UPC · Release
Daniel Barenboim
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The UPC for “The Solo Recordings on Deutsche Grammophon” by Daniel Barenboim is 028947973713. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-08-11. This release contains 477 tracks, each with its own ISRC. Tracks include DEF058104731, DEF058104732, DEF058104733.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | Daniel Barenboim | — | |
| 2 | Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | Daniel Barenboim | — | |
| 3 | Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegretto | Daniel Barenboim | T-902.774.400-9 | |
| 4 | Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | Daniel Barenboim | — | |
| 5 | Piano Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace | Daniel Barenboim | T-300.456.250-5 | |
| 6 | Piano Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato | Daniel Barenboim | — | |
| 7 | Piano Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto | Daniel Barenboim | — | |
| 8 | Piano Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso | Daniel Barenboim | — | |
| 9 | Piano Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio | Daniel Barenboim | — | |
| 10 | Piano Sonata no. 3 in C major, op. 2 no. 3: II. Adagio | Daniel Barenboim | — | |
| 11 | Piano Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro | Daniel Barenboim | — | |
| 12 | Piano Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai | Daniel Barenboim | T-306.395.786-4 | |
| 2-1 | Piano Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | Daniel Barenboim | — | |
| 2-2 | Piano Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto | Daniel Barenboim | — | |
| 2-3 | Piano Sonata no. 5 in C minor, op. 10 no. 1: III. Finale. Prestissimo | Daniel Barenboim | — | |
| 2-4 | Piano Sonata no. 6 in F major, op. 10 no. 2: I. Allegro | Daniel Barenboim | — | |
| 2-5 | Piano Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto | Daniel Barenboim | — | |
| 2-6 | Piano Sonata no. 6 in F major, op. 10 no. 2: III. Presto | Daniel Barenboim | — | |
| 2-7 | Piano Sonata no. 7 in D major, op. 10 no. 3: I. Presto | Daniel Barenboim | T-800.184.797-9 | |
| 2-8 | Piano Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto | Daniel Barenboim | — | |
| 2-9 | Piano Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto. Allegro | Daniel Barenboim | T-912.751.549-5 | |
| 2-10 | Piano Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo. Allegro | Daniel Barenboim | — | |
| 2-11 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | — | |
| 2-12 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | — | |
| 2-13 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | — | |
| 3-1 | Piano Sonata no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | Daniel Barenboim | — | |
| 3-2 | Piano Sonata no. 4 in E-flat major, op. 7: II. Largo, con gran espressione | Daniel Barenboim | — | |
| 3-3 | Piano Sonata no. 4 in E-flat major, op. 7: III. Allegro | Daniel Barenboim | — | |
| 3-4 | Piano Sonata no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso | Daniel Barenboim | — | |
| 3-5 | Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | Daniel Barenboim | — | |
| 3-6 | Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto | Daniel Barenboim | — | |
| 3-7 | Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo | Daniel Barenboim | — | |
| 3-8 | Piano Sonata no. 10 in G major, op. 14 no. 2: I. Allegro | Daniel Barenboim | — | |
| 3-9 | Piano Sonata no. 10 in G major, op. 14 no. 2: II. Andante | Daniel Barenboim | — | |
| 3-10 | Piano Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai | Daniel Barenboim | T-306.395.786-4 | |
| 3-11 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1 "Sonata quasi una fantasia": I. Andante - Allegro - Tempo I - attacca | Daniel Barenboim | — | |
| 3-12 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1 "Sonata quasi una fantasia": II. Allegro molto e vivace - attacca | Daniel Barenboim | — | |
| 3-13 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1 "Sonata quasi una fantasia": III. Adagio con espressione - attacca | Daniel Barenboim | — | |
| 3-14 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1 "Sonata quasi una fantasia": IV. Allegro vivace | Daniel Barenboim | — | |
| 4-1 | Piano Sonata no. 11 in B-flat major, op. 22: I. Allegro con brio | Daniel Barenboim | — | |
| 4-2 | Piano Sonata no. 11 in B-flat major, op. 22: II. Adagio con molta espressione | Daniel Barenboim | — | |
| 4-3 | Piano Sonata no. 11 in B-flat major, op. 22: III. Menuetto | Daniel Barenboim | — | |
| 4-4 | Piano Sonata no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto | Daniel Barenboim | — | |
| 4-5 | Piano Sonata no. 12 in A-flat major, op. 26: I. Andante con variazioni | Daniel Barenboim | — | |
| 4-6 | Piano Sonata no. 12 in A-flat major, op. 26: II. Scherzo. Allegro molto | Daniel Barenboim | — | |
| 4-7 | Piano Sonata no. 12 in A-flat major, op. 26: III. Marcia funebre sulla morte d'un eroe | Daniel Barenboim | — | |
| 4-8 | Piano Sonata no. 12 in A-flat major, op. 26: IV. Allegro | Daniel Barenboim | T-318.676.528-2 | |
| 4-9 | Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto | Daniel Barenboim | — | |
| 4-10 | Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto | Daniel Barenboim | — | |
| 4-11 | Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto | Daniel Barenboim | — | |
| 4-12 | Piano Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | Daniel Barenboim | — | |
| 4-13 | Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | Daniel Barenboim | — | |
| 5-1 | Piano Sonata no. 15 in D major, op. 28 "Pastoral": I. Allegro | Daniel Barenboim | — | |
| 5-2 | Piano Sonata no. 15 in D major, op. 28 "Pastoral": II. Andante | Daniel Barenboim | — | |
| 5-3 | Piano Sonata no. 15 in D major, op. 28 "Pastoral": III. Scherzo. Allegro vivace | Daniel Barenboim | — | |
| 5-4 | Piano Sonata no. 15 in D major, op. 28 "Pastoral": IV. Rondo. Allegro, ma non troppo | Daniel Barenboim | T-031.682.208-8 | |
| 5-5 | Piano Sonata no. 16 in G major, op. 31 no. 1: I. Allegro vivace | Daniel Barenboim | — | |
| 5-6 | Piano Sonata no. 16 in G major, op. 31 no. 1: II. Adagio grazioso | Daniel Barenboim | — | |
| 5-7 | Piano Sonata no. 16 in G major, op. 31 no. 1: III. Rondo. Allegretto | Daniel Barenboim | — | |
| 5-8 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": I. Largo - Allegro | Daniel Barenboim | T-915.723.676-5 | |
| 5-9 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": II. Adagio | Daniel Barenboim | — | |
| 5-10 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": III. Allegretto | Daniel Barenboim | T-310.769.687-3 | |
| 6-1 | Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | Daniel Barenboim | — | |
| 6-2 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: II. Scherzo. Allegretto vivace | Daniel Barenboim | — | |
| 6-3 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: III. Minuetto. Moderato e grazioso | Daniel Barenboim | — | |
| 6-4 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco | Daniel Barenboim | — | |
| 6-5 | Piano Sonata no. 19 in G minor, op. 49 no. 1: I. Andante | Daniel Barenboim | T-801.634.907-9 | |
| 6-6 | Piano Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo. Allegro | Daniel Barenboim | — | |
| 6-7 | Piano Sonata no. 20 in G major, op. 49 no. 2: I. Allegro, ma non troppo | Daniel Barenboim | — | |
| 6-8 | Piano Sonata no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto | Daniel Barenboim | — | |
| 6-9 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio | Daniel Barenboim | — | |
| 6-10 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto - attacca | Daniel Barenboim | — | |
| 6-11 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato | Daniel Barenboim | T-312.439.094-5 | |
| 7-1 | Piano Sonata no. 22 in F major, op. 54: I. In tempo d'un menuetto | Daniel Barenboim | — | |
| 7-2 | Piano Sonata no. 22 in F major, op. 54: II. Allegretto | Daniel Barenboim | — | |
| 7-3 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro, ma non troppo - Presto | Daniel Barenboim | — | |
| 7-4 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro, ma non troppo - Presto | Daniel Barenboim | — | |
| 7-5 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro, ma non troppo - Presto | Daniel Barenboim | — | |
| 7-6 | Piano Sonata no. 24 in F-sharp major, op. 78: I. Adagio cantabile - Allegro, ma non troppo | Daniel Barenboim | — | |
| 7-7 | Piano Sonata no. 24 in F-sharp major, op. 78: II. Allegro vivace | Daniel Barenboim | — | |
| 7-8 | Piano Sonata no. 25 in G major, op. 79: I. Presto alla tedesca | Daniel Barenboim | — | |
| 7-9 | Piano Sonata no. 25 In G major, op. 79: 2. Andante | Daniel Barenboim | — | |
| 7-10 | Piano Sonata no. 25 in G major, op. 79: III. Vivace | Daniel Barenboim | — | |
| 7-11 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro "Les Adieux" | Daniel Barenboim | — | |
| 7-12 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo "L'Absence" | Daniel Barenboim | T-800.722.074-9 | |
| 7-13 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente "Le Retour" | Daniel Barenboim | — | |
| 8-1 | Piano Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto, ma non troppo | Daniel Barenboim | — | |
| 8-2 | Piano Sonata no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | Daniel Barenboim | — | |
| 8-3 | Piano Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto - attacca | Daniel Barenboim | — | |
| 8-4 | Piano Sonata no. 28 in A major, op. 101: IV. Geschwinde, doch nicht zu sehr und mit Entschlossenheit. Allegro | Daniel Barenboim | — | |
| 8-5 | Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": I. Allegro | Daniel Barenboim | T-801.634.907-9 | |
| 8-6 | Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": II. Scherzo. Assai vivace | Daniel Barenboim | — | |
| 8-7 | Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": III. Adagio sostenuto. Appassionato e con molto sentimento | Daniel Barenboim | — | |
| 8-8 | Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": IV. Largo - Allegro risoluto | Daniel Barenboim | — | |
| 9-1 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo | Daniel Barenboim | — | |
| 9-2 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | Daniel Barenboim | T-330.117.470-5 | |
| 9-3 | Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | Daniel Barenboim | — | |
| 9-4 | Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | Daniel Barenboim | — | |
| 9-5 | Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | Daniel Barenboim | — | |
| 9-6 | Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo - Fuga. Allegro, ma non troppo | Daniel Barenboim | — | |
| 9-7 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | Daniel Barenboim | — | |
| 9-8 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta. Adagio molto semplice e cantabile | Daniel Barenboim | — | |
| 10-1 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Tema. Vivace | — | ||
| 10-2 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 1. Alla marcia maestoso | — | ||
| 10-3 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 2. Poco allegro | — | ||
| 10-4 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 3. L'istesso tempo | — | ||
| 10-5 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 4. Un Poco più vivace | — | ||
| 10-6 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 5. Allegro vivace | — | ||
| 10-7 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 6. Allegro ma non troppo e serioso | — | ||
| 10-8 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 7. Un poco più allegro | — | ||
| 10-9 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 8. Poco vivace | — | ||
| 10-10 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 9. Allegro pesante e risoluto | — | ||
| 10-11 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 10. Presto | — | ||
