UPC · Release
Music for Lute
Walter Gerwig
028947925989
96 tracksReleased 2014-01-01Archiv Produktion
Last verified:
028947925989 is the Universal Product Code (UPC barcode) for the release “Music for Lute” by Walter Gerwig, released 2014-01-01 on Archiv Produktion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 96 tracks, each with its own ISRC.
Format
0Number system
28947Manufacturer
92598Product
9Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (96)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | El maestro: Fantasia 1 | — | ||
| 2 | El maestro: Romance 1 "Durandarte" | — | ||
| 3 | El maestro: Pavana no. 1 | — | ||
| 4 | El maestro: Pavana no. 4 | — | ||
| 5 | El maestro: Soneto en ytaliano "Amor che nel mio pensier" | — | ||
| 6 | El maestro: Pavana Nos.5 & 6 | — | ||
| 7 | El maestro: Romance 2 "Sospirastes baldovinos" | — | ||
| 8 | El maestro: Fantasia 9 | — | ||
| 9 | Trattado de glosas: 3 Recercadas sobre canto llano | — | ||
| 10 | Trattado de glosas: Un Madrigal a 4 "O felici occhi miei" con 2 Recercadas sobre el mesmo madrigal | — | ||
| 11 | Trattado de glosas: Recercada quarta por Violon solo | — | ||
| 12 | Trattado de glosas: Una Cancion francesa "Doulce memoire" con 2 Recercadas sobre la mesmo cancion | — | ||
| 13 | Trattado de glosas: 3 Recercadas sobre tenores Italianos | — | ||
| 2-1 | Ein newgeordnet künstlich Lautenbach: Preambel | — | ||
| 2-2 | Ein newgeordnet künstlich Lautenbach: Zart schöne fraw gedenck und schaw | — | ||
| 2-3 | Ein newgeordnet künstlich Lautenbach: Der Bethler Tantz | — | ||
| 2-4 | Ein newgeordnet künstlich Lautenbach: Elslein, liebstes Elslein mein | — | ||
| 2-5 | Ein newgeordnet künstlich Lautenbach: Nach willen dein | — | ||
| 2-6 | Ein newgeordnet künstlich Lautenbach: Der Künigin Tantz | — | ||
| 2-7 | Ein newgeordnet künstlich Lautenbach: Wol kumpt der May | — | ||
| 2-8 | Ein newgeordnet künstlich Lautenbach: Wascha mesa | — | ||
| 2-9 | Lute Music From Manuscript Souces Of North Italian Provenance: Aria del Gran Duca | — | ||
| 2-10 | Lute Music From Manuscript Souces Of North Italian Provenance: Corenta | — | ||
| 2-11 | Lute Music From Manuscript Souces Of North Italian Provenance: Balletto I / II / I | — | ||
| 2-12 | Lute Music From Manuscript Souces Of North Italian Provenance: La Cesarina | — | ||
| 2-13 | Lute Music From Manuscript Souces Of North Italian Provenance: Gagliarda Manfredina | — | ||
| 2-14 | Lute Music From Manuscript Souces Of North Italian Provenance: Ballo del Serenissimo Duca di Parma | — | ||
| 2-15 | Lute Music From Manuscript Souces Of North Italian Provenance: La Mutia | — | ||
| 2-16 | Lute Music From Manuscript Souces Of North Italian Provenance: Le ne mente per la gola | — | ||
| 2-17 | Suite: Allemande | — | ||
| 2-18 | Suite: Courante | — | ||
| 2-19 | Suite: Sarabande | — | ||
| 2-20 | Suite: Gavotte | — | ||
| 2-21 | Suite: Gigue | — | ||
| 2-22 | Partita: I. Ouvertüre | — | ||
| 2-23 | Partita: II. Courente | — | ||
| 2-24 | Partita: III. Aria | — | ||
| 2-25 | Partita: IV. Bourrée | — | ||
| 2-26 | Partita: V. Menuet | — | ||
| 2-27 | Suite pour le luth in A major: Entrée | — | ||
| 2-28 | Suite pour le luth in A major: Menuet | — | ||
| 2-29 | Suite pour le luth in A major: Rigaudon | — | ||
| 2-31 | Suite pour le luth in A major: Passepied | — | ||
| 2-32 | Suite pour le luth in A major: Gigue | — | ||
| 2-33 | Pièces de Luth sur differents modes: Le Dialogue des graces sur Iris (Allemande) | — | ||
