UPC · Release
Radio-Symphonie-Orchester Berlin, Lorin Maazel
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028947944614 is the Universal Product Code (UPC barcode) for the release “The Radio-Symphonie-Orchester Berlin Recordings” by Radio-Symphonie-Orchester Berlin, Lorin Maazel. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 159 tracks, each with its own ISRC. Tracks include NLA506500500, DEF056100671, DEF056100672.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Orchestral Suite no. 1 in C major, BWV 1066: I. Ouverture | — | ||
| 2 | Orchestral Suite no. 1 in C major, BWV 1066: II. Courante | — | ||
| 3 | Orchestral Suite no. 1 in C major, BWV 1066: III. Gavotte I-II | — | ||
| 4 | Orchestral Suite no. 1 in C major, BWV 1066: IV. Forlane | — | ||
| 5 | Orchestral Suite no. 1 in C major, BWV 1066: V. Menuet I-II | — | ||
| 6 | Orchestral Suite no. 1 in C major, BWV 1066: VI. Bourrée I-II | — | ||
| 7 | Orchestral Suite no. 1 in C major, BWV 1066: VII. Passepied I-II | — | ||
| 8 | Orchestral Suite no. 2 in B minor, BWV 1067: I. Overture | — | ||
| 9 | Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau | — | ||
| 10 | Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande | — | ||
| 11 | Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée I-II | — | ||
| 12 | Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise I-II | — | ||
| 13 | Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet | — | ||
| 14 | Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie | — | ||
| 15 | Orchestral Suite no. 3 in D major, BWV 1068: I. Ouverture | — | ||
| 16 | Suite no. 3 in D major, BWV 1068; 2. Air | Deutsches Symphonie-Orchester Berlin, Lorin Maazel | T-914.248.874-2 | |
| 17 | Orchestral Suite no. 3 in D major, BWV 1068: III. Gavotte I-II | — | ||
| 18 | Orchestral Suite no. 3 in D major, BWV 1068: IV. Bourrée | — | ||
| 19 | Orchestral Suite no. 3 in D major, BWV 1068: V. Gigue | — | ||
| 2-1 | Orchestral Suite no. 4 in D major, BWV 1069: I. Ouverture | — | ||
| 2-2 | Orchestral Suite no. 4 in D major, BWV 1069: II. Bourrée | — | ||
| 2-3 | Orchestral Suite no. 4 in D major, BWV 1069: III. Gavotte | — | ||
| 2-4 | Orchestral Suite no. 4 in D major, BWV 1069: IV. Menuet | — | ||
| 2-5 | Orchestral Suite no. 4 in D major, BWV 1069: V. Réjouissance | — | ||
| 2-6 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. [Allegro] | — | ||
| 2-7 | Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio | — | ||
| 2-8 | Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro | — | ||
| 2-9 | Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto – Trio I – Polacca – Trio II | — | ||
| 2-10 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. [Allegro] | — | ||
| 2-11 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | — | ||
| 2-12 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | — | ||
| 2-13 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. [Allegro] | — | ||
| 2-14 | Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio | — | ||
| 2-15 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | — | ||
| 3-1 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | — | ||
| 3-2 | Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | — | ||
| 3-3 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto | — | ||
| 3-4 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | — | ||
| 3-5 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affetuoso | — | ||
| 3-6 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | — | ||
| 3-7 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. [Allegro] | — | ||
| 3-8 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | — | ||
