UPC · Release
Martha Argerich
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The UPC for “The Complete Recordings on Deutsche Grammophon” by Martha Argerich is 028947946472. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: Deutsche Grammophon. This release contains 578 tracks, each with its own ISRC. Tracks include DEF056000040, DEF056000050, DEF056000051.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Scherzo no. 3 in C-sharp minor, op. 39: Presto con fuoco | Martha Argerich | T-918.063.801-1 | |
| 2 | 2 Rhapsodies, op. 79: No. 1 in B minor: Agitato | Martha Argerich | T-308.384.655-9 | |
| 3 | 2 Rhapsodies, op. 79: No. 2 in G minor: Molto passionato, ma non troppo allegro | Martha Argerich | T-920.065.990-1 | |
| 4 | Toccata, op. 11 | Martha Argerich | — | |
| 5 | Jeux d'eau: Très doux | Martha Argerich | T-003.011.149-9 | |
| 6 | Barcarolle in F-sharp Major, op. 60 | Martha Argerich | T-303.629.706-6 | |
| 7 | Hungarian Rhapsody in D-flat major, S. 244 no. 6: Tempo giusto - Presto - Andante allegro - Presto | Martha Argerich | — | |
| 2-1 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | Martha Argerich | T-309.554.584-5 | |
| 2-2 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: Molto vivace | Martha Argerich | T-911.517.582-1 | |
| 2-3 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | Martha Argerich | T-309.554.580-1 | |
| 2-4 | Piano Sonata no. 3 in B minor, op. 58: IV. Presto ma non tanto | Martha Argerich | T-309.554.578-7 | |
| 2-5 | Polonaise-fantaisie no. 7 in A-flat major, op. 61: Allegro maestoso | Martha Argerich | — | |
| 2-6 | Polonaise in A-flat, op. 53 "Heroic" | Martha Argerich | T-922.332.274-5 | |
| 2-7 | Mazurka in A minor, Op. 59 No. 1 | Martha Argerich | T-902.781.050-0 | |
| 2-8 | 3 Mazurkas, op. 59: No. 2 in A-flat major. Allegretto | Martha Argerich | T-906.148.797-6 | |
| 2-9 | 3 Mazurkas, Op. 59: No. 3 in F‐Sharp Minor: Vivace | Frédéric Chopin | T-918.063.801-1 | |
| 3-1 | Concerto for Piano and Orchestra no. 3 in C major, op. 26: I Andante. Allegro | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — | |
| 3-2 | Concerto for Piano and Orchestra no. 3 in C major, op. 26: I Andante. Allegro | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — | |
| 3-3 | Concerto for Piano and Orchestra no. 3 in C major, op. 26: I Andante. Allegro | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — | |
| 3-4 | Concerto for Piano and Orchestra in G major, M. 83: 3. Presto | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — | |
| 3-5 | Concerto for Piano and Orchestra in G major, M. 83: 3. Presto | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — | |
| 3-6 | Concerto for Piano and Orchestra in G major, M. 83: 3. Presto | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — | |
| 4-1 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso | Martha Argerich, London Symphony Orchestra, Claudio Abbado | T-308.381.369-4 | |
| 4-2 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto | Martha Argerich, London Symphony Orchestra, Claudio Abbado | T-308.381.369-4 | |
| 4-3 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace | Martha Argerich, London Symphony Orchestra, Claudio Abbado | — | |
| 4-4 | Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: I. Allegro maestoso | Martha Argerich, London Symphony Orchestra, Claudio Abbado | — | |
| 4-5 | Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: II. Quasi adagio / III. Allegretto vivace - Allegro animato | Martha Argerich, London Symphony Orchestra, Claudio Abbado | — | |
| 4-6 | Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: IV. Allegro marziale animato | Martha Argerich, London Symphony Orchestra, Claudio Abbado | — | |
| 4-7 | Concerto for Piano and Orchestra in G major: III. Presto | Martha Argerich, London Symphony Orchestra, Claudio Abbado | — | |
| 4-8 | Concerto for Piano and Orchestra in G major: III. Presto | Martha Argerich, London Symphony Orchestra, Claudio Abbado | — | |
| 4-9 | Concerto for Piano and Orchestra in G major: III. Presto | Martha Argerich, London Symphony Orchestra, Claudio Abbado | — | |
| 5-1 | Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: II. Andantino semplice | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | — | |
| 5-2 | Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: II. Andantino semplice | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | — | |
| 5-3 | Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: II. Andantino semplice | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | — | |
| 5-4 | Concerto for Violin, Piano and String Orchestra in D minor: I. Allegro | Martha Argerich, Gidon Kremer, Orpheus Chamber Orchestra | T-902.685.630-4 | |
| 5-5 | Concerto for Violin, Piano and String Orchestra in D minor: II. Adagio | Martha Argerich, Gidon Kremer, Orpheus Chamber Orchestra | — | |
| 5-6 | Concerto for Violin, Piano and String Orchestra in D minor: III. Allegro molto | Martha Argerich, Gidon Kremer, Orpheus Chamber Orchestra | — | |
| 6-1 | Piano Sonata in B minor, S. 178: I. Lento assai - Allegro energico | Martha Argerich | — | |
| 6-2 | Piano Sonata in B minor, S. 178: II. Grandioso | Martha Argerich | — | |
| 6-3 | Piano Sonata in B Minor, S.178: Cantando espressivo | Martha Argerich | — | |
| 6-4 | Piano Sonata in B minor, S. 178: IV. Pesante - Recitativo | Martha Argerich | — | |
| 6-5 | Piano Sonata in B Minor, S.178: Andante sostenuto | Martha Argerich | — | |
| 6-6 | Piano Sonata in B minor, S. 178: VI. Quasi Adagio | Martha Argerich | T-070.125.749-9 | |
| 6-7 | Sonate pour piano en Si mineur, S. 178: Allegro energico | Martha Argerich | — | |
| 6-8 | Piano Sonata in B Minor, S.178: Più mosso | Martha Argerich | — | |
| 6-9 | Piano Sonata in B minor, S. 178: IX. Cantando Espressivo senza slentare | Martha Argerich | — | |
| 6-10 | Piano Sonata in B minor, S. 178: X. Stretta quasi Presto - Presto - Prestissimo | Martha Argerich | — | |
| 6-11 | Piano Sonata in B minor, S. 178: XI. Andante sostenuto - Allegro moderato - Lento assai | Martha Argerich | — | |
| 6-12 | Piano Sonata no. 2 In G Minor, op. 22: 1. So rasch wie möglich - Schneller - Noch schneller | Martha Argerich | — | |
| 6-13 | Piano Sonata No. 2 in G minor, Op. 22: II. Andantino. Getragen | Martha Argerich | — | |
| 6-14 | Piano Sonata no. 2 In G Minor, op. 22: 3. Scherzo (Sehr rasch und markiert) | Martha Argerich | — | |
| 6-15 | Piano Sonata no. 2 In G Minor, op. 22: 4. Rondo (Presto - Etwas langsamer - Prestissimo, quasi cadenza - Immer schneller und schneller) | Martha Argerich | — | |
| 7-1 | Piano Sonata no. 2 in B‐flat minor, op. 35: Grave – Doppio movimento | Martha Argerich | — | |
| 7-2 | Piano Sonata no. 2 in B‐flat minor, op. 35: Scherzo | Martha Argerich | — | |
| 7-3 | Piano Sonata no. 2 in B‐flat minor, op. 35: Marche funèbre: Lento | Martha Argerich | T-321.421.851-2 | |
| 7-4 | Piano Sonata no. 2 in B‐flat minor, op. 35: Finale: Presto | Martha Argerich | T-309.554.578-7 | |
| 7-5 | Grande Polonaise brillante précédée d'un Andante spianato, op. 22 | Martha Argerich | — | |
| 7-6 | Scherzo no. 2 in B-flat minor, op. 31 | Martha Argerich | T-309.554.578-7 | |
| 8-1 | Gaspard de la nuit, Poèmes d'après Aloysius Bertrand: I. Ondine | Martha Argerich | T-902.777.490-9 | |
| 8-2 | Gaspard de la nuit, M.55: II. Le Gibet. Très Lent | Martha Argerich | T-305.194.353-0 | |
| 8-3 | Gaspard de la nuit, Poèmes d'après Aloysius Bertrand: III. Scarbo | Martha Argerich | T-902.777.490-9 | |
| 8-4 | Sonatine: I. Modéré | Martha Argerich | T-003.016.390-6 | |
| 8-5 | Sonatine: II. Mouvement de Menuet | Martha Argerich | T-003.016.390-6 | |
| 8-6 | Sonatine: III. Animé | Martha Argerich | T-003.016.390-6 | |
| 8-7 | Valses nobles et sentimentales: I. Modéré - très franc | Martha Argerich | T-003.017.935-1 | |
| 8-8 | Valses nobles et sentimentales: II. Assez lent - avec une expression intense | Martha Argerich | T-003.017.935-1 | |
| 8-9 | Valses nobles et sentimentales: III. Modéré | Martha Argerich | T-003.017.935-1 | |
| 8-10 | Valses nobles et sentimentales: IV. Assez animé | Martha Argerich | T-003.017.935-1 | |
| 8-11 | Valses nobles et sentimentales: V. Presque lent - dans un sentiment intime | Martha Argerich | T-003.017.935-1 | |
| 8-12 | Valses nobles et sentimentales: VI. Vif | Martha Argerich | T-003.017.935-1 | |
| 8-13 | Valses nobles et sentimentales: VII. Moins vif | Martha Argerich | T-003.017.935-1 | |
| 8-14 | Valses nobles et sentimentales: VIII. Epilogue. Lent | Martha Argerich | T-003.017.935-1 | |
| 9-1 | 24 Préludes, op. 28 no. 1 in C major: Agitato | Martha Argerich | — | |
| 9-2 | 24 Préludes, Op. 28: No. 1 in C Major | Martha Argerich | — | |
| 9-3 | 24 Préludes, op. 28 no. 3 in G major: Vivace | Martha Argerich | — | |
| 9-4 | 24 Préludes, op. 28 no. 4 in E minor: Largo | Martha Argerich | — | |
| 9-5 | 24 Préludes, Op. 28: No. 4 in E Minor | Martha Argerich | T-902.764.002-4 | |
| 9-6 | 24 Préludes, Op. 28: No. 5 in D Major | Martha Argerich | T-912.623.361-2 | |
| 9-7 | 24 Préludes, Op. 28: No. 6 in B Minor: Lento assai | Martha Argerich | T-308.384.655-9 | |
| 9-8 | 24 Préludes, Op. 28: No. 7 in A Major | Martha Argerich | T-915.710.750-1 | |
| 9-9 | 24 Préludes, op. 28 no. 9 in E major: Largo | Martha Argerich | T-909.573.827-5 | |
| 9-10 | 24 Préludes, op. 28 no. 9 in E major: Largo | Martha Argerich | T-906.148.797-6 | |
| 9-11 | 24 Préludes, op. 28 no. 10 in C‐sharp minor: Allegro molto | Martha Argerich | T-918.063.801-1 | |
| 9-12 | 24 Préludes, op. 28 no. 12 in G‐sharp minor: Presto | Martha Argerich | — | |
| 9-13 | 24 Préludes, Op. 28: No. 12. in G‐Sharp Minor | Martha Argerich | T-702.884.109-2 | |
| 9-14 | 24 Préludes, op. 28 no. 14 in E‐flat minor: Allegro | Martha Argerich | T-918.063.801-1 | |
| 9-15 | 24 Préludes, op. 28 no. 15 in D‐flat major: Sostenuto | Martha Argerich | T-306.229.926-3 | |
| 9-16 | 24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco | Martha Argerich | — | |
| 9-17 | 24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco | Martha Argerich | — | |
| 9-18 | 24 Préludes, op. 28 no. 17 in A‐flat major: Allegretto | Martha Argerich | T-903.060.250-7 | |
| 9-19 | 24 Préludes, op. 28 no. 19 in E‐flat major: Vivace | Martha Argerich | T-906.148.797-6 | |
| 9-20 | 24 Préludes, op. 28 no. 20 in C minor: Largo | Martha Argerich | T-310.766.142-3 | |
| 9-22 | 24 Préludes, op. 28 no. 22 in G minor: Molto agitato | Martha Argerich | — | |
| 9-23 | 24 Préludes, op. 28 no. 23 in F major: Moderato | Martha Argerich | T-917.141.447-4 | |
| 9-24 | 24 Préludes, op. 28 no. 23 in F major: Moderato | Martha Argerich | — | |
| 9-25 | Prélude in C‐sharp minor, op. 45: Sostenuto | Martha Argerich | — | |
| 9-26 | Prélude in A‐flat major, op. posth.: Presto con leggierezza | Martha Argerich | — | |
| 10-1 | Les Noces: Première Partie. Premier Tableau : "La Tresse" | — | ||
| 10-2 | Les Noces: Première Partie. Deuxième Tableau : Chez le marié | — | ||
| 10-3 | Les Noces: Première Partie. Troisième Tableau : Le Départ de la mariée | — | ||
| 10-4 | Les Noces: Seconde Partie. Quatrième Tableau : Le Repas de noces | — | ||
| 10-5 | Konzert für 2 Klaviere, Schlagzeug und Orchester: I. Assai lento. Allegro molto | Martha Argerich, Nelson Freire, Jan Labordus, Jan Pustjens, Koninklijk Concertgebouworkest, David Zinman | — | |
| 10-6 | Konzert für 2 Klaviere, Schlagzeug und Orchester: II. Lento, ma non troppo | Martha Argerich, Nelson Freire, Jan Labordus, Jan Pustjens, Koninklijk Concertgebouworkest, David Zinman | — | |
| 10-7 | Konzert für 2 Klaviere, Schlagzeug und Orchester: III. Allegro ma non troppo | Martha Argerich, Nelson Freire, Jan Labordus, Jan Pustjens, Koninklijk Concertgebouworkest, David Zinman | — | |
| 11-1 | Sonata for Two Pianos and Percussion, Sz. 119: 1. Assai lento - Allegro molto | — | ||
| 11-2 | Sonata for Two Pianos and Percussion, Sz. 119: 2. Lento ma non troppo | — | ||
| 11-3 | Sonata for Two Pianos and Percussion, Sz. 119: 3. Allegro non troppo | — | ||
| 11-4 | Andante and Five Variations for piano duet In G, K.501: Thema (Andante) | Martha Argerich, Stephen Kovacevich | T-902.919.739-5 | |
| 11-5 | Andante and Five Variations for piano duet In G, K.501: Variation 4 | Martha Argerich, Stephen Kovacevich | T-003.979.618-3 | |
| 11-6 | Andante and Five Variations for piano duet In G, K.501: Variation 2 | Martha Argerich, Stephen Kovacevich | T-003.038.364-2 | |
| 11-7 | Andante and Five Variations for piano duet In G, K.501: Variation 1 | Martha Argerich, Stephen Kovacevich | — | |
| 11-8 | Andante and Five Variations for piano duet In G, K.501: Variation 3 | Martha Argerich, Stephen Kovacevich | T-003.038.364-2 | |
| 11-9 | Andante and Five Variations for piano duet In G, K.501: Variation 5 | Martha Argerich, Stephen Kovacevich | T-003.038.364-2 | |
| 11-10 | En blanc et noir: 1. Avec emportement | — | ||
| 11-11 | En blanc et noir: 2. Lent. Sombre | — | ||
| 11-12 | En blanc et noir: 3. Scherzando | — | ||
| 11-13 | Out of Doors, BB 89, Sz.81 Volume I: I. Avec tambours et fifres | Stephen Kovacevich | — | |
| 11-14 | Out of Doors, BB 89, Sz.81 Volume I: II. Barcarolla | Stephen Kovacevich | — | |
| 11-15 | Out of Doors, BB 89, Sz.81 Volume I: III. Musettes | Stephen Kovacevich | — | |
| 11-16 | Out of Doors, BB 89, Sz.81 Volume II: IV. Musiques nocturnes | Stephen Kovacevich | — | |
| 11-17 | Out of Doors, BB 89, Sz.81 Volume II: V. La Chasse | Stephen Kovacevich | — | |
| 11-18 | Sonatina, BB 69, Sz.55: I. Allegretto | Stephen Kovacevich | T-007.183.929-6 | |
| 11-19 | Sonatina, BB 69, Sz.55: II. Moderato | Stephen Kovacevich | T-007.183.929-6 | |
| 11-20 | Sonatina, BB 69, Sz.55: III. Allegro vivace | Stephen Kovacevich | T-007.183.929-6 | |
| 12-1 | Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | — | |
| 12-2 | Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | — | |
| 12-3 | Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | — | |
| 12-4 | Konzert für Klavier und Orchester Nr. 2 f-Moll, op. 21: I. Maestoso | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovich | T-309.554.584-5 | |
| 12-5 | Konzert für Klavier und Orchester Nr. 2 f-Moll, op. 21: II. Larghetto | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovich | — | |
| 12-6 | Konzert für Klavier und Orchester Nr. 2 f-Moll, op. 21: III. Allegro vivace | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovich | T-902.804.388-1 | |
| 13-1 | Toccata in C minor, BWV 911 | Martha Argerich | — | |
| 13-2 | Partita no. 2 in C minor, BWV 826: I. Sinfonia | Martha Argerich | T-903.514.416-2 | |
| 13-3 | Partita no. 2 in C minor, BWV 826: II. Allemande | Martha Argerich | T-309.901.323-3 | |
| 13-4 | Partita no. 2 in C minor, BWV 826: III. Courante | Martha Argerich | — | |
| 13-5 | Partita no. 2 in C minor, BWV 826: IV. Sarabande | Martha Argerich | — | |
| 13-6 | Partita no. 2 in C minor, BWV 826: V. Rondeau | Martha Argerich | — | |
| 13-7 | Partita no. 2 in C minor, BWV 826: VI. Capriccio | Martha Argerich | T-909.407.008-3 | |
| 13-8 | English Suite no. 2 in A minor, BWV 807: I. Prélude | Martha Argerich | T-070.161.055-0 | |
| 13-9 | English Suite no. 2 in A minor, BWV 807: II. Allemande | Martha Argerich | — | |
| 13-10 | English Suite no. 2 in A minor, BWV 807: III. Courante | Martha Argerich | — | |
| 13-11 | English Suite no. 2 in A minor, BWV 807: IV. Sarabande | Martha Argerich | — | |
| 13-12 | English Suite no. 2 in A minor, BWV 807: V. Bourrée I & II | Martha Argerich | — | |
| 13-13 | English Suite no. 2 in A minor, BWV 807: VI. Gigue | Martha Argerich | — | |
| 14-1 | Sonata for Piano and Violoncello in G minor, op. 65: I. Allegro moderato | Martha Argerich, Mstislav Rostropovich | T-902.781.050-0 | |
| 14-2 | Sonata for Piano and Violoncello in G minor, op. 65: II. Scherzo. Allegro con brio | Martha Argerich, Mstislav Rostropovich | — | |
| 14-3 | Sonata for Piano and Violoncello in G minor, op. 65: III. Largo | Martha Argerich, Mstislav Rostropovich | — | |
