UPC · Release
Pierre Fournier
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The UPC for “The Pierre Fournier Edition: Complete Recordings on Deutsche Grammophon, Decca & Philips” by Pierre Fournier is 028947969099. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Deutsche Grammophon. This release contains 322 tracks, each with its own ISRC. Tracks include DEF056000611, DEF056000612, DEF056000613.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cello Concerto in D minor: I. Prélude: Lento-Allegro maestoso | Pierre Fournier, Orchestre Lamoureux, Jean Martinon | T-307.241.800-5 | |
| 2 | Cello Concerto in D minor: II. Intermezzo: Andantino con moto-Allegro presto | Pierre Fournier, Orchestre Lamoureux, Jean Martinon | T-307.241.800-5 | |
| 3 | Cello Concerto in D minor: III. Andante-Allegro vivace | Pierre Fournier, Orchestre Lamoureux, Jean Martinon | T-307.241.800-5 | |
| 4 | Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo | Pierre Fournier, Orchestre Lamoureux, Jean Martinon | — | |
| 5 | Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto | Pierre Fournier, Orchestre Lamoureux, Jean Martinon | — | |
| 6 | Cello Concerto no. 1 in A minor, op. 33: III. Un peu moins vite | Pierre Fournier, Orchestre Lamoureux, Jean Martinon | — | |
| 7 | Kol Nidrei, op. 47 (Adagio nach hebräischen Melodien für Violoncello und Orchester): Adagio ma non troppo - Un poco più animato | Pierre Fournier, Orchestre Lamoureux, Jean Martinon | — | |
| 8 | Schelomo (Hebräische Rhapsodie für Violoncello und Orchester): Lento moderato - Andante moderato - Allegro moderato - Allegro - Andante moderato | Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein | — | |
| 2-1 | Concerto for Piano, Violin, and Cello in C major, op. 56: I. Allegro | Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | T-070.161.055-0 | |
| 2-2 | Concerto for Piano, Violin, and Cello in C major, op. 56: II. Largo - attacca | Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 2-3 | Concerto for Piano, Violin, and Cello in C major, op. 56: III. Rondo alla Polacca | Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | T-922.059.784-2 | |
| 3-1 | Don Quixote, op. 35: Introduktion. Mäßiges Zeitmaß | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-2 | Don Quixote, op. 35: Thema. Mäßig | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-3 | Don Quixote, op. 35: Variation I. Gemächlich | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-4 | Don Quixote, op. 35: Variation II. Kriegerisch | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-5 | Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-6 | Don Quixote, op. 35: Variation IV. Etwas breiter | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-7 | Don Quixote, op. 35: Variation V. Sehr langsam | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-8 | Don Quixote, op. 35: Variation VI. Schnell | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-9 | Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-10 | Don Quixote, op. 35: Variation VIII. Gemächlich | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-11 | Don Quixote, op. 35: Variation IX. Schnell und stürmisch | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-12 | Don Quixote, op. 35: Variation X. Viel breiter | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-13 | Don Quixote, op. 35: Finale. Sehr ruhig | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-1 | Concerto for Violoncello and Orchestra in B minor, op. 104: I. Allegro | Pierre Fournier, Berliner Philharmoniker, George Szell | T-070.160.313-5 | |
| 4-2 | Concerto for Violoncello and Orchestra in B minor, op. 104: II. Adagio ma non troppo | Pierre Fournier, Berliner Philharmoniker, George Szell | — | |
| 4-3 | Concerto for Violoncello and Orchestra in B minor, op. 104: III. Finale. Allegro moderato | Pierre Fournier, Berliner Philharmoniker, George Szell | — | |
| 4-4 | Concerto in E minor for Cello and Orchestra, op. 85: I. Adagio - Moderato | Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein | — | |
| 4-5 | Concerto in E minor for Cello and Orchestra, op. 85: II. Lento - Allegro molto | Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein | T-010.115.156-7 | |
| 4-6 | Concerto in E minor for Cello and Orchestra, op. 85: III. Adagio | Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein | T-010.115.155-6 | |
| 4-7 | Concerto in E minor for Cello and Orchestra, op. 85: IV. Allegro, ma non troppo | Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein | T-010.115.154-5 | |
| 5-1 | Konzert für Violoncello und Orchester e-Moll: III. Largo | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-2 | Konzert für Violoncello und Orchester e-Moll: III. Largo | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-3 | Konzert für Violoncello und Orchester e-Moll: III. Largo | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-4 | Konzert für Violoncello und Orchester e-Moll: III. Largo | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-5 | Pièces en concert for Cello and String Ensemble: 1. Prélude: Gravement | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-6 | Pièces en concert for Cello and String Ensemble: 2. Sicilienne: Tendrement | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-7 | Pièces en concert for Cello and String Ensemble: 3. La Tromba: Gaïement | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | T-061.793.111-9 | |
| 5-8 | Pièces en concert for Cello and String Ensemble: 4. Plainte: Douloureusement | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-9 | Pièces en concert for Cello and String Ensemble: 5. Air de Diable: Vivement | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-10 | Cello Concerto in A major, Wq 172: 1. Allegro | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | T-070.160.313-5 | |
| 5-11 | Cello Concerto in A major, Wq 172: 2. Largo | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-12 | Cello Concerto in A major, Wq 172: 3. Allegro assai | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-13 | Konzert für Violoncello und Orchester B-dur: I. Allegro moderato | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-14 | Konzert für Violoncello und Orchester B-dur: II. Adagio | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-15 | Konzert für Violoncello und Orchester B-dur: III. Rondo. Allegro | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 6-1 | Cello Concerto no. 1 in C major Hob. VIIb:1: 1. Moderato | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | T-902.685.630-4 | |
| 6-2 | Cello Concerto no. 1 in C major Hob. VIIb:1: 2. Adagio | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | T-001.397.158-8 | |
| 6-3 | Cello Concerto no. 1 in C major Hob. VIIb:1: 3. Finale: Allegro molto | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 6-4 | Konzert für Violoncello und Orchester D-dur, Hob. VIIIb:2: I. Allegro moderato | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 6-5 | Konzert für Violoncello und Orchester D-dur, Hob. VIIIb:2: II. Adagio | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 6-6 | Konzert für Violoncello und Orchester D-dur, Hob. VIIIb:2: III. Allegro | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 6-7 | Suite Italienne From Pulcinella for Cello and Piano: 1. Introduzione: Allegro moderato | Pierre Fournier, Ernest Lush | — | |
| 6-8 | Suite italienne: II. Serenata aus “Pulcinella” | Pierre Fournier, Ernest Lush | — | |
| 6-9 | Suite Italienne From Pulcinella for Cello and Piano: 3. Aria: Allegro alla breve - Largo | Pierre Fournier, Ernest Lush | — | |
| 6-10 | Suite Italienne From Pulcinella for Cello and Piano: 4. Tarantella: Vivace | Pierre Fournier, Ernest Lush | — | |
| 6-11 | Suite Italienne From Pulcinella for Cello and Piano: 5. Minuetto e finale: Moderato - Molto vivace | Pierre Fournier, Ernest Lush | — | |
| 6-12 | Chanson russe | Pierre Fournier, Ernest Lush | — | |
| 7-1 | Piano Trio no. 1 in E‐flat major, op. 1 no. 1: I. Allegro | — | ||
| 7-2 | Piano Trio no. 1 in E‐flat major, Op.1 no. 1: II. Adagio cantabile | — | ||
| 7-3 | Piano Trio no. 1 in E‐flat major, Op.1 no. 1: III. Scherzo. Allegro assai | — | ||
| 7-4 | Piano Trio no. 1 in E‐flat major, Op.1 no. 1: IV. Finale. Preso | — | ||
| 7-5 | Piano Trio no. 2 in G major, op. 1 no. 2: I. Adagio - Allegro vivace | — | ||
