UPC · Release
Пётр Ильич Чайковский
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028947946465 is the Universal Product Code (UPC barcode) for the release “Tchaikovsky Masterworks Edition” by Пётр Ильич Чайковский, released 2015-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 378 tracks, each with its own ISRC. Tracks include DEF058731114, DEF057830201, DEF057830202.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Eugene Onegin: Act I. Introduction | — | ||
| 2 | Eugene Onegin: Act I. "Slikhali l vi za roschei glas nochnoi" | — | ||
| 3 | Eugene Onegin: Act I. "Bolyat moyi skori nozhenki so pokhodushki!" - "Uzh kak po mostu, mostochku" | — | ||
| 4 | Eugene Onegin: Act I. "Kak ya lyublyu pod zvuki pesen etikh" | — | ||
| 5 | Eugene Onegin: Act I. "Nu ti, moya vostrushka" | — | ||
| 6 | Eugene Onegin: Act I. "Mesdames! Ya na sebya vzyal smyelost" - "Skazhi, kotoraya Tatyana?" | — | ||
| 7 | Eugene Onegin: Act I. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas" | — | ||
| 8 | Eugene Onegin: Act I. "A, vot i vi" | — | ||
| 9 | Eugene Onegin: Act I. "Nu, zaboltalas ya!" | — | ||
| 10 | Eugene Onegin: Act I. "Puskai pogibnu ya, no pryezhde" | — | ||
| 11 | Eugene Onegin: Act I. "Akh, noch minula" | — | ||
| 12 | Eugene Onegin: Act I. "Dyevitsi, krasavitsi" | — | ||
| 13 | Eugene Onegin: Act I. "Zdyes on, zdyes on, Yevgeni!" - "Kogda bi zhizn domashnim krugom" | — | ||
| 2-1 | Eugene Onegin: Act II. "Vot tak syurpriz!" | — | ||
| 2-2 | Eugene Onegin: Act II. "Uzhel ya zasluzhil ot vas nasmyeshku etu?" - "A cette fête conviés" | — | ||
| 2-3 | Eugene Onegin: Act II. "Messieurs, mesdames, mesta zanyat izvolte" - "Ti ne tantsuyesh, Lenski?" | — | ||
| 2-4 | Eugene Onegin: Act II. "V vashem dome! V vashem dome" | — | ||
| 2-5 | Eugene Onegin: Act II. "Nu, shto zhe?" | — | ||
| 2-6 | Eugene Onegin: Act II. "A, vot oni!" | — | ||
| 2-7 | Eugen Onegin: Act III. Polonaise | Staatskapelle Dresden, James Levine | — | |
| 2-8 | Eugene Onegin: Act III. "I zdyes mnye skuchno!" - "Knyaginya Gremina! Smotrite!"" | — | ||
| 2-9 | Eugene Onegin: Act III. "Lyubvi vsye vozrasti pokorni" | — | ||
| 2-10 | Eugene Onegin: Act III. "Itak, poidyom, te bya predstavlyu ya" - "Uzhel ta samaya Tatyana" | — | ||
| 2-11 | Eugene Onegin: Act III. "O! Kak mnye tyazhelo!" - "Onegin! Ya togda molozhe" | — | ||
| 3-1 | Pique Dame: Overture | — | ||
| 3-2 | Pique Dame: Act I, Scene I. "Gori, gori yasno" (Children, Women, Commander) | — | ||
| 3-3 | Pique Dame: Act I, Scene I. "Chem, konchilas vchera igra?" (Chekalinsky, Surin, Tomsky, Herman) | — | ||
| 3-4 | Pique Dame: Act I, Scene I. "Ya imeni yeyo ne znayu" (Herman, Tomsky) | — | ||
| 3-5 | Pique Dame: Act I, Scene I. "Nakonets-to bog" (Chorus) - "A ty uveren" (Tomsky, Herman) - "Schastlivy den" (Yeletzky, Herman) - "Skazhi, na kom ty zhenishsya?" (Tomsky, Herman, Yeletzky, Liza, Countess) | — | ||
| 3-6 | Pique Dame: Act I, Scene I. "Mne strashno!" (Liza, Countess, Herman, Yeletzky, Tomsky) - "Grafinya!" (Tomsky, Countess, Yeletzky, Herman) | — | ||
| 3-7 | Pique Dame: Act I, Scene I. "Kakaya vedma" (Surin, Chekalinsky, Tomsky) | — | ||
| 3-8 | Pique Dame: Act I, Scene I. "Odnazhdy v Versale" (Tomsky) | — | ||
| 3-9 | Pique Dame: Act I, Scene I. "Se non è vero" (Chekalinsky, Surin) - "Kak bystro groza nastupila" (Chorus) - "Poluchish smertelny udar ty" (Herman) | — | ||
| 3-10 | Pique Dame: Act I, Scene II. "Uzh vecher" (Liza, Pauline) | — | ||
| 3-11 | Pique Dame: Act I, Scene II. "Obvorozhitelno!" (Women, Liza, Pauline) | — | ||
| 3-12 | Pique Dame: Act I, Scene II. "Da, vspomnila... Podrugi Milie" (Pauline, Women) | — | ||
| 3-13 | Pique Dame: Act I, Scene II. "Nu-ka, svetik Mashenka" (Pauline, Women) | — | ||
| 3-14 | Pique Dame: Act I, Scene II. "Mesdemoiselles" (Governess) | — | ||
| 3-15 | Pique Dame: Act I, Scene II. "Pora uzh raskhoditsya" (Governess, Pauline, Liza) | — | ||
| 3-16 | Pique Dame: Act I, Scene II. "Ne nado zatvoryat" (Liza, Masha) | — | ||
| 3-17 | Pique Dame: Act I, Scene II. "Otkuda eti slyozy" (Liza) | — | ||
| 3-18 | Pique Dame: Act I, Scene II. "Ostanovites" (Herman, Liza) | — | ||
| 3-19 | Pique Dame: Act I, Scene II. "Prosti, prelestnoe sozdanye" (Herman, Liza) | — | ||
| 3-20 | Pique Dame: Act I, Scene II. "Liza, otvori!" (Countess, Liza, Herman) | — | ||
| 3-21 | Pique Dame: Act I, Scene II. "O poshchadi menya!" (Herman, Liza) | — | ||
| 4-1 | Pique Dame: Act II, Scene III. "Radostno, veselo v den sei" (Chorus) | — | ||
| 4-2 | Pique Dame: Act II, Scene III. "Khozyain prosit dorogikh gostei!" (Master of Ceremonies, Chekalinsky, Surin, Tomsky) | — | ||
| 4-3 | Pique Dame: Act II, Scene III. "Vy tak pechalny" (Yeletzky, Liza) | — | ||
| 4-4 | Pique Dame: Act II, Scene III. "Ya vas lyublyu" (Yeletzky) | — | ||
| 4-5 | Pique Dame: Act II, Scene III. "Posle predstavleniya" (Herman) - "Ne ty li tot tretii" (Chekalinsky, Surin, Herman, Master of Ceremonies) | — | ||
| 4-6 | Pique Dame: Act II, Scene III. "Pod teniyu gustoyu" (Chorus) | — | ||
| 4-7 | Pique Dame: Act II, Scene III. Dance of the Shepherds & Shepherdesses | — | ||
| 4-8 | Pique Dame: Act II, Scene III. "Moi milenki druzhok" (Prilepa/Chloë, Milovzor/Daphnis) | — | ||
| 4-9 | Pique Dame: Act II, Scene III. "Kak ty mila" (Zlagotor/Pluto, Milovzor, Prilepa, Chorus) | — | ||
| 4-10 | Pique Dame: Act II, Scene III. "Kto, pylko i strastno lyubya!" (Herman, Surin, Liza, Master of Ceremonies) - "Tsaritsa! Yeyo Velichestvo!" (Chorus, Master of Ceremonies) | — | ||
| 4-11 | Pique Dame: Act II, Scene IV. "Vsyo tak, kak mne ona skazala" (Herman) | — | ||
| 4-12 | Pique Dame: Act II, Scene IV. "Shagi! Syuda idut" (Herman) - "Blagodetelnitsa nasha" (Chorus, Liza, Masha, Countess) | — | ||
| 4-13 | Pique Dame: Act II, Scene IV. "Akh, postyl mne etot svet!" (Countess) | — | ||
| 4-14 | Pique Dame: Act II, Scene IV. "Je crains de lui parler la nuit" (Countess) | — | ||
| 4-15 | Pique Dame: Act II, Scene IV. "Ne pugaites!" (Herman) | — | ||
| 4-16 | Pique Dame: Act II, Scene IV. "Yesli kogda-nibud" (Herman) | — | ||
| 4-17 | Pique Dame: Act II, Scene IV. "Chto zdes za shum?" (Liza, Herman) | — | ||
| 5-1 | Pique Dame: Act III, Scene V. Entr'acte | — | ||
| 5-2 | Pique Dame: Act III, Scene V. "Ya ne veryu" (Herman) - "Gospodu molyusya ya" (Chorus) - "Vsyo te zhe dumy" (Herman) - "Mne strashno! Strashno!" (Herman) | — | ||
| 5-3 | Pique Dame: Act III, Scene V. "Ya prishla k tebe" (Ghost of the Countess, Herman) | — | ||
| 5-4 | Pique Dame: Act III, Scene VI. "Uzh polnoch blizitsya" (Liza) | — | ||
| 5-5 | Pique Dame: Act III, Scene VI. "Akh, istomilas ya gorem" (Liza) | — | ||
| 5-6 | Pique Dame: Act III, Scene VI. "A yesli mne v otvet" (Liza, Herman) | — | ||
| 5-7 | Pique Dame: Act III, Scene VI. "O da, minovali stradanya" (Liza, Herman) | — | ||
| 5-8 | Pique Dame: Act III, Scene VII. "Budem pit i veselitsya!" (Chorus) - "Dana!" (Surin, Chaplitsky, Narumov, Chekalinsky, Tomsky, Yeletzky, Chorus) | — | ||
| 5-9 | Pique Dame: Act III, Scene VII. "Yesli b miliye devitsy" (Tomsky, Chorus, Chekalinsky) | — | ||
| 5-10 | Pique Dame: Act III, Scene VII. "Tak v nenastniye dni" (Chekalinsky, Surin, Chaplitsky, Narumov, Chorus) | — | ||
| 5-11 | Pique Dame: Act III, Scene VII. "Za delo, gospoda" (Chekalinsky, Chorus, Chaplitsky, Narumov, Surin, Yeletzky, Herman, Tomsky) | — | ||
| 5-12 | Pique Dame: Act III, Scene VII. "Chto nasha zhizn?" (Herman) | — | ||
| 5-13 | Pique Dame: Act III, Scene VII. "Idyot yeshcho?" (Herman, Chekalinsky, Yeletzky, Chorus) | — | ||
| 5-14 | Pique Dame: Act III, Scene VII. "Knyaz! Knyaz, prosti menya!" (Herman) | — | ||
| 5-15 | Pique Dame: Act III, Scene VII. "Gospod! Prosti yemu!" (Chorus) | — | ||
| 6-1 | Swan Lake, op. 20: Introduction. Moderato assai | Boston Symphony Orchestra, Seiji Ozawa | T-041.489.062-2 | |
| 6-2 | Swan Lake, op. 20: Act I: no. 1: Scène. Allegro giusto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-3 | Swan Lake, op. 20: Act I: no. 2: Valse. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-4 | Swan Lake, op. 20: Act I: no. 3: Scène. Allegro moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-5 | Swan Lake, op. 20: Act I: no. 4: Pas de trois: I. Intrada. Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-6 | Swan Lake, op. 20: Act I: no. 4: Pas de trois: II. Andante sostenuto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-7 | Swan Lake, op. 20: Act I: no. 4: Pas de trois: III. Allegro simplice - Presto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-8 | Swan Lake, op. 20: Act I: no. 4: Pas de trois: IV. Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-9 | Swan Lake, op. 20: Act I: no. 4: Pas de trois: V. Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-10 | Swan Lake, op. 20: Act I: no. 4: Pas de trois: VI. Coda. Allegro vivace | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-11 | Swan Lake, op. 20: Act I: no. 5: Pas de deux: I. Tempo di valse ma non troppo vivo, quasi moderato - II. Andante - Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-12 | Swan Lake, op. 20: Act I: no. 5: Pas de deux: III. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-13 | Swan Lake, op. 20: Act I: no. 5: Pas de deux: IV. Coda. Allegro molto vivace | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-14 | Swan Lake, op. 20: Act I: no. 6: Pas d'action. Andantino quasi moderato - Allegro / no. 7: Sujet | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-15 | Swan Lake, op. 20: Act I: no. 8: Danse des coupes. Tempo di polacca | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-16 | Swan Lake, op. 20: Act I: no. 9: Finale. Sujet. Andante | Boston Symphony Orchestra, Seiji Ozawa | T-010.437.719-6 | |
