UPC · Release
The Pierre Fournier Edition: Complete Recordings on Deutsche Grammophon, Decca & Philips
Pierre Fournier
028947969099
322 tracksReleased 2017-01-01Deutsche Grammophon
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028947969099 is the Universal Product Code (UPC barcode) for the release “The Pierre Fournier Edition: Complete Recordings on Deutsche Grammophon, Decca & Philips” by Pierre Fournier, released 2017-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 322 tracks, each with its own ISRC. Tracks include DEF056000611, DEF056000612, DEF056000613.
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UPCThe Pierre Fournier Edition: Complete Recordings on Deutsche Grammophon, Decca & Philips
ISRC158 recordings
ISWC25 works
IPI2 songwriters
Track List (322)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cello Concerto in D minor: I. Prélude: Lento-Allegro maestoso | Pierre Fournier, Orchestre Lamoureux, Jean Martinon | T-307.241.800-5 | |
| 2 | Cello Concerto in D minor: II. Intermezzo: Andantino con moto-Allegro presto | Pierre Fournier, Orchestre Lamoureux, Jean Martinon | T-307.241.800-5 | |
| 3 | Cello Concerto in D minor: III. Andante-Allegro vivace | Pierre Fournier, Orchestre Lamoureux, Jean Martinon | T-307.241.800-5 | |
| 4 | Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo | Pierre Fournier, Orchestre Lamoureux, Jean Martinon | — | |
| 5 | Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto | Pierre Fournier, Orchestre Lamoureux, Jean Martinon | — | |
| 6 | Cello Concerto no. 1 in A minor, op. 33: III. Un peu moins vite | Pierre Fournier, Orchestre Lamoureux, Jean Martinon | — | |
| 7 | Kol Nidrei, op. 47 (Adagio nach hebräischen Melodien für Violoncello und Orchester): Adagio ma non troppo - Un poco più animato | Pierre Fournier, Orchestre Lamoureux, Jean Martinon | — | |
| 8 | Schelomo (Hebräische Rhapsodie für Violoncello und Orchester): Lento moderato - Andante moderato - Allegro moderato - Allegro - Andante moderato | Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein | — | |
| 2-1 | Concerto for Piano, Violin, and Cello in C major, op. 56: I. Allegro | Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | T-070.161.055-0 | |
| 2-2 | Concerto for Piano, Violin, and Cello in C major, op. 56: II. Largo - attacca | Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 2-3 | Concerto for Piano, Violin, and Cello in C major, op. 56: III. Rondo alla Polacca | Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | T-922.059.784-2 | |
| 3-1 | Don Quixote, op. 35: Introduktion. Mäßiges Zeitmaß | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-2 | Don Quixote, op. 35: Thema. Mäßig | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-3 | Don Quixote, op. 35: Variation I. Gemächlich | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-4 | Don Quixote, op. 35: Variation II. Kriegerisch | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-5 | Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-6 | Don Quixote, op. 35: Variation IV. Etwas breiter | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-7 | Don Quixote, op. 35: Variation V. Sehr langsam | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-8 | Don Quixote, op. 35: Variation VI. Schnell | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-9 | Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-10 | Don Quixote, op. 35: Variation VIII. Gemächlich | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-11 | Don Quixote, op. 35: Variation IX. Schnell und stürmisch | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-12 | Don Quixote, op. 35: Variation X. Viel breiter | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-13 | Don Quixote, op. 35: Finale. Sehr ruhig | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-1 | Concerto for Violoncello and Orchestra in B minor, op. 104: I. Allegro | Pierre Fournier, Berliner Philharmoniker, George Szell | T-070.160.313-5 | |
| 4-2 | Concerto for Violoncello and Orchestra in B minor, op. 104: II. Adagio ma non troppo | Pierre Fournier, Berliner Philharmoniker, George Szell | — | |
| 4-3 | Concerto for Violoncello and Orchestra in B minor, op. 104: III. Finale. Allegro moderato | Pierre Fournier, Berliner Philharmoniker, George Szell | — | |
| 4-4 | Concerto in E minor for Cello and Orchestra, op. 85: I. Adagio - Moderato | Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein | — | |
| 4-5 | Concerto in E minor for Cello and Orchestra, op. 85: II. Lento - Allegro molto | Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein | T-010.115.156-7 | |
| 4-6 | Concerto in E minor for Cello and Orchestra, op. 85: III. Adagio | Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein | T-010.115.155-6 | |
| 4-7 | Concerto in E minor for Cello and Orchestra, op. 85: IV. Allegro, ma non troppo | Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein | T-010.115.154-5 | |
| 5-1 | Konzert für Violoncello und Orchester e-Moll: III. Largo | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-2 | Konzert für Violoncello und Orchester e-Moll: III. Largo | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-3 | Konzert für Violoncello und Orchester e-Moll: III. Largo | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-4 | Konzert für Violoncello und Orchester e-Moll: III. Largo | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-5 | Pièces en concert for Cello and String Ensemble: 1. Prélude: Gravement | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-6 | Pièces en concert for Cello and String Ensemble: 2. Sicilienne: Tendrement | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-7 | Pièces en concert for Cello and String Ensemble: 3. La Tromba: Gaïement | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | T-061.793.111-9 | |
| 5-8 | Pièces en concert for Cello and String Ensemble: 4. Plainte: Douloureusement | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-9 | Pièces en concert for Cello and String Ensemble: 5. Air de Diable: Vivement | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-10 | Cello Concerto in A major, Wq 172: 1. Allegro | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | T-070.160.313-5 | |
| 5-11 | Cello Concerto in A major, Wq 172: 2. Largo | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-12 | Cello Concerto in A major, Wq 172: 3. Allegro assai | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-13 | Konzert für Violoncello und Orchester B-dur: I. Allegro moderato | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-14 | Konzert für Violoncello und Orchester B-dur: II. Adagio | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-15 | Konzert für Violoncello und Orchester B-dur: III. Rondo. Allegro | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 6-1 | Cello Concerto no. 1 in C major Hob. VIIb:1: 1. Moderato | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | T-902.685.630-4 | |
| 6-2 | Cello Concerto no. 1 in C major Hob. VIIb:1: 2. Adagio | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | T-001.397.158-8 | |
| 6-3 | Cello Concerto no. 1 in C major Hob. VIIb:1: 3. Finale: Allegro molto | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 6-4 | Konzert für Violoncello und Orchester D-dur, Hob. VIIIb:2: I. Allegro moderato | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 6-5 | Konzert für Violoncello und Orchester D-dur, Hob. VIIIb:2: II. Adagio | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 6-6 | Konzert für Violoncello und Orchester D-dur, Hob. VIIIb:2: III. Allegro | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 6-7 | Suite Italienne From Pulcinella for Cello and Piano: 1. Introduzione: Allegro moderato | Pierre Fournier, Ernest Lush | — | |
| 6-8 | Suite italienne: II. Serenata aus “Pulcinella” | Pierre Fournier, Ernest Lush | — | |
| 6-9 | Suite Italienne From Pulcinella for Cello and Piano: 3. Aria: Allegro alla breve - Largo | Pierre Fournier, Ernest Lush | — | |
| 6-10 | Suite Italienne From Pulcinella for Cello and Piano: 4. Tarantella: Vivace | Pierre Fournier, Ernest Lush | — | |
| 6-11 | Suite Italienne From Pulcinella for Cello and Piano: 5. Minuetto e finale: Moderato - Molto vivace | Pierre Fournier, Ernest Lush | — | |