| 3-9 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro | — | ||
| 4-1 | Oster-Oratorium, BWV 249: I. Sinfonia | — | ||
| 4-2 | Oster-Oratorium, BWV 249: II. Adagio | — | ||
| 4-3 | Oster-Oratorium, BWV 249: III. Duet & Chorus. Kommt, eilet und laufet | — | ||
| 4-4 | Oster-Oratorium, BWV 249: IV. Recit. O kalter Männer Sinn | — | ||
| 4-5 | Oster-Oratorium, BWV 249: V. Aria. Seele, deine Spezereien | — | ||
| 4-6 | Oster-Oratorium, BWV 249: VI. Recit. Hier ist die Gruft | — | ||
| 4-7 | Oster-Oratorium, BWV 249: VII. Aria. Sanfte soll mein Todeskummer | — | ||
| 4-8 | Oster-Oratorium, BWV 249: VIII. Recit. Indessen seufzen wir | — | ||
| 4-9 | Oster-Oratorium, BWV 249: IX. Aria. Saget, saget mir geschwinde | — | ||
| 4-10 | Oster-Oratorium, BWV 249: X. Recit. Wir sind erfreut – XI. Chorus. Preis und Dank bleibe | — | ||
| 4-11 | Oster-Oratorium, BWV 249: XII. Chorale. Es hat mit uns nun keine Not | — | ||
| 5-1 | Mass in B Minor, BWV 232: I. Kyrie: No. 1, Kyrie eleison (Chorus) | — | ||
| 5-2 | Mass in B Minor, BWV 232: I. Kyrie: No. 2, Christe eleison (Soprano I, II) | — | ||
| 5-3 | Mass in B Minor, BWV 232: I. Kyrie: No. 3, Kyrie eleison (Chorus) | — | ||
| 5-4 | Mass in B Minor, BWV 232: II. Gloria: No. 1, Gloria in excelsis Deo (Chorus) | — | ||
| 5-5 | Mass in B Minor, BWV 232: II. Gloria: No. 2, Et in terra pax hominibus (Chorus) | — | ||
| 5-6 | Mass in B Minor, BWV 232: II. Gloria: No. 3, Laudamus te (Soprano II) | — | ||
| 5-7 | Mass in B Minor, BWV 232: II. Gloria: No. 4, Gratias agimus tibi (Chorus) | — | ||
| 5-8 | Mass in B Minor, BWV 232: II. Gloria: No. 5, Domine Deus (Soprano I, Tenor) | — | ||
| 5-9 | Mass in B Minor, BWV 232: II. Gloria: No. 6, Qui tollis peccata mundi (Chorus) | — | ||
| 5-10 | Mass in B Minor, BWV 232: II. Gloria: No. 7, Qui sedes ad dexteram Patris (Alto) | — | ||
| 5-11 | Mass in B Minor, BWV 232: II. Gloria: No. 8, Quoniam tu solus sanctus (Bass) | — | ||
| 5-12 | Mass in B Minor, BWV 232: II. Gloria: No. 9, Cum Sancto Spiritu (Chorus) | — | ||
| 6-1 | Mass in B Minor, BWV 232: III. Credo: No. 1, Credo in unum Deum (Chorus) | — | ||
| 6-2 | Mass in B Minor, BWV 232: III. Credo: No. 2, Patrem omnipotentem (Chorus) | — | ||
| 6-3 | Mass in B Minor, BWV 232: III. Credo: No. 3, Et in unum Dominum (Soprano I, Alto) | — | ||
| 6-4 | Mass in B Minor, BWV 232: III. Credo: No. 4, Et incarnatus est (Chorus) | — | ||
| 6-5 | Mass in B Minor, BWV 232: III. Credo: No. 5, Crucifixus etiam pro nobis (Chorus) | — | ||
| 6-6 | Mass in B Minor, BWV 232: III. Credo: No. 6, Et resurrexit tertia die (Chorus) | — | ||
| 6-7 | Mass in B Minor, BWV 232: III. Credo: No. 7, Et in Spiritum Sanctum (Bass) | — | ||
| 6-8 | Mass in B Minor, BWV 232: III. Credo: No. 8, Confiteor unum baptisma (Chorus) | — | ||
| 6-9 | Mass in B Minor, BWV 232: III. Credo: No. 9, Et exspecto resurrectionem (Chorus) | — | ||
| 6-10 | Mass in B Minor, BWV 232: IV. Sanctus: No. 1, Sanctus, Domine Deus (Chorus) | — | ||
| 6-11 | Mass in B Minor, BWV 232: IV. Sanctus: No. 2, Osanna in excelsis (Chorus) | — | ||
| 6-12 | Mass in B Minor, BWV 232: V. Benedictus: No. 1, Benedictus qui venit (Tenor) | — | ||
| 6-13 | Mass in B Minor, BWV 232: V. Benedictus: No. 2, Osanna in excelsis (Chorus) | — | ||
| 6-14 | Mass in B Minor, BWV 232: VI. Agnus Dei: No. 1, Agnus Dei (Alto) | — | ||
| 6-15 | Mass in B Minor, BWV 232: VI. Agnus Dei: No. 2, Dona nobis pacem (Chorus) | — | ||
| 7-1 | Music for the Royal Fireworks, HWV 351: I. Ouverture | — | ||
| 7-2 | Music for the Royal Fireworks, HWV 351: II. Bourrée | — | ||