| 10-12 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 11. Allegretto | — | ||
| 10-13 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 12. Un poco più moto | — | ||
| 10-14 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 13. Vivace | — | ||
| 10-15 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 14. Grave e maestoso | — | ||
| 10-16 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 15. Presto scherzando | — | ||
| 10-17 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 16. Allegro | — | ||
| 10-18 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 17 | — | ||
| 10-19 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 18. Poco moderato | — | ||
| 10-20 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 19. Presto | — | ||
| 10-21 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 20. Andante | — | ||
| 10-22 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 21. Allegro con brio | — | ||
| 10-23 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 22. Allegro molto (alla “Notte e giorno faticar” di Mozart) | — | ||
| 10-24 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 23. Allegro assai | — | ||
| 10-25 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 24. Fughetta. Andante | — | ||
| 10-26 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 25. Allegro | — | ||
| 10-27 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 26 | — | ||
| 10-28 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 27. Vivace | — | ||
| 10-29 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 28. Allegro | — | ||
| 10-30 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 29. Adagio ma non troppo | — | ||
| 10-31 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 30. Andante, sempre cantabile | — | ||
| 10-32 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 31. Largo, molto espressivo | — | ||
| 10-33 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 32. Fuga. Allegro - Poco adagio | — | ||
| 10-34 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 33. Tempo di minuetto moderato (ma non tirarsi dietro) | — | ||
| 11-1 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: Thema scherzoso con variazioni | Daniel Barenboim, Ensemble intercontemporain, Pinchas Zukerman, Pierre Boulez | — | |
| 11-2 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: Adagio | Daniel Barenboim, Ensemble intercontemporain, Pinchas Zukerman, Pierre Boulez | T-914.012.216-3 | |
| 11-3 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: Rondo ritmico con introduzione | Daniel Barenboim, Ensemble intercontemporain, Pinchas Zukerman, Pierre Boulez | — | |
| 11-4 | 4 Pieces for Clarinet and Piano, op. 5: 1. Mäßig | — | ||
| 11-5 | 4 Pieces for Clarinet and Piano, op. 5: 2. Sehr langsam | — | ||
| 11-6 | 4 Pieces for Clarinet and Piano, op. 5: 3. Sehr rasch | — | ||
| 11-7 | 4 Pieces for Clarinet and Piano, op. 5: 4. Langsam | — | ||
| 11-8 | Piano Sonata, op. 1: Mäßig bewegt | — | ||
| 12-1 | Theme and Variations in D minor: Andante ma moderato | Daniel Barenboim | — | |
| 12-2 | Variations on a Theme by Robert Schumann in F-sharp minor, op. 9: Thema. Ziemlich langsam. Variation 1 · Var. 2. Poco più moto · Var. 3. Tempo di tema · Var. 4. Poco più moto · Var. 5. Allegro capriccioso · Var. 6. Allegro · Var. 7. Andante · Var. 8. Andante (non troppo lento) · Var. 9. Schnell · Var. 10. Poco Adagio · Var. 11. Un poco più animato · Var. 12. Allegretto, poco scherzando · Var. 13. Non troppo Presto · Var. 14. Andante · Var. 15. Poco adagio · Var. 16. Adagio | Daniel Barenboim | T-322.186.695-7 | |
| 12-3 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Aria. Variation 1 · Var. 2 · Var. 3 · Var. 4. Risoluto · Var. 5. Espessivo · Var. 6 · Var. 7. Con vivacità · Var. 8 · Var. 9. Poco sostenuto · Var. 10 · Var. 11 · Var. 12 · Var. 13. Largamente, ma non più · Var. 14 · Var. 15 · Var. 16 · Var. 17. Più mosso · Var. 18 · Var. 19. Leggiero e vivace · Var. 20 · Var. 21 · Var. 22 · Var. 23. Vivace e staccato · Var. 24 · Var. 25 · Fuga | Daniel Barenboim | T-329.395.032-6 | |
| 13-1 | The Nocturnes: No. 1 in B-flat minor, op. 9/1: Larghetto | — | ||
| 13-2 | The Nocturnes: No. 2 in E-flat major, op. 9/2: Andante | — | ||
| 13-3 | The Nocturnes: No. 3 in B major, op. 9/3: Allegretto | — | ||
| 13-4 | The Nocturnes: No. 4 in F major, op. 15/1: Andante cantabile | — | ||
| 13-5 | Nocturne in F-sharp major, op. 15 no. 2 | Daniel Barenboim | T-306.230.833-8 | |
| 13-6 | The Nocturnes: No. 6 in G minor, op. 15/3: Lento | — | ||
| 13-7 | The Nocturnes: No. 7 in C-sharp minor, op. 27/1: Larghetto | — | ||
| 13-8 | The Nocturnes: No. 8 in D-flat major, op. 27/2: Lento sostenuto | — | ||
| 13-9 | The Nocturnes: No. 9 in B major, op. 32/1: Andante sostenuto | — | ||
| 13-10 | The Nocturnes: No. 10 in A-flat major, op. 32/2: Lento | — | ||
| 13-11 | The Nocturnes: No. 11 in G minor, op. 37/1: Andante sostenuto | — | ||
| 14-1 | The Nocturnes: No. 12 in G major, op. 37/2: Andantino | — | ||
| 14-2 | The Nocturnes: No. 13 in C minor, op. 48/1: Lento | — | ||
| 14-3 | The Nocturnes: No. 14 in F-sharp minor, op. 48/2: Andantino | — | ||
| 14-4 | Nocturne no. 15 in F minor, op. 55 no. 1: Andante | Daniel Barenboim | T-321.286.787-9 | |
| 14-5 | Nocturne no. 16 in E-flat major, op. 55 no. 2: Lento Sostenuto | Daniel Barenboim | — | |
| 14-6 | Nocturne no. 17 in B major, op. 62 no. 1: Andante | Daniel Barenboim | — | |
| 14-7 | Nocturne no. 18 in E major, op. 62 no. 2: Lento | Daniel Barenboim | T-906.148.797-6 | |
| 14-8 | Nocturne no. 19 in E minor, op. 72 no. 1: Andante | Daniel Barenboim | T-905.040.158-6 | |
| 14-9 | Nocturne no. 20 in C-sharp minor, B. 49: Lento con Gran Espressione | Daniel Barenboim | — | |
| 14-10 | Nocturne no. 21 in C minor, B. 108 | Daniel Barenboim | — | |
| 15-1 | Fantasia in F minor, op. 49 | Daniel Barenboim | — | |
| 15-2 | Nocturne in D-flat major, op. 27 no. 2 | Daniel Barenboim | — | |
| 15-3 | Sonata in B-flat minor, op. 35: I. Grave - Doppio movimento | Daniel Barenboim | — | |
| 15-4 | Sonata in B-flat minor, op. 35: II. Scherzo - Più lento - Tempo I | Daniel Barenboim | — | |
| 15-5 | Sonata in B-flat minor, op. 35: III. Marche funèbre (Lento) | Daniel Barenboim | T-915.712.196-5 | |
| 15-6 | Sonata in B-flat minor, op. 35: IV. Finale (Presto) | Daniel Barenboim | T-003.055.867-8 | |
| 15-7 | Barcarolle in F-sharp major, op. 60 | Daniel Barenboim | T-303.629.706-6 | |
| 15-8 | Waltz in F major, op. 34 no. 3 | Daniel Barenboim | — | |
| 15-9 | Waltz in A minor, op. 34 no. 2 | Daniel Barenboim | T-922.054.556-2 | |
| 15-10 | Waltz in C-sharp minor, op. 64 no. 2 | Daniel Barenboim | T-922.054.556-2 | |
| 15-11 | Berceuse in D-flat major, op. 57 | Daniel Barenboim | — | |
| 15-12 | Polonaise in A-flat major, op. 53 | Daniel Barenboim | — | |
| 15-13 | Waltz in D-flat major, op. 64 no. 1 | Daniel Barenboim | — | |
| 16-1 | Après une lecture de Dante. Fantasia quasi sonata (No. 7 from Années de pèlerinage, 2ᵉ année: Italie S. 161): Andante maestoso - | — | ||
| 16-2 | Années de pèlerinage: Deuxième année: Italie, S.161 - Après une lecture du Dante: Presto agitato assai - più animato | Daniel Barenboim | — | |
| 16-3 | Après une lecture de Dante. Fantasia quasi sonata (No. 7 from Années de pèlerinage, 2ᵉ année: Italie S. 161): Andante (quasi improvvisato) - Andante - Recitativo - Adagio - | — | ||
| 16-4 | Après une lecture de Dante. Fantasia quasi sonata (No. 7 from Années de pèlerinage, 2ᵉ année: Italie S. 161): Allegro moderato - Più mosso - Tempo rubato e molto ritenuto - | — | ||
| 16-5 | Après une lecture de Dante. Fantasia quasi sonata (No. 7 from Années de pèlerinage, 2ᵉ année: Italie S. 161): Andante - Più mosso - Allegro - Allegro vivace - Presto - Andante (Tempo I) | — | ||
| 16-6 | Paraphrase de concert sur Rigoletto, S. 434 (Verdi): Preludio. Allegro - Andante - Presto | — | ||
| 17-1 | Consolations (Six Pensées poétiques), S. 172: No. 1 in E major. Andante con moto | Daniel Barenboim | — | |
| 17-2 | Consolations (Six Pensées poétiques), S. 172: No. 2 in E major. Un poco più mosso | Daniel Barenboim | — | |
| 17-3 | Consolations (Six Pensées poétiques), S. 172: No. 3 in D-flat major. Lento placido | Daniel Barenboim | T-306.229.968-3 | |
| 17-4 | Consolations (Six Pensées poétiques), S. 172: No. 4 in D-flat major. Quasi adagio | Daniel Barenboim | — | |
| 17-5 | Consolations (Six Pensées poétiques), S. 172: No. 5 in E major. Andantino | Daniel Barenboim | — | |
| 17-6 | Consolations (Six Pensées poétiques), S. 172: No. 6 in E major. Allegretto sempre cantabile | — | ||
| 17-7 | Liebesträume. Notturni, S. 541: No. 1 “Hohe Liebe”. Andante espressivo assai | Daniel Barenboim | — | |
| 17-8 | Liebesträume. Notturni, S. 541: No. 2 “Seliger Tod”. Quasi lento, abbandonandosi | Daniel Barenboim | — | |
| 17-9 | Liebesträume. Notturni, S. 541: No. 3 “O lieb, solang du lieben kannst”. Poco allegretto con affetto | Daniel Barenboim | — | |
| 17-10 | Années de pèlerinage 2ᵉ année: Italie, S. 161: No. 4: Sonetto 47 del Petrarca (“Benedetto sia 'I giorno”). Preludio con moto - Sempre mosso, con intenso sentimento | — | ||
| 17-11 | Années de pèlerinage 2ᵉ année: Italie, S. 161: No. 5: Sonetto 104 del Petrarca (“Pace non trovo”). Agitato assai - Adagio | — | ||
| 17-12 | Années de pèlerinage 2ᵉ année: Italie, S. 161: No. 6: Sonetto 123 del Petrarca (“I' vidi in terra angelici costumi”). Lento placido - Sempre lento - Più lento | — | ||
| 17-13 | Consolation no. 3 in D-flat major, S. 172: Lento placido | — | ||
| 17-14 | Valse oubliée no. 1 in F-sharp major, S. 215: Allegro | — | ||
| 18-1 | Années de pèlerinage 1ʳᵉ année: Suisse, S. 160: No. 1: La Chapelle de Guillaume Tell. Lento - Più lento - Allegro vivace - Più moderato | — | ||
| 18-2 | Années de pèlerinage 1ʳᵉ année: Suisse, S. 160: No. 2: Au lac de Wallenstadt. Andante placido | — | ||
| 18-3 | Années de pèlerinage 1ʳᵉ année: Suisse, S. 160: No. 3: Pastorale. Vivace | — | ||
| 18-4 | Années de pèlerinage 1ʳᵉ année: Suisse, S. 160: No. 4: Au bord d'une source. Allegretto grazioso | — | ||
| 18-5 | Années de pèlerinage 1ʳᵉ année: Suisse, S. 160: No. 5: Orage. Allegro molto - Presto furioso - Meno allegro - Più moto | — | ||
| 18-6 | Années de pèlerinage 1ʳᵉ année: Suisse, S. 160: No. 6: Vallée d'Obermann. Lento assai - Più lento - Recitativo - Più mosso - Presto - Lento | — | ||
| 18-7 | Années de pèlerinage 1ʳᵉ année: Suisse, S. 160: No. 7: Églogue. Allegretto con moto | — | ||
| 18-8 | Années de pèlerinage 1ʳᵉ année: Suisse, S. 160: No. 8: Le Mal du pays. Lento - Adagio dolente - Lento - Andantino - Adagio dolente - Più lento | — | ||
| 18-9 | Années de pèlerinage 1ʳᵉ année: Suisse, S. 160: No. 9: Les Cloches de Genève. Nocturne. Quasi allegretto - Cantabile con moto - Animato - Più lento | — | ||
| 19-1 | Arrival of the Guests at the Wartburg (March from Wagner's Tannhäuser), S. 445/1 | — | ||
| 19-2 | Spinning Song (from Der fliegende Holländer), S. 440 | — | ||
| 19-3 | Elsa's Dream and Lohengrin's Admonition to Elsa (from Lohengrin), S. 446/2 & 3 | — | ||
| 19-4 | Isolde's Love Death (from Tristan und Isolde), S. 447 | — | ||
| 19-5 | The Flying Dutchman/Wagner: Ballade, Transcription S. 441 | Daniel Barenboim | — | |
| 19-6 | Santo spirito cavaliere (Phantasiestück on themes from Rienzi), S. 439 | — | ||
| 20-1 | Romances sans paroles, op. 19: no. 1 en mi majeur: Andante con moto | Daniel Barenboim | — | |
| 20-2 | Romances sans paroles, op. 19: no. 2 en la mineur: Andante espressivo | Daniel Barenboim | T-800.722.074-9 | |
| 20-3 | Romances sans paroles, op. 19: no. 3 en la majeur "La chasse": Molto allegro e vivace | Daniel Barenboim | T-931.717.645-7 | |
| 20-4 | Romances sans paroles, op. 19: no. 4 en la majeur: Moderato | Daniel Barenboim | T-312.542.381-2 | |
| 20-5 | Romances sans paroles, op. 19: no. 5 en fa dièse mineur: Piano agitato | Daniel Barenboim | — | |
