UPC · Album

The History of Classical Music, Part 5: Modern: From Sibelius to Glass

Various Artists

028947923046
272 tracksReleased 2013-10-14

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028947923046 is the Universal Product Code (UPC barcode) for the release The History of Classical Music, Part 5: Modern: From Sibelius to Glass by Various Artists, released 2013-10-14. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 272 tracks, each with its own ISRC. Tracks include DDA017502010, DEF056400010, DEF056400030.

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UPCThe History of Classical Music, Part 5: Modern: From Sibelius to Glass
ISRC195 recordings
ISWC34 works
IPI4 songwriters

Track List (195)

Rhapsody in Blue
George Gershwin
Tapiola, op. 112
Berliner Philharmoniker, Herbert von Karajan
Finlandia, op. 26: Andante sostenuto - Allegro moderato - Allegro
Berliner Philharmoniker, Herbert von Karajan
Symphony no. 5 in E-flat major, op. 82: Ia. Tempo molto moderato - Largamente -
Berliner Philharmoniker, Herbert von Karajan
Symphony no. 5 in E‐flat major, op. 82: Ib. Allegro moderato – Presto
Berliner Philharmoniker, Herbert von Karajan
Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto
Berliner Philharmoniker, Herbert von Karajan
Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai
Berliner Philharmoniker, Herbert von Karajan
Noches en los jardines de España: I. En el Generalife
Margrit Weber, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
Noches en los jardines de España: II. Danza lejana
Margrit Weber, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
Noches en los jardines de España: III. En los jardines de la Sierra de Cordoba
Margrit Weber, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
Valse triste, op. 44
Berliner Philharmoniker, Herbert von Karajan
Concerto for Piano and Orchestra no. 3 in C major, op. 26: I Andante. Allegro
Martha Argerich, Berliner Philharmoniker, Claudio Abbado
Concerto for Piano and Orchestra no. 3 in C major, op. 26: I Andante. Allegro
Martha Argerich, Berliner Philharmoniker, Claudio Abbado
Concerto for Piano and Orchestra no. 3 in C major, op. 26: II. Andantino
Martha Argerich, Berliner Philharmoniker, Claudio Abbado
Concerto for Piano and Orchestra no. 3 in C major, op. 26: III. Allegro ma non troppo
Martha Argerich, Berliner Philharmoniker, Claudio Abbado
Concerto for Violin and Orchestra: I. Andante - Allegretto
Henryk Szeryng, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
Concerto for Violin and Orchestra: II. Allegro - Adagio
Henryk Szeryng, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
Concierto de Aranjuez: II. Adagio
Narciso Yepes, Orquesta Sinfónica de Radio Televisión Española, Odón Alonso
Concierto de Aranjuez: I. Allegro con spirito
Narciso Yepes, Orquesta Sinfónica R.T.V. Española, Odón Alonso
Concierto de Aranjuez: III. Allegro gentile
Narciso Yepes, Orquesta Sinfónica R.T.V. Española, Odón Alonso
Three Places in New England: I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment)
Boston Symphony Orchestra, Michael Tilson Thomas
Three Places in New England: II. Putnam’s Camp, Redding, Connecticut
Boston Symphony Orchestra, Michael Tilson Thomas
Three Places in New England: III. The Housatonic at Stockbridge
Boston Symphony Orchestra, Michael Tilson Thomas
Symphonic Dances from West Side Story: Prologue (Allegro moderato)
San Francisco Symphony, Seiji Ozawa
Symphonic Dances from West Side Story: “Somewhere” (Adagio)
San Francisco Symphony, Seiji Ozawa
Symphonic Dances from West Side Story: Scherzo (Vivace leggiero)
San Francisco Symphony, Seiji Ozawa
Symphonic Dances from West Side Story: Mambo (Presto)
San Francisco Symphony, Seiji Ozawa
