UPC · Release
Plácido Domingo
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028947953210 is the Universal Product Code (UPC barcode) for the release “The 50 Greatest Tracks” by Plácido Domingo, released 2015-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include DEF057930849, DEF059230003, DEF059030901.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Rigoletto: “La donna è mobile” | Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | T-001.455.377-5 | |
| 2 | Largo Al Factotum (The Barber of Seville) | Plácido Domingo, The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 3 | Tosca: Atto I. “Recondita armonia” | Plácido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 4 | La traviata: Preludio | Bayerisches Staatsorchester, Carlos Kleiber | — | |
| 5 | Martha: Ach so fromm, ach so traut | Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | T-031.789.057-5 | |
| 6 | Lohengrin: Dritter Aufzug. "In fernem Land, unnahbar euren Schritten" (Lohengrin, Heinrich, Chor) | Walter Hagen-Groll, Konzertvereinigung Wiener Staatsopernchor, Plácido Domingo, Jessye Norman, Hans Sotin, Wiener Philharmoniker, Sir Georg Solti | — | |
| 7 | Werther: Act III. Toute mon âme est là! | Plácido Domingo, Kölner Rundfunk-Sinfonie-Orchester, Riccardo Chailly | — | |
| 8 | Les Contes d'Hoffmann : Acte I. Chanson "Il était une fois à Ia cour d'Eisenach" (Hoffmann, les étudiants, Nathanaël) | Jacques Jouineau, Chœur de Radio France, Plácido Domingo, Robin Leggate, Orchestre national de France, Seiji Ozawa | — | |
| 9 | Rigoletto: Atto I. Ballata: "Questa o quella" | Plácido Domingo, Orchester der Wiener Staatsoper, Vienna Philharmonic Orchestra, Carlo Maria Giulini | T-001.455.377-5 | |
| 10 | Pagliacci: Atto I. "Vesti la giubba" (Canio) | Plácido Domingo, Orchestra del Teatro alla Scala di Milano, Georges Prêtre | — | |
| 11 | Otello: Atto I. "Esultate! L'orgoglio musulmano" (Otello, Coro) | Chœurs de l’Opéra Bastille, Plácido Domingo, Maîtrise des Hauts-de-Seine, Orchestre de l’Opéra Bastille, Myung-Whun Chung | T-703.714.085-7 | |
| 12 | L’africaine: “Pays merveilleux Ô paradis” | Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | — | |
| 13 | Carmen: Flower song « La fleur que tu m’avais jetée » | Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti | T-900.248.284-0 | |
| 14 | El gato montés: Senó, q’e no me farte er való | Plácido Domingo, Orquesta sinfónica de Madrid, Miguel Roa | T-041.489.068-8 | |
| 15 | Die Meistersinger: "Am stillen Herd" | Roberto Bañuelas, Plácido Domingo, Gerd Feldhoff, Dietrich Fischer-Dieskau, Roland Hermann, Peter Maus, Orchester der Deutschen Oper Berlin, Eugen Jochum | — | |
| 16 | Die Meistersinger: "Morgenlich leuchtend" | Roberto Bañuelas, Plácido Domingo, Gerd Feldhoff, Peter Lagger, Peter Maus, Orchester der Deutschen Oper Berlin, Eugen Jochum | — | |
| 17 | Edgar: “Orgia, chimera dall’occhio vitreo” | Plácido Domingo, Orchestra dell’Accademia Nazionale di Santa Cecilia, Alberto Veronesi | — | |
| 18 | Manon Lescaut: Donna non vidi mai | Plácido Domingo, Orchestra of the Royal Opera House, Covent Garden, Giuseppe Sinopoli | — | |
| 19 | Samson et Dalila : Acte I. « Arrêtez, ô mes frères » | Chœur de l'Orchestre de Paris, Plácido Domingo, Orchestre de Paris, Daniel Barenboim | — | |
| 20 | Les Contes d’Hoffmann : Acte I. Récit et romance “Ils se sont éloignés enfin!” (Hoffmann, Olympia) | Plácido Domingo, Joan Sutherland, Orchestre de la Suisse Romande, Richard Bonynge | — | |
| 21 | Il trovatore: “Di quella pira” | Coro dell’Accademia Nazionale di Santa Cecilia, Plácido Domingo, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini | T-916.452.121-5 | |
| 22 | La traviata: Preludio | Bayerisches Staatsorchester, Carlos Kleiber | — | |
| 23 | Nabucco: Parte II, scena 2. Coro “Che si vuol?” … “Il maledetto non ha fratelli” (Coro, Ismaele) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Plácido Domingo, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | — | |
| 24 | Tosca: “È lucevan le stelle” | Plácido Domingo, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta | T-071.526.288-6 | |
| 25 | Turandot: Nessun dorma | The Three Tenors, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta | T-005.000.838-2 | |
| 2-1 | Granada | Plácido Domingo, London Symphony Orchestra, Marcel Peeters | T-041.981.858-8 | |
| 2-2 | Be My Love | Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | T-070.010.575-4 | |
| 2-3 | El día que me quieras | Plácido Domingo, Studio Orchestra, Roberto Pansera | T-037.658.877-0 | |
| 2-4 | Panis angelicus | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | — | |
| 2-5 | Passione | Plácido Domingo, Budapest Philharmonic Orchestra, Eugene Kohn | T-970.581.286-8 | |
| 2-6 | Marta | Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | — | |
| 2-7 | Chitarra Romana | Plácido Domingo, Budapest Philharmonic Orchestra, Eugene Kohn | T-005.000.985-2 | |
| 2-8 | Volver | Plácido Domingo, Studio Orchestra, Roberto Pansera | T-037.003.037-7 | |
| 2-9 | Muñequita linda | Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | T-070.178.135-2 | |
| 2-10 | Ay, ay, ay | Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | — | |
| 2-11 | Amapola | Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | T-300.913.940-2 | |
| 2-12 | Mi Buenos Aires querido | Plácido Domingo, Studio Orchestra, Roberto Pansera | — | |
| 2-13 | Tu, ca nun chiagne! | Plácido Domingo, Budapest Philharmonic Orchestra, Eugene Kohn | T-910.775.402-9 | |
| 2-14 | I'te vurria vasà | Plácido Domingo, Budapest Philharmonic Orchestra, Eugene Kohn | T-902.298.075-2 | |
| 2-15 | Mille cherubini in coro | Romano Gandolfi, Coro Sinfonico di Milano Giuseppe Verdi, Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | — | |
| 2-16 | Because | Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | T-070.943.204-1 | |
| 2-17 | Júrame | Plácido Domingo, London Symphony Orchestra, Marcel Peeters | — | |
| 2-18 | Mattinata | Plácido Domingo, London Symphony Orchestra, Marcel Peeters | T-902.852.774-4 | |
| 2-19 | Core ’ngrato | Plácido Domingo, London Symphony Orchestra, Marcel Peeters | T-910.760.781-8 | |
| 2-20 | Der Engel | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | T-031.672.821-8 | |
| 2-21 | Musica proibita | Plácido Domingo, Budapest Philharmonic Orchestra, Eugene Kohn | T-803.618.926-2 | |
| 2-22 | 'Na sera 'e maggio | Plácido Domingo, Budapest Philharmonic Orchestra, Eugene Kohn | — | |
| 2-23 | Siboney | Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | T-043.027.077-1 | |
| 2-24 | Stalker: Meditation | Edward Artemiev | — | |
| 2-25 | Dein ist mein ganzes Herz | Plácido Domingo, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta | T-802.402.359-5 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| La traviata: Atto I. “Un dì felice, eterea“ | Ileana Cotrubaș, Plácido Domingo, Walter Gullino, Bayerisches Staatsorchester, Carlos Kleiber | T-309.041.381-9 |
| La traviata: “Libiamo ne lieti calici“ (Brindisi) | Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Ileana Cotrubaș, Plácido Domingo, Alfredo Giacomotti, Bruno Grella, Walter Gullino, Stefania Malagú, Bayerisches Staatsorchester, Carlos Kleiber | T-906.859.796-6 |
| La traviata: Atto I. “Un dì felice, eterea“ | Ileana Cotrubaș, Plácido Domingo, Walter Gullino, Bayerisches Staatsorchester, Carlos Kleiber | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028947953210 is a Universal Product Code (UPC) assigned to The 50 Greatest Tracks by Plácido Domingo. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947953210 is the Universal Product Code (UPC barcode) for the release “The 50 Greatest Tracks” by Plácido Domingo, released 2015-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include DEF057930849, DEF059230003, DEF059030901.
