UPC · Release
Sacred and Profane
Biber, Musica Antiqua Köln, Reinhard Goebel, Gabrieli Consort & Players, Paul McCreesh
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028947919575 is the Universal Product Code (UPC barcode) for the release “Sacred and Profane” by Biber, Musica Antiqua Köln, Reinhard Goebel, Gabrieli Consort & Players, Paul McCreesh, released 2013-01-01 on Archiv Produktion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 131 tracks, each with its own ISRC. Tracks include DEF059731507.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
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Credit Chain
Track List (131)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ein langer und schoner Aufzug | — | ||
| 2 | Missa Salisburgensis - Kyrie | — | ||
| 3 | Missa Salisburgensis - Gloria | — | ||
| 4 | Sonatae tam aris quam aulis servientes: Sonata XII | — | ||
| 5 | Missa Salisburgensis - Credo | — | ||
| 6 | Sonatae tam aris quam aulis servientes: Sonata V | — | ||
| 7 | Missa Salisburgensis - Sanctus - Benedictus | Musica Antiqua Köln, Reinhard Goebel, Gabrieli Consort & Players, Paul McCreesh | — | |
| 8 | Missa Salisburgensis - Agnus Dei | — | ||
| 9 | Sonata Sancti Polycarpi | — | ||
| 10 | Motet 'Plaudite tympana' | — | ||
| 2-1 | Ciacona | — | ||
| 2-2 | Missa ex B a 6 - Kyrie | — | ||
| 2-3 | Missa ex B a 6 - Gloria | — | ||
| 2-4 | Sonata XIII | — | ||
| 2-5 | Missa ex B a 6 - Credo | — | ||
| 2-6 | Peccator et consolator a 2 | — | ||
| 2-7 | Missa ex B a 6 - Sanctus | — | ||
| 2-8 | Praeludium legatura | — | ||
| 2-9 | Missa ex B a 6 - Agnus Dei | — | ||
| 2-10 | Ave verum corpus a 6 | — | ||
| 2-11 | Sonata II | — | ||
| 2-12 | Praeludium legatura | — | ||
| 2-13 | Requiem ex F con terza minore - Introit | — | ||
| 2-14 | Requiem ex F con terza minore - Kyrie | — | ||
| 2-15 | Requiem ex F con terza minore - Sequence | — | ||
| 2-16 | Requiem ex F con terza minore - Offertory | — | ||
| 2-17 | Requiem ex F con terza minore - Sanctus - Benedictus | — | ||
| 2-18 | Requiem ex F con terza minore - Agnus Dei | — | ||
| 2-19 | Requiem ex F con terza minore - Communion | — | ||
| 2-20 | Media vita in morte sumus a 6 | — | ||
| 3-1 | Mystery (Rosary) Sonatas: Sonata I: Die Verkündigung | — | ||
| 3-2 | Mystery (Rosary) Sonatas: Sonata II: Maria Besuch bei Elisabeth | — | ||
| 3-3 | Mystery (Rosary) Sonatas: Sonata III: Christi Geburt | — | ||
| 3-4 | Mystery (Rosary) Sonatas: Sonata IV: Christi Darstellung im Tempel | — | ||
| 3-5 | Mystery (Rosary) Sonatas: Sonata V: Der zwölfjahrige Jesus im Tempel | — | ||
| 3-6 | Mystery (Rosary) Sonatas: Sonata VI: Christi Leiden am Olberg | — | ||
| 3-7 | Mystery (Rosary) Sonatas: Sonata VII: Die Geisselung | — | ||
| 3-8 | Mystery (Rosary) Sonatas: Sonata VIII: Die Dornenkrönung | — | ||
| 4-1 | Mystery (Rosary) Sonatas: Sonata IX: Die Kreuztragung | — | ||
| 4-2 | Mystery (Rosary) Sonatas: Sonata X: Die Kreuzigung | — | ||
| 4-3 | Mystery (Rosary) Sonatas: Sonata XI: Die Auferstehung | — | ||
| 4-4 | Mystery (Rosary) Sonatas: Sonata XII: Christi Himmelfahrt | — | ||
| 4-5 | Mystery (Rosary) Sonatas: Sonata XIII: Ausgiessung des Heiligen Geistes | — | ||
| 4-6 | Mystery (Rosary) Sonatas: Sonata XIV: Maria Himmelfahrt | — | ||
| 4-7 | Mystery (Rosary) Sonatas: Sonata XV: Die Krönung der Jungfrau Maria | — | ||
| 4-8 | Mystery (Rosary) Sonatas: Passacaglia in G minor | — | ||
| 5-1 | Mens sonora, Partia I in D major: 1. Sonata. Grave - Allegro | — | ||
| 5-2 | Mens sonora, Partia I in D major: 2. Allamanda | — | ||
