UPC · Release
Various Artists
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028947943518 is the Universal Product Code (UPC barcode) for the release “111: The Piano: Legendary Recordings” by Various Artists, released 2015-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 649 tracks, each with its own ISRC. Tracks include DEN960731001, DEN960731002, DEN960731003.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Art of Fugue, BWV 1080: Contrapunctus 1 | Pierre-Laurent Aimard | T-324.161.368-9 | |
| 2 | The Art of Fugue, BWV 1080: Contrapunctus 2 | Pierre-Laurent Aimard | T-309.901.323-3 | |
| 3 | The Art of Fugue, BWV 1080: Contrapunctus 3 | Pierre-Laurent Aimard | — | |
| 4 | The Art of Fugue, BWV 1080: Contrapunctus 4 | Pierre-Laurent Aimard | — | |
| 5 | The Art of Fugue, BWV 1080: Contrapunctus 5 | Pierre-Laurent Aimard | — | |
| 6 | The Art of Fugue, BWV 1080: Contrapunctus 6 a 4 in Style Francese | Pierre-Laurent Aimard | T-320.964.712-7 | |
| 7 | The Art of Fugue, BWV 1080: Contrapunctus 7 a 4 per Augmentationem et Diminutionem | Pierre-Laurent Aimard | — | |
| 8 | The Art of Fugue, BWV 1080: Contrapunctus 8 a 3 | Pierre-Laurent Aimard | — | |
| 9 | The Art of Fugue, BWV 1080: Contrapunctus 9 a 4 alla Duodecima | Pierre-Laurent Aimard | — | |
| 10 | The Art of Fugue, BWV 1080: Contrapunctus 10 a 4 alla Decima | Pierre-Laurent Aimard | — | |
| 11 | The Art of Fugue, BWV 1080: Contrapunctus 11 a 4 | Pierre-Laurent Aimard | — | |
| 12 | The Art of Fugue, BWV 1080: Contrapunctus inversus 12.1 a 4 | Pierre-Laurent Aimard | — | |
| 13 | The Art of Fugue, BWV 1080: Contrapunctus inversus 12.2 a 4 | Pierre-Laurent Aimard | — | |
| 14 | The Art of Fugue, BWV 1080: Contrapunctus inversus 13.1 a 3 | Pierre-Laurent Aimard | — | |
| 15 | The Art of Fugue, BWV 1080: Contrapunctus inversus 13.2 a 3 | Pierre-Laurent Aimard | — | |
| 16 | The Art of Fugue, BWV 1080: Canon alla Ottava | Pierre-Laurent Aimard | — | |
| 17 | The Art of Fugue, BWV 1080: Canon alla Decima in Contrapuncto all Terza | Pierre-Laurent Aimard | — | |
| 18 | The Art of Fugue, BWV 1080: Canon alla Duodecima in Contrapuncto alla Quinta | Pierre-Laurent Aimard | — | |
| 19 | The Art of Fugue, BWV 1080: Canon per Augmentationem in Contrario Motu | Pierre-Laurent Aimard | — | |
| 20 | The Art of Fugue, BWV 1080: Contrapunctus XIV (Fuga a 3 Soggetti) | Pierre-Laurent Aimard | T-031.552.490-3 | |
| 2-1 | Symphonic Etudes, op. 13: Thema. Andante | Géza Anda | — | |
| 2-2 | Symphonic Etudes, op. 13: Etude I (Var. I). Un poco più vivo | Géza Anda | — | |
| 2-3 | Symphonic Etudes, op. 13: Etude II (Var. II) | Géza Anda | — | |
| 2-4 | Symphonic Etudes, op. 13: Etude III. Vivace | Géza Anda | — | |
| 2-5 | Symphonic Etudes, op. 13: Etude IV (Var. III) | Géza Anda | — | |
| 2-6 | Symphonic Etudes, op. 13: Etude V (Var. IV). Vivacissimo | Géza Anda | — | |
| 2-7 | Symphonic Etudes, op. 13: Etude VI (Var. V). Agitato | Géza Anda | — | |
| 2-8 | Symphonic Etudes, op. 13: Variation (posthume) II | Géza Anda | — | |
| 2-9 | Symphonic Etudes, op. 13: Etude VII (Var. VI). Allegro molto | Géza Anda | — | |
| 2-10 | Symphonic Etudes, op. 13: Etude VIII (Var. VII). Andante | Géza Anda | — | |
| 2-11 | Symphonic Etudes, op. 13: Variation (posthume) V | Géza Anda | — | |
| 2-12 | Symphonic Etudes, op. 13: Etude IX. Presto possibile | Géza Anda | — | |
| 2-13 | Symphonic Etudes, op. 13: Etude X (Var. VIII). Allegro | Géza Anda | — | |
| 2-14 | Symphonic Etudes, op. 13: Etude XI (Var. IX). Con espressione | Géza Anda | — | |
| 2-15 | Symphonic Etudes, op. 13: Finale. Etude XII. Allegro brillante | Géza Anda | — | |
| 2-16 | Fantasie in C, op. 17: 1. Durchaus fantastisch und leidenschaftlich vorzutragen - Im Legendenton - Erstes Tempo | Géza Anda | — | |
| 2-17 | Fantasie in C, op. 17: 2. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter | Géza Anda | — | |
| 2-18 | Fantasie in C, op. 17: 3. Langsam getragen. Durchweg leise zu halten - Etwas bewegter | Géza Anda | — | |
| 2-19 | Davidsbündlertänze, op. 6: 1. Lebhaft | Géza Anda | — | |
| 2-20 | Davidsbündlertänze, op. 6: 2. Innig | Géza Anda | T-312.439.208-7 | |
| 2-21 | Davidsbündlertänze, op. 6: 3. Etwas hahnbüchen | Géza Anda | — | |
| 2-22 | Davidsbündlertänze, op. 6: 4. Ungeduldig | Géza Anda | — | |
| 2-23 | Davidsbündlertänze, op. 6: 5. Einfach | Géza Anda | — | |
| 2-24 | Davidsbündlertänze, op. 6: 6. Sehr rasch | Géza Anda | — | |
| 2-25 | Davidsbündlertänze, op. 6: 7. Nicht schnell | Géza Anda | — | |
| 2-26 | Davidsbündlertänze, op. 6: 8. Frisch | Géza Anda | — | |
| 2-27 | Davidsbündlertänze, op. 6: 9. Lebhaft | Géza Anda | — | |
| 2-28 | Davidsbündlertänze, op. 6: 10. Balladenmässig, sehr rasch | Géza Anda | — | |
| 2-29 | Davidsbündlertänze, op. 6: 11. Einfach | Géza Anda | — | |
| 2-30 | Davidsbündlertänze, op. 6: 12. Mit Humor | Géza Anda | — | |
| 2-31 | Davidsbündlertänze, op. 6: 13. Wild und lustig | Géza Anda | — | |
| 2-32 | Davidsbündlertänze, op. 6: 14. Zart und singend | Géza Anda | — | |
| 2-33 | Davidsbündlertänze, op. 6: 15. Frisch | Géza Anda | — | |
| 2-34 | Davidsbündlertänze, op. 6: 16. Mit gutem Humor | Géza Anda | — | |
| 2-35 | Davidsbündlertänze, op. 6: 17. Wie aus der Ferne | Géza Anda | — | |
| 2-36 | Davidsbündlertänze, op. 6: 18. Nicht schnell | Géza Anda | — | |
| 3-1 | Scherzo no. 3 in C-sharp minor, op. 39: Presto con fuoco | Martha Argerich | T-918.063.801-1 | |
| 3-2 | 2 Rhapsodies, op. 79: No. 1 in B minor: Agitato | Martha Argerich | T-308.384.655-9 | |
| 3-3 | 2 Rhapsodies, op. 79: No. 2 in G minor: Molto passionato, ma non troppo allegro | Martha Argerich | T-920.065.990-1 | |
| 3-4 | Toccata, op. 11 | Martha Argerich | — | |
| 3-5 | Jeux d'eau: Très doux | Martha Argerich | T-003.011.149-9 | |
| 3-6 | Barcarolle in F-sharp Major, op. 60 | Martha Argerich | T-303.629.706-6 | |
| 3-7 | Hungarian Rhapsody in D-flat major, S. 244 no. 6: Tempo giusto - Presto - Andante allegro - Presto | Martha Argerich | — | |
| 3-8 | Piano Sonata in B minor, S. 178: I. Lento assai - Allegro energico | Martha Argerich | — | |
| 3-9 | Piano Sonata in B minor, S. 178: II. Grandioso | Martha Argerich | — | |
| 3-10 | Piano Sonata in B Minor, S.178: Cantando espressivo | Martha Argerich | — | |
| 3-11 | Piano Sonata in B minor, S. 178: IV. Pesante - Recitativo | Martha Argerich | — | |
| 3-12 | Piano Sonata in B Minor, S.178: Andante sostenuto | Martha Argerich | — | |
| 3-13 | Piano Sonata in B minor, S. 178: VI. Quasi Adagio | Martha Argerich | T-070.125.749-9 | |
| 3-14 | Sonate pour piano en Si mineur, S. 178: Allegro energico | Martha Argerich | — | |
| 3-15 | Piano Sonata in B Minor, S.178: Più mosso | Martha Argerich | — | |
| 3-16 | Piano Sonata in B minor, S. 178: IX. Cantando Espressivo senza slentare | Martha Argerich | — | |
| 3-17 | Piano Sonata in B minor, S. 178: X. Stretta quasi Presto - Presto - Prestissimo | Martha Argerich | — | |
| 3-18 | Piano Sonata in B minor, S. 178: XI. Andante sostenuto - Allegro moderato - Lento assai | Martha Argerich | — | |
| 4-1 | Toccata in C minor, BWV 911 | Martha Argerich | — | |
| 4-2 | Partita no. 2 in C minor, BWV 826: I. Sinfonia | Martha Argerich | T-903.514.416-2 | |
| 4-3 | Partita no. 2 in C minor, BWV 826: II. Allemande | Martha Argerich | T-309.901.323-3 | |
| 4-4 | Partita no. 2 in C minor, BWV 826: III. Courante | Martha Argerich | — | |
| 4-5 | Partita no. 2 in C minor, BWV 826: IV. Sarabande | Martha Argerich | — | |
| 4-6 | Partita no. 2 in C minor, BWV 826: V. Rondeau | Martha Argerich | — | |
| 4-7 | Partita no. 2 in C minor, BWV 826: VI. Capriccio | Martha Argerich | T-909.407.008-3 | |
| 4-8 | English Suite no. 2 in A minor, BWV 807: I. Prélude | Martha Argerich | T-070.161.055-0 | |
| 4-9 | English Suite no. 2 in A minor, BWV 807: II. Allemande | Martha Argerich | — | |
| 4-10 | English Suite no. 2 in A minor, BWV 807: III. Courante | Martha Argerich | — | |
| 4-11 | English Suite no. 2 in A minor, BWV 807: IV. Sarabande | Martha Argerich | — | |
| 4-12 | English Suite no. 2 in A minor, BWV 807: V. Bourrée I & II | Martha Argerich | — | |
| 4-13 | English Suite no. 2 in A minor, BWV 807: VI. Gigue | Martha Argerich | — | |
| 5-1 | Moments musicaux: No. 1 in C. Moderato | Daniel Barenboim | — | |
| 5-2 | Moments musicaux: No. 2 in A-flat. Andantino | Daniel Barenboim | — | |
| 5-3 | Moments musicaux: No. 3 in F minor. Allegro moderato | Daniel Barenboim | — | |
| 5-4 | Moments musicaux: No. 4 in C-sharp minor. Moderato | Daniel Barenboim | — | |
| 5-5 | Moments musicaux: No. 5 in F minor. Allegro vivace | Daniel Barenboim | — | |
| 5-6 | Moments musicaux: No. 6 in A-flat. Allegretto | Daniel Barenboim | — | |
| 5-7 | Liebesträume. Notturni, S. 541: No. 1 “Hohe Liebe”. Andante espressivo assai | Daniel Barenboim | — | |
| 5-8 | Liebesträume. Notturni, S. 541: No. 2 “Seliger Tod”. Quasi lento, abbandonandosi | Daniel Barenboim | — | |
| 5-9 | Liebesträume. Notturni, S. 541: No. 3 “O lieb, solang du lieben kannst”. Poco allegretto con affetto | Daniel Barenboim | — | |
| 5-10 | Romances sans paroles, op. 19: no. 1 en mi majeur: Andante con moto | Daniel Barenboim | — | |
| 5-11 | Romances sans paroles, op. 30: no. 6 en fa dièse mineur "Barcarolle vénitienne": Allegretto tranquillo | Daniel Barenboim | — | |
| 5-12 | Romances sans paroles, op. 38: no. 6 en la bémol majeur "Duetto": Andante con moto | Daniel Barenboim | — | |
| 5-13 | Lieder ohne Worte, op. 62: No. 1 in G: Andante espressivo | Daniel Barenboim | — | |
| 5-14 | Lieder ohne Worte, op. 62: No. 5 in A minor: Andante con moto "Venetian Gondola Song" | Daniel Barenboim | T-931.717.655-9 | |
| 5-15 | Lieder ohne Worte, op. 62 no. 6 “Frühlingslied”: Allegretto grazioso in A major | Daniel Barenboim | T-915.714.795-0 | |
| 5-16 | Lieder ohne Worte, op. 67: No. 4 in C: Presto "Spinning Song" | Daniel Barenboim | T-312.542.381-2 | |
| 5-17 | Lieder ohne Worte, op. 67: No. 5 in B minor: Moderato | Daniel Barenboim | — | |
| 5-18 | Lieder ohne Worte, op. 102: No. 6 in C: Andante | Daniel Barenboim | — | |
| 6-1 | Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto | Daniel Barenboim | — | |
| 6-2 | Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto | Daniel Barenboim | — | |
| 6-3 | Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto | Daniel Barenboim | — | |
| 6-4 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | — | |
| 6-5 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | — | |
| 6-6 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | — | |
| 6-7 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro, ma non troppo - Presto | Daniel Barenboim | — | |
| 6-8 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro, ma non troppo - Presto | Daniel Barenboim | — | |
| 6-9 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro, ma non troppo - Presto | Daniel Barenboim | — | |
| 7-1 | Images 1: I. Reflets dans l'Eau. Andantino molto | Arturo Benedetti Michelangeli | — | |
| 7-2 | Images 1: II. Hommage à Rameau. Lent et grave | Arturo Benedetti Michelangeli | — | |
| 7-3 | Images 1: III. Mouvement. Animé | Arturo Benedetti Michelangeli | — | |
| 7-4 | Images 2: I. Cloches à travers les Feuilles. Lent | Arturo Benedetti Michelangeli | — | |
| 7-5 | Images 2: II. Et la Lune Descend sur le Temple qui Fut. Lent | Arturo Benedetti Michelangeli | — | |
| 7-6 | Images 2: III. Poissons d'Or. Animé | Arturo Benedetti Michelangeli | — | |
| 7-7 | Children's Corner: I. Doctor Gradus ad Parnassum. Modérément animé | Arturo Benedetti Michelangeli | — | |
| 7-8 | Children's Corner: II. Jimbo's Lullaby. Assez modéré | Arturo Benedetti Michelangeli | — | |
| 7-9 | Children's Corner: III. Serenade for the Doll. Allegretto ma non troppo | Arturo Benedetti Michelangeli | — | |
| 7-10 | Children's Corner, L. 113: 4. The Snow Is Dancing | Arturo Benedetti Michelangeli | — | |
| 7-11 | Children's Corner: V. The Little Shepherd. Très modéré | Arturo Benedetti Michelangeli | — | |
| 7-12 | Children's Corner: VI. Golliwogg's Cake-walk. Allegro giusto | Arturo Benedetti Michelangeli | — | |
| 8-1 | 6 Moments Musicaux, op. 16: No. 1 in B-flat minor. Andantino | Lazar Berman | T-902.751.444-9 | |
| 8-2 | 6 Moments Musicaux, op. 16: No. 2 in E-flat minor. Allegretto | Lazar Berman | — | |
| 8-3 | 6 Moments Musicaux, op. 16: No. 3 in B minor. Andante cantabile | Lazar Berman | — | |
| 8-4 | 6 Moments Musicaux, op. 16: No. 4 in E minor. Presto | Lazar Berman | — | |
| 8-5 | 6 Moments Musicaux, op. 16: No. 5 in D-flat. Adagio sostenuto | Lazar Berman | — | |
| 8-6 | 6 Moments Musicaux, op. 16: No. 6 in C. Maestoso | Lazar Berman | — | |
| 8-7 | Variations on a Theme of Corelli, op. 42: Thema. Andante - Variationen I-XX - Coda | Lazar Berman | — | |
| 8-8 | Prélude in C-sharp minor, op. 3 no. 2: Lento - Agitato - Tempo primo | Lazar Berman | — | |
| 8-9 | Prelude in F-sharp minor, op. 23 no. 1: Largo | Lazar Berman | — | |
| 8-10 | Prelude in D, op. 23 no. 4 | Lazar Berman | T-070.126.537-3 | |
| 8-11 | Prélude in G-sharp minor, op. 32 no. 12: Allegro | Lazar Berman | — | |
| 8-12 | Prelude in B minor, op. 32 no. 10: Lento | Lazar Berman | — | |
| 8-13 | Prélude in B-flat, op. 23 no. 2: Maestoso | Lazar Berman | T-919.160.891-0 | |
| 9-1 | 2 Polonaises, op. 26: No. 1 in C-sharp minor. Allegro appassionato | Rafał Blechacz | — | |
| 9-2 | 2 Polonaises, op. 26: No. 2. in E-flat minor. Maestoso | Rafał Blechacz | — | |
| 9-3 | 2 Polonaises, op. 40: No. 1 in A major. Allegro con brio | Rafał Blechacz | — | |
| 9-4 | 2 Polonaises, op. 40: No. 2 in C minor. Allegro maestoso | Rafał Blechacz | T-922.054.556-2 | |
| 9-5 | Polonaise in F-sharp minor, op. 44: Tempo di polacca - doppio movimento, tempo di Mazurka - Tempo I | Rafał Blechacz | — | |
| 9-6 | Polonaise in A-flat major, op. 53: Maestoso | Rafał Blechacz | — | |
| 9-7 | Polonaise-Fantaisie in A-flat major, op. 61: Allegro maestoso | Rafał Blechacz | — | |
| 10-1 | Piano Sonata no. 2 in A-flat, op. 39: 1. Allegro moderato con spirito ed assai legato | Dino Ciani | — | |
| 10-2 | Piano Sonata no. 2 in A-flat, op. 39: 2. Andante | Dino Ciani | — | |
| 10-3 | Piano Sonata no. 2 in A-flat, op. 39: 3. Menuetto capriccioso (Presto assai) | Dino Ciani | — | |
| 10-4 | Piano Sonata no. 2 in A-flat, op. 39: 4. Rondo (Moderato e molto grazioso) | Dino Ciani | — | |
| 10-5 | Piano Sonata no. 3 in D Minor, op. 49: 1. Allegro feroce | Dino Ciani | — | |
