UPC · Release
The First 70 Years
Bamberg Symphony
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028947958055 is the Universal Product Code (UPC barcode) for the release “The First 70 Years” by Bamberg Symphony, released 2016-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 166 tracks, each with its own ISRC. Tracks include DEF055303631, DEF055303632, DEF055303633.
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Track List (166)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Má Vlast: 2. Vltava | — | ||
| 2 | Má Vlast: 4. Z českých luhů a hájů | — | ||
| 3 | Symphonie Nr. 8 G-dur, op. 88: I. Allegro con brio | Bamberger Symphoniker, Fritz Lehmann | — | |
| 4 | Symphonie Nr. 8 G-dur, op. 88: II. Adagio | Bamberger Symphoniker, Fritz Lehmann | — | |
| 5 | Symphonie Nr. 8 G-dur, op. 88: III. Allegretto - Molto vivace | Bamberger Symphoniker, Fritz Lehmann | — | |
| 6 | Symphonie Nr. 8 G-dur, op. 88: IV. Allegro ma non troppo | Bamberger Symphoniker, Fritz Lehmann | — | |
| 2-1 | Serenade in D major, K. 250 “Haffner”: 1. Allegro maestoso – Allegro molto | — | ||
| 2-2 | Serenade in D major, K. 250 “Haffner”: 2. Andante | — | ||
| 2-3 | Serenade in D major, K. 250 “Haffner”: 3. Menuetto | — | ||
| 2-4 | Serenade in D major, K. 250 “Haffner”: 4. Rondo (Allegro) | — | ||
| 2-5 | Serenade in D major, K. 250 “Haffner”: 5. Menuetto galante | — | ||
| 2-6 | Serenade in D major, K. 250 “Haffner”: 6. Andante | — | ||
| 2-7 | Serenade in D major, K. 250 “Haffner”: 7. Menuetto | — | ||
| 2-8 | Serenade in D major, K. 250 “Haffner”: 8. Adagio: Allegro assai | — | ||
| 2-9 | Symphony no. 1 in C major, op. 21: 1. Adagio molto – Allegro con brio | — | ||
| 2-10 | Symphony no. 1 in C major, op. 21: 2. Andante cantabile con moto | — | ||
| 2-11 | Symphony no. 1 in C major, op. 21: 3. Menuetto. Allegro molto e vivace – Trio | — | ||
| 2-12 | Symphony no. 1 in C major, op. 21: 4. Finale. Adagio – Allegro molto e vivace | — | ||
| 3-1 | Konzert no. 24 c-moll, KV 491: I. Allegro (Kadenz: W. Kempff) | Wilhelm Kempff, Bamberger Symphoniker, Ferdinand Leitner | T-011.422.353-8 | |
| 3-2 | Konzert no. 24 c-moll, KV 491: II. Larghetto | Wilhelm Kempff, Bamberger Symphoniker, Ferdinand Leitner | T-926.819.124-8 | |
| 3-3 | Konzert no. 24 c-moll, KV 491: III. Allegretto (Kadenz: W. Kempff) | Wilhelm Kempff, Bamberger Symphoniker, Ferdinand Leitner | — | |
| 3-4 | Rondo For Piano And Orchestra in A major, K. 386 | — | ||
| 3-5 | Symphony no. 40 in G minor, K. 550: 1. Molto allegro | — | ||
| 3-6 | Symphony no. 40 in G minor, K. 550: 2. Andante | — | ||
| 3-7 | Symphony no. 40 in G minor, K. 550: 3. Menuetto. Allegretto – Trio | — | ||
| 3-8 | Symphony no. 40 in G minor, K. 550: 4. Allegro assai | — | ||
| 4-1 | Der Rosenkavalier | — | ||
