UPC · Release
Vladimir Ashkenazy
Last verified:
The UPC for “The Solo & Chamber Recordings” by Vladimir Ashkenazy is 028948321827. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Decca. This release contains 815 tracks, each with its own ISRC. Tracks include GBF076411511, GBF076411512, GBF076411513.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ballade no. 1 in G minor, op. 23 | Vladimir Ashkenazy | T-917.141.447-4 | |
| 2 | Ballade no. 2 in F, op. 38 | Vladimir Ashkenazy | — | |
| 3 | Ballade no. 3 in A-flat major, op. 47 | Vladimir Ashkenazy | T-913.821.070-5 | |
| 4 | Ballade no. 4 in F minor, op. 52 | Vladimir Ashkenazy | — | |
| 5 | Trois Nouvelles Études, op. posth. “Méthode des méthodes”: Étude in F minor | — | ||
| 6 | Trois Nouvelles Études, op. posth. “Méthode des méthodes”: Étude in A-flat major | — | ||
| 7 | Trois Nouvelles Études, op. posth. “Méthode des méthodes”: Étude in D-flat major | — | ||
| 2-1 | Scherzo no. 4 in E major, op. 54 | — | ||
| 2-2 | Nocturne no. 17 in B major, op. 62 no. 1 | — | ||
| 2-3 | L'Isle joyeuse | — | ||
| 2-4 | Gaspard de la nuit: Ondine | — | ||
| 2-5 | Gaspard de la nuit: Le Gibet | — | ||
| 2-6 | Gaspard de la nuit: Scarbo | — | ||
| 3-1 | Fantasie in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen - Im Legendenton | — | ||
| 3-2 | Fantasie in C major, op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter | — | ||
| 3-3 | Fantasie in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas bewegter | — | ||
| 4-1 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: I. Largo - Allegro moderato | — | ||
| 4-2 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: II. Larghetto | — | ||
| 4-3 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: III. Allegretto | — | ||
| 4-4 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, op. 16: I. Grave - Allegro ma non troppo | — | ||
| 4-5 | Quintet for piano and wind instruments in E-flat major, op. 16: Andante cantabile | Vladimir Ashkenazy, London Wind Soloists | — | |
| 4-6 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, op. 16: III. Rondo: Allegro ma non troppo | — | ||
| 5-1 | Piano Sonata no. 13 in A major, D. 664: I. Allegro moderato | — | ||
| 5-2 | Piano Sonata no. 13 in A major, D. 664: II. Andante | — | ||
| 5-3 | Piano Sonata no. 13 in A major, D. 664: III. Allegro | — | ||
| 5-4 | Ungarische Melodie in B minor, D. 817 | — | ||
| 5-5 | Piano Sonata no. 14 in A minor, D. 784: I. Allegro giusto | — | ||
| 5-6 | Piano Sonata no. 14 in A minor, D. 784: II. Andante | — | ||
| 5-7 | Piano Sonata no. 14 in A minor, D. 784: III. Allegro vivace | — | ||
| 5-8 | 12 Waltzes, D. 145 | — | ||
| 6-1 | Prélude no. 25 in C-sharp minor, op. 45 | Vladimir Ashkenazy | — | |
| 6-2 | Scherzo no. 1 in B minor, op. 20 | Vladimir Ashkenazy | T-308.384.655-9 | |
| 6-3 | Scherzo no. 2 in B-flat minor, op. 31 | Vladimir Ashkenazy | — | |
| 6-4 | Scherzo no. 3 in C-sharp minor, op. 39 | Vladimir Ashkenazy | T-918.063.801-1 | |
| 6-5 | Scherzo no. 4 in E major, op. 54 | — | ||
| 6-6 | Barcarolle in F-sharp, op. 60 | Vladimir Ashkenazy | T-905.382.146-8 | |
| 7-1 | Piano Sonata no. 7 in B-flat, op. 83: 1. Allegro inquieto - Andantino - Allegro inquieto - Andantino - Allegro inquieto | Vladimir Ashkenazy | — | |
| 7-2 | Piano Sonata no. 7 in B-flat, op. 83: 2. Andante caloroso - Poco più animato - Più largamente - un poco agitato - Tempo I | Vladimir Ashkenazy | — | |
| 7-3 | Piano Sonata no. 7 in B-flat, op. 83: 3. Precipitato | Vladimir Ashkenazy | — | |
| 7-4 | Romeo and Juliet, Ten Pieces for Piano, op. 75: X. Romeo and Juliet Before Departing | Vladimir Ashkenazy | — | |
| 7-5 | Romeo and Juliet, Ten Pieces for Piano, op. 75: V. Masks | Vladimir Ashkenazy | — | |
| 7-6 | Piano Sonata no. 8 in B-flat, op. 84: 1. Andante dolce - Allegro moderato - Andante - Andante dolce come prima - Allegro | Vladimir Ashkenazy | — | |
| 7-7 | Piano Sonata no. 8 in B-flat, op. 84: 2. Andante sognando | Vladimir Ashkenazy | — | |
| 7-8 | Piano Sonata no. 8 in B-flat, op. 84: 3. Vivace - Allegro ben marcato - Andantino - Vivace | Vladimir Ashkenazy | T-911.517.582-1 | |
| 8-1 | Sonata for Violin and Piano in A: 1. Allegretto ben moderato | Vladimir Ashkenazy, Itzhak Perlman | T-312.207.822-8 | |
| 8-2 | Sonata for Violin and Piano in A: 2. Allegro- Quasi lento- Tempo 1 (Allegro) | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 8-3 | Sonata for Violin and Piano in A: 3. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace) | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 8-4 | Sonata for Violin and Piano in A: 4. Allegretto poco mosso | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 8-5 | Horn Trio in E-flat, op. 40: 1. Andante - Poco più animato | Vladimir Ashkenazy, Itzhak Perlman, Barry Tuckwell | — | |
| 8-6 | Horn Trio in E-flat, op. 40: 2. Scherzo (Allegro) | Vladimir Ashkenazy, Itzhak Perlman, Barry Tuckwell | — | |
| 8-7 | Horn Trio in E-flat, op. 40: 3. Adagio mesto | Vladimir Ashkenazy, Itzhak Perlman, Barry Tuckwell | — | |
| 8-8 | Trio for Violin, Horn and Piano in E-flat major, op. 40: IV. Finale. Allegro con brio | Barry Tuckwell, Vladimir Ashkenazy, Itzhak Perlman | T-003.055.867-8 | |
| 9-1 | Suite no. 1 for 2 Pianos, op. 5: 1. Barcarolle | Vladimir Ashkenazy, André Previn | — | |
| 9-2 | Suite no. 1 for 2 Pianos, op. 5: 2. A night for love | Vladimir Ashkenazy, André Previn | — | |
| 9-3 | Suite no. 1 for 2 Pianos, op. 5: 3. Tears | Vladimir Ashkenazy, André Previn | — | |
| 9-4 | Suite no. 1 for Two Pianos, op. 5: IV. Pâques: Allegro maestoso | Vladimir Ashkenazy, André Previn | — | |
| 9-5 | Suite no. 2 for 2 Pianos, op. 17: I. Introduction: Alla marcia | Vladimir Ashkenazy, André Previn | T-000.768.497-0 | |
| 9-6 | Suite no. 2 for 2 Pianos, op. 17: II. Valse: Presto | Vladimir Ashkenazy, André Previn | — | |
| 9-7 | Suite no. 2 for 2 Pianos, op. 17: III. Romance: Andantino | Vladimir Ashkenazy, André Previn | — | |
| 9-8 | Suite no. 2 for 2 Pianos, op. 17: IV. Tarantelle | Vladimir Ashkenazy, André Previn | — | |
| 10-1 | Kreisleriana, op. 16: I. Äußerst bewegt | — | ||
| 10-2 | Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch | — | ||
| 10-3 | Kreisleriana, op. 16: III. Sehr aufgeregt | — | ||
| 10-4 | Kreisleriana, op. 16: IV. Sehr langsam | — | ||
| 10-5 | Kreisleriana, op. 16: V. Sehr lebhaft | — | ||
| 10-6 | Kreisleriana, op. 16: VI. Sehr langsam | — | ||
| 10-7 | Kreisleriana, op. 16: VII. Sehr rasch | — | ||
| 10-8 | Kreisleriana, op. 16: VIII. Schnell und spielend | — | ||
| 10-9 | Humoreske, op. 20: Einfach - Sehr rasch und leicht | — | ||
| 10-10 | Humoreske, op. 20: Hastig - Nach und nach immer lebhafter und starker | — | ||
| 10-11 | Humoreske, op. 20: Einfach und zart - Intermezzo | — | ||
| 10-12 | Humoreske, op. 20: Innig | — | ||
| 10-13 | Humoreske, op. 20: Sehr lebhaft - Mit einigem Pomp | — | ||
| 10-14 | Humoreske, op. 20: Zum Beschluß | — | ||
| 11-1 | Piano Sonata no. 3 in F‐sharp minor, op. 23: I. Drammàtico | Vladimir Ashkenazy | — | |
| 11-2 | Piano Sonata no. 3 in F‐sharp minor, op. 23: II. Allegretto | Vladimir Ashkenazy | — | |
| 11-3 | Piano Sonata no. 3 in F‐sharp minor, op. 23: III. Andante | Vladimir Ashkenazy | — | |
| 11-4 | Piano Sonata no. 3 in F‐sharp minor, op. 23: IV. Presto con fuoco | Vladimir Ashkenazy | — | |
| 11-5 | Piano Sonata no. 4 in F‐sharp minor, op. 30: I. Andante | Vladimir Ashkenazy | — | |
| 11-6 | Piano Sonata no. 4 in F‐sharp minor, op. 30: II. Prestissimo volando | Vladimir Ashkenazy | — | |
| 11-7 | Piano Sonata no. 5 in F-sharp major, op. 53 | — | ||
| 11-8 | Piano Sonata no. 9, op. 68 “Black Mass” | — | ||
| 12-1 | Variations on a Theme of Corelli, op. 42: Theme: Andante | — | ||
| 12-2 | Variations on a Theme of Corelli, op. 42: Variation 1: Poco più mosso | — | ||
| 12-3 | Variations on a Theme of Corelli, op. 42: Variation 2: L'istesso tempo | — | ||
| 12-4 | Variations on a Theme of Corelli, op. 42: Variation 3: Tempo di menuetto | — | ||
| 12-5 | Variations on a Theme of Corelli, op. 42: Variation 4: Andante | — | ||
| 12-6 | Variations on a Theme of Corelli, op. 42: Variation 5: Allegro (ma non troppo) | — | ||
| 12-7 | Variations on a Theme of Corelli, op. 42: Variation 6: L'istesso tempo | — | ||
| 12-8 | Variations on a Theme of Corelli, op. 42: Variation 7: Vivace | — | ||
| 12-9 | Variations on a Theme of Corelli, op. 42: Variation 8: Adagio misterioso | — | ||
| 12-10 | Variations on a Theme of Corelli, op. 42: Variation 9: Un poco più mosso | — | ||
| 12-11 | Variations on a Theme of Corelli, op. 42: Variation 10: Allegro scherzando | — | ||
| 12-12 | Variations on a Theme of Corelli, op. 42: Variation 11: Allegro vivace | — | ||
| 12-13 | Variations on a Theme of Corelli, op. 42: Variation 12: L'istesso tempo | — | ||
| 12-14 | Variations on a Theme of Corelli, op. 42: Variation 13: Agitato | — | ||
| 12-15 | Variations on a Theme of Corelli, op. 42: Intermezzo | — | ||
| 12-16 | Variations on a Theme of Corelli, op. 42: Variation 14: Andante (come prima) | — | ||
| 12-17 | Variations on a Theme of Corelli, op. 42: Variation 15: L'istesso tempo | — | ||
| 12-18 | Variations on a Theme of Corelli, op. 42: Variation 16: Allegro vivace | — | ||
| 12-19 | Variations on a Theme of Corelli, op. 42: Variation 17: Meno mosso | — | ||
| 12-20 | Variations on a Theme of Corelli, op. 42: Variation 18: Allegro con brio | — | ||
| 12-21 | Variations on a Theme of Corelli, op. 42: Variation 19: Più mosso. Agitato | — | ||
| 12-22 | Variations on a Theme of Corelli, op. 42: Variation 20: Più mosso | — | ||
| 12-23 | Variations on a Theme of Corelli, op. 42: Coda: Andante | — | ||
| 12-24 | 9 Études-tableaux, op. 39: No. 1 in C major. Allegro agitato | Vladimir Ashkenazy | — | |
| 12-25 | 9 Études-tableaux, op. 39: No. 2 in A minor. Lento assai | Vladimir Ashkenazy | — | |
| 12-26 | 9 Études-tableaux, op. 39: No. 3 in F-sharp minor. Allegro molto | Vladimir Ashkenazy | — | |
| 12-27 | 9 Études-tableaux, op. 39: No. 4 in B minor. Allegro assai | Vladimir Ashkenazy | — | |
| 12-28 | 9 Études-tableaux, op. 39: No. 5 in E-flat minor. Appassionato | Vladimir Ashkenazy | — | |
| 12-29 | 9 Études-tableaux, op. 39: No. 6 in A minor. Allegro | Vladimir Ashkenazy | — | |
| 12-30 | 9 Études-tableaux, op. 39: No. 7 in C minor. Lento | Vladimir Ashkenazy | — | |
| 12-31 | 9 Études-tableaux, op. 39: No. 8 in D minor. Allegro moderato | Vladimir Ashkenazy | — | |
| 12-32 | 9 Études-tableaux, op. 39: No. 9 in D major. Allegro moderato | Vladimir Ashkenazy | — | |
| 13-1 | Prelude in C-sharp minor, op. 3 no. 2 | Vladimir Ashkenazy | T-072.857.925-6 | |
| 13-2 | 10 Preludes, op. 23: No. 1 in F-sharp minor | Vladimir Ashkenazy | — | |
| 13-3 | 10 Preludes, op. 23: No. 2 in B-flat major | Vladimir Ashkenazy | — | |
| 13-4 | 10 Preludes, op. 23: No. 3 in D minor | Vladimir Ashkenazy | — | |
| 13-5 | 10 Preludes, op. 23: No. 4 in D major | Vladimir Ashkenazy | — | |
| 13-6 | 10 Preludes, op. 23: No. 5 in G minor | Vladimir Ashkenazy | T-919.160.891-0 | |
| 13-7 | 10 Preludes, op. 23: No. 6 in E-flat major | Vladimir Ashkenazy | — | |
| 13-8 | 10 Preludes, op. 23: No. 7 in C minor | Vladimir Ashkenazy | — | |
