UPC · Release
Mstislav Rostropovich
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028947967897 is the Universal Product Code (UPC barcode) for the release “Complete Recordings on Deutsche Grammophon” by Mstislav Rostropovich, released 2017-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 348 tracks, each with its own ISRC. Tracks include DEF056001210, DEF056001210, DEF056001210.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | — | |
| 2 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | — | |
| 3 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | — | |
| 4 | Variations On A Rococo Theme, op. 33, TH.57: Moderato assai quasi andante | — | ||
| 5 | Variations On A Rococo Theme, op. 33, TH.57: Tema: Moderato semplice | — | ||
| 6 | Variations On A Rococo Theme, op. 33, TH.57: Variazione I: Tempo del Tema | — | ||
| 7 | Variations On A Rococo Theme, op. 33, TH.57: Variazione II: Tempo del Tema | — | ||
| 8 | Variations On A Rococo Theme, op. 33, TH.57: Variazione III: Andante sostenuto | — | ||
| 9 | Variations On A Rococo Theme, op. 33, TH.57: Variazione IV: Andante grazioso | — | ||
| 10 | Variations On A Rococo Theme, op. 33, TH.57: Variazione V: Allegro moderato | — | ||
| 11 | Variations On A Rococo Theme, op. 33, TH.57: Cadenza | — | ||
| 12 | Variations On A Rococo Theme, op. 33, TH.57: Variazione VI: Andante | — | ||
| 13 | Variations On A Rococo Theme, op. 33, TH.57: Variazione VII e Coda: Allegro vivo | — | ||
| 2-1 | Concerto for Cello and Orchestra in B minor, op. 104: III. Finale - Allegro moderato | Mstislav Rostropovich, Orquesta Filarmónica de Berlín, Herbert von Karajan | — | |
| 2-2 | Concerto for Cello and Orchestra in B minor, op. 104: III. Finale - Allegro moderato | Mstislav Rostropovich, Orquesta Filarmónica de Berlín, Herbert von Karajan | — | |
| 2-3 | Concerto for Cello and Orchestra in B minor, op. 104: III. Finale - Allegro moderato | Mstislav Rostropovich, Orquesta Filarmónica de Berlín, Herbert von Karajan | — | |
| 2-4 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-5 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-6 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-7 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-8 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-9 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-10 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-11 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-12 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-1 | Chant du ménéstrel, op. 71 | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-2 | Cello Concerto no. 2 in G major, op. 126: I. Largo | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | T-005.005.728-7 | |
| 3-3 | Cello Concerto no. 2 in G major, op. 126: II. Allegretto | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-4 | Cello Concerto no. 2 in G major, op. 126: III. Allegretto | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | T-902.717.414-7 | |
| 4-1 | Cellokonzert Nr. 2: I. Allegro | Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher | — | |
| 4-2 | Cellokonzert Nr. 2: II. Adagio | Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher | T-802.445.410-3 | |
| 4-3 | Cellokonzert Nr. 2: III. Allegro | Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher | — | |
| 4-4 | Cello Concerto in C major, RV 398: I. (Allegro) | Martin Derungs, Mstislav Rostropovich, Alexandre Stein, Collegium Musicum Zürich, Paul Sacher | T-911.640.004-5 | |
| 4-5 | Cello Concerto in C major, RV 398: II. (Largo) | Martin Derungs, Mstislav Rostropovich, Alexandre Stein, Collegium Musicum Zürich, Paul Sacher | T-801.397.798-6 | |
| 4-6 | Cello Concerto in C major, RV 398: III. (Allegro) | Martin Derungs, Mstislav Rostropovich, Alexandre Stein, Collegium Musicum Zürich, Paul Sacher | T-902.717.414-7 | |
| 4-7 | Cello Concerto in A major: I. (Allegro) | Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher | — | |
| 4-8 | Cello Concerto in A major: II. (Larghetto) | Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher | — | |
| 4-9 | Cello Concerto in A major: III. (Allegro assai) | Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher | T-306.395.786-4 | |
| 4-10 | Cello Concerto in G, R.413: I. (Allegro) | Martin Derungs, Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher | T-911.640.004-5 | |
| 4-11 | Cello Concerto in G, R.413: II. (Largo) | Martin Derungs, Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher | T-911.640.005-6 | |
| 4-12 | Cello Concerto in G, R.413: III. (Allegro) | Martin Derungs, Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher | T-902.717.414-7 | |
| 5-1 | String Quintet in C major, D. 956: I. Allegro ma non troppo | — | ||
| 5-2 | String Quintet in C major, D. 956: II. Adagio | — | ||
| 5-3 | String Quintet in C major, D. 956: III. Scherzo (Presto): Trio (Andante sostenuto) | — | ||
| 5-4 | String Quintet in C major, D. 956: IV. Allegretto | — | ||
| 6-1 | Sonata for Piano and Violoncello in G minor, op. 65: I. Allegro moderato | Martha Argerich, Mstislav Rostropovich | T-902.781.050-0 | |
| 6-2 | Sonata for Piano and Violoncello in G minor, op. 65: II. Scherzo. Allegro con brio | Martha Argerich, Mstislav Rostropovich | — | |
| 6-3 | Sonata for Piano and Violoncello in G minor, op. 65: III. Largo | Martha Argerich, Mstislav Rostropovich | — | |
| 6-4 | Sonata for Piano and Violoncello in G minor, op. 65: IV. Finale. Allegro | Martha Argerich, Mstislav Rostropovich | T-318.676.528-2 | |
| 6-5 | Introduction and Polonaise, op. 3: Introduction. Lento: Alla Polacca. Allegro | — | ||
| 6-6 | Adagio And Allegro in A-flat major, op. 70, arr. Friedrich Grützmacher: Langsam, mit innigem Ausdruck: Rasch und feurig - Etwas ruhiger - Im ersten Tempo - Schneller | — | ||
| 7-1 | Cello Sonata No. 1 in E minor, Op. 38: I. Allegro non troppo | Mstislav Rostropovich, Rudolf Serkin | T-902.764.002-4 | |
| 7-2 | Cello Sonata No. 1 in E minor, Op. 38: II. Allegretto quasi Menuetto | Mstislav Rostropovich, Rudolf Serkin | — | |
| 7-3 | Cello Sonata No. 1 in E minor, Op. 38: III. Allegro | Mstislav Rostropovich, Rudolf Serkin | — | |
| 7-4 | Cello Sonata No. 2 in F major, Op. 99: I. Allegro vivace | Mstislav Rostropovich, Rudolf Serkin | — | |
| 7-5 | Cello Sonata No. 2 in F major, Op. 99: II. Adagio affettuoso | Mstislav Rostropovich, Rudolf Serkin | — | |
| 7-6 | Cello Sonata No. 2 in F major, Op. 99: III. Allegro passionato | Mstislav Rostropovich, Rudolf Serkin | — | |
| 7-7 | Cello Sonata No. 2 in F major, Op. 99: IV. Allegro molto | Mstislav Rostropovich, Rudolf Serkin | T-329.454.787-4 | |
| 8-1 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: I. Allegro con brio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 8-2 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: II. Andante | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 8-3 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: III. Menuetto. Allegretto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 8-4 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: IV. Adagio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 8-5 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: V. Menuetto. Moderato | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 8-6 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: VI. Finale. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-802.326.793-9 | |
| 8-7 | Serenade for Violin, Viola, and Cello in D major, op. 8: I. Marcia. Allegro - Adagio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-915.714.772-3 | |
| 8-8 | Serenade for Violin, Viola, and Cello in D major, op. 8: II. Menuetto. Allegretto - Trio - Coda | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-912.972.346-2 | |
| 8-9 | Serenade for Violin, Viola, and Cello in D major, op. 8: III. Adagio - Scherzo. Allegro molto - Adagio - Allegro molto - Adagio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 8-10 | Serenade for Violin, Viola, and Cello in D major, op. 8: IV. Allegretto alla Polacca | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 8-11 | Serenade for Violin, Viola, and Cello in D major, op. 8: V. Thema con Variazioni. Andante quasi allegretto - Var. I-IV - Marcia. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 9-1 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: I. Adagio - Allegro con brio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 9-2 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: II. Adagio, ma non tanto, e cantabile | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 9-3 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: III. Scherzo. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 9-4 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: IV. Presto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-312.542.381-2 | |
| 9-5 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: I. Allegretto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 9-6 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: II. Andante quasi allegretto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 9-7 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: III. Menuetto. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 9-8 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: IV. Rondo. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 9-9 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: I. Allegro con spirito | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 9-10 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: II. Adagio con espressione | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 9-11 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: III. Scherzo. Allegro molto e vivace | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 9-12 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: IV. Finale. Presto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 10-1 | String Quintet in C major, D. 956: I. Allegro ma non troppo | Mstislav Rostropovich, Emerson String Quartet | T-900.158.116-4 | |
| 10-2 | String Quintet in C major, D. 956: II. Adagio | Mstislav Rostropovich, Emerson String Quartet | T-802.445.410-3 | |
| 10-3 | String Quintet in C major, D. 956: III. Scherzo (Presto): Trio (Andante sostenuto) | Mstislav Rostropovich, Emerson String Quartet | — | |
| 10-4 | String Quintet in C major, D. 956: IV. Allegretto | Mstislav Rostropovich, Emerson String Quartet | T-003.055.867-8 | |
| 11-1 | Concert à quatre: I. Entrée | Catherine Cantin, Heinz Holliger, Yvonne Loriod, Mstislav Rostropovich, Orchestre de l’Opéra Bastille, Myung-Whun Chung | T-071.000.879-9 | |
| 11-2 | Concert à quatre: II. Vocalise | Catherine Cantin, Heinz Holliger, Yvonne Loriod, Mstislav Rostropovich, Orchestre de l’Opéra Bastille, Myung-Whun Chung | T-071.000.879-9 | |
| 11-3 | Concert à quatre: III. Cadenza | Catherine Cantin, Heinz Holliger, Yvonne Loriod, Mstislav Rostropovich, Orchestre de l’Opéra Bastille, Myung-Whun Chung | — | |
| 11-4 | Concert à quatre: IV. Rondeau | Catherine Cantin, Heinz Holliger, Yvonne Loriod, Mstislav Rostropovich, Orchestre de l’Opéra Bastille, Myung-Whun Chung | — | |
| 11-5 | Three Meditations for Cello and Orchestra: I. Lento assai, molto sostenuto | Mstislav Rostropovich, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 11-6 | Three Meditations for Cello and Orchestra II. Andante sostenuto / Variations I - IV / Coda | Mstislav Rostropovich, Israel Philharmonic Orchestra, Leonard Bernstein | T-918.652.779-7 | |
| 11-7 | Three Meditations for Cello and Orchestra: III. Presto / Fast and primitive / Molto adagio | Mstislav Rostropovich, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 12-1 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto – Allegro | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 12-2 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: II. Rondo. Allegro vivace | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 12-3 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: I. Andante – Allegro vivace | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 12-4 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: II. Adagio – Tempo d'andante – Allegro vivace | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 12-5 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 12-6 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 12-7 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: III. Allegro – Allegro fugato | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 13-1 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo – Allegro molto più tosto presto | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 13-2 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 13-3 | Sonata for Cello and Piano no. 3 in A major, op. 69: I. Allegro ma non tanto | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 13-4 | Sonata for Cello and Piano no. 3 in A major, op. 69: II. Scherzo. Allegro molto | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 13-5 | Sonata for Cello and Piano no. 3 in A major, op. 69: III. Adagio cantabile – Allegro vivace | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 14-1 | Sonata in C For Cello And Piano op. 65: I. Dialogo | — | ||
| 14-2 | Sonata in C For Cello And Piano op. 65: II. Scherzo: pizzicato | — | ||
| 14-3 | Sonata in C For Cello And Piano op. 65: III. Elegia | — | ||
| 14-4 | Sonata in C For Cello And Piano op. 65: IV. Marcia | — | ||
| 14-5 | Sonata in C For Cello And Piano op. 65: V. Moto perpetuo | — | ||
| 14-6 | Fünf Stücke im Volkston, op. 102: I. Mit Humor | Mstislav Rostropovich, Benjamin Britten | — | |
| 14-7 | Fünf Stücke im Volkston, op. 102: II. Langsam | Mstislav Rostropovich, Benjamin Britten | — | |
| 14-8 | Fünf Stücke im Volkston, op. 102: III. Nicht schnell | Mstislav Rostropovich, Benjamin Britten | — | |
| 14-9 | Fünf Stücke im Volkston, op. 102: IV. Nicht zu rasch | Mstislav Rostropovich, Benjamin Britten | — | |
| 14-10 | Fünf Stücke im Volkston, op. 102: V. Stark und markiert | Mstislav Rostropovich, Benjamin Britten | — | |
| 14-11 | Sonata for Cello and Piano: I. Prologue | Benjamin Britten, Mstislav Rostropovich | — | |
| 14-12 | Sonata for Cello and Piano: II. Sérénade | Benjamin Britten, Mstislav Rostropovich | — | |
| 14-13 | Sonata for Cello and Piano: III. Finale | Benjamin Britten, Mstislav Rostropovich | — | |
| 15-1 | Symphony for Cello and Orchestra, op. 68: Allegro maestoso | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | — | |
| 15-2 | Symphony for Cello and Orchestra, op. 68: Presto inquieto | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | — | |
| 15-3 | Symphony for Cello and Orchestra, op. 68: Adagio | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | T-005.002.559-6 | |
| 15-4 | Symphony for Cello and Orchestra, op. 68: Passacaglia | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | T-010.012.235-7 | |
| 15-5 | Cello Concerto in C, H.VIIb, no. 1: I. Moderato | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | T-902.685.630-4 | |
| 15-6 | Cello Concerto in C, H.VIIb, no. 1: II. Adagio | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | T-802.445.410-3 | |
| 15-7 | Cello Concerto in C, H.VIIb, no. 1: III. Finale. Allegro molto | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | T-902.717.414-7 | |
| 16-1 | Suite For Cello no. 1, op. 72: I. Canto primo (sostenuto e largamente) | — | ||
| 16-2 | Suite For Cello no. 1, op. 72: Fuga: Andante moderato | — | ||
| 16-3 | Suite For Cello no. 1, op. 72: Lamento: Lento rubato | — | ||
| 16-4 | Suite For Cello no. 1, op. 72: II. Canto secondo (Sostenuto) | — | ||
| 16-5 | Suite For Cello no. 1, op. 72: Serenata: Allegretto: pizzicato | — | ||
| 16-6 | Suite For Cello no. 1, op. 72: Marcia: Alla marcia moderato | — | ||
| 16-7 | Suite For Cello no. 1, op. 72: III. Canto terzo (Sostenuto) | — | ||
| 16-8 | Suite For Cello no. 1, op. 72: Bordone: Moderato quasi recitativo | — | ||
| 16-9 | Suite For Cello no. 1, op. 72: Moto perpetuo e canto quarto: Presto | — | ||
| 16-10 | Suite For Cello no. 2, op. 80: Declamato: Largo | — | ||
| 16-11 | Suite For Cello no. 2, op. 80: Fuga: Andante | — | ||
| 16-12 | Suite For Cello no. 2, op. 80: Scherzo: Allegro molto | — | ||
| 16-13 | Suite For Cello no. 2, op. 80: Andante lento | — | ||
| 16-14 | Suite For Cello no. 2, op. 80: Ciaconna: Allegro | — | ||
| 17-1 | Sonata for Arpeggione and Piano, D. 821: I. Allegro moderato | Mstislav Rostropovich, Benjamin Britten | — | |
| 17-2 | Sonata for Arpeggione and Piano, D. 821: II. Adagio | Mstislav Rostropovich, Benjamin Britten | T-802.445.410-3 | |
| 17-3 | Sonata for Arpeggione and Piano, D. 821: III. Allegretto | Mstislav Rostropovich, Benjamin Britten | T-312.439.096-7 | |
| 17-4 | Sonata For Cello And Piano: I. Allegro ben moderato | — | ||
| 17-5 | Sonata For Cello And Piano: II. Allegro ma non troppo: Molto allegro e agitato | — | ||
| 18-1 | Sonata in G minor for Cello & Piano, op. 19: I. Lento: Allegro moderato | — | ||
| 18-2 | Sonata in G minor for Cello & Piano, op. 19: II. Allegro scherzando | — | ||
| 18-3 | Sonata in G minor for Cello & Piano, op. 19: III. Andante | — | ||
| 18-4 | Sonata in G minor for Cello & Piano, op. 19: IV. Allegro mosso | — | ||
| 18-5 | Introduction and Polonaise, op. 3 | — | ||
| 18-6 | Vocalise, op. 34, no. 14: Arr. L. Rose | — | ||
| 18-7 | Impromptu in G-flat, D.899 no. 3: transcription for Cello and Piano by Heifetz/Rostropovich | — | ||
| 18-8 | Kinderszenen, op. 15, Cello and Piano: Träumerei | — | ||
| 19-1 | Piano Trio in G minor, H.XV no. 19: I. Andante: Presto | — | ||
| 19-2 | Piano Trio in G minor, H.XV no. 19: II. Adagio, ma non troppo | — | ||
| 19-3 | Piano Trio in G minor, H.XV no. 19: III. Presto | — | ||
| 19-4 | Piano Trio no. 8 in E‐flat major, WoO 38: I. Allegro moderato | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | — | |
| 19-5 | Piano Trio no. 8 in E‐flat major, WoO 38: II. Scherzo – Allegro ma non troppo | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | T-031.682.208-8 | |
| 19-6 | Piano Trio no. 8 in E‐flat major, WoO 38: III. Rondo – Allegretto | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | — | |
| 19-7 | Piano Trio no. 1 in D minor, op. 63: I. Mit Energie und Leidenschaft | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — | |
| 19-8 | Piano Trio no. 1 in D minor, op. 63: II. Lebhaft, doch nicht zu rasch | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — | |
| 19-9 | Piano Trio no. 1 in D minor, op. 63: III. Langsam, mit inniger Empfindung | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — | |
| 19-10 | Piano Trio no. 1 in D minor, op. 63: IV. Mit Feuer | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — | |
| 20-1 | Piano Trio in D, H.XV no. 16: I. Allegro | — | ||
| 20-2 | Piano Trio in D, H.XV no. 16: II. Andantino più tosto allegretto | — | ||
| 20-3 | Piano Trio in D, H.XV no. 16: III. Vivace assai | — | ||
| 20-4 | Piano Trio no. 7 in B-flat, op. 97 "Archduke": I. Allegro moderato | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — | |
| 20-5 | Piano Trio no. 7 in B-flat, op. 97 "Archduke": II. Scherzo (Allegro) | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — | |
| 20-6 | Piano Trio no. 7 in B-flat, op. 97 "Archduke": III. Andante cantabile, ma però con moto: Poco più adagio | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — | |
| 20-7 | Piano Trio no. 7 in B-flat, op. 97 "Archduke": IV. Allegro moderato | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — | |
| 21-1 | Piano Quartet no. 1 in C minor, op. 15: I. Allegro molto moderato | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — | |
| 21-2 | Piano Quartet no. 1 in C minor, op. 15: II. Scherzo – Allegro vivo | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — | |
| 21-3 | Piano Quartet no. 1 in C minor, op. 15: III. Adagio | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — | |
| 21-4 | Piano Quartet no. 1 in C minor, op. 15: IV. Allegro molto | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — | |
| 22-1 | String Quintet in C major, D. 956: I. Allegro ma non troppo | — | ||
| 22-2 | String Quintet in C major, D. 956: II. Adagio | — | ||
| 22-3 | String Quintet in C major, D. 956: III. Scherzo (Presto): Trio (Andante sostenuto) | — | ||
| 22-4 | String Quintet in C major, D. 956: IV. Allegretto | — | ||
| 23-1 | Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo | — | ||
| 23-2 | Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto | — | ||
| 23-3 | Cello Concerto no. 1 in A minor, op. 33: III. Tempo I: Un peu moins vite | — | ||
| 23-4 | Cello Concerto in A minor, op. 129: I. Nicht zu schnell | Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | T-312.439.202-1 | |
| 23-5 | Cello Concerto in A minor, op. 129: II. Langsam | Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | — | |
| 23-6 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | — | |
| 23-7 | Chant du Ménestrel, op. 71 | — | ||
| 24-1 | Introduction and Polonaise, op. 3: Introduction. Lento: Alla Polacca. Allegro | — | ||
| 24-2 | Goyescas (Opera): Intermezzo | — | ||
| 24-3 | Prince Igor, Act 1: no. 3 Dance of the Polovtsian Maidens | — | ||
| 24-4 | Cinderella, op. 87: Adagio | — | ||
| 24-5 | Elfentanz, op. 39 | — | ||
| 24-6 | Stimmungsbilder, op. 9: II. An einsamer Quelle | Mstislav Rostropovich, Vladimir Yampolsky | — | |
| 24-7 | 5 Stücke Im Volkston, op. 102: IV. Nicht zu rasch | — | ||
| 24-8 | 5 Stücke Im Volkston, op. 102: I. Vanitas vanitatum (Mit Humor) | — | ||
| 24-9 | 5 Stücke Im Volkston, op. 102: III. Nicht schnell, mit viel Ton zu spielen | — | ||
| 24-10 | Te Deum in D, "Dettingen", HWV 283: 1VII. Vouchsafe, O Lord! | — | ||
| 24-11 | Moto perpetuo, op. 11 | — | ||
| 25-1 | Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | — | |
| 25-2 | Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | — | |
| 25-3 | Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | — | |
| 25-4 | Konzert für Klavier und Orchester Nr. 2 f-Moll, op. 21: I. Maestoso | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovich | T-309.554.584-5 | |
| 25-5 | Konzert für Klavier und Orchester Nr. 2 f-Moll, op. 21: II. Larghetto | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovich | — | |
| 25-6 | Konzert für Klavier und Orchester Nr. 2 f-Moll, op. 21: III. Allegro vivace | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovich | T-902.804.388-1 | |
| 26-1 | Dornröschen, Op. 66a (Suite aus dem Ballett Op. 66): V. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 26-2 | Dornröschen, Op. 66a (Suite aus dem Ballett Op. 66): V. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 26-3 | Dornröschen, Op. 66a (Suite aus dem Ballett Op. 66): V. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 26-4 | Dornröschen, Op. 66a (Suite aus dem Ballett Op. 66): V. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 26-5 | Dornröschen, Op. 66a (Suite aus dem Ballett Op. 66): V. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 26-6 | Der Schwanensee (Suite aus dem Ballett Op. 20): II. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 26-7 | Der Schwanensee (Suite aus dem Ballett Op. 20): II. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 26-8 | Der Schwanensee (Suite aus dem Ballett Op. 20): II. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 26-9 | Der Schwanensee (Suite aus dem Ballett Op. 20): II. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 26-10 | Der Schwanensee (Suite aus dem Ballett Op. 20): II. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 26-11 | Der Schwanensee (Suite aus dem Ballett Op. 20): II. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 27-1 | Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): II. Danses caractéristiques: a. Marche | Berliner Philharmoniker, Mstislav Rostropovich | T-304.210.691-8 | |
| 27-7 | Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): II. Danses caractéristiques: f. Danse des mirlitons | Berliner Philharmoniker, Mstislav Rostropovich | T-900.140.239-7 | |
| 27-9 | String Quartet no. 1 in D major, op. 11, TH.111, Orchestral Version: II. Andante cantabile | — | ||
| 27-10 | Capriccio italien, op. 45, TH.47 | — | ||
| 28-1 | Symphony no. 5 in D minor, op. 47: I. Moderato | National Symphony Orchestra, Mstislav Rostropovich | — | |
| 28-2 | Symphony no. 5 in D minor, op. 47: I. Moderato | National Symphony Orchestra, Mstislav Rostropovich | — | |
| 28-3 | Symphony no. 5 in D minor, op. 47: I. Moderato | National Symphony Orchestra, Mstislav Rostropovich | — | |
| 28-4 | Symphony no. 5 in D minor, op. 47: I. Moderato | National Symphony Orchestra, Mstislav Rostropovich | — | |
| 29-1 | Romeo and Juliet, Suite No. 1 for Large Orchestra: I. Folk Dance: Allegro Giocoso | National Symphony Orchestra, Mstislav Rostropovich | T-003.506.743-6 | |
| 29-2 | Romeo and Juliet Suite no. 1 op. 64a: II. Scene: Allegretto | National Symphony Orchestra, Mstislav Rostropovich | T-905.851.368-1 | |
| 29-3 | Romeo and Juliet, Suite No. 1 for Large Orchestra: III. Madrigal: Andante tenero - Andante assai | National Symphony Orchestra, Mstislav Rostropovich | T-003.506.743-6 | |
| 29-4 | Romeo and Juliet Suite no. 1 op. 64a: IV. Menuet: Assai moderato | National Symphony Orchestra, Mstislav Rostropovich | — | |
| 29-5 | Romeo and Juliet Suite no. 1 op. 64a: V. Masks: Andante marciale | National Symphony Orchestra, Mstislav Rostropovich | T-003.506.743-6 | |
| 29-6 | Romeo and Juliet, Suite No. 1 for Large Orchestra: VI. Romeo and Juliet: Larghetto - Andante | National Symphony Orchestra, Mstislav Rostropovich | T-003.506.743-6 | |
| 29-7 | Romeo and Juliet, Suite No. 1 for Large Orchestra: VII. Death of Tybalt: Precipitato - Presto - Adagio drammatico | National Symphony Orchestra, Mstislav Rostropovich | T-003.506.743-6 | |
| 29-8 | Romeo And Juliet, Ballet Suite, op. 64a, no. 2: I. The Montagues and the Capulets | — | ||
| 29-9 | Romeo And Juliet, Ballet Suite, op. 64a, no. 2: II. Juliet: The Little Girl | — | ||
| 29-10 | Romeo And Juliet, Ballet Suite, op. 64a, no. 2: III. Friar Laurence | — | ||
| 29-11 | Romeo And Juliet, Ballet Suite, op. 64a, no. 2: IV. Dance | — | ||
| 29-12 | Romeo And Juliet, Ballet Suite, op. 64a, no. 2: V. Romeo and Juliet Before Parting | — | ||
| 29-13 | Romeo And Juliet, Ballet Suite, op. 64a, no. 2: VI. Dance of the Maids from the Antilles | — | ||
| 29-14 | Romeo And Juliet, Ballet Suite, op. 64a, no. 2: VII. Romeo at Juliet's Grave | — | ||
| 30-1 | PIANO CONCERTO NO.3 IN D MINOR, OP.30: 1. ALLEGRO MA NON TANTO | Mstislav Rostropovich, Russian National Orchestra, Mikhail Pletnev | — | |
| 30-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo (Adagio) | — | ||
| 30-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale (Alla breve) | — | ||
| 30-4 | Piano Concerto no. 3 in C major, op. 26: I. Andante: Allegro | — | ||
| 30-5 | Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni | — | ||
| 30-6 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | — | ||
| 31-1 | Tosca: Act 1: "Ah! Finalmente!" | — | ||
| 31-2 | Tosca: Act 1: "Dammi i colori!": "Recondita armonia" | — | ||
| 31-3 | Tosca: Act 1: "Gente là dentro!" | — | ||
| 31-4 | Tosca: Act 1: "Mario! Mario! Mario!" | — | ||
| 31-5 | Tosca: Act 1: "Ah, quegli occhi...": "Qual occhio al mondo può star di paro" | — | ||
| 31-6 | Tosca: Act 1: "E buona la mia Tosca": "Siam soli?" | — | ||
| 31-7 | Tosca: Act 1: "Un tal baccano in chiesa! Bel rispetto!" | — | ||
| 31-8 | Tosca: Act 1: Tosca? Che non mi veda | — | ||
| 31-9 | Tosca: Act 1: "Ed io venivo a lui tutta dogliosa" | — | ||
