture: Fast and flamboyant | — | ||
| 22-11 | On the Town: Three Dance Episodes: I. "The Great Lover". Allegro pesante | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 22-12 | On the Town: Three Dance Episodes: II. "Lonely Town". Pas de deux - Andante - Sostenuto | Israel Philharmonic Orchestra, Leonard Bernstein | T-070.096.762-9 | |
| 22-13 | On the Town: Three Dance Episodes: III. "Times Square: 1944". Allegro | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 22-14 | Facsimile - Choreographic Essay for Orchestra: Molto Adagio - Più Andante - Moderate Waltz tempo - Sostenuto assai - Allegretto - Subito Allegro - Andante - Adagio | — | ||
| 23-1 | 1. Halil, Nocturne for Solo Flute, String Orchestra and Percussion | — | ||
| 23-2 | Three Meditations for Cello and Orchestra: I. Lento assai, molto sostenuto | Mstislav Rostropovich, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 23-3 | Three Meditations for Cello and Orchestra II. Andante sostenuto / Variations I - IV / Coda | Mstislav Rostropovich, Israel Philharmonic Orchestra, Leonard Bernstein | T-918.652.779-7 | |
| 23-4 | Three Meditations for Cello and Orchestra: III. Presto / Fast and primitive / Molto adagio | Mstislav Rostropovich, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 23-5 | Symphonic Suite from On the Waterfront: I. Andante (with dignity) - Presto barbaro | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 23-6 | Symphonic Suite from On the Waterfront: II. Adagio - Allegro molto agitato - Alla breve (Poco più mosso - Presto come prima) | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 23-7 | Symphonic Suite from On the Waterfront: III. Andante largamente - More Flowing - Lento | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 23-8 | Symphonic Suite from On the Waterfront: IV. Moving forward, with warmth | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 23-9 | Symphonic Suite from On the Waterfront: V. Allegro non troppo, molto marcato | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 23-10 | Symphonic Suite from On the Waterfront: VI. A tempo | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 23-11 | Prelude, Fugue, and Riffs: I. Prelude (for the Brass). Fast and exact | Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein | T-070.160.313-5 | |
| 23-12 | Prelude, Fugue, and Riffs: II. Fugue (for the Saxes). Exactly the same beat | Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein | — | |
| 23-13 | Prelude, Fugue, and Riffs: III. Riffs (for Everyone) | Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein | — | |
| 24-1 | Rhapsody in Blue | Los Angeles Philharmonic, Leonard Bernstein | T-010.244.926-2 | |
| 24-2 | Prelude for Piano no. 2 | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 24-3 | Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero) | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 24-4 | Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero) | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 24-5 | Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero) | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 24-6 | Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero) | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 24-7 | Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero) | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 24-8 | Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero) | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 24-9 | Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero) | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 24-10 | Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero) | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 24-11 | Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero) | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 25-1 | Tattoo: 1. Moderato Maestoso | — | ||
| 25-2 | Tattoo: 2. Moderato Maestoso - Omaggio a Nicolò Paganini | — | ||
| 25-3 | Violin Concerto: I. Twilight: Free and Spacious – attacca: | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 25-4 | Violin Concerto: II. Toccata-Chaconne: Very Fast | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 25-5 | Violin Concerto: III. Romance without Words: Hardly Moving | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 25-6 | Violin Concerto: IV. Midnight: Slow | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 25-7 | Violin Concerto: V. Toccata-Rondo: Very Fast | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 25-8 | Violin Concerto: VI. Dawn: Wistful | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 25-9 | Concerto for Orchestra "Jubilee Games": 1. Free-Style Events: Allegro con brio, giocoso | — | ||
| 25-10 | Concerto for Orchestra "Jubilee Games": 2. Mixed Doubles: Theme and Seven Variations | — | ||
| 25-11 | Concerto for Orchestra "Jubilee Games": 3. Diaspora Dances: Vivace | — | ||
| 25-12 | Concerto for Orchestra "Jubilee Games": 4. Benediction: Moderato, invocando | — | ||
| 26-1 | I Feel Like I'm Not Out of Bed Yet | — | ||
| 26-2 | New York, New York | — | ||
| 26-3 | Presentation of Miss Turnstiles | — | ||
| 26-4 | Gabey's Comin', Pickup Song | — | ||
| 26-5 | Taxi Number: Come Up to My Place | Tyne Daly, Kurt Ollmann, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 26-6 | Carried Away | David Garrison, Frederica von Stade, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 26-7 | Lonely Town | — | ||
| 26-8 | High School Girls | — | ||
| 26-9 | Lonely Town, Pas de deux | — | ||
| 26-10 | Carnegie Hall Pavane | Evelyn Lear, London Voices, Marie McLaughlin, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 26-11 | I Can Cook Too | — | ||
| 26-12 | Lucky to Be Me | Thomas Hampson, London Voices, London Symphony Orchestra, Michael Tilson Thomas | T-070.097.785-0 | |
| 26-13 | Times Square: Finale, Act 1 | — | ||
| 26-14 | So Long, Baby | — | ||
| 26-15 | I Wish I Was Dead | — | ||
| 26-16 | Ya Got Me | — | ||
| 26-17 | Ain't Got No Tears Left | Cleo Laine, Michael Tilson Thomas, London Symphony Orchestra | T-070.256.635-5 | |
| 26-18 | Pitkin's Song | Samuel Ramey, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 26-19 | Subway Ride and Imaginary Coney Island | — | ||
| 26-20 | The Great Lover Displays Himself | — | ||
| 26-21 | Pas de deux | — | ||
| 26-22 | Some Other Time | Tyne Daly, David Garrison, Kurt Ollmann, Frederica von Stade, London Symphony Orchestra, Michael Tilson Thomas | T-070.136.536-7 | |
| 26-23 | The Real Coney Island | — | ||
| 26-24 | Finale | — | ||
| 26-25 | Appendix: The Intermission's Great | — | ||
| 27-1 | Candide: Overture | London Symphony Orchestra, Leonard Bernstein | T-903.288.559-9 | |
| 27-2 | Candide: Act I, No. 1a. Westphalia Chorale | London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | — | |
| 27-3 | Candide: Act I, No. 2. Life Is Happiness Indeed | June Anderson, Jerry Hadley, Della Jones, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein | T-070.912.512-1 | |
| 27-4 | Candide: Act I, No. 3. The Best of All Possible Worlds | June Anderson, Adolph Green, Jerry Hadley, Della Jones, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein | T-070.011.011-7 | |
| 27-5 | Candide: Act I, No. 3a. Universal Good | June Anderson, Jerry Hadley, Della Jones, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein | — | |
| 27-6 | Candide: Act I, No. 4. Oh, Happy We | June Anderson, Jerry Hadley, London Symphony Orchestra, Leonard Bernstein | T-070.158.261-7 | |
| 27-7 | Candide: Act I, No. 5. It Must Be So (Candide’s Meditation) | Jerry Hadley, London Symphony Orchestra, Leonard Bernstein | T-070.907.136-2 | |
| 27-8 | Candide: Act I, No. 6. Westphalia | London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | T-070.902.346-0 | |
| 27-9 | Candide: Act I, No. 6a. Battle Music | London Symphony Orchestra, Leonard Bernstein | — | |
| 27-10 | Candide: Act I, No. 7. Candide’s Lament | Jerry Hadley, London Symphony Orchestra, Leonard Bernstein | — | |
| 27-11 | Candide: Act I, No. 8. Dear Boy | Adolph Green, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | — | |
| 27-12 | Candide: Act I, No. 9. Auto‐da‐fé | Clive Bayley, Lindsay Benson, Adolph Green, Jerry Hadley, Neil Jenkins, London Symphony Chorus, Richard Suart, John Treleaven, London Symphony Orchestra, Leonard Bernstein | T-902.893.356-4 | |
| 27-13 | Candide: Act I, No. 10. Candide Begins His Travels / Act I, No. 10a. It Must Be Me | Jerry Hadley, London Symphony Orchestra, Leonard Bernstein | — | |
| 27-14 | Candide: Act I, No. 11. The Paris Waltz | London Symphony Orchestra, Leonard Bernstein | T-070.921.186-8 | |
| 27-15 | Candide: Act I, No. 12. Glitter and Be Gay | June Anderson, London Symphony Orchestra, Leonard Bernstein | T-070.064.357-7 | |
| 27-16 | Candide: Act I, No. 13. You Were Dead, You Know | June Anderson, Jerry Hadley, London Symphony Orchestra, Leonard Bernstein | T-070.211.089-1 | |
| 27-17 | Candide: Act I, No. 14. I Am Easily Assimilated (Old Lady’s Tango) | June Anderson, London Symphony Chorus, Christa Ludwig, London Symphony Orchestra, Leonard Bernstein | T-070.902.346-0 | |
| 27-18 | Candide: Act I, No. 15. Quartet Finale | June Anderson, Jerry Hadley, London Symphony Chorus, Christa Ludwig, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein | — | |
| 28-1 | Candide: Act II, No. 16. Universal Good | London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | T-902.893.356-4 | |
| 28-2 | Candide: Act II, No. 17. My Love (Governor’s Serenade) | June Anderson, Nicolai Gedda, London Symphony Orchestra, Leonard Bernstein | T-070.111.127-4 | |
| 28-3 | Candide: Act II, No. 18. We Are Women (Polka) | June Anderson, Christa Ludwig, London Symphony Orchestra, Leonard Bernstein | T-902.893.356-4 | |
| 28-4 | Candide: Act II, No. 19. The Pilgrims’ Procession – Alleluia | Jerry Hadley, Della Jones, London Symphony Chorus, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein | T-902.893.356-4 | |
| 28-5 | Candide: Act II, No. 20. Quiet | June Anderson, Nicolai Gedda, Christa Ludwig, London Symphony Orchestra, Leonard Bernstein | T-070.125.004-5 | |
| 28-6 | Candide: Act II, No. 21. Introduction to Eldorado | London Symphony Orchestra, Leonard Bernstein | — | |
| 28-7 | Candide: Act II, No. 22. The Ballad of Eldorado | Jerry Hadley, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | T-902.893.356-4 | |
| 28-8 | Candide: Act II, No. 23. Words, Words, Words (Martin’s Laughing Song) | Adolph Green, London Symphony Orchestra, Leonard Bernstein | T-902.893.356-4 | |
| 28-9 | Candide: Act II, No. 24. Bon Voyage | Nicolai Gedda, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | T-070.012.061-1 | |
| 28-10 | Candide: Act II, No. 25. The Kings’ Barcarolle | Clive Bayley, Lindsay Benson, Adolph Green, Jerry Hadley, Neil Jenkins, Richard Suart, John Treleaven, London Symphony Orchestra, Leonard Bernstein | T-902.893.356-4 | |
| 28-11 | Candide: Act II, No. 26. Money, Money, Money (Venice Gambling Scene) | London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | T-001.597.695-0 | |
| 28-12 | Candide: Act II, No. 27. What’s the Use | Nicolai Gedda, London Symphony Chorus, Christa Ludwig, Kurt Ollmann, John Treleaven, London Symphony Orchestra, Leonard Bernstein | T-070.198.639-1 | |
| 28-13 | Candide: Act II, No. 28. The Venice Gavotte | June Anderson, Adolph Green, Jerry Hadley, Christa Ludwig, London Symphony Orchestra, Leonard Bernstein | T-071.596.385-1 | |
| 28-14 | Candide: Act II, No. 29. Nothing More Than This | Jerry Hadley, London Symphony Orchestra, Leonard Bernstein | T-902.893.356-4 | |
| 28-15 | Candide: Act II, No. 30. Universal Good (Life Is Neither) | London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | T-902.893.356-4 | |
| 28-16 | Candide: Act II, No. 31. Make Our Garden Grow (Finale) | June Anderson, Nicolai Gedda, Adolph Green, Jerry Hadley, Della Jones, London Symphony Chorus, Christa Ludwig, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein | T-070.107.908-4 | |
| 29-1 | West Side Story: No. 1: Prologue | Leonard Bernstein | T-070.166.807-6 | |
| 29-2 | West Side Story: No. 2: Jet Song | Kurt Ollmann, David Livingston, Peter Thom, Stephen Bogardus | T-070.088.385-7 | |
| 29-3 | West Side Story: No. 3: Something’s Coming | José Carreras | T-070.136.715-8 | |
| 29-4 | West Side Story: No. 4: The Dance at the Gym: Blues | Leonard Bernstein | — | |
| 29-5 | West Side Story: No. 4: The Dance at the Gym: Promenade | Leonard Bernstein | T-902.871.372-6 | |
| 29-6 | West Side Story: No. 4: The Dance at the Gym: Mambo | Leonard Bernstein | T-070.113.892-2 | |
| 29-7 | West Side Story: No. 4: The Dance at the Gym: Cha‐Cha | Leonard Bernstein | T-070.933.007-3 | |
| 29-8 | West Side Story: No. 4: The Dance at the Gym: Meeting Scene | Leonard Bernstein | T-070.933.007-3 | |
| 29-9 | West Side Story: No. 4: The Dance at the Gym: Jump | Leonard Bernstein | T-902.853.673-4 | |
| 29-10 | West Side Story: No. 5: Maria | José Carreras, Leonard Bernstein | T-070.108.440-3 | |
| 29-11 | West Side Story: No. 6: Balcony Scene (Tonight) | Kiri Te Kanawa, José Carreras | T-901.072.962-1 | |
| 29-12 | West Side Story: No. 7: America | Tatiana Troyanos, Louise Edeiken | T-070.001.097-4 | |
