UPC · Release
The 50 Greatest Tracks
Plácido Domingo
028947953210
25 tracksReleased 2015-01-01Deutsche Grammophon
Last verified:
028947953210 is the Universal Product Code (UPC barcode) for the release “The 50 Greatest Tracks” by Plácido Domingo, released 2015-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 25 tracks, each with its own ISRC. Tracks include DEF057601610, DEF057601650, ESA038102060.
Format
0Number system
28947Manufacturer
95321Product
0Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe 50 Greatest Tracks
ISRC25 recordings
ISWC45 works
IPI2 songwriters
Track List (25)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Granada | Plácido Domingo, London Symphony Orchestra, Marcel Peeters | T-041981858-8 | |
| 2-2 | Be My Love | Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | T-070.010.575-4 | |
| 2-3 | El día que me quieras | Plácido Domingo, Studio Orchestra, Roberto Pansera | T-037.658.877-0 | |
| 2-4 | Panis angelicus | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | — | |
| 2-5 | Passione | Plácido Domingo, Budapest Philharmonic Orchestra, Eugene Kohn | T9705812868 | |
| 2-6 | Marta | Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | — | |
| 2-7 | Chitarra Romana | Plácido Domingo, Budapest Philharmonic Orchestra, Eugene Kohn | T-005000985-2 | |
| 2-8 | Volver | Plácido Domingo, Studio Orchestra, Roberto Pansera | T-037.003.037-7 | |
| 2-9 | Muñequita linda | Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | T-070.178.135-2 | |
| 2-10 | Ay, ay, ay | Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | — | |
| 2-11 | Amapola | Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | T3009139402 | |
| 2-12 | Mi Buenos Aires querido | Plácido Domingo, Studio Orchestra, Roberto Pansera | — | |
| 2-13 | Tu, ca nun chiagne! | Plácido Domingo, Budapest Philharmonic Orchestra, Eugene Kohn | T9107754029 | |
| 2-14 | I'te vurria vasà | Plácido Domingo, Budapest Philharmonic Orchestra, Eugene Kohn | T-902.298.075-2 | |
| 2-15 | Mille cherubini in coro | Romano Gandolfi, Coro Sinfonico di Milano Giuseppe Verdi, Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | — | |
| 2-16 | Because | Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | T0709432041 | |
| 2-17 | Júrame | Plácido Domingo, London Symphony Orchestra, Marcel Peeters | — | |
| 2-18 | Mattinata | Plácido Domingo, London Symphony Orchestra, Marcel Peeters | T9028527744 | |
| 2-19 | Core ’ngrato | Plácido Domingo, London Symphony Orchestra, Marcel Peeters | T-910.760.781-8 | |
| 2-20 | Der Engel | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | T0316728218 | |
| 2-21 | Musica proibita | Plácido Domingo, Budapest Philharmonic Orchestra, Eugene Kohn | T8036189262 | |
| 2-22 | 'Na sera 'e maggio | Plácido Domingo, Budapest Philharmonic Orchestra, Eugene Kohn | — | |
| 2-23 | Siboney | Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | T-043027077-1 | |
| 2-24 | Stalker: Meditation | Edward Artemiev | — | |
| 2-25 | Dein ist mein ganzes Herz | Plácido Domingo, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta | T-802402359-5 |
Panis angelicus
Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti
—
Marta
Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges
—
Ay, ay, ay
Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges
—
Mi Buenos Aires querido
Plácido Domingo, Studio Orchestra, Roberto Pansera
—
Mille cherubini in coro
Romano Gandolfi, Coro Sinfonico di Milano Giuseppe Verdi, Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti
—
Júrame
Plácido Domingo, London Symphony Orchestra, Marcel Peeters
—
'Na sera 'e maggio
Plácido Domingo, Budapest Philharmonic Orchestra, Eugene Kohn
—
Stalker: Meditation
Edward Artemiev
—
Plácido Domingo, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta
Additional database matches (27)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Die Meistersinger: "Am stillen Herd" | Roberto Bañuelas, Plácido Domingo, Gerd Feldhoff, Dietrich Fischer-Dieskau, Roland Hermann, Peter Maus, Orchester der Deutschen Oper Berlin, Eugen Jochum | — |
| Die Meistersinger: "Morgenlich leuchtend" | Roberto Bañuelas, Plácido Domingo, Gerd Feldhoff, Peter Lagger, Peter Maus, Orchester der Deutschen Oper Berlin, Eugen Jochum | — |
| La traviata: Preludio | Bayerisches Staatsorchester, Carlos Kleiber | — |
| La traviata: Atto I. “Un dì felice, eterea“ | Ileana Cotrubaș, Plácido Domingo, Walter Gullino, Bayerisches Staatsorchester, Carlos Kleiber | T-309041381-9 |
