UPC · Release
The History of Classical Music, Part 2: Classical to Early Romantic: From Haydn to Paganini
Various Artists
028947923015
24 tracksReleased 2013-10-14
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028947923015 is the Universal Product Code (UPC barcode) for the release “The History of Classical Music, Part 2: Classical to Early Romantic: From Haydn to Paganini” by Various Artists, released 2013-10-14. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 24 tracks, each with its own ISRC. Tracks include DEF057931601, DEF057931602, DEF057931603.
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UPCThe History of Classical Music, Part 2: Classical to Early Romantic: From Haydn to Paganini
ISRC24 recordings
ISWC53 works
IPI1 songwriter
Track List (24)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 19-1 | Winterreise, D 911: 1. Gute Nacht | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-2 | Winterreise, D 911: 2. Die Wetterfahne | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-3 | Winterreise, D 911: 3. Gefor'ne Tränen | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-4 | Winterreise, D 911: 4. Erstarrung | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-5 | Winterreise, D 911: 5. Der Lindenbaum | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-6 | Winterreise, D 911: 6. Wasserflut | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-7 | Winterreise, D 911: 7. Auf dem Flusse | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-8 | Winterreise, D 911: 8. Rückblick | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-9 | Winterreise, D 911: 9. Irrlicht | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-10 | Winterreise, D 911: 10. Rast | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-11 | Winterreise, D 911: 11. Frühlingstraum | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-12 | Winterreise, D 911: 12. Einsamkeit | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-13 | Winterreise, D 911: 13. Die Post | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-14 | Winterreise, D 911: 14. Der greise Kopf | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-15 | Winterreise, D 911: 15. Die Krähe | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-16 | Winterreise, D 911: 16. Letze Hoffnung | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-17 | Winterreise, D 911: 17. Im Dorfe | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-18 | Winterreise, D 911: 18. Der stürmische Morgen | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-19 | Winterreise, D 911: 19. Täuschung | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-20 | Winterreise, D 911: 20. Der Wegweiser | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-21 | Winterreise, D 911: 21. Das Wirtshaus | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-22 | Winterreise, D 911: 22. Mut | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-23 | Winterreise, D 911: 23. Die Nebensonnen | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 19-24 | Winterreise, D 911: 24. Der Leiermann | Dietrich Fischer-Dieskau, Daniel Barenboim | T0090514069 |
Winterreise, D 911: 1. Gute Nacht
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Winterreise, D 911: 2. Die Wetterfahne
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Winterreise, D 911: 3. Gefor'ne Tränen
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Winterreise, D 911: 4. Erstarrung
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Winterreise, D 911: 5. Der Lindenbaum
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Winterreise, D 911: 6. Wasserflut
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Winterreise, D 911: 7. Auf dem Flusse
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Winterreise, D 911: 8. Rückblick
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Winterreise, D 911: 9. Irrlicht
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Winterreise, D 911: 10. Rast
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Winterreise, D 911: 11. Frühlingstraum
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Winterreise, D 911: 12. Einsamkeit
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Winterreise, D 911: 13. Die Post
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Winterreise, D 911: 14. Der greise Kopf
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Winterreise, D 911: 15. Die Krähe
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Winterreise, D 911: 16. Letze Hoffnung
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Winterreise, D 911: 17. Im Dorfe
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Winterreise, D 911: 18. Der stürmische Morgen
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Winterreise, D 911: 19. Täuschung
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Winterreise, D 911: 20. Der Wegweiser
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Winterreise, D 911: 21. Das Wirtshaus
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Winterreise, D 911: 22. Mut
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Winterreise, D 911: 23. Die Nebensonnen
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Additional database matches (217)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 45 in F‐sharp minor, Hob. I:45 “Farewell”: I. Allegro assai | English Chamber Orchestra, Daniel Barenboim | T-306395786-4 |
| Symphony no. 45 in F‐sharp minor, Hob. I:45 “Farewell”: II. Adagio | English Chamber Orchestra, Daniel Barenboim | T9140122163 |
| Symphony no. 45 in F‐sharp minor, Hob. I:45 “Farewell”: III. Menuet. Allegretto – Trio – Menuet | English Chamber Orchestra, Daniel Barenboim | — |
| Symphony no. 45 in F‐sharp minor, Hob. I:45 “Farewell”: IV. Finale. Presto – Adagio | English Chamber Orchestra, Daniel Barenboim | — |
| Symphony in G, H.I No. 88: I. Adagio – Allegro | Wiener Philharmoniker, Karl Böhm | — |
| Symphony no. 104 in D major, Hob. I:104 “London”: I. Adagio – Allegro | London Philharmonic Orchestra, Eugen Jochum | — |
| Symphony no. 104 in D major, Hob. I:104 “London”: II. Andante | London Philharmonic Orchestra, Eugen Jochum | T9027640024 |
| Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuet: Allegro – Trio – Menuet | London Philharmonic Orchestra, Eugen Jochum | — |
| Symphony no. 104 in D major, Hob. I:104 “London”: IV. Finale: Spiritoso | London Philharmonic Orchestra, Eugen Jochum | T3186765282 |
| String Quartet in D major, op. 64 no. 5 "The Lark", Hoboken III: 63: I. Allegro moderato | Amadeus Quartet | T9026856304 |
| String Quartet in D major, op. 64 no. 5 "The Lark", Hoboken III: 63: II. Adagio. Cantabile | Amadeus Quartet | T0013971588 |
| String Quartet in D major, op. 64 no. 5 "The Lark", Hoboken III: 63: III. Menuet. Allegretto | Amadeus Quartet | — |
| String Quartet in D major, op. 64 no. 5 "The Lark", Hoboken III: 63: IV. Finale. Vivace | Amadeus Quartet | — |
| String Quartet in G minor, op. 74 no. 3 "The Rider", Hoboken III: 74: I. Allegro | Amadeus Quartet | T0114223538 |
| String Quartet in G minor, op. 74 no. 3 "The Rider", Hoboken III: 74: II. Largo assai | Amadeus Quartet | — |