Symphonic Dances from West Side Story: Cha‐cha (Andante con grazia)
San Francisco Symphony, Seiji Ozawa
Symphonic Dances from West Side Story: Meeting Scene
San Francisco Symphony, Seiji Ozawa
Symphonic Dances from West Side Story: “Cool” (Allegretto)
San Francisco Symphony, Seiji Ozawa
Symphonic Dances from West Side Story: Rumble (Molto allegro)
San Francisco Symphony, Seiji Ozawa
Symphonic Dances from West Side Story: Finale (Adagio)
San Francisco Symphony, Seiji Ozawa
Drei Orchesterstücke, op. 6 (1929 revision): 1. Präludium
Berliner Philharmoniker, Herbert von Karajan
Drei Orchesterstücke, op. 6 (1929 revision): 2. Reigen
Berliner Philharmoniker, Herbert von Karajan
Drei Orchesterstücke, op. 6 (1929 revision): 3. Marsch
Berliner Philharmoniker, Herbert von Karajan
Apollon Musagéte (1947 version): Tableau I. Naissance d'Apollon
Berliner Philharmoniker, Herbert von Karajan
Apollon Musagéte (1947 version): Tableau II. Variation d'Apollon (Apollen et les Muses)
Berliner Philharmoniker, Herbert von Karajan
Apollon Musagéte (1947 version): Tableau II. Pas d'action (Apollo et les trois Muses: Calliope-Polymnie et Terpsichore)
Berliner Philharmoniker, Herbert von Karajan
Apollon Musagéte (1947 version): Tableau II. Variation de Galliope
Berliner Philharmoniker, Herbert von Karajan
Apollon Musagéte (1947 version): Tableau II. Variation de Polymnia
Berliner Philharmoniker, Herbert von Karajan
Apollon Musagéte (1947 version): Tableau II. Variation de Terpsichore
Berliner Philharmoniker, Herbert von Karajan
Apollon Musagéte (1947 version): Tableau II. Variation de Apollo
Berliner Philharmoniker, Herbert von Karajan
Apollon Musagéte (1947 version): Tableau II. Pas de deux (Apollon et Terpsichore)
Berliner Philharmoniker, Herbert von Karajan
Apollon Musagéte (1947 version): Tableau II. Coda (Apollon et Musese)
Berliner Philharmoniker, Herbert von Karajan
Apollon Musagéte (1947 version): Tableau II. Apotheose
Berliner Philharmoniker, Herbert von Karajan
Three Pieces from the "Lyric Suite": I. Andante amoroso
Berliner Philharmoniker, Herbert von Karajan
Three Pieces from the "Lyric Suite": II. Allegro misterioso
Berliner Philharmoniker, Herbert von Karajan
Three Pieces from the "Lyric Suite": III. Adagio appassionato
Berliner Philharmoniker, Herbert von Karajan
The Lark Ascending
Pinchas Zukerman, English Chamber Orchestra, Daniel Barenboim
Cello Concerto no. 2 in G major, op. 126: I. Largo
Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa
Cello Concerto no. 2 in G major, op. 126: II. Allegretto
Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa
Cello Concerto no. 2 in G major, op. 126: III. Allegretto
Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa
Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Introduction
London Symphony Orchestra, Claudio Abbado
Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Les Augures printaniers (Danses des adolescentes)
London Symphony Orchestra, Claudio Abbado
Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Jeu du rapt
London Symphony Orchestra, Claudio Abbado
Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Rondes printanières
London Symphony Orchestra, Claudio Abbado
Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Jeux des cités rivales / Cortège du Sage - Adoration de la terre - Le Sage
London Symphony Orchestra, Claudio Abbado
Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Danse de la terre
London Symphony Orchestra, Claudio Abbado
Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Introduction
London Symphony Orchestra, Claudio Abbado
Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Cercles mystérieux des adolescentes
London Symphony Orchestra, Claudio Abbado
Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Glorification de l'elue / Evocation des ancêtres