| 29-13 | West Side Story: No. 8: Cool | Kurt Ollmann | T-070.025.960-4 | |
| 29-14 | West Side Story: No. 9: One Hand, One Heart | Kiri Te Kanawa, José Carreras | T-070.159.178-7 | |
| 29-15 | West Side Story: No. 10: Tonight (Ensemble) | José Carreras, Richard Harrell, Kurt Ollmann, Kiri Te Kanawa, Tatiana Troyanos, Leonard Bernstein | T-070.125.208-5 | |
| 29-16 | West Side Story: No. 11: The Rumble | Leonard Bernstein | T-070.127.422-7 | |
| 29-17 | West Side Story: No. 12: I Feel Pretty | Kiri Te Kanawa, Louise Edeiken, Stella Zambalis, Angelina Réaux | T-070.902.843-2 | |
| 29-18 | West Side Story: No. 13: Ballet Sequence: Beginning | Kiri Te Kanawa, José Carreras | — | |
| 29-19 | West Side Story: Ballet Sequence: Transition to Scherzo | Leonard Bernstein | — | |
| 29-20 | West Side Story: Ballet Sequence: Scherzo | Leonard Bernstein | T-070.139.164-1 | |
| 29-21 | West Side Story: Ballet Sequence: Somewhere | Marilyn Horne, Leonard Bernstein | T-070.136.739-6 | |
| 29-22 | West Side Story: Ballet Sequence: Procession and Nightmare | Leonard Bernstein | T-070.933.007-3 | |
| 29-23 | West Side Story: No. 14: Gee, Officer Krupke! | David Livingston, Marty Nelson, Peter Thom, Stephen Bogardus, Todd Lester | T-070.063.859-0 | |
| 29-24 | West Side Story: No. 15: A Boy Like That | Tatiana Troyanos, Kiri Te Kanawa | T-070.012.286-6 | |
| 29-25 | West Side Story: I Have a Love | Kiri Te Kanawa, Tatiana Troyanos | T-070.903.050-1 | |
| 29-26 | West Side Story: No. 16: Taunting Scene | Leonard Bernstein | T-070.182.025-8 | |
| 29-27 | West Side Story: No. 17: Finale | Kiri Te Kanawa, José Carreras | T-070.159.178-7 | |
| 30-1 | A Quiet Place: Act 1: Prolog | — | ||
| 30-2 | A Quiet Place: Act 1: Dialogues "I'm sorry Bill" | — | ||
| 30-3 | A Quiet Place: Act 1: Readings, Chorale | — | ||
| 30-4 | A Quiet Place: Act 1: Aria "You're Late" | ORF-Symphonieorchester, Leonard Bernstein | — | |
| 30-5 | A Quiet Place: Act 1: Trio "Dear Daddy" | — | ||
| 30-6 | A Quiet Place: Act 1: Finale "Merry Christmas" | — | ||
| 30-7 | A Quiet Place: Act 1: Postlude | — | ||
| 30-8 | A Quiet Place: Act 2: Scene1 "I Wish I Could Sleep" | — | ||
| 30-9 | A Quiet Place: Act 2: Scene2 Trouble in Tahiti (I) "Dop-Daa-Day-Day-" | — | ||
| 30-10 | A Quiet Place: Act 2: Trouble in Tahiti (I) "How Could You Say" | — | ||
| 30-11 | A Quiet Place: Act 2: Trouble in Tahiti (I) "Yes? Oh, Mr. Partridge!" | — | ||
| 30-12 | A Quiet Place: Act 2: Trouble in Tahiti (I) "I Was Standing In A Garden" | — | ||
| 30-13 | A Quiet Place: Act 2: Trouble in Tahiti (I) "Well, Of All People" | — | ||
| 31-1 | A Quiet Place: Act 2, Scene 3: June twelfth | — | ||
| 31-2 | A Quiet Place: Act 2, Scene 3: But first I'd like to sing you a little song | — | ||
| 31-3 | A Quiet Place: Act 2, Scene 3: Quartett "My God Dinah" | — | ||
| 31-4 | A Quiet Place: Act 2, Scene 3: Love Scene "There is so much. Too much" | — | ||
| 31-5 | A Quiet Place: Act 2, Scene 4: Trouble in Tahiti (II) "Skid a lit day" | — | ||
| 31-6 | A Quiet Place: Act 2, Scene 4: Trouble in Tahiti (II) There's a law | — | ||
| 31-7 | A Quiet Place: Act 2, Scene 4: Trouble in Tahiti (II) What a movie! | — | ||
| 31-8 | A Quiet Place: Act 2, Scene 4: Trouble in Tahiti (II) There's a law" | — | ||
| 31-9 | A Quiet Place: Act 3: Prelude | — | ||
| 31-10 | A Quiet Place: Act 3, Scene: Morning! Good morning | — | ||
| 31-11 | A Quiet Place: Act 3, Scene: The one and only cereal | — | ||
| 31-12 | A Quiet Place: Act 3, Scene: You're...it! | — | ||
| 31-13 | A Quiet Place: Act 3, Scene: Hmm. Bye bye | — | ||
| 31-14 | A Quiet Place: Act 3, Scene: My heart shall be... thy...garden | — | ||
| 32-1 | A White House Cantata: Part 1: Prelude | — | ||
| 32-2 | A White House Cantata: Part 1: Ten Square Miles by the Potomac River | — | ||
| 32-3 | A White House Cantata: Part 1: If I was a Dove | — | ||
| 32-4 | A White House Cantata: Part 1: Welcome Home, Miz Adams | — | ||
| 32-5 | A White House Cantata: Part 1: Take Care of This House | — | ||
| 32-6 | A White House Cantata: Part 1: The President Jefferson Sunday Luncheon March | — | ||
| 32-7 | A White House Cantata: Part 1: Seena | — | ||
| 32-8 | A White House Cantata: Part 1: Sonatina | — | ||
| 32-9 | A White House Cantata: Part 1: Lud's Wedding | — | ||
| 32-10 | A White House Cantata: Part 1: The Monroviad | — | ||
| 32-11 | A White House Cantata: Part 1: This Time | — | ||
| 32-12 | A White House Cantata: Part 1: We Must Have a Ball | — | ||
| 32-13 | A White House Cantata: Part 2: Bright and Black | — | ||
| 32-14 | A White House Cantata: Part 2: Duet for One | — | ||
| 32-15 | A White House Cantata: Part 2: Minstrel Parade | — | ||
| 32-16 | A White House Cantata: Part 2: Pity the Poor | — | ||
| 32-17 | A White House Cantata: Part 2: The Grand Old Party | — | ||
| 32-18 | A White House Cantata: Part 2: To Make Us Proud | — | ||
| 33-1 | Carmen: Prélude | — | ||
| 33-2 | Carmen: Act One; No. 1 Introduction: "Sur La Place Chacun Passe" | — | ||
| 33-3 | Carmen: Act One; No. 2 Marche Et Choeur Des Gamins: "Allez, Dépêchez-vous!... Avec La Garde Montant" | — | ||
| 33-4 | Carmen: Act One; "Dites-moi, Brigadier?" | — | ||
| 33-5 | Carmen: Act One; No. 3 Choeur Et Scène: "Voici La Cloche Qui Sonne... La Cloche A Sonné" | — | ||
| 33-6 | Carmen: Act One; "Mais Nous Ne Voyons Pas La Carmencita" | — | ||
| 33-7 | Carmen: Act One; No. 4 Havanaise: "L'amour Est Un Oiseau Rebelle" | — | ||
| 33-8 | Carmen: Act One; No. 5 Scène: "Carmen, Sur Tes Pas Nous Nous Pressons Tous" | — | ||
| 33-9 | Carmen: Act One; "Monsieur Le Brigadier?", No 6 Duo: "Parle-moi de ma mère!" | — | ||
| 33-10 | Carmen: Act One; "Attends Un Peu Maintenant" | — | ||
| 33-11 | Carmen: Act One; No. 7 Choeur: "Eh Bien! Qu'est-ce Qui Arrive? ... Au Secours! Au Secours! | — | ||
| 33-12 | Carmen: Act One; "Eh Bien, Brigadier?"; No. 8 Chanson Et Melodrame: "Tra La La La..." | — | ||
| 33-13 | Carmen: Act One; No. 9 Chanson Et Duo: "Près Des Remparts De Seville" | — | ||
| 33-14 | Carmen: Act One; No. 10 Finale: "Le Lieutenant! Prenez Garde! ... L'amour Est Enfant De Bohème" | — | ||
| 33-15 | Carmen: Act One; Entr'acte | — | ||
| 33-16 | Carmen: Act Two; No. 11 Chanson: "Les Tringles Des Sistres Tintaient" | — | ||
| 33-17 | Carmen: Act Two; "Mon Dieu, Messieurs, Il Commence À Se Faire Tard" | — | ||
| 33-18 | Carmen: Act Two; No. 12 Choeur Et Ensemble: "Vivat! Vivat Le Toréro!" | — | ||
| 33-19 | Carmen: Act Two; No. 13 Couplet: "Votre Toast... Je Peux Vous Le Rendre" | — | ||
| 33-20 | Carmen: Act Two; "Dis-moi Ton Nom" | — | ||
| 33-21 | Carmen: Act Two; No. 13 Bis Choeur: "Toréador, En Garde" | — | ||
| 33-22 | Carmen: Act Two; "Eh Bien, Les Nouvelles?" | — | ||
| 33-23 | Carmen: Act Two; No. 14 Quintette: "Nous Avons Et Tête Une Affaire" | — | ||
| 33-24 | Carmen: Act Two; "Amoureuse... Ce N'est Pas Une Raison, Cela"; No. 15 Chanson: "Halte Là! Qui Va Là?"; "Ecoutez, Le Voilà" | — | ||
| 34-1 | Carmen: Act Two; No. 16 Duo: "Ja Vais Danser En Votre Honneur" | — | ||
| 34-2 | Carmen: Act Two; "La Fleur Que Tu M'avais Jetée" | — | ||
| 34-3 | Carmen: Act Two; "Non, Tu Ne M'aimes pas!" | — | ||
| 34-4 | Carmen: Act Two; No. 17 Finale: "Holà! Carmen! | — | ||
| 34-5 | Carmen: Act Two; Entr'acte | — | ||
| 34-6 | Carmen: Act Three, First Tableau; No. 18 Introduction: "Ecoute, Compagnon, Écoute... Notre Metier Est Bon" | — | ||
| 34-7 | Carmen: Act Three, First Tableau; "Voyons, Carmen... Faisons La Paix" | — | ||
| 34-8 | Carmen: Act Three, First Tableau; No. 19 Trio: "Mêlons! Coupons! | — | ||
| 34-9 | Carmen: Act Three, First Tableau; "Carreau, Pique... La Mort! ... En Vain, Pour Éviter Les Résponses Amères" | — | ||
| 34-10 | Carmen: Act Three, First Tableau; "Parlez Encore, Parlez, Mes Belles" | — | ||
| 34-11 | Carmen: Act Three, First Tableau; "Holà, Les Belles" | — | ||
| 34-12 | Carmen: Act Three, First Tableau; No. 20 Morceau D'Ensemble: "Quant Au Douanier, C'est Notre Affaire" | — | ||
| 34-13 | Carmen: Act Three, First Tableau; No. 21 Air: "Je Dis Qui Rien Ne M'épouvante" | — | ||
| 34-14 | Carmen: Act Three, First Tableau; "Qui Va Là", No. 22 Duo: "Je Suis Escamillo" | — | ||
| 34-15 | Carmen: Act Three, First Tableau; No. 23 Finale: "Holà, Holà, José!" | — | ||
| 34-16 | Carmen: Act Three, First Tableau; "Moi? Je Viens Te Chercher" | — | ||
| 34-17 | Carmen: Act Three, First Tableau; Entr'acte | — | ||
| 34-18 | Carmen: Act Three, Second Tableau; No. 24 Choeur: "A Deux Cuartos" | — | ||
| 34-19 | Carmen: Act Three, Second Tableau; No. 25 Choeur Et Scène: "Les Voici! Voici La Quadrille" | — | ||
| 34-20 | Carmen: Act Three, Second Tableau; "Si Tu M'aimes, Carmen" | — | ||
| 34-21 | Carmen: Act Three, Second Tableau; "Carmen, Un Bon Conseil" | — | ||
| 34-22 | Carmen: Act Three, Second Tableau; No. 26 Duo Final: "C'est Toi? C'est Moi!" | — | ||
| 35-1 | Symphony No. 1: 1. Un poco sostenuto - Allegro - Meno allegro | — | ||
| 35-2 | Symphony No. 1: 2. Andante sostenuto | — | ||
| 35-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 35-4 | Symphony No. 1: 4. Adagio - Piu andante - Allegro non troppo, ma con brio - Piu allegro | — | ||
| 36-1 | Symphony No. 2 In D Major, Op. 73: 1. Allegro non troppo | — | ||
| 36-2 | Symphony No. 2 In D Major, Op. 73: 2. Adagio non troppo - L'istesso tempo, ma grazioso | — | ||
| 36-3 | Symphony No. 2 In D Major, Op. 73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai | — | ||
| 36-4 | Symphony No. 2 In D Major, Op. 73: 4. Allegro con spirito | — | ||
| 36-5 | Academic Festival Overture, Op.80 | — | ||
| 37-1 | Symphony No. 3 In F Major, Op. 90: 1. Allegro con brio - Un poco sostenuto - Tempo I | — | ||
| 37-2 | Symphony No. 3 In F Major, Op. 90: 2. Andante | — | ||
| 37-3 | Symphony No. 3 In F Major, Op. 90: 3. Poco allegretto | — | ||
| 37-4 | Symphony No. 3 In F Major, Op. 90: 4. Allegro | — | ||
| 37-5 | Variations on a Theme by Haydn, Op.56a | — | ||
| 38-1 | Symphony No. 4 In E Minor, Op. 98: 1. Allegro non troppo | — | ||
| 38-2 | Symphony No. 4 In E Minor, Op. 98: 2. Andante moderato | — | ||
| 38-3 | Symphony No. 4 In E Minor, Op. 98: 3. Allegro giocoso - Poco meno presto - Tempo I | — | ||
| 38-4 | Symphony No. 4 In E Minor, Op. 98: 4. Allegro energico e passionato - Più allegro | — | ||
| 38-5 | Tragic Overture, Op.81 | — | ||
| 39-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | — | ||
| 39-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 39-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | — | ||
| 40-1 | Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-322.446.876-8 | |
| 40-2 | Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-322.185.909-8 | |
| 40-3 | Piano Concerto no. 2 in B-flat major, op. 83: III. Andante | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-322.449.900-3 | |
| 40-4 | Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-322.446.992-1 | |
| 41-1 | Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo | — | ||
| 41-2 | Concerto for Violin and Orchestra in D major, op. 77: II. Adagio | — | ||
| 41-3 | Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace | — | ||
| 41-4 | Concerto for Violin, Cello and Orchestra in A minor, op. 102: I. Allegro | — | ||
| 41-5 | Concerto for Violin, Cello and Orchestra in A minor, op. 102: II. Andante | — | ||
| 41-6 | Concerto for Violin, Cello and Orchestra in A minor, op. 102: III. Vivace non troppo | — | ||
| 42-1 | Symphony no. 9 in D minor: I. Feierlich, misterioso | — | ||
| 42-2 | Symphony no. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell | — | ||
| 42-3 | Symphony no. 9 in D minor: III. Adagio. Langsam, feierlich | — | ||
| 43-1 | Appalachian Spring | Los Angeles Philharmonic, Leonard Bernstein | T-070.001.612-1 | |
| 43-2 | American Festival Overture | — | ||
| 43-3 | Adagio for Strings, op. 11/2 | Los Angeles Philharmonic Orchestra, Leonard Bernstein | T-070.000.199-5 | |
| 43-4 | Candide: Overture | Israel Philharmonic Orchestra, Leonard Bernstein | T-903.288.559-9 | |
| 44-1 | Symphony no. 3: IV. Molto deliberato (Fanfare) -- Allegro risoluto | New York Philharmonic, Leonard Bernstein | — | |
| 44-2 | Symphony no. 3: IV. Molto deliberato (Fanfare) -- Allegro risoluto | New York Philharmonic, Leonard Bernstein | — | |
| 44-3 | Symphony no. 3: IV. Molto deliberato (Fanfare) -- Allegro risoluto | New York Philharmonic, Leonard Bernstein | — | |
| 44-4 | Symphony no. 3: IV. Molto deliberato (Fanfare) -- Allegro risoluto | New York Philharmonic, Leonard Bernstein | — | |
| 44-5 | Quiet City for Cor Anglais, Trumpet and Strings | Philip Smith, Thomas Stacy, New York Philharmonic, Leonard Bernstein | T-070.125.007-8 | |
| 45-1 | El Salon Mexico | — | ||
| 45-2 | Concerto for Clarinet - Slowly & Expressively | — | ||
| 45-3 | Concerto for Clarinet - Rather fast | — | ||
| 45-4 | Music for the Theatre: I. Prologue | — | ||
| 45-5 | Music for the Theatre: II. Dance: Allegro molto | — | ||
| 45-6 | Music for the Theatre: III. Interlude: Lento moderato | — | ||
| 45-7 | Music for the Theatre: IV. Burlesque: Allegro vivo | — | ||
| 45-8 | Music for the Theatre: V. Epilogue: Moderato - Molto moderato - Lento molto | — | ||
| 45-9 | Connotations for Orchestra | — | ||
