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Complete Concerto Recordings on Deutsche Grammophon
Gidon Kremer
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028947963165 is the Universal Product Code (UPC barcode) for the release “Complete Concerto Recordings on Deutsche Grammophon” by Gidon Kremer, released 2016-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 190 tracks, each with its own ISRC. Tracks include NLF058201950, NLF058201960, NLF058201970.
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Track List (190)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Concerto in A minor, BWV 1041: I. Allegro moderato | Gidon Kremer, Academy of St Martin in the Fields | — | |
| 2 | Violin Concerto in A minor, BWV 1041: II. Andante | Gidon Kremer, Academy of St Martin in the Fields | — | |
| 3 | Violin Concerto in A minor, BWV 1041: III. Allegro assai | Gidon Kremer, Academy of St Martin in the Fields | — | |
| 4 | Violin Concerto in E, BWV 1042: I. Allegro | Gidon Kremer, Academy of St Martin in the Fields | — | |
| 5 | Violin Concerto in E, BWV 1042: II. Adagio | Gidon Kremer, Academy of St Martin in the Fields | — | |
| 6 | Violin Concerto in E, BWV 1042: III. Allegro assai | Gidon Kremer, Academy of St Martin in the Fields | — | |
| 7 | Violin Concerto in D minor, BWV 1043: I. Vivace | Gidon Kremer, Academy of St Martin in the Fields | — | |
| 8 | Violin Concerto in D minor, BWV 1043: II. Largo, ma non tanto | Gidon Kremer, Academy of St Martin in the Fields | — | |
| 9 | Violin Concerto in D minor, BWV 1043: III. Allegro | Gidon Kremer, Academy of St Martin in the Fields | — | |
| 10 | Concerto for Violin, Oboe, Strings and Continuo in C minor, BWV 1060: I. Allegro | Gidon Kremer, Heinz Holliger, Academy of St Martin in the Fields | T-902.685.630-4 | |
| 11 | Concerto for Violin, Oboe, Strings and Continuo in C minor, BWV 1060: II. Adagio | Gidon Kremer, Heinz Holliger, Academy of St Martin in the Fields | T-802.445.410-3 | |
| 12 | Concerto for Violin, Oboe, Strings and Continuo in C minor, BWV 1060: III. Allegro | Gidon Kremer, Heinz Holliger, Academy of St Martin in the Fields | — | |
| 2-1 | Concerto for Violin and Orchestra No. 1: I. Andante sostenuto | Gidon Kremer, Berliner Philharmoniker, Pierre Boulez | — | |
| 2-2 | Concerto for Violin and Orchestra No. 1: II. Allegro giocoso | Gidon Kremer, Berliner Philharmoniker, Pierre Boulez | — | |
| 2-3 | Violin Concerto “To the Memory of an Angel”: 1. Andante - Allegro | — | ||
| 2-4 | Violin Concerto “To the Memory of an Angel”: 2. Allegro - Adagio | — | ||
| 3-1 | Concerto Movement in C major, WoO 5 for violin and chamber orchestra: Allegro con brio | — | ||
| 3-2 | Violin Romance no. 1 in G major, op. 40 | — | ||
| 3-3 | Polonaise en Si bémol majeur pour violon et petit orchestre D 580 | Gidon Kremer, London Symphony Orchestra, Emil Tchakarov | — | |
| 3-4 | Konzertstück in D major, D 345 for violin accompanied by string quartet, 2 oboes, 2 trumpets and timpani: Adagio - Allegro | — | ||
| 3-5 | Rondo in A major, D 438 for violin accompanied by string quartet: Adagio - Allegro giusto | — | ||
| 4-1 | Violin Concerto in D major, op. 61: 1. Allegro ma non troppo | — | ||
| 4-2 | Violin Concerto in D major, op. 61: 2. Larghetto - | — | ||
| 4-3 | Violin Concerto in D major, op. 61: 3. Rondo. Allegro | — | ||