| 31-10 | Tosca: Act 1: "Tre sbirri... Una carrozza...Presto": Te Deum | — | ||
| 32-1 | Tosca: Act 2: "Tosca è un buon falco!" | — | ||
| 32-2 | Tosca: Act 2: Ha più forte sapore (Scarpia, Sciarrone, Spoletta) | — | ||
| 32-3 | Tosca: Act 2: "Meno male!": "Egli è là" | — | ||
| 32-4 | Tosca: Act 2: "Ov'è Angelotti?" | — | ||
| 32-5 | Tosca: Act 2: "Ed or fra noi parliam da buoni amici" | — | ||
| 32-6 | Tosca: Act 2: "Sciarrone: che dice il cavalier?" | — | ||
| 32-7 | Tosca: Act 2: "Orsù, Tosca, parlate": "Non so nulla!" (Scarpia, Tosca, Cavaradossi, Spoletta) | — | ||
| 32-8 | Tosca: Act 2: Nel pozzo, nel giardino! (Tosca, Scarpia, Sciarrone, Cavaradossi) | — | ||
| 32-9 | Tosca: Act 2: Nel pozzo del giardino! Va, Spoletta! | — | ||
| 32-10 | Tosca: Act 2: "Se la giurata fede" | — | ||
| 32-11 | Tosca: Act 2: "Vissi d'arte, vissi d'amore" | — | ||
| 32-12 | Tosca: Act 2: "Vedi, le man giunte" | — | ||
| 32-13 | Tosca: Act 2: "E qual via scegliete?" | — | ||
| 32-14 | Tosca: Act 3: "Io de´ sospiri" | — | ||
| 32-15 | Tosca: Act 3: "Mario Cavaradossi?": "A voi" | — | ||
| 32-16 | Tosca: Act 3: "E lucevan le stelle" | — | ||
| 32-17 | Tosca: Act 3: "Franchigia a Floria Tosca" | — | ||
| 32-18 | Tosca: Act 3: "O dolci mani" | — | ||
| 32-19 | Tosca: Act 3: E non giungono (Tosca, Cavaradossi, Carceriere) | — | ||
| 32-20 | Tosca: Act 3: "Come è lunga l'attesa!" | — | ||
| 32-21 | Tosca: Act 3: "Presto, su! Mario!" | — | ||
| 33-1 | Pique Dame, op. 68, TH.10: Overture | — | ||
| 33-2 | Pique Dame, op. 68, TH.10: Act 1: "Gori, gori yasno" | — | ||
| 33-3 | Pique Dame, op. 68, TH.10: Act 1: "Chem konchilas vchera igra?" | — | ||
| 33-4 | Pique Dame, op. 68, TH.10: Act 1: "Ya imeni yeyo ne znayu" | — | ||
| 33-5 | Pique Dame, op. 68, TH.10: Act 1: "Nakonets-to Bog": "A ty uveren" - "Schastlivy den" - "Skazhi, na kom ty zhenishsya?" | — | ||
| 33-6 | Pique Dame, op. 68, TH.10: Act 1: "Mne strashno!": "Grafinya!" | — | ||
| 33-7 | Pique Dame, op. 68, TH.10: Act 1: "Kakaya vedma" | — | ||
| 33-8 | Pique Dame, op. 68, TH.10: Act 1: "Odnazhdy v Versalye" | — | ||
| 33-9 | Pique Dame, op. 68, TH.10: Act 1: "Se non è vero": "Kak bystro groza nastupila" - "Po- luchish smertelny udar ty" | — | ||
| 33-10 | Pique Dame, op. 68, TH.10: Act 1: "Uzh vecher" | — | ||
| 33-11 | Pique Dame, op. 68, TH.10: Act 1: "Obvorozhitelno!" | — | ||
| 33-12 | Pique Dame, op. 68, TH.10: Act 1: "Da, vspomnilna... Podrugi milie" | — | ||
| 33-13 | Pique Dame, op. 68, TH.10: Act 1: "Nu-ka, svetik Mashenka" | — | ||
| 33-14 | Pique Dame, op. 68, TH.10: Act 1: "Mesdemoiselles" | — | ||
| 33-15 | Pique Dame, op. 68, TH.10: Act 1: "Pora uzh raskhoditsya" | — | ||
| 33-16 | Pique Dame, op. 68, TH.10: Act 1: "Ne nado zatvorit" | — | ||
| 33-17 | Pique Dame, op. 68, TH.10: Act 1: Otkuda eti slyozy | — | ||
| 33-18 | Pique Dame, op. 68, TH.10: Act 1: "Ostanovites" | — | ||
| 33-19 | Pique Dame, op. 68, TH.10: Act 1: "Prosti, prelestnoe sozdanye" | — | ||
| 33-20 | Pique Dame, op. 68, TH.10: Act 1: "Liza, otvori!" | — | ||
| 33-21 | Pique Dame, op. 68, TH.10: Act 1: "O poshchadi menya!" | — | ||
| 34-1 | Pique Dame, op. 68, TH.10: Act 2: "Radostno, veselo v den sei" | — | ||
| 34-2 | Pique Dame, op. 68, TH.10: Act 2: "Khozyain prosit dorogikh" | — | ||
| 34-3 | Pique Dame, op. 68, TH.10: Act 2: "Vy tak pechalny" | — | ||
| 34-4 | Pique Dame, op. 68, TH.10: Act 2: "Ya vas lyublyu" | — | ||
| 34-5 | Pique Dame, op. 68, TH.10: Act 2: "Posle predstavleniya": "Ne ty li etot trety" | — | ||
| 34-6 | Pique Dame, op. 68, TH.10: Act 2: "Pod tenyu gustoyu" | — | ||
| 34-7 | Pique Dame, op. 68, TH.10: Act 2: Dance of the Shepherds and Shepherdesses | — | ||
| 34-8 | Pique Dame, op. 68, TH.10: Act 2: "Moi milenki druzhok" | — | ||
| 34-9 | Pique Dame, op. 68, TH.10: Act 2: "Kak ty mila" | — | ||
| 34-10 | Pique Dame, op. 68, TH.10: Act 2: "Kto pylko i strastno lyubya!": "Tsaritsa! Yega Veli- chestvo!" | — | ||
| 34-11 | Pique Dame, op. 68, TH.10: Act 2: "Vsyo tak, kakmne ona skazala" | — | ||
| 34-12 | Pique Dame, op. 68, TH.10: Act 2: "Shagi! syuda idut": "Blagodetelnitsa nasha" | — | ||
| 34-13 | Pique Dame, op. 68, TH.10: Act 2: "Akh, postyl mne etot svet!" | — | ||
| 34-14 | Pique Dame, op. 68, TH.10: Act 2: "Je crains de lui parler la nuit" | — | ||
| 34-15 | Pique Dame, op. 68, TH.10: Act 2: "Ne pugaites!" | — | ||
| 34-16 | Pique Dame, op. 68, TH.10: Act 2: "Yesli kogda nibud" | — | ||
| 34-17 | Pique Dame, op. 68, TH.10: Act 2: "Chto zdes za shum?" | — | ||
| 35-1 | Pique Dame, op. 68, TH.10: Act 3: Entr'acte | — | ||
| 35-2 | Pique Dame, op. 68, TH.10: Act 3: "Ya neveryu chtoby": "Gospodu molyusya ya" - "Vsyo tezhe dumy" - "Strashno! strashno!" | — | ||
| 35-3 | Pique Dame, op. 68, TH.10: Act 3: "Ya prishla k tebe" | — | ||
| 35-4 | Pique Dame, op. 68, TH.10: Act 3: "Uzh polnoch blizitsya" | — | ||
| 35-5 | Pique Dame, op. 68, TH.10: Act 3: "Akh! istomilas ya gorem" | — | ||
| 35-6 | Pique Dame, op. 68, TH.10: Act 3: "A yesli mne otvet" | — | ||
| 35-7 | Pique Dame, op. 68, TH.10: Act 3: "O da, minovali stradanya" | — | ||
| 35-8 | Pique Dame, op. 68, TH.10: Act 3: "Budem pit i veselitsya": "Dana!" | — | ||
| 35-9 | Pique Dame, op. 68, TH.10: Act 3: "Yeslib miliya devitsy" | — | ||
| 35-10 | Pique Dame, op. 68, TH.10: Act 3: "Tak v nenastnye dni" | — | ||
| 35-11 | Pique Dame, op. 68, TH.10: Act 3: "Za dela, gospoda" | — | ||
| 35-12 | Pique Dame, op. 68, TH.10: Act 3: "Chto nasha zhizn?" | — | ||
| 35-13 | Pique Dame, op. 68, TH.10: Act 3: Idyot yeshcho? | — | ||
| 35-14 | Pique Dame, op. 68, TH.10: Act 3: "Knyaz! knyaz, prosti menya!" | — | ||
| 35-15 | Pique Dame, op. 68, TH.10: Act 3: "Gospod! Prosti yemu!" | — | ||
| 36-1 | 15 Romances, op. 26: 1II. Noch? pechal?na | — | ||
| 36-2 | 6 Romances, op. 4, 6 romansov, Op.4: IV. Ne poy, krasavitsa, pri mne | — | ||
| 36-3 | 14 Romances, op. 34, 14 romansov, Op.34: VIII. Muzyka | — | ||
| 36-4 | 12 Romances, op. 14, 12 romansov, Op.14: 1I. Vesenniye vody | — | ||
| 36-5 | Vocalise, op. 34, no. 14 | — | ||
| 36-6 | Somneniye (Doubt) | — | ||
| 36-7 | I remember the wonderful moment [Ya pommyu chudnoye mgnovene]: (A. Pushkin) | — | ||
| 36-8 | Kak sladko s toboju mne byt' (How sweet to be with you) | — | ||
| 36-9 | "K nej" | — | ||
| 36-10 | First Occur "Only I avowed you" (1835) | — | ||
| 36-11 | Venetian Night (1832) | — | ||
| 36-12 | Cycle "Farewell" (1840): no. 10 The Lark | — | ||
| 36-13 | Cycle "Farewell" (1840): no. 8 Barcarole | — | ||
| 37-1 | Songs And Dances Of Death: I. Lullaby | — | ||
| 37-2 | Songs And Dances Of Death: II. Serenade | — | ||
| 37-3 | Songs And Dances Of Death: III. Trepak | — | ||
| 37-4 | Songs And Dances Of Death: IV. The Field Marshal | — | ||
| 37-5 | None But The Lonely Heart, op. 6, no. 6 (Nyet, tolko tot, kto znal) | — | ||
| 37-6 | Not A Word, My Friend, op. 6, no. 2 (Ni slova o drug moy) | — | ||
| 37-7 | Do Not Believe, My Friend, op. 6, no. 1 (Nye vyer, moy drug) | — | ||
| 37-8 | Five Poems Of Anna Akhmatova: I. Sunlight Filled The Room | — | ||
| 37-9 | Five Poems Of Anna Akhmatova: II. True Tenderness | — | ||
| 37-10 | Five Poems Of Anna Akhmatova: III. Memories Of Sunlight | — | ||
| 37-11 | Five Poems Of Anna Akhmatova: IV. Greetings! | — | ||
| 37-12 | Five Poems Of Anna Akhmatova: V. The Grey-eyed King | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Cello and Orchestra in B minor, op. 104: I. Allegro | Mstislav Rostropovich, Orquesta Filarmónica de Berlín, Herbert von Karajan | — |
| Concerto for Cello and Orchestra in B minor, op. 104: II. Adagio ma non troppo | Mstislav Rostropovich, Orquesta Filarmónica de Berlín, Herbert von Karajan | — |
| Concerto for Cello and Orchestra in B minor, op. 104: III. Finale - Allegro moderato | Mstislav Rostropovich, Orquesta Filarmónica de Berlín, Herbert von Karajan | — |
| Variations on a Rococo Theme, op. 33: Moderato quasi andante | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — |
| Variations on a Rococo Theme, op. 33: Tema. Moderato semplice | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — |
| Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation I. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — |
| Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — |
| Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation III. Andante sostenuto | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — |
| Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation IV. Andante grazioso | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — |
| Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation V. Allegro moderato | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — |
| Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation VI. Andante | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — |
| Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation VII. Allegro vivo | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — |
| Concerto for Piano and Orchestra in A minor, Op. 54: I. Allegro affettuoso | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | T-909.264.262-1 |
| Concerto for Piano and Orchestra in A minor, Op. 54: II. Intermezzo. Andantino - attacca: | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | T-909.264.262-1 |
| Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | T-909.264.262-1 |
| Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): I. Ouverture miniature | Berliner Philharmoniker, Mstislav Rostropovich | T-312.199.363-9 |
| Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): II. Danses caractéristiques: b. Danse de la Fée-Dragée | Berliner Philharmoniker, Mstislav Rostropovich | — |
| Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): II. Danses caractéristiques: c. Danse russe Trépak | Berliner Philharmoniker, Mstislav Rostropovich | T-919.248.671-8 |
| Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): II. Danses caractéristiques: d. Danse arabe | Berliner Philharmoniker, Mstislav Rostropovich | T-312.199.363-9 |
| Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): II. Danses caractéristiques: e. Danse chinoise | Berliner Philharmoniker, Mstislav Rostropovich | T-312.199.363-9 |
| The Nutcracker: Waltz of the Flowers | Berliner Philharmoniker, Mstislav Rostropovich | T-312.199.363-9 |
| Symphony no. 5 in D minor, op. 47: I. Moderato | National Symphony Orchestra, Mstislav Rostropovich | T-902.685.630-4 |
| Symphony no. 5 in D minor, op. 47: II. Allegretto | National Symphony Orchestra, Mstislav Rostropovich | T-902.876.200-7 |
| Symphony no. 5 in D minor, op. 47: III. Largo | National Symphony Orchestra, Mstislav Rostropovich | T-902.876.200-7 |
| Symphony no. 5 in D minor, op. 47: IV: Allegro non troppo | National Symphony Orchestra, Mstislav Rostropovich | T-902.876.200-7 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
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Identifier Graph
028947967897 is a Universal Product Code (UPC) assigned to Complete Recordings on Deutsche Grammophon by Mstislav Rostropovich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 348 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947967897 is the Universal Product Code (UPC barcode) for the release “Complete Recordings on Deutsche Grammophon” by Mstislav Rostropovich, released 2017-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 348 tracks, each with its own ISRC. Tracks include DEF056001210, DEF056001210, DEF056001210.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | — | |
| 2 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | — | |
| 3 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | — | |
| 4 | Variations On A Rococo Theme, op. 33, TH.57: Moderato assai quasi andante | — | ||
| 5 | Variations On A Rococo Theme, op. 33, TH.57: Tema: Moderato semplice | — | ||
| 6 | Variations On A Rococo Theme, op. 33, TH.57: Variazione I: Tempo del Tema | — | ||
| 7 | Variations On A Rococo Theme, op. 33, TH.57: Variazione II: Tempo del Tema | — | ||
| 8 | Variations On A Rococo Theme, op. 33, TH.57: Variazione III: Andante sostenuto | — | ||
| 9 | Variations On A Rococo Theme, op. 33, TH.57: Variazione IV: Andante grazioso | — | ||
| 10 | Variations On A Rococo Theme, op. 33, TH.57: Variazione V: Allegro moderato | — | ||
| 11 | Variations On A Rococo Theme, op. 33, TH.57: Cadenza | — | ||
| 12 | Variations On A Rococo Theme, op. 33, TH.57: Variazione VI: Andante | — | ||
| 13 | Variations On A Rococo Theme, op. 33, TH.57: Variazione VII e Coda: Allegro vivo | — | ||
| 2-1 | Concerto for Cello and Orchestra in B minor, op. 104: III. Finale - Allegro moderato | Mstislav Rostropovich, Orquesta Filarmónica de Berlín, Herbert von Karajan | — | |
| 2-2 | Concerto for Cello and Orchestra in B minor, op. 104: III. Finale - Allegro moderato | Mstislav Rostropovich, Orquesta Filarmónica de Berlín, Herbert von Karajan | — | |
| 2-3 | Concerto for Cello and Orchestra in B minor, op. 104: III. Finale - Allegro moderato | Mstislav Rostropovich, Orquesta Filarmónica de Berlín, Herbert von Karajan | — | |
| 2-4 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-5 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-6 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-7 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-8 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-9 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-10 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-11 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-12 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-1 | Chant du ménéstrel, op. 71 | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-2 | Cello Concerto no. 2 in G major, op. 126: I. Largo | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | T-005.005.728-7 | |
| 3-3 | Cello Concerto no. 2 in G major, op. 126: II. Allegretto | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-4 | Cello Concerto no. 2 in G major, op. 126: III. Allegretto | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | T-902.717.414-7 | |
| 4-1 | Cellokonzert Nr. 2: I. Allegro | Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher | — | |
| 4-2 | Cellokonzert Nr. 2: II. Adagio | Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher | T-802.445.410-3 | |
| 4-3 | Cellokonzert Nr. 2: III. Allegro | Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher | — | |
| 4-4 | Cello Concerto in C major, RV 398: I. (Allegro) | Martin Derungs, Mstislav Rostropovich, Alexandre Stein, Collegium Musicum Zürich, Paul Sacher | T-911.640.004-5 | |
| 4-5 | Cello Concerto in C major, RV 398: II. (Largo) | Martin Derungs, Mstislav Rostropovich, Alexandre Stein, Collegium Musicum Zürich, Paul Sacher | T-801.397.798-6 | |
| 4-6 | Cello Concerto in C major, RV 398: III. (Allegro) | Martin Derungs, Mstislav Rostropovich, Alexandre Stein, Collegium Musicum Zürich, Paul Sacher | T-902.717.414-7 | |
| 4-7 | Cello Concerto in A major: I. (Allegro) | Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher | — | |
| 4-8 | Cello Concerto in A major: II. (Larghetto) | Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher | — | |
| 4-9 | Cello Concerto in A major: III. (Allegro assai) | Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher | T-306.395.786-4 | |
| 4-10 | Cello Concerto in G, R.413: I. (Allegro) | Martin Derungs, Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher | T-911.640.004-5 | |
| 4-11 | Cello Concerto in G, R.413: II. (Largo) | Martin Derungs, Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher | T-911.640.005-6 | |
| 4-12 | Cello Concerto in G, R.413: III. (Allegro) | Martin Derungs, Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher | T-902.717.414-7 | |
| 5-1 | String Quintet in C major, D. 956: I. Allegro ma non troppo | — | ||
| 5-2 | String Quintet in C major, D. 956: II. Adagio | — | ||
| 5-3 | String Quintet in C major, D. 956: III. Scherzo (Presto): Trio (Andante sostenuto) | — | ||
| 5-4 | String Quintet in C major, D. 956: IV. Allegretto | — | ||
| 6-1 | Sonata for Piano and Violoncello in G minor, op. 65: I. Allegro moderato | Martha Argerich, Mstislav Rostropovich | T-902.781.050-0 | |
| 6-2 | Sonata for Piano and Violoncello in G minor, op. 65: II. Scherzo. Allegro con brio | Martha Argerich, Mstislav Rostropovich | — | |
| 6-3 | Sonata for Piano and Violoncello in G minor, op. 65: III. Largo | Martha Argerich, Mstislav Rostropovich | — | |
| 6-4 | Sonata for Piano and Violoncello in G minor, op. 65: IV. Finale. Allegro | Martha Argerich, Mstislav Rostropovich | T-318.676.528-2 | |
| 6-5 | Introduction and Polonaise, op. 3: Introduction. Lento: Alla Polacca. Allegro | — | ||
| 6-6 | Adagio And Allegro in A-flat major, op. 70, arr. Friedrich Grützmacher: Langsam, mit innigem Ausdruck: Rasch und feurig - Etwas ruhiger - Im ersten Tempo - Schneller | — | ||
| 7-1 | Cello Sonata No. 1 in E minor, Op. 38: I. Allegro non troppo | Mstislav Rostropovich, Rudolf Serkin | T-902.764.002-4 | |
| 7-2 | Cello Sonata No. 1 in E minor, Op. 38: II. Allegretto quasi Menuetto | Mstislav Rostropovich, Rudolf Serkin | — | |
| 7-3 | Cello Sonata No. 1 in E minor, Op. 38: III. Allegro | Mstislav Rostropovich, Rudolf Serkin | — | |
| 7-4 | Cello Sonata No. 2 in F major, Op. 99: I. Allegro vivace | Mstislav Rostropovich, Rudolf Serkin | — | |
| 7-5 | Cello Sonata No. 2 in F major, Op. 99: II. Adagio affettuoso | Mstislav Rostropovich, Rudolf Serkin | — | |
| 7-6 | Cello Sonata No. 2 in F major, Op. 99: III. Allegro passionato | Mstislav Rostropovich, Rudolf Serkin | — | |
| 7-7 | Cello Sonata No. 2 in F major, Op. 99: IV. Allegro molto | Mstislav Rostropovich, Rudolf Serkin | T-329.454.787-4 | |
| 8-1 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: I. Allegro con brio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 8-2 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: II. Andante | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 8-3 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: III. Menuetto. Allegretto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 8-4 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: IV. Adagio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 8-5 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: V. Menuetto. Moderato | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 8-6 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: VI. Finale. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-802.326.793-9 | |
