UPC · Release
Riccardo Chailly
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The UPC for “The Art of Riccardo Chailly” by Riccardo Chailly is 028948067749. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-01-01. Label: Decca. This release contains 176 tracks, each with its own ISRC. Tracks include GBF078400501, GBF078400502, GBF078400503.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No. 7 in E major: I. Allegro moderato | Radio-Symphonie-Orchester Berlin, Riccardo Chailly | — | |
| 2 | Symphony No. 7 in E major: II. Adagio: Sehr feierlich und sehr langsam | Radio-Symphonie-Orchester Berlin, Riccardo Chailly | — | |
| 3 | Symphony No. 7 in E major: III. Scherzo: Sehr schnell - Trio: Etwas langsamer | Radio-Symphonie-Orchester Berlin, Riccardo Chailly | — | |
| 4 | Symphony No. 7 in E major: IV. Finale: Bewegt, doch nicht zu schnell | Radio-Symphonie-Orchester Berlin, Riccardo Chailly | — | |
| 2-1 | Romeo and Juliet (Fantasy Overture) | — | ||
| 2-2 | Francesca da Rimini (Symphonic Fantasy) | — | ||
| 3-1 | Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima | — | ||
| 3-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 3-3 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | — | ||
| 3-4 | Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace | — | ||
| 4-1 | Carnival overture | Concertgebouw Orchestra, Riccardo Chailly | — | |
| 4-2 | Symphony no. 9: I. Adagio – Allegro molto | Concertgebouw Orchestra, Riccardo Chailly | — | |
| 4-3 | Symphony no. 9: II. Largo | Concertgebouw Orchestra, Riccardo Chailly | — | |
| 4-4 | Symphony no. 9: III. Scherzo – Molto vivace | Concertgebouw Orchestra, Riccardo Chailly | — | |
| 4-5 | Symphony no. 9: IV. Allegro con fuoco | Concertgebouw Orchestra, Riccardo Chailly | — | |
| 5-1 | Symphony no. 3 in A minor, op. 56 "Scottish" (London Version 1842): I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima - | Gewandhausorchester, Riccardo Chailly | — | |
| 5-2 | Symphony no. 3 in A minor, op. 56 "Scottish" (London Version 1842): II. Vivace non troppo - | Gewandhausorchester, Riccardo Chailly | — | |
| 5-3 | Symphony no. 3 in A minor, op. 56 "Scottish" (London Version 1842): III. Adagio - | Gewandhausorchester, Riccardo Chailly | — | |
| 5-4 | Symphony no. 3 in A minor, op. 56 "Scottish" (London Version 1842): IV. Allegro vivacissimo - Allegro maestoso assai | Gewandhausorchester, Riccardo Chailly | T-931.717.257-9 | |
| 5-5 | Opening Sketch of "Scottish" Symphony (1829/30) | Gewandhausorchester, Riccardo Chailly | — | |
| 5-6 | Piano Concerto no. 3 in E minor (1842/44): I. Allegro | Roberto Prosseda, Gewandhausorchester, Riccardo Chailly | T-931.717.645-7 | |
| 5-7 | Piano Concerto no. 3 in E minor (1842/44): II. Andante | Roberto Prosseda, Gewandhausorchester, Riccardo Chailly | — | |
| 5-8 | Piano Concerto no. 3 in E minor (1842/44): III. Allegro brillante | Roberto Prosseda, Gewandhausorchester, Riccardo Chailly | — | |
| 5-9 | Overture "The Hebrides", op. 26 ("Fingal's Cave") (Rome Version 1830) | Gewandhausorchester, Riccardo Chailly | T-900.052.310-4 | |
| 6-1 | Guglielmo Tell: Overture | Orchestra del Teatro alla Scala di Milano, Riccardo Chailly | T-306.482.271-1 | |
| 6-2 | Il Signor Bruschino: Overture | — | ||
| 6-3 | Bianca e Falliero: Overture | — | ||
| 6-4 | Il barbiere di Siviglia: Overture | — | ||
| 6-5 | Armida: Overture | — | ||
| 6-6 | Semiramide: Overture | — | ||
| 6-7 | L'inganno felicev | — | ||
| 6-8 | Matilde di Shabran: Overture | — | ||
| 6-9 | Demitrio e Polibio: Overture | — | ||
| 6-10 | La gazza ladra: Overture | Orchestra Filarmonica della Scala, Riccardo Chailly | T-306.482.271-1 | |
