UPC · Album
The Symphonies / Kindertotenlieder
Gustav Mahler, Jessye Norman, Kiri Te Kanawa and 3 more
028948076826
59 tracksReleased 2014-01-01Decca
Last verified:
028948076826 is the Universal Product Code (UPC barcode) for the release “The Symphonies / Kindertotenlieder” by Gustav Mahler, Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa, released 2014-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 59 tracks, each with its own ISRC. Tracks include NLA508003101, NLA508003102, NLA508003103.
Format
0Number system
28948Manufacturer
07682Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Symphonies / Kindertotenlieder
ISRC30 recordings
ISWC4 works
Track List (30)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus | Boston Symphony Orchestra, Seiji Ozawa | NLA508003101 |
| Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio | Boston Symphony Orchestra, Seiji Ozawa | NLA508003102 |
| Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran..." | Boston Symphony Orchestra, Seiji Ozawa | NLA508003103 |
| Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest..." | Boston Symphony Orchestra, Seiji Ozawa | NLA508003104 |
| Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren..." | Boston Symphony Orchestra, Seiji Ozawa | NLA508003105 |
| Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf..." | Boston Symphony Orchestra, Seiji Ozawa | NLA508003106 |
| Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..." | Judith Blegen, Boston Boys Choir, Gwynne Howell, Benjamin Luxon, Lorna Myers, Florence Quivar, Kenneth Riegel, Faye Robinson, Tanglewood Festival Chorus, James Christie, Boston Symphony Orchestra, Seiji Ozawa | NLA508003107 |
| Symphony No. 2 in C minor: I. Allegro maestoso | Boston Symphony Orchestra, Seiji Ozawa | NLA508644601 |
| Symphony No. 2 in C minor: II. Andante moderato | Boston Symphony Orchestra, Seiji Ozawa | NLA508644602 |
| Symphony No. 2 in C minor: III. In ruhig fliessender bewegung | Boston Symphony Orchestra, Seiji Ozawa | NLA508644603 |
| Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht | Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | NLA508644604 |
| Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | NLA508644605 |
| Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | NLA508644606 |
| Symphony No. 2 in C minor: V. Sehr langsam und gedehnt | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | NLA508644607 |
| Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n") | Marilyn Horne, Tanglewood Festival Chorus, Kiri Te Kanawa, Boston Symphony Orchestra, Seiji Ozawa | NLA508644608 |
| Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube") | Tanglewood Festival Chorus, Kiri Te Kanawa, Boston Symphony Orchestra, Seiji Ozawa | NLA508644609 |
| Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich | Boston Symphony Orchestra, Seiji Ozawa | NLA508722401 |
| Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell | Boston Symphony Orchestra, Seiji Ozawa | NLA508722402 |
| Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen | Boston Symphony Orchestra, Seiji Ozawa | NLA508722403 |
| Symphony no. 1 in D major: IV. Stürmisch bewegt | Boston Symphony Orchestra, Seiji Ozawa | NLA508722404 |
| Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo | Boston Symphony Orchestra, Seiji Ozawa | NLA508809101 |
| Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato | Boston Symphony Orchestra, Seiji Ozawa | NLA508809102 |
| Symphony no. 7 in E minor: III. Scherzo | Boston Symphony Orchestra, Seiji Ozawa | NLA508809103 |
| Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso | Boston Symphony Orchestra, Seiji Ozawa | NLA508809104 |
| Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico | Boston Symphony Orchestra, Seiji Ozawa | NLA508809105 |
| Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I | Boston Symphony Orchestra, Seiji Ozawa | NLA509003601 |
| Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz - | Boston Symphony Orchestra, Seiji Ozawa | NLA509003602 |
| Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell | Boston Symphony Orchestra, Seiji Ozawa | NLA509003603 |
| Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam | Boston Symphony Orchestra, Seiji Ozawa | NLA509003604 |
| Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro | Boston Symphony Orchestra, Seiji Ozawa | NLA509003605 |
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran..."
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest..."
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren..."
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf..."
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..."
Judith Blegen, Boston Boys Choir, Gwynne Howell, Benjamin Luxon, Lorna Myers, Florence Quivar, Kenneth Riegel, Faye Robinson, Tanglewood Festival Chorus, James Christie, Boston Symphony Orchestra, Seiji Ozawa
Symphony No. 2 in C minor: I. Allegro maestoso
Boston Symphony Orchestra, Seiji Ozawa
Symphony No. 2 in C minor: II. Andante moderato
Boston Symphony Orchestra, Seiji Ozawa
Symphony No. 2 in C minor: III. In ruhig fliessender bewegung
Boston Symphony Orchestra, Seiji Ozawa
Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht
Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa
Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend
Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend
Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Symphony No. 2 in C minor: V. Sehr langsam und gedehnt
Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n")
Marilyn Horne, Tanglewood Festival Chorus, Kiri Te Kanawa, Boston Symphony Orchestra, Seiji Ozawa
Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube")
Tanglewood Festival Chorus, Kiri Te Kanawa, Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 1 in D major: IV. Stürmisch bewegt
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 7 in E minor: III. Scherzo
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro
Boston Symphony Orchestra, Seiji Ozawa
What other identifiers does this connect to?
Musical Works (ISWC)
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What is UPC 028948076826?
028948076826 is a Universal Product Code (UPC) assigned to The Symphonies / Kindertotenlieder by Gustav Mahler, Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 59 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm