UPC · Release
Shakespeare's Musick
Philip Pickett, Musicians of The Globe
028948285556
180 tracksReleased 2017-01-01L'Oiseau-Lyre
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028948285556 is the Universal Product Code (UPC barcode) for the release “Shakespeare's Musick” by Philip Pickett, Musicians of The Globe, released 2017-01-01 on L'Oiseau-Lyre. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 180 tracks, each with its own ISRC.
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UPCShakespeare's Musick
IPI7 songwriters
Track List (180)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Hollis Berrie | — | ||
| 2 | Daphne | — | ||
| 3 | My Robin Is to the Greenwood Gone | — | ||
| 4 | Tickle my Toe | — | ||
| 5 | It Was a Lover and his Lass | — | ||
| 6 | Kemp’s Jig | — | ||
| 7 | Take, O Take Those Lips Away | — | ||
| 8 | Bonny Sweet Robin | — | ||
| 9 | Farewell, Dear Love | — | ||
| 10 | Tarletones Riserrectione | — | ||
| 11 | Hold, Lingel, Hold | — | ||
| 12 | How Should I your True Love Know (Walsingham) | — | ||
| 13 | Walsingham | — | ||
| 14 | Get You Hence | — | ||
| 15 | The First Book of Consort Lessons (1599): La Coranto | — | ||
| 17 | Hark, Hark! The Lark | — | ||
| 18 | The First Book of Consort Lessons (1599): La Volta | — | ||
| 19 | The First Book of Consort Lessons (1599): La Volta (William Byrd arrangement) | — | ||
| 20 | The Poor Soul Sat Sighing (The Willow Song) | — | ||
| 21 | Robin | — | ||
| 22 | O Mistress Mine | — | ||
| 23 | O Mistris Mine | — | ||
| 24 | Full Fathom Five | — | ||
| 25 | Where the Bee Sucks, There Suck I | — | ||
| 26 | The First Book of Consort Lessons (1599): Can She Excuse | — | ||
| 27 | The First Book of Consort Lessons (1599): The Frog Galliard | — | ||
| 28 | The First Book of Consort Lessons (1599): Go from my Window | — | ||
| 2-1 | Oberon, the Faery Prince: Almande | — | ||
| 2-2 | Oberon, the Faery Prince: Almande 5: The Princes Masque I | — | ||
| 2-3 | Oberon, the Faery Prince: Almande 16 | — | ||
| 2-4 | Oberon, the Faery Prince: Almande 6: The Princes Masque II | — | ||
| 2-5 | Oberon, the Faery Prince: Trumpet Ensemble Sonata no. 53 | — | ||
| 2-6 | Oberon, the Faery Prince: Pavana | — | ||
| 2-7 | Oberon, the Faery Prince: Dulcina | — | ||
| 2-8 | Oberon, the Faery Prince: Alman | — | ||
| 2-9 | Oberon, the Faery Prince: Buzz, Quoth the Blue Fly | — | ||
| 2-10 | Oberon, the Faery Prince: Now My Cunning Lady, Moon | — | ||
| 2-11 | Oberon, the Faery Prince: The Satyrs Dance | — | ||
| 2-12 | Oberon, the Faery Prince: Melt Earth to Sea | — | ||
| 2-15 | Oberon, the Faery Prince: Seek You, Majesty, to Strike? | — | ||
| 2-16 | Oberon, the Faery Prince: The Fairies Dance | — | ||
| 2-17 | Oberon, the Faery Prince: The Solemn Rites Are Well Begun | — | ||
| 2-18 | Oberon, the Faery Prince: The First of the Princes | — | ||
| 2-19 | Oberon, the Faery Prince: Nay, Nay, You Must Not Stay | — | ||
| 2-20 | Oberon, the Faery Prince: The Second of the Princes | — | ||
| 2-21 | Oberon, the Faery Prince: Not Yet O You in This Night Blest | — | ||
| 2-22 | Oberon, the Faery Prince: Pavan | — | ||