| 7-1 | Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-2 | Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-3 | Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-4 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-5 | Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-6 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Introduction: A bustling city street (Allegro) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-7 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The curtain rises... | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-8 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 1st Decoy game (Moderato) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-9 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shabby old rake enters... (Con moto) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-10 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 2nd Decoy game | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-11 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shy young man... (Sostenuto) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-12 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 3rd Decoy game (Sostenuto) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-13 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Horrified, they see a weird figure... (Agitato) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-14 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin enters... (Maestoso) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-15 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: General consternation... (Non troppo vivo) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-16 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last she overcomes her reluctance... (Meno vivo) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-17 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The girl sinks down... (Allegro) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-18 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: She flees from him... (Sempre vivace) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-19 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin catches the girl... (Sempre vivace) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-20 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The tramps leap out... (Sempre vivo) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-21 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: "We must kill him"... (Maestoso) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-22 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They think he is dead... (Adagio) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-23 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last the three tramps... (Allegro molto) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-24 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Suddenly he draws himself up... (Lento) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-25 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They drag the resisting Mandarin... (Grave) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-26 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The body of the Mandarin begins to glow (Moderato) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-27 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At her insistence... (Più mosso) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-28 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin's longing... (Lento) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 8-1 | Rhapsody in Blue | — | ||
| 8-2 | Lullaby | — | ||
| 8-3 | An American in Paris | — | ||
| 8-4 | Cuban Overture | — | ||
| 9-1 | Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | Royal Concertgebouw Orchestra, Riccardo Chailly, Peter Masseurs | T-926.359.926-4 | |
| 9-2 | Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 9-3 | Symphony no. 5 in C-sharp minor: Part II. III. Scherzo. Kräftig, nicht zu schnell | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 9-4 | Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam | Royal Concertgebouw Orchestra, Riccardo Chailly | T-800.652.468-2 | |