| 13-9 | 10 Preludes, op. 23: No. 8 in A-flat major | Vladimir Ashkenazy | — | |
| 13-10 | 10 Preludes, op. 23: No. 9 in E-flat minor | Vladimir Ashkenazy | — | |
| 13-11 | 10 Preludes, op. 23: No. 10 in G-flat major | Vladimir Ashkenazy | — | |
| 13-12 | 13 Preludes, op. 32: No. 1 in C major | Vladimir Ashkenazy | — | |
| 13-13 | 13 Preludes, op. 32: No. 2 in B-flat minor | Vladimir Ashkenazy | — | |
| 13-14 | 13 Preludes, op. 32: No. 3 in E major | Vladimir Ashkenazy | — | |
| 13-15 | 13 Preludes, op. 32: No. 4 in E minor | Vladimir Ashkenazy | — | |
| 13-16 | 13 Preludes, op. 32: No. 5 in G major | Vladimir Ashkenazy | — | |
| 13-17 | 13 Preludes, op. 32: No. 6 in F minor | Vladimir Ashkenazy | — | |
| 13-18 | 13 Preludes, op. 32: No. 7 in F major | Vladimir Ashkenazy | — | |
| 13-19 | 13 Preludes, op. 32: No. 8 in A minor | Vladimir Ashkenazy | — | |
| 13-20 | 13 Preludes, op. 32: No. 9 in A major | Vladimir Ashkenazy | — | |
| 13-21 | 13 Preludes, op. 32: No. 10 in B minor | Vladimir Ashkenazy | — | |
| 13-22 | 13 Preludes, op. 32: No. 11 in B major | Vladimir Ashkenazy | — | |
| 13-23 | 13 Preludes, op. 32: No. 12 in G-sharp minor | Vladimir Ashkenazy | — | |
| 13-24 | 13 Preludes, Op. 32: No. 13 in D-flat major | Vladimir Ashkenazy | — | |
| 14-1 | Piano Sonata no. 17 in D major, D. 850: I. Allegro vivace | — | ||
| 14-2 | Piano Sonata no. 17 in D major, D. 850: II. Con moto | — | ||
| 14-3 | Piano Sonata no. 17 in D major, D. 850: III. Scherzo: Allegro vivace | — | ||
| 14-4 | Piano Sonata no. 17 in D major, D. 850: IV. Rondo: Allegro moderato | — | ||
| 14-5 | 17 Ländler, D. 366: 4 Deutsche Tänze | — | ||
| 15-1 | Ne poy, krasavitsa, op. 4 no. 4 | — | ||
| 15-2 | Uzh ty niva morya, op. 4 no. 5 | — | ||
| 15-3 | Zdes khorosho, op. 21 no. 7 | — | ||
| 15-4 | Nochyu v sadu u menya, op. 38 no. 1 | — | ||
| 15-5 | K ney, op. 38 no. 2 | — | ||
| 15-6 | Margaritki, op. 38 no. 3 | — | ||
| 15-7 | Krysolov, op. 38 no. 4 | — | ||
| 15-8 | Son, op. 38 no. 5 | — | ||
| 15-9 | Au!, op. 38 no. 6 | — | ||
| 15-10 | Muza, op. 34 no. 1 | — | ||
| 15-11 | Burya, op. 34 no. 3 | — | ||
| 15-12 | Ty znal yevo, op. 34 no. 9 | — | ||
| 15-13 | Sey den ya pomnyu, op. 34 no. 10 | — | ||
| 15-14 | Kakoye schastye, op. 34 no. 12 | — | ||
| 15-15 | Dissonans, op. 34 no. 13 | — | ||
| 15-16 | Vocalise op. 34 no. 14 | — | ||
| 16-1 | V molchani nochi taynoy, op. 4 no. 3 | — | ||
| 16-2 | Davno I, moy drug, op. 4 no. 6 | — | ||
| 16-3 | Polyubila ya na pechal svoyu, op. 8 no. 4 | — | ||
| 16-4 | Son, op. 8 no. 5 | — | ||
| 16-5 | Ya zhdu tebya, op. 14 no. 1 | — | ||
| 16-6 | Ostrovok, op. 14 no. 2 | — | ||
| 16-7 | Eti letniye nochi, op. 14 no. 5 | — | ||
| 16-8 | Tebya tak lyubyat vse, op. 14 no. 6 | — | ||
| 16-9 | Ne ver mne, drug, op. 14 no. 7 | — | ||
| 16-10 | Vesenniye vody, op. 14 no. 11 | — | ||
| 16-11 | Sudba, op. 21 no. 1 | — | ||
| 16-12 | Veter perelyotny, op. 34 no. 4 | — | ||
| 16-13 | Arion, op. 34 no. 5 | — | ||
| 16-14 | Voskresheniye Lazarya, op. 34 no. 6 | — | ||
| 16-15 | Ne mozhet byt!, op. 34 no. 7 | — | ||
| 16-16 | Muzyuka, op. 34 no. 8 | — | ||
| 17-1 | Nad svezhey mogiloy, op. 21 no. 2 | — | ||
| 17-2 | Sumerki, op. 21 no. 3 | — | ||
| 17-3 | Oni otvechali, op. 21 no. 4 | — | ||
| 17-4 | Siren, op. 21 no. 5 | — | ||
| 17-5 | Odinochestvo, op. 21 no. 6 | — | ||
| 17-6 | Na smert chizhika, op. 21 no. 8 | — | ||
| 17-7 | Melodiya, op. 21 no. 9 | — | ||
| 17-8 | Pred ikonoy, op. 21 no. 10 | — | ||
| 17-9 | Ya ne prorok, op. 21 no. 11 | — | ||
| 17-10 | Kak mne bolno, op. 21 no. 12 | — | ||
| 17-11 | K detyam, op. 26 no. 7 | — | ||
| 17-12 | U moyevo okna, op. 26 no. 10 | — | ||
| 17-13 | Fontan, op. 26 no. 11 | — | ||
| 17-14 | Noch pechalna, op. 26 no. 12 | — | ||
| 17-15 | Koltso, op. 26 no. 14 | — | ||
| 17-16 | Belilitsy, rumyanitsy, vy moi! | — | ||
| 18-1 | Ya tebe nichevo ne skazu | — | ||
| 18-2 | Opyat vstrepenulos ty, serdtse | — | ||
| 18-3 | Aprel! | — | ||
| 18-4 | Smerkalos | — | ||
| 18-5 | O, nyet, molyu, ne ukhodi!, op. 4 no. 1 | — | ||
| 18-6 | Utro, op. 4 no. 2 | — | ||
| 18-7 | Rechnaya liliya, op. 8 no. 1 | — | ||
| 18-8 | Ditya! kak tsvetok ty prekrasnaya, op. 8 no. 2 | — | ||
| 18-9 | Duma, op. 8 no. 3 | — | ||
| 18-10 | Molitva, op. 8 no. 6 | — | ||
| 18-11 | Davno v lyubvi otradi malo, op. 14 no. 3 | — | ||
| 18-12 | Ya byl u ney, op. 14 no. 4 | — | ||
| 18-13 | Yest mnogo zvukov, op. 26 no. 1 | — | ||
| 18-14 | Vsyo oynya u menya, op. 26 no. 2 | — | ||
| 18-15 | Mi otdokhnyom, op. 26 no. 3 | — | ||
| 18-16 | Dva proshchaniya, op. 26 no. 4 | — | ||
| 18-17 | Pokinem, milaya, op. 26 no. 5 | — | ||
| 18-18 | Khristos voskres, op. 26 no. 6 | — | ||
| 18-19 | Margaritki, op. 38 no. 3 | Vladimir Ashkenazy | T-902.891.143-5 | |
| 19-1 | O, ne grusti!, op. 14 no. 8 | — | ||
| 19-2 | Ona, kak polden khorosha, op. 14 no. 9 | — | ||
| 19-3 | V moyey dushe, op. 14 no. 10 | — | ||
| 19-4 | Pora!, op. 14 no. 12 | — | ||
| 19-5 | Poshchady ya molyu!, op. 26 no. 8 | — | ||
| 19-6 | Ya opyat odinok!, op. 26 no. 9 | — | ||
| 19-7 | Vchera my vstretilis, op. 26 no. 13 | — | ||
| 19-8 | Prokhodit vsyo, op. 26 no. 15 | — | ||
| 19-9 | V dushe u kazhdovo iz nas, op. 34 no. 2 | — | ||
| 19-10 | Khorugv svyashchennuyu, op. 34 no. 11 | — | ||
| 19-11 | U vrat obiteli svyatoy | — | ||
| 19-12 | Pesnya razocharovannova | — | ||
| 19-13 | Uvyal tsvetok | — | ||
| 19-14 | Ty pomnish li vecher? | — | ||
| 19-15 | Ikalos li tebe? | — | ||
| 19-16 | Noch | — | ||
| 19-17 | Pismo K.S. Stanislavskomu | — | ||
| 19-18 | Iz Evangeliya ot loanna | — | ||
| 19-19 | Siren, op. 21 no. 5 | — | ||
| 20-1 | Symphonic Dances for 2 Pianos, op. 45: I. Non allegro - Lento - Tempo I | Vladimir Ashkenazy, André Previn | — | |
| 20-2 | Symphonic Dances for 2 Pianos, op. 45: II. Andante con moto (Tempo di valse) | Vladimir Ashkenazy, André Previn | — | |
| 20-3 | Symphonic Dances for 2 Pianos, op. 45: III. Lento assai - Allegro vivace | Vladimir Ashkenazy, André Previn | — | |
| 20-4 | Russian Rhapsody for 2 Pianos in E minor | Vladimir Ashkenazy, André Previn | — | |
| 21-1 | Piano Sonata no. 2 in G-sharp minor, op. 19 “Sonata-fantasy”: I. Andante | — | ||
| 21-2 | Piano Sonata no. 2 in G-sharp minor, op. 19 “Sonata-fantasy”: II. Presto | — | ||
| 21-3 | 4 Pièces, op. 56: I. Prélude (Violent, très accentué) | Vladimir Ashkenazy | — | |
| 21-4 | 4 Pièces, op. 56: II. Ironies (Vivo, scherzoso) | Vladimir Ashkenazy | — | |
| 21-5 | 4 Pièces, op. 56: III. Nuances (Fondu, velouté) | Vladimir Ashkenazy | — | |
| 21-6 | 4 Pièces, op. 56: IV. Ètude (Presto) | Vladimir Ashkenazy | — | |
| 21-7 | Piano Sonata no. 7, op. 64 “White Mass” | — | ||
| 21-8 | Deux Danses, op. 73: I. Guirlandes | — | ||
| 21-9 | Deux Danses, op. 73: II. Flammes sombres | — | ||
| 21-10 | 2 Poèmes, op. 32: I. Andante cantabile (F-sharp minor) | Vladimir Ashkenazy | — | |
| 21-11 | 2 Poèmes, op. 32: II. Allegro. Con eleganza. Con fiducia (D major) | Vladimir Ashkenazy | — | |
| 21-12 | Piano Sonata no. 10, op. 70 | Vladimir Ashkenazy | T-312.605.968-1 | |
| 22-1 | Piano Sonata no. 2 in B-flat minor, op. 36: I. Allegro agitato | Vladimir Ashkenazy | — | |
| 22-2 | Piano Sonata no. 2 in B-flat minor, op. 36: II. Non allegro - Lento | Vladimir Ashkenazy | — | |
| 22-3 | Piano Sonata no. 2 in B-flat minor, op. 36: III. L'istesso tempo; Allegro molto | Vladimir Ashkenazy | T-911.517.582-1 | |
| 22-4 | Études-tableaux, op. 33: No. 1 in F minor | Vladimir Ashkenazy | — | |
| 22-5 | Études-tableaux, op. 33: No. 2 in C major | Vladimir Ashkenazy | T-915.735.004-4 | |
| 22-6 | Études-tableaux, op. 33: No. 3 in C minor | Vladimir Ashkenazy | T-915.735.004-4 | |
| 22-7 | Études-tableaux, op. 33: No. 4 in D minor | Vladimir Ashkenazy | — | |
| 22-8 | Études-tableaux, op. 33: No. 5 in E-flat minor | Vladimir Ashkenazy | T-902.876.200-7 | |
| 22-9 | Études-tableaux, op. 33: No. 6 in E-flat major | Vladimir Ashkenazy | — | |
| 22-10 | Études-tableaux, op. 33: No. 7 in G minor | Vladimir Ashkenazy | — | |
| 22-11 | Études-tableaux, op. 33: No. 8 in C-sharp minor | Vladimir Ashkenazy | T-915.735.004-4 | |
| 23-1 | Kukushka, op. 54 no. 8 | — | ||
| 23-2 | Vecher, op. 27 no. 4 | — | ||
| 23-3 | Solovei, op. 60 no. 4 | — | ||
| 23-4 | Vcherashnaya noch, op. 60 no. 1 | — | ||
| 23-5 | Net, tolko tot, kto znal, op. 6 no. 6 | — | ||
| 23-6 | Kolybelnaya pesnya, op. 16 no. 1 | — | ||
| 23-7 | Otchevo?, op. 6 no. 5 | — | ||
| 23-8 | Strashnaya minuta, op. 28 no. 6 | — | ||
| 23-9 | Den li tsarit, op. 47 no. 6 | — | ||
| 23-10 | Vesna, op. 54 no. 9 | — | ||
| 23-11 | Prostye slova, op. 60 no. 5 | — | ||
| 23-12 | Mezza notte | — | ||
| 23-13 | Sérénade, op. 65 no. 1 | — | ||
| 23-14 | Déception, op. 65 no. 2 | — | ||
| 23-15 | Poème d'octobre, op. 65 no. 4 | — | ||
| 23-16 | Les Larmes, op. 65 no. 5 | — | ||
| 23-17 | Zakatilos solntse, op. 73 no. 4 | — | ||
| 23-18 | Kak nad goryacheyu zoloi, op. 25 no. 2 | — | ||
| 24-1 | Moy geniy, moy angel, moy drug | — | ||
| 24-2 | Pesn Zemfiry | — | ||
| 24-3 | Ne ver, moy drug, op. 6 no. 1 | — | ||
| 24-4 | Zabyt tak skoro | — | ||
| 24-5 | O spoy zhe tu pesnyu, op. 16 no. 4 | — | ||
| 24-6 | Unosi moyo serdtse | — | ||
| 24-7 | Zachem zhe ty prisnilasya, op. 28 no. 3 | — | ||
| 24-8 | To bylo ranneyu vesnoy, op. 38 no. 2 | — | ||
| 24-9 | Sred shumnovo bala, op. 38 no. 3 | — | ||
| 24-10 | Kaby znala ya, op. 47 no. 1 | — | ||
| 24-11 | Ya li v polye da nye travushka bila?, op. 47 no. 7 | — | ||
| 24-12 | Moy sadik, op. 54 no. 4 | — | ||
| 24-13 | Ne sprashivay, op. 57 no. 3 | — | ||
| 24-14 | Pervoye svidaniye, op. 63 no. 6 | — | ||
| 24-15 | Serenada, op. 63 no. 4 | — | ||
| 24-16 | Rondel, op. 65 no. 6 | — | ||
| 24-17 | My sideli s toboy, op. 73 no. 1 | — | ||
| 24-18 | Za oknom v teni melkayet, op. 60 no. 10 | — | ||
| 25-1 | Cello Sonata no. 1 in E minor, op. 38: I. Allegro non troppo | — | ||
| 25-2 | Cello Sonata no. 1 in E minor, op. 38: II. Allegretto quasi menuetto - Trio | — | ||
| 25-3 | Cello Sonata no. 1 in E minor, op. 38: III. Allegro | — | ||
| 25-4 | Cello Sonata no. 2 in F major, op. 99: I. Allegro vivace | — | ||
| 25-5 | Cello Sonata no. 2 in F major, op. 99: II. Adagio affetuoso | — | ||
| 25-6 | Cello Sonata no. 2 in F major, op. 99: III. Allegro appassionato | — | ||
| 25-7 | Cello Sonata no. 2 in F major, op. 99: IV. Allegro molto | — | ||
| 26-1 | Pictures at an Exhibition (original piano version): Promenade / Gnomus | — | ||
| 26-2 | Pictures at an Exhibition (original piano version): Promenade / The Old Castle | — | ||
| 26-3 | Pictures at an Exhibition (original piano version): Promenade / Tulleries / Bydlo | — | ||
| 26-4 | Pictures at an Exhibition (original piano version): Promenade / Ballet of the Unhatched Chicks / Samuel Goldenberg and Schmuyle | — | ||
| 26-5 | Pictures at an Exhibition (original piano version): Promenade / Limoges: The Marketplace / Catacombs | — | ||
| 26-6 | Pictures at an Exhibition (original piano version): The Hut on Hen's Legs (Baba Yaga) / The Great Gate of Kiev | — | ||
| 26-7 | Prelude and Fugue in G-sharp minor, op. 29 | — | ||
| 26-8 | A Musical Snuffbox, op. 32 | — | ||
| 26-9 | Scherzo in A-flat major (1885) | — | ||
| 26-10 | Dumka, op. 59 | — | ||