| 20-6 | Romances sans paroles, op. 19: no. 6 en sol mineur "Barcarolle vénitienne": Andante sostenuto | Daniel Barenboim | — | |
| 20-7 | Romances sans paroles, op. 30: no. 1 en mi bémol majeur: Andante espressivo | Daniel Barenboim | — | |
| 20-8 | Romances sans paroles, op. 30: no. 2 en si bémol mineur: Allegro di molto | Daniel Barenboim | — | |
| 20-9 | Romances sans paroles, op. 30: no. 3 en mi majeur: Adagio non troppo | Daniel Barenboim | — | |
| 20-10 | Romances sans paroles, op. 30: no. 4 en si mineur: Agitato e con fuoco | Daniel Barenboim | T-931.717.525-0 | |
| 20-11 | Romances sans paroles, op. 30: no. 5 en ré majeur: Andante grazioso | Daniel Barenboim | T-902.876.200-7 | |
| 20-12 | Romances sans paroles, op. 30: no. 6 en fa dièse mineur "Barcarolle vénitienne": Allegretto tranquillo | Daniel Barenboim | — | |
| 20-13 | Romances sans paroles, op. 38: no. 1 en mi bémol majeur: Con moto | Daniel Barenboim | T-931.717.529-4 | |
| 20-14 | Romances sans paroles, op. 38: no. 2 en ut mineur: Allegro non troppo | Daniel Barenboim | — | |
| 20-15 | Romances sans paroles, op. 38: no. 3 en mi majeur: Presto e molto vivace | Daniel Barenboim | — | |
| 20-16 | Romances sans paroles, op. 38: no. 4 en la majeur: Andante | Daniel Barenboim | T-312.542.381-2 | |
| 20-17 | Romances sans paroles, op. 38: no. 5 en la mineur: Agitato | Daniel Barenboim | — | |
| 20-18 | Romances sans paroles, op. 38: no. 6 en la bémol majeur "Duetto": Andante con moto | Daniel Barenboim | — | |
| 20-19 | Romances sans paroles, op. 53: no. 1 en la bémol majeur: Andante con moto | Daniel Barenboim | T-931.717.650-4 | |
| 20-20 | Romances sans paroles, op. 53: no. 2 en mi bémol majeur: Allegro non troppo | Daniel Barenboim | — | |
| 20-21 | Romances sans paroles, op. 53: no. 3 en sol mineur: Presto agitato | Daniel Barenboim | — | |
| 20-22 | Romances sans paroles, op. 53: no. 4 en fa majeur: Adagio | Daniel Barenboim | — | |
| 20-23 | Romances sans paroles, op. 53: no. 5 en la mineur "Chanson populaire": Allegro con fuoco | Daniel Barenboim | T-931.717.651-5 | |
| 20-24 | Romances sans paroles, op. 53: no. 6 en la majeur: Molto allegro, vivace | Daniel Barenboim | — | |
| 21-1 | Lieder ohne Worte, op. 62: No. 1 in G: Andante espressivo | Daniel Barenboim | — | |
| 21-2 | Lieder ohne Worte, op. 62: No. 2 in B-flat: Allegro con fuoco | Daniel Barenboim | — | |
| 21-3 | Lieder ohne Worte, op. 62: No. 3 in E minor: Andante maestoso "Funeral March" | Daniel Barenboim | — | |
| 21-4 | Lieder ohne Worte, op. 62: No. 4 in G: Allegro con anima | Daniel Barenboim | — | |
| 21-5 | Lieder ohne Worte, op. 62: No. 5 in A minor: Andante con moto "Venetian Gondola Song" | Daniel Barenboim | T-931.717.655-9 | |
| 21-6 | Lieder ohne Worte, op. 62 no. 6 “Frühlingslied”: Allegretto grazioso in A major | Daniel Barenboim | T-915.714.795-0 | |
| 21-7 | Lieder ohne Worte, op. 67: No. 1 in E-flat: Andante | Daniel Barenboim | — | |
| 21-8 | Lieder ohne Worte, op. 67: No. 2 in F-sharp minor: Allegro leggiero | Daniel Barenboim | — | |
| 21-9 | Lieder ohne Worte, op. 67: No. 3 in B-flat: Andante tranquillo | Daniel Barenboim | — | |
| 21-10 | Lieder ohne Worte, op. 67: No. 4 in C: Presto "Spinning Song" | Daniel Barenboim | T-312.542.381-2 | |
| 21-11 | Lieder ohne Worte, op. 67: No. 5 in B minor: Moderato | Daniel Barenboim | — | |
| 21-12 | Lieder ohne Worte, op. 67: No. 6 in E: Allegretto non troppo "Wiegenlied" | Daniel Barenboim | — | |
| 21-13 | Lieder ohne Worte, op. 85: No. 1 in F: Andante espressivo | Daniel Barenboim | — | |
| 21-14 | Lieder ohne worte, Op. 85: No. 2. Allegro agitato in A Minor "Adieu" | Daniel Barenboim | — | |
| 21-15 | Lieder ohne Worte, op. 85: No. 3 in E-flat: Presto | Daniel Barenboim | — | |
| 21-16 | Lieder ohne Worte, op. 85: No. 4 in D: Andante sostenuto | Daniel Barenboim | — | |
| 21-17 | Lieder ohne worte, Op. 85: No. 5. Allegretto in A, MWV U 191 | Daniel Barenboim | T-915.714.795-0 | |
| 21-18 | Lieder ohne Worte, op. 85: No. 6 in B-flat: Allegretto con moto | Daniel Barenboim | — | |
| 21-19 | Lieder ohne Worte, op. 102: No. 1 in E minor: Andante un poco agitato | Daniel Barenboim | T-931.717.666-2 | |
| 21-20 | Lieder ohne Worte, op. 102: No. 2 in D: Adagio | Daniel Barenboim | — | |
| 21-21 | Lieder ohne worte, Op. 102: No. 3. Presto in C, MWV U 195 - "Tarantelle" | Daniel Barenboim | — | |
| 21-22 | Lieder ohne Worte, op. 102: No. 4 in G minor: Un poco agitato ma andante | Daniel Barenboim | — | |
| 21-23 | Lieder ohne Worte, op. 102: No. 5 in A: Allegro vivace | Daniel Barenboim | — | |
| 21-24 | Lieder ohne Worte, op. 102: No. 6 in C: Andante | Daniel Barenboim | — | |
| 21-25 | Kinderstücke, op. 72: No. 1. Allegro non troppo | Daniel Barenboim | — | |
| 21-26 | Kinderstücke, op. 72: No. 2. Andante sostenuto | Daniel Barenboim | — | |
| 21-27 | Kinderstücke, op. 72: No. 3. Allegretto | Daniel Barenboim | — | |
| 21-28 | Kinderstücke, op. 72: No. 4. Andante con moto | Daniel Barenboim | T-931.717.260-4 | |
| 21-29 | Kinderstücke, op. 72: No. 5. Allegro assai | Daniel Barenboim | T-306.395.786-4 | |
| 21-30 | Kinderstücke, op. 72: No. 6. Vivace | Daniel Barenboim | — | |
| 21-31 | Gondellied: Allegretto non troppo | Daniel Barenboim | T-031.629.298-4 | |
| 21-32 | 2 Klavierstücke: No. 1. Gondellied: Andante cantabile | Daniel Barenboim | — | |
| 21-33 | 2 Klavierstücke: No. 2. Presto agitato | Daniel Barenboim | — | |
| 21-34 | Albumblatt, op. 117: Allegro | Daniel Barenboim | T-306.395.786-4 | |
| 22-1 | Piano Sonata in A minor, D 537 (op. posth. 164): 1. Allegro ma non troppo | — | ||
| 22-2 | Piano Sonata in A minor, D 537 (op. posth. 164): 2. Allegretto quasi andantino | — | ||
| 22-3 | Piano Sonata in A minor, D 537 (op. posth. 164): 3. Allegro vivace | — | ||
| 22-4 | Piano Sonata in E-flat major, D 568 (op. posth. 122): 1. Allegro moderato | — | ||
| 22-5 | Piano Sonata in E-flat major, D 568 (op. posth. 122): 2. Andante molto | — | ||
| 22-6 | Piano Sonata in E-flat major, D 568 (op. posth. 122): 3. Menuetto. Allegretto - Trio | — | ||
| 22-7 | Piano Sonata in E-flat major, D 568 (op. posth. 122): 4. Allegro moderato | — | ||
| 23-1 | Piano Sonata in B major, D 575 (op. posth. 147): 1. Allegro ma non troppo | — | ||
| 23-2 | Piano Sonata in B major, D 575 (op. posth. 147): 2. Andante | — | ||
| 23-3 | Piano Sonata in B major, D 575 (op. posth. 147): 3. Scherzo. Allegretto - Trio | — | ||
| 23-4 | Piano Sonata in B major, D 575 (op. posth. 147): 4. Allegro giusto | — | ||
| 23-5 | Piano Sonata in A major, D 664 (op. posth. 120): 1. Allegro moderato | — | ||
| 23-6 | Piano Sonata in A major, D 664 (op. posth. 120): 2. Andante | — | ||
| 23-7 | Piano Sonata in A major, D 664 (op. posth. 120): 3. Allegro | — | ||
| 23-8 | Piano Sonata in A minor, D 784 (op. posth. 143): 1. Allegro giusto | — | ||
| 23-9 | Piano Sonata in A minor, D 784 (op. posth. 143): 2. Andante | — | ||
| 23-10 | Piano Sonata in A minor, D 784 (op. posth. 143): 3. Allegro vivace | — | ||
| 24-1 | Piano Sonata in A minor, D 845 (op. 42): 1. Moderato | — | ||
| 24-2 | Piano Sonata in A minor, D 845 (op. 42): 2. Andante, poco mosso | — | ||
| 24-3 | Piano Sonata in A minor, D 845 (op. 42): 3. Scherzo. Allegro vivace - Trio. Un poco più lento | — | ||
| 24-4 | Piano Sonata in A minor, D 845 (op. 42): 4. Rondo. Allegro vivace | — | ||
| 24-5 | Piano Sonata in D major, D 850 (op. 53) “Gasteiner”: 1. Allegro vivace | — | ||
| 24-6 | Piano Sonata in D major, D 850 (op. 53) “Gasteiner”: 2. Con moto | — | ||
| 24-7 | Piano Sonata in D major, D 850 (op. 53) “Gasteiner”: 3. Scherzo. Allegro vivace - Trio | — | ||
| 24-8 | Piano Sonata in D major, D 850 (op. 53) “Gasteiner”: 4. Rondo. Allegro moderato | — | ||
| 25-1 | Piano Sonata in G major, D 894 (op. 78): 1. Molto moderato e cantabile | — | ||
| 25-2 | Piano Sonata in G major, D 894 (op. 78): 2. Andante | — | ||
| 25-3 | Piano Sonata in G major, D 894 (op. 78): 3. Menuetto. Allegro moderato - Trio | — | ||
| 25-4 | Piano Sonata in G major, D 894 (op. 78): 4. Allegretto | — | ||
| 25-5 | Piano Sonata in A major, D 959 (op. posth.): 1. Allegro | — | ||
| 25-6 | Piano Sonata in A major, D 959 (op. posth.): 2. Andantino | — | ||
| 25-7 | Piano Sonata in A major, D 959 (op. posth.): 3. Scherzo. Allegro vivace - Trio. Un poco più lento | — | ||
| 25-8 | Piano Sonata in A major, D 959 (op. posth.): 4. Rondo. Allegretto | — | ||
| 26-1 | Piano Sonata in C minor, D 958 (op. posth.): 1. Allegro | — | ||
| 26-2 | Piano Sonata in C minor, D 958 (op. posth.): 2. Adagio | — | ||
| 26-3 | Piano Sonata in C minor, D 958 (op. posth.): 3. Menuetto. Allegro - Trio | — | ||
| 26-4 | Piano Sonata in C minor, D 958 (op. posth.): 4. Allegro | — | ||
| 26-5 | Piano Sonata in B-flat major, D 960 (op. posth.): 1. Molto moderato | — | ||
| 26-6 | Piano Sonata in B-flat major, D 960 (op. posth.): 2. Andante sostenuto | — | ||
| 26-7 | Piano Sonata in B-flat major, D 960 (op. posth.): 3. Scherzo. Allegro vivace con delicatezza - Trio | — | ||
| 26-8 | Piano Sonata in B-flat major, D 960 (op. posth.): 4. Allegro ma non troppo | — | ||
| 27-1 | Piano Sonata in B-flat major, D 960 (op. posth.): 1. Molto moderato | — | ||
| 27-2 | Piano Sonata in B-flat major, D 960 (op. posth.): 2. Andante sostenuto | — | ||
| 27-3 | Piano Sonata in B-flat major, D 960 (op. posth.): 3. Scherzo. Allegro vivace con delicatezza - Trio | — | ||
| 27-4 | Piano Sonata in B-flat major, D 960 (op. posth.): 4. Allegro ma non troppo | — | ||
| 27-5 | Piano Sonata in C major, D 840 “Reliquie”: 1. Moderato | — | ||
| 27-6 | Piano Sonata in C major, D 840 “Reliquie”: 2. Andante | — | ||
| 28-1 | 6 Moments musicaux, D 780 ( op. 94): No. 1 in C major. Moderato | — | ||
| 28-2 | 6 Moments musicaux, D 780 ( op. 94): No. 2 in A-flat major. Andantino | — | ||
| 28-3 | 6 Moments musicaux, D 780 ( op. 94): No. 3 in F minor. Allegretto moderato | — | ||
| 28-4 | 6 Moments musicaux, D 780 ( op. 94): No. 4 in C-sharp minor. Moderato | — | ||
| 28-5 | 6 Moments musicaux, D 780 ( op. 94): No. 5 in F minor. Allegro vivace | — | ||
| 28-6 | 6 Moments musicaux, D 780 ( op. 94): No. 6 in A-flat major. Allegretto - Trio | — | ||
| 28-7 | Allegretto in C minor, D 915 | — | ||
| 28-8 | 2 Scherzi: No. 1 in B-flat major. Allegretto - Trio | — | ||
| 28-9 | 2 Scherzi: No. 2 in D-flat major. Allegretto moderato - Trio | — | ||
| 28-10 | 12 Valses nobles, D 969 (op. 77) | — | ||
| 29-1 | 4 Impromptus, D 935 (op. posth. 142): No. 1 in F minor. Allegro moderato | — | ||
| 29-2 | 4 Impromptus, D 935 (op. posth. 142): No. 2 in A-flat major. Allegretto | — | ||
| 29-3 | 4 Impromptus, D 935 (op. posth. 142): No. 3 in B-flat major. Thema. Andante | — | ||
| 29-4 | 4 Impromptus, D 935 (op. posth. 142): No. 4 in F minor. Allegro scherzando | — | ||
| 29-5 | 4 Impromptus, D 899 (op. 90): No. 1 in C minor. Allegro molto moderato | — | ||
| 29-6 | 4 Impromptus, D 899 (op. 90): No. 2 in E-flat major. Allegro | — | ||
| 29-7 | 4 Impromptus, D 899 (op. 90): No. 3 in G-flat major. Andante | — | ||
| 29-8 | 4 Impromptus, D 899 (op. 90): No. 4 in A-flat major. Allegretto | — | ||
| 30-1 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-2 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-3 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-4 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-5 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-6 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-7 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-8 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-9 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-10 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-11 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-12 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-13 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-14 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-15 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-16 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-17 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-18 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-19 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-20 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-21 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-22 | Faschingsschwank aus Wien op. 26: V. Finale | Daniel Barenboim | — | |