| 6-17 | Swan Lake, op. 20: Act II: no. 10: Scène. Moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-18 | Swan Lake, op. 20: Act II: no. 11: Scène. Allegro moderato - Moderato - Allegro vivo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-19 | Swan Lake, op. 20: Act II: no. 12: Scène. Allegro - Moderato assai quasi andante | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-20 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: I. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-21 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: II. Moderato assai | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-22 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: III. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-23 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: IV. Allegro moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-24 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: V. Pas d'action. Andante - Andante non troppo - Tempo I - Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-1 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: VI. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-2 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: VII. Coda. Allegro vivo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-3 | Swan Lake, op. 20: Act II: no. 14: Scène. Moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-4 | Swan Lake, op. 20: Act III: no. 15: Allegro giusto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-5 | Swan Lake, op. 20: Act III: no. 16: Danses du corps de ballet et des nains. Moderato assai - Allegro vivo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-6 | Swan Lake, op. 20: Act III: no. 17: Scène. Sortie des invités et valse. Allegro - Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-7 | Swan Lake, op. 20: Act III: no. 18: Scène. Allegro - Allegro giusto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-8 | Swan Lake, op. 20: Act III: no. 19: Pas de six: Intrada. Moderato assai | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-9 | Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation I. Allegro - Variation II. Andante con moto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-10 | Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation III. Moderato - Variation IV. Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-11 | Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation V. Moderato - Allegro simplice - Coda. Allegro molto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-12 | Swan Lake, op. 20: Act III: no. 20: Danse hongroise. Czardas. Moderato assai - Allegro moderato - Vivace | Boston Symphony Orchestra, Seiji Ozawa | T-900.160.317-4 | |
| 7-13 | Swan Lake, op. 20: Act III: no. 20a: Danse russe. Moderato - Andante simplice - Allegro vivo - Presto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-14 | Swan Lake, op. 20: Act III: no. 21: Danse espagnole. Allegro non troppo (Tempo di bolero) | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-15 | Swan Lake, op. 20: Act III: no. 22: Danse napolitaine. Allegro moderato - Andantino quasi moderato - Presto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-16 | Swan Lake, op. 20: Act III: no. 23: Mazurka. Tempo di mazurka | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-17 | Swan Lake, op. 20: Act III: no. 24: Scène. Allegro - Valse - Allegro vivo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-18 | Swan Lake, op. 20: Act IV: no. 25: Entr'acte. Moderato - No. 26: Scène. Allegro non troppo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-19 | Swan Lake, op. 20: Act IV: no. 27: Danses des petits cygnes. Moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-20 | Swan Lake, op. 20: Act IV: no. 28: Scène. Allegro agitato - Molto meno mosso - Allegro vivace | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-21 | Swan Lake, op. 20: Act IV: no. 29: Scène finale. Andante - Allegro agitato - Alla breve. Moderato e maestoso - Moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-22 | The Nutcracker, op. 71: Overture | Boston Symphony Orchestra, Seiji Ozawa | T-312.199.363-9 | |
| 7-23 | The Nutcracker, op. 71: Act I, no. 1. The Christmas Tree | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-24 | The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: a. March | Boston Symphony Orchestra, Seiji Ozawa | T-304.210.691-8 | |
| 8-1 | The Nutcracker, op. 71: Act I, no. 3. Little Galop of the Children and Entry of the Parents | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-2 | The Nutcracker, op. 71: Act I, no. 4. Drosselmeyer's Arrival and Distribution of Presents | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-3 | The Nutcracker, op. 71: Act I, no. 5. Scene and Grandfather Dance | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-4 | The Nutcracker, op. 71: Act I, no. 6. Departure of the guests | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-5 | The Nutcracker, op. 71: Act I, no. 7. The battle | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-6 | The Nutcracker, op. 71: Act I, no. 8. Journey Through the Snow | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-7 | The Nutcracker, op. 71: Act I, no. 9. Waltz of the Snowflakes | James Litton, American Boychoir, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-8 | The Nutcracker, op. 71: Act II, no. 10. Introduction | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-9 | The Nutcracker, op. 71: Act II, no. 11. Arrival of Clara and the Prince | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-10 | The Nutcracker, op. 71: Act II, no. 12. Character dances (Chocolate/Spanish, Coffee/Arabian, Tea/Chinese, Trepak/Russian, Reed-Flutes) | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-11 | The Nutcracker Suite, op. 71: III. Flower Waltz | Boston Symphony Orchestra, Seiji Ozawa | T-910.950.463-4 | |
| 8-12 | The Nutcracker, op. 71: Act II, no. 14. Duet (Sugar Plum Fairy and Her Cavalier, Tarantella, Dance of the Sugar Plum Fairy, Coda) | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-13 | The Nutcracker, op. 71: Act II, no. 15. Final Waltz and Apotheosis | James Litton, American Boychoir, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 9-1 | The Sleeping Beauty, op. 66: Introduction. Allegro vivo - Andantino - Moderato (Tempo di marcia) | Российский национальный оркестр, Михаил Васильевич Плетнев | T-041.489.062-2 | |
| 9-2 | The Sleeping Beauty, op. 66: Prologue: no. 1: Marche. Moderato | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-3 | The Sleeping Beauty, op. 66: Prologue: no. 2: Scène dansante. Moderato con moto - Un poco più animato - Allegro moderato - Tempo di Valse. Grazioso | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-4 | The Sleeping Beauty, op. 66: Prologue: no. 3: Pas de six. Adagio - Adagio. Andante - Allegro vivo | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-5 | The Sleeping Beauty, op. 66: Prologue: no. 3: Variation I. Candide. Allegro moderato | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-6 | The Sleeping Beauty, op. 66: Prologue: no. 3: Variation II. Coulante. Fleur de farine. Allegro | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-7 | The Sleeping Beauty, op. 66: Prologue: no. 3: Variation III. Miettes qui tombent. Allegro moderato | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-8 | The Sleeping Beauty, op. 66: Prologue: no. 3: Variation IV. Canari qui chante. Moderato | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-9 | The Sleeping Beauty, op. 66: Prologue: no. 3: Variation V. Violente. Allegro molto vivace | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-10 | The Sleeping Beauty, op. 66: Prologue: no. 3: Variation VI. La Fée des lilas. Tempo di Valse | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-11 | The Sleeping Beauty, op. 66: Prologue: no. 3: Coda. Allegro giusto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-12 | The Sleeping Beauty, op. 66: Prologue: no. 4: Finale. Andantino - Allegro vivo - Moderato assai - Andantino - Allegro vivo - Allegro risoluto - Allegro vivo - Andante | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-13 | The Sleeping Beauty, op. 66: Act I: no. 5: Scène. Allegro vivo - Moderato - Allegro vivo - Moderato - Allegro vivo - Moderato con moto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-14 | The Sleeping Beauty, op. 66: Act I: no. 6: Valse. Allegro (Tempo di Valse) | Российский национальный оркестр, Михаил Васильевич Плетнев | T-905.014.886-2 | |
| 9-15 | The Sleeping Beauty, op. 66: Act I: no. 7: Scène. Andante - Allegro giusto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-16 | The Sleeping Beauty, op. 66: Act I: no. 8: Pas d'action: I. Adagio. Andante - Adagio maestoso - Tempo I - Molto sostenuto, quasi più andante - Tempo I | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-17 | The Sleeping Beauty, op. 66: Act I: no. 8: Pas d'action: II. Danse des demoiselles d'honneur et des pages. Allegro moderato - Pages. Più mosso | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-18 | The Sleeping Beauty, op. 66: Act I: no. 8: Pas d'action: III. Variation d'Aurore. Allegro moderato - Meno mosso quasi andantino - Tempo I - Allegro vivace | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-19 | The Sleeping Beauty, op. 66: Act I: no. 8: Pas d'action: IV. Coda. Allegro giusto - Poco più mosso - Tempo I | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-20 | The Sleeping Beauty, op. 66: Act I: no. 9: Finale. Allegro giusto - Allegro vivo - Presto - Andante con moto - Grave - Allegro vivo - Poco più vivace - Andantino - Andante sostenuto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-21 | The Sleeping Beauty, op. 66: Act II: no. 10: Entr'acte et Scène. Allegro con spirito - Un poco più tranquillo | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-22 | The Sleeping Beauty, op. 66: Act II: no. 11: Colin-maillard. Allegro vivo | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-23 | The Sleeping Beauty, op. 66: Act II: no. 12: I. Scène. Moderato | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-24 | The Sleeping Beauty, op. 66: Act II: no. 12: II. Danse des duchesses. Moderato con moto (Tempo di Minuetto) | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-25 | The Sleeping Beauty, op. 66: Act II: no. 12: III. Danse des baronesses. Allegro moderato (Tempo di Gavotte) | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-26 | The Sleeping Beauty, op. 66: Act II: no. 12: IV. Danse des comtesses. Allegro non troppo | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-27 | The Sleeping Beauty, op. 66: Act II: no. 12: V. Danse des marquises. Allegro non troppo | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-28 | The Sleeping Beauty, op. 66: Act II: no. 13: Farandole: I. Scène. Poco più vivo | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-29 | The Sleeping Beauty, op. 66: Act II: no. 13: Farandole: II. Danse. Allegro non troppo (Tempo di Mazurka) - Presto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-1 | The Sleeping Beauty, op. 66: Act II: no. 14: Scène. Allegro con spirito - Andantino - Allegro vivace | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-2 | The Sleeping Beauty, op. 66: Act II: no. 15: I. Pas d'action. Scène d'Aurore et de Désiré. Andante cantabile - Allegro | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-3 | The Sleeping Beauty, op. 66: Act II: no. 15: II. Variation d'Aurore. Allegro con moto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-4 | The Sleeping Beauty, op. 66: Act II: no. 15: III. Coda. Presto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-5 | The Sleeping Beauty, op. 66: Act II: no. 16: Scène. Allegro agitato | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-6 | The Sleeping Beauty, op. 66: Act II: no. 17: Panorama. Andantino | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-7 | The Sleeping Beauty, op. 66: Act II: no. 18: Entr'acte. Andante sostenuto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-8 | The Sleeping Beauty, op. 66: Act II: no. 19: Entr'acte symphonique (Le Sommeil) et Scène. Andante misterioso - Allegro vivace | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-9 | The Sleeping Beauty, op. 66: Act II: no. 20: Finale. Allegro agitato - Un pochettino più tranquillo - Tempo I | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-10 | The Sleeping Beauty, op. 66: Act III: no. 21: Marche. Allegro non troppo | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-11 | The Sleeping Beauty, op. 66: Act III: no. 22: Polacca. Allegro moderato e brillante | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-12 | The Sleeping Beauty, op. 66: Act III: no. 23: Pas de quatre. Allegro non tanto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-13 | The Sleeping Beauty, op. 66: Act III: no. 23: Variation I. La fée Or. Allegro (Tempo di Valse) | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-14 | The Sleeping Beauty, op. 66: Act III: no. 23: Variation II. La fée Argent. Allegro giusto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-15 | The Sleeping Beauty, op. 66: Act III: no. 23: Variation III. La fée Saphir. Vivacissimo | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-16 | The Sleeping Beauty, op. 66: Act III: no. 23: Variation IV. La fée Diamant. Vivace | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-17 | The Sleeping Beauty, op. 66: Act III: no. 23: Coda. L'istesso tempo | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-18 | The Sleeping Beauty, op. 66: Act III: no. 24: Pas de caractère. Le Chat botté et la Chatte blanche. Allegro moderato | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-19 | The Sleeping Beauty, op. 66: Act III: no. 25: Pas de quatre. Adagio | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-20 | The Sleeping Beauty, op. 66: Act III: no. 25: Variation I. Cendrillon et Fortuné. Allegro (Tempo di Valse) | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-21 | The Sleeping Beauty, op. 66: Act III: no. 25: Variation II. L'Oiseau bleu et la princesse Florine. Andantino | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-22 | The Sleeping Beauty, op. 66: Act III: no. 25: Coda. Presto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-23 | The Sleeping Beauty, op. 66: Act III: no. 26: Pas de caractère. Le Petit Chaperon rouge et le Loup. Allegro moderato | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-24 | The Sleeping Beauty, op. 66: Act III: no. 26: Cendrillon et le prince Fortuné. Allegro agitato - Tempo di Valse (Moderato) - Vivace assai - Presto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-25 | The Sleeping Beauty, op. 66: Act III: no. 27: Pas berrichon. Le Petit Poucet, ses frères et l'Ogre. Allegro vivo - Coda | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-26 | The Sleeping Beauty, op. 66: Act III: no. 28: Pas de deux (Aurere et Désiré). Allegretto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-27 | The Sleeping Beauty, op. 66: Act III: no. 28: I. Entrée. Allegro moderato | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-28 | The Sleeping Beauty, op. 66: Act III: no. 28: II. Adagio. Andante non troppo - Poco più mosso - Tempo I | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-29 | The Sleeping Beauty, op. 66: Act III: no. 28: Variation I (Désiré). Vivace - Prestissimo | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-30 | The Sleeping Beauty, op. 66: Act III: no. 28: Variation II (Aurore). Andantino | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-31 | The Sleeping Beauty, op. 66: Act III: no. 28: Coda. Allegro vivace | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-32 | The Sleeping Beauty, op. 66: Act III: no. 29: Sarabande. Andante | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-33 | The Sleeping Beauty, op. 66: Act III: no. 30: Finale. Allegro brillante (Tempo di Mazurka) - Presto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-34 | The Sleeping Beauty, op. 66: Act III: no. 30: Apotheose. Andante molto maestoso | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 11-1 | Symphony no. 1 in G minor, op. 13: 1. Daydreams on a Wintry Road | Russian National Orchestra, Mikhail Pletnev | — | |
| 11-2 | Symphony no. 1 in G minor, op. 13: 2. O land of gloom, O land of mist! | Russian National Orchestra, Mikhail Pletnev | — | |
| 11-3 | Symphony no. 1 in G minor, op. 13: 3. Scherzo. Allegro scherzando giocoso | Russian National Orchestra, Mikhail Pletnev | — | |
| 11-4 | Symphony no. 1 in G minor, op. 13: 4. Finale. Andante lugubre – Allegro moderato – Allegro maestoso – Andante lugubre – Allegro vivo | Russian National Orchestra, Mikhail Pletnev | — | |
| 11-5 | Symphony no. 2 in C minor, op. 17, "Little Russian": 1. Andante sostenuto | Russian National Orchestra, Mikhail Pletnev | — | |
| 11-6 | Symphony no. 2 in C minor, op. 17 “Little Russian”: 2. Andantino marziale, quasi moderato | Russian National Orchestra, Mikhail Pletnev | — | |
| 11-7 | Symphony no. 2 in C minor, op. 17 “Little Russian”: 3. Scherzo. Allegro molto vivace – Trio | Russian National Orchestra, Mikhail Pletnev | — | |
| 11-8 | Symphony no. 2 in C minor, op. 17 “Little Russian”: 4. Moderato assai – Allegro vivo – Presto | Russian National Orchestra, Mikhail Pletnev | — | |
| 12-1 | Symphony no. 3 in D major, op. 29 “Polish”: 1. Introduzione e Allegro. Moderato assai (tempo di marcia funebre) – Allegro brillante | Russian National Orchestra, Mikhail Pletnev | — | |
| 12-2 | Symphony no. 3 in D major, op. 29 “Polish”: 2. Alla tedesca. Allegro moderato e semplice – Trio | Russian National Orchestra, Mikhail Pletnev | — | |
| 12-3 | Symphony no. 3 in D major, op. 29 “Polish”: 3. Andante elegiaco | Russian National Orchestra, Mikhail Pletnev | — | |
| 12-4 | Symphony no. 3 in D major, op. 29 “Polish”: 4. Scherzo. Allegro vivo – Trio | Russian National Orchestra, Mikhail Pletnev | — | |
| 12-5 | Symphony no. 3 in D major, op. 29 “Polish”: 5. Finale. Allegro con fuoco (tempo di polacca) | Russian National Orchestra, Mikhail Pletnev | — | |
| 13-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo | — | ||
| 13-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone | — | ||
| 13-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato. Allegro | Leningrad Philharmonic Orchestra, Yevgeny Mravinsky | — | |
| 13-4 | Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco | Leningrad Philharmonic Orchestra, Yevgeny Mravinsky | T-003.055.867-8 | |
| 13-5 | Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima | — | ||
| 13-6 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo - Tempo I | — | ||
| 14-1 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | Leningrad Philharmonic Orchestra, Yevgeny Mravinsky | T-902.685.630-4 | |
| 14-2 | Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto | — | ||
| 14-3 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo | — | ||
| 14-4 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | — | ||
| 14-5 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace | — | ||
| 14-6 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentoso | — | ||
| 15-1 | Suite No. 1 in D minor, Op. 43: I. Introduzione e Fuga. Andante sostenuto - Moderato e con anima) | — | ||
| 15-2 | Suite No. 1 in D minor, Op. 43: II. Divertimento. Allegro moderato | — | ||
| 15-3 | Suite No. 1 in D minor, Op. 43: III. Intermezzo. Andante semplice | — | ||
| 15-4 | Suite No. 1 in D minor, Op. 43: IV. Marche miniature. Moderato con moto | — | ||
| 15-5 | Suite No. 1 in D minor, Op. 43: V. Scherzo. Allegro con moto | — | ||
| 15-6 | Suite No. 1 in D minor, Op. 43: VI. Gavotte. Allegro | — | ||
| 15-7 | Suite No. 2 in C major, Op. 53: I. Jeu de sons. Andantino un poco rubato - Allegro molto vivace | — | ||
| 15-8 | Suite No. 2 in C major, Op. 53: II. Valse. Moderato. Tempo di Valse | — | ||
| 15-9 | Suite No. 2 in C major, Op. 53: III. Scherzo burlesque. Vivace, con spirito | — | ||
| 15-10 | Suite No. 2 in C major, Op. 53: IV. Rêves d'enfant. Andante molto sostenuto | — | ||
| 15-11 | Suite No. 2 in C major, Op. 53: V. Danse baroque. Vivacissimo - Prestissimo | — | ||
| 16-1 | Suite for Orchestra no. 3 in G major, op. 55: I. Elégie. Andantino molto cantabile | New Philharmonia Orchestra, Antal Doráti | — | |
| 16-2 | Suite for Orchestra no. 3 in G major, op. 55: II. Valse melancolique. Allegro moderato | New Philharmonia Orchestra, Antal Doráti | — | |
| 16-3 | Suite for Orchestra no. 3 in G major, op. 55: III. Scherzo. Molto vivace | New Philharmonia Orchestra, Antal Doráti | — | |
| 16-4 | Suite for Orchestra no. 3 in G major, op. 55: IV. Tema con variazioni. Andante con moto | Hugh Bean, New Philharmonia Orchestra, Antal Doráti | — | |
| 16-5 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: I. Gigue, K574. Allegro | New Philharmonia Orchestra, Antal Doráti | — | |
| 16-6 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: II. Menuet, K355. Moderato | New Philharmonia Orchestra, Antal Doráti | — | |
| 16-7 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: III. Preghiera. Andante non tanto | New Philharmonia Orchestra, Antal Doráti | T-329.460.887-6 | |
| 16-8 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: IV. Thème et variations. Allegro giusto | Hugh Bean, Colin Bradbury, New Philharmonia Orchestra, Antal Doráti | — | |
| 17-1 | Overture in F major, op. 67 | — | ||
| 17-2 | Manfred Symphony, op. 58: II. Vivace con spirito | Russian National Orchestra, Mikhail Pletnev | — | |
| 17-3 | Manfred Symphony, op. 58: II. Vivace con spirito | Russian National Orchestra, Mikhail Pletnev | — | |
| 17-4 | Manfred Symphony, op. 58: II. Vivace con spirito | Russian National Orchestra, Mikhail Pletnev | — | |
| 17-5 | Manfred Symphony, op. 58: II. Vivace con spirito | Russian National Orchestra, Mikhail Pletnev | — | |
| 17-6 | Ouverture solennelle “1812”, op. 49 | Russian National Orchestra, Mikhail Pletnev | — | |
| 18-1 | Romeo and Juliet: Fantasy Overture after Shakespeare | Russian National Orchestra, Mikhail Pletnev | — | |
| 18-2 | Francesca da Rimini, op. 32: Symphonic Fantasia after Dante | Russian National Orchestra, Mikhail Pletnev | T-010.194.429-9 | |
| 18-3 | Voyevoda, op. 78 | Russian National Orchestra, Mikhail Pletnev | — | |
| 18-4 | The Tempest, op. 18 | Russian National Orchestra, Mikhail Pletnev | T-011.720.495-1 | |
| 19-1 | Marche slave, op. 31 | Russian National Orchestra, Mikhail Pletnev | — | |
| 19-2 | Festival Overture on the Danish Anthem, op. 15 | Russian National Orchestra, Mikhail Pletnev | — | |
| 19-3 | Fate, op. 77 | Russian National Orchestra, Mikhail Pletnev | — | |
| 19-4 | Hamlet, op. 67: Fantasy Overture after Shakespeare | Russian National Orchestra, Mikhail Pletnev | — | |
| 19-5 | Capriccio italien, op. 45 | Russian National Orchestra, Mikhail Pletnev | T-304.396.368-0 | |