| 27-1 | Gaspard de la nuit: Ondine | — | ||
| 27-2 | Gaspard de la nuit: Le Gibet | — | ||
| 27-3 | Gaspard de la nuit: Scarbo | — | ||
| 27-4 | Pavane pour une infante défunte | — | ||
| 27-5 | Valses nobles et sentimentales: I. Modéré, très franc | — | ||
| 27-6 | Valses nobles et sentimentales: II. Assez lent, avec une expression intense | — | ||
| 27-7 | Valses nobles et sentimentales: III. Modéré | — | ||
| 27-8 | Valses nobles et sentimentales: IV. Assez animé | — | ||
| 27-9 | Valses nobles et sentimentales: V. Presque lent, dans un sentiment intime | — | ||
| 27-10 | Valses nobles et sentimentales: VI. Vif | — | ||
| 27-11 | Valses nobles et sentimentales: VII. Moins vif | — | ||
| 27-12 | Valses nobles et sentimentales: VIII. Épilogue, lent | — | ||
| 28-1 | Two Pieces for String Quartet: I. Elegy in F-sharp minor | Ioan Davies, Fitzwilliam String Quartet, Alan George, Jonathan Sparey, Daniel Zisman | — | |
| 28-2 | Two Pieces for String Quartet: II. Polka in B-flat major | Ioan Davies, Fitzwilliam String Quartet, Alan George, Jonathan Sparey, Daniel Zisman | — | |
| 28-3 | Seven Romances on Poems of Alexander Blok, op. 127: Pesnya Ofelii (Ophelia's Song) | — | ||
| 28-4 | Seven Romances on Poems of Alexander Blok, op. 127: Gamayun, ptitsa veshchaya (Hamayun, the prophetic bird) | — | ||
| 28-5 | Seven Romances on Poems of Alexander Blok, op. 127: My byli vmeste (We were together) | — | ||
| 28-6 | Seven Romances on Poems of Alexander Blok, op. 127: Gorod spit (The city is asleep) | — | ||
| 28-7 | Seven Romances on Poems of Alexander Blok, op. 127: Burya (The Storm) | — | ||
| 28-8 | Seven Romances on Poems of Alexander Blok, op. 127: Yayniye znaki (Secret signs) | — | ||
| 28-9 | Seven Romances on Poems of Alexander Blok, op. 127: Muzyka (Music) | — | ||
| 28-10 | Piano Quintet in G minor, op. 57: Prelude. Lento | Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey | T-011.422.353-8 | |
| 28-11 | Piano Quintet in G minor, op. 57: Fugue. Adagio | Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey | — | |
| 28-12 | Piano Quintet in G minor, op. 57: Scherzo. Allegretto | Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey | — | |
| 28-13 | Piano Quintet in G minor, op. 57: Intermezzo. Lento | Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey | — | |
| 28-14 | Piano Quintet in G minor, op. 57: Finale. Allegretto | Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey | — | |
| 29-1 | Sonata for Cello and Piano in G minor, op. 19: I. Lento - Allegro moderato | Vladimir Ashkenazy, Lynn Harrell | — | |
| 29-2 | Sonata for Cello and Piano in G minor, op. 19: II. Allegro scherzando | Vladimir Ashkenazy, Lynn Harrell | T-071.926.821-9 | |
| 29-3 | Sonata for Cello and Piano in G minor, op. 19: III. Andante | Vladimir Ashkenazy, Lynn Harrell | T-902.907.611-7 | |
| 29-4 | Sonata for Cello and Piano in G minor, op. 19: IV. Allegro mosso | Vladimir Ashkenazy, Lynn Harrell | — | |
| 29-5 | Prelude, op. 2 no. 1 | Vladimir Ashkenazy, Lynn Harrell | T-070.160.313-5 | |
| 29-6 | Oriental Dance, op. 2 no. 2 | Vladimir Ashkenazy, Lynn Harrell | — | |
| 29-7 | Melodie on a theme by Rachmaninov | Vladimir Ashkenazy, Lynn Harrell | — | |
| 29-8 | Lied in F minor | Vladimir Ashkenazy, Lynn Harrell | — | |
| 29-9 | Vocalise, op. 34 no. 14 | Vladimir Ashkenazy, Lynn Harrell | T-900.222.366-7 | |
| 30-1 | Piano Sonata no. 1 in F minor, op. 6: I. Allegro con fuoco | Vladimir Ashkenazy | — | |
| 30-2 | Piano Sonata no. 1 in F minor, op. 6: II. ♩ = 40 [Adagio] | Vladimir Ashkenazy | T-802.445.410-3 | |
| 30-3 | Piano Sonata no. 1 in F minor, op. 6: III. Presto | Vladimir Ashkenazy | — | |
| 30-4 | Piano Sonata no. 1 in F minor, op. 6: IV. Funèbre | Vladimir Ashkenazy | — | |
| 30-5 | 4 Pieces, op. 51: Fragilité | Vladimir Ashkenazy | — | |
| 30-6 | 4 Pieces, op. 51: Prélude | Vladimir Ashkenazy | — | |
| 30-7 | 4 Pieces, op. 51: Poeme ailé | Vladimir Ashkenazy | — | |
| 30-8 | 4 Pieces, op. 51: Danse languide | Vladimir Ashkenazy | — | |
| 30-9 | Piano Sonata no. 6, op. 62 | Vladimir Ashkenazy | — | |
| 30-10 | Piano Sonata no. 8, op. 66 | — | ||
| 31-1 | Cello Sonata no. 1 in F major, op. 5 no. 1: Ia. Adagio sostenuto | Vladimir Ashkenazy, Lynn Harrell | — | |
| 31-2 | Cello Sonata no. 1 in F major, op. 5 no. 1: Ib. Allegro | Vladimir Ashkenazy, Lynn Harrell | T-905.049.604-3 | |
| 31-3 | Cello Sonata no. 1 in F major, op. 5 no. 1: II. Rondo. Allegro vivace | Vladimir Ashkenazy, Lynn Harrell | — | |
| 31-4 | Cello Sonata no. 2 in G minor, op. 5 no. 2: Ia. Adagio sostenuto ed espressivo | Vladimir Ashkenazy, Lynn Harrell | — | |
| 31-5 | Cello Sonata no. 2 in G minor, op. 5 no. 2: Ib. Allegro molto più tosto presto | Vladimir Ashkenazy, Lynn Harrell | — | |
| 31-6 | Cello Sonata no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Vladimir Ashkenazy, Lynn Harrell | — | |
| 32-1 | Sonata for Cello and Piano no. 3 in A major, op. 69: I. Allegro ma non tanto | Vladimir Ashkenazy, Lynn Harrell | T-318.567.058-6 | |
| 32-2 | Sonata for Cello and Piano no. 3 in A major, op. 69: II. Scherzo. Allegro molto | Vladimir Ashkenazy, Lynn Harrell | — | |
| 32-3 | Sonata for Cello and Piano no. 3 in A major, op. 69: III. Adagio cantabile | Vladimir Ashkenazy, Lynn Harrell | T-001.397.158-8 | |
| 32-4 | Sonata for Cello and Piano no. 3 in A major, op. 69: IV. Allegro vivace | Vladimir Ashkenazy, Lynn Harrell | — | |
| 32-5 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: Ia. Andante | Vladimir Ashkenazy, Lynn Harrell | — | |
| 32-6 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: IIc. Allegro vivace | Vladimir Ashkenazy, Lynn Harrell | — | |
| 32-7 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: IIa. Adagio | Vladimir Ashkenazy, Lynn Harrell | — | |
| 32-8 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: IIb. Tempo d'andante | Vladimir Ashkenazy, Lynn Harrell | — | |
| 32-9 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: Ib. Allegro vivace | Vladimir Ashkenazy, Lynn Harrell | — | |
| 32-10 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Vladimir Ashkenazy, Lynn Harrell | — | |
| 32-11 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto | Vladimir Ashkenazy, Lynn Harrell | — | |
| 32-12 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: III. Allegro | Vladimir Ashkenazy, Lynn Harrell | — | |
| 33-1 | Cello Sonata in D minor, op. 40: I. Allegro non troppo - Largo | Vladimir Ashkenazy, Lynn Harrell | — | |
| 33-2 | Cello Sonata in D minor, op. 40: II. Allegro | Vladimir Ashkenazy, Lynn Harrell | — | |
| 33-3 | Cello Sonata in D minor, op. 40: III. Largo | Vladimir Ashkenazy, Lynn Harrell | T-005.005.728-7 | |
| 33-4 | Cello Sonata in D minor, op. 40: IV. Allegro | Vladimir Ashkenazy, Lynn Harrell | — | |
| 33-5 | Sonata for cello and piano in C major, op. 119: I. Andante grave - Moderato animato | Vladimir Ashkenazy, Lynn Harrell | — | |
| 33-6 | Sonata for cello and piano in C major, op. 119: II. Moderato | Vladimir Ashkenazy, Lynn Harrell | — | |
| 33-7 | Sonata for cello and piano in C major, op. 119: III. Allegro ma non troppo | Vladimir Ashkenazy, Lynn Harrell | T-031.682.208-8 | |
| 33-8 | Moderato for Cello and Piano, op. 40a | Vladimir Ashkenazy, Lynn Harrell | — | |
| 34-1 | Horn Trio in E-flat major, op. 40: I. Andante - Poco più animato | — | ||
| 34-2 | Horn Trio in E-flat major, op. 40: II. Scherzo: Allegro | — | ||
| 34-3 | Horn Trio in E-flat major, op. 40: III. Adagio mesto | — | ||
| 34-4 | Horn Trio in E-flat major, op. 40: IV. Finale: Allegro con brio | — | ||
| 34-5 | Andante and Variations in B-flat major, op. 46 | — | ||
| 34-6 | Adagio and Allegro in A-flat major for Horn and Piano, op. 70: Langsam, mit innigem Ausdruck | — | ||
| 34-7 | Adagio and Allegro in A-flat major for Horn and Piano, op. 70: Rasch und feurig | — | ||
| 35-1 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Aria - Variations 1-4 | — | ||
| 35-2 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variations 5-6 | — | ||
| 35-3 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variations 7-8 | — | ||
| 35-4 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variations 9-12 | — | ||
| 35-5 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variations 13-18 | — | ||
| 35-6 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variations 19-21 | — | ||
| 35-7 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variations 22-25 | — | ||
| 35-8 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Fugue | — | ||
| 35-9 | Piano Sonata no. 3 in F minor, op. 5: I. Allegro maestoso | — | ||
| 35-10 | Piano Sonata no. 3 in F minor, op. 5: II. Andante espressivo | — | ||
| 35-11 | Piano Sonata no. 3 in F minor, op. 5: III. Scherzo: Allegro energico | — | ||
| 35-12 | Piano Sonata no. 3 in F minor, op. 5: IV. Intermezzo: Andante molto | — | ||
| 35-13 | Piano Sonata no. 3 in F minor, op. 5: V. Finale: Allegro moderato ma rubato | — | ||
| 36-1 | 24 Préludes, op. 28: No. 1 in C major | — | ||
| 36-2 | 24 Préludes, op. 28: No. 2 in A minor | — | ||
| 36-3 | 24 Préludes, op. 28: No. 3 in G major | — | ||
| 36-4 | 24 Préludes, op. 28: No. 4 in E minor | — | ||
| 36-5 | 24 Préludes, op. 28: No. 5 in D major | — | ||
| 36-6 | 24 Préludes, op. 28: No. 6 in B minor | — | ||
| 36-7 | 24 Préludes, op. 28: No. 7 in A major | — | ||
| 36-8 | 24 Préludes, op. 28: No. 8 in F-sharp major | — | ||
| 36-9 | 24 Préludes, op. 28: No. 9 in E major | — | ||
| 36-10 | 24 Préludes, op. 28: No. 10 in C-sharp major | — | ||
| 36-11 | 24 Préludes, op. 28: No. 11 in B major | — | ||
| 36-12 | 24 Préludes, op. 28: No. 12 in G-sharp minor | — | ||
| 36-13 | 24 Préludes, op. 28: No. 13 in F-sharp major | — | ||
| 36-14 | 24 Préludes, op. 28: No. 14 in E-flat minor | — | ||
| 36-15 | 24 Préludes, op. 28: No. 15 in D-flat major “Raindrop” | — | ||
| 36-16 | 24 Préludes, op. 28: No. 16 in B-flat minor | — | ||
| 36-17 | 24 Préludes, op. 28: No. 17 in A-flat major | — | ||
| 36-18 | 24 Préludes, op. 28: No. 18 in F minor | — | ||
| 36-19 | 24 Préludes, op. 28: No. 19 in E-flat major | — | ||
| 36-20 | 24 Préludes, op. 28: No. 20 in C minor | — | ||
| 36-21 | 24 Préludes, op. 28: No. 21 in B-flat major | — | ||
| 36-22 | 24 Préludes, op. 28: No. 22 in G minor | — | ||
| 36-23 | 24 Préludes, op. 28: No. 23 in F major | — | ||
| 36-24 | 24 Préludes, op. 28: No. 24 in D minor | — | ||
| 36-25 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | — | ||
| 36-26 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: Molto vivace | — | ||
| 36-27 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | — | ||
| 36-28 | Piano Sonata no. 3 in B minor, op. 58: IV. Finale: Presto non tanto | — | ||
| 36-29 | Mazurka no. 51 in F minor, op. 68 no. 4 | — | ||
| 37-1 | “Abegg” Variations, op. 1 | — | ||
| 37-2 | Fantasie in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen - Im Legendenton | — | ||
| 37-3 | Fantasie in C major, op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter | — | ||
| 37-4 | Fantasie in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas bewegter | — | ||
| 37-5 | Faschingsschwank aus Wien, op. 26: I. Allegro: Vivace assai | — | ||
| 37-6 | Faschingsschwank aus Wien, op. 26: II. Romanze: Piuttosto lento | — | ||
