UPC · Release
Various Artists
Last verified:
The UPC for “The History of Classical Music, Part 2: Classical to Early Romantic: From Haydn to Paganini” by Various Artists is 028947923015. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-10-14. This release contains 224 tracks, each with its own ISRC. Tracks include DEF057801111, DEF057801112, DEF057801113.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 45 in F‐sharp minor, Hob. I:45 “Farewell”: I. Allegro assai | English Chamber Orchestra, Daniel Barenboim | T-306.395.786-4 | |
| 2 | Symphony no. 45 in F‐sharp minor, Hob. I:45 “Farewell”: II. Adagio | English Chamber Orchestra, Daniel Barenboim | T-914.012.216-3 | |
| 3 | Symphony no. 45 in F‐sharp minor, Hob. I:45 “Farewell”: III. Menuet. Allegretto – Trio – Menuet | English Chamber Orchestra, Daniel Barenboim | — | |
| 4 | Symphony no. 45 in F‐sharp minor, Hob. I:45 “Farewell”: IV. Finale. Presto – Adagio | English Chamber Orchestra, Daniel Barenboim | — | |
| 5 | Symphony in G, H.I No. 88: I. Adagio – Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 6 | Symphony in G, H.I No. 88: I. Adagio – Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 7 | Symphony in G, H.I No. 88: I. Adagio – Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 8 | Symphony in G, H.I No. 88: I. Adagio – Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 9 | Symphony no. 104 in D major, Hob. I:104 “London”: I. Adagio – Allegro | London Philharmonic Orchestra, Eugen Jochum | — | |
| 10 | Symphony no. 104 in D major, Hob. I:104 “London”: II. Andante | London Philharmonic Orchestra, Eugen Jochum | T-902.764.002-4 | |
| 11 | Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuet: Allegro – Trio – Menuet | London Philharmonic Orchestra, Eugen Jochum | — | |
| 12 | Symphony no. 104 in D major, Hob. I:104 “London”: IV. Finale: Spiritoso | London Philharmonic Orchestra, Eugen Jochum | T-318.676.528-2 | |
| 2-1 | String Quartet in D major, op. 64 no. 5 "The Lark", Hoboken III: 63: I. Allegro moderato | Amadeus Quartet | T-902.685.630-4 | |
| 2-2 | String Quartet in D major, op. 64 no. 5 "The Lark", Hoboken III: 63: II. Adagio. Cantabile | Amadeus Quartet | T-001.397.158-8 | |
| 2-3 | String Quartet in D major, op. 64 no. 5 "The Lark", Hoboken III: 63: III. Menuet. Allegretto | Amadeus Quartet | — | |
| 2-4 | String Quartet in D major, op. 64 no. 5 "The Lark", Hoboken III: 63: IV. Finale. Vivace | Amadeus Quartet | — | |
| 2-5 | String Quartet in G minor, op. 74 no. 3 "The Rider", Hoboken III: 74: I. Allegro | Amadeus Quartet | T-011.422.353-8 | |
| 2-6 | String Quartet in G minor, op. 74 no. 3 "The Rider", Hoboken III: 74: II. Largo assai | Amadeus Quartet | — | |
| 2-7 | String Quartet in G minor, op. 74 no. 3 "The Rider", Hoboken III: 74: III. Menuet. Allegretto | Amadeus Quartet | — | |
| 2-8 | String Quartet in G minor, op. 74 no. 3 "The Rider", Hoboken III: 74: IV. Finale. Allegro con brio | Amadeus Quartet | — | |
| 2-9 | String Quartet in C major, op. 76 no. 3 "Emperor", Hoboken III: 77: I. Allegro | Amadeus Quartet | — | |
| 2-10 | String Quartet in C major, op. 76 no. 3 "Emperor", Hoboken III: 77: II. Poco Adagio. Cantabile. Variazioni I - IV | Amadeus Quartet | T-001.397.158-8 | |
| 2-11 | String Quartet in C major, op. 76 no. 3 "Emperor", Hoboken III: 77: III. Menuetto | Amadeus Quartet | — | |
| 2-12 | String Quartet in C major, op. 76 no. 3 "Emperor", Hoboken III: 77: IV. Finale. Presto | Amadeus Quartet | T-003.055.867-8 | |
| 3-1 | La Création : Première Partie : Le Premier Jour: 1. Die Vorstellung des Chaos (Largo) | Berliner Philharmoniker, Herbert von Karajan | T-001.322.740-1 | |
| 3-2 | La Création : Première Partie : Le Premier Jour: Récitatif avec chœur : « Im Anfange schuf Gott Himmel und Erde » | Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-3 | La Création : Première Partie : Le Premier Jour: 2. Air avec chœur (Andante – Allegro moderato) : « Nun schwanden vor dem heiligen Strahle » | Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-4 | La Création : Première Partie : Le Troisième Jour: 6. Air (Allegro assai) « Rollend in schäumenden Wellen » | Walter Berry, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-5 | La Création : Première Partie : Le Troisième Jour: 8. Air (Andante) : « Nun beut die Flur das frische Grün » | Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-6 | La Création : Première Partie : Le Quatrième Jour: 12. Récitatif (Andante allegro) : « In vollem Glanze steiget jetzt » | Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-7 | La Création : Première Partie : Le Quatrième Jour: 13. Chœur avec soliste (Allegro) : « Die Himmel erzählen die Ehre Gottes » | Wiener Singverein, Walter Berry, Gundula Janowitz, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-8 | La Création : Deuxième Partie : Le Cinquième Jour: 18. Trio (Moderato): « In holder Anmut stehn » / 19. Chœur avec solistes (Vivace): « Der Herr ist gross in seiner Macht » | Walter Berry, Gundula Janowitz, Werner Krenn, Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-9 | La Création : Deuxième Partie : Le Sixième Jour: 21. Récitatif (Presto – Andante – Adagio) « Gleich öffnet sich der Erde Schoss » | Walter Berry, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-10 | La Création : Deuxième Partie : Le Sixième Jour: 22. Air (Maestoso): « Nun scheint in vollen Glanze der Himmel » | Walter Berry, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-11 | La Création : Deuxième Partie : Le Sixième Jour: 24. Air (Andante): « Mit Würd und Hoheit angetan » | Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-12 | La Création : Deuxième Partie : Le Sixième Jour: 26. Chœur (Vivace): « Vollendet ist das grosse Werk » / 27. Trio (Poco adagio): « Zu Dir o Herr, blickt alles auf » / 28. Chœur: « Vollendet ist das grosse Werke » | Walter Berry, Gundula Janowitz, Werner Krenn, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-13 | La Création : Troisième Partie: 32. Duo (Adagio – Allegro) : « Holde Gattin, dir zur Seite » | Dietrich Fischer-Dieskau, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-14 | La Création : Troisième Partie: 34. Chœur final avec solistes (Andante) : « Singt dem Herren alle Stimmen! » | Christa Ludwig, Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-1 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 4-2 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 4-3 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 4-4 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 4-5 | Symphonie no. 40 g‐Moll, KV 550: I. Molto allegro | Berliner Philharmoniker, Karl Böhm | — | |
| 4-6 | Symphonie no. 40 g‐Moll, KV 550: I. Molto allegro | Berliner Philharmoniker, Karl Böhm | — | |
| 4-7 | Symphonie no. 40 g‐Moll, KV 550: I. Molto allegro | Berliner Philharmoniker, Karl Böhm | — | |
| 4-8 | Symphonie no. 40 g‐Moll, KV 550: I. Molto allegro | Berliner Philharmoniker, Karl Böhm | — | |
| 4-9 | Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio | Berliner Philharmoniker, Karl Böhm | — | |
| 4-10 | Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio | Berliner Philharmoniker, Karl Böhm | — | |
| 4-11 | Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio | Berliner Philharmoniker, Karl Böhm | — | |
| 4-12 | Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio | Berliner Philharmoniker, Karl Böhm | — | |
| 5-1 | Concerto for Piano and Orchestra no. 20 in D minor, K. 466: I. Allegro | Géza Anda, Camerata Salzburg | T-011.422.353-8 | |
| 5-2 | Concerto for Piano and Orchestra no. 20 in D minor, K. 466: II. Romance | Géza Anda, Camerata Salzburg | — | |