| 4-2 | Peer-Gynt-Suite Nr. 1, op. 46: I. Morgenstimmung | Bamberger Symphoniker, Otmar Suitner | — | |
| 4-3 | Peer-Gynt-Suite Nr. 1, op. 46: II. Åses Tod | Bamberger Symphoniker, Otmar Suitner | — | |
| 4-4 | Peer-Gynt-Suite Nr. 1, op. 46: III. Anitras Tanz | Bamberger Symphoniker, Otmar Suitner | T-928.635.589-3 | |
| 4-5 | Peer-Gynt-Suite Nr. 1, op. 46: IV. In der Halle des Bergkönigs | Bamberger Symphoniker, Otmar Suitner | — | |
| 4-6 | Romeo and Juliet | — | ||
| 4-7 | Künstlerleben, op. 316 (Walzer) | — | ||
| 4-8 | Frühlingsstimmen, op. 410 (Walzer) | — | ||
| 5-1 | Overture to Euryanthe | — | ||
| 5-2 | Overture to Ein Sommernachtstraum, op. 21 | — | ||
| 5-3 | Overture “Coriolan”, op. 62 | — | ||
| 5-4 | Overture “Manfred”, op. 115 | — | ||
| 5-5 | Overture to La forza del destino | — | ||
| 5-6 | Overture to Die lustigen Weiber von Windsor | — | ||
| 5-7 | Overture to Oberon | — | ||
| 5-8 | Overture “Egmont”, op. 84 | — | ||
| 6-1 | The Bartered Bride: Overture | — | ||
| 6-2 | The Bartered Bride: Act 1. Gern ja will ich dir vertrauen | — | ||
| 6-3 | The Bartered Bride: Act 1. Sage, was dich von Hause fort trieb | — | ||
| 6-4 | The Bartered Bride: Act 1. Mit der Mutter sank zu Grabe | — | ||
| 6-5 | The Bartered Bride: Act 1. Seht, da kommt sie sonder Ahnung | — | ||
| 6-6 | The Bartered Bride: Act 1. Mit Hans bin ich vereint | — | ||
| 6-7 | The Bartered Bride: Act 1. Durch die Reihen hinzufliegen | — | ||
| 6-8 | The Bartered Bride: Act 2. Wie schäumst du in den Gläsern | — | ||
| 6-9 | The Bartered Bride: Act 2. Furiant | — | ||
| 6-10 | The Bartered Bride: Act 2. Komm, mein Söhnchen, auf ein Wort: Weiß ich doch eine, die hat Dukaten | — | ||
| 6-11 | The Bartered Bride: Act 2. Gib die törichte Liebschaft auf | — | ||
| 6-12 | The Bartered Bride: Act 2. Armer Narr, glaubtest du mich zu fangen? | — | ||
| 6-13 | The Bartered Bride: Act 2. Es muß gelingen | — | ||
| 6-14 | The Bartered Bride: Act 3. Tanz der Komödianten | — | ||
| 6-15 | The Bartered Bride: Act 3. Alles geht am Schnürchen | — | ||
| 6-16 | The Bartered Bride: Act 3. So find' ich dich, Feinsliebchen, hier | — | ||
| 6-17 | The Bartered Bride: Act 3. Mein lieber Schatz, nun aufgepaßt | — | ||
| 6-18 | The Bartered Bride: Act 3. He, Hans, möchtest wohl dein Geld | — | ||
| 6-19 | The Bartered Bride: Act 3. Gesegnet, was liebt und auch vertraut | — | ||
| 6-20 | The Bartered Bride: Act 3. Kommen wir gerne | — | ||
| 6-21 | The Bartered Bride: Act 3. Seid ohne Furcht! | — | ||
| 6-22 | The Bartered Bride: Act 3. So ist's recht | — | ||
| 7-1 | Symphony no. 4 in G major: 1. Bedächtig. Nicht eilen – Recht gemächlich | — | ||
| 7-2 | Symphony no. 4 in G major: 2. In gemächlicher Bewegung. Ohne Hast | — | ||
| 7-3 | Symphony no. 4 in G major: 3. Ruhevoll (Poco adagio) – Allegretto subito (Nicht eillen) – Allegro subito – Andante subito | — | ||