| String Quartet in G minor, op. 74 no. 3 "The Rider", Hoboken III: 74: III. Menuet. Allegretto | Amadeus Quartet | — |
| String Quartet in G minor, op. 74 no. 3 "The Rider", Hoboken III: 74: IV. Finale. Allegro con brio | Amadeus Quartet | — |
| String Quartet in C major, op. 76 no. 3 "Emperor", Hoboken III: 77: I. Allegro | Amadeus Quartet | — |
| String Quartet in C major, op. 76 no. 3 "Emperor", Hoboken III: 77: II. Poco Adagio. Cantabile. Variazioni I - IV | Amadeus Quartet | T0013971588 |
| String Quartet in C major, op. 76 no. 3 "Emperor", Hoboken III: 77: III. Menuetto | Amadeus Quartet | — |
| String Quartet in C major, op. 76 no. 3 "Emperor", Hoboken III: 77: IV. Finale. Presto | Amadeus Quartet | T-003055867-8 |
| La Création : Première Partie : Le Premier Jour: 1. Die Vorstellung des Chaos (Largo) | Berliner Philharmoniker, Herbert von Karajan | T-001322740-1 |
| La Création : Première Partie : Le Premier Jour: Récitatif avec chœur : « Im Anfange schuf Gott Himmel und Erde » | Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — |
| La Création : Première Partie : Le Premier Jour: 2. Air avec chœur (Andante – Allegro moderato) : « Nun schwanden vor dem heiligen Strahle » | Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — |
| La Création : Première Partie : Le Troisième Jour: 6. Air (Allegro assai) « Rollend in schäumenden Wellen » | Walter Berry, Berliner Philharmoniker, Herbert von Karajan | — |
| La Création : Première Partie : Le Troisième Jour: 8. Air (Andante) : « Nun beut die Flur das frische Grün » | Berliner Philharmoniker, Herbert von Karajan | — |
| La Création : Première Partie : Le Quatrième Jour: 12. Récitatif (Andante allegro) : « In vollem Glanze steiget jetzt » | Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — |
| La Création : Première Partie : Le Quatrième Jour: 13. Chœur avec soliste (Allegro) : « Die Himmel erzählen die Ehre Gottes » | Wiener Singverein, Walter Berry, Gundula Janowitz, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — |
| La Création : Deuxième Partie : Le Cinquième Jour: 18. Trio (Moderato): « In holder Anmut stehn » / 19. Chœur avec solistes (Vivace): « Der Herr ist gross in seiner Macht » | Walter Berry, Gundula Janowitz, Werner Krenn, Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — |
| La Création : Deuxième Partie : Le Sixième Jour: 21. Récitatif (Presto – Andante – Adagio) « Gleich öffnet sich der Erde Schoss » | Walter Berry, Berliner Philharmoniker, Herbert von Karajan | — |
| La Création : Deuxième Partie : Le Sixième Jour: 22. Air (Maestoso): « Nun scheint in vollen Glanze der Himmel » | Walter Berry, Berliner Philharmoniker, Herbert von Karajan | — |
| La Création : Deuxième Partie : Le Sixième Jour: 24. Air (Andante): « Mit Würd und Hoheit angetan » | Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — |
| La Création : Deuxième Partie : Le Sixième Jour: 26. Chœur (Vivace): « Vollendet ist das grosse Werk » / 27. Trio (Poco adagio): « Zu Dir o Herr, blickt alles auf » / 28. Chœur: « Vollendet ist das grosse Werke » | Walter Berry, Gundula Janowitz, Werner Krenn, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — |
| La Création : Troisième Partie: 32. Duo (Adagio – Allegro) : « Holde Gattin, dir zur Seite » | Dietrich Fischer-Dieskau, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | — |
| La Création : Troisième Partie: 34. Chœur final avec solistes (Andante) : « Singt dem Herren alle Stimmen! » | Christa Ludwig, Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — |
| Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Wiener Philharmoniker, Karl Böhm | — |
| Symphonie no. 40 g‐Moll, KV 550: I. Molto allegro | Berliner Philharmoniker, Karl Böhm | — |
| Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio | Berliner Philharmoniker, Karl Böhm | — |
| Concerto for Piano and Orchestra no. 20 in D minor, K. 466: I. Allegro | Géza Anda, Camerata Salzburg | T0114223538 |
| Concerto for Piano and Orchestra no. 20 in D minor, K. 466: II. Romance | Géza Anda, Camerata Salzburg | — |
| Concerto for Piano and Orchestra no. 20 in D minor, K. 466: III. Allegro assai | Géza Anda, Camerata Salzburg | T3063957864 |
| Fantasia in D minor, K. 397: Andante | Wilhelm Kempff | T0701265373 |
| Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — |
| Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro | Amadeus Quartet, Gervase de Peyer | — |
| Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: I. Allegro | Amadeus Quartet, Cecil Aronowitz | — |
| Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: II. Minuetto. Allegretto & Trio | Amadeus Quartet, Cecil Aronowitz | — |
| Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: III. Adagio | Amadeus Quartet, Cecil Aronowitz | — |
| Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: IV. Adagio ma non troppo / V. Allegro | Amadeus Quartet, Cecil Aronowitz | T0030558678 |
| Le nozze di Figaro, K. 492: Overture | Orchester der Deutschen Oper Berlin, Karl Böhm | T-900133397-7 |
| Le nozze di Figaro, K. 492: Act I. no. 2. Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna) | Edith Mathis, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | — |
| Le nozze di Figaro, K. 492: Act I. no. 3. Cavatina "Se vuol ballare, signor Contino" (Figaro) | Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | T9001340790 |
| Le nozze di Figaro, K. 492: Act I. no. 4. Aria "La vendetta, oh, la vendetta" (Bartolo) | Peter Lagger, Orchester der Deutschen Oper Berlin, Karl Böhm | — |
| Le nozze di Figaro, K. 492: Act I. no. 6. Aria "Non so più cosa son, cosa faccio" (Cherubino) | Tatiana Troyanos, Orchester der Deutschen Oper Berlin, Karl Böhm | T9153100993 |
| Le nozze di Figaro, K. 492: Act I. no. 9. Aria "Non più andrai, farfallone amoroso" (Figaro) | Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | T0091578663 |
| Le nozze di Figaro, K. 492, no. 11: “Porgi, amore, qualche ristoro” | Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | T3064825403 |
| Le nozze di Figaro, K. 492: Act II. no. 11. Canzona "Voi che sapete" (Cherubino) | Tatiana Troyanos, Orchester der Deutschen Oper Berlin, Karl Böhm | T0318626764 |
| Le nozze di Figaro, K. 492: Act II. no. 12. Aria "Venite … inginocchiatevi" (Susanna) | Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | — |
| Le nozze di Figaro, K. 492: Act III. no. 17. Aria "Vedrò, mentr'io sospiro" (Conte) | Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Karl Böhm | — |
| Le nozze di Figaro, K. 492: Act III. no. 19. Recitativo "E Susanna non vien!" (Contessa) | Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | — |
| Le nozze di Figaro, K. 492, no. 20: “Dove sono i bei momenti” | Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | — |
| Le nozze di Figaro, K. 492: Act III. no. 20. Duettino (“Sull’aria”) - “Che soave zeffiretto” (Susanna, Contessa) | Gundula Janowitz, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | T-900134451-0 |
| Le nozze di Figaro, K. 492: Act IV. no. 23. Cavatina “L’ho perduta” (Barbarina) | Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm | — |
| Le nozze di Figaro, K. 492: Act IV. no. 26. Aria "Aprite un po' quegli occhi" (Figaro) | Dietrich Fischer-Dieskau, Gundula Janowitz, Peter Lagger, Edith Mathis, Hermann Prey, Tatiana Troyanos, Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm | — |
| Le nozze di Figaro, K. 492: Act IV. no. 27. Recitativo “Giunse alfin il momento” (Susanna) | Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | — |
| Le nozze di Figaro, K. 492: Act IV. no. 27. Aria "Deh vieni, non tardar" (Susanna) | Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | T0014243709 |
| Le nozze di Figaro, K. 492: Act IV. no. 28. Finale "Gente, gente, all'armi, all'armi" (Conte, Tutti) | Dietrich Fischer-Dieskau, Gundula Janowitz, Peter Lagger, Edith Mathis, Hermann Prey, Tatiana Troyanos, Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm | — |
| Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — |
| Vesperae solennes de confessore in C, K. 339: V. Laudate Dominum omnes gentes (Ps. 116/117) | Günther Arndt, RIAS Kammerchor, Maria Stader, Helmut Heller, Wolfgang Meyer, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | — |
| Exsultate, jubilate, K. 165: I. Exsultate, jubilate | Maria Stader, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | — |
| Exsultate, jubilate, K. 165: II. Fulget amica dies | Maria Stader, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | — |
| Exsultate, jubilate, K. 165: III. Tu virginum corona | Maria Stader, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | — |
| Exsultate, jubilate, K. 165: IV. Alleluia | Maria Stader, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | T9054955598 |
| Symphonie Nr. 5 c-moll, op. 67: Allegro con brio | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 5 in C minor, op. 67: II. Andante con moto | Berliner Philharmoniker, Herbert von Karajan | T9028762007 |
| Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 5 in C minor, op. 67: IV. Allegro | Berliner Philharmoniker, Herbert von Karajan | T3186765282 |
| Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — |
| Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: I. Allegro | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-070161055-0 |
| Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: II. Adagio un poco mosso (attacca) | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — |
| Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: III. Rondo. Allegro | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-700095171-5 |
| Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — |
| Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — |
| Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T9098768731 |
| Sonata for Violin and Piano no. 9 in A, op. 47 "Kreutzer": 1. Adagio sostenuto - Presto | Yehudi Menuhin, Wilhelm Kempff | — |
| Sonata for Violin and Piano no. 9 in A, op. 47 "Kreutzer": 2. Andante con variazioni | Yehudi Menuhin, Wilhelm Kempff | — |
| Sonata for Violin and Piano no. 9 in A, op. 47 "Kreutzer": 3. Finale (Presto) | Yehudi Menuhin, Wilhelm Kempff | — |
| Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: I. Allegro | Amadeus Quartet | — |
| Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: II. Allegretto scherzando e sempre vivace | Amadeus Quartet | — |
| Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: III. Adagio molto | Amadeus Quartet | — |
| Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: IV. Allegro | Amadeus Quartet | — |
| Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio | Emil Gilels | T9157236696 |
| Piano Sonata No. 8, Op. 13 "Pathétique": II. Adagio cantabile | Emil Gilels | T0013971588 |
| Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | Emil Gilels | — |
| Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | Emil Gilels | T3063957864 |
| Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto | Emil Gilels | — |
| Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo | Emil Gilels | — |
| Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | Emil Gilels | — |
| Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | Emil Gilels | — |
| Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo – Fuga. Allegro ma non troppo | Emil Gilels | — |
| Der Freischütz: Ouvertüre | Staatskapelle Dresden, Carlos Kleiber | T-900140831-7 |
| Der Freischütz: I. Akt, I. Auftritt. No. 1 Introduktion “Viktoria! Victoria! Der Meister soll leben” / “Schau der Herr mich an als König!” | Staatskapelle Dresden, Carlos Kleiber | — |
| Der Freischütz: I. Akt, III. Auftritt. No. 3 Walzer | Staatskapelle Dresden, Carlos Kleiber | T8006899635 |
| Der Freischütz: I. Akt, IV. Auftritt. Rezitativ und Arie “Nein, länger trag’ ich nicht die Qualen … Durch die Wälder, durch die Auen” | Staatskapelle Dresden, Carlos Kleiber | — |
| Der Freischütz: I. Akt, VI. Auftritt. No. 5 Arie “Schweig, schweig, damit dich niemand warnt!” | Staatskapelle Dresden, Carlos Kleiber | — |
| Der Freischütz: II. Akt, I. Auftritt. No. 6 Duett “Schelm, halt fest! Ich will dich’s lehren!” | Staatskapelle Dresden, Carlos Kleiber | — |
| Der Freischütz: II. Akt, I. Auftritt. No. 7 Ariette “Kommt ein schlanker Bursch gegangen” | Staatskapelle Dresden, Carlos Kleiber | — |
| Der Freischütz: II. Akt, II. Auftritt. No. 8 Szene und Arie “Wie nahte mir der Schlummer… Leise, leise, fromme Weise!” | Staatskapelle Dresden, Carlos Kleiber | — |
| Der Freischütz: II. Akt, IV. Auftritt. No. 10 Finale “Milch des Mondes fiel aufs Kraut” / V. Auftritt. “Samiel! Samiel! Erschein!” / VI. Auftritt. “Trefflich bedient!” | Staatskapelle Dresden, Carlos Kleiber | — |
| Der Freischütz: Akt III. Nr. 12. Kavatine „Und ob die Wolke sie verhülle“ (Agathe) | Staatskapelle Dresden, Carlos Kleiber | — |
| Der Freischütz: III. Akt, IV. Auftritt. No. 14 Volkslied “Wir winden dir den Jungfernkranz” / V. Auftritt. “Da bin ich wieder” | Staatskapelle Dresden, Carlos Kleiber | T8019537817 |
| Der Freischütz: III. Akt, VI. Auftritt. No. 15 Jägerchor “Was gleicht wohl auf Erden” | Staatskapelle Dresden, Carlos Kleiber | — |
| Il barbiere di Siviglia: Sinfonia (Ouverture) | London Symphony Orchestra, Claudio Abbado | T-306482271-1 |
| Il barbiere di Siviglia: Atto I. N. 7 Duetto: “Dunque io son… tu non m'ingarbiere di Siviglia: Atto I. Cavatina: “Ecco, ridente in cielo” (conte) / Seguito dell’introduzione: “Ehi, Fiorello?” (conte, Fiorello, coro) / Recitativo: “Gente indiscreta!” (conte, Fiorello) | Luigi Alva, Renato Cesari, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | — |
| Il barbiere di Siviglia: “Largo al factotum” | Hermann Prey, London Symphony Orchestra, Claudio Abbado | T9021874099 |
| Una voce poco fa | Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T9021874099 |
| Il barbiere di Siviglia, Act I: No. 6 Aria: “La calunnia è un venticello” | Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado | — |
| Il barbiere di Siviglia: Dunque io son | Teresa Berganza, Hermann Prey, London Symphony Orchestra, Claudio Abbado | T9021874099 |
| Il barbiere di Siviglia: Atto I. N. 8 Aria: “A un dottor della mia sorte” (Bartolo) | Enzo Dara, London Symphony Orchestra, Claudio Abbado | — |