| 5-3 | Concerto for Piano and Orchestra no. 20 in D minor, K. 466: III. Allegro assai | Géza Anda, Camerata Salzburg | T-306.395.786-4 | |
| 5-4 | Fantasia in D minor, K. 397: Andante | Wilhelm Kempff | T-070.126.537-3 | |
| 5-5 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 5-6 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 5-7 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 6-1 | Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro | Amadeus Quartet, Gervase de Peyer | — | |
| 6-2 | Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro | Amadeus Quartet, Gervase de Peyer | — | |
| 6-3 | Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro | Amadeus Quartet, Gervase de Peyer | — | |
| 6-4 | Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro | Amadeus Quartet, Gervase de Peyer | — | |
| 6-5 | Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: I. Allegro | Amadeus Quartet, Cecil Aronowitz | — | |
| 6-6 | Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: II. Minuetto. Allegretto & Trio | Amadeus Quartet, Cecil Aronowitz | — | |
| 6-7 | Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: III. Adagio | Amadeus Quartet, Cecil Aronowitz | — | |
| 6-8 | Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: IV. Adagio ma non troppo / V. Allegro | Amadeus Quartet, Cecil Aronowitz | T-003.055.867-8 | |
| 7-1 | Le nozze di Figaro, K. 492: Overture | Orchester der Deutschen Oper Berlin, Karl Böhm | T-900.133.397-7 | |
| 7-2 | Le nozze di Figaro, K. 492: Act I. no. 2. Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna) | Edith Mathis, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 7-3 | Le nozze di Figaro, K. 492: Act I. no. 3. Cavatina "Se vuol ballare, signor Contino" (Figaro) | Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | T-900.134.079-0 | |
| 7-4 | Le nozze di Figaro, K. 492: Act I. no. 4. Aria "La vendetta, oh, la vendetta" (Bartolo) | Peter Lagger, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 7-5 | Le nozze di Figaro, K. 492: Act I. no. 6. Aria "Non so più cosa son, cosa faccio" (Cherubino) | Tatiana Troyanos, Orchester der Deutschen Oper Berlin, Karl Böhm | T-915.310.099-3 | |
| 7-6 | Le nozze di Figaro, K. 492: Act I. no. 9. Aria "Non più andrai, farfallone amoroso" (Figaro) | Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | T-009.157.866-3 | |
| 7-7 | Le nozze di Figaro, K. 492, no. 11: “Porgi, amore, qualche ristoro” | Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | T-306.482.540-3 | |
| 7-8 | Le nozze di Figaro, K. 492: Act II. no. 11. Canzona "Voi che sapete" (Cherubino) | Tatiana Troyanos, Orchester der Deutschen Oper Berlin, Karl Böhm | T-031.862.676-4 | |
| 7-9 | Le nozze di Figaro, K. 492: Act II. no. 12. Aria "Venite … inginocchiatevi" (Susanna) | Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 7-10 | Le nozze di Figaro, K. 492: Act III. no. 17. Aria "Vedrò, mentr'io sospiro" (Conte) | Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 7-11 | Le nozze di Figaro, K. 492: Act III. no. 19. Recitativo "E Susanna non vien!" (Contessa) | Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 7-12 | Le nozze di Figaro, K. 492, no. 20: “Dove sono i bei momenti” | Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 7-13 | Le nozze di Figaro, K. 492: Act III. no. 20. Duettino (“Sull’aria”) - “Che soave zeffiretto” (Susanna, Contessa) | Gundula Janowitz, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | T-900.134.451-0 | |
| 7-14 | Le nozze di Figaro, K. 492: Act IV. no. 23. Cavatina “L’ho perduta” (Barbarina) | Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 7-15 | Le nozze di Figaro, K. 492: Act IV. no. 26. Aria "Aprite un po' quegli occhi" (Figaro) | Dietrich Fischer-Dieskau, Gundula Janowitz, Peter Lagger, Edith Mathis, Hermann Prey, Tatiana Troyanos, Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 7-16 | Le nozze di Figaro, K. 492: Act IV. no. 27. Recitativo “Giunse alfin il momento” (Susanna) | Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 7-17 | Le nozze di Figaro, K. 492: Act IV. no. 27. Aria "Deh vieni, non tardar" (Susanna) | Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | T-001.424.370-9 | |
| 7-18 | Le nozze di Figaro, K. 492: Act IV. no. 28. Finale "Gente, gente, all'armi, all'armi" (Conte, Tutti) | Dietrich Fischer-Dieskau, Gundula Janowitz, Peter Lagger, Edith Mathis, Hermann Prey, Tatiana Troyanos, Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 8-1 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-2 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-3 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-4 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-5 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-6 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-7 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-8 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-9 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-10 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-11 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-12 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-13 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-14 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-15 | Vesperae solennes de confessore in C, K. 339: V. Laudate Dominum omnes gentes (Ps. 116/117) | Günther Arndt, RIAS Kammerchor, Maria Stader, Helmut Heller, Wolfgang Meyer, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 8-16 | Exsultate, jubilate, K. 165: I. Exsultate, jubilate | Maria Stader, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 8-17 | Exsultate, jubilate, K. 165: II. Fulget amica dies | Maria Stader, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 8-18 | Exsultate, jubilate, K. 165: III. Tu virginum corona | Maria Stader, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 8-19 | Exsultate, jubilate, K. 165: IV. Alleluia | Maria Stader, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | T-905.495.559-8 | |
| 9-1 | Symphonie Nr. 5 c-moll, op. 67: Allegro con brio | Berliner Philharmoniker, Herbert von Karajan | — | |
| 9-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Berliner Philharmoniker, Herbert von Karajan | T-902.876.200-7 | |
| 9-3 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Berliner Philharmoniker, Herbert von Karajan | — | |
| 9-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Berliner Philharmoniker, Herbert von Karajan | T-318.676.528-2 | |
| 9-5 | Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” | Berliner Philharmoniker, Herbert von Karajan | — | |
| 9-6 | Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” | Berliner Philharmoniker, Herbert von Karajan | — | |
| 9-7 | Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” | Berliner Philharmoniker, Herbert von Karajan | — | |
| 9-8 | Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” | Berliner Philharmoniker, Herbert von Karajan | — | |
| 9-9 | Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” | Berliner Philharmoniker, Herbert von Karajan | — | |
| 10-1 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-3 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-4 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-5 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-1 | Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: I. Allegro | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-070.161.055-0 | |
| 11-2 | Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: II. Adagio un poco mosso (attacca) | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 11-3 | Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: III. Rondo. Allegro | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-700.095.171-5 | |