London Symphony Orchestra, Claudio Abbado
Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Action rituelle des ancêtres
London Symphony Orchestra, Claudio Abbado
Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Danse sacrale (L'Élue)
London Symphony Orchestra, Claudio Abbado
Petrouchka - (1a) Fete populaire de la semaine grasse
London Symphony Orchestra, Charles Dutoit
Petrouchka - (1b) Le tour de passe-passe
London Symphony Orchestra, Charles Dutoit
Petrouchka - (2a) Chez Petrouchka
London Symphony Orchestra, Charles Dutoit
Petrouchka - (3a) Chez le maure - Danse de la ballerine
London Symphony Orchestra, Charles Dutoit
Petrouchka - (3b) Valse. La ballerine et le maure
London Symphony Orchestra, Charles Dutoit
Petrouchka - (4a) Fete populaire de la semaine grasse (vers le soir)
London Symphony Orchestra, Charles Dutoit
Petrouchka - (4b) Danse des nounous
London Symphony Orchestra, Charles Dutoit
Petrouchka - (4c) Danse du paysan et de l'ours
London Symphony Orchestra, Charles Dutoit
Petrouchka - (4d) Bohemien et marchand malhonnete
London Symphony Orchestra, Charles Dutoit
An American in Paris
San Francisco Symphony, Seiji Ozawa
Central Park in the Dark
Boston Symphony Orchestra, Seiji Ozawa
Petrouchka - (4e) Danse des cochers et des palefreniers
London Symphony Orchestra, Charles Dutoit
Petrouchka - (4f) Les deguises
London Symphony Orchestra, Charles Dutoit
Petrouchka - (4g) Le rixe: Le maure et Petrouchka
London Symphony Orchestra, Charles Dutoit
Petrouchka - (4h) Mort de Petrouchka
London Symphony Orchestra, Charles Dutoit
Petrouchka - (4i) La police et l'enchanteur
London Symphony Orchestra, Charles Dutoit
Petrouchka - (4j) Vociferation du double de Petrouchka
London Symphony Orchestra, Charles Dutoit
Lieutenant Kijé, op. 60: IV. Troïka
Chicago Symphony Orchestra, Claudio Abbado
Lieutenant Kijé, op. 60: I. Kijé’s Birth
Chicago Symphony Orchestra, Claudio Abbado
Lieutenant Kijé, op. 60: II. Romance
Chicago Symphony Orchestra, Claudio Abbado
Lieutenant Kijé, op. 60: III. Kijé’s Wedding
Chicago Symphony Orchestra, Claudio Abbado
Lieutenant Kijé, op. 60: V. Kije’s Burial
Chicago Symphony Orchestra, Claudio Abbado
Serenade for Tenor, Horn & Strings, Op. 31: Sonnet - O Soft Embalmer of the Still Midnight
Robert Tear, Dale Clevenger, Chicago Symphony Orchestra, Carlo Maria Giulini
El amor brujo (ballet By G. Martinez Sierra): Danza ritual del fuego, para ahuyentar los malos espíritos
London Symphony Orchestra, García Navarro
El amor brujo: III. Canción del amor dolido
Teresa Berganza, London Symphony Orchestra, Garcia Navarro
El amor brujo: X. Canción del fuego fatuo
Teresa Berganza, London Symphony Orchestra, Garcia Navarro
El amor brujo: XII. Danza del juego de amor
London Symphony Orchestra, Garcia Navarro
El amor brujo: XIII. Final: Las campanas del amanecer
Teresa Berganza, London Symphony Orchestra, Garcia Navarro
El amor brujo: II. En la cueva: La noche
London Symphony Orchestra, Garcia Navarro
El amor brujo: V. Danza del terror
London Symphony Orchestra, Garcia Navarro
El amor brujo: VI. El círculo mágico: Romance del pescador
London Symphony Orchestra, Garcia Navarro
El amor brujo: XI. Pantomima
London Symphony Orchestra, Garcia Navarro
El amor brujo: I. Introducción y escena
London Symphony Orchestra, Garcia Navarro
El amor brujo: IV. El aparecido
London Symphony Orchestra, Garcia Navarro
El amor brujo: VII. A media noche: Los sortilegios
London Symphony Orchestra, Garcia Navarro
El amor brujo: IX. Escena
London Symphony Orchestra, Garcia Navarro
Pulcinella: I. Ouverture: Allegro moderato
London Symphony Orchestra, Claudio Abbado
Pulcinella: II. Serenata: Larghetto
Ryland Davies, London Symphony Orchestra, Claudio Abbado