| 37-7 | Faschingsschwank aus Wien, op. 26: III. Scherzino | — | ||
| 37-8 | Faschingsschwank aus Wien, op. 26: IV. Intermezzo: Colla più grande energia | — | ||
| 37-9 | Faschingsschwank aus Wien, op. 26: V. Finale: Il più vivace possible | — | ||
| 38-1 | Piano Trio in A minor, M. 67: 1. Modéré | Vladimir Ashkenazy, Lynn Harrell, Itzhak Perlman | — | |
| 38-2 | Piano Trio in A minor, M. 67: 2. Pantoum (Assez vif) | Vladimir Ashkenazy, Lynn Harrell, Itzhak Perlman | — | |
| 38-3 | Piano Trio in A minor, M. 67: 3. Passacaille (Très large) | Vladimir Ashkenazy, Lynn Harrell, Itzhak Perlman | — | |
| 38-4 | Piano Trio in A minor, M. 67: 4. Final (Animé) | Vladimir Ashkenazy, Lynn Harrell, Itzhak Perlman | — | |
| 38-5 | Sonate pour violon et piano: I. Allegro vivo | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 38-6 | Sonate pour violon et piano: II. Intermède: Fantasque et léger | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 38-7 | Sonate pour violon et piano: III. Finale: Très animé | Vladimir Ashkenazy, Itzhak Perlman | T-902.717.414-7 | |
| 38-8 | Sonate pour violoncelle et piano: I. Prologue | Vladimir Ashkenazy, Lynn Harrell | — | |
| 38-9 | Sonate pour violoncelle et piano: II. Sérénade: Modérément animé | Vladimir Ashkenazy, Lynn Harrell | — | |
| 38-10 | Sonate pour violoncelle et piano: III. Finale: Animé | Vladimir Ashkenazy, Lynn Harrell | — | |
| 39-1 | 10 Pieces for Piano from “Romeo and Juliet”, op. 75: Folk Dance | — | ||
| 39-2 | 10 Pieces for Piano from “Romeo and Juliet”, op. 75: Scene: The Street Awakens | — | ||
| 39-3 | 10 Pieces for Piano from “Romeo and Juliet”, op. 75: Arrival of the Guards | — | ||
| 39-4 | 10 Pieces for Piano from “Romeo and Juliet”, op. 75: The Young Juliet | — | ||
| 39-5 | 10 Pieces for Piano from “Romeo and Juliet”, op. 75: Masks | — | ||
| 39-6 | 10 Pieces for Piano from “Romeo and Juliet”, op. 75: Montagues and Capulets | — | ||
| 39-7 | 10 Pieces for Piano from “Romeo and Juliet”, op. 75: Friar Laurence | — | ||
| 39-8 | 10 Pieces for Piano from “Romeo and Juliet”, op. 75: Mercutio | — | ||
| 39-9 | 10 Pieces for Piano from “Romeo and Juliet”, op. 75: Dance of the Girls with Lilies | — | ||
| 39-10 | 10 Pieces for Piano from “Romeo and Juliet”, op. 75: Romeo Bids Juliet Farewell | — | ||
| 39-11 | War and Peace: Waltz, op. 96 no. 1 | — | ||
| 39-12 | 2 Pieces from The Love of Three Oranges, op. 33b: March | — | ||
| 39-13 | 2 Pieces from The Love of Three Oranges, op. 33b: Scherzo | — | ||
| 39-14 | 6 Pieces from “Cinderella”, op. 102: Waltz (Cinderella and the Prince) | — | ||
| 39-15 | 6 Pieces from “Cinderella”, op. 102: Cinderella's Variation | — | ||
| 39-16 | 6 Pieces from “Cinderella”, op. 102: Quarrel | — | ||
| 39-17 | 6 Pieces from “Cinderella”, op. 102: Waltz (Cinderella's Departure for the Ball) | — | ||
| 39-18 | 6 Pieces from “Cinderella”, op. 102: Shawl Dance | — | ||
| 39-19 | 6 Pieces from “Cinderella”, op. 102: Amoroso (Cinderella and the Prince) | — | ||
| 40-1 | Piano Sonata no. 6 in A major, op. 82: I. Allegro moderato | — | ||
| 40-2 | Piano Sonata no. 6 in A major, op. 82: II. Allegretto | — | ||
| 40-3 | Piano Sonata no. 6 in A major, op. 82: III. Tempo di valzer lentissimo | — | ||
| 40-4 | Piano Sonata no. 6 in A major, op. 82: IV. Vivace | — | ||
| 40-5 | Piano Sonata no. 7 in B-flat major, op. 83: I. Allegro inquieto - Andantino - Allegro inquieto - Andantino - Allegro inquieto | — | ||
| 40-6 | Piano Sonata no. 7 in B-flat major, op. 83: II. Andante caloroso - Poco più animato - Più largamente - Un poco agitato - Tempo I | — | ||
| 40-7 | Piano Sonata no. 7 in B-flat major, op. 83: III. Precipitato | — | ||
| 40-8 | Piano Sonata no. 8 in B-flat major, op. 84: I. Andante dolce - Allegro moderato - Andante - Andante dolce come prima - Allegro | — | ||
| 40-9 | Piano Sonata no. 8 in B-flat major, op. 84: II. Andante sognando | — | ||
| 40-10 | Piano Sonata no. 8 in B-flat major, op. 84: III. Vivace - Allegro ben marcato - Andantino - Vivace | — | ||
| 41-1 | Fantasia in C minor, K. 475 | — | ||
| 41-2 | Sonata no. 17 in B-flat major, K. 570: I. Allegro | — | ||
| 41-3 | Sonata no. 17 in B-flat major, K. 570: II. Adagio | — | ||
| 41-4 | Sonata no. 17 in B-flat major, K. 570: III. Allegretto | — | ||
| 41-5 | Sonata no. 14 in C minor, K. 457: I. Molto allegro | — | ||
| 41-6 | Sonata no. 14 in C minor, K. 457: II. Adagio | — | ||
| 41-7 | Sonata no. 14 in C minor, K. 457: III. Allegro assai | — | ||
| 41-8 | Adagio in B minor, K. 540 | — | ||
| 41-9 | Sonata no. 9 in D major, K. 311: I. Allegro con spirito | — | ||
| 41-10 | Sonata no. 9 in D major, K. 311: II. Andantino con espressione | — | ||
| 41-11 | Sonata no. 9 in D major, K. 311: III. Rondeau: Allegro | — | ||
| 42-1 | Myrthen, op. 25: No. 1. Widmung "Du meine Seele, du mein Herz" | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-2 | Myrthen, op. 25: No. 3. Der Nußbaum "Es grunet ein Nußbaum" | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-3 | Myrthen, op. 25: No. 7. Die Lotosblume "Die Lotosblume angstigt sich" | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-4 | Myrthen, op. 25: No. 9. Lied der Suleika "Wie, mit innigstem Behagen" | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-5 | Er ist gekommen in Sturm und Regen, op. 12 no. 1 | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-6 | Liebst du um Schönheit, op. 12 no. 2 | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-7 | Das Veilchen | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-8 | Lorelei | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-9 | Mein Stern | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-10 | Frauenliebe und -leben, op. 42: No. 1. Seit ich ihn gesehen | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-11 | Frauenliebe und -leben, op. 42: No. 2. Er, der Herrlichste von allen | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-12 | Frauenliebe und -leben, op. 42: No. 3. Ich kann's nicht fassen, nicht glauben | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-13 | Frauenliebe und -leben, op. 42: No. 4. Du Ring an meinem Finger | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-14 | Frauenliebe und -leben, op. 42: No. 5. Helft mir, ihr Schwestern | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-15 | Frauenliebe und -leben, op. 42: No. 6. Süßer Freund, du blickest | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-16 | Frauenliebe und -leben, op. 42: No. 7. An meinem Herzen, an meiner Brust | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-17 | Frauenliebe und -leben, op. 42: No. 8. Nun hast du mir den ersten Schmerz getan | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-18 | Ich stand in dunklen Träumen, op. 13 no. 1 | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-19 | Sie liebten sich beide, op. 13 no. 2 | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-20 | Liebeszauber, op. 13 no. 3 | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-21 | Der Mond kommt still gegangen, op. 13 no. 4 | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-22 | Ich hab' in deinem Auge, op. 13 no. 5 | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-23 | Die stille Lotosblume, op. 13 no. 6 | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-24 | Liederkreis, op. 39: No. 3. Waldesgespräch "Es ist schon spat" | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-25 | Liederkreis, op. 39: No. 5. Mondnacht "Es war, als hatt' der Himmel die Erde still gekusst" | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-26 | Song Album for the Young, op. 79: No. 24. Er ist's | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-27 | Lieder und Gesänge (II) no. 1: Sehnsucht | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-28 | Minnespiel, op. 101: No 4. Mein schöner Stern! | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-29 | Song Album for the Young, op. 79: No. 29. Mignon | Barbara Bonney, Vladimir Ashkenazy | — | |
| 43-1 | Piano Trio no. 1 in B-flat major, D. 898: I. Allegro moderato | — | ||
| 43-2 | Piano Trio no. 1 in B-flat major, D. 898: II. Andante un poco mosso | — | ||
| 43-3 | Piano Trio no. 1 in B-flat major, D. 898: III. Scherzo: Allegro | — | ||
| 43-4 | Piano Trio no. 1 in B-flat major, D. 898: IV. Rondo: Allegro vivace | — | ||
| 44-1 | Piano Trio no. 2 in E-flat major, D. 929: I. Allegro | — | ||
| 44-2 | Piano Trio no. 2 in E-flat major, D. 929: II. Andante con moto | — | ||
| 44-3 | Piano Trio no. 2 in E-flat major, D. 929: III. Scherzo: Allegro moderato | — | ||
| 44-4 | Piano Trio no. 2 in E-flat major, D. 929: IV. Allegro moderato | — | ||
| 45-1 | 24 Preludes and Fugues, op. 87: No. 1 in C major: Prelude | — | ||
| 45-2 | 24 Preludes and Fugues, op. 87: No. 1 in C major: Fugue | — | ||
| 45-3 | 24 Preludes and Fugues, op. 87: No. 2 in A minor: Prelude | — | ||
| 45-4 | 24 Preludes and Fugues, op. 87: No. 2 in A minor: Fugue | — | ||
| 45-5 | 24 Preludes and Fugues, op. 87: No. 3 in G major: Prelude | — | ||
| 45-6 | 24 Preludes and Fugues, op. 87: No. 3 in G major: Fugue | — | ||
| 45-7 | 24 Preludes and Fugues, op. 87: No. 4 in E minor: Prelude | — | ||
| 45-8 | 24 Preludes and Fugues, op. 87: No. 4 in E minor: Fugue | — | ||
| 45-9 | 24 Preludes and Fugues, op. 87: No. 5 in D major: Prelude | — | ||
| 45-10 | 24 Preludes and Fugues, op. 87: No. 5 in D major: Fugue | — | ||
| 45-11 | 24 Preludes and Fugues, op. 87: No. 6 in B minor: Prelude | — | ||
| 45-12 | 24 Preludes and Fugues, op. 87: No. 6 in B minor: Fugue | — | ||
| 45-13 | 24 Preludes and Fugues, op. 87: No. 7 in A major: Prelude | — | ||
| 45-14 | 24 Preludes and Fugues, op. 87: No. 7 in A major: Fugue | — | ||
| 45-15 | 24 Preludes and Fugues, op. 87: No. 8 in F-sharp minor: Prelude | — | ||
| 45-16 | 24 Preludes and Fugues, op. 87: No. 8 in F-sharp minor: Fugue | — | ||
| 45-17 | 24 Preludes and Fugues, op. 87: No. 9 in E major: Prelude | — | ||
| 45-18 | 24 Preludes and Fugues, op. 87: No. 9 in E major: Fugue | — | ||
| 45-19 | 24 Preludes and Fugues, op. 87: No. 10 in C-sharp minor: Prelude | — | ||
| 45-20 | 24 Preludes and Fugues, op. 87: No. 10 in C-sharp minor: Fugue | — | ||
| 45-21 | 24 Preludes and Fugues, op. 87: No. 11 in B major: Prelude | — | ||
| 45-22 | 24 Preludes and Fugues, op. 87: No. 11 in B major: Fugue | — | ||
| 45-23 | 24 Preludes and Fugues, op. 87: No. 12 in G-sharp minor: Prelude | — | ||
| 45-24 | 24 Preludes and Fugues, op. 87: No. 12 in G-sharp minor: Fugue | — | ||
| 46-1 | 24 Preludes and Fugues, op. 87: No. 13 in F-sharp major: Prelude | — | ||
| 46-2 | 24 Preludes and Fugues, op. 87: No. 13 in F-sharp major: Fugue | — | ||
| 46-3 | 24 Preludes and Fugues, op. 87: No. 14 in E-flat minor: Prelude | — | ||
| 46-4 | 24 Preludes and Fugues, op. 87: No. 14 in E-flat minor: Fugue | — | ||
| 46-5 | 24 Preludes and Fugues, op. 87: No. 15 in D-flat major: Prelude | — | ||
| 46-6 | 24 Preludes and Fugues, op. 87: No. 15 in D-flat major: Fugue | — | ||
| 46-7 | 24 Preludes and Fugues, op. 87: No. 16 in B-flat minor: Prelude | — | ||
| 46-8 | 24 Preludes and Fugues, op. 87: No. 16 in B-flat minor: Fugue | — | ||
| 46-9 | 24 Preludes and Fugues, op. 87: No. 17 in A-flat major: Prelude | — | ||