| 14-4 | Sonata for Piano and Violoncello in G minor, op. 65: IV. Finale. Allegro | Martha Argerich, Mstislav Rostropovich | T-318.676.528-2 | |
| 14-5 | Introduction et Polonaise brillante, op. 3: Introduction. Lento - Alla Polacca. Allegro | — | ||
| 14-6 | Adagio and Allegro, op. 70: Langsam, mit innigem Ausdruck - Rasch und feurig | — | ||
| 15-1 | Suite no. 2 for 2 Pianos, op. 17: 1. Introduction (Alla marcia) | Martha Argerich, Nelson Freire | — | |
| 15-2 | Suite no. 2 for 2 Pianos, op. 17: 2. Waltz (Presto) | Martha Argerich, Nelson Freire | — | |
| 15-3 | Suite no. 2 for 2 Pianos, op. 17: 3. Romance (Andantino) | Martha Argerich, Nelson Freire | — | |
| 15-4 | Suite no. 2 for 2 Pianos, op. 17: 4. Tarantella (Presto) | Martha Argerich, Nelson Freire | — | |
| 15-5 | La valse for 2 Pianos | Martha Argerich, Nelson Freire | — | |
| 15-6 | Variations on a Theme by Paganini | Martha Argerich, Nelson Freire | — | |
| 16-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | Martha Argerich, RSO Berlin, Riccardo Chailly | — | |
| 16-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio | Martha Argerich, RSO Berlin, Riccardo Chailly | — | |
| 16-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve | Martha Argerich, RSO Berlin, Riccardo Chailly | — | |
| 16-4 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito | Martha Argerich, Symphonie-Orchester des Bayerischen Rundfunks, Kirill Kondrashin | T-010.194.845-1 | |
| 16-5 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simplice – Prestissimo – Tempo I | Martha Argerich, Symphonie-Orchester des Bayerischen Rundfunks, Kirill Kondrashin | — | |
| 16-6 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Martha Argerich, Symphonie-Orchester des Bayerischen Rundfunks, Kirill Kondrashin | — | |
| 17-1 | Symphonische Tänze, op. 45: I. Non allegro | Nicolas Economou, Martha Argerich | — | |
| 17-2 | Symphonische Tänze, op. 45: II. Andante con moto. Tempo di Valse | Nicolas Economou, Martha Argerich | — | |
| 17-3 | Symphonische Tänze, op. 45: III. Lento assai - Allegro vivace | Nicolas Economou, Martha Argerich | — | |
| 17-4 | The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto | Martha Argerich, Nicolas Economou | T-312.199.363-9 | |
| 17-5 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva | Martha Argerich, Nicolas Economou | — | |
| 17-6 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo | Martha Argerich, Nicolas Economou | — | |
| 17-7 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace | Martha Argerich, Nicolas Economou | — | |
| 17-8 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto | Martha Argerich, Nicolas Economou | — | |
| 17-9 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato | Martha Argerich, Nicolas Economou | — | |
| 17-10 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai | Martha Argerich, Nicolas Economou | — | |
| 17-11 | The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse | Martha Argerich, Nicolas Economou | — | |
| 18-1 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | Martha Argerich | T-314.629.927-2 | |
| 18-2 | Kinderszenen, op. 15: II. Kuriose Geschichte | Martha Argerich | T-913.873.556-5 | |
| 18-3 | Kinderszenen, op. 15: III. Haschemann | Martha Argerich | T-913.870.630-6 | |
| 18-4 | Kinderszenen, op. 15: IV. Bittendes Kind | Martha Argerich | T-001.216.772-4 | |
| 18-5 | Kinderszenen, op. 15: V. Glückes genug | Martha Argerich | T-330.120.791-6 | |
| 18-6 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | Martha Argerich | T-001.110.774-6 | |
| 18-7 | Kinderszenen, op. 15: VII. Träumerei | Martha Argerich | — | |
| 18-8 | Kinderszenen, op. 15: VIII. Am Kamin | Martha Argerich | T-913.871.548-7 | |
| 18-9 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | Martha Argerich | T-913.871.486-0 | |
| 18-10 | Kinderszenen, op. 15: X. Fast zu ernst | Martha Argerich | T-913.870.570-1 | |
| 18-11 | Kinderszenen, op. 15: XI. Fürchtenmachen | Martha Argerich | T-330.117.411-4 | |
| 18-12 | Kinderszenen, op. 15: XII. Kind im Einschlummern | Martha Argerich | — | |
| 18-13 | Kinderszenen, op. 15: XIII. Der Dichter spricht | Martha Argerich | T-001.098.318-2 | |
| 18-14 | Kreisleriana, op. 16: I. Äußerst bewegt. Agitatissimo | Martha Argerich | — | |
| 18-15 | Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch. Con molta espressione, non troppo presto | Martha Argerich | — | |
| 18-16 | Kreisleriana, op. 16: III. Sehr aufgeregt. Molto agitato | Martha Argerich | — | |
| 18-17 | Kreisleriana, op. 16: IV. Sehr langsam. Lento assai | Martha Argerich | — | |
| 18-18 | Kreisleriana, op. 16: V. Sehr lebhaft. Vivace assai | Martha Argerich | — | |
| 18-19 | Kreisleriana, op. 16: VI. Sehr langsam. Lento assai | Martha Argerich | — | |
| 18-20 | Kreisleriana, op. 16: VII. Sehr rasch. Molto presto | Martha Argerich | — | |
| 18-21 | Kreisleriana, op. 16: VIII. Schnell und spielend. Vivace e scherzando | Martha Argerich | — | |
| 19-1 | Sonate für Arpeggione und Klavier, D. 821: I. Allegro moderato | Martha Argerich, Mischa Maisky | — | |
| 19-2 | Sonate für Arpeggione und Klavier, D. 821: II. Adagio | Martha Argerich, Mischa Maisky | — | |
| 19-3 | Sonate für Arpeggione und Klavier, D. 821: III. Allegretto | Martha Argerich, Mischa Maisky | — | |
| 19-4 | Fantasiestücke für Cello und Klavier, op. 73: I. Zart und mit Ausdruck | Martha Argerich, Mischa Maisky | — | |
| 19-5 | Fantasiestücke für Cello und Klavier, op. 73: II. Lebhaft, leicht | Martha Argerich, Mischa Maisky | — | |
| 19-6 | Fantasiestücke für Cello und Klavier, op. 73: III. Rasch und mit Feuer | Martha Argerich, Mischa Maisky | — | |
| 19-7 | 5 Stücke im Volkston für Klavier und Cello, op. 102: I. Vanitas vanitatum (Mit Humor) | Martha Argerich, Mischa Maisky | — | |
| 19-8 | 5 Stücke im Volkston für Klavier und Cello, op. 102: II. Langsam | Martha Argerich, Mischa Maisky | — | |
| 19-9 | 5 Stücke im Volkston für Klavier und Cello, op. 102: III. Nicht schnell, mit viel Ton zu spielen | Martha Argerich, Mischa Maisky | — | |
| 19-10 | 5 Stücke im Volkston für Klavier und Cello, op. 102: IV. Nicht zu rasch | Martha Argerich, Mischa Maisky | — | |
| 19-11 | 5 Stücke im Volkston für Klavier und Cello, op. 102: V. Stark und markiert | Martha Argerich, Mischa Maisky | — | |
| 20-1 | Sonata no. 1 in D major, op. 12 no. 1: I. Allegro con brio | Martha Argerich, Gidon Kremer | — | |
| 20-2 | Sonata no. 1 in D major, op. 12 no. 1: I. Allegro con brio | Martha Argerich, Gidon Kremer | — | |
| 20-3 | Sonata no. 1 in D major, op. 12 no. 1: I. Allegro con brio | Martha Argerich, Gidon Kremer | — | |
| 20-4 | Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacèvole | Martha Argerich, Gidon Kremer | — | |
| 20-5 | Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacèvole | Martha Argerich, Gidon Kremer | — | |
| 20-6 | Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacèvole | Martha Argerich, Gidon Kremer | — | |
| 20-7 | Sonata no. 3 in E-flat major, op. 12 no. 3: II. Adagio con molto espressione | Martha Argerich, Gidon Kremer | — | |
| 20-8 | Sonata no. 3 in E-flat major, op. 12 no. 3: II. Adagio con molto espressione | Martha Argerich, Gidon Kremer | — | |
| 20-9 | Sonata no. 3 in E-flat major, op. 12 no. 3: II. Adagio con molto espressione | Martha Argerich, Gidon Kremer | — | |
| 21-1 | Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: I. Adagio | Martha Argerich, Mischa Maisky | T-001.439.586-8 | |
| 21-2 | Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: II. Allegro ma non tanto | Martha Argerich, Mischa Maisky | — | |
| 21-3 | Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: III. Andante | Martha Argerich, Mischa Maisky | T-902.685.622-4 | |
| 21-4 | Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: IV. Allegro moderato | Martha Argerich, Mischa Maisky | — | |
| 21-5 | Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: I. Adagio | Martha Argerich, Mischa Maisky | T-001.439.586-8 | |
| 21-6 | Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: II. Allegro | Martha Argerich, Mischa Maisky | — | |
| 21-7 | Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: III. Andante | Martha Argerich, Mischa Maisky | T-902.685.622-4 | |
| 21-8 | Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: IV. Allegro | Martha Argerich, Mischa Maisky | — | |
| 21-9 | Sonata for Viola da Gamba and Harpsichord no. 3 in G minor, BWV 1029: I. Vivace | Martha Argerich, Mischa Maisky | — | |
| 21-10 | Sonata for Viola da Gamba and Harpsichord no. 3 in G minor, BWV 1029: II. Adagio | Martha Argerich, Mischa Maisky | T-001.439.586-8 | |
| 21-11 | Sonata for Viola da Gamba and Harpsichord no. 3 in G minor, BWV 1029: III. Allegro | Martha Argerich, Mischa Maisky | T-914.323.864-6 | |
| 22-1 | Le Carnaval des animaux : I. Introduction et marche royale du lion | Eduard Brunner, Irena Grafenauer, Georg Hörtnagel, Isabelle van Keulen, Gidon Kremer, Mischa Maisky, Edith Salmen-Weber, Markus Steckeler, Tabea Zimmermann, Martha Argerich, Nelson Freire | T-004.976.716-9 | |
| 22-2 | Kippen en hanen | Martha Argerich & Friends | T-004.976.716-9 | |
| 22-3 | Le Carnaval des animaux : III. Hémiones (Animaux véloces) | Eduard Brunner, Irena Grafenauer, Georg Hörtnagel, Isabelle van Keulen, Gidon Kremer, Mischa Maisky, Edith Salmen-Weber, Markus Steckeler, Tabea Zimmermann, Martha Argerich, Nelson Freire | T-004.976.716-9 | |
| 22-4 | De schildpadden | Martha Argerich & Friends | T-004.976.716-9 | |
| 22-5 | Le Carnaval des animaux : V. L’éléphant | Eduard Brunner, Irena Grafenauer, Georg Hörtnagel, Isabelle van Keulen, Gidon Kremer, Mischa Maisky, Edith Salmen-Weber, Markus Steckeler, Tabea Zimmermann, Martha Argerich, Nelson Freire | T-004.976.716-9 | |
| 22-6 | De kangoeroes | Martha Argerich & Friends | T-004.976.716-9 | |
| 22-7 | Le Carnaval des animaux : VII. Aquarium | Eduard Brunner, Irena Grafenauer, Georg Hörtnagel, Isabelle van Keulen, Gidon Kremer, Mischa Maisky, Edith Salmen-Weber, Markus Steckeler, Tabea Zimmermann, Martha Argerich, Nelson Freire | T-004.976.716-9 | |
| 22-8 | De langoren | Martha Argerich & Friends | T-004.976.716-9 | |
| 22-9 | Le Carnaval des animaux : IX. Le coucou au fond des bois | Eduard Brunner, Irena Grafenauer, Georg Hörtnagel, Isabelle van Keulen, Gidon Kremer, Mischa Maisky, Edith Salmen-Weber, Markus Steckeler, Tabea Zimmermann, Martha Argerich, Nelson Freire | T-004.976.716-9 | |
| 22-10 | Volière | Martha Argerich & Friends | T-004.976.716-9 | |
| 22-11 | Le Carnaval des animaux : XI. Pianistes | Eduard Brunner, Irena Grafenauer, Georg Hörtnagel, Isabelle van Keulen, Gidon Kremer, Mischa Maisky, Edith Salmen-Weber, Markus Steckeler, Tabea Zimmermann, Martha Argerich, Nelson Freire | T-004.976.716-9 | |
| 22-12 | Le Carnaval des animaux : XII. Fossiles | Eduard Brunner, Irena Grafenauer, Georg Hörtnagel, Isabelle van Keulen, Gidon Kremer, Mischa Maisky, Edith Salmen-Weber, Markus Steckeler, Tabea Zimmermann, Martha Argerich, Nelson Freire | T-004.976.716-9 | |
| 22-13 | Le Carnaval des Animaux - Le Cygne | Martha Argerich | — | |
| 22-14 | Finale | Martha Argerich & Friends | T-004.976.716-9 | |
| 22-15 | “Ferdinand”, for Speaker and Solo Violin | Elena Bashkirova, Gidon Kremer | T-010.188.863-4 | |
| 22-16 | “Tier-Gebete”, for Speaker and Piano: I. Gebet Des Ochsen | Gidon Kremer, Elena Bashkirova | — | |
| 22-17 | “Tier-Gebete”, for Speaker and Piano:II. Gebet Der Maus | Gidon Kremer, Elena Bashkirova | — | |
| 22-18 | “Tier-Gebete”, for Speaker and Piano:III. Gebet Der Katze | Gidon Kremer, Elena Bashkirova | — | |
| 22-19 | “Tier-Gebete”, for Speaker and Piano: IV. Gebet Des Hundes | Gidon Kremer, Elena Bashkirova | — | |
| 22-20 | “Tier-Gebete”, for Speaker and Piano: V. Gebet Der Ameise | Gidon Kremer, Elena Bashkirova | — | |
| 22-21 | “Tier-Gebete”, for Speaker and Piano: VI. Gebet Der Elefanten | Gidon Kremer, Elena Bashkirova | — | |
| 22-22 | “Tier-Gebete”, for Speaker and Piano:VII. Gebet Der Schildkröte | Gidon Kremer, Elena Bashkirova | — | |
| 22-23 | “Tier-Gebete”, for Speaker and Piano: VIII. Gebet Der Giraffe | Gidon Kremer, Elena Bashkirova | — | |
| 22-24 | “Tier-Gebete”, for Speaker and Piano: IX. Gebet Des Affen | Gidon Kremer, Elena Bashkirova | — | |
| 22-25 | “Tier-Gebete”, for Speaker and Piano: X. Gebet Des Hahnes | Gidon Kremer, Elena Bashkirova | — | |
| 22-26 | “Tier-Gebete”, for Speaker and Piano: XI. Gebet Des Alten Gaules | Gidon Kremer, Elena Bashkirova | — | |
| 22-27 | “Tier-Gebete”, for Speaker and Piano: XII. Gebet Des Schmetterlings | Gidon Kremer, Elena Bashkirova | — | |
| 22-28 | “Little Sad Sound”, a Melodrama for Speaker and Double-bass | Gidon Kremer, Alois Posch | — | |
| 23-1 | Concerto for Piano and Orchestra No. 1 in C major, Op. 15: I. Allegro con brio | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 23-2 | Concerto for Piano and Orchestra No. 1 in C major, Op. 15: II. Largo | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 23-3 | Concerto for Piano and Orchestra No. 1 in C major, Op. 15: III. Rondo. Allegro | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 23-4 | Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: I. Allegro con brio | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 23-5 | Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: II. Adagio | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 23-6 | Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: III. Rondo. Allegro molto | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 24-1 | Sonata no. 1 in A minor, op. 105: I. Mit leidenschaftlichem Ausdruck | Martha Argerich, Gidon Kremer | — | |
| 24-2 | Sonata no. 1 in A minor, op. 105: II. Allegretto | Martha Argerich, Gidon Kremer | — | |
| 24-3 | Sonata no. 1 in A minor, op. 105: III. Lebhaft | Martha Argerich, Gidon Kremer | — | |
| 24-4 | Sonata no. 2 in D minor, op. 121: I. Ziemlich langsam – Lebhaft | Martha Argerich, Gidon Kremer | — | |
| 24-5 | Sonata no. 2 in D minor, op. 121: II. Sehr lebhaft | Martha Argerich, Gidon Kremer | — | |
| 24-6 | Sonata no. 2 in D minor, op. 121: III. Leise, einfach | Martha Argerich, Gidon Kremer | — | |
| 24-7 | Sonata no. 2 in D minor, op. 121: IV. Bewegt | Martha Argerich, Gidon Kremer | — | |
| 25-1 | Sonate Nr. 4 a-Moll, op. 23: I. Presto | Martha Argerich, Gidon Kremer | T-070.161.055-0 | |
| 25-2 | Sonate Nr. 4 a-Moll, op. 23: II. Andante scherzoso, più allegretto | Martha Argerich, Gidon Kremer | — | |
| 25-3 | Sonate Nr. 4 a-Moll, op. 23: III. Allegro molto | Martha Argerich, Gidon Kremer | T-329.454.787-4 | |
| 25-4 | Sonate Nr. 5 F-Dur, op. 24 "Frühlings-Sonate": I. Allegro | Martha Argerich, Gidon Kremer | — | |
| 25-5 | Sonate Nr. 5 F-Dur, op. 24 "Frühlings-Sonate": II. Adagio molto espressivo | Martha Argerich, Gidon Kremer | — | |
| 25-6 | Sonate Nr. 5 F-Dur, op. 24 "Frühlings-Sonate": III. Scherzo. Allegro molto | Martha Argerich, Gidon Kremer | — | |
| 25-7 | Sonate Nr. 5 F-Dur, op. 24 "Frühlings-Sonate": IV. Rondo. Allegro ma non troppo | Martha Argerich, Gidon Kremer | T-031.682.208-8 | |
| 26-1 | Sonata for Violin and Piano no. 1: I. Allegro appassionato | Martha Argerich, Gidon Kremer | — | |
| 26-2 | Sonata for Violin and Piano no. 1: II. Adagio | Martha Argerich, Gidon Kremer | T-001.397.158-8 | |
| 26-3 | Sonata for Violin and Piano no. 1: III. Allegro | Martha Argerich, Gidon Kremer | T-329.454.787-4 | |
| 26-4 | Sonata for Violin and Piano: I. Con moto | Martha Argerich, Gidon Kremer | — | |
| 26-5 | Sonata for Violin and Piano: II. Ballada. Con moto | Martha Argerich, Gidon Kremer | — | |
| 26-6 | Sonata for Violin and Piano: III. Allegretto | Martha Argerich, Gidon Kremer | — | |
| 26-7 | Sonata for Violin and Piano: IV. Adagio | Martha Argerich, Gidon Kremer | — | |
| 26-8 | Theme and Variations for Violin and Piano: I. Thème. Modéré | Martha Argerich, Gidon Kremer | — | |
