UPC · Release
Jean Martinon
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The UPC for “The Philips Legacy” by Jean Martinon is 028948090440. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No. 31 in D, K.297 - “Paris”: 1. Allegro assai | — | ||
| 2 | Symphony No. 31 in D, K.297 - “Paris”: 2. Andante | — | ||
| 3 | Symphony No. 31 in D, K.297 - “Paris”: 3. Allegro | — | ||
| 4 | Symphony No. 32 in G, K.318 (Overture in G): Allegro - Andante - Tempo I | — | ||
| 5 | Symphony No. 33 in B flat, K.319: 1. Allegro assai | — | ||
| 6 | Symphony No. 33 in B flat, K.319: 2. Andante moderato | — | ||
| 7 | Symphony No. 33 in B flat, K.319: 3. Menuetto | — | ||
| 8 | Symphony No. 33 in B flat, K.319: 4. Finale (Allegro assai) | — | ||
| 9 | Symphony No. 1 in D, Op. 25 “Classical Symphony”: 1. Allegro | — | ||
| 10 | Symphony No. 1 in D, Op. 25 “Classical Symphony”: 2. Larghetto | — | ||
| 11 | Symphony No. 1 in D, Op. 25 “Classical Symphony”: 3. Gavotta (Non troppo allegro) | — | ||
| 12 | Symphony No. 1 in D, Op. 25 “Classical Symphony”: 4. Finale (Vivace) | — | ||
| 13 | The Love for Three Oranges, Symphonic Suite, Op. 33 bis: 1. The Ridiculous People | — | ||
| 14 | The Love for Three Oranges, Symphonic Suite, Op. 33 bis: 2. Infernal Scene | — | ||
| 15 | The Love for Three Oranges, Symphonic Suite, Op. 33 bis: 3. March | — | ||
| 16 | The Love for Three Oranges, Symphonic Suite, Op. 33 bis: 4. Scherzo | — | ||
| 17 | The Love for Three Oranges, Symphonic Suite, Op. 33 bis: 5. The Prince and the Princess | — | ||
| 18 | The Love for Three Oranges, Symphonic Suite, Op. 33 bis: 6. The Escape | — | ||
| 19 | Prélude à l’après‐midi d’un faune | — | ||
| 20 | Pavane, Op. 50 | — | ||
| 21 | Le festin de l’araigneé, Op. 17: Prélude | — | ||
| 22 | Le festin de l’araigneé, Op. 17: Entrée des fournis | — | ||
| 23 | Le festin de l’araigneé, Op. 17: Les fourmis découvrent un pétale de rose tombé | — | ||
| 24 | Le festin de l’araigneé, Op. 17: Rentrée en scene des fournis | — | ||
| 25 | Le festin de l’araigneé, Op. 17: Danse du papillon | — | ||
| 26 | Le festin de l’araigneé, Op. 17: L’araignée invite le papillon a danser plus pres du fond | — | ||
| 27 | Le festin de l’araigneé, Op. 17: Mort du papillon | — | ||
| 28 | Le festin de l’araigneé, Op. 17: Danse de l’éphémère | — | ||
| 29 | Le festin de l’araigneé, Op. 17: Funérailles de l’éphémère | — | ||
| 30 | Le festin de l’araigneé, Op. 17: La nuit tombe sur le jardin solitaire | — | ||
| 31 | Bacchus et Ariane - Ballet Suite No. 1, Op. 43: 1. Prélude - Jeux des Ephèbes et des Vierges | — | ||
| 32 | Bacchus et Ariane - Ballet Suite No. 1, Op. 43: 2. Danse du labyrinthe - Thésée mime sa lutte contre le Minotaure | — | ||
| 33 | Bacchus et Ariane - Ballet Suite No. 1, Op. 43: 3. Meno allegro | — | ||
| 34 | Bacchus et Ariane - Ballet Suite No. 1, Op. 43: 4. Bacchus apparait. La danse est interrompue | — | ||