| 5-1 | Serenade after Plato’s “Symposium”: I. Phaedrus – Pausanias: Lento – Allegro marcato | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 5-2 | Serenade after Plato’s “Symposium”: II. Aristophanes: Allegretto | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 5-3 | Serenade after Plato’s “Symposium”: III. Eryximachus: Presto | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 5-4 | Serenade after Plato’s “Symposium”: IV. Agathon: Adagio | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 5-5 | Serenade after Plato’s “Symposium”: V. Socrates – Alcibiades: Molto tenuto – Allegro molto vivace | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 5-6 | Violin Concerto: I. Twilight: Free and Spacious – attacca: | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 5-7 | Violin Concerto: II. Toccata-Chaconne: Very Fast | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 5-8 | Violin Concerto: III. Romance without Words: Hardly Moving | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 5-9 | Violin Concerto: IV. Midnight: Slow | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 5-10 | Violin Concerto: V. Toccata-Rondo: Very Fast | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 5-11 | Violin Concerto: VI. Dawn: Wistful | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 6-1 | Violin Concerto in D major, op. 77: 1. Allegro non troppo | — | ||
| 6-2 | Violin Concerto in D major, op. 77: 2. Adagio | — | ||
| 6-3 | Violin Concerto in D major, op. 77: 3. Allegro giocoso, ma non troppo vivace | — | ||
| 6-4 | Concerto for Violin and Violoncello in A minor, op. 102: 1. Allegro | — | ||
| 6-5 | Concerto for Violin and Violoncello in A minor, op. 102: 2. Andante | — | ||
| 6-6 | Concerto for Violin and Violoncello in A minor, op. 102: 3. Vivace non troppo | — | ||
| 7-1 | Concerto for Violin and Orchestra: I. ♩ = 104 – ♩ = 120 | Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | T-922.975.221-0 | |
| 7-2 | Concerto for Violin and Orchestra: II. ♩ = ca. 108 | Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | T-922.975.221-0 | |
| 7-3 | Concerto for Violin and Orchestra: III. ♩ = ca. 150 – Coda: Poco meno ♩ = 104 | Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 7-4 | Concerto grosso no. 5 for violin, an invisible piano and orchestra: 1. Allegretto | — | ||
| 7-5 | Concerto grosso no. 5 for violin, an invisible piano and orchestra: 2. [Without tempo indication] | — | ||
| 7-6 | Concerto grosso no. 5 for violin, an invisible piano and orchestra: 3. Allegro vivace - | — | ||
| 7-7 | Concerto grosso no. 5 for violin, an invisible piano and orchestra: 4. Lento | — | ||
| 8-1 | Offertorium, Concerto for violin and orchestra | — | ||
| 8-2 | Hommage à T.S. Eliot for soprano and octet: 1. violins I & II, viola, violoncello, double bass | — | ||
| 8-3 | Hommage à T.S. Eliot for soprano and octet: 2. clarinet, bassoon, horn | — | ||
| 8-4 | Hommage à T.S. Eliot for soprano and octet: 3. “Time and the bell have buried the day” soprano | — | ||
| 8-5 | Hommage à T.S. Eliot for soprano and octet: 4. violins I & II, viola, violoncello, double bass | — | ||
| 8-6 | Hommage à T.S. Eliot for soprano and octet: 5. “The chill ascends from feet to knees” soprano, clarinet, bassoon, horn, violins I & II, viola, violoncello, double bass | — | ||
| 8-7 | Hommage à T.S. Eliot for soprano and octet: 6. clarinet, violin I, viola, violoncello | — | ||
| 8-8 | Hommage à T.S. Eliot for soprano and octet: 7. “Sin is behovely, but” soprano, clarinet, basson, horn, violins I & II, viola, violoncello, double bass | — | ||
| 9-1 | A Little Chamber Music: Allegro moderato | — | ||
| 9-2 | Little Gidding, Four Intonations for tenor voice with instrumental accompaniment on texts by T.S. Eliot: 1. Prelude. Tempo di recitativo | — | ||
| 9-3 | Little Gidding, Four Intonations for tenor voice with instrumental accompaniment on texts by T.S. Eliot: 2. Ash. Tempo di ballata. Allegro moderato “Ash on an old man's sleeve” | — | ||
| 9-4 | Little Gidding, Four Intonations for tenor voice with instrumental accompaniment on texts by T.S. Eliot: 3. The Dove. Allegro appassionato ma dolcissimo “The dove descending breaks the air” | — | ||
| 9-5 | Little Gidding, Four Intonations for tenor voice with instrumental accompaniment on texts by T.S. Eliot: 4. With the drawing of this Love and the voice of this Calling. Lento “We shall not cease from exploration” | — | ||