| 2-23 | Oberon, the Faery Prince: Coranto: The Fairie-round | — | ||
| 2-24 | Oberon, the Faery Prince: Coranto: As it Fell on Holie Eve | — | ||
| 2-25 | Oberon, the Faery Prince: Galliard | — | ||
| 2-27 | Oberon, the Faery Prince: Almaine: The Honie-suckle | — | ||
| 2-28 | Oberon, the Faery Prince: Almaine: The Night Watch | — | ||
| 2-29 | Oberon, the Faery Prince: Gentle Knights | — | ||
| 2-30 | Oberon, the Faery Prince: The Third of the Princes | — | ||
| 2-31 | Oberon, the Faery Prince: O Yet How Early, and Before Her Time | — | ||
| 2-32 | Oberon, the Faery Prince: Trumpet Ensemble Sonata no. 34 "Meister Thomas Fideler" | — | ||
| 3-1 | Timon of Athens: Act I - The Masque of Cupid and Bacchus. Overture | — | ||
| 3-2 | Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 1 Duet: "Hark how the songsters of the grove" | — | ||
| 3-3 | Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 2 Solo: "Love in their little veins inspires" | — | ||
| 3-4 | Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 3 Trio: "But ah! how much are our delights" | — | ||
| 3-5 | Timon of Athens: Act I - The Masque of Cupid and Bacchus. Nos. 4 & 5 Solo & chorus: "Hence with your trifling deity" | — | ||
| 3-6 | Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 6 Solo: "Come all to me" | — | ||
| 3-7 | Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 7 Chorus: "Who can resist such mighty charms?" | — | ||
| 3-8 | Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 8 Solo: "Return, revolting rebels!" | — | ||
| 3-9 | Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 9 Solo: "The cares of lovers" | — | ||
| 3-10 | Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 10 Solo: "Love quickly is pall'd" | — | ||
| 3-11 | Timon of Athens: Act I - The Masque of Cupid and Bacchus. Nos. 11 & 12 Duet & Chorus: "Come, let us agree" | — | ||
| 3-12 | If Music Be the Food of Love, Z.379 | — | ||
| 3-13 | Dido and Aeneas: Act 2 - The Witshes's Scene. Prelude for the Witches: "Wayward sisters" | — | ||
| 3-14 | Dido and Aeneas: Act 2 - The Witshes's Scene. "But, ere we this perform" | — | ||
| 3-15 | Dido and Aeneas: Act 2 - The Witshes's Scene. "In our deep vaulted cell" | — | ||
| 3-16 | Dido and Aeneas: Act 2 - The Witshes's Scene. Echo Dance of Furies | — | ||
| 3-17 | The Tempest: Act 4. Air: "Dear pretty youth" (Dorinda) | — | ||
| 3-18 | King Richard II: Act 4. Song: "Retir'd from any mortal's sight" | — | ||
| 3-19 | The Fairy Queen: Act 2 - Entrance of Night, Mystery, Secrecy and Sleep, with Attendants. No. 14: "See, even Night herself is here" | — | ||
| 3-20 | The Fairy Queen: Act 2 - Entrance of Night, Mystery, Secrecy and Sleep, with Attendants. No. 15: "I am come to lock all fast" | — | ||
| 3-21 | The Fairy Queen: Act 2 - Entrance of Night, Mystery, Secrecy and Sleep, with Attendants. No. 16: "One charming night" | — | ||
| 3-22 | The Fairy Queen: Act 2 - Entrance of Night, Mystery, Secrecy and Sleep, with Attendants. No. 17: "Hush, no more" | — | ||
| 3-23 | The Fairy Queen: Act 2 - Entrance of Night, Mystery, Secrecy and Sleep, with Attendants. No. 18: Dance for the Followers of the Night | — | ||