| 20-1 | Variations on a Rococo Theme for Violoncello and Orchestra: Moderato quasi Andante | — | ||
| 20-2 | Variations on a Rococo Theme for Violoncello and Orchestra: Tema - Moderato semplice | — | ||
| 20-3 | Variations on a Rococo Theme for Violoncello and Orchestra: Variazone I - Tempo del Tema | — | ||
| 20-4 | Variations on a Rococo Theme for Violoncello and Orchestra: Variazone II - Tempo del Tema | — | ||
| 20-5 | Variations on a Rococo Theme for Violoncello and Orchestra: Variazone III - Andante sostenuto | — | ||
| 20-6 | Variations on a Rococo Theme for Violoncello and Orchestra: Variazone IV - Andante grazioso | — | ||
| 20-7 | Variations on a Rococo Theme for Violoncello and Orchestra: Variazone V - Allegro moderato | — | ||
| 20-8 | Variations on a Rococo Theme for Violoncello and Orchestra: Cadenza | — | ||
| 20-9 | Variations on a Rococo Theme for Violoncello and Orchestra: Variazone VI - Andante | — | ||
| 20-10 | Variations on a Rococo Theme for Violoncello and Orchestra: Variazone VII e Coda - Allegro vivo | — | ||
| 20-11 | String Serenade in C major, op. 48: I. Pezzo in forma di Sonatina: Andante non troppo - Allegro moderato | — | ||
| 20-12 | Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse | Orpheus Chamber Orchestra | — | |
| 20-13 | String Serenade in C major, op. 48: III. Elégie: Larghetto elegiaco | Orpheus Chamber Orchestra | — | |
| 20-14 | String Serenade in C major, op. 48: IV. Finale: Tema russo. Andante - Allegro con spirito | — | ||
| 21-1 | Valse-Scherzo, op. 34 | Midori, London Symphony Orchestra, Leonard Slatkin | — | |
| 21-2 | Andante Cantabile, for cello and orchestra, op. Posth. | Mstislav Rostropovich, Berlin Philharmonic Orchestra | — | |
| 21-3 | Souvenir d'un lieu cher, op. 42: I. Méditation | Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | T-901.134.571-4 | |
| 21-4 | Souvenir d'un lieu cher, op. 42: II. Presto giocoso | Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | T-901.134.571-4 | |
| 21-5 | Souvenir d'un lieu cher, op. 42: III. Mélodie: Moderato con moto | Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | T-901.134.571-4 | |
| 21-6 | Elégie for strings | Royal Philharmonic Orchestra, Vladimir Ashkenazy | — | |
| 21-7 | Nocturne in D minor op. 19 | — | ||
| 21-8 | Souvenir de Florence, op. 70: I. Allegro con spirito | — | ||
| 21-9 | Souvenir de Florence, op. 70: II. Adagio cantabile e con moto - Moderato | — | ||
| 21-10 | Souvenir de Florence, op. 70: III. Allegretto moderato | — | ||
| 21-11 | Souvenir de Florence, op. 70: IV. Allegro vivace | — | ||
| 22-1 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | T-010.194.845-1 | |
| 22-2 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — | |
| 22-3 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — | |
| 22-4 | Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — | |
| 22-5 | Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — | |
| 22-6 | Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — | |
| 22-7 | Sérénade mélancolique | — | ||
| 23-1 | String Quartet no. 1 in D major, op. 11: I. Moderato e semplice | Emerson String Quartet | — | |
| 23-2 | String Quartet no. 1 in D major, op. 11: II. Andante cantabile | Emerson String Quartet | — | |
| 23-3 | String Quartet no. 1 in D major, op. 11: III. Scherzo. Allegro non tanto – Trio | Emerson String Quartet | — | |
| 23-4 | String Quartet no. 1 in D major, op. 11: IV. Finale: Allegro giusto – Allegro vivace | Emerson String Quartet | — | |
| 23-5 | Piano Trio in A minor, Op. 50: I. Pezzo elegiaco: Moderato assai - Allegro giusto - In tempo molto sostenuto - Adagio con duolo e ben sostenuto - Moderato assai - Allegro giusto | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-6 | Piano Trio in A minor, Op. 50: IIa. Tema con variazioni: Andante con moto - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-7 | Piano Trio in A minor, Op. 50: IIb. Variation 1 - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-8 | Piano Trio in A minor, Op. 50: IIc. Variation 2: Più mosso - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-9 | Piano Trio in A minor, Op. 50: IId. Variation 3: Allegro moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-10 | Piano Trio in A minor, Op. 50: IIe. Variation 4: L'istesso tempo (Allegro moderato) - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-11 | Piano Trio in A minor, Op. 50: IIf. Variation 5: L'istesso tempo - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-12 | Piano Trio in A minor, Op. 50: IIg. Variation 6: Tempo di Valse - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-13 | Piano Trio in A minor, Op. 50: IIh. Variation 7: Allegro moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-14 | Piano Trio in A minor, Op. 50: IIi. Variation 8: Fuga (Allegro moderato) - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-15 | Piano Trio in A minor, Op. 50: IIj. Variation 9: Andante flebile, ma non tanto - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-16 | Piano Trio in A minor, Op. 50: IIk. Variation 10: Tempo di Mazurka - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-17 | Piano Trio in A minor, Op. 50: IIl. Variation 11: Moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-18 | Piano Trio in A minor, Op. 50: IIm. Variation finale e Coda: Allegretto risoluto e con fuoco - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-19 | Piano Trio in A minor, Op. 50: IIn. [Coda]: Andante con moto - Lugubre | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 24-1 | The Seasons, Op 37bis - January: At the Fireside | — | ||
| 24-2 | The Seasons, Op 37bis - February: Carnival | — | ||
| 24-3 | The Seasons, Op 37bis - March: Song of the Lark | — | ||
| 24-4 | The Seasons, Op 37bis - April: Snowdrops | — | ||
| 24-5 | The Seasons, Op 37bis - May: White Nights | — | ||
| 24-6 | Les Saisons, op. 37a: Juin: Barcarolle | Vladimir Ashkenazy | — | |
| 24-7 | The Seasons, Op 37bis - July: Song of the Reaper | — | ||
| 24-8 | The Seasons, Op 37bis - August: Harvest | — | ||
| 24-9 | The Seasons, Op 37bis - September: The Hunt | — | ||
| 24-10 | The Seasons, Op 37bis - October: Song of Autumn | — | ||
| 24-11 | The Seasons, Op 37bis - November: At the Troika | — | ||
| 24-12 | The Seasons, Op 37bis - December: Christmas | — | ||
| 24-13 | Polka Peu Dansante, Op 51 No. 2 | — | ||
| 24-14 | Aveu Passioné in E minor | — | ||
| 25-1 | 18 Pieces, op. 72: Impromptu in F minor | Mikhail Pletnev | — | |
| 25-2 | 18 Pieces, op. 72: Berceuse in A-flat major | Mikhail Pletnev | — | |
| 25-3 | 18 Pieces, op. 72: Tendres reproches in C-sharp minor | Mikhail Pletnev | — | |
| 25-4 | 18 Pieces, op. 72: Danse caractéristique in D major | Mikhail Pletnev | — | |
| 25-5 | 18 Pieces, op. 72: Méditation in D major | Mikhail Pletnev | — | |
| 25-6 | 18 Pieces, op. 72: Mazurque pour danser in B-flat major | Mikhail Pletnev | — | |
| 25-7 | 18 Pieces, op. 72: Polacca de concert in E-flat major | Mikhail Pletnev | — | |
| 25-8 | 18 Pieces, op. 72: Dialogue in B major | Mikhail Pletnev | — | |
| 25-9 | 18 Pieces, op. 72: Un poco di Schumann in D-flat major | Mikhail Pletnev | — | |
| 25-10 | 18 Pieces, op. 72: Scherzo-fantaisie in E-flat minor | Mikhail Pletnev | — | |
| 25-11 | 18 Pieces, op. 72: Valse bluette in E-flat major | Mikhail Pletnev | — | |
| 25-12 | 18 Pieces, op. 72: L’Espiègle in E major | Mikhail Pletnev | — | |
| 25-13 | 18 Pieces, op. 72: Echo rustique in E-flat major | Mikhail Pletnev | — | |
| 25-14 | 18 Pieces, op. 72: Chant élégiaque in D-flat major | Mikhail Pletnev | — | |
| 25-15 | 18 Pieces, op. 72: Un poco di Chopin in C-sharp minor | Mikhail Pletnev | — | |
| 25-16 | 18 Pieces, op. 72: Valse à cinq temps in D major | Mikhail Pletnev | — | |
| 25-17 | 18 Pieces, op. 72: Passé lointain in E-flat major | Mikhail Pletnev | — | |
| 25-18 | 18 Pieces, op. 72: Scène dansante (invitation au Trépak) in C major | Mikhail Pletnev | — | |
| 26-1 | My Protector, My Angel, My Friend | — | ||
| 26-2 | None but the Lonely Heart (Song of Mignon) | — | ||
| 26-3 | Why? | — | ||
| 26-4 | Not a Word, Beloved | — | ||
| 26-5 | Heed Not, My Love | — | ||
| 26-6 | Spirit My Heart Away | — | ||
| 26-7 | Lullaby | — | ||
| 26-8 | Acquiescence | — | ||
| 26-9 | The Frightening Moment | — | ||
| 26-10 | It Happened in the Early Spring | — | ||
| 26-11 | Nights of Delirium | — | ||
| 26-12 | Gipsy Girl's Song | — | ||
| 26-13 | The Stars Looked Tenderly Upon Us | — | ||
| 26-14 | This, Our First Reunion | — | ||
| 26-15 | Indoors, the Lights Were Being Put Out | — | ||
| 26-16 | Serenade | — | ||
| 26-17 | The Sun Has Slipped From Sight | — | ||
| 26-18 | Night | — | ||
| 26-19 | Once Again, Alone | — | ||
| 27-1 | Liturgy of St. John Chrysostom: 2. After the First Antiphon - Slava Otsu i S'inu | — | ||
| 27-2 | Liturgy of St. John Chrysostom: 3. After the Little Entrance - Priidite, poklonimsya | — | ||
| 27-3 | Liturgy of St. John Chrysostom: 6. Cherubic Hymn - Izhe cheruvim | — | ||
| 27-4 | Liturgy of St. John Chrysostom: 8. Symbol of Belief - Veruyu vo Edinogo Boga Otsa | — | ||
| 27-5 | Liturgy of St. John Chrysostom: 9. After the Symbol of Belief - Milost' mira | — | ||
| 27-6 | Liturgy of St. John Chrysostom: 10. After the Exclamation <Thine from Thine> - Tebe poem | — | ||
| 27-7 | Liturgy of St. John Chrysostom: 11. After the words <Especially for our Most Holy> - Dostoino est | — | ||
| 27-8 | Liturgy of St. John Chrysostom: 13. The Lord's Prayer - Otche nash | — | ||
| 27-9 | Liturgy of St. John Chrysostom: 13. Communion Hymn - Khavalite Gospoda s nebes | — | ||
| 27-10 | Nine Sacred Choral Works: 1. Cherubic Hymn No. 1 | — | ||
| 27-11 | Nine Sacred Choral Works: 4. Tebe poem | — | ||
| 27-12 | Nine Sacred Choral Works: 5. Dostoino est | — | ||
| 27-13 | Nine Sacred Choral Works: 6. Otche nash | — | ||
| 27-14 | Nine Sacred Choral Works: 7. Blazheni, yazhe | — | ||
| 27-15 | Nine Sacred Choral Works: 8. Da ispravitsya | — | ||
| 27-16 | Nine Sacred Choral Works: 9. Nine sil'i nebesn'iya | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Violin and Orchestra no. 1 in D major, op. 35: I. Allegro moderato | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — |
| Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — |
| Concerto for Violin and Orchestra no. 1 in D major, op. 35: III. Finale. Allegro vivacissimo | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — |
| Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante | Russian National Orchestra, Mikhail Pletnev | — |
| Manfred Symphony, op. 58: II. Vivace con spirito | Russian National Orchestra, Mikhail Pletnev | — |
| Manfred Symphony, op. 58: III. Andante con moto | Russian National Orchestra, Mikhail Pletnev | — |