| 6-12 | Chanson russe | Pierre Fournier, Ernest Lush | — | |
| 7-1 | Piano Trio no. 1 in E‐flat major, op. 1 no. 1: I. Allegro | — | ||
| 7-2 | Piano Trio no. 1 in E‐flat major, Op.1 no. 1: II. Adagio cantabile | — | ||
| 7-3 | Piano Trio no. 1 in E‐flat major, Op.1 no. 1: III. Scherzo. Allegro assai | — | ||
| 7-4 | Piano Trio no. 1 in E‐flat major, Op.1 no. 1: IV. Finale. Preso | — | ||
| 7-5 | Piano Trio no. 2 in G major, op. 1 no. 2: I. Adagio - Allegro vivace | — | ||
| 7-6 | Piano Trio no. 2 in G major, op. 1 no. 2: II. Largo con espressione | — | ||
| 7-7 | Piano Trio no. 2 in G major, op. 1 no. 2: III. Scherzo. Allegro | — | ||
| 7-8 | Piano Trio no. 2 in G major, op. 1 no. 2: IV. Finale. Presto | — | ||
| 8-1 | Piano Trio no. 3 in C minor, op. 1 no. 3: I. Allegro con brio | — | ||
| 8-2 | Piano Trio no. 3 in C minor, op. 1 no. 3: II. Andante cantabile con variazioni | — | ||
| 8-3 | Piano Trio no. 3 in C minor, op. 1 no. 3: III. Menuetto. Quasi Allegro - Trio | — | ||
| 8-4 | Piano Trio no. 3 in C minor, op. 1 no. 3: IV. Finale. Prestissimo | — | ||
| 8-5 | Piano Trio no. 6 in E‐flat major, op. 70 no. 2: I. Poco sostenuto - Allegro ma non troppo | — | ||
| 8-6 | Piano Trio no. 6 in E‐flat major, op. 70 no. 2: II. Allegretto | — | ||
| 8-7 | Piano Trio no. 6 in E‐flat major, op. 70 no. 2: III. Allegretto ma non troppo | — | ||
| 8-8 | Piano Trio no. 6 in E‐flat major, op. 70 no. 2: IV. Finale. Allegro | — | ||
| 9-1 | Piano Trio no. 5 in D major, op. 70 no. 1 “Ghost”: I. Allegro vivace e con brio | — | ||
| 9-2 | Piano Trio no. 5 in D major, op. 70 no. 1 “Ghost”: II. Largo assai ed espressivo | — | ||
| 9-3 | Piano Trio no. 5 in D major, op. 70 no. 1 “Ghost”: III. Presto | — | ||
| 9-4 | Piano Trio no. 7 in B‐flat major, op. 97 “Archduke”: I. Allegro moderato | — | ||
| 9-5 | Piano Trio no. 7 in B‐flat major, op. 97 “Archduke”: II. Scherzo. Allegro | — | ||
| 9-6 | Piano Trio no. 7 in B‐flat major, op. 97 “Archduke”: III. Andante cantabile, ma però con moto - attacca: | — | ||
| 9-7 | Piano Trio no. 7 in B‐flat major, op. 97 “Archduke”: IV. Allegro moderato | — | ||
| 10-1 | Trio WoO 39 in B major For Piano, Violin And Violoncello: Allegretto | — | ||
| 10-2 | Trio WoO 38 in E-flat major For Piano, Violin And Violoncello: I. Allegro moderato | — | ||
| 10-3 | Trio WoO 38 in E-flat major For Piano, Violin And Violoncello: II. Scherzo. Allegro ma non troppo | — | ||
| 10-4 | Trio WoO 38 in E-flat major For Piano, Violin And Violoncello: III. Rondo. Allegretto. | — | ||
| 10-5 | Piano Trio no. 10 in E-flat, op. 44, 14 Variations on theme by Dittersdorf: I. Tema (Andante) con variazioni | — | ||
| 10-6 | Piano Trio no. 11 in G, op. 121a, 10 Variations On "Ich bin der Schneider Kakadu" | — | ||
| 10-7 | Piano Trio no. 4 in B-flat for Clarinet, Piano & Cello, op. 11: "Gassenhauer-Trio": I. Allegro con brio | — | ||
| 10-8 | Piano Trio no. 4 in B-flat for Clarinet, Piano & Cello, op. 11: "Gassenhauer-Trio": II. Adagio | — | ||
| 10-9 | Piano Trio no. 4 in B-flat for Clarinet, Piano & Cello, op. 11: "Gassenhauer-Trio": III. Tema con Variazioni. Andante | — | ||
| 11-1 | Sonata for Cello and Piano no. 1 in F, op. 5 no. 1: I. Adagio sostenuto - Allegro | — | ||
| 11-2 | Sonata for Cello and Piano no. 1 in F, op. 5 no. 1: II. Rondo (Allegro vivace) | — | ||
| 11-3 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo/ Allegro molto più tosto presto | — | ||
| 11-4 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo (Allegro) | — | ||
| 11-5 | Sonata for Cello and Piano no. 3 in A, op. 69: I. Allegro ma non tanto | — | ||
| 11-6 | Sonata for Cello and Piano no. 3 in A, op. 69: II. Scherzo (Allegro molto) | — | ||
| 11-7 | Sonata for Cello and Piano no. 3 in A, op. 69: III. Adagio cantabile - Allegro vivace | — | ||
| 12-1 | Sonata for Cello and Piano no. 4 in C, op. 102 no. 1: I. Andante - Allegro vivace | — | ||
| 12-2 | Sonata for Cello and Piano no. 4 in C, op. 102 no. 1: II. Adagio - Tempo d'andante - Allegro vivace | — | ||
| 12-3 | Sonata for Cello and Piano no. 5 in D op. 102 no. 2: I. Allegro con brio | — | ||
| 12-4 | Sonata for Cello and Piano no. 5 in D op. 102 no. 2: II. Adagio con molto sentimento d'affetto | — | ||
| 12-5 | Sonata for Cello and Piano no. 5 in D op. 102 no. 2: III. Allegro - Allegro fugato | — | ||
| 12-6 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Thema. Allegretto | — | ||
| 12-7 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation I | — | ||
| 12-8 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation II | — | ||
| 12-9 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation III | — | ||
| 12-10 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation IV | — | ||
| 12-11 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation V | — | ||
| 12-12 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VI | — | ||
| 12-13 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VII | — | ||
| 12-14 | 12 Variations On "See The Conquering Hero Comes" For Cello And Piano, Woo 45 - Variation VIII | — | ||
| 12-15 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation IX | — | ||
| 12-16 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation X. Allegro | — | ||
| 12-17 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation XI. Adagio | — | ||
| 12-18 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation XII. Allegro | — | ||
| 12-19 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Theme. Andante | — | ||
| 12-20 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation I | — | ||
| 12-21 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation II | — | ||
| 12-22 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation III | — | ||
| 12-23 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation IV | — | ||
| 12-24 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation V. Si prenda il tempo un poco più vivace | — | ||
| 12-25 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation VI. Adagio | — | ||
| 12-26 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation VII. Allegro, ma non troppo | — | ||
| 12-27 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Thema. Allegretto | — | ||
| 12-28 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation I | — | ||
| 12-29 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation II | — | ||
| 12-30 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation III | — | ||
| 12-31 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IV | — | ||
| 12-32 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation V | — | ||
| 12-33 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VI | — | ||
| 12-34 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VII | — | ||
| 12-35 | 12 Variations On "Ein Mädchen Oder Weibchen" For Cello And Piano, Op. 66 - Variation VIII | — | ||
| 12-36 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IX | — | ||
| 12-37 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation X. Adagio | — | ||
| 12-38 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation XI. Poco Adagio, quasi Andante | — | ||
| 12-39 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation XII. Allegro | — | ||
| 13-1 | Sonata for Piano and Violoncello in F major, op. 5 no. 1: I. Adagio sostenuto - Allegro | — | ||
| 13-2 | Sonata for Piano and Violoncello in F major, op. 5 no. 1: II. Rondo. Allegro vivace | — | ||
| 13-3 | Sonata for Piano and Violoncello in G minor, op. 5 no. 2: I. Adagio sostenuto e espressivo - Allegro molto più tosto presto | — | ||
| 13-4 | Sonata for Piano and Violoncello in G minor, op. 5 no. 2: II. Rondo. Allegro | — | ||
| 13-5 | Sonata for Piano and Violoncello in A major, op. 69: I. Allegro ma non tanto | — | ||
| 13-6 | Sonata for Piano and Violoncello in A major, op. 69: II. Scherzo. Allegro molto | — | ||
| 13-7 | Sonata for Piano and Violoncello in A major, op. 69: III. Adagio cantabile - Allegro vivace | — | ||
| 14-1 | Sonata for Piano and Violoncello in C major, op. 102 no. 1: I. Andante - Allegro vivace | — | ||
| 14-2 | Sonata for Piano and Violoncello in C major, op. 102 no. 1: II. Adagio - Tempo d'Andante - Allegro vivace | — | ||
| 14-3 | Sonata for Piano and Violoncello in D major, op. 102 no. 2: I. Allegro con brio | — | ||
| 14-4 | Sonata for Piano and Violoncello in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto - attacca | — | ||
| 14-5 | Sonata for Piano and Violoncello in D major, op. 102 no. 2: III. Allegro - Allegro fugato | — | ||
| 14-6 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Thema. Allegretto | — | ||
| 14-7 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation I | — | ||
| 14-8 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation II | — | ||
| 14-9 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation III | — | ||
| 14-10 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation IV | — | ||
| 14-11 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation V | — | ||
| 14-12 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation VI | — | ||
| 14-13 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation VII | — | ||
| 14-14 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation VIII | — | ||
| 14-15 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation IX | — | ||
| 14-16 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation X. Allegro | — | ||
| 14-17 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation XI. Adagio | — | ||
| 14-18 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation XII. Allegro | — | ||
| 14-19 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | — | ||
| 14-20 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation I | — | ||
| 14-21 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation II | — | ||
| 14-22 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation III | — | ||
| 14-23 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation IV | — | ||
| 14-24 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation V. Si prenda... | — | ||
| 14-25 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation VI. Adagio | — | ||
| 14-26 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation VII. Allegro ma.. | — | ||
| 14-27 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Thema. Allegretto | — | ||
| 14-28 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation I | — | ||
| 14-29 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation II | — | ||
| 14-30 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation III | — | ||
| 14-31 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation IV | — | ||
| 14-32 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation V | — | ||
| 14-33 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation VI | — | ||
| 14-34 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation VII | — | ||
| 14-35 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation VIII | — | ||
| 14-36 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation IX | — | ||
| 14-37 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation X. Adagio | — | ||
| 14-38 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation XI. Poco Adagio quasi Andante | — | ||
| 14-39 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation XII. Allegro | — | ||
| 15-1 | Cello Sonata no. 1 in E minor, op. 38: 1. Allegro non troppo | Rudolf Firkušný, Pierre Fournier | T-902.764.002-4 | |
| 15-2 | Cello Sonata no. 1 in E minor, op. 38: 2. Allegretto quasi menuetto | Rudolf Firkušný, Pierre Fournier | — | |
| 15-3 | Cello Sonata no. 1 in E minor, op. 38: 3. Allegro | Rudolf Firkušný, Pierre Fournier | — | |
| 15-4 | Cello Sonata no. 2 in F major, op. 99: 1. Allegro vivace | Rudolf Firkušný, Pierre Fournier | — | |
| 15-5 | Cello Sonata no. 2 in F major, op. 99: 2. Adagio affettuoso | Rudolf Firkušný, Pierre Fournier | — | |
| 15-6 | Cello Sonata no. 2 in F major, op. 99: 3. Allegro passionato | Rudolf Firkušný, Pierre Fournier | — | |
| 15-7 | Cello Sonata no. 2 in F major, op. 99: 4. Allegro molto | Rudolf Firkušný, Pierre Fournier | — | |
| 15-8 | Violin Sonata in A major: 1. Allegro ben marcato | Jean Fonda, Pierre Fournier | — | |
| 15-9 | Violin Sonata in A major: 2. Allegro | Jean Fonda, Pierre Fournier | — | |
| 15-10 | Violin Sonata in A major: 3. Recitativo – Fantasia: Ben moderato – Molto lento | Jean Fonda, Pierre Fournier | — | |
| 15-11 | Violin Sonata in A major: 4. Allegretto poco mosso | Jean Fonda, Pierre Fournier | — | |
| 16-1 | Sonata for Piano and Arpeggione in A minor, D. 821a: 1. Allegro moderato | Jean Fonda, Pierre Fournier | — | |
| 16-2 | Sonata for Piano and Arpeggione in A minor, D. 821a: 2. Adagio | Jean Fonda, Pierre Fournier | — | |
| 16-3 | Sonata for Piano and Arpeggione in A minor, D. 821a: 3. Allegretto | Jean Fonda, Pierre Fournier | — | |
| 16-4 | Variations Concertantes, op. 17 | Jean Fonda, Pierre Fournier | — | |
| 16-5 | Fantasiestücke, op. 73: 1. Zart und mit Ausdruck | Jean Fonda, Pierre Fournier | — | |
| 16-6 | Fantasiestücke, op. 73: 2. Lebhaft, leicht | Jean Fonda, Pierre Fournier | — | |
| 16-7 | Fantasiestücke, op. 73: 3. Rasch und mit Feuer | Jean Fonda, Pierre Fournier | — | |
| 16-8 | Fünf Stücke im Volkston, op. 102: 1. Mit Humor | Jean Fonda, Pierre Fournier | — | |
| 16-9 | Fünf Stücke im Volkston, op. 102: 2. Langsam | Jean Fonda, Pierre Fournier | — | |
| 16-10 | Fünf Stücke im Volkston, op. 102: 3. Nicht schnell, mit viel Ton zu spielen | Jean Fonda, Pierre Fournier | — | |
| 16-11 | Fünf Stücke im Volkston, op. 102: 4. Nicht zu rasch | Jean Fonda, Pierre Fournier | — | |
| 16-12 | Fünf Stücke im Volkston, op. 102: 5. Stark und markiert | Jean Fonda, Pierre Fournier | — | |
| 16-13 | Cello Sonata in G minor, op. 65: 1. Allegro moderato | Jean Fonda, Pierre Fournier | — | |
| 16-14 | Cello Sonata in G minor, op. 65: 2. Scherzo: Allegro con brio | Jean Fonda, Pierre Fournier | — | |
| 16-15 | Cello Sonata in G minor, op. 65: 3. Largo | Jean Fonda, Pierre Fournier | T-921.564.632-5 | |
| 16-16 | Cello Sonata in G minor, op. 65: 4. Finale: Allegro | Jean Fonda, Pierre Fournier | T-318.676.528-2 | |
| 17-1 | Cello Sonata in E major: Adagio cantabile – Allegro vivo | Lamar Crowson, Pierre Fournier | — | |
| 17-2 | Cello Sonata in C major: Tempo di Minuetto | Lamar Crowson, Pierre Fournier | — | |
| 17-3 | Violin Sonata, op. 10 no. 3: Larghetto | Lamar Crowson, Pierre Fournier | — | |
| 17-4 | Violinsonate Nr. 3, op. 10: II. Rondo | Lamar Crowson, Pierre Fournier | — | |
| 17-5 | Nocturne Nr. 2 in Es-dur, op. 9 | Lamar Crowson, Pierre Fournier | T-316.578.060-5 | |
| 17-6 | Hymne au soleil from Le Coq d'or | Lamar Crowson, Pierre Fournier | — | |
| 17-7 | The Tale of Tsar Saltan: The Flight of the Bumble-Bee | Lamar Crowson, Pierre Fournier | T-902.799.920-8 | |
| 17-8 | Adagio und Allegro, op. 70 | Lamar Crowson, Pierre Fournier | — | |
| 17-9 | Ave Maria (Méditation) | Lamar Crowson, Pierre Fournier | — | |
| 17-10 | Valse sentimentale, op. 51 no. 6 | Lamar Crowson, Pierre Fournier | — | |
| 17-11 | Feldeinsamkeit, op. 86 no. 2 | Lamar Crowson, Pierre Fournier | — | |
| 17-12 | Elfentanz, op. 39 | Lamar Crowson, Pierre Fournier | T-331.180.807-4 | |
| 17-13 | Rondo, op. 94 | Lamar Crowson, Pierre Fournier | — | |
| 17-14 | Le Cygne from Le Carnaval des animaux | Lamar Crowson, Pierre Fournier | T-317.671.333-6 | |
| 17-15 | Variations on a Theme from Rossini's Moses | Lamar Crowson, Pierre Fournier | — | |
| 17-16 | Pezzo Capriccioso, op. 62 | Lamar Crowson, Pierre Fournier | — | |
| 18-1 | Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude | Pierre Fournier | — | |
| 18-2 | Cello Suite no. 1 in G major, BWV 1007: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 18-3 | Cello Suite no. 1 in G major, BWV 1007: III. Courante | Pierre Fournier | — | |
| 18-4 | 무반주 첼로 모음곡 1번 중 "사라방드" [Unaccompanied Cello no. 1, Sarabande] | Pierre Fournier | — | |
| 18-5 | Cello Suite no. 1 in G major, BWV 1007: V. Menuet I/II | Pierre Fournier | — | |
| 18-6 | Cello Suite no. 1 in G major, BWV 1007: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 18-7 | Cello Suite no. 2 in D minor, BWV 1008: I. Prelude | Pierre Fournier | — | |
| 18-8 | Cello Suite no. 2 in D minor, BWV 1008: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 18-9 | Cello Suite no. 2 in D minor, BWV 1008: III. Courante | Pierre Fournier | — | |
