UPC · Release
English Music
Purcell, Arne, Boyce, Byrd, The Academy of Ancient Music, Christopher Hogwood
028948232598
381 tracksReleased 2015-01-01L'Oiseau-Lyre
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028948232598 is the Universal Product Code (UPC barcode) for the release “English Music” by Purcell, Arne, Boyce, Byrd, The Academy of Ancient Music, Christopher Hogwood, released 2015-01-01 on L'Oiseau-Lyre. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 381 tracks, each with its own ISRC. Tracks include GBF079242401, GBF079242402, GBF079242403.
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28948Manufacturer
23259Product
8Check digit
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Credit Chain
UPCEnglish Music
ISRC23 recordings
ISWC3 works
IPI2 songwriters
Track List (381)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Staircase Overture | — | ||
| 2 | If Music Be the Food of Love | — | ||
| 3 | Cebell | — | ||
| 4 | To Arms, to Arms, Heroic Prince | — | ||
| 5 | To Arms | — | ||
| 6 | Tell Me, Some Pitying Angel | — | ||
| 7 | Slow Air | — | ||
| 8 | We Come To Sing | — | ||
| 9 | Oh Lead Me to Some Peaceful Gloom | — | ||
| 10 | O Solitude | — | ||
| 11 | Hark! hark! The Echoing air | — | ||
| 12 | Trumpet Tune | — | ||
| 13 | Sweeter Than Roses | — | ||
| 14 | Fairest Isle | — | ||
| 15 | She that Would Gain a Faithful Lover | — | ||
| 16 | Cupid, the Slyest Rogue Alive | — | ||
| 17 | I Attempt from Love's Sickness to Fly | — | ||
| 18 | Jig | — | ||
| 19 | Music for a While | — | ||
| 20 | The Fatal Hour Comes on Apace | — | ||
| 21 | Hear, Mighty Love | — | ||
| 22 | Plainte: O, Let Me Weep | — | ||
| 23 | Chacony in G minor | — | ||
| 24 | Ah! How sweet it is to love | — | ||
| 2-1 | Hark! Hark! How all things | — | ||
| 2-2 | Crown the altar, deck the shrine | — | ||
| 2-3 | If music be the food of love | — | ||
| 2-4 | Not all my torments | — | ||
| 2-5 | O, O let me weep! | — | ||
| 2-6 | I attempt from love's sickness to fly | — | ||
| 2-7 | Olinda in the shades unseen | — | ||
| 2-8 | Urge me no more | — | ||
| 2-9 | Bess of Bedlam | — | ||
| 2-10 | Lovely, lovely Albina | — | ||
| 2-11 | Sweeter than roses | — | ||
| 2-12 | Dear pretty youth | — | ||
| 2-13 | When first Amintas sued for a kiss | — | ||
| 2-14 | The cares of lovers | — | ||
| 2-15 | Ye gentle spirits of the air | — | ||
| 2-16 | An Evening Hymn | — | ||
| 3-1 | Dido and Aeneas: Overture | — | ||
| 3-2 | Dido and Aeneas: Act I. "Shake the cloud from off your brow" | — | ||
| 3-3 | Dido and Aeneas: Act I. "Ah! Belinda, I am prest with torment" | — | ||
| 3-4 | Dido and Aeneas: Act I. "When monarchs unite" | — | ||
| 3-5 | Dido and Aeneas: Act I. "Whence could so much virtue spring?" | — | ||
| 3-6 | Dido and Aeneas: Act I. "Fear no danger" / Dance | — | ||
| 3-7 | Dido and Aeneas: Act I. "See, your royal guest appears" | — | ||
| 3-8 | Dido and Aeneas: Act I. "Cupid only throws the dart" | — | ||
| 3-9 | Dido and Aeneas: Act I. "If not for mine" | — | ||
| 3-10 | Dido and Aeneas: Act I. "Pursue thy conquest, Love" | — | ||
| 3-11 | Dido and Aeneas: Act I. A Dance Gittars Chacony | — | ||
| 3-12 | Dido and Aeneas: Act I. "To the hills and the vales" | — | ||
| 3-13 | Dido and Aeneas: Act I. The triumphing Dance | — | ||
| 3-14 | Dido and Aeneas: Act II. Prelude for the Witches / "Wayward sisters" | — | ||
| 3-15 | Dido and Aeneas: Act II. "Harm's our delight" | — | ||
| 3-16 | Dido and Aeneas: Act II. "The Queen of Carthage, whom we hate" | — | ||
| 3-17 | Dido and Aeneas: Act II. "In our deep vaulted cell" | — | ||
| 3-18 | Dido and Aeneas: Act II. Echo Dance of Furies | — | ||
| 3-19 | Dido and Aeneas: Act II. Ritornelle / "Thanks to these lonesome vales" | — | ||
| 3-20 | Dido and Aeneas: Act II. Gitter ground / a dance | — | ||
| 3-21 | Dido and Aeneas: Act II. "Oft she visits" / Ritornelle | — | ||
| 3-22 | Dido and Aeneas: Act II. "Behold, upon my bending spear" | — | ||
| 3-23 | Dido and Aeneas: Act II. "Haste, haste to town" | — | ||
| 3-24 | Dido and Aeneas: Act II. "Stay, Prince" | — | ||
| 3-25 | Dido and Aeneas: Act II. Ritornelle | — | ||
| 3-26 | Dido and Aeneas: Act III. Prelude / "Come away, fellow sailors" | — | ||
| 3-27 | Dido and Aeneas: Act III. The Sailors' Dance | — | ||
| 3-28 | Dido and Aeneas: Act III. "See the flags and streamers curling" | — | ||
| 3-29 | Dido and Aeneas: Act III. "Destruction's our delight" | — | ||
| 3-30 | Dido and Aeneas: Act III. The Witches' Dance | — | ||
| 3-31 | Dido and Aeneas: Act III. "Your counsel all is urg'd in vain" | — | ||
| 3-32 | Dido and Aeneas: Act III. "Great minds against themselves conspire" | — | ||
| 3-33 | Dido and Aeneas: Act III. "Thy hand Belinda" / "When I am laid in earth" | — | ||
| 3-34 | Dido and Aeneas: Act III. "With drooping wings" | — | ||
| 4-1 | The Indian Queen: First Music: Air-Hornpipe | — | ||
| 4-2 | The Indian Queen: Second Music: Air-Hornpipe | — | ||
| 4-3 | The Indian Queen: Overture | — | ||
| 4-4 | The Indian Queen: Trumpet Tune | — | ||
| 4-5 | The Indian Queen: Prologue. "Wake Quivera, wake" | — | ||
| 4-6 | The Indian Queen: Prologue. "Why should men quarrel?" | — | ||
| 4-7 | The Indian Queen: Prologue. "By ancient prophecies" | — | ||
| 4-8 | The Indian Queen: Prologue. Trumpet Tune | — | ||
| 4-9 | The Indian Queen: Act II. Symphony | — | ||
| 4-10 | The Indian Queen: Act II. "I come to sing great Zempoalla's story" | — | ||
| 4-11 | The Indian Queen: Act II. "What flatt'ring noise is this" | — | ||
| 4-12 | The Indian Queen: Act II. "Scorn'd Envy, here's nothing" | — | ||
| 4-13 | The Indian Queen: Act II. Trumpet Tune | — | ||
| 4-14 | The Indian Queen: Act II. "We come to sing great Zempoalla's story" | — | ||
| 4-15 | The Indian Queen: Act II. Dance | — | ||
| 4-16 | The Indian Queen: Act II. Second Act Tune | — | ||
| 4-17 | The Indian Queen: Act III. Dance | — | ||
| 4-18 | The Indian Queen: Act III. "Ye twice ten hundred deities" / "By the croaking of the toad" | — | ||
| 4-19 | The Indian Queen: Act III. Symphony / "Seek not to know what must not be reveal'd" | — | ||
| 4-20 | The Indian Queen: Act III. Trumpet Overture | — | ||
| 4-21 | The Indian Queen: Act III. "Ah! Ah! How happy are we!" | — | ||
| 4-22 | The Indian Queen: Act III. "We the spirits of the air" | — | ||
| 4-23 | The Indian Queen: Act III. "I attempt form Love's sickness to fly in vain" | — | ||
| 4-24 | The Indian Queen: Act III. Third Act Tune: Rondeau | — | ||