| Manfred Symphony, op. 58: IV. Allegro con fuoco | Russian National Orchestra, Mikhail Pletnev | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028947946465 is a Universal Product Code (UPC) assigned to Tchaikovsky Masterworks Edition by Пётр Ильич Чайковский. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 378 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947946465 is the Universal Product Code (UPC barcode) for the release “Tchaikovsky Masterworks Edition” by Пётр Ильич Чайковский, released 2015-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 378 tracks, each with its own ISRC. Tracks include DEF058731114, DEF057830201, DEF057830202.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Eugene Onegin: Act I. Introduction | — | ||
| 2 | Eugene Onegin: Act I. "Slikhali l vi za roschei glas nochnoi" | — | ||
| 3 | Eugene Onegin: Act I. "Bolyat moyi skori nozhenki so pokhodushki!" - "Uzh kak po mostu, mostochku" | — | ||
| 4 | Eugene Onegin: Act I. "Kak ya lyublyu pod zvuki pesen etikh" | — | ||
| 5 | Eugene Onegin: Act I. "Nu ti, moya vostrushka" | — | ||
| 6 | Eugene Onegin: Act I. "Mesdames! Ya na sebya vzyal smyelost" - "Skazhi, kotoraya Tatyana?" | — | ||
| 7 | Eugene Onegin: Act I. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas" | — | ||
| 8 | Eugene Onegin: Act I. "A, vot i vi" | — | ||
| 9 | Eugene Onegin: Act I. "Nu, zaboltalas ya!" | — | ||
| 10 | Eugene Onegin: Act I. "Puskai pogibnu ya, no pryezhde" | — | ||
| 11 | Eugene Onegin: Act I. "Akh, noch minula" | — | ||
| 12 | Eugene Onegin: Act I. "Dyevitsi, krasavitsi" | — | ||
| 13 | Eugene Onegin: Act I. "Zdyes on, zdyes on, Yevgeni!" - "Kogda bi zhizn domashnim krugom" | — | ||
| 2-1 | Eugene Onegin: Act II. "Vot tak syurpriz!" | — | ||
| 2-2 | Eugene Onegin: Act II. "Uzhel ya zasluzhil ot vas nasmyeshku etu?" - "A cette fête conviés" | — | ||
| 2-3 | Eugene Onegin: Act II. "Messieurs, mesdames, mesta zanyat izvolte" - "Ti ne tantsuyesh, Lenski?" | — | ||
| 2-4 | Eugene Onegin: Act II. "V vashem dome! V vashem dome" | — | ||
| 2-5 | Eugene Onegin: Act II. "Nu, shto zhe?" | — | ||
| 2-6 | Eugene Onegin: Act II. "A, vot oni!" | — | ||
| 2-7 | Eugen Onegin: Act III. Polonaise | Staatskapelle Dresden, James Levine | — | |
| 2-8 | Eugene Onegin: Act III. "I zdyes mnye skuchno!" - "Knyaginya Gremina! Smotrite!"" | — | ||
| 2-9 | Eugene Onegin: Act III. "Lyubvi vsye vozrasti pokorni" | — | ||
| 2-10 | Eugene Onegin: Act III. "Itak, poidyom, te bya predstavlyu ya" - "Uzhel ta samaya Tatyana" | — | ||
| 2-11 | Eugene Onegin: Act III. "O! Kak mnye tyazhelo!" - "Onegin! Ya togda molozhe" | — | ||
| 3-1 | Pique Dame: Overture | — | ||
| 3-2 | Pique Dame: Act I, Scene I. "Gori, gori yasno" (Children, Women, Commander) | — | ||
| 3-3 | Pique Dame: Act I, Scene I. "Chem, konchilas vchera igra?" (Chekalinsky, Surin, Tomsky, Herman) | — | ||
| 3-4 | Pique Dame: Act I, Scene I. "Ya imeni yeyo ne znayu" (Herman, Tomsky) | — | ||
| 3-5 | Pique Dame: Act I, Scene I. "Nakonets-to bog" (Chorus) - "A ty uveren" (Tomsky, Herman) - "Schastlivy den" (Yeletzky, Herman) - "Skazhi, na kom ty zhenishsya?" (Tomsky, Herman, Yeletzky, Liza, Countess) | — | ||
| 3-6 | Pique Dame: Act I, Scene I. "Mne strashno!" (Liza, Countess, Herman, Yeletzky, Tomsky) - "Grafinya!" (Tomsky, Countess, Yeletzky, Herman) | — | ||
| 3-7 | Pique Dame: Act I, Scene I. "Kakaya vedma" (Surin, Chekalinsky, Tomsky) | — | ||
| 3-8 | Pique Dame: Act I, Scene I. "Odnazhdy v Versale" (Tomsky) | — | ||
| 3-9 | Pique Dame: Act I, Scene I. "Se non è vero" (Chekalinsky, Surin) - "Kak bystro groza nastupila" (Chorus) - "Poluchish smertelny udar ty" (Herman) | — | ||
| 3-10 | Pique Dame: Act I, Scene II. "Uzh vecher" (Liza, Pauline) | — | ||
| 3-11 | Pique Dame: Act I, Scene II. "Obvorozhitelno!" (Women, Liza, Pauline) | — | ||
| 3-12 | Pique Dame: Act I, Scene II. "Da, vspomnila... Podrugi Milie" (Pauline, Women) | — | ||
| 3-13 | Pique Dame: Act I, Scene II. "Nu-ka, svetik Mashenka" (Pauline, Women) | — | ||
| 3-14 | Pique Dame: Act I, Scene II. "Mesdemoiselles" (Governess) | — | ||
| 3-15 | Pique Dame: Act I, Scene II. "Pora uzh raskhoditsya" (Governess, Pauline, Liza) | — | ||
| 3-16 | Pique Dame: Act I, Scene II. "Ne nado zatvoryat" (Liza, Masha) | — | ||
| 3-17 | Pique Dame: Act I, Scene II. "Otkuda eti slyozy" (Liza) | — | ||
| 3-18 | Pique Dame: Act I, Scene II. "Ostanovites" (Herman, Liza) | — | ||
| 3-19 | Pique Dame: Act I, Scene II. "Prosti, prelestnoe sozdanye" (Herman, Liza) | — | ||
| 3-20 | Pique Dame: Act I, Scene II. "Liza, otvori!" (Countess, Liza, Herman) | — | ||
| 3-21 | Pique Dame: Act I, Scene II. "O poshchadi menya!" (Herman, Liza) | — | ||
| 4-1 | Pique Dame: Act II, Scene III. "Radostno, veselo v den sei" (Chorus) | — | ||
| 4-2 | Pique Dame: Act II, Scene III. "Khozyain prosit dorogikh gostei!" (Master of Ceremonies, Chekalinsky, Surin, Tomsky) | — | ||
| 4-3 | Pique Dame: Act II, Scene III. "Vy tak pechalny" (Yeletzky, Liza) | — | ||
| 4-4 | Pique Dame: Act II, Scene III. "Ya vas lyublyu" (Yeletzky) | — | ||
| 4-5 | Pique Dame: Act II, Scene III. "Posle predstavleniya" (Herman) - "Ne ty li tot tretii" (Chekalinsky, Surin, Herman, Master of Ceremonies) | — | ||
| 4-6 | Pique Dame: Act II, Scene III. "Pod teniyu gustoyu" (Chorus) | — | ||
| 4-7 | Pique Dame: Act II, Scene III. Dance of the Shepherds & Shepherdesses | — | ||
| 4-8 | Pique Dame: Act II, Scene III. "Moi milenki druzhok" (Prilepa/Chloë, Milovzor/Daphnis) | — | ||
| 4-9 | Pique Dame: Act II, Scene III. "Kak ty mila" (Zlagotor/Pluto, Milovzor, Prilepa, Chorus) | — | ||
| 4-10 | Pique Dame: Act II, Scene III. "Kto, pylko i strastno lyubya!" (Herman, Surin, Liza, Master of Ceremonies) - "Tsaritsa! Yeyo Velichestvo!" (Chorus, Master of Ceremonies) | — | ||
| 4-11 | Pique Dame: Act II, Scene IV. "Vsyo tak, kak mne ona skazala" (Herman) | — | ||
| 4-12 | Pique Dame: Act II, Scene IV. "Shagi! Syuda idut" (Herman) - "Blagodetelnitsa nasha" (Chorus, Liza, Masha, Countess) | — | ||
| 4-13 | Pique Dame: Act II, Scene IV. "Akh, postyl mne etot svet!" (Countess) | — | ||
| 4-14 | Pique Dame: Act II, Scene IV. "Je crains de lui parler la nuit" (Countess) | — | ||
| 4-15 | Pique Dame: Act II, Scene IV. "Ne pugaites!" (Herman) | — | ||
| 4-16 | Pique Dame: Act II, Scene IV. "Yesli kogda-nibud" (Herman) | — | ||
| 4-17 | Pique Dame: Act II, Scene IV. "Chto zdes za shum?" (Liza, Herman) | — | ||
| 5-1 | Pique Dame: Act III, Scene V. Entr'acte | — | ||
| 5-2 | Pique Dame: Act III, Scene V. "Ya ne veryu" (Herman) - "Gospodu molyusya ya" (Chorus) - "Vsyo te zhe dumy" (Herman) - "Mne strashno! Strashno!" (Herman) | — | ||
| 5-3 | Pique Dame: Act III, Scene V. "Ya prishla k tebe" (Ghost of the Countess, Herman) | — | ||
| 5-4 | Pique Dame: Act III, Scene VI. "Uzh polnoch blizitsya" (Liza) | — | ||
| 5-5 | Pique Dame: Act III, Scene VI. "Akh, istomilas ya gorem" (Liza) | — | ||
| 5-6 | Pique Dame: Act III, Scene VI. "A yesli mne v otvet" (Liza, Herman) | — | ||
| 5-7 | Pique Dame: Act III, Scene VI. "O da, minovali stradanya" (Liza, Herman) | — | ||
| 5-8 | Pique Dame: Act III, Scene VII. "Budem pit i veselitsya!" (Chorus) - "Dana!" (Surin, Chaplitsky, Narumov, Chekalinsky, Tomsky, Yeletzky, Chorus) | — | ||
| 5-9 | Pique Dame: Act III, Scene VII. "Yesli b miliye devitsy" (Tomsky, Chorus, Chekalinsky) | — | ||
| 5-10 | Pique Dame: Act III, Scene VII. "Tak v nenastniye dni" (Chekalinsky, Surin, Chaplitsky, Narumov, Chorus) | — | ||
| 5-11 | Pique Dame: Act III, Scene VII. "Za delo, gospoda" (Chekalinsky, Chorus, Chaplitsky, Narumov, Surin, Yeletzky, Herman, Tomsky) | — | ||
| 5-12 | Pique Dame: Act III, Scene VII. "Chto nasha zhizn?" (Herman) | — | ||
| 5-13 | Pique Dame: Act III, Scene VII. "Idyot yeshcho?" (Herman, Chekalinsky, Yeletzky, Chorus) | — | ||
| 5-14 | Pique Dame: Act III, Scene VII. "Knyaz! Knyaz, prosti menya!" (Herman) | — | ||
| 5-15 | Pique Dame: Act III, Scene VII. "Gospod! Prosti yemu!" (Chorus) | — | ||
| 6-1 | Swan Lake, op. 20: Introduction. Moderato assai | Boston Symphony Orchestra, Seiji Ozawa | T-041.489.062-2 | |
| 6-2 | Swan Lake, op. 20: Act I: no. 1: Scène. Allegro giusto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-3 | Swan Lake, op. 20: Act I: no. 2: Valse. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-4 | Swan Lake, op. 20: Act I: no. 3: Scène. Allegro moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-5 | Swan Lake, op. 20: Act I: no. 4: Pas de trois: I. Intrada. Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-6 | Swan Lake, op. 20: Act I: no. 4: Pas de trois: II. Andante sostenuto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-7 | Swan Lake, op. 20: Act I: no. 4: Pas de trois: III. Allegro simplice - Presto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-8 | Swan Lake, op. 20: Act I: no. 4: Pas de trois: IV. Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-9 | Swan Lake, op. 20: Act I: no. 4: Pas de trois: V. Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-10 | Swan Lake, op. 20: Act I: no. 4: Pas de trois: VI. Coda. Allegro vivace | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-11 | Swan Lake, op. 20: Act I: no. 5: Pas de deux: I. Tempo di valse ma non troppo vivo, quasi moderato - II. Andante - Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-12 | Swan Lake, op. 20: Act I: no. 5: Pas de deux: III. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-13 | Swan Lake, op. 20: Act I: no. 5: Pas de deux: IV. Coda. Allegro molto vivace | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-14 | Swan Lake, op. 20: Act I: no. 6: Pas d'action. Andantino quasi moderato - Allegro / no. 7: Sujet | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-15 | Swan Lake, op. 20: Act I: no. 8: Danse des coupes. Tempo di polacca | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-16 | Swan Lake, op. 20: Act I: no. 9: Finale. Sujet. Andante | Boston Symphony Orchestra, Seiji Ozawa | T-010.437.719-6 | |