| 2-34 | Pièces de Luth sur differents modes: La Mallassise (Sarabande) | — | ||
| 2-35 | Pièces de Luth sur differents modes: Le Toxin | — | ||
| 2-36 | Pièces de Luth sur differents modes: La Gaubade (Menuett) | — | ||
| 2-37 | Pièces de Luth sur differents modes: La Changeante | — | ||
| 2-38 | Pièces de Luth sur differents modes: L´heurese Hymnen (Passacaglia) | — | ||
| 2-39 | Pièces de Luth sur differents modes: L´amant content (Cantarie) | — | ||
| 3-1 | Suite in G minor for Lute, BWV 995, Arr. for Guitar (A Minor): I. Praeludium | — | ||
| 3-2 | Suite in G minor for Lute, BWV 995, Arr. for Guitar (A Minor): II. Allemande | — | ||
| 3-3 | Suite in G minor for Lute, BWV 995, Arr. for Guitar (A Minor): III. Courante | — | ||
| 3-4 | Suite in G minor for Lute, BWV 995, Arr. for Guitar (A Minor): IV. Sarabande | — | ||
| 3-5 | Suite in G minor for Lute, BWV 995, Arr. for Guitar (A Minor): V. Gavotte I & II | — | ||
| 3-6 | Suite in G minor for Lute, BWV 995, Arr. for Guitar (A Minor): VI. Gigue | — | ||
| 3-7 | Daphnis et Chloé: Marche | — | ||
| 3-8 | Daphnis et Chloé: Menuet | — | ||
| 3-9 | Daphnis et Chloé: Contredanse | — | ||
| 3-10 | Daphnis et Chloé: Air pour les Zéphires | — | ||
| 3-11 | Daphnis et Chloé: Gavotte | — | ||
| 3-12 | Daphnis et Chloé: Loure | — | ||
| 3-13 | Daphnis et Chloé: Bourrée | — | ||
| 3-14 | Daphnis et Chloé: Musette | — | ||
| 3-15 | Daphnis et Chloé: Tambourin | — | ||
| 3-16 | Cassation in C major For Obbligato Lute, Violin And Bass, Hob.III:6, Cassation In C Major For Obbligato Lute, Violin And Bass: I. Presto | — | ||
| 3-17 | Cassation in C major For Obbligato Lute, Violin And Bass, Hob.III:6, Cassation In C Major For Obbligato Lute, Violin And Bass: II. Minuetto alternativo | — | ||
| 3-18 | Cassation in C major For Obbligato Lute, Violin And Bass, Hob.III:6, Cassation In C Major For Obbligato Lute, Violin And Bass: III. Adagio | — | ||
| 3-19 | Cassation in C major For Obbligato Lute, Violin And Bass, Hob.III:6, Cassation In C Major For Obbligato Lute, Violin And Bass: IV. Finale | — | ||
| 3-20 | Duo For Glass Harmonica And Lute in G major: I. Andante non troppo | — | ||
| 3-21 | Duo For Glass Harmonica And Lute in G major: II. Choral | — | ||
| 4-1 | From Oswald von Wolkenstein To The Locheimer Song Book; Das deutsche Lied: I. Sag an, herzlieb | — | ||
| 4-2 | From Oswald von Wolkenstein To The Locheimer Song Book; Das deutsche Lied: II. Wolfauff gesell! Wer jagen will | — | ||
| 4-3 | From Oswald von Wolkenstein To The Locheimer Song Book; Das deutsche Lied: III. "Nu huss!" sprach der Michel von Wolkenstain | — | ||
| 4-4 | From Oswald von Wolkenstein To The Locheimer Song Book; Das deutsche Lied: IV. Ave mater, o Maria | — | ||
| 4-5 | From Oswald von Wolkenstein To The Locheimer Song Book; Das deutsche Lied: V. Der mai mit lieber zal | — | ||
| 4-6 | From Oswald von Wolkenstein To The Locheimer Song Book; Das deutsche Lied: VI. Es fuegt sich, da ich was von zehen jaren alt | — | ||
| 4-7 | From Oswald von Wolkenstein To The Locheimer Song Book; Das deutsche Lied: VII. Gelück und hail ain michel schar | — | ||
| 4-8 | From Oswald von Wolkenstein To The Locheimer Song Book; Das deutsche Lied: VIII. Mit günstlichem herzen | — | ||
| 4-9 | From Oswald von Wolkenstein To The Locheimer Song Book; Das deutsche Lied: IX. Ich klag ain engel | — | ||
| 4-10 | From Oswald von Wolkenstein To The Locheimer Song Book; Das deutsche Lied: X. Wach auff, mein hort! | — | ||
| 4-11 | From Oswald von Wolkenstein To The Locheimer Song Book; Das deutsche Lied: 1I. Stand auff Maredel! | — | ||