| 4-25 | The Indian Queen: Act IV. "They tell us that you mighty powers above" | — | ||
| 4-26 | The Indian Queen: Act IV. Fourth Act Tune: Air | — | ||
| 4-27 | The Indian Queen: Act V. "While thus we bow" | — | ||
| 4-28 | The Indian Queen: Act V. "You who at the altar stand" / "All dismal sounds" | — | ||
| 4-29 | The Indian Queen: Additional Act (The Masque of Hymen): Symphony | — | ||
| 4-30 | The Indian Queen: Additional Act (The Masque of Hymen): "To bless the genial bed" / "Come all, come at my call" | — | ||
| 4-31 | The Indian Queen: Additional Act (The Masque of Hymen): "I'm glad I have met him" | — | ||
| 4-32 | The Indian Queen: Additional Act (The Masque of Hymen): "The joys of wedlock soon are past" / "Sound, sound the trumpet" | — | ||
| 4-33 | The Indian Queen: Additional Act (The Masque of Hymen): "Make haste, make haste to put on love's chains" | — | ||
| 4-34 | The Indian Queen: Additional Act (The Masque of Hymen): Trumpet Air / "Let loud renown with all her thousand tongues" | — | ||
| 5-1 | Abdelazer or The Moor's Revenge Z 570: I Overture | — | ||
| 5-2 | Abdelazer or The Moor's Revenge Z 570: II Rondeau - III Air - IV Air - V Minuet | — | ||
| 5-3 | Abdelazer or The Moor's Revenge Z 570: VI Air - VII Jig - VIII Hornpipe - IX Air | — | ||
| 5-4 | Abdelazer or The Moor's Revenge Z 570: X Song: Lucinda is bewitching fair | — | ||
| 5-5 | Distressed Innocence or The Princess of Persia Z577: I Overture | — | ||
| 5-6 | Distressed Innocence or The Princess of Persia Z577: II Air - III Slow Air - IV Air - V Hornpipe or Jig | — | ||
| 5-7 | Distressed Innocence or The Princess of Persia Z577: VI Rondeau - VII Air - VIII Minuet | — | ||
| 5-8 | The Married Beau or The Curious Impertinent Z603: I Overture | — | ||
| 5-9 | The Married Beau or The Curious Impertinent Z603: II Slow Air - III Hornpipe | — | ||
| 5-10 | The Married Beau or The Curious Impertinent Z603: IV Air - V Hornpipe - VI Jig | — | ||
| 5-11 | The Married Beau or The Curious Impertinent Z603: VII Trumpet Air - VIII March - IX Hornpipe on a ground | — | ||
| 5-12 | The Married Beau or The Curious Impertinent Z603: X Song: See! where repenting Celia lyes | — | ||
| 5-13 | The Gordian Knot Unty'd Z597: I Overture | — | ||
| 5-14 | The Gordian Knot Unty'd Z597: II Air - III Rondeau Minuet - IV Air - V Jig | — | ||
| 5-15 | The Gordian Knot Unty'd Z597: VI Chaconne - VII Air - VIII Minuet | — | ||
| 5-16 | Sir Anthony Love or The Rambling Lady Z588: Overture | — | ||
| 5-17 | Sir Anthony Love or The Rambling Lady Z588: Pursuing Beauty | — | ||
| 5-18 | Sir Anthony Love or The Rambling Lady Z588: No more, Sir, no more | — | ||
| 5-19 | Sir Anthony Love or The Rambling Lady Z588: In vain Clemene | — | ||
| 5-20 | Sir Anthony Love or The Rambling Lady Z588: Ground | — | ||
| 6-1 | Bonduca or The British Heroine, Z574: Overture | — | ||
| 6-2 | Bonduca or The British Heroine, Z574: Air - Hornpipe - Air | — | ||
| 6-3 | Bonduca or The British Heroine, Z574: Hornpipe - Air - Minuet | — | ||
| 6-4 | Bonduca or The British Heroine, Z574: Jack, Thou'rt a Roper | — | ||
| 6-5 | Bonduca or The British Heroine, Z574: Hear Us Great Rugwith | — | ||
| 6-6 | Bonduca or The British Heroine, Z574: Hear, Ye Gods of Britain | — | ||
| 6-7 | Bonduca or The British Heroine, Z574: Sing, Sing, Ye Druids! | — | ||
| 6-8 | Bonduca or The British Heroine, Z574: Divine Andate, President of War | — | ||
| 6-9 | Bonduca or The British Heroine, Z574: To Arms | — | ||
| 6-10 | Bonduca or The British Heroine, Z574: Britons Strike Home! | — | ||
| 6-11 | Bonduca or The British Heroine, Z574: O Lead Me to Some Peaceful Gloom | — | ||
| 6-12 | Circe, Z575: We Must Assemble a Sacrifice | — | ||
| 6-13 | Circe, Z575: Their Necessary Aid You Use | — | ||
| 6-14 | Circe, Z575: Come Every Demon | — | ||
| 6-15 | Circe, Z575: Lovers, Who to Their First Embraces Go | — | ||
| 6-16 | Circe, Z575: Magicians' Dance ... Pluto, Arise! | — | ||
| 6-17 | The Virtuous Wife or Good Luck At Last, Z611: Overture | — | ||
| 6-18 | The Virtuous Wife or Good Luck At Last, Z611: Song Tune - Slow Air - Air | — | ||
| 6-19 | The Virtuous Wife or Good Luck At Last, Z611: Preludio - Hornpipe - Minuet - Minuet (1st Act Tune) | — | ||
| 6-20 | The Old Bachelor, Z607: Overture | — | ||
| 6-21 | The Old Bachelor, Z607: Hornpipe | — | ||
| 6-22 | The Old Bachelor, Z607: Thus to a Ripe, Consenting Maid | — | ||
| 6-23 | The Old Bachelor, Z607: Slow Air - Hornpipe | — | ||
| 6-24 | The Old Bachelor, Z607: As Amoret and Thyrsis Lay | — | ||
| 6-25 | The Old Bachelor, Z607: Rondeau - Minuet - Boree - March - Jig | — | ||
| 7-1 | Overture in G minor, Z770 | — | ||
| 7-2 | Don Quixote, Z578: Sing All Ye Muses | — | ||
| 7-3 | Don Quixote, Z578: When the World First Knew Creation | — | ||
| 7-4 | Don Quixote, Z578: Let the Dreadful Engines of Eternal Will | — | ||
| 7-5 | Don Quixote, Z578: With This Sacred Charming Wand | — | ||
| 7-6 | Don Quixote, Z578: Since Times Are So Bad | — | ||
| 7-7 | Don Quixote, Z578: Genius of England | — | ||
| 7-8 | Don Quixote, Z578: Lads and Lasses, Blithe and Gay | — | ||
| 7-9 | Don Quixote, Z578: From Rosie Bow'rs | — | ||
| 7-10 | Amphitryon or The Two Sosias, Z572: Overture | — | ||
| 7-11 | Amphitryon Or The Two Sosias, Z572: Saraband | — | ||
| 7-12 | Amphitryon or The Two Sosias, Z572: Celia, That I Once Was Blest | — | ||
| 7-13 | Amphitryon or The Two Sosias, Z572: Hornpipe - Scotch Tune | — | ||
| 7-14 | Amphitryon or The Two Sosias, Z572: For Iris I Sigh | — | ||
| 7-15 | Amphitryon or The Two Sosias, Z572: Air - Minuet - Hornpipe | — | ||
| 7-16 | Amphitryon or The Two Sosias, Z572: Fair Iris and Her Swain | — | ||
| 7-17 | Amphitryon or The Two Sosias, Z572: Bourrée | — | ||
| 8-1 | The Double Dealer, Z592: Overture | — | ||
| 8-2 | The Double Dealer, Z592: Hornpipe - Minuet - Air - Hornpipe | — | ||
| 8-3 | The Double Dealer, Z592: Cynthia Frowns | — | ||
| 8-4 | The Double Dealer, Z592: Minuet - Minuet - Air - Air | — | ||
| 8-5 | The Richmond Heiress or A Woman Once In The Right, Z608: Behold The Man | — | ||
| 8-6 | The Rival Sisters or The Violence Of Love, Z609: Overture | — | ||
| 8-7 | The Rival Sisters or The Violence Of Love, Z609: Celia Has A Thousand Charms | — | ||
| 8-8 | The Rival Sisters or The Violence Of Love, Z609: Take Not A Woman's Anger Ill | — | ||
| 8-9 | The Rival Sisters or The Violence Of Love, Z609: How Happy, How Happy Is She | — | ||