| 7-3 | Music for the Royal Fireworks, HWV 351: III. La Paix. Largo alla siciliana | — | ||
| 7-4 | Music for the Royal Fireworks, HWV 351: IV. La Réjouissance | — | ||
| 7-5 | Music for the Royal Fireworks, HWV 351: V. Menuet II-I | — | ||
| 7-6 | Water Music Suite no. 3 in G major, HWV 350: I. [Sarabande] | — | ||
| 7-7 | Water Music Suite no. 3 in G major, HWV 350: IIIb. [Trio] | — | ||
| 7-8 | Water Music Suite no. 3 in G major, HWV 350: IV. [Gigue II-I "Country Dances"] | — | ||
| 7-9 | Water Music Suite no. 2 in D major, HWV 349: Ia. Allegro | — | ||
| 7-10 | Water Music Suite no. 2 in D major, HWV 349: Ib. Andante | — | ||
| 7-11 | Water Music Suite no. 2 in D major, HWV 349: II. [Alla Hornpipe] | — | ||
| 7-12 | Water Music Suite no. 1 in F major, HWV 348: II. Adagio e staccato | — | ||
| 7-13 | Water Music Suite no. 1 in F major, HWV 348: III. [Hornpipe. Allegro] – Andante – [Allegro da capo] | — | ||
| 7-14 | Water Music Suite no. 1 in F major, HWV 348: V. Air | — | ||
| 7-15 | Water Music Suite no. 1 in F major, HWV 348: VII. Bourrée | — | ||
| 7-16 | Water Music Suite no. 1 in F major, HWV 348: VIII. Hornpipe | — | ||
| 7-17 | Water Music Suite no. 1 in F major, HWV 348: VI. [Minuet] for Horns | — | ||
| 8-1 | Stabat Mater, P. 77: I. Duet. Stabat Mater dolorosa | — | ||
| 8-2 | Stabat Mater, P. 77: II. Soprano. Cuius animam gementem | — | ||
| 8-3 | Stabat Mater, P. 77: III. Duet. O quam tristis et afflicta | — | ||
| 8-4 | Stabat Mater, P. 77: IV. Alto. Quae moerebat et dolebat | — | ||
| 8-5 | Stabat Mater, P. 77: V. Duet. Quis est homo qui non fleret | — | ||
| 8-6 | Stabat Mater, P. 77: VI. Soprano. Vidit suum dulcem natum | — | ||
| 8-7 | Stabat Mater, P. 77: VII. Alto. Eia mater, fons amoris | — | ||
| 8-8 | Stabat Mater, P. 77: VIII. Duet. Fac, ut ardeat cor meum | — | ||
| 8-9 | Stabat Mater, P. 77: IX. Duet. Sancta mater | — | ||
| 8-10 | Stabat Mater, P. 77: X. Alto. Fac, ut portem Christi mortem | — | ||
| 8-11 | Stabat Mater, P. 77: XI. Duet. Inflammatus et accensus | — | ||
| 8-12 | Stabat Mater, P. 77: XII. Duet. Quando corpus morietur – Amen | — | ||
| 9-1 | Symphony no. 38 in D major, K. 504 "Prague": I. Adagio – Allegro | — | ||
| 9-2 | Symphony no. 38 in D major, K. 504 "Prague": II. Andante | — | ||
| 9-3 | Symphony no. 38 in D major, K. 504 "Prague": III. Finale. Presto | — | ||
| 9-4 | Symphony no. 39 in E-flat major, K. 543: I. Adagio – Allegro | — | ||
| 9-5 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto | — | ||
| 9-6 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegretto | — | ||
| 9-7 | Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro | — | ||
| 10-1 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | — | ||
| 10-2 | Symphony no. 40 in G minor, K. 550: II. Andante | — | ||
| 10-3 | Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto | — | ||
| 10-4 | Symphony no. 40 in G minor, K. 550: IV. Finale. Allegro assai | — | ||
| 10-5 | Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | — | ||
| 10-6 | Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | — | ||
| 10-7 | Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto | — | ||
| 10-8 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Finale. Molto allegro | — | ||
| 11-1 | Symphony no. 9 in E minor, op. 95, B. 178 "From the New World": I. Adagio – Allegro molto | — | ||
| 11-2 | Symphony no. 9 in E minor, op. 95, B. 178 "From the New World": II. Largo | — | ||
| 11-3 | Symphony no. 9 in E minor, op. 95, B. 178 "From the New World": III. Scherzo. Molto vivace | — | ||
| 11-4 | Symphony no. 9 in E minor, op. 95, B. 178 "From the New World": IV. Finale. Allegro con fuoco | — | ||