| 7-6 | Piano Trio no. 2 in G major, op. 1 no. 2: II. Largo con espressione | — | ||
| 7-7 | Piano Trio no. 2 in G major, op. 1 no. 2: III. Scherzo. Allegro | — | ||
| 7-8 | Piano Trio no. 2 in G major, op. 1 no. 2: IV. Finale. Presto | — | ||
| 8-1 | Piano Trio no. 3 in C minor, op. 1 no. 3: I. Allegro con brio | — | ||
| 8-2 | Piano Trio no. 3 in C minor, op. 1 no. 3: II. Andante cantabile con variazioni | — | ||
| 8-3 | Piano Trio no. 3 in C minor, op. 1 no. 3: III. Menuetto. Quasi Allegro - Trio | — | ||
| 8-4 | Piano Trio no. 3 in C minor, op. 1 no. 3: IV. Finale. Prestissimo | — | ||
| 8-5 | Piano Trio no. 6 in E‐flat major, op. 70 no. 2: I. Poco sostenuto - Allegro ma non troppo | — | ||
| 8-6 | Piano Trio no. 6 in E‐flat major, op. 70 no. 2: II. Allegretto | — | ||
| 8-7 | Piano Trio no. 6 in E‐flat major, op. 70 no. 2: III. Allegretto ma non troppo | — | ||
| 8-8 | Piano Trio no. 6 in E‐flat major, op. 70 no. 2: IV. Finale. Allegro | — | ||
| 9-1 | Piano Trio no. 5 in D major, op. 70 no. 1 “Ghost”: I. Allegro vivace e con brio | — | ||
| 9-2 | Piano Trio no. 5 in D major, op. 70 no. 1 “Ghost”: II. Largo assai ed espressivo | — | ||
| 9-3 | Piano Trio no. 5 in D major, op. 70 no. 1 “Ghost”: III. Presto | — | ||
| 9-4 | Piano Trio no. 7 in B‐flat major, op. 97 “Archduke”: I. Allegro moderato | — | ||
| 9-5 | Piano Trio no. 7 in B‐flat major, op. 97 “Archduke”: II. Scherzo. Allegro | — | ||
| 9-6 | Piano Trio no. 7 in B‐flat major, op. 97 “Archduke”: III. Andante cantabile, ma però con moto - attacca: | — | ||
| 9-7 | Piano Trio no. 7 in B‐flat major, op. 97 “Archduke”: IV. Allegro moderato | — | ||
| 10-1 | Trio WoO 39 in B major For Piano, Violin And Violoncello: Allegretto | — | ||
| 10-2 | Trio WoO 38 in E-flat major For Piano, Violin And Violoncello: I. Allegro moderato | — | ||
| 10-3 | Trio WoO 38 in E-flat major For Piano, Violin And Violoncello: II. Scherzo. Allegro ma non troppo | — | ||
| 10-4 | Trio WoO 38 in E-flat major For Piano, Violin And Violoncello: III. Rondo. Allegretto. | — | ||
| 10-5 | Piano Trio no. 10 in E-flat, op. 44, 14 Variations on theme by Dittersdorf: I. Tema (Andante) con variazioni | — | ||
| 10-6 | Piano Trio no. 11 in G, op. 121a, 10 Variations On "Ich bin der Schneider Kakadu" | — | ||
| 10-7 | Piano Trio no. 4 in B-flat for Clarinet, Piano & Cello, op. 11: "Gassenhauer-Trio": I. Allegro con brio | — | ||
| 10-8 | Piano Trio no. 4 in B-flat for Clarinet, Piano & Cello, op. 11: "Gassenhauer-Trio": II. Adagio | — | ||
| 10-9 | Piano Trio no. 4 in B-flat for Clarinet, Piano & Cello, op. 11: "Gassenhauer-Trio": III. Tema con Variazioni. Andante | — | ||
| 11-1 | Sonata for Cello and Piano no. 1 in F, op. 5 no. 1: I. Adagio sostenuto - Allegro | — | ||
| 11-2 | Sonata for Cello and Piano no. 1 in F, op. 5 no. 1: II. Rondo (Allegro vivace) | — | ||
| 11-3 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo/ Allegro molto più tosto presto | — | ||
| 11-4 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo (Allegro) | — | ||
| 11-5 | Sonata for Cello and Piano no. 3 in A, op. 69: I. Allegro ma non tanto | — | ||
| 11-6 | Sonata for Cello and Piano no. 3 in A, op. 69: II. Scherzo (Allegro molto) | — | ||
| 11-7 | Sonata for Cello and Piano no. 3 in A, op. 69: III. Adagio cantabile - Allegro vivace | — | ||
| 12-1 | Sonata for Cello and Piano no. 4 in C, op. 102 no. 1: I. Andante - Allegro vivace | — | ||
| 12-2 | Sonata for Cello and Piano no. 4 in C, op. 102 no. 1: II. Adagio - Tempo d'andante - Allegro vivace | — | ||
| 12-3 | Sonata for Cello and Piano no. 5 in D op. 102 no. 2: I. Allegro con brio | — | ||
| 12-4 | Sonata for Cello and Piano no. 5 in D op. 102 no. 2: II. Adagio con molto sentimento d'affetto | — | ||
| 12-5 | Sonata for Cello and Piano no. 5 in D op. 102 no. 2: III. Allegro - Allegro fugato | — | ||
| 12-6 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Thema. Allegretto | — | ||
| 12-7 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation I | — | ||
| 12-8 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation II | — | ||
| 12-9 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation III | — | ||
| 12-10 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation IV | — | ||
| 12-11 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation V | — | ||
| 12-12 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VI | — | ||
| 12-13 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VII | — | ||
| 12-14 | 12 Variations On "See The Conquering Hero Comes" For Cello And Piano, Woo 45 - Variation VIII | — | ||
| 12-15 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation IX | — | ||
| 12-16 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation X. Allegro | — | ||
| 12-17 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation XI. Adagio | — | ||
| 12-18 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation XII. Allegro | — | ||
| 12-19 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Theme. Andante | — | ||
| 12-20 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation I | — | ||
| 12-21 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation II | — | ||
| 12-22 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation III | — | ||
| 12-23 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation IV | — | ||
| 12-24 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation V. Si prenda il tempo un poco più vivace | — | ||
| 12-25 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation VI. Adagio | — | ||
| 12-26 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation VII. Allegro, ma non troppo | — | ||
| 12-27 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Thema. Allegretto | — | ||
| 12-28 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation I | — | ||
| 12-29 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation II | — | ||
| 12-30 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation III | — | ||
| 12-31 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IV | — | ||
| 12-32 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation V | — | ||
| 12-33 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VI | — | ||
| 12-34 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VII | — | ||
| 12-35 | 12 Variations On "Ein Mädchen Oder Weibchen" For Cello And Piano, Op. 66 - Variation VIII | — | ||
| 12-36 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IX | — | ||
| 12-37 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation X. Adagio | — | ||
| 12-38 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation XI. Poco Adagio, quasi Andante | — | ||
| 12-39 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation XII. Allegro | — | ||
| 13-1 | Sonata for Piano and Violoncello in F major, op. 5 no. 1: I. Adagio sostenuto - Allegro | — | ||
| 13-2 | Sonata for Piano and Violoncello in F major, op. 5 no. 1: II. Rondo. Allegro vivace | — | ||
| 13-3 | Sonata for Piano and Violoncello in G minor, op. 5 no. 2: I. Adagio sostenuto e espressivo - Allegro molto più tosto presto | — | ||
| 13-4 | Sonata for Piano and Violoncello in G minor, op. 5 no. 2: II. Rondo. Allegro | — | ||
| 13-5 | Sonata for Piano and Violoncello in A major, op. 69: I. Allegro ma non tanto | — | ||
| 13-6 | Sonata for Piano and Violoncello in A major, op. 69: II. Scherzo. Allegro molto | — | ||
| 13-7 | Sonata for Piano and Violoncello in A major, op. 69: III. Adagio cantabile - Allegro vivace | — | ||
| 14-1 | Sonata for Piano and Violoncello in C major, op. 102 no. 1: I. Andante - Allegro vivace | — | ||
| 14-2 | Sonata for Piano and Violoncello in C major, op. 102 no. 1: II. Adagio - Tempo d'Andante - Allegro vivace | — | ||
| 14-3 | Sonata for Piano and Violoncello in D major, op. 102 no. 2: I. Allegro con brio | — | ||
| 14-4 | Sonata for Piano and Violoncello in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto - attacca | — | ||
| 14-5 | Sonata for Piano and Violoncello in D major, op. 102 no. 2: III. Allegro - Allegro fugato | — | ||
| 14-6 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Thema. Allegretto | — | ||
| 14-7 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation I | — | ||
| 14-8 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation II | — | ||