| 7-4 | Symphony no. 4 in G major: 4. Sehr behaglich: "Wir genießen die himmlischen Freuden" | — | ||
| 7-5 | Lieder eines fahrenden Gesellen: 1. Wenn mein Schatz Hochzeit macht | — | ||
| 7-6 | Lieder eines fahrenden Gesellen: 2. Ging heut' morgen übers Feld | — | ||
| 7-7 | Lieder eines fahrenden Gesellen: 3. Ich hab' ein glühend Messer in meiner Brust | — | ||
| 7-8 | Lieder eines fahrenden Gesellen: 4. Die zwei blauen Augen von meinem Schatz | — | ||
| 8-1 | Symphony no. 6 in F major, op. 68 “Pastoral”: 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | — | ||
| 8-2 | Symphony no. 6 in F major, op. 68 “Pastoral”: 2. Szene am Bach. Andante molto mosso | — | ||
| 8-3 | Symphony no. 6 in F major, op. 68 “Pastoral”: 3. Lustiges Zusammensein der Landleute. Allegro | — | ||
| 8-4 | Symphony no. 6 in F major, op. 68 “Pastoral”: 4. Gewitter, Sturm. Allegro | — | ||
| 8-5 | Symphony no. 6 in F major, op. 68 “Pastoral”: 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | — | ||
| 8-6 | 8 Slavonic Dances, op. 46: No. 8 in G minor. Presto (Furiant) | — | ||
| 8-7 | 8 Slavonic Dances, op. 46: No. 4 in F major. Tempo di minuetto | — | ||
| 8-8 | 8 Slavonic Dances, op. 46: No. 2 in E minor. Allegretto scherzando | — | ||
| 8-9 | 8 Slavonic Dances, op. 46: No. 5 in A major. Allegro vivace | — | ||
| 8-10 | 8 Slavonic Dances, op. 72: No. 8 in A-flat. Grazioso e lento, ma non troppo, quasi tempo di valse | — | ||
| 8-11 | 8 Slavonic Dances, op. 72: No. 1 in B major. Presto | — | ||
| 9-1 | Maurerische Trauermusik, K. 477 | — | ||
| 9-2 | Symphony no. 41 in C major, K. 551 “Jupiter”: 1. Allegro vivace | — | ||
| 9-3 | Symphony no. 41 in C major, K. 551 “Jupiter”: 2. Andante cantabile | — | ||
| 9-4 | Symphony no. 41 in C major, K. 551 “Jupiter”: 3. Menuetto. Allegretto – Trio | — | ||
| 9-5 | Symphony no. 41 in C major, K. 551 “Jupiter”: 4. Molto allegro | — | ||
| 9-6 | Till Eulenspiegels lustige Streiche, op. 28 | — | ||
| 9-7 | Don Juan, op. 20 | — | ||
| 10-1 | Metamorphosen | — | ||
| 10-2 | Eine Alpensinfonie, op. 64: Nacht | — | ||
| 10-3 | Eine Alpensinfonie, op. 64: Sonnenaufgang | — | ||
| 10-4 | Eine Alpensinfonie, op. 64: Der Anstieg | — | ||
| 10-5 | Eine Alpensinfonie, op. 64: Eintritt in den Wald | — | ||
| 10-6 | Eine Alpensinfonie, op. 64: Wanderung neben dem Bache | — | ||
| 10-7 | Eine Alpensinfonie, op. 64: Am Wasserfall | — | ||
| 10-8 | Eine Alpensinfonie, op. 64: Erscheinung | — | ||
| 10-9 | Eine Alpensinfonie, op. 64: Auf blumige Wiesen | — | ||
| 10-10 | Eine Alpensinfonie, op. 64: Auf der Alm | — | ||
| 10-11 | Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen | — | ||
| 10-12 | Eine Alpensinfonie, op. 64: Auf dem Gletscher | — | ||
| 10-13 | Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke | — | ||