| 10-6 | Piano Sonata no. 3 in D Minor, op. 49: 2. Andante con moto | Dino Ciani | — | |
| 10-7 | Piano Sonata no. 3 in D Minor, op. 49: 3. Rondo. Presto | Dino Ciani | — | |
| 11-1 | Piano Sonata in C, Hob. XVI:35: 1. Allegro con brio | Christoph Eschenbach | — | |
| 11-2 | Piano Sonata in C, Hob. XVI:35: 2. Adagio | Christoph Eschenbach | — | |
| 11-3 | Piano Sonata in C, Hob. XVI:35: 3. Finale (Allegro) | Christoph Eschenbach | — | |
| 11-4 | Piano Sonata in D, Hob. XVI:37: 1. Allegro con brio | Christoph Eschenbach | — | |
| 11-5 | Piano Sonata in D, Hob. XVI:37: 2. Largo e sostenuto | Christoph Eschenbach | — | |
| 11-6 | Piano Sonata in D, Hob. XVI:37: 3. Finale (Presto, ma non troppo) | Christoph Eschenbach | — | |
| 11-7 | Piano Sonata in E minor, Hob. XVI:34: 1. Presto | Christoph Eschenbach | — | |
| 11-8 | Piano Sonata in E minor, Hob. XVI:34: 2. Adagio | Christoph Eschenbach | — | |
| 11-9 | Piano Sonata no. 37: III. Vivace Molto, Innocentemente | Christoph Eschenbach | T-911.517.582-1 | |
| 11-10 | Piano Sonata in C-sharp minor, Hob. XVI:36: 1. Moderato | Christoph Eschenbach | — | |
| 11-11 | Piano Sonata in C-sharp minor, Hob. XVI:36: 2. Scherzando (Allegro con brio) | Christoph Eschenbach | — | |
| 11-12 | Piano Sonata in C-sharp minor, Hob. XVI:36: 3. Menuetto | Christoph Eschenbach | — | |
| 12-1 | Mikrokosmos, Sz. 107: Book 5. No. 122. Chords Together and Opposed | Földes Andor | — | |
| 12-2 | Mikrokosmos, Sz. 107: Book 5. No. 125. Boating | Földes Andor | — | |
| 12-3 | Mikrokosmos, Sz. 107: Book 5. No. 126. Change of Time | Földes Andor | — | |
| 12-4 | Mikrokosmos, Sz. 107: Book 5. No. 128. Peasant Dance | Földes Andor | — | |
| 12-5 | Mikrokosmos, Sz. 107: Book 5. No. 130. Village Joke | Földes Andor | — | |
| 12-6 | Mikrokosmos, Sz. 107: Book 5. No. 137. Unison | Földes Andor | — | |
| 12-7 | Mikrokosmos, Sz. 107: Book 5. No. 139. Merry Andrew | Földes Andor | — | |
| 12-8 | Mikrokosmos, Sz. 107: Book 6. No. 140. Free Variations | Földes Andor | — | |
| 12-9 | Mikrokosmos, Sz. 107: Book 6. No. 141. Subject and Reflection | Földes Andor | — | |
| 12-10 | Mikrokosmos, Sz. 107: Book 6. No. 142. From the Diary of a Fly | Földes Andor | — | |
| 12-11 | Mikrokosmos, Sz. 107: Book 6. No. 143. Divided Arpeggios | Földes Andor | — | |
| 12-12 | Mikrokosmos, Sz. 107: Book 6. No. 146. Ostinato | Földes Andor | — | |
| 12-13 | Mikrokosmos, Sz. 107: Book 6. No. 148. Dance in Bulgarian Rhythm I | Földes Andor | — | |
| 12-14 | Mikrokosmos, Sz. 107: Book 6. No. 149. Dance in Bulgarian Rhythm II | Földes Andor | — | |
| 12-15 | Mikrokosmos, Sz. 107: Book 6. No. 150. Dance in Bulgarian Rhythm III | Földes Andor | — | |
| 12-16 | Mikrokosmos, Sz. 107: Book 6. No. 151. Dance in Bulgarian Rhythm IV | Földes Andor | — | |
| 12-17 | Mikrokosmos, Sz. 107: Book 6. No. 152. Dance in Bulgarian Rhythm V | Földes Andor | — | |
| 12-18 | Mikrokosmos, Sz. 107: Book 6. No. 153. Dance in Bulgarian Rhythm VI | Földes Andor | — | |
| 12-19 | Suite, op. 14, Sz. 62: I. Allegretto | Földes Andor | — | |
| 12-20 | Suite, op. 14, Sz. 62: II. Scherzo | Földes Andor | — | |
| 12-21 | Suite, op. 14, Sz. 62: III. Allegro molto | Földes Andor | — | |
| 12-22 | Suite, op. 14, Sz. 62: IV. Sostenuto | Földes Andor | — | |
| 12-23 | Rumänische Volkstänze: Nr. 1 | Földes Andor | — | |
| 12-24 | Rumänische Volkstänze: Nr. 2 | Földes Andor | — | |
| 12-25 | Rumänische Volkstänze: Nr. 3 | Földes Andor | — | |
| 12-26 | Rumänische Volkstänze: Nr. 4 | Földes Andor | — | |
| 12-27 | Rumänische Volkstänze: Nr. 5 | Földes Andor | — | |
| 12-28 | Rumänische Volkstänze: Nr. 6 | Földes Andor | — | |
| 12-29 | Sonata for Piano, Sz. 80: 1. Allegro moderato | Földes Andor | — | |
| 12-30 | Sonata for Piano, Sz. 80: 2. Sostenuto e pesante | Földes Andor | — | |
| 12-31 | Sonata for Piano, Sz. 80: 3. Allegro molto | Földes Andor | — | |
| 12-32 | Im Freien: 1. Mit Trommeln und Pfeifen | Földes Andor | — | |
| 12-33 | Im Freien: 2. Barcarolla | Földes Andor | — | |
| 12-34 | Im Freien: 3. Musettes | Földes Andor | — | |
| 12-35 | Im Freien: 4. Klänge der Nacht | Földes Andor | — | |
| 12-36 | Im Freien: 5. Hetzjagd | Földes Andor | — | |
| 12-37 | Sonatina Over Themes of Peasants From Transsylvania: 1. Dudelsackpfeifer | Földes Andor | — | |
| 12-38 | Sonatina Over Themes of Peasants From Transsylvania: 2. Bärentanz | Földes Andor | — | |
| 12-39 | Sonatina Over Themes of Peasants From Transsylvania: 3. Finale | Földes Andor | — | |
| 12-40 | Allegro barbaro, Sz. 49 | Földes Andor | — | |
| 13-1 | Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Aria | Andrei Gavrilov | T-321.904.265-2 | |
| 13-2 | Goldberg-Variationen: Variatio 1 a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-3 | Goldberg-Variationen: Variatio 2 a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-4 | Goldberg-Variationen: Variatio 3 Canone, all'Unisono a 1 Clav. | Andrei Gavrilov | — | |
| 13-5 | Goldberg-Variationen: Variatio 4 a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-6 | Var. 5 | Andrei Gavrilov | T-902.128.688-4 | |
| 13-7 | Goldberg-Variationen: Variatio 6 Cannone, alla Seconda, a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-8 | Goldberg-Variationen: Variatio 7 a 1 ovvero 2 Clav., Al tempo di Giga | Andrei Gavrilov | T-902.128.688-4 | |
| 13-9 | Goldberg-Variationen: Variatio 8 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-10 | Goldberg-Variationen: Variatio 9 Canone, all Terza a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-11 | Goldberg-Variationen: Variatio 10 Fughetta a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-12 | Goldberg-Variationen: Variatio 11 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-13 | Goldberg-Variationen: Variatio 12 Canone, alla Quarta (a 1 Clav.) | Andrei Gavrilov | T-311.760.304-6 | |
| 13-14 | Goldberg-Variationen: Variatio 13 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-15 | Goldberg-Variationen: Variatio 14 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-16 | Goldberg-Variationen: Variatio 15 Canone, alla Quinta a 1 Clav., Andante | Andrei Gavrilov | — | |
| 13-17 | Goldberg-Variationen: Variatio 16 Ouverture, a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-18 | Goldberg-Variationen: Variatio 17 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-19 | Goldberg-Variationen: Variatio 18 Canone, alla Sesta a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-20 | Goldberg-Variationen: Variatio 19 a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-21 | Goldberg-Variationen: Variatio 20 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-22 | Goldberg-Variationen: Variatio 21 Canone, alla Settima (a 1 Clav.) | Andrei Gavrilov | T-902.128.688-4 | |
| 13-23 | Goldberg-Variationen: Variatio 22 a 1 Clav., Alla breve | Andrei Gavrilov | T-902.128.688-4 | |
| 13-24 | Goldberg-Variationen: Variatio 23 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-25 | Goldberg-Variationen: Variatio 24 Canone, all'Ottava a 1 Clav. | Andrei Gavrilov | — | |
| 13-26 | Goldberg-Variationen: Variatio 25 a 2 Clav. Adagio | Andrei Gavrilov | T-902.128.688-4 | |
| 13-27 | Goldberg-Variationen: Variatio 26 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-28 | Goldberg-Variationen: Variatio 27 Canone, alla Nona a 2 Clav. | Andrei Gavrilov | — | |
| 13-29 | Goldberg-Variationen: Variatio 28 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-30 | Goldberg-Variationen: Variatio 29 a 1 ovvero 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-31 | Goldberg-Variationen: Variatio 30 Quodlibet a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-32 | Goldberg Variations, BWV 988: Aria da Capo | Andrei Gavrilov | T-801.806.984-7 | |
| 14-1 | Piano Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | Emil Gilels | — | |
| 14-2 | Piano Sonata no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | Emil Gilels | — | |
| 14-3 | Piano Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) | Emil Gilels | — | |
| 14-4 | Piano Sonata no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro | Emil Gilels | — | |
| 14-5 | Piano Sonata no. 30 in E major, op. 109: I. Vivace ma non troppo - Adagio espressivo - Tempo I | Emil Gilels | — | |
| 14-6 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | Emil Gilels | — | |
| 14-7 | Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | Emil Gilels | — | |
| 14-8 | Piano Sonata no. 30 in E major, op. 109: IV. Variation I. Molto espressivo | Emil Gilels | — | |
| 14-9 | Piano Sonata no. 30 in E major, op. 109: V. Variation II. Leggiermente | Emil Gilels | — | |
| 14-10 | Piano Sonata no. 30 in E major, op. 109: VI. Variation III. Allegro vivace | Emil Gilels | — | |
| 14-11 | Piano Sonata no. 30 in E major, op. 109: VII. Variation IV. Etwas langsamer als das Thema | Emil Gilels | — | |
| 14-12 | Piano Sonata no. 30 in E major, op. 109: VIII. Variation V. Allegro, ma non troppo | Emil Gilels | — | |
| 14-13 | Piano Sonata no. 30 in E major, op. 109: IX. Variation VI. Tempo I del tema | Emil Gilels | — | |
| 14-14 | Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | Emil Gilels | — | |
| 14-15 | Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | Emil Gilels | — | |
| 14-16 | Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo – Fuga. Allegro ma non troppo | Emil Gilels | — | |
| 15-1 | Lyrische Stücke I, op. 12 Nr. 1: Arietta | Emil Gilels | T-303.629.675-6 | |
| 15-2 | Lyrische Stücke II, op. 38 Nr. 1: Berceuse | Emil Gilels | — | |
| 15-3 | Lyrische Stücke III, op. 43 Nr. 1: Schmetterling | Emil Gilels | T-917.141.447-4 | |
| 15-4 | Lyrische Stücke III, op. 43 Nr. 2: Einsamer Wanderer | Emil Gilels | — | |
| 15-5 | Lyrische Stücke IV, op. 47 Nr. 2: Albumblatt | Emil Gilels | — | |
| 15-6 | Lyrische Stücke IV, op. 47 Nr. 3: Melodie | Emil Gilels | — | |
| 15-7 | Lyrische Stücke IV, op. 47 Nr. 4: Norwegischer Tanz: Halling | Emil Gilels | — | |
| 15-8 | Lyrische Stücke V, op. 54 Nr. 4: Notturno | Emil Gilels | — | |
| 15-9 | Lyrische Stücke V, op. 54 Nr. 5: Scherzo | Emil Gilels | — | |
| 15-10 | Lyrische Stücke VI, op. 57 Nr. 6: Heimweh | Emil Gilels | — | |
| 15-11 | Lyrische Stücke VII, op. 62 Nr. 4: Bächlein | Emil Gilels | T-902.764.002-4 | |
| 15-12 | Lyrische Stücke VII, op. 62 Nr. 6: Heimwärts | Emil Gilels | T-071.139.646-1 | |
| 15-13 | Lyrische Stücke VIII, op. 65 Nr. 5: Im Balladenton | Emil Gilels | — | |
| 15-14 | Lyrische Stücke IX, op. 68 Nr. 2: Großmutters Menuett | Emil Gilels | — | |
| 15-15 | Lyrische Stücke IX, op. 68 Nr. 3: Zu deinen Füßen | Emil Gilels | — | |
| 15-16 | Lyrische Stücke IX, op. 68 Nr. 5: An der Wiege | Emil Gilels | — | |
| 15-17 | Lyrische Stücke X, op. 71 Nr. 1: Es war Einmal | Emil Gilels | — | |
| 15-18 | Lyrische Stücke X, op. 71 Nr. 3: Kobold | Emil Gilels | T-902.764.008-0 | |
| 15-19 | Lyrische Stücke X, op. 71 Nr. 6: Vorüber | Emil Gilels | — | |
| 15-20 | Lyrische Stücke X, op. 71 Nr. 7: Nachklänge | Emil Gilels | T-900.141.623-5 | |
| 16-1 | Piano Sonata no. 2 in B‐flat minor, op. 35: I. Grave – Doppio Movimento | Hélène Grimaud | — | |
| 16-2 | Piano Sonata no. 2 in B‐flat minor, op. 35: II. Scherzo | Hélène Grimaud | — | |
| 16-3 | Piano Sonata no. 2 in B‐flat minor, op. 35: III. Marche funèbre. Lento | Hélène Grimaud | T-915.712.196-5 | |
| 16-4 | Piano Sonata no. 2 in B‐flat minor, op. 35: IV. Finale. Presto | Hélène Grimaud | T-309.554.578-7 | |
| 16-8 | Berceuse in D‐flat major, op. 57: Andante | Hélène Grimaud | — | |
| 16-9 | Barcarolle in F‐sharp major, op. 60: Allegretto | Hélène Grimaud | — | |
| 17-1 | Klaviersonate D-dur, KV 576: I. Allegro | Friedrich Gulda | — | |
| 17-2 | Klaviersonate D-dur, KV 576: II. Adagio | Friedrich Gulda | — | |
| 17-3 | Klaviersonate D-dur, KV 576: III. Allegretto | Friedrich Gulda | — | |
| 17-4 | Fantasie c-moll, KV 475: Adagio - Allegro - Andantino - Piu allegro - Primo | Friedrich Gulda | — | |
| 17-5 | Klaviersonate B-Dur, KV 570: I. Allegro | Friedrich Gulda | — | |
| 17-6 | Klaviersonate B-Dur, KV 570: II. Adagio | Friedrich Gulda | — | |
| 17-7 | Klaviersonate B-Dur, KV 570: III. Allegretto | Friedrich Gulda | — | |
| 18-1 | Sonatine, M. 40: 1. Modéré | Monique Haas | T-003.016.390-6 | |
| 18-2 | Sonatine, M. 40: 2. Mouvement de menuet | Monique Haas | T-003.016.390-6 | |
| 18-3 | Sonatine, M. 40: 3. Animé | Monique Haas | T-003.016.390-6 | |
| 18-4 | Valses nobles et sentimentales: 1. Modéré - très franc | Monique Haas | — | |
| 18-5 | Valses nobles et sentimentales: 2. Assez lent - avec une expression intense | Monique Haas | — | |
| 18-6 | Valses nobles et sentimentales: 3. Modéré | Monique Haas | T-003.017.935-1 | |
| 18-7 | Valses nobles et sentimentales: 4. Assez animé | Monique Haas | T-003.017.935-1 | |
| 18-8 | Valses nobles et sentimentales: 5. Presque lent - dans un sentiment intime | Monique Haas | T-003.017.935-1 | |
| 18-9 | Valses nobles et sentimentales: 6. Assez vif | Monique Haas | T-003.017.935-1 | |
| 18-10 | Valses nobles et sentimentales: 7. Moins vif | Monique Haas | T-003.017.935-1 | |
| 18-11 | Valses nobles et sentimentales: 8. Epilogue (Lent) | Monique Haas | T-003.017.935-1 | |
| 18-12 | Le tombeau de Couperin M. 68a: 1. Prélude | Monique Haas | T-306.061.747-8 | |
| 18-13 | Le tombeau de Couperin M. 68a: 2. Fugue | Monique Haas | T-922.046.111-0 | |
| 18-14 | Le tombeau de Couperin M. 68a: 3. Forlane | Monique Haas | T-305.194.353-0 | |
| 18-15 | Le tombeau de Couperin M. 68a: 4. Rigaudon | Monique Haas | T-305.199.226-4 | |
| 18-16 | Le tombeau de Couperin M. 68a: 5. Menuet | Monique Haas | T-305.131.442-8 | |
| 18-17 | Le tombeau de Couperin M. 68a: 6. Toccata | Monique Haas | — | |
| 18-18 | Pour le piano, L. 95: 3. Toccata | Monique Haas | — | |
| 18-19 | 3 Pièces pour piano, op. 49: 1. Allegro con brio | Monique Haas | — | |
| 18-20 | 3 Pièces pour piano, op. 49: 2. Allegro grazioso | Monique Haas | — | |
| 18-21 | 3 Pièces pour piano, op. 49: 3. Allegro con spirito | Monique Haas | — | |
| 18-22 | Sonatine: 1. Allegretto - Allegro | Monique Haas | T-007.183.929-6 | |
| 18-23 | Sonatine: 2. Moderato | Monique Haas | T-007.183.929-6 | |
| 18-24 | Sonatine: 3. Allegro vivace | Monique Haas | T-007.183.929-6 | |
| 19-1 | Piano Sonata no. 2 in F major, K. 280 (K. 189e): Allegro assai | Clara Haskil | T-306.395.786-4 | |
| 19-2 | Piano Sonata no. 2 in F major, K. 280 (K. 189e): Adagio | Clara Haskil | — | |