| 9-5 | Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale. Allegro | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 10-1 | Boléro | — | ||
| 10-2 | Sarabande | — | ||
| 10-3 | Danse | — | ||
| 10-4 | Pictures at an Exhibition: Promenade / Gnomus | — | ||
| 10-5 | Pictures at an Exhibition: Promenade / Il vecchio castello | — | ||
| 10-6 | Pictures at an Exhibition: Promenade / Tuileries | — | ||
| 10-7 | Pictures at an Exhibition: Promenade / Bydlo | — | ||
| 10-8 | Pictures at an Exhibition: Ballet of the Unhatched Chicks | — | ||
| 10-9 | Pictures at an Exhibition: Samuel Goldenberg & Schmuyle | — | ||
| 10-10 | Pictures at an Exhibition: Limoges, le marché | — | ||
| 10-11 | Pictures at an Exhibition: Catacombae - Cum mortuis in lingua mortua | — | ||
| 10-12 | Pictures at an Exhibition: The Hut on Hen's Legs (Baba Yaga) | — | ||
| 10-13 | Pictures at an Exhibition: The Great Gate of Kiev | — | ||
| 11-1 | Verklärte Nacht, Op.4 | — | ||
| 11-2 | 5 Pieces for Orchestra, Op.16 (1949 Revision) - 1. Vorgefuhle (Premonitions) | — | ||
| 11-3 | 5 Pieces for Orchestra, Op.16 (1949 Revision) - 2. Vergangenes (Yesteryears) | — | ||
| 11-4 | 5 Pieces for Orchestra, Op.16 (1949 Revision) - 3. Sommermorgen an einem See ... | — | ||
| 11-5 | 5 Pieces for Orchestra, Op.16 (1949 Revision) - 4. Peripetie (Peripetia) | — | ||
| 11-6 | 5 Pieces for Orchestra, Op.16 (1949 Revision) - 5. Das obligate Rezitativ (Th... | — | ||
| 11-7 | Passacaglia for Orchestra, Op.1 | — | ||
| 11-8 | Piano Sonata, Op.1 - Massig bewegt | — | ||
| 12-1 | Petrushka: Part I, No. 1a. "The Shrove-tide Fair" | — | ||
| 12-2 | Petrushka: Part I, No. 1b. "The Crowds" | — | ||
| 12-3 | Petrushka: Part I, No. 1c. "The Charlatan's Booth" | — | ||
| 12-4 | Petrushka: Part I, No. 1d. "Russian Dance" | — | ||
| 12-5 | Petrushka: Part II, No. 2. "Petrushka's Room" | — | ||
| 12-6 | Petrushka: Part III, No. 3a. "The Moor's Room" | — | ||
| 12-7 | Petrushka: Part III, No. 3b. "Dance of the Ballerina" | — | ||
| 12-8 | Petrushka: Part III, No. 3c. "Waltz" (Ballerina and Moor) | — | ||
| 12-9 | Petrushka: Part IV, No. 4a. "The Shrove-tide Fair" (near evening) | — | ||
| 12-10 | Petrushka: Part IV, No. 4b. "Dance of the Wet-Nurses" | — | ||
| 12-11 | Petrushka: Part IV, No. 4c. "Dance of the Peasant and the Bear" | — | ||
| 12-12 | Petrushka: Part IV, No. 4d. "Dance of the Gypsy Girls" | — | ||
| 12-13 | Petrushka: Part IV, No. 4e. "Dance of the Coachmen and Grooms" | — | ||
| 12-14 | Petrushka: Part IV, No. 4f. "The Masqueraders" | — | ||
| 12-15 | Petrushka: Part IV, No. 4g. "Conclusion" (Petrushka's Death) | — | ||
| 12-16 | Pulcinella: Ouverture: Allegro moderato | — | ||
| 12-17 | Pulcinella: Serenata: Larghetto: "Mentre l'erbetta" (tenor) | — | ||
| 12-18 | Pulcinella: Scherzino: Allegro | — | ||
| 12-19 | Pulcinella: Allegro | — | ||
| 12-20 | Pulcinella: Andantino | — | ||
| 12-21 | Pulcinella: Allegro | — | ||
| 12-22 | Pulcinella: Ancora poco meno: "Contento forse vivere" (soprano) | — | ||
| 12-23 | Pulcinella: Allegro assai | — | ||
| 12-24 | Pulcinella: Allegro - Alla breve: "Con queste paroline" (bass) | — | ||
| 12-25 | Pulcinella: Andante: "Sento dire no'nce pace" (soprano, tenor, bass) | — | ||
| 12-26 | Pulcinella: Allegro: "Nce sta quaccuna po" (soprano) - "Una te fa la zemprece" (tenor) | — | ||
| 12-27 | Pulcinella: Presto: "Una te fa la zemprece" (tenor) | — | ||
| 12-28 | Pulcinella: Allegro - Alla breve | — | ||
| 12-29 | Pulcinella: Tarantella | — | ||
| 12-30 | Pulcinella: Andantino: "Se tu m'ami" (soprano) | — | ||
| 12-31 | Pulcinella: Allegro | — | ||
| 12-32 | Pulcinella: Gavotta con due variazioni | — | ||
| 12-33 | Pulcinella: Vivo | — | ||