| 3-24 | The Fairy Queen: Act 4 - Symphony: No. 30a: (Allegro) | — | ||
| 3-25 | The Fairy Queen: Act 4 - Symphony: No. 30b: Canzona | — | ||
| 3-26 | The Fairy Queen: Act 4 - Symphony: No. 30c: Largo | — | ||
| 3-27 | The Fairy Queen: Act 4 - Symphony: No. 30d: Allegro - Adagio - Allegro | — | ||
| 3-28 | The Fairy Queen: Act 4 - Solo & Chorus. No. 31: "Now the night" | — | ||
| 4-1 | Ode on the Witches and Fairies of Shakespeare: Overture | — | ||
| 4-2 | Ode on the Witches and Fairies of Shakespeare: Minuetto | — | ||
| 4-3 | Ode on the Witches and Fairies of Shakespeare: No. 1 Chorus: "O guardian of that sacred land" | — | ||
| 4-4 | Ode on the Witches and Fairies of Shakespeare: No. 2 Recitative: "'Tis thine alone" | — | ||
| 4-5 | Ode on the Witches and Fairies of Shakespeare: No. 3 Air: "Come then, o Fancy" | — | ||
| 4-6 | Ode on the Witches and Fairies of Shakespeare: No. 4 Recitative: "At Shakespeare's happy birth" | — | ||
| 4-7 | Ode on the Witches and Fairies of Shakespeare: No. 5 Air: "And now is come" | — | ||
| 4-8 | Ode on the Witches and Fairies of Shakespeare: No. 6 Chorus: "Be Shakespeare born" | — | ||
| 4-9 | Ode on the Witches and Fairies of Shakespeare: No. 7 Recitative: "So spake the God" | — | ||
| 4-10 | Ode on the Witches and Fairies of Shakespeare: No. 8 Air: "There in old Arden's inmost shade" | — | ||
| 4-11 | Ode on the Witches and Fairies of Shakespeare: No. 9 Recitative: "And as before his purged eyes" | — | ||
| 4-12 | Ode on the Witches and Fairies of Shakespeare: No. 10 Air: "Thy hand his youthful footsteps led" | — | ||
| 4-13 | Ode on the Witches and Fairies of Shakespeare: No. 11 Air: "Some drive the clam'rous owl away" | — | ||
| 4-14 | Ode on the Witches and Fairies of Shakespeare: No. 12 Solo & Chorus: "Some drive the clam'rous owl away" | — | ||
| 4-15 | Ode on the Witches and Fairies of Shakespeare: No. 13 Recitative: "But oh! what sudden gloom" | — | ||
| 4-16 | Ode on the Witches and Fairies of Shakespeare: No. 14 Quartet: "By the pale light" | — | ||
| 4-17 | Ode on the Witches and Fairies of Shakespeare: No. 15 Recitative: See through the glimmering darkness" | — | ||
| 4-18 | Ode on the Witches and Fairies of Shakespeare: No. 16 Chorus: "What howling whirlwinds" | — | ||
| 4-19 | Ode on the Witches and Fairies of Shakespeare: No. 17 Recitative: "For whom, at yonder livid flame" | — | ||
| 4-20 | Ode on the Witches and Fairies of Shakespeare: No. 18 Air: "Whither ye beldames" | — | ||
| 4-21 | Ode on the Witches and Fairies of Shakespeare: No. 19 Quartet & Chorus: "The tempests cease" | — | ||
| 4-22 | Ode on the Witches and Fairies of Shakespeare: No. 20 Recitative: "No more the elves" | — | ||
| 4-23 | Ode on the Witches and Fairies of Shakespeare: No. 21 Air: "Ariel, who sees thee now" | — | ||
| 4-24 | Ode on the Witches and Fairies of Shakespeare: No. 22 Recitative: "No more shalt thou" | — | ||
| 4-25 | Ode on the Witches and Fairies of Shakespeare: No. 23 Duet: "For who can wield" | — | ||
| 4-26 | Ode on the Witches and Fairies of Shakespeare: No. 24 Chorus: "Yet, Fancy, one again" | — | ||
| 5-1 | The Tempest: The First Musick. Introduction | — | ||