| 8-10 | Henry The Second, King of England, Z580: In Vain, 'Gainst Love, In Vain I Strove | — | ||
| 8-11 | Tyrannic Love Or The Royal Martyr, Z613: Hark! My Damilcar! | — | ||
| 8-12 | Tyrannic Love Or The Royal Martyr, Z613: Ah! How Sweet It Is To Love | — | ||
| 8-13 | Overture in G minor, Z772 | — | ||
| 8-14 | Theodosius or The Force of Love, Z606: Prepare, Prepare, The Rites Begin | — | ||
| 8-15 | Theodosius or The Force of Love, Z606: Can'st Thou, Marina | — | ||
| 8-16 | Theodosius or The Force of Love, Z606: The Gate to Bliss | — | ||
| 8-17 | Theodosius or The Force of Love, Z606: Hark! Hark! Behold the Heav'nly Choir | — | ||
| 8-18 | Theodosius or The Force of Love, Z606: Now the Fight's Done | — | ||
| 8-19 | Theodosius or The Force of Love, Z606: Sad as Death at Dead of Night | — | ||
| 8-20 | Theodosius or The Force of Love, Z606: Dream No More of Pleasures Past | — | ||
| 8-21 | Theodosius or The Force of Love, Z606: Hail to the Myrtle Shade | — | ||
| 8-22 | Theodosius or The Force of Love, Z606: Ah Cruel, Bloody Fate | — | ||
| 9-1 | The Libertine or The Libertine Destroyed, Z600: Nymphs and Shepherds | — | ||
| 9-2 | The Libertine or The Libertine Destroyed, Z600: We Come | — | ||
| 9-3 | The Libertine or The Libertine Destroyed, Z600: Prelude | — | ||
| 9-4 | The Libertine or The Libertine Destroyed, Z600: Prepare, Prepare, New Guests Draw Near | — | ||
| 9-5 | The Libertine or The Libertine Destroyed, Z600: To Arms, Heroic Prince | — | ||
| 9-6 | The Massacre Of Paris, Z604: Thy Genius, Lo (2 Settings) | — | ||
| 9-7 | Oedipus, Z583: Hear, Ye Sullen Powers Below | — | ||
| 9-8 | Oedipus, Z583: Music For a While | — | ||
| 9-9 | Oedipus, Z583: Come Away, Do Not Stay ... Laius! Hear, Hear | — | ||
| 9-10 | Overture in D minor, Z771 | — | ||
| 9-11 | The History of King Richard The Second (The Sicilian Usurper), Z581: Retir'd From Any Mortal's Sight | — | ||
| 9-12 | Sir Barnaby Whigg or No Wit Like A Woman's, Z589: Blow, Blow, Boreas, Blow | — | ||
| 9-13 | Sophonisba or Hannibal's Overthrow, Z590: Beneath the Poplar's Shadow | — | ||
| 9-14 | The English Lawyer, Z594: My Wife Has a Tongue | — | ||
| 9-15 | A Fool's Preferment or The Three Dukes of Dunstable, Z571: I Sigh'd, and I Pin'd ... There's Nothing so Fatal as Woman | — | ||
| 9-16 | A Fool's Preferment or The Three Dukes of Dunstable, Z571: Fled Is My Love ... 'Tis Death Alone ... I'll Mount to Yon Blue Coelum | — | ||
| 9-17 | A Fool's Preferment or The Three Dukes of Dunstable, Z571: I'll Sail Upon the Dog-Star | — | ||
| 9-18 | A Fool's Preferment or The Three Dukes of Dunstable, Z571: Jenny, 'Gin You Can Love | — | ||
| 9-19 | A Fool's Preferment or The Three Dukes of Dunstable, Z571: If Thou Wilt Give Me Back My Love | — | ||
| 9-20 | The Indian Emperor or The Conquest Of Mexico, Z598: I Look'd and Saw Within | — | ||
| 9-21 | The Knight Of Malta, Z599: At the Close of the Ev'ning | — | ||
| 9-22 | A Dialogue Between Thirsis and Daphne, Z525: Why, My Daphne, Why Complaining | — | ||
| 9-23 | The Wives' Excuse or Cuckolds Make Themselves, Z612: Ingrateful Love! | — | ||
| 9-24 | The Wives' Excuse or Cuckolds Make Themselves, Z612: Hang This Whining Way of Wooing | — | ||
| 9-25 | The Wives' Excuse or Cuckolds Make Themselves, Z612: Say, Cruel Amoret ... Corinna, I Excuse Thy Face | — | ||
| 9-26 | Cleomenes, The Spartan Hero, Z576: No, No, Poor Suff'ring Heart | — | ||
| 9-27 | Regulus or The Faction of Carthage, Z586: Ah me! To Many Deaths | — | ||
| 9-28 | The Marriage-Hater Match'd, Z602: As Soon as the Chaos ... How Vile are the Sordid Intregues | — | ||
| 10-1 | Love Triumphant or Nature Will Prevail, Z582: How Happy's the Husband | — | ||
| 10-2 | Rule a Wife and Have a Wife, Z587: There's Not a Swain | — | ||
| 10-3 | The Female Virtuosos, Z596: Love, Thou Art Best | — | ||
| 10-4 | Epsom Wells, Z598: Leave These Useless Arts | — | ||
| 10-5 | The Maid's Last Prayer or Any Rather Than Fail, Z601: Though You Make No Return | — | ||
| 10-6 | The Maid's Last Prayer or Any Rather Than Fail, Z601: No, Resistance is but Vain | — | ||
| 10-7 | The Maid's Last Prayer or Any Rather Than Fail, Z601: Tell Me No More | — | ||
| 10-8 | Aureng-Zebe or The Great Mogul, Z573: I See, She Flies Me | — | ||
| 10-9 | The Canterbury Guests or A Bargain Broken, Z591: Good Neighbour Why? | — | ||
| 10-10 | The Fatal Marriage or The Innocent Adultery, Z595: The Danger Is Over | — | ||
| 10-11 | The Fatal Marriage or The Innocent Adultery, Z595: I Sigh'd and Owned My Love | — | ||
| 10-12 | The Spanish Fair or The Double Discovery, Z610: Whilst I Get Grief | — | ||
| 10-13 | Pausianias, The Betrayer of His Country, Z585: Sweeter Than Roses | — | ||
| 10-14 | Pausianias, The Betrayer of His Country, Z585: My Dearest, My Fairest | — | ||
| 10-15 | The Mock Marriage, Z605: Oh! How You Protest ... 'Twas Within a Furlong ... Man Is for the Woman Made | — | ||
| 10-16 | Oroonoko, Z584: Celemene, Pray Tell Me | — | ||
| 10-17 | Pavan no. 1 in A major, Z748 | — | ||
| 10-18 | Pavan no. 2 in A minor, Z749 | — | ||
| 10-19 | Pavan no. 3 in B-flat major, Z750 | — | ||
| 10-20 | Pavan no. 4 in G minor, Z751 | — | ||
| 10-21 | Pavan no. 5 in G minor, Z752 | — | ||
| 10-22 | Trio Sonata for Violin, Bass Viol, and Organ, Z780 | — | ||
| 10-23 | Chacony, Z730 | — | ||
| 11-1 | 12 Sonatas of Three Parts, Z790-801: Sonata no. 1 in G minor: Sonnata - Vivace - Adagio - Presto - Largo | — | ||
| 11-2 | 12 Sonatas of Three Parts, Z790-801: Sonata no. 2 in B-flat major: Sonnata - Largo - Presto - Adagio - Vivace - Allegro | — | ||
| 11-3 | 12 Sonatas of Three Parts, Z790-801: Sonata no. 3 in D minor: Sonnata - Adagio - Canzona - Adagio - Poco Largo - Allegro | — | ||
| 11-4 | 12 Sonatas of Three Parts, Z790-801: Sonata no. 4 in F major: Sonnata - Canzona - Adagio - Poco Largo - Allegro | — | ||
| 11-5 | 12 Sonatas of Three Parts, Z790-801: Sonata no. 5 in A minor: Sonnata - Adagio - Largo - Grave - Canzona - Adagio | — | ||
| 11-6 | 12 Sonatas of Three Parts, Z790-801: Sonata no. 6 in C major: Sonnata - Canzona - Adagio - Largo - Allegro | — | ||
| 11-7 | 12 Sonatas of Three Parts, Z790-801: Sonata no. 7 in E minor: Sonnata - Canzona - Largo - Grave - Canzona - Adagio | — | ||
| 11-8 | 12 Sonatas of Three Parts, Z790-801: Sonata no. 8 in G major: Sonnata - Poco Largo - Allegro - Grace - Vivace | — | ||
| 11-9 | 12 Sonatas of Three Parts, Z790-801: Sonata no. 9 in C minor: Sonnata - Largo - Canzona - Adagio - Allegro | — | ||