| Il barbiere di Siviglia: Atto I. No. 10 Duetto: “Pace e gioia sia con voi“ | Luigi Alva, Enzo Dara, London Symphony Orchestra, Claudio Abbado | T9021874099 |
| Il barbiere di Siviglia, Act II: No. 11 Aria: “Contro un cor che accende amore” | Luigi Alva, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T9021874099 |
| Il barbiere di Siviglia, Act II: No. 13 Quintetto: “Don Basilio!” “Cosa veggo!” | Luigi Alva, Teresa Berganza, Enzo Dara, Paolo Montarsolo, Hermann Prey, London Symphony Orchestra, Claudio Abbado | T9021874099 |
| Il barbiere di Siviglia: Atto I. No. 15 Temporale (Thunderstorm) | London Symphony Orchestra, Claudio Abbado | — |
| Il barbiere di Siviglia: Atto II, (no. 16). “Ah, qual colpo” | Luigi Alva, Teresa Berganza, Hermann Prey, London Symphony Orchestra, Claudio Abbado | T9021874099 |
| Il barbiere di Siviglia: Atto II. N. 19 Finaletto II: “Di sì felice innesto” (Figaro, Rosina, conte, tutti) | Luigi Alva, Teresa Berganza, Renato Cesari, Enzo Dara, Stefania Malagú, Paolo Montarsolo, Hermann Prey, London Symphony Orchestra, Claudio Abbado | T9021874099 |
| Symphony no. 8 in B minor, D 759 “Unfinished”: I. Allegro moderato | Berliner Philharmoniker, Karl Böhm | T-902685630-4 |
| Symphony no. 8 in B minor, D 759 “Unfinished”: II. Andante con moto | Berliner Philharmoniker, Karl Böhm | — |
| Symphony no. 9 in C major, D 944 “The Great”: I. Andante - Allegro ma non troppo | Berliner Philharmoniker, Karl Böhm | — |
| Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": V. Finale. Allegro giusto | Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel | — |
| String Quartet in D minor, D 810 "Death and the Maiden": II. Andante con moto | Amadeus Quartet | — |
| Piano Sonata in B-flat major, D. 960: I. Molto moderato | Wilhelm Kempff | — |
| Piano Sonata in B-flat major, D. 960: II. Andante sostenuto | Wilhelm Kempff | — |
| Piano Sonata in B-flat major, D. 960: III. Scherzo. Allegro vivace con delicatezza | Wilhelm Kempff | — |
| Piano Sonata in B-flat major, D. 960: IV. Allegro ma non troppo | Wilhelm Kempff | — |
| Impromptu in G-flat major, D. 899 no. 3: Andante | Wilhelm Kempff | — |
| Impromptus, D. 899: Nr. 2 Es-dur. Allegro | Wilhelm Kempff | — |
| Moment Musicaux no. 2 in A-flat major. Andantino | Wilhelm Kempff | — |
| Moments musicaux, D. 780 no. 5 in F minor. Allegro vivace | Wilhelm Kempff | — |
| Impromptus. D. 935: Nr. 3 B-dur. Andante | Wilhelm Kempff | — |
| Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spirituoso | Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit | — |
| 24 Capricci per violino solo, op. 1: 1. Andante. E-dur | Salvatore Accardo | T0104377196 |
| 24 Capricci per violino solo, op. 1: 3. Sostenuto - Presto - Sostenuto. e-moll | Salvatore Accardo | — |
| 24 Capricci per violino solo, op. 1: 4. Maestoso. c-moll | Salvatore Accardo | — |
| 24 Capricci per violino solo, op. 1: 9. Allegretto. E-dur | Salvatore Accardo | T0104377196 |
| 24 Capricci per violino solo, op. 1: 10. Vivace. g-moll | Salvatore Accardo | — |
| 24 Capricci per violino solo, op. 1: 11. Andante - Presto - Tempo I. C-dur | Salvatore Accardo | — |
| 24 Capricci per violino solo, op. 1: 14. Moderato. Es-dur | Salvatore Accardo | T9061487976 |
| 24 Capricci per violino solo, op. 1: 16. Presto. g-moll | Salvatore Accardo | — |
| 24 Capricci per violino solo, op. 1: 17. Sostenuto - Andante. Es-dur | Salvatore Accardo | — |
| Caprice Op. 1, No. 24 pour violon seul | Salvatore Accardo | T-902571014-9 |
| String Quartet in D minor, D 810 "Death and the Maiden": II. Andante con moto | Amadeus Quartet | — |
| String Quartet in D minor, D 810 "Death and the Maiden": I. Allegro | Amadeus Quartet | T0114223538 |
| String Quartet in D minor, D 810 "Death and the Maiden": III. Scherzo. Allegro molto | Amadeus Quartet | T9115175821 |
| String Quartet in D minor, D 810 "Death and the Maiden": IV. Presto | Amadeus Quartet | T0030558678 |
| Concerto pour piano et orchestre No. 21, KV 467: Andante | Géza Anda, Camerata Academica des Salzburger Mozarteums | T0101948713 |
| Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 1. Allegro | Géza Anda, Camerata Academica des Salzburger Mozarteums | — |
| Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | T3063957864 |
| Symphonie no. 40 g‐Moll, KV 550: I. Molto allegro | Berliner Philharmoniker, Karl Böhm | T-003035132-6 |
| Symphonie no. 40 g‐Moll, KV 550: II. Andante | Berliner Philharmoniker, Karl Böhm | — |
| Symphonie no. 40 g‐Moll, KV 550: III. Menuetto. Allegretto – Trio | Berliner Philharmoniker, Karl Böhm | — |
| Symphonie no. 40 g‐Moll, KV 550: IV. Allegro assai | Berliner Philharmoniker, Karl Böhm | T3063957864 |
| Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — |
| Requièm Mass in D minor K. 626: III. Sequentia: e. "Confutatis maledictis" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — |
| Requièm Mass in D minor K. 626: I. Introitus: "Requiem aeternam" (choir and soprano solo) | Wilma Lipp, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | T-905386342-6 |
| Requièm Mass in D minor K. 626: II. "Kyrie eleison" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | T0700934184 |
| Requièm Mass in D minor K. 626: III. Sequentia: a. "Dies irae" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — |
| Requièm Mass in D minor K. 626: III. Sequentia: b. "Tuba mirum" (soprano, contralto, tenor, bass solo) | Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan | — |
| Requièm Mass in D minor K. 626: III. Sequentia: c. "Rex tremendae makestatis" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — |
| Requièm Mass in D minor K. 626: III. Sequentia: d. "Recordare, Jesu pie" (soprano, contralto, tenor, bass solo) | Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan | T9167566725 |
| Requièm Mass in D minor K. 626: IV. Offertorium: a. "Domine Jesu Christie" (choir with solo quartet) | Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | T9190977425 |
| Requièm Mass in D minor K. 626: IV. Offertorium: b. "Versus: Hostias et preces" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | T9001378730 |
| Requièm Mass in D minor K. 626: V. Sanctus: a. "Sanctus Dominus Deus Sabaoth" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | T9220615463 |
| Requièm Mass in D minor K. 626: V. Sanctus: b. "Benedictus" (solo quartet, then choir) | Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | T1066428133 |
| Requièm Mass in D minor K. 626: VI. "Agnus Dei" (choir) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — |
| Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna" | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | T9109520618 |
| Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: I. Allegro vivace | Berliner Philharmoniker, Karl Böhm | T3125423812 |
| Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: II. Andante cantabile | Berliner Philharmoniker, Karl Böhm | T3125423812 |
| Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio | Berliner Philharmoniker, Karl Böhm | T3125423812 |
| Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: IV. Molto allegro | Berliner Philharmoniker, Karl Böhm | T-003035132-6 |
| Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm” | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 9 in C major, D 944 “The Great”: I. Andante - Allegro ma non troppo | Berliner Philharmoniker, Karl Böhm | — |
| Symphony no. 9 in C major, D 944 “The Great”: II. Andante con moto | Berliner Philharmoniker, Karl Böhm | — |
| Symphony no. 9 in C major, D 944 “The Great”: III. Scherzo, Allegro vivace | Berliner Philharmoniker, Karl Böhm | — |
| Symphony no. 9 in C major, D 944 “The Great”: IV. Finale. Allegro vivace | Berliner Philharmoniker, Karl Böhm | — |
| Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": I. Allegro vivace | Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel | — |
| Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": II: Andante | Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel | — |
| Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": III. Scherzo. Presto | Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel | — |
| Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": IV. Thema. Andantino - Variazioni I-V - Allegretto | Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel | — |
| Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": V. Finale. Allegro giusto | Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel | T9286354367 |
| Le nozze di Figaro, K. 492: Act III. no. 19. Recitativo "E Susanna non vien!" (Contessa) | Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | — |
| Le nozze di Figaro, K. 492, no. 20: “Dove sono i bei momenti” | Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | — |
| Symphony in G, H.I No. 88: I. Adagio – Allegro | Wiener Philharmoniker, Karl Böhm | T3063957864 |
| Symphony in G, H.I No. 88: II. Largo | Wiener Philharmoniker, Karl Böhm | — |
| Symphony in G, H.I No. 88: III. Menuetto (Allegretto) | Wiener Philharmoniker, Karl Böhm | — |
| Symphony in G, H.I No. 88: IV. Finale (Allegro con spirito) | Wiener Philharmoniker, Karl Böhm | — |
| Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante | Wiener Philharmoniker, Karl Böhm | — |
| Serenade in G Major, K. 525 "Eine kleine Nachtmusik": 1. Allegro | Wiener Philharmoniker, Karl Böhm | — |
| Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Wiener Philharmoniker, Karl Böhm | — |
| Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto & Trio | Wiener Philharmoniker, Karl Böhm | T-902774400-9 |
| Violin Concerto no. 1 in D major, op. 6: I. Allegro maestoso | Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit | — |
| Violin Concerto no. 1 in D major, op. 6: II. Adagio | Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit | — |
| Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spirituoso | Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit | — |
| Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto | Amadeus Quartet, Gervase de Peyer | T-926819124-8 |
| Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro | Amadeus Quartet, Gervase de Peyer | T0114223538 |
| Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": III. Minuetto | Amadeus Quartet, Gervase de Peyer | T9268191259 |
| Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": IV. Allegretto | Amadeus Quartet, Gervase de Peyer | T-926819126-0 |
| Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | T9098768413 |
| Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | Wiener Philharmoniker, Leonard Bernstein | T-912747871-1 |
| Symphony no. 9 in D minor, op. 125: IV. Presto | Wiener Philharmoniker, Leonard Bernstein | T3125423812 |
| Symphony no. 9 in D minor, op. 125: V. Presto "O Freunde, nicht diese Töne!" - Allegro assai | Gwyneth Jones, Hanna Schwarz, René Kollo, Kurt Moll, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 9: Ode to Joy | Gwyneth Jones, René Kollo, Kurt Moll, Hanna Schwarz, Wiener Philharmoniker, Leonard Bernstein | — |
| Le nozze di Figaro, K. 492: Act III. no. 20. Duettino (“Sull’aria”) - “Che soave zeffiretto” (Susanna, Contessa) | Gundula Janowitz, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | T-011696191-1 |
English Chamber Orchestra, Daniel Barenboim
English Chamber Orchestra, Daniel Barenboim
Symphony no. 45 in F‐sharp minor, Hob. I:45 “Farewell”: III. Menuet. Allegretto – Trio – Menuet
English Chamber Orchestra, Daniel Barenboim
—
Symphony no. 45 in F‐sharp minor, Hob. I:45 “Farewell”: IV. Finale. Presto – Adagio
English Chamber Orchestra, Daniel Barenboim
—
Symphony in G, H.I No. 88: I. Adagio – Allegro
Wiener Philharmoniker, Karl Böhm
—
Symphony no. 104 in D major, Hob. I:104 “London”: I. Adagio – Allegro
London Philharmonic Orchestra, Eugen Jochum
—
London Philharmonic Orchestra, Eugen Jochum
Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuet: Allegro – Trio – Menuet
London Philharmonic Orchestra, Eugen Jochum
—
London Philharmonic Orchestra, Eugen Jochum
Amadeus Quartet
Amadeus Quartet
String Quartet in D major, op. 64 no. 5 "The Lark", Hoboken III: 63: III. Menuet. Allegretto
Amadeus Quartet
—
String Quartet in D major, op. 64 no. 5 "The Lark", Hoboken III: 63: IV. Finale. Vivace
Amadeus Quartet
—
String Quartet in G minor, op. 74 no. 3 "The Rider", Hoboken III: 74: II. Largo assai
Amadeus Quartet
—
String Quartet in G minor, op. 74 no. 3 "The Rider", Hoboken III: 74: III. Menuet. Allegretto
Amadeus Quartet
—
String Quartet in G minor, op. 74 no. 3 "The Rider", Hoboken III: 74: IV. Finale. Allegro con brio
Amadeus Quartet
—
String Quartet in C major, op. 76 no. 3 "Emperor", Hoboken III: 77: I. Allegro
Amadeus Quartet
—
Amadeus Quartet
String Quartet in C major, op. 76 no. 3 "Emperor", Hoboken III: 77: III. Menuetto
Amadeus Quartet
—
Amadeus Quartet
Berliner Philharmoniker, Herbert von Karajan
La Création : Première Partie : Le Premier Jour: Récitatif avec chœur : « Im Anfange schuf Gott Himmel und Erde »
Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan
—
La Création : Première Partie : Le Premier Jour: 2. Air avec chœur (Andante – Allegro moderato) : « Nun schwanden vor dem heiligen Strahle »
Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan
—
La Création : Première Partie : Le Troisième Jour: 6. Air (Allegro assai) « Rollend in schäumenden Wellen »
Walter Berry, Berliner Philharmoniker, Herbert von Karajan
—
La Création : Première Partie : Le Troisième Jour: 8. Air (Andante) : « Nun beut die Flur das frische Grün »
Berliner Philharmoniker, Herbert von Karajan
—
La Création : Première Partie : Le Quatrième Jour: 12. Récitatif (Andante allegro) : « In vollem Glanze steiget jetzt »
Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan
—
La Création : Première Partie : Le Quatrième Jour: 13. Chœur avec soliste (Allegro) : « Die Himmel erzählen die Ehre Gottes »
Wiener Singverein, Walter Berry, Gundula Janowitz, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan
—
La Création : Deuxième Partie : Le Cinquième Jour: 18. Trio (Moderato): « In holder Anmut stehn » / 19. Chœur avec solistes (Vivace): « Der Herr ist gross in seiner Macht »
Walter Berry, Gundula Janowitz, Werner Krenn, Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan
—