| 14-9 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation III | — | ||
| 14-10 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation IV | — | ||
| 14-11 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation V | — | ||
| 14-12 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation VI | — | ||
| 14-13 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation VII | — | ||
| 14-14 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation VIII | — | ||
| 14-15 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation IX | — | ||
| 14-16 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation X. Allegro | — | ||
| 14-17 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation XI. Adagio | — | ||
| 14-18 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation XII. Allegro | — | ||
| 14-19 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | — | ||
| 14-20 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation I | — | ||
| 14-21 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation II | — | ||
| 14-22 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation III | — | ||
| 14-23 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation IV | — | ||
| 14-24 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation V. Si prenda... | — | ||
| 14-25 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation VI. Adagio | — | ||
| 14-26 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation VII. Allegro ma.. | — | ||
| 14-27 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Thema. Allegretto | — | ||
| 14-28 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation I | — | ||
| 14-29 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation II | — | ||
| 14-30 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation III | — | ||
| 14-31 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation IV | — | ||
| 14-32 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation V | — | ||
| 14-33 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation VI | — | ||
| 14-34 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation VII | — | ||
| 14-35 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation VIII | — | ||
| 14-36 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation IX | — | ||
| 14-37 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation X. Adagio | — | ||
| 14-38 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation XI. Poco Adagio quasi Andante | — | ||
| 14-39 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation XII. Allegro | — | ||
| 15-1 | Cello Sonata no. 1 in E minor, op. 38: 1. Allegro non troppo | Rudolf Firkušný, Pierre Fournier | T-902.764.002-4 | |
| 15-2 | Cello Sonata no. 1 in E minor, op. 38: 2. Allegretto quasi menuetto | Rudolf Firkušný, Pierre Fournier | — | |
| 15-3 | Cello Sonata no. 1 in E minor, op. 38: 3. Allegro | Rudolf Firkušný, Pierre Fournier | — | |
| 15-4 | Cello Sonata no. 2 in F major, op. 99: 1. Allegro vivace | Rudolf Firkušný, Pierre Fournier | — | |
| 15-5 | Cello Sonata no. 2 in F major, op. 99: 2. Adagio affettuoso | Rudolf Firkušný, Pierre Fournier | — | |
| 15-6 | Cello Sonata no. 2 in F major, op. 99: 3. Allegro passionato | Rudolf Firkušný, Pierre Fournier | — | |
| 15-7 | Cello Sonata no. 2 in F major, op. 99: 4. Allegro molto | Rudolf Firkušný, Pierre Fournier | — | |
| 15-8 | Violin Sonata in A major: 1. Allegro ben marcato | Jean Fonda, Pierre Fournier | — | |
| 15-9 | Violin Sonata in A major: 2. Allegro | Jean Fonda, Pierre Fournier | — | |
| 15-10 | Violin Sonata in A major: 3. Recitativo – Fantasia: Ben moderato – Molto lento | Jean Fonda, Pierre Fournier | — | |
| 15-11 | Violin Sonata in A major: 4. Allegretto poco mosso | Jean Fonda, Pierre Fournier | — | |
| 16-1 | Sonata for Piano and Arpeggione in A minor, D. 821a: 1. Allegro moderato | Jean Fonda, Pierre Fournier | — | |
| 16-2 | Sonata for Piano and Arpeggione in A minor, D. 821a: 2. Adagio | Jean Fonda, Pierre Fournier | — | |
| 16-3 | Sonata for Piano and Arpeggione in A minor, D. 821a: 3. Allegretto | Jean Fonda, Pierre Fournier | — | |
| 16-4 | Variations Concertantes, op. 17 | Jean Fonda, Pierre Fournier | — | |
| 16-5 | Fantasiestücke, op. 73: 1. Zart und mit Ausdruck | Jean Fonda, Pierre Fournier | — | |
| 16-6 | Fantasiestücke, op. 73: 2. Lebhaft, leicht | Jean Fonda, Pierre Fournier | — | |
| 16-7 | Fantasiestücke, op. 73: 3. Rasch und mit Feuer | Jean Fonda, Pierre Fournier | — | |
| 16-8 | Fünf Stücke im Volkston, op. 102: 1. Mit Humor | Jean Fonda, Pierre Fournier | — | |
| 16-9 | Fünf Stücke im Volkston, op. 102: 2. Langsam | Jean Fonda, Pierre Fournier | — | |
| 16-10 | Fünf Stücke im Volkston, op. 102: 3. Nicht schnell, mit viel Ton zu spielen | Jean Fonda, Pierre Fournier | — | |
| 16-11 | Fünf Stücke im Volkston, op. 102: 4. Nicht zu rasch | Jean Fonda, Pierre Fournier | — | |
| 16-12 | Fünf Stücke im Volkston, op. 102: 5. Stark und markiert | Jean Fonda, Pierre Fournier | — | |
| 16-13 | Cello Sonata in G minor, op. 65: 1. Allegro moderato | Jean Fonda, Pierre Fournier | — | |
| 16-14 | Cello Sonata in G minor, op. 65: 2. Scherzo: Allegro con brio | Jean Fonda, Pierre Fournier | — | |
| 16-15 | Cello Sonata in G minor, op. 65: 3. Largo | Jean Fonda, Pierre Fournier | T-921.564.632-5 | |
| 16-16 | Cello Sonata in G minor, op. 65: 4. Finale: Allegro | Jean Fonda, Pierre Fournier | T-318.676.528-2 | |
| 17-1 | Cello Sonata in E major: Adagio cantabile – Allegro vivo | Lamar Crowson, Pierre Fournier | — | |
| 17-2 | Cello Sonata in C major: Tempo di Minuetto | Lamar Crowson, Pierre Fournier | — | |
| 17-3 | Violin Sonata, op. 10 no. 3: Larghetto | Lamar Crowson, Pierre Fournier | — | |
| 17-4 | Violinsonate Nr. 3, op. 10: II. Rondo | Lamar Crowson, Pierre Fournier | — | |
| 17-5 | Nocturne Nr. 2 in Es-dur, op. 9 | Lamar Crowson, Pierre Fournier | T-316.578.060-5 | |
| 17-6 | Hymne au soleil from Le Coq d'or | Lamar Crowson, Pierre Fournier | — | |
| 17-7 | The Tale of Tsar Saltan: The Flight of the Bumble-Bee | Lamar Crowson, Pierre Fournier | T-902.799.920-8 | |
| 17-8 | Adagio und Allegro, op. 70 | Lamar Crowson, Pierre Fournier | — | |
| 17-9 | Ave Maria (Méditation) | Lamar Crowson, Pierre Fournier | — | |
| 17-10 | Valse sentimentale, op. 51 no. 6 | Lamar Crowson, Pierre Fournier | — | |
| 17-11 | Feldeinsamkeit, op. 86 no. 2 | Lamar Crowson, Pierre Fournier | T-803.582.557-2 | |
| 17-12 | Elfentanz, op. 39 | Lamar Crowson, Pierre Fournier | T-331.180.807-4 | |
| 17-13 | Rondo, op. 94 | Lamar Crowson, Pierre Fournier | — | |
| 17-14 | Le Cygne from Le Carnaval des animaux | Lamar Crowson, Pierre Fournier | T-317.671.333-6 | |
| 17-15 | Variations on a Theme from Rossini's Moses | Lamar Crowson, Pierre Fournier | — | |
| 17-16 | Pezzo Capriccioso, op. 62 | Lamar Crowson, Pierre Fournier | — | |
| 18-1 | Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude | Pierre Fournier | — | |
| 18-2 | Cello Suite no. 1 in G major, BWV 1007: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 18-3 | Cello Suite no. 1 in G major, BWV 1007: III. Courante | Pierre Fournier | — | |
| 18-4 | 무반주 첼로 모음곡 1번 중 "사라방드" [Unaccompanied Cello no. 1, Sarabande] | Pierre Fournier | — | |
| 18-5 | Cello Suite no. 1 in G major, BWV 1007: V. Menuet I/II | Pierre Fournier | — | |
| 18-6 | Cello Suite no. 1 in G major, BWV 1007: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 18-7 | Cello Suite no. 2 in D minor, BWV 1008: I. Prelude | Pierre Fournier | — | |
| 18-8 | Cello Suite no. 2 in D minor, BWV 1008: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 18-9 | Cello Suite no. 2 in D minor, BWV 1008: III. Courante | Pierre Fournier | — | |
| 18-10 | Cello Suite no. 2 in D minor, BWV 1008: IV. Sarabande | Pierre Fournier | — | |
| 18-11 | Cello Suite no. 2 in D minor, BWV 1008: V. Menuet I/II | Pierre Fournier | — | |
| 18-12 | Cello Suite no. 2 in D minor, BWV 1008: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 18-13 | Cello Suite no. 3 in C major, BWV 1009: I. Prelude | Pierre Fournier | — | |
| 18-14 | Cello Suite no. 3 in C major, BWV 1009: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 18-15 | Cello Suite no. 3 in C major, BWV 1009: III. Courante | Pierre Fournier | — | |
| 18-16 | Cello Suite no. 3 in C major, BWV 1009: IV. Sarabande | Pierre Fournier | — | |