| 12-34 | Pulcinella: Tempo di minuetto: "Pupillette, fiammette d'amore" (soprano, tenor, bass) | — | ||
| 12-35 | Pulcinella: Allegro assai | — | ||
| 13-1 | Tuning Up | Royal Concertgebouw Orchestra, Riccardo Chailly | T-916.730.713-3 | |
| 13-2 | Amériques (original version) | Royal Concertgebouw Orchestra, Riccardo Chailly | T-700.076.106-0 | |
| 13-3 | Poème électronique | Edgard Varèse | T-700.076.120-8 | |
| 13-4 | Arcana | Royal Concertgebouw Orchestra, Riccardo Chailly | T-700.076.107-1 | |
| 13-5 | Nocturnal | Sarah Leonard, Men of The Prague Philharmonic Choir, Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 14-1 | The Modification and Instrumentation of a Famous Hornpipe as a Merry and Altogether Sincere Homage to Uncle Alfred | — | ||
| 14-2 | Contrapunctus XIX (Die Kunst der Fugue) | — | ||
| 14-3 | Quattro versioni originali della "Ritirata notturna di Madrid" | — | ||
| 14-4 | Variazioni sull'aria di Papageno "Ein Madchen oder Weibchen" (Divertimento per Mozart) | — | ||
| 14-5 | Rendering: 1. Allegro | — | ||
| 14-6 | Rendering: 2. Andante | — | ||
| 14-7 | Rendering: 3. Allegro | — | ||
| 14-8 | Sonata in fa minore per clarinetto e orchestra, op. 120 no. 1: 1. Allegro appassionato | — | ||
| 14-9 | Sonata in fa minore per clarinetto e orchestra, op. 120 no. 1: 2. Andante un poco adagio | — | ||
| 14-10 | Sonata in fa minore per clarinetto e orchestra, op. 120 no. 1: 3. Allegretto grazioso | — | ||
| 14-11 | Sonata in fa minore per clarinetto e orchestra, op. 120 no. 1: 4. Vivace | — | ||
| 15-1 | Turangalîla‐Symphonie: I. Introduction | — | ||
| 15-2 | Turangalîla‐Symphonie: II. Chant d’amour 1 | — | ||
| 15-3 | Turangalîla‐Symphonie: III. Turangalîla 1 | — | ||
| 15-4 | Turangalîla‐Symphonie: IV. Chant d’amour 2 | — | ||
| 15-5 | Turangalîla‐Symphonie: V. Joie du sang des étoiles | — | ||
| 15-6 | Turangalîla‐Symphonie: VI. Jardin du sommeil d’amour | — | ||
| 15-7 | Turangalîla‐Symphonie: VII. Turangalîla 2 | — | ||
| 15-8 | Turangalîla‐Symphonie: VIII. Développement de l’amour | — | ||
| 15-9 | Turangalîla‐Symphonie: IX. Turangalîla 3 | — | ||
| 15-10 | Turangalîla‐Symphonie: X. Finale | — | ||
| 16-1 | Moscow-Cheryomushki Suite, op. 105: I. A Spin Through Moscow | — | ||
| 16-2 | Moscow-Cheryomushki Suite, op. 105: II. Waltz | — | ||
| 16-3 | Moscow-Cheryomushki Suite, op. 105: III. Dances (Polka - Gallop) | — | ||
| 16-4 | Moscow-Cheryomushki Suite, op. 105: IV. Ballet | — | ||
| 16-5 | The Bolt Suite, op. 27a: I. Introduction | — | ||
| 16-6 | The Bolt Suite, op. 27a: II. Polka | — | ||
| 16-7 | The Bolt Suite, op. 27a: III. Variations | — | ||
| 16-8 | The Bolt Suite, op. 27a: IV. Tango | — | ||
| 16-9 | The Bolt Suite, op. 27a: V. Intermezzo | — | ||
| 16-10 | The Bolt Suite, op. 27a: VI. Finale | — | ||
| 16-11 | The Gadfly, op. 97: I. Overture | — | ||
| 16-12 | The Gadfly, op. 97: II. The Cliff | — | ||
| 16-13 | The Gadfly, op. 97: III. Youth (Romance) | Erez Ofer, The Philadelphia Orchestra, Riccardo Chailly | — | |
| 16-14 | The Gadfly, op. 97: VII. The Slap in the Face | — | ||
| 16-15 | The Gadfly, op. 97: IX. Barrel Organ | — | ||
| 16-16 | The Gadfly, op. 97: XIII. Contredanse | — | ||
| 16-17 | The Gadfly, op. 97: XIV. Galop | — | ||
| 16-18 | The Gadfly, op. 97: XVI. The Market Place | — | ||
| 16-19 | The Gadfly, op. 97: XVII. Escape | — | ||
| 16-20 | The Gadfly, op. 97: XVIII. Montanelli | — | ||
| 16-21 | The Gadfly, op. 97: XIX. Finale | — | ||
| 16-22 | The Gadfly, op. 97: XX. The Austrians | — | ||
| 16-23 | The Gadfly, op. 97: XXIII. Gemma's Room | — |
Identifier Graph
028948067749 is a Universal Product Code (UPC) assigned to The Art of Riccardo Chailly by Riccardo Chailly. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 176 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Un grand sommeil noir | Mireille Delunsch, Koninklijk Concertgebouworkest, Riccardo Chailly | T-004.016.688-8 |