| 46-10 | 24 Preludes and Fugues, op. 87: No. 17 in A-flat major: Fugue | — | ||
| 46-11 | 24 Preludes and Fugues, op. 87: No. 18 in F minor: Prelude | — | ||
| 46-12 | 24 Preludes and Fugues, op. 87: No. 18 in F minor: Fugue | — | ||
| 46-13 | 24 Preludes and Fugues, op. 87: No. 19 in E-flat major: Prelude | — | ||
| 46-14 | 24 Preludes and Fugues, op. 87: No. 19 in E-flat major: Fugue | — | ||
| 46-15 | 24 Preludes and Fugues, op. 87: No. 20 in C minor: Prelude | — | ||
| 46-16 | 24 Preludes and Fugues, op. 87: No. 20 in C minor: Fugue | — | ||
| 46-17 | 24 Preludes and Fugues, op. 87: No. 21 in B-flat major: Prelude | — | ||
| 46-18 | 24 Preludes and Fugues, op. 87: No. 21 in B-flat major: Fugue | — | ||
| 46-19 | 24 Preludes and Fugues, op. 87: No. 22 in G minor: Prelude | — | ||
| 46-20 | 24 Preludes and Fugues, op. 87: No. 22 in G minor: Fugue | — | ||
| 46-21 | 24 Preludes and Fugues, op. 87: No. 23 in F major: Prelude | — | ||
| 46-22 | 24 Preludes and Fugues, op. 87: No. 23 in F major: Fugue | — | ||
| 46-23 | 24 Preludes and Fugues, op. 87: No. 24 in D minor: Prelude | — | ||
| 46-24 | 24 Preludes and Fugues, op. 87: No. 24 in D minor: Fugue | — | ||
| 47-1 | Méditation, op. 72 no. 5 | — | ||
| 47-2 | Polka peu dansante, op. 51 no. 2 | — | ||
| 47-3 | Aveu passionné | — | ||
| 47-4 | Tendres Reproches, op. 72 no. 3 | — | ||
| 47-5 | Berceuse, op. 72 no. 2 | — | ||
| 47-6 | Les Saisons, op. 37a: Janvier: Au coin du feu | — | ||
| 47-7 | Les Saisons, op. 37a: Février: Carnaval | — | ||
| 47-8 | Les Saisons, op. 37a: Mars: Chant de l'alouette | — | ||
| 47-9 | Les Saisons, op. 37a: Avril: Pence-neige | — | ||
| 47-10 | Les Saisons, op. 37a: Mai: Les Nuits de mai | — | ||
| 47-11 | Les Saisons, op. 37a: Juin: Barcarolle | Vladimir Ashkenazy | — | |
| 47-12 | Les Saisons, op. 37a: Juillet: Chant du faucher | — | ||
| 47-13 | Les Saisons, op. 37a: Août: La Moisson | — | ||
| 47-14 | Les Saisons, op. 37a: Septembre: La Chasse | — | ||
| 47-15 | Les Saisons, op. 37a: Octobre: Chant d'automne | — | ||
| 47-16 | Les Saisons, op. 37a: Novembre: Troika | — | ||
| 47-17 | Les Saisons, op. 37a: Decembre: Noël | — | ||
| 48-1 | Piano Sonata no. 2, op. 61: I. Allegretto | Vladimir Ashkenazy | — | |
| 48-2 | Piano Sonata no. 2, op. 61: II. Largo | Vladimir Ashkenazy | — | |
| 48-3 | Piano Sonata no. 2, op. 61: III. Moderato con moto | Vladimir Ashkenazy | — | |
| 48-4 | Three Fantastic Dances, op. 5: I. Allegretto | Vladimir Ashkenazy | — | |
| 48-5 | Three Fantastic Dances, op. 5: II. Andantino: Allegretto | Vladimir Ashkenazy | — | |
| 48-6 | Three Fantastic Dances, op. 5: III. Allegretto | Vladimir Ashkenazy | — | |
| 48-7 | Five Preludes: I. Allegro moderato e scherzando | Vladimir Ashkenazy | — | |
| 48-8 | Five Preludes: II. Andante | Vladimir Ashkenazy | — | |
| 48-9 | Five Preludes: III. Allegro moderato | Vladimir Ashkenazy | — | |
| 48-10 | Five Preludes: IV. Moderato | Vladimir Ashkenazy | — | |
| 48-11 | Five Preludes: V. Andantino | Vladimir Ashkenazy | — | |
| 48-12 | Lyric Waltz (from Dances of the Dolls) | Vladimir Ashkenazy | — | |
| 48-13 | Short Piece (from The Gadfly, op. 97) | Vladimir Ashkenazy | — | |
| 48-14 | Spanish Dance (from The Gadfly, op. 97) | Vladimir Ashkenazy | — | |
| 48-15 | Nocturne (from The Limpid Stream, op. 39) | Vladimir Ashkenazy | — | |
| 48-16 | Aphorisms, op. 13: I. Recitative | Vladimir Ashkenazy | — | |
| 48-17 | Aphorisms, op. 13: II. Serenade | Vladimir Ashkenazy | — | |
| 48-18 | Aphorisms, op. 13: III. Nocturne | Vladimir Ashkenazy | — | |
| 48-19 | Aphorisms, op. 13: IV. Elegy | Vladimir Ashkenazy | — | |
| 48-20 | Aphorisms, op. 13: V. Marche funèbre | Vladimir Ashkenazy | — | |
| 48-21 | Aphorisms, op. 13: VI. Etude | Vladimir Ashkenazy | — | |
| 48-22 | Aphorisms, op. 13: VII. Dance of Death | Vladimir Ashkenazy | — | |
| 48-23 | Aphorisms, op. 13: VIII. Canon | Vladimir Ashkenazy | — | |
| 48-24 | Aphorisms, op. 13: IX. Legend | Vladimir Ashkenazy | — | |
| 48-25 | Aphorisms, op. 13: X. Lullaby | Vladimir Ashkenazy | — | |
| 48-26 | Polka (from The Golden Age, op. 22) | Vladimir Ashkenazy | — | |
| 49-1 | Das Wohltemperierte Klavier: Book 1, BWV 846-869: Prelude in C major BWV 846 | Vladimir Ashkenazy | T-910.415.372-2 | |
| 49-2 | The Well-Tempered Clavier, Book I: No. 1 in C major, BWV 846: Fugue | — | ||
| 49-3 | The Well-Tempered Clavier, Book I: No. 2 in C minor, BWV 847: Prelude | — | ||
| 49-4 | The Well-Tempered Clavier, Book I: No. 2 in C minor, BWV 847: Fugue | — | ||
| 49-5 | The Well-Tempered Clavier, Book I: No. 3 in C-sharp major, BWV 848: Prelude | — | ||
| 49-6 | The Well-Tempered Clavier, Book I: No. 3 in C-sharp major, BWV 848: Fugue | — | ||
| 49-7 | The Well-Tempered Clavier, Book I: No. 4 in C-sharp minor, BWV 848: Prelude | — | ||
| 49-8 | The Well-Tempered Clavier, Book I: No. 4 in C-sharp minor, BWV 848: Fugue | — | ||
| 49-9 | The Well-Tempered Clavier, Book I: No. 5 in D major, BWV 850: Prelude | — | ||
| 49-10 | The Well-Tempered Clavier, Book I: No. 5 in D major, BWV 850: Fugue | — | ||
| 49-11 | The Well‐Tempered Clavier, Book I: No. 6 in D minor, BWV 851: Prelude | Vladimir Ashkenazy | — | |
| 49-12 | The Well-Tempered Clavier, Book I: No. 6 in D minor, BWV 851: Fugue | — | ||
| 49-13 | The Well-Tempered Clavier, Book I: No. 7 in E-flat major, BWV 852: Prelude | — | ||
| 49-14 | The Well-Tempered Clavier, Book I: No. 7 in E-flat major, BWV 852: Fugue | — | ||
| 49-15 | The Well-Tempered Clavier, Book I: No. 8 in E-flat minor/D-sharp minor, BWV 853: Prelude | — | ||
| 49-16 | The Well-Tempered Clavier, Book I: No. 8 in E-flat minor/D-sharp minor, BWV 853: Fugue | — | ||
| 49-17 | The Well-Tempered Clavier, Book I: No. 9 in E major, BWV 854: Prelude | — | ||
| 49-18 | The Well-Tempered Clavier, Book I: No. 9 in E major, BWV 854: Fugue | — | ||
| 49-19 | The Well-Tempered Clavier, Book I: No. 10 in E minor, BWV 855: Prelude | — | ||
| 49-20 | The Well-Tempered Clavier, Book I: No. 10 in E minor, BWV 855: Fugue | — | ||
| 49-21 | The Well-Tempered Clavier, Book I: No. 11 in F major, BWV 856: Prelude | — | ||
| 49-22 | The Well-Tempered Clavier, Book I: No. 11 in F major, BWV 856: Fugue | — | ||
| 49-23 | The Well-Tempered Clavier, Book I: No. 12 in F minor, BWV 857: Prelude | — | ||
| 49-24 | The Well-Tempered Clavier, Book I: No. 12 in F minor, BWV 857: Fugue | — | ||
| 49-25 | The Well-Tempered Clavier, Book I: No. 13 in F-sharp major, BWV 858: Prelude | — | ||
| 49-26 | The Well-Tempered Clavier, Book I: No. 13 in F-sharp major, BWV 858: Fugue | — | ||
| 49-27 | The Well-Tempered Clavier, Book I: No. 14 in F-sharp minor, BWV 859: Prelude | — | ||
| 49-28 | The Well-Tempered Clavier, Book I: No. 14 in F-sharp minor, BWV 859: Fugue | — | ||
| 49-29 | The Well-Tempered Clavier, Book I: No. 15 in G major, BWV 860: Prelude | — | ||
| 49-30 | The Well-Tempered Clavier, Book I: No. 15 in G major, BWV 860: Fugue | — | ||
| 49-31 | The Well-Tempered Clavier, Book I: No. 16 in G minor, BWV 861: Prelude | — | ||
| 49-32 | The Well-Tempered Clavier, Book I: No. 16 in G minor, BWV 861: Fugue | — | ||
| 49-33 | The Well-Tempered Clavier, Book I: No. 17 in A-flat major, BWV 862: Prelude | — | ||
| 49-34 | The Well-Tempered Clavier, Book I: No. 17 in A-flat major, BWV 862: Fugue | — | ||
| 49-35 | The Well-Tempered Clavier, Book I: No. 18 in G-sharp minor, BWV 863: Prelude | — | ||
| 49-36 | The Well-Tempered Clavier, Book I: No. 18 in G-sharp minor, BWV 863: Fugue | — | ||
| 50-1 | The Well-Tempered Clavier, Book I: Prelude No. 19 in A major, BWV 864 | Vladimir Ashkenazy | — | |
| 50-2 | The Well-Tempered Clavier, Book I: No. 19 in A major, BWV 864: Fugue | — | ||
| 50-3 | The Well-Tempered Clavier, Book I: No. 20 in A minor, BWV 865: Prelude | — | ||
| 50-4 | The Well-Tempered Clavier, Book I: No. 20 in A minor, BWV 865: Fugue | — | ||
| 50-5 | The Well-Tempered Clavier, Book I: No. 21 in B-flat major, BWV 866: Prelude | — | ||
| 50-6 | The Well-Tempered Clavier, Book I: No. 21 in B-flat major, BWV 866: Fugue | — | ||
| 50-7 | The Well-Tempered Clavier, Book I: No. 22 in B-flat minor, BWV 867: Prelude | — | ||
| 50-8 | The Well-Tempered Clavier, Book I: No. 22 in B-flat minor, BWV 867: Fugue | — | ||
| 50-9 | The Well-Tempered Clavier, Book I: No. 23 in B major, BWV 868: Prelude | — | ||
| 50-10 | The Well-Tempered Clavier, Book I: No. 23 in B major, BWV 868: Fugue | — | ||
| 50-11 | The Well-Tempered Clavier, Book I: No. 24 in B minor, BWV 869: Prelude | — | ||
| 50-12 | The Well-Tempered Clavier, Book I: No. 24 in B minor, BWV 869: Fugue | — | ||
| 50-13 | The Well-Tempered Clavier, Book II: No. 1 in C major, BWV 870: Prelude | — | ||
| 50-14 | The Well-Tempered Clavier, Book II: No. 1 in C major, BWV 870: Fugue | — | ||
| 50-15 | The Well-Tempered Clavier, Book II: No. 2 in C minor, BWV 871: Prelude | — | ||
| 50-16 | The Well-Tempered Clavier, Book II: No. 2 in C minor, BWV 871: Fugue | — | ||
| 50-17 | The Well-Tempered Clavier, Book II: No. 3 in C-sharp major, BWV 872: Prelude | — | ||
| 50-18 | The Well-Tempered Clavier, Book II: No. 3 in C-sharp major, BWV 872: Fugue | — | ||
| 50-19 | The Well-Tempered Clavier, Book II: No. 4 in C-sharp minor, BWV 873: Prelude | — | ||
| 50-20 | The Well-Tempered Clavier, Book II: No. 4 in C-sharp minor, BWV 873: Fugue | — | ||
| 50-21 | The Well-Tempered Clavier, Book II: No. 5 in D major, BWV 874: Prelude | — | ||
| 50-22 | The Well-Tempered Clavier, Book II: No. 5 in D major, BWV 874: Fugue | — | ||
| 50-23 | The Well-Tempered Clavier, Book II: No. 6 in D minor, BWV 875: Prelude | — | ||
| 50-24 | The Well-Tempered Clavier, Book II: No. 6 in D minor, BWV 875: Fugue | — | ||
| 50-25 | The Well-Tempered Clavier, Book II: No. 7 in E-flat major, BWV 876: Prelude | — | ||
| 50-26 | The Well-Tempered Clavier, Book II: No. 7 in E-flat major, BWV 876: Fugue | — | ||
| 50-27 | The Well-Tempered Clavier, Book II: No. 8 in D-sharp minor, BWV 877: Prelude | — | ||
| 50-28 | The Well-Tempered Clavier, Book II: No. 8 in D-sharp minor, BWV 877: Fugue | — | ||
| 50-29 | The Well-Tempered Clavier, Book II: No. 9 in E major, BWV 878: Prelude | — | ||
| 50-30 | The Well-Tempered Clavier, Book II: No. 9 in E major, BWV 878: Fugue | — | ||
| 51-1 | The Well-Tempered Clavier, Book II: No. 10 in E minor, BWV 879: Prelude | — | ||
| 51-2 | The Well-Tempered Clavier, Book II: No. 10 in E minor, BWV 879: Fugue | — | ||
| 51-3 | The Well-Tempered Clavier, Book II: No. 11 in F major, BWV 880: Prelude | — | ||
| 51-4 | The Well-Tempered Clavier, Book II: No. 11 in F major, BWV 880: Fugue | — | ||
| 51-5 | The Well-Tempered Clavier, Book II: No. 12 in F minor, BWV 881: Prelude | — | ||
| 51-6 | The Well-Tempered Clavier, Book II: No. 12 in F minor, BWV 881: Fugue | — | ||
| 51-7 | The Well-Tempered Clavier, Book II: No. 13 in F-sharp major, BWV 882: Prelude | — | ||
| 51-8 | The Well-Tempered Clavier, Book II: No. 13 in F-sharp major, BWV 882: Fugue | — | ||
| 51-9 | The Well-Tempered Clavier, Book II: No. 14 in F-sharp minor, BWV 883: Prelude | — | ||
| 51-10 | The Well-Tempered Clavier, Book II: No. 14 in F-sharp minor, BWV 883: Fugue | — | ||