| 5-2 | The Tempest: The First Musick. Galliard | — | ||
| 5-3 | The Tempest: The First Musick. Gavot | — | ||
| 5-4 | The Tempest: The Second Musick. Saraband | — | ||
| 5-5 | The Tempest: The Second Musick. Lilk | — | ||
| 5-6 | The Tempest: The Second Musick. Curtain Tune | — | ||
| 5-7 | The Tempest: First Act Tune. Rustick Air | — | ||
| 5-8 | The Tempest: First Act Tune. Flourish of Musick | — | ||
| 5-9 | The Tempest: Devil's Masque. "Where does the black fiend ambition reside?" (First Devil, Second Devil) | — | ||
| 5-10 | The Tempest: Devil's Masque. Air: "Arise, ye subterranean winds" (Second Devil) | — | ||
| 5-11 | The Tempest: Devil's Masque. Dance of Winds | — | ||
| 5-12 | The Tempest: Second Act Tune. Minoit | — | ||
| 5-13 | The Tempest: Second Act Tune. Song and Chorus: "Come unto these yellow sands" (Ariel) | — | ||
| 5-14 | The Tempest: Second Act Tune. Song and Chorus: "Full fathom five" (Ariel) | — | ||
| 5-15 | The Tempest: Second Act Tune. Air: "Dry those eyes" (Ariel) | — | ||
| 5-16 | The Tempest: Second Act Tune. Dance of the Fantastick Spirits | — | ||
| 5-17 | The Tempest: Second Act Tune. Air: "Kind fortune smiles" (Ariel) | — | ||
| 5-18 | The Tempest: Third Act Tune. Corant | — | ||
| 5-19 | The Tempest: Third Act Tune. Dance of Spirits | — | ||
| 5-20 | The Tempest: Third Act Tune. Air: "Dear pretty youth" (Dorinda) | — | ||
| 5-21 | The Tempest: Fourth Act Tune. A Martial Jigg | — | ||
| 5-22 | The Tempest: Fourth Act Tune. Soft Music on the Rocks | — | ||
| 5-23 | The Tempest: Masque of Neptune and Amphitrite. "My Lord, great Neptune" (Amphitrite, Neptune, Oceanus, Aeolus, Tethys, Trytons, Nereides) | — | ||
| 5-24 | The Tempest: Masque of Neptune and Amphitrite. Dance of Trytons and Nereides | — | ||
| 5-25 | The Tempest: Masque of Neptune and Amphitrite. "Great nephew Aeolus" (Amphitrite, Neptune, Oceanus, Aeolus, Tethys, Trytons, Nereides) | — | ||
| 5-26 | The Tempest: Masque of Neptune and Amphitrite. Dance of Four Trytons | — | ||
| 5-27 | The Tempest: Masque of Neptune and Amphitrite. "See, see, the heavens smile" (Amphitrite, Neptune, Oceanus, Aeolus, Tethys, Trytons, Nereides) | — | ||
| 5-28 | The Tempest: Masque of Neptune and Amphitrite. Dance of the Twelve Trytons | — | ||
| 5-29 | The Tempest: Masque of Neptune and Amphitrite. Song: "Where the bee sucks" (Ariel) | — | ||
| 5-30 | The Tempest: Conclusion. A Canon 4 in 2 | — | ||
| 6-1 | A Comedy of Errors: "Lo! here the gentle lark" (Adriana) | — | ||
| 6-2 | A Midsummer Night's Dream: "Welcome to this place" (Four Fairies) | — | ||
| 6-3 | Two Gentlemen of Verona: "Should be upbraid" (Julia) | — | ||
| 6-4 | Twelfth Night: "Who is Sylvia? What is she?" (1) (Benvolio, Curio, Salanio, Valentino, Viola) | — | ||
| 6-5 | Two Gentlemen of Verona: "That time of year" (Julia) | — | ||
| 6-6 | Twelfth Night: "When that I was a little tiny boy" (Feste, Olivia, Viola, Benvolio, Curio, Fabian, Valentino) | — | ||
| 6-7 | A Comedy of Errors: "Come live with me and be my love" (Adriana) | — | ||
| 6-8 | A Midsummer Night's Dream: "Hark, hark, each Spartan hound" (Chorus of Hunters) | — | ||