| 19-3 | Piano Sonata no. 2 in F major, K. 280 (K. 189e): Presto | Clara Haskil | T-070.930.360-5 | |
| 19-4 | Sonata in C-sharp minor, K 247, L 256: Allegro | Clara Haskil | — | |
| 19-5 | Keyboard Sonata in G major, Kk. 2 | Clara Haskil | — | |
| 19-6 | Sonata in C major, K 132, L 457: Cantabile | Clara Haskil | T-001.397.158-8 | |
| 19-7 | Sonata in G minor, K 35, L 386 | Clara Haskil | — | |
| 19-8 | Sonata in E-flat major, K 193, L 142: Allegro | Clara Haskil | — | |
| 19-9 | Sonata in F minor, K 386, L 171: Presto | Clara Haskil | — | |
| 19-10 | Sonata in F minor, K 519, L 475: Allegro assai | Clara Haskil | — | |
| 19-11 | Sonata in A major, K 322, L 483: Allegro | Clara Haskil | — | |
| 19-12 | Sonata in B minor, K 87, L 33 | Clara Haskil | — | |
| 19-13 | Sonata in C major, K 515, L 255: Allegro | Clara Haskil | T-918.063.799-4 | |
| 19-14 | Sonata in F major, K 6, L 479 | Clara Haskil | — | |
| 20-1 | Chorale Prelude „Nun komm’ der Heiden Heiland“ | Vladimir Horowitz | — | |
| 20-2 | Piano Sonata in C major, K. 330 (300h): I. Allegro moderato | Vladimir Horowitz | — | |
| 20-3 | Piano Sonata in C major, K. 330 (300h): II. Andante cantabile | Vladimir Horowitz | — | |
| 20-4 | Piano Sonata in C major, K. 330 (300h): III. Allegretto | Vladimir Horowitz | — | |
| 20-5 | Mazurka in A minor, op. 17 no. 4: Lento ma non troppo | Vladimir Horowitz | — | |
| 20-6 | Scherzo no. 1 in B minor, op. 20: Presto con fuoco | Vladimir Horowitz | T-308.384.655-9 | |
| 20-7 | Impromptu in A-flat major, D 899 no. 4 (op. 90 No. 4): Allegretto | Vladimir Horowitz | T-304.253.207-6 | |
| 20-8 | Consolation no. 3 in D-flat major: Lento placido | Vladimir Horowitz | T-306.229.968-3 | |
| 20-9 | Novellette in F major, op. 21 no. 1 | Vladimir Horowitz | — | |
| 20-10 | Prelude in G-sharp minor, op. 32 no. 12: Allegro | Vladimir Horowitz | — | |
| 20-11 | Etude in C-sharp minor, op. 2 no. 1: Andante | Vladimir Horowitz | — | |
| 20-12 | Polonaise no. 6 in A-flat major, op. 53 “Eroica”: Maestoso | Vladimir Horowitz | T-060.274.630-4 | |
| 20-13 | Etude in F major, op. 72 no. 6: Presto | Vladimir Horowitz | — | |
| 21-1 | Impromptus, D. 899: Nr. 1 c-moll. Allegro molto moderato | Wilhelm Kempff | — | |
| 21-2 | Impromptus, D. 899: Nr. 2 Es-dur. Allegro | Wilhelm Kempff | — | |
| 21-3 | Impromptu in G-flat major, D. 899 no. 3: Andante | Wilhelm Kempff | — | |
| 21-4 | Impromptu in A-flat major, D. 899 no. 4: Allegretto | Wilhelm Kempff | T-913.821.070-5 | |
| 21-5 | Impromptus, D. 935: Nr. 1 f-moll. Allegro moderato | Wilhelm Kempff | — | |
| 21-6 | Impromptus, D. 935: Nr. 2 As-dur. Allegretto | Wilhelm Kempff | — | |
| 21-7 | Impromptus. D. 935: Nr. 3 B-dur. Andante | Wilhelm Kempff | — | |
| 21-8 | Impromptus, D. 935: Nr. 4 f-moll. Allegro scherzando | Wilhelm Kempff | — | |
| 21-9 | Piano Sonata in A major, D. 664: I. Allegro moderato | Wilhelm Kempff | T-902.685.630-4 | |
| 21-10 | Piano Sonata in A major, D. 664: II. Andante | Wilhelm Kempff | — | |
| 21-11 | Piano Sonata in A major, D. 664: III. Allegro | Wilhelm Kempff | — | |
| 22-1 | Fantasias, op. 116, no. 1: Capriccio in D minor. Presto energico | Wilhelm Kempff | T-920.071.965-9 | |
| 22-2 | Fantasias, op. 116: No. 2. Intermezzo in A minor. Andante | Wilhelm Kempff | T-916.456.074-1 | |
| 22-3 | Fantasias, op. 116: No. 3. Capriccio in G minor. Allegro passionato | Wilhelm Kempff | T-920.071.965-9 | |
| 22-4 | Fantasias, op. 116: No. 4. Intermezzo in E major. Adagio | Wilhelm Kempff | T-902.764.002-4 | |
| 22-5 | Fantasias, op. 116: No. 5. Intermezzo in E minor. Andante con grazia ed intimisso sentimento | Wilhelm Kempff | T-920.071.965-9 | |
| 22-6 | Fantasias, op. 116: No. 6. Intermezzo in E major. Andantino teneramente | Wilhelm Kempff | T-916.456.074-1 | |
| 22-7 | Fantasias, op. 116, no. 7: Capriccio in D minor. Allegro agitato | Wilhelm Kempff | T-920.071.965-9 | |
| 22-8 | Intermezzo in E flat major, op. 117 no. 1 | Wilhelm Kempff | — | |
| 22-9 | Intermezzi, op. 117, no. 2 in B-flat minor. Andante non troppo e con molta espressione | Wilhelm Kempff | — | |
| 22-10 | Intermezzi, op. 117, no. 3 in C-sharp minor. Andante con moto | Wilhelm Kempff | T-909.573.827-5 | |
| 22-11 | Klavierstücke, op. 118: No. 1. Intermezzo in A minor. Allegro non assai | Wilhelm Kempff | — | |
| 22-12 | Klavierstücke, op. 118: No. 2. Intermezzo in A major. Andante teneramente | Wilhelm Kempff | T-916.456.074-1 | |
| 22-13 | Klavierstücke, op. 118: No. 3. Ballade in G minor. Allegro energico | Wilhelm Kempff | T-917.141.447-4 | |
| 22-14 | Klavierstücke, op. 118, no. 4: Intermezzo in F minor. Allegretto un poco agitato | Wilhelm Kempff | T-909.573.827-5 | |
| 22-15 | Klavierstücke, op. 118: No. 5. Romanze in F major. Andante | Wilhelm Kempff | T-909.573.827-5 | |
| 22-16 | Klavierstücke, op. 118: No. 6. Intermezzo in E-flat minor. Andante, largo e mesto | Wilhelm Kempff | — | |
| 22-17 | Klavierstücke, op. 119: No. 1. Intermezzo in B minor. Adagio | Wilhelm Kempff | — | |
| 22-18 | Klavierstücke, op. 119: No. 2. Intermezzo in E minor. Andantino un poco agitato | Wilhelm Kempff | T-902.764.002-4 | |
| 22-19 | Klavierstücke, op. 119: No. 3. Intermezzo in C major. Grazioso e giocoso | Wilhelm Kempff | T-329.458.041-5 | |
| 22-20 | Klavierstücke, op. 119: No. 4. Rhapsody in E-flat major. Allegro risoluto | Wilhelm Kempff | T-306.229.921-8 | |
| 23-1 | Fantasy in C major, D. 760 "Wanderer": I. Allegro con fuoco ma non troppo | Yevgeny Kissin | — | |
| 23-2 | Fantasy in C major, D. 760 "Wanderer": II. Adagio | Yevgeny Kissin | T-050.459.341-2 | |
| 23-3 | Fantasy in C major, D. 760 "Wanderer": III. Presto | Yevgeny Kissin | — | |
| 23-4 | Fantasy in C major, D. 760 "Wanderer": IV. Allegro | Yevgeny Kissin | T-903.513.848-8 | |
| 23-5 | 4 Lieder: Gretchen am Spinnrade, D. 118 (trans. Liszt) | Yevgeny Kissin | T-920.299.614-3 | |
| 23-6 | 4 Lieder: Horch, Horch die Lerch’ (Ständchen aus “Cymbeline”), D. 889 (trans. Liszt) | Yevgeny Kissin | — | |
| 23-7 | 4 Lieder: Die Schüne Müllerin: 19. Der Müller und der Bach, D. 795 no. 19 (trans. Liszt) | Yevgeny Kissin | — | |
| 23-8 | 4 Lieder: Auf dem Wasser zu singen, D. 774 (trans. Liszt) | Yevgeny Kissin | — | |
| 23-9 | Fantasien, op. 116: I. Capriccio: Presto energico | Yevgeny Kissin | T-902.876.200-7 | |
| 23-10 | Fantasien, op. 116: II. Intermezzo: Andante | Yevgeny Kissin | T-916.456.074-1 | |
| 23-11 | Fantasien, op. 116: III. Capriccio: Allegro passionato | Yevgeny Kissin | T-920.071.965-9 | |
| 23-12 | Fantasien, op. 116: IV. Intermezzo: Adagio | Yevgeny Kissin | T-322.186.526-1 | |
| 23-13 | Fantasien, op. 116: V. Intermezzo: Andante con grazia ed intimissimo sentimento | Yevgeny Kissin | T-920.071.965-9 | |
| 23-14 | Fantasien, op. 116: VI. Intermezzo. Andantino teneramente | Yevgeny Kissin | T-920.071.965-9 | |
| 23-15 | Fantasien, op. 116: VII. Capriccio: Allegro agitato | Yevgeny Kissin | T-920.071.965-9 | |
| 23-16 | Hungarian Rhapsody no. 12 | Yevgeny Kissin | — | |
| 24-1 | [applause] | [no artist] | T-072.571.419-1 | |
| 24-2 | Abegg Variations, op. 1 | Lang Lang | — | |
| 24-3 | Piano Sonata in C major, Hob. XVI:50: I. Allegro | Lang Lang | — | |
| 24-4 | Piano Sonata in C major, Hob. XVI:50: II. Adagio | Lang Lang | T-802.445.410-3 | |
| 24-5 | Piano Sonata in C Major, Hob. XVI:50, Allegro Molto | Lang Lang | T-329.454.787-4 | |
| 24-6 | Fantasy in C major, D. 760 "Wanderer": I. Allegro con fuoco ma non troppo | Lang Lang | — | |
| 24-7 | Fantasy in C major, D. 760 "Wanderer": II. Adagio | Lang Lang | T-802.445.410-3 | |
| 24-8 | Fantasy in C major, D. 760 "Wanderer": III. Presto | Lang Lang | — | |
| 24-9 | Fantasy in C major, D. 760 "Wanderer": IV. Allegro | Lang Lang | T-318.676.528-2 | |
| 24-10 | Eight Memories in Watercolour, op. 1: I. Missing Moon | Lang Lang | — | |
| 24-11 | Eight Memories in Watercolour, op. 1: II. Beans | Lang Lang | — | |
| 24-12 | Eight Memories in Watercolour, op. 1: III. Herdboy's Song | Lang Lang | — | |
| 24-13 | Eight Memories in Watercolour, op. 1: IV. Blue Nun | Lang Lang | — | |
| 24-14 | Eight Memories in Watercolour, op. 1: VII. Red Wilderness | Lang Lang | — | |
| 24-15 | Eight Memories in Watercolour, op. 1: V. Ancient Burial | Lang Lang | — | |
| 24-16 | Eight Memories in Watercolour, op. 1: VI. Floating Clouds | Lang Lang | — | |
| 24-17 | Eight Memories in Watercolour, op. 1: VIII. Sunrain | Lang Lang | — | |
| 24-18 | Nocturne no. 8 in D-flat major, op. 27 no. 2 | Lang Lang | T-306.230.835-0 | |
| 25-1 | Reminiscences du Don Juan de Mozart, S. 418 | Lang Lang | T-904.369.981-6 | |
| 25-2 | Träumerei | Lang Lang | — | |
| 25-3 | Horses (after pieces by Huang Hai Hwai, Chen Rao Xing and Shen Li Qun) (arr. by Lang Lang and Lang Guo-ren) | Huang Hai Hwai, Chen Rao Xing, Shen Li Qun | T-070.206.017-0 | |
| 25-4 | Liebestraum no. 3 in A-flat, S. 541 no. 3 | Lang Lang | T-800.169.754-8 | |
| 26-1 | Nocturne no. 1 in B-flat minor, op. 9 no. 1: Larghetto | Maria João Pires | T-321.286.786-8 | |
| 26-2 | Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante | Maria João Pires | T-316.578.060-5 | |
| 26-3 | Nocturne no. 4 in F major, op. 15 no. 1: Andante cantabile | Maria João Pires | T-306.230.833-8 | |
| 26-4 | Nocturne no. 5 in F-sharp major, op. 15 no. 2: Larghetto | Maria João Pires | T-306.230.833-8 | |
| 26-5 | Nocturne no. 7 in C-sharp minor, op. 27 no. 1: Larghetto | Maria João Pires | — | |
| 26-6 | Nocturne no. 8 in D-flat major, op. 27 no. 2: Lento sostenuto | Maria João Pires | T-306.230.835-0 | |
| 26-7 | Nocturne no. 10 in A-flat major, op. 32 no. 2: Lento | Maria João Pires | — | |
| 26-8 | Nocturne no. 11 in G minor, op. 37 no. 1: Andante sostenuto | Maria João Pires | — | |
| 26-9 | Nocturne no. 13 in C minor, op. 48 no. 1: Lento | Maria João Pires | — | |
| 26-10 | Nocturne no. 15 in F minor, op. 55 no. 1: Andante | Maria João Pires | T-321.286.787-9 | |
| 26-11 | Nocturne no. 18 in E major, op. 62 no. 2: Lento | Maria João Pires | — | |
| 26-12 | Nocturne no. 20 in C-sharp minor, op. post: Lento con gran espressione | Maria João Pires | T-928.543.689-7 | |
| 27-1 | 18 Pieces, op. 72: Impromptu in F minor | Mikhail Pletnev | — | |
| 27-2 | 18 Pieces, op. 72: Berceuse in A-flat major | Mikhail Pletnev | — | |
| 27-3 | 18 Pieces, op. 72: Tendres reproches in C-sharp minor | Mikhail Pletnev | — | |
| 27-4 | 18 Pieces, op. 72: Danse caractéristique in D major | Mikhail Pletnev | — | |
| 27-5 | 18 Pieces, op. 72: Méditation in D major | Mikhail Pletnev | — | |
| 27-6 | 18 Pieces, op. 72: Mazurque pour danser in B-flat major | Mikhail Pletnev | — | |
| 27-7 | 18 Pieces, op. 72: Polacca de concert in E-flat major | Mikhail Pletnev | — | |
| 27-8 | 18 Pieces, op. 72: Dialogue in B major | Mikhail Pletnev | — | |
| 27-9 | 18 Pieces, op. 72: Un poco di Schumann in D-flat major | Mikhail Pletnev | — | |
| 27-10 | 18 Pieces, op. 72: Scherzo-fantaisie in E-flat minor | Mikhail Pletnev | — | |
| 27-11 | 18 Pieces, op. 72: Valse bluette in E-flat major | Mikhail Pletnev | — | |
| 27-12 | 18 Pieces, op. 72: L’Espiègle in E major | Mikhail Pletnev | — | |
| 27-13 | 18 Pieces, op. 72: Echo rustique in E-flat major | Mikhail Pletnev | — | |
| 27-14 | 18 Pieces, op. 72: Chant élégiaque in D-flat major | Mikhail Pletnev | — | |
| 27-15 | 18 Pieces, op. 72: Un poco di Chopin in C-sharp minor | Mikhail Pletnev | — | |
| 27-16 | 18 Pieces, op. 72: Valse à cinq temps in D major | Mikhail Pletnev | — | |
| 27-17 | 18 Pieces, op. 72: Passé lointain in E-flat major | Mikhail Pletnev | — | |
| 27-18 | 18 Pieces, op. 72: Scène dansante (invitation au Trépak) in C major | Mikhail Pletnev | — | |
| 27-19 | Nocturne no. 20 in C-sharp minor, op. posth. | Mikhail Pletnev | — | |
| 28-1 | Klaviersonate Nr. 2 b-moll, op. 35: I. Grave - Doppio movimento | Ivo Pogorelich | — | |
| 28-2 | Klaviersonate Nr. 2 b-moll, op. 35: II. Scherzo | Ivo Pogorelich | — | |
| 28-3 | Klaviersonate Nr. 2 b-moll, op. 35: III. Marche funèbre. Lento - | Ivo Pogorelich | T-915.712.196-5 | |
| 28-4 | Klaviersonate Nr. 2 b-moll, op. 35: IV. Finale. Presto | Ivo Pogorelich | T-318.676.528-2 | |
| 28-5 | Gaspard de la Nuit: I. Ondine: Lent | Ivo Pogorelich | T-071.203.683-3 | |
| 28-6 | Gaspard de la Nuit: II. Le Gibet: Très lent. | Ivo Pogorelich | T-902.777.490-9 | |
| 28-7 | Gaspard de la Nuit: III. Scarbo: Modéré | Ivo Pogorelich | T-902.777.490-9 | |
| 28-8 | Piano Sonata no. 6 in A major, op. 82: I. Allegro moderato | Ivo Pogorelich | — | |
| 28-9 | Piano Sonata no. 6 in A major, op. 82: II. Allegretto | Ivo Pogorelich | — | |
| 28-10 | Piano Sonata no. 6 in A major, op. 82: III. Tempo di valzer lentissimo | Ivo Pogorelich | — | |
| 28-11 | Piano Sonata no. 6 in A major, op. 82: IV. Vivace | Ivo Pogorelich | — | |
| 29-1 | Études op. 10: No. 1 in C major: Allegro | Maurizio Pollini | T-329.456.966-3 | |
| 29-2 | Études op. 10: No. 2 in A minor “Chromatique”: Allegro | Maurizio Pollini | T-329.458.384-5 | |
| 29-3 | Études op. 10: No. 3 in E major “Tristesse”: Lento, ma non troppo | Maurizio Pollini | T-329.459.340-7 | |
| 29-4 | Études op. 10: No. 4 in C‐sharp minor: Presto | Maurizio Pollini | T-915.981.383-9 | |
| 29-5 | Études op. 10: No. 5 in G‐flat major “Black Keys”: Vivace | Maurizio Pollini | T-329.453.534-1 | |
| 29-6 | Études op. 10: No. 6 in E‐flat minor: Andante | Maurizio Pollini | T-329.458.108-7 | |
| 29-7 | Études op. 10: No. 7 in C major: Vivace | Maurizio Pollini | T-329.457.242-8 | |
| 29-8 | Études op. 10: No. 8 in F major: Allegro | Maurizio Pollini | T-329.458.487-1 | |
| 29-9 | Études op. 10: No. 9 in F minor: Allegro, molto agitato | Maurizio Pollini | T-329.456.945-8 | |
| 29-10 | Études op. 10: No. 10 in A‐flat major: Vivace assai | Maurizio Pollini | T-329.454.326-9 | |
| 29-11 | Études, op. 10: No. 11 in E‐flat major: Allegretto | Maurizio Pollini | T-329.456.687-9 | |
| 29-12 | Études, op. 10: No. 12 in C minor “Revolutionary”: Allegro con fuoco | Maurizio Pollini | T-915.981.383-9 | |
| 29-13 | 12 Études, Op. 25: No. 1 in A‐Flat Major “Harp Study” | Maurizio Pollini | — | |
| 29-14 | Études, op. 25: No. 2 in F minor: Presto | Maurizio Pollini | T-329.456.945-8 | |
| 29-15 | Études, op. 25: No. 3 in F major: Allegro | Maurizio Pollini | T-329.456.945-8 | |
| 29-16 | Études, op. 25: No. 4 in A minor: Agitato | Maurizio Pollini | T-329.457.500-7 | |
| 29-17 | Études, op. 25: No. 5 in E minor: Vivace | Maurizio Pollini | T-329.458.108-7 | |