| 46-1 | Images pour orchestre: I. Gigues | — | ||
| 46-2 | Images pour orchestre: III. Rondes de printemps | — | ||
| 46-3 | Images pour orchestre: IIa. Ibéria: Par les rues et par les chemins | — | ||
| 46-4 | Images pour orchestre: IIb. Ibéria: Les parfums de la nuit | — | ||
| 46-5 | Images pour orchestre: IIc Ibéria: Le matin d'un jour de fête | — | ||
| 46-6 | Prélude à l'après-midi d'un faune | — | ||
| 46-7 | La Mer: I. De l'aube à midi sur la mer | — | ||
| 46-8 | La Mer: II. Jeux de vagues | — | ||
| 46-9 | La Mer: III. Dialogue du vent et de la mer | — | ||
| 47-1 | Symphony No.9 in E Minor, Op.95, B.178 - "From The New World": 1. Adagio - Allegro molto | — | ||
| 47-2 | Symphony No.9 in E Minor, Op.95, B.178 - "From The New World": 2. Largo | — | ||
| 47-3 | Symphonie nr. 9 e‐Moll, op. 95 »Aus der Neuen Welt«: III. Scherzo. Molto vivace | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 47-4 | Symphony No.9 in E Minor, Op.95, B.178 - "From The New World": 4. Allegro con fuoco | — | ||
| 48-1 | Variations on an Original Theme "Enigma", op. 36: IX. (Nimrod) Adagio | BBC Symphony Orchestra, Leonard Bernstein | T-010.115.427-1 | |
| 48-9 | Enigma Variations, op. 36: Var. 8. Allegretto “W.N.” | BBC Symphony Orchestra, Leonard Bernstein | — | |
| 48-11 | Enigma Variations, op. 36: Var. 10. Intermezzo. Allegretto “Dorabella” | BBC Symphony Orchestra, Leonard Bernstein | — | |
| 48-12 | Variations on an Original Theme "Enigma", op. 36: XI. (G.R.S.) Allegro di molto | BBC Symphony Orchestra, Leonard Bernstein | — | |
| 48-13 | Variations on an Original Theme "Enigma", op. 36: XII. (B.G.N.) Andante | BBC Symphony Orchestra, Leonard Bernstein | — | |
| 48-14 | Variations on an Original Theme "Enigma", op. 36: XIII. Romanza (***) Moderato | BBC Symphony Orchestra, Leonard Bernstein | T-042.146.383-3 | |
| 48-15 | Variations on an Original Theme "Enigma", op. 36: XIV. Finale (E.D.U.) Allegro - Presto | BBC Symphony Orchestra, Leonard Bernstein | — | |
| 48-16 | Pomp and Circumstance, op. 39: No. 1 in D major | BBC Symphony Orchestra, Leonard Bernstein | — | |
| 48-17 | Pomp and Circumstance, op. 39: No. 2 in A minor | BBC Symphony Orchestra, Leonard Bernstein | — | |
| 48-18 | The Crown of India, op. 66: March of the Mogul Emperors | BBC Symphony Orchestra, Leonard Bernstein | T-912.663.686-0 | |
| 49-1 | Symphonie en ré mineur: I. Lento - Allegro non troppo | Orchestre National de France, Leonard Bernstein | T-900.967.586-9 | |
| 49-2 | Symphonie en ré mineur: II. Allegretto - | Orchestre National de France, Leonard Bernstein | T-312.184.211-9 | |
| 49-3 | Symphonie en ré mineur: III. Allegro non troppo | Orchestre National de France, Leonard Bernstein | T-900.967.586-9 | |
| 49-4 | Le Rouet d'Omphale, Op.31 | — | ||
| 49-5 | Symphonie no. 3 en sol mineur, op. 42: I. Allegro vivo | Orchestre National de France, Leonard Bernstein | — | |
| 49-6 | Symphonie no. 3 en sol mineur, op. 42: II. Adagio | Orchestre National de France, Leonard Bernstein | — | |
| 49-7 | Symphonie no. 3 en sol mineur, op. 42: III. Vivace | Orchestre National de France, Leonard Bernstein | — | |
| 49-8 | Symphonie no. 3 en sol mineur, op. 42: IV. Allegro con spirito | Orchestre National de France, Leonard Bernstein | — | |
| 50-1 | Symphony no. 3 | — | ||
| 50-2 | Symphony no. 3, Part I: Passacaglia | New York Philharmonic, Leonard Bernstein | T-070.165.071-6 | |
| 50-3 | Symphony no. 3, Part I: Fugue | New York Philharmonic, Leonard Bernstein | — | |
| 50-4 | Symphony no. 3, Part II: Chorale | New York Philharmonic, Leonard Bernstein | — | |
| 50-5 | Symphony no. 3, Part II: Toccata | New York Philharmonic, Leonard Bernstein | — | |
| 51-1 | Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro | Wiener Philharmoniker, Leonard Bernstein | — | |
| 51-2 | Symphony no. 88 in G major, Hob. I:88: II. Largo | Wiener Philharmoniker, Leonard Bernstein | T-902.876.200-7 | |
| 51-3 | Symphony no. 88 in G major, Hob. I:88: III. Menuetto: Allegretto | Wiener Philharmoniker, Leonard Bernstein | T-902.876.200-7 | |
| 51-4 | Symphony no. 88 in G major, Hob. I:88: IV. Finale: Allegretto con spirito | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 | |
| 51-5 | Symphony in G major, Hob. I: 92 "Oxford": I. Adagio - Allegro spiritoso | — | ||
| 51-6 | Symphony in G major, Hob. I: 92 "Oxford": II. Adagio | — | ||
| 51-7 | Symphony in G major, Hob. I: 92 "Oxford": III. Menuet. Allegretto | — | ||
| 51-8 | Symphony in G major, Hob. I: 92 "Oxford": IV. Finale. Presto | — | ||
| 52-1 | Symphony no. 94 in G major, Hob. I:94 "Surprise" I. Adagio. Vivace assai | Wiener Philharmoniker, Leonard Bernstein | — | |
| 52-2 | Symphony no. 94 in G major, Hob. I:94 "Surprise" II. Andante | Wiener Philharmoniker, Leonard Bernstein | — | |
| 52-3 | Symphony no. 94 in G major "Surprise": Menuet (Allegro molto - Trio - Menuet) | Wiener Philharmoniker, Leonard Bernstein | — | |
| 52-4 | Symphony no. 94 in G major, Hob. I:94 "Surprise" IV. Finale. Allegro di molto | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 | |
| 52-5 | Sinfonia concertante in B flat, H.I No.105: 1. Allegro | — | ||
| 52-6 | Sinfonia concertante in B flat, H.I No.105: 2. Andante | — | ||
| 52-7 | Sinfonia concertante in B flat, H.I No.105: 3. Allegro con spirito | — | ||
| 53-1 | Die Schöpfung: Erster Teil: Der Erste Tag: I. Die Vorstellung des Chaos | — | ||
| 53-2 | Die Schöpfung: Erster Teil: Der Erste Tag: II. Rezitativ: Im Anfange schuf Gott Himmel und Erde | — | ||
| 53-3 | Die Schöpfung: Erster Teil: Der Erste Tag: III. Arie und Chor: Nun schwanden vor dem heiligen Strahle | — | ||
| 53-4 | Die Schöpfung: Erster Teil: Der Zweite Tag: IV. Accompagnato-Rezitativ: Und Gott machte das Firmament | — | ||
| 53-5 | Die Schöpfung: Erster Teil: Der Zweite Tag: V. Solo mit Chor: Mit staunen sieht das Wunderwerk | — | ||
| 53-6 | Die Schöpfung: Erster Teil: Der Dritte Tag: VI. Rezitativ: Und Gott sprach: Es sammle sich das Wasser | — | ||
| 53-7 | Die Schöpfung: Erster Teil: Der Dritte Tag: VII. Rollend in schäumenden Wellen | — | ||
| 53-8 | Die Schöpfung: Erster Teil: Der Dritte Tag: VIII. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor | — | ||
| 53-9 | Die Schöpfung: Erster Teil: Der Dritte Tag: IX. Arie: Nun beut die Flur das frische Grun | — | ||
| 53-10 | Die Schöpfung: Erster Teil: Der Dritte Tag: X. Rezitativ: Und die himmlischen Heerscharen verkündigten | — | ||
| 53-11 | Die Schöpfung: Erster Teil: Der Dritte Tag: XI. Chor: Stimmt an die Saiten | — | ||
| 53-12 | Die Schöpfung: Erster Teil: Der Vierte Tag: XII. Rezitativ: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels | — | ||
| 53-13 | Die Schöpfung: Erster Teil: Der Vierte Tag: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt | — | ||
| 53-14 | Die Schöpfung: Erster Teil: Der Vierte Tag: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes | — | ||
| 53-15 | Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XV. Rezitativ: Und Gott sprach: Es bringe das Wasser in der Fülle hervor | — | ||
| 53-16 | Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XVI. Arie: Auf starkem Fittiche schwinget sich der Adler stolz | — | ||
| 53-17 | Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XVII. Accompagnato-Rezitativ: Und Gott schuf große Walfische | — | ||
| 53-18 | Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XVIII. Rezitativ: Und die engel rührten ihr' unsterblichen Harfen | — | ||
| 53-19 | Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XIX. Terzett und Chor: In holder Anmut stehn | — | ||
| 54-1 | Die Schöpfung: Zweiter Teil: Der Sechste Tag: XX. Rezitativ: Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe | — | ||
| 54-2 | Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXI. Accompagnato-Rezitativ: Gleich öffnet sich der Erde Schoß | — | ||
| 54-3 | Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXII. Arie: Nun scheint in vollem Glanze der Himmel | — | ||
| 54-4 | Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXIII. Rezitativ: Und Gott schuf den Menschen | — | ||
| 54-5 | Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXIV. Arie: Mit Würd' und Hoheit angetan | — | ||
| 54-6 | Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXV. Rezitativ: Und Gott sah jedes Ding | — | ||
| 54-7 | Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf | — | ||
| 54-8 | Die Schöpfung: Dritter Teil: XXVII. Accompagnato-Rezitativ: Aus Rosenwolken bricht | — | ||
| 54-9 | Die Schöpfung: Dritter Teil: XXVIII. Duett mit Chor: Von deiner Güt', o Herr und Gott | — | ||
| 54-10 | Die Schöpfung: Dritter Teil: XXIX. Rezitativ: Nun ist die erste Pflicht erfüllt | — | ||
| 54-11 | Die Schöpfung: Dritter Teil: XXX. Duett: Holde Gattin, dir zur Seite | — | ||
| 54-12 | Die Schöpfung: Dritter Teil: XXXI. Rezitativ: O glücklich Paar, und glücklich immerfort | — | ||
| 54-13 | Die Schöpfung: Dritter Teil: XXXII. Chor: Singt dem Herren alle Stimmen | — | ||
| 55-1 | Symphony no. 102 in B-flat major, Hob. I:102: 1. Largo - Vivace | — | ||
| 55-2 | Symphony no. 102 in B-flat major, Hob. I:102: 2. Adagio | — | ||
| 55-3 | Symphony no. 102 in B-flat major, Hob. I:102: 3. Menuetto (Allegro) | — | ||
| 55-4 | Symphony no. 102 in B-flat major, Hob. I:102: 4. Finale. Presto | — | ||
| 55-5 | Missa in tempore belli, Hob. XXII:9: I. Kyrie | — | ||
| 55-6 | Missa in tempore belli, Hob. XXII:9: II. Gloria: Gloria in excelsis Deo | — | ||
| 55-7 | Missa in tempore belli, Hob. XXII:9: II. Gloria: Qui tollis peccata mundi | — | ||
| 55-8 | Missa in tempore belli, Hob. XXII:9: II. Gloria: Quoniam tu solus sanctus | — | ||
| 55-9 | Missa in tempore belli, Hob. XXII:9: III. Credo: Credo in unum Deum | — | ||
| 55-10 | Missa in tempore belli, Hob. XXII:9: III. Credo: Et incarnatus est | — | ||
| 55-11 | Missa in tempore belli, Hob. XXII:9: III. Credo: Et ressurexit tertia die | — | ||
| 55-12 | Missa in tempore belli, Hob. XXII:9: III. Credo: Et vitam venturi saeculi | — | ||
| 55-13 | Missa in tempore belli, Hob. XXII:9: IV. Sanctus | — | ||
| 55-14 | Missa in tempore belli, Hob. XXII:9: V: Benedictus | — | ||
| 55-15 | Missa in tempore belli, Hob. XXII:9: VI: Agnus Dei | — | ||
| 56-1 | Symphonie "Mathis der Maler": I. Engelskonzert | — | ||
| 56-2 | Symphonie "Mathis der Maler": II. Grablegung | — | ||
| 56-3 | Symphonie "Mathis der Maler": III. Versuchung des Heiligen Antonius | — | ||
| 56-4 | Konzertmusik für Streichorchester und Blechbläser, op. 50 - Erster Teil: I. Mäßig schnell, mit Kraft | — | ||
| 56-5 | Konzertmusik für Streichorchester und Blechbläser, op. 50 - Erster Teil: II. Sehr breit, aber stets fließend | — | ||
| 56-6 | Konzertmusik für Streichorchester und Blechbläser, op. 50 - Zweiter Teil: III. Lebhaft | — | ||
| 56-7 | Konzertmusik für Streichorchester und Blechbläser, op. 50 - Zweiter Tei: IV. Langsam | — | ||
| 56-8 | Konzertmusik für Streichorchester und Blechbläser, op. 50 - Zweiter Tei: V. Im ersten Zeitmaß - Lebhaft | — | ||
| 56-9 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: I.Allegro | — | ||
| 56-10 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: II. 'Turandot-Scherzo': Moderato - Lebhaft | — | ||
| 56-11 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: III. Andantino | — | ||
| 56-12 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: IV. Marsch | — | ||
| 57-1 | Symphony no. 2: 1. Andante moderato | New York Philharmonic, Leonard Bernstein | — | |
| 57-2 | Symphony no. 2: 2. Allegro | New York Philharmonic, Leonard Bernstein | — | |
| 57-3 | Symphony no. 2: 3. Adagio cantabile | New York Philharmonic, Leonard Bernstein | T-001.397.158-8 | |
| 57-4 | Symphony no. 2: 4. Lento maestoso | New York Philharmonic, Leonard Bernstein | — | |
| 57-5 | Symphony no. 2: 5. Allegro molto vivace | New York Philharmonic, Leonard Bernstein | — | |
| 57-6 | The Gong on the Hook and Ladder or Fireman's Parade on Main Street | — | ||
| 57-7 | Tone Roads no. 1 | — | ||
| 57-8 | Hymn: Largo Cantabile | — | ||
| 57-9 | Hallowe'en | — | ||
| 57-10 | Central Park in the Dark | — | ||
| 57-11 | The Unanswered Question | — | ||
| 58-1 | Eine Faust-Symphonie: I. Faust | Boston Symphony Orchestra, Leonard Bernstein | — | |
| 58-2 | Eine Faust-Symphonie: II. Gretchen | Boston Symphony Orchestra, Leonard Bernstein | — | |
| 58-3 | Eine Faust-Symphonie: III. Mephistopheles / Schlußchor "Alles Vergängliche ist nur ein Gleichnis" | Boston Symphony Orchestra, Tanglewood Festival Chorus, Leonard Bernstein, Kenneth Riegel | — | |
| 59-1 | Mefistofele: Prologo in cielo: I. Tempo. Preludio e coro | Norbert Balatsch, Elisabeth Ziegler, Chor der Wiener Staatsoper, Nicolaï Ghiaurov, Gumpoldskirchner Spatzen, Wiener Philharmoniker, Leonard Bernstein | — | |
| 59-2 | Mefistofele: Prologo in cielo: II. Tempo. Scherzo strumentale “Ave, Signor” | Norbert Balatsch, Elisabeth Ziegler, Chor der Wiener Staatsoper, Nicolaï Ghiaurov, Gumpoldskirchner Spatzen, Wiener Philharmoniker, Leonard Bernstein | — | |
| 59-3 | Mefistofele: Prologo in cielo: Intermezzo dramatico “T’è noto Faust?” | Norbert Balatsch, Elisabeth Ziegler, Chor der Wiener Staatsoper, Nicolaï Ghiaurov, Gumpoldskirchner Spatzen, Wiener Philharmoniker, Leonard Bernstein | — | |