| 18-17 | Cello Suite no. 3 in C major, BWV 1009: V. Bourree I/II | Pierre Fournier | — | |
| 18-18 | Cello Suite no. 3 in C major, BWV 1009: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 19-1 | Cello Suite no. 4 in E-flat major, BWV 1010: I. Prelude | Pierre Fournier | — | |
| 19-2 | Cello Suite no. 4 in E-flat major, BWV 1010: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 19-3 | Cello Suite no. 4 in E-flat major, BWV 1010: III. Courante | Pierre Fournier | — | |
| 19-4 | Cello Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande | Pierre Fournier | — | |
| 19-5 | Cello Suite no. 4 in E-flat major, BWV 1010: V. Bourree I/II | Pierre Fournier | — | |
| 19-6 | Cello Suite no. 4 in E-flat major, BWV 1010: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 19-7 | Cello Suite no. 5 in C minor, BWV 1011: I. Prelude | Pierre Fournier | T-925.383.914-4 | |
| 19-8 | Cello Suite no. 5 in C minor, BWV 1011: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 19-9 | Cello Suite no. 5 in C minor, BWV 1011: III. Courante | Pierre Fournier | T-925.383.914-4 | |
| 19-10 | Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande | Pierre Fournier | — | |
| 19-11 | Cello Suite no. 5 in C minor, BWV 1011: V. Gavotte I/II | Pierre Fournier | — | |
| 19-12 | Cello Suite no. 5 in C minor, BWV 1011: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 19-13 | Cello Suite no. 6 in D major, BWV 1012: I. Prelude | Pierre Fournier | — | |
| 19-14 | Cello Suite no. 6 in D major, BWV 1012: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 19-15 | Cello Suite no. 6 in D major, BWV 1012: III. Courante | Pierre Fournier | — | |
| 19-16 | Cello Suite no. 6 in D major, BWV 1012: IV. Sarabande | Pierre Fournier | — | |
| 19-17 | Cello Suite no. 6 in D major, BWV 1012: V. Gavotte I/II | Pierre Fournier | — | |
| 19-18 | Cello Suite no. 6 in D major, BWV 1012: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 20-1 | Cello Concerto in D major, Hob.VIIb:2: I. Allegro moderato | — | ||
| 20-2 | Cello Concerto in D major, Hob.VIIb:2: II. Adagio | — | ||
| 20-3 | Cello Concerto in D major, Hob.VIIb:2: III. Rondo (Allegro) | — | ||
| 20-4 | Cello Concerto in B minor, op. 104, B.191: I. Allegro | — | ||
| 20-5 | Cello Concerto in B minor, op. 104, B.191: II. Adagio ma non troppo | — | ||
| 20-6 | Cello Concerto in B minor, op. 104, B.191: III. Finale (Allegro moderato) | — | ||
| 21-1 | Don Quixote, op. 35: Introduktion: Mäßiges Zeitmaß - Thema: Mäßig | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-2 | Don Quixote, op. 35: Variation I. Gemächlich | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-3 | Don Quixote, op. 35: Variation II. Kriegerisch | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-4 | Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-5 | Don Quixote, op. 35: Variation IV. Etwas breiter | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-6 | Don Quixote, op. 35: Variation V. Sehr langsam | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-7 | Don Quixote, op. 35: Variation VI. Schnell | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-8 | Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-9 | Don Quixote, op. 35: Variation VIII. Gemächlich | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-10 | Don Quixote, op. 35: Variation IX. Schnell und stürmisch | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-11 | Don Quixote, op. 35: Variation X. Viel breiter | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-12 | Don Quixote, op. 35: Finale: Sehr ruhig | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 22-1 | Cello Concerto in B-flat, G.482: I. Allegro moderato | — | ||
| 22-2 | Cello Concerto in B-flat, G.482: II. Andante grazioso | — | ||
| 22-3 | Cello Concerto in B-flat, G.482: III. Rondo (Allegro) | — | ||
| 22-4 | Cello Concerto in E minor, RV40 (Arr. from Cello Sonata): I. Largo | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-5 | Cello Concerto in E minor, RV40 (Arr. from Cello Sonata): II. Allegro | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-6 | Cello Concerto in E minor, RV40 (Arr. from Cello Sonata): III. Lento espressivo | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-7 | Cello Concerto in E minor, RV40 (Arr. from Cello Sonata): IV. Vivo | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-8 | Pièces En Concert For Cello & Strings: I. Prélude | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-9 | Pièces En Concert For Cello & Strings: II. Sicilienne | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-10 | Pièces En Concert For Cello & Strings: III. La Tromba | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | T-061.793.111-9 | |
| 22-11 | Pièces En Concert For Cello & Strings: IV. Plainte | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-12 | Pièces En Concert For Cello & Strings: V. Air de diable | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-13 | Herzlich tut mich verlangen, BWV 727: transcr. Fournier | — | ||
| 22-14 | Baal Shem: Three Pictures Of Hassidic Life: II. Nigun (Improvisation) | — | ||
| 22-15 | Chanson Louis XIII & Pavane: Arr. Kreisler | — | ||
| 22-16 | Beau soir, L. 6 (Arr. Heifetz) | — | ||
| 22-17 | Fileuse | — | ||
| 22-18 | 3 Preludes, transcr. Fournier: Andante con moto e poco rubato | — | ||
| 22-19 | Granadina (Andalousie) | — | ||
| 23-1 | Sonata for Cello and Piano no. 1 in E minor, op. 38: I. Allegro non troppo | — | ||
| 23-2 | Sonata for Cello and Piano no. 1 in E minor, op. 38: II. Allegretto quasi minuetto | — | ||
| 23-3 | Sonata for Cello and Piano no. 1 in E minor, op. 38: III. Allegro - Più presto | — | ||
| 23-4 | Sonata for Cello and Piano no. 2 in F, op. 99: I. Allegro vivace | — | ||
| 23-5 | Sonata for Cello and Piano no. 2 in F, op. 99: II. Adagio affettuoso | — | ||
| 23-6 | Sonata for Cello and Piano no. 2 in F, op. 99: III. Allegro appassionata | — | ||
| 23-7 | Sonata for Cello and Piano no. 2 in F, op. 99: IV. Allegro molto | — | ||
| 23-8 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: I. Adagio | — | ||
| 23-9 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: II. Allegro ma non tanto | — | ||
| 23-10 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: III. Andante | — | ||
| 23-11 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: IV. Allegro moderato | — | ||
| 24-1 | Sonata For Cello and Piano no. 1 in E minor, op. 38: I. Allegro non troppo | — | ||
| 24-2 | Sonata For Cello and Piano no. 1 in E minor, op. 38: II. Allegretto quasi minuetto | — | ||
| 24-3 | Sonata For Cello and Piano no. 1 in E minor, op. 38: III. Allegro: Più presto | — | ||
| 24-4 | Sonata For Cello and Piano no. 2 in F, op. 99: I. Allegro vivace | — | ||
| 24-5 | Sonata For Cello and Piano no. 2 in F, op. 99: II. Adagio affettuoso | — | ||
| 24-6 | Sonata For Cello and Piano no. 2 in F, op. 99: III. Allegro appassionata | — | ||
| 24-7 | Sonata For Cello and Piano no. 2 in F, op. 99: IV. Allegro molto | — | ||
| 25-1 | Sonata For Violin & Piano no. 1 in G, op. 78, Arranged as Sonata in D for cello & piano: I. Vivace ma non troppo | — | ||
| 25-2 | Sonata For Violin & Piano no. 1 in G, op. 78, Arranged as Sonata in D for cello & piano: II. Adagio | — | ||
| 25-3 | Sonata For Violin & Piano no. 1 in G, op. 78, Arranged as Sonata in D for cello & piano: III. Allegro molto moderato | — | ||
| 25-4 | Sonata For Cello And Piano in A minor, op. 36: I. Allegro agitato | — | ||
| 25-5 | Sonata For Cello And Piano in A minor, op. 36: II. Andante moto tranquillo | — | ||
| 25-6 | Sonata For Cello And Piano in A minor, op. 36: III. Allegro | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Konzert für Violoncello und Orchester e-Moll: III. Largo | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — |
| Konzert für Violoncello und Orchester e-Moll: IV. Allegro | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — |
| Konzert für Violoncello und Orchester e-Moll: I. Largo | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — |
| Konzert für Violoncello und Orchester e-Moll: II. Allegro | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028947969099 is a Universal Product Code (UPC) assigned to The Pierre Fournier Edition: Complete Recordings on Deutsche Grammophon, Decca & Philips by Pierre Fournier. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 322 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Pierre Fournier Edition: Complete Recordings on Deutsche Grammophon, Decca & Philips” by Pierre Fournier is 028947969099. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Deutsche Grammophon. This release contains 322 tracks, each with its own ISRC. Tracks include DEF056000611, DEF056000612, DEF056000613.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cello Concerto in D minor: I. Prélude: Lento-Allegro maestoso | Pierre Fournier, Orchestre Lamoureux, Jean Martinon | T-307.241.800-5 | |
| 2 | Cello Concerto in D minor: II. Intermezzo: Andantino con moto-Allegro presto | Pierre Fournier, Orchestre Lamoureux, Jean Martinon | T-307.241.800-5 | |
| 3 | Cello Concerto in D minor: III. Andante-Allegro vivace | Pierre Fournier, Orchestre Lamoureux, Jean Martinon | T-307.241.800-5 | |
| 4 | Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo | Pierre Fournier, Orchestre Lamoureux, Jean Martinon | — | |
| 5 | Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto | Pierre Fournier, Orchestre Lamoureux, Jean Martinon | — | |
| 6 | Cello Concerto no. 1 in A minor, op. 33: III. Un peu moins vite | Pierre Fournier, Orchestre Lamoureux, Jean Martinon | — | |
| 7 | Kol Nidrei, op. 47 (Adagio nach hebräischen Melodien für Violoncello und Orchester): Adagio ma non troppo - Un poco più animato | Pierre Fournier, Orchestre Lamoureux, Jean Martinon | — | |
| 8 | Schelomo (Hebräische Rhapsodie für Violoncello und Orchester): Lento moderato - Andante moderato - Allegro moderato - Allegro - Andante moderato | Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein | — | |
| 2-1 | Concerto for Piano, Violin, and Cello in C major, op. 56: I. Allegro | Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | T-070.161.055-0 | |
| 2-2 | Concerto for Piano, Violin, and Cello in C major, op. 56: II. Largo - attacca | Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 2-3 | Concerto for Piano, Violin, and Cello in C major, op. 56: III. Rondo alla Polacca | Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | T-922.059.784-2 | |
| 3-1 | Don Quixote, op. 35: Introduktion. Mäßiges Zeitmaß | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-2 | Don Quixote, op. 35: Thema. Mäßig | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-3 | Don Quixote, op. 35: Variation I. Gemächlich | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-4 | Don Quixote, op. 35: Variation II. Kriegerisch | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-5 | Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-6 | Don Quixote, op. 35: Variation IV. Etwas breiter | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-7 | Don Quixote, op. 35: Variation V. Sehr langsam | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-8 | Don Quixote, op. 35: Variation VI. Schnell | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-9 | Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-10 | Don Quixote, op. 35: Variation VIII. Gemächlich | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-11 | Don Quixote, op. 35: Variation IX. Schnell und stürmisch | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-12 | Don Quixote, op. 35: Variation X. Viel breiter | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-13 | Don Quixote, op. 35: Finale. Sehr ruhig | Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-1 | Concerto for Violoncello and Orchestra in B minor, op. 104: I. Allegro | Pierre Fournier, Berliner Philharmoniker, George Szell | T-070.160.313-5 | |
| 4-2 | Concerto for Violoncello and Orchestra in B minor, op. 104: II. Adagio ma non troppo | Pierre Fournier, Berliner Philharmoniker, George Szell | — | |
| 4-3 | Concerto for Violoncello and Orchestra in B minor, op. 104: III. Finale. Allegro moderato | Pierre Fournier, Berliner Philharmoniker, George Szell | — | |
| 4-4 | Concerto in E minor for Cello and Orchestra, op. 85: I. Adagio - Moderato | Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein | — | |
| 4-5 | Concerto in E minor for Cello and Orchestra, op. 85: II. Lento - Allegro molto | Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein | T-010.115.156-7 | |
| 4-6 | Concerto in E minor for Cello and Orchestra, op. 85: III. Adagio | Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein | T-010.115.155-6 | |
| 4-7 | Concerto in E minor for Cello and Orchestra, op. 85: IV. Allegro, ma non troppo | Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein | T-010.115.154-5 | |
| 5-1 | Konzert für Violoncello und Orchester e-Moll: III. Largo | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-2 | Konzert für Violoncello und Orchester e-Moll: III. Largo | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-3 | Konzert für Violoncello und Orchester e-Moll: III. Largo | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-4 | Konzert für Violoncello und Orchester e-Moll: III. Largo | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-5 | Pièces en concert for Cello and String Ensemble: 1. Prélude: Gravement | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-6 | Pièces en concert for Cello and String Ensemble: 2. Sicilienne: Tendrement | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-7 | Pièces en concert for Cello and String Ensemble: 3. La Tromba: Gaïement | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | T-061.793.111-9 | |
| 5-8 | Pièces en concert for Cello and String Ensemble: 4. Plainte: Douloureusement | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-9 | Pièces en concert for Cello and String Ensemble: 5. Air de Diable: Vivement | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-10 | Cello Concerto in A major, Wq 172: 1. Allegro | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | T-070.160.313-5 | |
| 5-11 | Cello Concerto in A major, Wq 172: 2. Largo | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-12 | Cello Concerto in A major, Wq 172: 3. Allegro assai | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-13 | Konzert für Violoncello und Orchester B-dur: I. Allegro moderato | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-14 | Konzert für Violoncello und Orchester B-dur: II. Adagio | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 5-15 | Konzert für Violoncello und Orchester B-dur: III. Rondo. Allegro | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 6-1 | Cello Concerto no. 1 in C major Hob. VIIb:1: 1. Moderato | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | T-902.685.630-4 | |
| 6-2 | Cello Concerto no. 1 in C major Hob. VIIb:1: 2. Adagio | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | T-001.397.158-8 | |
| 6-3 | Cello Concerto no. 1 in C major Hob. VIIb:1: 3. Finale: Allegro molto | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 6-4 | Konzert für Violoncello und Orchester D-dur, Hob. VIIIb:2: I. Allegro moderato | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 6-5 | Konzert für Violoncello und Orchester D-dur, Hob. VIIIb:2: II. Adagio | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 6-6 | Konzert für Violoncello und Orchester D-dur, Hob. VIIIb:2: III. Allegro | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 6-7 | Suite Italienne From Pulcinella for Cello and Piano: 1. Introduzione: Allegro moderato | Pierre Fournier, Ernest Lush | — | |
| 6-8 | Suite italienne: II. Serenata aus “Pulcinella” | Pierre Fournier, Ernest Lush | — | |
| 6-9 | Suite Italienne From Pulcinella for Cello and Piano: 3. Aria: Allegro alla breve - Largo | Pierre Fournier, Ernest Lush | — | |
| 6-10 | Suite Italienne From Pulcinella for Cello and Piano: 4. Tarantella: Vivace | Pierre Fournier, Ernest Lush | — | |
| 6-11 | Suite Italienne From Pulcinella for Cello and Piano: 5. Minuetto e finale: Moderato - Molto vivace | Pierre Fournier, Ernest Lush | — | |
| 6-12 | Chanson russe | Pierre Fournier, Ernest Lush | — | |
| 7-1 | Piano Trio no. 1 in E‐flat major, op. 1 no. 1: I. Allegro | — | ||
| 7-2 | Piano Trio no. 1 in E‐flat major, Op.1 no. 1: II. Adagio cantabile | — | ||
| 7-3 | Piano Trio no. 1 in E‐flat major, Op.1 no. 1: III. Scherzo. Allegro assai | — | ||
| 7-4 | Piano Trio no. 1 in E‐flat major, Op.1 no. 1: IV. Finale. Preso | — | ||
| 7-5 | Piano Trio no. 2 in G major, op. 1 no. 2: I. Adagio - Allegro vivace | — | ||