| 29-18 | Études, op. 25: No. 6 in G sharp minor: Allegro | Maurizio Pollini | T-915.981.383-9 | |
| 29-19 | Etude no. 19 in C‐sharp minor, op. 25 no. 7 | Maurizio Pollini | T-915.981.383-9 | |
| 29-20 | Études, op. 25: No. 8 in D flat major: Vivace | Maurizio Pollini | — | |
| 29-21 | 12 Études, Op. 25: No. 9 in G‐Flat Major “Butterfly Wings” | Maurizio Pollini | — | |
| 29-22 | 12 Études, Op. 25: No. 10 in B Minor “Octave” | Maurizio Pollini | T-308.384.655-9 | |
| 29-23 | 12 Études, Op. 25: No. 11 in A Minor “Winter Wind” | Maurizio Pollini | T-308.381.369-4 | |
| 29-24 | 12 Études, Op. 25: No. 12 in C Minor “Ocean” | Maurizio Pollini | T-310.766.142-3 | |
| 30-1 | Petrouchka: Russian Dance | Maurizio Pollini | — | |
| 30-2 | Petrouchka: Petrouchka's Room | Maurizio Pollini | — | |
| 30-3 | Three Movements ’Petruschka’: La semaine grasse. Con Moto - Allegretto - Tempo giusto - Agitato | Maurizio Pollini | — | |
| 30-4 | Piano Sonata no. 7 in B-flat major, op. 83: I. Allegro inquieto - Andantino | Maurizio Pollini | — | |
| 30-5 | Piano Sonata no. 7 in B-flat major, op. 83: II. Andante caloroso | Maurizio Pollini | — | |
| 30-6 | Piano Sonata no. 7 in B-flat major, op. 83: III. Precipitato | Maurizio Pollini | — | |
| 30-7 | Piano Variations, op. 27: Sehr mässig | Maurizio Pollini | — | |
| 30-8 | Piano Variations, op. 27: Sehr schnell | Maurizio Pollini | — | |
| 30-9 | Piano Variations, op. 27: Ruhig, fliessend | Maurizio Pollini | T-329.454.645-1 | |
| 30-10 | Second sonata for Piano: I. Extrêmement rapide | Maurizio Pollini | — | |
| 30-11 | Second sonata for Piano: II. Lent | Maurizio Pollini | — | |
| 30-12 | Second sonata for Piano: III. Modéré, presque vif | Maurizio Pollini | — | |
| 30-13 | Second sonata for Piano: IV. Vif | Maurizio Pollini | — | |
| 31-1 | Marsch no. 2 in G minor from 4 Marches, op. 76 | Sviatoslav Richter | — | |
| 31-2 | Waldszenen, op. 82: I. Eintritt. Nicht zu schnell | Sviatoslav Richter | — | |
| 31-3 | Waldszenen, op. 82: II. Jäger auf der Lauer. Höchst lebhaft | Sviatoslav Richter | — | |
| 31-4 | Waldszenen, op. 82: III. Einsame Blumen. Einfach | Sviatoslav Richter | — | |
| 31-5 | Waldszenen, op. 82: IV. Verrufene Stelle. Ziemlich langsam | Sviatoslav Richter | — | |
| 31-6 | Waldszenen, op. 82: V. Freundliche Landschaft. Schnell | Sviatoslav Richter | — | |
| 31-7 | Waldszenen, op. 82: VI. Herberge. Mäßig | Sviatoslav Richter | — | |
| 31-8 | Waldszenen, op. 82: VII. Vogel als Prophet. Langsam, sehr zart | Sviatoslav Richter | — | |
| 31-9 | Waldszenen, op. 82: VIII. Jagdlied. Rasch, kräftig | Sviatoslav Richter | — | |
| 31-10 | Waldszenen, op. 82: IX. Abschied. Nicht zu schnell | Sviatoslav Richter | T-802.161.843-0 | |
| 31-11 | 8 Fantasiestücke, op. 12: I. Des Abends | Sviatoslav Richter | — | |
| 31-12 | 8 Fantasiestücke, op. 12: II. Aufschwung | Sviatoslav Richter | — | |
| 31-13 | 8 Fantasiestücke, op. 12: III. Warum? | Sviatoslav Richter | T-800.901.736-2 | |
| 31-14 | 8 Fantasiestücke, op. 12: V. In der Nacht | Sviatoslav Richter | — | |
| 31-15 | 8 Fantasiestücke, op. 12: VII. Traumes-Wirren | Sviatoslav Richter | — | |
| 31-16 | 8 Fantasiestücke, op. 12: VIII. Ende vom Lied | Sviatoslav Richter | — | |
| 32-1 | Piano Sonata in G minor, Hob. XVI:44: I. Moderato | Sviatoslav Richter | — | |
| 32-2 | Piano Sonata in G minor, Hob. XVI:44: II. Allegretto | Sviatoslav Richter | — | |
| 32-3 | Ballade no. 3 in A-flat major, op. 47: Allegretto | Sviatoslav Richter | T-913.821.070-5 | |
| 32-4 | Préludes, Book 1: II. Voiles. Modéré | Sviatoslav Richter | — | |
| 32-5 | Préludes pour piano: Le vent dans la plaine: Animé | Sviatoslav Richter | — | |
| 32-6 | Préludes pour piano: Les collins d'Anacapri: Trés modéré | Sviatoslav Richter | — | |
| 32-7 | Piano Sonata no. 8 in B-flat major, op. 84: I. Andante dolce - Allegro moderato - Andante - Andante dolce come prima - Allegro | Sviatoslav Richter | — | |
| 32-8 | Piano Sonata no. 8 in B-flat major, op. 84: II. Andante sognando | Sviatoslav Richter | — | |
| 32-9 | Piano Sonata no. 8 in B-flat major, op. 84: III. Vivace - Allegro ben marcato - Andantino - Vivace | Sviatoslav Richter | — | |
| 33-1 | Piano Sonata no. 5 in F-sharp major, op. 53 | Roberto Szidon | T-312.606.604-0 | |
| 33-2 | Piano Sonata no. 6, op. 62 | Roberto Szidon | — | |
| 33-3 | Piano Sonata no. 7, op. 64 "White Mass" | Roberto Szidon | — | |
| 33-4 | Piano Sonata no. 8, op. 66 | Roberto Szidon | T-312.605.943-2 | |
| 33-5 | Piano Sonata no. 9, op. 68 "Black Mass" | Roberto Szidon | — | |
| 33-6 | Piano Sonata no. 10, op. 70 | Roberto Szidon | T-312.605.968-1 | |
| 34-1 | Piano Sonata no. 2 in G-sharp minor, op. 19 "Sonate-fantasie": I. Andante | Daniil Trifonov | — | |
| 34-2 | Piano Sonata no. 2 in G-sharp minor, op. 19 "Sonate-fantasie": II. Presto | Daniil Trifonov | — | |
| 34-3 | Piano Sonata in B minor, S. 178: Lento assai - Allegro energico | Daniil Trifonov | — | |
| 34-4 | Piano Sonata in B minor, S. 178: Più mosso - Andante sostenuto | Daniil Trifonov | — | |
| 34-5 | Piano Sonata in B minor, S. 178: Allegro energico - Andante sostenuto - Lento assai | Daniil Trifonov | — | |
| 34-6 | 24 Preludes, op. 28: no. 1 in C major | Daniil Trifonov | — | |
| 34-7 | 24 Preludes, op. 28: no. 2 in A minor | Daniil Trifonov | T-922.054.556-2 | |
| 34-8 | 24 Preludes, op. 28: no. 3 in G major | Daniil Trifonov | — | |
| 34-9 | 24 Preludes, op. 28: no. 4 in E minor | Daniil Trifonov | — | |
| 34-10 | 24 Preludes, op. 28: no. 5 in D major | Daniil Trifonov | T-329.459.382-7 | |
| 34-11 | 24 Preludes, op. 28: no. 6 in B minor | Daniil Trifonov | — | |
| 34-12 | 24 Preludes, op. 28: no. 7 in A major | Daniil Trifonov | T-329.459.382-7 | |
| 34-13 | 24 Preludes, op. 28: no. 8 in F-sharp minor | Daniil Trifonov | — | |
| 34-14 | 24 Preludes, op. 28: no. 9 in E major | Daniil Trifonov | — | |
| 34-15 | 24 Preludes, op. 28: no. 10 in C-sharp minor | Daniil Trifonov | — | |
| 34-16 | 24 Preludes, op. 28: no. 11 in B major | Daniil Trifonov | — | |
| 34-17 | 24 Preludes, op. 28: no. 12 in G-sharp minor | Daniil Trifonov | — | |
| 34-18 | 24 Preludes, op. 28: no. 13 in F-sharp major | Daniil Trifonov | — | |
| 34-19 | 24 Preludes, op. 28: no. 14 in E-flat minor | Daniil Trifonov | — | |
| 34-20 | 24 Preludes, op. 28: no. 15 in D-flat major | Daniil Trifonov | — | |
| 34-21 | 24 Preludes, op. 28: no. 16 in B-flat minor | Daniil Trifonov | — | |
| 34-22 | 24 Preludes, op. 28: no. 17 in A-flat major | Daniil Trifonov | — | |
| 34-23 | 24 Preludes, op. 28: no. 18 in F minor | Daniil Trifonov | — | |
| 34-24 | 24 Preludes, op. 28: no. 19 in E-flat major | Daniil Trifonov | — | |
| 34-25 | 24 Preludes, op. 28: no. 20 in C minor | Daniil Trifonov | T-310.766.142-3 | |
| 34-26 | 24 Preludes, op. 28: no. 21 in B-flat major | Daniil Trifonov | — | |
| 34-27 | 24 Preludes, op. 28: no. 22 in G minor | Daniil Trifonov | — | |
| 34-28 | 24 Preludes, op. 28: no. 23 in F major | Daniil Trifonov | — | |
| 34-29 | 24 Preludes, op. 28: no. 24 in D minor | Daniil Trifonov | — | |
| 34-30 | Skazki, op. 26 "Fairy Tales": no. 2 in E-flat major | Daniil Trifonov | — | |
| 35-1 | Hungarian Rhapsody no. 6 in D-flat major, S. 244 | Tamás Vásáry | — | |
| 35-2 | Valse Impromptu, S. 213 | Tamás Vásáry | — | |
| 35-3 | Consolation Nr. 2 E-dur, S. 172 | Tamás Vásáry | T-922.071.428-3 | |
| 35-4 | 6 Consolations, S. 172 - no. 3 in D-flat major (Lento, placido) | Tamás Vásáry | T-306.229.968-3 | |
| 35-5 | »Rigoletto«-Paraphrase, S. 434 | Tamás Vásáry | — | |
| 35-6 | La Campanella, S. 140 Nr. 3 | Tamás Vásáry | — | |
| 35-7 | Hungarian Rhapsody no. 15 in A minor, S. 244 no. 15 "Rákóczi March" | Tamás Vásáry | — | |
| 35-8 | Polonaise no. 2 in E major, S. 223 no. 2 | Tamás Vásáry | — | |
| 35-9 | »Don Juan«-Fantasie, S. 418 | Tamás Vásáry | — | |
| 35-10 | Der heilige Franziskus von Paula über den Wogen schreitend, S. 175 Nr. 2 | Tamás Vásáry | — | |
| 35-11 | Etüde Nr. 2 Es-dur, S. 140 | Tamás Vásáry | — | |
| 36-1 | Études-tableaux, op. 39 no. 6 | Yuja Wang | — | |
| 36-2 | Études-tableaux, op. 39 no. 4 | Yuja Wang | — | |
| 36-3 | Élegie, op. 3 no. 1 | Yuja Wang | T-902.754.929-7 | |
| 36-4 | Études-tableaux, op. 39 no. 5 | Yuja Wang | — | |
| 36-5 | Sonata K. 455 | Yuja Wang | T-928.635.564-4 | |
| 36-6 | Mélodie de Gluck | Yuja Wang | — | |
| 36-7 | Triana | Yuja Wang | T-041.538.731-3 | |
| 36-8 | "Carmen" variations | Yuja Wang | T-922.061.643-3 | |
| 36-9 | Gretchen am Spinnrade | Yuja Wang | — | |
| 36-10 | Tritsch-Tratsch-Polka | Yuja Wang | T-901.154.623-9 | |
| 36-11 | Valse, op. 64 no. 2 | Yuja Wang | T-304.253.277-0 | |
| 36-12 | L'Apprenti sorcier | Yuja Wang | T-003.005.584-5 | |
| 36-13 | Prélude, op. 11 no. 11 | Yuja Wang | — | |
| 36-14 | Prélude, op. 13 no. 6 | Yuja Wang | — | |
| 36-15 | Prélude, op. 11 no. 12 | Yuja Wang | — | |
| 36-16 | Étude, op. 8 no. 9 | Yuja Wang | — | |
| 36-17 | Poème, op. 32 no. 1 | Yuja Wang | — | |
| 36-18 | Danse macabre | Yuja Wang | T-703.135.794-7 | |
| 37-1 | Estampes : I. Pagodes | Alexis Weissenberg | — | |
| 37-2 | Estampes : II. La Soirée dans Grenade | Alexis Weissenberg | — | |
| 37-3 | Estampes : III. Jardins sous la pluie | Alexis Weissenberg | — | |
| 37-4 | Étude n° XI pour les arpèges composés | Alexis Weissenberg | — | |
| 37-5 | Suite bergamasque : Prélude | Alexis Weissenberg | T-905.024.780-8 | |
| 37-6 | Suite bergamasque : Menuet | Alexis Weissenberg | — | |
| 37-7 | Clair de lune (from ‘Suite bergamasque’) | Alexis Weissenberg | T-914.291.310-8 | |
| 37-8 | Suite bergamasque : Passepied | Alexis Weissenberg | — | |
| 37-9 | Children’s Corner: I. Doctor Gradus ad Parnassum | Alexis Weissenberg | — | |
| 37-10 | Children’s Corner: II. Jimbo’s Lullaby | Alexis Weissenberg | — | |
| 37-11 | Children’s Corner: III. Serenade for the Doll | Alexis Weissenberg | — | |
| 37-12 | Children’s Corner, L. 113: 4. The Snow Is Dancing | Alexis Weissenberg | — | |
| 37-13 | Children’s Corner: V. The Little Shepherd | Alexis Weissenberg | — | |
| 37-14 | Children’s Corner: VI. Golliwogg’s Cake-walk | Alexis Weissenberg | — | |
| 37-15 | La Fille aux cheveux de lin | Alexis Weissenberg | — | |
| 37-16 | L’Isle joyeuse | Alexis Weissenberg | T-306.231.690-5 | |
| 37-17 | La Plus que lente | Alexis Weissenberg | T-306.482.600-8 | |
| 38-1 | Sonata in E major, K. 380, L 23: Andante comodo | Yundi Li | — | |
| 38-2 | Sonata in G major, K. 13, L 486: Presto | Yundi Li | — | |
| 38-3 | Sonata for Piano no. 10 in C major, K. 330 (300h): I. Allegro moderato | Yundi Li | — | |
| 38-4 | Sonata for Piano no. 10 in C major, K. 330 (300h): II. Andante cantabile | Yundi Li | — | |
| 38-5 | Sonata for Piano no. 10 in C major, K. 330 (300h): III. Allegretto | Yundi Li | — | |
| 38-6 | Carnaval, op. 9: I. Préamble | Yundi Li | — | |
| 38-7 | Carnaval, op. 9: II. Pierrot | Yundi Li | — | |
| 38-8 | Carnaval, op. 9: III. Arlequin | Yundi Li | — | |
| 38-9 | Carnaval, op. 9: IV. Valse noble | Yundi Li | T-913.873.017-3 | |
| 38-10 | Carnaval, op. 9: V. Eusebius | Yundi Li | — | |
| 38-11 | Carnaval, op. 9: VI. Florestan | Yundi Li | — | |
| 38-12 | Carnaval, op. 9: VII. Coquette | Yundi Li | — | |
| 38-13 | Carnaval, op. 9: VIII. Réplique (Sphinxes) | Yundi Li | T-910.760.618-8 | |
| 38-14 | Carnaval, op. 9: IX. Papillons | Yundi Li | — | |
| 38-15 | Carnaval, op. 9: X. A.S.C.H. - S.C.H.A (Lettres dansantes) | Yundi Li | T-910.760.600-8 | |
| 38-16 | Carnaval, op. 9: XI. Chiarina | Yundi Li | T-910.760.603-1 | |
| 38-17 | Carnaval, op. 9: XII. Chopin | Yundi Li | T-910.760.604-2 | |
| 38-18 | Carnaval, op. 9: XIII. Estrella | Yundi Li | T-910.760.606-4 | |
| 38-19 | Carnaval, op. 9: XIV. Reconnaissance | Yundi Li | T-910.760.617-7 | |
| 38-20 | Carnaval, op. 9: XV. Pantalon Et Colombine | Yundi Li | T-915.735.056-6 | |
| 38-21 | Carnaval, op. 9: XVIa Valse allemande | Yundi Li | T-910.760.619-9 | |
| 38-22 | Carnaval, op. 9: XVIb Intermezzo: Paganini | Yundi Li | T-910.760.609-7 | |
| 38-23 | Carnaval, op. 9: XVII. Aveu | Yundi Li | T-910.760.602-0 | |
| 38-24 | Carnaval, op. 9: XVIII. Promenade | Yundi Li | — | |
| 38-25 | Carnaval, op. 9: XIX. Pause | Yundi Li | — | |
| 38-26 | Carnaval, op. 9: XX. Marche des “Davidsbündler” contre les Philistins | Yundi Li | T-910.760.610-0 | |
| 38-27 | Rhapsodie espagnole, S. 254, R. 90 | Yundi Li | — | |
| 39-1 | Ballade no. 1 in G minor, op. 23 | Krystian Zimerman | T-917.141.447-4 | |
| 39-2 | Ballade no. 2 in F major, op. 38 | Krystian Zimerman | — | |
| 39-3 | Ballade no. 3 in A‐flat major, op. 47 | Krystian Zimerman | T-913.821.070-5 | |
| 39-4 | Ballade no. 4 in F minor, op. 52 | Krystian Zimerman | — | |
| 39-5 | Barcarolle in F‐sharp major, op. 60 | Krystian Zimerman | T-905.382.146-8 | |
| 39-6 | Fantaisie in F minor, op. 49 | Krystian Zimerman | — | |
| 40-1 | Préludes: Book 1: no. 1: Danseuses de Delphes | Krystian Zimerman | — | |
| 40-2 | Voiles | Krystian Zimerman | — | |
| 40-3 | Le vent dans la plaine | Krystian Zimerman | — | |
| 40-4 | «Les sons et les parfums tournent dans lʼair du soir» | Krystian Zimerman | — | |
| 40-5 | Préludes: Book 1: no. 5: Les collines d´Anacapri | Krystian Zimerman | — | |
| 40-6 | Des pas sur la neige | Krystian Zimerman | — | |
| 40-7 | Ce qu’a vu le vent d’ouest | Krystian Zimerman | — | |
| 40-8 | La fille aux cheveux de lin | Krystian Zimerman | — | |
| 40-9 | La sérénade interrompue | Krystian Zimerman | — | |
| 40-10 | Préludes: Book 1: no. 10: La cathédrale engloutie | Krystian Zimerman | — | |
| 40-11 | Préludes: Book 1: no. 11: La danse de Puck | Krystian Zimerman | — | |
| 40-12 | Préludes: Book 1: no. 12 Minstrels | Krystian Zimerman | — | |
| 40-13 | Brouillards | Krystian Zimerman | — | |
| 40-14 | Feuilles Mortes | Krystian Zimerman | — | |
| 40-15 | La puerta del vino | Krystian Zimerman | — | |
| 40-16 | Les fées sont dʼexquises danseuses | Krystian Zimerman | — | |
| 40-17 | Bruyères | Krystian Zimerman | — | |
| 40-18 | «General Lavine» - excentric | Krystian Zimerman | T-902.761.163-8 | |
| 40-19 | La terrasse des audiences du clair de lune | Krystian Zimerman | — | |
| 40-20 | Ondine | Krystian Zimerman | — | |
| 40-21 | Hommage à S. Pickwick Esq. P.P.M.P.C. | Krystian Zimerman | — | |
| 40-22 | Canope | Krystian Zimerman | — | |
| 40-23 | Les tierces alternées | Krystian Zimerman | — | |