| 35 | Bacchus et Ariane - Ballet Suite No. 1, Op. 43: 5. Meno allegro - Ariane, curieuse, s’approche de Bacchus - Il fait tournoyer son manteau au dessus d’Ariane | — | ||
| 36 | Bacchus et Ariane - Ballet Suite No. 1, Op. 43: 6. Thésée et ses compagnons se précipitent sur Bacchus. Bacchus se dévoile | — | ||
| 37 | Bacchus et Ariane - Ballet Suite No. 2, Op. 43: 7. Prelude. Ariane dort - Réveil d’Arianne | — | ||
| 38 | Bacchus et Ariane - Ballet Suite No. 2, Op. 43: 8. Elle regarde avec étonnement de tous côtés | — | ||
| 39 | Bacchus et Ariane - Ballet Suite No. 2, Op. 43: 9. Le baiser - L’enchantement dionysiaque | — | ||
| 40 | Bacchus et Ariane - Ballet Suite No. 2, Op. 43: 10. Danse d’Ariane et de Bacchus - Bacchanale - Le Couronnement d’Ariane | — | ||
| 41 | L’Apprenti sorcier | — | ||
| 42 | Pastorale d’été | — | ||
| 43 | Nights in the Gardens of Spain: 1. En el generalife | — | ||
| 44 | Nights in the Gardens of Spain: 2. Danza lejana | — | ||
| 45 | Nights in the Gardens of Spain: 3. En los jardines de la Sierra de Cordoba | — | ||
| 46 | El amor brujo: Introducción y escena - En la cueva - Canción del amor dolido - El Aparecido - Danza del terror | — | ||
| 47 | El amor brujo: El circulo mágico…A media noche. Los sortilegios | — | ||
| 48 | El amor brujo: A media noche - Danza ritual del fuego | — | ||
| 49 | El amor brujo: Escena - Canción del fuego fatuo | — | ||
| 50 | El amor brujo: Pantomima - Danza del juego de amor - Final | — |
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028948090440 is a Universal Product Code (UPC) assigned to The Philips Legacy by Jean Martinon. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Philips Legacy” by Jean Martinon is 028948090440. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No. 31 in D, K.297 - “Paris”: 1. Allegro assai | — | ||
| 2 | Symphony No. 31 in D, K.297 - “Paris”: 2. Andante | — | ||
| 3 | Symphony No. 31 in D, K.297 - “Paris”: 3. Allegro | — | ||
| 4 | Symphony No. 32 in G, K.318 (Overture in G): Allegro - Andante - Tempo I | — | ||
| 5 | Symphony No. 33 in B flat, K.319: 1. Allegro assai | — | ||
| 6 | Symphony No. 33 in B flat, K.319: 2. Andante moderato | — | ||
| 7 | Symphony No. 33 in B flat, K.319: 3. Menuetto | — | ||
| 8 | Symphony No. 33 in B flat, K.319: 4. Finale (Allegro assai) | — | ||
| 9 | Symphony No. 1 in D, Op. 25 “Classical Symphony”: 1. Allegro | — | ||
| 10 | Symphony No. 1 in D, Op. 25 “Classical Symphony”: 2. Larghetto | — | ||
| 11 | Symphony No. 1 in D, Op. 25 “Classical Symphony”: 3. Gavotta (Non troppo allegro) | — | ||
| 12 | Symphony No. 1 in D, Op. 25 “Classical Symphony”: 4. Finale (Vivace) | — | ||
| 13 | The Love for Three Oranges, Symphonic Suite, Op. 33 bis: 1. The Ridiculous People | — | ||
| 14 | The Love for Three Oranges, Symphonic Suite, Op. 33 bis: 2. Infernal Scene | — | ||
| 15 | The Love for Three Oranges, Symphonic Suite, Op. 33 bis: 3. March | — | ||
| 16 | The Love for Three Oranges, Symphonic Suite, Op. 33 bis: 4. Scherzo | — | ||