| 8-7 | Serenade for Violin, Viola, and Cello in D major, op. 8: I. Marcia. Allegro - Adagio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-915.714.772-3 | |
| 8-8 | Serenade for Violin, Viola, and Cello in D major, op. 8: II. Menuetto. Allegretto - Trio - Coda | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-912.972.346-2 | |
| 8-9 | Serenade for Violin, Viola, and Cello in D major, op. 8: III. Adagio - Scherzo. Allegro molto - Adagio - Allegro molto - Adagio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 8-10 | Serenade for Violin, Viola, and Cello in D major, op. 8: IV. Allegretto alla Polacca | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 8-11 | Serenade for Violin, Viola, and Cello in D major, op. 8: V. Thema con Variazioni. Andante quasi allegretto - Var. I-IV - Marcia. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 9-1 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: I. Adagio - Allegro con brio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 9-2 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: II. Adagio, ma non tanto, e cantabile | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 9-3 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: III. Scherzo. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 9-4 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: IV. Presto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-312.542.381-2 | |
| 9-5 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: I. Allegretto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 9-6 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: II. Andante quasi allegretto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 9-7 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: III. Menuetto. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 9-8 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: IV. Rondo. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 9-9 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: I. Allegro con spirito | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 9-10 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: II. Adagio con espressione | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 9-11 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: III. Scherzo. Allegro molto e vivace | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 9-12 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: IV. Finale. Presto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 10-1 | String Quintet in C major, D. 956: I. Allegro ma non troppo | Mstislav Rostropovich, Emerson String Quartet | T-900.158.116-4 | |
| 10-2 | String Quintet in C major, D. 956: II. Adagio | Mstislav Rostropovich, Emerson String Quartet | T-802.445.410-3 | |
| 10-3 | String Quintet in C major, D. 956: III. Scherzo (Presto): Trio (Andante sostenuto) | Mstislav Rostropovich, Emerson String Quartet | — | |
| 10-4 | String Quintet in C major, D. 956: IV. Allegretto | Mstislav Rostropovich, Emerson String Quartet | T-003.055.867-8 | |
| 11-1 | Concert à quatre: I. Entrée | Catherine Cantin, Heinz Holliger, Yvonne Loriod, Mstislav Rostropovich, Orchestre de l’Opéra Bastille, Myung-Whun Chung | T-071.000.879-9 | |
| 11-2 | Concert à quatre: II. Vocalise | Catherine Cantin, Heinz Holliger, Yvonne Loriod, Mstislav Rostropovich, Orchestre de l’Opéra Bastille, Myung-Whun Chung | T-071.000.879-9 | |
| 11-3 | Concert à quatre: III. Cadenza | Catherine Cantin, Heinz Holliger, Yvonne Loriod, Mstislav Rostropovich, Orchestre de l’Opéra Bastille, Myung-Whun Chung | — | |
| 11-4 | Concert à quatre: IV. Rondeau | Catherine Cantin, Heinz Holliger, Yvonne Loriod, Mstislav Rostropovich, Orchestre de l’Opéra Bastille, Myung-Whun Chung | — | |
| 11-5 | Three Meditations for Cello and Orchestra: I. Lento assai, molto sostenuto | Mstislav Rostropovich, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 11-6 | Three Meditations for Cello and Orchestra II. Andante sostenuto / Variations I - IV / Coda | Mstislav Rostropovich, Israel Philharmonic Orchestra, Leonard Bernstein | T-918.652.779-7 | |
| 11-7 | Three Meditations for Cello and Orchestra: III. Presto / Fast and primitive / Molto adagio | Mstislav Rostropovich, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 12-1 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto – Allegro | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 12-2 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: II. Rondo. Allegro vivace | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 12-3 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: I. Andante – Allegro vivace | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 12-4 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: II. Adagio – Tempo d'andante – Allegro vivace | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 12-5 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 12-6 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 12-7 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: III. Allegro – Allegro fugato | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 13-1 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo – Allegro molto più tosto presto | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 13-2 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 13-3 | Sonata for Cello and Piano no. 3 in A major, op. 69: I. Allegro ma non tanto | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 13-4 | Sonata for Cello and Piano no. 3 in A major, op. 69: II. Scherzo. Allegro molto | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 13-5 | Sonata for Cello and Piano no. 3 in A major, op. 69: III. Adagio cantabile – Allegro vivace | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 14-1 | Sonata in C For Cello And Piano op. 65: I. Dialogo | — | ||
| 14-2 | Sonata in C For Cello And Piano op. 65: II. Scherzo: pizzicato | — | ||
| 14-3 | Sonata in C For Cello And Piano op. 65: III. Elegia | — | ||
| 14-4 | Sonata in C For Cello And Piano op. 65: IV. Marcia | — | ||
| 14-5 | Sonata in C For Cello And Piano op. 65: V. Moto perpetuo | — | ||
| 14-6 | Fünf Stücke im Volkston, op. 102: I. Mit Humor | Mstislav Rostropovich, Benjamin Britten | — | |
| 14-7 | Fünf Stücke im Volkston, op. 102: II. Langsam | Mstislav Rostropovich, Benjamin Britten | — | |
| 14-8 | Fünf Stücke im Volkston, op. 102: III. Nicht schnell | Mstislav Rostropovich, Benjamin Britten | — | |
| 14-9 | Fünf Stücke im Volkston, op. 102: IV. Nicht zu rasch | Mstislav Rostropovich, Benjamin Britten | — | |
| 14-10 | Fünf Stücke im Volkston, op. 102: V. Stark und markiert | Mstislav Rostropovich, Benjamin Britten | — | |
| 14-11 | Sonata for Cello and Piano: I. Prologue | Benjamin Britten, Mstislav Rostropovich | — | |
| 14-12 | Sonata for Cello and Piano: II. Sérénade | Benjamin Britten, Mstislav Rostropovich | — | |
| 14-13 | Sonata for Cello and Piano: III. Finale | Benjamin Britten, Mstislav Rostropovich | — | |
| 15-1 | Symphony for Cello and Orchestra, op. 68: Allegro maestoso | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | — | |
| 15-2 | Symphony for Cello and Orchestra, op. 68: Presto inquieto | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | — | |
| 15-3 | Symphony for Cello and Orchestra, op. 68: Adagio | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | T-005.002.559-6 | |
| 15-4 | Symphony for Cello and Orchestra, op. 68: Passacaglia | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | T-010.012.235-7 | |
| 15-5 | Cello Concerto in C, H.VIIb, no. 1: I. Moderato | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | T-902.685.630-4 | |
| 15-6 | Cello Concerto in C, H.VIIb, no. 1: II. Adagio | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | T-802.445.410-3 | |
| 15-7 | Cello Concerto in C, H.VIIb, no. 1: III. Finale. Allegro molto | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | T-902.717.414-7 | |
| 16-1 | Suite For Cello no. 1, op. 72: I. Canto primo (sostenuto e largamente) | — | ||
| 16-2 | Suite For Cello no. 1, op. 72: Fuga: Andante moderato | — | ||
| 16-3 | Suite For Cello no. 1, op. 72: Lamento: Lento rubato | — | ||
| 16-4 | Suite For Cello no. 1, op. 72: II. Canto secondo (Sostenuto) | — | ||
| 16-5 | Suite For Cello no. 1, op. 72: Serenata: Allegretto: pizzicato | — | ||
| 16-6 | Suite For Cello no. 1, op. 72: Marcia: Alla marcia moderato | — | ||
| 16-7 | Suite For Cello no. 1, op. 72: III. Canto terzo (Sostenuto) | — | ||
| 16-8 | Suite For Cello no. 1, op. 72: Bordone: Moderato quasi recitativo | — | ||
| 16-9 | Suite For Cello no. 1, op. 72: Moto perpetuo e canto quarto: Presto | — | ||
| 16-10 | Suite For Cello no. 2, op. 80: Declamato: Largo | — | ||
| 16-11 | Suite For Cello no. 2, op. 80: Fuga: Andante | — | ||
| 16-12 | Suite For Cello no. 2, op. 80: Scherzo: Allegro molto | — | ||
| 16-13 | Suite For Cello no. 2, op. 80: Andante lento | — | ||
| 16-14 | Suite For Cello no. 2, op. 80: Ciaconna: Allegro | — | ||
| 17-1 | Sonata for Arpeggione and Piano, D. 821: I. Allegro moderato | Mstislav Rostropovich, Benjamin Britten | — | |