| 51-11 | The Well-Tempered Clavier, Book II: No. 15 in G major, BWV 884: Prelude | — | ||
| 51-12 | The Well-Tempered Clavier, Book II: No. 15 in G major, BWV 884: Fugue | — | ||
| 51-13 | The Well-Tempered Clavier, Book II: No. 16 in G minor, BWV 885: Prelude | — | ||
| 51-14 | The Well-Tempered Clavier, Book II: No. 16 in G minor, BWV 885: Fugue | — | ||
| 51-15 | The Well-Tempered Clavier, Book II: No. 17 in A-flat major, BWV 886: Prelude | — | ||
| 51-16 | The Well-Tempered Clavier, Book II: No. 17 in A-flat major, BWV 886: Fugue | — | ||
| 51-17 | The Well-Tempered Clavier, Book II: No. 18 in G-sharp minor, BWV 887: Prelude | — | ||
| 51-18 | The Well-Tempered Clavier, Book II: No. 18 in G-sharp minor, BWV 887: Fugue | — | ||
| 51-19 | The Well-Tempered Clavier, Book II: No. 19 in A major, BWV 888: Prelude | — | ||
| 51-20 | The Well‐Tempered Clavier, Book II: Fugue no. 19 in A major, BWV 888 | Vladimir Ashkenazy | — | |
| 51-21 | The Well-Tempered Clavier, Book II: No. 20 in A minor, BWV 889: Prelude | — | ||
| 51-22 | The Well-Tempered Clavier, Book II: No. 20 in A minor, BWV 889: Fugue | — | ||
| 51-23 | The Well-Tempered Clavier, Book II: No. 21 in B-flat major, BWV 890: Prelude | — | ||
| 51-24 | The Well-Tempered Clavier, Book II: No. 21 in B-flat major, BWV 890: Fugue | — | ||
| 51-25 | The Well-Tempered Clavier, Book II: No. 22 in B-flat minor, BWV 891: Prelude | — | ||
| 51-26 | The Well-Tempered Clavier, Book II: No. 22 in B-flat minor, BWV 891: Fugue | — | ||
| 51-27 | The Well-Tempered Clavier, Book II: No. 23 in B major, BWV 892: Prelude | — | ||
| 51-28 | The Well-Tempered Clavier, Book II: No. 23 in B major, BWV 892: Fugue | — | ||
| 51-29 | The Well-Tempered Clavier, Book II: No. 24 in B minor, BWV 893: Prelude | — | ||
| 51-30 | The Well-Tempered Clavier, Book II: No. 24 in B minor, BWV 893: Fugue | — | ||
| 52-1 | 33 Piano Variations, op. 120: Tema (Vivace) - Variation I (Alla marcia maestoso) | Vladimir Ashkenazy | — | |
| 52-2 | 33 Piano Variations, op. 120: Variation 2 (Poco allegro) | Vladimir Ashkenazy | — | |
| 52-3 | 33 Piano Variations, op. 120: Variation 3 (L'istesso tempo) | Vladimir Ashkenazy | — | |
| 52-4 | 33 Piano Variations, op. 120: Variation 4 (Un poco più vivace) | Vladimir Ashkenazy | — | |
| 52-5 | 33 Piano Variations, op. 120: Variation 5 (Allegro vivace) | Vladimir Ashkenazy | — | |
| 52-6 | 33 Piano Variations, op. 120: Variation 6 (Allegro ma non troppo e serioso) | Vladimir Ashkenazy | — | |
| 52-7 | 33 Piano Variations, op. 120: Variation 7 (Un poco più allegro) | Vladimir Ashkenazy | — | |
| 52-8 | 33 Piano Variations, op. 120: Variation 8 (Poco vivace) | Vladimir Ashkenazy | — | |
| 52-9 | 33 Piano Variations, op. 120: Variation 9 (Allegro pesante e risoluto) | Vladimir Ashkenazy | — | |
| 52-10 | 33 Piano Variations, op. 120: Variation 10 (Presto) | Vladimir Ashkenazy | — | |
| 52-11 | 33 Piano Variations, op. 120: Variation 11 (Allegretto) | Vladimir Ashkenazy | — | |
| 52-12 | 33 Piano Variations, op. 120: Variation 12 (Un poco più moto) | Vladimir Ashkenazy | — | |
| 52-13 | 33 Piano Variations, op. 120: Variation 13 (Vivace) | Vladimir Ashkenazy | — | |
| 52-14 | 33 Piano Variations, op. 120: Variation 14 (Grave e maestoso) | Vladimir Ashkenazy | — | |
| 52-15 | 33 Piano Variations, op. 120: Variation 15 (Presto scherzando) | Vladimir Ashkenazy | — | |
| 52-16 | 33 Piano Variations, op. 120: Variation 16 (Allegro) | Vladimir Ashkenazy | — | |
| 52-17 | 33 Piano Variations, op. 120: Variation 17 | Vladimir Ashkenazy | — | |
| 52-18 | 33 Piano Variations, op. 120: Variation 18 (Poco moderato) | Vladimir Ashkenazy | — | |
| 52-19 | 33 Piano Variations, op. 120: Variation 19 (Presto) | Vladimir Ashkenazy | — | |
| 52-20 | 33 Piano Variations, op. 120: Variation 20 (Andante) | Vladimir Ashkenazy | — | |
| 52-21 | 33 Piano Variations, op. 120: Variation 21 (Allegro con brio - Meno allegro - Tempo I) | Vladimir Ashkenazy | — | |
| 52-22 | 33 Piano Variations, op. 120: Variation 22 (Allegro molto): Alla "Notte e giorno faticar" di Mozart | Vladimir Ashkenazy | — | |
| 52-23 | 33 Piano Variations, op. 120: Variation 23 (Allegro assai) | Vladimir Ashkenazy | — | |
| 52-24 | 33 Piano Variations, op. 120: Variation 24 Fughetta (Andante) | Vladimir Ashkenazy | — | |
| 52-25 | 33 Piano Variations, op. 120: Variation 25 (Allegro) | Vladimir Ashkenazy | — | |
| 52-26 | 33 Piano Variations, op. 120: Variation 26 | Vladimir Ashkenazy | — | |
| 52-27 | 33 Piano Variations, op. 120: Variation 27 (Vivace) | Vladimir Ashkenazy | — | |
| 52-28 | 33 Piano Variations, op. 120: Variation 28 (Allegro) | Vladimir Ashkenazy | — | |
| 52-29 | 33 Piano Variations, op. 120: Variation 29 (Adagio ma non troppo) | Vladimir Ashkenazy | — | |
| 52-30 | 33 Piano Variations, op. 120: Variation 30 (Andante, sempre cantabile) | Vladimir Ashkenazy | — | |
| 52-31 | 33 Piano Variations, op. 120: Variation 31 (Largo, molto espressivo) | Vladimir Ashkenazy | — | |
| 52-32 | 33 Piano Variations, op. 120: Variation 32 Fuga (Allegro - Poco adagio) | Vladimir Ashkenazy | — | |
| 52-33 | 33 Piano Variations, op. 120: Variation 33 (Tempo di minuetto moderato, ma non tirarsi dietro) | Vladimir Ashkenazy | — | |
| 52-34 | 12 Variations on the Russian Dance from the Ballet "Das Waldmadschen", WoO 71 | Vladimir Ashkenazy | — | |
| 53-1 | Partita for Violin Solo no. 3 in E, BWV 1006 (arr. by Rachmaninov): 1. Preludio | Vladimir Ashkenazy | T-041.917.934-2 | |
| 53-2 | Partita for Violin Solo no. 3 in E, BWV 1006 (arr. by Rachmaninov): 3. Gavotte | Vladimir Ashkenazy | T-902.821.642-4 | |
| 53-3 | Partita for Violin Solo no. 3 in E, BWV 1006 (arr. by Rachmaninov): 6. Gigue | Vladimir Ashkenazy | T-900.766.423-5 | |
| 53-4 | Die schöne Müllerin, D. 795: Wohin? (transcribed by Rachmaninov) | Vladimir Ashkenazy | T-011.751.253-4 | |
| 53-5 | A Midsummer Night's Dream, op. 61: Scherzo (arr. by Rachmaninov) | Vladimir Ashkenazy | T-905.312.129-2 | |
| 53-6 | L'Arlésienne Suite no. 1: Menuet (transcribed by Rachmaninov) | Vladimir Ashkenazy | — | |
| 53-7 | Sorochintsy Fair: Hopak (transcribed by Rachmaninov) | Vladimir Ashkenazy | — | |
| 53-8 | The Flight of the Bumble-Bee (transcribed by Rachmaninov) | Vladimir Ashkenazy | T-900.766.425-7 | |
| 53-9 | Lullaby, op. 16 no. 1 (transcribed by Rachmaninov) | Vladimir Ashkenazy | — | |
| 53-10 | Lachtäuben as "Polka de W.R." (arr. by Rachmaninov) | Vladimir Ashkenazy | — | |
| 53-11 | Lilacs, op. 21 no. 5 (arr. for piano by composer) | Vladimir Ashkenazy | — | |
| 53-12 | Margaritki, op. 38 no. 3 (arr. for piano by composer) | Vladimir Ashkenazy | T-902.891.143-5 | |
| 53-13 | Liebesleid (arr. by Rachmaninov) | Vladimir Ashkenazy | — | |
| 53-14 | Liebesfreud (arr. by Rachmaninov) | Vladimir Ashkenazy | — | |
| 53-15 | Six Pieces, op. 11: No. 1. Barcarolle | Vladimir Ashkenazy, Vovka Ashkenazy | — | |
| 53-16 | Six Pieces, op. 11: No. 2. Scherzo | Vladimir Ashkenazy, Vovka Ashkenazy | — | |
| 53-17 | Six Pieces, op. 11: No. 3. Russian Theme | Vladimir Ashkenazy, Vovka Ashkenazy | — | |
| 53-18 | Six Pieces, op. 11: No. 4. Waltz | Vladimir Ashkenazy, Vovka Ashkenazy | — | |
| 53-19 | Six Pieces, op. 11: No. 5. Romance | Vladimir Ashkenazy, Vovka Ashkenazy | — | |
| 53-20 | Six Pieces, op. 11: No. 6. Slava (Glory) | Vladimir Ashkenazy, Vovka Ashkenazy | — | |
| 53-21 | Waltz in A (6 hands) | Thorunn Ashkenazy, Vladimir Ashkenazy, Vovka Ashkenazy | — | |
| 53-22 | Romance in A (6 hands) | Thorunn Ashkenazy, Vladimir Ashkenazy, Vovka Ashkenazy | — | |
| 53-23 | Italian Polka (for 4-handed piano & trumpet) | Vladimir Ashkenazy, Vovka Ashkenazy, Alistair Mackie | — | |
| 53-24 | The Star-Spangled Banner (transcribed by Rachmaninov) | Vladimir Ashkenazy | T-902.271.705-1 | |
| 54-1 | Trio élégiaque no. 1 in G minor for Piano, Violin and Cello | — | ||
| 54-2 | Trio élégiaque no. 2 in D minor for Piano, Violin and Cello, op. 9: I. Moderato - Allegro vivace | — | ||
| 54-3 | Trio élégiaque no. 2 in D minor for Piano, Violin and Cello, op. 9: II. Quasi variazione | — | ||
| 54-4 | Trio élégiaque no. 2 in D minor for Piano, Violin and Cello, op. 9: III. Allegro risoluto | — | ||
| 54-5 | Vocalise, op. 34 no. 14 | — | ||
| 54-6 | A Dream (Son), op. 38 no. 5 | — | ||
| 55-1 | Walking in the Air (excerpt “Lifecycle”), op. 310 | Vladimir Ashkenazy | T-010.055.180-1 | |
| 55-2 | The Changeling, op. 274: Music Box Theme | — | ||
| 55-3 | The Duellists, op. 247: Lara's Theme | — | ||
| 55-4 | Prelude fpr Vova, op. 640 | — | ||
| 55-5 | Speech After Long Silence, op. 610 | — | ||
| 55-6 | 8 Piano Pieces (from op. 177): 1. Prelude | — | ||
| 55-7 | 8 Piano Pieces (from op. 177): 2. Nocturne | — | ||
| 55-8 | 8 Piano Pieces (from op. 177): 3. Impromptu | — | ||
| 55-9 | 8 Piano Pieces (from op. 177): 4. Toccatina | — | ||
| 55-10 | 8 Piano Pieces (from op. 177): 5. Mazurka | — | ||
| 55-11 | 8 Piano Pieces (from op. 177): 6. Walking Song | — | ||
| 55-12 | 8 Piano Pieces (from op. 177): 7. Chaconne in D minor | — | ||
| 55-13 | 8 Piano Pieces (from op. 177): 8. Scherzo in D major | — | ||
| 55-14 | Dances for 2 Pianos, op. 217a: 1. Parade | — | ||
| 55-15 | Dances for 2 Pianos, op. 217a: 2. Slow Ragtime | — | ||
| 55-16 | Dances for 2 Pianos, op. 217a: 3. Jump | — | ||
| 55-17 | Dances for 2 Pianos, op. 217a: 4. Medium Rock | — | ||
| 55-18 | Dances for 2 Pianos, op. 217a: 5. Folk Ballad | — | ||
| 55-19 | Dances for 2 Pianos, op. 217a: 6. Boogie | — | ||
| 55-20 | Dances for 2 Pianos, op. 217a: 7. Jazz Waltz | — | ||
| 55-21 | Dances for 2 Pianos, op. 217a: 8. Cha-cha | — | ||
| 55-22 | Dances for 2 Pianos, op. 217a: 9. Galop | — | ||
| 55-23 | Sonata for 2 Pianos, op. 130: I. Allegro | — | ||
| 55-24 | Sonata for 2 Pianos, op. 130: II. Lento | — | ||
| 55-25 | Sonata for 2 Pianos, op. 130: III. Scherzando | — | ||
| 55-26 | Sonata for 2 Pianos, op. 130: IV. Presto | — | ||
| 55-27 | Piano Fantasy, op. 1 | — | ||
| 55-28 | 4 Easy Pieces, op. 1b | — | ||
| 55-29 | Romanza, op. 5f | — | ||
| 55-30 | Haiku for Yu-Chee | — | ||
| 55-31 | Parting, op. 650a | — | ||
| 56-1 | Piano Trio no. 1 in C minor, op. 8 | — | ||
| 56-2 | Piano Trio no. 2 in E minor, op. 67: I. Andante - Moderato - Poco più mosso | — | ||
| 56-3 | Piano Trio no. 2 in E minor, op. 67: II. Allegro con brio | — | ||
| 56-4 | Piano Trio no. 2 in E minor, op. 67: III. Largo | — | ||
| 56-5 | Piano Trio no. 2 in E minor, op. 67: IV. Allegretto - Adagio | — | ||
| 56-6 | Sonata for Viola and Piano, op. 147: I. Moderato | — | ||
| 56-7 | Sonata for Viola and Piano, op. 147: II. Allegretto | — | ||
| 56-8 | Sonata for Viola and Piano, op. 147: III. Adagio | — |
Identifier Graph
028948321827 is a Universal Product Code (UPC) assigned to The Solo & Chamber Recordings by Vladimir Ashkenazy. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 815 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
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Creative Contributors (ISNI)
The UPC for “The Solo & Chamber Recordings” by Vladimir Ashkenazy is 028948321827. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Decca. This release contains 815 tracks, each with its own ISRC. Tracks include GBF076411511, GBF076411512, GBF076411513.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ballade no. 1 in G minor, op. 23 | Vladimir Ashkenazy | T-917.141.447-4 | |