La Création : Deuxième Partie : Le Sixième Jour: 21. Récitatif (Presto – Andante – Adagio) « Gleich öffnet sich der Erde Schoss »
Walter Berry, Berliner Philharmoniker, Herbert von Karajan
—
La Création : Deuxième Partie : Le Sixième Jour: 22. Air (Maestoso): « Nun scheint in vollen Glanze der Himmel »
Walter Berry, Berliner Philharmoniker, Herbert von Karajan
—
La Création : Deuxième Partie : Le Sixième Jour: 24. Air (Andante): « Mit Würd und Hoheit angetan »
Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan
—
La Création : Deuxième Partie : Le Sixième Jour: 26. Chœur (Vivace): « Vollendet ist das grosse Werk » / 27. Trio (Poco adagio): « Zu Dir o Herr, blickt alles auf » / 28. Chœur: « Vollendet ist das grosse Werke »
Walter Berry, Gundula Janowitz, Werner Krenn, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
—
La Création : Troisième Partie: 32. Duo (Adagio – Allegro) : « Holde Gattin, dir zur Seite »
Dietrich Fischer-Dieskau, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan
—
La Création : Troisième Partie: 34. Chœur final avec solistes (Andante) : « Singt dem Herren alle Stimmen! »
Christa Ludwig, Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan
—
Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
Wiener Philharmoniker, Karl Böhm
—
Symphonie no. 40 g‐Moll, KV 550: I. Molto allegro
Berliner Philharmoniker, Karl Böhm
—
Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio
Berliner Philharmoniker, Karl Böhm
—
Géza Anda, Camerata Salzburg
Concerto for Piano and Orchestra no. 20 in D minor, K. 466: II. Romance
Géza Anda, Camerata Salzburg
—
Géza Anda, Camerata Salzburg
Wilhelm Kempff
Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai
Géza Anda, Camerata Academica des Salzburger Mozarteums
—
Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro
Amadeus Quartet, Gervase de Peyer
—
Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: I. Allegro
Amadeus Quartet, Cecil Aronowitz
—
Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: II. Minuetto. Allegretto & Trio
Amadeus Quartet, Cecil Aronowitz
—
Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: III. Adagio
Amadeus Quartet, Cecil Aronowitz
—
Amadeus Quartet, Cecil Aronowitz
Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act I. no. 2. Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna)
Edith Mathis, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act I. no. 4. Aria "La vendetta, oh, la vendetta" (Bartolo)
Peter Lagger, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Tatiana Troyanos, Orchester der Deutschen Oper Berlin, Karl Böhm
Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm
Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm
Tatiana Troyanos, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act II. no. 12. Aria "Venite … inginocchiatevi" (Susanna)
Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Le nozze di Figaro, K. 492: Act III. no. 17. Aria "Vedrò, mentr'io sospiro" (Conte)
Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Le nozze di Figaro, K. 492: Act III. no. 19. Recitativo "E Susanna non vien!" (Contessa)
Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Le nozze di Figaro, K. 492, no. 20: “Dove sono i bei momenti”
Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Gundula Janowitz, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act IV. no. 23. Cavatina “L’ho perduta” (Barbarina)
Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Le nozze di Figaro, K. 492: Act IV. no. 26. Aria "Aprite un po' quegli occhi" (Figaro)
Dietrich Fischer-Dieskau, Gundula Janowitz, Peter Lagger, Edith Mathis, Hermann Prey, Tatiana Troyanos, Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Le nozze di Figaro, K. 492: Act IV. no. 27. Recitativo “Giunse alfin il momento” (Susanna)
Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act IV. no. 28. Finale "Gente, gente, all'armi, all'armi" (Conte, Tutti)
Dietrich Fischer-Dieskau, Gundula Janowitz, Peter Lagger, Edith Mathis, Hermann Prey, Tatiana Troyanos, Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir)
Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
—
Vesperae solennes de confessore in C, K. 339: V. Laudate Dominum omnes gentes (Ps. 116/117)
Günther Arndt, RIAS Kammerchor, Maria Stader, Helmut Heller, Wolfgang Meyer, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
—
Exsultate, jubilate, K. 165: I. Exsultate, jubilate
Maria Stader, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
—
Exsultate, jubilate, K. 165: II. Fulget amica dies
Maria Stader, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
—
Exsultate, jubilate, K. 165: III. Tu virginum corona
Maria Stader, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
—
Maria Stader, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Symphonie Nr. 5 c-moll, op. 67: Allegro con brio
Berliner Philharmoniker, Herbert von Karajan
—
Berliner Philharmoniker, Herbert von Karajan
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
Berliner Philharmoniker, Herbert von Karajan
—
Berliner Philharmoniker, Herbert von Karajan
Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk”
Berliner Philharmoniker, Herbert von Karajan
—
Symphony no. 9 in D minor, op. 125: II. Molto vivace
Wiener Philharmoniker, Leonard Bernstein
—
Maurizio Pollini, Wiener Philharmoniker, Karl Böhm
Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: II. Adagio un poco mosso (attacca)
Maurizio Pollini, Wiener Philharmoniker, Karl Böhm
—
Maurizio Pollini, Wiener Philharmoniker, Karl Böhm
Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato
Maurizio Pollini, Wiener Philharmoniker, Karl Böhm
—
Piano Concerto no. 4 in G major, op. 58: II. Andante con moto
Maurizio Pollini, Wiener Philharmoniker, Karl Böhm
—
Maurizio Pollini, Wiener Philharmoniker, Karl Böhm
Sonata for Violin and Piano no. 9 in A, op. 47 "Kreutzer": 1. Adagio sostenuto - Presto
Yehudi Menuhin, Wilhelm Kempff
—
Sonata for Violin and Piano no. 9 in A, op. 47 "Kreutzer": 2. Andante con variazioni
Yehudi Menuhin, Wilhelm Kempff
—
Sonata for Violin and Piano no. 9 in A, op. 47 "Kreutzer": 3. Finale (Presto)
Yehudi Menuhin, Wilhelm Kempff
—
Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: I. Allegro
Amadeus Quartet
—
Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: II. Allegretto scherzando e sempre vivace
Amadeus Quartet
—
Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: III. Adagio molto
Amadeus Quartet
—
Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: IV. Allegro
Amadeus Quartet
—
Emil Gilels
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro
Emil Gilels
—
Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto
Emil Gilels
—
Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo
Emil Gilels
—
Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo
Emil Gilels
—
Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto
Emil Gilels
—
Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo – Fuga. Allegro ma non troppo
Emil Gilels
—
Staatskapelle Dresden, Carlos Kleiber
Der Freischütz: I. Akt, I. Auftritt. No. 1 Introduktion “Viktoria! Victoria! Der Meister soll leben” / “Schau der Herr mich an als König!”
