UPC · Release
Magdalena Kožená
Last verified:
The UPC for “The Art of Magdalena Kožená” by Magdalena Kožená is 028947915393. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 32 tracks, each with its own ISRC. Tracks include DEN960533010, DEN960631611, DEN960533002.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le domino noir, Act III: Je suis sauvée enfin – Ah! quelle nuit! – Flamme vengeresse | — | ||
| 2 | Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino) | Magdalena Kožená, Orchestra of the Age of Enlightenment, Simon Rattle | T-915.310.099-3 | |
| 3 | Rinaldo, HWV 7: “Lascia ch’io pianga mia cruda sorte” (Almirena) | Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4 | Le nozze di Figaro, K. 492: Act II, Scene II. No. 12 Arietta "Voi che sapete che cosa è amor" (Cherubino) | Magdalena Kožená, Jos van Immerseel, Orchestra of the Age of Enlightenment, Simon Rattle | — | |
| 5 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 37. Aria “Da tempeste il legno infranto” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 6 | Cantata "Was mir behagt", BWV 208: Schafe können sicher weiden | Magdalena Kožená, Musica Florea, Marek Štryncl | T-325.954.727-4 | |
| 7 | Mass in B Minor, BWV 232: Laudamus te (Soprano) | — | ||
| 8 | Ach, dass ich Wassers g'nug hätte | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 9 | Juditha triumphans devicta Holofernes barbarie, RV 644: "Armatae face et anguibus" (Vagaus) | Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon | — | |
| 10 | Farnace, RV 711: "Gelido in ogni vena" (Farnace) | Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon | T-011.572.614-1 | |
| 11 | Ariodante, HWV 33: “Dopo notte, atra e funesta” (Ariodante) | Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon | — | |
| 12 | Don Quichotte, Act IV: Lorsque le temps d’amour a fui – Par fortune! – Alza! Alza! Ne pensons qu’au plaisir d’aimer | — | ||
| 13 | Carmen: “Les tringles des sistres tintaient” (Carmen) | Magdalena Kožená, Mahler Chamber Orchestra, Marc Minkowski | — | |
| 2-1 | Kebych bola jahodú | — | ||
| 2-2 | Moravian Folk Poetry in Songs, JW V/2: No. 37, Lavecka | — | ||
| 2-3 | Moravian Folk Poetry in Songs, JW V/2: No. 12, Jabúcko | — | ||
| 2-4 | Moravian Folk Poetry in Songs, JW V/2: No. 50, Muzikanti | — | ||
| 2-5 | Sì dolce è’l tormento, SV 332 | — | ||
| 2-6 | Biblical Songs, op. 99, B. 189: No. 3, Slyš o Bože! Slyš modlitbu mou | — | ||
| 2-7 | Biblical Songs, op. 99, B. 189: No. 4, Hospodin jest můj pastýř | — | ||
| 2-8 | Biblical Songs, op. 99, B. 189: No. 5, Bože! Bože! Píseň novou | — | ||
| 2-9 | O bei lumi | — | ||
| 2-10 | Felici gl’animi | — | ||
| 2-11 | Cantate, ariette e duetti, op. 2: XIV. L’Eraclito amoroso (Udite amanti) | — | ||
| 2-12 | Des Knaben Wunderhorn: Rheinlegendchen - Live at Severance Hall, Cleveland, 2010 | — | ||
| 2-13 | Des Knaben Wunderhorn: Lob des hohen Verstandes - Live at Severance Hall, Cleveland, 2010 | — | ||
| 2-14 | Moravian Duets III, op. 32, B. 62: No. 11, Zajatá | — | ||
| 2-15 | Moravian Duets III, op. 32, B. 62: No. 9, Prsten | — | ||
| 2-16 | An die Entfernte | — | ||
| 2-17 | Rückert Lieder: Um Mitternacht | — | ||
| 2-18 | Rückert Lieder: Ich bin der Welt abhanden gekommen | — | ||