| 59-4 | Mefistofele: Prologo in cielo: III. Tempo. Scherzo vocale ”Siam nimbi – volanti – dai limbi” | Norbert Balatsch, Elisabeth Ziegler, Chor der Wiener Staatsoper, Nicolaï Ghiaurov, Gumpoldskirchner Spatzen, Wiener Philharmoniker, Leonard Bernstein | — | |
| 59-5 | Mefistofele: Prologo in cielo: IV. Salmodia finale “Salve Regina! S’innalzi un’eco” | Norbert Balatsch, Elisabeth Ziegler, Chor der Wiener Staatsoper, Nicolaï Ghiaurov, Gumpoldskirchner Spatzen, Wiener Philharmoniker, Leonard Bernstein | — | |
| 60-1 | "I feel Pretty" (Piano rehearsal) | — | ||
| 60-2 | First session: introduction of the principals | — | ||
| 60-3 | Tonight | — | ||
| 60-4 | "Jet Song" (recording) | — | ||
| 60-5 | "Cool" (recording) | — | ||
| 60-6 | "Tonight" (Piano rehearsal) | — | ||
| 60-7 | "Something's Coming" (recording: take, playback, retakes) | — | ||
| 60-8 | Troyanos on working with Bernstein "Tonight (Ensemble)" (recording) | — | ||
| 60-9 | "Tonight (Ensemble)" (recording- contd.) | — | ||
| 60-10 | "I Feel Pretty" | — | ||
| 60-11 | Te Kanawa on working with Bernstein | — | ||
| 60-12 | Problem passages, "Dance at the Gym" (recording & playbacks) | — | ||
| 60-13 | Bernstein talks to the press "Dance at the Gym" (recording-contd.) | — | ||
| 60-14 | "Meeting Scene" | — | ||
| 60-15 | Te Kanawa on West Side Story, "Somewhere" (recording) | — | ||
| 60-16 | Troyanos on recording, "America" (rehearsal and recording) | — | ||
| 60-17 | "One Hand, One Heart" (recording) | — | ||
| 60-18 | Te Kanawa on singing Bernstein's music | — | ||
| 60-19 | "Maria" (piano rehearsal) | — | ||
| 60-20 | "Maria" (recording) | — | ||
| 60-21 | Carreras on the Interruption, "Maria" (recording- contd.) | — | ||
| 60-22 | Te Kanawa on working with Berstein | — | ||
| 60-23 | "A Boy like that" "I have love" (recording) | — | ||
| 60-24 | "Gee, Officer Krupke" (recording) | — | ||
| 60-25 | "Balcony Scene" (recording) | — | ||
| 60-26 | Berstein on recording West side Story, "Balcony Scene" (recording) | — | ||
| 60-27 | End titles | — |
Identifier Graph
028947910473 is a Universal Product Code (UPC) assigned to The Leonard Bernstein Collection, Volume One by Leonard Bernstein. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 628 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 5 in C minor, op. 67: II. Andante con moto | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 5 in C minor, op. 67: III. Allegro | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 5 in C minor, op. 67: IV. Allegro | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | T-915.714.772-3 |
| Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | T-300.456.250-5 |
| Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 |
| Symphony no. 2 in D major, op. 36: I. Adagio – Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 2 in D major, op. 36: IV. Allegro molto | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 |
| Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | T-001.444.317-4 |
| Symphony no. 4 in B-flat major, op. 60: II. Adagio | Wiener Philharmoniker, Leonard Bernstein | T-001.444.317-4 |
| Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | T-001.444.317-4 |
| Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Wiener Philharmoniker, Leonard Bernstein | T-001.444.317-4 |
| Symphony No. 6 in F major, Op. 68 "Pastorale": I. Awakening of Cheerful Feelings upon Arrival in the Country: Allegro ma non troppo | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony No. 6 in F major, Op. 68 "Pastorale": III. Merry Gathering of Country Folk: Allegro | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Storm: Allegro | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony No. 6 in F major, Op. 68 "Pastorale": V. Shepherd's Song: Happy and Thankful Feelings after the Storm: Allegretto | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Wiener Philharmoniker, Leonard Bernstein | T-909.821.799-3 |
| Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto | Wiener Philharmoniker, Leonard Bernstein | T-312.439.209-8 |
| Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | T-900.167.504-3 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Leonard Bernstein Collection, Volume One” by Leonard Bernstein is 028947910473. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2014-01-01. Label: Deutsche Grammophon. This release contains 628 tracks, each with its own ISRC. Tracks include DEF057803270, DEF057803270, DEF057803270.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 2 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 5 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 7 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 8 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 2-1 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 2-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 2-3 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 2-4 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 2-5 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 2-6 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 2-7 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 2-8 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 3-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 3-2 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 3-3 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 3-4 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 3-5 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 3-6 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 3-7 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 3-8 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 3-9 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-1 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-3 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-4 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-5 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | T-001.444.317-4 | |
| 5-1 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 5-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 5-3 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 5-4 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 5-5 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6-1 | Ouvertüre zu "Die Geschöpfe des Prometheus" c-Moll, Op. 43 | Wiener Philharmoniker, Leonard Bernstein | T-909.574.378-5 | |
| 6-2 | Egmont, Op. 84: Ouvertüre. Sostenuto, ma non troppo | Wiener Philharmoniker, Leonard Bernstein | T-909.574.378-5 | |
| 6-3 | Ouvertüre zu "Coriolan", Op. 62 | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6-4 | Ouvertüre zu "König Stephan", Op. 117 | Wiener Philharmoniker, Leonard Bernstein | T-909.574.378-5 | |
| 6-5 | Fidelio, op. 72: Overture | Wiener Philharmoniker, Leonard Bernstein | T-801.974.499-2 | |
| 6-6 | Ouvertüre "Leonore III", Op. 72a | Wiener Philharmoniker, Leonard Bernstein | — | |
| 7-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 7-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 7-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | T-800.132.125-2 | |
| 7-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 7-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 7-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | T-909.876.873-1 | |
| 8-1 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: I. Allegro | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-007.303.107-8 | |
| 8-2 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco moto – attacca | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-928.635.608-9 | |
| 8-3 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: III. Rondo. Allegro | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-031.682.208-8 | |
| 9-1 | Quartet for Strings No. 16 in F major, Op. 135: I. Allegretto | — | ||
| 9-2 | Quartet for Strings No. 16 in F major, Op. 135: II. Vivace | — | ||
| 9-3 | Quartet for Strings no. 16 in F major, op. 135: III. Lento assai e cantante tranquillo | Wiener Philharmoniker, Leonard Bernstein | — | |
| 9-4 | Quartet for Strings No. 16 in F major, Op. 135: IV. Der schwer gefasste Entschluss: Grave (Muss es sein?)-Allegro (Es muss sein)... | — | ||
| 9-5 | Quartet for Strings No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo | — | ||
| 9-6 | Quartet for Strings No. 14 in C-sharp minor, Op. 131: II. Allegretto | — | ||
| 9-7 | Quartet for Strings No. 14 in C-sharp minor, Op. 131: III. Allegro moderato | — | ||
| 9-8 | Quartet for Strings No. 14 in C-sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile... | — | ||
| 9-9 | Quartet for Strings No. 14 in C-sharp minor, Op. 131: V. Presto | — | ||
| 9-10 | Quartet for Strings No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante | — | ||
| 9-11 | Quartet for Strings No. 14 in C-sharp minor, Op. 131: VII. Allegro | — | ||
| 10-1 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie. Kyrie eleison | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-2 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie. Christe eleison | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-3 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie. Kyrie eleison | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-4 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIa. Gloria. Gloria in excelsis Deo | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-5 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIc. Gloria. Qui tollis peccata mundi | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-6 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IId. Gloria. Quoniam tu solus Sanctus | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-7 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIe. Gloria. In gloria Dei Patris | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-8 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIf. Gloria. Amen, in gloria dei Patris | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-9 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIa. Credo. Credo in unum Deum | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-10 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIb. Credo. Et incarnatus est | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | T-915.866.113-3 | |
| 10-11 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-12 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIId. Credo. Et vitam venturi sauculi | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-13 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIe. Credo. Amen, et vitam venturi sauculi. Amen | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-14 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-15 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVb. Sanctus. Pleni sunt coeli et terra - Osanna in excelsis | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-16 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVc. Sanctus. Praeludium | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-17 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Herman Krebbers, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-18 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-19 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-20 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 10-21 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 11-1 | Fidelio, op. 72: Overture | Wiener Philharmoniker, Leonard Bernstein | T-801.974.499-2 | |
| 11-2 | Fidelio, op. 72: Act I, Scene I, no. 1. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) | Adolf Dallapozza, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-3 | Fidelio, op. 72: Act I, Scene I. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) | Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-4 | Fidelio, op. 72: Act I, Scene I, no. 2. Aria “O wär’ ich schon mit dir vereint” (Marzelline) | Lucia Popp, Gundula Janowitz, Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-5 | Fidelio, op. 72: Act I, Scene I. “Jaquino!” – “Ja, Meister Rocco?” (Rocco, Jaquino, Marzelline, Leonore) | Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-6 | Fidelio, op. 72: Act I, Scene I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-7 | Fidelio, op. 72: Act I, Scene I. “Höre, Fidelio!” (Rocco, Marzelline) | Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-8 | Fidelio, op. 72: Act I, Scene I, no. 4. Aria “Hat man nicht auch Gold beineben” (Rocco) | Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-9 | Fidelio, op. 72: Act I, Scene I. “Ihr habt recht, Vater Rocco” (Leonore, Rocco, Marzelline) | Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-10 | Fidelio, op. 72: Act I, Scene I, no. 5. Trio “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline) | Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-11 | Fidelio, op. 72: Act I, Scene II, no. 6. March | Wiener Philharmoniker, Leonard Bernstein | T-001.200.274-2 | |