| 11-10 | 12 Sonatas of Three Parts, Z790-801: Sonata no. 10 in A major: Sonnata - Largo - Grave - Presto | — | ||
| 11-11 | 12 Sonatas of Three Parts, Z790-801: Sonata no. 11 in F minor: Sonnata - Canzona - Adagio - Lento | — | ||
| 11-12 | 12 Sonatas of Three Parts, Z790-801: Sonata no. 12 in D major: Sonnata - Adagio - Canzona - Poco Largo - Grave - Presto - Allegro - Adagio | — | ||
| 12-1 | Sonatas in Four Parts, Z802-811: Sonata no. 1 in B minor: Adagio - Canzona (Allegro) - Largo - Vivace - Grave | — | ||
| 12-2 | Sonatas in Four Parts, Z802-811: Sonata no. 2 in E-flat major: Adagio - Canzona (Allegro) - Adagio - Largo - Allegro | — | ||
| 12-3 | Sonatas in Four Parts, Z802-811: Sonata no. 3 in A minor: Grave - Largo - Adagio - Canzona - Gigue - Grave | — | ||
| 12-4 | Sonatas in Four Parts, Z802-811: Sonata no. 4 in D minor: Adagio - Canzona - Adagio - Vivace - Largo | — | ||
| 12-5 | Sonatas in Four Parts, Z802-811: Sonata no. 5 in G minor: (Adagio) - Canzona - Largo - Adagio - Presto - Allegro - Adagio | — | ||
| 12-6 | Sonatas in Four Parts, Z802-811: Sonata no. 6 in G minor: Adagio | — | ||
| 12-7 | Sonatas in Four Parts, Z802-811: Sonata no. 7 in C major: Vivace - Largo - Grave - Canzona - Allegro - Adagio | — | ||
| 12-8 | Sonatas in Four Parts, Z802-811: Sonata no. 8 in G minor: Adagio - Canzona - Grave - Largo - Vivace | — | ||
| 12-9 | Sonatas in Four Parts, Z802-811: Sonata no. 9 in F major: (Allegro) - Adagio - Canzona (Allegro) - Grave - Allegro | — | ||
| 12-10 | Sonatas in Four Parts, Z802-811: Sonata no. 10 in D major: Adagio - Canzona (Allegro) - Grave - Allegro | — | ||
| 13-1 | Overture no. 3 in G major | — | ||
| 13-2 | Overture no. 1 in E minor | — | ||
| 13-3 | Overture no. 2 in A major | — | ||
| 13-4 | Overture no. 4 in F major | — | ||
| 13-5 | Overture no. 5 in D major | — | ||
| 13-6 | Overture no. 6 in B-flat major | — | ||
| 13-7 | Overture no. 7 in D major | — | ||
| 13-8 | Overture no. 8 in G minor | — | ||
| 14-1 | Sonata no. 1 in F major: 1. Andante | — | ||
| 14-2 | Sonata no. 1 in F major: 2. Adagio | — | ||
| 14-3 | Sonata no. 1 in F major: 3. Allegro | — | ||
| 14-4 | Sonata no. 2 in E minor: 1. Andante | — | ||
| 14-5 | Sonata no. 2 in E minor: 2. Adagio | — | ||
| 14-6 | Sonata no. 2 in E minor: 3. Allegrissimo | — | ||
| 14-7 | Sonata no. 5 in B-flat major: 1. Poco largo | — | ||
| 14-8 | Sonata no. 5 in B-flat major: 2. Presto (Gavotta) | — | ||
| 14-9 | Sonata no. 6 in G minor: 1. Affetuoso | — | ||
| 14-10 | Sonata no. 6 in G minor: 2. Presto | — | ||
| 14-11 | Sonata no. 3 in G minor: 1. Prelude | — | ||
| 14-12 | Sonata no. 3 in G minor: 2. Allegro | — | ||
| 14-13 | Sonata no. 3 in G minor: 3. Minuet (and Two Variations) | — | ||
| 14-14 | Sonata no. 4 in D minor: 1. Andante | — | ||
| 14-15 | Sonata no. 4 in D minor: 2. Largo (Siciliano) | — | ||
| 14-16 | Sonata no. 4 in D minor: 3. Fuga (Allegro) | — | ||
| 14-17 | Sonata no. 4 in D minor: 4. Allegro (Jigg) | — | ||
| 14-18 | Sonata no. 7 in A major: 1. Presto | — | ||
| 14-19 | Sonata no. 7 in A major: 2. Andante | — | ||
| 14-20 | Sonata no. 7 in A major: 3. Allegro | — | ||
| 14-21 | Sonata no. 8 in G major: Minuet (and Four Variations) | — | ||
| 15-1 | Symphony no. 1 in B-flat major: I. Allegro | Academy of Ancient Music, Christopher Hogwood | T-306.395.786-4 | |
| 15-2 | Symphony no. 1 in B-flat major: II. Moderato e dolce | Academy of Ancient Music, Christopher Hogwood | — | |
| 15-3 | Symphony no. 1 in B-flat major: III. Allegro | Academy of Ancient Music, Christopher Hogwood | — | |
| 15-4 | Symphony no. 2 in A minor: I. Allegro assai | Academy of Ancient Music, Christopher Hogwood | T-306.395.786-4 | |
| 15-5 | Symphony no. 2 in A minor: II. Vivace | Academy of Ancient Music, Christopher Hogwood | — | |
| 15-6 | Symphony no. 2 in A minor: III. Presto Allegro | Academy of Ancient Music, Christopher Hogwood | — | |
| 15-7 | Symphony no. 3 in C major: I. Allegro | Academy of Ancient Music, Christopher Hogwood | — | |
| 15-8 | Symphony no. 3 in C major: II. Vivace | Academy of Ancient Music, Christopher Hogwood | — | |
| 15-9 | Symphony no. 3 in C major: III. Tempo di minuetto | Academy of Ancient Music, Christopher Hogwood | — | |
| 15-10 | Symphony no. 4 in F major: I. Allegro | Academy of Ancient Music, Christopher Hogwood | T-306.395.786-4 | |
| 15-11 | Symphony no. 4 in F major: II. Vivace ma non troppo | Academy of Ancient Music, Christopher Hogwood | — | |
| 15-12 | Symphony no. 4 in F major: III. Gavot (Allegro) | Academy of Ancient Music, Christopher Hogwood | — | |
| 15-13 | Symphony no. 5 in D major: I. Allegro ma non troppo — Allegro assai | Academy of Ancient Music, Christopher Hogwood | — | |
| 15-14 | Symphony no. 5 in D major: II. Tempo di gavotta | Academy of Ancient Music, Christopher Hogwood | — | |
| 15-15 | Symphony no. 5 in D major: III. Tempo di minuetto | Academy of Ancient Music, Christopher Hogwood | — | |
| 15-16 | Symphony no. 6 in F major: I. Largo — Allegro | Academy of Ancient Music, Christopher Hogwood | T-005.005.728-7 | |
| 15-17 | Symphony no. 6 in F major: II. Larghetto | Academy of Ancient Music, Christopher Hogwood | — | |
| 15-18 | Symphony no. 7 in B-flat major: I. Andante — Spirituoso | Academy of Ancient Music, Christopher Hogwood | — | |
| 15-19 | Symphony no. 7 in B-flat major: II. Moderato | Academy of Ancient Music, Christopher Hogwood | — | |
| 15-20 | Symphony no. 7 in B-flat major: III. Jigg (Allegro assai) | Academy of Ancient Music, Christopher Hogwood | T-306.395.786-4 | |
| 15-21 | Symphony no. 8 in D minor: I. Pomposo — Allegro | Academy of Ancient Music, Christopher Hogwood | T-306.395.786-4 | |
| 15-22 | Symphony no. 8 in D minor: II. Largo Andante | Academy of Ancient Music, Christopher Hogwood | — | |
| 15-23 | Symphony no. 8 in D minor: III. Tempo di gavotta | Academy of Ancient Music, Christopher Hogwood | — | |
| 16-1 | My Ladye Nevells Booke: I. My Ladye Nevells Ground | — | ||
| 16-2 | My Ladye Nevells Booke: II. Qui Passe: for my ladye nevell | — | ||
| 16-3 | My Ladye Nevells Booke: III. The Marche Before the Battell | — | ||
| 16-4 | My Ladye Nevells Booke: IV. The Battell | — | ||
| 16-5 | My Ladye Nevells Booke: V. The Galliarde for the Victorie | — | ||
| 16-6 | My Ladye Nevells Booke: VI. The Barleye Breake | — | ||
| 16-7 | My Ladye Nevells Booke: VII. A Galliards Gygge | — | ||
| 16-8 | My Ladye Nevells Booke: VIII. The Huntes Upp | — | ||
| 16-9 | My Ladye Nevells Booke: IX. Ut Re Mi Fa Sol La | — | ||