| 18-10 | Cello Suite no. 2 in D minor, BWV 1008: IV. Sarabande | Pierre Fournier | — | |
| 18-11 | Cello Suite no. 2 in D minor, BWV 1008: V. Menuet I/II | Pierre Fournier | — | |
| 18-12 | Cello Suite no. 2 in D minor, BWV 1008: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 18-13 | Cello Suite no. 3 in C major, BWV 1009: I. Prelude | Pierre Fournier | — | |
| 18-14 | Cello Suite no. 3 in C major, BWV 1009: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 18-15 | Cello Suite no. 3 in C major, BWV 1009: III. Courante | Pierre Fournier | — | |
| 18-16 | Cello Suite no. 3 in C major, BWV 1009: IV. Sarabande | Pierre Fournier | — | |
| 18-17 | Cello Suite no. 3 in C major, BWV 1009: V. Bourree I/II | Pierre Fournier | — | |
| 18-18 | Cello Suite no. 3 in C major, BWV 1009: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 19-1 | Cello Suite no. 4 in E-flat major, BWV 1010: I. Prelude | Pierre Fournier | — | |
| 19-2 | Cello Suite no. 4 in E-flat major, BWV 1010: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 19-3 | Cello Suite no. 4 in E-flat major, BWV 1010: III. Courante | Pierre Fournier | — | |
| 19-4 | Cello Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande | Pierre Fournier | — | |
| 19-5 | Cello Suite no. 4 in E-flat major, BWV 1010: V. Bourree I/II | Pierre Fournier | — | |
| 19-6 | Cello Suite no. 4 in E-flat major, BWV 1010: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 19-7 | Cello Suite no. 5 in C minor, BWV 1011: I. Prelude | Pierre Fournier | T-925.383.914-4 | |
| 19-8 | Cello Suite no. 5 in C minor, BWV 1011: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 19-9 | Cello Suite no. 5 in C minor, BWV 1011: III. Courante | Pierre Fournier | T-925.383.914-4 | |
| 19-10 | Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande | Pierre Fournier | — | |
| 19-11 | Cello Suite no. 5 in C minor, BWV 1011: V. Gavotte I/II | Pierre Fournier | — | |
| 19-12 | Cello Suite no. 5 in C minor, BWV 1011: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 19-13 | Cello Suite no. 6 in D major, BWV 1012: I. Prelude | Pierre Fournier | — | |
| 19-14 | Cello Suite no. 6 in D major, BWV 1012: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 19-15 | Cello Suite no. 6 in D major, BWV 1012: III. Courante | Pierre Fournier | — | |
| 19-16 | Cello Suite no. 6 in D major, BWV 1012: IV. Sarabande | Pierre Fournier | — | |
| 19-17 | Cello Suite no. 6 in D major, BWV 1012: V. Gavotte I/II | Pierre Fournier | — | |
| 19-18 | Cello Suite no. 6 in D major, BWV 1012: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 20-1 | Cello Concerto in D major, Hob.VIIb:2: I. Allegro moderato | — | ||
| 20-2 | Cello Concerto in D major, Hob.VIIb:2: II. Adagio | — | ||
| 20-3 | Cello Concerto in D major, Hob.VIIb:2: III. Rondo (Allegro) | — | ||
| 20-4 | Cello Concerto in B minor, op. 104, B.191: I. Allegro | — | ||
| 20-5 | Cello Concerto in B minor, op. 104, B.191: II. Adagio ma non troppo | — | ||
| 20-6 | Cello Concerto in B minor, op. 104, B.191: III. Finale (Allegro moderato) | — | ||
| 21-1 | Don Quixote, op. 35: Introduktion: Mäßiges Zeitmaß - Thema: Mäßig | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-2 | Don Quixote, op. 35: Variation I. Gemächlich | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-3 | Don Quixote, op. 35: Variation II. Kriegerisch | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-4 | Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-5 | Don Quixote, op. 35: Variation IV. Etwas breiter | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-6 | Don Quixote, op. 35: Variation V. Sehr langsam | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-7 | Don Quixote, op. 35: Variation VI. Schnell | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-8 | Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-9 | Don Quixote, op. 35: Variation VIII. Gemächlich | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-10 | Don Quixote, op. 35: Variation IX. Schnell und stürmisch | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-11 | Don Quixote, op. 35: Variation X. Viel breiter | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-12 | Don Quixote, op. 35: Finale: Sehr ruhig | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 22-1 | Cello Concerto in B-flat, G.482: I. Allegro moderato | — | ||
| 22-2 | Cello Concerto in B-flat, G.482: II. Andante grazioso | — | ||
| 22-3 | Cello Concerto in B-flat, G.482: III. Rondo (Allegro) | — | ||
| 22-4 | Cello Concerto in E minor, RV40 (Arr. from Cello Sonata): I. Largo | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-5 | Cello Concerto in E minor, RV40 (Arr. from Cello Sonata): II. Allegro | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-6 | Cello Concerto in E minor, RV40 (Arr. from Cello Sonata): III. Lento espressivo | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-7 | Cello Concerto in E minor, RV40 (Arr. from Cello Sonata): IV. Vivo | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-8 | Pièces En Concert For Cello & Strings: I. Prélude | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-9 | Pièces En Concert For Cello & Strings: II. Sicilienne | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-10 | Pièces En Concert For Cello & Strings: III. La Tromba | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | T-061.793.111-9 | |
| 22-11 | Pièces En Concert For Cello & Strings: IV. Plainte | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-12 | Pièces En Concert For Cello & Strings: V. Air de diable | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-13 | Herzlich tut mich verlangen, BWV 727: transcr. Fournier | — | ||
| 22-14 | Baal Shem: Three Pictures Of Hassidic Life: II. Nigun (Improvisation) | — | ||
| 22-15 | Chanson Louis XIII & Pavane: Arr. Kreisler | — | ||
| 22-16 | Beau soir, L. 6 (Arr. Heifetz) | — | ||
| 22-17 | Fileuse | — | ||
| 22-18 | 3 Preludes, transcr. Fournier: Andante con moto e poco rubato | — | ||
| 22-19 | Granadina (Andalousie) | — | ||
| 23-1 | Sonata for Cello and Piano no. 1 in E minor, op. 38: I. Allegro non troppo | — | ||
| 23-2 | Sonata for Cello and Piano no. 1 in E minor, op. 38: II. Allegretto quasi minuetto | — | ||
| 23-3 | Sonata for Cello and Piano no. 1 in E minor, op. 38: III. Allegro - Più presto | — | ||
| 23-4 | Sonata for Cello and Piano no. 2 in F, op. 99: I. Allegro vivace | — | ||
| 23-5 | Sonata for Cello and Piano no. 2 in F, op. 99: II. Adagio affettuoso | — | ||
| 23-6 | Sonata for Cello and Piano no. 2 in F, op. 99: III. Allegro appassionata | — | ||
| 23-7 | Sonata for Cello and Piano no. 2 in F, op. 99: IV. Allegro molto | — | ||
| 23-8 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: I. Adagio | — | ||
| 23-9 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: II. Allegro ma non tanto | — | ||
| 23-10 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: III. Andante | — | ||
| 23-11 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: IV. Allegro moderato | — | ||
| 24-1 | Sonata For Cello and Piano no. 1 in E minor, op. 38: I. Allegro non troppo | — | ||
| 24-2 | Sonata For Cello and Piano no. 1 in E minor, op. 38: II. Allegretto quasi minuetto | — | ||
| 24-3 | Sonata For Cello and Piano no. 1 in E minor, op. 38: III. Allegro: Più presto | — | ||
| 24-4 | Sonata For Cello and Piano no. 2 in F, op. 99: I. Allegro vivace | — | ||
| 24-5 | Sonata For Cello and Piano no. 2 in F, op. 99: II. Adagio affettuoso | — | ||
| 24-6 | Sonata For Cello and Piano no. 2 in F, op. 99: III. Allegro appassionata | — | ||
| 24-7 | Sonata For Cello and Piano no. 2 in F, op. 99: IV. Allegro molto | — | ||
| 25-1 | Sonata For Violin & Piano no. 1 in G, op. 78, Arranged as Sonata in D for cello & piano: I. Vivace ma non troppo | — | ||
| 25-2 | Sonata For Violin & Piano no. 1 in G, op. 78, Arranged as Sonata in D for cello & piano: II. Adagio | — | ||
| 25-3 | Sonata For Violin & Piano no. 1 in G, op. 78, Arranged as Sonata in D for cello & piano: III. Allegro molto moderato | — | ||
| 25-4 | Sonata For Cello And Piano in A minor, op. 36: I. Allegro agitato | — | ||