| 7-6 | Piano Trio no. 2 in G major, op. 1 no. 2: II. Largo con espressione | — | ||
| 7-7 | Piano Trio no. 2 in G major, op. 1 no. 2: III. Scherzo. Allegro | — | ||
| 7-8 | Piano Trio no. 2 in G major, op. 1 no. 2: IV. Finale. Presto | — | ||
| 8-1 | Piano Trio no. 3 in C minor, op. 1 no. 3: I. Allegro con brio | — | ||
| 8-2 | Piano Trio no. 3 in C minor, op. 1 no. 3: II. Andante cantabile con variazioni | — | ||
| 8-3 | Piano Trio no. 3 in C minor, op. 1 no. 3: III. Menuetto. Quasi Allegro - Trio | — | ||
| 8-4 | Piano Trio no. 3 in C minor, op. 1 no. 3: IV. Finale. Prestissimo | — | ||
| 8-5 | Piano Trio no. 6 in E‐flat major, op. 70 no. 2: I. Poco sostenuto - Allegro ma non troppo | — | ||
| 8-6 | Piano Trio no. 6 in E‐flat major, op. 70 no. 2: II. Allegretto | — | ||
| 8-7 | Piano Trio no. 6 in E‐flat major, op. 70 no. 2: III. Allegretto ma non troppo | — | ||
| 8-8 | Piano Trio no. 6 in E‐flat major, op. 70 no. 2: IV. Finale. Allegro | — | ||
| 9-1 | Piano Trio no. 5 in D major, op. 70 no. 1 “Ghost”: I. Allegro vivace e con brio | — | ||
| 9-2 | Piano Trio no. 5 in D major, op. 70 no. 1 “Ghost”: II. Largo assai ed espressivo | — | ||
| 9-3 | Piano Trio no. 5 in D major, op. 70 no. 1 “Ghost”: III. Presto | — | ||
| 9-4 | Piano Trio no. 7 in B‐flat major, op. 97 “Archduke”: I. Allegro moderato | — | ||
| 9-5 | Piano Trio no. 7 in B‐flat major, op. 97 “Archduke”: II. Scherzo. Allegro | — | ||
| 9-6 | Piano Trio no. 7 in B‐flat major, op. 97 “Archduke”: III. Andante cantabile, ma però con moto - attacca: | — | ||
| 9-7 | Piano Trio no. 7 in B‐flat major, op. 97 “Archduke”: IV. Allegro moderato | — | ||
| 10-1 | Trio WoO 39 in B major For Piano, Violin And Violoncello: Allegretto | — | ||
| 10-2 | Trio WoO 38 in E-flat major For Piano, Violin And Violoncello: I. Allegro moderato | — | ||
| 10-3 | Trio WoO 38 in E-flat major For Piano, Violin And Violoncello: II. Scherzo. Allegro ma non troppo | — | ||
| 10-4 | Trio WoO 38 in E-flat major For Piano, Violin And Violoncello: III. Rondo. Allegretto. | — | ||
| 10-5 | Piano Trio no. 10 in E-flat, op. 44, 14 Variations on theme by Dittersdorf: I. Tema (Andante) con variazioni | — | ||
| 10-6 | Piano Trio no. 11 in G, op. 121a, 10 Variations On "Ich bin der Schneider Kakadu" | — | ||
| 10-7 | Piano Trio no. 4 in B-flat for Clarinet, Piano & Cello, op. 11: "Gassenhauer-Trio": I. Allegro con brio | — | ||
| 10-8 | Piano Trio no. 4 in B-flat for Clarinet, Piano & Cello, op. 11: "Gassenhauer-Trio": II. Adagio | — | ||
| 10-9 | Piano Trio no. 4 in B-flat for Clarinet, Piano & Cello, op. 11: "Gassenhauer-Trio": III. Tema con Variazioni. Andante | — | ||
| 11-1 | Sonata for Cello and Piano no. 1 in F, op. 5 no. 1: I. Adagio sostenuto - Allegro | — | ||
| 11-2 | Sonata for Cello and Piano no. 1 in F, op. 5 no. 1: II. Rondo (Allegro vivace) | — | ||
| 11-3 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo/ Allegro molto più tosto presto | — | ||
| 11-4 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo (Allegro) | — | ||
| 11-5 | Sonata for Cello and Piano no. 3 in A, op. 69: I. Allegro ma non tanto | — | ||
| 11-6 | Sonata for Cello and Piano no. 3 in A, op. 69: II. Scherzo (Allegro molto) | — | ||
| 11-7 | Sonata for Cello and Piano no. 3 in A, op. 69: III. Adagio cantabile - Allegro vivace | — | ||
| 12-1 | Sonata for Cello and Piano no. 4 in C, op. 102 no. 1: I. Andante - Allegro vivace | — | ||
| 12-2 | Sonata for Cello and Piano no. 4 in C, op. 102 no. 1: II. Adagio - Tempo d'andante - Allegro vivace | — | ||
| 12-3 | Sonata for Cello and Piano no. 5 in D op. 102 no. 2: I. Allegro con brio | — | ||
| 12-4 | Sonata for Cello and Piano no. 5 in D op. 102 no. 2: II. Adagio con molto sentimento d'affetto | — | ||
| 12-5 | Sonata for Cello and Piano no. 5 in D op. 102 no. 2: III. Allegro - Allegro fugato | — | ||
| 12-6 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Thema. Allegretto | — | ||
| 12-7 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation I | — | ||
| 12-8 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation II | — | ||
| 12-9 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation III | — | ||
| 12-10 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation IV | — | ||
| 12-11 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation V | — | ||
| 12-12 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VI | — | ||
| 12-13 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VII | — | ||
| 12-14 | 12 Variations On "See The Conquering Hero Comes" For Cello And Piano, Woo 45 - Variation VIII | — | ||
| 12-15 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation IX | — | ||
| 12-16 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation X. Allegro | — | ||
| 12-17 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation XI. Adagio | — | ||
| 12-18 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation XII. Allegro | — | ||
| 12-19 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Theme. Andante | — | ||
| 12-20 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation I | — | ||
| 12-21 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation II | — | ||
| 12-22 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation III | — | ||
| 12-23 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation IV | — | ||
| 12-24 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation V. Si prenda il tempo un poco più vivace | — | ||
| 12-25 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation VI. Adagio | — | ||
| 12-26 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation VII. Allegro, ma non troppo | — | ||
| 12-27 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Thema. Allegretto | — | ||
| 12-28 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation I | — | ||
| 12-29 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation II | — | ||
| 12-30 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation III | — | ||
| 12-31 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IV | — | ||
| 12-32 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation V | — | ||
| 12-33 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VI | — | ||
| 12-34 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VII | — | ||
| 12-35 | 12 Variations On "Ein Mädchen Oder Weibchen" For Cello And Piano, Op. 66 - Variation VIII | — | ||
| 12-36 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IX | — | ||
| 12-37 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation X. Adagio | — | ||
| 12-38 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation XI. Poco Adagio, quasi Andante | — | ||
| 12-39 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation XII. Allegro | — | ||
| 13-1 | Sonata for Piano and Violoncello in F major, op. 5 no. 1: I. Adagio sostenuto - Allegro | — | ||
| 13-2 | Sonata for Piano and Violoncello in F major, op. 5 no. 1: II. Rondo. Allegro vivace | — | ||
| 13-3 | Sonata for Piano and Violoncello in G minor, op. 5 no. 2: I. Adagio sostenuto e espressivo - Allegro molto più tosto presto | — | ||
| 13-4 | Sonata for Piano and Violoncello in G minor, op. 5 no. 2: II. Rondo. Allegro | — | ||
| 13-5 | Sonata for Piano and Violoncello in A major, op. 69: I. Allegro ma non tanto | — | ||
| 13-6 | Sonata for Piano and Violoncello in A major, op. 69: II. Scherzo. Allegro molto | — | ||
| 13-7 | Sonata for Piano and Violoncello in A major, op. 69: III. Adagio cantabile - Allegro vivace | — | ||
| 14-1 | Sonata for Piano and Violoncello in C major, op. 102 no. 1: I. Andante - Allegro vivace | — | ||
| 14-2 | Sonata for Piano and Violoncello in C major, op. 102 no. 1: II. Adagio - Tempo d'Andante - Allegro vivace | — | ||
| 14-3 | Sonata for Piano and Violoncello in D major, op. 102 no. 2: I. Allegro con brio | — | ||
| 14-4 | Sonata for Piano and Violoncello in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto - attacca | — | ||
| 14-5 | Sonata for Piano and Violoncello in D major, op. 102 no. 2: III. Allegro - Allegro fugato | — | ||
| 14-6 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Thema. Allegretto | — | ||
| 14-7 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation I | — | ||
| 14-8 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation II | — | ||