| 40-24 | Feux dʼartifice | Krystian Zimerman | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028947943518 is a Universal Product Code (UPC) assigned to 111: The Piano: Legendary Recordings by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 649 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947943518 is the Universal Product Code (UPC barcode) for the release “111: The Piano: Legendary Recordings” by Various Artists, released 2015-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 649 tracks, each with its own ISRC. Tracks include DEN960731001, DEN960731002, DEN960731003.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Art of Fugue, BWV 1080: Contrapunctus 1 | Pierre-Laurent Aimard | T-324.161.368-9 | |
| 2 | The Art of Fugue, BWV 1080: Contrapunctus 2 | Pierre-Laurent Aimard | T-309.901.323-3 | |
| 3 | The Art of Fugue, BWV 1080: Contrapunctus 3 | Pierre-Laurent Aimard | — | |
| 4 | The Art of Fugue, BWV 1080: Contrapunctus 4 | Pierre-Laurent Aimard | — | |
| 5 | The Art of Fugue, BWV 1080: Contrapunctus 5 | Pierre-Laurent Aimard | — | |
| 6 | The Art of Fugue, BWV 1080: Contrapunctus 6 a 4 in Style Francese | Pierre-Laurent Aimard | T-320.964.712-7 | |
| 7 | The Art of Fugue, BWV 1080: Contrapunctus 7 a 4 per Augmentationem et Diminutionem | Pierre-Laurent Aimard | — | |
| 8 | The Art of Fugue, BWV 1080: Contrapunctus 8 a 3 | Pierre-Laurent Aimard | — | |
| 9 | The Art of Fugue, BWV 1080: Contrapunctus 9 a 4 alla Duodecima | Pierre-Laurent Aimard | — | |
| 10 | The Art of Fugue, BWV 1080: Contrapunctus 10 a 4 alla Decima | Pierre-Laurent Aimard | — | |
| 11 | The Art of Fugue, BWV 1080: Contrapunctus 11 a 4 | Pierre-Laurent Aimard | — | |
| 12 | The Art of Fugue, BWV 1080: Contrapunctus inversus 12.1 a 4 | Pierre-Laurent Aimard | — | |
| 13 | The Art of Fugue, BWV 1080: Contrapunctus inversus 12.2 a 4 | Pierre-Laurent Aimard | — | |
| 14 | The Art of Fugue, BWV 1080: Contrapunctus inversus 13.1 a 3 | Pierre-Laurent Aimard | — | |
| 15 | The Art of Fugue, BWV 1080: Contrapunctus inversus 13.2 a 3 | Pierre-Laurent Aimard | — | |
| 16 | The Art of Fugue, BWV 1080: Canon alla Ottava | Pierre-Laurent Aimard | — | |
| 17 | The Art of Fugue, BWV 1080: Canon alla Decima in Contrapuncto all Terza | Pierre-Laurent Aimard | — | |
| 18 | The Art of Fugue, BWV 1080: Canon alla Duodecima in Contrapuncto alla Quinta | Pierre-Laurent Aimard | — | |
| 19 | The Art of Fugue, BWV 1080: Canon per Augmentationem in Contrario Motu | Pierre-Laurent Aimard | — | |
| 20 | The Art of Fugue, BWV 1080: Contrapunctus XIV (Fuga a 3 Soggetti) | Pierre-Laurent Aimard | T-031.552.490-3 | |
| 2-1 | Symphonic Etudes, op. 13: Thema. Andante | Géza Anda | — | |
| 2-2 | Symphonic Etudes, op. 13: Etude I (Var. I). Un poco più vivo | Géza Anda | — | |
| 2-3 | Symphonic Etudes, op. 13: Etude II (Var. II) | Géza Anda | — | |
| 2-4 | Symphonic Etudes, op. 13: Etude III. Vivace | Géza Anda | — | |
| 2-5 | Symphonic Etudes, op. 13: Etude IV (Var. III) | Géza Anda | — | |
| 2-6 | Symphonic Etudes, op. 13: Etude V (Var. IV). Vivacissimo | Géza Anda | — | |
| 2-7 | Symphonic Etudes, op. 13: Etude VI (Var. V). Agitato | Géza Anda | — | |
| 2-8 | Symphonic Etudes, op. 13: Variation (posthume) II | Géza Anda | — | |
| 2-9 | Symphonic Etudes, op. 13: Etude VII (Var. VI). Allegro molto | Géza Anda | — | |
| 2-10 | Symphonic Etudes, op. 13: Etude VIII (Var. VII). Andante | Géza Anda | — | |
| 2-11 | Symphonic Etudes, op. 13: Variation (posthume) V | Géza Anda | — | |
| 2-12 | Symphonic Etudes, op. 13: Etude IX. Presto possibile | Géza Anda | — | |
| 2-13 | Symphonic Etudes, op. 13: Etude X (Var. VIII). Allegro | Géza Anda | — | |
| 2-14 | Symphonic Etudes, op. 13: Etude XI (Var. IX). Con espressione | Géza Anda | — | |
| 2-15 | Symphonic Etudes, op. 13: Finale. Etude XII. Allegro brillante | Géza Anda | — | |
| 2-16 | Fantasie in C, op. 17: 1. Durchaus fantastisch und leidenschaftlich vorzutragen - Im Legendenton - Erstes Tempo | Géza Anda | — | |
| 2-17 | Fantasie in C, op. 17: 2. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter | Géza Anda | — | |
| 2-18 | Fantasie in C, op. 17: 3. Langsam getragen. Durchweg leise zu halten - Etwas bewegter | Géza Anda | — | |
| 2-19 | Davidsbündlertänze, op. 6: 1. Lebhaft | Géza Anda | — | |
| 2-20 | Davidsbündlertänze, op. 6: 2. Innig | Géza Anda | T-312.439.208-7 | |
| 2-21 | Davidsbündlertänze, op. 6: 3. Etwas hahnbüchen | Géza Anda | — | |
| 2-22 | Davidsbündlertänze, op. 6: 4. Ungeduldig | Géza Anda | — | |
| 2-23 | Davidsbündlertänze, op. 6: 5. Einfach | Géza Anda | — | |
| 2-24 | Davidsbündlertänze, op. 6: 6. Sehr rasch | Géza Anda | — | |
| 2-25 | Davidsbündlertänze, op. 6: 7. Nicht schnell | Géza Anda | — | |
| 2-26 | Davidsbündlertänze, op. 6: 8. Frisch | Géza Anda | — | |
| 2-27 | Davidsbündlertänze, op. 6: 9. Lebhaft | Géza Anda | — | |
| 2-28 | Davidsbündlertänze, op. 6: 10. Balladenmässig, sehr rasch | Géza Anda | — | |
| 2-29 | Davidsbündlertänze, op. 6: 11. Einfach | Géza Anda | — | |
| 2-30 | Davidsbündlertänze, op. 6: 12. Mit Humor | Géza Anda | — | |
| 2-31 | Davidsbündlertänze, op. 6: 13. Wild und lustig | Géza Anda | — | |
| 2-32 | Davidsbündlertänze, op. 6: 14. Zart und singend | Géza Anda | — | |
| 2-33 | Davidsbündlertänze, op. 6: 15. Frisch | Géza Anda | — | |
| 2-34 | Davidsbündlertänze, op. 6: 16. Mit gutem Humor | Géza Anda | — | |
| 2-35 | Davidsbündlertänze, op. 6: 17. Wie aus der Ferne | Géza Anda | — | |
| 2-36 | Davidsbündlertänze, op. 6: 18. Nicht schnell | Géza Anda | — | |
| 3-1 | Scherzo no. 3 in C-sharp minor, op. 39: Presto con fuoco | Martha Argerich | T-918.063.801-1 | |
| 3-2 | 2 Rhapsodies, op. 79: No. 1 in B minor: Agitato | Martha Argerich | T-308.384.655-9 | |
| 3-3 | 2 Rhapsodies, op. 79: No. 2 in G minor: Molto passionato, ma non troppo allegro | Martha Argerich | T-920.065.990-1 | |
| 3-4 | Toccata, op. 11 | Martha Argerich | — | |
| 3-5 | Jeux d'eau: Très doux | Martha Argerich | T-003.011.149-9 | |
| 3-6 | Barcarolle in F-sharp Major, op. 60 | Martha Argerich | T-303.629.706-6 | |
| 3-7 | Hungarian Rhapsody in D-flat major, S. 244 no. 6: Tempo giusto - Presto - Andante allegro - Presto | Martha Argerich | — | |
| 3-8 | Piano Sonata in B minor, S. 178: I. Lento assai - Allegro energico | Martha Argerich | — | |
| 3-9 | Piano Sonata in B minor, S. 178: II. Grandioso | Martha Argerich | — | |
| 3-10 | Piano Sonata in B Minor, S.178: Cantando espressivo | Martha Argerich | — | |
| 3-11 | Piano Sonata in B minor, S. 178: IV. Pesante - Recitativo | Martha Argerich | — | |
| 3-12 | Piano Sonata in B Minor, S.178: Andante sostenuto | Martha Argerich | — | |
| 3-13 | Piano Sonata in B minor, S. 178: VI. Quasi Adagio | Martha Argerich | T-070.125.749-9 | |
| 3-14 | Sonate pour piano en Si mineur, S. 178: Allegro energico | Martha Argerich | — | |
| 3-15 | Piano Sonata in B Minor, S.178: Più mosso | Martha Argerich | — | |
| 3-16 | Piano Sonata in B minor, S. 178: IX. Cantando Espressivo senza slentare | Martha Argerich | — | |
| 3-17 | Piano Sonata in B minor, S. 178: X. Stretta quasi Presto - Presto - Prestissimo | Martha Argerich | — | |
| 3-18 | Piano Sonata in B minor, S. 178: XI. Andante sostenuto - Allegro moderato - Lento assai | Martha Argerich | — | |
| 4-1 | Toccata in C minor, BWV 911 | Martha Argerich | — | |
| 4-2 | Partita no. 2 in C minor, BWV 826: I. Sinfonia | Martha Argerich | T-903.514.416-2 | |
| 4-3 | Partita no. 2 in C minor, BWV 826: II. Allemande | Martha Argerich | T-309.901.323-3 | |
| 4-4 | Partita no. 2 in C minor, BWV 826: III. Courante | Martha Argerich | — | |
| 4-5 | Partita no. 2 in C minor, BWV 826: IV. Sarabande | Martha Argerich | — | |
| 4-6 | Partita no. 2 in C minor, BWV 826: V. Rondeau | Martha Argerich | — | |
| 4-7 | Partita no. 2 in C minor, BWV 826: VI. Capriccio | Martha Argerich | T-909.407.008-3 | |
| 4-8 | English Suite no. 2 in A minor, BWV 807: I. Prélude | Martha Argerich | T-070.161.055-0 | |
| 4-9 | English Suite no. 2 in A minor, BWV 807: II. Allemande | Martha Argerich | — | |
| 4-10 | English Suite no. 2 in A minor, BWV 807: III. Courante | Martha Argerich | — | |
| 4-11 | English Suite no. 2 in A minor, BWV 807: IV. Sarabande | Martha Argerich | — | |
| 4-12 | English Suite no. 2 in A minor, BWV 807: V. Bourrée I & II | Martha Argerich | — | |
| 4-13 | English Suite no. 2 in A minor, BWV 807: VI. Gigue | Martha Argerich | — | |
| 5-1 | Moments musicaux: No. 1 in C. Moderato | Daniel Barenboim | — | |
| 5-2 | Moments musicaux: No. 2 in A-flat. Andantino | Daniel Barenboim | — | |
| 5-3 | Moments musicaux: No. 3 in F minor. Allegro moderato | Daniel Barenboim | — | |
| 5-4 | Moments musicaux: No. 4 in C-sharp minor. Moderato | Daniel Barenboim | — | |
| 5-5 | Moments musicaux: No. 5 in F minor. Allegro vivace | Daniel Barenboim | — | |
| 5-6 | Moments musicaux: No. 6 in A-flat. Allegretto | Daniel Barenboim | — | |
| 5-7 | Liebesträume. Notturni, S. 541: No. 1 “Hohe Liebe”. Andante espressivo assai | Daniel Barenboim | — | |
| 5-8 | Liebesträume. Notturni, S. 541: No. 2 “Seliger Tod”. Quasi lento, abbandonandosi | Daniel Barenboim | — | |
| 5-9 | Liebesträume. Notturni, S. 541: No. 3 “O lieb, solang du lieben kannst”. Poco allegretto con affetto | Daniel Barenboim | — | |
| 5-10 | Romances sans paroles, op. 19: no. 1 en mi majeur: Andante con moto | Daniel Barenboim | — | |
| 5-11 | Romances sans paroles, op. 30: no. 6 en fa dièse mineur "Barcarolle vénitienne": Allegretto tranquillo | Daniel Barenboim | — | |
| 5-12 | Romances sans paroles, op. 38: no. 6 en la bémol majeur "Duetto": Andante con moto | Daniel Barenboim | — | |
| 5-13 | Lieder ohne Worte, op. 62: No. 1 in G: Andante espressivo | Daniel Barenboim | — | |
| 5-14 | Lieder ohne Worte, op. 62: No. 5 in A minor: Andante con moto "Venetian Gondola Song" | Daniel Barenboim | T-931.717.655-9 | |
| 5-15 | Lieder ohne Worte, op. 62 no. 6 “Frühlingslied”: Allegretto grazioso in A major | Daniel Barenboim | T-915.714.795-0 | |
| 5-16 | Lieder ohne Worte, op. 67: No. 4 in C: Presto "Spinning Song" | Daniel Barenboim | T-312.542.381-2 | |
| 5-17 | Lieder ohne Worte, op. 67: No. 5 in B minor: Moderato | Daniel Barenboim | — | |
| 5-18 | Lieder ohne Worte, op. 102: No. 6 in C: Andante | Daniel Barenboim | — | |
| 6-1 | Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto | Daniel Barenboim | — | |
| 6-2 | Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto | Daniel Barenboim | — | |
| 6-3 | Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto | Daniel Barenboim | — | |
| 6-4 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | — | |
| 6-5 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | — | |
| 6-6 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | — | |
| 6-7 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro, ma non troppo - Presto | Daniel Barenboim | — | |
| 6-8 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro, ma non troppo - Presto | Daniel Barenboim | — | |
| 6-9 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro, ma non troppo - Presto | Daniel Barenboim | — | |
| 7-1 | Images 1: I. Reflets dans l'Eau. Andantino molto | Arturo Benedetti Michelangeli | — | |
| 7-2 | Images 1: II. Hommage à Rameau. Lent et grave | Arturo Benedetti Michelangeli | — | |
| 7-3 | Images 1: III. Mouvement. Animé | Arturo Benedetti Michelangeli | — | |
| 7-4 | Images 2: I. Cloches à travers les Feuilles. Lent | Arturo Benedetti Michelangeli | — | |
| 7-5 | Images 2: II. Et la Lune Descend sur le Temple qui Fut. Lent | Arturo Benedetti Michelangeli | — | |
| 7-6 | Images 2: III. Poissons d'Or. Animé | Arturo Benedetti Michelangeli | — | |
| 7-7 | Children's Corner: I. Doctor Gradus ad Parnassum. Modérément animé | Arturo Benedetti Michelangeli | — | |
| 7-8 | Children's Corner: II. Jimbo's Lullaby. Assez modéré | Arturo Benedetti Michelangeli | — | |
| 7-9 | Children's Corner: III. Serenade for the Doll. Allegretto ma non troppo | Arturo Benedetti Michelangeli | — | |
| 7-10 | Children's Corner, L. 113: 4. The Snow Is Dancing | Arturo Benedetti Michelangeli | — | |
| 7-11 | Children's Corner: V. The Little Shepherd. Très modéré | Arturo Benedetti Michelangeli | — | |
| 7-12 | Children's Corner: VI. Golliwogg's Cake-walk. Allegro giusto | Arturo Benedetti Michelangeli | — | |
| 8-1 | 6 Moments Musicaux, op. 16: No. 1 in B-flat minor. Andantino | Lazar Berman | T-902.751.444-9 | |
| 8-2 | 6 Moments Musicaux, op. 16: No. 2 in E-flat minor. Allegretto | Lazar Berman | — | |
| 8-3 | 6 Moments Musicaux, op. 16: No. 3 in B minor. Andante cantabile | Lazar Berman | — | |
| 8-4 | 6 Moments Musicaux, op. 16: No. 4 in E minor. Presto | Lazar Berman | — | |
| 8-5 | 6 Moments Musicaux, op. 16: No. 5 in D-flat. Adagio sostenuto | Lazar Berman | — | |
| 8-6 | 6 Moments Musicaux, op. 16: No. 6 in C. Maestoso | Lazar Berman | — | |
| 8-7 | Variations on a Theme of Corelli, op. 42: Thema. Andante - Variationen I-XX - Coda | Lazar Berman | — | |
| 8-8 | Prélude in C-sharp minor, op. 3 no. 2: Lento - Agitato - Tempo primo | Lazar Berman | — | |
| 8-9 | Prelude in F-sharp minor, op. 23 no. 1: Largo | Lazar Berman | — | |
| 8-10 | Prelude in D, op. 23 no. 4 | Lazar Berman | T-070.126.537-3 | |
| 8-11 | Prélude in G-sharp minor, op. 32 no. 12: Allegro | Lazar Berman | — | |
| 8-12 | Prelude in B minor, op. 32 no. 10: Lento | Lazar Berman | — | |
| 8-13 | Prélude in B-flat, op. 23 no. 2: Maestoso | Lazar Berman | T-919.160.891-0 | |
| 9-1 | 2 Polonaises, op. 26: No. 1 in C-sharp minor. Allegro appassionato | Rafał Blechacz | — | |
| 9-2 | 2 Polonaises, op. 26: No. 2. in E-flat minor. Maestoso | Rafał Blechacz | — | |
| 9-3 | 2 Polonaises, op. 40: No. 1 in A major. Allegro con brio | Rafał Blechacz | — | |
| 9-4 | 2 Polonaises, op. 40: No. 2 in C minor. Allegro maestoso | Rafał Blechacz | T-922.054.556-2 | |
| 9-5 | Polonaise in F-sharp minor, op. 44: Tempo di polacca - doppio movimento, tempo di Mazurka - Tempo I | Rafał Blechacz | — | |
| 9-6 | Polonaise in A-flat major, op. 53: Maestoso | Rafał Blechacz | — | |
| 9-7 | Polonaise-Fantaisie in A-flat major, op. 61: Allegro maestoso | Rafał Blechacz | — | |
| 10-1 | Piano Sonata no. 2 in A-flat, op. 39: 1. Allegro moderato con spirito ed assai legato | Dino Ciani | — | |
| 10-2 | Piano Sonata no. 2 in A-flat, op. 39: 2. Andante | Dino Ciani | — | |
| 10-3 | Piano Sonata no. 2 in A-flat, op. 39: 3. Menuetto capriccioso (Presto assai) | Dino Ciani | — | |
| 10-4 | Piano Sonata no. 2 in A-flat, op. 39: 4. Rondo (Moderato e molto grazioso) | Dino Ciani | — | |