| 30-23 | Faschingsschwank aus Wien op. 26: V. Finale | Daniel Barenboim | — | |
| 30-24 | Faschingsschwank aus Wien op. 26: V. Finale | Daniel Barenboim | — | |
| 30-25 | Faschingsschwank aus Wien op. 26: V. Finale | Daniel Barenboim | — | |
| 30-26 | Faschingsschwank aus Wien op. 26: V. Finale | Daniel Barenboim | — | |
| 31-1 | Fantasia in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen - Im legenden - Ton - Tempo primo | Daniel Barenboim | — | |
| 31-2 | Fantasia in C major, op. 17: II. Mässig. Durchaus energisch - Etwas langsamer - Viel bewegter | Daniel Barenboim | — | |
| 31-3 | Fantasia in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas bewegter - Nach und nach bewegter und schneller | Daniel Barenboim | — | |
| 31-4 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-5 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-6 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-7 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-8 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-9 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-10 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-11 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-12 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-13 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-14 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-15 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-16 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-17 | Arabeske in C major, op. 18: Leicht und zart - Minor I - Minore II - Zum Schluss | — | ||
| 32-1 | Sonata in C major, K 159 / L 104: Allegro | — | ||
| 32-2 | Sonata in D minor, K 9 / L 413: Allegro | — | ||
| 32-3 | Sonata in E major, K. 380 / L 23: Andante commodo | — | ||
| 32-4 | 32 Variations in C minor on an Original Theme, WoO 80: Thema. Allegretto - Var. I-XXXII | — | ||
| 32-5 | Ballade no. 1 in G minor, op. 23: Largo - Moderato | — | ||
| 32-6 | Solemn March to the Holy Grail from Parsifal, S 450 | — | ||
| 32-7 | Harmonies poétiques et religieuses: Funérailles in F minor, S 173/7: Introduzione. Adagio - Allegro energico assai - Più lento | — | ||
| 32-8 | Mephisto Waltz no. 1: The Dance in the Village Inn, S 514: Allegro vivace (quasi presto) - Poco allegretto e rubato - Presto | — | ||
| 33-1 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: 1. Grave - Allegro di molto e con brio | Daniel Barenboim | — | |
| 33-2 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: 2. Adagio cantabile | Daniel Barenboim | T-001.397.158-8 | |
| 33-3 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: 3. Rondo. Allegro | Daniel Barenboim | — | |
| 33-4 | Piano Sonata no. 14 in C-sharp minor, op. 27/2 “Moonlight” (“Sonata quasi una fantasia”): 1. Adagio sostenuto - attacca: | — | ||
| 33-5 | Piano Sonata no. 14 in C-sharp minor, op. 27/2 “Moonlight” (“Sonata quasi una fantasia”): 2. Allegretto - Trio | — | ||
| 33-6 | Piano Sonata no. 14 in C-sharp minor, op. 27/2 “Moonlight” (“Sonata quasi una fantasia”): 3. Presto agitato | — | ||
| 33-7 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: 1. Allegro assai | Daniel Barenboim | T-306.395.786-4 | |
| 33-8 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: 2. Andante con moto - attacca: | Daniel Barenboim | — | |
| 33-9 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: 3. Allegro ma non troppo - Presto | Daniel Barenboim | T-031.682.208-8 | |
| 34-1 | Piano Sonata no. 21 in C major, op. 53 “Waldstein”: 1. Allegro con brio | Daniel Barenboim | — | |
| 34-2 | Piano Sonata no. 21 in C major, op. 53 “Waldstein”: 2. Introduzione. Adagio molto - attacca: | Daniel Barenboim | — | |
| 34-3 | Piano Sonata no. 21 in C major, op. 53 “Waldstein”: 3. Rondo. Allegretto moderato - Prestissimo | Daniel Barenboim | — | |
| 34-4 | Piano Sonata no. 32 in C minor, op. 111: 1. Maestoso - Allegro con brio ed appassionato | Daniel Barenboim | — | |
| 34-5 | Piano Sonata no. 32 in C minor, op. 111: 2. Arietta. Adagio molto semplice e cantabile | Daniel Barenboim | — | |
| 35-1 | Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: 1. Allegro | Daniel Barenboim | T-070.160.313-5 | |
| 35-2 | Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: 2. Scherzo. Assai vivace - Presto - Tempo I | Daniel Barenboim | — | |
| 35-3 | Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: 3. Adagio sostenuto. Appassionato e con molto sentimento | Daniel Barenboim | — | |
| 35-4 | Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: 4. Largo - Allegro risoluto | Daniel Barenboim | — | |
| 36-1 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Vivace | Daniel Barenboim | — | |
| 36-2 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 1. Alla Marcia maestoso | Daniel Barenboim | — | |
| 36-3 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 2. Poco allegro | Daniel Barenboim | — | |
| 36-4 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 3. L’istesso tempo | Daniel Barenboim | — | |
| 36-5 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 4. Un poco più vivace | Daniel Barenboim | — | |
| 36-6 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 5. Allegro vivace | Daniel Barenboim | — | |
| 36-7 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 6. Allegro ma non troppo e serioso | Daniel Barenboim | — | |
| 36-8 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 7. Un poco più allegro | Daniel Barenboim | — | |
| 36-9 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 8. Poco vivace | Daniel Barenboim | — | |
| 36-10 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 9. Allegro pesante e risoluto | Daniel Barenboim | — | |
| 36-11 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 10. Presto | Daniel Barenboim | — | |
| 36-12 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 11. Allegretto | Daniel Barenboim | — | |
| 36-13 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 12. Un poco più moto | Daniel Barenboim | — | |
| 36-14 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 13. Vivace | Daniel Barenboim | — | |
| 36-15 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 14. Grave e maestoso | Daniel Barenboim | — | |
| 36-16 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 15. Presto scherzando | Daniel Barenboim | — | |
| 36-17 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 16. Allegro | Daniel Barenboim | — | |
| 36-18 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 17. | Daniel Barenboim | — | |
| 36-19 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 18. Poco moderato | Daniel Barenboim | — | |
| 36-20 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 19. Presto | Daniel Barenboim | — | |
| 36-21 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 20. Andante | Daniel Barenboim | — | |
| 36-22 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 21. Allegro con brio - Meno allegro | Daniel Barenboim | — | |
| 36-23 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 22. Allegro molto (alla “Notte e giorno faticar” di Mozart) | Daniel Barenboim | — | |
| 36-24 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 23. Allegro assai | Daniel Barenboim | T-306.395.786-4 | |
| 36-25 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 24. Fughetta. Andante | Daniel Barenboim | — | |
| 36-26 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 25. Allegro | Daniel Barenboim | — | |
| 36-27 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 26. | Daniel Barenboim | — | |
| 36-28 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 27. Vivace | Daniel Barenboim | — | |
| 36-29 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 28. Allegro | Daniel Barenboim | — | |
| 36-30 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 29. Adagio ma non troppo | Daniel Barenboim | — | |
| 36-31 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 30. Andante, sempre cantabile | Daniel Barenboim | — | |
| 36-32 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 31. Largo, molto espressivo | Daniel Barenboim | — | |
| 36-33 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 32. Fuga (Allegro - Poco adagio) | Daniel Barenboim | — | |
| 36-34 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 33. Tempo di Menuetto, moderato (ma non tirarsi dietro) | Daniel Barenboim | — | |
| 37-1 | Fantasia in C minor, K. 475 | — | ||
| 37-2 | Piano Sonata no. 14 in C minor, K. 457: 1. Molto allegro | — | ||
| 37-3 | Piano Sonata no. 14 in C minor, K. 457: 2. Adagio | — | ||
| 37-4 | Piano Sonata no. 14 in C minor, K. 457: 3. Allegro assai | — | ||
| 37-5 | Piano Sonata no. 8 in A minor, K. 310: 1. Allegro Maestoso | Daniel Barenboim | — | |
| 37-6 | Piano Sonata no. 8 in A minor, K. 310: 2. Andante Cantabile Con Espressione | Daniel Barenboim | — | |
| 37-7 | Piano Sonata no. 8 in A minor, K. 310: 3. Presto | Daniel Barenboim | — | |
| 37-8 | Piano Sonata no. 16 in B-flat, K. 570: 1. Allegro | Daniel Barenboim | T-011.422.353-8 | |
| 37-9 | Piano Sonata no. 16 in B-flat, K. 570: 2. Adagio | Daniel Barenboim | — | |
| 37-10 | Piano Sonata no. 16 in B-flat, K. 570: 3. Allegretto | Daniel Barenboim | — | |
| 38-1 | Fantasia in C minor, K. 396 (385f) | Daniel Barenboim | T-915.717.075-7 | |
| 38-2 | Piano Sonata no. 10 in C major, K. 330 (300h): 1. Allegro moderato | Daniel Barenboim | — | |
| 38-3 | Piano Sonata no. 10 in C major, K. 330 (300h): 2. Andante cantabile | Daniel Barenboim | — | |
| 38-4 | Piano Sonata no. 10 in C major, K. 330 (300h): 3. Allegretto | Daniel Barenboim | — | |
| 38-5 | Piano Sonata no. 13 in B-flat major, K. 333 (315c): 1. Allegro | Daniel Barenboim | T-070.160.313-5 | |
| 38-6 | Piano Sonata no. 13 in B-flat major, K. 333 (315c): 2. Andante cantabile | Daniel Barenboim | — | |
| 38-7 | Piano Sonata no. 13 in B-flat major, K. 333 (315c): 3. Allegretto grazioso | Daniel Barenboim | — | |
| 39-1 | Piano Sonata in B-flat major, op. 17/6: 1. Allegro | — | ||
| 39-2 | Piano Sonata in B-flat major, op. 17/6: 2. Andante | — | ||
| 39-3 | Piano Sonata in B-flat major, op. 17/6: 3. Prestissimo | — | ||
| 39-4 | Piano Sonata in B-flat major | — | ||
| 39-5 | Piano Sonata in G major | — | ||
| 39-6 | 12 Piano Variations in C major on “Ah, vous dirai-je, Maman”, K. 265 (300e) | — | ||
| 39-7 | Capriccio (Scherzo) in F-sharp minor, op. 5 (MWV U 50): Prestissimo | — | ||
| 39-8 | Intermezzo in C major, op. 119/3: Grazioso e giocoso | — | ||
| 39-9 | Piano Sonatina in C major, op. 13/1: 1. Allegro assai e lusingando | — | ||
| 39-10 | Piano Sonatina in C major, op. 13/1: 2. Andantino | — | ||
| 39-11 | Piano Sonatina in C major, op. 13/1: 3. Presto | — | ||
| 39-12 | 24 Preludes for Piano, op. 34: No. 2 in A minor. Allegretto | — | ||
| 39-13 | 24 Preludes for Piano, op. 34: No. 3 in G major. Andante | — | ||
| 39-14 | 24 Preludes for Piano, op. 34: No. 24 in D minor. Allegretto | — | ||
| 39-15 | 24 Preludes for Piano, op. 34: No. 10 in C-sharp minor. Moderato non troppo | — | ||
| 39-16 | 24 Preludes for Piano, op. 34: No. 12 in G-sharp minor. Allegro non troppo | — | ||
| 39-17 | 24 Preludes for Piano, op. 34: No. 21 in B-flat major. Allegro poco moderato | — | ||
| 39-18 | 24 Preludes for Piano, op. 34: No. 5 in D major. Allegro vivace | — |
Identifier Graph