| 25-5 | Sonata For Cello And Piano in A minor, op. 36: II. Andante moto tranquillo | — | ||
| 25-6 | Sonata For Cello And Piano in A minor, op. 36: III. Allegro | — |
Pierre Fournier, Orchestre Lamoureux, Jean Martinon
Pierre Fournier, Orchestre Lamoureux, Jean Martinon
Pierre Fournier, Orchestre Lamoureux, Jean Martinon
Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo
Pierre Fournier, Orchestre Lamoureux, Jean Martinon
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Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto
Pierre Fournier, Orchestre Lamoureux, Jean Martinon
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Cello Concerto no. 1 in A minor, op. 33: III. Un peu moins vite
Pierre Fournier, Orchestre Lamoureux, Jean Martinon
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Kol Nidrei, op. 47 (Adagio nach hebräischen Melodien für Violoncello und Orchester): Adagio ma non troppo - Un poco più animato
Pierre Fournier, Orchestre Lamoureux, Jean Martinon
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Schelomo (Hebräische Rhapsodie für Violoncello und Orchester): Lento moderato - Andante moderato - Allegro moderato - Allegro - Andante moderato
Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein
—
Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Concerto for Piano, Violin, and Cello in C major, op. 56: II. Largo - attacca
Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
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Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Don Quixote, op. 35: Introduktion. Mäßiges Zeitmaß
Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
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Don Quixote, op. 35: Thema. Mäßig
Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
—
Don Quixote, op. 35: Variation I. Gemächlich
Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
—
Don Quixote, op. 35: Variation II. Kriegerisch
Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
—
Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß
Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
—
Don Quixote, op. 35: Variation IV. Etwas breiter
Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
—
Don Quixote, op. 35: Variation V. Sehr langsam
Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
—
Don Quixote, op. 35: Variation VI. Schnell
Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
—
Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher
Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
—
Don Quixote, op. 35: Variation VIII. Gemächlich
Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
—
Don Quixote, op. 35: Variation IX. Schnell und stürmisch
Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
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Don Quixote, op. 35: Variation X. Viel breiter
Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
—
Don Quixote, op. 35: Finale. Sehr ruhig
Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
—
Pierre Fournier, Berliner Philharmoniker, George Szell
Concerto for Violoncello and Orchestra in B minor, op. 104: II. Adagio ma non troppo
Pierre Fournier, Berliner Philharmoniker, George Szell
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Concerto for Violoncello and Orchestra in B minor, op. 104: III. Finale. Allegro moderato
Pierre Fournier, Berliner Philharmoniker, George Szell
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Concerto in E minor for Cello and Orchestra, op. 85: I. Adagio - Moderato
Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein
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Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein
Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein
Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein
Konzert für Violoncello und Orchester e-Moll: III. Largo
Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
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Konzert für Violoncello und Orchester e-Moll: III. Largo
Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
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Konzert für Violoncello und Orchester e-Moll: III. Largo
Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
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Konzert für Violoncello und Orchester e-Moll: III. Largo
Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
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Pièces en concert for Cello and String Ensemble: 1. Prélude: Gravement
Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
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Pièces en concert for Cello and String Ensemble: 2. Sicilienne: Tendrement
Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
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Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
Pièces en concert for Cello and String Ensemble: 4. Plainte: Douloureusement
Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
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Pièces en concert for Cello and String Ensemble: 5. Air de Diable: Vivement
Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
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Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
Cello Concerto in A major, Wq 172: 2. Largo
Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
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Cello Concerto in A major, Wq 172: 3. Allegro assai
Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
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Konzert für Violoncello und Orchester B-dur: I. Allegro moderato
Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
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Konzert für Violoncello und Orchester B-dur: II. Adagio
Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
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Konzert für Violoncello und Orchester B-dur: III. Rondo. Allegro
Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
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Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
Cello Concerto no. 1 in C major Hob. VIIb:1: 3. Finale: Allegro molto
Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
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Konzert für Violoncello und Orchester D-dur, Hob. VIIIb:2: I. Allegro moderato
Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
—
Konzert für Violoncello und Orchester D-dur, Hob. VIIIb:2: II. Adagio
Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
—
Konzert für Violoncello und Orchester D-dur, Hob. VIIIb:2: III. Allegro
Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
—
Suite Italienne From Pulcinella for Cello and Piano: 1. Introduzione: Allegro moderato
Pierre Fournier, Ernest Lush
—
Suite italienne: II. Serenata aus “Pulcinella”
Pierre Fournier, Ernest Lush
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Suite Italienne From Pulcinella for Cello and Piano: 3. Aria: Allegro alla breve - Largo
Pierre Fournier, Ernest Lush
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Suite Italienne From Pulcinella for Cello and Piano: 4. Tarantella: Vivace
Pierre Fournier, Ernest Lush
—
Suite Italienne From Pulcinella for Cello and Piano: 5. Minuetto e finale: Moderato - Molto vivace
Pierre Fournier, Ernest Lush
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Chanson russe
Pierre Fournier, Ernest Lush
—
Piano Trio no. 1 in E‐flat major, op. 1 no. 1: I. Allegro
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Piano Trio no. 1 in E‐flat major, Op.1 no. 1: II. Adagio cantabile
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Piano Trio no. 1 in E‐flat major, Op.1 no. 1: III. Scherzo. Allegro assai
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Piano Trio no. 1 in E‐flat major, Op.1 no. 1: IV. Finale. Preso
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Piano Trio no. 2 in G major, op. 1 no. 2: I. Adagio - Allegro vivace
—
Piano Trio no. 2 in G major, op. 1 no. 2: II. Largo con espressione
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Piano Trio no. 2 in G major, op. 1 no. 2: III. Scherzo. Allegro