| When We’re Gone, Long Gone | Emmylou Harris, Linda Ronstadt, Dolly Parton | T-316.849.313-4 |
Songwriters/Publishers (IPI)
The UPC for “The Art of Riccardo Chailly” by Riccardo Chailly is 028948067749. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-01-01. Label: Decca. This release contains 176 tracks, each with its own ISRC. Tracks include GBF078400501, GBF078400502, GBF078400503.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No. 7 in E major: I. Allegro moderato | Radio-Symphonie-Orchester Berlin, Riccardo Chailly | — | |
| 2 | Symphony No. 7 in E major: II. Adagio: Sehr feierlich und sehr langsam | Radio-Symphonie-Orchester Berlin, Riccardo Chailly | — | |
| 3 | Symphony No. 7 in E major: III. Scherzo: Sehr schnell - Trio: Etwas langsamer | Radio-Symphonie-Orchester Berlin, Riccardo Chailly | — | |
| 4 | Symphony No. 7 in E major: IV. Finale: Bewegt, doch nicht zu schnell | Radio-Symphonie-Orchester Berlin, Riccardo Chailly | — | |
| 2-1 | Romeo and Juliet (Fantasy Overture) | — | ||
| 2-2 | Francesca da Rimini (Symphonic Fantasy) | — | ||
| 3-1 | Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima | — | ||
| 3-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 3-3 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | — | ||
| 3-4 | Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace | — | ||
| 4-1 | Carnival overture | Concertgebouw Orchestra, Riccardo Chailly | — | |
| 4-2 | Symphony no. 9: I. Adagio – Allegro molto | Concertgebouw Orchestra, Riccardo Chailly | — | |
| 4-3 | Symphony no. 9: II. Largo | Concertgebouw Orchestra, Riccardo Chailly | — | |
| 4-4 | Symphony no. 9: III. Scherzo – Molto vivace | Concertgebouw Orchestra, Riccardo Chailly | — | |
| 4-5 | Symphony no. 9: IV. Allegro con fuoco | Concertgebouw Orchestra, Riccardo Chailly | — | |
| 5-1 | Symphony no. 3 in A minor, op. 56 "Scottish" (London Version 1842): I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima - | Gewandhausorchester, Riccardo Chailly | — | |
| 5-2 | Symphony no. 3 in A minor, op. 56 "Scottish" (London Version 1842): II. Vivace non troppo - | Gewandhausorchester, Riccardo Chailly | — | |
| 5-3 | Symphony no. 3 in A minor, op. 56 "Scottish" (London Version 1842): III. Adagio - | Gewandhausorchester, Riccardo Chailly | — | |
| 5-4 | Symphony no. 3 in A minor, op. 56 "Scottish" (London Version 1842): IV. Allegro vivacissimo - Allegro maestoso assai | Gewandhausorchester, Riccardo Chailly | T-931.717.257-9 | |
| 5-5 | Opening Sketch of "Scottish" Symphony (1829/30) | Gewandhausorchester, Riccardo Chailly | — | |
| 5-6 | Piano Concerto no. 3 in E minor (1842/44): I. Allegro | Roberto Prosseda, Gewandhausorchester, Riccardo Chailly | T-931.717.645-7 | |
| 5-7 | Piano Concerto no. 3 in E minor (1842/44): II. Andante | Roberto Prosseda, Gewandhausorchester, Riccardo Chailly | — | |
| 5-8 | Piano Concerto no. 3 in E minor (1842/44): III. Allegro brillante | Roberto Prosseda, Gewandhausorchester, Riccardo Chailly | — | |
| 5-9 | Overture "The Hebrides", op. 26 ("Fingal's Cave") (Rome Version 1830) | Gewandhausorchester, Riccardo Chailly | T-900.052.310-4 | |
| 6-1 | Guglielmo Tell: Overture | Orchestra del Teatro alla Scala di Milano, Riccardo Chailly | T-306.482.271-1 | |
| 6-2 | Il Signor Bruschino: Overture | — | ||
| 6-3 | Bianca e Falliero: Overture | — | ||
| 6-4 | Il barbiere di Siviglia: Overture | — | ||
| 6-5 | Armida: Overture | — | ||
| 6-6 | Semiramide: Overture | — | ||
| 6-7 | L'inganno felicev | — | ||
| 6-8 | Matilde di Shabran: Overture | — | ||
| 6-9 | Demitrio e Polibio: Overture | — | ||
| 6-10 | La gazza ladra: Overture | Orchestra Filarmonica della Scala, Riccardo Chailly | T-306.482.271-1 | |