| 16-10 | My Ladye Nevells Booke: X. The Firste Pavian | — | ||
| 16-11 | My Ladye Nevells Booke: XI. The Galliarde to the Firste Pavian | — | ||
| 16-12 | My Ladye Nevells Booke: XII. The Seconde Pavian | — | ||
| 16-13 | My Ladye Nevells Booke: XIII. The Galliarde to the Seconde Pavian | — | ||
| 16-14 | My Ladye Nevells Booke: XIV. The Third Pavian | — | ||
| 16-15 | My Ladye Nevells Booke: XV. The Galliarde to the Third Pavian | — | ||
| 16-16 | My Ladye Nevells Booke: XVI. The Fourth Pavian | — | ||
| 16-17 | My Ladye Nevells Booke: XVII. The Galliarde to the Fourth Pavian | — | ||
| 17-1 | My Ladye Nevells Booke: XVIII. The Fifte Pavian | — | ||
| 17-2 | My Ladye Nevells Booke: XIX. The Galliarde to the Fifte Pavian | — | ||
| 17-3 | My Ladye Nevells Booke: XX. Pavana the Sixte: Kinbrugh Goodd | — | ||
| 17-4 | My Ladye Nevells Booke: XXI. The Galliarde to the Sixte Pavian | — | ||
| 17-5 | My Ladye Nevells Booke: XXII. The Seventh Pavian | — | ||
| 17-6 | My Ladye Nevells Booke: XXIII. The Eighte Pavian | — | ||
| 17-7 | My Ladye Nevells Booke: XXIV. The Passinge Mesures: The Nynthe Pavian | — | ||
| 17-8 | My Ladye Nevells Booke: XXV. The Galliarde to the Nynthe Pavian | — | ||
| 17-9 | My Ladye Nevells Booke: XXVI. A Voluntarie: for my ladye nevell | — | ||
| 17-10 | My Ladye Nevells Booke: XXVII. Will Yow Walke the Woods Soe Wylde | — | ||
| 17-11 | My Ladye Nevells Booke: XXVIII. The Maidens Songe | — | ||
| 17-12 | My Ladye Nevells Booke: XXIX. A Lesson of Voluntarie | — | ||
| 17-13 | My Ladye Nevells Booke: XXX. The Second Grownde | — | ||
| 18-1 | My Ladye Nevells Booke: XXXI. Have With Yow to Walsingame | — | ||
| 18-2 | My Ladye Nevells Booke: XXXII. All in a Garden Grine | — | ||
| 18-3 | My Ladye Nevells Booke: XXXIII. Lord Willobies Welcome Home | — | ||
| 18-4 | My Ladye Nevells Booke: XXXIV. The Carmans Whistle | — | ||
| 18-5 | My Ladye Nevells Booke: XXXV. Hugh Ashtons Grownde | — | ||
| 18-6 | My Ladye Nevells Booke: XXXVI. A Fancie | — | ||
| 18-7 | My Ladye Nevells Booke: XXXVII. Sellingers Rownde | — | ||
| 18-8 | My Ladye Nevells Booke: XXXVIII. Munsers Almaine | — | ||
| 18-9 | My Ladye Nevells Booke: XXXIX. The Tennthe Pavian: Mr. W. Peter | — | ||
| 18-10 | My Ladye Nevells Booke: XL. The Galliarde to the Tennthe Pavian | — | ||
| 18-11 | My Ladye Nevells Booke: XLI. A Fancie | — | ||
| 18-12 | My Ladye Nevells Booke: XLII. A Voluntarie | — | ||
| 19-1 | Fantasia | — | ||
| 19-2 | The Flatt Pavan | — | ||
| 19-3 | Can Shee/Alman/The Irishe Dumpe/Watkins Ale/A Gigg | — | ||
| 19-4 | The Leaves Bee Greene | — | ||
| 19-5 | Amarilli di Julio Romano | — | ||
| 19-6 | Galiarda Passamezzo | — | ||
| 19-7 | Alman/The Primerose/The Fall of the Leafe | — | ||
| 19-8 | Tower Hill/A Masque/A Toye | — | ||
| 19-9 | Pavana | — | ||
| 19-10 | Galliardo | — | ||
| 19-11 | Robin | — | ||
| 19-12 | Nowel's Galliard | — | ||
| 19-13 | Giles Farnaby's Dreame/His Rest/Farnabye's Conceit/His Humour | — | ||
| 20-1 | Jhon Come Kisse Me Now | — | ||
| 20-2 | The Queenes Alman | — | ||
| 20-3 | In Nomine | — | ||
| 20-4 | Fantasia | — | ||
| 20-5 | Pavana "Pagget" and Galliarda | — | ||
| 20-6 | Pavana Delight/Galiarda | — | ||
| 20-7 | La Volta/Alman/Wolseys Wilde/Callino Casturame/La Volta | — | ||
| 20-8 | Pavan "Clement Cotton" | — | ||
| 20-9 | Loth To Depart | — |
Staircase Overture
—
If Music Be the Food of Love
—
Cebell
—
To Arms, to Arms, Heroic Prince
—
To Arms
—
Tell Me, Some Pitying Angel
—
Slow Air
—
We Come To Sing
—
Oh Lead Me to Some Peaceful Gloom
—
O Solitude
—
Hark! hark! The Echoing air
—
Trumpet Tune
—
Sweeter Than Roses
—
Fairest Isle
—
She that Would Gain a Faithful Lover
—
Cupid, the Slyest Rogue Alive
—
I Attempt from Love's Sickness to Fly
—
Jig
—
Music for a While
—
The Fatal Hour Comes on Apace
—
Hear, Mighty Love
—
Plainte: O, Let Me Weep
—
Chacony in G minor
—
Ah! How sweet it is to love
—
Hark! Hark! How all things
—
Crown the altar, deck the shrine
—
If music be the food of love
—
Not all my torments
—
O, O let me weep!
—
I attempt from love's sickness to fly
—
Olinda in the shades unseen
—
Urge me no more
—
Bess of Bedlam
—
Lovely, lovely Albina
—
Sweeter than roses
—
Dear pretty youth
—
When first Amintas sued for a kiss
—
The cares of lovers
—
Ye gentle spirits of the air
—
An Evening Hymn
—
Dido and Aeneas: Overture
—
Dido and Aeneas: Act I. "Shake the cloud from off your brow"
—
Dido and Aeneas: Act I. "Ah! Belinda, I am prest with torment"
—
Dido and Aeneas: Act I. "When monarchs unite"
—
Dido and Aeneas: Act I. "Whence could so much virtue spring?"
—
Dido and Aeneas: Act I. "Fear no danger" / Dance
—
Dido and Aeneas: Act I. "See, your royal guest appears"
—
Dido and Aeneas: Act I. "Cupid only throws the dart"
—
Dido and Aeneas: Act I. "If not for mine"
—
Dido and Aeneas: Act I. "Pursue thy conquest, Love"
—
Dido and Aeneas: Act I. A Dance Gittars Chacony
—
Dido and Aeneas: Act I. "To the hills and the vales"
—
Dido and Aeneas: Act I. The triumphing Dance
—
Dido and Aeneas: Act II. Prelude for the Witches / "Wayward sisters"
—
Dido and Aeneas: Act II. "Harm's our delight"
—
Dido and Aeneas: Act II. "The Queen of Carthage, whom we hate"
—
Dido and Aeneas: Act II. "In our deep vaulted cell"
—
Dido and Aeneas: Act II. Echo Dance of Furies
—
Dido and Aeneas: Act II. Ritornelle / "Thanks to these lonesome vales"
—
Dido and Aeneas: Act II. Gitter ground / a dance
—
Dido and Aeneas: Act II. "Oft she visits" / Ritornelle
—
Dido and Aeneas: Act II. "Behold, upon my bending spear"
—
Dido and Aeneas: Act II. "Haste, haste to town"
—
Dido and Aeneas: Act II. "Stay, Prince"
—
Dido and Aeneas: Act II. Ritornelle
—
Dido and Aeneas: Act III. Prelude / "Come away, fellow sailors"
—
Dido and Aeneas: Act III. The Sailors' Dance
—
Dido and Aeneas: Act III. "See the flags and streamers curling"
—
Dido and Aeneas: Act III. "Destruction's our delight"
—
Dido and Aeneas: Act III. The Witches' Dance
—
Dido and Aeneas: Act III. "Your counsel all is urg'd in vain"
—
Dido and Aeneas: Act III. "Great minds against themselves conspire"
—
Dido and Aeneas: Act III. "Thy hand Belinda" / "When I am laid in earth"
—
Dido and Aeneas: Act III. "With drooping wings"
—
The Indian Queen: First Music: Air-Hornpipe
—
The Indian Queen: Second Music: Air-Hornpipe
—
The Indian Queen: Overture
—
The Indian Queen: Trumpet Tune
—
The Indian Queen: Prologue. "Wake Quivera, wake"
—
The Indian Queen: Prologue. "Why should men quarrel?"