| 6-9 | Two Gentlemen of Verona: "Oh! never say that I was false of heart" (Sylvia) | — | ||
| 6-10 | Two Gentlemen of Verona: "Who is Sylvia? What is she?" (2) (Julia, Four Serenaders) | — | ||
| 6-11 | A Comedy of Errors: "Sing Willow" (Adriana) | — | ||
| 6-12 | A Comedy of Errors: "It was a lover and his lass" (Luciana) | — | ||
| 6-13 | A Comedy of Errors: "Under the greenwood tree" (Antipholus of Ephesus, Balthazar, Cerimon, Ctestiphon) | — | ||
| 6-14 | A Comedy of Errors: "Take, oh! take those lips away" (Adriana) | — | ||
| 6-15 | A Midsummer Night's Dream: "Flower of this purple dye" (Oberon) | — | ||
| 6-16 | Two Gentlemen of Verona: "Now the hungry lions roar" (Chorus) | — | ||
| 6-17 | Twelfth Night: "Orpheus with his lute" (Olivia, Viola) | — | ||
| 6-18 | A Comedy of Errors: "Come, thou monarch of the vine" (Antipholus of Ephesus, Cerimon, Ctestiphon, Chorus) | — | ||
| 6-19 | A Midsummer Night's Dream: "Spirits advance" (Oberon, First and Second Fairies, Chorus) | — | ||
| 7-2 | Nutmeg and Ginger | — | ||
| 7-3 | Watking Ale | — | ||
| 7-4 | [Nancie] | — | ||
| 7-5 | The London Prentice | — | ||
| 7-6 | Greensleeves | — | ||
| 7-7 | Loath to depart | — | ||
| 7-8 | The Cutpurse | — | ||
| 7-9 | [Daphne] | — | ||
| 7-10 | Dulcina | — | ||
| 7-11 | The Miller | — | ||
| 7-12 | Fortune my foe | — | ||
| 7-13 | Lie still, my dear | — | ||
| 7-14 | Lord Willoughby's Welcome Home | — | ||
| 7-15 | How can the trees | — | ||
| 7-16 | Pavan | — | ||
| 7-17 | Galliard | — | ||
| 7-18 | Go, silly note | — | ||
| 7-19 | Come hither | — | ||
| 7-21 | Dido was the Carthage Queen | — | ||
| 7-22 | Packington's Pound | — | ||
| 7-23 | Sellinger's Round | — |
Hollis Berrie
—
Daphne
—
My Robin Is to the Greenwood Gone
—
Tickle my Toe
—
It Was a Lover and his Lass
—
Kemp’s Jig
—
Take, O Take Those Lips Away
—
Bonny Sweet Robin
—
Farewell, Dear Love
—
Tarletones Riserrectione
—
Hold, Lingel, Hold
—
How Should I your True Love Know (Walsingham)
—
Walsingham
—
Get You Hence
—
The First Book of Consort Lessons (1599): La Coranto
—
Hark, Hark! The Lark
—
The First Book of Consort Lessons (1599): La Volta
—
The First Book of Consort Lessons (1599): La Volta (William Byrd arrangement)
—
The Poor Soul Sat Sighing (The Willow Song)
—
Robin
—
O Mistress Mine
—
O Mistris Mine
—
Full Fathom Five
—
Where the Bee Sucks, There Suck I
—
The First Book of Consort Lessons (1599): Can She Excuse
—
The First Book of Consort Lessons (1599): The Frog Galliard
—
The First Book of Consort Lessons (1599): Go from my Window
—
Oberon, the Faery Prince: Almande
—
Oberon, the Faery Prince: Almande 5: The Princes Masque I
—
Oberon, the Faery Prince: Almande 16
—
Oberon, the Faery Prince: Almande 6: The Princes Masque II
—
Oberon, the Faery Prince: Trumpet Ensemble Sonata no. 53
—
Oberon, the Faery Prince: Pavana
—
Oberon, the Faery Prince: Dulcina
—
Oberon, the Faery Prince: Alman
—
Oberon, the Faery Prince: Buzz, Quoth the Blue Fly
—
Oberon, the Faery Prince: Now My Cunning Lady, Moon
—
Oberon, the Faery Prince: The Satyrs Dance
—
Oberon, the Faery Prince: Melt Earth to Sea
—
Oberon, the Faery Prince: Seek You, Majesty, to Strike?
