UPC · Release
Various Artists
Last verified:
The UPC for “The Classic 100: Voice – The Top 10 & Selected Highlights” by Various Artists is 028948149582. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC. Tracks include AUAB01650272, AUAB00450329, AUAB00250105.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 9 in D minor, op. 125 “Choral”: 4. Finale (Presto – Allegro assai) | Cheryl Barker, Elizabeth Campbell, Teddy Tahu Rhodes, Steve Davislim, The Sydney Philharmonia Choir, Australian World Orchestra, Alexander Briger | T-318.676.528-2 | |
| 2 | Les Pêcheurs de perles, WD 13, Acte I : « Au fond du temple saint » | David Hobson, Teddy Tahu Rhodes, Sinfonia Australis, Thomas Woods | T-071.725.425-5 | |
| 3 | Messiah, HWV 56, Pt. 2: no. 44 Chorus: “Hallelujah!” | Cantillation, Orchestra of the Antipodes, Antony Walker | — | |
| 4 | Requiem in D minor, op. 48: 4. Pie Jesu | Sara Macliver, Sinfonia Australis, Antony Walker | T-010.065.879-4 | |
| 5 | Miserere a 5 & 4 | Cantillation, Antony Walker | T-900.079.512-0 | |
| 6 | Requiem in D minor, K. 626: 3f. Sequentia: Lacrimosa | Cantillation, Orchestra of the Antipodes, Antony Walker | T-921.960.942-4 | |
| 7 | Lakmé, Acte I : « Sous le dôme épais » (Flower Duet) | Victoria Lambourn, Milica Ilic, Tasmanian Symphony Orchestra, Andrew Greene | T-900.142.826-8 | |
| 8 | Vier letzte Lieder, TrV 296: 4. Im Abendrot | Erin Wall, Melbourne Symphony Orchestra, Sir Andrew Davis | — | |
| 9 | Carmina Burana, “Ave formosissima ” … “O Fortuna” | Sydney Philharmonia Motet Choir, Sydney Philharmonia Symphonic Choir, Sydney Philharmonia Orchestra, Antony Walker | T-803.285.485-7 | |
| 10 | Madama Butterfly, Act II: 27. Humming Chorus | Opera Queensland Chorus, Queensland Symphony Orchestra, Johannes Fritzsch | — | |
| 11 | Coronation Anthem no. 1 "Zadok the Priest, HWV258 | Australian Brandenburg Orchestra, Brandenburg Choir, Paul Dyer | — | |
| 12 | Ave verum corpus, K. 618 | Cantillation, Orchestra of the Antipodes, Antony Walker | T-031.853.198-4 | |
| 13 | Rusalka, op. 114, B. 203, Act I: Song to the Moon: “Mesicku na nebi hlubokém” | Nicole Car, The Australian Opera and Ballet Orchestra, Andrea Molino | — | |
| 14 | Dido and Aeneas, Z. 626, Act III: “Thy Hand, Belinda” … “When I Am Laid in Earth” | Sally-Anne Russell, Adelaide Symphony Orchestra, Nicholas Milton | T-905.454.594-7 | |
| 15 | Turandot, Act III: “Nessun dorma” | Rosario La Spina, Orchestre Philharmonique De Monte Carlo, Richard Mills | — | |
| 16 | Carmen, WD 31, Act II: « Votre toast, je peux vous le rendre » – « Toréador, en garde » | Teddy Tahu Rhodes, Alison Morgan, Jenny Duck-Chong, Sally-Anne Russell, Cantillation, Sinfonia Australis, Antony Walker | T-911.507.740-2 | |
| 17 | Die Zauberflöte, K. 620, Act II: “Der Hölle Rache kocht in meinem Herzen” | Emma Matthews, Tasmanian Symphony Orchestra, Marko Letonja | — | |
| 18 | Nabucco, Act III: "Va', pensiero" (Chorus Of The Hebrew Slaves) | Opera Australia Orchestra, Simone Young | T-900.021.750-5 | |
| 19 | Le nozze di Figaro, K. 492, Act I: “Non più andrai” | Teddy Tahu Rhodes, Tasmanian Symphony Orchestra, Ola Rudner | — | |
| 20 | Herz und Mund und Tat und Leben, Cantata BWV 147: 10. “Jesus bleibet meine Freude” | Cantillation, Orchestra of the Antipodes, Brett Weymark | T-905.387.081-8 | |
| 21 | Wild Swans: Eliza Aria | Jane Sheldon, Tasmanian Symphony Orchestra, Ola Rudner | — | |
| 22 | Spem in alium | Cantillation, Antony Walker | T-906.288.103-2 | |
| 23 | Sea Pictures, op. 37: 1. Sea Slumber Song | Elizabeth Campbell, Adelaide Symphony Orchestra, Nicholas Braithwaite | — | |
| 24 | Ein deutsches Requiem, op. 45: 4. “Wie lieblich sind deine Wohnungen, Herr Zebaoth!” | Melbourne Symphony Orchestra, Johannes Fritzsch | — | |
| 25 | Tosca, Act III, S. 69: “E lucevan le stelle” | Rosario La Spina, Queensland Symphony Orchestra, Stephen Mould | T-910.067.947-8 | |
| 26 | Dawn Mantras | Cantillation, Jane Sheldon, The Sydney Children's Choir, Ian Cleworth, Matthew Doyle, Jim Franklin, Brian Nixon, Rixon Thomas, Lyn Williams | — |
Identifier Graph
028948149582 is a Universal Product Code (UPC) assigned to The Classic 100: Voice – The Top 10 & Selected Highlights by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 26 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Die Zauberflöte, K. 620, Act II: “Der Hölle Rache kocht in meinem Herzen” | Emma Matthews, Tasmanian Symphony Orchestra, Marko Letonja | T-918.245.117-8 |
| Les Pêcheurs de perles, WD 13, Acte I : « Au fond du temple saint » | David Hobson, Teddy Tahu Rhodes, Sinfonia Australis, Thomas Woods | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Classic 100: Voice – The Top 10 & Selected Highlights” by Various Artists is 028948149582. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC. Tracks include AUAB01650272, AUAB00450329, AUAB00250105.
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Die Zauberflöte, K. 620, Act II: “Der Hölle Rache kocht in meinem Herzen” | Emma Matthews, Tasmanian Symphony Orchestra, Marko Letonja | T-918.245.117-8 |
| Les Pêcheurs de perles, WD 13, Acte I : « Au fond du temple saint » | David Hobson, Teddy Tahu Rhodes, Sinfonia Australis, Thomas Woods | — |