| 17 | The Love for Three Oranges, Symphonic Suite, Op. 33 bis: 5. The Prince and the Princess | — | ||
| 18 | The Love for Three Oranges, Symphonic Suite, Op. 33 bis: 6. The Escape | — | ||
| 19 | Prélude à l’après‐midi d’un faune | — | ||
| 20 | Pavane, Op. 50 | — | ||
| 21 | Le festin de l’araigneé, Op. 17: Prélude | — | ||
| 22 | Le festin de l’araigneé, Op. 17: Entrée des fournis | — | ||
| 23 | Le festin de l’araigneé, Op. 17: Les fourmis découvrent un pétale de rose tombé | — | ||
| 24 | Le festin de l’araigneé, Op. 17: Rentrée en scene des fournis | — | ||
| 25 | Le festin de l’araigneé, Op. 17: Danse du papillon | — | ||
| 26 | Le festin de l’araigneé, Op. 17: L’araignée invite le papillon a danser plus pres du fond | — | ||
| 27 | Le festin de l’araigneé, Op. 17: Mort du papillon | — | ||
| 28 | Le festin de l’araigneé, Op. 17: Danse de l’éphémère | — | ||
| 29 | Le festin de l’araigneé, Op. 17: Funérailles de l’éphémère | — | ||
| 30 | Le festin de l’araigneé, Op. 17: La nuit tombe sur le jardin solitaire | — | ||
| 31 | Bacchus et Ariane - Ballet Suite No. 1, Op. 43: 1. Prélude - Jeux des Ephèbes et des Vierges | — | ||
| 32 | Bacchus et Ariane - Ballet Suite No. 1, Op. 43: 2. Danse du labyrinthe - Thésée mime sa lutte contre le Minotaure | — | ||
| 33 | Bacchus et Ariane - Ballet Suite No. 1, Op. 43: 3. Meno allegro | — | ||
| 34 | Bacchus et Ariane - Ballet Suite No. 1, Op. 43: 4. Bacchus apparait. La danse est interrompue | — | ||
| 35 | Bacchus et Ariane - Ballet Suite No. 1, Op. 43: 5. Meno allegro - Ariane, curieuse, s’approche de Bacchus - Il fait tournoyer son manteau au dessus d’Ariane | — | ||
| 36 | Bacchus et Ariane - Ballet Suite No. 1, Op. 43: 6. Thésée et ses compagnons se précipitent sur Bacchus. Bacchus se dévoile | — | ||
| 37 | Bacchus et Ariane - Ballet Suite No. 2, Op. 43: 7. Prelude. Ariane dort - Réveil d’Arianne | — | ||
| 38 | Bacchus et Ariane - Ballet Suite No. 2, Op. 43: 8. Elle regarde avec étonnement de tous côtés | — | ||
| 39 | Bacchus et Ariane - Ballet Suite No. 2, Op. 43: 9. Le baiser - L’enchantement dionysiaque | — | ||
| 40 | Bacchus et Ariane - Ballet Suite No. 2, Op. 43: 10. Danse d’Ariane et de Bacchus - Bacchanale - Le Couronnement d’Ariane | — | ||
| 41 | L’Apprenti sorcier | — | ||
| 42 | Pastorale d’été | — | ||
| 43 | Nights in the Gardens of Spain: 1. En el generalife | — | ||
| 44 | Nights in the Gardens of Spain: 2. Danza lejana | — | ||
| 45 | Nights in the Gardens of Spain: 3. En los jardines de la Sierra de Cordoba | — | ||
| 46 | El amor brujo: Introducción y escena - En la cueva - Canción del amor dolido - El Aparecido - Danza del terror | — | ||
| 47 | El amor brujo: El circulo mágico…A media noche. Los sortilegios | — | ||
| 48 | El amor brujo: A media noche - Danza ritual del fuego | — | ||
| 49 | El amor brujo: Escena - Canción del fuego fatuo | — | ||
| 50 | El amor brujo: Pantomima - Danza del juego de amor - Final | — |