| 10-5 | Piano Sonata no. 3 in D Minor, op. 49: 1. Allegro feroce | Dino Ciani | — | |
| 10-6 | Piano Sonata no. 3 in D Minor, op. 49: 2. Andante con moto | Dino Ciani | — | |
| 10-7 | Piano Sonata no. 3 in D Minor, op. 49: 3. Rondo. Presto | Dino Ciani | — | |
| 11-1 | Piano Sonata in C, Hob. XVI:35: 1. Allegro con brio | Christoph Eschenbach | — | |
| 11-2 | Piano Sonata in C, Hob. XVI:35: 2. Adagio | Christoph Eschenbach | — | |
| 11-3 | Piano Sonata in C, Hob. XVI:35: 3. Finale (Allegro) | Christoph Eschenbach | — | |
| 11-4 | Piano Sonata in D, Hob. XVI:37: 1. Allegro con brio | Christoph Eschenbach | — | |
| 11-5 | Piano Sonata in D, Hob. XVI:37: 2. Largo e sostenuto | Christoph Eschenbach | — | |
| 11-6 | Piano Sonata in D, Hob. XVI:37: 3. Finale (Presto, ma non troppo) | Christoph Eschenbach | — | |
| 11-7 | Piano Sonata in E minor, Hob. XVI:34: 1. Presto | Christoph Eschenbach | — | |
| 11-8 | Piano Sonata in E minor, Hob. XVI:34: 2. Adagio | Christoph Eschenbach | — | |
| 11-9 | Piano Sonata no. 37: III. Vivace Molto, Innocentemente | Christoph Eschenbach | T-911.517.582-1 | |
| 11-10 | Piano Sonata in C-sharp minor, Hob. XVI:36: 1. Moderato | Christoph Eschenbach | — | |
| 11-11 | Piano Sonata in C-sharp minor, Hob. XVI:36: 2. Scherzando (Allegro con brio) | Christoph Eschenbach | — | |
| 11-12 | Piano Sonata in C-sharp minor, Hob. XVI:36: 3. Menuetto | Christoph Eschenbach | — | |
| 12-1 | Mikrokosmos, Sz. 107: Book 5. No. 122. Chords Together and Opposed | Földes Andor | — | |
| 12-2 | Mikrokosmos, Sz. 107: Book 5. No. 125. Boating | Földes Andor | — | |
| 12-3 | Mikrokosmos, Sz. 107: Book 5. No. 126. Change of Time | Földes Andor | — | |
| 12-4 | Mikrokosmos, Sz. 107: Book 5. No. 128. Peasant Dance | Földes Andor | — | |
| 12-5 | Mikrokosmos, Sz. 107: Book 5. No. 130. Village Joke | Földes Andor | — | |
| 12-6 | Mikrokosmos, Sz. 107: Book 5. No. 137. Unison | Földes Andor | — | |
| 12-7 | Mikrokosmos, Sz. 107: Book 5. No. 139. Merry Andrew | Földes Andor | — | |
| 12-8 | Mikrokosmos, Sz. 107: Book 6. No. 140. Free Variations | Földes Andor | — | |
| 12-9 | Mikrokosmos, Sz. 107: Book 6. No. 141. Subject and Reflection | Földes Andor | — | |
| 12-10 | Mikrokosmos, Sz. 107: Book 6. No. 142. From the Diary of a Fly | Földes Andor | — | |
| 12-11 | Mikrokosmos, Sz. 107: Book 6. No. 143. Divided Arpeggios | Földes Andor | — | |
| 12-12 | Mikrokosmos, Sz. 107: Book 6. No. 146. Ostinato | Földes Andor | — | |
| 12-13 | Mikrokosmos, Sz. 107: Book 6. No. 148. Dance in Bulgarian Rhythm I | Földes Andor | — | |
| 12-14 | Mikrokosmos, Sz. 107: Book 6. No. 149. Dance in Bulgarian Rhythm II | Földes Andor | — | |
| 12-15 | Mikrokosmos, Sz. 107: Book 6. No. 150. Dance in Bulgarian Rhythm III | Földes Andor | — | |
| 12-16 | Mikrokosmos, Sz. 107: Book 6. No. 151. Dance in Bulgarian Rhythm IV | Földes Andor | — | |
| 12-17 | Mikrokosmos, Sz. 107: Book 6. No. 152. Dance in Bulgarian Rhythm V | Földes Andor | — | |
| 12-18 | Mikrokosmos, Sz. 107: Book 6. No. 153. Dance in Bulgarian Rhythm VI | Földes Andor | — | |
| 12-19 | Suite, op. 14, Sz. 62: I. Allegretto | Földes Andor | — | |
| 12-20 | Suite, op. 14, Sz. 62: II. Scherzo | Földes Andor | — | |
| 12-21 | Suite, op. 14, Sz. 62: III. Allegro molto | Földes Andor | — | |
| 12-22 | Suite, op. 14, Sz. 62: IV. Sostenuto | Földes Andor | — | |
| 12-23 | Rumänische Volkstänze: Nr. 1 | Földes Andor | — | |
| 12-24 | Rumänische Volkstänze: Nr. 2 | Földes Andor | — | |
| 12-25 | Rumänische Volkstänze: Nr. 3 | Földes Andor | — | |
| 12-26 | Rumänische Volkstänze: Nr. 4 | Földes Andor | — | |
| 12-27 | Rumänische Volkstänze: Nr. 5 | Földes Andor | — | |
| 12-28 | Rumänische Volkstänze: Nr. 6 | Földes Andor | — | |
| 12-29 | Sonata for Piano, Sz. 80: 1. Allegro moderato | Földes Andor | — | |
| 12-30 | Sonata for Piano, Sz. 80: 2. Sostenuto e pesante | Földes Andor | — | |
| 12-31 | Sonata for Piano, Sz. 80: 3. Allegro molto | Földes Andor | — | |
| 12-32 | Im Freien: 1. Mit Trommeln und Pfeifen | Földes Andor | — | |
| 12-33 | Im Freien: 2. Barcarolla | Földes Andor | — | |
| 12-34 | Im Freien: 3. Musettes | Földes Andor | — | |
| 12-35 | Im Freien: 4. Klänge der Nacht | Földes Andor | — | |
| 12-36 | Im Freien: 5. Hetzjagd | Földes Andor | — | |
| 12-37 | Sonatina Over Themes of Peasants From Transsylvania: 1. Dudelsackpfeifer | Földes Andor | — | |
| 12-38 | Sonatina Over Themes of Peasants From Transsylvania: 2. Bärentanz | Földes Andor | — | |
| 12-39 | Sonatina Over Themes of Peasants From Transsylvania: 3. Finale | Földes Andor | — | |
| 12-40 | Allegro barbaro, Sz. 49 | Földes Andor | — | |
| 13-1 | Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Aria | Andrei Gavrilov | T-321.904.265-2 | |
| 13-2 | Goldberg-Variationen: Variatio 1 a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-3 | Goldberg-Variationen: Variatio 2 a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-4 | Goldberg-Variationen: Variatio 3 Canone, all'Unisono a 1 Clav. | Andrei Gavrilov | — | |
| 13-5 | Goldberg-Variationen: Variatio 4 a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-6 | Var. 5 | Andrei Gavrilov | T-902.128.688-4 | |
| 13-7 | Goldberg-Variationen: Variatio 6 Cannone, alla Seconda, a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-8 | Goldberg-Variationen: Variatio 7 a 1 ovvero 2 Clav., Al tempo di Giga | Andrei Gavrilov | T-902.128.688-4 | |
| 13-9 | Goldberg-Variationen: Variatio 8 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-10 | Goldberg-Variationen: Variatio 9 Canone, all Terza a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-11 | Goldberg-Variationen: Variatio 10 Fughetta a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-12 | Goldberg-Variationen: Variatio 11 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-13 | Goldberg-Variationen: Variatio 12 Canone, alla Quarta (a 1 Clav.) | Andrei Gavrilov | T-311.760.304-6 | |
| 13-14 | Goldberg-Variationen: Variatio 13 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-15 | Goldberg-Variationen: Variatio 14 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-16 | Goldberg-Variationen: Variatio 15 Canone, alla Quinta a 1 Clav., Andante | Andrei Gavrilov | — | |
| 13-17 | Goldberg-Variationen: Variatio 16 Ouverture, a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-18 | Goldberg-Variationen: Variatio 17 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-19 | Goldberg-Variationen: Variatio 18 Canone, alla Sesta a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-20 | Goldberg-Variationen: Variatio 19 a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-21 | Goldberg-Variationen: Variatio 20 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-22 | Goldberg-Variationen: Variatio 21 Canone, alla Settima (a 1 Clav.) | Andrei Gavrilov | T-902.128.688-4 | |
| 13-23 | Goldberg-Variationen: Variatio 22 a 1 Clav., Alla breve | Andrei Gavrilov | T-902.128.688-4 | |
| 13-24 | Goldberg-Variationen: Variatio 23 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-25 | Goldberg-Variationen: Variatio 24 Canone, all'Ottava a 1 Clav. | Andrei Gavrilov | — | |
| 13-26 | Goldberg-Variationen: Variatio 25 a 2 Clav. Adagio | Andrei Gavrilov | T-902.128.688-4 | |
| 13-27 | Goldberg-Variationen: Variatio 26 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-28 | Goldberg-Variationen: Variatio 27 Canone, alla Nona a 2 Clav. | Andrei Gavrilov | — | |
| 13-29 | Goldberg-Variationen: Variatio 28 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-30 | Goldberg-Variationen: Variatio 29 a 1 ovvero 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-31 | Goldberg-Variationen: Variatio 30 Quodlibet a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 13-32 | Goldberg Variations, BWV 988: Aria da Capo | Andrei Gavrilov | T-801.806.984-7 | |
| 14-1 | Piano Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | Emil Gilels | — | |
| 14-2 | Piano Sonata no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | Emil Gilels | — | |
| 14-3 | Piano Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) | Emil Gilels | — | |
| 14-4 | Piano Sonata no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro | Emil Gilels | — | |
| 14-5 | Piano Sonata no. 30 in E major, op. 109: I. Vivace ma non troppo - Adagio espressivo - Tempo I | Emil Gilels | — | |
| 14-6 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | Emil Gilels | — | |
| 14-7 | Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | Emil Gilels | — | |
| 14-8 | Piano Sonata no. 30 in E major, op. 109: IV. Variation I. Molto espressivo | Emil Gilels | — | |
| 14-9 | Piano Sonata no. 30 in E major, op. 109: V. Variation II. Leggiermente | Emil Gilels | — | |
| 14-10 | Piano Sonata no. 30 in E major, op. 109: VI. Variation III. Allegro vivace | Emil Gilels | — | |
| 14-11 | Piano Sonata no. 30 in E major, op. 109: VII. Variation IV. Etwas langsamer als das Thema | Emil Gilels | — | |
| 14-12 | Piano Sonata no. 30 in E major, op. 109: VIII. Variation V. Allegro, ma non troppo | Emil Gilels | — | |
| 14-13 | Piano Sonata no. 30 in E major, op. 109: IX. Variation VI. Tempo I del tema | Emil Gilels | — | |
| 14-14 | Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | Emil Gilels | — | |
| 14-15 | Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | Emil Gilels | — | |
| 14-16 | Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo – Fuga. Allegro ma non troppo | Emil Gilels | — | |
| 15-1 | Lyrische Stücke I, op. 12 Nr. 1: Arietta | Emil Gilels | T-303.629.675-6 | |
| 15-2 | Lyrische Stücke II, op. 38 Nr. 1: Berceuse | Emil Gilels | — | |
| 15-3 | Lyrische Stücke III, op. 43 Nr. 1: Schmetterling | Emil Gilels | T-917.141.447-4 | |
| 15-4 | Lyrische Stücke III, op. 43 Nr. 2: Einsamer Wanderer | Emil Gilels | — | |
| 15-5 | Lyrische Stücke IV, op. 47 Nr. 2: Albumblatt | Emil Gilels | — | |
| 15-6 | Lyrische Stücke IV, op. 47 Nr. 3: Melodie | Emil Gilels | — | |
| 15-7 | Lyrische Stücke IV, op. 47 Nr. 4: Norwegischer Tanz: Halling | Emil Gilels | — | |
| 15-8 | Lyrische Stücke V, op. 54 Nr. 4: Notturno | Emil Gilels | — | |
| 15-9 | Lyrische Stücke V, op. 54 Nr. 5: Scherzo | Emil Gilels | — | |
| 15-10 | Lyrische Stücke VI, op. 57 Nr. 6: Heimweh | Emil Gilels | — | |
| 15-11 | Lyrische Stücke VII, op. 62 Nr. 4: Bächlein | Emil Gilels | T-902.764.002-4 | |
| 15-12 | Lyrische Stücke VII, op. 62 Nr. 6: Heimwärts | Emil Gilels | T-071.139.646-1 | |
| 15-13 | Lyrische Stücke VIII, op. 65 Nr. 5: Im Balladenton | Emil Gilels | — | |
| 15-14 | Lyrische Stücke IX, op. 68 Nr. 2: Großmutters Menuett | Emil Gilels | — | |
| 15-15 | Lyrische Stücke IX, op. 68 Nr. 3: Zu deinen Füßen | Emil Gilels | — | |
| 15-16 | Lyrische Stücke IX, op. 68 Nr. 5: An der Wiege | Emil Gilels | — | |
| 15-17 | Lyrische Stücke X, op. 71 Nr. 1: Es war Einmal | Emil Gilels | — | |
| 15-18 | Lyrische Stücke X, op. 71 Nr. 3: Kobold | Emil Gilels | T-902.764.008-0 | |
| 15-19 | Lyrische Stücke X, op. 71 Nr. 6: Vorüber | Emil Gilels | — | |
| 15-20 | Lyrische Stücke X, op. 71 Nr. 7: Nachklänge | Emil Gilels | T-900.141.623-5 | |
| 16-1 | Piano Sonata no. 2 in B‐flat minor, op. 35: I. Grave – Doppio Movimento | Hélène Grimaud | — | |
| 16-2 | Piano Sonata no. 2 in B‐flat minor, op. 35: II. Scherzo | Hélène Grimaud | — | |
| 16-3 | Piano Sonata no. 2 in B‐flat minor, op. 35: III. Marche funèbre. Lento | Hélène Grimaud | T-915.712.196-5 | |
| 16-4 | Piano Sonata no. 2 in B‐flat minor, op. 35: IV. Finale. Presto | Hélène Grimaud | T-309.554.578-7 | |
| 16-8 | Berceuse in D‐flat major, op. 57: Andante | Hélène Grimaud | — | |
| 16-9 | Barcarolle in F‐sharp major, op. 60: Allegretto | Hélène Grimaud | — | |
| 17-1 | Klaviersonate D-dur, KV 576: I. Allegro | Friedrich Gulda | — | |
| 17-2 | Klaviersonate D-dur, KV 576: II. Adagio | Friedrich Gulda | — | |
| 17-3 | Klaviersonate D-dur, KV 576: III. Allegretto | Friedrich Gulda | — | |
| 17-4 | Fantasie c-moll, KV 475: Adagio - Allegro - Andantino - Piu allegro - Primo | Friedrich Gulda | — | |
| 17-5 | Klaviersonate B-Dur, KV 570: I. Allegro | Friedrich Gulda | — | |
| 17-6 | Klaviersonate B-Dur, KV 570: II. Adagio | Friedrich Gulda | — | |
| 17-7 | Klaviersonate B-Dur, KV 570: III. Allegretto | Friedrich Gulda | — | |
| 18-1 | Sonatine, M. 40: 1. Modéré | Monique Haas | T-003.016.390-6 | |
| 18-2 | Sonatine, M. 40: 2. Mouvement de menuet | Monique Haas | T-003.016.390-6 | |
| 18-3 | Sonatine, M. 40: 3. Animé | Monique Haas | T-003.016.390-6 | |
| 18-4 | Valses nobles et sentimentales: 1. Modéré - très franc | Monique Haas | — | |
| 18-5 | Valses nobles et sentimentales: 2. Assez lent - avec une expression intense | Monique Haas | — | |
| 18-6 | Valses nobles et sentimentales: 3. Modéré | Monique Haas | T-003.017.935-1 | |
| 18-7 | Valses nobles et sentimentales: 4. Assez animé | Monique Haas | T-003.017.935-1 | |
| 18-8 | Valses nobles et sentimentales: 5. Presque lent - dans un sentiment intime | Monique Haas | T-003.017.935-1 | |
| 18-9 | Valses nobles et sentimentales: 6. Assez vif | Monique Haas | T-003.017.935-1 | |
| 18-10 | Valses nobles et sentimentales: 7. Moins vif | Monique Haas | T-003.017.935-1 | |
| 18-11 | Valses nobles et sentimentales: 8. Epilogue (Lent) | Monique Haas | T-003.017.935-1 | |
| 18-12 | Le tombeau de Couperin M. 68a: 1. Prélude | Monique Haas | T-306.061.747-8 | |
| 18-13 | Le tombeau de Couperin M. 68a: 2. Fugue | Monique Haas | T-922.046.111-0 | |
| 18-14 | Le tombeau de Couperin M. 68a: 3. Forlane | Monique Haas | T-305.194.353-0 | |
| 18-15 | Le tombeau de Couperin M. 68a: 4. Rigaudon | Monique Haas | T-305.199.226-4 | |
| 18-16 | Le tombeau de Couperin M. 68a: 5. Menuet | Monique Haas | T-305.131.442-8 | |
| 18-17 | Le tombeau de Couperin M. 68a: 6. Toccata | Monique Haas | — | |
| 18-18 | Pour le piano, L. 95: 3. Toccata | Monique Haas | — | |
| 18-19 | 3 Pièces pour piano, op. 49: 1. Allegro con brio | Monique Haas | — | |
| 18-20 | 3 Pièces pour piano, op. 49: 2. Allegro grazioso | Monique Haas | — | |
| 18-21 | 3 Pièces pour piano, op. 49: 3. Allegro con spirito | Monique Haas | — | |
| 18-22 | Sonatine: 1. Allegretto - Allegro | Monique Haas | T-007.183.929-6 | |
| 18-23 | Sonatine: 2. Moderato | Monique Haas | T-007.183.929-6 | |
| 18-24 | Sonatine: 3. Allegro vivace | Monique Haas | T-007.183.929-6 | |
| 19-1 | Piano Sonata no. 2 in F major, K. 280 (K. 189e): Allegro assai | Clara Haskil | T-306.395.786-4 | |
| 19-2 | Piano Sonata no. 2 in F major, K. 280 (K. 189e): Adagio | Clara Haskil | — | |