| 14-9 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation III | — | ||
| 14-10 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation IV | — | ||
| 14-11 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation V | — | ||
| 14-12 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation VI | — | ||
| 14-13 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation VII | — | ||
| 14-14 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation VIII | — | ||
| 14-15 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation IX | — | ||
| 14-16 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation X. Allegro | — | ||
| 14-17 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation XI. Adagio | — | ||
| 14-18 | Twelve Variations in G major on a Theme from Handel's oratorio "Judas Maccabaeus", WoO 45: Variation XII. Allegro | — | ||
| 14-19 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | — | ||
| 14-20 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation I | — | ||
| 14-21 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation II | — | ||
| 14-22 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation III | — | ||
| 14-23 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation IV | — | ||
| 14-24 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation V. Si prenda... | — | ||
| 14-25 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation VI. Adagio | — | ||
| 14-26 | Seven Variations in E flat major on the Duet "Bei Männern, welche Liebe fühlen", WoO 46: Variation VII. Allegro ma.. | — | ||
| 14-27 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Thema. Allegretto | — | ||
| 14-28 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation I | — | ||
| 14-29 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation II | — | ||
| 14-30 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation III | — | ||
| 14-31 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation IV | — | ||
| 14-32 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation V | — | ||
| 14-33 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation VI | — | ||
| 14-34 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation VII | — | ||
| 14-35 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation VIII | — | ||
| 14-36 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation IX | — | ||
| 14-37 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation X. Adagio | — | ||
| 14-38 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation XI. Poco Adagio quasi Andante | — | ||
| 14-39 | Twelve Variations in F major on the Theme "Ein Mädchen oder Weibchen" from "The Magic Flute", op. 66: Variation XII. Allegro | — | ||
| 15-1 | Cello Sonata no. 1 in E minor, op. 38: 1. Allegro non troppo | Rudolf Firkušný, Pierre Fournier | T-902.764.002-4 | |
| 15-2 | Cello Sonata no. 1 in E minor, op. 38: 2. Allegretto quasi menuetto | Rudolf Firkušný, Pierre Fournier | — | |
| 15-3 | Cello Sonata no. 1 in E minor, op. 38: 3. Allegro | Rudolf Firkušný, Pierre Fournier | — | |
| 15-4 | Cello Sonata no. 2 in F major, op. 99: 1. Allegro vivace | Rudolf Firkušný, Pierre Fournier | — | |
| 15-5 | Cello Sonata no. 2 in F major, op. 99: 2. Adagio affettuoso | Rudolf Firkušný, Pierre Fournier | — | |
| 15-6 | Cello Sonata no. 2 in F major, op. 99: 3. Allegro passionato | Rudolf Firkušný, Pierre Fournier | — | |
| 15-7 | Cello Sonata no. 2 in F major, op. 99: 4. Allegro molto | Rudolf Firkušný, Pierre Fournier | — | |
| 15-8 | Violin Sonata in A major: 1. Allegro ben marcato | Jean Fonda, Pierre Fournier | — | |
| 15-9 | Violin Sonata in A major: 2. Allegro | Jean Fonda, Pierre Fournier | — | |
| 15-10 | Violin Sonata in A major: 3. Recitativo – Fantasia: Ben moderato – Molto lento | Jean Fonda, Pierre Fournier | — | |
| 15-11 | Violin Sonata in A major: 4. Allegretto poco mosso | Jean Fonda, Pierre Fournier | — | |
| 16-1 | Sonata for Piano and Arpeggione in A minor, D. 821a: 1. Allegro moderato | Jean Fonda, Pierre Fournier | — | |
| 16-2 | Sonata for Piano and Arpeggione in A minor, D. 821a: 2. Adagio | Jean Fonda, Pierre Fournier | — | |
| 16-3 | Sonata for Piano and Arpeggione in A minor, D. 821a: 3. Allegretto | Jean Fonda, Pierre Fournier | — | |
| 16-4 | Variations Concertantes, op. 17 | Jean Fonda, Pierre Fournier | — | |
| 16-5 | Fantasiestücke, op. 73: 1. Zart und mit Ausdruck | Jean Fonda, Pierre Fournier | — | |
| 16-6 | Fantasiestücke, op. 73: 2. Lebhaft, leicht | Jean Fonda, Pierre Fournier | — | |
| 16-7 | Fantasiestücke, op. 73: 3. Rasch und mit Feuer | Jean Fonda, Pierre Fournier | — | |
| 16-8 | Fünf Stücke im Volkston, op. 102: 1. Mit Humor | Jean Fonda, Pierre Fournier | — | |
| 16-9 | Fünf Stücke im Volkston, op. 102: 2. Langsam | Jean Fonda, Pierre Fournier | — | |
| 16-10 | Fünf Stücke im Volkston, op. 102: 3. Nicht schnell, mit viel Ton zu spielen | Jean Fonda, Pierre Fournier | — | |
| 16-11 | Fünf Stücke im Volkston, op. 102: 4. Nicht zu rasch | Jean Fonda, Pierre Fournier | — | |
| 16-12 | Fünf Stücke im Volkston, op. 102: 5. Stark und markiert | Jean Fonda, Pierre Fournier | — | |
| 16-13 | Cello Sonata in G minor, op. 65: 1. Allegro moderato | Jean Fonda, Pierre Fournier | — | |
| 16-14 | Cello Sonata in G minor, op. 65: 2. Scherzo: Allegro con brio | Jean Fonda, Pierre Fournier | — | |
| 16-15 | Cello Sonata in G minor, op. 65: 3. Largo | Jean Fonda, Pierre Fournier | T-921.564.632-5 | |
| 16-16 | Cello Sonata in G minor, op. 65: 4. Finale: Allegro | Jean Fonda, Pierre Fournier | T-318.676.528-2 | |
| 17-1 | Cello Sonata in E major: Adagio cantabile – Allegro vivo | Lamar Crowson, Pierre Fournier | — | |
| 17-2 | Cello Sonata in C major: Tempo di Minuetto | Lamar Crowson, Pierre Fournier | — | |
| 17-3 | Violin Sonata, op. 10 no. 3: Larghetto | Lamar Crowson, Pierre Fournier | — | |
| 17-4 | Violinsonate Nr. 3, op. 10: II. Rondo | Lamar Crowson, Pierre Fournier | — | |
| 17-5 | Nocturne Nr. 2 in Es-dur, op. 9 | Lamar Crowson, Pierre Fournier | T-316.578.060-5 | |
| 17-6 | Hymne au soleil from Le Coq d'or | Lamar Crowson, Pierre Fournier | — | |
| 17-7 | The Tale of Tsar Saltan: The Flight of the Bumble-Bee | Lamar Crowson, Pierre Fournier | T-902.799.920-8 | |
| 17-8 | Adagio und Allegro, op. 70 | Lamar Crowson, Pierre Fournier | — | |
| 17-9 | Ave Maria (Méditation) | Lamar Crowson, Pierre Fournier | — | |
| 17-10 | Valse sentimentale, op. 51 no. 6 | Lamar Crowson, Pierre Fournier | — | |
| 17-11 | Feldeinsamkeit, op. 86 no. 2 | Lamar Crowson, Pierre Fournier | T-803.582.557-2 | |
| 17-12 | Elfentanz, op. 39 | Lamar Crowson, Pierre Fournier | T-331.180.807-4 | |
| 17-13 | Rondo, op. 94 | Lamar Crowson, Pierre Fournier | — | |
| 17-14 | Le Cygne from Le Carnaval des animaux | Lamar Crowson, Pierre Fournier | T-317.671.333-6 | |
| 17-15 | Variations on a Theme from Rossini's Moses | Lamar Crowson, Pierre Fournier | — | |
| 17-16 | Pezzo Capriccioso, op. 62 | Lamar Crowson, Pierre Fournier | — | |
| 18-1 | Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude | Pierre Fournier | — | |
| 18-2 | Cello Suite no. 1 in G major, BWV 1007: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 18-3 | Cello Suite no. 1 in G major, BWV 1007: III. Courante | Pierre Fournier | — | |
| 18-4 | 무반주 첼로 모음곡 1번 중 "사라방드" [Unaccompanied Cello no. 1, Sarabande] | Pierre Fournier | — | |
| 18-5 | Cello Suite no. 1 in G major, BWV 1007: V. Menuet I/II | Pierre Fournier | — | |
| 18-6 | Cello Suite no. 1 in G major, BWV 1007: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 18-7 | Cello Suite no. 2 in D minor, BWV 1008: I. Prelude | Pierre Fournier | — | |
| 18-8 | Cello Suite no. 2 in D minor, BWV 1008: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 18-9 | Cello Suite no. 2 in D minor, BWV 1008: III. Courante | Pierre Fournier | — | |
| 18-10 | Cello Suite no. 2 in D minor, BWV 1008: IV. Sarabande | Pierre Fournier | — | |
| 18-11 | Cello Suite no. 2 in D minor, BWV 1008: V. Menuet I/II | Pierre Fournier | — | |
| 18-12 | Cello Suite no. 2 in D minor, BWV 1008: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 18-13 | Cello Suite no. 3 in C major, BWV 1009: I. Prelude | Pierre Fournier | — | |
| 18-14 | Cello Suite no. 3 in C major, BWV 1009: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 18-15 | Cello Suite no. 3 in C major, BWV 1009: III. Courante | Pierre Fournier | — | |