| 6-17 | Swan Lake, op. 20: Act II: no. 10: Scène. Moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-18 | Swan Lake, op. 20: Act II: no. 11: Scène. Allegro moderato - Moderato - Allegro vivo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-19 | Swan Lake, op. 20: Act II: no. 12: Scène. Allegro - Moderato assai quasi andante | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-20 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: I. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-21 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: II. Moderato assai | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-22 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: III. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-23 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: IV. Allegro moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-24 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: V. Pas d'action. Andante - Andante non troppo - Tempo I - Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-1 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: VI. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-2 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: VII. Coda. Allegro vivo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-3 | Swan Lake, op. 20: Act II: no. 14: Scène. Moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-4 | Swan Lake, op. 20: Act III: no. 15: Allegro giusto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-5 | Swan Lake, op. 20: Act III: no. 16: Danses du corps de ballet et des nains. Moderato assai - Allegro vivo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-6 | Swan Lake, op. 20: Act III: no. 17: Scène. Sortie des invités et valse. Allegro - Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-7 | Swan Lake, op. 20: Act III: no. 18: Scène. Allegro - Allegro giusto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-8 | Swan Lake, op. 20: Act III: no. 19: Pas de six: Intrada. Moderato assai | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-9 | Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation I. Allegro - Variation II. Andante con moto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-10 | Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation III. Moderato - Variation IV. Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-11 | Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation V. Moderato - Allegro simplice - Coda. Allegro molto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-12 | Swan Lake, op. 20: Act III: no. 20: Danse hongroise. Czardas. Moderato assai - Allegro moderato - Vivace | Boston Symphony Orchestra, Seiji Ozawa | T-900.160.317-4 | |
| 7-13 | Swan Lake, op. 20: Act III: no. 20a: Danse russe. Moderato - Andante simplice - Allegro vivo - Presto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-14 | Swan Lake, op. 20: Act III: no. 21: Danse espagnole. Allegro non troppo (Tempo di bolero) | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-15 | Swan Lake, op. 20: Act III: no. 22: Danse napolitaine. Allegro moderato - Andantino quasi moderato - Presto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-16 | Swan Lake, op. 20: Act III: no. 23: Mazurka. Tempo di mazurka | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-17 | Swan Lake, op. 20: Act III: no. 24: Scène. Allegro - Valse - Allegro vivo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-18 | Swan Lake, op. 20: Act IV: no. 25: Entr'acte. Moderato - No. 26: Scène. Allegro non troppo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-19 | Swan Lake, op. 20: Act IV: no. 27: Danses des petits cygnes. Moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-20 | Swan Lake, op. 20: Act IV: no. 28: Scène. Allegro agitato - Molto meno mosso - Allegro vivace | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-21 | Swan Lake, op. 20: Act IV: no. 29: Scène finale. Andante - Allegro agitato - Alla breve. Moderato e maestoso - Moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-22 | The Nutcracker, op. 71: Overture | Boston Symphony Orchestra, Seiji Ozawa | T-312.199.363-9 | |
| 7-23 | The Nutcracker, op. 71: Act I, no. 1. The Christmas Tree | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-24 | The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: a. March | Boston Symphony Orchestra, Seiji Ozawa | T-304.210.691-8 | |
| 8-1 | The Nutcracker, op. 71: Act I, no. 3. Little Galop of the Children and Entry of the Parents | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-2 | The Nutcracker, op. 71: Act I, no. 4. Drosselmeyer's Arrival and Distribution of Presents | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-3 | The Nutcracker, op. 71: Act I, no. 5. Scene and Grandfather Dance | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-4 | The Nutcracker, op. 71: Act I, no. 6. Departure of the guests | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-5 | The Nutcracker, op. 71: Act I, no. 7. The battle | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-6 | The Nutcracker, op. 71: Act I, no. 8. Journey Through the Snow | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-7 | The Nutcracker, op. 71: Act I, no. 9. Waltz of the Snowflakes | James Litton, American Boychoir, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-8 | The Nutcracker, op. 71: Act II, no. 10. Introduction | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-9 | The Nutcracker, op. 71: Act II, no. 11. Arrival of Clara and the Prince | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-10 | The Nutcracker, op. 71: Act II, no. 12. Character dances (Chocolate/Spanish, Coffee/Arabian, Tea/Chinese, Trepak/Russian, Reed-Flutes) | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-11 | The Nutcracker Suite, op. 71: III. Flower Waltz | Boston Symphony Orchestra, Seiji Ozawa | T-910.950.463-4 | |
| 8-12 | The Nutcracker, op. 71: Act II, no. 14. Duet (Sugar Plum Fairy and Her Cavalier, Tarantella, Dance of the Sugar Plum Fairy, Coda) | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-13 | The Nutcracker, op. 71: Act II, no. 15. Final Waltz and Apotheosis | James Litton, American Boychoir, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 9-1 | The Sleeping Beauty, op. 66: Introduction. Allegro vivo - Andantino - Moderato (Tempo di marcia) | Российский национальный оркестр, Михаил Васильевич Плетнев | T-041.489.062-2 | |
| 9-2 | The Sleeping Beauty, op. 66: Prologue: no. 1: Marche. Moderato | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-3 | The Sleeping Beauty, op. 66: Prologue: no. 2: Scène dansante. Moderato con moto - Un poco più animato - Allegro moderato - Tempo di Valse. Grazioso | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-4 | The Sleeping Beauty, op. 66: Prologue: no. 3: Pas de six. Adagio - Adagio. Andante - Allegro vivo | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-5 | The Sleeping Beauty, op. 66: Prologue: no. 3: Variation I. Candide. Allegro moderato | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-6 | The Sleeping Beauty, op. 66: Prologue: no. 3: Variation II. Coulante. Fleur de farine. Allegro | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-7 | The Sleeping Beauty, op. 66: Prologue: no. 3: Variation III. Miettes qui tombent. Allegro moderato | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-8 | The Sleeping Beauty, op. 66: Prologue: no. 3: Variation IV. Canari qui chante. Moderato | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-9 | The Sleeping Beauty, op. 66: Prologue: no. 3: Variation V. Violente. Allegro molto vivace | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-10 | The Sleeping Beauty, op. 66: Prologue: no. 3: Variation VI. La Fée des lilas. Tempo di Valse | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-11 | The Sleeping Beauty, op. 66: Prologue: no. 3: Coda. Allegro giusto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-12 | The Sleeping Beauty, op. 66: Prologue: no. 4: Finale. Andantino - Allegro vivo - Moderato assai - Andantino - Allegro vivo - Allegro risoluto - Allegro vivo - Andante | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-13 | The Sleeping Beauty, op. 66: Act I: no. 5: Scène. Allegro vivo - Moderato - Allegro vivo - Moderato - Allegro vivo - Moderato con moto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-14 | The Sleeping Beauty, op. 66: Act I: no. 6: Valse. Allegro (Tempo di Valse) | Российский национальный оркестр, Михаил Васильевич Плетнев | T-905.014.886-2 | |
| 9-15 | The Sleeping Beauty, op. 66: Act I: no. 7: Scène. Andante - Allegro giusto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-16 | The Sleeping Beauty, op. 66: Act I: no. 8: Pas d'action: I. Adagio. Andante - Adagio maestoso - Tempo I - Molto sostenuto, quasi più andante - Tempo I | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-17 | The Sleeping Beauty, op. 66: Act I: no. 8: Pas d'action: II. Danse des demoiselles d'honneur et des pages. Allegro moderato - Pages. Più mosso | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-18 | The Sleeping Beauty, op. 66: Act I: no. 8: Pas d'action: III. Variation d'Aurore. Allegro moderato - Meno mosso quasi andantino - Tempo I - Allegro vivace | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-19 | The Sleeping Beauty, op. 66: Act I: no. 8: Pas d'action: IV. Coda. Allegro giusto - Poco più mosso - Tempo I | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-20 | The Sleeping Beauty, op. 66: Act I: no. 9: Finale. Allegro giusto - Allegro vivo - Presto - Andante con moto - Grave - Allegro vivo - Poco più vivace - Andantino - Andante sostenuto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-21 | The Sleeping Beauty, op. 66: Act II: no. 10: Entr'acte et Scène. Allegro con spirito - Un poco più tranquillo | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-22 | The Sleeping Beauty, op. 66: Act II: no. 11: Colin-maillard. Allegro vivo | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-23 | The Sleeping Beauty, op. 66: Act II: no. 12: I. Scène. Moderato | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-24 | The Sleeping Beauty, op. 66: Act II: no. 12: II. Danse des duchesses. Moderato con moto (Tempo di Minuetto) | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-25 | The Sleeping Beauty, op. 66: Act II: no. 12: III. Danse des baronesses. Allegro moderato (Tempo di Gavotte) | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-26 | The Sleeping Beauty, op. 66: Act II: no. 12: IV. Danse des comtesses. Allegro non troppo | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-27 | The Sleeping Beauty, op. 66: Act II: no. 12: V. Danse des marquises. Allegro non troppo | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-28 | The Sleeping Beauty, op. 66: Act II: no. 13: Farandole: I. Scène. Poco più vivo | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 9-29 | The Sleeping Beauty, op. 66: Act II: no. 13: Farandole: II. Danse. Allegro non troppo (Tempo di Mazurka) - Presto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-1 | The Sleeping Beauty, op. 66: Act II: no. 14: Scène. Allegro con spirito - Andantino - Allegro vivace | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-2 | The Sleeping Beauty, op. 66: Act II: no. 15: I. Pas d'action. Scène d'Aurore et de Désiré. Andante cantabile - Allegro | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-3 | The Sleeping Beauty, op. 66: Act II: no. 15: II. Variation d'Aurore. Allegro con moto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-4 | The Sleeping Beauty, op. 66: Act II: no. 15: III. Coda. Presto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-5 | The Sleeping Beauty, op. 66: Act II: no. 16: Scène. Allegro agitato | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-6 | The Sleeping Beauty, op. 66: Act II: no. 17: Panorama. Andantino | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-7 | The Sleeping Beauty, op. 66: Act II: no. 18: Entr'acte. Andante