| 9-6 | Concerto Da Camera for solo violin and string orchestra: 1. Entrata. Allegro capriccioso, ma non rubato - | — | ||
| 9-7 | Concerto Da Camera for solo violin and string orchestra: 2. Aria. Lento, ma non troppo | — | ||
| 9-8 | Concerto Da Camera for solo violin and string orchestra: 3. Intermezzo. Languido, quasi Adagio | — | ||
| 9-9 | Concerto Da Camera for solo violin and string orchestra: 4. Fantasia | — | ||
| 9-10 | Concerto Da Camera for solo violin and string orchestra: 5. Serenata. Moderato - | — | ||
| 9-11 | Concerto Da Camera for solo violin and string orchestra: 6. Epilogo. Tempo di Elegia | — | ||
| 10-1 | Concerto for Violin, Piano and String Orchestra in D minor: I. Allegro | Martha Argerich, Gidon Kremer, Orpheus Chamber Orchestra | T-902.685.630-4 | |
| 10-2 | Concerto for Violin, Piano and String Orchestra in D minor: II. Adagio | Martha Argerich, Gidon Kremer, Orpheus Chamber Orchestra | — | |
| 10-3 | Concerto for Violin, Piano and String Orchestra in D minor: III. Allegro molto | Martha Argerich, Gidon Kremer, Orpheus Chamber Orchestra | — | |
| 11-1 | Sinfonia Concertante in E-flat major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso | Kim Kashkashian, Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 11-2 | Sinfonia Concertante in E-flat major for Violin, Viola & Orchestra, K. 320d/364: II. Andante | Kim Kashkashian, Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 11-3 | Sinfonia Concertante in E-flat major for Violin, Viola & Orchestra, K. 320d/364: III. Presto | Kim Kashkashian, Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 11-4 | Konzert für Violine und Orchester No. 1 B-dur KV 207: Allegro moderato | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | T-902.685.630-4 | |
| 11-5 | Konzert für Violine und Orchester No. 1 B-dur KV 207: Adagio | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | T-915.717.075-7 | |
| 11-6 | Konzert für Violine und Orchester No. 1 B-dur KV 207: Presto | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 11-7 | Konzert für Violine und Orchester No. 2 D-dur KV 211: Allegro moderato | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 11-8 | Konzert für Violine und Orchester No. 2 D-dur KV 211: Andante | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 11-9 | Konzert für Violine und Orchester No. 2 D-dur KV 211: Rondeau. Allegro | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 12-1 | Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Strassburg": I. Allegro aperto | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 12-2 | Concerto for Violin and Orchestra no. 3 in G major, K. 216 "Strassburg": II. Adagio | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | T-312.542.566-9 | |
| 12-3 | Concerto for Violin and Orchestra no. 3 in G major, K. 216 "Strassburg": III. Rondeau. Allegro | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 12-4 | Concerto for Violin and Orchestra no. 4 in D major, KV 218: I. Allegro | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 12-5 | Concerto for Violin and Orchestra no. 4 in D major, KV 218: II. Andante cantabile | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 12-6 | Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau. Allegro grazioso | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 12-7 | Konzert für Violine und Orchester No. 5 A-dur KV 219: Allegro Aperto | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 12-8 | Konzert für Violine und Orchester No. 5 A-dur KV 219: Adagio | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 12-9 | Konzert für Violine und Orchester No. 5 A-dur KV 219: Rondeau. Tempo di Menuetto | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 13-1 | Violin Concerto no. 4 in D minor: 1. Allegro maestoso | — | ||
| 13-2 | Violin Concerto no. 4 in D minor: 2. Adagio flebile con sentimento | — | ||
| 13-3 | Violin Concerto no. 4 in D minor: 3. Rondo galante. Andantino gaio | — | ||