| 26-9 | Theme and Variations for Violin and Piano: II. Variation 1. Modéré | Martha Argerich, Gidon Kremer | — | |
| 26-10 | Theme and Variations for Violin and Piano: III. Variation 2. Un peu moins modéré | Martha Argerich, Gidon Kremer | — | |
| 26-11 | Theme and Variations for Violin and Piano: IV. Variation 3. Modéré, avec éclat | Martha Argerich, Gidon Kremer | — | |
| 26-12 | Theme and Variations for Violin and Piano: V. Variation 4. Vif et passionné | Martha Argerich, Gidon Kremer | — | |
| 26-13 | Theme and Variations for Violin and Piano: VI. Variation 5. Très modéré | Martha Argerich, Gidon Kremer | — | |
| 27-1 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-2 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-3 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-4 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-5 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-6 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-7 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-8 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-9 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-10 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-11 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-12 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-13 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-14 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I-ii. Allegro | Martha Argerich, Mischa Maisky | — | |
| 27-15 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I-ii. Allegro | Martha Argerich, Mischa Maisky | — | |
| 27-16 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I-ii. Allegro | Martha Argerich, Mischa Maisky | — | |
| 27-17 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I-ii. Allegro | Martha Argerich, Mischa Maisky | — | |
| 27-18 | Cello Sonata no. 2 in G minor, op. 5, no. 2: I. Adagio sostenuto ed expressivo | Martha Argerich, Mischa Maisky | — | |
| 27-19 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I-ii. Allegro molto più tosto presto | Martha Argerich, Mischa Maisky | — | |
| 27-20 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Martha Argerich, Mischa Maisky | — | |
| 27-21 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 27-22 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 1: Variation I | Martha Argerich, Mischa Maisky | — | |
| 27-23 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 27-24 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: IV. Variation III | Martha Argerich, Mischa Maisky | — | |
| 27-25 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 4: Variation IV | Martha Argerich, Mischa Maisky | — | |
| 27-26 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 27-27 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 27-28 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 28-1 | Sonata for violin & piano no. 1 in F minor, op. 80: I. Andante assai | Martha Argerich, Gidon Kremer | — | |
| 28-2 | Sonata for violin & piano no. 1 in F minor, op. 80: II. Allegro brusco | Martha Argerich, Gidon Kremer | — | |
| 28-3 | Sonata for violin & piano no. 1 in F minor, op. 80: III. Andante | Martha Argerich, Gidon Kremer | T-902.717.414-7 | |
| 28-4 | Sonata for violin & piano no. 1 in F minor, op. 80: IV. Allegrissimo - Andante assai, come prima | Martha Argerich, Gidon Kremer | — | |
| 28-5 | Melody for violin & piano, op. 35bis no. 1: Andante | Martha Argerich, Gidon Kremer | — | |
| 28-6 | Melody for violin & piano, op. 35bis no. 2: Lento, ma non troppo | Martha Argerich, Gidon Kremer | — | |
| 28-7 | Melody for violin & piano, op. 35bis no. 3: Animato, ma non allegro | Martha Argerich, Gidon Kremer | — | |
| 28-8 | Melody for violin & piano, op. 35bis no. 4: Allegretto leggero e scherzando | Martha Argerich, Gidon Kremer | — | |
| 28-9 | Melody for violin & piano, op. 35bis no. 5: Andante ma non troppo | Martha Argerich, Gidon Kremer | — | |
| 28-10 | Sonata for violin & piano no. 2 in D major, op. 94a: I. Moderato | Martha Argerich, Gidon Kremer | T-902.685.630-4 | |
| 28-11 | Sonata for violin & piano no. 2 in D major, op. 94a: II. Scherzo: Presto | Martha Argerich, Gidon Kremer | — | |
| 28-12 | Sonata for violin & piano no. 2 in D major, op. 94a: III. Andante | Martha Argerich, Gidon Kremer | T-902.717.414-7 | |
| 28-13 | Sonata for violin & piano no. 2 in D major, op. 94a: IV. Allegro con brio | Martha Argerich, Gidon Kremer | — | |
| 29-1 | Sonata for Piano and Cello no. 3 in A major, op. 69: I. Allegro ma non tanto | Martha Argerich, Mischa Maisky | T-318.567.058-6 | |
| 29-2 | Sonata for Piano and Cello no. 3 in A major, op. 69: II. Scherzo. Allegro molto | Martha Argerich, Mischa Maisky | T-329.454.787-4 | |
| 29-3 | Sonata for Piano and Cello no. 3 in A major, op. 69: III. Adagio cantabile | Martha Argerich, Mischa Maisky | T-001.397.158-8 | |
| 29-4 | Sonata for Piano and Cello no. 3 in A major, op. 69: IV. Allegro vivace | Martha Argerich, Mischa Maisky | T-909.238.805-1 | |
| 29-5 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: I. Andante | Martha Argerich, Mischa Maisky | — | |
| 29-6 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: II. Allegro vivace | Martha Argerich, Mischa Maisky | — | |
| 29-7 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: III. Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-8 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: IV. Allegro vivace | Martha Argerich, Mischa Maisky | — | |
| 29-9 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Martha Argerich, Mischa Maisky | — | |
| 29-10 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Martha Argerich, Mischa Maisky | — | |
| 29-11 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Martha Argerich, Mischa Maisky | — | |
| 29-12 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-13 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-14 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-15 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-16 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-17 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-18 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-19 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-20 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-21 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-22 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-23 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-24 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 30-1 | Piano Concerto no. 1, op. 35: I. Allegro moderato | Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | T-902.685.630-4 | |
| 30-2 | Piano Concerto no. 1, op. 35: II. Lento | Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | — | |
| 30-3 | Piano Concerto no. 1, op. 35: III. Moderato | Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | — | |
| 30-4 | Piano Concerto no. 1, op. 35: IV. Allegro con brio | Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | — | |
| 30-5 | Piano Concerto in D major, Hob.WVIII:11: I. Vivace | Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | — | |
| 30-6 | Piano Concerto in D major, Hob.WVIII:11: II. Un poco Adagio | Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | — | |
| 30-7 | Piano Concerto in D major, Hob.WVIII:11: III. Rondo all'Ungarese. Allegro assai | Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | — | |
| 30-8 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | T-010.194.845-1 | |
| 30-9 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — | |
| 30-10 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — | |
| 31-1 | Sonate für 2 Klaviere und Schlagzeug, Sz 110: I. Assai lento - Allegro molto | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 31-2 | Sonate für 2 Klaviere und Schlagzeug, Sz 110: II. Lento, ma non troppo | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 31-3 | Sonate für 2 Klaviere und Schlagzeug, Sz 110: III. Allegro non troppo | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 31-4 | Ma Mère l'Oye: I. Pavane de la Belle au bois dormant. Lent | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-004.018.862-2 | |
| 31-5 | Ma Mère l'Oye: II. Petit Poucet. Très modéré | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-004.018.862-2 | |
| 31-6 | Ma Mère l'Oye: III. Laideronnette, impératrice des pagodes. Mouvement de marche | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-004.018.862-2 | |
| 31-7 | Ma Mère l'Oye: IV. Les Entretiens de la Belle et de la Bête. Mouvement de valse très modere | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 31-8 | Ma Mère l'Oye: V. Le Jardin féerique. Lent et grave | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 31-9 | Rapsodie espagnole: I. Prélude à la nuit. Modéré | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-003.015.127-9 | |
| 31-10 | Rapsodie espagnole: II. Malagueña. Assez vif | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-003.015.127-9 | |
| 31-11 | Rapsodie espagnole: III. Habanera. En demi-teinte et d'un rythme las | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 31-12 | Rapsodie espagnole: IV. Feria. Assez vif | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-003.015.127-9 | |
| 32-1 | Sonate Nr. 6 A-Dur, op. 30 Nr. 1: III. Allegretto con variazioni (I-VI) | Martha Argerich, Gidon Kremer | — | |
| 32-2 | Sonate Nr. 6 A-Dur, op. 30 Nr. 1: III. Allegretto con variazioni (I-VI) | Martha Argerich, Gidon Kremer | — | |
| 32-3 | Sonate Nr. 6 A-Dur, op. 30 Nr. 1: III. Allegretto con variazioni (I-VI) | Martha Argerich, Gidon Kremer | — | |
| 32-4 | Sonate Nr. 7 c-Moll, op. 30 Nr. 2: IV. Finale. Allegro - Presto | Martha Argerich, Gidon Kremer | — | |
| 32-5 | Sonate Nr. 7 c-Moll, op. 30 Nr. 2: IV. Finale. Allegro - Presto | Martha Argerich, Gidon Kremer | — | |
| 32-6 | Sonate Nr. 7 c-Moll, op. 30 Nr. 2: IV. Finale. Allegro - Presto | Martha Argerich, Gidon Kremer | — | |
| 32-7 | Sonate Nr. 7 c-Moll, op. 30 Nr. 2: IV. Finale. Allegro - Presto | Martha Argerich, Gidon Kremer | — | |
| 32-8 | Sonate Nr. 8 G-Dur, op. 30 Nr. 3: I. Allegro assai | Martha Argerich, Gidon Kremer | — | |
| 32-9 | Sonate Nr. 8 G-Dur, op. 30 Nr. 3: I. Allegro assai | Martha Argerich, Gidon Kremer | — | |
| 32-10 | Sonate Nr. 8 G-Dur, op. 30 Nr. 3: I. Allegro assai | Martha Argerich, Gidon Kremer | — | |
| 33-1 | Sonate Nr. 9 A-Dur, op. 47 "Kreutzer-Sonate": I. Adagio sostenuto - Presto | Martha Argerich, Gidon Kremer | — | |
| 33-2 | Sonate Nr. 9 A-Dur, op. 47 "Kreutzer-Sonate": II. Andante con variazioni I-IV | Martha Argerich, Gidon Kremer | — | |
| 33-3 | Sonate Nr. 9 A-Dur, op. 47 "Kreutzer-Sonate": III. Finale. Presto | Martha Argerich, Gidon Kremer | — | |
| 33-4 | Sonate Nr. 10 G-Dur, op. 96: I. Allegro moderato | Martha Argerich, Gidon Kremer | T-902.685.630-4 | |
| 33-5 | Sonate Nr. 10 G-Dur, op. 96: II. Adagio espressivo | Martha Argerich, Gidon Kremer | T-909.876.999-4 | |
| 33-6 | Sonate Nr. 10 G-Dur, op. 96: III. Scherzo. Allegro | Martha Argerich, Gidon Kremer | — | |
| 33-7 | Sonate Nr. 10 G-Dur, op. 96: IV. Poco allegretto | Martha Argerich, Gidon Kremer | — | |
| 34-1 | Applause | [no artist] | T-072.571.419-1 | |
| 34-2 | Piano Trio No. 2 in E minor, Op. 67: I. Andante - Moderato - Poco più mosso | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-3 | Piano Trio No. 2 in E minor, Op. 67: II. Allegro con brio | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-4 | Piano Trio No. 2 in E minor, Op. 67: III. Largo | Martha Argerich, Gidon Kremer, Mischa Maisky | T-005.005.728-7 | |
| 34-5 | Piano Trio No. 2 in E minor, Op. 67: IV. Allegretto - Allegro | Martha Argerich, Gidon Kremer, Mischa Maisky | T-318.676.528-2 | |
| 34-6 | Piano Trio in A minor, Op. 50: I. Pezzo elegiaco: Moderato assai - Allegro giusto - In tempo molto sostenuto - Adagio con duolo e ben sostenuto - Moderato assai - Allegro giusto | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-7 | Piano Trio in A minor, Op. 50: IIa. Tema con variazioni: Andante con moto - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-8 | Piano Trio in A minor, Op. 50: IIb. Variation 1 - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-9 | Piano Trio in A minor, Op. 50: IIc. Variation 2: Più mosso - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-10 | Piano Trio in A minor, Op. 50: IId. Variation 3: Allegro moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-11 | Piano Trio in A minor, Op. 50: IIe. Variation 4: L'istesso tempo (Allegro moderato) - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-12 | Piano Trio in A minor, Op. 50: IIf. Variation 5: L'istesso tempo - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-13 | Piano Trio in A minor, Op. 50: IIg. Variation 6: Tempo di Valse - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-14 | Piano Trio in A minor, Op. 50: IIh. Variation 7: Allegro moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-15 | Piano Trio in A minor, Op. 50: IIi. Variation 8: Fuga (Allegro moderato) - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-16 | Piano Trio in A minor, Op. 50: IIj. Variation 9: Andante flebile, ma non tanto - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-17 | Piano Trio in A minor, Op. 50: IIk. Variation 10: Tempo di Mazurka - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-18 | Piano Trio in A minor, Op. 50: IIl. Variation 11: Moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-19 | Piano Trio in A minor, Op. 50: IIm. Variation finale e Coda: Allegretto risoluto e con fuoco - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-20 | Piano Trio in A minor, Op. 50: IIn. [Coda]: Andante con moto - Lugubre | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-21 | Tango pathétique | Martha Argerich, Gidon Kremer, Mischa Maisky | T-800.683.174-0 | |
| 35-1 | Adagio und Allegro, op. 70: I. Langsam, mit innigem Ausdruck | Martha Argerich, Mischa Maisky | — | |
| 35-2 | Adagio und Allegro, op. 70: II. Rasch und feurig | Martha Argerich, Mischa Maisky | — | |
| 35-3 | Drei Fantasiestücke, op. 73: I. Zart und mit Ausdruck | Martha Argerich, Mischa Maisky | — | |
| 35-4 | Drei Fantasiestücke, op. 73: II. Lebhaft, leicht | Martha Argerich, Mischa Maisky | — | |
| 35-5 | Drei Fantasiestücke, op. 73: III. Rasch und mit Feuer | Martha Argerich, Mischa Maisky | — | |
| 35-6 | Drei Romanzen, op. 94: I. Nicht schnell | Martha Argerich, Mischa Maisky | T-312.439.214-5 | |
| 35-7 | Fünf Stücke im Volkston, op. 102: I. Mit Humor "Vanitas vanitatum" | Martha Argerich, Mischa Maisky | — | |
| 35-8 | Fünf Stücke im Volkston, op. 102: II. Langsam | Martha Argerich, Mischa Maisky | — | |
| 35-9 | Fünf Stücke im Volkston, op. 102: III. Nicht schnell, mit viel Ton zu spielen | Martha Argerich, Mischa Maisky | — | |
| 35-10 | Fünf Stücke im Volkston, op. 102: IV. Nicht zu rasch | Martha Argerich, Mischa Maisky | — | |
| 35-11 | Fünf Stücke im Volkston, op. 102: V. Stark und markiert | Martha Argerich, Mischa Maisky | — | |
| 35-12 | Märchenbilder, op. 113: I. Nicht schnell | Martha Argerich, Mischa Maisky | T-911.362.261-0 | |
| 35-13 | Sonata for Piano and Violin no. 9 in A major, op. 47 “Kreutzer”: 1. Adagio sostenuto - Presto | — | ||
| 35-14 | Sonata for Piano and Violin no. 9 in A major, op. 47 “Kreutzer”: 2. Andante con variazioni (I-IV) | — | ||
| 35-15 | Sonata for Piano and Violin no. 9 in A major, op. 47 “Kreutzer”: 3. Presto | — | ||
| 36-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Martha Argerich, Mahler Chamber Orchestra, Claudio Abbado | — | |
| 36-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Martha Argerich, Mahler Chamber Orchestra, Claudio Abbado | — | |
| 36-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo: Allegro | Martha Argerich, Mahler Chamber Orchestra, Claudio Abbado | T-800.132.125-2 | |
| 36-4 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | Martha Argerich, Mahler Chamber Orchestra, Claudio Abbado | — | |