| 7-1 | Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-2 | Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-3 | Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-4 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-5 | Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-6 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Introduction: A bustling city street (Allegro) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-7 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The curtain rises... | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-8 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 1st Decoy game (Moderato) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-9 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shabby old rake enters... (Con moto) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-10 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 2nd Decoy game | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-11 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shy young man... (Sostenuto) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-12 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 3rd Decoy game (Sostenuto) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-13 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Horrified, they see a weird figure... (Agitato) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-14 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin enters... (Maestoso) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-15 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: General consternation... (Non troppo vivo) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-16 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last she overcomes her reluctance... (Meno vivo) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-17 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The girl sinks down... (Allegro) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-18 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: She flees from him... (Sempre vivace) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-19 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin catches the girl... (Sempre vivace) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-20 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The tramps leap out... (Sempre vivo) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-21 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: "We must kill him"... (Maestoso) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-22 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They think he is dead... (Adagio) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-23 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last the three tramps... (Allegro molto) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-24 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Suddenly he draws himself up... (Lento) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-25 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They drag the resisting Mandarin... (Grave) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-26 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The body of the Mandarin begins to glow (Moderato) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-27 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At her insistence... (Più mosso) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 7-28 | The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin's longing... (Lento) | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 8-1 | Rhapsody in Blue | — | ||
| 8-2 | Lullaby | — | ||
| 8-3 | An American in Paris | — | ||
| 8-4 | Cuban Overture | — | ||
| 9-1 | Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | Royal Concertgebouw Orchestra, Riccardo Chailly, Peter Masseurs | T-926.359.926-4 | |