| 5-3 | Mens sonora, Partia I in D major: 3. Courante | — | ||
| 5-4 | Mens sonora, Partia I in D major: 4. Sarabanda | — | ||
| 5-5 | Mens sonora, Partia I in D major: 5. Gavotte | — | ||
| 5-6 | Mens sonora, Partia I in D major: 6. Gigue - Sonatina. Adagio | — | ||
| 5-7 | Mens sonora, Partia II in F major: 1. Intrada. Alla breve | — | ||
| 5-8 | Mens sonora, Partia II in F major: 2. Balletto. Alla breve | — | ||
| 5-9 | Mens sonora, Partia II in F major: 3. Sarabanda | — | ||
| 5-10 | Mens sonora, Partia II in F major: 4. Balletto. Alla breve | — | ||
| 5-11 | Mens sonora, Partia II in F major: 5. Sarabanda | — | ||
| 5-12 | Mens sonora, Partia II in F major: 6. Balletto. Alla breve | — | ||
| 5-13 | Mens sonora, Partia III in A minor: 1. Gagliarda. Allegro | — | ||
| 5-14 | Mens sonora, Partia III in A minor: 2. Sarabanda | — | ||
| 5-15 | Mens sonora, Partia III in A minor: 3. Aria | — | ||
| 5-16 | Mens sonora, Partia III in A minor: 4. Ciacona | — | ||
| 5-17 | Mens sonora, Partia III in A minor: 5. Sonatina. Adagio - Presto | — | ||
| 5-18 | Sonatina violino solo representativa in A major: 1. Sonata. Allegro | — | ||
| 5-19 | Sonatina violino solo representativa in A major: 2. Die Nachtigall | — | ||
| 5-20 | Sonatina violino solo representativa in A major: 3. Cucu | — | ||
| 5-21 | Sonatina violino solo representativa in A major: 4. Der Frosch - Adagio | — | ||
| 5-22 | Sonatina violino solo representativa in A major: 5. Allegro. Die Henne und d... | — | ||
| 5-23 | Sonatina violino solo representativa in A major: 6. Adagio. Die Wachtel | — | ||
| 5-24 | Sonatina violino solo representativa in A major: 7. Die Katz | — | ||
| 5-25 | Sonatina violino solo representativa in A major: 8. Musketier-Marsch | — | ||
| 5-26 | Sonatina violino solo representativa in A major: 9. Allemande | — | ||
| 5-27 | Mens sonora, Partia IV in B flat major: 1. Sonata. Grave - Allegro - Adagio | — | ||
| 5-28 | Mens sonora, Partia IV in B flat major: 2. Allamanda | — | ||
| 5-29 | Mens sonora, Partia IV in B flat major: 3. Courante | — | ||
| 5-30 | Mens sonora, Partia IV in B flat major: 4. Balletto | — | ||
| 5-31 | Mens sonora, Partia IV in B flat major: 5. Sarabanda | — | ||
| 5-32 | Mens sonora, Partia IV in B flat major: 6. Gigue. Presto | — | ||
| 5-33 | Mens sonora, Partia IV in B flat major: 7. Sonatina. Adagio | — | ||
| 5-34 | Mens sonora, Partia V in E major: 1. Intrada. Allegro | — | ||
| 5-35 | Mens sonora, Partia V in E major: 2. Balletto | — | ||
| 5-36 | Mens sonora, Partia V in E major: 3. Trezza | — | ||
| 5-37 | Mens sonora, Partia V in E major: 4. Gigue | — | ||
| 5-38 | Mens sonora, Partia V in E major: 5. Gavotte. Alla breve | — | ||
| 5-39 | Mens sonora, Partia V in E major: 6. Gigue | — | ||
| 5-40 | Mens sonora, Partia V in E major: 7. Retirada | — | ||
| 5-41 | Mens sonora, Partia VI in G minor: 1. Sonata. Adagio - Presto | — | ||
| 5-42 | Mens sonora, Partia VI in G minor: 2. Aria | — | ||
| 5-43 | Mens sonora, Partia VI in G minor: 3. Canario. Presto | — | ||
| 5-44 | Mens sonora, Partia VI in G minor: 4. Amener | — | ||
| 5-45 | Mens sonora, Partia VI in G minor: 5. Trezza | — | ||
| 5-46 | Mens sonora, Partia VI in G minor: 6. Ciacona | — | ||
| 5-47 | Mens sonora, Partia VI in G minor: 7. Sonatina. Adagio - Presto | — | ||
| 6-1 | Harmonia artificioso-ariosa, Partia I in D minor: 1. Sonata. Adagio - Presto - Adagio | — | ||
| 6-2 | Harmonia artificioso-ariosa, Partia I in D minor: 2. Allamande | — | ||
| 6-3 | Harmonia artificioso-ariosa, Partia I in D minor: 3. Gigue - Variatio I & II | — | ||