| 19-3 | Piano Sonata no. 2 in F major, K. 280 (K. 189e): Presto | Clara Haskil | T-070.930.360-5 | |
| 19-4 | Sonata in C-sharp minor, K 247, L 256: Allegro | Clara Haskil | — | |
| 19-5 | Keyboard Sonata in G major, Kk. 2 | Clara Haskil | — | |
| 19-6 | Sonata in C major, K 132, L 457: Cantabile | Clara Haskil | T-001.397.158-8 | |
| 19-7 | Sonata in G minor, K 35, L 386 | Clara Haskil | — | |
| 19-8 | Sonata in E-flat major, K 193, L 142: Allegro | Clara Haskil | — | |
| 19-9 | Sonata in F minor, K 386, L 171: Presto | Clara Haskil | — | |
| 19-10 | Sonata in F minor, K 519, L 475: Allegro assai | Clara Haskil | — | |
| 19-11 | Sonata in A major, K 322, L 483: Allegro | Clara Haskil | — | |
| 19-12 | Sonata in B minor, K 87, L 33 | Clara Haskil | — | |
| 19-13 | Sonata in C major, K 515, L 255: Allegro | Clara Haskil | T-918.063.799-4 | |
| 19-14 | Sonata in F major, K 6, L 479 | Clara Haskil | — | |
| 20-1 | Chorale Prelude „Nun komm’ der Heiden Heiland“ | Vladimir Horowitz | — | |
| 20-2 | Piano Sonata in C major, K. 330 (300h): I. Allegro moderato | Vladimir Horowitz | — | |
| 20-3 | Piano Sonata in C major, K. 330 (300h): II. Andante cantabile | Vladimir Horowitz | — | |
| 20-4 | Piano Sonata in C major, K. 330 (300h): III. Allegretto | Vladimir Horowitz | — | |
| 20-5 | Mazurka in A minor, op. 17 no. 4: Lento ma non troppo | Vladimir Horowitz | — | |
| 20-6 | Scherzo no. 1 in B minor, op. 20: Presto con fuoco | Vladimir Horowitz | T-308.384.655-9 | |
| 20-7 | Impromptu in A-flat major, D 899 no. 4 (op. 90 No. 4): Allegretto | Vladimir Horowitz | T-304.253.207-6 | |
| 20-8 | Consolation no. 3 in D-flat major: Lento placido | Vladimir Horowitz | T-306.229.968-3 | |
| 20-9 | Novellette in F major, op. 21 no. 1 | Vladimir Horowitz | — | |
| 20-10 | Prelude in G-sharp minor, op. 32 no. 12: Allegro | Vladimir Horowitz | — | |
| 20-11 | Etude in C-sharp minor, op. 2 no. 1: Andante | Vladimir Horowitz | — | |
| 20-12 | Polonaise no. 6 in A-flat major, op. 53 “Eroica”: Maestoso | Vladimir Horowitz | T-060.274.630-4 | |
| 20-13 | Etude in F major, op. 72 no. 6: Presto | Vladimir Horowitz | — | |
| 21-1 | Impromptus, D. 899: Nr. 1 c-moll. Allegro molto moderato | Wilhelm Kempff | — | |
| 21-2 | Impromptus, D. 899: Nr. 2 Es-dur. Allegro | Wilhelm Kempff | — | |
| 21-3 | Impromptu in G-flat major, D. 899 no. 3: Andante | Wilhelm Kempff | — | |
| 21-4 | Impromptu in A-flat major, D. 899 no. 4: Allegretto | Wilhelm Kempff | T-913.821.070-5 | |
| 21-5 | Impromptus, D. 935: Nr. 1 f-moll. Allegro moderato | Wilhelm Kempff | — | |
| 21-6 | Impromptus, D. 935: Nr. 2 As-dur. Allegretto | Wilhelm Kempff | — | |
| 21-7 | Impromptus. D. 935: Nr. 3 B-dur. Andante | Wilhelm Kempff | — | |
| 21-8 | Impromptus, D. 935: Nr. 4 f-moll. Allegro scherzando | Wilhelm Kempff | — | |
| 21-9 | Piano Sonata in A major, D. 664: I. Allegro moderato | Wilhelm Kempff | T-902.685.630-4 | |
| 21-10 | Piano Sonata in A major, D. 664: II. Andante | Wilhelm Kempff | — | |
| 21-11 | Piano Sonata in A major, D. 664: III. Allegro | Wilhelm Kempff | — | |
| 22-1 | Fantasias, op. 116, no. 1: Capriccio in D minor. Presto energico | Wilhelm Kempff | T-920.071.965-9 | |
| 22-2 | Fantasias, op. 116: No. 2. Intermezzo in A minor. Andante | Wilhelm Kempff | T-916.456.074-1 | |
| 22-3 | Fantasias, op. 116: No. 3. Capriccio in G minor. Allegro passionato | Wilhelm Kempff | T-920.071.965-9 | |
| 22-4 | Fantasias, op. 116: No. 4. Intermezzo in E major. Adagio | Wilhelm Kempff | T-902.764.002-4 | |
| 22-5 | Fantasias, op. 116: No. 5. Intermezzo in E minor. Andante con grazia ed intimisso sentimento | Wilhelm Kempff | T-920.071.965-9 | |
| 22-6 | Fantasias, op. 116: No. 6. Intermezzo in E major. Andantino teneramente | Wilhelm Kempff | T-916.456.074-1 | |
| 22-7 | Fantasias, op. 116, no. 7: Capriccio in D minor. Allegro agitato | Wilhelm Kempff | T-920.071.965-9 | |
| 22-8 | Intermezzo in E flat major, op. 117 no. 1 | Wilhelm Kempff | — | |
| 22-9 | Intermezzi, op. 117, no. 2 in B-flat minor. Andante non troppo e con molta espressione | Wilhelm Kempff | — | |
| 22-10 | Intermezzi, op. 117, no. 3 in C-sharp minor. Andante con moto | Wilhelm Kempff | T-909.573.827-5 | |
| 22-11 | Klavierstücke, op. 118: No. 1. Intermezzo in A minor. Allegro non assai | Wilhelm Kempff | — | |
| 22-12 | Klavierstücke, op. 118: No. 2. Intermezzo in A major. Andante teneramente | Wilhelm Kempff | T-916.456.074-1 | |
| 22-13 | Klavierstücke, op. 118: No. 3. Ballade in G minor. Allegro energico | Wilhelm Kempff | T-917.141.447-4 | |
| 22-14 | Klavierstücke, op. 118, no. 4: Intermezzo in F minor. Allegretto un poco agitato | Wilhelm Kempff | T-909.573.827-5 | |
| 22-15 | Klavierstücke, op. 118: No. 5. Romanze in F major. Andante | Wilhelm Kempff | T-909.573.827-5 | |
| 22-16 | Klavierstücke, op. 118: No. 6. Intermezzo in E-flat minor. Andante, largo e mesto | Wilhelm Kempff | — | |
| 22-17 | Klavierstücke, op. 119: No. 1. Intermezzo in B minor. Adagio | Wilhelm Kempff | — | |
| 22-18 | Klavierstücke, op. 119: No. 2. Intermezzo in E minor. Andantino un poco agitato | Wilhelm Kempff | T-902.764.002-4 | |
| 22-19 | Klavierstücke, op. 119: No. 3. Intermezzo in C major. Grazioso e giocoso | Wilhelm Kempff | T-329.458.041-5 | |
| 22-20 | Klavierstücke, op. 119: No. 4. Rhapsody in E-flat major. Allegro risoluto | Wilhelm Kempff | T-306.229.921-8 | |
| 23-1 | Fantasy in C major, D. 760 "Wanderer": I. Allegro con fuoco ma non troppo | Yevgeny Kissin | — | |
| 23-2 | Fantasy in C major, D. 760 "Wanderer": II. Adagio | Yevgeny Kissin | T-050.459.341-2 | |
| 23-3 | Fantasy in C major, D. 760 "Wanderer": III. Presto | Yevgeny Kissin | — | |
| 23-4 | Fantasy in C major, D. 760 "Wanderer": IV. Allegro | Yevgeny Kissin | T-903.513.848-8 | |
| 23-5 | 4 Lieder: Gretchen am Spinnrade, D. 118 (trans. Liszt) | Yevgeny Kissin | T-920.299.614-3 | |
| 23-6 | 4 Lieder: Horch, Horch die Lerch’ (Ständchen aus “Cymbeline”), D. 889 (trans. Liszt) | Yevgeny Kissin | — | |
| 23-7 | 4 Lieder: Die Schüne Müllerin: 19. Der Müller und der Bach, D. 795 no. 19 (trans. Liszt) | Yevgeny Kissin | — | |
| 23-8 | 4 Lieder: Auf dem Wasser zu singen, D. 774 (trans. Liszt) | Yevgeny Kissin | — | |
| 23-9 | Fantasien, op. 116: I. Capriccio: Presto energico | Yevgeny Kissin | T-902.876.200-7 | |
| 23-10 | Fantasien, op. 116: II. Intermezzo: Andante | Yevgeny Kissin | T-916.456.074-1 | |
| 23-11 | Fantasien, op. 116: III. Capriccio: Allegro passionato | Yevgeny Kissin | T-920.071.965-9 | |
| 23-12 | Fantasien, op. 116: IV. Intermezzo: Adagio | Yevgeny Kissin | T-322.186.526-1 | |
| 23-13 | Fantasien, op. 116: V. Intermezzo: Andante con grazia ed intimissimo sentimento | Yevgeny Kissin | T-920.071.965-9 | |
| 23-14 | Fantasien, op. 116: VI. Intermezzo. Andantino teneramente | Yevgeny Kissin | T-920.071.965-9 | |
| 23-15 | Fantasien, op. 116: VII. Capriccio: Allegro agitato | Yevgeny Kissin | T-920.071.965-9 | |
| 23-16 | Hungarian Rhapsody no. 12 | Yevgeny Kissin | — | |
| 24-1 | [applause] | [no artist] | T-072.571.419-1 | |
| 24-2 | Abegg Variations, op. 1 | Lang Lang | — | |
| 24-3 | Piano Sonata in C major, Hob. XVI:50: I. Allegro | Lang Lang | — | |
| 24-4 | Piano Sonata in C major, Hob. XVI:50: II. Adagio | Lang Lang | T-802.445.410-3 | |
| 24-5 | Piano Sonata in C Major, Hob. XVI:50, Allegro Molto | Lang Lang | T-329.454.787-4 | |
| 24-6 | Fantasy in C major, D. 760 "Wanderer": I. Allegro con fuoco ma non troppo | Lang Lang | — | |
| 24-7 | Fantasy in C major, D. 760 "Wanderer": II. Adagio | Lang Lang | T-802.445.410-3 | |
| 24-8 | Fantasy in C major, D. 760 "Wanderer": III. Presto | Lang Lang | — | |
| 24-9 | Fantasy in C major, D. 760 "Wanderer": IV. Allegro | Lang Lang | T-318.676.528-2 | |
| 24-10 | Eight Memories in Watercolour, op. 1: I. Missing Moon | Lang Lang | — | |
| 24-11 | Eight Memories in Watercolour, op. 1: II. Beans | Lang Lang | — | |
| 24-12 | Eight Memories in Watercolour, op. 1: III. Herdboy's Song | Lang Lang | — | |
| 24-13 | Eight Memories in Watercolour, op. 1: IV. Blue Nun | Lang Lang | — | |
| 24-14 | Eight Memories in Watercolour, op. 1: VII. Red Wilderness | Lang Lang | — | |
| 24-15 | Eight Memories in Watercolour, op. 1: V. Ancient Burial | Lang Lang | — | |
| 24-16 | Eight Memories in Watercolour, op. 1: VI. Floating Clouds | Lang Lang | — | |
| 24-17 | Eight Memories in Watercolour, op. 1: VIII. Sunrain | Lang Lang | — | |
| 24-18 | Nocturne no. 8 in D-flat major, op. 27 no. 2 | Lang Lang | T-306.230.835-0 | |
| 25-1 | Reminiscences du Don Juan de Mozart, S. 418 | Lang Lang | T-904.369.981-6 | |
| 25-2 | Träumerei | Lang Lang | — | |
| 25-3 | Horses (after pieces by Huang Hai Hwai, Chen Rao Xing and Shen Li Qun) (arr. by Lang Lang and Lang Guo-ren) | Huang Hai Hwai, Chen Rao Xing, Shen Li Qun | T-070.206.017-0 | |
| 25-4 | Liebestraum no. 3 in A-flat, S. 541 no. 3 | Lang Lang | T-800.169.754-8 | |
| 26-1 | Nocturne no. 1 in B-flat minor, op. 9 no. 1: Larghetto | Maria João Pires | T-321.286.786-8 | |
| 26-2 | Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante | Maria João Pires | T-316.578.060-5 | |
| 26-3 | Nocturne no. 4 in F major, op. 15 no. 1: Andante cantabile | Maria João Pires | T-306.230.833-8 | |
| 26-4 | Nocturne no. 5 in F-sharp major, op. 15 no. 2: Larghetto | Maria João Pires | T-306.230.833-8 | |
| 26-5 | Nocturne no. 7 in C-sharp minor, op. 27 no. 1: Larghetto | Maria João Pires | — | |
| 26-6 | Nocturne no. 8 in D-flat major, op. 27 no. 2: Lento sostenuto | Maria João Pires | T-306.230.835-0 | |
| 26-7 | Nocturne no. 10 in A-flat major, op. 32 no. 2: Lento | Maria João Pires | — | |
| 26-8 | Nocturne no. 11 in G minor, op. 37 no. 1: Andante sostenuto | Maria João Pires | — | |
| 26-9 | Nocturne no. 13 in C minor, op. 48 no. 1: Lento | Maria João Pires | — | |
| 26-10 | Nocturne no. 15 in F minor, op. 55 no. 1: Andante | Maria João Pires | T-321.286.787-9 | |
| 26-11 | Nocturne no. 18 in E major, op. 62 no. 2: Lento | Maria João Pires | — | |
| 26-12 | Nocturne no. 20 in C-sharp minor, op. post: Lento con gran espressione | Maria João Pires | T-928.543.689-7 | |
| 27-1 | 18 Pieces, op. 72: Impromptu in F minor | Mikhail Pletnev | — | |
| 27-2 | 18 Pieces, op. 72: Berceuse in A-flat major | Mikhail Pletnev | — | |
| 27-3 | 18 Pieces, op. 72: Tendres reproches in C-sharp minor | Mikhail Pletnev | — | |
| 27-4 | 18 Pieces, op. 72: Danse caractéristique in D major | Mikhail Pletnev | — | |
| 27-5 | 18 Pieces, op. 72: Méditation in D major | Mikhail Pletnev | — | |
| 27-6 | 18 Pieces, op. 72: Mazurque pour danser in B-flat major | Mikhail Pletnev | — | |
| 27-7 | 18 Pieces, op. 72: Polacca de concert in E-flat major | Mikhail Pletnev | — | |
| 27-8 | 18 Pieces, op. 72: Dialogue in B major | Mikhail Pletnev | — | |
| 27-9 | 18 Pieces, op. 72: Un poco di Schumann in D-flat major | Mikhail Pletnev | — | |
| 27-10 | 18 Pieces, op. 72: Scherzo-fantaisie in E-flat minor | Mikhail Pletnev | — | |
| 27-11 | 18 Pieces, op. 72: Valse bluette in E-flat major | Mikhail Pletnev | — | |
| 27-12 | 18 Pieces, op. 72: L’Espiègle in E major | Mikhail Pletnev | — | |
| 27-13 | 18 Pieces, op. 72: Echo rustique in E-flat major | Mikhail Pletnev | — | |
| 27-14 | 18 Pieces, op. 72: Chant élégiaque in D-flat major | Mikhail Pletnev | — | |
| 27-15 | 18 Pieces, op. 72: Un poco di Chopin in C-sharp minor | Mikhail Pletnev | — | |
| 27-16 | 18 Pieces, op. 72: Valse à cinq temps in D major | Mikhail Pletnev | — | |
| 27-17 | 18 Pieces, op. 72: Passé lointain in E-flat major | Mikhail Pletnev | — | |
| 27-18 | 18 Pieces, op. 72: Scène dansante (invitation au Trépak) in C major | Mikhail Pletnev | — | |
| 27-19 | Nocturne no. 20 in C-sharp minor, op. posth. | Mikhail Pletnev | — | |
| 28-1 | Klaviersonate Nr. 2 b-moll, op. 35: I. Grave - Doppio movimento | Ivo Pogorelich | — | |
| 28-2 | Klaviersonate Nr. 2 b-moll, op. 35: II. Scherzo | Ivo Pogorelich | — | |
| 28-3 | Klaviersonate Nr. 2 b-moll, op. 35: III. Marche funèbre. Lento - | Ivo Pogorelich | T-915.712.196-5 | |
| 28-4 | Klaviersonate Nr. 2 b-moll, op. 35: IV. Finale. Presto | Ivo Pogorelich | T-318.676.528-2 | |
| 28-5 | Gaspard de la Nuit: I. Ondine: Lent | Ivo Pogorelich | T-071.203.683-3 | |
| 28-6 | Gaspard de la Nuit: II. Le Gibet: Très lent. | Ivo Pogorelich | T-902.777.490-9 | |
| 28-7 | Gaspard de la Nuit: III. Scarbo: Modéré | Ivo Pogorelich | T-902.777.490-9 | |
| 28-8 | Piano Sonata no. 6 in A major, op. 82: I. Allegro moderato | Ivo Pogorelich | — | |
| 28-9 | Piano Sonata no. 6 in A major, op. 82: II. Allegretto | Ivo Pogorelich | — | |
| 28-10 | Piano Sonata no. 6 in A major, op. 82: III. Tempo di valzer lentissimo | Ivo Pogorelich | — | |
| 28-11 | Piano Sonata no. 6 in A major, op. 82: IV. Vivace | Ivo Pogorelich | — | |
| 29-1 | Études op. 10: No. 1 in C major: Allegro | Maurizio Pollini | T-329.456.966-3 | |
| 29-2 | Études op. 10: No. 2 in A minor “Chromatique”: Allegro | Maurizio Pollini | T-329.458.384-5 | |
| 29-3 | Études op. 10: No. 3 in E major “Tristesse”: Lento, ma non troppo | Maurizio Pollini | T-329.459.340-7 | |
| 29-4 | Études op. 10: No. 4 in C‐sharp minor: Presto | Maurizio Pollini | T-915.981.383-9 | |
| 29-5 | Études op. 10: No. 5 in G‐flat major “Black Keys”: Vivace | Maurizio Pollini | T-329.453.534-1 | |
| 29-6 | Études op. 10: No. 6 in E‐flat minor: Andante | Maurizio Pollini | T-329.458.108-7 | |
| 29-7 | Études op. 10: No. 7 in C major: Vivace | Maurizio Pollini | T-329.457.242-8 | |
| 29-8 | Études op. 10: No. 8 in F major: Allegro | Maurizio Pollini | T-329.458.487-1 | |
| 29-9 | Études op. 10: No. 9 in F minor: Allegro, molto agitato | Maurizio Pollini | T-329.456.945-8 | |
| 29-10 | Études op. 10: No. 10 in A‐flat major: Vivace assai | Maurizio Pollini | T-329.454.326-9 | |
| 29-11 | Études, op. 10: No. 11 in E‐flat major: Allegretto | Maurizio Pollini | T-329.456.687-9 | |
| 29-12 | Études, op. 10: No. 12 in C minor “Revolutionary”: Allegro con fuoco | Maurizio Pollini | T-915.981.383-9 | |
| 29-13 | 12 Études, Op. 25: No. 1 in A‐Flat Major “Harp Study” | Maurizio Pollini | — | |
| 29-14 | Études, op. 25: No. 2 in F minor: Presto | Maurizio Pollini | T-329.456.945-8 | |
| 29-15 | Études, op. 25: No. 3 in F major: Allegro | Maurizio Pollini | T-329.456.945-8 | |
| 29-16 | Études, op. 25: No. 4 in A minor: Agitato | Maurizio Pollini | T-329.457.500-7 | |
