UPC · Release
50 Chefs d'œuvre de la musique classique
Various Artists
028948225385
17 tracksReleased 2015-01-01Deutsche Grammophon
Last verified:
028948225385 is the Universal Product Code (UPC barcode) for the release “50 Chefs d'œuvre de la musique classique” by Various Artists, released 2015-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC. Tracks include DEF058300101, DEF058430003, DEF058000841.
Format
0Number system
28948Manufacturer
22538Product
5Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPC50 Chefs d'œuvre de la musique classique
ISRC8 recordings
ISWC18 works
IPI1 songwriter
Track List (17)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Also sprach Zarathustra, op. 30, TrV 176: Einleitung | Wiener Philharmoniker, Lorin Maazel | T-007163471-3 | |
| 2 | Peer Gynt : “Au matin” | — | ||
| 3 | Sérénade en sol majeur : “Une petite musique de nuit”, allegro | — | ||
| 4 | Il trovatore: Atto II, scena 1: “Vedi! le fosche notturne spoglie” | Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini | — | |
| 5 | Orphée aux enfers : Cancan | Wiener Philharmoniker, Lorin Maazel | T-071088112-1 | |
| 6 | Suite pour orchestre n°3 : Air | — | ||
| 7 | Kinderszenen op. 15: 7. Träumerei | Daniel Barenboim | T9093450896 | |
| 8 | Má vlast (Ma patrie) : La Moldau (Extrait) | — | ||
| 9 | Symphonie n°9 : "Du nouveau monde" | — | ||
| 10 | Danse hongroise n°5 | — | ||
| 11 | Quintette à cordes n°5 : "Menuet" | Orpheus Chamber Orchestra | T9181328041 | |
| 12 | Les quatres saisons : Concerto pour violon en mi majeur : " Le Printemps" | — | ||
| 13 | Symphonie Nr. 3 F-Dur op. 90: 4. Allegro | Berliner Philharmoniker, Herbert von Karajan | — | |
| 14 | Sonate pour piano n°14 : "Clair de lune" | — | ||
| 15 | La Légende du tsar Saltan : "Le Vol du bourdon" | Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | — | |
| 16 | Concerto pour violon n°2 : "La campanella, rondo" (Extrait) | — | ||
| 17 | Piano Sonata no. 2 in B‐flat minor, op. 35: Marche funèbre: Lento | Martha Argerich | T-321421851-2 |
Wiener Philharmoniker, Lorin Maazel
Peer Gynt : “Au matin”
—
Sérénade en sol majeur : “Une petite musique de nuit”, allegro
—
Il trovatore: Atto II, scena 1: “Vedi! le fosche notturne spoglie”
Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini
—
Suite pour orchestre n°3 : Air
—
Má vlast (Ma patrie) : La Moldau (Extrait)
—
Symphonie n°9 : "Du nouveau monde"
—
Danse hongroise n°5
—
Les quatres saisons : Concerto pour violon en mi majeur : " Le Printemps"
—
Symphonie Nr. 3 F-Dur op. 90: 4. Allegro
Berliner Philharmoniker, Herbert von Karajan
—
Sonate pour piano n°14 : "Clair de lune"
—
La Légende du tsar Saltan : "Le Vol du bourdon"
Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch
—
Concerto pour violon n°2 : "La campanella, rondo" (Extrait)
—
Additional database matches (16)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphonie n°5 : "Allegro con brio" | Berliner Philharmoniker, Lorin Maazel | T0395852080 |
| La Damnation de Faust: Première partie. Scène 3 | Richard Verreau, Orchestre Lamoureux, Igor Markevitch | — |
| Symphonie No. 3 F-Dur, Op. 90: III. Poco Allegretto | Berliner Philharmoniker, Herbert von Karajan | — |
| Suite de casse noisette : "Valse des fleurs" | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphonie no. 9 « Ode à la joie » (extrait) | Chor der Wiener Staatsoper, Gwyneth Jones, Karl Ridderbusch, Jess Thomas, Tatiana Troyanos, Wiener Philharmoniker, Karl Böhm | T-318676528-2 |
| Le Beau Danube bleu (Extrait) | Wiener Philharmoniker, Karl Böhm | — |
| Prélude à l'après-midi d'un faune | Doriot Anthony Dwyer, Orchestre Symphonique de Boston, Michael Tilson Thomas | — |
| Il barbiere di Siviglia: “Largo al factotum” | Hermann Prey, London Symphony Orchestra, Claudio Abbado | T9021874099 |
| Messiah, HWV 56: Part II. Chorus: “Hallelujah” | The John Alldis Choir, London Philharmonic Orchestra, Karl Richter | — |
| The Well-Tempered Clavier, Book I: Prelude & Fugue no. 1 in C major, BWV 846: Praeludium | Wilhelm Kempff | T-910.415.372-2 |
| Carmen : Acte I. « L'amour est un oiseau rebelle » | Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T3056256481 |
| Canon et gigue en ré majeur : "Canon" | Musica Antiqua Köln, Reinhard Goebel | — |
| Gaité parisienne : Barcarolle | Boston Symphony Orchestra, Seiji Ozawa | T-900010201-2 |
| Thais: Méditation | Christer Thorvaldsson, Göteborgs Symfoniker, Neeme Järvi | T-001283021-5 |
| Messa da requiem : Dies irae | Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini | — |
| Messa da requiem : Dies irae | Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini | T9109327573 |
Berliner Philharmoniker, Lorin Maazel
La Damnation de Faust: Première partie. Scène 3
Richard Verreau, Orchestre Lamoureux, Igor Markevitch
—
Symphonie No. 3 F-Dur, Op. 90: III. Poco Allegretto
Berliner Philharmoniker, Herbert von Karajan
—
Suite de casse noisette : "Valse des fleurs"
Berliner Philharmoniker, Herbert von Karajan
—
Chor der Wiener Staatsoper, Gwyneth Jones, Karl Ridderbusch, Jess Thomas, Tatiana Troyanos, Wiener Philharmoniker, Karl Böhm
Le Beau Danube bleu (Extrait)
Wiener Philharmoniker, Karl Böhm
—
Prélude à l'après-midi d'un faune
Doriot Anthony Dwyer, Orchestre Symphonique de Boston, Michael Tilson Thomas
—
Hermann Prey, London Symphony Orchestra, Claudio Abbado
Messiah, HWV 56: Part II. Chorus: “Hallelujah”
The John Alldis Choir, London Philharmonic Orchestra, Karl Richter
—
Wilhelm Kempff
Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado
Canon et gigue en ré majeur : "Canon"
Musica Antiqua Köln, Reinhard Goebel
—
Boston Symphony Orchestra, Seiji Ozawa
Christer Thorvaldsson, Göteborgs Symfoniker, Neeme Järvi
Messa da requiem : Dies irae
Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini
—
Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055164089000000005519539500000000555368900000000073638129000000007365417X00000000815543040000000081853590000000008356208400000001003182440000000105576840
+40 more
00000001066174480000000107988144000000010863595700000001087856050000000108823501000000010882351X0000000109160981000000010920700600000001093004890000000109350136000000010935867200000001094168010000000109426524000000010943215800000001094421370000000109961877000000011009692100000001101647600000000110177457000000011020391800000001102081290000000110231994000000011023504700000001103633560000000110379569000000011049607900000001106086830000000110745557000000011082322800000001109128370000000110928740000000011286999100000001144995330000000114523548000000011455486200000001147123140000000114714651000000011491037X0000000117001745000000011700249X
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What is UPC 028948225385?
028948225385 is a Universal Product Code (UPC) assigned to 50 Chefs d'œuvre de la musique classique by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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