—
The Indian Queen: Prologue. "By ancient prophecies"
—
The Indian Queen: Prologue. Trumpet Tune
—
The Indian Queen: Act II. Symphony
—
The Indian Queen: Act II. "I come to sing great Zempoalla's story"
—
The Indian Queen: Act II. "What flatt'ring noise is this"
—
The Indian Queen: Act II. "Scorn'd Envy, here's nothing"
—
The Indian Queen: Act II. Trumpet Tune
—
The Indian Queen: Act II. "We come to sing great Zempoalla's story"
—
The Indian Queen: Act II. Dance
—
The Indian Queen: Act II. Second Act Tune
—
The Indian Queen: Act III. Dance
—
The Indian Queen: Act III. "Ye twice ten hundred deities" / "By the croaking of the toad"
—
The Indian Queen: Act III. Symphony / "Seek not to know what must not be reveal'd"
—
The Indian Queen: Act III. Trumpet Overture
—
The Indian Queen: Act III. "Ah! Ah! How happy are we!"
—
The Indian Queen: Act III. "We the spirits of the air"
—
The Indian Queen: Act III. "I attempt form Love's sickness to fly in vain"
—
The Indian Queen: Act III. Third Act Tune: Rondeau
—
The Indian Queen: Act IV. "They tell us that you mighty powers above"
—
The Indian Queen: Act IV. Fourth Act Tune: Air
—
The Indian Queen: Act V. "While thus we bow"
—
The Indian Queen: Act V. "You who at the altar stand" / "All dismal sounds"
—
The Indian Queen: Additional Act (The Masque of Hymen): Symphony
—
The Indian Queen: Additional Act (The Masque of Hymen): "To bless the genial bed" / "Come all, come at my call"
—
The Indian Queen: Additional Act (The Masque of Hymen): "I'm glad I have met him"
—
The Indian Queen: Additional Act (The Masque of Hymen): "The joys of wedlock soon are past" / "Sound, sound the trumpet"
—
The Indian Queen: Additional Act (The Masque of Hymen): "Make haste, make haste to put on love's chains"
—
The Indian Queen: Additional Act (The Masque of Hymen): Trumpet Air / "Let loud renown with all her thousand tongues"
—
Abdelazer or The Moor's Revenge Z 570: I Overture
—
Abdelazer or The Moor's Revenge Z 570: II Rondeau - III Air - IV Air - V Minuet
—
Abdelazer or The Moor's Revenge Z 570: VI Air - VII Jig - VIII Hornpipe - IX Air
—
Abdelazer or The Moor's Revenge Z 570: X Song: Lucinda is bewitching fair
—
Distressed Innocence or The Princess of Persia Z577: I Overture
—
Distressed Innocence or The Princess of Persia Z577: II Air - III Slow Air - IV Air - V Hornpipe or Jig
—
Distressed Innocence or The Princess of Persia Z577: VI Rondeau - VII Air - VIII Minuet
—
The Married Beau or The Curious Impertinent Z603: I Overture
—
The Married Beau or The Curious Impertinent Z603: II Slow Air - III Hornpipe
—
The Married Beau or The Curious Impertinent Z603: IV Air - V Hornpipe - VI Jig
—
The Married Beau or The Curious Impertinent Z603: VII Trumpet Air - VIII March - IX Hornpipe on a ground
—
The Married Beau or The Curious Impertinent Z603: X Song: See! where repenting Celia lyes
—
The Gordian Knot Unty'd Z597: I Overture
—
The Gordian Knot Unty'd Z597: II Air - III Rondeau Minuet - IV Air - V Jig
—
The Gordian Knot Unty'd Z597: VI Chaconne - VII Air - VIII Minuet
—
Sir Anthony Love or The Rambling Lady Z588: Overture
—
Sir Anthony Love or The Rambling Lady Z588: Pursuing Beauty
—
Sir Anthony Love or The Rambling Lady Z588: No more, Sir, no more
—
Sir Anthony Love or The Rambling Lady Z588: In vain Clemene
—
Sir Anthony Love or The Rambling Lady Z588: Ground
—
Bonduca or The British Heroine, Z574: Overture
—
Bonduca or The British Heroine, Z574: Air - Hornpipe - Air
—
Bonduca or The British Heroine, Z574: Hornpipe - Air - Minuet
—
Bonduca or The British Heroine, Z574: Jack, Thou'rt a Roper
—
Bonduca or The British Heroine, Z574: Hear Us Great Rugwith
—
Bonduca or The British Heroine, Z574: Hear, Ye Gods of Britain
—
Bonduca or The British Heroine, Z574: Sing, Sing, Ye Druids!
—
Bonduca or The British Heroine, Z574: Divine Andate, President of War
—
Bonduca or The British Heroine, Z574: To Arms
—
Bonduca or The British Heroine, Z574: Britons Strike Home!
—
Bonduca or The British Heroine, Z574: O Lead Me to Some Peaceful Gloom
—
Circe, Z575: We Must Assemble a Sacrifice
—
Circe, Z575: Their Necessary Aid You Use
—
Circe, Z575: Come Every Demon
—
Circe, Z575: Lovers, Who to Their First Embraces Go
—
Circe, Z575: Magicians' Dance ... Pluto, Arise!
—
The Virtuous Wife or Good Luck At Last, Z611: Overture
—
The Virtuous Wife or Good Luck At Last, Z611: Song Tune - Slow Air - Air
—
The Virtuous Wife or Good Luck At Last, Z611: Preludio - Hornpipe - Minuet - Minuet (1st Act Tune)
—
The Old Bachelor, Z607: Overture
—
The Old Bachelor, Z607: Hornpipe
—
The Old Bachelor, Z607: Thus to a Ripe, Consenting Maid
—
The Old Bachelor, Z607: Slow Air - Hornpipe
—
The Old Bachelor, Z607: As Amoret and Thyrsis Lay
—
The Old Bachelor, Z607: Rondeau - Minuet - Boree - March - Jig
—
Overture in G minor, Z770
—
Don Quixote, Z578: Sing All Ye Muses
—
Don Quixote, Z578: When the World First Knew Creation
—
Don Quixote, Z578: Let the Dreadful Engines of Eternal Will
—
Don Quixote, Z578: With This Sacred Charming Wand
—
Don Quixote, Z578: Since Times Are So Bad
—
Don Quixote, Z578: Genius of England
—
Don Quixote, Z578: Lads and Lasses, Blithe and Gay
—
Don Quixote, Z578: From Rosie Bow'rs
—
Amphitryon or The Two Sosias, Z572: Overture
—
Amphitryon Or The Two Sosias, Z572: Saraband
—
Amphitryon or The Two Sosias, Z572: Celia, That I Once Was Blest
—
Amphitryon or The Two Sosias, Z572: Hornpipe - Scotch Tune
—
Amphitryon or The Two Sosias, Z572: For Iris I Sigh
—
Amphitryon or The Two Sosias, Z572: Air - Minuet - Hornpipe
—
Amphitryon or The Two Sosias, Z572: Fair Iris and Her Swain
—
Amphitryon or The Two Sosias, Z572: Bourrée
—
The Double Dealer, Z592: Overture
—
The Double Dealer, Z592: Hornpipe - Minuet - Air - Hornpipe
—
The Double Dealer, Z592: Cynthia Frowns
—
The Double Dealer, Z592: Minuet - Minuet - Air - Air
—
The Richmond Heiress or A Woman Once In The Right, Z608: Behold The Man
—
The Rival Sisters or The Violence Of Love, Z609: Overture
—
The Rival Sisters or The Violence Of Love, Z609: Celia Has A Thousand Charms
—
The Rival Sisters or The Violence Of Love, Z609: Take Not A Woman's Anger Ill
—
The Rival Sisters or The Violence Of Love, Z609: How Happy, How Happy Is She
—
Henry The Second, King of England, Z580: In Vain, 'Gainst Love, In Vain I Strove
—
Tyrannic Love Or The Royal Martyr, Z613: Hark! My Damilcar!