—
Oberon, the Faery Prince: The Fairies Dance
—
Oberon, the Faery Prince: The Solemn Rites Are Well Begun
—
Oberon, the Faery Prince: The First of the Princes
—
Oberon, the Faery Prince: Nay, Nay, You Must Not Stay
—
Oberon, the Faery Prince: The Second of the Princes
—
Oberon, the Faery Prince: Not Yet O You in This Night Blest
—
Oberon, the Faery Prince: Pavan
—
Oberon, the Faery Prince: Coranto: The Fairie-round
—
Oberon, the Faery Prince: Coranto: As it Fell on Holie Eve
—
Oberon, the Faery Prince: Galliard
—
Oberon, the Faery Prince: Almaine: The Honie-suckle
—
Oberon, the Faery Prince: Almaine: The Night Watch
—
Oberon, the Faery Prince: Gentle Knights
—
Oberon, the Faery Prince: The Third of the Princes
—
Oberon, the Faery Prince: O Yet How Early, and Before Her Time
—
Oberon, the Faery Prince: Trumpet Ensemble Sonata no. 34 "Meister Thomas Fideler"
—
Timon of Athens: Act I - The Masque of Cupid and Bacchus. Overture
—
Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 1 Duet: "Hark how the songsters of the grove"
—
Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 2 Solo: "Love in their little veins inspires"
—
Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 3 Trio: "But ah! how much are our delights"
—
Timon of Athens: Act I - The Masque of Cupid and Bacchus. Nos. 4 & 5 Solo & chorus: "Hence with your trifling deity"
—
Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 6 Solo: "Come all to me"
—
Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 7 Chorus: "Who can resist such mighty charms?"
—
Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 8 Solo: "Return, revolting rebels!"
—
Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 9 Solo: "The cares of lovers"
—
Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 10 Solo: "Love quickly is pall'd"
—
Timon of Athens: Act I - The Masque of Cupid and Bacchus. Nos. 11 & 12 Duet & Chorus: "Come, let us agree"
—
If Music Be the Food of Love, Z.379
—
Dido and Aeneas: Act 2 - The Witshes's Scene. Prelude for the Witches: "Wayward sisters"
—
Dido and Aeneas: Act 2 - The Witshes's Scene. "But, ere we this perform"
—
Dido and Aeneas: Act 2 - The Witshes's Scene. "In our deep vaulted cell"
—
Dido and Aeneas: Act 2 - The Witshes's Scene. Echo Dance of Furies
—
The Tempest: Act 4. Air: "Dear pretty youth" (Dorinda)
—
King Richard II: Act 4. Song: "Retir'd from any mortal's sight"
—
The Fairy Queen: Act 2 - Entrance of Night, Mystery, Secrecy and Sleep, with Attendants. No. 14: "See, even Night herself is here"
—
The Fairy Queen: Act 2 - Entrance of Night, Mystery, Secrecy and Sleep, with Attendants. No. 15: "I am come to lock all fast"
—
The Fairy Queen: Act 2 - Entrance of Night, Mystery, Secrecy and Sleep, with Attendants. No. 16: "One charming night"
—
The Fairy Queen: Act 2 - Entrance of Night, Mystery, Secrecy and Sleep, with Attendants. No. 17: "Hush, no more"
—
The Fairy Queen: Act 2 - Entrance of Night, Mystery, Secrecy and Sleep, with Attendants. No. 18: Dance for the Followers of the Night
—
The Fairy Queen: Act 4 - Symphony: No. 30a: (Allegro)
—
The Fairy Queen: Act 4 - Symphony: No. 30b: Canzona
—
The Fairy Queen: Act 4 - Symphony: No. 30c: Largo
—
The Fairy Queen: Act 4 - Symphony: No. 30d: Allegro - Adagio - Allegro
—
The Fairy Queen: Act 4 - Solo & Chorus. No. 31: "Now the night"
—
Ode on the Witches and Fairies of Shakespeare: Overture
—
Ode on the Witches and Fairies of Shakespeare: Minuetto
—
Ode on the Witches and Fairies of Shakespeare: No. 1 Chorus: "O guardian of that sacred land"
—
Ode on the Witches and Fairies of Shakespeare: No. 2 Recitative: "'Tis thine alone"
—
Ode on the Witches and Fairies of Shakespeare: No. 3 Air: "Come then, o Fancy"
—
Ode on the Witches and Fairies of Shakespeare: No. 4 Recitative: "At Shakespeare's happy birth"
—
Ode on the Witches and Fairies of Shakespeare: No. 5 Air: "And now is come"
—
Ode on the Witches and Fairies of Shakespeare: No. 6 Chorus: "Be Shakespeare born"
—
Ode on the Witches and Fairies of Shakespeare: No. 7 Recitative: "So spake the God"
—
Ode on the Witches and Fairies of Shakespeare: No. 8 Air: "There in old Arden's inmost shade"
—
Ode on the Witches and Fairies of Shakespeare: No. 9 Recitative: "And as before his purged eyes"
—
Ode on the Witches and Fairies of Shakespeare: No. 10 Air: "Thy hand his youthful footsteps led"
—
Ode on the Witches and Fairies of Shakespeare: No. 11 Air: "Some drive the clam'rous owl away"
—
Ode on the Witches and Fairies of Shakespeare: No. 12 Solo & Chorus: "Some drive the clam'rous owl away"
—
Ode on the Witches and Fairies of Shakespeare: No. 13 Recitative: "But oh! what sudden gloom"
—