| 17-2 | Sonata for Arpeggione and Piano, D. 821: II. Adagio | Mstislav Rostropovich, Benjamin Britten | T-802.445.410-3 | |
| 17-3 | Sonata for Arpeggione and Piano, D. 821: III. Allegretto | Mstislav Rostropovich, Benjamin Britten | T-312.439.096-7 | |
| 17-4 | Sonata For Cello And Piano: I. Allegro ben moderato | — | ||
| 17-5 | Sonata For Cello And Piano: II. Allegro ma non troppo: Molto allegro e agitato | — | ||
| 18-1 | Sonata in G minor for Cello & Piano, op. 19: I. Lento: Allegro moderato | — | ||
| 18-2 | Sonata in G minor for Cello & Piano, op. 19: II. Allegro scherzando | — | ||
| 18-3 | Sonata in G minor for Cello & Piano, op. 19: III. Andante | — | ||
| 18-4 | Sonata in G minor for Cello & Piano, op. 19: IV. Allegro mosso | — | ||
| 18-5 | Introduction and Polonaise, op. 3 | — | ||
| 18-6 | Vocalise, op. 34, no. 14: Arr. L. Rose | — | ||
| 18-7 | Impromptu in G-flat, D.899 no. 3: transcription for Cello and Piano by Heifetz/Rostropovich | — | ||
| 18-8 | Kinderszenen, op. 15, Cello and Piano: Träumerei | — | ||
| 19-1 | Piano Trio in G minor, H.XV no. 19: I. Andante: Presto | — | ||
| 19-2 | Piano Trio in G minor, H.XV no. 19: II. Adagio, ma non troppo | — | ||
| 19-3 | Piano Trio in G minor, H.XV no. 19: III. Presto | — | ||
| 19-4 | Piano Trio no. 8 in E‐flat major, WoO 38: I. Allegro moderato | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | — | |
| 19-5 | Piano Trio no. 8 in E‐flat major, WoO 38: II. Scherzo – Allegro ma non troppo | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | T-031.682.208-8 | |
| 19-6 | Piano Trio no. 8 in E‐flat major, WoO 38: III. Rondo – Allegretto | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | — | |
| 19-7 | Piano Trio no. 1 in D minor, op. 63: I. Mit Energie und Leidenschaft | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — | |
| 19-8 | Piano Trio no. 1 in D minor, op. 63: II. Lebhaft, doch nicht zu rasch | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — | |
| 19-9 | Piano Trio no. 1 in D minor, op. 63: III. Langsam, mit inniger Empfindung | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — | |
| 19-10 | Piano Trio no. 1 in D minor, op. 63: IV. Mit Feuer | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — | |
| 20-1 | Piano Trio in D, H.XV no. 16: I. Allegro | — | ||
| 20-2 | Piano Trio in D, H.XV no. 16: II. Andantino più tosto allegretto | — | ||
| 20-3 | Piano Trio in D, H.XV no. 16: III. Vivace assai | — | ||
| 20-4 | Piano Trio no. 7 in B-flat, op. 97 "Archduke": I. Allegro moderato | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — | |
| 20-5 | Piano Trio no. 7 in B-flat, op. 97 "Archduke": II. Scherzo (Allegro) | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — | |
| 20-6 | Piano Trio no. 7 in B-flat, op. 97 "Archduke": III. Andante cantabile, ma però con moto: Poco più adagio | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — | |
| 20-7 | Piano Trio no. 7 in B-flat, op. 97 "Archduke": IV. Allegro moderato | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — | |
| 21-1 | Piano Quartet no. 1 in C minor, op. 15: I. Allegro molto moderato | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — | |
| 21-2 | Piano Quartet no. 1 in C minor, op. 15: II. Scherzo – Allegro vivo | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — | |
| 21-3 | Piano Quartet no. 1 in C minor, op. 15: III. Adagio | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — | |
| 21-4 | Piano Quartet no. 1 in C minor, op. 15: IV. Allegro molto | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — | |
| 22-1 | String Quintet in C major, D. 956: I. Allegro ma non troppo | — | ||
| 22-2 | String Quintet in C major, D. 956: II. Adagio | — | ||
| 22-3 | String Quintet in C major, D. 956: III. Scherzo (Presto): Trio (Andante sostenuto) | — | ||
| 22-4 | String Quintet in C major, D. 956: IV. Allegretto | — | ||
| 23-1 | Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo | — | ||
| 23-2 | Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto | — | ||
| 23-3 | Cello Concerto no. 1 in A minor, op. 33: III. Tempo I: Un peu moins vite | — | ||
| 23-4 | Cello Concerto in A minor, op. 129: I. Nicht zu schnell | Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | T-312.439.202-1 | |
| 23-5 | Cello Concerto in A minor, op. 129: II. Langsam | Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | — | |
| 23-6 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | — | |
| 23-7 | Chant du Ménestrel, op. 71 | — | ||
| 24-1 | Introduction and Polonaise, op. 3: Introduction. Lento: Alla Polacca. Allegro | — | ||
| 24-2 | Goyescas (Opera): Intermezzo | — | ||
| 24-3 | Prince Igor, Act 1: no. 3 Dance of the Polovtsian Maidens | — | ||
| 24-4 | Cinderella, op. 87: Adagio | — | ||
| 24-5 | Elfentanz, op. 39 | — | ||
| 24-6 | Stimmungsbilder, op. 9: II. An einsamer Quelle | Mstislav Rostropovich, Vladimir Yampolsky | — | |
| 24-7 | 5 Stücke Im Volkston, op. 102: IV. Nicht zu rasch | — | ||
| 24-8 | 5 Stücke Im Volkston, op. 102: I. Vanitas vanitatum (Mit Humor) | — | ||
| 24-9 | 5 Stücke Im Volkston, op. 102: III. Nicht schnell, mit viel Ton zu spielen | — | ||
| 24-10 | Te Deum in D, "Dettingen", HWV 283: 1VII. Vouchsafe, O Lord! | — | ||
| 24-11 | Moto perpetuo, op. 11 | — | ||
| 25-1 | Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | — | |
| 25-2 | Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | — | |
| 25-3 | Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | — | |
| 25-4 | Konzert für Klavier und Orchester Nr. 2 f-Moll, op. 21: I. Maestoso | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovich | T-309.554.584-5 | |
| 25-5 | Konzert für Klavier und Orchester Nr. 2 f-Moll, op. 21: II. Larghetto | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovich | — | |
| 25-6 | Konzert für Klavier und Orchester Nr. 2 f-Moll, op. 21: III. Allegro vivace | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovich | T-902.804.388-1 | |
| 26-1 | Dornröschen, Op. 66a (Suite aus dem Ballett Op. 66): V. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 26-2 | Dornröschen, Op. 66a (Suite aus dem Ballett Op. 66): V. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 26-3 | Dornröschen, Op. 66a (Suite aus dem Ballett Op. 66): V. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 26-4 | Dornröschen, Op. 66a (Suite aus dem Ballett Op. 66): V. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 26-5 | Dornröschen, Op. 66a (Suite aus dem Ballett Op. 66): V. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 26-6 | Der Schwanensee (Suite aus dem Ballett Op. 20): II. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 26-7 | Der Schwanensee (Suite aus dem Ballett Op. 20): II. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 26-8 | Der Schwanensee (Suite aus dem Ballett Op. 20): II. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 26-9 | Der Schwanensee (Suite aus dem Ballett Op. 20): II. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 26-10 | Der Schwanensee (Suite aus dem Ballett Op. 20): II. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 26-11 | Der Schwanensee (Suite aus dem Ballett Op. 20): II. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 27-1 | Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): II. Danses caractéristiques: a. Marche | Berliner Philharmoniker, Mstislav Rostropovich | T-304.210.691-8 | |
| 27-7 | Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): II. Danses caractéristiques: f. Danse des mirlitons | Berliner Philharmoniker, Mstislav Rostropovich | T-900.140.239-7 | |
| 27-9 | String Quartet no. 1 in D major, op. 11, TH.111, Orchestral Version: II. Andante cantabile | — | ||
| 27-10 | Capriccio italien, op. 45, TH.47 | — | ||
| 28-1 | Symphony no. 5 in D minor, op. 47: I. Moderato | National Symphony Orchestra, Mstislav Rostropovich | — | |
| 28-2 | Symphony no. 5 in D minor, op. 47: I. Moderato | National Symphony Orchestra, Mstislav Rostropovich | — | |
| 28-3 | Symphony no. 5 in D minor, op. 47: I. Moderato | National Symphony Orchestra, Mstislav Rostropovich | — | |
| 28-4 | Symphony no. 5 in D minor, op. 47: I. Moderato | National Symphony Orchestra, Mstislav Rostropovich | — | |
| 29-1 | Romeo and Juliet, Suite No. 1 for Large Orchestra: I. Folk Dance: Allegro Giocoso | National Symphony Orchestra, Mstislav Rostropovich | T-003.506.743-6 | |
| 29-2 | Romeo and Juliet Suite no. 1 op. 64a: II. Scene: Allegretto | National Symphony Orchestra, Mstislav Rostropovich | T-905.851.368-1 | |
| 29-3 | Romeo and Juliet, Suite No. 1 for Large Orchestra: III. Madrigal: Andante tenero - Andante assai | National Symphony Orchestra, Mstislav Rostropovich | T-003.506.743-6 | |
| 29-4 | Romeo and Juliet Suite no. 1 op. 64a: IV. Menuet: Assai moderato | National Symphony Orchestra, Mstislav Rostropovich | — | |
| 29-5 | Romeo and Juliet Suite no. 1 op. 64a: V. Masks: Andante marciale | National Symphony Orchestra, Mstislav Rostropovich | T-003.506.743-6 | |
| 29-6 | Romeo and Juliet, Suite No. 1 for Large Orchestra: VI. Romeo and Juliet: Larghetto - Andante | National Symphony Orchestra, Mstislav Rostropovich | T-003.506.743-6 | |