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Piano Trio no. 2 in G major, op. 1 no. 2: IV. Finale. Presto
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Piano Trio no. 3 in C minor, op. 1 no. 3: I. Allegro con brio
—
Piano Trio no. 3 in C minor, op. 1 no. 3: II. Andante cantabile con variazioni
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Piano Trio no. 3 in C minor, op. 1 no. 3: III. Menuetto. Quasi Allegro - Trio
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Piano Trio no. 3 in C minor, op. 1 no. 3: IV. Finale. Prestissimo
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Piano Trio no. 6 in E‐flat major, op. 70 no. 2: I. Poco sostenuto - Allegro ma non troppo
—
Piano Trio no. 6 in E‐flat major, op. 70 no. 2: II. Allegretto
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Piano Trio no. 6 in E‐flat major, op. 70 no. 2: III. Allegretto ma non troppo
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Piano Trio no. 6 in E‐flat major, op. 70 no. 2: IV. Finale. Allegro
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Piano Trio no. 5 in D major, op. 70 no. 1 “Ghost”: I. Allegro vivace e con brio
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Piano Trio no. 5 in D major, op. 70 no. 1 “Ghost”: II. Largo assai ed espressivo
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Piano Trio no. 5 in D major, op. 70 no. 1 “Ghost”: III. Presto
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Piano Trio no. 7 in B‐flat major, op. 97 “Archduke”: I. Allegro moderato
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Piano Trio no. 7 in B‐flat major, op. 97 “Archduke”: II. Scherzo. Allegro
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Piano Trio no. 7 in B‐flat major, op. 97 “Archduke”: III. Andante cantabile, ma però con moto - attacca:
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Piano Trio no. 7 in B‐flat major, op. 97 “Archduke”: IV. Allegro moderato
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Trio WoO 39 in B major For Piano, Violin And Violoncello: Allegretto
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Trio WoO 38 in E-flat major For Piano, Violin And Violoncello: I. Allegro moderato
—
Trio WoO 38 in E-flat major For Piano, Violin And Violoncello: II. Scherzo. Allegro ma non troppo
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Trio WoO 38 in E-flat major For Piano, Violin And Violoncello: III. Rondo. Allegretto.
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Piano Trio no. 10 in E-flat, op. 44, 14 Variations on theme by Dittersdorf: I. Tema (Andante) con variazioni
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Piano Trio no. 11 in G, op. 121a, 10 Variations On "Ich bin der Schneider Kakadu"
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Piano Trio no. 4 in B-flat for Clarinet, Piano & Cello, op. 11: "Gassenhauer-Trio": I. Allegro con brio
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Piano Trio no. 4 in B-flat for Clarinet, Piano & Cello, op. 11: "Gassenhauer-Trio": II. Adagio
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Piano Trio no. 4 in B-flat for Clarinet, Piano & Cello, op. 11: "Gassenhauer-Trio": III. Tema con Variazioni. Andante
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Sonata for Cello and Piano no. 1 in F, op. 5 no. 1: I. Adagio sostenuto - Allegro
—
Sonata for Cello and Piano no. 1 in F, op. 5 no. 1: II. Rondo (Allegro vivace)
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Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo/ Allegro molto più tosto presto
—
Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo (Allegro)
—
Sonata for Cello and Piano no. 3 in A, op. 69: I. Allegro ma non tanto
—
Sonata for Cello and Piano no. 3 in A, op. 69: II. Scherzo (Allegro molto)
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Sonata for Cello and Piano no. 3 in A, op. 69: III. Adagio cantabile - Allegro vivace
—
Sonata for Cello and Piano no. 4 in C, op. 102 no. 1: I. Andante - Allegro vivace
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Sonata for Cello and Piano no. 4 in C, op. 102 no. 1: II. Adagio - Tempo d'andante - Allegro vivace
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Sonata for Cello and Piano no. 5 in D op. 102 no. 2: I. Allegro con brio
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Sonata for Cello and Piano no. 5 in D op. 102 no. 2: II. Adagio con molto sentimento d'affetto
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Sonata for Cello and Piano no. 5 in D op. 102 no. 2: III. Allegro - Allegro fugato
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12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Thema. Allegretto
—
12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation I
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12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation II
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12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation III
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12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation IV
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12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation V
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12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VI
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12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VII
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12 Variations On "See The Conquering Hero Comes" For Cello And Piano, Woo 45 - Variation VIII
—
12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation IX
—
12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation X. Allegro
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12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation XI. Adagio
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12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation XII. Allegro
—
7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Theme. Andante
—
7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation I
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7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation II
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7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation III
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7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation IV
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7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation V. Si prenda il tempo un poco più vivace
—
7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation VI. Adagio
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7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation VII. Allegro, ma non troppo
—
12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Thema. Allegretto
—
12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation I
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12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation II
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12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation III
—
12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IV
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12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation V
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12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VI
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12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VII
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12 Variations On "Ein Mädchen Oder Weibchen" For Cello And Piano, Op. 66 - Variation VIII
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12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IX
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12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation X. Adagio
—
12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation XI. Poco Adagio, quasi Andante
—
12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation XII. Allegro
—