| La traviata: “Libiamo ne lieti calici“ (Brindisi) | Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Ileana Cotrubaș, Plácido Domingo, Alfredo Giacomotti, Bruno Grella, Walter Gullino, Stefania Malagú, Bayerisches Staatsorchester, Carlos Kleiber | T-906859796-6 |
| Samson et Dalila : Acte I. « Arrêtez, ô mes frères » | Chœur de l'Orchestre de Paris, Plácido Domingo, Orchestre de Paris, Daniel Barenboim | — |
| Rigoletto: Atto I. Ballata: "Questa o quella" | Plácido Domingo, Orchester der Wiener Staatsoper, Vienna Philharmonic Orchestra, Carlo Maria Giulini | T-001455377-5 |
| Rigoletto: “La donna è mobile” | Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | T-001455377-5 |
| Werther: Act III. Toute mon âme est là! | Plácido Domingo, Kölner Rundfunk-Sinfonie-Orchester, Riccardo Chailly | — |
| L’africaine: “Pays merveilleux Ô paradis” | Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | — |
| Martha: Ach so fromm, ach so traut | Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | T0317890575 |
| Nabucco: Parte II, scena 2. Coro “Che si vuol?” … “Il maledetto non ha fratelli” (Coro, Ismaele) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Plácido Domingo, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | — |
| Il trovatore: “Di quella pira” | Coro dell’Accademia Nazionale di Santa Cecilia, Plácido Domingo, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini | T9164521215 |
| Manon Lescaut: Donna non vidi mai | Plácido Domingo, Orchestra of the Royal Opera House, Covent Garden, Giuseppe Sinopoli | — |
| Les Contes d'Hoffmann : Acte I. Chanson "Il était une fois à Ia cour d'Eisenach" (Hoffmann, les étudiants, Nathanaël) | Jacques Jouineau, Chœur de Radio France, Plácido Domingo, Robin Leggate, Orchestre national de France, Seiji Ozawa | — |
| Tosca: Atto I. “Recondita armonia” | Plácido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli | — |
| El gato montés: Senó, q’e no me farte er való | Plácido Domingo, Orquesta sinfónica de Madrid, Miguel Roa | T-041.489.068-8 |
| Largo Al Factotum (The Barber of Seville) | Plácido Domingo, The Chamber Orchestra of Europe, Claudio Abbado | — |
| Otello: Atto I. "Esultate! L'orgoglio musulmano" (Otello, Coro) | Chœurs de l’Opéra Bastille, Plácido Domingo, Maîtrise des Hauts-de-Seine, Orchestre de l’Opéra Bastille, Myung-Whun Chung | T-703714085-7 |
| Edgar: “Orgia, chimera dall’occhio vitreo” | Plácido Domingo, Orchestra dell’Accademia Nazionale di Santa Cecilia, Alberto Veronesi | — |
| Les Contes d’Hoffmann : Acte I. Récit et romance “Ils se sont éloignés enfin!” (Hoffmann, Olympia) | Plácido Domingo, Joan Sutherland, Orchestre de la Suisse Romande, Richard Bonynge | — |
| Carmen: Flower song « La fleur que tu m’avais jetée » | Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti | T9002482840 |
| Lohengrin: Dritter Aufzug. "In fernem Land, unnahbar euren Schritten" (Lohengrin, Heinrich, Chor) | Walter Hagen-Groll, Konzertvereinigung Wiener Staatsopernchor, Plácido Domingo, Jessye Norman, Hans Sotin, Wiener Philharmoniker, Sir Georg Solti | — |
| Tosca: “È lucevan le stelle” | Plácido Domingo, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta | T0715262886 |
| Turandot: Nessun dorma | The Three Tenors, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta | T-005000838-2 |
| Pagliacci: Atto I. "Vesti la giubba" (Canio) | Plácido Domingo, Orchestra del Teatro alla Scala di Milano, Georges Prêtre | — |
| La traviata: Atto I. “Un dì felice, eterea“ | Ileana Cotrubaș, Plácido Domingo, Walter Gullino, Bayerisches Staatsorchester, Carlos Kleiber | — |
Die Meistersinger: "Am stillen Herd"
Roberto Bañuelas, Plácido Domingo, Gerd Feldhoff, Dietrich Fischer-Dieskau, Roland Hermann, Peter Maus, Orchester der Deutschen Oper Berlin, Eugen Jochum
—
Die Meistersinger: "Morgenlich leuchtend"
Roberto Bañuelas, Plácido Domingo, Gerd Feldhoff, Peter Lagger, Peter Maus, Orchester der Deutschen Oper Berlin, Eugen Jochum
—
La traviata: Preludio
Bayerisches Staatsorchester, Carlos Kleiber
—
Ileana Cotrubaș, Plácido Domingo, Walter Gullino, Bayerisches Staatsorchester, Carlos Kleiber
Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Ileana Cotrubaș, Plácido Domingo, Alfredo Giacomotti, Bruno Grella, Walter Gullino, Stefania Malagú, Bayerisches Staatsorchester, Carlos Kleiber
Samson et Dalila : Acte I. « Arrêtez, ô mes frères »
Chœur de l'Orchestre de Paris, Plácido Domingo, Orchestre de Paris, Daniel Barenboim
—
Plácido Domingo, Orchester der Wiener Staatsoper, Vienna Philharmonic Orchestra, Carlo Maria Giulini
Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini
Werther: Act III. Toute mon âme est là!