028947973713 is a Universal Product Code (UPC) assigned to The Solo Recordings on Deutsche Grammophon by Daniel Barenboim. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 477 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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The UPC for “The Solo Recordings on Deutsche Grammophon” by Daniel Barenboim is 028947973713. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-08-11. This release contains 477 tracks, each with its own ISRC. Tracks include DEF058104731, DEF058104732, DEF058104733.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | Daniel Barenboim | — | |
| 2 | Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | Daniel Barenboim | — | |
| 3 | Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegretto | Daniel Barenboim | T-902.774.400-9 | |
| 4 | Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | Daniel Barenboim | — | |
| 5 | Piano Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace | Daniel Barenboim | T-300.456.250-5 | |
| 6 | Piano Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato | Daniel Barenboim | — | |
| 7 | Piano Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto | Daniel Barenboim | — | |
| 8 | Piano Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso | Daniel Barenboim | — | |
| 9 | Piano Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio | Daniel Barenboim | — | |
| 10 | Piano Sonata no. 3 in C major, op. 2 no. 3: II. Adagio | Daniel Barenboim | — | |
| 11 | Piano Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro | Daniel Barenboim | — | |
| 12 | Piano Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai | Daniel Barenboim | T-306.395.786-4 | |
| 2-1 | Piano Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | Daniel Barenboim | — | |
| 2-2 | Piano Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto | Daniel Barenboim | — | |
| 2-3 | Piano Sonata no. 5 in C minor, op. 10 no. 1: III. Finale. Prestissimo | Daniel Barenboim | — | |
| 2-4 | Piano Sonata no. 6 in F major, op. 10 no. 2: I. Allegro | Daniel Barenboim | — | |
| 2-5 | Piano Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto | Daniel Barenboim | — | |
| 2-6 | Piano Sonata no. 6 in F major, op. 10 no. 2: III. Presto | Daniel Barenboim | — | |
| 2-7 | Piano Sonata no. 7 in D major, op. 10 no. 3: I. Presto | Daniel Barenboim | T-800.184.797-9 | |
| 2-8 | Piano Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto | Daniel Barenboim | — | |
| 2-9 | Piano Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto. Allegro | Daniel Barenboim | T-912.751.549-5 | |
| 2-10 | Piano Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo. Allegro | Daniel Barenboim | — | |
| 2-11 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | — | |
| 2-12 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | — | |
| 2-13 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | — | |
| 3-1 | Piano Sonata no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | Daniel Barenboim | — | |
| 3-2 | Piano Sonata no. 4 in E-flat major, op. 7: II. Largo, con gran espressione | Daniel Barenboim | — | |
| 3-3 | Piano Sonata no. 4 in E-flat major, op. 7: III. Allegro | Daniel Barenboim | — | |
| 3-4 | Piano Sonata no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso | Daniel Barenboim | — | |
| 3-5 | Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | Daniel Barenboim | — | |
| 3-6 | Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto | Daniel Barenboim | — | |
| 3-7 | Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo | Daniel Barenboim | — | |
| 3-8 | Piano Sonata no. 10 in G major, op. 14 no. 2: I. Allegro | Daniel Barenboim | — | |
| 3-9 | Piano Sonata no. 10 in G major, op. 14 no. 2: II. Andante | Daniel Barenboim | — | |
| 3-10 | Piano Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai | Daniel Barenboim | T-306.395.786-4 | |
| 3-11 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1 "Sonata quasi una fantasia": I. Andante - Allegro - Tempo I - attacca | Daniel Barenboim | — | |
| 3-12 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1 "Sonata quasi una fantasia": II. Allegro molto e vivace - attacca | Daniel Barenboim | — | |
| 3-13 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1 "Sonata quasi una fantasia": III. Adagio con espressione - attacca | Daniel Barenboim | — | |
| 3-14 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1 "Sonata quasi una fantasia": IV. Allegro vivace | Daniel Barenboim | — | |
| 4-1 | Piano Sonata no. 11 in B-flat major, op. 22: I. Allegro con brio | Daniel Barenboim | — | |
| 4-2 | Piano Sonata no. 11 in B-flat major, op. 22: II. Adagio con molta espressione | Daniel Barenboim | — | |
| 4-3 | Piano Sonata no. 11 in B-flat major, op. 22: III. Menuetto | Daniel Barenboim | — | |
| 4-4 | Piano Sonata no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto | Daniel Barenboim | — | |
| 4-5 | Piano Sonata no. 12 in A-flat major, op. 26: I. Andante con variazioni | Daniel Barenboim | — | |
| 4-6 | Piano Sonata no. 12 in A-flat major, op. 26: II. Scherzo. Allegro molto | Daniel Barenboim | — | |
| 4-7 | Piano Sonata no. 12 in A-flat major, op. 26: III. Marcia funebre sulla morte d'un eroe | Daniel Barenboim | — | |
| 4-8 | Piano Sonata no. 12 in A-flat major, op. 26: IV. Allegro | Daniel Barenboim | T-318.676.528-2 | |
| 4-9 | Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto | Daniel Barenboim | — | |
| 4-10 | Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto | Daniel Barenboim | — | |
| 4-11 | Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto | Daniel Barenboim | — | |
| 4-12 | Piano Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | Daniel Barenboim | — | |
| 4-13 | Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | Daniel Barenboim | — | |
| 5-1 | Piano Sonata no. 15 in D major, op. 28 "Pastoral": I. Allegro | Daniel Barenboim | — | |
| 5-2 | Piano Sonata no. 15 in D major, op. 28 "Pastoral": II. Andante | Daniel Barenboim | — | |
| 5-3 | Piano Sonata no. 15 in D major, op. 28 "Pastoral": III. Scherzo. Allegro vivace | Daniel Barenboim | — | |
| 5-4 | Piano Sonata no. 15 in D major, op. 28 "Pastoral": IV. Rondo. Allegro, ma non troppo | Daniel Barenboim | T-031.682.208-8 | |
| 5-5 | Piano Sonata no. 16 in G major, op. 31 no. 1: I. Allegro vivace | Daniel Barenboim | — | |
| 5-6 | Piano Sonata no. 16 in G major, op. 31 no. 1: II. Adagio grazioso | Daniel Barenboim | — | |
| 5-7 | Piano Sonata no. 16 in G major, op. 31 no. 1: III. Rondo. Allegretto | Daniel Barenboim | — | |
| 5-8 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": I. Largo - Allegro | Daniel Barenboim | T-915.723.676-5 | |
| 5-9 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": II. Adagio | Daniel Barenboim | — | |
| 5-10 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": III. Allegretto | Daniel Barenboim | T-310.769.687-3 | |
| 6-1 | Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | Daniel Barenboim | — | |
| 6-2 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: II. Scherzo. Allegretto vivace | Daniel Barenboim | — | |
| 6-3 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: III. Minuetto. Moderato e grazioso | Daniel Barenboim | — | |
| 6-4 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco | Daniel Barenboim | — | |
| 6-5 | Piano Sonata no. 19 in G minor, op. 49 no. 1: I. Andante | Daniel Barenboim | T-801.634.907-9 | |
| 6-6 | Piano Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo. Allegro | Daniel Barenboim | — | |
| 6-7 | Piano Sonata no. 20 in G major, op. 49 no. 2: I. Allegro, ma non troppo | Daniel Barenboim | — | |
| 6-8 | Piano Sonata no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto | Daniel Barenboim | — | |
| 6-9 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio | Daniel Barenboim | — | |
| 6-10 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto - attacca | Daniel Barenboim | — | |
| 6-11 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato | Daniel Barenboim | T-312.439.094-5 | |
| 7-1 | Piano Sonata no. 22 in F major, op. 54: I. In tempo d'un menuetto | Daniel Barenboim | — | |
| 7-2 | Piano Sonata no. 22 in F major, op. 54: II. Allegretto | Daniel Barenboim | — | |
| 7-3 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro, ma non troppo - Presto | Daniel Barenboim | — | |
| 7-4 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro, ma non troppo - Presto | Daniel Barenboim | — | |
| 7-5 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro, ma non troppo - Presto | Daniel Barenboim | — | |
| 7-6 | Piano Sonata no. 24 in F-sharp major, op. 78: I. Adagio cantabile - Allegro, ma non troppo | Daniel Barenboim | — | |
| 7-7 | Piano Sonata no. 24 in F-sharp major, op. 78: II. Allegro vivace | Daniel Barenboim | — | |
| 7-8 | Piano Sonata no. 25 in G major, op. 79: I. Presto alla tedesca | Daniel Barenboim | — | |
| 7-9 | Piano Sonata no. 25 In G major, op. 79: 2. Andante | Daniel Barenboim | — | |
| 7-10 | Piano Sonata no. 25 in G major, op. 79: III. Vivace | Daniel Barenboim | — | |
| 7-11 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro "Les Adieux" | Daniel Barenboim | — | |
| 7-12 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo "L'Absence" | Daniel Barenboim | T-800.722.074-9 | |
| 7-13 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente "Le Retour" | Daniel Barenboim | — | |
| 8-1 | Piano Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto, ma non troppo | Daniel Barenboim | — | |
| 8-2 | Piano Sonata no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | Daniel Barenboim | — | |
| 8-3 | Piano Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto - attacca | Daniel Barenboim | — | |
| 8-4 | Piano Sonata no. 28 in A major, op. 101: IV. Geschwinde, doch nicht zu sehr und mit Entschlossenheit. Allegro | Daniel Barenboim | — | |
| 8-5 | Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": I. Allegro | Daniel Barenboim | T-801.634.907-9 | |
| 8-6 | Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": II. Scherzo. Assai vivace | Daniel Barenboim | — | |
| 8-7 | Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": III. Adagio sostenuto. Appassionato e con molto sentimento | Daniel Barenboim | — | |
| 8-8 | Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": IV. Largo - Allegro risoluto | Daniel Barenboim | — | |
| 9-1 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo | Daniel Barenboim | — | |
| 9-2 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | Daniel Barenboim | T-330.117.470-5 | |
| 9-3 | Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | Daniel Barenboim | — | |
| 9-4 | Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | Daniel Barenboim | — | |
| 9-5 | Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | Daniel Barenboim | — | |
| 9-6 | Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo - Fuga. Allegro, ma non troppo | Daniel Barenboim | — | |
| 9-7 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | Daniel Barenboim | — | |
| 9-8 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta. Adagio molto semplice e cantabile | Daniel Barenboim | — | |
| 10-1 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Tema. Vivace | — | ||
| 10-2 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 1. Alla marcia maestoso | — | ||
| 10-3 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 2. Poco allegro | — | ||
| 10-4 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 3. L'istesso tempo | — | ||
| 10-5 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 4. Un Poco più vivace | — | ||
| 10-6 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 5. Allegro vivace | — | ||
| 10-7 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 6. Allegro ma non troppo e serioso | — | ||
| 10-8 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 7. Un poco più allegro | — | ||
| 10-9 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 8. Poco vivace | — | ||
| 10-10 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 9. Allegro pesante e risoluto | — | ||