Sonata for Piano and Violoncello in F major, op. 5 no. 1: I. Adagio sostenuto - Allegro
—
Sonata for Piano and Violoncello in F major, op. 5 no. 1: II. Rondo. Allegro vivace
—
Sonata for Piano and Violoncello in G minor, op. 5 no. 2: I. Adagio sostenuto e espressivo - Allegro molto più tosto presto
—
Sonata for Piano and Violoncello in G minor, op. 5 no. 2: II. Rondo. Allegro
—
Sonata for Piano and Violoncello in A major, op. 69: I. Allegro ma non tanto
—
Sonata for Piano and Violoncello in A major, op. 69: II. Scherzo. Allegro molto
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Sonata for Piano and Violoncello in A major, op. 69: III. Adagio cantabile - Allegro vivace
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Sonata for Piano and Violoncello in C major, op. 102 no. 1: I. Andante - Allegro vivace
—
Sonata for Piano and Violoncello in C major, op. 102 no. 1: II. Adagio - Tempo d'Andante - Allegro vivace
—
Sonata for Piano and Violoncello in D major, op. 102 no. 2: I. Allegro con brio
—
Sonata for Piano and Violoncello in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto - attacca
—
Sonata for Piano and Violoncello in D major, op. 102 no. 2: III. Allegro - Allegro fugato
—
Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Thema. Allegretto
—
Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation I
—
Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation II
—
Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation III
—
Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation IV
—
Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation V
—
Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation VI
—
Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation VII
—
Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation VIII
—
Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation IX
—
Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation X. Allegro
—
Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation XI. Adagio
—
Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation XII. Allegro
—
Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante
—
Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation I
—
Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation II
—
Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation III
—
Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation IV
—
Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation V. Si prenda...
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Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation VI. Adagio
—
Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation VII. Allegro ma..
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Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Thema. Allegretto
—
Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation I
—
Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation II
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Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation III
—
Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation IV
—
Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation V
—
Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation VI
—
Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation VII
—
Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation VIII
—
Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation IX
—
Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation X. Adagio
—
Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation XI. Poco Adagio quasi Andante
—
Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation XII. Allegro
—
Rudolf Firkušný, Pierre Fournier
Cello Sonata no. 1 in E minor, op. 38: 2. Allegretto quasi menuetto
Rudolf Firkušný, Pierre Fournier
—
Cello Sonata no. 1 in E minor, op. 38: 3. Allegro
Rudolf Firkušný, Pierre Fournier
—
Cello Sonata no. 2 in F major, op. 99: 1. Allegro vivace
Rudolf Firkušný, Pierre Fournier
—
Cello Sonata no. 2 in F major, op. 99: 2. Adagio affettuoso
Rudolf Firkušný, Pierre Fournier
—
Cello Sonata no. 2 in F major, op. 99: 3. Allegro passionato
Rudolf Firkušný, Pierre Fournier
—
Cello Sonata no. 2 in F major, op. 99: 4. Allegro molto
Rudolf Firkušný, Pierre Fournier
—
Violin Sonata in A major: 1. Allegro ben marcato
Jean Fonda, Pierre Fournier
—
Violin Sonata in A major: 2. Allegro
Jean Fonda, Pierre Fournier
—
Violin Sonata in A major: 3. Recitativo – Fantasia: Ben moderato – Molto lento
Jean Fonda, Pierre Fournier
—
Violin Sonata in A major: 4. Allegretto poco mosso
Jean Fonda, Pierre Fournier
—
Sonata for Piano and Arpeggione in A minor, D. 821a: 1. Allegro moderato
Jean Fonda, Pierre Fournier
—
Sonata for Piano and Arpeggione in A minor, D. 821a: 2. Adagio
Jean Fonda, Pierre Fournier
—
Sonata for Piano and Arpeggione in A minor, D. 821a: 3. Allegretto
Jean Fonda, Pierre Fournier
—
Variations Concertantes, op. 17
Jean Fonda, Pierre Fournier
—
Fantasiestücke, op. 73: 1. Zart und mit Ausdruck
Jean Fonda, Pierre Fournier
—
Fantasiestücke, op. 73: 2. Lebhaft, leicht
Jean Fonda, Pierre Fournier
—
Fantasiestücke, op. 73: 3. Rasch und mit Feuer
Jean Fonda, Pierre Fournier
—
Fünf Stücke im Volkston, op. 102: 1. Mit Humor
Jean Fonda, Pierre Fournier
—
Fünf Stücke im Volkston, op. 102: 2. Langsam
Jean Fonda, Pierre Fournier
—
Fünf Stücke im Volkston, op. 102: 3. Nicht schnell, mit viel Ton zu spielen
Jean Fonda, Pierre Fournier
—
Fünf Stücke im Volkston, op. 102: 4. Nicht zu rasch
Jean Fonda, Pierre Fournier
—
Fünf Stücke im Volkston, op. 102: 5. Stark und markiert
Jean Fonda, Pierre Fournier
—
Cello Sonata in G minor, op. 65: 1. Allegro moderato
Jean Fonda, Pierre Fournier
—
Cello Sonata in G minor, op. 65: 2. Scherzo: Allegro con brio
Jean Fonda, Pierre Fournier
—
Cello Sonata in E major: Adagio cantabile – Allegro vivo
Lamar Crowson, Pierre Fournier
—
Cello Sonata in C major: Tempo di Minuetto
Lamar Crowson, Pierre Fournier
—
Violin Sonata, op. 10 no. 3: Larghetto
Lamar Crowson, Pierre Fournier
—
Violinsonate Nr. 3, op. 10: II. Rondo
Lamar Crowson, Pierre Fournier
—
Hymne au soleil from Le Coq d'or
Lamar Crowson, Pierre Fournier
—
Adagio und Allegro, op. 70
Lamar Crowson, Pierre Fournier
—
Ave Maria (Méditation)
Lamar Crowson, Pierre Fournier
—
Valse sentimentale, op. 51 no. 6
Lamar Crowson, Pierre Fournier
—
Feldeinsamkeit, op. 86 no. 2
Lamar Crowson, Pierre Fournier
—
Rondo, op. 94
Lamar Crowson, Pierre Fournier
—
Variations on a Theme from Rossini's Moses
Lamar Crowson, Pierre Fournier
—
Pezzo Capriccioso, op. 62
Lamar Crowson, Pierre Fournier
—
Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude
Pierre Fournier
—
Cello Suite no. 1 in G major, BWV 1007: III. Courante
Pierre Fournier
—
무반주 첼로 모음곡 1번 중 "사라방드" [Unaccompanied Cello no. 1, Sarabande]
Pierre Fournier
—
Cello Suite no. 1 in G major, BWV 1007: V. Menuet I/II
Pierre Fournier
—
Cello Suite no. 2 in D minor, BWV 1008: I. Prelude
Pierre Fournier
—
Cello Suite no. 2 in D minor, BWV 1008: III. Courante
Pierre Fournier
—
Cello Suite no. 2 in D minor, BWV 1008: IV. Sarabande
Pierre Fournier
—
Cello Suite no. 2 in D minor, BWV 1008: V. Menuet I/II
Pierre Fournier
—
Cello Suite no. 3 in C major, BWV 1009: I. Prelude
Pierre Fournier
—
Cello Suite no. 3 in C major, BWV 1009: III. Courante
Pierre Fournier
—
Cello Suite no. 3 in C major, BWV 1009: IV. Sarabande
Pierre Fournier
—
Cello Suite no. 3 in C major, BWV 1009: V. Bourree I/II
Pierre Fournier
—
Cello Suite no. 4 in E-flat major, BWV 1010: I. Prelude
Pierre Fournier
—
Cello Suite no. 4 in E-flat major, BWV 1010: III. Courante
Pierre Fournier
—
Cello Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande
Pierre Fournier
—
Cello Suite no. 4 in E-flat major, BWV 1010: V. Bourree I/II
Pierre Fournier
—
Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande
Pierre Fournier
—
Cello Suite no. 5 in C minor, BWV 1011: V. Gavotte I/II
Pierre Fournier
—
Cello Suite no. 6 in D major, BWV 1012: I. Prelude
Pierre Fournier
—
Cello Suite no. 6 in D major, BWV 1012: III. Courante
Pierre Fournier
—
Cello Suite no. 6 in D major, BWV 1012: IV. Sarabande
Pierre Fournier
—
Cello Suite no. 6 in D major, BWV 1012: V. Gavotte I/II