| 29-7 | Romeo and Juliet, Suite No. 1 for Large Orchestra: VII. Death of Tybalt: Precipitato - Presto - Adagio drammatico | National Symphony Orchestra, Mstislav Rostropovich | T-003.506.743-6 | |
| 29-8 | Romeo And Juliet, Ballet Suite, op. 64a, no. 2: I. The Montagues and the Capulets | — | ||
| 29-9 | Romeo And Juliet, Ballet Suite, op. 64a, no. 2: II. Juliet: The Little Girl | — | ||
| 29-10 | Romeo And Juliet, Ballet Suite, op. 64a, no. 2: III. Friar Laurence | — | ||
| 29-11 | Romeo And Juliet, Ballet Suite, op. 64a, no. 2: IV. Dance | — | ||
| 29-12 | Romeo And Juliet, Ballet Suite, op. 64a, no. 2: V. Romeo and Juliet Before Parting | — | ||
| 29-13 | Romeo And Juliet, Ballet Suite, op. 64a, no. 2: VI. Dance of the Maids from the Antilles | — | ||
| 29-14 | Romeo And Juliet, Ballet Suite, op. 64a, no. 2: VII. Romeo at Juliet's Grave | — | ||
| 30-1 | PIANO CONCERTO NO.3 IN D MINOR, OP.30: 1. ALLEGRO MA NON TANTO | Mstislav Rostropovich, Russian National Orchestra, Mikhail Pletnev | — | |
| 30-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo (Adagio) | — | ||
| 30-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale (Alla breve) | — | ||
| 30-4 | Piano Concerto no. 3 in C major, op. 26: I. Andante: Allegro | — | ||
| 30-5 | Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni | — | ||
| 30-6 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | — | ||
| 31-1 | Tosca: Act 1: "Ah! Finalmente!" | — | ||
| 31-2 | Tosca: Act 1: "Dammi i colori!": "Recondita armonia" | — | ||
| 31-3 | Tosca: Act 1: "Gente là dentro!" | — | ||
| 31-4 | Tosca: Act 1: "Mario! Mario! Mario!" | — | ||
| 31-5 | Tosca: Act 1: "Ah, quegli occhi...": "Qual occhio al mondo può star di paro" | — | ||
| 31-6 | Tosca: Act 1: "E buona la mia Tosca": "Siam soli?" | — | ||
| 31-7 | Tosca: Act 1: "Un tal baccano in chiesa! Bel rispetto!" | — | ||
| 31-8 | Tosca: Act 1: Tosca? Che non mi veda | — | ||
| 31-9 | Tosca: Act 1: "Ed io venivo a lui tutta dogliosa" | — | ||
| 31-10 | Tosca: Act 1: "Tre sbirri... Una carrozza...Presto": Te Deum | — | ||
| 32-1 | Tosca: Act 2: "Tosca è un buon falco!" | — | ||
| 32-2 | Tosca: Act 2: Ha più forte sapore (Scarpia, Sciarrone, Spoletta) | — | ||
| 32-3 | Tosca: Act 2: "Meno male!": "Egli è là" | — | ||
| 32-4 | Tosca: Act 2: "Ov'è Angelotti?" | — | ||
| 32-5 | Tosca: Act 2: "Ed or fra noi parliam da buoni amici" | — | ||
| 32-6 | Tosca: Act 2: "Sciarrone: che dice il cavalier?" | — | ||
| 32-7 | Tosca: Act 2: "Orsù, Tosca, parlate": "Non so nulla!" (Scarpia, Tosca, Cavaradossi, Spoletta) | — | ||
| 32-8 | Tosca: Act 2: Nel pozzo, nel giardino! (Tosca, Scarpia, Sciarrone, Cavaradossi) | — | ||
| 32-9 | Tosca: Act 2: Nel pozzo del giardino! Va, Spoletta! | — | ||
| 32-10 | Tosca: Act 2: "Se la giurata fede" | — | ||
| 32-11 | Tosca: Act 2: "Vissi d'arte, vissi d'amore" | — | ||
| 32-12 | Tosca: Act 2: "Vedi, le man giunte" | — | ||
| 32-13 | Tosca: Act 2: "E qual via scegliete?" | — | ||
| 32-14 | Tosca: Act 3: "Io de´ sospiri" | — | ||
| 32-15 | Tosca: Act 3: "Mario Cavaradossi?": "A voi" | — | ||
| 32-16 | Tosca: Act 3: "E lucevan le stelle" | — | ||
| 32-17 | Tosca: Act 3: "Franchigia a Floria Tosca" | — | ||
| 32-18 | Tosca: Act 3: "O dolci mani" | — | ||
| 32-19 | Tosca: Act 3: E non giungono (Tosca, Cavaradossi, Carceriere) | — | ||
| 32-20 | Tosca: Act 3: "Come è lunga l'attesa!" | — | ||
| 32-21 | Tosca: Act 3: "Presto, su! Mario!" | — | ||
| 33-1 | Pique Dame, op. 68, TH.10: Overture | — | ||
| 33-2 | Pique Dame, op. 68, TH.10: Act 1: "Gori, gori yasno" | — | ||
| 33-3 | Pique Dame, op. 68, TH.10: Act 1: "Chem konchilas vchera igra?" | — | ||
| 33-4 | Pique Dame, op. 68, TH.10: Act 1: "Ya imeni yeyo ne znayu" | — | ||
| 33-5 | Pique Dame, op. 68, TH.10: Act 1: "Nakonets-to Bog": "A ty uveren" - "Schastlivy den" - "Skazhi, na kom ty zhenishsya?" | — | ||
| 33-6 | Pique Dame, op. 68, TH.10: Act 1: "Mne strashno!": "Grafinya!" | — | ||
| 33-7 | Pique Dame, op. 68, TH.10: Act 1: "Kakaya vedma" | — | ||
| 33-8 | Pique Dame, op. 68, TH.10: Act 1: "Odnazhdy v Versalye" | — | ||
| 33-9 | Pique Dame, op. 68, TH.10: Act 1: "Se non è vero": "Kak bystro groza nastupila" - "Po- luchish smertelny udar ty" | — | ||
| 33-10 | Pique Dame, op. 68, TH.10: Act 1: "Uzh vecher" | — | ||
| 33-11 | Pique Dame, op. 68, TH.10: Act 1: "Obvorozhitelno!" | — | ||
| 33-12 | Pique Dame, op. 68, TH.10: Act 1: "Da, vspomnilna... Podrugi milie" | — | ||
| 33-13 | Pique Dame, op. 68, TH.10: Act 1: "Nu-ka, svetik Mashenka" | — | ||
| 33-14 | Pique Dame, op. 68, TH.10: Act 1: "Mesdemoiselles" | — | ||
| 33-15 | Pique Dame, op. 68, TH.10: Act 1: "Pora uzh raskhoditsya" | — | ||
| 33-16 | Pique Dame, op. 68, TH.10: Act 1: "Ne nado zatvorit" | — | ||
| 33-17 | Pique Dame, op. 68, TH.10: Act 1: Otkuda eti slyozy | — | ||
| 33-18 | Pique Dame, op. 68, TH.10: Act 1: "Ostanovites" | — | ||
| 33-19 | Pique Dame, op. 68, TH.10: Act 1: "Prosti, prelestnoe sozdanye" | — | ||
| 33-20 | Pique Dame, op. 68, TH.10: Act 1: "Liza, otvori!" | — | ||
| 33-21 | Pique Dame, op. 68, TH.10: Act 1: "O poshchadi menya!" | — | ||
| 34-1 | Pique Dame, op. 68, TH.10: Act 2: "Radostno, veselo v den sei" | — | ||
| 34-2 | Pique Dame, op. 68, TH.10: Act 2: "Khozyain prosit dorogikh" | — | ||
| 34-3 | Pique Dame, op. 68, TH.10: Act 2: "Vy tak pechalny" | — | ||
| 34-4 | Pique Dame, op. 68, TH.10: Act 2: "Ya vas lyublyu" | — | ||
| 34-5 | Pique Dame, op. 68, TH.10: Act 2: "Posle predstavleniya": "Ne ty li etot trety" | — | ||
| 34-6 | Pique Dame, op. 68, TH.10: Act 2: "Pod tenyu gustoyu" | — | ||
| 34-7 | Pique Dame, op. 68, TH.10: Act 2: Dance of the Shepherds and Shepherdesses | — | ||
| 34-8 | Pique Dame, op. 68, TH.10: Act 2: "Moi milenki druzhok" | — | ||
| 34-9 | Pique Dame, op. 68, TH.10: Act 2: "Kak ty mila" | — | ||
| 34-10 | Pique Dame, op. 68, TH.10: Act 2: "Kto pylko i strastno lyubya!": "Tsaritsa! Yega Veli- chestvo!" | — | ||
| 34-11 | Pique Dame, op. 68, TH.10: Act 2: "Vsyo tak, kakmne ona skazala" | — | ||
| 34-12 | Pique Dame, op. 68, TH.10: Act 2: "Shagi! syuda idut": "Blagodetelnitsa nasha" | — | ||
| 34-13 | Pique Dame, op. 68, TH.10: Act 2: "Akh, postyl mne etot svet!" | — | ||
| 34-14 | Pique Dame, op. 68, TH.10: Act 2: "Je crains de lui parler la nuit" | — | ||
| 34-15 | Pique Dame, op. 68, TH.10: Act 2: "Ne pugaites!" | — | ||
| 34-16 | Pique Dame, op. 68, TH.10: Act 2: "Yesli kogda nibud" | — | ||
| 34-17 | Pique Dame, op. 68, TH.10: Act 2: "Chto zdes za shum?" | — | ||
| 35-1 | Pique Dame, op. 68, TH.10: Act 3: Entr'acte | — | ||
| 35-2 | Pique Dame, op. 68, TH.10: Act 3: "Ya neveryu chtoby": "Gospodu molyusya ya" - "Vsyo tezhe dumy" - "Strashno! strashno!" | — | ||
| 35-3 | Pique Dame, op. 68, TH.10: Act 3: "Ya prishla k tebe" | — | ||
| 35-4 | Pique Dame, op. 68, TH.10: Act 3: "Uzh polnoch blizitsya" | — | ||
| 35-5 | Pique Dame, op. 68, TH.10: Act 3: "Akh! istomilas ya gorem" | — | ||
| 35-6 | Pique Dame, op. 68, TH.10: Act 3: "A yesli mne otvet" | — | ||
| 35-7 | Pique Dame, op. 68, TH.10: Act 3: "O da, minovali stradanya" | — | ||
| 35-8 | Pique Dame, op. 68, TH.10: Act 3: "Budem pit i veselitsya": "Dana!" | — | ||
| 35-9 | Pique Dame, op. 68, TH.10: Act 3: "Yeslib miliya devitsy" | — | ||
| 35-10 | Pique Dame, op. 68, TH.10: Act 3: "Tak v nenastnye dni" | — | ||
| 35-11 | Pique Dame, op. 68, TH.10: Act 3: "Za dela, gospoda" | — | ||
| 35-12 | Pique Dame, op. 68, TH.10: Act 3: "Chto nasha zhizn?" | — | ||
| 35-13 | Pique Dame, op. 68, TH.10: Act 3: Idyot yeshcho? | — | ||
| 35-14 | Pique Dame, op. 68, TH.10: Act 3: "Knyaz! knyaz, prosti menya!" | — | ||
| 35-15 | Pique Dame, op. 68, TH.10: Act 3: "Gospod! Prosti yemu!" | — | ||
| 36-1 | 15 Romances, op. 26: 1II. Noch? pechal?na | — | ||
| 36-2 | 6 Romances, op. 4, 6 romansov, Op.4: IV. Ne poy, krasavitsa, pri mne | — | ||
| 36-3 | 14 Romances, op. 34, 14 romansov, Op.34: VIII. Muzyka | — | ||
| 36-4 | 12 Romances, op. 14, 12 romansov, Op.14: 1I. Vesenniye vody | — | ||
| 36-5 | Vocalise, op. 34, no. 14 | — | ||
| 36-6 | Somneniye (Doubt) | — | ||
| 36-7 | I remember the wonderful moment [Ya pommyu chudnoye mgnovene]: (A. Pushkin) | — | ||
| 36-8 | Kak sladko s toboju mne byt' (How sweet to be with you) | — | ||
| 36-9 | "K nej" | — | ||
| 36-10 | First Occur "Only I avowed you" (1835) | — | ||
| 36-11 | Venetian Night (1832) | — | ||
| 36-12 | Cycle "Farewell" (1840): no. 10 The Lark | — | ||
| 36-13 | Cycle "Farewell" (1840): no. 8 Barcarole | — | ||
| 37-1 | Songs And Dances Of Death: I. Lullaby | — | ||
| 37-2 | Songs And Dances Of Death: II. Serenade | — | ||
| 37-3 | Songs And Dances Of Death: III. Trepak | — | ||
| 37-4 | Songs And Dances Of Death: IV. The Field Marshal | — | ||
| 37-5 | None But The Lonely Heart, op. 6, no. 6 (Nyet, tolko tot, kto znal) | — | ||
| 37-6 | Not A Word, My Friend, op. 6, no. 2 (Ni slova o drug moy) | — | ||
| 37-7 | Do Not Believe, My Friend, op. 6, no. 1 (Nye vyer, moy drug) | — | ||
| 37-8 | Five Poems Of Anna Akhmatova: I. Sunlight Filled The Room | — | ||
| 37-9 | Five Poems Of Anna Akhmatova: II. True Tenderness | — | ||
| 37-10 | Five Poems Of Anna Akhmatova: III. Memories Of Sunlight | — | ||
| 37-11 | Five Poems Of Anna Akhmatova: IV. Greetings! | — | ||
| 37-12 | Five Poems Of Anna Akhmatova: V. The Grey-eyed King | — |