| 29-17 | Études, op. 25: No. 5 in E minor: Vivace | Maurizio Pollini | T-329.458.108-7 | |
| 29-18 | Études, op. 25: No. 6 in G sharp minor: Allegro | Maurizio Pollini | T-915.981.383-9 | |
| 29-19 | Etude no. 19 in C‐sharp minor, op. 25 no. 7 | Maurizio Pollini | T-915.981.383-9 | |
| 29-20 | Études, op. 25: No. 8 in D flat major: Vivace | Maurizio Pollini | — | |
| 29-21 | 12 Études, Op. 25: No. 9 in G‐Flat Major “Butterfly Wings” | Maurizio Pollini | — | |
| 29-22 | 12 Études, Op. 25: No. 10 in B Minor “Octave” | Maurizio Pollini | T-308.384.655-9 | |
| 29-23 | 12 Études, Op. 25: No. 11 in A Minor “Winter Wind” | Maurizio Pollini | T-308.381.369-4 | |
| 29-24 | 12 Études, Op. 25: No. 12 in C Minor “Ocean” | Maurizio Pollini | T-310.766.142-3 | |
| 30-1 | Petrouchka: Russian Dance | Maurizio Pollini | — | |
| 30-2 | Petrouchka: Petrouchka's Room | Maurizio Pollini | — | |
| 30-3 | Three Movements ’Petruschka’: La semaine grasse. Con Moto - Allegretto - Tempo giusto - Agitato | Maurizio Pollini | — | |
| 30-4 | Piano Sonata no. 7 in B-flat major, op. 83: I. Allegro inquieto - Andantino | Maurizio Pollini | — | |
| 30-5 | Piano Sonata no. 7 in B-flat major, op. 83: II. Andante caloroso | Maurizio Pollini | — | |
| 30-6 | Piano Sonata no. 7 in B-flat major, op. 83: III. Precipitato | Maurizio Pollini | — | |
| 30-7 | Piano Variations, op. 27: Sehr mässig | Maurizio Pollini | — | |
| 30-8 | Piano Variations, op. 27: Sehr schnell | Maurizio Pollini | — | |
| 30-9 | Piano Variations, op. 27: Ruhig, fliessend | Maurizio Pollini | T-329.454.645-1 | |
| 30-10 | Second sonata for Piano: I. Extrêmement rapide | Maurizio Pollini | — | |
| 30-11 | Second sonata for Piano: II. Lent | Maurizio Pollini | — | |
| 30-12 | Second sonata for Piano: III. Modéré, presque vif | Maurizio Pollini | — | |
| 30-13 | Second sonata for Piano: IV. Vif | Maurizio Pollini | — | |
| 31-1 | Marsch no. 2 in G minor from 4 Marches, op. 76 | Sviatoslav Richter | — | |
| 31-2 | Waldszenen, op. 82: I. Eintritt. Nicht zu schnell | Sviatoslav Richter | — | |
| 31-3 | Waldszenen, op. 82: II. Jäger auf der Lauer. Höchst lebhaft | Sviatoslav Richter | — | |
| 31-4 | Waldszenen, op. 82: III. Einsame Blumen. Einfach | Sviatoslav Richter | — | |
| 31-5 | Waldszenen, op. 82: IV. Verrufene Stelle. Ziemlich langsam | Sviatoslav Richter | — | |
| 31-6 | Waldszenen, op. 82: V. Freundliche Landschaft. Schnell | Sviatoslav Richter | — | |
| 31-7 | Waldszenen, op. 82: VI. Herberge. Mäßig | Sviatoslav Richter | — | |
| 31-8 | Waldszenen, op. 82: VII. Vogel als Prophet. Langsam, sehr zart | Sviatoslav Richter | — | |
| 31-9 | Waldszenen, op. 82: VIII. Jagdlied. Rasch, kräftig | Sviatoslav Richter | — | |
| 31-10 | Waldszenen, op. 82: IX. Abschied. Nicht zu schnell | Sviatoslav Richter | T-802.161.843-0 | |
| 31-11 | 8 Fantasiestücke, op. 12: I. Des Abends | Sviatoslav Richter | — | |
| 31-12 | 8 Fantasiestücke, op. 12: II. Aufschwung | Sviatoslav Richter | — | |
| 31-13 | 8 Fantasiestücke, op. 12: III. Warum? | Sviatoslav Richter | T-800.901.736-2 | |
| 31-14 | 8 Fantasiestücke, op. 12: V. In der Nacht | Sviatoslav Richter | — | |
| 31-15 | 8 Fantasiestücke, op. 12: VII. Traumes-Wirren | Sviatoslav Richter | — | |
| 31-16 | 8 Fantasiestücke, op. 12: VIII. Ende vom Lied | Sviatoslav Richter | — | |
| 32-1 | Piano Sonata in G minor, Hob. XVI:44: I. Moderato | Sviatoslav Richter | — | |
| 32-2 | Piano Sonata in G minor, Hob. XVI:44: II. Allegretto | Sviatoslav Richter | — | |
| 32-3 | Ballade no. 3 in A-flat major, op. 47: Allegretto | Sviatoslav Richter | T-913.821.070-5 | |
| 32-4 | Préludes, Book 1: II. Voiles. Modéré | Sviatoslav Richter | — | |
| 32-5 | Préludes pour piano: Le vent dans la plaine: Animé | Sviatoslav Richter | — | |
| 32-6 | Préludes pour piano: Les collins d'Anacapri: Trés modéré | Sviatoslav Richter | — | |
| 32-7 | Piano Sonata no. 8 in B-flat major, op. 84: I. Andante dolce - Allegro moderato - Andante - Andante dolce come prima - Allegro | Sviatoslav Richter | — | |
| 32-8 | Piano Sonata no. 8 in B-flat major, op. 84: II. Andante sognando | Sviatoslav Richter | — | |
| 32-9 | Piano Sonata no. 8 in B-flat major, op. 84: III. Vivace - Allegro ben marcato - Andantino - Vivace | Sviatoslav Richter | — | |
| 33-1 | Piano Sonata no. 5 in F-sharp major, op. 53 | Roberto Szidon | T-312.606.604-0 | |
| 33-2 | Piano Sonata no. 6, op. 62 | Roberto Szidon | — | |
| 33-3 | Piano Sonata no. 7, op. 64 "White Mass" | Roberto Szidon | — | |
| 33-4 | Piano Sonata no. 8, op. 66 | Roberto Szidon | T-312.605.943-2 | |
| 33-5 | Piano Sonata no. 9, op. 68 "Black Mass" | Roberto Szidon | — | |
| 33-6 | Piano Sonata no. 10, op. 70 | Roberto Szidon | T-312.605.968-1 | |
| 34-1 | Piano Sonata no. 2 in G-sharp minor, op. 19 "Sonate-fantasie": I. Andante | Daniil Trifonov | — | |
| 34-2 | Piano Sonata no. 2 in G-sharp minor, op. 19 "Sonate-fantasie": II. Presto | Daniil Trifonov | — | |
| 34-3 | Piano Sonata in B minor, S. 178: Lento assai - Allegro energico | Daniil Trifonov | — | |
| 34-4 | Piano Sonata in B minor, S. 178: Più mosso - Andante sostenuto | Daniil Trifonov | — | |
| 34-5 | Piano Sonata in B minor, S. 178: Allegro energico - Andante sostenuto - Lento assai | Daniil Trifonov | — | |
| 34-6 | 24 Preludes, op. 28: no. 1 in C major | Daniil Trifonov | — | |
| 34-7 | 24 Preludes, op. 28: no. 2 in A minor | Daniil Trifonov | T-922.054.556-2 | |
| 34-8 | 24 Preludes, op. 28: no. 3 in G major | Daniil Trifonov | — | |
| 34-9 | 24 Preludes, op. 28: no. 4 in E minor | Daniil Trifonov | — | |
| 34-10 | 24 Preludes, op. 28: no. 5 in D major | Daniil Trifonov | T-329.459.382-7 | |
| 34-11 | 24 Preludes, op. 28: no. 6 in B minor | Daniil Trifonov | — | |
| 34-12 | 24 Preludes, op. 28: no. 7 in A major | Daniil Trifonov | T-329.459.382-7 | |
| 34-13 | 24 Preludes, op. 28: no. 8 in F-sharp minor | Daniil Trifonov | — | |
| 34-14 | 24 Preludes, op. 28: no. 9 in E major | Daniil Trifonov | — | |
| 34-15 | 24 Preludes, op. 28: no. 10 in C-sharp minor | Daniil Trifonov | — | |
| 34-16 | 24 Preludes, op. 28: no. 11 in B major | Daniil Trifonov | — | |
| 34-17 | 24 Preludes, op. 28: no. 12 in G-sharp minor | Daniil Trifonov | — | |
| 34-18 | 24 Preludes, op. 28: no. 13 in F-sharp major | Daniil Trifonov | — | |
| 34-19 | 24 Preludes, op. 28: no. 14 in E-flat minor | Daniil Trifonov | — | |
| 34-20 | 24 Preludes, op. 28: no. 15 in D-flat major | Daniil Trifonov | — | |
| 34-21 | 24 Preludes, op. 28: no. 16 in B-flat minor | Daniil Trifonov | — | |
| 34-22 | 24 Preludes, op. 28: no. 17 in A-flat major | Daniil Trifonov | — | |
| 34-23 | 24 Preludes, op. 28: no. 18 in F minor | Daniil Trifonov | — | |
| 34-24 | 24 Preludes, op. 28: no. 19 in E-flat major | Daniil Trifonov | — | |
| 34-25 | 24 Preludes, op. 28: no. 20 in C minor | Daniil Trifonov | T-310.766.142-3 | |
| 34-26 | 24 Preludes, op. 28: no. 21 in B-flat major | Daniil Trifonov | — | |
| 34-27 | 24 Preludes, op. 28: no. 22 in G minor | Daniil Trifonov | — | |
| 34-28 | 24 Preludes, op. 28: no. 23 in F major | Daniil Trifonov | — | |
| 34-29 | 24 Preludes, op. 28: no. 24 in D minor | Daniil Trifonov | — | |
| 34-30 | Skazki, op. 26 "Fairy Tales": no. 2 in E-flat major | Daniil Trifonov | — | |
| 35-1 | Hungarian Rhapsody no. 6 in D-flat major, S. 244 | Tamás Vásáry | — | |
| 35-2 | Valse Impromptu, S. 213 | Tamás Vásáry | — | |
| 35-3 | Consolation Nr. 2 E-dur, S. 172 | Tamás Vásáry | T-922.071.428-3 | |
| 35-4 | 6 Consolations, S. 172 - no. 3 in D-flat major (Lento, placido) | Tamás Vásáry | T-306.229.968-3 | |
| 35-5 | »Rigoletto«-Paraphrase, S. 434 | Tamás Vásáry | — | |
| 35-6 | La Campanella, S. 140 Nr. 3 | Tamás Vásáry | — | |
| 35-7 | Hungarian Rhapsody no. 15 in A minor, S. 244 no. 15 "Rákóczi March" | Tamás Vásáry | — | |
| 35-8 | Polonaise no. 2 in E major, S. 223 no. 2 | Tamás Vásáry | — | |
| 35-9 | »Don Juan«-Fantasie, S. 418 | Tamás Vásáry | — | |
| 35-10 | Der heilige Franziskus von Paula über den Wogen schreitend, S. 175 Nr. 2 | Tamás Vásáry | — | |
| 35-11 | Etüde Nr. 2 Es-dur, S. 140 | Tamás Vásáry | — | |
| 36-1 | Études-tableaux, op. 39 no. 6 | Yuja Wang | — | |
| 36-2 | Études-tableaux, op. 39 no. 4 | Yuja Wang | — | |
| 36-3 | Élegie, op. 3 no. 1 | Yuja Wang | T-902.754.929-7 | |
| 36-4 | Études-tableaux, op. 39 no. 5 | Yuja Wang | — | |
| 36-5 | Sonata K. 455 | Yuja Wang | T-928.635.564-4 | |
| 36-6 | Mélodie de Gluck | Yuja Wang | — | |
| 36-7 | Triana | Yuja Wang | T-041.538.731-3 | |
| 36-8 | "Carmen" variations | Yuja Wang | T-922.061.643-3 | |
| 36-9 | Gretchen am Spinnrade | Yuja Wang | — | |
| 36-10 | Tritsch-Tratsch-Polka | Yuja Wang | T-901.154.623-9 | |
| 36-11 | Valse, op. 64 no. 2 | Yuja Wang | T-304.253.277-0 | |
| 36-12 | L'Apprenti sorcier | Yuja Wang | T-003.005.584-5 | |
| 36-13 | Prélude, op. 11 no. 11 | Yuja Wang | — | |
| 36-14 | Prélude, op. 13 no. 6 | Yuja Wang | — | |
| 36-15 | Prélude, op. 11 no. 12 | Yuja Wang | — | |
| 36-16 | Étude, op. 8 no. 9 | Yuja Wang | — | |
| 36-17 | Poème, op. 32 no. 1 | Yuja Wang | — | |
| 36-18 | Danse macabre | Yuja Wang | T-703.135.794-7 | |
| 37-1 | Estampes : I. Pagodes | Alexis Weissenberg | — | |
| 37-2 | Estampes : II. La Soirée dans Grenade | Alexis Weissenberg | — | |
| 37-3 | Estampes : III. Jardins sous la pluie | Alexis Weissenberg | — | |
| 37-4 | Étude n° XI pour les arpèges composés | Alexis Weissenberg | — | |
| 37-5 | Suite bergamasque : Prélude | Alexis Weissenberg | T-905.024.780-8 | |
| 37-6 | Suite bergamasque : Menuet | Alexis Weissenberg | — | |
| 37-7 | Clair de lune (from ‘Suite bergamasque’) | Alexis Weissenberg | T-914.291.310-8 | |
| 37-8 | Suite bergamasque : Passepied | Alexis Weissenberg | — | |
| 37-9 | Children’s Corner: I. Doctor Gradus ad Parnassum | Alexis Weissenberg | — | |
| 37-10 | Children’s Corner: II. Jimbo’s Lullaby | Alexis Weissenberg | — | |
| 37-11 | Children’s Corner: III. Serenade for the Doll | Alexis Weissenberg | — | |
| 37-12 | Children’s Corner, L. 113: 4. The Snow Is Dancing | Alexis Weissenberg | — | |
| 37-13 | Children’s Corner: V. The Little Shepherd | Alexis Weissenberg | — | |
| 37-14 | Children’s Corner: VI. Golliwogg’s Cake-walk | Alexis Weissenberg | — | |
| 37-15 | La Fille aux cheveux de lin | Alexis Weissenberg | — | |
| 37-16 | L’Isle joyeuse | Alexis Weissenberg | T-306.231.690-5 | |
| 37-17 | La Plus que lente | Alexis Weissenberg | T-306.482.600-8 | |
| 38-1 | Sonata in E major, K. 380, L 23: Andante comodo | Yundi Li | — | |
| 38-2 | Sonata in G major, K. 13, L 486: Presto | Yundi Li | — | |
| 38-3 | Sonata for Piano no. 10 in C major, K. 330 (300h): I. Allegro moderato | Yundi Li | — | |
| 38-4 | Sonata for Piano no. 10 in C major, K. 330 (300h): II. Andante cantabile | Yundi Li | — | |
| 38-5 | Sonata for Piano no. 10 in C major, K. 330 (300h): III. Allegretto | Yundi Li | — | |
| 38-6 | Carnaval, op. 9: I. Préamble | Yundi Li | — | |
| 38-7 | Carnaval, op. 9: II. Pierrot | Yundi Li | — | |
| 38-8 | Carnaval, op. 9: III. Arlequin | Yundi Li | — | |
| 38-9 | Carnaval, op. 9: IV. Valse noble | Yundi Li | T-913.873.017-3 | |
| 38-10 | Carnaval, op. 9: V. Eusebius | Yundi Li | — | |
| 38-11 | Carnaval, op. 9: VI. Florestan | Yundi Li | — | |
| 38-12 | Carnaval, op. 9: VII. Coquette | Yundi Li | — | |
| 38-13 | Carnaval, op. 9: VIII. Réplique (Sphinxes) | Yundi Li | T-910.760.618-8 | |
| 38-14 | Carnaval, op. 9: IX. Papillons | Yundi Li | — | |
| 38-15 | Carnaval, op. 9: X. A.S.C.H. - S.C.H.A (Lettres dansantes) | Yundi Li | T-910.760.600-8 | |
| 38-16 | Carnaval, op. 9: XI. Chiarina | Yundi Li | T-910.760.603-1 | |
| 38-17 | Carnaval, op. 9: XII. Chopin | Yundi Li | T-910.760.604-2 | |
| 38-18 | Carnaval, op. 9: XIII. Estrella | Yundi Li | T-910.760.606-4 | |
| 38-19 | Carnaval, op. 9: XIV. Reconnaissance | Yundi Li | T-910.760.617-7 | |
| 38-20 | Carnaval, op. 9: XV. Pantalon Et Colombine | Yundi Li | T-915.735.056-6 | |
| 38-21 | Carnaval, op. 9: XVIa Valse allemande | Yundi Li | T-910.760.619-9 | |
| 38-22 | Carnaval, op. 9: XVIb Intermezzo: Paganini | Yundi Li | T-910.760.609-7 | |
| 38-23 | Carnaval, op. 9: XVII. Aveu | Yundi Li | T-910.760.602-0 | |
| 38-24 | Carnaval, op. 9: XVIII. Promenade | Yundi Li | — | |
| 38-25 | Carnaval, op. 9: XIX. Pause | Yundi Li | — | |
| 38-26 | Carnaval, op. 9: XX. Marche des “Davidsbündler” contre les Philistins | Yundi Li | T-910.760.610-0 | |
| 38-27 | Rhapsodie espagnole, S. 254, R. 90 | Yundi Li | — | |
| 39-1 | Ballade no. 1 in G minor, op. 23 | Krystian Zimerman | T-917.141.447-4 | |
| 39-2 | Ballade no. 2 in F major, op. 38 | Krystian Zimerman | — | |
| 39-3 | Ballade no. 3 in A‐flat major, op. 47 | Krystian Zimerman | T-913.821.070-5 | |
| 39-4 | Ballade no. 4 in F minor, op. 52 | Krystian Zimerman | — | |
| 39-5 | Barcarolle in F‐sharp major, op. 60 | Krystian Zimerman | T-905.382.146-8 | |
| 39-6 | Fantaisie in F minor, op. 49 | Krystian Zimerman | — | |
| 40-1 | Préludes: Book 1: no. 1: Danseuses de Delphes | Krystian Zimerman | — | |
| 40-2 | Voiles | Krystian Zimerman | — | |
| 40-3 | Le vent dans la plaine | Krystian Zimerman | — | |
| 40-4 | «Les sons et les parfums tournent dans lʼair du soir» | Krystian Zimerman | — | |
| 40-5 | Préludes: Book 1: no. 5: Les collines d´Anacapri | Krystian Zimerman | — | |
| 40-6 | Des pas sur la neige | Krystian Zimerman | — | |
| 40-7 | Ce qu’a vu le vent d’ouest | Krystian Zimerman | — | |
| 40-8 | La fille aux cheveux de lin | Krystian Zimerman | — | |
| 40-9 | La sérénade interrompue | Krystian Zimerman | — | |
| 40-10 | Préludes: Book 1: no. 10: La cathédrale engloutie | Krystian Zimerman | — | |
| 40-11 | Préludes: Book 1: no. 11: La danse de Puck | Krystian Zimerman | — | |
| 40-12 | Préludes: Book 1: no. 12 Minstrels | Krystian Zimerman | — | |
| 40-13 | Brouillards | Krystian Zimerman | — | |
| 40-14 | Feuilles Mortes | Krystian Zimerman | — | |
| 40-15 | La puerta del vino | Krystian Zimerman | — | |
| 40-16 | Les fées sont dʼexquises danseuses | Krystian Zimerman | — | |
| 40-17 | Bruyères | Krystian Zimerman | — | |
| 40-18 | «General Lavine» - excentric | Krystian Zimerman | T-902.761.163-8 | |
| 40-19 | La terrasse des audiences du clair de lune | Krystian Zimerman | — | |
| 40-20 | Ondine | Krystian Zimerman | — | |
| 40-21 | Hommage à S. Pickwick Esq. P.P.M.P.C. | Krystian Zimerman | — | |
| 40-22 | Canope | Krystian Zimerman | — | |
| 40-23 | Les tierces alternées | Krystian Zimerman | — | |
| 40-24 | Feux dʼartifice | Krystian Zimerman | — |