sostenuto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-8 | The Sleeping Beauty, op. 66: Act II: no. 19: Entr'acte symphonique (Le Sommeil) et Scène. Andante misterioso - Allegro vivace | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-9 | The Sleeping Beauty, op. 66: Act II: no. 20: Finale. Allegro agitato - Un pochettino più tranquillo - Tempo I | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-10 | The Sleeping Beauty, op. 66: Act III: no. 21: Marche. Allegro non troppo | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-11 | The Sleeping Beauty, op. 66: Act III: no. 22: Polacca. Allegro moderato e brillante | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-12 | The Sleeping Beauty, op. 66: Act III: no. 23: Pas de quatre. Allegro non tanto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-13 | The Sleeping Beauty, op. 66: Act III: no. 23: Variation I. La fée Or. Allegro (Tempo di Valse) | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-14 | The Sleeping Beauty, op. 66: Act III: no. 23: Variation II. La fée Argent. Allegro giusto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-15 | The Sleeping Beauty, op. 66: Act III: no. 23: Variation III. La fée Saphir. Vivacissimo | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-16 | The Sleeping Beauty, op. 66: Act III: no. 23: Variation IV. La fée Diamant. Vivace | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-17 | The Sleeping Beauty, op. 66: Act III: no. 23: Coda. L'istesso tempo | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-18 | The Sleeping Beauty, op. 66: Act III: no. 24: Pas de caractère. Le Chat botté et la Chatte blanche. Allegro moderato | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-19 | The Sleeping Beauty, op. 66: Act III: no. 25: Pas de quatre. Adagio | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-20 | The Sleeping Beauty, op. 66: Act III: no. 25: Variation I. Cendrillon et Fortuné. Allegro (Tempo di Valse) | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-21 | The Sleeping Beauty, op. 66: Act III: no. 25: Variation II. L'Oiseau bleu et la princesse Florine. Andantino | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-22 | The Sleeping Beauty, op. 66: Act III: no. 25: Coda. Presto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-23 | The Sleeping Beauty, op. 66: Act III: no. 26: Pas de caractère. Le Petit Chaperon rouge et le Loup. Allegro moderato | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-24 | The Sleeping Beauty, op. 66: Act III: no. 26: Cendrillon et le prince Fortuné. Allegro agitato - Tempo di Valse (Moderato) - Vivace assai - Presto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-25 | The Sleeping Beauty, op. 66: Act III: no. 27: Pas berrichon. Le Petit Poucet, ses frères et l'Ogre. Allegro vivo - Coda | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-26 | The Sleeping Beauty, op. 66: Act III: no. 28: Pas de deux (Aurere et Désiré). Allegretto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-27 | The Sleeping Beauty, op. 66: Act III: no. 28: I. Entrée. Allegro moderato | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-28 | The Sleeping Beauty, op. 66: Act III: no. 28: II. Adagio. Andante non troppo - Poco più mosso - Tempo I | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-29 | The Sleeping Beauty, op. 66: Act III: no. 28: Variation I (Désiré). Vivace - Prestissimo | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-30 | The Sleeping Beauty, op. 66: Act III: no. 28: Variation II (Aurore). Andantino | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-31 | The Sleeping Beauty, op. 66: Act III: no. 28: Coda. Allegro vivace | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-32 | The Sleeping Beauty, op. 66: Act III: no. 29: Sarabande. Andante | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-33 | The Sleeping Beauty, op. 66: Act III: no. 30: Finale. Allegro brillante (Tempo di Mazurka) - Presto | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 10-34 | The Sleeping Beauty, op. 66: Act III: no. 30: Apotheose. Andante molto maestoso | Российский национальный оркестр, Михаил Васильевич Плетнев | — | |
| 11-1 | Symphony no. 1 in G minor, op. 13: 1. Daydreams on a Wintry Road | Russian National Orchestra, Mikhail Pletnev | — | |
| 11-2 | Symphony no. 1 in G minor, op. 13: 2. O land of gloom, O land of mist! | Russian National Orchestra, Mikhail Pletnev | — | |
| 11-3 | Symphony no. 1 in G minor, op. 13: 3. Scherzo. Allegro scherzando giocoso | Russian National Orchestra, Mikhail Pletnev | — | |
| 11-4 | Symphony no. 1 in G minor, op. 13: 4. Finale. Andante lugubre – Allegro moderato – Allegro maestoso – Andante lugubre – Allegro vivo | Russian National Orchestra, Mikhail Pletnev | — | |
| 11-5 | Symphony no. 2 in C minor, op. 17, "Little Russian": 1. Andante sostenuto | Russian National Orchestra, Mikhail Pletnev | — | |
| 11-6 | Symphony no. 2 in C minor, op. 17 “Little Russian”: 2. Andantino marziale, quasi moderato | Russian National Orchestra, Mikhail Pletnev | — | |
| 11-7 | Symphony no. 2 in C minor, op. 17 “Little Russian”: 3. Scherzo. Allegro molto vivace – Trio | Russian National Orchestra, Mikhail Pletnev | — | |
| 11-8 | Symphony no. 2 in C minor, op. 17 “Little Russian”: 4. Moderato assai – Allegro vivo – Presto | Russian National Orchestra, Mikhail Pletnev | — | |
| 12-1 | Symphony no. 3 in D major, op. 29 “Polish”: 1. Introduzione e Allegro. Moderato assai (tempo di marcia funebre) – Allegro brillante | Russian National Orchestra, Mikhail Pletnev | — | |
| 12-2 | Symphony no. 3 in D major, op. 29 “Polish”: 2. Alla tedesca. Allegro moderato e semplice – Trio | Russian National Orchestra, Mikhail Pletnev | — | |
| 12-3 | Symphony no. 3 in D major, op. 29 “Polish”: 3. Andante elegiaco | Russian National Orchestra, Mikhail Pletnev | — | |
| 12-4 | Symphony no. 3 in D major, op. 29 “Polish”: 4. Scherzo. Allegro vivo – Trio | Russian National Orchestra, Mikhail Pletnev | — | |
| 12-5 | Symphony no. 3 in D major, op. 29 “Polish”: 5. Finale. Allegro con fuoco (tempo di polacca) | Russian National Orchestra, Mikhail Pletnev | — | |
| 13-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo | — | ||
| 13-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone | — | ||
| 13-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato. Allegro | Leningrad Philharmonic Orchestra, Yevgeny Mravinsky | — | |
| 13-4 | Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco | Leningrad Philharmonic Orchestra, Yevgeny Mravinsky | T-003.055.867-8 | |
| 13-5 | Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima | — | ||
| 13-6 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo - Tempo I | — | ||
| 14-1 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | Leningrad Philharmonic Orchestra, Yevgeny Mravinsky | T-902.685.630-4 | |
| 14-2 | Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto | — | ||
| 14-3 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo | — | ||
| 14-4 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | — | ||
| 14-5 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace | — | ||
| 14-6 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentoso | — | ||
| 15-1 | Suite No. 1 in D minor, Op. 43: I. Introduzione e Fuga. Andante sostenuto - Moderato e con anima) | — | ||
| 15-2 | Suite No. 1 in D minor, Op. 43: II. Divertimento. Allegro moderato | — | ||
| 15-3 | Suite No. 1 in D minor, Op. 43: III. Intermezzo. Andante semplice | — | ||
| 15-4 | Suite No. 1 in D minor, Op. 43: IV. Marche miniature. Moderato con moto | — | ||
| 15-5 | Suite No. 1 in D minor, Op. 43: V. Scherzo. Allegro con moto | — | ||
| 15-6 | Suite No. 1 in D minor, Op. 43: VI. Gavotte. Allegro | — | ||
| 15-7 | Suite No. 2 in C major, Op. 53: I. Jeu de sons. Andantino un poco rubato - Allegro molto vivace | — | ||
| 15-8 | Suite No. 2 in C major, Op. 53: II. Valse. Moderato. Tempo di Valse | — | ||
| 15-9 | Suite No. 2 in C major, Op. 53: III. Scherzo burlesque. Vivace, con spirito | — | ||
| 15-10 | Suite No. 2 in C major, Op. 53: IV. Rêves d'enfant. Andante molto sostenuto | — | ||
| 15-11 | Suite No. 2 in C major, Op. 53: V. Danse baroque. Vivacissimo - Prestissimo | — | ||
| 16-1 | Suite for Orchestra no. 3 in G major, op. 55: I. Elégie. Andantino molto cantabile | New Philharmonia Orchestra, Antal Doráti | — | |
| 16-2 | Suite for Orchestra no. 3 in G major, op. 55: II. Valse melancolique. Allegro moderato | New Philharmonia Orchestra, Antal Doráti | — | |
| 16-3 | Suite for Orchestra no. 3 in G major, op. 55: III. Scherzo. Molto vivace | New Philharmonia Orchestra, Antal Doráti | — | |
| 16-4 | Suite for Orchestra no. 3 in G major, op. 55: IV. Tema con variazioni. Andante con moto | Hugh Bean, New Philharmonia Orchestra, Antal Doráti | — | |
| 16-5 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: I. Gigue, K574. Allegro | New Philharmonia Orchestra, Antal Doráti | — | |
| 16-6 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: II. Menuet, K355. Moderato | New Philharmonia Orchestra, Antal Doráti | — | |
| 16-7 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: III. Preghiera. Andante non tanto | New Philharmonia Orchestra, Antal Doráti | T-329.460.887-6 | |
| 16-8 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: IV. Thème et variations. Allegro giusto | Hugh Bean, Colin Bradbury, New Philharmonia Orchestra, Antal Doráti | — | |
| 17-1 | Overture in F major, op. 67 | — | ||
| 17-2 | Manfred Symphony, op. 58: II. Vivace con spirito | Russian National Orchestra, Mikhail Pletnev | — | |
| 17-3 | Manfred Symphony, op. 58: II. Vivace con spirito | Russian National Orchestra, Mikhail Pletnev | — | |
| 17-4 | Manfred Symphony, op. 58: II. Vivace con spirito | Russian National Orchestra, Mikhail Pletnev | — | |
| 17-5 | Manfred Symphony, op. 58: II. Vivace con spirito | Russian National Orchestra, Mikhail Pletnev | — | |
| 17-6 | Ouverture solennelle “1812”, op. 49 | Russian National Orchestra, Mikhail Pletnev | — | |
| 18-1 | Romeo and Juliet: Fantasy Overture after Shakespeare | Russian National Orchestra, Mikhail Pletnev | — | |
| 18-2 | Francesca da Rimini, op. 32: Symphonic Fantasia after Dante | Russian National Orchestra, Mikhail Pletnev | T-010.194.429-9 | |
| 18-3 | Voyevoda, op. 78 | Russian National Orchestra, Mikhail Pletnev | — | |
| 18-4 | The Tempest, op. 18 | Russian National Orchestra, Mikhail Pletnev | T-011.720.495-1 | |
| 19-1 | Marche slave, op. 31 | Russian National Orchestra, Mikhail Pletnev | — | |
| 19-2 | Festival Overture on the Danish Anthem, op. 15 | Russian National Orchestra, Mikhail Pletnev | — | |
| 19-3 | Fate, op. 77 | Russian National Orchestra, Mikhail Pletnev | — | |
| 19-4 | Hamlet, op. 67: Fantasy Overture after Shakespeare | Russian National Orchestra, Mikhail Pletnev | — | |