| 10-11 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 10. Presto | — | ||
| 10-12 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 11. Allegretto | — | ||
| 10-13 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 12. Un poco più moto | — | ||
| 10-14 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 13. Vivace | — | ||
| 10-15 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 14. Grave e maestoso | — | ||
| 10-16 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 15. Presto scherzando | — | ||
| 10-17 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 16. Allegro | — | ||
| 10-18 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 17 | — | ||
| 10-19 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 18. Poco moderato | — | ||
| 10-20 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 19. Presto | — | ||
| 10-21 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 20. Andante | — | ||
| 10-22 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 21. Allegro con brio | — | ||
| 10-23 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 22. Allegro molto (alla “Notte e giorno faticar” di Mozart) | — | ||
| 10-24 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 23. Allegro assai | — | ||
| 10-25 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 24. Fughetta. Andante | — | ||
| 10-26 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 25. Allegro | — | ||
| 10-27 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 26 | — | ||
| 10-28 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 27. Vivace | — | ||
| 10-29 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 28. Allegro | — | ||
| 10-30 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 29. Adagio ma non troppo | — | ||
| 10-31 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 30. Andante, sempre cantabile | — | ||
| 10-32 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 31. Largo, molto espressivo | — | ||
| 10-33 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 32. Fuga. Allegro - Poco adagio | — | ||
| 10-34 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 33. Tempo di minuetto moderato (ma non tirarsi dietro) | — | ||
| 11-1 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: Thema scherzoso con variazioni | Daniel Barenboim, Ensemble intercontemporain, Pinchas Zukerman, Pierre Boulez | — | |
| 11-2 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: Adagio | Daniel Barenboim, Ensemble intercontemporain, Pinchas Zukerman, Pierre Boulez | T-914.012.216-3 | |
| 11-3 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: Rondo ritmico con introduzione | Daniel Barenboim, Ensemble intercontemporain, Pinchas Zukerman, Pierre Boulez | — | |
| 11-4 | 4 Pieces for Clarinet and Piano, op. 5: 1. Mäßig | — | ||
| 11-5 | 4 Pieces for Clarinet and Piano, op. 5: 2. Sehr langsam | — | ||
| 11-6 | 4 Pieces for Clarinet and Piano, op. 5: 3. Sehr rasch | — | ||
| 11-7 | 4 Pieces for Clarinet and Piano, op. 5: 4. Langsam | — | ||
| 11-8 | Piano Sonata, op. 1: Mäßig bewegt | — | ||
| 12-1 | Theme and Variations in D minor: Andante ma moderato | Daniel Barenboim | — | |
| 12-2 | Variations on a Theme by Robert Schumann in F-sharp minor, op. 9: Thema. Ziemlich langsam. Variation 1 · Var. 2. Poco più moto · Var. 3. Tempo di tema · Var. 4. Poco più moto · Var. 5. Allegro capriccioso · Var. 6. Allegro · Var. 7. Andante · Var. 8. Andante (non troppo lento) · Var. 9. Schnell · Var. 10. Poco Adagio · Var. 11. Un poco più animato · Var. 12. Allegretto, poco scherzando · Var. 13. Non troppo Presto · Var. 14. Andante · Var. 15. Poco adagio · Var. 16. Adagio | Daniel Barenboim | T-322.186.695-7 | |
| 12-3 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Aria. Variation 1 · Var. 2 · Var. 3 · Var. 4. Risoluto · Var. 5. Espessivo · Var. 6 · Var. 7. Con vivacità · Var. 8 · Var. 9. Poco sostenuto · Var. 10 · Var. 11 · Var. 12 · Var. 13. Largamente, ma non più · Var. 14 · Var. 15 · Var. 16 · Var. 17. Più mosso · Var. 18 · Var. 19. Leggiero e vivace · Var. 20 · Var. 21 · Var. 22 · Var. 23. Vivace e staccato · Var. 24 · Var. 25 · Fuga | Daniel Barenboim | T-329.395.032-6 | |
| 13-1 | The Nocturnes: No. 1 in B-flat minor, op. 9/1: Larghetto | — | ||
| 13-2 | The Nocturnes: No. 2 in E-flat major, op. 9/2: Andante | — | ||
| 13-3 | The Nocturnes: No. 3 in B major, op. 9/3: Allegretto | — | ||
| 13-4 | The Nocturnes: No. 4 in F major, op. 15/1: Andante cantabile | — | ||
| 13-5 | Nocturne in F-sharp major, op. 15 no. 2 | Daniel Barenboim | T-306.230.833-8 | |
| 13-6 | The Nocturnes: No. 6 in G minor, op. 15/3: Lento | — | ||
| 13-7 | The Nocturnes: No. 7 in C-sharp minor, op. 27/1: Larghetto | — | ||
| 13-8 | The Nocturnes: No. 8 in D-flat major, op. 27/2: Lento sostenuto | — | ||
| 13-9 | The Nocturnes: No. 9 in B major, op. 32/1: Andante sostenuto | — | ||
| 13-10 | The Nocturnes: No. 10 in A-flat major, op. 32/2: Lento | — | ||
| 13-11 | The Nocturnes: No. 11 in G minor, op. 37/1: Andante sostenuto | — | ||
| 14-1 | The Nocturnes: No. 12 in G major, op. 37/2: Andantino | — | ||
| 14-2 | The Nocturnes: No. 13 in C minor, op. 48/1: Lento | — | ||
| 14-3 | The Nocturnes: No. 14 in F-sharp minor, op. 48/2: Andantino | — | ||
| 14-4 | Nocturne no. 15 in F minor, op. 55 no. 1: Andante | Daniel Barenboim | T-321.286.787-9 | |
| 14-5 | Nocturne no. 16 in E-flat major, op. 55 no. 2: Lento Sostenuto | Daniel Barenboim | — | |
| 14-6 | Nocturne no. 17 in B major, op. 62 no. 1: Andante | Daniel Barenboim | — | |
| 14-7 | Nocturne no. 18 in E major, op. 62 no. 2: Lento | Daniel Barenboim | T-906.148.797-6 | |
| 14-8 | Nocturne no. 19 in E minor, op. 72 no. 1: Andante | Daniel Barenboim | T-905.040.158-6 | |
| 14-9 | Nocturne no. 20 in C-sharp minor, B. 49: Lento con Gran Espressione | Daniel Barenboim | — | |
| 14-10 | Nocturne no. 21 in C minor, B. 108 | Daniel Barenboim | — | |
| 15-1 | Fantasia in F minor, op. 49 | Daniel Barenboim | — | |
| 15-2 | Nocturne in D-flat major, op. 27 no. 2 | Daniel Barenboim | — | |
| 15-3 | Sonata in B-flat minor, op. 35: I. Grave - Doppio movimento | Daniel Barenboim | — | |
| 15-4 | Sonata in B-flat minor, op. 35: II. Scherzo - Più lento - Tempo I | Daniel Barenboim | — | |
| 15-5 | Sonata in B-flat minor, op. 35: III. Marche funèbre (Lento) | Daniel Barenboim | T-915.712.196-5 | |
| 15-6 | Sonata in B-flat minor, op. 35: IV. Finale (Presto) | Daniel Barenboim | T-003.055.867-8 | |
| 15-7 | Barcarolle in F-sharp major, op. 60 | Daniel Barenboim | T-303.629.706-6 | |
| 15-8 | Waltz in F major, op. 34 no. 3 | Daniel Barenboim | — | |
| 15-9 | Waltz in A minor, op. 34 no. 2 | Daniel Barenboim | T-922.054.556-2 | |
| 15-10 | Waltz in C-sharp minor, op. 64 no. 2 | Daniel Barenboim | T-922.054.556-2 | |
| 15-11 | Berceuse in D-flat major, op. 57 | Daniel Barenboim | — | |
| 15-12 | Polonaise in A-flat major, op. 53 | Daniel Barenboim | — | |
| 15-13 | Waltz in D-flat major, op. 64 no. 1 | Daniel Barenboim | — | |
| 16-1 | Après une lecture de Dante. Fantasia quasi sonata (No. 7 from Années de pèlerinage, 2ᵉ année: Italie S. 161): Andante maestoso - | — | ||
| 16-2 | Années de pèlerinage: Deuxième année: Italie, S.161 - Après une lecture du Dante: Presto agitato assai - più animato | Daniel Barenboim | — | |
| 16-3 | Après une lecture de Dante. Fantasia quasi sonata (No. 7 from Années de pèlerinage, 2ᵉ année: Italie S. 161): Andante (quasi improvvisato) - Andante - Recitativo - Adagio - | — | ||
| 16-4 | Après une lecture de Dante. Fantasia quasi sonata (No. 7 from Années de pèlerinage, 2ᵉ année: Italie S. 161): Allegro moderato - Più mosso - Tempo rubato e molto ritenuto - | — | ||
| 16-5 | Après une lecture de Dante. Fantasia quasi sonata (No. 7 from Années de pèlerinage, 2ᵉ année: Italie S. 161): Andante - Più mosso - Allegro - Allegro vivace - Presto - Andante (Tempo I) | — | ||
| 16-6 | Paraphrase de concert sur Rigoletto, S. 434 (Verdi): Preludio. Allegro - Andante - Presto | — | ||
| 17-1 | Consolations (Six Pensées poétiques), S. 172: No. 1 in E major. Andante con moto | Daniel Barenboim | — | |
| 17-2 | Consolations (Six Pensées poétiques), S. 172: No. 2 in E major. Un poco più mosso | Daniel Barenboim | — | |
| 17-3 | Consolations (Six Pensées poétiques), S. 172: No. 3 in D-flat major. Lento placido | Daniel Barenboim | T-306.229.968-3 | |
| 17-4 | Consolations (Six Pensées poétiques), S. 172: No. 4 in D-flat major. Quasi adagio | Daniel Barenboim | — | |
| 17-5 | Consolations (Six Pensées poétiques), S. 172: No. 5 in E major. Andantino | Daniel Barenboim | — | |
| 17-6 | Consolations (Six Pensées poétiques), S. 172: No. 6 in E major. Allegretto sempre cantabile | — | ||
| 17-7 | Liebesträume. Notturni, S. 541: No. 1 “Hohe Liebe”. Andante espressivo assai | Daniel Barenboim | — | |
| 17-8 | Liebesträume. Notturni, S. 541: No. 2 “Seliger Tod”. Quasi lento, abbandonandosi | Daniel Barenboim | — | |
| 17-9 | Liebesträume. Notturni, S. 541: No. 3 “O lieb, solang du lieben kannst”. Poco allegretto con affetto | Daniel Barenboim | — | |
| 17-10 | Années de pèlerinage 2ᵉ année: Italie, S. 161: No. 4: Sonetto 47 del Petrarca (“Benedetto sia 'I giorno”). Preludio con moto - Sempre mosso, con intenso sentimento | — | ||
| 17-11 | Années de pèlerinage 2ᵉ année: Italie, S. 161: No. 5: Sonetto 104 del Petrarca (“Pace non trovo”). Agitato assai - Adagio | — | ||
| 17-12 | Années de pèlerinage 2ᵉ année: Italie, S. 161: No. 6: Sonetto 123 del Petrarca (“I' vidi in terra angelici costumi”). Lento placido - Sempre lento - Più lento | — | ||
| 17-13 | Consolation no. 3 in D-flat major, S. 172: Lento placido | — | ||
| 17-14 | Valse oubliée no. 1 in F-sharp major, S. 215: Allegro | — | ||
| 18-1 | Années de pèlerinage 1ʳᵉ année: Suisse, S. 160: No. 1: La Chapelle de Guillaume Tell. Lento - Più lento - Allegro vivace - Più moderato | — | ||
| 18-2 | Années de pèlerinage 1ʳᵉ année: Suisse, S. 160: No. 2: Au lac de Wallenstadt. Andante placido | — | ||
| 18-3 | Années de pèlerinage 1ʳᵉ année: Suisse, S. 160: No. 3: Pastorale. Vivace | — | ||
| 18-4 | Années de pèlerinage 1ʳᵉ année: Suisse, S. 160: No. 4: Au bord d'une source. Allegretto grazioso | — | ||
| 18-5 | Années de pèlerinage 1ʳᵉ année: Suisse, S. 160: No. 5: Orage. Allegro molto - Presto furioso - Meno allegro - Più moto | — | ||
| 18-6 | Années de pèlerinage 1ʳᵉ année: Suisse, S. 160: No. 6: Vallée d'Obermann. Lento assai - Più lento - Recitativo - Più mosso - Presto - Lento | — | ||
| 18-7 | Années de pèlerinage 1ʳᵉ année: Suisse, S. 160: No. 7: Églogue. Allegretto con moto | — | ||
| 18-8 | Années de pèlerinage 1ʳᵉ année: Suisse, S. 160: No. 8: Le Mal du pays. Lento - Adagio dolente - Lento - Andantino - Adagio dolente - Più lento | — | ||
| 18-9 | Années de pèlerinage 1ʳᵉ année: Suisse, S. 160: No. 9: Les Cloches de Genève. Nocturne. Quasi allegretto - Cantabile con moto - Animato - Più lento | — | ||
| 19-1 | Arrival of the Guests at the Wartburg (March from Wagner's Tannhäuser), S. 445/1 | — | ||
| 19-2 | Spinning Song (from Der fliegende Holländer), S. 440 | — | ||
| 19-3 | Elsa's Dream and Lohengrin's Admonition to Elsa (from Lohengrin), S. 446/2 & 3 | — | ||
| 19-4 | Isolde's Love Death (from Tristan und Isolde), S. 447 | — | ||
| 19-5 | The Flying Dutchman/Wagner: Ballade, Transcription S. 441 | Daniel Barenboim | — | |
| 19-6 | Santo spirito cavaliere (Phantasiestück on themes from Rienzi), S. 439 | — | ||
| 20-1 | Romances sans paroles, op. 19: no. 1 en mi majeur: Andante con moto | Daniel Barenboim | — | |
| 20-2 | Romances sans paroles, op. 19: no. 2 en la mineur: Andante espressivo | Daniel Barenboim | T-800.722.074-9 | |
| 20-3 | Romances sans paroles, op. 19: no. 3 en la majeur "La chasse": Molto allegro e vivace | Daniel Barenboim | T-931.717.645-7 | |
| 20-4 | Romances sans paroles, op. 19: no. 4 en la majeur: Moderato | Daniel Barenboim | T-312.542.381-2 | |