Staatskapelle Dresden, Carlos Kleiber
—
Staatskapelle Dresden, Carlos Kleiber
Der Freischütz: I. Akt, IV. Auftritt. Rezitativ und Arie “Nein, länger trag’ ich nicht die Qualen … Durch die Wälder, durch die Auen”
Staatskapelle Dresden, Carlos Kleiber
—
Der Freischütz: I. Akt, VI. Auftritt. No. 5 Arie “Schweig, schweig, damit dich niemand warnt!”
Staatskapelle Dresden, Carlos Kleiber
—
Der Freischütz: II. Akt, I. Auftritt. No. 6 Duett “Schelm, halt fest! Ich will dich’s lehren!”
Staatskapelle Dresden, Carlos Kleiber
—
Der Freischütz: II. Akt, I. Auftritt. No. 7 Ariette “Kommt ein schlanker Bursch gegangen”
Staatskapelle Dresden, Carlos Kleiber
—
Der Freischütz: II. Akt, II. Auftritt. No. 8 Szene und Arie “Wie nahte mir der Schlummer… Leise, leise, fromme Weise!”
Staatskapelle Dresden, Carlos Kleiber
—
Der Freischütz: II. Akt, IV. Auftritt. No. 10 Finale “Milch des Mondes fiel aufs Kraut” / V. Auftritt. “Samiel! Samiel! Erschein!” / VI. Auftritt. “Trefflich bedient!”
Staatskapelle Dresden, Carlos Kleiber
—
Der Freischütz: Akt III. Nr. 12. Kavatine „Und ob die Wolke sie verhülle“ (Agathe)
Staatskapelle Dresden, Carlos Kleiber
—
Staatskapelle Dresden, Carlos Kleiber
Der Freischütz: III. Akt, VI. Auftritt. No. 15 Jägerchor “Was gleicht wohl auf Erden”
Staatskapelle Dresden, Carlos Kleiber
—
London Symphony Orchestra, Claudio Abbado
Il barbiere di Siviglia: Atto I. N. 7 Duetto: “Dunque io son… tu non m'ingarbiere di Siviglia: Atto I. Cavatina: “Ecco, ridente in cielo” (conte) / Seguito dell’introduzione: “Ehi, Fiorello?” (conte, Fiorello, coro) / Recitativo: “Gente indiscreta!” (conte, Fiorello)
Luigi Alva, Renato Cesari, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado
—
Hermann Prey, London Symphony Orchestra, Claudio Abbado
Teresa Berganza, London Symphony Orchestra, Claudio Abbado
Il barbiere di Siviglia, Act I: No. 6 Aria: “La calunnia è un venticello”
Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado
—
Teresa Berganza, Hermann Prey, London Symphony Orchestra, Claudio Abbado
Il barbiere di Siviglia: Atto I. N. 8 Aria: “A un dottor della mia sorte” (Bartolo)
Enzo Dara, London Symphony Orchestra, Claudio Abbado
—
Luigi Alva, Enzo Dara, London Symphony Orchestra, Claudio Abbado
Luigi Alva, Teresa Berganza, London Symphony Orchestra, Claudio Abbado
Luigi Alva, Teresa Berganza, Enzo Dara, Paolo Montarsolo, Hermann Prey, London Symphony Orchestra, Claudio Abbado
Il barbiere di Siviglia: Atto I. No. 15 Temporale (Thunderstorm)
London Symphony Orchestra, Claudio Abbado
—
Luigi Alva, Teresa Berganza, Hermann Prey, London Symphony Orchestra, Claudio Abbado
Luigi Alva, Teresa Berganza, Renato Cesari, Enzo Dara, Stefania Malagú, Paolo Montarsolo, Hermann Prey, London Symphony Orchestra, Claudio Abbado
Berliner Philharmoniker, Karl Böhm
Symphony no. 8 in B minor, D 759 “Unfinished”: II. Andante con moto
Berliner Philharmoniker, Karl Böhm
—
Symphony no. 9 in C major, D 944 “The Great”: I. Andante - Allegro ma non troppo
Berliner Philharmoniker, Karl Böhm
—
Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": V. Finale. Allegro giusto
Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel
—
String Quartet in D minor, D 810 "Death and the Maiden": II. Andante con moto
Amadeus Quartet
—
Piano Sonata in B-flat major, D. 960: I. Molto moderato
Wilhelm Kempff
—
Piano Sonata in B-flat major, D. 960: II. Andante sostenuto
Wilhelm Kempff
—
Piano Sonata in B-flat major, D. 960: III. Scherzo. Allegro vivace con delicatezza
Wilhelm Kempff
—
Piano Sonata in B-flat major, D. 960: IV. Allegro ma non troppo
Wilhelm Kempff
—
Impromptu in G-flat major, D. 899 no. 3: Andante
Wilhelm Kempff
—
Impromptus, D. 899: Nr. 2 Es-dur. Allegro
Wilhelm Kempff
—
Moment Musicaux no. 2 in A-flat major. Andantino
Wilhelm Kempff
—
Moments musicaux, D. 780 no. 5 in F minor. Allegro vivace
Wilhelm Kempff
—
Impromptus. D. 935: Nr. 3 B-dur. Andante
Wilhelm Kempff
—
Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spirituoso
Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit
—
Salvatore Accardo
24 Capricci per violino solo, op. 1: 3. Sostenuto - Presto - Sostenuto. e-moll
Salvatore Accardo
—
24 Capricci per violino solo, op. 1: 4. Maestoso. c-moll
Salvatore Accardo
—
Salvatore Accardo
24 Capricci per violino solo, op. 1: 10. Vivace. g-moll
Salvatore Accardo
—
24 Capricci per violino solo, op. 1: 11. Andante - Presto - Tempo I. C-dur
Salvatore Accardo
—
Salvatore Accardo
24 Capricci per violino solo, op. 1: 16. Presto. g-moll
Salvatore Accardo
—
24 Capricci per violino solo, op. 1: 17. Sostenuto - Andante. Es-dur
Salvatore Accardo
—
Salvatore Accardo
String Quartet in D minor, D 810 "Death and the Maiden": II. Andante con moto
Amadeus Quartet
—
Géza Anda, Camerata Academica des Salzburger Mozarteums
Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 1. Allegro
Géza Anda, Camerata Academica des Salzburger Mozarteums
—
Géza Anda, Camerata Academica des Salzburger Mozarteums
Berliner Philharmoniker, Karl Böhm
Symphonie no. 40 g‐Moll, KV 550: II. Andante
Berliner Philharmoniker, Karl Böhm
—
Symphonie no. 40 g‐Moll, KV 550: III. Menuetto. Allegretto – Trio
Berliner Philharmoniker, Karl Böhm
—
Berliner Philharmoniker, Karl Böhm
Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir)
Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
—
Requièm Mass in D minor K. 626: III. Sequentia: e. "Confutatis maledictis" (choir)
Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
—
Wilma Lipp, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
Requièm Mass in D minor K. 626: III. Sequentia: a. "Dies irae" (choir)
Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
—
Requièm Mass in D minor K. 626: III. Sequentia: b. "Tuba mirum" (soprano, contralto, tenor, bass solo)
Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan
—
Requièm Mass in D minor K. 626: III. Sequentia: c. "Rex tremendae makestatis" (choir)
Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
—
Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan
Requièm Mass in D minor K. 626: IV. Offertorium: a. "Domine Jesu Christie" (choir with solo quartet)
Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
Requièm Mass in D minor K. 626: VI. "Agnus Dei" (choir)
Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
—
Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
Berliner Philharmoniker, Karl Böhm
Berliner Philharmoniker, Karl Böhm
Berliner Philharmoniker, Karl Böhm
Berliner Philharmoniker, Karl Böhm
Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook”
Berliner Philharmoniker, Herbert von Karajan
—
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country”
Berliner Philharmoniker, Herbert von Karajan
—
Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk”
Berliner Philharmoniker, Herbert von Karajan
—
Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm”
Berliner Philharmoniker, Herbert von Karajan
—
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm”
Berliner Philharmoniker, Herbert von Karajan
—
Symphony no. 9 in C major, D 944 “The Great”: I. Andante - Allegro ma non troppo
Berliner Philharmoniker, Karl Böhm
—
Symphony no. 9 in C major, D 944 “The Great”: II. Andante con moto
Berliner Philharmoniker, Karl Böhm
—
Symphony no. 9 in C major, D 944 “The Great”: III. Scherzo, Allegro vivace
Berliner Philharmoniker, Karl Böhm
—
Symphony no. 9 in C major, D 944 “The Great”: IV. Finale. Allegro vivace
Berliner Philharmoniker, Karl Böhm
—
Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": I. Allegro vivace
Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel
—
Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": II: Andante
Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel
—
Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": III. Scherzo. Presto
Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel
—
Quintet for Piano, Violin, Viola, Cello and Double Bass in A major, D 667 "The Trout": IV. Thema. Andantino - Variazioni I-V - Allegretto
Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel
—
Christoph Eschenbach, Rudolf Koeckert, Oskar Riedl, Josef Merz, Georg Maximilian Hörtnagel
Le nozze di Figaro, K. 492: Act III. no. 19. Recitativo "E Susanna non vien!" (Contessa)
Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Le nozze di Figaro, K. 492, no. 20: “Dove sono i bei momenti”
Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Wiener Philharmoniker, Karl Böhm
Symphony in G, H.I No. 88: II. Largo
Wiener Philharmoniker, Karl Böhm
—
Symphony in G, H.I No. 88: III. Menuetto (Allegretto)
Wiener Philharmoniker, Karl Böhm
—
Symphony in G, H.I No. 88: IV. Finale (Allegro con spirito)
Wiener Philharmoniker, Karl Böhm
—
Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante
Wiener Philharmoniker, Karl Böhm
—
Serenade in G Major, K. 525 "Eine kleine Nachtmusik": 1. Allegro
Wiener Philharmoniker, Karl Böhm
—
Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
Wiener Philharmoniker, Karl Böhm
—
Wiener Philharmoniker, Karl Böhm
Violin Concerto no. 1 in D major, op. 6: I. Allegro maestoso
Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit
—
Violin Concerto no. 1 in D major, op. 6: II. Adagio
Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit
—
Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spirituoso
Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit
—
Amadeus Quartet, Gervase de Peyer
Amadeus Quartet, Gervase de Peyer
Amadeus Quartet, Gervase de Peyer
Amadeus Quartet, Gervase de Peyer
Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso
Wiener Philharmoniker, Leonard Bernstein
—
Wiener Philharmoniker, Leonard Bernstein
Wiener Philharmoniker, Leonard Bernstein
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 9 in D minor, op. 125: V. Presto "O Freunde, nicht diese Töne!" - Allegro assai
Gwyneth Jones, Hanna Schwarz, René Kollo, Kurt Moll, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Leonard Bernstein
—
Symphony no. 9: Ode to Joy
Gwyneth Jones, René Kollo, Kurt Moll, Hanna Schwarz, Wiener Philharmoniker, Leonard Bernstein
—
Gundula Janowitz, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm
What other identifiers does this connect to?
Musical Works (ISWC)
T0013227401T0013971588T0014243709T0030351326T0030558678T0090514069T0091578663T0101948713T0104377196T0114223538
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T0116961911T0318626764T0700934184T0701265373T0701610550T1066428133T3063957864T3064822711T3064825403T3125423812T3186765282T7000951715T8006899635T8019537817T9001333977T9001340790T9001344510T9001378730T9001408317T9021874099T9025710149T9026856304T9027640024T9027744009T9028762007T9053863426T9054955598T9061487976T9098768413T9098768731T9109520618T9115175821T9127478711T9140122163T9153100993T9157236696T9167566725T9190977425T9220615463T9268191248T9268191259T9268191260T9286354367
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000078396034000000008096929200000000836551760000000083984025000000010661744800000001081579670000000108600439000000010863595700000001087433330000000108854631
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000000010893537800000001091441560000000109178196000000010922760500000001093586720000000109378163000000010940538700000001094265240000000109442305000000010944273500000001102923240000000110317624000000011032701300000001106086830000000110677320000000011074555700000001109287400000000110928863000000011297410X0000000114377050000000011448517400000001145235480000000114533017000000011455118600000001147146510000000114800357000000011490456X0000000115070878000000011701406000000001179794280000000119564998000000012019149800000001203391060000000120959719000000012097801200000001210134070000000121144247000000012120827100000001213366870000000121382480
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What is UPC 028947923015?
028947923015 is a Universal Product Code (UPC) assigned to The History of Classical Music, Part 2: Classical to Early Romantic: From Haydn to Paganini by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
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