| 12-1 | Symphony in D minor: 1. Lento – Allegro non troppo | Deutsches Symphonie-Orchester Berlin, Lorin Maazel | T-900.967.586-9 | |
| 12-2 | Symphony in D minor: 2. Allegretto | Deutsches Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 12-3 | Symphony in D minor: 3. Allegro non troppo | Deutsches Symphonie-Orchester Berlin, Lorin Maazel | T-900.967.586-9 | |
| 13-1 | L'Oiseau de feu: Introduction – L’Oiseau de feu et sa danse | Radio-Sinfonie-Orchester Berlin, Lorin Maazel | — | |
| 13-2 | L'Oiseau de feu: Variation de l’Oiseau de feu | Radio-Sinfonie-Orchester Berlin, Lorin Maazel | — | |
| 13-3 | L'Oiseau de feu: Ronde des princesses (Khorovode) | Radio-Sinfonie-Orchester Berlin, Lorin Maazel | — | |
| 13-4 | L'Oiseau de feu: Danse infernale du roi Kachtcheï | Radio-Sinfonie-Orchester Berlin, Lorin Maazel | — | |
| 13-5 | L'Oiseau de feu: Berceuse | Radio-Sinfonie-Orchester Berlin, Lorin Maazel | T-071.420.343-6 | |
| 13-6 | L'Oiseau de feu: Final | Radio-Sinfonie-Orchester Berlin, Lorin Maazel | T-073.071.144-0 | |
| 13-7 | Le Chant du rossignol : I. Introduction | Deutsches Symphonie-Orchester Berlin, Lorin Maazel | T-010.607.647-4 | |
| 13-8 | Le Chant du rossignol : II. Marche chinoise | Deutsches Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 13-9 | Le Chant du rossignol : III. Chant du Rossignol | Deutsches Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 13-10 | Le Chant du rossignol : IV. Jeu du Rossignol Mécanique | Deutsches Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 14-1 | El amor brujo: Introducción y escena | Radio-Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 14-2 | El amor brujo: En la cueva: la noche | Radio-Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 14-3 | El amor brujo: Canción del amor dolido | Radio-Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 14-4 | El amor brujo: El aparecido | Radio-Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 14-5 | El amor brujo: Danza del terror | Radio-Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 14-6 | El amor brujo: El círculo mágico. Romance del pescador | Radio-Symphonie-Orchester Berlin, Lorin Maazel | T-041.489.063-3 | |
| 14-7 | El amor brujo: A medianoche. Los sortilegios | Radio-Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 14-8 | El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus | Radio-Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 14-9 | El amor brujo: Escena | Radio-Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 14-10 | El amor brujo: Canción del fuego fatuo | Radio-Symphonie-Orchester Berlin, Lorin Maazel | T-041.489.063-3 | |
| 14-11 | El amor brujo: Pantomima | Radio-Symphonie-Orchester Berlin, Lorin Maazel | T-041.489.063-3 | |
| 14-12 | El amor brujo: Danza del juego de amor | Radio-Symphonie-Orchester Berlin, Lorin Maazel | T-041.489.063-3 | |
| 14-13 | El amor brujo: Final. Las campanas del amanecer | Radio-Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 14-14 | El Sombrero de Tres Picos, G. 53 Part I: Danza de la molinera | Radio-Symphonie-Orchester Berlin, Lorin Maazel | T-041.489.062-2 | |
| 14-15 | El Sombrero de Tres Picos, G. 53 Part II: Danza de la vicinos | Radio-Symphonie-Orchester Berlin, Lorin Maazel | T-041.489.062-2 | |
| 14-16 | El Sombrero de Tres Picos, G. 53 Part II: Danza del molinero | Radio-Symphonie-Orchester Berlin, Lorin Maazel | T-041.489.062-2 | |
| 14-17 | El Sombrero de Tres Picos, G. 53 Part II: Danza Final | Radio-Symphonie-Orchester Berlin, Lorin Maazel | T-041.489.062-2 |
Musical Works (ISWC)
Identifier Graph