| 10-14 | Eine Alpensinfonie, op. 64: Auf dem Gipfel | — | ||
| 10-15 | Eine Alpensinfonie, op. 64: Vision | — | ||
| 10-16 | Eine Alpensinfonie, op. 64: Nebel steigen auf | — | ||
| 10-17 | Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich | — | ||
| 10-18 | Eine Alpensinfonie, op. 64: Elegie | — | ||
| 10-19 | Eine Alpensinfonie, op. 64: Stille vor dem Sturm | — | ||
| 10-20 | Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg | — | ||
| 10-21 | Eine Alpensinfonie, op. 64: Sonnenuntergang | — | ||
| 10-22 | Eine Alpensinfonie, op. 64: Ausklang | — | ||
| 10-23 | Eine Alpensinfonie, op. 64: Nacht | — | ||
| 11-1 | Symphony no. 8 in B minor, D. 759 “Unfinished”: 1. Allegro moderato | — | ||
| 11-2 | Symphony no. 8 in B minor, D. 759 “Unfinished”: 2. Andante con moto | — | ||
| 11-3 | Symphony no. 1 in C minor, op. 68: 1. Un poco sostenuto – Allegro | — | ||
| 11-4 | Symphony no. 1 in C minor, op. 68: 2. Andante sostenuto | — | ||
| 11-5 | Symphony no. 1 in C minor, op. 68: 3. Un poco allegretto e grazioso | — | ||
| 11-6 | Symphony no. 1 in C minor, op. 68: 4. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro | — | ||
| 12-1 | Overture to Rienzi | — | ||
| 12-2 | Symphony no. 4 in E-flat major “Romantic”: 1. Bewegt, nicht zu schnell | — | ||
| 12-3 | Symphony no. 4 in E-flat major “Romantic”: 2. Andante quasi Allegretto | — | ||
| 12-4 | Symphony no. 4 in E-flat major “Romantic”: 3. Scherzo. Bewegt – Trio. Nicht zu schnell. Keinesfalls schleppend | — | ||
| 12-5 | Symphony no. 4 in E-flat major “Romantic”: 4. Finale. Bewegt, doch nicht zu schnell | — | ||
| 13-1 | Symphony no. 9 in D minor (ed. Nowak): 1. Feierlich, misterioso | — | ||
| 13-2 | Symphony no. 9 in D minor (ed. Nowak): 2. Scherzo. Bewegt, lebhaft – Trio. Schnell | — | ||
| 13-3 | Symphony no. 9 in D minor (ed. Nowak): 3. Adagio. Langsam, feierlich | — | ||
| 14-1 | Symphony no. 4 in D minor, op. 120: 1. Ziemlich langsam – Lebhaft | — | ||
| 14-2 | Symphony no. 4 in D minor, op. 120: 2. Romanze. Ziemlich langsam | — | ||
| 14-3 | Symphony no. 4 in D minor, op. 120: 3. Scherzo. Lebhaft | — | ||
| 14-4 | Symphony no. 4 in D minor, op. 120: 4. Langsam – Lebhaft | — | ||
| 14-5 | Symphony no. 4 in E minor, op. 98: 1. Allegro non troppo | — | ||
| 14-6 | Symphony no. 4 in E minor, op. 98: 2. Andante moderato | — | ||
| 14-7 | Symphony no. 4 in E minor, op. 98: 3. Allegro giocoso – Poco meno presto – Tempo I | — | ||
| 14-8 | Symphony no. 4 in E minor, op. 98: 4. Allegro energico e passionato – Più allegro | — | ||
| 15-1 | Tristan und Isolde: Vorspiel zum Ersten Aufzug | — | ||
| 15-2 | Symphony no. 1 in D major “Titan”: 1. Langsam. Schleppend. Wie ein Naturlaut – Im Anfang sehr gemächlich | — | ||
| 15-3 | Symphony no. 1 in D major “Titan”: 2. Kräftig bewegt, doch nicht zu schnell – Trio. Recht gemächlich | — | ||