—
Tyrannic Love Or The Royal Martyr, Z613: Ah! How Sweet It Is To Love
—
Overture in G minor, Z772
—
Theodosius or The Force of Love, Z606: Prepare, Prepare, The Rites Begin
—
Theodosius or The Force of Love, Z606: Can'st Thou, Marina
—
Theodosius or The Force of Love, Z606: The Gate to Bliss
—
Theodosius or The Force of Love, Z606: Hark! Hark! Behold the Heav'nly Choir
—
Theodosius or The Force of Love, Z606: Now the Fight's Done
—
Theodosius or The Force of Love, Z606: Sad as Death at Dead of Night
—
Theodosius or The Force of Love, Z606: Dream No More of Pleasures Past
—
Theodosius or The Force of Love, Z606: Hail to the Myrtle Shade
—
Theodosius or The Force of Love, Z606: Ah Cruel, Bloody Fate
—
The Libertine or The Libertine Destroyed, Z600: Nymphs and Shepherds
—
The Libertine or The Libertine Destroyed, Z600: We Come
—
The Libertine or The Libertine Destroyed, Z600: Prelude
—
The Libertine or The Libertine Destroyed, Z600: Prepare, Prepare, New Guests Draw Near
—
The Libertine or The Libertine Destroyed, Z600: To Arms, Heroic Prince
—
The Massacre Of Paris, Z604: Thy Genius, Lo (2 Settings)
—
Oedipus, Z583: Hear, Ye Sullen Powers Below
—
Oedipus, Z583: Music For a While
—
Oedipus, Z583: Come Away, Do Not Stay ... Laius! Hear, Hear
—
Overture in D minor, Z771
—
The History of King Richard The Second (The Sicilian Usurper), Z581: Retir'd From Any Mortal's Sight
—
Sir Barnaby Whigg or No Wit Like A Woman's, Z589: Blow, Blow, Boreas, Blow
—
Sophonisba or Hannibal's Overthrow, Z590: Beneath the Poplar's Shadow
—
The English Lawyer, Z594: My Wife Has a Tongue
—
A Fool's Preferment or The Three Dukes of Dunstable, Z571: I Sigh'd, and I Pin'd ... There's Nothing so Fatal as Woman
—
A Fool's Preferment or The Three Dukes of Dunstable, Z571: Fled Is My Love ... 'Tis Death Alone ... I'll Mount to Yon Blue Coelum
—
A Fool's Preferment or The Three Dukes of Dunstable, Z571: I'll Sail Upon the Dog-Star
—
A Fool's Preferment or The Three Dukes of Dunstable, Z571: Jenny, 'Gin You Can Love
—
A Fool's Preferment or The Three Dukes of Dunstable, Z571: If Thou Wilt Give Me Back My Love
—
The Indian Emperor or The Conquest Of Mexico, Z598: I Look'd and Saw Within
—
The Knight Of Malta, Z599: At the Close of the Ev'ning
—
A Dialogue Between Thirsis and Daphne, Z525: Why, My Daphne, Why Complaining
—
The Wives' Excuse or Cuckolds Make Themselves, Z612: Ingrateful Love!
—
The Wives' Excuse or Cuckolds Make Themselves, Z612: Hang This Whining Way of Wooing
—
The Wives' Excuse or Cuckolds Make Themselves, Z612: Say, Cruel Amoret ... Corinna, I Excuse Thy Face
—
Cleomenes, The Spartan Hero, Z576: No, No, Poor Suff'ring Heart
—
Regulus or The Faction of Carthage, Z586: Ah me! To Many Deaths
—
The Marriage-Hater Match'd, Z602: As Soon as the Chaos ... How Vile are the Sordid Intregues
—
Love Triumphant or Nature Will Prevail, Z582: How Happy's the Husband
—
Rule a Wife and Have a Wife, Z587: There's Not a Swain
—
The Female Virtuosos, Z596: Love, Thou Art Best
—
Epsom Wells, Z598: Leave These Useless Arts
—
The Maid's Last Prayer or Any Rather Than Fail, Z601: Though You Make No Return
—
The Maid's Last Prayer or Any Rather Than Fail, Z601: No, Resistance is but Vain
—
The Maid's Last Prayer or Any Rather Than Fail, Z601: Tell Me No More
—
Aureng-Zebe or The Great Mogul, Z573: I See, She Flies Me
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The Canterbury Guests or A Bargain Broken, Z591: Good Neighbour Why?
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The Fatal Marriage or The Innocent Adultery, Z595: The Danger Is Over
—
The Fatal Marriage or The Innocent Adultery, Z595: I Sigh'd and Owned My Love
—
The Spanish Fair or The Double Discovery, Z610: Whilst I Get Grief
—
Pausianias, The Betrayer of His Country, Z585: Sweeter Than Roses
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Pausianias, The Betrayer of His Country, Z585: My Dearest, My Fairest
—
The Mock Marriage, Z605: Oh! How You Protest ... 'Twas Within a Furlong ... Man Is for the Woman Made
—
Oroonoko, Z584: Celemene, Pray Tell Me
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Pavan no. 1 in A major, Z748
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Pavan no. 2 in A minor, Z749
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Pavan no. 3 in B-flat major, Z750
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Pavan no. 4 in G minor, Z751
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Pavan no. 5 in G minor, Z752
—
Trio Sonata for Violin, Bass Viol, and Organ, Z780
—
Chacony, Z730
—
12 Sonatas of Three Parts, Z790-801: Sonata no. 1 in G minor: Sonnata - Vivace - Adagio - Presto - Largo
—
12 Sonatas of Three Parts, Z790-801: Sonata no. 2 in B-flat major: Sonnata - Largo - Presto - Adagio - Vivace - Allegro
—
12 Sonatas of Three Parts, Z790-801: Sonata no. 3 in D minor: Sonnata - Adagio - Canzona - Adagio - Poco Largo - Allegro
—
12 Sonatas of Three Parts, Z790-801: Sonata no. 4 in F major: Sonnata - Canzona - Adagio - Poco Largo - Allegro
—
12 Sonatas of Three Parts, Z790-801: Sonata no. 5 in A minor: Sonnata - Adagio - Largo - Grave - Canzona - Adagio
—
12 Sonatas of Three Parts, Z790-801: Sonata no. 6 in C major: Sonnata - Canzona - Adagio - Largo - Allegro
—
12 Sonatas of Three Parts, Z790-801: Sonata no. 7 in E minor: Sonnata - Canzona - Largo - Grave - Canzona - Adagio
—
12 Sonatas of Three Parts, Z790-801: Sonata no. 8 in G major: Sonnata - Poco Largo - Allegro - Grace - Vivace
—
12 Sonatas of Three Parts, Z790-801: Sonata no. 9 in C minor: Sonnata - Largo - Canzona - Adagio - Allegro
—
12 Sonatas of Three Parts, Z790-801: Sonata no. 10 in A major: Sonnata - Largo - Grave - Presto
—
12 Sonatas of Three Parts, Z790-801: Sonata no. 11 in F minor: Sonnata - Canzona - Adagio - Lento
—
12 Sonatas of Three Parts, Z790-801: Sonata no. 12 in D major: Sonnata - Adagio - Canzona - Poco Largo - Grave - Presto - Allegro - Adagio
—
Sonatas in Four Parts, Z802-811: Sonata no. 1 in B minor: Adagio - Canzona (Allegro) - Largo - Vivace - Grave
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Sonatas in Four Parts, Z802-811: Sonata no. 2 in E-flat major: Adagio - Canzona (Allegro) - Adagio - Largo - Allegro
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Sonatas in Four Parts, Z802-811: Sonata no. 3 in A minor: Grave - Largo - Adagio - Canzona - Gigue - Grave
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Sonatas in Four Parts, Z802-811: Sonata no. 4 in D minor: Adagio - Canzona - Adagio - Vivace - Largo
—
Sonatas in Four Parts, Z802-811: Sonata no. 5 in G minor: (Adagio) - Canzona - Largo - Adagio - Presto - Allegro - Adagio
—
Sonatas in Four Parts, Z802-811: Sonata no. 6 in G minor: Adagio
—
Sonatas in Four Parts, Z802-811: Sonata no. 7 in C major: Vivace - Largo - Grave - Canzona - Allegro - Adagio
—
Sonatas in Four Parts, Z802-811: Sonata no. 8 in G minor: Adagio - Canzona - Grave - Largo - Vivace
—
Sonatas in Four Parts, Z802-811: Sonata no. 9 in F major: (Allegro) - Adagio - Canzona (Allegro) - Grave - Allegro
—
Sonatas in Four Parts, Z802-811: Sonata no. 10 in D major: Adagio - Canzona (Allegro) - Grave - Allegro
—
Overture no. 3 in G major
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Overture no. 1 in E minor
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Overture no. 2 in A major
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Overture no. 4 in F major
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Overture no. 5 in D major
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Overture no. 6 in B-flat major
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Overture no. 7 in D major
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Overture no. 8 in G minor
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Sonata no. 1 in F major: 1. Andante
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Sonata no. 1 in F major: 2. Adagio
—
Sonata no. 1 in F major: 3. Allegro
—
Sonata no. 2 in E minor: 1. Andante