028947944614 is a Universal Product Code (UPC) assigned to The Radio-Symphonie-Orchester Berlin Recordings by Radio-Symphonie-Orchester Berlin, Lorin Maazel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 159 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947944614 is the Universal Product Code (UPC barcode) for the release “The Radio-Symphonie-Orchester Berlin Recordings” by Radio-Symphonie-Orchester Berlin, Lorin Maazel. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 159 tracks, each with its own ISRC. Tracks include NLA506500500, DEF056100671, DEF056100672.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Orchestral Suite no. 1 in C major, BWV 1066: I. Ouverture | — | ||
| 2 | Orchestral Suite no. 1 in C major, BWV 1066: II. Courante | — | ||
| 3 | Orchestral Suite no. 1 in C major, BWV 1066: III. Gavotte I-II | — | ||
| 4 | Orchestral Suite no. 1 in C major, BWV 1066: IV. Forlane | — | ||
| 5 | Orchestral Suite no. 1 in C major, BWV 1066: V. Menuet I-II | — | ||
| 6 | Orchestral Suite no. 1 in C major, BWV 1066: VI. Bourrée I-II | — | ||
| 7 | Orchestral Suite no. 1 in C major, BWV 1066: VII. Passepied I-II | — | ||
| 8 | Orchestral Suite no. 2 in B minor, BWV 1067: I. Overture | — | ||
| 9 | Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau | — | ||
| 10 | Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande | — | ||
| 11 | Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée I-II | — | ||
| 12 | Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise I-II | — | ||
| 13 | Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet | — | ||
| 14 | Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie | — | ||
| 15 | Orchestral Suite no. 3 in D major, BWV 1068: I. Ouverture | — | ||
| 16 | Suite no. 3 in D major, BWV 1068; 2. Air | Deutsches Symphonie-Orchester Berlin, Lorin Maazel | T-914.248.874-2 | |
| 17 | Orchestral Suite no. 3 in D major, BWV 1068: III. Gavotte I-II | — | ||
| 18 | Orchestral Suite no. 3 in D major, BWV 1068: IV. Bourrée | — | ||
| 19 | Orchestral Suite no. 3 in D major, BWV 1068: V. Gigue | — | ||
| 2-1 | Orchestral Suite no. 4 in D major, BWV 1069: I. Ouverture | — | ||
| 2-2 | Orchestral Suite no. 4 in D major, BWV 1069: II. Bourrée | — | ||
| 2-3 | Orchestral Suite no. 4 in D major, BWV 1069: III. Gavotte | — | ||
| 2-4 | Orchestral Suite no. 4 in D major, BWV 1069: IV. Menuet | — | ||
| 2-5 | Orchestral Suite no. 4 in D major, BWV 1069: V. Réjouissance | — | ||
| 2-6 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. [Allegro] | — | ||
| 2-7 | Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio | — | ||
| 2-8 | Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro | — | ||
| 2-9 | Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto – Trio I – Polacca – Trio II | — | ||
| 2-10 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. [Allegro] | — | ||
| 2-11 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | — | ||
| 2-12 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | — | ||
| 2-13 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. [Allegro] | — | ||
| 2-14 | Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio | — | ||
| 2-15 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | — | ||
| 3-1 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | — | ||
| 3-2 | Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | — | ||
| 3-3 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto | — | ||
| 3-4 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | — | ||
| 3-5 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affetuoso | — | ||
| 3-6 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | — | ||