| 20-5 | Romances sans paroles, op. 19: no. 5 en fa dièse mineur: Piano agitato | Daniel Barenboim | — | |
| 20-6 | Romances sans paroles, op. 19: no. 6 en sol mineur "Barcarolle vénitienne": Andante sostenuto | Daniel Barenboim | — | |
| 20-7 | Romances sans paroles, op. 30: no. 1 en mi bémol majeur: Andante espressivo | Daniel Barenboim | — | |
| 20-8 | Romances sans paroles, op. 30: no. 2 en si bémol mineur: Allegro di molto | Daniel Barenboim | — | |
| 20-9 | Romances sans paroles, op. 30: no. 3 en mi majeur: Adagio non troppo | Daniel Barenboim | — | |
| 20-10 | Romances sans paroles, op. 30: no. 4 en si mineur: Agitato e con fuoco | Daniel Barenboim | T-931.717.525-0 | |
| 20-11 | Romances sans paroles, op. 30: no. 5 en ré majeur: Andante grazioso | Daniel Barenboim | T-902.876.200-7 | |
| 20-12 | Romances sans paroles, op. 30: no. 6 en fa dièse mineur "Barcarolle vénitienne": Allegretto tranquillo | Daniel Barenboim | — | |
| 20-13 | Romances sans paroles, op. 38: no. 1 en mi bémol majeur: Con moto | Daniel Barenboim | T-931.717.529-4 | |
| 20-14 | Romances sans paroles, op. 38: no. 2 en ut mineur: Allegro non troppo | Daniel Barenboim | — | |
| 20-15 | Romances sans paroles, op. 38: no. 3 en mi majeur: Presto e molto vivace | Daniel Barenboim | — | |
| 20-16 | Romances sans paroles, op. 38: no. 4 en la majeur: Andante | Daniel Barenboim | T-312.542.381-2 | |
| 20-17 | Romances sans paroles, op. 38: no. 5 en la mineur: Agitato | Daniel Barenboim | — | |
| 20-18 | Romances sans paroles, op. 38: no. 6 en la bémol majeur "Duetto": Andante con moto | Daniel Barenboim | — | |
| 20-19 | Romances sans paroles, op. 53: no. 1 en la bémol majeur: Andante con moto | Daniel Barenboim | T-931.717.650-4 | |
| 20-20 | Romances sans paroles, op. 53: no. 2 en mi bémol majeur: Allegro non troppo | Daniel Barenboim | — | |
| 20-21 | Romances sans paroles, op. 53: no. 3 en sol mineur: Presto agitato | Daniel Barenboim | — | |
| 20-22 | Romances sans paroles, op. 53: no. 4 en fa majeur: Adagio | Daniel Barenboim | — | |
| 20-23 | Romances sans paroles, op. 53: no. 5 en la mineur "Chanson populaire": Allegro con fuoco | Daniel Barenboim | T-931.717.651-5 | |
| 20-24 | Romances sans paroles, op. 53: no. 6 en la majeur: Molto allegro, vivace | Daniel Barenboim | — | |
| 21-1 | Lieder ohne Worte, op. 62: No. 1 in G: Andante espressivo | Daniel Barenboim | — | |
| 21-2 | Lieder ohne Worte, op. 62: No. 2 in B-flat: Allegro con fuoco | Daniel Barenboim | — | |
| 21-3 | Lieder ohne Worte, op. 62: No. 3 in E minor: Andante maestoso "Funeral March" | Daniel Barenboim | — | |
| 21-4 | Lieder ohne Worte, op. 62: No. 4 in G: Allegro con anima | Daniel Barenboim | — | |
| 21-5 | Lieder ohne Worte, op. 62: No. 5 in A minor: Andante con moto "Venetian Gondola Song" | Daniel Barenboim | T-931.717.655-9 | |
| 21-6 | Lieder ohne Worte, op. 62 no. 6 “Frühlingslied”: Allegretto grazioso in A major | Daniel Barenboim | T-915.714.795-0 | |
| 21-7 | Lieder ohne Worte, op. 67: No. 1 in E-flat: Andante | Daniel Barenboim | — | |
| 21-8 | Lieder ohne Worte, op. 67: No. 2 in F-sharp minor: Allegro leggiero | Daniel Barenboim | — | |
| 21-9 | Lieder ohne Worte, op. 67: No. 3 in B-flat: Andante tranquillo | Daniel Barenboim | — | |
| 21-10 | Lieder ohne Worte, op. 67: No. 4 in C: Presto "Spinning Song" | Daniel Barenboim | T-312.542.381-2 | |
| 21-11 | Lieder ohne Worte, op. 67: No. 5 in B minor: Moderato | Daniel Barenboim | — | |
| 21-12 | Lieder ohne Worte, op. 67: No. 6 in E: Allegretto non troppo "Wiegenlied" | Daniel Barenboim | — | |
| 21-13 | Lieder ohne Worte, op. 85: No. 1 in F: Andante espressivo | Daniel Barenboim | — | |
| 21-14 | Lieder ohne worte, Op. 85: No. 2. Allegro agitato in A Minor "Adieu" | Daniel Barenboim | — | |
| 21-15 | Lieder ohne Worte, op. 85: No. 3 in E-flat: Presto | Daniel Barenboim | — | |
| 21-16 | Lieder ohne Worte, op. 85: No. 4 in D: Andante sostenuto | Daniel Barenboim | — | |
| 21-17 | Lieder ohne worte, Op. 85: No. 5. Allegretto in A, MWV U 191 | Daniel Barenboim | T-915.714.795-0 | |
| 21-18 | Lieder ohne Worte, op. 85: No. 6 in B-flat: Allegretto con moto | Daniel Barenboim | — | |
| 21-19 | Lieder ohne Worte, op. 102: No. 1 in E minor: Andante un poco agitato | Daniel Barenboim | T-931.717.666-2 | |
| 21-20 | Lieder ohne Worte, op. 102: No. 2 in D: Adagio | Daniel Barenboim | — | |
| 21-21 | Lieder ohne worte, Op. 102: No. 3. Presto in C, MWV U 195 - "Tarantelle" | Daniel Barenboim | — | |
| 21-22 | Lieder ohne Worte, op. 102: No. 4 in G minor: Un poco agitato ma andante | Daniel Barenboim | — | |
| 21-23 | Lieder ohne Worte, op. 102: No. 5 in A: Allegro vivace | Daniel Barenboim | — | |
| 21-24 | Lieder ohne Worte, op. 102: No. 6 in C: Andante | Daniel Barenboim | — | |
| 21-25 | Kinderstücke, op. 72: No. 1. Allegro non troppo | Daniel Barenboim | — | |
| 21-26 | Kinderstücke, op. 72: No. 2. Andante sostenuto | Daniel Barenboim | — | |
| 21-27 | Kinderstücke, op. 72: No. 3. Allegretto | Daniel Barenboim | — | |
| 21-28 | Kinderstücke, op. 72: No. 4. Andante con moto | Daniel Barenboim | T-931.717.260-4 | |
| 21-29 | Kinderstücke, op. 72: No. 5. Allegro assai | Daniel Barenboim | T-306.395.786-4 | |
| 21-30 | Kinderstücke, op. 72: No. 6. Vivace | Daniel Barenboim | — | |
| 21-31 | Gondellied: Allegretto non troppo | Daniel Barenboim | T-031.629.298-4 | |
| 21-32 | 2 Klavierstücke: No. 1. Gondellied: Andante cantabile | Daniel Barenboim | — | |
| 21-33 | 2 Klavierstücke: No. 2. Presto agitato | Daniel Barenboim | — | |
| 21-34 | Albumblatt, op. 117: Allegro | Daniel Barenboim | T-306.395.786-4 | |
| 22-1 | Piano Sonata in A minor, D 537 (op. posth. 164): 1. Allegro ma non troppo | — | ||
| 22-2 | Piano Sonata in A minor, D 537 (op. posth. 164): 2. Allegretto quasi andantino | — | ||
| 22-3 | Piano Sonata in A minor, D 537 (op. posth. 164): 3. Allegro vivace | — | ||
| 22-4 | Piano Sonata in E-flat major, D 568 (op. posth. 122): 1. Allegro moderato | — | ||
| 22-5 | Piano Sonata in E-flat major, D 568 (op. posth. 122): 2. Andante molto | — | ||
| 22-6 | Piano Sonata in E-flat major, D 568 (op. posth. 122): 3. Menuetto. Allegretto - Trio | — | ||
| 22-7 | Piano Sonata in E-flat major, D 568 (op. posth. 122): 4. Allegro moderato | — | ||
| 23-1 | Piano Sonata in B major, D 575 (op. posth. 147): 1. Allegro ma non troppo | — | ||
| 23-2 | Piano Sonata in B major, D 575 (op. posth. 147): 2. Andante | — | ||
| 23-3 | Piano Sonata in B major, D 575 (op. posth. 147): 3. Scherzo. Allegretto - Trio | — | ||
| 23-4 | Piano Sonata in B major, D 575 (op. posth. 147): 4. Allegro giusto | — | ||
| 23-5 | Piano Sonata in A major, D 664 (op. posth. 120): 1. Allegro moderato | — | ||
| 23-6 | Piano Sonata in A major, D 664 (op. posth. 120): 2. Andante | — | ||
| 23-7 | Piano Sonata in A major, D 664 (op. posth. 120): 3. Allegro | — | ||
| 23-8 | Piano Sonata in A minor, D 784 (op. posth. 143): 1. Allegro giusto | — | ||
| 23-9 | Piano Sonata in A minor, D 784 (op. posth. 143): 2. Andante | — | ||
| 23-10 | Piano Sonata in A minor, D 784 (op. posth. 143): 3. Allegro vivace | — | ||
| 24-1 | Piano Sonata in A minor, D 845 (op. 42): 1. Moderato | — | ||
| 24-2 | Piano Sonata in A minor, D 845 (op. 42): 2. Andante, poco mosso | — | ||
| 24-3 | Piano Sonata in A minor, D 845 (op. 42): 3. Scherzo. Allegro vivace - Trio. Un poco più lento | — | ||
| 24-4 | Piano Sonata in A minor, D 845 (op. 42): 4. Rondo. Allegro vivace | — | ||
| 24-5 | Piano Sonata in D major, D 850 (op. 53) “Gasteiner”: 1. Allegro vivace | — | ||
| 24-6 | Piano Sonata in D major, D 850 (op. 53) “Gasteiner”: 2. Con moto | — | ||
| 24-7 | Piano Sonata in D major, D 850 (op. 53) “Gasteiner”: 3. Scherzo. Allegro vivace - Trio | — | ||
| 24-8 | Piano Sonata in D major, D 850 (op. 53) “Gasteiner”: 4. Rondo. Allegro moderato | — | ||
| 25-1 | Piano Sonata in G major, D 894 (op. 78): 1. Molto moderato e cantabile | — | ||
| 25-2 | Piano Sonata in G major, D 894 (op. 78): 2. Andante | — | ||
| 25-3 | Piano Sonata in G major, D 894 (op. 78): 3. Menuetto. Allegro moderato - Trio | — | ||
| 25-4 | Piano Sonata in G major, D 894 (op. 78): 4. Allegretto | — | ||
| 25-5 | Piano Sonata in A major, D 959 (op. posth.): 1. Allegro | — | ||
| 25-6 | Piano Sonata in A major, D 959 (op. posth.): 2. Andantino | — | ||
| 25-7 | Piano Sonata in A major, D 959 (op. posth.): 3. Scherzo. Allegro vivace - Trio. Un poco più lento | — | ||
| 25-8 | Piano Sonata in A major, D 959 (op. posth.): 4. Rondo. Allegretto | — | ||
| 26-1 | Piano Sonata in C minor, D 958 (op. posth.): 1. Allegro | — | ||
| 26-2 | Piano Sonata in C minor, D 958 (op. posth.): 2. Adagio | — | ||
| 26-3 | Piano Sonata in C minor, D 958 (op. posth.): 3. Menuetto. Allegro - Trio | — | ||
| 26-4 | Piano Sonata in C minor, D 958 (op. posth.): 4. Allegro | — | ||
| 26-5 | Piano Sonata in B-flat major, D 960 (op. posth.): 1. Molto moderato | — | ||
| 26-6 | Piano Sonata in B-flat major, D 960 (op. posth.): 2. Andante sostenuto | — | ||
| 26-7 | Piano Sonata in B-flat major, D 960 (op. posth.): 3. Scherzo. Allegro vivace con delicatezza - Trio | — | ||
| 26-8 | Piano Sonata in B-flat major, D 960 (op. posth.): 4. Allegro ma non troppo | — | ||
| 27-1 | Piano Sonata in B-flat major, D 960 (op. posth.): 1. Molto moderato | — | ||
| 27-2 | Piano Sonata in B-flat major, D 960 (op. posth.): 2. Andante sostenuto | — | ||
| 27-3 | Piano Sonata in B-flat major, D 960 (op. posth.): 3. Scherzo. Allegro vivace con delicatezza - Trio | — | ||
| 27-4 | Piano Sonata in B-flat major, D 960 (op. posth.): 4. Allegro ma non troppo | — | ||
| 27-5 | Piano Sonata in C major, D 840 “Reliquie”: 1. Moderato | — | ||
| 27-6 | Piano Sonata in C major, D 840 “Reliquie”: 2. Andante | — | ||
| 28-1 | 6 Moments musicaux, D 780 ( op. 94): No. 1 in C major. Moderato | — | ||
| 28-2 | 6 Moments musicaux, D 780 ( op. 94): No. 2 in A-flat major. Andantino | — | ||
| 28-3 | 6 Moments musicaux, D 780 ( op. 94): No. 3 in F minor. Allegretto moderato | — | ||
| 28-4 | 6 Moments musicaux, D 780 ( op. 94): No. 4 in C-sharp minor. Moderato | — | ||
| 28-5 | 6 Moments musicaux, D 780 ( op. 94): No. 5 in F minor. Allegro vivace | — | ||
| 28-6 | 6 Moments musicaux, D 780 ( op. 94): No. 6 in A-flat major. Allegretto - Trio | — | ||
| 28-7 | Allegretto in C minor, D 915 | — | ||
| 28-8 | 2 Scherzi: No. 1 in B-flat major. Allegretto - Trio | — | ||
| 28-9 | 2 Scherzi: No. 2 in D-flat major. Allegretto moderato - Trio | — | ||
| 28-10 | 12 Valses nobles, D 969 (op. 77) | — | ||
| 29-1 | 4 Impromptus, D 935 (op. posth. 142): No. 1 in F minor. Allegro moderato | — | ||
| 29-2 | 4 Impromptus, D 935 (op. posth. 142): No. 2 in A-flat major. Allegretto | — | ||
| 29-3 | 4 Impromptus, D 935 (op. posth. 142): No. 3 in B-flat major. Thema. Andante | — | ||
| 29-4 | 4 Impromptus, D 935 (op. posth. 142): No. 4 in F minor. Allegro scherzando | — | ||
| 29-5 | 4 Impromptus, D 899 (op. 90): No. 1 in C minor. Allegro molto moderato | — | ||
| 29-6 | 4 Impromptus, D 899 (op. 90): No. 2 in E-flat major. Allegro | — | ||
| 29-7 | 4 Impromptus, D 899 (op. 90): No. 3 in G-flat major. Andante | — | ||
| 29-8 | 4 Impromptus, D 899 (op. 90): No. 4 in A-flat major. Allegretto | — | ||
| 30-1 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-2 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-3 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-4 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-5 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-6 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-7 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-8 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-9 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-10 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-11 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-12 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-13 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-14 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-15 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-16 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-17 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-18 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-19 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-20 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-21 | Carnaval op. 9: 4. Valse noble | Daniel Barenboim | — | |