| 2 | Ballade no. 2 in F, op. 38 | Vladimir Ashkenazy | — | |
| 3 | Ballade no. 3 in A-flat major, op. 47 | Vladimir Ashkenazy | T-913.821.070-5 | |
| 4 | Ballade no. 4 in F minor, op. 52 | Vladimir Ashkenazy | — | |
| 5 | Trois Nouvelles Études, op. posth. “Méthode des méthodes”: Étude in F minor | — | ||
| 6 | Trois Nouvelles Études, op. posth. “Méthode des méthodes”: Étude in A-flat major | — | ||
| 7 | Trois Nouvelles Études, op. posth. “Méthode des méthodes”: Étude in D-flat major | — | ||
| 2-1 | Scherzo no. 4 in E major, op. 54 | — | ||
| 2-2 | Nocturne no. 17 in B major, op. 62 no. 1 | — | ||
| 2-3 | L'Isle joyeuse | — | ||
| 2-4 | Gaspard de la nuit: Ondine | — | ||
| 2-5 | Gaspard de la nuit: Le Gibet | — | ||
| 2-6 | Gaspard de la nuit: Scarbo | — | ||
| 3-1 | Fantasie in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen - Im Legendenton | — | ||
| 3-2 | Fantasie in C major, op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter | — | ||
| 3-3 | Fantasie in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas bewegter | — | ||
| 4-1 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: I. Largo - Allegro moderato | — | ||
| 4-2 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: II. Larghetto | — | ||
| 4-3 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: III. Allegretto | — | ||
| 4-4 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, op. 16: I. Grave - Allegro ma non troppo | — | ||
| 4-5 | Quintet for piano and wind instruments in E-flat major, op. 16: Andante cantabile | Vladimir Ashkenazy, London Wind Soloists | — | |
| 4-6 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, op. 16: III. Rondo: Allegro ma non troppo | — | ||
| 5-1 | Piano Sonata no. 13 in A major, D. 664: I. Allegro moderato | — | ||
| 5-2 | Piano Sonata no. 13 in A major, D. 664: II. Andante | — | ||
| 5-3 | Piano Sonata no. 13 in A major, D. 664: III. Allegro | — | ||
| 5-4 | Ungarische Melodie in B minor, D. 817 | — | ||
| 5-5 | Piano Sonata no. 14 in A minor, D. 784: I. Allegro giusto | — | ||
| 5-6 | Piano Sonata no. 14 in A minor, D. 784: II. Andante | — | ||
| 5-7 | Piano Sonata no. 14 in A minor, D. 784: III. Allegro vivace | — | ||
| 5-8 | 12 Waltzes, D. 145 | — | ||
| 6-1 | Prélude no. 25 in C-sharp minor, op. 45 | Vladimir Ashkenazy | — | |
| 6-2 | Scherzo no. 1 in B minor, op. 20 | Vladimir Ashkenazy | T-308.384.655-9 | |
| 6-3 | Scherzo no. 2 in B-flat minor, op. 31 | Vladimir Ashkenazy | — | |
| 6-4 | Scherzo no. 3 in C-sharp minor, op. 39 | Vladimir Ashkenazy | T-918.063.801-1 | |
| 6-5 | Scherzo no. 4 in E major, op. 54 | — | ||
| 6-6 | Barcarolle in F-sharp, op. 60 | Vladimir Ashkenazy | T-905.382.146-8 | |
| 7-1 | Piano Sonata no. 7 in B-flat, op. 83: 1. Allegro inquieto - Andantino - Allegro inquieto - Andantino - Allegro inquieto | Vladimir Ashkenazy | — | |
| 7-2 | Piano Sonata no. 7 in B-flat, op. 83: 2. Andante caloroso - Poco più animato - Più largamente - un poco agitato - Tempo I | Vladimir Ashkenazy | — | |
| 7-3 | Piano Sonata no. 7 in B-flat, op. 83: 3. Precipitato | Vladimir Ashkenazy | — | |
| 7-4 | Romeo and Juliet, Ten Pieces for Piano, op. 75: X. Romeo and Juliet Before Departing | Vladimir Ashkenazy | — | |
| 7-5 | Romeo and Juliet, Ten Pieces for Piano, op. 75: V. Masks | Vladimir Ashkenazy | — | |
| 7-6 | Piano Sonata no. 8 in B-flat, op. 84: 1. Andante dolce - Allegro moderato - Andante - Andante dolce come prima - Allegro | Vladimir Ashkenazy | — | |
| 7-7 | Piano Sonata no. 8 in B-flat, op. 84: 2. Andante sognando | Vladimir Ashkenazy | — | |
| 7-8 | Piano Sonata no. 8 in B-flat, op. 84: 3. Vivace - Allegro ben marcato - Andantino - Vivace | Vladimir Ashkenazy | T-911.517.582-1 | |
| 8-1 | Sonata for Violin and Piano in A: 1. Allegretto ben moderato | Vladimir Ashkenazy, Itzhak Perlman | T-312.207.822-8 | |
| 8-2 | Sonata for Violin and Piano in A: 2. Allegro- Quasi lento- Tempo 1 (Allegro) | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 8-3 | Sonata for Violin and Piano in A: 3. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace) | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 8-4 | Sonata for Violin and Piano in A: 4. Allegretto poco mosso | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 8-5 | Horn Trio in E-flat, op. 40: 1. Andante - Poco più animato | Vladimir Ashkenazy, Itzhak Perlman, Barry Tuckwell | — | |
| 8-6 | Horn Trio in E-flat, op. 40: 2. Scherzo (Allegro) | Vladimir Ashkenazy, Itzhak Perlman, Barry Tuckwell | — | |
| 8-7 | Horn Trio in E-flat, op. 40: 3. Adagio mesto | Vladimir Ashkenazy, Itzhak Perlman, Barry Tuckwell | — | |
| 8-8 | Trio for Violin, Horn and Piano in E-flat major, op. 40: IV. Finale. Allegro con brio | Barry Tuckwell, Vladimir Ashkenazy, Itzhak Perlman | T-003.055.867-8 | |
| 9-1 | Suite no. 1 for 2 Pianos, op. 5: 1. Barcarolle | Vladimir Ashkenazy, André Previn | — | |
| 9-2 | Suite no. 1 for 2 Pianos, op. 5: 2. A night for love | Vladimir Ashkenazy, André Previn | — | |
| 9-3 | Suite no. 1 for 2 Pianos, op. 5: 3. Tears | Vladimir Ashkenazy, André Previn | — | |
| 9-4 | Suite no. 1 for Two Pianos, op. 5: IV. Pâques: Allegro maestoso | Vladimir Ashkenazy, André Previn | — | |
| 9-5 | Suite no. 2 for 2 Pianos, op. 17: I. Introduction: Alla marcia | Vladimir Ashkenazy, André Previn | T-000.768.497-0 | |
| 9-6 | Suite no. 2 for 2 Pianos, op. 17: II. Valse: Presto | Vladimir Ashkenazy, André Previn | — | |
| 9-7 | Suite no. 2 for 2 Pianos, op. 17: III. Romance: Andantino | Vladimir Ashkenazy, André Previn | — | |
| 9-8 | Suite no. 2 for 2 Pianos, op. 17: IV. Tarantelle | Vladimir Ashkenazy, André Previn | — | |
| 10-1 | Kreisleriana, op. 16: I. Äußerst bewegt | — | ||
| 10-2 | Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch | — | ||
| 10-3 | Kreisleriana, op. 16: III. Sehr aufgeregt | — | ||
| 10-4 | Kreisleriana, op. 16: IV. Sehr langsam | — | ||
| 10-5 | Kreisleriana, op. 16: V. Sehr lebhaft | — | ||
| 10-6 | Kreisleriana, op. 16: VI. Sehr langsam | — | ||
| 10-7 | Kreisleriana, op. 16: VII. Sehr rasch | — | ||
| 10-8 | Kreisleriana, op. 16: VIII. Schnell und spielend | — | ||
| 10-9 | Humoreske, op. 20: Einfach - Sehr rasch und leicht | — | ||
| 10-10 | Humoreske, op. 20: Hastig - Nach und nach immer lebhafter und starker | — | ||
| 10-11 | Humoreske, op. 20: Einfach und zart - Intermezzo | — | ||
| 10-12 | Humoreske, op. 20: Innig | — | ||
| 10-13 | Humoreske, op. 20: Sehr lebhaft - Mit einigem Pomp | — | ||
| 10-14 | Humoreske, op. 20: Zum Beschluß | — | ||
| 11-1 | Piano Sonata no. 3 in F‐sharp minor, op. 23: I. Drammàtico | Vladimir Ashkenazy | — | |
| 11-2 | Piano Sonata no. 3 in F‐sharp minor, op. 23: II. Allegretto | Vladimir Ashkenazy | — | |
| 11-3 | Piano Sonata no. 3 in F‐sharp minor, op. 23: III. Andante | Vladimir Ashkenazy | — | |
| 11-4 | Piano Sonata no. 3 in F‐sharp minor, op. 23: IV. Presto con fuoco | Vladimir Ashkenazy | — | |
| 11-5 | Piano Sonata no. 4 in F‐sharp minor, op. 30: I. Andante | Vladimir Ashkenazy | — | |
| 11-6 | Piano Sonata no. 4 in F‐sharp minor, op. 30: II. Prestissimo volando | Vladimir Ashkenazy | — | |
| 11-7 | Piano Sonata no. 5 in F-sharp major, op. 53 | — | ||
| 11-8 | Piano Sonata no. 9, op. 68 “Black Mass” | — | ||
| 12-1 | Variations on a Theme of Corelli, op. 42: Theme: Andante | — | ||
| 12-2 | Variations on a Theme of Corelli, op. 42: Variation 1: Poco più mosso | — | ||
| 12-3 | Variations on a Theme of Corelli, op. 42: Variation 2: L'istesso tempo | — | ||
| 12-4 | Variations on a Theme of Corelli, op. 42: Variation 3: Tempo di menuetto | — | ||
| 12-5 | Variations on a Theme of Corelli, op. 42: Variation 4: Andante | — | ||
| 12-6 | Variations on a Theme of Corelli, op. 42: Variation 5: Allegro (ma non troppo) | — | ||
| 12-7 | Variations on a Theme of Corelli, op. 42: Variation 6: L'istesso tempo | — | ||
| 12-8 | Variations on a Theme of Corelli, op. 42: Variation 7: Vivace | — | ||
| 12-9 | Variations on a Theme of Corelli, op. 42: Variation 8: Adagio misterioso | — | ||
| 12-10 | Variations on a Theme of Corelli, op. 42: Variation 9: Un poco più mosso | — | ||
| 12-11 | Variations on a Theme of Corelli, op. 42: Variation 10: Allegro scherzando | — | ||
| 12-12 | Variations on a Theme of Corelli, op. 42: Variation 11: Allegro vivace | — | ||
| 12-13 | Variations on a Theme of Corelli, op. 42: Variation 12: L'istesso tempo | — | ||
| 12-14 | Variations on a Theme of Corelli, op. 42: Variation 13: Agitato | — | ||
| 12-15 | Variations on a Theme of Corelli, op. 42: Intermezzo | — | ||
| 12-16 | Variations on a Theme of Corelli, op. 42: Variation 14: Andante (come prima) | — | ||
| 12-17 | Variations on a Theme of Corelli, op. 42: Variation 15: L'istesso tempo | — | ||
| 12-18 | Variations on a Theme of Corelli, op. 42: Variation 16: Allegro vivace | — | ||
| 12-19 | Variations on a Theme of Corelli, op. 42: Variation 17: Meno mosso | — | ||
| 12-20 | Variations on a Theme of Corelli, op. 42: Variation 18: Allegro con brio | — | ||
| 12-21 | Variations on a Theme of Corelli, op. 42: Variation 19: Più mosso. Agitato | — | ||
| 12-22 | Variations on a Theme of Corelli, op. 42: Variation 20: Più mosso | — | ||
| 12-23 | Variations on a Theme of Corelli, op. 42: Coda: Andante | — | ||
| 12-24 | 9 Études-tableaux, op. 39: No. 1 in C major. Allegro agitato | Vladimir Ashkenazy | — | |
| 12-25 | 9 Études-tableaux, op. 39: No. 2 in A minor. Lento assai | Vladimir Ashkenazy | — | |
| 12-26 | 9 Études-tableaux, op. 39: No. 3 in F-sharp minor. Allegro molto | Vladimir Ashkenazy | — | |
| 12-27 | 9 Études-tableaux, op. 39: No. 4 in B minor. Allegro assai | Vladimir Ashkenazy | — | |
| 12-28 | 9 Études-tableaux, op. 39: No. 5 in E-flat minor. Appassionato | Vladimir Ashkenazy | — | |
| 12-29 | 9 Études-tableaux, op. 39: No. 6 in A minor. Allegro | Vladimir Ashkenazy | — | |
| 12-30 | 9 Études-tableaux, op. 39: No. 7 in C minor. Lento | Vladimir Ashkenazy | — | |
| 12-31 | 9 Études-tableaux, op. 39: No. 8 in D minor. Allegro moderato | Vladimir Ashkenazy | — | |
| 12-32 | 9 Études-tableaux, op. 39: No. 9 in D major. Allegro moderato | Vladimir Ashkenazy | — | |
| 13-1 | Prelude in C-sharp minor, op. 3 no. 2 | Vladimir Ashkenazy | T-072.857.925-6 | |
| 13-2 | 10 Preludes, op. 23: No. 1 in F-sharp minor | Vladimir Ashkenazy | — | |
| 13-3 | 10 Preludes, op. 23: No. 2 in B-flat major | Vladimir Ashkenazy | — | |
| 13-4 | 10 Preludes, op. 23: No. 3 in D minor | Vladimir Ashkenazy | — | |
| 13-5 | 10 Preludes, op. 23: No. 4 in D major | Vladimir Ashkenazy | — | |
| 13-6 | 10 Preludes, op. 23: No. 5 in G minor | Vladimir Ashkenazy | T-919.160.891-0 | |
| 13-7 | 10 Preludes, op. 23: No. 6 in E-flat major | Vladimir Ashkenazy | — | |
| 13-8 | 10 Preludes, op. 23: No. 7 in C minor | Vladimir Ashkenazy | — | |
| 13-9 | 10 Preludes, op. 23: No. 8 in A-flat major | Vladimir Ashkenazy | — | |
| 13-10 | 10 Preludes, op. 23: No. 9 in E-flat minor | Vladimir Ashkenazy | — | |
| 13-11 | 10 Preludes, op. 23: No. 10 in G-flat major | Vladimir Ashkenazy | — | |
| 13-12 | 13 Preludes, op. 32: No. 1 in C major | Vladimir Ashkenazy | — | |