| 11-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 11-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 11-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-909.876.873-1 | |
| 12-1 | Sonata for Violin and Piano no. 9 in A, op. 47 "Kreutzer": 1. Adagio sostenuto - Presto | Yehudi Menuhin, Wilhelm Kempff | — | |
| 12-2 | Sonata for Violin and Piano no. 9 in A, op. 47 "Kreutzer": 2. Andante con variazioni | Yehudi Menuhin, Wilhelm Kempff | — | |
| 12-3 | Sonata for Violin and Piano no. 9 in A, op. 47 "Kreutzer": 3. Finale (Presto) | Yehudi Menuhin, Wilhelm Kempff | — | |
| 12-4 | Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: I. Allegro | Amadeus Quartet | — | |
| 12-5 | Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: II. Allegretto scherzando e sempre vivace | Amadeus Quartet | — | |
| 12-6 | Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: III. Adagio molto | Amadeus Quartet | — | |
| 12-7 | Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: IV. Allegro | Amadeus Quartet | — | |
| 13-1 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio | Emil Gilels | T-915.723.669-6 | |
| 13-2 | Piano Sonata No. 8, Op. 13 "Pathétique": II. Adagio cantabile | Emil Gilels | T-001.397.158-8 | |
| 13-3 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | Emil Gilels | — | |
| 13-4 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | Emil Gilels | T-306.395.786-4 | |
| 13-5 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto | Emil Gilels | — | |
| 13-6 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo | Emil Gilels | — | |
| 13-7 | Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | Emil Gilels | — | |
| 13-8 | Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | Emil Gilels | — | |
| 13-9 | Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo – Fuga. Allegro ma non troppo | Emil Gilels | — | |
| 14-1 | Der Freischütz: Ouvertüre | Staatskapelle Dresden, Carlos Kleiber | T-900.140.831-7 | |
| 14-2 | Der Freischütz: I. Akt, I. Auftritt. No. 1 Introduktion “Viktoria! Victoria! Der Meister soll leben” / “Schau der Herr mich an als König!” | Staatskapelle Dresden, Carlos Kleiber | — | |
| 14-3 | Der Freischütz: I. Akt, III. Auftritt. No. 3 Walzer | Staatskapelle Dresden, Carlos Kleiber | T-800.689.963-5 | |
| 14-4 | Der Freischütz: I. Akt, IV. Auftritt. Rezitativ und Arie “Nein, länger trag’ ich nicht die Qualen … Durch die Wälder, durch die Auen” | Staatskapelle Dresden, Carlos Kleiber | — | |
| 14-5 | Der Freischütz: I. Akt, VI. Auftritt. No. 5 Arie “Schweig, schweig, damit dich niemand warnt!” | Staatskapelle Dresden, Carlos Kleiber | — | |
| 14-6 | Der Freischütz: II. Akt, I. Auftritt. No. 6 Duett “Schelm, halt fest! Ich will dich’s lehren!” | Staatskapelle Dresden, Carlos Kleiber | — | |
| 14-7 | Der Freischütz: II. Akt, I. Auftritt. No. 7 Ariette “Kommt ein schlanker Bursch gegangen” | Staatskapelle Dresden, Carlos Kleiber | — | |
| 14-8 | Der Freischütz: II. Akt, II. Auftritt. No. 8 Szene und Arie “Wie nahte mir der Schlummer… Leise, leise, fromme Weise!” | Staatskapelle Dresden, Carlos Kleiber | — | |
| 14-9 | Der Freischütz: II. Akt, IV. Auftritt. No. 10 Finale “Milch des Mondes fiel aufs Kraut” / V. Auftritt. “Samiel! Samiel! Erschein!” / VI. Auftritt. “Trefflich bedient!” | Staatskapelle Dresden, Carlos Kleiber | — | |
| 14-10 | Der Freischütz: Akt III. Nr. 12. Kavatine „Und ob die Wolke sie verhülle“ (Agathe) | Staatskapelle Dresden, Carlos Kleiber | — | |
| 14-11 | Der Freischütz: III. Akt, IV. Auftritt. No. 14 Volkslied “Wir winden dir den Jungfernkranz” / V. Auftritt. “Da bin ich wieder” | Staatskapelle Dresden, Carlos Kleiber | T-801.953.781-7 | |
| 14-12 | Der Freischütz: III. Akt, VI. Auftritt. No. 15 Jägerchor “Was gleicht wohl auf Erden” | Staatskapelle Dresden, Carlos Kleiber | — | |
| 15-1 | Il barbiere di Siviglia: Sinfonia (Ouverture) | London Symphony Orchestra, Claudio Abbado | T-306.482.271-1 | |
| 15-2 | Il barbiere di Siviglia: Atto I. N. 7 Duetto: “Dunque io son… tu non m'ingarbiere di Siviglia: Atto I. Cavatina: “Ecco, ridente in cielo” (conte) / Seguito dell’introduzione: “Ehi, Fiorello?” (conte, Fiorello, coro) / Recitativo: “Gente indiscreta!” (conte, Fiorello) | Luigi Alva, Renato Cesari, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 15-3 | Il barbiere di Siviglia: “Largo al factotum” | Hermann Prey, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 15-4 | Una voce poco fa | Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 15-5 | Il barbiere di Siviglia, Act I: No. 6 Aria: “La calunnia è un venticello” | Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado | — | |
| 15-6 | Il barbiere di Siviglia: Dunque io son | Teresa Berganza, Hermann Prey, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 15-7 | Il barbiere di Siviglia: Atto I. N. 8 Aria: “A un dottor della mia sorte” (Bartolo) | Enzo Dara, London Symphony Orchestra, Claudio Abbado | — | |
| 15-8 | Il barbiere di Siviglia: Atto I. No. 10 Duetto: “Pace e gioia sia con voi“ | Luigi Alva, Enzo Dara, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 15-9 | Il barbiere di Siviglia, Act II: No. 11 Aria: “Contro un cor che accende amore” | Luigi Alva, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 15-10 | Il barbiere di Siviglia, Act II: No. 13 Quintetto: “Don Basilio!” “Cosa veggo!” | Luigi Alva, Teresa Berganza, Enzo Dara, Paolo Montarsolo, Hermann Prey, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 15-11 | Il barbiere di Siviglia: Atto I. No. 15 Temporale (Thunderstorm) | London Symphony Orchestra, Claudio Abbado | — | |
| 15-12 | Il barbiere di Siviglia: Atto II, (no. 16). “Ah, qual colpo” | Luigi Alva, Teresa Berganza, Hermann Prey, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 15-13 | Il barbiere di Siviglia: Atto II. N. 19 Finaletto II: “Di sì felice innesto” (Figaro, Rosina, conte, tutti) | Luigi Alva, Teresa Berganza, Renato Cesari, Enzo Dara, Stefania Malagú, Paolo Montarsolo, Hermann Prey, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 16-1 | Symphony no. 8 in B minor, D 759 “Unfinished”: I. Allegro moderato | Berliner Philharmoniker, Karl Böhm | T-902.685.630-4 | |
| 16-2 | Symphony no. 8 in B minor, D 759 “Unfinished”: II. Andante con moto | Berliner Philharmoniker, Karl Böhm | — | |
| 16-3 | Symphony no. 9 in C major, D 944 “The Great”: I. Andante - Allegro ma non troppo | Berliner Philharmoniker, Karl Böhm | — | |
| 16-4 | Symphony no. 9 in C major, D 944 “The Great”: I. Andante - Allegro ma non troppo | Berliner Philharmoniker, Karl Böhm | — | |
| 16-5 | Symphony no. 9 in C major, D 944 “The Great”: I. Andante - Allegro ma non troppo | Berliner Philharmoniker, Karl Böhm | — | |
| 16-6 | Symphony no. 9 in C major, D 944 “The Great”: I. Andante - Allegro ma non troppo | Berliner Philharmoniker, Karl Böhm | — | |
| 17-1 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": V. Finale. Allegro giusto | Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel | — | |
| 17-2 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": V. Finale. Allegro giusto | Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel | — | |
| 17-3 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": V. Finale. Allegro giusto | Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel | — | |
| 17-4 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": V. Finale. Allegro giusto | Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel | — | |
| 17-5 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": V. Finale. Allegro giusto | Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel | — | |
| 17-6 | String Quartet in D minor, D 810 "Death and the Maiden": II. Andante con moto | Amadeus Quartet | — | |
| 17-7 | String Quartet in D minor, D 810 "Death and the Maiden": II. Andante con moto | Amadeus Quartet | — | |
| 17-8 | String Quartet in D minor, D 810 "Death and the Maiden": II. Andante con moto | Amadeus Quartet | — | |
| 17-9 | String Quartet in D minor, D 810 "Death and the Maiden": II. Andante con moto | Amadeus Quartet | — | |
| 18-1 | Piano Sonata in B-flat major, D. 960: I. Molto moderato | Wilhelm Kempff | — | |
| 18-2 | Piano Sonata in B-flat major, D. 960: II. Andante sostenuto | Wilhelm Kempff | — | |
| 18-3 | Piano Sonata in B-flat major, D. 960: III. Scherzo. Allegro vivace con delicatezza | Wilhelm Kempff | — | |
| 18-4 | Piano Sonata in B-flat major, D. 960: IV. Allegro ma non troppo | Wilhelm Kempff | — | |
| 18-5 | Impromptu in G-flat major, D. 899 no. 3: Andante | Wilhelm Kempff | — | |
| 18-6 | Impromptus, D. 899: Nr. 2 Es-dur. Allegro | Wilhelm Kempff | — | |
| 18-7 | Moment Musicaux no. 2 in A-flat major. Andantino | Wilhelm Kempff | — | |
| 18-8 | Moments musicaux, D. 780 no. 5 in F minor. Allegro vivace | Wilhelm Kempff | — | |
| 18-9 | Impromptus. D. 935: Nr. 3 B-dur. Andante | Wilhelm Kempff | — | |
| 19-1 | Winterreise, D 911: 1. Gute Nacht | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-2 | Winterreise, D 911: 2. Die Wetterfahne | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-3 | Winterreise, D 911: 3. Gefor'ne Tränen | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-4 | Winterreise, D 911: 4. Erstarrung | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-5 | Winterreise, D 911: 5. Der Lindenbaum | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-6 | Winterreise, D 911: 6. Wasserflut | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-7 | Winterreise, D 911: 7. Auf dem Flusse | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-8 | Winterreise, D 911: 8. Rückblick | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-9 | Winterreise, D 911: 9. Irrlicht | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-10 | Winterreise, D 911: 10. Rast | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-11 | Winterreise, D 911: 11. Frühlingstraum | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-12 | Winterreise, D 911: 12. Einsamkeit | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-13 | Winterreise, D 911: 13. Die Post | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-14 | Winterreise, D 911: 14. Der greise Kopf | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-15 | Winterreise, D 911: 15. Die Krähe | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-16 | Winterreise, D 911: 16. Letze Hoffnung | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-17 | Winterreise, D 911: 17. Im Dorfe | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-18 | Winterreise, D 911: 18. Der stürmische Morgen | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-19 | Winterreise, D 911: 19. Täuschung | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-20 | Winterreise, D 911: 20. Der Wegweiser | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-21 | Winterreise, D 911: 21. Das Wirtshaus | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-22 | Winterreise, D 911: 22. Mut | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-23 | Winterreise, D 911: 23. Die Nebensonnen | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-24 | Winterreise, D 911: 24. Der Leiermann | Dietrich Fischer-Dieskau, Daniel Barenboim | T-009.051.406-9 | |
| 20-1 | Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spirituoso | Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit | — | |
| 20-2 | Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spirituoso | Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit | — | |
| 20-3 | Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spirituoso | Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit | — | |
| 20-4 | 24 Capricci per violino solo, op. 1: 1. Andante. E-dur | Salvatore Accardo | T-010.437.719-6 | |
| 20-5 | 24 Capricci per violino solo, op. 1: 3. Sostenuto - Presto - Sostenuto. e-moll | Salvatore Accardo | — | |
| 20-6 | 24 Capricci per violino solo, op. 1: 4. Maestoso. c-moll | Salvatore Accardo | — | |
| 20-7 | 24 Capricci per violino solo, op. 1: 9. Allegretto. E-dur | Salvatore Accardo | T-010.437.719-6 | |
| 20-8 | 24 Capricci per violino solo, op. 1: 10. Vivace. g-moll | Salvatore Accardo | — | |
| 20-9 | 24 Capricci per violino solo, op. 1: 11. Andante - Presto - Tempo I. C-dur | Salvatore Accardo | — | |
| 20-10 | 24 Capricci per violino solo, op. 1: 14. Moderato. Es-dur | Salvatore Accardo | T-906.148.797-6 | |
| 20-11 | 24 Capricci per violino solo, op. 1: 16. Presto. g-moll | Salvatore Accardo | — | |
| 20-12 | 24 Capricci per violino solo, op. 1: 17. Sostenuto - Andante. Es-dur | Salvatore Accardo | — | |
| 20-13 | Caprice Op. 1, No. 24 pour violon seul | Salvatore Accardo | T-902.571.014-9 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| String Quartet in D minor, D 810 "Death and the Maiden": II. Andante con moto | Amadeus Quartet | — |
| String Quartet in D minor, D 810 "Death and the Maiden": I. Allegro | Amadeus Quartet | T-011.422.353-8 |
| String Quartet in D minor, D 810 "Death and the Maiden": III. Scherzo. Allegro molto | Amadeus Quartet | T-911.517.582-1 |
| String Quartet in D minor, D 810 "Death and the Maiden": IV. Presto | Amadeus Quartet | T-003.055.867-8 |
| Concerto pour piano et orchestre No. 21, KV 467: Andante | Géza Anda, Camerata Academica des Salzburger Mozarteums | T-010.194.871-3 |
| Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 1. Allegro | Géza Anda, Camerata Academica des Salzburger Mozarteums | — |
| Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | T-306.395.786-4 |
| Symphonie no. 40 g‐Moll, KV 550: I. Molto allegro | Berliner Philharmoniker, Karl Böhm | T-003.035.132-6 |
| Symphonie no. 40 g‐Moll, KV 550: II. Andante | Berliner Philharmoniker, Karl Böhm | — |
| Symphonie no. 40 g‐Moll, KV 550: III. Menuetto. Allegretto – Trio | Berliner Philharmoniker, Karl Böhm | — |
| Symphonie no. 40 g‐Moll, KV 550: IV. Allegro assai | Berliner Philharmoniker, Karl Böhm | T-306.395.786-4 |
| Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — |
| Requièm Mass in D minor K. 626: III. Sequentia: e. "Confutatis maledictis" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — |
| Requièm Mass in D minor K. 626: I. Introitus: "Requiem aeternam" (choir and soprano solo) | Wilma Lipp, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | T-905.386.342-6 |
| Requièm Mass in D minor K. 626: II. "Kyrie eleison" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | T-070.093.418-4 |
| Requièm Mass in D minor K. 626: III. Sequentia: a. "Dies irae" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — |
| Requièm Mass in D minor K. 626: III. Sequentia: b. "Tuba mirum" (soprano, contralto, tenor, bass solo) | Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan | — |
| Requièm Mass in D minor K. 626: III. Sequentia: c. "Rex tremendae makestatis" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — |
| Requièm Mass in D minor K. 626: III. Sequentia: d. "Recordare, Jesu pie" (soprano, contralto, tenor, bass solo) | Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan | T-916.756.672-5 |
| Requièm Mass in D minor K. 626: IV. Offertorium: a. "Domine Jesu Christie" (choir with solo quartet) | Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | T-919.097.742-5 |
| Requièm Mass in D minor K. 626: IV. Offertorium: b. "Versus: Hostias et preces" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | T-900.137.873-0 |