| 18-16 | Cello Suite no. 3 in C major, BWV 1009: IV. Sarabande | Pierre Fournier | — | |
| 18-17 | Cello Suite no. 3 in C major, BWV 1009: V. Bourree I/II | Pierre Fournier | — | |
| 18-18 | Cello Suite no. 3 in C major, BWV 1009: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 19-1 | Cello Suite no. 4 in E-flat major, BWV 1010: I. Prelude | Pierre Fournier | — | |
| 19-2 | Cello Suite no. 4 in E-flat major, BWV 1010: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 19-3 | Cello Suite no. 4 in E-flat major, BWV 1010: III. Courante | Pierre Fournier | — | |
| 19-4 | Cello Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande | Pierre Fournier | — | |
| 19-5 | Cello Suite no. 4 in E-flat major, BWV 1010: V. Bourree I/II | Pierre Fournier | — | |
| 19-6 | Cello Suite no. 4 in E-flat major, BWV 1010: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 19-7 | Cello Suite no. 5 in C minor, BWV 1011: I. Prelude | Pierre Fournier | T-925.383.914-4 | |
| 19-8 | Cello Suite no. 5 in C minor, BWV 1011: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 19-9 | Cello Suite no. 5 in C minor, BWV 1011: III. Courante | Pierre Fournier | T-925.383.914-4 | |
| 19-10 | Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande | Pierre Fournier | — | |
| 19-11 | Cello Suite no. 5 in C minor, BWV 1011: V. Gavotte I/II | Pierre Fournier | — | |
| 19-12 | Cello Suite no. 5 in C minor, BWV 1011: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 19-13 | Cello Suite no. 6 in D major, BWV 1012: I. Prelude | Pierre Fournier | — | |
| 19-14 | Cello Suite no. 6 in D major, BWV 1012: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 19-15 | Cello Suite no. 6 in D major, BWV 1012: III. Courante | Pierre Fournier | — | |
| 19-16 | Cello Suite no. 6 in D major, BWV 1012: IV. Sarabande | Pierre Fournier | — | |
| 19-17 | Cello Suite no. 6 in D major, BWV 1012: V. Gavotte I/II | Pierre Fournier | — | |
| 19-18 | Cello Suite no. 6 in D major, BWV 1012: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 20-1 | Cello Concerto in D major, Hob.VIIb:2: I. Allegro moderato | — | ||
| 20-2 | Cello Concerto in D major, Hob.VIIb:2: II. Adagio | — | ||
| 20-3 | Cello Concerto in D major, Hob.VIIb:2: III. Rondo (Allegro) | — | ||
| 20-4 | Cello Concerto in B minor, op. 104, B.191: I. Allegro | — | ||
| 20-5 | Cello Concerto in B minor, op. 104, B.191: II. Adagio ma non troppo | — | ||
| 20-6 | Cello Concerto in B minor, op. 104, B.191: III. Finale (Allegro moderato) | — | ||
| 21-1 | Don Quixote, op. 35: Introduktion: Mäßiges Zeitmaß - Thema: Mäßig | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-2 | Don Quixote, op. 35: Variation I. Gemächlich | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-3 | Don Quixote, op. 35: Variation II. Kriegerisch | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-4 | Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-5 | Don Quixote, op. 35: Variation IV. Etwas breiter | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-6 | Don Quixote, op. 35: Variation V. Sehr langsam | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-7 | Don Quixote, op. 35: Variation VI. Schnell | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-8 | Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-9 | Don Quixote, op. 35: Variation VIII. Gemächlich | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-10 | Don Quixote, op. 35: Variation IX. Schnell und stürmisch | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-11 | Don Quixote, op. 35: Variation X. Viel breiter | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 21-12 | Don Quixote, op. 35: Finale: Sehr ruhig | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 22-1 | Cello Concerto in B-flat, G.482: I. Allegro moderato | — | ||
| 22-2 | Cello Concerto in B-flat, G.482: II. Andante grazioso | — | ||
| 22-3 | Cello Concerto in B-flat, G.482: III. Rondo (Allegro) | — | ||
| 22-4 | Cello Concerto in E minor, RV40 (Arr. from Cello Sonata): I. Largo | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-5 | Cello Concerto in E minor, RV40 (Arr. from Cello Sonata): II. Allegro | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-6 | Cello Concerto in E minor, RV40 (Arr. from Cello Sonata): III. Lento espressivo | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-7 | Cello Concerto in E minor, RV40 (Arr. from Cello Sonata): IV. Vivo | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-8 | Pièces En Concert For Cello & Strings: I. Prélude | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-9 | Pièces En Concert For Cello & Strings: II. Sicilienne | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-10 | Pièces En Concert For Cello & Strings: III. La Tromba | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | T-061.793.111-9 | |
| 22-11 | Pièces En Concert For Cello & Strings: IV. Plainte | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-12 | Pièces En Concert For Cello & Strings: V. Air de diable | Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 22-13 | Herzlich tut mich verlangen, BWV 727: transcr. Fournier | — | ||
| 22-14 | Baal Shem: Three Pictures Of Hassidic Life: II. Nigun (Improvisation) | — | ||
| 22-15 | Chanson Louis XIII & Pavane: Arr. Kreisler | — | ||
| 22-16 | Beau soir, L. 6 (Arr. Heifetz) | — | ||
| 22-17 | Fileuse | — | ||
| 22-18 | 3 Preludes, transcr. Fournier: Andante con moto e poco rubato | — | ||
| 22-19 | Granadina (Andalousie) | — | ||
| 23-1 | Sonata for Cello and Piano no. 1 in E minor, op. 38: I. Allegro non troppo | — | ||
| 23-2 | Sonata for Cello and Piano no. 1 in E minor, op. 38: II. Allegretto quasi minuetto | — | ||
| 23-3 | Sonata for Cello and Piano no. 1 in E minor, op. 38: III. Allegro - Più presto | — | ||
| 23-4 | Sonata for Cello and Piano no. 2 in F, op. 99: I. Allegro vivace | — | ||
| 23-5 | Sonata for Cello and Piano no. 2 in F, op. 99: II. Adagio affettuoso | — | ||
| 23-6 | Sonata for Cello and Piano no. 2 in F, op. 99: III. Allegro appassionata | — | ||
| 23-7 | Sonata for Cello and Piano no. 2 in F, op. 99: IV. Allegro molto | — | ||
| 23-8 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: I. Adagio | — | ||
| 23-9 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: II. Allegro ma non tanto | — | ||
| 23-10 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: III. Andante | — | ||
| 23-11 | Sonata for Viola da gamba and Harpsichord no. 1 in G, BWV 1027: IV. Allegro moderato | — | ||
| 24-1 | Sonata For Cello and Piano no. 1 in E minor, op. 38: I. Allegro non troppo | — | ||
| 24-2 | Sonata For Cello and Piano no. 1 in E minor, op. 38: II. Allegretto quasi minuetto | — | ||
| 24-3 | Sonata For Cello and Piano no. 1 in E minor, op. 38: III. Allegro: Più presto | — | ||
| 24-4 | Sonata For Cello and Piano no. 2 in F, op. 99: I. Allegro vivace | — | ||
| 24-5 | Sonata For Cello and Piano no. 2 in F, op. 99: II. Adagio affettuoso | — | ||
| 24-6 | Sonata For Cello and Piano no. 2 in F, op. 99: III. Allegro appassionata | — | ||
| 24-7 | Sonata For Cello and Piano no. 2 in F, op. 99: IV. Allegro molto | — | ||
| 25-1 | Sonata For Violin & Piano no. 1 in G, op. 78, Arranged as Sonata in D for cello & piano: I. Vivace ma non troppo | — | ||
| 25-2 | Sonata For Violin & Piano no. 1 in G, op. 78, Arranged as Sonata in D for cello & piano: II. Adagio | — | ||
| 25-3 | Sonata For Violin & Piano no. 1 in G, op. 78, Arranged as Sonata in D for cello & piano: III. Allegro molto moderato | — | ||
| 25-4 | Sonata For Cello And Piano in A minor, op. 36: I. Allegro agitato | — | ||
| 25-5 | Sonata For Cello And Piano in A minor, op. 36: II. Andante moto tranquillo | — | ||
| 25-6 | Sonata For Cello And Piano in A minor, op. 36: III. Allegro | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Konzert für Violoncello und Orchester e-Moll: III. Largo | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — |
| Konzert für Violoncello und Orchester e-Moll: IV. Allegro | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — |
| Konzert für Violoncello und Orchester e-Moll: I. Largo | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — |
| Konzert für Violoncello und Orchester e-Moll: II. Allegro | Pierre Fournier, Festival Strings Lucerne, Rudolf Baumgartner | — |