| 11-12 | Fidelio, op. 72: Act I, Scene II. “Drei Mann Schildwachen auf den Wall” (Pizarro, Rocco) | Manfred Jungwirth, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-13 | Fidelio, op. 72: Act I, Scene II, no. 7. Aria “Ha! Welch ein Augenblick!” (Pizarro, Chorus) | Chor der Wiener Staatsoper, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-14 | Fidelio, op. 72: Act I, Scene II. “Hauptmann! Besteigen Sie mit einem Trompeter sogleich den Turm” (Pizarro, Rocco) | Manfred Jungwirth, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-15 | Fidelio, op. 72: Act I, Scene II, no. 8. Duet “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco) | Manfred Jungwirth, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-16 | Fidelio, op. 72: Act I, Scene II, no. 9. Recitative “Abscheulicher!” - Aria “Komm, Hoffnung” (Leonore) | Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-17 | Fidelio, op. 72: Act I, Scene II. “Marzelline!” – “Nein, ich will nicht …” (Jaquino, Marzelline, Rocco, Leonore) | Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-18 | Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust” | Chor der Wiener Staatsoper, Karl Terkal, Alfred Šramek, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-19 | Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative “Nun sprecht, wie ging’s?” (Leonore, Rocco) / no. 10c. Duet “Noch heute! Noch heute!” (Leonore, Rocco) / no. 10d. Duet “Wir müssen gleich zu Werke schreiten” (Rocco, Leonore) / no. 10e. / no. 10f. | Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-20 | Fidelio, op. 72: Act I, Scene II, no. 10g. “Leb wohl, du warmes Sonnenlicht” (Soloists & Chorus) | Chor der Wiener Staatsoper, Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-1 | Fidelio, op. 72: Act II, Scene I, no. 11. Introduction “Gott! Welch Dunkel hier!” - Aria “In des Lebens Frühlingstagen” | René Kollo, Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-2 | Fidelio, op. 72: Act II, Scene I, no. 12. Melodrama “Wie kalt ist es in diesem unterirdischen Gewölbe!” – Duet “Nur hurtig fort, nur frisch gegraben” | Gundula Janowitz, Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-3 | Fidelio, op. 72: Act II, Scene I. “Er erwacht” | Gundula Janowitz, Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-4 | Fidelio, op. 72: Act II, Scene I, no. 13. Trio “Euch werde Lohn in bessem Welten” | Gundula Janowitz, Manfred Jungwirth, René Kollo, Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-5 | Fidelio, op. 72: Act II, Scene I. “Alles ist bereit” | Gundula Janowitz, Manfred Jungwirth, René Kollo, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-6 | Fidelio, op. 72: Act II, Scene I, no. 14. Quartet “Er sterbe! Doch er soll erst wissen” - “Vater Rocco! Der Herr Minister ist angekommen” - “Es schlägt der Rache Stunder” | Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, René Kollo, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-7 | Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” | Gundula Janowitz, René Kollo, Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-8 | Ouvertüre "Leonore III", Op. 72a | Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-9 | Fidelio, op. 72: Act II, Scene II, no. 16. Finale “Heil sei dem Tag” – “Bestrafet sei der Bösewicht” – “O Gott! Welch ein Augenblick!” – “Wer ein holdes Weib errungen” | Chor der Wiener Staatsoper, Adolf Dallapozza, Dietrich Fischer-Dieskau, Gundula Janowitz, Manfred Jungwirth, René Kollo, Lucia Popp, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-1 | Overture "Leonore no. 3", op. 72a | — | ||
| 13-2 | Piano Concerto no. 4 in G major, op. 58: 1. Allegro moderato | Claudio Arrau, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 13-3 | Piano Concerto no. 4 in G major, op. 58: 2. Andante con moto | Claudio Arrau, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 13-4 | Piano Concerto no. 4 in G major, op. 58: 3. Rondo (Vivace) | Claudio Arrau, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 14-1 | Symphony No.5 In C Minor, Op.67: 1. Allegro con brio | — | ||
| 14-2 | Symphony No.5 In C Minor, Op.67: 2. Andante con moto | — | ||
| 14-3 | Symphony No.5 In C Minor, Op.67: 3. Allegro | — | ||
| 14-4 | Symphony No.5 In C Minor, Op.67: 4. Allegro | — | ||
| 15-1 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 15-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-909.876.841-3 | |
| 15-3 | Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-912.747.871-1 | |
| 15-4 | Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-306.395.786-4 | |
| 16-1 | 4 Sea Interludes: I. Dawn. Lento e tranquillo | Boston Symphony Orchestra, Leonard Bernstein | — | |
| 16-2 | 4 Sea Interludes: II. Sunday Morning. Allegro spiritoso | Boston Symphony Orchestra, Leonard Bernstein | — | |
| 16-3 | 4 Sea Interludes: III. Moonlight. Andante comodo e rubato | Boston Symphony Orchestra, Leonard Bernstein | — | |
| 16-4 | 4 Sea Interludes: IV. Storm. Presto con fuoco | Boston Symphony Orchestra, Leonard Bernstein | — | |
| 16-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace | — | ||
| 16-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Leonard Bernstein | T-314.638.300-4 | |
| 16-7 | Symphony no. 7 in A major, op. 92: III. Presto | Wiener Philharmoniker, Leonard Bernstein | T-915.710.750-1 | |
| 16-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 17-1 | Symphony no. 1 "Jeremiah": I. Prophecy. Largamente | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 17-2 | Symphony no. 1 "Jeremiah": II. Profanation. Vivace con brio | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 17-3 | Symphony no. 1 "Jeremiah": III. Lamentation. Lento | Christa Ludwig, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 17-4 | Chichester Psalms: Psalm 108 (verse 2); Psalm 100 (complete) - Maestoso ma energico - Allegro molto | Günther Theuring, Michael Wager, Wiener Jeunesse-Chor, Solist der Wiener Sängerknaben, Israel Philharmonic Orchestra, Leonard Bernstein | T-070.027.200-9 | |
| 17-5 | Chichester Psalms: Psalm 23 (complete); Psalm 2 (verses 1-4) | Günther Theuring, Michael Wager, Wiener Jeunesse-Chor, Solist der Wiener Sängerknaben, Israel Philharmonic Orchestra, Leonard Bernstein | T-070.027.200-9 | |
| 17-6 | Chichester Psalms: Psalm 131 (complete); Psalm 133 (verse 1) | Günther Theuring, Wiener Jeunesse-Chor, Solist der Wiener Sängerknaben, Israel Philharmonic Orchestra, Leonard Bernstein | T-070.027.200-9 | |
| 17-7 | Song Of Songs: 1. Awake, O north wind | — | ||
| 17-8 | Song Of Songs: 2. Come my beloved | — | ||
| 17-9 | Song Of Songs: 3. By night on my bed | — | ||
| 17-10 | Song Of Songs: 4. Set me as a seal | — | ||
| 18-1 | Symphony no. 2 "The Age of Anxiety": Part I. The Prologue. Lento moderato | Lukas Foss, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-2 | Symphony no. 2 "The Age of Anxiety": Part I. The Seven Ages. Var. 1-7 | Lukas Foss, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-3 | Symphony no. 2 "The Age of Anxiety": Part I. The Seven Ages. Var 8-14 | Lukas Foss, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-4 | Symphony no. 2 "The Age of Anxiety": Part II. The Dirge. Largo | Lukas Foss, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-5 | Symphony no. 2 "The Age of Anxiety": Part II. The Masque. Extremly fast | Lukas Foss, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-6 | Symphony no. 2 "The Age of Anxiety": Part II. The Epilogue. L'istesso tempo - Adagio - Andante - Con moto | Lukas Foss, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-7 | Symphony no. 3 "Kaddish": Invocation | Michael Wager, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-8 | Symphony no. 3 "Kaddish": Kaddish I | Michael Wager, Wiener Jeunesse-Chor, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-9 | Symphony no. 3 "Kaddish": Din-Torah | Michael Wager, Wiener Jeunesse-Chor, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-10 | Symphony no. 3 "Kaddish": Kaddish II | Montserrat Caballé, Michael Wager, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-11 | Symphony no. 3 "Kaddish": Scherzo (Kaddish III) | Michael Wager, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-12 | Symphony no. 3 "Kaddish": Finale (Kaddish III) | Michael Wager, Wiener Sängerknaben, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-13 | Symphony no. 3 "Kaddish": Allegro, con gioia (Kaddish III) | Michael Wager, Wiener Jeunesse-Chor, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 19-1 | Serenade after Plato’s “Symposium”: I. Phaedrus – Pausanias: Lento – Allegro marcato | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 19-2 | Serenade after Plato’s “Symposium”: II. Aristophanes: Allegretto | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 19-3 | Serenade after Plato’s “Symposium”: III. Eryximachus: Presto | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 19-4 | Serenade after Plato’s “Symposium”: IV. Agathon: Adagio | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 19-5 | Serenade after Plato’s “Symposium”: V. Socrates – Alcibiades: Molto tenuto – Allegro molto vivace | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 19-6 | Fancy Free: Big Stuff (Blues) | — | ||
| 19-7 | Fancy Free: I. Opening Dance | — | ||
| 19-8 | Fancy Free: II. Scene at the Bar | — | ||
| 19-9 | Fancy Free: III. Enter Two Girls | — | ||
| 19-10 | Fancy Free: IV. Pas de Deux | — | ||
| 19-11 | Fancy Free: V. Competition Scene | — | ||
| 19-12 | Fancy Free: VI. Variation I: Galop | — | ||
| 19-13 | Fancy Free: VI. Variation II: Waltz | — | ||
| 19-14 | Fancy Free: VI. Variation III: Danzon | — | ||
| 19-15 | Fancy Free: VII. Finale | — | ||
| 19-16 | Fancy Free: Big Stuff (Blues) | — | ||
| 20-1 | Dybbuk Suite No.1: 1. Invocation and Trance | — | ||
| 20-2 | Dybbuk Suite No.1: 2. The Pledge | — | ||
| 20-3 | Dybbuk Suite No.1: 3. Kabbalah | — | ||
| 20-4 | Dybbuk Suite No.1: 4. Possession | — | ||
| 20-5 | Dybbuk Suite No.1: 5. Pas de deux | — | ||
| 20-6 | Dybbuk Suite No.1: 6. Exorcism | — | ||
| 20-7 | Dybbuk Suite No.2: 1. The Messengers | — | ||
| 20-8 | Dybbuk Suite No.2: 2. Leah | — | ||
| 20-9 | Dybbuk Suite No.2: 3. 5 Kabbalah Variations | — | ||
| 20-10 | Dybbuk Suite No.2: 4. Dream | — | ||
| 21-1 | 1. "To the Poem" | — | ||
| 21-2 | 2. "The Pennycandystore Beyond the El" | — | ||
| 21-3 | 3. "A Julia de Burgos" | — | ||
| 21-4 | 4. "To What You Said ..." | — | ||
| 21-5 | 5. "I, Too, Sing America" / Okay "Negroes" | — | ||
| 21-6 | 6. "To My Dear and Loving Husband" | — | ||
| 21-7 | 7. "Storyette H.M." | — | ||
| 21-8 | 8. "If you can't eat you got to" | — | ||
| 21-9 | 9. "Music I Heard With You" | — | ||
| 21-10 | 10. "Zizi's Lament" | — | ||
| 21-11 | 11. "What lips my lips have kissed ..." | — | ||
| 21-12 | 12. "Israfel" | — | ||
| 22-1 | 8 Divertimentos for Orchestra: 1. Sennets and Tuckets (Allegro non troppo, ma con brio) | — | ||
| 22-2 | 8 Divertimentos for Orchestra: 2. Waltz (Allegretto, con grazia) | — | ||
| 22-3 | 8 Divertimentos for Orchestra: 3. Mazurka (Mesto (Molto moderato)) | — | ||
| 22-4 | 8 Divertimentos for Orchestra: 4. Samba (Allegro giusto) | — | ||
| 22-5 | 8 Divertimentos for Orchestra: 5. Turkey Trot (Allegretto, ben misurato) | — | ||
| 22-6 | 8 Divertimentos for Orchestra: 6. Sphinxes (Adagio lugubre) | — | ||
| 22-7 | 8 Divertimentos for Orchestra: 7. Blues (Slow blues tempo) | — | ||
| 22-8 | 8 Divertimentos for Orchestra: 8. March: "The BSO Forever" (Andante (In memoriam)) - Doppio movimento (Alla marcia) | — | ||
| 22-9 | A Musical Toast: Allegro con brio | — | ||
| 22-10 | Slava! - A Political Overture: Fast and flamboyant | — | ||
| 22-11 | On the Town: Three Dance Episodes: I. "The Great Lover". Allegro pesante | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 22-12 | On the Town: Three Dance Episodes: II. "Lonely Town". Pas de deux - Andante - Sostenuto | Israel Philharmonic Orchestra, Leonard Bernstein | T-070.096.762-9 | |
| 22-13 | On the Town: Three Dance Episodes: III. "Times Square: 1944". Allegro | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 22-14 | Facsimile - Choreographic Essay for Orchestra: Molto Adagio - Più Andante - Moderate Waltz tempo - Sostenuto assai - Allegretto - Subito Allegro - Andante - Adagio | — | ||
| 23-1 | 1. Halil, Nocturne for Solo Flute, String Orchestra and Percussion | — | ||
| 23-2 | Three Meditations for Cello and Orchestra: I. Lento assai, molto sostenuto | Mstislav Rostropovich, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 23-3 | Three Meditations for Cello and Orchestra II. Andante sostenuto / Variations I - IV / Coda | Mstislav Rostropovich, Israel Philharmonic Orchestra, Leonard Bernstein | T-918.652.779-7 | |
| 23-4 | Three Meditations for Cello and Orchestra: III. Presto / Fast and primitive / Molto adagio | Mstislav Rostropovich, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 23-5 | Symphonic Suite from On the Waterfront: I. Andante (with dignity) - Presto barbaro | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 23-6 | Symphonic Suite from On the Waterfront: II. Adagio - Allegro molto agitato - Alla breve (Poco più mosso - Presto come prima) | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 23-7 | Symphonic Suite from On the Waterfront: III. Andante largamente - More Flowing - Lento | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 23-8 | Symphonic Suite from On the Waterfront: IV. Moving forward, with warmth | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 23-9 | Symphonic Suite from On the Waterfront: V. Allegro non troppo, molto marcato | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 23-10 | Symphonic Suite from On the Waterfront: VI. A tempo | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 23-11 | Prelude, Fugue, and Riffs: I. Prelude (for the Brass). Fast and exact | Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein | T-070.160.313-5 | |