| Requièm Mass in D minor K. 626: V. Sanctus: a. "Sanctus Dominus Deus Sabaoth" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | T-922.061.546-3 |
| Requièm Mass in D minor K. 626: V. Sanctus: b. "Benedictus" (solo quartet, then choir) | Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | T-106.642.813-3 |
| Requièm Mass in D minor K. 626: VI. "Agnus Dei" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — |
| Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna" | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | T-910.952.061-8 |
| Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: I. Allegro vivace | Berliner Philharmoniker, Karl Böhm | T-312.542.381-2 |
| Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: II. Andante cantabile | Berliner Philharmoniker, Karl Böhm | T-312.542.381-2 |
| Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio | Berliner Philharmoniker, Karl Böhm | T-312.542.381-2 |
| Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: IV. Molto allegro | Berliner Philharmoniker, Karl Böhm | T-003.035.132-6 |
| Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm” | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 9 in C major, D 944 “The Great”: I. Andante - Allegro ma non troppo | Berliner Philharmoniker, Karl Böhm | — |
| Symphony no. 9 in C major, D 944 “The Great”: II. Andante con moto | Berliner Philharmoniker, Karl Böhm | — |
| Symphony no. 9 in C major, D 944 “The Great”: III. Scherzo, Allegro vivace | Berliner Philharmoniker, Karl Böhm | — |
| Symphony no. 9 in C major, D 944 “The Great”: IV. Finale. Allegro vivace | Berliner Philharmoniker, Karl Böhm | — |
| Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": I. Allegro vivace | Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel | — |
| Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": II: Andante | Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel | — |
| Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": III. Scherzo. Presto | Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel | — |
| Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": IV. Thema. Andantino - Variazioni I-V - Allegretto | Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel | — |
| Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": V. Finale. Allegro giusto | Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel | T-928.635.436-7 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028947923015 is a Universal Product Code (UPC) assigned to The History of Classical Music, Part 2: Classical to Early Romantic: From Haydn to Paganini by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 224 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The History of Classical Music, Part 2: Classical to Early Romantic: From Haydn to Paganini” by Various Artists is 028947923015. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-10-14. This release contains 224 tracks, each with its own ISRC. Tracks include DEF057801111, DEF057801112, DEF057801113.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 45 in F‐sharp minor, Hob. I:45 “Farewell”: I. Allegro assai | English Chamber Orchestra, Daniel Barenboim | T-306.395.786-4 | |
| 2 | Symphony no. 45 in F‐sharp minor, Hob. I:45 “Farewell”: II. Adagio | English Chamber Orchestra, Daniel Barenboim | T-914.012.216-3 | |
| 3 | Symphony no. 45 in F‐sharp minor, Hob. I:45 “Farewell”: III. Menuet. Allegretto – Trio – Menuet | English Chamber Orchestra, Daniel Barenboim | — | |
| 4 | Symphony no. 45 in F‐sharp minor, Hob. I:45 “Farewell”: IV. Finale. Presto – Adagio | English Chamber Orchestra, Daniel Barenboim | — | |
| 5 | Symphony in G, H.I No. 88: I. Adagio – Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 6 | Symphony in G, H.I No. 88: I. Adagio – Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 7 | Symphony in G, H.I No. 88: I. Adagio – Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 8 | Symphony in G, H.I No. 88: I. Adagio – Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 9 | Symphony no. 104 in D major, Hob. I:104 “London”: I. Adagio – Allegro | London Philharmonic Orchestra, Eugen Jochum | — | |
| 10 | Symphony no. 104 in D major, Hob. I:104 “London”: II. Andante | London Philharmonic Orchestra, Eugen Jochum | T-902.764.002-4 | |
| 11 | Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuet: Allegro – Trio – Menuet | London Philharmonic Orchestra, Eugen Jochum | — | |
| 12 | Symphony no. 104 in D major, Hob. I:104 “London”: IV. Finale: Spiritoso | London Philharmonic Orchestra, Eugen Jochum | T-318.676.528-2 | |
| 2-1 | String Quartet in D major, op. 64 no. 5 "The Lark", Hoboken III: 63: I. Allegro moderato | Amadeus Quartet | T-902.685.630-4 | |
| 2-2 | String Quartet in D major, op. 64 no. 5 "The Lark", Hoboken III: 63: II. Adagio. Cantabile | Amadeus Quartet | T-001.397.158-8 | |
| 2-3 | String Quartet in D major, op. 64 no. 5 "The Lark", Hoboken III: 63: III. Menuet. Allegretto | Amadeus Quartet | — | |
| 2-4 | String Quartet in D major, op. 64 no. 5 "The Lark", Hoboken III: 63: IV. Finale. Vivace | Amadeus Quartet | — | |
| 2-5 | String Quartet in G minor, op. 74 no. 3 "The Rider", Hoboken III: 74: I. Allegro | Amadeus Quartet | T-011.422.353-8 | |
| 2-6 | String Quartet in G minor, op. 74 no. 3 "The Rider", Hoboken III: 74: II. Largo assai | Amadeus Quartet | — | |
| 2-7 | String Quartet in G minor, op. 74 no. 3 "The Rider", Hoboken III: 74: III. Menuet. Allegretto | Amadeus Quartet | — | |
| 2-8 | String Quartet in G minor, op. 74 no. 3 "The Rider", Hoboken III: 74: IV. Finale. Allegro con brio | Amadeus Quartet | — | |
| 2-9 | String Quartet in C major, op. 76 no. 3 "Emperor", Hoboken III: 77: I. Allegro | Amadeus Quartet | — | |
| 2-10 | String Quartet in C major, op. 76 no. 3 "Emperor", Hoboken III: 77: II. Poco Adagio. Cantabile. Variazioni I - IV | Amadeus Quartet | T-001.397.158-8 | |
| 2-11 | String Quartet in C major, op. 76 no. 3 "Emperor", Hoboken III: 77: III. Menuetto | Amadeus Quartet | — | |
| 2-12 | String Quartet in C major, op. 76 no. 3 "Emperor", Hoboken III: 77: IV. Finale. Presto | Amadeus Quartet | T-003.055.867-8 | |
| 3-1 | La Création : Première Partie : Le Premier Jour: 1. Die Vorstellung des Chaos (Largo) | Berliner Philharmoniker, Herbert von Karajan | T-001.322.740-1 | |
| 3-2 | La Création : Première Partie : Le Premier Jour: Récitatif avec chœur : « Im Anfange schuf Gott Himmel und Erde » | Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-3 | La Création : Première Partie : Le Premier Jour: 2. Air avec chœur (Andante – Allegro moderato) : « Nun schwanden vor dem heiligen Strahle » | Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-4 | La Création : Première Partie : Le Troisième Jour: 6. Air (Allegro assai) « Rollend in schäumenden Wellen » | Walter Berry, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-5 | La Création : Première Partie : Le Troisième Jour: 8. Air (Andante) : « Nun beut die Flur das frische Grün » | Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-6 | La Création : Première Partie : Le Quatrième Jour: 12. Récitatif (Andante allegro) : « In vollem Glanze steiget jetzt » | Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-7 | La Création : Première Partie : Le Quatrième Jour: 13. Chœur avec soliste (Allegro) : « Die Himmel erzählen die Ehre Gottes » | Wiener Singverein, Walter Berry, Gundula Janowitz, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-8 | La Création : Deuxième Partie : Le Cinquième Jour: 18. Trio (Moderato): « In holder Anmut stehn » / 19. Chœur avec solistes (Vivace): « Der Herr ist gross in seiner Macht » | Walter Berry, Gundula