| 13-4 | Sonata varsavia, Variations on a mazurka by Józef Elsner: 1. Allegro vivo | — | ||
| 13-5 | Sonata varsavia, Variations on a mazurka by Józef Elsner: 2. Recitativo. Sostenuto - Allegro | — | ||
| 13-6 | Sonata varsavia, Variations on a mazurka by Józef Elsner: 3. Tema polacco. Andantino | — | ||
| 13-7 | Sonata varsavia, Variations on a mazurka by Józef Elsner: 4. Finale | — | ||
| 14-1 | Polonaise for Violin and Orchestra in B-flat major, D. 580 | Gidon Kremer, Chamber Orchestra of Europe | — | |
| 14-2 | Five German Dances, D 90: 1. Deutscher Tanz - Trio I - Trio II in C major | — | ||
| 14-3 | Five German Dances, D 90: 2. Deutscher Tanz - Trio I - Trio II in G major | — | ||
| 14-4 | Five German Dances, D 90: 3. Deutscher Tanz - Trio in D major | — | ||
| 14-5 | Five German Dances, D 90: 4. Deutscher Tanz in F major | — | ||
| 14-6 | Five German Dances, D 90: 5. Deutscher Tanz - Trio I - Trio II - Coda in C major | — | ||
| 14-7 | Rondo in A major D 438 for violin and orchestra: Adagio - Allegro giusto | — | ||
| 14-8 | Five Minuets, D 89: 1. Menuett - Trio I - Trio II in C major | — | ||
| 14-9 | Five Minuets, D 89: 2. Menuett in F major | — | ||
| 14-10 | Five Minuets, D 89: 3. Menuett - Trio I - Trio II in D minor | — | ||
| 14-11 | Five Minuets, D 89: 4. Menuett in G major | — | ||
| 14-12 | Five Minuets, D 89: 5. Menuett - Trio I - Trio II in C major | — | ||
| 14-13 | Concerto Movement in D major, D 345 for violin and orchestra: Adagio - Allegro | — | ||
| 15-1 | Concerto grosso no. 1 for two violins, harpsichord, prepared piano and string orchestra: 1. Preludio. Andante | — | ||
| 15-2 | Concerto grosso no. 1 for two violins, harpsichord, prepared piano and string orchestra: 2. Toccata. Allegro | — | ||
| 15-3 | Concerto grosso no. 1 for two violins, harpsichord, prepared piano and string orchestra: 3. Recitativo. Lento | — | ||
| 15-4 | Concerto grosso no. 1 for two violins, harpsichord, prepared piano and string orchestra: 4. Cadenza [without tempo indication] | — | ||
| 15-5 | Concerto grosso no. 1 for two violins, harpsichord, prepared piano and string orchestra: 5. Rondo. Agitato | — | ||
| 15-6 | Concerto grosso no. 1 for two violins, harpsichord, prepared piano and string orchestra: 6. Postludio. Andante - Allegro - Andante | — | ||
| 15-7 | Quasi una sonata for violin and chamber orchestra | — | ||
| 15-8 | Moz-Art à la Haydn, Game with music for two violins, two small string orchestras, double bass and conductor | — | ||
| 15-9 | A Paganini: Andante - Cadenza I - Cadenza II | — | ||
| 16-1 | Violin Concerto no. 2, op. 129: 1. Moderato | — | ||
| 16-2 | Violin Concerto no. 2, op. 129: 2. Adagio | — | ||
| 16-3 | Violin Concerto no. 2, op. 129: 3. Adagio - Allegro | — | ||
| 16-4 | Violin Concerto in A minor: 1. Nicht zu schnell | — | ||
| 16-5 | Violin Concerto in A minor: 2. Langsam | — | ||
| 16-6 | Violin Concerto in A minor: 3. Sehr lebhaft | — | ||
| 17-1 | Violin Sonata, op. 134: 1. Andante | — | ||
| 17-2 | Violin Sonata, op. 134: 2. Allegretto | — | ||
| 17-3 | Violin Sonata, op. 134: 3. Largo | — | ||
| 17-4 | Violin Concerto no. 2 for violin and chamber orchestra | — | ||
| 17-5 | Concerto for Three for violin, viola, violoncello and string orchestra (with organ): 1. Moderato - Allegretto | — | ||
| 17-6 | Concerto for Three for violin, viola, violoncello and string orchestra (with organ): 2. (Larghetto) | — | ||
| 17-7 | Concerto for Three for violin, viola, violoncello and string orchestra (with organ): 3. Largo | — | ||
| 17-8 | Concerto for Three for violin, viola, violoncello and string orchestra (with organ): 3. Minuetto | — | ||
| 17-9 | Concerto for Three for violin, viola, violoncello and string orchestra (with organ): 4. (Presto) | — | ||
| 18-1 | Violin Concerto in D major, op. 35: 1. Allegro moderato | — | ||