| 9-2 | Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 9-3 | Symphony no. 5 in C-sharp minor: Part II. III. Scherzo. Kräftig, nicht zu schnell | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 9-4 | Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam | Royal Concertgebouw Orchestra, Riccardo Chailly | T-800.652.468-2 | |
| 9-5 | Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale. Allegro | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 10-1 | Boléro | — | ||
| 10-2 | Sarabande | — | ||
| 10-3 | Danse | — | ||
| 10-4 | Pictures at an Exhibition: Promenade / Gnomus | — | ||
| 10-5 | Pictures at an Exhibition: Promenade / Il vecchio castello | — | ||
| 10-6 | Pictures at an Exhibition: Promenade / Tuileries | — | ||
| 10-7 | Pictures at an Exhibition: Promenade / Bydlo | — | ||
| 10-8 | Pictures at an Exhibition: Ballet of the Unhatched Chicks | — | ||
| 10-9 | Pictures at an Exhibition: Samuel Goldenberg & Schmuyle | — | ||
| 10-10 | Pictures at an Exhibition: Limoges, le marché | — | ||
| 10-11 | Pictures at an Exhibition: Catacombae - Cum mortuis in lingua mortua | — | ||
| 10-12 | Pictures at an Exhibition: The Hut on Hen's Legs (Baba Yaga) | — | ||
| 10-13 | Pictures at an Exhibition: The Great Gate of Kiev | — | ||
| 11-1 | Verklärte Nacht, Op.4 | — | ||
| 11-2 | 5 Pieces for Orchestra, Op.16 (1949 Revision) - 1. Vorgefuhle (Premonitions) | — | ||
| 11-3 | 5 Pieces for Orchestra, Op.16 (1949 Revision) - 2. Vergangenes (Yesteryears) | — | ||
| 11-4 | 5 Pieces for Orchestra, Op.16 (1949 Revision) - 3. Sommermorgen an einem See ... | — | ||
| 11-5 | 5 Pieces for Orchestra, Op.16 (1949 Revision) - 4. Peripetie (Peripetia) | — | ||
| 11-6 | 5 Pieces for Orchestra, Op.16 (1949 Revision) - 5. Das obligate Rezitativ (Th... | — | ||
| 11-7 | Passacaglia for Orchestra, Op.1 | — | ||
| 11-8 | Piano Sonata, Op.1 - Massig bewegt | — | ||
| 12-1 | Petrushka: Part I, No. 1a. "The Shrove-tide Fair" | — | ||
| 12-2 | Petrushka: Part I, No. 1b. "The Crowds" | — | ||
| 12-3 | Petrushka: Part I, No. 1c. "The Charlatan's Booth" | — | ||
| 12-4 | Petrushka: Part I, No. 1d. "Russian Dance" | — | ||
| 12-5 | Petrushka: Part II, No. 2. "Petrushka's Room" | — | ||
| 12-6 | Petrushka: Part III, No. 3a. "The Moor's Room" | — | ||
| 12-7 | Petrushka: Part III, No. 3b. "Dance of the Ballerina" | — | ||
| 12-8 | Petrushka: Part III, No. 3c. "Waltz" (Ballerina and Moor) | — | ||
| 12-9 | Petrushka: Part IV, No. 4a. "The Shrove-tide Fair" (near evening) | — | ||
| 12-10 | Petrushka: Part IV, No. 4b. "Dance of the Wet-Nurses" | — | ||
| 12-11 | Petrushka: Part IV, No. 4c. "Dance of the Peasant and the Bear" | — | ||
| 12-12 | Petrushka: Part IV, No. 4d. "Dance of the Gypsy Girls" | — | ||
| 12-13 | Petrushka: Part IV, No. 4e. "Dance of the Coachmen and Grooms" | — | ||
| 12-14 | Petrushka: Part IV, No. 4f. "The Masqueraders" | — | ||
| 12-15 | Petrushka: Part IV, No. 4g. "Conclusion" (Petrushka's Death) | — | ||
| 12-16 | Pulcinella: Ouverture: Allegro moderato | — | ||
| 12-17 | Pulcinella: Serenata: Larghetto: "Mentre l'erbetta" (tenor) | — | ||
| 12-18 | Pulcinella: Scherzino: Allegro | — | ||
| 12-19 | Pulcinella: Allegro | — | ||
| 12-20 | Pulcinella: Andantino | — | ||
| 12-21 | Pulcinella: Allegro | — | ||
| 12-22 | Pulcinella: Ancora poco meno: "Contento forse vivere" (soprano) | — | ||
| 12-23 | Pulcinella: Allegro assai | — | ||
| 12-24 | Pulcinella: Allegro - Alla breve: "Con queste paroline" (bass) | — | ||
| 12-25 | Pulcinella: Andante: "Sento dire no'nce pace" (soprano, tenor, bass) | — | ||
| 12-26 | Pulcinella: Allegro: "Nce sta quaccuna po" (soprano) - "Una te fa la zemprece" (tenor) | — | ||
| 12-27 | Pulcinella: Presto: "Una te fa la zemprece" (tenor) | — | ||
| 12-28 | Pulcinella: Allegro - Alla breve | — | ||
| 12-29 | Pulcinella: Tarantella | — | ||
| 12-30 | Pulcinella: Andantino: "Se tu m'ami" (soprano) | — | ||
| 12-31 | Pulcinella: Allegro | — | ||
| 12-32 | Pulcinella: Gavotta con due variazioni | — | ||