Janowitz, Werner Krenn, Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-9 | La Création : Deuxième Partie : Le Sixième Jour: 21. Récitatif (Presto – Andante – Adagio) « Gleich öffnet sich der Erde Schoss » | Walter Berry, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-10 | La Création : Deuxième Partie : Le Sixième Jour: 22. Air (Maestoso): « Nun scheint in vollen Glanze der Himmel » | Walter Berry, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-11 | La Création : Deuxième Partie : Le Sixième Jour: 24. Air (Andante): « Mit Würd und Hoheit angetan » | Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-12 | La Création : Deuxième Partie : Le Sixième Jour: 26. Chœur (Vivace): « Vollendet ist das grosse Werk » / 27. Trio (Poco adagio): « Zu Dir o Herr, blickt alles auf » / 28. Chœur: « Vollendet ist das grosse Werke » | Walter Berry, Gundula Janowitz, Werner Krenn, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-13 | La Création : Troisième Partie: 32. Duo (Adagio – Allegro) : « Holde Gattin, dir zur Seite » | Dietrich Fischer-Dieskau, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-14 | La Création : Troisième Partie: 34. Chœur final avec solistes (Andante) : « Singt dem Herren alle Stimmen! » | Christa Ludwig, Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-1 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 4-2 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 4-3 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 4-4 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 4-5 | Symphonie no. 40 g‐Moll, KV 550: I. Molto allegro | Berliner Philharmoniker, Karl Böhm | — | |
| 4-6 | Symphonie no. 40 g‐Moll, KV 550: I. Molto allegro | Berliner Philharmoniker, Karl Böhm | — | |
| 4-7 | Symphonie no. 40 g‐Moll, KV 550: I. Molto allegro | Berliner Philharmoniker, Karl Böhm | — | |
| 4-8 | Symphonie no. 40 g‐Moll, KV 550: I. Molto allegro | Berliner Philharmoniker, Karl Böhm | — | |
| 4-9 | Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio | Berliner Philharmoniker, Karl Böhm | — | |
| 4-10 | Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio | Berliner Philharmoniker, Karl Böhm | — | |
| 4-11 | Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio | Berliner Philharmoniker, Karl Böhm | — | |
| 4-12 | Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio | Berliner Philharmoniker, Karl Böhm | — | |
| 5-1 | Concerto for Piano and Orchestra no. 20 in D minor, K. 466: I. Allegro | Géza Anda, Camerata Salzburg | T-011.422.353-8 | |
| 5-2 | Concerto for Piano and Orchestra no. 20 in D minor, K. 466: II. Romance | Géza Anda, Camerata Salzburg | — | |
| 5-3 | Concerto for Piano and Orchestra no. 20 in D minor, K. 466: III. Allegro assai | Géza Anda, Camerata Salzburg | T-306.395.786-4 | |
| 5-4 | Fantasia in D minor, K. 397: Andante | Wilhelm Kempff | T-070.126.537-3 | |
| 5-5 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 5-6 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 5-7 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 6-1 | Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro | Amadeus Quartet, Gervase de Peyer | — | |
| 6-2 | Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro | Amadeus Quartet, Gervase de Peyer | — | |
| 6-3 | Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro | Amadeus Quartet, Gervase de Peyer | — | |
| 6-4 | Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro | Amadeus Quartet, Gervase de Peyer | — | |
| 6-5 | Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: I. Allegro | Amadeus Quartet, Cecil Aronowitz | — | |
| 6-6 | Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: II. Minuetto. Allegretto & Trio | Amadeus Quartet, Cecil Aronowitz | — | |
| 6-7 | Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: III. Adagio | Amadeus Quartet, Cecil Aronowitz | — | |
| 6-8 | Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: IV. Adagio ma non troppo / V. Allegro | Amadeus Quartet, Cecil Aronowitz | T-003.055.867-8 | |
| 7-1 | Le nozze di Figaro, K. 492: Overture | Orchester der Deutschen Oper Berlin, Karl Böhm | T-900.133.397-7 | |
| 7-2 | Le nozze di Figaro, K. 492: Act I. no. 2. Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna) | Edith Mathis, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 7-3 | Le nozze di Figaro, K. 492: Act I. no. 3. Cavatina "Se vuol ballare, signor Contino" (Figaro) | Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | T-900.134.079-0 | |
| 7-4 | Le nozze di Figaro, K. 492: Act I. no. 4. Aria "La vendetta, oh, la vendetta" (Bartolo) | Peter Lagger, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 7-5 | Le nozze di Figaro, K. 492: Act I. no. 6. Aria "Non so più cosa son, cosa faccio" (Cherubino) | Tatiana Troyanos, Orchester der Deutschen Oper Berlin, Karl Böhm | T-915.310.099-3 | |
| 7-6 | Le nozze di Figaro, K. 492: Act I. no. 9. Aria "Non più andrai, farfallone amoroso" (Figaro) | Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | T-009.157.866-3 | |
| 7-7 | Le nozze di Figaro, K. 492, no. 11: “Porgi, amore, qualche ristoro” | Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | T-306.482.540-3 | |
| 7-8 | Le nozze di Figaro, K. 492: Act II. no. 11. Canzona "Voi che sapete" (Cherubino) | Tatiana Troyanos, Orchester der Deutschen Oper Berlin, Karl Böhm | T-031.862.676-4 | |
| 7-9 | Le nozze di Figaro, K. 492: Act II. no. 12. Aria "Venite … inginocchiatevi" (Susanna) | Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 7-10 | Le nozze di Figaro, K. 492: Act III. no. 17. Aria "Vedrò, mentr'io sospiro" (Conte) | Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 7-11 | Le nozze di Figaro, K. 492: Act III. no. 19. Recitativo "E Susanna non vien!" (Contessa) | Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 7-12 | Le nozze di Figaro, K. 492, no. 20: “Dove sono i bei momenti” | Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 7-13 | Le nozze di Figaro, K. 492: Act III. no. 20. Duettino (“Sull’aria”) - “Che soave zeffiretto” (Susanna, Contessa) | Gundula Janowitz, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | T-900.134.451-0 | |
| 7-14 | Le nozze di Figaro, K. 492: Act IV. no. 23. Cavatina “L’ho perduta” (Barbarina) | Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 7-15 | Le nozze di Figaro, K. 492: Act IV. no. 26. Aria "Aprite un po' quegli occhi" (Figaro) | Dietrich Fischer-Dieskau, Gundula Janowitz, Peter Lagger, Edith Mathis, Hermann Prey, Tatiana Troyanos, Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 7-16 | Le nozze di Figaro, K. 492: Act IV. no. 27. Recitativo “Giunse alfin il momento” (Susanna) | Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 7-17 | Le nozze di Figaro, K. 492: Act IV. no. 27. Aria "Deh vieni, non tardar" (Susanna) | Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | T-001.424.370-9 | |