| 18-2 | Violin Concerto in D major, op. 35: 2. Canzonetta. Andante - | — | ||
| 18-3 | Violin Concerto in D major, op. 35: 3. Finale. Allegro vivacissimo | — | ||
| 18-4 | Sérénade mélancolique in B-flat minor, op. 26: Andante | — | ||
| 19-1 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 1 in E major “La primavera”, RV 269: 1. Allegro | Gidon Kremer, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | T-902.685.630-4 | |
| 19-2 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 1 in E major “La primavera”, RV 269: 2. Largo | Gidon Kremer, London Symphony Orchestra, Claudio Abbado | T-801.397.798-6 | |
| 19-3 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 1 in E major “La primavera”, RV 269: 3. Allegro. Danza pastorale | Gidon Kremer, London Symphony Orchestra, Claudio Abbado | — | |
| 19-4 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 2 in G minor “L'estate”, RV 315: 1. Allegro non molto | Gidon Kremer, London Symphony Orchestra, Claudio Abbado | — | |
| 19-5 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 2 in G minor “L'estate”, RV 315: 2. Adagio - Presto | Gidon Kremer, London Symphony Orchestra, Claudio Abbado | — | |
| 19-6 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 2 in G minor “L'estate”, RV 315: 3. Presto | Gidon Kremer, London Symphony Orchestra, Claudio Abbado | T-902.717.414-7 | |
| 19-7 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 3 in F major “L'autunno”, RV 293: 1. Allegro | Gidon Kremer, London Symphony Orchestra, Claudio Abbado | T-011.422.353-8 | |
| 19-8 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 3 in F major “L'autunno”, RV 293: 2. Adagio molto | Gidon Kremer, London Symphony Orchestra, Claudio Abbado | — | |
| 19-9 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 3 in F major “L'autunno”, RV 293: 3. Allegro | Gidon Kremer, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | T-902.836.120-8 | |
| 19-10 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 4 in F minor “L'inverno”, RV 297: 1. Allegro non molto | Gidon Kremer, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | — | |
| 19-11 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 4 in F minor “L'inverno”, RV 297: 2. Largo | Gidon Kremer, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | T-801.397.798-6 | |
| 19-12 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 4 in F minor “L'inverno”, RV 297: 3. Allegro | Gidon Kremer, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | T-902.836.120-8 | |
| 19-13 | Concerto for Oboe, Violin and Orchestra in G minor, RV 576: I. Allegro | Heinz Holliger, Gidon Kremer, Academy of St Martin in the Fields | T-070.160.313-5 | |
| 19-14 | Concerto for Oboe, Violin and Orchestra in G minor, RV 576: II. Larghetto | Heinz Holliger, Gidon Kremer, Academy of St Martin in the Fields | — | |
| 19-15 | Concerto for Oboe, Violin and Orchestra in G minor, RV 576: III. Allegro | Heinz Holliger, Gidon Kremer, Academy of St Martin in the Fields | — | |
| 19-16 | Concerto for Violin and two Cori in D major, RV 582: I. Allegro | Gidon Kremer, Academy of St Martin in the Fields, Heinz Holliger | T-902.685.630-4 | |
| 19-17 | Concerto for Violin and two Cori in D major, RV 582: II. Largo | Gidon Kremer, Academy of St Martin in the Fields, Heinz Holliger | — | |
| 19-18 | Concerto for Violin and two Cori in D major, RV 582: III. Allegro | Gidon Kremer, Academy of St Martin in the Fields, Heinz Holliger | — | |
| 20-1 | Le Bœuf sur le toit, op. 58b Cinéma-fantaise for violin and orchestra | — | ||
| 20-2 | Fantasia appassionata, op. 35 for violin and orchestra | — | ||
| 20-3 | Poème, op. 25 for violin and orchestra | — | ||
| 21-1 | Après une lecture de Dante: Andante maestoso | — | ||
| 21-2 | Après une lecture de Dante: Presto agitato assai | — | ||
| 21-3 | Après une lecture de Dante: Adagio - Allegro moderato | — | ||
| 21-4 | Après une lecture de Dante: Cadenza | — | ||