Ode on the Witches and Fairies of Shakespeare: No. 14 Quartet: "By the pale light"
—
Ode on the Witches and Fairies of Shakespeare: No. 15 Recitative: See through the glimmering darkness"
—
Ode on the Witches and Fairies of Shakespeare: No. 16 Chorus: "What howling whirlwinds"
—
Ode on the Witches and Fairies of Shakespeare: No. 17 Recitative: "For whom, at yonder livid flame"
—
Ode on the Witches and Fairies of Shakespeare: No. 18 Air: "Whither ye beldames"
—
Ode on the Witches and Fairies of Shakespeare: No. 19 Quartet & Chorus: "The tempests cease"
—
Ode on the Witches and Fairies of Shakespeare: No. 20 Recitative: "No more the elves"
—
Ode on the Witches and Fairies of Shakespeare: No. 21 Air: "Ariel, who sees thee now"
—
Ode on the Witches and Fairies of Shakespeare: No. 22 Recitative: "No more shalt thou"
—
Ode on the Witches and Fairies of Shakespeare: No. 23 Duet: "For who can wield"
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Ode on the Witches and Fairies of Shakespeare: No. 24 Chorus: "Yet, Fancy, one again"
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The Tempest: The First Musick. Introduction
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The Tempest: The First Musick. Galliard
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The Tempest: The First Musick. Gavot
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The Tempest: The Second Musick. Saraband
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The Tempest: The Second Musick. Lilk
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The Tempest: The Second Musick. Curtain Tune
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The Tempest: First Act Tune. Rustick Air
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The Tempest: First Act Tune. Flourish of Musick
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The Tempest: Devil's Masque. "Where does the black fiend ambition reside?" (First Devil, Second Devil)
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The Tempest: Devil's Masque. Air: "Arise, ye subterranean winds" (Second Devil)
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The Tempest: Devil's Masque. Dance of Winds
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The Tempest: Second Act Tune. Minoit
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The Tempest: Second Act Tune. Song and Chorus: "Come unto these yellow sands" (Ariel)
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The Tempest: Second Act Tune. Song and Chorus: "Full fathom five" (Ariel)
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The Tempest: Second Act Tune. Air: "Dry those eyes" (Ariel)
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The Tempest: Second Act Tune. Dance of the Fantastick Spirits
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The Tempest: Second Act Tune. Air: "Kind fortune smiles" (Ariel)
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The Tempest: Third Act Tune. Corant
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The Tempest: Third Act Tune. Dance of Spirits
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The Tempest: Third Act Tune. Air: "Dear pretty youth" (Dorinda)
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The Tempest: Fourth Act Tune. A Martial Jigg
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The Tempest: Fourth Act Tune. Soft Music on the Rocks
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The Tempest: Masque of Neptune and Amphitrite. "My Lord, great Neptune" (Amphitrite, Neptune, Oceanus, Aeolus, Tethys, Trytons, Nereides)
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The Tempest: Masque of Neptune and Amphitrite. Dance of Trytons and Nereides
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The Tempest: Masque of Neptune and Amphitrite. "Great nephew Aeolus" (Amphitrite, Neptune, Oceanus, Aeolus, Tethys, Trytons, Nereides)
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The Tempest: Masque of Neptune and Amphitrite. Dance of Four Trytons
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The Tempest: Masque of Neptune and Amphitrite. "See, see, the heavens smile" (Amphitrite, Neptune, Oceanus, Aeolus, Tethys, Trytons, Nereides)
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The Tempest: Masque of Neptune and Amphitrite. Dance of the Twelve Trytons
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The Tempest: Masque of Neptune and Amphitrite. Song: "Where the bee sucks" (Ariel)
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The Tempest: Conclusion. A Canon 4 in 2
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A Comedy of Errors: "Lo! here the gentle lark" (Adriana)