| 7-18 | Le nozze di Figaro, K. 492: Act IV. no. 28. Finale "Gente, gente, all'armi, all'armi" (Conte, Tutti) | Dietrich Fischer-Dieskau, Gundula Janowitz, Peter Lagger, Edith Mathis, Hermann Prey, Tatiana Troyanos, Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 8-1 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-2 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-3 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-4 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-5 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-6 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-7 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-8 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-9 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-10 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-11 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-12 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-13 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-14 | Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-15 | Vesperae solennes de confessore in C, K. 339: V. Laudate Dominum omnes gentes (Ps. 116/117) | Günther Arndt, RIAS Kammerchor, Maria Stader, Helmut Heller, Wolfgang Meyer, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 8-16 | Exsultate, jubilate, K. 165: I. Exsultate, jubilate | Maria Stader, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 8-17 | Exsultate, jubilate, K. 165: II. Fulget amica dies | Maria Stader, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 8-18 | Exsultate, jubilate, K. 165: III. Tu virginum corona | Maria Stader, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 8-19 | Exsultate, jubilate, K. 165: IV. Alleluia | Maria Stader, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | T-905.495.559-8 | |
| 9-1 | Symphonie Nr. 5 c-moll, op. 67: Allegro con brio | Berliner Philharmoniker, Herbert von Karajan | — | |
| 9-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Berliner Philharmoniker, Herbert von Karajan | T-902.876.200-7 | |
| 9-3 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Berliner Philharmoniker, Herbert von Karajan | — | |
| 9-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Berliner Philharmoniker, Herbert von Karajan | T-318.676.528-2 | |
| 9-5 | Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” | Berliner Philharmoniker, Herbert von Karajan | — | |
| 9-6 | Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” | Berliner Philharmoniker, Herbert von Karajan | — | |
| 9-7 | Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” | Berliner Philharmoniker, Herbert von Karajan | — | |
| 9-8 | Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” | Berliner Philharmoniker, Herbert von Karajan | — | |
| 9-9 | Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” | Berliner Philharmoniker, Herbert von Karajan | — | |
| 10-1 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-3 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-4 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-5 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-1 | Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: I. Allegro | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-070.161.055-0 | |
| 11-2 | Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: II. Adagio un poco mosso (attacca) | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 11-3 | Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: III. Rondo. Allegro | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-700.095.171-5 | |
| 11-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 11-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 11-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-909.876.873-1 | |
| 12-1 | Sonata for Violin and Piano no. 9 in A, op. 47 "Kreutzer": 1. Adagio sostenuto - Presto | Yehudi Menuhin, Wilhelm Kempff | — | |
| 12-2 | Sonata for Violin and Piano no. 9 in A, op. 47 "Kreutzer": 2. Andante con variazioni | Yehudi Menuhin, Wilhelm Kempff | — | |
| 12-3 | Sonata for Violin and Piano no. 9 in A, op. 47 "Kreutzer": 3. Finale (Presto) | Yehudi Menuhin, Wilhelm Kempff | — | |
| 12-4 | Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: I. Allegro | Amadeus Quartet | — | |
| 12-5 | Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: II. Allegretto scherzando e sempre vivace | Amadeus Quartet | — | |
| 12-6 | Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: III. Adagio molto | Amadeus Quartet | — | |
| 12-7 | Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: IV. Allegro | Amadeus Quartet | — | |
| 13-1 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio | Emil Gilels | T-915.723.669-6 | |
| 13-2 | Piano Sonata No. 8, Op. 13 "Pathétique": II. Adagio cantabile | Emil Gilels | T-001.397.158-8 | |
| 13-3 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | Emil Gilels | — | |
| 13-4 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | Emil Gilels | T-306.395.786-4 | |
| 13-5 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto | Emil Gilels | — | |
| 13-6 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo | Emil Gilels | — | |
| 13-7 | Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | Emil Gilels | — | |
| 13-8 | Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | Emil Gilels | — | |
| 13-9 | Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo – Fuga. Allegro ma non troppo | Emil Gilels | — | |
| 14-1 | Der Freischütz: Ouvertüre | Staatskapelle Dresden, Carlos Kleiber | T-900.140.831-7 | |
| 14-2 | Der Freischütz: I. Akt, I. Auftritt. No. 1 Introduktion “Viktoria! Victoria! Der Meister soll leben” / “Schau der Herr mich an als König!” | Staatskapelle Dresden, Carlos Kleiber | — | |
| 14-3 | Der Freischütz: I. Akt, III. Auftritt. No. 3 Walzer | Staatskapelle Dresden, Carlos Kleiber | T-800.689.963-5 | |
| 14-4 | Der Freischütz: I. Akt, IV. Auftritt. Rezitativ und Arie “Nein, länger trag’ ich nicht die Qualen … Durch die Wälder, durch die Auen” | Staatskapelle Dresden, Carlos Kleiber | — | |
| 14-5 | Der Freischütz: I. Akt, VI. Auftritt. No. 5 Arie “Schweig, schweig, damit dich niemand warnt!” | Staatskapelle Dresden, Carlos Kleiber | — | |
| 14-6 | Der Freischütz: II. Akt, I. Auftritt. No. 6 Duett “Schelm, halt fest! Ich will dich’s lehren!” | Staatskapelle Dresden, Carlos Kleiber | — | |
| 14-7 | Der Freischütz: II. Akt, I. Auftritt. No. 7 Ariette “Kommt ein schlanker Bursch gegangen” | Staatskapelle Dresden, Carlos Kleiber | — | |
| 14-8 | Der Freischütz: II. Akt, II. Auftritt. No. 8 Szene und Arie “Wie nahte mir der Schlummer… Leise, leise, fromme Weise!” | Staatskapelle Dresden, Carlos Kleiber | — | |
| 14-9 | Der Freischütz: II. Akt, IV. Auftritt. No. 10 Finale “Milch des Mondes fiel aufs Kraut” / V. Auftritt. “Samiel! Samiel! Erschein!” / VI. Auftritt. “Trefflich bedient!” | Staatskapelle Dresden, Carlos Kleiber | — | |
| 14-10 | Der Freischütz: Akt III. Nr. 12. Kavatine „Und ob die Wolke sie verhülle“ (Agathe) | Staatskapelle Dresden, Carlos Kleiber | — | |
| 14-11 | Der Freischütz: III. Akt, IV. Auftritt. No. 14 Volkslied “Wir winden dir den Jungfernkranz” / V. Auftritt. “Da bin ich wieder” | Staatskapelle Dresden, Carlos Kleiber | T-801.953.781-7 | |
| 14-12 | Der Freischütz: III. Akt, VI. Auftritt. No. 15 Jägerchor “Was gleicht wohl auf Erden” | Staatskapelle Dresden, Carlos Kleiber | — | |
| 15-1 | Il barbiere di Siviglia: Sinfonia (Ouverture) | London Symphony Orchestra, Claudio Abbado | T-306.482.271-1 | |
| 15-2 | Il barbiere di Siviglia: Atto I. N. 7 Duetto: “Dunque io son… tu non m'ingarbiere di Siviglia: Atto I. Cavatina: “Ecco, ridente in cielo” (conte) / Seguito dell’introduzione: “Ehi, Fiorello?” (conte, Fiorello, coro) / Recitativo: “Gente indiscreta!” (conte, Fiorello) | Luigi Alva, Renato Cesari, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 15-3 | Il barbiere di Siviglia: “Largo al factotum” | Hermann Prey, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 15-4 | Una voce poco fa | Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 15-5 | Il barbiere di Siviglia, Act I: No. 6 Aria: “La calunnia è un venticello” | Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado | — | |
| 15-6 | Il barbiere di Siviglia: Dunque io son | Teresa Berganza, Hermann Prey, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 15-7 | Il barbiere di Siviglia: Atto I. N. 8 Aria: “A un dottor della mia sorte” (Bartolo) | Enzo Dara, London Symphony Orchestra, Claudio Abbado | — | |