| 36-5 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | Martha Argerich, Mahler Chamber Orchestra, Claudio Abbado | — | |
| 36-6 | Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo: Molto allegro | Martha Argerich, Mahler Chamber Orchestra, Claudio Abbado | — | |
| 37-1 | [applause] | [no artist] | T-072.571.419-1 | |
| 37-2 | Sonata for Cello and Piano in G minor, op. 65: I. Allegro moderato | Martha Argerich, Mischa Maisky | — | |
| 37-3 | Sonata for Cello and Piano in G minor, op. 65: II. Scherzo (Allegro con brio) | Martha Argerich, Mischa Maisky | — | |
| 37-4 | Sonata for Cello and Piano in G minor, op. 65: III. Largo | Martha Argerich, Mischa Maisky | — | |
| 37-5 | Sonata for Cello and Piano in G minor, op. 65: IV. Finale. Allegro | Martha Argerich, Mischa Maisky | — | |
| 37-6 | Sonata for Violin and Piano in A major: I. Allegretto moderato | Martha Argerich, Mischa Maisky | T-312.207.822-8 | |
| 37-7 | Sonata for Violin and Piano in A major: II. Allegro - Quasi lento - Tempo I | Martha Argerich, Mischa Maisky | — | |
| 37-8 | Sonata for Violin and Piano in A major: III. Recitativo-Fantasia. Moderato | Martha Argerich, Mischa Maisky | — | |
| 37-9 | Sonata for Violin and Piano in A major: IV. Allegretto poco mosso | Martha Argerich, Mischa Maisky | — | |
| 37-10 | Sonata for Cello and Piano in D minor: I. Prologue. Lent | Martha Argerich, Mischa Maisky | — | |
| 37-11 | Sonata for Cello and Piano in D minor: II. Sérénade. Modérément animé | Martha Argerich, Mischa Maisky | — | |
| 37-12 | Sonata for Cello and Piano in D minor: III. Finale. Animé | Mischa Maisky, Martha Argerich | — | |
| 37-13 | Polonaise brillante, op. 3: I. Introduction. Lento | Martha Argerich, Mischa Maisky | — | |
| 37-14 | Polonaise brillante, op. 3: II. Alla Polacca. Allegro | Martha Argerich, Mischa Maisky | — | |
| 38-1 | Klavierquartett Nr. 1 g-Moll, op. 25: I. Allegro | Martha Argerich, Gidon Kremer, Yuri Bashmet, Mischa Maisky | — | |
| 38-2 | Klavierquartett Nr. 1 g-Moll, op. 25: II. Intermezzo: Allegro ma non troppo – Trio: Animato | Martha Argerich, Gidon Kremer, Yuri Bashmet, Mischa Maisky | — | |
| 38-3 | Klavierquartett Nr. 1 g-Moll, op. 25: III. Andante con moto | Martha Argerich, Gidon Kremer, Yuri Bashmet, Mischa Maisky | — | |
| 38-4 | Klavierquartett Nr. 1 g-Moll, op. 25: IV. Rondo alla Zingarese | Martha Argerich, Yuri Bashmet, Gidon Kremer, Mischa Maisky | T-001.269.912-5 | |
| 38-5 | Fantasiestücke, op. 88: I. Romanze: Nicht schnell, mit innigem Ausdruck | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 38-6 | Fantasiestücke, op. 88: II. Humoreske: Lebhaft | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 38-7 | Fantasiestücke, op. 88: III. Duett: Langsam und mit Ausdruck | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 38-8 | Fantasiestücke, op. 88: IV. Finale: Im Marschtempo | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 39-1 | [applause] | [no artist] | T-072.571.419-1 | |
| 39-2 | "Suite italienne" from Pulcinella: I. Introduzione. Allegro moderato | Martha Argerich, Mischa Maisky | — | |
| 39-3 | "Suite italienne" from Pulcinella: II. Serenata. Larghetto | Martha Argerich, Mischa Maisky | — | |
| 39-4 | "Suite italienne" from Pulcinella: III. Aria. Allegro ala breve - Largo | Martha Argerich, Mischa Maisky | — | |
| 39-5 | "Suite italienne" from Pulcinella: IV. Tarantella. Vivace | Martha Argerich, Mischa Maisky | — | |
| 39-6 | "Suite italienne" from Pulcinella: V. Minuetto e Finale. Moderato - Molto vivace | Martha Argerich, Mischa Maisky | — | |
| 39-8 | Sonata for Cello and Piano in C major, Op. 119: I. Andante grave | Martha Argerich, Mischa Maisky | T-903.514.416-2 | |
| 39-9 | Sonata for Cello and Piano in C major, Op. 119: II. Moderato | Martha Argerich, Mischa Maisky | — | |
| 39-10 | Sonata for Cello and Piano in C major, Op. 119: III. Allegro, man non troppo | Martha Argerich, Mischa Maisky | — | |
| 39-12 | Sonata for Cello and Piano in D minor, Op. 40: I. Allegro non troppo | Martha Argerich, Mischa Maisky | — | |
| 39-13 | Sonata for Cello and Piano in D minor, Op. 40: II. Allegro | Martha Argerich, Mischa Maisky | — | |
| 39-14 | Sonata for Cello and Piano in D minor, Op. 40: III. Largo | Martha Argerich, Mischa Maisky | T-005.005.728-7 | |
| 39-15 | Sonata for Cello and Piano in D minor, Op. 40: IV. Allegro | Martha Argerich, Mischa Maisky | T-318.676.528-2 | |
| 39-17 | Waltz from the Ballet Stone Flower | Martha Argerich, Mischa Maisky | — | |
| 40-1 | Suite from the Ballet, op. 87 "Cinderella": I. Introduction: Andante dolce | Martha Argerich, Mikhail Pletnev | — | |
| 40-2 | Suite from the Ballet, op. 87 "Cinderella": II. Quarrel: Allegretto | Martha Argerich, Mikhail Pletnev | — | |
| 40-3 | Suite from the Ballet, op. 87 "Cinderella": III. Winter: Adagio – Allegro moderato | Martha Argerich, Mikhail Pletnev | T-900.143.433-9 | |
| 40-4 | Suite from the Ballet, op. 87 "Cinderella": IV. Spring: Vivace con brio – Moderato – Presto | Martha Argerich, Mikhail Pletnev | — | |
| 40-5 | Suite from the Ballet, op. 87 "Cinderella": V. Cinderella's Waltz: Andante - Allegretto – Poco più animato – Più animato – Meno mosso | Martha Argerich, Mikhail Pletnev | — | |
| 40-6 | Suite from the Ballet, op. 87 "Cinderella": VI. Gavotte: Allegretto | Martha Argerich, Mikhail Pletnev | — | |
| 40-7 | Suite from the Ballet, op. 87 "Cinderella": VII. Gallop: Presto – Andantino – Presto | Martha Argerich, Mikhail Pletnev | — | |
| 40-8 | Suite from the Ballet, op. 87 "Cinderella": VIII. Valse lente: Adagio – Poco più animato – Assai più mosso – Poco più animato – Meno mosso (più animato dell’adagio) | Martha Argerich, Mikhail Pletnev | — | |
| 40-9 | Suite from the Ballet, op. 87 "Cinderella": IX. Finale: Allegro moderato – Allegro espressivo – Presto – Allegro moderato – Andante | Martha Argerich, Mikhail Pletnev | — | |
| 40-10 | Ma Mère l’Oye, ballet, M. 62: I. Pavane de la Belle au bois dormant | Martha Argerich, Mikhail Pletnev | — | |
| 40-11 | Ma Mère l’Oye, ballet, M. 62: II. Petit Poucet | Martha Argerich, Mikhail Pletnev | T-004.018.862-2 | |
| 40-12 | Ma Mère l’Oye, ballet, M. 62: III. Laideronnette, Impératrice des pagodes | Martha Argerich, Mikhail Pletnev | T-004.018.862-2 | |
| 40-13 | Ma Mère l’Oye, ballet, M. 62: IV. Les entretiens de la Belle et de la Bête | Martha Argerich, Mikhail Pletnev | T-004.018.862-2 | |
| 40-14 | Ma Mère l’Oye, ballet, M. 62: V. Le jardin féerique | Martha Argerich, Mikhail Pletnev | T-305.194.399-4 | |
| 41-1 | Variations on a Theme by Joseph Haydn, op. 56b: Chorale St. Antoni. Andante | Martha Argerich, Nelson Freire | T-322.463.971-4 | |
| 41-2 | Variations on a Theme by Joseph Haydn, op. 56b: Variation I. Andante con moto | Martha Argerich, Nelson Freire | — | |
| 41-3 | Variations on a Theme by Joseph Haydn, op. 56b: Variation II. Vivace | Martha Argerich, Nelson Freire | — | |
| 41-4 | Variations on a Theme by Joseph Haydn, op. 56b: Variation III. Con moto | Martha Argerich, Nelson Freire | — | |
| 41-5 | Variations on a Theme by Joseph Haydn, op. 56b: Variation IV. Andante | Martha Argerich, Nelson Freire | — | |
| 41-6 | Variations on a Theme by Joseph Haydn, op. 56b: Variation V. Poco presto | Martha Argerich, Nelson Freire | — | |
| 41-7 | Variations on a Theme by Joseph Haydn, op. 56b: Variation VI. Vivace | Martha Argerich, Nelson Freire | — | |
| 41-8 | Variations on a Theme by Joseph Haydn, op. 56b: Variation VII. Grazioso | Martha Argerich, Nelson Freire | — | |
| 41-9 | Variations on a Theme by Joseph Haydn, op. 56b: Variation VIII. Poco presto | Martha Argerich, Nelson Freire | — | |
| 41-10 | Variations on a Theme by Joseph Haydn, op. 56b: Finale. Andante | Martha Argerich, Nelson Freire | — | |
| 41-11 | Symphonic Dances, op. 45: I. Non allegro | Nelson Freire, Martha Argerich | — | |
| 41-12 | Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse) | Nelson Freire, Martha Argerich | — | |
| 41-13 | Symphonic Dances, op. 45: III. Lento assai – Allegro vivace – Lento assai (come prima) – L’istesso tempo, ma agitato | Nelson Freire, Martha Argerich | — | |
| 41-14 | Rondo in A major, D 951 “Grand Rondeau” | Nelson Freire, Martha Argerich | — | |
| 41-15 | La Valse: Poème chorégraphique | Martha Argerich, Nelson Freire | — | |
| 42-1 | Piano Concerto no. 25 in C major, K. 503: 1. Allegro maestoso | — | ||
| 42-2 | Piano Concerto no. 25 in C major, K. 503: 2. Andante | — | ||
| 42-3 | Piano Concerto no. 25 in C major, K. 503: 3. Allegretto | — | ||
| 42-4 | Piano Concerto no. 20 in D minor, K. 466: 1. Allegro | — | ||
| 42-5 | Piano Concerto no. 20 in D minor, K. 466: 2. Romance | — | ||
| 42-6 | Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai | Martha Argerich, Orchestra Mozart, Claudio Abbado | — | |
| 43-1 | Sonata for Two Pianos in D major for 2 Pianos, K. 448 (375a): 1. Allegro con spirito | — | ||
| 43-2 | Sonata for Two Pianos in D Major for 2 Pianos, K. 448 (375a): 2. Andante | — | ||
| 43-3 | Sonata for Two Pianos in D Major for 2 Pianos, K. 448 (375a): 3. Molto Allegro | — | ||
| 43-4 | Variations on an Original Theme in A-flat major, D. 813: Tema - Var. I-VIII | — | ||
| 44-1 | Piano Concerto no. 1 in C major, op. 15: 1. Allegro con brio | — | ||
| 44-2 | Piano Concerto no. 1 in C major, op. 15: 2. Largo | — | ||
| 44-3 | Piano Concerto no. 1 in C major, op. 15: 3. Rondo. Allegro | — | ||
| 44-4 | Concerto for Two Pianos in D minor, FP 61: 1. Allegro ma non troppo | — | ||
| 44-5 | Concerto for Two Pianos in D minor, FP 61: 2. Larghetto | — | ||
| 44-6 | Concerto for Two Pianos in D minor, FP 61: 3. Finale. Allegro molto | — | ||
| 44-7 | Concerto for Three Pianos in F major, K. 242 “Lodron”: 1. Allegro | — | ||
| 44-8 | Concerto for Three Pianos in F major, K. 242 “Lodron”: 2. Adagio | — | ||
| 44-9 | Concerto for Three Pianos in F major, K. 242 “Lodron”: 3. Rondeau. Tempo di Menuetto | — | ||
| 45-1 | Piano Concerto in A minor, op. 54: 1. Allegro affettuoso | — | ||
| 45-2 | Piano Concerto in A minor, op. 54: 2. Intermezzo. Andantino grazioso | — | ||
| 45-3 | Piano Concerto in A minor, op. 54: 3. Allegro vivace | — | ||
| 45-4 | Piano Concerto no. 1 in D-flat major, op. 10: 1. Allegro brioso | — | ||
| 45-5 | Piano Concerto no. 1 in D-flat major, op. 10: 2. Andante assai | — | ||
| 45-6 | Piano Concerto no. 1 in D-flat major, op. 10: 3. Allegro scherzando | — | ||
| 45-7 | Piano Concerto no. 3 in C major, op. 26: 1. Andante - Allegro | — | ||
| 45-8 | Piano Concerto no. 3 in C major, op. 26: 2. Tema. Andantino / Var. I. L'istesso tempo / Var. II. Allegro / Var. III. Allegro moderato / Var. IV. Andantino meditativo / Var. V. Allegro giusto / Tema. L'istesso tempo | — | ||
| 45-9 | Piano Concerto no. 3 in C major, op. 26: 3. Allegro ma non troppo | — | ||
| 46-1 | Piano Concerto no. 2 in B-flat major, op. 19: 1. Allegro con brio | — | ||
| 46-2 | Piano Concerto no. 2 in B-flat major, op. 19: 2. Adagio | — | ||
| 46-3 | Piano Concerto no. 2 in B-flat major, op. 19: 3. Rondo. Molto Allegro | — | ||
| 46-4 | Piano Concerto no. 1 in E-flat major, S. 124: 1. Allegro maestoso | — | ||
| 46-5 | Piano Concerto no. 1 in E-flat major, S. 124: 2. Quasi Adagio / 3. Allegretto vivace - Allegro animato | — | ||
| 46-6 | Piano Concerto no. 1 in E-flat major, S. 124: 4. Allegro marziale animato | — | ||
| 46-7 | Piano Concerto no. 3, Sz. 119: 1. Allegretto | — | ||
| 46-8 | Piano Concerto no. 3, Sz. 119: 2. Adagio religioso | — | ||
| 46-9 | Piano Concerto no. 3, Sz. 119: 3. Allegro vivace | — | ||
| 46-10 | Andante and Five Variations in G major for piano four hands, K. 501: Tema. Andante / Var. I / Var. II / Var. III / Var. IV / Var. V | — | ||
| 47-1 | Divertissement à la hongroise in G minor for piano four hands, D 818: 1. Andante | — | ||
| 47-2 | Divertissement à la hongroise in G minor for piano four hands, D 818: 2. Marcia. Andante con moto | — | ||
| 47-3 | Divertissement à la hongroise in G minor for piano four hands, D 818: 3. Allegretto | — | ||
| 47-4 | Liebeslieder, op. 52: 1. Rede, Mädchen, allzu liebes | — | ||
| 47-5 | Liebeslieder, op. 52: 2. Am Gesteine rauscht die Flut | — | ||
| 47-6 | Liebeslieder, op. 52: 3. O die Frauen | — | ||
| 47-7 | Liebeslieder, op. 52: 4. Wie des Abends schöne Röte | — | ||
| 47-8 | Liebeslieder, op. 52: 5. Die grüne Hopfenranke | — | ||
| 47-9 | Liebeslieder, op. 52: 6. Ein kleiner, hübscher Vogel | — | ||
| 47-10 | Liebeslieder, op. 52: 7. Wohl schön bewandt | — | ||
| 47-11 | Liebeslieder, op. 52: 8. Wenn so lind dein Auge mir | — | ||
| 47-12 | Liebeslieder, op. 52: 9. Am Donaustrande | — | ||
| 47-13 | Liebeslieder, op. 52: 10. O wie sanft die Quelle sich | — | ||
| 47-14 | Liebeslieder, op. 52: 11. Nein, es ist nicht auszukommen | — | ||
| 47-15 | Liebeslieder, op. 52: 12. Schlosser auf und mache Schlösser | — | ||
| 47-16 | Liebeslieder, op. 52: 13. Vögelein durchrauscht die Luft | — | ||
| 47-17 | Liebeslieder, op. 52: 14. Sieh, wie ist die Welle klar | — | ||
| 47-18 | Liebeslieder, op. 52: 15. Nachtigall, sie singt so schön | — | ||
| 47-19 | Liebeslieder, op. 52: 16. Ein dunkeler Schacht ist Liebe | — | ||
| 47-20 | Liebeslieder, op. 52: 17. Nicht wandle, mein Licht, dort außen | — | ||
| 47-21 | Liebeslieder, op. 52: 18. Es bebet das Gesträuche | — | ||
| 47-22 | Les Noces: Première Partie. Premier Tableau : La Tresse | — | ||
| 47-23 | Les Noces: Première Partie. Deuxième Tableau : Chez le marié | — | ||
| 47-24 | Les Noces: Première Partie. Troisième Tableau : Le Départ de la mariée | — | ||
| 47-25 | Les Noces: Seconde Partie. Quatrième Tableau : Le Repas de noces | — | ||
| 47-26 | Scaramouche, op. 165b: 1. Vif | — | ||
| 47-27 | Scaramouche, op. 165b: 2. Modéré | — | ||
| 47-28 | Scaramouche, op. 165b: 3. Brazileira | — | ||
| 48-1 | Ballade No. 1 in G minor, Op. 23 | Martha Argerich | T-917.141.447-4 | |
| 48-2 | Etude in C-sharp minor, Op. 10 No. 4 | Martha Argerich | — | |
| 48-3 | Mazurka in C-sharp minor, Op. 41 No. 4 | Martha Argerich | T-918.063.801-1 | |
| 48-4 | Mazurka in E minor, Op. 41 No. 1 | Martha Argerich | — | |
| 48-5 | Mazurka in C major, Op. 24 No. 2 | Martha Argerich | — | |
| 48-6 | Mazurka No. 40 In F Minor Op. 63 No. 2 | Frédéric Chopin | — | |
| 48-7 | Mazurka in D major, Op. 33 No. 2 | Martha Argerich | — | |
| 48-8 | Nocturne in F major, Op. 15 No. 1 | Martha Argerich | — | |
| 48-9 | Nocturne in E-flat major, Op. 55 No. 2 | Martha Argerich | T-906.148.797-6 | |
| 48-10 | 3 Mazurkas, op. 59 no. 1 in A minor: Moderato | Martha Argerich | — | |
| 48-11 | 3 Mazurkas, op. 59 no. 2 in A-flat major: Allegretto | Martha Argerich | — | |
| 48-12 | 3 Mazurkas, op. 59 no. 3 in F-sharp minor: Vivace | Martha Argerich | T-918.063.801-1 | |
| 48-13 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | Martha Argerich | T-309.554.584-5 | |
| 48-14 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: Molto vivace | Martha Argerich | T-911.517.582-1 | |
| 48-15 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | Martha Argerich | T-309.554.580-1 | |
| 48-16 | Piano Sonata no. 3 in B minor, op. 58: IV. Finale: Presto, non tanto | Martha Argerich | T-309.554.578-7 |
Identifier Graph
028947946472 is a Universal Product Code (UPC) assigned to The Complete Recordings on Deutsche Grammophon by Martha Argerich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 578 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| [applause] | [no artist] | T-072.571.419-1 |
| [applause] | [no artist] | T-072.571.419-1 |
| [applause] | [no artist] | T-072.571.419-1 |
| [applause] | [no artist] | T-072.571.419-1 |
| Concerto for Piano and Orchestra no. 3 in C major, op. 26: I Andante. Allegro | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — |
| Concerto for Piano and Orchestra no. 3 in C major, op. 26: II. Andantino | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — |
| Concerto for Piano and Orchestra no. 3 in C major, op. 26: III. Allegro ma non troppo | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — |
| Piano Concerto in G Major, M. 83: 2. Adagio assai | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | T-003.007.887-5 |
| Concerto for Piano and Orchestra in G major, M. 83: 1. Allegramente | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | T-305.199.174-9 |
| Concerto for Piano and Orchestra in G major, M. 83: 3. Presto | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | T-305.199.295-7 |
| Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | T-010.194.845-1 |
| Piano Concerto no. 1 In B Flat Minor, op. 23, TH.55: 2. Andantino semplice - Prestissimo - Tempo I | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | T-072.736.150-3 |
| Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: III. Allegro con fuoco | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Complete Recordings on Deutsche Grammophon” by Martha Argerich is 028947946472. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: Deutsche Grammophon. This release contains 578 tracks, each with its own ISRC. Tracks include DEF056000040, DEF056000050, DEF056000051.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Scherzo no. 3 in C-sharp minor, op. 39: Presto con fuoco | Martha Argerich | T-918.063.801-1 | |
| 2 | 2 Rhapsodies, op. 79: No. 1 in B minor: Agitato | Martha Argerich | T-308.384.655-9 | |
| 3 | 2 Rhapsodies, op. 79: No. 2 in G minor: Molto passionato, ma non troppo allegro | Martha Argerich | T-920.065.990-1 | |
| 4 | Toccata, op. 11 | Martha Argerich | — | |
| 5 | Jeux d'eau: Très doux | Martha Argerich | T-003.011.149-9 | |
| 6 | Barcarolle in F-sharp Major, op. 60 | Martha Argerich | T-303.629.706-6 | |
| 7 | Hungarian Rhapsody in D-flat major, S. 244 no. 6: Tempo giusto - Presto - Andante allegro - Presto | Martha Argerich | — | |
| 2-1 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | Martha Argerich | T-309.554.584-5 | |
| 2-2 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: Molto vivace | Martha Argerich | T-911.517.582-1 | |
| 2-3 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | Martha Argerich | T-309.554.580-1 | |
| 2-4 | Piano Sonata no. 3 in B minor, op. 58: IV. Presto ma non tanto | Martha Argerich | T-309.554.578-7 | |
| 2-5 | Polonaise-fantaisie no. 7 in A-flat major, op. 61: Allegro maestoso | Martha Argerich | — | |
| 2-6 | Polonaise in A-flat, op. 53 "Heroic" | Martha Argerich | T-922.332.274-5 | |
| 2-7 | Mazurka in A minor, Op. 59 No. 1 | Martha Argerich | T-902.781.050-0 | |
| 2-8 | 3 Mazurkas, op. 59: No. 2 in A-flat major. Allegretto | Martha Argerich | T-906.148.797-6 | |
| 2-9 | 3 Mazurkas, Op. 59: No. 3 in F‐Sharp Minor: Vivace | Frédéric Chopin | T-918.063.801-1 | |
| 3-1 | Concerto for Piano and Orchestra no. 3 in C major, op. 26: I Andante. Allegro | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — | |
| 3-2 | Concerto for Piano and Orchestra no. 3 in C major, op. 26: I Andante. Allegro | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — | |
| 3-3 | Concerto for Piano and Orchestra no. 3 in C major, op. 26: I Andante. Allegro | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — | |
| 3-4 | Concerto for Piano and Orchestra in G major, M. 83: 3. Presto | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — | |
| 3-5 | Concerto for Piano and Orchestra in G major, M. 83: 3. Presto | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — | |
| 3-6 | Concerto for Piano and Orchestra in G major, M. 83: 3. Presto | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — | |
| 4-1 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso | Martha Argerich, London Symphony Orchestra, Claudio Abbado | T-308.381.369-4 | |
| 4-2 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto | Martha Argerich, London Symphony Orchestra, Claudio Abbado | T-308.381.369-4 | |
| 4-3 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace | Martha Argerich, London Symphony Orchestra, Claudio Abbado | — | |
| 4-4 | Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: I. Allegro maestoso | Martha Argerich, London Symphony Orchestra, Claudio Abbado | — | |
| 4-5 | Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: II. Quasi adagio / III. Allegretto vivace - Allegro animato | Martha Argerich, London Symphony Orchestra, Claudio Abbado | — | |
| 4-6 | Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: IV. Allegro marziale animato | Martha Argerich, London Symphony Orchestra, Claudio Abbado | — | |
| 4-7 | Concerto for Piano and Orchestra in G major: III. Presto | Martha Argerich, London Symphony Orchestra, Claudio Abbado | — | |
| 4-8 | Concerto for Piano and Orchestra in G major: III. Presto | Martha Argerich, London Symphony Orchestra, Claudio Abbado | — | |
| 4-9 | Concerto for Piano and Orchestra in G major: III. Presto | Martha Argerich, London Symphony Orchestra, Claudio Abbado | — | |
| 5-1 | Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: II. Andantino semplice | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | — | |
| 5-2 | Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: II. Andantino semplice | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | — | |
| 5-3 | Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: II. Andantino semplice | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | — | |
| 5-4 | Concerto for Violin, Piano and String Orchestra in D minor: I. Allegro | Martha Argerich, Gidon Kremer, Orpheus Chamber Orchestra | T-902.685.630-4 | |
| 5-5 | Concerto for Violin, Piano and String Orchestra in D minor: II. Adagio | Martha Argerich, Gidon Kremer, Orpheus Chamber Orchestra | — | |
| 5-6 | Concerto for Violin, Piano and String Orchestra in D minor: III. Allegro molto | Martha Argerich, Gidon Kremer, Orpheus Chamber Orchestra | — | |
| 6-1 | Piano Sonata in B minor, S. 178: I. Lento assai - Allegro energico | Martha Argerich | — | |
| 6-2 | Piano Sonata in B minor, S. 178: II. Grandioso | Martha Argerich | — | |
| 6-3 | Piano Sonata in B Minor, S.178: Cantando espressivo | Martha Argerich | — | |
| 6-4 | Piano Sonata in B minor, S. 178: IV. Pesante - Recitativo | Martha Argerich | — | |
| 6-5 | Piano Sonata in B Minor, S.178: Andante sostenuto | Martha Argerich | — | |
| 6-6 | Piano Sonata in B minor, S. 178: VI. Quasi Adagio | Martha Argerich | T-070.125.749-9 | |
| 6-7 | Sonate pour piano en Si mineur, S. 178: Allegro energico | Martha Argerich | — | |
| 6-8 | Piano Sonata in B Minor, S.178: Più mosso | Martha Argerich | — | |
| 6-9 | Piano Sonata in B minor, S. 178: IX. Cantando Espressivo senza slentare | Martha Argerich | — | |
| 6-10 | Piano Sonata in B minor, S. 178: X. Stretta quasi Presto - Presto - Prestissimo | Martha Argerich | — | |
| 6-11 | Piano Sonata in B minor, S. 178: XI. Andante sostenuto - Allegro moderato - Lento assai | Martha Argerich | — | |
| 6-12 | Piano Sonata no. 2 In G Minor, op. 22: 1. So rasch wie möglich - Schneller - Noch schneller | Martha Argerich | — | |
| 6-13 | Piano Sonata No. 2 in G minor, Op. 22: II. Andantino. Getragen | Martha Argerich | — | |
| 6-14 | Piano Sonata no. 2 In G Minor, op. 22: 3. Scherzo (Sehr rasch und markiert) | Martha Argerich | — | |
| 6-15 | Piano Sonata no. 2 In G Minor, op. 22: 4. Rondo (Presto - Etwas langsamer - Prestissimo, quasi cadenza - Immer schneller und schneller) | Martha Argerich | — | |
| 7-1 | Piano Sonata no. 2 in B‐flat minor, op. 35: Grave – Doppio movimento | Martha Argerich | — | |
| 7-2 | Piano Sonata no. 2 in B‐flat minor, op. 35: Scherzo | Martha Argerich | — | |
| 7-3 | Piano Sonata no. 2 in B‐flat minor, op. 35: Marche funèbre: Lento | Martha Argerich | T-321.421.851-2 | |
| 7-4 | Piano Sonata no. 2 in B‐flat minor, op. 35: Finale: Presto | Martha Argerich | T-309.554.578-7 | |
| 7-5 | Grande Polonaise brillante précédée d'un Andante spianato, op. 22 | Martha Argerich | — | |
| 7-6 | Scherzo no. 2 in B-flat minor, op. 31 | Martha Argerich | T-309.554.578-7 | |
| 8-1 | Gaspard de la nuit, Poèmes d'après Aloysius Bertrand: I. Ondine | Martha Argerich | T-902.777.490-9 | |
| 8-2 | Gaspard de la nuit, M.55: II. Le Gibet. Très Lent | Martha Argerich | T-305.194.353-0 | |
| 8-3 | Gaspard de la nuit, Poèmes d'après Aloysius Bertrand: III. Scarbo | Martha Argerich | T-902.777.490-9 | |
| 8-4 | Sonatine: I. Modéré | Martha Argerich | T-003.016.390-6 | |
| 8-5 | Sonatine: II. Mouvement de Menuet | Martha Argerich | T-003.016.390-6 | |
| 8-6 | Sonatine: III. Animé | Martha Argerich | T-003.016.390-6 | |
| 8-7 | Valses nobles et sentimentales: I. Modéré - très franc | Martha Argerich | T-003.017.935-1 | |
| 8-8 | Valses nobles et sentimentales: II. Assez lent - avec une expression intense | Martha Argerich | T-003.017.935-1 | |
| 8-9 | Valses nobles et sentimentales: III. Modéré | Martha Argerich | T-003.017.935-1 | |
| 8-10 | Valses nobles et sentimentales: IV. Assez animé | Martha Argerich | T-003.017.935-1 | |
| 8-11 | Valses nobles et sentimentales: V. Presque lent - dans un sentiment intime | Martha Argerich | T-003.017.935-1 | |
| 8-12 | Valses nobles et sentimentales: VI. Vif | Martha Argerich | T-003.017.935-1 | |
| 8-13 | Valses nobles et sentimentales: VII. Moins vif | Martha Argerich | T-003.017.935-1 | |
| 8-14 | Valses nobles et sentimentales: VIII. Epilogue. Lent | Martha Argerich | T-003.017.935-1 | |
| 9-1 | 24 Préludes, op. 28 no. 1 in C major: Agitato | Martha Argerich | — | |
| 9-2 | 24 Préludes, Op. 28: No. 1 in C Major | Martha Argerich | — | |
| 9-3 | 24 Préludes, op. 28 no. 3 in G major: Vivace | Martha Argerich | — | |
| 9-4 | 24 Préludes, op. 28 no. 4 in E minor: Largo | Martha Argerich | — | |
| 9-5 | 24 Préludes, Op. 28: No. 4 in E Minor | Martha Argerich | T-902.764.002-4 | |
| 9-6 | 24 Préludes, Op. 28: No. 5 in D Major | Martha Argerich | T-912.623.361-2 | |
| 9-7 | 24 Préludes, Op. 28: No. 6 in B Minor: Lento assai | Martha Argerich | T-308.384.655-9 | |
| 9-8 | 24 Préludes, Op. 28: No. 7 in A Major | Martha Argerich | T-915.710.750-1 | |
| 9-9 | 24 Préludes, op. 28 no. 9 in E major: Largo | Martha Argerich | T-909.573.827-5 | |
| 9-10 | 24 Préludes, op. 28 no. 9 in E major: Largo | Martha Argerich | T-906.148.797-6 | |
| 9-11 | 24 Préludes, op. 28 no. 10 in C‐sharp minor: Allegro molto | Martha Argerich | T-918.063.801-1 | |
| 9-12 | 24 Préludes, op. 28 no. 12 in G‐sharp minor: Presto | Martha Argerich | — | |
| 9-13 | 24 Préludes, Op. 28: No. 12. in G‐Sharp Minor | Martha Argerich | T-702.884.109-2 | |
| 9-14 | 24 Préludes, op. 28 no. 14 in E‐flat minor: Allegro | Martha Argerich | T-918.063.801-1 | |
| 9-15 | 24 Préludes, op. 28 no. 15 in D‐flat major: Sostenuto | Martha Argerich | T-306.229.926-3 | |
| 9-16 | 24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco | Martha Argerich | — | |
| 9-17 | 24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco | Martha Argerich | — | |
| 9-18 | 24 Préludes, op. 28 no. 17 in A‐flat major: Allegretto | Martha Argerich | T-903.060.250-7 | |
| 9-19 | 24 Préludes, op. 28 no. 19 in E‐flat major: Vivace | Martha Argerich | T-906.148.797-6 | |
| 9-20 | 24 Préludes, op. 28 no. 20 in C minor: Largo | Martha Argerich | T-310.766.142-3 | |
| 9-22 | 24 Préludes, op. 28 no. 22 in G minor: Molto agitato | Martha Argerich | — | |
| 9-23 | 24 Préludes, op. 28 no. 23 in F major: Moderato | Martha Argerich | T-917.141.447-4 | |
| 9-24 | 24 Préludes, op. 28 no. 23 in F major: Moderato | Martha Argerich | — | |
| 9-25 | Prélude in C‐sharp minor, op. 45: Sostenuto | Martha Argerich | — | |
| 9-26 | Prélude in A‐flat major, op. posth.: Presto con leggierezza | Martha Argerich | — | |
| 10-1 | Les Noces: Première Partie. Premier Tableau : "La Tresse" | — | ||
| 10-2 | Les Noces: Première Partie. Deuxième Tableau : Chez le marié | — | ||
| 10-3 | Les Noces: Première Partie. Troisième Tableau : Le Départ de la mariée | — | ||
| 10-4 | Les Noces: Seconde Partie. Quatrième Tableau : Le Repas de noces | — | ||
| 10-5 | Konzert für 2 Klaviere, Schlagzeug und Orchester: I. Assai lento. Allegro molto | Martha Argerich, Nelson Freire, Jan Labordus, Jan Pustjens, Koninklijk Concertgebouworkest, David Zinman | — | |
| 10-6 | Konzert für 2 Klaviere, Schlagzeug und Orchester: II. Lento, ma non troppo | Martha Argerich, Nelson Freire, Jan Labordus, Jan Pustjens, Koninklijk Concertgebouworkest, David Zinman | — | |
| 10-7 | Konzert für 2 Klaviere, Schlagzeug und Orchester: III. Allegro ma non troppo | Martha Argerich, Nelson Freire, Jan Labordus, Jan Pustjens, Koninklijk Concertgebouworkest, David Zinman | — | |
| 11-1 | Sonata for Two Pianos and Percussion, Sz. 119: 1. Assai lento - Allegro molto | — | ||
| 11-2 | Sonata for Two Pianos and Percussion, Sz. 119: 2. Lento ma non troppo | — | ||
| 11-3 | Sonata for Two Pianos and Percussion, Sz. 119: 3. Allegro non troppo | — | ||
| 11-4 | Andante and Five Variations for piano duet In G, K.501: Thema (Andante) | Martha Argerich, Stephen Kovacevich | T-902.919.739-5 | |
| 11-5 | Andante and Five Variations for piano duet In G, K.501: Variation 4 | Martha Argerich, Stephen Kovacevich | T-003.979.618-3 | |
| 11-6 | Andante and Five Variations for piano duet In G, K.501: Variation 2 | Martha Argerich, Stephen Kovacevich | T-003.038.364-2 | |
| 11-7 | Andante and Five Variations for piano duet In G, K.501: Variation 1 | Martha Argerich, Stephen Kovacevich | — | |
| 11-8 | Andante and Five Variations for piano duet In G, K.501: Variation 3 | Martha Argerich, Stephen Kovacevich | T-003.038.364-2 | |
| 11-9 | Andante and Five Variations for piano duet In G, K.501: Variation 5 | Martha Argerich, Stephen Kovacevich | T-003.038.364-2 | |
| 11-10 | En blanc et noir: 1. Avec emportement | — | ||
| 11-11 | En blanc et noir: 2. Lent. Sombre | — | ||
| 11-12 | En blanc et noir: 3. Scherzando | — | ||
| 11-13 | Out of Doors, BB 89, Sz.81 Volume I: I. Avec tambours et fifres | Stephen Kovacevich | — | |
| 11-14 | Out of Doors, BB 89, Sz.81 Volume I: II. Barcarolla | Stephen Kovacevich | — | |
| 11-15 | Out of Doors, BB 89, Sz.81 Volume I: III. Musettes | Stephen Kovacevich | — | |
| 11-16 | Out of Doors, BB 89, Sz.81 Volume II: IV. Musiques nocturnes | Stephen Kovacevich | — | |
| 11-17 | Out of Doors, BB 89, Sz.81 Volume II: V. La Chasse | Stephen Kovacevich | — | |
| 11-18 | Sonatina, BB 69, Sz.55: I. Allegretto | Stephen Kovacevich | T-007.183.929-6 | |
| 11-19 | Sonatina, BB 69, Sz.55: II. Moderato | Stephen Kovacevich | T-007.183.929-6 | |
| 11-20 | Sonatina, BB 69, Sz.55: III. Allegro vivace | Stephen Kovacevich | T-007.183.929-6 | |
| 12-1 | Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | — | |
| 12-2 | Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | — | |
| 12-3 | Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | — | |
| 12-4 | Konzert für Klavier und Orchester Nr. 2 f-Moll, op. 21: I. Maestoso | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovich | T-309.554.584-5 | |
| 12-5 | Konzert für Klavier und Orchester Nr. 2 f-Moll, op. 21: II. Larghetto | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovich | — | |
| 12-6 | Konzert für Klavier und Orchester Nr. 2 f-Moll, op. 21: III. Allegro vivace | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovich | T-902.804.388-1 | |
| 13-1 | Toccata in C minor, BWV 911 | Martha Argerich | — | |
| 13-2 | Partita no. 2 in C minor, BWV 826: I. Sinfonia | Martha Argerich | T-903.514.416-2 | |
| 13-3 | Partita no. 2 in C minor, BWV 826: II. Allemande | Martha Argerich | T-309.901.323-3 | |
| 13-4 | Partita no. 2 in C minor, BWV 826: III. Courante | Martha Argerich | — | |
| 13-5 | Partita no. 2 in C minor, BWV 826: IV. Sarabande | Martha Argerich | — | |
| 13-6 | Partita no. 2 in C minor, BWV 826: V. Rondeau | Martha Argerich | — | |
| 13-7 | Partita no. 2 in C minor, BWV 826: VI. Capriccio | Martha Argerich | T-909.407.008-3 | |
| 13-8 | English Suite no. 2 in A minor, BWV 807: I. Prélude | Martha Argerich | T-070.161.055-0 | |