| 3-7 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. [Allegro] | — | ||
| 3-8 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | — | ||
| 3-9 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro | — | ||
| 4-1 | Oster-Oratorium, BWV 249: I. Sinfonia | — | ||
| 4-2 | Oster-Oratorium, BWV 249: II. Adagio | — | ||
| 4-3 | Oster-Oratorium, BWV 249: III. Duet & Chorus. Kommt, eilet und laufet | — | ||
| 4-4 | Oster-Oratorium, BWV 249: IV. Recit. O kalter Männer Sinn | — | ||
| 4-5 | Oster-Oratorium, BWV 249: V. Aria. Seele, deine Spezereien | — | ||
| 4-6 | Oster-Oratorium, BWV 249: VI. Recit. Hier ist die Gruft | — | ||
| 4-7 | Oster-Oratorium, BWV 249: VII. Aria. Sanfte soll mein Todeskummer | — | ||
| 4-8 | Oster-Oratorium, BWV 249: VIII. Recit. Indessen seufzen wir | — | ||
| 4-9 | Oster-Oratorium, BWV 249: IX. Aria. Saget, saget mir geschwinde | — | ||
| 4-10 | Oster-Oratorium, BWV 249: X. Recit. Wir sind erfreut – XI. Chorus. Preis und Dank bleibe | — | ||
| 4-11 | Oster-Oratorium, BWV 249: XII. Chorale. Es hat mit uns nun keine Not | — | ||
| 5-1 | Mass in B Minor, BWV 232: I. Kyrie: No. 1, Kyrie eleison (Chorus) | — | ||
| 5-2 | Mass in B Minor, BWV 232: I. Kyrie: No. 2, Christe eleison (Soprano I, II) | — | ||
| 5-3 | Mass in B Minor, BWV 232: I. Kyrie: No. 3, Kyrie eleison (Chorus) | — | ||
| 5-4 | Mass in B Minor, BWV 232: II. Gloria: No. 1, Gloria in excelsis Deo (Chorus) | — | ||
| 5-5 | Mass in B Minor, BWV 232: II. Gloria: No. 2, Et in terra pax hominibus (Chorus) | — | ||
| 5-6 | Mass in B Minor, BWV 232: II. Gloria: No. 3, Laudamus te (Soprano II) | — | ||
| 5-7 | Mass in B Minor, BWV 232: II. Gloria: No. 4, Gratias agimus tibi (Chorus) | — | ||
| 5-8 | Mass in B Minor, BWV 232: II. Gloria: No. 5, Domine Deus (Soprano I, Tenor) | — | ||
| 5-9 | Mass in B Minor, BWV 232: II. Gloria: No. 6, Qui tollis peccata mundi (Chorus) | — | ||
| 5-10 | Mass in B Minor, BWV 232: II. Gloria: No. 7, Qui sedes ad dexteram Patris (Alto) | — | ||
| 5-11 | Mass in B Minor, BWV 232: II. Gloria: No. 8, Quoniam tu solus sanctus (Bass) | — | ||
| 5-12 | Mass in B Minor, BWV 232: II. Gloria: No. 9, Cum Sancto Spiritu (Chorus) | — | ||
| 6-1 | Mass in B Minor, BWV 232: III. Credo: No. 1, Credo in unum Deum (Chorus) | — | ||
| 6-2 | Mass in B Minor, BWV 232: III. Credo: No. 2, Patrem omnipotentem (Chorus) | — | ||
| 6-3 | Mass in B Minor, BWV 232: III. Credo: No. 3, Et in unum Dominum (Soprano I, Alto) | — | ||
| 6-4 | Mass in B Minor, BWV 232: III. Credo: No. 4, Et incarnatus est (Chorus) | — | ||
| 6-5 | Mass in B Minor, BWV 232: III. Credo: No. 5, Crucifixus etiam pro nobis (Chorus) | — | ||
| 6-6 | Mass in B Minor, BWV 232: III. Credo: No. 6, Et resurrexit tertia die (Chorus) | — | ||
| 6-7 | Mass in B Minor, BWV 232: III. Credo: No. 7, Et in Spiritum Sanctum (Bass) | — | ||
| 6-8 | Mass in B Minor, BWV 232: III. Credo: No. 8, Confiteor unum baptisma (Chorus) | — | ||
| 6-9 | Mass in B Minor, BWV 232: III. Credo: No. 9, Et exspecto resurrectionem (Chorus) | — | ||
| 6-10 | Mass in B Minor, BWV 232: IV. Sanctus: No. 1, Sanctus, Domine Deus (Chorus) | — | ||
| 6-11 | Mass in B Minor, BWV 232: IV. Sanctus: No. 2, Osanna in excelsis (Chorus) | — | ||
| 6-12 | Mass in B Minor, BWV 232: V. Benedictus: No. 1, Benedictus qui venit (Tenor) | — | ||
| 6-13 | Mass in B Minor, BWV 232: V. Benedictus: No. 2, Osanna in excelsis (Chorus) | — | ||
| 6-14 | Mass in B Minor, BWV 232: VI. Agnus Dei: No. 1, Agnus Dei (Alto) | — | ||
| 6-15 | Mass in B Minor, BWV 232: VI. Agnus Dei: No. 2, Dona nobis pacem (Chorus) | — | ||
| 7-1 | Music for the Royal Fireworks, HWV 351: I. Ouverture | — | ||