| 4-12 | Glogauer Liederbuch: I. Christ, der ist erstanden | — | ||
| 4-13 | Glogauer Liederbuch: II. Probitate eminentem | — | ||
| 4-14 | Glogauer Liederbuch: III. Du lentocze gut | — | ||
| 4-15 | Glogauer Liederbuch: IV. O plasmator | — | ||
| 4-16 | Glogauer Liederbuch: V. Ich bynß... | — | ||
| 4-17 | Glogauer Liederbuch: VI. Elzeleyn, lipstis... | — | ||
| 4-18 | Glogauer Liederbuch: VII. Der phfawn schwantcz | — | ||
| 4-19 | Glogauer Liederbuch: VIII. Seh hyn meyn hertcz | — | ||
| 4-20 | Glogauer Liederbuch: IX. Dy katzen phote | — | ||
| 4-21 | Glogauer Liederbuch: X. Al fol | — | ||
| 4-22 | 3 Liedsätze: Wenn ich des Morgens früh aufsteh | — | ||
| 4-23 | 3 Liedsätze: Entlaubet ist der Walde | — | ||
| 4-24 | 3 Liedsätze: Es taget vor dem Walde (2 Sätze) | — |
El maestro: Fantasia 1
—
El maestro: Romance 1 "Durandarte"
—
El maestro: Pavana no. 1
—
El maestro: Pavana no. 4
—
El maestro: Soneto en ytaliano "Amor che nel mio pensier"
—
El maestro: Pavana Nos.5 & 6
—
El maestro: Romance 2 "Sospirastes baldovinos"
—
El maestro: Fantasia 9
—
Trattado de glosas: 3 Recercadas sobre canto llano
—
Trattado de glosas: Un Madrigal a 4 "O felici occhi miei" con 2 Recercadas sobre el mesmo madrigal
—
Trattado de glosas: Recercada quarta por Violon solo
—
Trattado de glosas: Una Cancion francesa "Doulce memoire" con 2 Recercadas sobre la mesmo cancion
—
Trattado de glosas: 3 Recercadas sobre tenores Italianos
—
Ein newgeordnet künstlich Lautenbach: Preambel
—
Ein newgeordnet künstlich Lautenbach: Zart schöne fraw gedenck und schaw
—
Ein newgeordnet künstlich Lautenbach: Der Bethler Tantz
—
Ein newgeordnet künstlich Lautenbach: Elslein, liebstes Elslein mein
—
Ein newgeordnet künstlich Lautenbach: Nach willen dein
—
Ein newgeordnet künstlich Lautenbach: Der Künigin Tantz
—
Ein newgeordnet künstlich Lautenbach: Wol kumpt der May
—
Ein newgeordnet künstlich Lautenbach: Wascha mesa
—
Lute Music From Manuscript Souces Of North Italian Provenance: Aria del Gran Duca
—
Lute Music From Manuscript Souces Of North Italian Provenance: Corenta
—
Lute Music From Manuscript Souces Of North Italian Provenance: Balletto I / II / I
—
Lute Music From Manuscript Souces Of North Italian Provenance: La Cesarina
—
Lute Music From Manuscript Souces Of North Italian Provenance: Gagliarda Manfredina
—
Lute Music From Manuscript Souces Of North Italian Provenance: Ballo del Serenissimo Duca di Parma
—
Lute Music From Manuscript Souces Of North Italian Provenance: La Mutia
—
Lute Music From Manuscript Souces Of North Italian Provenance: Le ne mente per la gola
—
Suite: Allemande
—
Suite: Courante
—
Suite: Sarabande
—
Suite: Gavotte
—
Suite: Gigue
—
Partita: I. Ouvertüre
—
Partita: II. Courente
—
Partita: III. Aria
—
Partita: IV. Bourrée
—
Partita: V. Menuet
—
Suite pour le luth in A major: Entrée
—
Suite pour le luth in A major: Menuet
—
Suite pour le luth in A major: Rigaudon
—
Suite pour le luth in A major: Passepied
—
Suite pour le luth in A major: Gigue
—
Pièces de Luth sur differents modes: Le Dialogue des graces sur Iris (Allemande)
—
Pièces de Luth sur differents modes: La Mallassise (Sarabande)
—
Pièces de Luth sur differents modes: Le Toxin
—
Pièces de Luth sur differents modes: La Gaubade (Menuett)
—
Pièces de Luth sur differents modes: La Changeante
—
Pièces de Luth sur differents modes: L´heurese Hymnen (Passacaglia)
—
Pièces de Luth sur differents modes: L´amant content (Cantarie)
—