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A Midsummer Night's Dream: "Welcome to this place" (Four Fairies)
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Two Gentlemen of Verona: "Should be upbraid" (Julia)
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Twelfth Night: "Who is Sylvia? What is she?" (1) (Benvolio, Curio, Salanio, Valentino, Viola)
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Two Gentlemen of Verona: "That time of year" (Julia)
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Twelfth Night: "When that I was a little tiny boy" (Feste, Olivia, Viola, Benvolio, Curio, Fabian, Valentino)
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A Comedy of Errors: "Come live with me and be my love" (Adriana)
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A Midsummer Night's Dream: "Hark, hark, each Spartan hound" (Chorus of Hunters)
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Two Gentlemen of Verona: "Oh! never say that I was false of heart" (Sylvia)
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Two Gentlemen of Verona: "Who is Sylvia? What is she?" (2) (Julia, Four Serenaders)
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A Comedy of Errors: "Sing Willow" (Adriana)
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A Comedy of Errors: "It was a lover and his lass" (Luciana)
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A Comedy of Errors: "Under the greenwood tree" (Antipholus of Ephesus, Balthazar, Cerimon, Ctestiphon)
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A Comedy of Errors: "Take, oh! take those lips away" (Adriana)
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A Midsummer Night's Dream: "Flower of this purple dye" (Oberon)
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Two Gentlemen of Verona: "Now the hungry lions roar" (Chorus)
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Twelfth Night: "Orpheus with his lute" (Olivia, Viola)
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A Comedy of Errors: "Come, thou monarch of the vine" (Antipholus of Ephesus, Cerimon, Ctestiphon, Chorus)
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A Midsummer Night's Dream: "Spirits advance" (Oberon, First and Second Fairies, Chorus)
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Nutmeg and Ginger
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Watking Ale
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[Nancie]
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The London Prentice
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Greensleeves
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Loath to depart
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The Cutpurse
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[Daphne]
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Dulcina
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The Miller
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Fortune my foe
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Lie still, my dear
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Lord Willoughby's Welcome Home
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How can the trees
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Pavan
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Galliard
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Go, silly note
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Come hither
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Dido was the Carthage Queen
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Packington's Pound
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Sellinger's Round
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000400621270000000055132095000000005554526000000000725038550000000076888078000000007839721300000000784011200000000078553212000000007975602X0000000079812001
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0000000080450909000000008099167600000000812332950000000081545205000000008943705700000001085629030000000108716781000000010951905000000001095878460000000110255478000000011057408100000001145051470000000114666549000000011696737X000000011932443300000001201989640000000120225627000000012022623200000001209919970000000121188274000000012134001000000003910824880000000397953758000000044510206X
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What is UPC 028948285556?
028948285556 is a Universal Product Code (UPC) assigned to Shakespeare's Musick by Philip Pickett, Musicians of The Globe. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 180 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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