| 2-19 | Shéhérazade, M. 41: I. Asie | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028947915393 is a Universal Product Code (UPC) assigned to The Art of Magdalena Kožená by Magdalena Kožená. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 32 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Art of Magdalena Kožená” by Magdalena Kožená is 028947915393. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 32 tracks, each with its own ISRC. Tracks include DEN960533010, DEN960631611, DEN960533002.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le domino noir, Act III: Je suis sauvée enfin – Ah! quelle nuit! – Flamme vengeresse | — | ||
| 2 | Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino) | Magdalena Kožená, Orchestra of the Age of Enlightenment, Simon Rattle | T-915.310.099-3 | |
| 3 | Rinaldo, HWV 7: “Lascia ch’io pianga mia cruda sorte” (Almirena) | Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4 | Le nozze di Figaro, K. 492: Act II, Scene II. No. 12 Arietta "Voi che sapete che cosa è amor" (Cherubino) | Magdalena Kožená, Jos van Immerseel, Orchestra of the Age of Enlightenment, Simon Rattle | — | |
| 5 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 37. Aria “Da tempeste il legno infranto” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 6 | Cantata "Was mir behagt", BWV 208: Schafe können sicher weiden | Magdalena Kožená, Musica Florea, Marek Štryncl | T-325.954.727-4 | |
| 7 | Mass in B Minor, BWV 232: Laudamus te (Soprano) | — | ||
| 8 | Ach, dass ich Wassers g'nug hätte | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 9 | Juditha triumphans devicta Holofernes barbarie, RV 644: "Armatae face et anguibus" (Vagaus) | Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon | — | |
| 10 | Farnace, RV 711: "Gelido in ogni vena" (Farnace) | Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon | T-011.572.614-1 | |
| 11 | Ariodante, HWV 33: “Dopo notte, atra e funesta” (Ariodante) | Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon | — | |
| 12 | Don Quichotte, Act IV: Lorsque le temps d’amour a fui – Par fortune! – Alza! Alza! Ne pensons qu’au plaisir d’aimer | — | ||
| 13 | Carmen: “Les tringles des sistres tintaient” (Carmen) | Magdalena Kožená, Mahler Chamber Orchestra, Marc Minkowski | — | |
| 2-1 | Kebych bola jahodú | — | ||
| 2-2 | Moravian Folk Poetry in Songs, JW V/2: No. 37, Lavecka | — | ||
| 2-3 | Moravian Folk Poetry in Songs, JW V/2: No. 12, Jabúcko | — | ||
| 2-4 | Moravian Folk Poetry in Songs, JW V/2: No. 50, Muzikanti | — | ||
| 2-5 | Sì dolce è’l tormento, SV 332 | — | ||
| 2-6 | Biblical Songs, op. 99, B. 189: No. 3, Slyš o Bože! Slyš modlitbu mou | — | ||
| 2-7 | Biblical Songs, op. 99, B. 189: No. 4, Hospodin jest můj pastýř | — | ||
| 2-8 | Biblical Songs, op. 99, B. 189: No. 5, Bože! Bože! Píseň novou | — | ||
| 2-9 | O bei lumi | — | ||
| 2-10 | Felici gl’animi | — | ||
| 2-11 | Cantate, ariette e duetti, op. 2: XIV. L’Eraclito amoroso (Udite amanti) | — | ||
| 2-12 | Des Knaben Wunderhorn: Rheinlegendchen - Live at Severance Hall, Cleveland, 2010 | — | ||
| 2-13 | Des Knaben Wunderhorn: Lob des hohen Verstandes - Live at Severance Hall, Cleveland, 2010 | — | ||
| 2-14 | Moravian Duets III, op. 32, B. 62: No. 11, Zajatá | — | ||
| 2-15 | Moravian Duets III, op. 32, B. 62: No. 9, Prsten | — | ||
| 2-16 | An die Entfernte | — | ||
| 2-17 | Rückert Lieder: Um Mitternacht | — | ||
| 2-18 | Rückert Lieder: Ich bin der Welt abhanden gekommen | — | ||
| 2-19 | Shéhérazade, M. 41: I. Asie | — |