| 23-12 | Prelude, Fugue, and Riffs: II. Fugue (for the Saxes). Exactly the same beat | Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein | — | |
| 23-13 | Prelude, Fugue, and Riffs: III. Riffs (for Everyone) | Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein | — | |
| 24-1 | Rhapsody in Blue | Los Angeles Philharmonic, Leonard Bernstein | T-010.244.926-2 | |
| 24-2 | Prelude for Piano no. 2 | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 24-3 | Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero) | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 24-4 | Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero) | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 24-5 | Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero) | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 24-6 | Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero) | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 24-7 | Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero) | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 24-8 | Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero) | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 24-9 | Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero) | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 24-10 | Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero) | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 24-11 | Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero) | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 25-1 | Tattoo: 1. Moderato Maestoso | — | ||
| 25-2 | Tattoo: 2. Moderato Maestoso - Omaggio a Nicolò Paganini | — | ||
| 25-3 | Violin Concerto: I. Twilight: Free and Spacious – attacca: | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 25-4 | Violin Concerto: II. Toccata-Chaconne: Very Fast | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 25-5 | Violin Concerto: III. Romance without Words: Hardly Moving | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 25-6 | Violin Concerto: IV. Midnight: Slow | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 25-7 | Violin Concerto: V. Toccata-Rondo: Very Fast | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 25-8 | Violin Concerto: VI. Dawn: Wistful | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 25-9 | Concerto for Orchestra "Jubilee Games": 1. Free-Style Events: Allegro con brio, giocoso | — | ||
| 25-10 | Concerto for Orchestra "Jubilee Games": 2. Mixed Doubles: Theme and Seven Variations | — | ||
| 25-11 | Concerto for Orchestra "Jubilee Games": 3. Diaspora Dances: Vivace | — | ||
| 25-12 | Concerto for Orchestra "Jubilee Games": 4. Benediction: Moderato, invocando | — | ||
| 26-1 | I Feel Like I'm Not Out of Bed Yet | — | ||
| 26-2 | New York, New York | — | ||
| 26-3 | Presentation of Miss Turnstiles | — | ||
| 26-4 | Gabey's Comin', Pickup Song | — | ||
| 26-5 | Taxi Number: Come Up to My Place | Tyne Daly, Kurt Ollmann, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 26-6 | Carried Away | David Garrison, Frederica von Stade, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 26-7 | Lonely Town | — | ||
| 26-8 | High School Girls | — | ||
| 26-9 | Lonely Town, Pas de deux | — | ||
| 26-10 | Carnegie Hall Pavane | Evelyn Lear, London Voices, Marie McLaughlin, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 26-11 | I Can Cook Too | — | ||
| 26-12 | Lucky to Be Me | Thomas Hampson, London Voices, London Symphony Orchestra, Michael Tilson Thomas | T-070.097.785-0 | |
| 26-13 | Times Square: Finale, Act 1 | — | ||
| 26-14 | So Long, Baby | — | ||
| 26-15 | I Wish I Was Dead | — | ||
| 26-16 | Ya Got Me | — | ||
| 26-17 | Ain't Got No Tears Left | Cleo Laine, Michael Tilson Thomas, London Symphony Orchestra | T-070.256.635-5 | |
| 26-18 | Pitkin's Song | Samuel Ramey, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 26-19 | Subway Ride and Imaginary Coney Island | — | ||
| 26-20 | The Great Lover Displays Himself | — | ||
| 26-21 | Pas de deux | — | ||
| 26-22 | Some Other Time | Tyne Daly, David Garrison, Kurt Ollmann, Frederica von Stade, London Symphony Orchestra, Michael Tilson Thomas | T-070.136.536-7 | |
| 26-23 | The Real Coney Island | — | ||
| 26-24 | Finale | — | ||
| 26-25 | Appendix: The Intermission's Great | — | ||
| 27-1 | Candide: Overture | London Symphony Orchestra, Leonard Bernstein | T-903.288.559-9 | |
| 27-2 | Candide: Act I, No. 1a. Westphalia Chorale | London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | — | |
| 27-3 | Candide: Act I, No. 2. Life Is Happiness Indeed | June Anderson, Jerry Hadley, Della Jones, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein | T-070.912.512-1 | |
| 27-4 | Candide: Act I, No. 3. The Best of All Possible Worlds | June Anderson, Adolph Green, Jerry Hadley, Della Jones, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein | T-070.011.011-7 | |
| 27-5 | Candide: Act I, No. 3a. Universal Good | June Anderson, Jerry Hadley, Della Jones, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein | — | |
| 27-6 | Candide: Act I, No. 4. Oh, Happy We | June Anderson, Jerry Hadley, London Symphony Orchestra, Leonard Bernstein | T-070.158.261-7 | |
| 27-7 | Candide: Act I, No. 5. It Must Be So (Candide’s Meditation) | Jerry Hadley, London Symphony Orchestra, Leonard Bernstein | T-070.907.136-2 | |
| 27-8 | Candide: Act I, No. 6. Westphalia | London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | T-070.902.346-0 | |
| 27-9 | Candide: Act I, No. 6a. Battle Music | London Symphony Orchestra, Leonard Bernstein | — | |
| 27-10 | Candide: Act I, No. 7. Candide’s Lament | Jerry Hadley, London Symphony Orchestra, Leonard Bernstein | — | |
| 27-11 | Candide: Act I, No. 8. Dear Boy | Adolph Green, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | — | |
| 27-12 | Candide: Act I, No. 9. Auto‐da‐fé | Clive Bayley, Lindsay Benson, Adolph Green, Jerry Hadley, Neil Jenkins, London Symphony Chorus, Richard Suart, John Treleaven, London Symphony Orchestra, Leonard Bernstein | T-902.893.356-4 | |
| 27-13 | Candide: Act I, No. 10. Candide Begins His Travels / Act I, No. 10a. It Must Be Me | Jerry Hadley, London Symphony Orchestra, Leonard Bernstein | — | |
| 27-14 | Candide: Act I, No. 11. The Paris Waltz | London Symphony Orchestra, Leonard Bernstein | T-070.921.186-8 | |
| 27-15 | Candide: Act I, No. 12. Glitter and Be Gay | June Anderson, London Symphony Orchestra, Leonard Bernstein | T-070.064.357-7 | |
| 27-16 | Candide: Act I, No. 13. You Were Dead, You Know | June Anderson, Jerry Hadley, London Symphony Orchestra, Leonard Bernstein | T-070.211.089-1 | |
| 27-17 | Candide: Act I, No. 14. I Am Easily Assimilated (Old Lady’s Tango) | June Anderson, London Symphony Chorus, Christa Ludwig, London Symphony Orchestra, Leonard Bernstein | T-070.902.346-0 | |
| 27-18 | Candide: Act I, No. 15. Quartet Finale | June Anderson, Jerry Hadley, London Symphony Chorus, Christa Ludwig, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein | — | |
| 28-1 | Candide: Act II, No. 16. Universal Good | London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | T-902.893.356-4 | |
| 28-2 | Candide: Act II, No. 17. My Love (Governor’s Serenade) | June Anderson, Nicolai Gedda, London Symphony Orchestra, Leonard Bernstein | T-070.111.127-4 | |
| 28-3 | Candide: Act II, No. 18. We Are Women (Polka) | June Anderson, Christa Ludwig, London Symphony Orchestra, Leonard Bernstein | T-902.893.356-4 | |
| 28-4 | Candide: Act II, No. 19. The Pilgrims’ Procession – Alleluia | Jerry Hadley, Della Jones, London Symphony Chorus, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein | T-902.893.356-4 | |
| 28-5 | Candide: Act II, No. 20. Quiet | June Anderson, Nicolai Gedda, Christa Ludwig, London Symphony Orchestra, Leonard Bernstein | T-070.125.004-5 | |
| 28-6 | Candide: Act II, No. 21. Introduction to Eldorado | London Symphony Orchestra, Leonard Bernstein | — | |
| 28-7 | Candide: Act II, No. 22. The Ballad of Eldorado | Jerry Hadley, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | T-902.893.356-4 | |
| 28-8 | Candide: Act II, No. 23. Words, Words, Words (Martin’s Laughing Song) | Adolph Green, London Symphony Orchestra, Leonard Bernstein | T-902.893.356-4 | |
| 28-9 | Candide: Act II, No. 24. Bon Voyage | Nicolai Gedda, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | T-070.012.061-1 | |
| 28-10 | Candide: Act II, No. 25. The Kings’ Barcarolle | Clive Bayley, Lindsay Benson, Adolph Green, Jerry Hadley, Neil Jenkins, Richard Suart, John Treleaven, London Symphony Orchestra, Leonard Bernstein | T-902.893.356-4 | |
| 28-11 | Candide: Act II, No. 26. Money, Money, Money (Venice Gambling Scene) | London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | T-001.597.695-0 | |
| 28-12 | Candide: Act II, No. 27. What’s the Use | Nicolai Gedda, London Symphony Chorus, Christa Ludwig, Kurt Ollmann, John Treleaven, London Symphony Orchestra, Leonard Bernstein | T-070.198.639-1 | |
| 28-13 | Candide: Act II, No. 28. The Venice Gavotte | June Anderson, Adolph Green, Jerry Hadley, Christa Ludwig, London Symphony Orchestra, Leonard Bernstein | T-071.596.385-1 | |
| 28-14 | Candide: Act II, No. 29. Nothing More Than This | Jerry Hadley, London Symphony Orchestra, Leonard Bernstein | T-902.893.356-4 | |
| 28-15 | Candide: Act II, No. 30. Universal Good (Life Is Neither) | London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | T-902.893.356-4 | |
| 28-16 | Candide: Act II, No. 31. Make Our Garden Grow (Finale) | June Anderson, Nicolai Gedda, Adolph Green, Jerry Hadley, Della Jones, London Symphony Chorus, Christa Ludwig, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein | T-070.107.908-4 | |
| 29-1 | West Side Story: No. 1: Prologue | Leonard Bernstein | T-070.166.807-6 | |
| 29-2 | West Side Story: No. 2: Jet Song | Kurt Ollmann, David Livingston, Peter Thom, Stephen Bogardus | T-070.088.385-7 | |
| 29-3 | West Side Story: No. 3: Something’s Coming | José Carreras | T-070.136.715-8 | |
| 29-4 | West Side Story: No. 4: The Dance at the Gym: Blues | Leonard Bernstein | — | |
| 29-5 | West Side Story: No. 4: The Dance at the Gym: Promenade | Leonard Bernstein | T-902.871.372-6 | |
| 29-6 | West Side Story: No. 4: The Dance at the Gym: Mambo | Leonard Bernstein | T-070.113.892-2 | |
| 29-7 | West Side Story: No. 4: The Dance at the Gym: Cha‐Cha | Leonard Bernstein | T-070.933.007-3 | |
| 29-8 | West Side Story: No. 4: The Dance at the Gym: Meeting Scene | Leonard Bernstein | T-070.933.007-3 | |
| 29-9 | West Side Story: No. 4: The Dance at the Gym: Jump | Leonard Bernstein | T-902.853.673-4 | |
| 29-10 | West Side Story: No. 5: Maria | José Carreras, Leonard Bernstein | T-070.108.440-3 | |
| 29-11 | West Side Story: No. 6: Balcony Scene (Tonight) | Kiri Te Kanawa, José Carreras | T-901.072.962-1 | |
| 29-12 | West Side Story: No. 7: America | Tatiana Troyanos, Louise Edeiken | T-070.001.097-4 | |
| 29-13 | West Side Story: No. 8: Cool | Kurt Ollmann | T-070.025.960-4 | |
| 29-14 | West Side Story: No. 9: One Hand, One Heart | Kiri Te Kanawa, José Carreras | T-070.159.178-7 | |
| 29-15 | West Side Story: No. 10: Tonight (Ensemble) | José Carreras, Richard Harrell, Kurt Ollmann, Kiri Te Kanawa, Tatiana Troyanos, Leonard Bernstein | T-070.125.208-5 | |
| 29-16 | West Side Story: No. 11: The Rumble | Leonard Bernstein | T-070.127.422-7 | |
| 29-17 | West Side Story: No. 12: I Feel Pretty | Kiri Te Kanawa, Louise Edeiken, Stella Zambalis, Angelina Réaux | T-070.902.843-2 | |
| 29-18 | West Side Story: No. 13: Ballet Sequence: Beginning | Kiri Te Kanawa, José Carreras | — | |
| 29-19 | West Side Story: Ballet Sequence: Transition to Scherzo | Leonard Bernstein | — | |
| 29-20 | West Side Story: Ballet Sequence: Scherzo | Leonard Bernstein | T-070.139.164-1 | |
| 29-21 | West Side Story: Ballet Sequence: Somewhere | Marilyn Horne, Leonard Bernstein | T-070.136.739-6 | |
| 29-22 | West Side Story: Ballet Sequence: Procession and Nightmare | Leonard Bernstein | T-070.933.007-3 | |
| 29-23 | West Side Story: No. 14: Gee, Officer Krupke! | David Livingston, Marty Nelson, Peter Thom, Stephen Bogardus, Todd Lester | T-070.063.859-0 | |
| 29-24 | West Side Story: No. 15: A Boy Like That | Tatiana Troyanos, Kiri Te Kanawa | T-070.012.286-6 | |
| 29-25 | West Side Story: I Have a Love | Kiri Te Kanawa, Tatiana Troyanos | T-070.903.050-1 | |
| 29-26 | West Side Story: No. 16: Taunting Scene | Leonard Bernstein | T-070.182.025-8 | |
| 29-27 | West Side Story: No. 17: Finale | Kiri Te Kanawa, José Carreras | T-070.159.178-7 | |
| 30-1 | A Quiet Place: Act 1: Prolog | — | ||
| 30-2 | A Quiet Place: Act 1: Dialogues "I'm sorry Bill" | — | ||
| 30-3 | A Quiet Place: Act 1: Readings, Chorale | — | ||
| 30-4 | A Quiet Place: Act 1: Aria "You're Late" | ORF-Symphonieorchester, Leonard Bernstein | — | |
| 30-5 | A Quiet Place: Act 1: Trio "Dear Daddy" | — | ||