| 6-4 | Harmonia artificioso-ariosa, Partia I in D minor: 4. Aria | — | ||
| 6-5 | Harmonia artificioso-ariosa, Partia I in D minor: 5. Sarabande - Variatio I & II - Finale. Presto | — | ||
| 6-6 | Harmonia artificioso-ariosa, Partia II in B minor: 1. Praeludium | — | ||
| 6-7 | Harmonia artificioso-ariosa, Partia II in B minor: 2. Allamande - Variatio | — | ||
| 6-8 | Harmonia artificioso-ariosa, Partia II in B minor: 3. Balletto - Allegro | — | ||
| 6-9 | Harmonia artificioso-ariosa, Partia II in B minor: 4. Aria. Presto | — | ||
| 6-10 | Harmonia artificioso-ariosa, Partia II in B minor: 5. Gigue. Presto | — | ||
| 6-11 | Harmonia artificioso-ariosa, Partia III in A major: 1. Praeludium. Allegro | — | ||
| 6-12 | Harmonia artificioso-ariosa, Partia III in A major: 2. Allamande | — | ||
| 6-13 | Harmonia artificioso-ariosa, Partia III in A major: 3. Amener. Presto | — | ||
| 6-14 | Harmonia artificioso-ariosa, Partia III in A major: 4. Balletto | — | ||
| 6-15 | Harmonia artificioso-ariosa, Partia III in A major: 5. Gigue | — | ||
| 6-16 | Harmonia artificioso-ariosa, Partia III in A major: 6. Ciacona (Canon in unisono) | — | ||
| 6-17 | Harmonia artificioso-ariosa, Partia IV in E flat major: 1. Sonata. Adagio - Allegro - Adagio | — | ||
| 6-18 | Harmonia artificioso-ariosa, Partia IV in E flat major: 2. Allamande | — | ||
| 6-19 | Harmonia artificioso-ariosa, Partia IV in E flat major: 3. Trezza. Presto | — | ||
| 6-20 | Harmonia artificioso-ariosa, Partia IV in E flat major: 4. Aria | — | ||
| 6-21 | Harmonia artificioso-ariosa, Partia IV in E flat major: 5. Canario | — | ||
| 6-22 | Harmonia artificioso-ariosa, Partia IV in E flat major: 6. Gigue. Presto | — | ||
| 6-23 | Harmonia artificioso-ariosa, Partia IV in E flat major: 7. Polichinello. Presto | — | ||
| 7-1 | Harmonia artificioso-ariosa, Partia V in G minor: 1. Intrada. Alla breve | — | ||
| 7-2 | Harmonia artificioso-ariosa, Partia V in G minor: 2. Aria. Adagio | — | ||
| 7-3 | Harmonia artificioso-ariosa, Partia V in G minor: 3. Balletto. Presto | — | ||
| 7-4 | Harmonia artificioso-ariosa, Partia V in G minor: 4. Gigue | — | ||
| 7-5 | Harmonia artificioso-ariosa, Partia V in G minor: 5. Passacaglia. (Adagio) - Allegro - Adagio | — | ||
| 7-6 | Harmonia artificioso-ariosa, Partia VI in D major: 1. Praeludium. Adagio - Allegro | — | ||
| 7-7 | Harmonia artificioso-ariosa, Partia VI in D major: 2. Aria - Variatio I-XIII | — | ||
| 7-8 | Harmonia artificioso-ariosa, Partia VI in D major: 3. Finale. Adagio - Allegro | — | ||
| 7-9 | Harmonia artificioso-ariosa, Partia VII in C minor: 1. Praeludium. Grave - Presto | — | ||
| 7-10 | Harmonia artificioso-ariosa, Partia VII in C minor: 2. Allamande | — | ||
| 7-11 | Harmonia artificioso-ariosa, Partia VII in C minor: 3. Sarabande | — | ||
| 7-12 | Harmonia artificioso-ariosa, Partia VII in C minor: 4. Gigue. Presto | — | ||
| 7-13 | Harmonia artificioso-ariosa, Partia VII in C minor: 5. Aria | — | ||
| 7-14 | Harmonia artificioso-ariosa, Partia VII in C minor: 6. Trezza | — | ||
| 7-15 | Harmonia artificioso-ariosa, Partia VII in C minor: 7. Arietta variata | — |
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What is UPC 028947919575?
028947919575 is a Universal Product Code (UPC) assigned to Sacred and Profane by Biber, Musica Antiqua Köln, Reinhard Goebel, Gabrieli Consort & Players, Paul McCreesh. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 131 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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