| 13-9 | English Suite no. 2 in A minor, BWV 807: II. Allemande | Martha Argerich | — | |
| 13-10 | English Suite no. 2 in A minor, BWV 807: III. Courante | Martha Argerich | — | |
| 13-11 | English Suite no. 2 in A minor, BWV 807: IV. Sarabande | Martha Argerich | — | |
| 13-12 | English Suite no. 2 in A minor, BWV 807: V. Bourrée I & II | Martha Argerich | — | |
| 13-13 | English Suite no. 2 in A minor, BWV 807: VI. Gigue | Martha Argerich | — | |
| 14-1 | Sonata for Piano and Violoncello in G minor, op. 65: I. Allegro moderato | Martha Argerich, Mstislav Rostropovich | T-902.781.050-0 | |
| 14-2 | Sonata for Piano and Violoncello in G minor, op. 65: II. Scherzo. Allegro con brio | Martha Argerich, Mstislav Rostropovich | — | |
| 14-3 | Sonata for Piano and Violoncello in G minor, op. 65: III. Largo | Martha Argerich, Mstislav Rostropovich | — | |
| 14-4 | Sonata for Piano and Violoncello in G minor, op. 65: IV. Finale. Allegro | Martha Argerich, Mstislav Rostropovich | T-318.676.528-2 | |
| 14-5 | Introduction et Polonaise brillante, op. 3: Introduction. Lento - Alla Polacca. Allegro | — | ||
| 14-6 | Adagio and Allegro, op. 70: Langsam, mit innigem Ausdruck - Rasch und feurig | — | ||
| 15-1 | Suite no. 2 for 2 Pianos, op. 17: 1. Introduction (Alla marcia) | Martha Argerich, Nelson Freire | — | |
| 15-2 | Suite no. 2 for 2 Pianos, op. 17: 2. Waltz (Presto) | Martha Argerich, Nelson Freire | — | |
| 15-3 | Suite no. 2 for 2 Pianos, op. 17: 3. Romance (Andantino) | Martha Argerich, Nelson Freire | — | |
| 15-4 | Suite no. 2 for 2 Pianos, op. 17: 4. Tarantella (Presto) | Martha Argerich, Nelson Freire | — | |
| 15-5 | La valse for 2 Pianos | Martha Argerich, Nelson Freire | — | |
| 15-6 | Variations on a Theme by Paganini | Martha Argerich, Nelson Freire | — | |
| 16-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | Martha Argerich, RSO Berlin, Riccardo Chailly | — | |
| 16-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio | Martha Argerich, RSO Berlin, Riccardo Chailly | — | |
| 16-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve | Martha Argerich, RSO Berlin, Riccardo Chailly | — | |
| 16-4 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito | Martha Argerich, Symphonie-Orchester des Bayerischen Rundfunks, Kirill Kondrashin | T-010.194.845-1 | |
| 16-5 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simplice – Prestissimo – Tempo I | Martha Argerich, Symphonie-Orchester des Bayerischen Rundfunks, Kirill Kondrashin | — | |
| 16-6 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Martha Argerich, Symphonie-Orchester des Bayerischen Rundfunks, Kirill Kondrashin | — | |
| 17-1 | Symphonische Tänze, op. 45: I. Non allegro | Nicolas Economou, Martha Argerich | — | |
| 17-2 | Symphonische Tänze, op. 45: II. Andante con moto. Tempo di Valse | Nicolas Economou, Martha Argerich | — | |
| 17-3 | Symphonische Tänze, op. 45: III. Lento assai - Allegro vivace | Nicolas Economou, Martha Argerich | — | |
| 17-4 | The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto | Martha Argerich, Nicolas Economou | T-312.199.363-9 | |
| 17-5 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva | Martha Argerich, Nicolas Economou | — | |
| 17-6 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo | Martha Argerich, Nicolas Economou | — | |
| 17-7 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace | Martha Argerich, Nicolas Economou | — | |
| 17-8 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto | Martha Argerich, Nicolas Economou | — | |
| 17-9 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato | Martha Argerich, Nicolas Economou | — | |
| 17-10 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai | Martha Argerich, Nicolas Economou | — | |
| 17-11 | The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse | Martha Argerich, Nicolas Economou | — | |
| 18-1 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | Martha Argerich | T-314.629.927-2 | |
| 18-2 | Kinderszenen, op. 15: II. Kuriose Geschichte | Martha Argerich | T-913.873.556-5 | |
| 18-3 | Kinderszenen, op. 15: III. Haschemann | Martha Argerich | T-913.870.630-6 | |
| 18-4 | Kinderszenen, op. 15: IV. Bittendes Kind | Martha Argerich | T-001.216.772-4 | |
| 18-5 | Kinderszenen, op. 15: V. Glückes genug | Martha Argerich | T-330.120.791-6 | |
| 18-6 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | Martha Argerich | T-001.110.774-6 | |
| 18-7 | Kinderszenen, op. 15: VII. Träumerei | Martha Argerich | — | |
| 18-8 | Kinderszenen, op. 15: VIII. Am Kamin | Martha Argerich | T-913.871.548-7 | |
| 18-9 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | Martha Argerich | T-913.871.486-0 | |
| 18-10 | Kinderszenen, op. 15: X. Fast zu ernst | Martha Argerich | T-913.870.570-1 | |
| 18-11 | Kinderszenen, op. 15: XI. Fürchtenmachen | Martha Argerich | T-330.117.411-4 | |
| 18-12 | Kinderszenen, op. 15: XII. Kind im Einschlummern | Martha Argerich | — | |
| 18-13 | Kinderszenen, op. 15: XIII. Der Dichter spricht | Martha Argerich | T-001.098.318-2 | |
| 18-14 | Kreisleriana, op. 16: I. Äußerst bewegt. Agitatissimo | Martha Argerich | — | |
| 18-15 | Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch. Con molta espressione, non troppo presto | Martha Argerich | — | |
| 18-16 | Kreisleriana, op. 16: III. Sehr aufgeregt. Molto agitato | Martha Argerich | — | |
| 18-17 | Kreisleriana, op. 16: IV. Sehr langsam. Lento assai | Martha Argerich | — | |
| 18-18 | Kreisleriana, op. 16: V. Sehr lebhaft. Vivace assai | Martha Argerich | — | |
| 18-19 | Kreisleriana, op. 16: VI. Sehr langsam. Lento assai | Martha Argerich | — | |
| 18-20 | Kreisleriana, op. 16: VII. Sehr rasch. Molto presto | Martha Argerich | — | |
| 18-21 | Kreisleriana, op. 16: VIII. Schnell und spielend. Vivace e scherzando | Martha Argerich | — | |
| 19-1 | Sonate für Arpeggione und Klavier, D. 821: I. Allegro moderato | Martha Argerich, Mischa Maisky | — | |
| 19-2 | Sonate für Arpeggione und Klavier, D. 821: II. Adagio | Martha Argerich, Mischa Maisky | — | |
| 19-3 | Sonate für Arpeggione und Klavier, D. 821: III. Allegretto | Martha Argerich, Mischa Maisky | — | |
| 19-4 | Fantasiestücke für Cello und Klavier, op. 73: I. Zart und mit Ausdruck | Martha Argerich, Mischa Maisky | — | |
| 19-5 | Fantasiestücke für Cello und Klavier, op. 73: II. Lebhaft, leicht | Martha Argerich, Mischa Maisky | — | |
| 19-6 | Fantasiestücke für Cello und Klavier, op. 73: III. Rasch und mit Feuer | Martha Argerich, Mischa Maisky | — | |
| 19-7 | 5 Stücke im Volkston für Klavier und Cello, op. 102: I. Vanitas vanitatum (Mit Humor) | Martha Argerich, Mischa Maisky | — | |
| 19-8 | 5 Stücke im Volkston für Klavier und Cello, op. 102: II. Langsam | Martha Argerich, Mischa Maisky | — | |
| 19-9 | 5 Stücke im Volkston für Klavier und Cello, op. 102: III. Nicht schnell, mit viel Ton zu spielen | Martha Argerich, Mischa Maisky | — | |
| 19-10 | 5 Stücke im Volkston für Klavier und Cello, op. 102: IV. Nicht zu rasch | Martha Argerich, Mischa Maisky | — | |
| 19-11 | 5 Stücke im Volkston für Klavier und Cello, op. 102: V. Stark und markiert | Martha Argerich, Mischa Maisky | — | |
| 20-1 | Sonata no. 1 in D major, op. 12 no. 1: I. Allegro con brio | Martha Argerich, Gidon Kremer | — | |
| 20-2 | Sonata no. 1 in D major, op. 12 no. 1: I. Allegro con brio | Martha Argerich, Gidon Kremer | — | |
| 20-3 | Sonata no. 1 in D major, op. 12 no. 1: I. Allegro con brio | Martha Argerich, Gidon Kremer | — | |
| 20-4 | Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacèvole | Martha Argerich, Gidon Kremer | — | |
| 20-5 | Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacèvole | Martha Argerich, Gidon Kremer | — | |
| 20-6 | Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacèvole | Martha Argerich, Gidon Kremer | — | |
| 20-7 | Sonata no. 3 in E-flat major, op. 12 no. 3: II. Adagio con molto espressione | Martha Argerich, Gidon Kremer | — | |
| 20-8 | Sonata no. 3 in E-flat major, op. 12 no. 3: II. Adagio con molto espressione | Martha Argerich, Gidon Kremer | — | |
| 20-9 | Sonata no. 3 in E-flat major, op. 12 no. 3: II. Adagio con molto espressione | Martha Argerich, Gidon Kremer | — | |
| 21-1 | Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: I. Adagio | Martha Argerich, Mischa Maisky | T-001.439.586-8 | |
| 21-2 | Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: II. Allegro ma non tanto | Martha Argerich, Mischa Maisky | — | |
| 21-3 | Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: III. Andante | Martha Argerich, Mischa Maisky | T-902.685.622-4 | |
| 21-4 | Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: IV. Allegro moderato | Martha Argerich, Mischa Maisky | — | |
| 21-5 | Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: I. Adagio | Martha Argerich, Mischa Maisky | T-001.439.586-8 | |
| 21-6 | Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: II. Allegro | Martha Argerich, Mischa Maisky | — | |
| 21-7 | Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: III. Andante | Martha Argerich, Mischa Maisky | T-902.685.622-4 | |
| 21-8 | Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: IV. Allegro | Martha Argerich, Mischa Maisky | — | |
| 21-9 | Sonata for Viola da Gamba and Harpsichord no. 3 in G minor, BWV 1029: I. Vivace | Martha Argerich, Mischa Maisky | — | |
| 21-10 | Sonata for Viola da Gamba and Harpsichord no. 3 in G minor, BWV 1029: II. Adagio | Martha Argerich, Mischa Maisky | T-001.439.586-8 | |
| 21-11 | Sonata for Viola da Gamba and Harpsichord no. 3 in G minor, BWV 1029: III. Allegro | Martha Argerich, Mischa Maisky | T-914.323.864-6 | |
| 22-1 | Le Carnaval des animaux : I. Introduction et marche royale du lion | Eduard Brunner, Irena Grafenauer, Georg Hörtnagel, Isabelle van Keulen, Gidon Kremer, Mischa Maisky, Edith Salmen-Weber, Markus Steckeler, Tabea Zimmermann, Martha Argerich, Nelson Freire | T-004.976.716-9 | |
| 22-2 | Kippen en hanen | Martha Argerich & Friends | T-004.976.716-9 | |
| 22-3 | Le Carnaval des animaux : III. Hémiones (Animaux véloces) | Eduard Brunner, Irena Grafenauer, Georg Hörtnagel, Isabelle van Keulen, Gidon Kremer, Mischa Maisky, Edith Salmen-Weber, Markus Steckeler, Tabea Zimmermann, Martha Argerich, Nelson Freire | T-004.976.716-9 | |
| 22-4 | De schildpadden | Martha Argerich & Friends | T-004.976.716-9 | |
| 22-5 | Le Carnaval des animaux : V. L’éléphant | Eduard Brunner, Irena Grafenauer, Georg Hörtnagel, Isabelle van Keulen, Gidon Kremer, Mischa Maisky, Edith Salmen-Weber, Markus Steckeler, Tabea Zimmermann, Martha Argerich, Nelson Freire | T-004.976.716-9 | |
| 22-6 | De kangoeroes | Martha Argerich & Friends | T-004.976.716-9 | |
| 22-7 | Le Carnaval des animaux : VII. Aquarium | Eduard Brunner, Irena Grafenauer, Georg Hörtnagel, Isabelle van Keulen, Gidon Kremer, Mischa Maisky, Edith Salmen-Weber, Markus Steckeler, Tabea Zimmermann, Martha Argerich, Nelson Freire | T-004.976.716-9 | |
| 22-8 | De langoren | Martha Argerich & Friends | T-004.976.716-9 | |
| 22-9 | Le Carnaval des animaux : IX. Le coucou au fond des bois | Eduard Brunner, Irena Grafenauer, Georg Hörtnagel, Isabelle van Keulen, Gidon Kremer, Mischa Maisky, Edith Salmen-Weber, Markus Steckeler, Tabea Zimmermann, Martha Argerich, Nelson Freire | T-004.976.716-9 | |
| 22-10 | Volière | Martha Argerich & Friends | T-004.976.716-9 | |
| 22-11 | Le Carnaval des animaux : XI. Pianistes | Eduard Brunner, Irena Grafenauer, Georg Hörtnagel, Isabelle van Keulen, Gidon Kremer, Mischa Maisky, Edith Salmen-Weber, Markus Steckeler, Tabea Zimmermann, Martha Argerich, Nelson Freire | T-004.976.716-9 | |
| 22-12 | Le Carnaval des animaux : XII. Fossiles | Eduard Brunner, Irena Grafenauer, Georg Hörtnagel, Isabelle van Keulen, Gidon Kremer, Mischa Maisky, Edith Salmen-Weber, Markus Steckeler, Tabea Zimmermann, Martha Argerich, Nelson Freire | T-004.976.716-9 | |
| 22-13 | Le Carnaval des Animaux - Le Cygne | Martha Argerich | — | |
| 22-14 | Finale | Martha Argerich & Friends | T-004.976.716-9 | |
| 22-15 | “Ferdinand”, for Speaker and Solo Violin | Elena Bashkirova, Gidon Kremer | T-010.188.863-4 | |
| 22-16 | “Tier-Gebete”, for Speaker and Piano: I. Gebet Des Ochsen | Gidon Kremer, Elena Bashkirova | — | |
| 22-17 | “Tier-Gebete”, for Speaker and Piano:II. Gebet Der Maus | Gidon Kremer, Elena Bashkirova | — | |
| 22-18 | “Tier-Gebete”, for Speaker and Piano:III. Gebet Der Katze | Gidon Kremer, Elena Bashkirova | — | |
| 22-19 | “Tier-Gebete”, for Speaker and Piano: IV. Gebet Des Hundes | Gidon Kremer, Elena Bashkirova | — | |
| 22-20 | “Tier-Gebete”, for Speaker and Piano: V. Gebet Der Ameise | Gidon Kremer, Elena Bashkirova | — | |
| 22-21 | “Tier-Gebete”, for Speaker and Piano: VI. Gebet Der Elefanten | Gidon Kremer, Elena Bashkirova | — | |
| 22-22 | “Tier-Gebete”, for Speaker and Piano:VII. Gebet Der Schildkröte | Gidon Kremer, Elena Bashkirova | — | |
| 22-23 | “Tier-Gebete”, for Speaker and Piano: VIII. Gebet Der Giraffe | Gidon Kremer, Elena Bashkirova | — | |
| 22-24 | “Tier-Gebete”, for Speaker and Piano: IX. Gebet Des Affen | Gidon Kremer, Elena Bashkirova | — | |
| 22-25 | “Tier-Gebete”, for Speaker and Piano: X. Gebet Des Hahnes | Gidon Kremer, Elena Bashkirova | — | |
| 22-26 | “Tier-Gebete”, for Speaker and Piano: XI. Gebet Des Alten Gaules | Gidon Kremer, Elena Bashkirova | — | |
| 22-27 | “Tier-Gebete”, for Speaker and Piano: XII. Gebet Des Schmetterlings | Gidon Kremer, Elena Bashkirova | — | |
| 22-28 | “Little Sad Sound”, a Melodrama for Speaker and Double-bass | Gidon Kremer, Alois Posch | — | |
| 23-1 | Concerto for Piano and Orchestra No. 1 in C major, Op. 15: I. Allegro con brio | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 23-2 | Concerto for Piano and Orchestra No. 1 in C major, Op. 15: II. Largo | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 23-3 | Concerto for Piano and Orchestra No. 1 in C major, Op. 15: III. Rondo. Allegro | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 23-4 | Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: I. Allegro con brio | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 23-5 | Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: II. Adagio | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 23-6 | Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: III. Rondo. Allegro molto | Martha Argerich, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 24-1 | Sonata no. 1 in A minor, op. 105: I. Mit leidenschaftlichem Ausdruck | Martha Argerich, Gidon Kremer | — | |
| 24-2 | Sonata no. 1 in A minor, op. 105: II. Allegretto | Martha Argerich, Gidon Kremer | — | |
| 24-3 | Sonata no. 1 in A minor, op. 105: III. Lebhaft | Martha Argerich, Gidon Kremer | — | |
| 24-4 | Sonata no. 2 in D minor, op. 121: I. Ziemlich langsam – Lebhaft | Martha Argerich, Gidon Kremer | — | |
| 24-5 | Sonata no. 2 in D minor, op. 121: II. Sehr lebhaft | Martha Argerich, Gidon Kremer | — | |
| 24-6 | Sonata no. 2 in D minor, op. 121: III. Leise, einfach | Martha Argerich, Gidon Kremer | — | |
| 24-7 | Sonata no. 2 in D minor, op. 121: IV. Bewegt | Martha Argerich, Gidon Kremer | — | |
| 25-1 | Sonate Nr. 4 a-Moll, op. 23: I. Presto | Martha Argerich, Gidon Kremer | T-070.161.055-0 | |
| 25-2 | Sonate Nr. 4 a-Moll, op. 23: II. Andante scherzoso, più allegretto | Martha Argerich, Gidon Kremer | — | |
| 25-3 | Sonate Nr. 4 a-Moll, op. 23: III. Allegro molto | Martha Argerich, Gidon Kremer | T-329.454.787-4 | |
| 25-4 | Sonate Nr. 5 F-Dur, op. 24 "Frühlings-Sonate": I. Allegro | Martha Argerich, Gidon Kremer | — | |
| 25-5 | Sonate Nr. 5 F-Dur, op. 24 "Frühlings-Sonate": II. Adagio molto espressivo | Martha Argerich, Gidon Kremer | — | |
| 25-6 | Sonate Nr. 5 F-Dur, op. 24 "Frühlings-Sonate": III. Scherzo. Allegro molto | Martha Argerich, Gidon Kremer | — | |
| 25-7 | Sonate Nr. 5 F-Dur, op. 24 "Frühlings-Sonate": IV. Rondo. Allegro ma non troppo | Martha Argerich, Gidon Kremer | T-031.682.208-8 | |