| 30-6 | A Quiet Place: Act 1: Finale "Merry Christmas" | — | ||
| 30-7 | A Quiet Place: Act 1: Postlude | — | ||
| 30-8 | A Quiet Place: Act 2: Scene1 "I Wish I Could Sleep" | — | ||
| 30-9 | A Quiet Place: Act 2: Scene2 Trouble in Tahiti (I) "Dop-Daa-Day-Day-" | — | ||
| 30-10 | A Quiet Place: Act 2: Trouble in Tahiti (I) "How Could You Say" | — | ||
| 30-11 | A Quiet Place: Act 2: Trouble in Tahiti (I) "Yes? Oh, Mr. Partridge!" | — | ||
| 30-12 | A Quiet Place: Act 2: Trouble in Tahiti (I) "I Was Standing In A Garden" | — | ||
| 30-13 | A Quiet Place: Act 2: Trouble in Tahiti (I) "Well, Of All People" | — | ||
| 31-1 | A Quiet Place: Act 2, Scene 3: June twelfth | — | ||
| 31-2 | A Quiet Place: Act 2, Scene 3: But first I'd like to sing you a little song | — | ||
| 31-3 | A Quiet Place: Act 2, Scene 3: Quartett "My God Dinah" | — | ||
| 31-4 | A Quiet Place: Act 2, Scene 3: Love Scene "There is so much. Too much" | — | ||
| 31-5 | A Quiet Place: Act 2, Scene 4: Trouble in Tahiti (II) "Skid a lit day" | — | ||
| 31-6 | A Quiet Place: Act 2, Scene 4: Trouble in Tahiti (II) There's a law | — | ||
| 31-7 | A Quiet Place: Act 2, Scene 4: Trouble in Tahiti (II) What a movie! | — | ||
| 31-8 | A Quiet Place: Act 2, Scene 4: Trouble in Tahiti (II) There's a law" | — | ||
| 31-9 | A Quiet Place: Act 3: Prelude | — | ||
| 31-10 | A Quiet Place: Act 3, Scene: Morning! Good morning | — | ||
| 31-11 | A Quiet Place: Act 3, Scene: The one and only cereal | — | ||
| 31-12 | A Quiet Place: Act 3, Scene: You're...it! | — | ||
| 31-13 | A Quiet Place: Act 3, Scene: Hmm. Bye bye | — | ||
| 31-14 | A Quiet Place: Act 3, Scene: My heart shall be... thy...garden | — | ||
| 32-1 | A White House Cantata: Part 1: Prelude | — | ||
| 32-2 | A White House Cantata: Part 1: Ten Square Miles by the Potomac River | — | ||
| 32-3 | A White House Cantata: Part 1: If I was a Dove | — | ||
| 32-4 | A White House Cantata: Part 1: Welcome Home, Miz Adams | — | ||
| 32-5 | A White House Cantata: Part 1: Take Care of This House | — | ||
| 32-6 | A White House Cantata: Part 1: The President Jefferson Sunday Luncheon March | — | ||
| 32-7 | A White House Cantata: Part 1: Seena | — | ||
| 32-8 | A White House Cantata: Part 1: Sonatina | — | ||
| 32-9 | A White House Cantata: Part 1: Lud's Wedding | — | ||
| 32-10 | A White House Cantata: Part 1: The Monroviad | — | ||
| 32-11 | A White House Cantata: Part 1: This Time | — | ||
| 32-12 | A White House Cantata: Part 1: We Must Have a Ball | — | ||
| 32-13 | A White House Cantata: Part 2: Bright and Black | — | ||
| 32-14 | A White House Cantata: Part 2: Duet for One | — | ||
| 32-15 | A White House Cantata: Part 2: Minstrel Parade | — | ||
| 32-16 | A White House Cantata: Part 2: Pity the Poor | — | ||
| 32-17 | A White House Cantata: Part 2: The Grand Old Party | — | ||
| 32-18 | A White House Cantata: Part 2: To Make Us Proud | — | ||
| 33-1 | Carmen: Prélude | — | ||
| 33-2 | Carmen: Act One; No. 1 Introduction: "Sur La Place Chacun Passe" | — | ||
| 33-3 | Carmen: Act One; No. 2 Marche Et Choeur Des Gamins: "Allez, Dépêchez-vous!... Avec La Garde Montant" | — | ||
| 33-4 | Carmen: Act One; "Dites-moi, Brigadier?" | — | ||
| 33-5 | Carmen: Act One; No. 3 Choeur Et Scène: "Voici La Cloche Qui Sonne... La Cloche A Sonné" | — | ||
| 33-6 | Carmen: Act One; "Mais Nous Ne Voyons Pas La Carmencita" | — | ||
| 33-7 | Carmen: Act One; No. 4 Havanaise: "L'amour Est Un Oiseau Rebelle" | — | ||
| 33-8 | Carmen: Act One; No. 5 Scène: "Carmen, Sur Tes Pas Nous Nous Pressons Tous" | — | ||
| 33-9 | Carmen: Act One; "Monsieur Le Brigadier?", No 6 Duo: "Parle-moi de ma mère!" | — | ||
| 33-10 | Carmen: Act One; "Attends Un Peu Maintenant" | — | ||
| 33-11 | Carmen: Act One; No. 7 Choeur: "Eh Bien! Qu'est-ce Qui Arrive? ... Au Secours! Au Secours! | — | ||
| 33-12 | Carmen: Act One; "Eh Bien, Brigadier?"; No. 8 Chanson Et Melodrame: "Tra La La La..." | — | ||
| 33-13 | Carmen: Act One; No. 9 Chanson Et Duo: "Près Des Remparts De Seville" | — | ||
| 33-14 | Carmen: Act One; No. 10 Finale: "Le Lieutenant! Prenez Garde! ... L'amour Est Enfant De Bohème" | — | ||
| 33-15 | Carmen: Act One; Entr'acte | — | ||
| 33-16 | Carmen: Act Two; No. 11 Chanson: "Les Tringles Des Sistres Tintaient" | — | ||
| 33-17 | Carmen: Act Two; "Mon Dieu, Messieurs, Il Commence À Se Faire Tard" | — | ||
| 33-18 | Carmen: Act Two; No. 12 Choeur Et Ensemble: "Vivat! Vivat Le Toréro!" | — | ||
| 33-19 | Carmen: Act Two; No. 13 Couplet: "Votre Toast... Je Peux Vous Le Rendre" | — | ||
| 33-20 | Carmen: Act Two; "Dis-moi Ton Nom" | — | ||
| 33-21 | Carmen: Act Two; No. 13 Bis Choeur: "Toréador, En Garde" | — | ||
| 33-22 | Carmen: Act Two; "Eh Bien, Les Nouvelles?" | — | ||
| 33-23 | Carmen: Act Two; No. 14 Quintette: "Nous Avons Et Tête Une Affaire" | — | ||
| 33-24 | Carmen: Act Two; "Amoureuse... Ce N'est Pas Une Raison, Cela"; No. 15 Chanson: "Halte Là! Qui Va Là?"; "Ecoutez, Le Voilà" | — | ||
| 34-1 | Carmen: Act Two; No. 16 Duo: "Ja Vais Danser En Votre Honneur" | — | ||
| 34-2 | Carmen: Act Two; "La Fleur Que Tu M'avais Jetée" | — | ||
| 34-3 | Carmen: Act Two; "Non, Tu Ne M'aimes pas!" | — | ||
| 34-4 | Carmen: Act Two; No. 17 Finale: "Holà! Carmen! | — | ||
| 34-5 | Carmen: Act Two; Entr'acte | — | ||
| 34-6 | Carmen: Act Three, First Tableau; No. 18 Introduction: "Ecoute, Compagnon, Écoute... Notre Metier Est Bon" | — | ||
| 34-7 | Carmen: Act Three, First Tableau; "Voyons, Carmen... Faisons La Paix" | — | ||
| 34-8 | Carmen: Act Three, First Tableau; No. 19 Trio: "Mêlons! Coupons! | — | ||
| 34-9 | Carmen: Act Three, First Tableau; "Carreau, Pique... La Mort! ... En Vain, Pour Éviter Les Résponses Amères" | — | ||
| 34-10 | Carmen: Act Three, First Tableau; "Parlez Encore, Parlez, Mes Belles" | — | ||
| 34-11 | Carmen: Act Three, First Tableau; "Holà, Les Belles" | — | ||
| 34-12 | Carmen: Act Three, First Tableau; No. 20 Morceau D'Ensemble: "Quant Au Douanier, C'est Notre Affaire" | — | ||
| 34-13 | Carmen: Act Three, First Tableau; No. 21 Air: "Je Dis Qui Rien Ne M'épouvante" | — | ||
| 34-14 | Carmen: Act Three, First Tableau; "Qui Va Là", No. 22 Duo: "Je Suis Escamillo" | — | ||
| 34-15 | Carmen: Act Three, First Tableau; No. 23 Finale: "Holà, Holà, José!" | — | ||
| 34-16 | Carmen: Act Three, First Tableau; "Moi? Je Viens Te Chercher" | — | ||
| 34-17 | Carmen: Act Three, First Tableau; Entr'acte | — | ||
| 34-18 | Carmen: Act Three, Second Tableau; No. 24 Choeur: "A Deux Cuartos" | — | ||
| 34-19 | Carmen: Act Three, Second Tableau; No. 25 Choeur Et Scène: "Les Voici! Voici La Quadrille" | — | ||
| 34-20 | Carmen: Act Three, Second Tableau; "Si Tu M'aimes, Carmen" | — | ||
| 34-21 | Carmen: Act Three, Second Tableau; "Carmen, Un Bon Conseil" | — | ||
| 34-22 | Carmen: Act Three, Second Tableau; No. 26 Duo Final: "C'est Toi? C'est Moi!" | — | ||
| 35-1 | Symphony No. 1: 1. Un poco sostenuto - Allegro - Meno allegro | — | ||
| 35-2 | Symphony No. 1: 2. Andante sostenuto | — | ||
| 35-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 35-4 | Symphony No. 1: 4. Adagio - Piu andante - Allegro non troppo, ma con brio - Piu allegro | — | ||
| 36-1 | Symphony No. 2 In D Major, Op. 73: 1. Allegro non troppo | — | ||
| 36-2 | Symphony No. 2 In D Major, Op. 73: 2. Adagio non troppo - L'istesso tempo, ma grazioso | — | ||
| 36-3 | Symphony No. 2 In D Major, Op. 73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai | — | ||
| 36-4 | Symphony No. 2 In D Major, Op. 73: 4. Allegro con spirito | — | ||
| 36-5 | Academic Festival Overture, Op.80 | — | ||
| 37-1 | Symphony No. 3 In F Major, Op. 90: 1. Allegro con brio - Un poco sostenuto - Tempo I | — | ||
| 37-2 | Symphony No. 3 In F Major, Op. 90: 2. Andante | — | ||
| 37-3 | Symphony No. 3 In F Major, Op. 90: 3. Poco allegretto | — | ||
| 37-4 | Symphony No. 3 In F Major, Op. 90: 4. Allegro | — | ||
| 37-5 | Variations on a Theme by Haydn, Op.56a | — | ||
| 38-1 | Symphony No. 4 In E Minor, Op. 98: 1. Allegro non troppo | — | ||
| 38-2 | Symphony No. 4 In E Minor, Op. 98: 2. Andante moderato | — | ||
| 38-3 | Symphony No. 4 In E Minor, Op. 98: 3. Allegro giocoso - Poco meno presto - Tempo I | — | ||
| 38-4 | Symphony No. 4 In E Minor, Op. 98: 4. Allegro energico e passionato - Più allegro | — | ||
| 38-5 | Tragic Overture, Op.81 | — | ||
| 39-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | — | ||
| 39-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 39-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | — | ||
| 40-1 | Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-322.446.876-8 | |
| 40-2 | Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-322.185.909-8 | |
| 40-3 | Piano Concerto no. 2 in B-flat major, op. 83: III. Andante | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-322.449.900-3 | |
| 40-4 | Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-322.446.992-1 | |
| 41-1 | Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo | — | ||
| 41-2 | Concerto for Violin and Orchestra in D major, op. 77: II. Adagio | — | ||
| 41-3 | Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace | — | ||
| 41-4 | Concerto for Violin, Cello and Orchestra in A minor, op. 102: I. Allegro | — | ||
| 41-5 | Concerto for Violin, Cello and Orchestra in A minor, op. 102: II. Andante | — | ||
| 41-6 | Concerto for Violin, Cello and Orchestra in A minor, op. 102: III. Vivace non troppo | — | ||
| 42-1 | Symphony no. 9 in D minor: I. Feierlich, misterioso | — | ||
| 42-2 | Symphony no. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell | — | ||
| 42-3 | Symphony no. 9 in D minor: III. Adagio. Langsam, feierlich | — | ||
| 43-1 | Appalachian Spring | Los Angeles Philharmonic, Leonard Bernstein | T-070.001.612-1 | |
| 43-2 | American Festival Overture | — | ||
| 43-3 | Adagio for Strings, op. 11/2 | Los Angeles Philharmonic Orchestra, Leonard Bernstein | T-070.000.199-5 | |
| 43-4 | Candide: Overture | Israel Philharmonic Orchestra, Leonard Bernstein | T-903.288.559-9 | |
| 44-1 | Symphony no. 3: IV. Molto deliberato (Fanfare) -- Allegro risoluto | New York Philharmonic, Leonard Bernstein | — | |
| 44-2 | Symphony no. 3: IV. Molto deliberato (Fanfare) -- Allegro risoluto | New York Philharmonic, Leonard Bernstein | — | |
| 44-3 | Symphony no. 3: IV. Molto deliberato (Fanfare) -- Allegro risoluto | New York Philharmonic, Leonard Bernstein | — | |
| 44-4 | Symphony no. 3: IV. Molto deliberato (Fanfare) -- Allegro risoluto | New York Philharmonic, Leonard Bernstein | — | |
| 44-5 | Quiet City for Cor Anglais, Trumpet and Strings | Philip Smith, Thomas Stacy, New York Philharmonic, Leonard Bernstein | T-070.125.007-8 | |
| 45-1 | El Salon Mexico | — | ||
| 45-2 | Concerto for Clarinet - Slowly & Expressively | — | ||
| 45-3 | Concerto for Clarinet - Rather fast | — | ||
| 45-4 | Music for the Theatre: I. Prologue | — | ||
| 45-5 | Music for the Theatre: II. Dance: Allegro molto | — | ||
| 45-6 | Music for the Theatre: III. Interlude: Lento moderato | — | ||
| 45-7 | Music for the Theatre: IV. Burlesque: Allegro vivo | — | ||
| 45-8 | Music for the Theatre: V. Epilogue: Moderato - Molto moderato - Lento molto | — | ||
| 45-9 | Connotations for Orchestra | — | ||
| 46-1 | Images pour orchestre: I. Gigues | — | ||
| 46-2 | Images pour orchestre: III. Rondes de printemps | — | ||
| 46-3 | Images pour orchestre: IIa. Ibéria: Par les rues et par les chemins | — | ||
| 46-4 | Images pour orchestre: IIb. Ibéria: Les parfums de la nuit | — | ||
| 46-5 | Images pour orchestre: IIc Ibéria: Le matin d'un jour de fête | — | ||
| 46-6 | Prélude à l'après-midi d'un faune | — | ||
| 46-7 | La Mer: I. De l'aube à midi sur la mer | — | ||
| 46-8 | La Mer: II. Jeux de vagues | — | ||
| 46-9 | La Mer: III. Dialogue du vent et de la mer | — | ||
| 47-1 | Symphony No.9 in E Minor, Op.95, B.178 - "From The New World": 1. Adagio - Allegro molto | — | ||
| 47-2 | Symphony No.9 in E Minor, Op.95, B.178 - "From The New World": 2. Largo | — | ||
| 47-3 | Symphonie nr. 9 e‐Moll, op. 95 »Aus der Neuen Welt«: III. Scherzo. Molto vivace | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 47-4 | Symphony No.9 in E Minor, Op.95, B.178 - "From The New World": 4. Allegro con fuoco | — | ||
| 48-1 | Variations on an Original Theme "Enigma", op. 36: IX. (Nimrod) Adagio | BBC Symphony Orchestra, Leonard Bernstein | T-010.115.427-1 | |
| 48-9 | Enigma Variations, op. 36: Var. 8. Allegretto “W.N.” | BBC Symphony Orchestra, Leonard Bernstein | — | |
| 48-11 | Enigma Variations, op. 36: Var. 10. Intermezzo. Allegretto “Dorabella” | BBC Symphony Orchestra, Leonard Bernstein | — | |
| 48-12 | Variations on an Original Theme "Enigma", op. 36: XI. (G.R.S.) Allegro di molto | BBC Symphony Orchestra, Leonard Bernstein | — | |
| 48-13 | Variations on an Original Theme "Enigma", op. 36: XII. (B.G.N.) Andante | BBC Symphony Orchestra, Leonard Bernstein | — | |
| 48-14 | Variations on an Original Theme "Enigma", op. 36: XIII. Romanza (***) Moderato | BBC Symphony Orchestra, Leonard Bernstein | T-042.146.383-3 | |
| 48-15 | Variations on an Original Theme "Enigma", op. 36: XIV. Finale (E.D.U.) Allegro - Presto | BBC Symphony Orchestra, Leonard Bernstein | — | |