Pierre Fournier
—
Cello Concerto in D major, Hob.VIIb:2: I. Allegro moderato
—
Cello Concerto in D major, Hob.VIIb:2: II. Adagio
—
Cello Concerto in D major, Hob.VIIb:2: III. Rondo (Allegro)
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Cello Concerto in B minor, op. 104, B.191: I. Allegro
—
Cello Concerto in B minor, op. 104, B.191: II. Adagio ma non troppo
—
Cello Concerto in B minor, op. 104, B.191: III. Finale (Allegro moderato)
—
Don Quixote, op. 35: Introduktion: Mäßiges Zeitmaß - Thema: Mäßig
Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss
—
Don Quixote, op. 35: Variation I. Gemächlich
Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss
—
Don Quixote, op. 35: Variation II. Kriegerisch
Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss
—
Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß
Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss
—
Don Quixote, op. 35: Variation IV. Etwas breiter
Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss
—
Don Quixote, op. 35: Variation V. Sehr langsam
Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss
—
Don Quixote, op. 35: Variation VI. Schnell
Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss
—
Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher
Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss
—
Don Quixote, op. 35: Variation VIII. Gemächlich
Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss
—
Don Quixote, op. 35: Variation IX. Schnell und stürmisch
Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss
—
Don Quixote, op. 35: Variation X. Viel breiter
Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss
—
Don Quixote, op. 35: Finale: Sehr ruhig
Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss
—
Cello Concerto in B-flat, G.482: I. Allegro moderato
—
Cello Concerto in B-flat, G.482: II. Andante grazioso
—
Cello Concerto in B-flat, G.482: III. Rondo (Allegro)
—
Cello Concerto in E minor, RV40 (Arr. from Cello Sonata): I. Largo
Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger
—
Cello Concerto in E minor, RV40 (Arr. from Cello Sonata): II. Allegro
Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger
—
Cello Concerto in E minor, RV40 (Arr. from Cello Sonata): III. Lento espressivo
Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger
—
Cello Concerto in E minor, RV40 (Arr. from Cello Sonata): IV. Vivo
Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger
—
Pièces En Concert For Cello & Strings: I. Prélude
Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger
—
Pièces En Concert For Cello & Strings: II. Sicilienne
Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger
—
Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger
Pièces En Concert For Cello & Strings: IV. Plainte
Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger
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Pièces En Concert For Cello & Strings: V. Air de diable
Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger
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Herzlich tut mich verlangen, BWV 727: transcr. Fournier
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Baal Shem: Three Pictures Of Hassidic Life: II. Nigun (Improvisation)
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Chanson Louis XIII & Pavane: Arr. Kreisler
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Beau soir, L. 6 (Arr. Heifetz)
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Fileuse
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3 Preludes, transcr. Fournier: Andante con moto e poco rubato
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Granadina (Andalousie)
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Sonata for Cello and Piano no. 1 in E minor, op. 38: I. Allegro non troppo
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Sonata for Cello and Piano no. 1 in E minor, op. 38: II. Allegretto quasi minuetto
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Sonata for Cello and Piano no. 1 in E minor, op. 38: III. Allegro - Più presto
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Sonata for Cello and Piano no. 2 in F, op. 99: I. Allegro vivace
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Sonata for Cello and Piano no. 2 in F, op. 99: II. Adagio affettuoso
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Sonata for Cello and Piano no. 2 in F, op. 99: III. Allegro appassionata
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Sonata for Cello and Piano no. 2 in F, op. 99: IV. Allegro molto
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Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: I. Adagio
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Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: II. Allegro ma non tanto
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Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: III. Andante
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Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: IV. Allegro moderato
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Sonata For Cello and Piano no. 1 in E minor, op. 38: I. Allegro non troppo
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Sonata For Cello and Piano no. 1 in E minor, op. 38: II. Allegretto quasi minuetto
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Sonata For Cello and Piano no. 1 in E minor, op. 38: III. Allegro: Più presto
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Sonata For Cello and Piano no. 2 in F, op. 99: I. Allegro vivace
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Sonata For Cello and Piano no. 2 in F, op. 99: II. Adagio affettuoso
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Sonata For Cello and Piano no. 2 in F, op. 99: III. Allegro appassionata
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Sonata For Cello and Piano no. 2 in F, op. 99: IV. Allegro molto
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Sonata For Violin & Piano no. 1 in G, op. 78, Arranged as Sonata in D for cello & piano: I. Vivace ma non troppo
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Sonata For Violin & Piano no. 1 in G, op. 78, Arranged as Sonata in D for cello & piano: II. Adagio
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Sonata For Violin & Piano no. 1 in G, op. 78, Arranged as Sonata in D for cello & piano: III. Allegro molto moderato
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Sonata For Cello And Piano in A minor, op. 36: I. Allegro agitato
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Sonata For Cello And Piano in A minor, op. 36: II. Andante moto tranquillo
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Sonata For Cello And Piano in A minor, op. 36: III. Allegro
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Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Konzert für Violoncello und Orchester e-Moll: III. Largo | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — |
| Konzert für Violoncello und Orchester e-Moll: IV. Allegro | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — |
| Konzert für Violoncello und Orchester e-Moll: I. Largo | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — |
| Konzert für Violoncello und Orchester e-Moll: II. Allegro | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — |
Konzert für Violoncello und Orchester e-Moll: III. Largo
Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
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Konzert für Violoncello und Orchester e-Moll: IV. Allegro
Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
—
Konzert für Violoncello und Orchester e-Moll: I. Largo
Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
—
Konzert für Violoncello und Orchester e-Moll: II. Allegro
Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner
—
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What is UPC 028947969099?
028947969099 is a Universal Product Code (UPC) assigned to The Pierre Fournier Edition: Complete Recordings on Deutsche Grammophon, Decca & Philips by Pierre Fournier. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
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