| 7-2 | Music for the Royal Fireworks, HWV 351: II. Bourrée | — | ||
| 7-3 | Music for the Royal Fireworks, HWV 351: III. La Paix. Largo alla siciliana | — | ||
| 7-4 | Music for the Royal Fireworks, HWV 351: IV. La Réjouissance | — | ||
| 7-5 | Music for the Royal Fireworks, HWV 351: V. Menuet II-I | — | ||
| 7-6 | Water Music Suite no. 3 in G major, HWV 350: I. [Sarabande] | — | ||
| 7-7 | Water Music Suite no. 3 in G major, HWV 350: IIIb. [Trio] | — | ||
| 7-8 | Water Music Suite no. 3 in G major, HWV 350: IV. [Gigue II-I "Country Dances"] | — | ||
| 7-9 | Water Music Suite no. 2 in D major, HWV 349: Ia. Allegro | — | ||
| 7-10 | Water Music Suite no. 2 in D major, HWV 349: Ib. Andante | — | ||
| 7-11 | Water Music Suite no. 2 in D major, HWV 349: II. [Alla Hornpipe] | — | ||
| 7-12 | Water Music Suite no. 1 in F major, HWV 348: II. Adagio e staccato | — | ||
| 7-13 | Water Music Suite no. 1 in F major, HWV 348: III. [Hornpipe. Allegro] – Andante – [Allegro da capo] | — | ||
| 7-14 | Water Music Suite no. 1 in F major, HWV 348: V. Air | — | ||
| 7-15 | Water Music Suite no. 1 in F major, HWV 348: VII. Bourrée | — | ||
| 7-16 | Water Music Suite no. 1 in F major, HWV 348: VIII. Hornpipe | — | ||
| 7-17 | Water Music Suite no. 1 in F major, HWV 348: VI. [Minuet] for Horns | — | ||
| 8-1 | Stabat Mater, P. 77: I. Duet. Stabat Mater dolorosa | — | ||
| 8-2 | Stabat Mater, P. 77: II. Soprano. Cuius animam gementem | — | ||
| 8-3 | Stabat Mater, P. 77: III. Duet. O quam tristis et afflicta | — | ||
| 8-4 | Stabat Mater, P. 77: IV. Alto. Quae moerebat et dolebat | — | ||
| 8-5 | Stabat Mater, P. 77: V. Duet. Quis est homo qui non fleret | — | ||
| 8-6 | Stabat Mater, P. 77: VI. Soprano. Vidit suum dulcem natum | — | ||
| 8-7 | Stabat Mater, P. 77: VII. Alto. Eia mater, fons amoris | — | ||
| 8-8 | Stabat Mater, P. 77: VIII. Duet. Fac, ut ardeat cor meum | — | ||
| 8-9 | Stabat Mater, P. 77: IX. Duet. Sancta mater | — | ||
| 8-10 | Stabat Mater, P. 77: X. Alto. Fac, ut portem Christi mortem | — | ||
| 8-11 | Stabat Mater, P. 77: XI. Duet. Inflammatus et accensus | — | ||
| 8-12 | Stabat Mater, P. 77: XII. Duet. Quando corpus morietur – Amen | — | ||
| 9-1 | Symphony no. 38 in D major, K. 504 "Prague": I. Adagio – Allegro | — | ||
| 9-2 | Symphony no. 38 in D major, K. 504 "Prague": II. Andante | — | ||
| 9-3 | Symphony no. 38 in D major, K. 504 "Prague": III. Finale. Presto | — | ||
| 9-4 | Symphony no. 39 in E-flat major, K. 543: I. Adagio – Allegro | — | ||
| 9-5 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto | — | ||
| 9-6 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegretto | — | ||
| 9-7 | Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro | — | ||
| 10-1 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | — | ||
| 10-2 | Symphony no. 40 in G minor, K. 550: II. Andante | — | ||
| 10-3 | Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto | — | ||
| 10-4 | Symphony no. 40 in G minor, K. 550: IV. Finale. Allegro assai | — | ||
| 10-5 | Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | — | ||
| 10-6 | Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | — | ||
| 10-7 | Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto | — | ||
| 10-8 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Finale. Molto allegro | — | ||
| 11-1 | Symphony no. 9 in E minor, op. 95, B. 178 "From the New World": I. Adagio – Allegro molto | — | ||
| 11-2 | Symphony no. 9 in E minor, op. 95, B. 178 "From the New World": II. Largo | — | ||
| 11-3 | Symphony no. 9 in E minor, op. 95, B. 178 "From the New World": III. Scherzo. Molto vivace | — | ||