Pulcinella: III. Scherzino: Allegro
London Symphony Orchestra, Claudio Abbado
Pulcinella: Poco più vivo
London Symphony Orchestra, Claudio Abbado
Pulcinella: IV. Allegro
London Symphony Orchestra, Claudio Abbado
Pulcinella: V. Andantino
London Symphony Orchestra, Claudio Abbado
Pulcinella: VI. Allegro
London Symphony Orchestra, Claudio Abbado
Pulcinella: VII. Allegretto
Teresa Berganza, London Symphony Orchestra, Claudio Abbado
Pulcinella: VIII. Allegro assai
London Symphony Orchestra, Claudio Abbado
Pulcinella: IX. Allegro (alla breve)
John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado
Pulcinella: X. Largo (Trio) - Allegro - Presto (Duetto)
Teresa Berganza, Ryland Davies, John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado
Pulcinella: XI. Allegro - alla breve
London Symphony Orchestra, Claudio Abbado
Pulcinella: XII. Tarantella
London Symphony Orchestra, Claudio Abbado
Pulcinella: XIII. Andantino
Teresa Berganza, London Symphony Orchestra, Claudio Abbado
Pulcinella: XIV. Allegro
London Symphony Orchestra, Claudio Abbado
Pulcinella: XV. Gavotta con due variazioni
London Symphony Orchestra, Claudio Abbado
Pulcinella: XVI. Vivo
London Symphony Orchestra, Claudio Abbado
Pulcinella: XVII. Tempo di minuetto
Teresa Berganza, Ryland Davies, John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado
Pulcinella: XVIII. Allegro assai
London Symphony Orchestra, Claudio Abbado
Symphony no. 5 in D minor, op. 47: I. Moderato
National Symphony Orchestra, Mstislav Rostropovich
Symphony no. 5 in D minor, op. 47: I. Moderato
National Symphony Orchestra, Mstislav Rostropovich
Symphony no. 5 in D minor, op. 47: II. Allegretto
National Symphony Orchestra, Mstislav Rostropovich
Symphony no. 5 in D minor, op. 47: III. Largo
National Symphony Orchestra, Mstislav Rostropovich
Symphony no. 5 in D minor, op. 47: IV: Allegro non troppo
National Symphony Orchestra, Mstislav Rostropovich
Concerto for Violin and Orchestra no. 1 in D major, op. 19: II. Scherzo. Vivacissimo
Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado
Concerto for Piano and Orchestra in G major: III. Presto
Martha Argerich, London Symphony Orchestra, Claudio Abbado
Piano Concerto in G, M. 83: 2. Adagio assai
Martha Argerich, London Symphony Orchestra, Claudio Abbado
Concerto for Piano and Orchestra in G major: I. Allegramente
Martha Argerich, London Symphony Orchestra, Claudio Abbado
Concerto for Piano and Orchestra in G major: III. Presto
Martha Argerich, London Symphony Orchestra, Claudio Abbado
Boléro, M. 81: Tempo di bolero moderato assai
London Symphony Orchestra, Claudio Abbado
Ma mère l'Oye, M. 60: Prélude. Très lent
London Symphony Orchestra, Claudio Abbado
Ma mère l'Oye, M. 60: 1ᵉʳ TABLEAU : Danse du rouet et scène. Allegro
London Symphony Orchestra, Claudio Abbado
Ma mère l'Oye, M. 60: 2ᵉ TABLEAU : Pavane de la Belle au bois dormant. Lent - Allegro - Mouvement de valse modéré
London Symphony Orchestra, Claudio Abbado
Ma mère l'Oye, M. 60: 3ᵉ TABLEAU : Les Entretiens de la Belle et de la Bête. Mouvement de valse modéré
London Symphony Orchestra, Claudio Abbado
Ma mère l'Oye, M. 60: 4ᵉ TABLEAU : Petit Poucet. Très modéré
London Symphony Orchestra, Claudio Abbado
Ma mère l'Oye, M. 60: 5ᵉ TABLEAU : Laideronnette, impératrice des pagodes. Mouvement de marche - Allegro - Très modéré
London Symphony Orchestra, Claudio Abbado
Ma mère l'Oye, M. 60: APOTHÉOSE : Le jardin féerique. Lent et grave
London Symphony Orchestra, Claudio Abbado
Pavane pour une infante défunte, M. 19: Lent
London Symphony Orchestra, Claudio Abbado
Turangalîla-Symphonie: Introduction. Modéré, un peu vif
Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung
Turangalîla-Symphonie: Chant d'amour 1. Modéré, lourd
Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung
Turangalîla-Symphonie: Turangalîla 1. Presque lent, rêveur
Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung
Turangalîla-Symphonie: Chant d'amour 2. Bien modéré
Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung
Turangalîla-Symphonie: Joie du sang des étoiles. Vif, passionné, avec joie
Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung
Turangalîla-Symphonie: Jardin du sommeil d'amour. Très modéré, très tendre
Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung
Turangalîla-Symphonie: Turangalîla 2. Un peu vif - bien modéré
Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung
Turangalîla-Symphonie: Développement de l'amour. Bien modéré
Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung
Turangalîla-Symphonie: Turangalîla 3. Bien modéré
Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung
Turangalîla‐Symphonie: Final. Modéré, presque vif, avec une grande joie
Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung
Concerto for Violin and Orchestra: I. ♩ = 104 – ♩ = 120
Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi
Concerto for Violin and Orchestra: II. ♩ = ca. 108
Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi
Concerto for Violin and Orchestra: III. ♩ = ca. 150 – Coda: Poco meno ♩ = 104
Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi
6 Pieces for Orchestra, op. 6: I. Etwas bewegt
Berliner Philharmoniker, Pierre Boulez
6 Pieces for Orchestra, op. 6: II. Bewegt
Berliner Philharmoniker, Pierre Boulez
6 Pieces for Orchestra, op. 6: III. Zart bewegt
Berliner Philharmoniker, Pierre Boulez
6 Pieces for Orchestra op. 6: IV. Langsam. Marcia Funebre
Berliner Philharmoniker, Pierre Boulez
6 Pieces for Orchestra, op. 6: V. Sehr langsam
Berliner Philharmoniker, Pierre Boulez
6 Pieces for Orchestra, op. 6: VI. Zart bewegt
Berliner Philharmoniker, Pierre Boulez
Symphony, op. 21: 1. Ruhig schreitend
Berliner Philharmoniker, Pierre Boulez
Symphony, op. 21: 2. Variationen
Berliner Philharmoniker, Pierre Boulez
Gruppen
Berliner Philharmoniker, Friedrich Goldmann, Claudio Abbado, Marcus Creed
Pierrot lunaire, op. 21: I. Teil: 1. Mondestrunken
Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
Pierrot lunaire, op. 21: I. Teil: 2. Colombine
Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
Pierrot lunaire, op. 21: I. Teil: 3. Der Dandy
Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
Pierrot lunaire, op. 21: I. Teil: 4. Eine blasse Wäscherin
Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
Pierrot lunaire, op. 21: I. Teil: 5. Valse de Chopin
Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
Pierrot lunaire, op. 21: I. Teil: 6. Madonna
Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
Pierrot lunaire, op. 21: I. Teil: 7. Der kranke Mond
Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
Pierrot lunaire, op. 21: II. Teil: 8. Nacht
Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
Pierrot lunaire, op. 21: II. Teil: 9. Gebet an Pierrot
Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
Pierrot lunaire, op. 21: II. Teil: 10. Raub
Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
Pierrot lunaire, op. 21: II. Teil: 11. Rote Messe
Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
Pierrot lunaire, op. 21: II. Teil: 12. Galgenlied
Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
Pierrot lunaire, op. 21: II. Teil: 13. Enthauptung
Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
Pierrot lunaire, op. 21: II. Teil: 14. Die Kreuze
Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
Pierrot lunaire, op. 21: III. Teil: 15. Heimweh
Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
Pierrot lunaire, op. 21: III. Teil: 16. Gemeinheit!
Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
Pierrot lunaire, op. 21: III. Teil: 17. Parodie
Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
Pierrot lunaire, op. 21: III. Teil: 18. Der Mondfleck
Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
Pierrot lunaire, op. 21: III. Teil: 19. Serenade
Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
Pierrot lunaire, op. 21: III. Teil: 20. Heimfahrt
Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
Pierrot lunaire, op. 21: III. Teil: 21. O alter Duft
Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
Le Marteau sans maître: I. Avant l’Artisanat furieux. Rapide
Hilary Summers, Ensemble intercontemporain, Pierre Boulez
Le Marteau sans maître: II. Commentaire I de Bourreaux de solitude. Lent
Hilary Summers, Ensemble intercontemporain, Pierre Boulez
Le Marteau sans maître: III. L’Artisanat furieux. Modéré sans rigueur
Hilary Summers, Ensemble intercontemporain, Pierre Boulez
Le Marteau sans maître: IV. Commentaire II de Bourreaux de solitude. Rapide
Hilary Summers, Ensemble intercontemporain, Pierre Boulez
Le Marteau sans maître: V. Bel édifice et les pressentiments – version première. Assez vif
Hilary Summers, Ensemble intercontemporain, Pierre Boulez
Le Marteau sans maître: VI. Bourreaux de solitude. Assez lent
Hilary Summers, Ensemble intercontemporain, Pierre Boulez
Le Marteau sans maître: VII. Après l’Artisanat furieux. Rapide
Hilary Summers, Ensemble intercontemporain, Pierre Boulez
Le Marteau sans maître: VIII. Commentaire III de Bourreaux de solitude. Assez lent
Hilary Summers, Ensemble intercontemporain, Pierre Boulez
Le Marteau sans maître: IX. Bel édifice et les pressentiments – double. Tempo libre de rècit
Hilary Summers, Ensemble intercontemporain, Pierre Boulez
Adagio for Strings, op. 11
Baltimore Symphony Orchestra, David Zinman
Shaker Loops: III. Loops and Verses
San Francisco Symphony, Edo de Waart
Shaker Loops: IV. A Final Shaking
San Francisco Symphony, Edo de Waart
Symphony no. 3 "Symphony of Sorrowful Songs", op. 36: 1. Lento. Sostenuto tranquillo ma cantabile
Joanna Kozłowska, Orkiestra Symfoniczna Filharmonii Narodowej, Kazimierz Kord
Symphony of Sorrowful Songs (2nd Movement)
Joanna Kozłowska, Warsaw Philharmonic Orchestra, Kazimierz Kord
Symphony no. 3 "Symphony of Sorrowful Songs", op. 36: 3. Lento. Cantabile semplice
Joanna Kozłowska, Orkiestra Symfoniczna Filharmonii Narodowej, Kazimierz Kord

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What is UPC 028947923046?
UPC 028947923046 is the Universal Product Code (barcode) for "The History of Classical Music, Part 5: Modern: From Sibelius to Glass" by Various Artists.
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A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
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UPC 028947923046 contains 272 tracks, each with its own ISRC.
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What is UPC 028947923046?

028947923046 is a Universal Product Code (UPC) assigned to The History of Classical Music, Part 5: Modern: From Sibelius to Glass by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 272 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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