Plácido Domingo, Kölner Rundfunk-Sinfonie-Orchester, Riccardo Chailly
—
L’africaine: “Pays merveilleux Ô paradis”
Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini
—
Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini
Nabucco: Parte II, scena 2. Coro “Che si vuol?” … “Il maledetto non ha fratelli” (Coro, Ismaele)
Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Plácido Domingo, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
—
Coro dell’Accademia Nazionale di Santa Cecilia, Plácido Domingo, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini
Manon Lescaut: Donna non vidi mai
Plácido Domingo, Orchestra of the Royal Opera House, Covent Garden, Giuseppe Sinopoli
—
Les Contes d'Hoffmann : Acte I. Chanson "Il était une fois à Ia cour d'Eisenach" (Hoffmann, les étudiants, Nathanaël)
Jacques Jouineau, Chœur de Radio France, Plácido Domingo, Robin Leggate, Orchestre national de France, Seiji Ozawa
—
Tosca: Atto I. “Recondita armonia”
Plácido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli
—
Plácido Domingo, Orquesta sinfónica de Madrid, Miguel Roa
Largo Al Factotum (The Barber of Seville)
Plácido Domingo, The Chamber Orchestra of Europe, Claudio Abbado
—
Chœurs de l’Opéra Bastille, Plácido Domingo, Maîtrise des Hauts-de-Seine, Orchestre de l’Opéra Bastille, Myung-Whun Chung
Edgar: “Orgia, chimera dall’occhio vitreo”
Plácido Domingo, Orchestra dell’Accademia Nazionale di Santa Cecilia, Alberto Veronesi
—
Les Contes d’Hoffmann : Acte I. Récit et romance “Ils se sont éloignés enfin!” (Hoffmann, Olympia)
Plácido Domingo, Joan Sutherland, Orchestre de la Suisse Romande, Richard Bonynge
—
Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti
Lohengrin: Dritter Aufzug. "In fernem Land, unnahbar euren Schritten" (Lohengrin, Heinrich, Chor)
Walter Hagen-Groll, Konzertvereinigung Wiener Staatsopernchor, Plácido Domingo, Jessye Norman, Hans Sotin, Wiener Philharmoniker, Sir Georg Solti
—
Plácido Domingo, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta
The Three Tenors, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta
Pagliacci: Atto I. "Vesti la giubba" (Canio)
Plácido Domingo, Orchestra del Teatro alla Scala di Milano, Georges Prêtre
—
La traviata: Atto I. “Un dì felice, eterea“
Ileana Cotrubaș, Plácido Domingo, Walter Gullino, Bayerisches Staatsorchester, Carlos Kleiber
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-037.003.037-7T-037.658.877-0T-037003037-7T-037658877-0T-041.489.068-8T-041.981.858-8T-041489068-8T-041981858-8T-042091547-4T-042855177-2
+35 more
T-043.027.077-1T-043027077-1T-043027428-4T-070.010.575-4T-070.178.135-2T-070010575-4T-070178135-2T-210017221-9T-210352209-1T-802.402.359-5T-802402359-5T-900302065-3T-902.298.075-2T-902298075-2T-910.760.781-8T-910760781-8T-915751247-5T-917476067-9T0014553775T0050008382T0050009852T0316728218T0317890575T0709432041T0715262886T3009139402T3090413819T7037140857T8036189262T9002482840T9028527744T9068597966T9107754029T9164521215T9705812868
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000002529143100000000551893580000000059293275000000006097350X000000007731955500000000782877000000000078393079000000008162187X00000000816924320000000106652008
+40 more
0000000106875965000000010860043900000001088865880000000109178196000000010937816300000001093886600000000109405387000000010944213700000001094465330000000109447560000000010945468000000001101773930000000110652326000000011079657300000001108232280000000114502261000000011455125800000001145531300000000114554862000000011471001X00000001147197940000000114726919000000011480248300000001149276300000000116585187000000011797942800000001194104380000000119453403000000011954617500000001195730340000000120347827000000012095848400000001209597190000000120978012000000012110612800000001212042970000000121424409000000012144714100000001214624130000000121463088
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What is UPC 028947953210?
028947953210 is a Universal Product Code (UPC) assigned to The 50 Greatest Tracks by Plácido Domingo. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 25 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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