| 19-5 | Capriccio italien, op. 45 | Russian National Orchestra, Mikhail Pletnev | T-304.396.368-0 | |
| 20-1 | Variations on a Rococo Theme for Violoncello and Orchestra: Moderato quasi Andante | — | ||
| 20-2 | Variations on a Rococo Theme for Violoncello and Orchestra: Tema - Moderato semplice | — | ||
| 20-3 | Variations on a Rococo Theme for Violoncello and Orchestra: Variazone I - Tempo del Tema | — | ||
| 20-4 | Variations on a Rococo Theme for Violoncello and Orchestra: Variazone II - Tempo del Tema | — | ||
| 20-5 | Variations on a Rococo Theme for Violoncello and Orchestra: Variazone III - Andante sostenuto | — | ||
| 20-6 | Variations on a Rococo Theme for Violoncello and Orchestra: Variazone IV - Andante grazioso | — | ||
| 20-7 | Variations on a Rococo Theme for Violoncello and Orchestra: Variazone V - Allegro moderato | — | ||
| 20-8 | Variations on a Rococo Theme for Violoncello and Orchestra: Cadenza | — | ||
| 20-9 | Variations on a Rococo Theme for Violoncello and Orchestra: Variazone VI - Andante | — | ||
| 20-10 | Variations on a Rococo Theme for Violoncello and Orchestra: Variazone VII e Coda - Allegro vivo | — | ||
| 20-11 | String Serenade in C major, op. 48: I. Pezzo in forma di Sonatina: Andante non troppo - Allegro moderato | — | ||
| 20-12 | Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse | Orpheus Chamber Orchestra | — | |
| 20-13 | String Serenade in C major, op. 48: III. Elégie: Larghetto elegiaco | Orpheus Chamber Orchestra | — | |
| 20-14 | String Serenade in C major, op. 48: IV. Finale: Tema russo. Andante - Allegro con spirito | — | ||
| 21-1 | Valse-Scherzo, op. 34 | Midori, London Symphony Orchestra, Leonard Slatkin | — | |
| 21-2 | Andante Cantabile, for cello and orchestra, op. Posth. | Mstislav Rostropovich, Berlin Philharmonic Orchestra | — | |
| 21-3 | Souvenir d'un lieu cher, op. 42: I. Méditation | Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | T-901.134.571-4 | |
| 21-4 | Souvenir d'un lieu cher, op. 42: II. Presto giocoso | Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | T-901.134.571-4 | |
| 21-5 | Souvenir d'un lieu cher, op. 42: III. Mélodie: Moderato con moto | Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | T-901.134.571-4 | |
| 21-6 | Elégie for strings | Royal Philharmonic Orchestra, Vladimir Ashkenazy | — | |
| 21-7 | Nocturne in D minor op. 19 | — | ||
| 21-8 | Souvenir de Florence, op. 70: I. Allegro con spirito | — | ||
| 21-9 | Souvenir de Florence, op. 70: II. Adagio cantabile e con moto - Moderato | — | ||
| 21-10 | Souvenir de Florence, op. 70: III. Allegretto moderato | — | ||
| 21-11 | Souvenir de Florence, op. 70: IV. Allegro vivace | — | ||
| 22-1 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | T-010.194.845-1 | |
| 22-2 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — | |
| 22-3 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — | |
| 22-4 | Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — | |
| 22-5 | Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — | |
| 22-6 | Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — | |
| 22-7 | Sérénade mélancolique | — | ||
| 23-1 | String Quartet no. 1 in D major, op. 11: I. Moderato e semplice | Emerson String Quartet | — | |
| 23-2 | String Quartet no. 1 in D major, op. 11: II. Andante cantabile | Emerson String Quartet | — | |
| 23-3 | String Quartet no. 1 in D major, op. 11: III. Scherzo. Allegro non tanto – Trio | Emerson String Quartet | — | |
| 23-4 | String Quartet no. 1 in D major, op. 11: IV. Finale: Allegro giusto – Allegro vivace | Emerson String Quartet | — | |
| 23-5 | Piano Trio in A minor, Op. 50: I. Pezzo elegiaco: Moderato assai - Allegro giusto - In tempo molto sostenuto - Adagio con duolo e ben sostenuto - Moderato assai - Allegro giusto | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-6 | Piano Trio in A minor, Op. 50: IIa. Tema con variazioni: Andante con moto - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-7 | Piano Trio in A minor, Op. 50: IIb. Variation 1 - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-8 | Piano Trio in A minor, Op. 50: IIc. Variation 2: Più mosso - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-9 | Piano Trio in A minor, Op. 50: IId. Variation 3: Allegro moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-10 | Piano Trio in A minor, Op. 50: IIe. Variation 4: L'istesso tempo (Allegro moderato) - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-11 | Piano Trio in A minor, Op. 50: IIf. Variation 5: L'istesso tempo - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-12 | Piano Trio in A minor, Op. 50: IIg. Variation 6: Tempo di Valse - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-13 | Piano Trio in A minor, Op. 50: IIh. Variation 7: Allegro moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-14 | Piano Trio in A minor, Op. 50: IIi. Variation 8: Fuga (Allegro moderato) - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-15 | Piano Trio in A minor, Op. 50: IIj. Variation 9: Andante flebile, ma non tanto - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-16 | Piano Trio in A minor, Op. 50: IIk. Variation 10: Tempo di Mazurka - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-17 | Piano Trio in A minor, Op. 50: IIl. Variation 11: Moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-18 | Piano Trio in A minor, Op. 50: IIm. Variation finale e Coda: Allegretto risoluto e con fuoco - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 23-19 | Piano Trio in A minor, Op. 50: IIn. [Coda]: Andante con moto - Lugubre | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 24-1 | The Seasons, Op 37bis - January: At the Fireside | — | ||
| 24-2 | The Seasons, Op 37bis - February: Carnival | — | ||
| 24-3 | The Seasons, Op 37bis - March: Song of the Lark | — | ||
| 24-4 | The Seasons, Op 37bis - April: Snowdrops | — | ||
| 24-5 | The Seasons, Op 37bis - May: White Nights | — | ||
| 24-6 | Les Saisons, op. 37a: Juin: Barcarolle | Vladimir Ashkenazy | — | |
| 24-7 | The Seasons, Op 37bis - July: Song of the Reaper | — | ||
| 24-8 | The Seasons, Op 37bis - August: Harvest | — | ||
| 24-9 | The Seasons, Op 37bis - September: The Hunt | — | ||
| 24-10 | The Seasons, Op 37bis - October: Song of Autumn | — | ||
| 24-11 | The Seasons, Op 37bis - November: At the Troika | — | ||
| 24-12 | The Seasons, Op 37bis - December: Christmas | — | ||
| 24-13 | Polka Peu Dansante, Op 51 No. 2 | — | ||
| 24-14 | Aveu Passioné in E minor | — | ||
| 25-1 | 18 Pieces, op. 72: Impromptu in F minor | Mikhail Pletnev | — | |
| 25-2 | 18 Pieces, op. 72: Berceuse in A-flat major | Mikhail Pletnev | — | |
| 25-3 | 18 Pieces, op. 72: Tendres reproches in C-sharp minor | Mikhail Pletnev | — | |
| 25-4 | 18 Pieces, op. 72: Danse caractéristique in D major | Mikhail Pletnev | — | |
| 25-5 | 18 Pieces, op. 72: Méditation in D major | Mikhail Pletnev | — | |
| 25-6 | 18 Pieces, op. 72: Mazurque pour danser in B-flat major | Mikhail Pletnev | — | |
| 25-7 | 18 Pieces, op. 72: Polacca de concert in E-flat major | Mikhail Pletnev | — | |
| 25-8 | 18 Pieces, op. 72: Dialogue in B major | Mikhail Pletnev | — | |
| 25-9 | 18 Pieces, op. 72: Un poco di Schumann in D-flat major | Mikhail Pletnev | — | |
| 25-10 | 18 Pieces, op. 72: Scherzo-fantaisie in E-flat minor | Mikhail Pletnev | — | |
| 25-11 | 18 Pieces, op. 72: Valse bluette in E-flat major | Mikhail Pletnev | — | |
| 25-12 | 18 Pieces, op. 72: L’Espiègle in E major | Mikhail Pletnev | — | |
| 25-13 | 18 Pieces, op. 72: Echo rustique in E-flat major | Mikhail Pletnev | — | |
| 25-14 | 18 Pieces, op. 72: Chant élégiaque in D-flat major | Mikhail Pletnev | — | |
| 25-15 | 18 Pieces, op. 72: Un poco di Chopin in C-sharp minor | Mikhail Pletnev | — | |
| 25-16 | 18 Pieces, op. 72: Valse à cinq temps in D major | Mikhail Pletnev | — | |
| 25-17 | 18 Pieces, op. 72: Passé lointain in E-flat major | Mikhail Pletnev | — | |
| 25-18 | 18 Pieces, op. 72: Scène dansante (invitation au Trépak) in C major | Mikhail Pletnev | — | |
| 26-1 | My Protector, My Angel, My Friend | — | ||
| 26-2 | None but the Lonely Heart (Song of Mignon) | — | ||
| 26-3 | Why? | — | ||
| 26-4 | Not a Word, Beloved | — | ||
| 26-5 | Heed Not, My Love | — | ||
| 26-6 | Spirit My Heart Away | — | ||
| 26-7 | Lullaby | — | ||
| 26-8 | Acquiescence | — | ||
| 26-9 | The Frightening Moment | — | ||
| 26-10 | It Happened in the Early Spring | — | ||
| 26-11 | Nights of Delirium | — | ||
| 26-12 | Gipsy Girl's Song | — | ||
| 26-13 | The Stars Looked Tenderly Upon Us | — | ||
| 26-14 | This, Our First Reunion | — | ||
| 26-15 | Indoors, the Lights Were Being Put Out | — | ||
| 26-16 | Serenade | — | ||
| 26-17 | The Sun Has Slipped From Sight | — | ||
| 26-18 | Night | — | ||
| 26-19 | Once Again, Alone | — | ||
| 27-1 | Liturgy of St. John Chrysostom: 2. After the First Antiphon - Slava Otsu i S'inu | — | ||
| 27-2 | Liturgy of St. John Chrysostom: 3. After the Little Entrance - Priidite, poklonimsya | — | ||
| 27-3 | Liturgy of St. John Chrysostom: 6. Cherubic Hymn - Izhe cheruvim | — | ||
| 27-4 | Liturgy of St. John Chrysostom: 8. Symbol of Belief - Veruyu vo Edinogo Boga Otsa | — | ||
| 27-5 | Liturgy of St. John Chrysostom: 9. After the Symbol of Belief - Milost' mira | — | ||
| 27-6 | Liturgy of St. John Chrysostom: 10. After the Exclamation <Thine from Thine> - Tebe poem | — | ||
| 27-7 | Liturgy of St. John Chrysostom: 11. After the words <Especially for our Most Holy> - Dostoino est | — | ||
| 27-8 | Liturgy of St. John Chrysostom: 13. The Lord's Prayer - Otche nash | — | ||
| 27-9 | Liturgy of St. John Chrysostom: 13. Communion Hymn - Khavalite Gospoda s nebes | — | ||
| 27-10 | Nine Sacred Choral Works: 1. Cherubic Hymn No. 1 | — | ||
| 27-11 | Nine Sacred Choral Works: 4. Tebe poem | — | ||
| 27-12 | Nine Sacred Choral Works: 5. Dostoino est | — | ||
| 27-13 | Nine Sacred Choral Works: 6. Otche nash | — | ||
| 27-14 | Nine Sacred Choral Works: 7. Blazheni, yazhe | — | ||
| 27-15 | Nine Sacred Choral Works: 8. Da ispravitsya | — | ||
| 27-16 | Nine Sacred Choral Works: 9. Nine sil'i nebesn'iya | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Violin and Orchestra no. 1 in D major, op. 35: I. Allegro moderato | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — |
| Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — |
| Concerto for Violin and Orchestra no. 1 in D major, op. 35: III. Finale. Allegro vivacissimo | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — |
| Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante | Russian National Orchestra, Mikhail Pletnev | — |
| Manfred Symphony, op. 58: II. Vivace con spirito | Russian National Orchestra, Mikhail Pletnev | — |
| Manfred Symphony, op. 58: III. Andante con moto | Russian National Orchestra, Mikhail Pletnev | — |
| Manfred Symphony, op. 58: IV. Allegro con fuoco | Russian National Orchestra, Mikhail Pletnev | — |
