UPC · Release
Violin Concerto / Don Quixote
Richard Strauss, Daniel Müller‐Schott, Christopher Moore, James Ehnes, Sir Andrew Davis, Melbourne Symphony Orchestra
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028948174904 is the Universal Product Code (UPC barcode) for the release “Violin Concerto / Don Quixote” by Richard Strauss, Daniel Müller‐Schott, Christopher Moore, James Ehnes, Sir Andrew Davis, Melbourne Symphony Orchestra. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (17)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Concerto in D Minor, op.8, Trv 110: 1. Allegro - Live from Hamer Hall, Arts Centre Melbourne, 2016 | — | ||
| 2 | Violin Concerto in D Minor, op.8, Trv 110: 2. Lento ma non troppo - Live from Hamer Hall, Arts Centre Melbourne, 2016 | — | ||
| 3 | Violin Concerto in D Minor, op.8, Trv 110: 3. Rondo: Presto - Live from Hamer Hall, Arts Centre Melbourne, 2016 | — | ||
| 4 | Don Quixote, op. 35, TrV 184: 1. Introduction: Don Quixote Loses His Sanity after Reading Novels about Knights, and Decides to Become a Knight‐Errant - Live from Hamer Hall, Arts Centre Melbourne, 2017 | — | ||
| 5 | Don Quixote, op. 35, TrV 184: 2. Theme: Don Quixote, Knight of the Sorrowful Countenance - Live from Hamer Hall, Arts Centre Melbourne, 2017 | — | ||
| 6 | Don Quixote, op. 35, TrV 184: 3. Sancho Panza - Live from Hamer Hall, Arts Centre Melbourne, 2017 | — | ||
| 7 | Don Quixote, op. 35, TrV 184: 4. Variation I: Adventure at the Windmills - Live from Hamer Hall, Arts Centre Melbourne, 2017 | — | ||
| 8 | Don Quixote, op. 35, TrV 184: 5. Variation II: Kriegerisch - Live from Hamer Hall, Arts Centre Melbourne, 2017 | — | ||
| 9 | Don Quixote, op. 35, TrV 184: 6. Variation III: Dialogue between Knight and Squire - Live from Hamer Hall, Arts Centre Melbourne, 2017 | — | ||
| 10 | Don Quixote, op. 35, TrV 184: 7. Variation IV: Unhappy Adventure with a Procession of Pilgrims - Live from Hamer Hall, Arts Centre Melbourne, 2017 | — | ||
| 11 | Don Quixote, op. 35, TrV 184: 8. Variation V: The Knight’s Vigil - Live from Hamer Hall, Arts Centre Melbourne, 2017 | — | ||
| 12 | Don Quixote, op. 35, TrV 184: 9. Variation VI: Meeting with Dulcinea - Live from Hamer Hall, Arts Centre Melbourne, 2017 | — | ||
| 13 | Don Quixote, op. 35, TrV 184: 10. Variation VII: The Ride through the Air - Live from Hamer Hall, Arts Centre Melbourne, 2017 | — | ||
| 14 | Don Quixote, op. 35, TrV 184: 11. Variation VIII: The Unhappy Voyage in the Enchanted Boat - Live from Hamer Hall, Arts Centre Melbourne, 2017 | — | ||
| 15 | Don Quixote, op. 35, TrV 184: 12. Variation IX: Battle with the Magicians - Live from Hamer Hall, Arts Centre Melbourne, 2017 | — | ||
| 16 | Don Quixote, op. 35, TrV 184: 13. Variation X: Duel with the Knight of the Bright Moon - Live from Hamer Hall, Arts Centre Melbourne, 2017 | — | ||
| 17 | Don Quixote, op. 35, TrV 184: 14. Finale: Coming to His Senses Again - Live from Hamer Hall, Arts Centre Melbourne, 2017 | — |
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What is UPC 028948174904?
028948174904 is a Universal Product Code (UPC) assigned to Violin Concerto / Don Quixote by Richard Strauss, Daniel Müller‐Schott, Christopher Moore, James Ehnes, Sir Andrew Davis, Melbourne Symphony Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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