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Sonata no. 2 in E minor: 2. Adagio
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Sonata no. 2 in E minor: 3. Allegrissimo
—
Sonata no. 5 in B-flat major: 1. Poco largo
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Sonata no. 5 in B-flat major: 2. Presto (Gavotta)
—
Sonata no. 6 in G minor: 1. Affetuoso
—
Sonata no. 6 in G minor: 2. Presto
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Sonata no. 3 in G minor: 1. Prelude
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Sonata no. 3 in G minor: 2. Allegro
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Sonata no. 3 in G minor: 3. Minuet (and Two Variations)
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Sonata no. 4 in D minor: 1. Andante
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Sonata no. 4 in D minor: 2. Largo (Siciliano)
—
Sonata no. 4 in D minor: 3. Fuga (Allegro)
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Sonata no. 4 in D minor: 4. Allegro (Jigg)
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Sonata no. 7 in A major: 1. Presto
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Sonata no. 7 in A major: 2. Andante
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Sonata no. 7 in A major: 3. Allegro
—
Sonata no. 8 in G major: Minuet (and Four Variations)
—
Academy of Ancient Music, Christopher Hogwood
Symphony no. 1 in B-flat major: II. Moderato e dolce
Academy of Ancient Music, Christopher Hogwood
—
Symphony no. 1 in B-flat major: III. Allegro
Academy of Ancient Music, Christopher Hogwood
—
Academy of Ancient Music, Christopher Hogwood
Symphony no. 2 in A minor: II. Vivace
Academy of Ancient Music, Christopher Hogwood
—
Symphony no. 2 in A minor: III. Presto Allegro
Academy of Ancient Music, Christopher Hogwood
—
Symphony no. 3 in C major: I. Allegro
Academy of Ancient Music, Christopher Hogwood
—
Symphony no. 3 in C major: II. Vivace
Academy of Ancient Music, Christopher Hogwood
—
Symphony no. 3 in C major: III. Tempo di minuetto
Academy of Ancient Music, Christopher Hogwood
—
Symphony no. 4 in F major: II. Vivace ma non troppo
Academy of Ancient Music, Christopher Hogwood
—
Symphony no. 4 in F major: III. Gavot (Allegro)
Academy of Ancient Music, Christopher Hogwood
—
Symphony no. 5 in D major: I. Allegro ma non troppo — Allegro assai
Academy of Ancient Music, Christopher Hogwood
—
Symphony no. 5 in D major: II. Tempo di gavotta
Academy of Ancient Music, Christopher Hogwood
—
Symphony no. 5 in D major: III. Tempo di minuetto
Academy of Ancient Music, Christopher Hogwood
—
Academy of Ancient Music, Christopher Hogwood
Symphony no. 6 in F major: II. Larghetto
Academy of Ancient Music, Christopher Hogwood
—
Symphony no. 7 in B-flat major: I. Andante — Spirituoso
Academy of Ancient Music, Christopher Hogwood
—
Symphony no. 7 in B-flat major: II. Moderato
Academy of Ancient Music, Christopher Hogwood
—
Academy of Ancient Music, Christopher Hogwood
Academy of Ancient Music, Christopher Hogwood
Symphony no. 8 in D minor: II. Largo Andante
Academy of Ancient Music, Christopher Hogwood
—
Symphony no. 8 in D minor: III. Tempo di gavotta
Academy of Ancient Music, Christopher Hogwood
—
My Ladye Nevells Booke: I. My Ladye Nevells Ground
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My Ladye Nevells Booke: II. Qui Passe: for my ladye nevell
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My Ladye Nevells Booke: III. The Marche Before the Battell
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My Ladye Nevells Booke: IV. The Battell
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My Ladye Nevells Booke: V. The Galliarde for the Victorie
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My Ladye Nevells Booke: VI. The Barleye Breake
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My Ladye Nevells Booke: VII. A Galliards Gygge
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My Ladye Nevells Booke: VIII. The Huntes Upp
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My Ladye Nevells Booke: IX. Ut Re Mi Fa Sol La
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My Ladye Nevells Booke: X. The Firste Pavian
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My Ladye Nevells Booke: XI. The Galliarde to the Firste Pavian
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My Ladye Nevells Booke: XII. The Seconde Pavian
—
My Ladye Nevells Booke: XIII. The Galliarde to the Seconde Pavian
—
My Ladye Nevells Booke: XIV. The Third Pavian
—
My Ladye Nevells Booke: XV. The Galliarde to the Third Pavian
—
My Ladye Nevells Booke: XVI. The Fourth Pavian
—
My Ladye Nevells Booke: XVII. The Galliarde to the Fourth Pavian
—
My Ladye Nevells Booke: XVIII. The Fifte Pavian
—
My Ladye Nevells Booke: XIX. The Galliarde to the Fifte Pavian
—
My Ladye Nevells Booke: XX. Pavana the Sixte: Kinbrugh Goodd
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My Ladye Nevells Booke: XXI. The Galliarde to the Sixte Pavian
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My Ladye Nevells Booke: XXII. The Seventh Pavian
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My Ladye Nevells Booke: XXIII. The Eighte Pavian
—
My Ladye Nevells Booke: XXIV. The Passinge Mesures: The Nynthe Pavian
—
My Ladye Nevells Booke: XXV. The Galliarde to the Nynthe Pavian
—
My Ladye Nevells Booke: XXVI. A Voluntarie: for my ladye nevell
—
My Ladye Nevells Booke: XXVII. Will Yow Walke the Woods Soe Wylde
—
My Ladye Nevells Booke: XXVIII. The Maidens Songe
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My Ladye Nevells Booke: XXIX. A Lesson of Voluntarie
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My Ladye Nevells Booke: XXX. The Second Grownde
—
My Ladye Nevells Booke: XXXI. Have With Yow to Walsingame
—
My Ladye Nevells Booke: XXXII. All in a Garden Grine
—
My Ladye Nevells Booke: XXXIII. Lord Willobies Welcome Home
—
My Ladye Nevells Booke: XXXIV. The Carmans Whistle
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My Ladye Nevells Booke: XXXV. Hugh Ashtons Grownde
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My Ladye Nevells Booke: XXXVI. A Fancie
—
My Ladye Nevells Booke: XXXVII. Sellingers Rownde
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My Ladye Nevells Booke: XXXVIII. Munsers Almaine
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My Ladye Nevells Booke: XXXIX. The Tennthe Pavian: Mr. W. Peter
—
My Ladye Nevells Booke: XL. The Galliarde to the Tennthe Pavian
—
My Ladye Nevells Booke: XLI. A Fancie
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My Ladye Nevells Booke: XLII. A Voluntarie
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Fantasia
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The Flatt Pavan
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Can Shee/Alman/The Irishe Dumpe/Watkins Ale/A Gigg
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The Leaves Bee Greene
—
Amarilli di Julio Romano
—
Galiarda Passamezzo
—
Alman/The Primerose/The Fall of the Leafe
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Tower Hill/A Masque/A Toye
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Pavana
—
Galliardo
—
Robin
—
Nowel's Galliard
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Giles Farnaby's Dreame/His Rest/Farnabye's Conceit/His Humour
—
Jhon Come Kisse Me Now
—
The Queenes Alman
—
In Nomine
—
Fantasia
—
Pavana "Pagget" and Galliarda
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Pavana Delight/Galiarda
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La Volta/Alman/Wolseys Wilde/Callino Casturame/La Volta
—
Pavan "Clement Cotton"
—
Loth To Depart
—
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What is UPC 028948232598?
028948232598 is a Universal Product Code (UPC) assigned to English Music by Purcell, Arne, Boyce, Byrd, The Academy of Ancient Music, Christopher Hogwood. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
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