| 48-16 | Pomp and Circumstance, op. 39: No. 1 in D major | BBC Symphony Orchestra, Leonard Bernstein | — | |
| 48-17 | Pomp and Circumstance, op. 39: No. 2 in A minor | BBC Symphony Orchestra, Leonard Bernstein | — | |
| 48-18 | The Crown of India, op. 66: March of the Mogul Emperors | BBC Symphony Orchestra, Leonard Bernstein | T-912.663.686-0 | |
| 49-1 | Symphonie en ré mineur: I. Lento - Allegro non troppo | Orchestre National de France, Leonard Bernstein | T-900.967.586-9 | |
| 49-2 | Symphonie en ré mineur: II. Allegretto - | Orchestre National de France, Leonard Bernstein | T-312.184.211-9 | |
| 49-3 | Symphonie en ré mineur: III. Allegro non troppo | Orchestre National de France, Leonard Bernstein | T-900.967.586-9 | |
| 49-4 | Le Rouet d'Omphale, Op.31 | — | ||
| 49-5 | Symphonie no. 3 en sol mineur, op. 42: I. Allegro vivo | Orchestre National de France, Leonard Bernstein | — | |
| 49-6 | Symphonie no. 3 en sol mineur, op. 42: II. Adagio | Orchestre National de France, Leonard Bernstein | — | |
| 49-7 | Symphonie no. 3 en sol mineur, op. 42: III. Vivace | Orchestre National de France, Leonard Bernstein | — | |
| 49-8 | Symphonie no. 3 en sol mineur, op. 42: IV. Allegro con spirito | Orchestre National de France, Leonard Bernstein | — | |
| 50-1 | Symphony no. 3 | — | ||
| 50-2 | Symphony no. 3, Part I: Passacaglia | New York Philharmonic, Leonard Bernstein | T-070.165.071-6 | |
| 50-3 | Symphony no. 3, Part I: Fugue | New York Philharmonic, Leonard Bernstein | — | |
| 50-4 | Symphony no. 3, Part II: Chorale | New York Philharmonic, Leonard Bernstein | — | |
| 50-5 | Symphony no. 3, Part II: Toccata | New York Philharmonic, Leonard Bernstein | — | |
| 51-1 | Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro | Wiener Philharmoniker, Leonard Bernstein | — | |
| 51-2 | Symphony no. 88 in G major, Hob. I:88: II. Largo | Wiener Philharmoniker, Leonard Bernstein | T-902.876.200-7 | |
| 51-3 | Symphony no. 88 in G major, Hob. I:88: III. Menuetto: Allegretto | Wiener Philharmoniker, Leonard Bernstein | T-902.876.200-7 | |
| 51-4 | Symphony no. 88 in G major, Hob. I:88: IV. Finale: Allegretto con spirito | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 | |
| 51-5 | Symphony in G major, Hob. I: 92 "Oxford": I. Adagio - Allegro spiritoso | — | ||
| 51-6 | Symphony in G major, Hob. I: 92 "Oxford": II. Adagio | — | ||
| 51-7 | Symphony in G major, Hob. I: 92 "Oxford": III. Menuet. Allegretto | — | ||
| 51-8 | Symphony in G major, Hob. I: 92 "Oxford": IV. Finale. Presto | — | ||
| 52-1 | Symphony no. 94 in G major, Hob. I:94 "Surprise" I. Adagio. Vivace assai | Wiener Philharmoniker, Leonard Bernstein | — | |
| 52-2 | Symphony no. 94 in G major, Hob. I:94 "Surprise" II. Andante | Wiener Philharmoniker, Leonard Bernstein | — | |
| 52-3 | Symphony no. 94 in G major "Surprise": Menuet (Allegro molto - Trio - Menuet) | Wiener Philharmoniker, Leonard Bernstein | — | |
| 52-4 | Symphony no. 94 in G major, Hob. I:94 "Surprise" IV. Finale. Allegro di molto | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 | |
| 52-5 | Sinfonia concertante in B flat, H.I No.105: 1. Allegro | — | ||
| 52-6 | Sinfonia concertante in B flat, H.I No.105: 2. Andante | — | ||
| 52-7 | Sinfonia concertante in B flat, H.I No.105: 3. Allegro con spirito | — | ||
| 53-1 | Die Schöpfung: Erster Teil: Der Erste Tag: I. Die Vorstellung des Chaos | — | ||
| 53-2 | Die Schöpfung: Erster Teil: Der Erste Tag: II. Rezitativ: Im Anfange schuf Gott Himmel und Erde | — | ||
| 53-3 | Die Schöpfung: Erster Teil: Der Erste Tag: III. Arie und Chor: Nun schwanden vor dem heiligen Strahle | — | ||
| 53-4 | Die Schöpfung: Erster Teil: Der Zweite Tag: IV. Accompagnato-Rezitativ: Und Gott machte das Firmament | — | ||
| 53-5 | Die Schöpfung: Erster Teil: Der Zweite Tag: V. Solo mit Chor: Mit staunen sieht das Wunderwerk | — | ||
| 53-6 | Die Schöpfung: Erster Teil: Der Dritte Tag: VI. Rezitativ: Und Gott sprach: Es sammle sich das Wasser | — | ||
| 53-7 | Die Schöpfung: Erster Teil: Der Dritte Tag: VII. Rollend in schäumenden Wellen | — | ||
| 53-8 | Die Schöpfung: Erster Teil: Der Dritte Tag: VIII. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor | — | ||
| 53-9 | Die Schöpfung: Erster Teil: Der Dritte Tag: IX. Arie: Nun beut die Flur das frische Grun | — | ||
| 53-10 | Die Schöpfung: Erster Teil: Der Dritte Tag: X. Rezitativ: Und die himmlischen Heerscharen verkündigten | — | ||
| 53-11 | Die Schöpfung: Erster Teil: Der Dritte Tag: XI. Chor: Stimmt an die Saiten | — | ||
| 53-12 | Die Schöpfung: Erster Teil: Der Vierte Tag: XII. Rezitativ: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels | — | ||
| 53-13 | Die Schöpfung: Erster Teil: Der Vierte Tag: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt | — | ||
| 53-14 | Die Schöpfung: Erster Teil: Der Vierte Tag: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes | — | ||
| 53-15 | Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XV. Rezitativ: Und Gott sprach: Es bringe das Wasser in der Fülle hervor | — | ||
| 53-16 | Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XVI. Arie: Auf starkem Fittiche schwinget sich der Adler stolz | — | ||
| 53-17 | Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XVII. Accompagnato-Rezitativ: Und Gott schuf große Walfische | — | ||
| 53-18 | Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XVIII. Rezitativ: Und die engel rührten ihr' unsterblichen Harfen | — | ||
| 53-19 | Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XIX. Terzett und Chor: In holder Anmut stehn | — | ||
| 54-1 | Die Schöpfung: Zweiter Teil: Der Sechste Tag: XX. Rezitativ: Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe | — | ||
| 54-2 | Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXI. Accompagnato-Rezitativ: Gleich öffnet sich der Erde Schoß | — | ||
| 54-3 | Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXII. Arie: Nun scheint in vollem Glanze der Himmel | — | ||
| 54-4 | Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXIII. Rezitativ: Und Gott schuf den Menschen | — | ||
| 54-5 | Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXIV. Arie: Mit Würd' und Hoheit angetan | — | ||
| 54-6 | Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXV. Rezitativ: Und Gott sah jedes Ding | — | ||
| 54-7 | Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf | — | ||
| 54-8 | Die Schöpfung: Dritter Teil: XXVII. Accompagnato-Rezitativ: Aus Rosenwolken bricht | — | ||
| 54-9 | Die Schöpfung: Dritter Teil: XXVIII. Duett mit Chor: Von deiner Güt', o Herr und Gott | — | ||
| 54-10 | Die Schöpfung: Dritter Teil: XXIX. Rezitativ: Nun ist die erste Pflicht erfüllt | — | ||
| 54-11 | Die Schöpfung: Dritter Teil: XXX. Duett: Holde Gattin, dir zur Seite | — | ||
| 54-12 | Die Schöpfung: Dritter Teil: XXXI. Rezitativ: O glücklich Paar, und glücklich immerfort | — | ||
| 54-13 | Die Schöpfung: Dritter Teil: XXXII. Chor: Singt dem Herren alle Stimmen | — | ||
| 55-1 | Symphony no. 102 in B-flat major, Hob. I:102: 1. Largo - Vivace | — | ||
| 55-2 | Symphony no. 102 in B-flat major, Hob. I:102: 2. Adagio | — | ||
| 55-3 | Symphony no. 102 in B-flat major, Hob. I:102: 3. Menuetto (Allegro) | — | ||
| 55-4 | Symphony no. 102 in B-flat major, Hob. I:102: 4. Finale. Presto | — | ||
| 55-5 | Missa in tempore belli, Hob. XXII:9: I. Kyrie | — | ||
| 55-6 | Missa in tempore belli, Hob. XXII:9: II. Gloria: Gloria in excelsis Deo | — | ||
| 55-7 | Missa in tempore belli, Hob. XXII:9: II. Gloria: Qui tollis peccata mundi | — | ||
| 55-8 | Missa in tempore belli, Hob. XXII:9: II. Gloria: Quoniam tu solus sanctus | — | ||
| 55-9 | Missa in tempore belli, Hob. XXII:9: III. Credo: Credo in unum Deum | — | ||
| 55-10 | Missa in tempore belli, Hob. XXII:9: III. Credo: Et incarnatus est | — | ||
| 55-11 | Missa in tempore belli, Hob. XXII:9: III. Credo: Et ressurexit tertia die | — | ||
| 55-12 | Missa in tempore belli, Hob. XXII:9: III. Credo: Et vitam venturi saeculi | — | ||
| 55-13 | Missa in tempore belli, Hob. XXII:9: IV. Sanctus | — | ||
| 55-14 | Missa in tempore belli, Hob. XXII:9: V: Benedictus | — | ||
| 55-15 | Missa in tempore belli, Hob. XXII:9: VI: Agnus Dei | — | ||
| 56-1 | Symphonie "Mathis der Maler": I. Engelskonzert | — | ||
| 56-2 | Symphonie "Mathis der Maler": II. Grablegung | — | ||
| 56-3 | Symphonie "Mathis der Maler": III. Versuchung des Heiligen Antonius | — | ||
| 56-4 | Konzertmusik für Streichorchester und Blechbläser, op. 50 - Erster Teil: I. Mäßig schnell, mit Kraft | — | ||
| 56-5 | Konzertmusik für Streichorchester und Blechbläser, op. 50 - Erster Teil: II. Sehr breit, aber stets fließend | — | ||
| 56-6 | Konzertmusik für Streichorchester und Blechbläser, op. 50 - Zweiter Teil: III. Lebhaft | — | ||
| 56-7 | Konzertmusik für Streichorchester und Blechbläser, op. 50 - Zweiter Tei: IV. Langsam | — | ||
| 56-8 | Konzertmusik für Streichorchester und Blechbläser, op. 50 - Zweiter Tei: V. Im ersten Zeitmaß - Lebhaft | — | ||
| 56-9 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: I.Allegro | — | ||
| 56-10 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: II. 'Turandot-Scherzo': Moderato - Lebhaft | — | ||
| 56-11 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: III. Andantino | — | ||
| 56-12 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: IV. Marsch | — | ||
| 57-1 | Symphony no. 2: 1. Andante moderato | New York Philharmonic, Leonard Bernstein | — | |
| 57-2 | Symphony no. 2: 2. Allegro | New York Philharmonic, Leonard Bernstein | — | |
| 57-3 | Symphony no. 2: 3. Adagio cantabile | New York Philharmonic, Leonard Bernstein | T-001.397.158-8 | |
| 57-4 | Symphony no. 2: 4. Lento maestoso | New York Philharmonic, Leonard Bernstein | — | |
| 57-5 | Symphony no. 2: 5. Allegro molto vivace | New York Philharmonic, Leonard Bernstein | — | |
| 57-6 | The Gong on the Hook and Ladder or Fireman's Parade on Main Street | — | ||
| 57-7 | Tone Roads no. 1 | — | ||
| 57-8 | Hymn: Largo Cantabile | — | ||
| 57-9 | Hallowe'en | — | ||
| 57-10 | Central Park in the Dark | — | ||
| 57-11 | The Unanswered Question | — | ||
| 58-1 | Eine Faust-Symphonie: I. Faust | Boston Symphony Orchestra, Leonard Bernstein | — | |
| 58-2 | Eine Faust-Symphonie: II. Gretchen | Boston Symphony Orchestra, Leonard Bernstein | — | |
| 58-3 | Eine Faust-Symphonie: III. Mephistopheles / Schlußchor "Alles Vergängliche ist nur ein Gleichnis" | Boston Symphony Orchestra, Tanglewood Festival Chorus, Leonard Bernstein, Kenneth Riegel | — | |
| 59-1 | Mefistofele: Prologo in cielo: I. Tempo. Preludio e coro | Norbert Balatsch, Elisabeth Ziegler, Chor der Wiener Staatsoper, Nicolaï Ghiaurov, Gumpoldskirchner Spatzen, Wiener Philharmoniker, Leonard Bernstein | — | |
| 59-2 | Mefistofele: Prologo in cielo: II. Tempo. Scherzo strumentale “Ave, Signor” | Norbert Balatsch, Elisabeth Ziegler, Chor der Wiener Staatsoper, Nicolaï Ghiaurov, Gumpoldskirchner Spatzen, Wiener Philharmoniker, Leonard Bernstein | — | |
| 59-3 | Mefistofele: Prologo in cielo: Intermezzo dramatico “T’è noto Faust?” | Norbert Balatsch, Elisabeth Ziegler, Chor der Wiener Staatsoper, Nicolaï Ghiaurov, Gumpoldskirchner Spatzen, Wiener Philharmoniker, Leonard Bernstein | — | |
| 59-4 | Mefistofele: Prologo in cielo: III. Tempo. Scherzo vocale ”Siam nimbi – volanti – dai limbi” | Norbert Balatsch, Elisabeth Ziegler, Chor der Wiener Staatsoper, Nicolaï Ghiaurov, Gumpoldskirchner Spatzen, Wiener Philharmoniker, Leonard Bernstein | — | |
| 59-5 | Mefistofele: Prologo in cielo: IV. Salmodia finale “Salve Regina! S’innalzi un’eco” | Norbert Balatsch, Elisabeth Ziegler, Chor der Wiener Staatsoper, Nicolaï Ghiaurov, Gumpoldskirchner Spatzen, Wiener Philharmoniker, Leonard Bernstein | — | |
| 60-1 | "I feel Pretty" (Piano rehearsal) | — | ||
| 60-2 | First session: introduction of the principals | — | ||
| 60-3 | Tonight | — | ||
| 60-4 | "Jet Song" (recording) | — | ||
| 60-5 | "Cool" (recording) | — | ||
| 60-6 | "Tonight" (Piano rehearsal) | — | ||
| 60-7 | "Something's Coming" (recording: take, playback, retakes) | — | ||
| 60-8 | Troyanos on working with Bernstein "Tonight (Ensemble)" (recording) | — | ||
| 60-9 | "Tonight (Ensemble)" (recording- contd.) | — | ||
| 60-10 | "I Feel Pretty" | — | ||
| 60-11 | Te Kanawa on working with Bernstein | — | ||
| 60-12 | Problem passages, "Dance at the Gym" (recording & playbacks) | — | ||
| 60-13 | Bernstein talks to the press "Dance at the Gym" (recording-contd.) | — | ||
| 60-14 | "Meeting Scene" | — | ||
| 60-15 | Te Kanawa on West Side Story, "Somewhere" (recording) | — | ||
| 60-16 | Troyanos on recording, "America" (rehearsal and recording) | — | ||
| 60-17 | "One Hand, One Heart" (recording) | — | ||
| 60-18 | Te Kanawa on singing Bernstein's music | — | ||
| 60-19 | "Maria" (piano rehearsal) | — | ||
| 60-20 | "Maria" (recording) | — | ||
| 60-21 | Carreras on the Interruption, "Maria" (recording- contd.) | — | ||
| 60-22 | Te Kanawa on working with Berstein | — | ||
| 60-23 | "A Boy like that" "I have love" (recording) | — | ||
| 60-24 | "Gee, Officer Krupke" (recording) | — | ||
| 60-25 | "Balcony Scene" (recording) | — | ||
| 60-26 | Berstein on recording West side Story, "Balcony Scene" (recording) | — | ||
| 60-27 | End titles | — |