| 15-8 | Il barbiere di Siviglia: Atto I. No. 10 Duetto: “Pace e gioia sia con voi“ | Luigi Alva, Enzo Dara, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 15-9 | Il barbiere di Siviglia, Act II: No. 11 Aria: “Contro un cor che accende amore” | Luigi Alva, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 15-10 | Il barbiere di Siviglia, Act II: No. 13 Quintetto: “Don Basilio!” “Cosa veggo!” | Luigi Alva, Teresa Berganza, Enzo Dara, Paolo Montarsolo, Hermann Prey, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 15-11 | Il barbiere di Siviglia: Atto I. No. 15 Temporale (Thunderstorm) | London Symphony Orchestra, Claudio Abbado | — | |
| 15-12 | Il barbiere di Siviglia: Atto II, (no. 16). “Ah, qual colpo” | Luigi Alva, Teresa Berganza, Hermann Prey, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 15-13 | Il barbiere di Siviglia: Atto II. N. 19 Finaletto II: “Di sì felice innesto” (Figaro, Rosina, conte, tutti) | Luigi Alva, Teresa Berganza, Renato Cesari, Enzo Dara, Stefania Malagú, Paolo Montarsolo, Hermann Prey, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 16-1 | Symphony no. 8 in B minor, D 759 “Unfinished”: I. Allegro moderato | Berliner Philharmoniker, Karl Böhm | T-902.685.630-4 | |
| 16-2 | Symphony no. 8 in B minor, D 759 “Unfinished”: II. Andante con moto | Berliner Philharmoniker, Karl Böhm | — | |
| 16-3 | Symphony no. 9 in C major, D 944 “The Great”: I. Andante - Allegro ma non troppo | Berliner Philharmoniker, Karl Böhm | — | |
| 16-4 | Symphony no. 9 in C major, D 944 “The Great”: I. Andante - Allegro ma non troppo | Berliner Philharmoniker, Karl Böhm | — | |
| 16-5 | Symphony no. 9 in C major, D 944 “The Great”: I. Andante - Allegro ma non troppo | Berliner Philharmoniker, Karl Böhm | — | |
| 16-6 | Symphony no. 9 in C major, D 944 “The Great”: I. Andante - Allegro ma non troppo | Berliner Philharmoniker, Karl Böhm | — | |
| 17-1 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": V. Finale. Allegro giusto | Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel | — | |
| 17-2 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": V. Finale. Allegro giusto | Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel | — | |
| 17-3 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": V. Finale. Allegro giusto | Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel | — | |
| 17-4 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": V. Finale. Allegro giusto | Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel | — | |
| 17-5 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": V. Finale. Allegro giusto | Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel | — | |
| 17-6 | String Quartet in D minor, D 810 "Death and the Maiden": II. Andante con moto | Amadeus Quartet | — | |
| 17-7 | String Quartet in D minor, D 810 "Death and the Maiden": II. Andante con moto | Amadeus Quartet | — | |
| 17-8 | String Quartet in D minor, D 810 "Death and the Maiden": II. Andante con moto | Amadeus Quartet | — | |
| 17-9 | String Quartet in D minor, D 810 "Death and the Maiden": II. Andante con moto | Amadeus Quartet | — | |
| 18-1 | Piano Sonata in B-flat major, D. 960: I. Molto moderato | Wilhelm Kempff | — | |
| 18-2 | Piano Sonata in B-flat major, D. 960: II. Andante sostenuto | Wilhelm Kempff | — | |
| 18-3 | Piano Sonata in B-flat major, D. 960: III. Scherzo. Allegro vivace con delicatezza | Wilhelm Kempff | — | |
| 18-4 | Piano Sonata in B-flat major, D. 960: IV. Allegro ma non troppo | Wilhelm Kempff | — | |
| 18-5 | Impromptu in G-flat major, D. 899 no. 3: Andante | Wilhelm Kempff | — | |
| 18-6 | Impromptus, D. 899: Nr. 2 Es-dur. Allegro | Wilhelm Kempff | — | |
| 18-7 | Moment Musicaux no. 2 in A-flat major. Andantino | Wilhelm Kempff | — | |
| 18-8 | Moments musicaux, D. 780 no. 5 in F minor. Allegro vivace | Wilhelm Kempff | — | |
| 18-9 | Impromptus. D. 935: Nr. 3 B-dur. Andante | Wilhelm Kempff | — | |
| 19-1 | Winterreise, D 911: 1. Gute Nacht | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-2 | Winterreise, D 911: 2. Die Wetterfahne | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-3 | Winterreise, D 911: 3. Gefor'ne Tränen | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-4 | Winterreise, D 911: 4. Erstarrung | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-5 | Winterreise, D 911: 5. Der Lindenbaum | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-6 | Winterreise, D 911: 6. Wasserflut | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-7 | Winterreise, D 911: 7. Auf dem Flusse | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-8 | Winterreise, D 911: 8. Rückblick | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-9 | Winterreise, D 911: 9. Irrlicht | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-10 | Winterreise, D 911: 10. Rast | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-11 | Winterreise, D 911: 11. Frühlingstraum | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-12 | Winterreise, D 911: 12. Einsamkeit | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-13 | Winterreise, D 911: 13. Die Post | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-14 | Winterreise, D 911: 14. Der greise Kopf | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-15 | Winterreise, D 911: 15. Die Krähe | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-16 | Winterreise, D 911: 16. Letze Hoffnung | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-17 | Winterreise, D 911: 17. Im Dorfe | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-18 | Winterreise, D 911: 18. Der stürmische Morgen | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-19 | Winterreise, D 911: 19. Täuschung | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-20 | Winterreise, D 911: 20. Der Wegweiser | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-21 | Winterreise, D 911: 21. Das Wirtshaus | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-22 | Winterreise, D 911: 22. Mut | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-23 | Winterreise, D 911: 23. Die Nebensonnen | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-24 | Winterreise, D 911: 24. Der Leiermann | Dietrich Fischer-Dieskau, Daniel Barenboim | T-009.051.406-9 | |
| 20-1 | Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spirituoso | Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit | — | |
| 20-2 | Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spirituoso | Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit | — | |
| 20-3 | Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spirituoso | Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit | — | |
| 20-4 | 24 Capricci per violino solo, op. 1: 1. Andante. E-dur | Salvatore Accardo | T-010.437.719-6 | |
| 20-5 | 24 Capricci per violino solo, op. 1: 3. Sostenuto - Presto - Sostenuto. e-moll | Salvatore Accardo | — | |
| 20-6 | 24 Capricci per violino solo, op. 1: 4. Maestoso. c-moll | Salvatore Accardo | — | |
| 20-7 | 24 Capricci per violino solo, op. 1: 9. Allegretto. E-dur | Salvatore Accardo | T-010.437.719-6 | |
| 20-8 | 24 Capricci per violino solo, op. 1: 10. Vivace. g-moll | Salvatore Accardo | — | |
| 20-9 | 24 Capricci per violino solo, op. 1: 11. Andante - Presto - Tempo I. C-dur | Salvatore Accardo | — | |
| 20-10 | 24 Capricci per violino solo, op. 1: 14. Moderato. Es-dur | Salvatore Accardo | T-906.148.797-6 | |
| 20-11 | 24 Capricci per violino solo, op. 1: 16. Presto. g-moll | Salvatore Accardo | — | |
| 20-12 | 24 Capricci per violino solo, op. 1: 17. Sostenuto - Andante. Es-dur | Salvatore Accardo | — | |
| 20-13 | Caprice Op. 1, No. 24 pour violon seul | Salvatore Accardo | T-902.571.014-9 |