| 26-1 | Sonata for Violin and Piano no. 1: I. Allegro appassionato | Martha Argerich, Gidon Kremer | — | |
| 26-2 | Sonata for Violin and Piano no. 1: II. Adagio | Martha Argerich, Gidon Kremer | T-001.397.158-8 | |
| 26-3 | Sonata for Violin and Piano no. 1: III. Allegro | Martha Argerich, Gidon Kremer | T-329.454.787-4 | |
| 26-4 | Sonata for Violin and Piano: I. Con moto | Martha Argerich, Gidon Kremer | — | |
| 26-5 | Sonata for Violin and Piano: II. Ballada. Con moto | Martha Argerich, Gidon Kremer | — | |
| 26-6 | Sonata for Violin and Piano: III. Allegretto | Martha Argerich, Gidon Kremer | — | |
| 26-7 | Sonata for Violin and Piano: IV. Adagio | Martha Argerich, Gidon Kremer | — | |
| 26-8 | Theme and Variations for Violin and Piano: I. Thème. Modéré | Martha Argerich, Gidon Kremer | — | |
| 26-9 | Theme and Variations for Violin and Piano: II. Variation 1. Modéré | Martha Argerich, Gidon Kremer | — | |
| 26-10 | Theme and Variations for Violin and Piano: III. Variation 2. Un peu moins modéré | Martha Argerich, Gidon Kremer | — | |
| 26-11 | Theme and Variations for Violin and Piano: IV. Variation 3. Modéré, avec éclat | Martha Argerich, Gidon Kremer | — | |
| 26-12 | Theme and Variations for Violin and Piano: V. Variation 4. Vif et passionné | Martha Argerich, Gidon Kremer | — | |
| 26-13 | Theme and Variations for Violin and Piano: VI. Variation 5. Très modéré | Martha Argerich, Gidon Kremer | — | |
| 27-1 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-2 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-3 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-4 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-5 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-6 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-7 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-8 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-9 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-10 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-11 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-12 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-13 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-14 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I-ii. Allegro | Martha Argerich, Mischa Maisky | — | |
| 27-15 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I-ii. Allegro | Martha Argerich, Mischa Maisky | — | |
| 27-16 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I-ii. Allegro | Martha Argerich, Mischa Maisky | — | |
| 27-17 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I-ii. Allegro | Martha Argerich, Mischa Maisky | — | |
| 27-18 | Cello Sonata no. 2 in G minor, op. 5, no. 2: I. Adagio sostenuto ed expressivo | Martha Argerich, Mischa Maisky | — | |
| 27-19 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I-ii. Allegro molto più tosto presto | Martha Argerich, Mischa Maisky | — | |
| 27-20 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Martha Argerich, Mischa Maisky | — | |
| 27-21 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 27-22 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 1: Variation I | Martha Argerich, Mischa Maisky | — | |
| 27-23 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 27-24 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: IV. Variation III | Martha Argerich, Mischa Maisky | — | |
| 27-25 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 4: Variation IV | Martha Argerich, Mischa Maisky | — | |
| 27-26 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 27-27 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 27-28 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 28-1 | Sonata for violin & piano no. 1 in F minor, op. 80: I. Andante assai | Martha Argerich, Gidon Kremer | — | |
| 28-2 | Sonata for violin & piano no. 1 in F minor, op. 80: II. Allegro brusco | Martha Argerich, Gidon Kremer | — | |
| 28-3 | Sonata for violin & piano no. 1 in F minor, op. 80: III. Andante | Martha Argerich, Gidon Kremer | T-902.717.414-7 | |
| 28-4 | Sonata for violin & piano no. 1 in F minor, op. 80: IV. Allegrissimo - Andante assai, come prima | Martha Argerich, Gidon Kremer | — | |
| 28-5 | Melody for violin & piano, op. 35bis no. 1: Andante | Martha Argerich, Gidon Kremer | — | |
| 28-6 | Melody for violin & piano, op. 35bis no. 2: Lento, ma non troppo | Martha Argerich, Gidon Kremer | — | |
| 28-7 | Melody for violin & piano, op. 35bis no. 3: Animato, ma non allegro | Martha Argerich, Gidon Kremer | — | |
| 28-8 | Melody for violin & piano, op. 35bis no. 4: Allegretto leggero e scherzando | Martha Argerich, Gidon Kremer | — | |
| 28-9 | Melody for violin & piano, op. 35bis no. 5: Andante ma non troppo | Martha Argerich, Gidon Kremer | — | |
| 28-10 | Sonata for violin & piano no. 2 in D major, op. 94a: I. Moderato | Martha Argerich, Gidon Kremer | T-902.685.630-4 | |
| 28-11 | Sonata for violin & piano no. 2 in D major, op. 94a: II. Scherzo: Presto | Martha Argerich, Gidon Kremer | — | |
| 28-12 | Sonata for violin & piano no. 2 in D major, op. 94a: III. Andante | Martha Argerich, Gidon Kremer | T-902.717.414-7 | |
| 28-13 | Sonata for violin & piano no. 2 in D major, op. 94a: IV. Allegro con brio | Martha Argerich, Gidon Kremer | — | |
| 29-1 | Sonata for Piano and Cello no. 3 in A major, op. 69: I. Allegro ma non tanto | Martha Argerich, Mischa Maisky | T-318.567.058-6 | |
| 29-2 | Sonata for Piano and Cello no. 3 in A major, op. 69: II. Scherzo. Allegro molto | Martha Argerich, Mischa Maisky | T-329.454.787-4 | |
| 29-3 | Sonata for Piano and Cello no. 3 in A major, op. 69: III. Adagio cantabile | Martha Argerich, Mischa Maisky | T-001.397.158-8 | |
| 29-4 | Sonata for Piano and Cello no. 3 in A major, op. 69: IV. Allegro vivace | Martha Argerich, Mischa Maisky | T-909.238.805-1 | |
| 29-5 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: I. Andante | Martha Argerich, Mischa Maisky | — | |
| 29-6 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: II. Allegro vivace | Martha Argerich, Mischa Maisky | — | |
| 29-7 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: III. Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-8 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: IV. Allegro vivace | Martha Argerich, Mischa Maisky | — | |
| 29-9 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Martha Argerich, Mischa Maisky | — | |
| 29-10 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Martha Argerich, Mischa Maisky | — | |
| 29-11 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Martha Argerich, Mischa Maisky | — | |
| 29-12 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-13 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-14 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-15 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-16 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-17 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-18 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-19 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-20 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-21 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-22 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-23 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 29-24 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 30-1 | Piano Concerto no. 1, op. 35: I. Allegro moderato | Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | T-902.685.630-4 | |
| 30-2 | Piano Concerto no. 1, op. 35: II. Lento | Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | — | |
| 30-3 | Piano Concerto no. 1, op. 35: III. Moderato | Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | — | |
| 30-4 | Piano Concerto no. 1, op. 35: IV. Allegro con brio | Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | — | |
| 30-5 | Piano Concerto in D major, Hob.WVIII:11: I. Vivace | Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | — | |
| 30-6 | Piano Concerto in D major, Hob.WVIII:11: II. Un poco Adagio | Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | — | |
| 30-7 | Piano Concerto in D major, Hob.WVIII:11: III. Rondo all'Ungarese. Allegro assai | Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | — | |
| 30-8 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | T-010.194.845-1 | |
| 30-9 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — | |
| 30-10 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — | |
| 31-1 | Sonate für 2 Klaviere und Schlagzeug, Sz 110: I. Assai lento - Allegro molto | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 31-2 | Sonate für 2 Klaviere und Schlagzeug, Sz 110: II. Lento, ma non troppo | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 31-3 | Sonate für 2 Klaviere und Schlagzeug, Sz 110: III. Allegro non troppo | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 31-4 | Ma Mère l'Oye: I. Pavane de la Belle au bois dormant. Lent | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-004.018.862-2 | |
| 31-5 | Ma Mère l'Oye: II. Petit Poucet. Très modéré | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-004.018.862-2 | |
| 31-6 | Ma Mère l'Oye: III. Laideronnette, impératrice des pagodes. Mouvement de marche | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-004.018.862-2 | |
| 31-7 | Ma Mère l'Oye: IV. Les Entretiens de la Belle et de la Bête. Mouvement de valse très modere | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 31-8 | Ma Mère l'Oye: V. Le Jardin féerique. Lent et grave | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 31-9 | Rapsodie espagnole: I. Prélude à la nuit. Modéré | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-003.015.127-9 | |
| 31-10 | Rapsodie espagnole: II. Malagueña. Assez vif | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-003.015.127-9 | |
| 31-11 | Rapsodie espagnole: III. Habanera. En demi-teinte et d'un rythme las | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 31-12 | Rapsodie espagnole: IV. Feria. Assez vif | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-003.015.127-9 | |
| 32-1 | Sonate Nr. 6 A-Dur, op. 30 Nr. 1: III. Allegretto con variazioni (I-VI) | Martha Argerich, Gidon Kremer | — | |
| 32-2 | Sonate Nr. 6 A-Dur, op. 30 Nr. 1: III. Allegretto con variazioni (I-VI) | Martha Argerich, Gidon Kremer | — | |
| 32-3 | Sonate Nr. 6 A-Dur, op. 30 Nr. 1: III. Allegretto con variazioni (I-VI) | Martha Argerich, Gidon Kremer | — | |
| 32-4 | Sonate Nr. 7 c-Moll, op. 30 Nr. 2: IV. Finale. Allegro - Presto | Martha Argerich, Gidon Kremer | — | |
| 32-5 | Sonate Nr. 7 c-Moll, op. 30 Nr. 2: IV. Finale. Allegro - Presto | Martha Argerich, Gidon Kremer | — | |
| 32-6 | Sonate Nr. 7 c-Moll, op. 30 Nr. 2: IV. Finale. Allegro - Presto | Martha Argerich, Gidon Kremer | — | |
| 32-7 | Sonate Nr. 7 c-Moll, op. 30 Nr. 2: IV. Finale. Allegro - Presto | Martha Argerich, Gidon Kremer | — | |
| 32-8 | Sonate Nr. 8 G-Dur, op. 30 Nr. 3: I. Allegro assai | Martha Argerich, Gidon Kremer | — | |
| 32-9 | Sonate Nr. 8 G-Dur, op. 30 Nr. 3: I. Allegro assai | Martha Argerich, Gidon Kremer | — | |
| 32-10 | Sonate Nr. 8 G-Dur, op. 30 Nr. 3: I. Allegro assai | Martha Argerich, Gidon Kremer | — | |
| 33-1 | Sonate Nr. 9 A-Dur, op. 47 "Kreutzer-Sonate": I. Adagio sostenuto - Presto | Martha Argerich, Gidon Kremer | — | |
| 33-2 | Sonate Nr. 9 A-Dur, op. 47 "Kreutzer-Sonate": II. Andante con variazioni I-IV | Martha Argerich, Gidon Kremer | — | |
| 33-3 | Sonate Nr. 9 A-Dur, op. 47 "Kreutzer-Sonate": III. Finale. Presto | Martha Argerich, Gidon Kremer | — | |
| 33-4 | Sonate Nr. 10 G-Dur, op. 96: I. Allegro moderato | Martha Argerich, Gidon Kremer | T-902.685.630-4 | |
| 33-5 | Sonate Nr. 10 G-Dur, op. 96: II. Adagio espressivo | Martha Argerich, Gidon Kremer | T-909.876.999-4 | |
| 33-6 | Sonate Nr. 10 G-Dur, op. 96: III. Scherzo. Allegro | Martha Argerich, Gidon Kremer | — | |
| 33-7 | Sonate Nr. 10 G-Dur, op. 96: IV. Poco allegretto | Martha Argerich, Gidon Kremer | — | |
| 34-1 | Applause | [no artist] | T-072.571.419-1 | |
| 34-2 | Piano Trio No. 2 in E minor, Op. 67: I. Andante - Moderato - Poco più mosso | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-3 | Piano Trio No. 2 in E minor, Op. 67: II. Allegro con brio | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-4 | Piano Trio No. 2 in E minor, Op. 67: III. Largo | Martha Argerich, Gidon Kremer, Mischa Maisky | T-005.005.728-7 | |
| 34-5 | Piano Trio No. 2 in E minor, Op. 67: IV. Allegretto - Allegro | Martha Argerich, Gidon Kremer, Mischa Maisky | T-318.676.528-2 | |
| 34-6 | Piano Trio in A minor, Op. 50: I. Pezzo elegiaco: Moderato assai - Allegro giusto - In tempo molto sostenuto - Adagio con duolo e ben sostenuto - Moderato assai - Allegro giusto | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-7 | Piano Trio in A minor, Op. 50: IIa. Tema con variazioni: Andante con moto - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-8 | Piano Trio in A minor, Op. 50: IIb. Variation 1 - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-9 | Piano Trio in A minor, Op. 50: IIc. Variation 2: Più mosso - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-10 | Piano Trio in A minor, Op. 50: IId. Variation 3: Allegro moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-11 | Piano Trio in A minor, Op. 50: IIe. Variation 4: L'istesso tempo (Allegro moderato) - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-12 | Piano Trio in A minor, Op. 50: IIf. Variation 5: L'istesso tempo - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-13 | Piano Trio in A minor, Op. 50: IIg. Variation 6: Tempo di Valse - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-14 | Piano Trio in A minor, Op. 50: IIh. Variation 7: Allegro moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-15 | Piano Trio in A minor, Op. 50: IIi. Variation 8: Fuga (Allegro moderato) - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-16 | Piano Trio in A minor, Op. 50: IIj. Variation 9: Andante flebile, ma non tanto - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-17 | Piano Trio in A minor, Op. 50: IIk. Variation 10: Tempo di Mazurka - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-18 | Piano Trio in A minor, Op. 50: IIl. Variation 11: Moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-19 | Piano Trio in A minor, Op. 50: IIm. Variation finale e Coda: Allegretto risoluto e con fuoco - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-20 | Piano Trio in A minor, Op. 50: IIn. [Coda]: Andante con moto - Lugubre | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 34-21 | Tango pathétique | Martha Argerich, Gidon Kremer, Mischa Maisky | T-800.683.174-0 | |
| 35-1 | Adagio und Allegro, op. 70: I. Langsam, mit innigem Ausdruck | Martha Argerich, Mischa Maisky | — | |
| 35-2 | Adagio und Allegro, op. 70: II. Rasch und feurig | Martha Argerich, Mischa Maisky | — | |
| 35-3 | Drei Fantasiestücke, op. 73: I. Zart und mit Ausdruck | Martha Argerich, Mischa Maisky | — | |
| 35-4 | Drei Fantasiestücke, op. 73: II. Lebhaft, leicht | Martha Argerich, Mischa Maisky | — | |
| 35-5 | Drei Fantasiestücke, op. 73: III. Rasch und mit Feuer | Martha Argerich, Mischa Maisky | — | |
| 35-6 | Drei Romanzen, op. 94: I. Nicht schnell | Martha Argerich, Mischa Maisky | T-312.439.214-5 | |
| 35-7 | Fünf Stücke im Volkston, op. 102: I. Mit Humor "Vanitas vanitatum" | Martha Argerich, Mischa Maisky | — | |
| 35-8 | Fünf Stücke im Volkston, op. 102: II. Langsam | Martha Argerich, Mischa Maisky | — | |
| 35-9 | Fünf Stücke im Volkston, op. 102: III. Nicht schnell, mit viel Ton zu spielen | Martha Argerich, Mischa Maisky | — | |
| 35-10 | Fünf Stücke im Volkston, op. 102: IV. Nicht zu rasch | Martha Argerich, Mischa Maisky | — | |
| 35-11 | Fünf Stücke im Volkston, op. 102: V. Stark und markiert | Martha Argerich, Mischa Maisky | — | |
| 35-12 | Märchenbilder, op. 113: I. Nicht schnell | Martha Argerich, Mischa Maisky | T-911.362.261-0 | |