Suite in G minor for Lute, BWV 995, Arr. for Guitar (A Minor): I. Praeludium
—
Suite in G minor for Lute, BWV 995, Arr. for Guitar (A Minor): II. Allemande
—
Suite in G minor for Lute, BWV 995, Arr. for Guitar (A Minor): III. Courante
—
Suite in G minor for Lute, BWV 995, Arr. for Guitar (A Minor): IV. Sarabande
—
Suite in G minor for Lute, BWV 995, Arr. for Guitar (A Minor): V. Gavotte I & II
—
Suite in G minor for Lute, BWV 995, Arr. for Guitar (A Minor): VI. Gigue
—
Daphnis et Chloé: Marche
—
Daphnis et Chloé: Menuet
—
Daphnis et Chloé: Contredanse
—
Daphnis et Chloé: Air pour les Zéphires
—
Daphnis et Chloé: Gavotte
—
Daphnis et Chloé: Loure
—
Daphnis et Chloé: Bourrée
—
Daphnis et Chloé: Musette
—
Daphnis et Chloé: Tambourin
—
Cassation in C major For Obbligato Lute, Violin And Bass, Hob.III:6, Cassation In C Major For Obbligato Lute, Violin And Bass: I. Presto
—
Cassation in C major For Obbligato Lute, Violin And Bass, Hob.III:6, Cassation In C Major For Obbligato Lute, Violin And Bass: II. Minuetto alternativo
—
Cassation in C major For Obbligato Lute, Violin And Bass, Hob.III:6, Cassation In C Major For Obbligato Lute, Violin And Bass: III. Adagio
—
Cassation in C major For Obbligato Lute, Violin And Bass, Hob.III:6, Cassation In C Major For Obbligato Lute, Violin And Bass: IV. Finale
—
Duo For Glass Harmonica And Lute in G major: I. Andante non troppo
—
Duo For Glass Harmonica And Lute in G major: II. Choral
—
From Oswald von Wolkenstein To The Locheimer Song Book; Das deutsche Lied: I. Sag an, herzlieb
—
From Oswald von Wolkenstein To The Locheimer Song Book; Das deutsche Lied: II. Wolfauff gesell! Wer jagen will
—
From Oswald von Wolkenstein To The Locheimer Song Book; Das deutsche Lied: III. "Nu huss!" sprach der Michel von Wolkenstain
—
From Oswald von Wolkenstein To The Locheimer Song Book; Das deutsche Lied: IV. Ave mater, o Maria
—
From Oswald von Wolkenstein To The Locheimer Song Book; Das deutsche Lied: V. Der mai mit lieber zal
—
From Oswald von Wolkenstein To The Locheimer Song Book; Das deutsche Lied: VI. Es fuegt sich, da ich was von zehen jaren alt
—
From Oswald von Wolkenstein To The Locheimer Song Book; Das deutsche Lied: VII. Gelück und hail ain michel schar
—
From Oswald von Wolkenstein To The Locheimer Song Book; Das deutsche Lied: VIII. Mit günstlichem herzen
—
From Oswald von Wolkenstein To The Locheimer Song Book; Das deutsche Lied: IX. Ich klag ain engel
—
From Oswald von Wolkenstein To The Locheimer Song Book; Das deutsche Lied: X. Wach auff, mein hort!
—
From Oswald von Wolkenstein To The Locheimer Song Book; Das deutsche Lied: 1I. Stand auff Maredel!
—
Glogauer Liederbuch: I. Christ, der ist erstanden
—
Glogauer Liederbuch: II. Probitate eminentem
—
Glogauer Liederbuch: III. Du lentocze gut
—
Glogauer Liederbuch: IV. O plasmator
—
Glogauer Liederbuch: V. Ich bynß...
—
Glogauer Liederbuch: VI. Elzeleyn, lipstis...
—
Glogauer Liederbuch: VII. Der phfawn schwantcz
—
Glogauer Liederbuch: VIII. Seh hyn meyn hertcz
—
Glogauer Liederbuch: IX. Dy katzen phote
—
Glogauer Liederbuch: X. Al fol
—
3 Liedsätze: Wenn ich des Morgens früh aufsteh
—
3 Liedsätze: Entlaubet ist der Walde
—
3 Liedsätze: Es taget vor dem Walde (2 Sätze)
—
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What is UPC 028947925989?
028947925989 is a Universal Product Code (UPC) assigned to Music for Lute by Walter Gerwig. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 96 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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