| 30-22 | Faschingsschwank aus Wien op. 26: V. Finale | Daniel Barenboim | — | |
| 30-23 | Faschingsschwank aus Wien op. 26: V. Finale | Daniel Barenboim | — | |
| 30-24 | Faschingsschwank aus Wien op. 26: V. Finale | Daniel Barenboim | — | |
| 30-25 | Faschingsschwank aus Wien op. 26: V. Finale | Daniel Barenboim | — | |
| 30-26 | Faschingsschwank aus Wien op. 26: V. Finale | Daniel Barenboim | — | |
| 31-1 | Fantasia in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen - Im legenden - Ton - Tempo primo | Daniel Barenboim | — | |
| 31-2 | Fantasia in C major, op. 17: II. Mässig. Durchaus energisch - Etwas langsamer - Viel bewegter | Daniel Barenboim | — | |
| 31-3 | Fantasia in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas bewegter - Nach und nach bewegter und schneller | Daniel Barenboim | — | |
| 31-4 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-5 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-6 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-7 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-8 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-9 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-10 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-11 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-12 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-13 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-14 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-15 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-16 | Kinderszenen op. 15: 8. Am Kamin | Daniel Barenboim | — | |
| 31-17 | Arabeske in C major, op. 18: Leicht und zart - Minor I - Minore II - Zum Schluss | — | ||
| 32-1 | Sonata in C major, K 159 / L 104: Allegro | — | ||
| 32-2 | Sonata in D minor, K 9 / L 413: Allegro | — | ||
| 32-3 | Sonata in E major, K. 380 / L 23: Andante commodo | — | ||
| 32-4 | 32 Variations in C minor on an Original Theme, WoO 80: Thema. Allegretto - Var. I-XXXII | — | ||
| 32-5 | Ballade no. 1 in G minor, op. 23: Largo - Moderato | — | ||
| 32-6 | Solemn March to the Holy Grail from Parsifal, S 450 | — | ||
| 32-7 | Harmonies poétiques et religieuses: Funérailles in F minor, S 173/7: Introduzione. Adagio - Allegro energico assai - Più lento | — | ||
| 32-8 | Mephisto Waltz no. 1: The Dance in the Village Inn, S 514: Allegro vivace (quasi presto) - Poco allegretto e rubato - Presto | — | ||
| 33-1 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: 1. Grave - Allegro di molto e con brio | Daniel Barenboim | — | |
| 33-2 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: 2. Adagio cantabile | Daniel Barenboim | T-001.397.158-8 | |
| 33-3 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: 3. Rondo. Allegro | Daniel Barenboim | — | |
| 33-4 | Piano Sonata no. 14 in C-sharp minor, op. 27/2 “Moonlight” (“Sonata quasi una fantasia”): 1. Adagio sostenuto - attacca: | — | ||
| 33-5 | Piano Sonata no. 14 in C-sharp minor, op. 27/2 “Moonlight” (“Sonata quasi una fantasia”): 2. Allegretto - Trio | — | ||
| 33-6 | Piano Sonata no. 14 in C-sharp minor, op. 27/2 “Moonlight” (“Sonata quasi una fantasia”): 3. Presto agitato | — | ||
| 33-7 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: 1. Allegro assai | Daniel Barenboim | T-306.395.786-4 | |
| 33-8 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: 2. Andante con moto - attacca: | Daniel Barenboim | — | |
| 33-9 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: 3. Allegro ma non troppo - Presto | Daniel Barenboim | T-031.682.208-8 | |
| 34-1 | Piano Sonata no. 21 in C major, op. 53 “Waldstein”: 1. Allegro con brio | Daniel Barenboim | — | |
| 34-2 | Piano Sonata no. 21 in C major, op. 53 “Waldstein”: 2. Introduzione. Adagio molto - attacca: | Daniel Barenboim | — | |
| 34-3 | Piano Sonata no. 21 in C major, op. 53 “Waldstein”: 3. Rondo. Allegretto moderato - Prestissimo | Daniel Barenboim | — | |
| 34-4 | Piano Sonata no. 32 in C minor, op. 111: 1. Maestoso - Allegro con brio ed appassionato | Daniel Barenboim | — | |
| 34-5 | Piano Sonata no. 32 in C minor, op. 111: 2. Arietta. Adagio molto semplice e cantabile | Daniel Barenboim | — | |
| 35-1 | Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: 1. Allegro | Daniel Barenboim | T-070.160.313-5 | |
| 35-2 | Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: 2. Scherzo. Assai vivace - Presto - Tempo I | Daniel Barenboim | — | |
| 35-3 | Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: 3. Adagio sostenuto. Appassionato e con molto sentimento | Daniel Barenboim | — | |
| 35-4 | Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: 4. Largo - Allegro risoluto | Daniel Barenboim | — | |
| 36-1 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Vivace | Daniel Barenboim | — | |
| 36-2 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 1. Alla Marcia maestoso | Daniel Barenboim | — | |
| 36-3 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 2. Poco allegro | Daniel Barenboim | — | |
| 36-4 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 3. L’istesso tempo | Daniel Barenboim | — | |
| 36-5 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 4. Un poco più vivace | Daniel Barenboim | — | |
| 36-6 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 5. Allegro vivace | Daniel Barenboim | — | |
| 36-7 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 6. Allegro ma non troppo e serioso | Daniel Barenboim | — | |
| 36-8 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 7. Un poco più allegro | Daniel Barenboim | — | |
| 36-9 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 8. Poco vivace | Daniel Barenboim | — | |
| 36-10 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 9. Allegro pesante e risoluto | Daniel Barenboim | — | |
| 36-11 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 10. Presto | Daniel Barenboim | — | |
| 36-12 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 11. Allegretto | Daniel Barenboim | — | |
| 36-13 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 12. Un poco più moto | Daniel Barenboim | — | |
| 36-14 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 13. Vivace | Daniel Barenboim | — | |
| 36-15 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 14. Grave e maestoso | Daniel Barenboim | — | |
| 36-16 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 15. Presto scherzando | Daniel Barenboim | — | |
| 36-17 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 16. Allegro | Daniel Barenboim | — | |
| 36-18 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 17. | Daniel Barenboim | — | |
| 36-19 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 18. Poco moderato | Daniel Barenboim | — | |
| 36-20 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 19. Presto | Daniel Barenboim | — | |
| 36-21 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 20. Andante | Daniel Barenboim | — | |
| 36-22 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 21. Allegro con brio - Meno allegro | Daniel Barenboim | — | |
| 36-23 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 22. Allegro molto (alla “Notte e giorno faticar” di Mozart) | Daniel Barenboim | — | |
| 36-24 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 23. Allegro assai | Daniel Barenboim | T-306.395.786-4 | |
| 36-25 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 24. Fughetta. Andante | Daniel Barenboim | — | |
| 36-26 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 25. Allegro | Daniel Barenboim | — | |
| 36-27 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 26. | Daniel Barenboim | — | |
| 36-28 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 27. Vivace | Daniel Barenboim | — | |
| 36-29 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 28. Allegro | Daniel Barenboim | — | |
| 36-30 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 29. Adagio ma non troppo | Daniel Barenboim | — | |
| 36-31 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 30. Andante, sempre cantabile | Daniel Barenboim | — | |
| 36-32 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 31. Largo, molto espressivo | Daniel Barenboim | — | |
| 36-33 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 32. Fuga (Allegro - Poco adagio) | Daniel Barenboim | — | |
| 36-34 | 33 Variations in C major on a Waltz by Anton Diabelli, op. 120: Var. 33. Tempo di Menuetto, moderato (ma non tirarsi dietro) | Daniel Barenboim | — | |
| 37-1 | Fantasia in C minor, K. 475 | — | ||
| 37-2 | Piano Sonata no. 14 in C minor, K. 457: 1. Molto allegro | — | ||
| 37-3 | Piano Sonata no. 14 in C minor, K. 457: 2. Adagio | — | ||
| 37-4 | Piano Sonata no. 14 in C minor, K. 457: 3. Allegro assai | — | ||
| 37-5 | Piano Sonata no. 8 in A minor, K. 310: 1. Allegro Maestoso | Daniel Barenboim | — | |
| 37-6 | Piano Sonata no. 8 in A minor, K. 310: 2. Andante Cantabile Con Espressione | Daniel Barenboim | — | |
| 37-7 | Piano Sonata no. 8 in A minor, K. 310: 3. Presto | Daniel Barenboim | — | |
| 37-8 | Piano Sonata no. 16 in B-flat, K. 570: 1. Allegro | Daniel Barenboim | T-011.422.353-8 | |
| 37-9 | Piano Sonata no. 16 in B-flat, K. 570: 2. Adagio | Daniel Barenboim | — | |
| 37-10 | Piano Sonata no. 16 in B-flat, K. 570: 3. Allegretto | Daniel Barenboim | — | |
| 38-1 | Fantasia in C minor, K. 396 (385f) | Daniel Barenboim | T-915.717.075-7 | |
| 38-2 | Piano Sonata no. 10 in C major, K. 330 (300h): 1. Allegro moderato | Daniel Barenboim | — | |
| 38-3 | Piano Sonata no. 10 in C major, K. 330 (300h): 2. Andante cantabile | Daniel Barenboim | — | |
| 38-4 | Piano Sonata no. 10 in C major, K. 330 (300h): 3. Allegretto | Daniel Barenboim | — | |
| 38-5 | Piano Sonata no. 13 in B-flat major, K. 333 (315c): 1. Allegro | Daniel Barenboim | T-070.160.313-5 | |
| 38-6 | Piano Sonata no. 13 in B-flat major, K. 333 (315c): 2. Andante cantabile | Daniel Barenboim | — | |
| 38-7 | Piano Sonata no. 13 in B-flat major, K. 333 (315c): 3. Allegretto grazioso | Daniel Barenboim | — | |
| 39-1 | Piano Sonata in B-flat major, op. 17/6: 1. Allegro | — | ||
| 39-2 | Piano Sonata in B-flat major, op. 17/6: 2. Andante | — | ||
| 39-3 | Piano Sonata in B-flat major, op. 17/6: 3. Prestissimo | — | ||
| 39-4 | Piano Sonata in B-flat major | — | ||
| 39-5 | Piano Sonata in G major | — | ||
| 39-6 | 12 Piano Variations in C major on “Ah, vous dirai-je, Maman”, K. 265 (300e) | — | ||
| 39-7 | Capriccio (Scherzo) in F-sharp minor, op. 5 (MWV U 50): Prestissimo | — | ||
| 39-8 | Intermezzo in C major, op. 119/3: Grazioso e giocoso | — | ||
| 39-9 | Piano Sonatina in C major, op. 13/1: 1. Allegro assai e lusingando | — | ||
| 39-10 | Piano Sonatina in C major, op. 13/1: 2. Andantino | — | ||
| 39-11 | Piano Sonatina in C major, op. 13/1: 3. Presto | — | ||
| 39-12 | 24 Preludes for Piano, op. 34: No. 2 in A minor. Allegretto | — | ||
| 39-13 | 24 Preludes for Piano, op. 34: No. 3 in G major. Andante | — | ||
| 39-14 | 24 Preludes for Piano, op. 34: No. 24 in D minor. Allegretto | — | ||
| 39-15 | 24 Preludes for Piano, op. 34: No. 10 in C-sharp minor. Moderato non troppo | — | ||
| 39-16 | 24 Preludes for Piano, op. 34: No. 12 in G-sharp minor. Allegro non troppo | — | ||
| 39-17 | 24 Preludes for Piano, op. 34: No. 21 in B-flat major. Allegro poco moderato | — | ||
| 39-18 | 24 Preludes for Piano, op. 34: No. 5 in D major. Allegro vivace | — |