| 21-5 | Après une lecture de Dante: Poco a poco più di moto - Allegro vivace | — | ||
| 21-6 | Fantasy Variations on a Theme by Mozart for piano, strings and percussion: Theme (from Piano Sonata in A major, K. 331) | — | ||
| 21-7 | Fantasy Variations on a Theme by Mozart for piano, strings and percussion: Variation I | — | ||
| 21-8 | Fantasy Variations on a Theme by Mozart for piano, strings and percussion: Variation II | — | ||
| 21-9 | Fantasy Variations on a Theme by Mozart for piano, strings and percussion: Variation III (piano solo) | — | ||
| 21-10 | Fantasy Variations on a Theme by Mozart for piano, strings and percussion: Variation IV | — | ||
| 21-11 | Fantasy Variations on a Theme by Mozart for piano, strings and percussion: Variation V | — | ||
| 21-12 | Fantasy Variations on a Theme by Mozart for piano, strings and percussion: Variation VI | — | ||
| 21-13 | Fantasy Variations on a Theme by Mozart for piano, strings and percussion: Variation VII (Samba) | — | ||
| 21-14 | Fantasy Variations on a Theme by Mozart for piano, strings and percussion: Variation VIII | — | ||
| 21-15 | Fantasy Variations on a Theme by Mozart for piano, strings and percussion: Cadenza Part I | — | ||
| 21-16 | Fantasy Variations on a Theme by Mozart for piano, strings and percussion: Cadenza Part II | — | ||
| 21-17 | Fantasy Variations on a Theme by Mozart for piano, strings and percussion: Variation IX | — | ||
| 21-18 | Tango hommage à Gidon for violin, string orchestra and percussion | — | ||
| 21-19 | Rag-Gidon-Time for violin, strings and piano | — | ||
| 21-20 | The Unanswered Call for violin, strings and mobile phones | — | ||
| 21-21 | Meeting with a Friend for violin and strings | — | ||
| 21-22 | Circus (Fantasy after the film music arranged by Sergi Dreznin) | — | ||
| 22-1 | Violin Concerto no. 2 “The American Four Seasons”: 1. Prologue | Gidon Kremer, Kremerata Baltica | T-011.127.377-8 | |
| 22-2 | Violin Concerto no. 2 “The American Four Seasons”: 2. Movement I | Gidon Kremer, Kremerata Baltica | T-922.975.220-9 | |
| 22-3 | Violin Concerto no. 2 “The American Four Seasons”: 3. Song no. 1 | Gidon Kremer, Kremerata Baltica | T-922.975.221-0 | |
| 22-4 | Violin Concerto no. 2 “The American Four Seasons”: 4. Movement II | Gidon Kremer, Kremerata Baltica | T-072.660.540-8 | |
| 22-5 | Violin Concerto no. 2 “The American Four Seasons”: 5. Song no. 2 | Gidon Kremer, Kremerata Baltica | T-922.975.227-6 | |
| 22-6 | Violin Concerto no. 2 “The American Four Seasons”: 6. Movement III | Gidon Kremer, Kremerata Baltica | T-072.660.541-9 | |
| 22-7 | Violin Concerto no. 2 “The American Four Seasons”: 7. Song no. 3 | Gidon Kremer, Kremerata Baltica | T-922.975.231-2 | |
| 22-8 | Violin Concerto no. 2 “The American Four Seasons”: 8 Movement IV | Gidon Kremer, Kremerata Baltica | T-922.975.233-4 | |
| 22-9 | Estonian Lullaby | Girls’ Choir of the Vilnius Choir-Singing School “Liepaitės”, Gidon Kremer, Kremerata Baltica | — | |
| 22-10 | Ex Contrario | Gidon Kremer, Kremerata Baltica | — | |
| 22-11 | In the Mood for Love: Yumeji’s Theme | Gidon Kremer, Kremerata Baltica | T-101.679.978-1 |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Violin Concerto in D minor, BWV 1043: I. Vivace | Gidon Kremer, Academy of St Martin in the Fields | — |
| Violin Concerto in D minor, BWV 1043: II. Largo, ma non tanto | Gidon Kremer, Academy of St Martin in the Fields | — |
| Violin Concerto in D minor, BWV 1043: III. Allegro | Gidon Kremer, Academy of St Martin in the Fields | — |
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What is UPC 028947963165?
028947963165 is a Universal Product Code (UPC) assigned to Complete Concerto Recordings on Deutsche Grammophon by Gidon Kremer. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 190 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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