| 35-13 | Sonata for Piano and Violin no. 9 in A major, op. 47 “Kreutzer”: 1. Adagio sostenuto - Presto | — | ||
| 35-14 | Sonata for Piano and Violin no. 9 in A major, op. 47 “Kreutzer”: 2. Andante con variazioni (I-IV) | — | ||
| 35-15 | Sonata for Piano and Violin no. 9 in A major, op. 47 “Kreutzer”: 3. Presto | — | ||
| 36-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Martha Argerich, Mahler Chamber Orchestra, Claudio Abbado | — | |
| 36-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Martha Argerich, Mahler Chamber Orchestra, Claudio Abbado | — | |
| 36-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo: Allegro | Martha Argerich, Mahler Chamber Orchestra, Claudio Abbado | T-800.132.125-2 | |
| 36-4 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | Martha Argerich, Mahler Chamber Orchestra, Claudio Abbado | — | |
| 36-5 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | Martha Argerich, Mahler Chamber Orchestra, Claudio Abbado | — | |
| 36-6 | Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo: Molto allegro | Martha Argerich, Mahler Chamber Orchestra, Claudio Abbado | — | |
| 37-1 | [applause] | [no artist] | T-072.571.419-1 | |
| 37-2 | Sonata for Cello and Piano in G minor, op. 65: I. Allegro moderato | Martha Argerich, Mischa Maisky | — | |
| 37-3 | Sonata for Cello and Piano in G minor, op. 65: II. Scherzo (Allegro con brio) | Martha Argerich, Mischa Maisky | — | |
| 37-4 | Sonata for Cello and Piano in G minor, op. 65: III. Largo | Martha Argerich, Mischa Maisky | — | |
| 37-5 | Sonata for Cello and Piano in G minor, op. 65: IV. Finale. Allegro | Martha Argerich, Mischa Maisky | — | |
| 37-6 | Sonata for Violin and Piano in A major: I. Allegretto moderato | Martha Argerich, Mischa Maisky | T-312.207.822-8 | |
| 37-7 | Sonata for Violin and Piano in A major: II. Allegro - Quasi lento - Tempo I | Martha Argerich, Mischa Maisky | — | |
| 37-8 | Sonata for Violin and Piano in A major: III. Recitativo-Fantasia. Moderato | Martha Argerich, Mischa Maisky | — | |
| 37-9 | Sonata for Violin and Piano in A major: IV. Allegretto poco mosso | Martha Argerich, Mischa Maisky | — | |
| 37-10 | Sonata for Cello and Piano in D minor: I. Prologue. Lent | Martha Argerich, Mischa Maisky | — | |
| 37-11 | Sonata for Cello and Piano in D minor: II. Sérénade. Modérément animé | Martha Argerich, Mischa Maisky | — | |
| 37-12 | Sonata for Cello and Piano in D minor: III. Finale. Animé | Mischa Maisky, Martha Argerich | — | |
| 37-13 | Polonaise brillante, op. 3: I. Introduction. Lento | Martha Argerich, Mischa Maisky | — | |
| 37-14 | Polonaise brillante, op. 3: II. Alla Polacca. Allegro | Martha Argerich, Mischa Maisky | — | |
| 38-1 | Klavierquartett Nr. 1 g-Moll, op. 25: I. Allegro | Martha Argerich, Gidon Kremer, Yuri Bashmet, Mischa Maisky | — | |
| 38-2 | Klavierquartett Nr. 1 g-Moll, op. 25: II. Intermezzo: Allegro ma non troppo – Trio: Animato | Martha Argerich, Gidon Kremer, Yuri Bashmet, Mischa Maisky | — | |
| 38-3 | Klavierquartett Nr. 1 g-Moll, op. 25: III. Andante con moto | Martha Argerich, Gidon Kremer, Yuri Bashmet, Mischa Maisky | — | |
| 38-4 | Klavierquartett Nr. 1 g-Moll, op. 25: IV. Rondo alla Zingarese | Martha Argerich, Yuri Bashmet, Gidon Kremer, Mischa Maisky | T-001.269.912-5 | |
| 38-5 | Fantasiestücke, op. 88: I. Romanze: Nicht schnell, mit innigem Ausdruck | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 38-6 | Fantasiestücke, op. 88: II. Humoreske: Lebhaft | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 38-7 | Fantasiestücke, op. 88: III. Duett: Langsam und mit Ausdruck | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 38-8 | Fantasiestücke, op. 88: IV. Finale: Im Marschtempo | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 39-1 | [applause] | [no artist] | T-072.571.419-1 | |
| 39-2 | "Suite italienne" from Pulcinella: I. Introduzione. Allegro moderato | Martha Argerich, Mischa Maisky | — | |
| 39-3 | "Suite italienne" from Pulcinella: II. Serenata. Larghetto | Martha Argerich, Mischa Maisky | — | |
| 39-4 | "Suite italienne" from Pulcinella: III. Aria. Allegro ala breve - Largo | Martha Argerich, Mischa Maisky | — | |
| 39-5 | "Suite italienne" from Pulcinella: IV. Tarantella. Vivace | Martha Argerich, Mischa Maisky | — | |
| 39-6 | "Suite italienne" from Pulcinella: V. Minuetto e Finale. Moderato - Molto vivace | Martha Argerich, Mischa Maisky | — | |
| 39-8 | Sonata for Cello and Piano in C major, Op. 119: I. Andante grave | Martha Argerich, Mischa Maisky | T-903.514.416-2 | |
| 39-9 | Sonata for Cello and Piano in C major, Op. 119: II. Moderato | Martha Argerich, Mischa Maisky | — | |
| 39-10 | Sonata for Cello and Piano in C major, Op. 119: III. Allegro, man non troppo | Martha Argerich, Mischa Maisky | — | |
| 39-12 | Sonata for Cello and Piano in D minor, Op. 40: I. Allegro non troppo | Martha Argerich, Mischa Maisky | — | |
| 39-13 | Sonata for Cello and Piano in D minor, Op. 40: II. Allegro | Martha Argerich, Mischa Maisky | — | |
| 39-14 | Sonata for Cello and Piano in D minor, Op. 40: III. Largo | Martha Argerich, Mischa Maisky | T-005.005.728-7 | |
| 39-15 | Sonata for Cello and Piano in D minor, Op. 40: IV. Allegro | Martha Argerich, Mischa Maisky | T-318.676.528-2 | |
| 39-17 | Waltz from the Ballet Stone Flower | Martha Argerich, Mischa Maisky | — | |
| 40-1 | Suite from the Ballet, op. 87 "Cinderella": I. Introduction: Andante dolce | Martha Argerich, Mikhail Pletnev | — | |
| 40-2 | Suite from the Ballet, op. 87 "Cinderella": II. Quarrel: Allegretto | Martha Argerich, Mikhail Pletnev | — | |
| 40-3 | Suite from the Ballet, op. 87 "Cinderella": III. Winter: Adagio – Allegro moderato | Martha Argerich, Mikhail Pletnev | T-900.143.433-9 | |
| 40-4 | Suite from the Ballet, op. 87 "Cinderella": IV. Spring: Vivace con brio – Moderato – Presto | Martha Argerich, Mikhail Pletnev | — | |
| 40-5 | Suite from the Ballet, op. 87 "Cinderella": V. Cinderella's Waltz: Andante - Allegretto – Poco più animato – Più animato – Meno mosso | Martha Argerich, Mikhail Pletnev | — | |
| 40-6 | Suite from the Ballet, op. 87 "Cinderella": VI. Gavotte: Allegretto | Martha Argerich, Mikhail Pletnev | — | |
| 40-7 | Suite from the Ballet, op. 87 "Cinderella": VII. Gallop: Presto – Andantino – Presto | Martha Argerich, Mikhail Pletnev | — | |
| 40-8 | Suite from the Ballet, op. 87 "Cinderella": VIII. Valse lente: Adagio – Poco più animato – Assai più mosso – Poco più animato – Meno mosso (più animato dell’adagio) | Martha Argerich, Mikhail Pletnev | — | |
| 40-9 | Suite from the Ballet, op. 87 "Cinderella": IX. Finale: Allegro moderato – Allegro espressivo – Presto – Allegro moderato – Andante | Martha Argerich, Mikhail Pletnev | — | |
| 40-10 | Ma Mère l’Oye, ballet, M. 62: I. Pavane de la Belle au bois dormant | Martha Argerich, Mikhail Pletnev | — | |
| 40-11 | Ma Mère l’Oye, ballet, M. 62: II. Petit Poucet | Martha Argerich, Mikhail Pletnev | T-004.018.862-2 | |
| 40-12 | Ma Mère l’Oye, ballet, M. 62: III. Laideronnette, Impératrice des pagodes | Martha Argerich, Mikhail Pletnev | T-004.018.862-2 | |
| 40-13 | Ma Mère l’Oye, ballet, M. 62: IV. Les entretiens de la Belle et de la Bête | Martha Argerich, Mikhail Pletnev | T-004.018.862-2 | |
| 40-14 | Ma Mère l’Oye, ballet, M. 62: V. Le jardin féerique | Martha Argerich, Mikhail Pletnev | T-305.194.399-4 | |
| 41-1 | Variations on a Theme by Joseph Haydn, op. 56b: Chorale St. Antoni. Andante | Martha Argerich, Nelson Freire | T-322.463.971-4 | |
| 41-2 | Variations on a Theme by Joseph Haydn, op. 56b: Variation I. Andante con moto | Martha Argerich, Nelson Freire | — | |
| 41-3 | Variations on a Theme by Joseph Haydn, op. 56b: Variation II. Vivace | Martha Argerich, Nelson Freire | — | |
| 41-4 | Variations on a Theme by Joseph Haydn, op. 56b: Variation III. Con moto | Martha Argerich, Nelson Freire | — | |
| 41-5 | Variations on a Theme by Joseph Haydn, op. 56b: Variation IV. Andante | Martha Argerich, Nelson Freire | — | |
| 41-6 | Variations on a Theme by Joseph Haydn, op. 56b: Variation V. Poco presto | Martha Argerich, Nelson Freire | — | |
| 41-7 | Variations on a Theme by Joseph Haydn, op. 56b: Variation VI. Vivace | Martha Argerich, Nelson Freire | — | |
| 41-8 | Variations on a Theme by Joseph Haydn, op. 56b: Variation VII. Grazioso | Martha Argerich, Nelson Freire | — | |
| 41-9 | Variations on a Theme by Joseph Haydn, op. 56b: Variation VIII. Poco presto | Martha Argerich, Nelson Freire | — | |
| 41-10 | Variations on a Theme by Joseph Haydn, op. 56b: Finale. Andante | Martha Argerich, Nelson Freire | — | |
| 41-11 | Symphonic Dances, op. 45: I. Non allegro | Nelson Freire, Martha Argerich | — | |
| 41-12 | Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse) | Nelson Freire, Martha Argerich | — | |
| 41-13 | Symphonic Dances, op. 45: III. Lento assai – Allegro vivace – Lento assai (come prima) – L’istesso tempo, ma agitato | Nelson Freire, Martha Argerich | — | |
| 41-14 | Rondo in A major, D 951 “Grand Rondeau” | Nelson Freire, Martha Argerich | — | |
| 41-15 | La Valse: Poème chorégraphique | Martha Argerich, Nelson Freire | — | |
| 42-1 | Piano Concerto no. 25 in C major, K. 503: 1. Allegro maestoso | — | ||
| 42-2 | Piano Concerto no. 25 in C major, K. 503: 2. Andante | — | ||
| 42-3 | Piano Concerto no. 25 in C major, K. 503: 3. Allegretto | — | ||
| 42-4 | Piano Concerto no. 20 in D minor, K. 466: 1. Allegro | — | ||
| 42-5 | Piano Concerto no. 20 in D minor, K. 466: 2. Romance | — | ||
| 42-6 | Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai | Martha Argerich, Orchestra Mozart, Claudio Abbado | — | |
| 43-1 | Sonata for Two Pianos in D major for 2 Pianos, K. 448 (375a): 1. Allegro con spirito | — | ||
| 43-2 | Sonata for Two Pianos in D Major for 2 Pianos, K. 448 (375a): 2. Andante | — | ||
| 43-3 | Sonata for Two Pianos in D Major for 2 Pianos, K. 448 (375a): 3. Molto Allegro | — | ||
| 43-4 | Variations on an Original Theme in A-flat major, D. 813: Tema - Var. I-VIII | — | ||
| 44-1 | Piano Concerto no. 1 in C major, op. 15: 1. Allegro con brio | — | ||
| 44-2 | Piano Concerto no. 1 in C major, op. 15: 2. Largo | — | ||
| 44-3 | Piano Concerto no. 1 in C major, op. 15: 3. Rondo. Allegro | — | ||
| 44-4 | Concerto for Two Pianos in D minor, FP 61: 1. Allegro ma non troppo | — | ||
| 44-5 | Concerto for Two Pianos in D minor, FP 61: 2. Larghetto | — | ||
| 44-6 | Concerto for Two Pianos in D minor, FP 61: 3. Finale. Allegro molto | — | ||
| 44-7 | Concerto for Three Pianos in F major, K. 242 “Lodron”: 1. Allegro | — | ||
| 44-8 | Concerto for Three Pianos in F major, K. 242 “Lodron”: 2. Adagio | — | ||
| 44-9 | Concerto for Three Pianos in F major, K. 242 “Lodron”: 3. Rondeau. Tempo di Menuetto | — | ||
| 45-1 | Piano Concerto in A minor, op. 54: 1. Allegro affettuoso | — | ||
| 45-2 | Piano Concerto in A minor, op. 54: 2. Intermezzo. Andantino grazioso | — | ||
| 45-3 | Piano Concerto in A minor, op. 54: 3. Allegro vivace | — | ||
| 45-4 | Piano Concerto no. 1 in D-flat major, op. 10: 1. Allegro brioso | — | ||
| 45-5 | Piano Concerto no. 1 in D-flat major, op. 10: 2. Andante assai | — | ||
| 45-6 | Piano Concerto no. 1 in D-flat major, op. 10: 3. Allegro scherzando | — | ||
| 45-7 | Piano Concerto no. 3 in C major, op. 26: 1. Andante - Allegro | — | ||
| 45-8 | Piano Concerto no. 3 in C major, op. 26: 2. Tema. Andantino / Var. I. L'istesso tempo / Var. II. Allegro / Var. III. Allegro moderato / Var. IV. Andantino meditativo / Var. V. Allegro giusto / Tema. L'istesso tempo | — | ||
| 45-9 | Piano Concerto no. 3 in C major, op. 26: 3. Allegro ma non troppo | — | ||
| 46-1 | Piano Concerto no. 2 in B-flat major, op. 19: 1. Allegro con brio | — | ||
| 46-2 | Piano Concerto no. 2 in B-flat major, op. 19: 2. Adagio | — | ||
| 46-3 | Piano Concerto no. 2 in B-flat major, op. 19: 3. Rondo. Molto Allegro | — | ||
| 46-4 | Piano Concerto no. 1 in E-flat major, S. 124: 1. Allegro maestoso | — | ||
| 46-5 | Piano Concerto no. 1 in E-flat major, S. 124: 2. Quasi Adagio / 3. Allegretto vivace - Allegro animato | — | ||
| 46-6 | Piano Concerto no. 1 in E-flat major, S. 124: 4. Allegro marziale animato | — | ||
| 46-7 | Piano Concerto no. 3, Sz. 119: 1. Allegretto | — | ||
| 46-8 | Piano Concerto no. 3, Sz. 119: 2. Adagio religioso | — | ||
| 46-9 | Piano Concerto no. 3, Sz. 119: 3. Allegro vivace | — | ||
| 46-10 | Andante and Five Variations in G major for piano four hands, K. 501: Tema. Andante / Var. I / Var. II / Var. III / Var. IV / Var. V | — | ||
| 47-1 | Divertissement à la hongroise in G minor for piano four hands, D 818: 1. Andante | — | ||
| 47-2 | Divertissement à la hongroise in G minor for piano four hands, D 818: 2. Marcia. Andante con moto | — | ||
| 47-3 | Divertissement à la hongroise in G minor for piano four hands, D 818: 3. Allegretto | — | ||
| 47-4 | Liebeslieder, op. 52: 1. Rede, Mädchen, allzu liebes | — | ||
| 47-5 | Liebeslieder, op. 52: 2. Am Gesteine rauscht die Flut | — | ||
| 47-6 | Liebeslieder, op. 52: 3. O die Frauen | — | ||
| 47-7 | Liebeslieder, op. 52: 4. Wie des Abends schöne Röte | — | ||
| 47-8 | Liebeslieder, op. 52: 5. Die grüne Hopfenranke | — | ||
| 47-9 | Liebeslieder, op. 52: 6. Ein kleiner, hübscher Vogel | — | ||
| 47-10 | Liebeslieder, op. 52: 7. Wohl schön bewandt | — | ||
| 47-11 | Liebeslieder, op. 52: 8. Wenn so lind dein Auge mir | — | ||
| 47-12 | Liebeslieder, op. 52: 9. Am Donaustrande | — | ||
| 47-13 | Liebeslieder, op. 52: 10. O wie sanft die Quelle sich | — | ||
| 47-14 | Liebeslieder, op. 52: 11. Nein, es ist nicht auszukommen | — | ||
| 47-15 | Liebeslieder, op. 52: 12. Schlosser auf und mache Schlösser | — | ||
| 47-16 | Liebeslieder, op. 52: 13. Vögelein durchrauscht die Luft | — | ||
| 47-17 | Liebeslieder, op. 52: 14. Sieh, wie ist die Welle klar | — | ||
| 47-18 | Liebeslieder, op. 52: 15. Nachtigall, sie singt so schön | — | ||
| 47-19 | Liebeslieder, op. 52: 16. Ein dunkeler Schacht ist Liebe | — | ||
| 47-20 | Liebeslieder, op. 52: 17. Nicht wandle, mein Licht, dort außen | — | ||
| 47-21 | Liebeslieder, op. 52: 18. Es bebet das Gesträuche | — | ||
| 47-22 | Les Noces: Première Partie. Premier Tableau : La Tresse | — | ||
| 47-23 | Les Noces: Première Partie. Deuxième Tableau : Chez le marié | — | ||
| 47-24 | Les Noces: Première Partie. Troisième Tableau : Le Départ de la mariée | — | ||
| 47-25 | Les Noces: Seconde Partie. Quatrième Tableau : Le Repas de noces | — | ||
| 47-26 | Scaramouche, op. 165b: 1. Vif | — | ||
| 47-27 | Scaramouche, op. 165b: 2. Modéré | — | ||
| 47-28 | Scaramouche, op. 165b: 3. Brazileira | — | ||
| 48-1 | Ballade No. 1 in G minor, Op. 23 | Martha Argerich | T-917.141.447-4 | |
| 48-2 | Etude in C-sharp minor, Op. 10 No. 4 | Martha Argerich | — | |
| 48-3 | Mazurka in C-sharp minor, Op. 41 No. 4 | Martha Argerich | T-918.063.801-1 | |
| 48-4 | Mazurka in E minor, Op. 41 No. 1 | Martha Argerich | — | |
| 48-5 | Mazurka in C major, Op. 24 No. 2 | Martha Argerich | — | |
| 48-6 | Mazurka No. 40 In F Minor Op. 63 No. 2 | Frédéric Chopin | — | |
| 48-7 | Mazurka in D major, Op. 33 No. 2 | Martha Argerich | — | |
| 48-8 | Nocturne in F major, Op. 15 No. 1 | Martha Argerich | — | |
| 48-9 | Nocturne in E-flat major, Op. 55 No. 2 | Martha Argerich | T-906.148.797-6 | |
| 48-10 | 3 Mazurkas, op. 59 no. 1 in A minor: Moderato | Martha Argerich | — | |
| 48-11 | 3 Mazurkas, op. 59 no. 2 in A-flat major: Allegretto | Martha Argerich | — | |
| 48-12 | 3 Mazurkas, op. 59 no. 3 in F-sharp minor: Vivace | Martha Argerich | T-918.063.801-1 | |
| 48-13 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | Martha Argerich | T-309.554.584-5 | |
| 48-14 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: Molto vivace | Martha Argerich | T-911.517.582-1 | |
| 48-15 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | Martha Argerich | T-309.554.580-1 | |
| 48-16 | Piano Sonata no. 3 in B minor, op. 58: IV. Finale: Presto, non tanto | Martha Argerich | T-309.554.578-7 |