| 11-4 | Symphony no. 9 in E minor, op. 95, B. 178 "From the New World": IV. Finale. Allegro con fuoco | — | ||
| 12-1 | Symphony in D minor: 1. Lento – Allegro non troppo | Deutsches Symphonie-Orchester Berlin, Lorin Maazel | T-900.967.586-9 | |
| 12-2 | Symphony in D minor: 2. Allegretto | Deutsches Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 12-3 | Symphony in D minor: 3. Allegro non troppo | Deutsches Symphonie-Orchester Berlin, Lorin Maazel | T-900.967.586-9 | |
| 13-1 | L'Oiseau de feu: Introduction – L’Oiseau de feu et sa danse | Radio-Sinfonie-Orchester Berlin, Lorin Maazel | — | |
| 13-2 | L'Oiseau de feu: Variation de l’Oiseau de feu | Radio-Sinfonie-Orchester Berlin, Lorin Maazel | — | |
| 13-3 | L'Oiseau de feu: Ronde des princesses (Khorovode) | Radio-Sinfonie-Orchester Berlin, Lorin Maazel | — | |
| 13-4 | L'Oiseau de feu: Danse infernale du roi Kachtcheï | Radio-Sinfonie-Orchester Berlin, Lorin Maazel | — | |
| 13-5 | L'Oiseau de feu: Berceuse | Radio-Sinfonie-Orchester Berlin, Lorin Maazel | T-071.420.343-6 | |
| 13-6 | L'Oiseau de feu: Final | Radio-Sinfonie-Orchester Berlin, Lorin Maazel | T-073.071.144-0 | |
| 13-7 | Le Chant du rossignol : I. Introduction | Deutsches Symphonie-Orchester Berlin, Lorin Maazel | T-010.607.647-4 | |
| 13-8 | Le Chant du rossignol : II. Marche chinoise | Deutsches Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 13-9 | Le Chant du rossignol : III. Chant du Rossignol | Deutsches Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 13-10 | Le Chant du rossignol : IV. Jeu du Rossignol Mécanique | Deutsches Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 14-1 | El amor brujo: Introducción y escena | Radio-Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 14-2 | El amor brujo: En la cueva: la noche | Radio-Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 14-3 | El amor brujo: Canción del amor dolido | Radio-Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 14-4 | El amor brujo: El aparecido | Radio-Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 14-5 | El amor brujo: Danza del terror | Radio-Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 14-6 | El amor brujo: El círculo mágico. Romance del pescador | Radio-Symphonie-Orchester Berlin, Lorin Maazel | T-041.489.063-3 | |
| 14-7 | El amor brujo: A medianoche. Los sortilegios | Radio-Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 14-8 | El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus | Radio-Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 14-9 | El amor brujo: Escena | Radio-Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 14-10 | El amor brujo: Canción del fuego fatuo | Radio-Symphonie-Orchester Berlin, Lorin Maazel | T-041.489.063-3 | |
| 14-11 | El amor brujo: Pantomima | Radio-Symphonie-Orchester Berlin, Lorin Maazel | T-041.489.063-3 | |
| 14-12 | El amor brujo: Danza del juego de amor | Radio-Symphonie-Orchester Berlin, Lorin Maazel | T-041.489.063-3 | |
| 14-13 | El amor brujo: Final. Las campanas del amanecer | Radio-Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 14-14 | El Sombrero de Tres Picos, G. 53 Part I: Danza de la molinera | Radio-Symphonie-Orchester Berlin, Lorin Maazel | T-041.489.062-2 | |
| 14-15 | El Sombrero de Tres Picos, G. 53 Part II: Danza de la vicinos | Radio-Symphonie-Orchester Berlin, Lorin Maazel | T-041.489.062-2 | |
| 14-16 | El Sombrero de Tres Picos, G. 53 Part II: Danza del molinero | Radio-Symphonie-Orchester Berlin, Lorin Maazel | T-041.489.062-2 | |
| 14-17 | El Sombrero de Tres Picos, G. 53 Part II: Danza Final | Radio-Symphonie-Orchester Berlin, Lorin Maazel | T-041.489.062-2 |