| 15-4 | Symphony no. 1 in D major “Titan”: 3. Feierlich und gemessen, ohne zu schleppen | — | ||
| 15-5 | Symphony no. 1 in D major “Titan”: 4. Stürmisch bewegt – Energisch – Sehr gesangsvoll – Wieder wie zu Anfang. Stürmisch bewegt – Sehr langsam – Höchste Kraft. Wieder vorwärts drängend. Triumphal (Nicht eilen) | — | ||
| 16-1 | Vier letzte Lieder: 1. Frühling | — | ||
| 16-2 | Vier letzte Lieder: 2. September | — | ||
| 16-3 | Vier letzte Lieder: 3. Beim Schlafengehen | — | ||
| 16-4 | Vier letzte Lieder: 4. Im Abendrot | — | ||
| 16-5 | Le Sacre du printemps: Part I “L'Adoration de la terre”: Introduction | — | ||
| 16-6 | Le Sacre du printemps: Part I “L'Adoration de la terre”: Les Augures printaniers (Danses des adolescentes) | — | ||
| 16-7 | Le Sacre du printemps: Part I “L'Adoration de la terre”: Jeu du rapt | — | ||
| 16-8 | Le Sacre du printemps: Part I “L'Adoration de la terre”: Rondes printanières | — | ||
| 16-9 | Le Sacre du printemps: Part I “L'Adoration de la terre”: Jeux des cités rivales | — | ||
| 16-10 | Le Sacre du printemps: Part I “L'Adoration de la terre”: Cortège du sage | — | ||
| 16-11 | Le Sacre du printemps: Part I “L'Adoration de la terre”: Le Sage | — | ||
| 16-12 | Le Sacre du printemps: Part I “L'Adoration de la terre”: Danse de la terre | — | ||
| 16-13 | Le Sacre du printemps: Part II “Le Sacrifice”: Introduction | — | ||
| 16-14 | Le Sacre du printemps: Part II “Le Sacrifice”: Cercles mysteriéux des adolescentes | — | ||
| 16-15 | Le Sacre du printemps: Part II “Le Sacrifice”: Glorification de l'élue | — | ||
| 16-16 | Le Sacre du printemps: Part II “Le Sacrifice”: Évocation des ancêtres | — | ||
| 16-17 | Le Sacre du printemps: Part II “Le Sacrifice”: Action rituelle des ancêtres | — | ||
| 16-18 | Le Sacre du printemps: Part II “Le Sacrifice”: Danse sacrale (L'élue) | — | ||
| 17-1 | Symphony no. 38 in D major, K. 504 “Prague”: 1. Adagio – Allegro | — | ||
| 17-2 | Symphony no. 38 in D major, K. 504 “Prague”: 2. Andante | — | ||
| 17-3 | Symphony no. 38 in D major, K. 504 “Prague”: 3. Finale (Presto) | — | ||
| 17-4 | Prelude to Palestrina | — | ||
| 17-5 | Symphony no. 1 in B-flat, op. 38 “Spring”: 1. Andante un poco maestoso – Allegro molto vivace | — | ||
| 17-6 | Symphony no. 1 in B-flat, op. 38 “Spring”: 2. Larghetto | — | ||
| 17-7 | Symphony no. 1 in B-flat, op. 38 “Spring”: 3. Scherzo. Molto vivace | — | ||
| 17-8 | Symphony no. 1 in B-flat, op. 38 “Spring”: 4. Allegro animato e grazioso | — |
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What is UPC 028947958055?
028947958055 is a Universal Product Code (UPC) assigned to The First 70 Years by Bamberg Symphony. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 166 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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