| 12-33 | Pulcinella: Vivo | — | ||
| 12-34 | Pulcinella: Tempo di minuetto: "Pupillette, fiammette d'amore" (soprano, tenor, bass) | — | ||
| 12-35 | Pulcinella: Allegro assai | — | ||
| 13-1 | Tuning Up | Royal Concertgebouw Orchestra, Riccardo Chailly | T-916.730.713-3 | |
| 13-2 | Amériques (original version) | Royal Concertgebouw Orchestra, Riccardo Chailly | T-700.076.106-0 | |
| 13-3 | Poème électronique | Edgard Varèse | T-700.076.120-8 | |
| 13-4 | Arcana | Royal Concertgebouw Orchestra, Riccardo Chailly | T-700.076.107-1 | |
| 13-5 | Nocturnal | Sarah Leonard, Men of The Prague Philharmonic Choir, Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 14-1 | The Modification and Instrumentation of a Famous Hornpipe as a Merry and Altogether Sincere Homage to Uncle Alfred | — | ||
| 14-2 | Contrapunctus XIX (Die Kunst der Fugue) | — | ||
| 14-3 | Quattro versioni originali della "Ritirata notturna di Madrid" | — | ||
| 14-4 | Variazioni sull'aria di Papageno "Ein Madchen oder Weibchen" (Divertimento per Mozart) | — | ||
| 14-5 | Rendering: 1. Allegro | — | ||
| 14-6 | Rendering: 2. Andante | — | ||
| 14-7 | Rendering: 3. Allegro | — | ||
| 14-8 | Sonata in fa minore per clarinetto e orchestra, op. 120 no. 1: 1. Allegro appassionato | — | ||
| 14-9 | Sonata in fa minore per clarinetto e orchestra, op. 120 no. 1: 2. Andante un poco adagio | — | ||
| 14-10 | Sonata in fa minore per clarinetto e orchestra, op. 120 no. 1: 3. Allegretto grazioso | — | ||
| 14-11 | Sonata in fa minore per clarinetto e orchestra, op. 120 no. 1: 4. Vivace | — | ||
| 15-1 | Turangalîla‐Symphonie: I. Introduction | — | ||
| 15-2 | Turangalîla‐Symphonie: II. Chant d’amour 1 | — | ||
| 15-3 | Turangalîla‐Symphonie: III. Turangalîla 1 | — | ||
| 15-4 | Turangalîla‐Symphonie: IV. Chant d’amour 2 | — | ||
| 15-5 | Turangalîla‐Symphonie: V. Joie du sang des étoiles | — | ||
| 15-6 | Turangalîla‐Symphonie: VI. Jardin du sommeil d’amour | — | ||
| 15-7 | Turangalîla‐Symphonie: VII. Turangalîla 2 | — | ||
| 15-8 | Turangalîla‐Symphonie: VIII. Développement de l’amour | — | ||
| 15-9 | Turangalîla‐Symphonie: IX. Turangalîla 3 | — | ||
| 15-10 | Turangalîla‐Symphonie: X. Finale | — | ||
| 16-1 | Moscow-Cheryomushki Suite, op. 105: I. A Spin Through Moscow | — | ||
| 16-2 | Moscow-Cheryomushki Suite, op. 105: II. Waltz | — | ||
| 16-3 | Moscow-Cheryomushki Suite, op. 105: III. Dances (Polka - Gallop) | — | ||
| 16-4 | Moscow-Cheryomushki Suite, op. 105: IV. Ballet | — | ||
| 16-5 | The Bolt Suite, op. 27a: I. Introduction | — | ||
| 16-6 | The Bolt Suite, op. 27a: II. Polka | — | ||
| 16-7 | The Bolt Suite, op. 27a: III. Variations | — | ||
| 16-8 | The Bolt Suite, op. 27a: IV. Tango | — | ||
| 16-9 | The Bolt Suite, op. 27a: V. Intermezzo | — | ||
| 16-10 | The Bolt Suite, op. 27a: VI. Finale | — | ||
| 16-11 | The Gadfly, op. 97: I. Overture | — | ||
| 16-12 | The Gadfly, op. 97: II. The Cliff | — | ||
| 16-13 | The Gadfly, op. 97: III. Youth (Romance) | Erez Ofer, The Philadelphia Orchestra, Riccardo Chailly | — | |
| 16-14 | The Gadfly, op. 97: VII. The Slap in the Face | — | ||
| 16-15 | The Gadfly, op. 97: IX. Barrel Organ | — | ||
| 16-16 | The Gadfly, op. 97: XIII. Contredanse | — | ||
| 16-17 | The Gadfly, op. 97: XIV. Galop | — | ||
| 16-18 | The Gadfly, op. 97: XVI. The Market Place | — | ||
| 16-19 | The Gadfly, op. 97: XVII. Escape | — | ||
| 16-20 | The Gadfly, op. 97: XVIII. Montanelli | — | ||
| 16-21 | The Gadfly, op. 97: XIX. Finale | — | ||
| 16-22 | The Gadfly, op. 97: XX. The Austrians | — | ||
| 16-23 | The Gadfly, op. 97: XXIII. Gemma's Room | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Un grand sommeil noir | Mireille Delunsch, Koninklijk Concertgebouworkest, Riccardo Chailly | T-004.016.688-8 |
| When We’re Gone, Long Gone | Emmylou Harris, Linda Ronstadt, Dolly Parton | T-316.849.313-4 |