| 13-13 | 13 Preludes, op. 32: No. 2 in B-flat minor | Vladimir Ashkenazy | — | |
| 13-14 | 13 Preludes, op. 32: No. 3 in E major | Vladimir Ashkenazy | — | |
| 13-15 | 13 Preludes, op. 32: No. 4 in E minor | Vladimir Ashkenazy | — | |
| 13-16 | 13 Preludes, op. 32: No. 5 in G major | Vladimir Ashkenazy | — | |
| 13-17 | 13 Preludes, op. 32: No. 6 in F minor | Vladimir Ashkenazy | — | |
| 13-18 | 13 Preludes, op. 32: No. 7 in F major | Vladimir Ashkenazy | — | |
| 13-19 | 13 Preludes, op. 32: No. 8 in A minor | Vladimir Ashkenazy | — | |
| 13-20 | 13 Preludes, op. 32: No. 9 in A major | Vladimir Ashkenazy | — | |
| 13-21 | 13 Preludes, op. 32: No. 10 in B minor | Vladimir Ashkenazy | — | |
| 13-22 | 13 Preludes, op. 32: No. 11 in B major | Vladimir Ashkenazy | — | |
| 13-23 | 13 Preludes, op. 32: No. 12 in G-sharp minor | Vladimir Ashkenazy | — | |
| 13-24 | 13 Preludes, Op. 32: No. 13 in D-flat major | Vladimir Ashkenazy | — | |
| 14-1 | Piano Sonata no. 17 in D major, D. 850: I. Allegro vivace | — | ||
| 14-2 | Piano Sonata no. 17 in D major, D. 850: II. Con moto | — | ||
| 14-3 | Piano Sonata no. 17 in D major, D. 850: III. Scherzo: Allegro vivace | — | ||
| 14-4 | Piano Sonata no. 17 in D major, D. 850: IV. Rondo: Allegro moderato | — | ||
| 14-5 | 17 Ländler, D. 366: 4 Deutsche Tänze | — | ||
| 15-1 | Ne poy, krasavitsa, op. 4 no. 4 | — | ||
| 15-2 | Uzh ty niva morya, op. 4 no. 5 | — | ||
| 15-3 | Zdes khorosho, op. 21 no. 7 | — | ||
| 15-4 | Nochyu v sadu u menya, op. 38 no. 1 | — | ||
| 15-5 | K ney, op. 38 no. 2 | — | ||
| 15-6 | Margaritki, op. 38 no. 3 | — | ||
| 15-7 | Krysolov, op. 38 no. 4 | — | ||
| 15-8 | Son, op. 38 no. 5 | — | ||
| 15-9 | Au!, op. 38 no. 6 | — | ||
| 15-10 | Muza, op. 34 no. 1 | — | ||
| 15-11 | Burya, op. 34 no. 3 | — | ||
| 15-12 | Ty znal yevo, op. 34 no. 9 | — | ||
| 15-13 | Sey den ya pomnyu, op. 34 no. 10 | — | ||
| 15-14 | Kakoye schastye, op. 34 no. 12 | — | ||
| 15-15 | Dissonans, op. 34 no. 13 | — | ||
| 15-16 | Vocalise op. 34 no. 14 | — | ||
| 16-1 | V molchani nochi taynoy, op. 4 no. 3 | — | ||
| 16-2 | Davno I, moy drug, op. 4 no. 6 | — | ||
| 16-3 | Polyubila ya na pechal svoyu, op. 8 no. 4 | — | ||
| 16-4 | Son, op. 8 no. 5 | — | ||
| 16-5 | Ya zhdu tebya, op. 14 no. 1 | — | ||
| 16-6 | Ostrovok, op. 14 no. 2 | — | ||
| 16-7 | Eti letniye nochi, op. 14 no. 5 | — | ||
| 16-8 | Tebya tak lyubyat vse, op. 14 no. 6 | — | ||
| 16-9 | Ne ver mne, drug, op. 14 no. 7 | — | ||
| 16-10 | Vesenniye vody, op. 14 no. 11 | — | ||
| 16-11 | Sudba, op. 21 no. 1 | — | ||
| 16-12 | Veter perelyotny, op. 34 no. 4 | — | ||
| 16-13 | Arion, op. 34 no. 5 | — | ||
| 16-14 | Voskresheniye Lazarya, op. 34 no. 6 | — | ||
| 16-15 | Ne mozhet byt!, op. 34 no. 7 | — | ||
| 16-16 | Muzyuka, op. 34 no. 8 | — | ||
| 17-1 | Nad svezhey mogiloy, op. 21 no. 2 | — | ||
| 17-2 | Sumerki, op. 21 no. 3 | — | ||
| 17-3 | Oni otvechali, op. 21 no. 4 | — | ||
| 17-4 | Siren, op. 21 no. 5 | — | ||
| 17-5 | Odinochestvo, op. 21 no. 6 | — | ||
| 17-6 | Na smert chizhika, op. 21 no. 8 | — | ||
| 17-7 | Melodiya, op. 21 no. 9 | — | ||
| 17-8 | Pred ikonoy, op. 21 no. 10 | — | ||
| 17-9 | Ya ne prorok, op. 21 no. 11 | — | ||
| 17-10 | Kak mne bolno, op. 21 no. 12 | — | ||
| 17-11 | K detyam, op. 26 no. 7 | — | ||
| 17-12 | U moyevo okna, op. 26 no. 10 | — | ||
| 17-13 | Fontan, op. 26 no. 11 | — | ||
| 17-14 | Noch pechalna, op. 26 no. 12 | — | ||
| 17-15 | Koltso, op. 26 no. 14 | — | ||
| 17-16 | Belilitsy, rumyanitsy, vy moi! | — | ||
| 18-1 | Ya tebe nichevo ne skazu | — | ||
| 18-2 | Opyat vstrepenulos ty, serdtse | — | ||
| 18-3 | Aprel! | — | ||
| 18-4 | Smerkalos | — | ||
| 18-5 | O, nyet, molyu, ne ukhodi!, op. 4 no. 1 | — | ||
| 18-6 | Utro, op. 4 no. 2 | — | ||
| 18-7 | Rechnaya liliya, op. 8 no. 1 | — | ||
| 18-8 | Ditya! kak tsvetok ty prekrasnaya, op. 8 no. 2 | — | ||
| 18-9 | Duma, op. 8 no. 3 | — | ||
| 18-10 | Molitva, op. 8 no. 6 | — | ||
| 18-11 | Davno v lyubvi otradi malo, op. 14 no. 3 | — | ||
| 18-12 | Ya byl u ney, op. 14 no. 4 | — | ||
| 18-13 | Yest mnogo zvukov, op. 26 no. 1 | — | ||
| 18-14 | Vsyo oynya u menya, op. 26 no. 2 | — | ||
| 18-15 | Mi otdokhnyom, op. 26 no. 3 | — | ||
| 18-16 | Dva proshchaniya, op. 26 no. 4 | — | ||
| 18-17 | Pokinem, milaya, op. 26 no. 5 | — | ||
| 18-18 | Khristos voskres, op. 26 no. 6 | — | ||
| 18-19 | Margaritki, op. 38 no. 3 | Vladimir Ashkenazy | T-902.891.143-5 | |
| 19-1 | O, ne grusti!, op. 14 no. 8 | — | ||
| 19-2 | Ona, kak polden khorosha, op. 14 no. 9 | — | ||
| 19-3 | V moyey dushe, op. 14 no. 10 | — | ||
| 19-4 | Pora!, op. 14 no. 12 | — | ||
| 19-5 | Poshchady ya molyu!, op. 26 no. 8 | — | ||
| 19-6 | Ya opyat odinok!, op. 26 no. 9 | — | ||
| 19-7 | Vchera my vstretilis, op. 26 no. 13 | — | ||
| 19-8 | Prokhodit vsyo, op. 26 no. 15 | — | ||
| 19-9 | V dushe u kazhdovo iz nas, op. 34 no. 2 | — | ||
| 19-10 | Khorugv svyashchennuyu, op. 34 no. 11 | — | ||
| 19-11 | U vrat obiteli svyatoy | — | ||
| 19-12 | Pesnya razocharovannova | — | ||
| 19-13 | Uvyal tsvetok | — | ||
| 19-14 | Ty pomnish li vecher? | — | ||
| 19-15 | Ikalos li tebe? | — | ||
| 19-16 | Noch | — | ||
| 19-17 | Pismo K.S. Stanislavskomu | — | ||
| 19-18 | Iz Evangeliya ot loanna | — | ||
| 19-19 | Siren, op. 21 no. 5 | — | ||
| 20-1 | Symphonic Dances for 2 Pianos, op. 45: I. Non allegro - Lento - Tempo I | Vladimir Ashkenazy, André Previn | — | |
| 20-2 | Symphonic Dances for 2 Pianos, op. 45: II. Andante con moto (Tempo di valse) | Vladimir Ashkenazy, André Previn | — | |
| 20-3 | Symphonic Dances for 2 Pianos, op. 45: III. Lento assai - Allegro vivace | Vladimir Ashkenazy, André Previn | — | |
| 20-4 | Russian Rhapsody for 2 Pianos in E minor | Vladimir Ashkenazy, André Previn | — | |
| 21-1 | Piano Sonata no. 2 in G-sharp minor, op. 19 “Sonata-fantasy”: I. Andante | — | ||
| 21-2 | Piano Sonata no. 2 in G-sharp minor, op. 19 “Sonata-fantasy”: II. Presto | — | ||
| 21-3 | 4 Pièces, op. 56: I. Prélude (Violent, très accentué) | Vladimir Ashkenazy | — | |
| 21-4 | 4 Pièces, op. 56: II. Ironies (Vivo, scherzoso) | Vladimir Ashkenazy | — | |
| 21-5 | 4 Pièces, op. 56: III. Nuances (Fondu, velouté) | Vladimir Ashkenazy | — | |
| 21-6 | 4 Pièces, op. 56: IV. Ètude (Presto) | Vladimir Ashkenazy | — | |
| 21-7 | Piano Sonata no. 7, op. 64 “White Mass” | — | ||
| 21-8 | Deux Danses, op. 73: I. Guirlandes | — | ||
| 21-9 | Deux Danses, op. 73: II. Flammes sombres | — | ||
| 21-10 | 2 Poèmes, op. 32: I. Andante cantabile (F-sharp minor) | Vladimir Ashkenazy | — | |
| 21-11 | 2 Poèmes, op. 32: II. Allegro. Con eleganza. Con fiducia (D major) | Vladimir Ashkenazy | — | |
| 21-12 | Piano Sonata no. 10, op. 70 | Vladimir Ashkenazy | T-312.605.968-1 | |
| 22-1 | Piano Sonata no. 2 in B-flat minor, op. 36: I. Allegro agitato | Vladimir Ashkenazy | — | |
| 22-2 | Piano Sonata no. 2 in B-flat minor, op. 36: II. Non allegro - Lento | Vladimir Ashkenazy | — | |
| 22-3 | Piano Sonata no. 2 in B-flat minor, op. 36: III. L'istesso tempo; Allegro molto | Vladimir Ashkenazy | T-911.517.582-1 | |
| 22-4 | Études-tableaux, op. 33: No. 1 in F minor | Vladimir Ashkenazy | — | |
| 22-5 | Études-tableaux, op. 33: No. 2 in C major | Vladimir Ashkenazy | T-915.735.004-4 | |
| 22-6 | Études-tableaux, op. 33: No. 3 in C minor | Vladimir Ashkenazy | T-915.735.004-4 | |
| 22-7 | Études-tableaux, op. 33: No. 4 in D minor | Vladimir Ashkenazy | — | |
| 22-8 | Études-tableaux, op. 33: No. 5 in E-flat minor | Vladimir Ashkenazy | T-902.876.200-7 | |
| 22-9 | Études-tableaux, op. 33: No. 6 in E-flat major | Vladimir Ashkenazy | — | |
| 22-10 | Études-tableaux, op. 33: No. 7 in G minor | Vladimir Ashkenazy | — | |
| 22-11 | Études-tableaux, op. 33: No. 8 in C-sharp minor | Vladimir Ashkenazy | T-915.735.004-4 | |
| 23-1 | Kukushka, op. 54 no. 8 | — | ||
| 23-2 | Vecher, op. 27 no. 4 | — | ||
| 23-3 | Solovei, op. 60 no. 4 | — | ||
| 23-4 | Vcherashnaya noch, op. 60 no. 1 | — | ||
| 23-5 | Net, tolko tot, kto znal, op. 6 no. 6 | — | ||
| 23-6 | Kolybelnaya pesnya, op. 16 no. 1 | — | ||
| 23-7 | Otchevo?, op. 6 no. 5 | — | ||
| 23-8 | Strashnaya minuta, op. 28 no. 6 | — | ||
| 23-9 | Den li tsarit, op. 47 no. 6 | — | ||
| 23-10 | Vesna, op. 54 no. 9 | — | ||
| 23-11 | Prostye slova, op. 60 no. 5 | — | ||
| 23-12 | Mezza notte | — | ||
| 23-13 | Sérénade, op. 65 no. 1 | — | ||
| 23-14 | Déception, op. 65 no. 2 | — | ||
| 23-15 | Poème d'octobre, op. 65 no. 4 | — | ||
| 23-16 | Les Larmes, op. 65 no. 5 | — | ||
| 23-17 | Zakatilos solntse, op. 73 no. 4 | — | ||
| 23-18 | Kak nad goryacheyu zoloi, op. 25 no. 2 | — | ||
| 24-1 | Moy geniy, moy angel, moy drug | — | ||
| 24-2 | Pesn Zemfiry | — | ||
| 24-3 | Ne ver, moy drug, op. 6 no. 1 | — | ||
| 24-4 | Zabyt tak skoro | — | ||
| 24-5 | O spoy zhe tu pesnyu, op. 16 no. 4 | — | ||
| 24-6 | Unosi moyo serdtse | — | ||
| 24-7 | Zachem zhe ty prisnilasya, op. 28 no. 3 | — | ||
| 24-8 | To bylo ranneyu vesnoy, op. 38 no. 2 | — | ||
| 24-9 | Sred shumnovo bala, op. 38 no. 3 | — | ||
| 24-10 | Kaby znala ya, op. 47 no. 1 | — | ||
| 24-11 | Ya li v polye da nye travushka bila?, op. 47 no. 7 | — | ||
| 24-12 | Moy sadik, op. 54 no. 4 | — | ||
| 24-13 | Ne sprashivay, op. 57 no. 3 | — | ||
| 24-14 | Pervoye svidaniye, op. 63 no. 6 | — | ||
| 24-15 | Serenada, op. 63 no. 4 | — | ||
| 24-16 | Rondel, op. 65 no. 6 | — | ||
| 24-17 | My sideli s toboy, op. 73 no. 1 | — | ||
| 24-18 | Za oknom v teni melkayet, op. 60 no. 10 | — | ||
| 25-1 | Cello Sonata no. 1 in E minor, op. 38: I. Allegro non troppo | — | ||
| 25-2 | Cello Sonata no. 1 in E minor, op. 38: II. Allegretto quasi menuetto - Trio | — | ||
| 25-3 | Cello Sonata no. 1 in E minor, op. 38: III. Allegro | — | ||
| 25-4 | Cello Sonata no. 2 in F major, op. 99: I. Allegro vivace | — | ||
| 25-5 | Cello Sonata no. 2 in F major, op. 99: II. Adagio affetuoso | — | ||
| 25-6 | Cello Sonata no. 2 in F major, op. 99: III. Allegro appassionato | — | ||
| 25-7 | Cello Sonata no. 2 in F major, op. 99: IV. Allegro molto | — | ||
| 26-1 | Pictures at an Exhibition (original piano version): Promenade / Gnomus | — | ||
| 26-2 | Pictures at an Exhibition (original piano version): Promenade / The Old Castle | — | ||
| 26-3 | Pictures at an Exhibition (original piano version): Promenade / Tulleries / Bydlo | — | ||
| 26-4 | Pictures at an Exhibition (original piano version): Promenade / Ballet of the Unhatched Chicks / Samuel Goldenberg and Schmuyle | — | ||
| 26-5 | Pictures at an Exhibition (original piano version): Promenade / Limoges: The Marketplace / Catacombs | — | ||
| 26-6 | Pictures at an Exhibition (original piano version): The Hut on Hen's Legs (Baba Yaga) / The Great Gate of Kiev | — | ||
| 26-7 | Prelude and Fugue in G-sharp minor, op. 29 | — | ||
| 26-8 | A Musical Snuffbox, op. 32 | — | ||
| 26-9 | Scherzo in A-flat major (1885) | — | ||
| 26-10 | Dumka, op. 59 | — | ||
| 27-1 | Gaspard de la nuit: Ondine | — | ||
| 27-2 | Gaspard de la nuit: Le Gibet | — | ||
| 27-3 | Gaspard de la nuit: Scarbo | — | ||
| 27-4 | Pavane pour une infante défunte | — | ||
| 27-5 | Valses nobles et sentimentales: I. Modéré, très franc | — | ||
| 27-6 | Valses nobles et sentimentales: II. Assez lent, avec une expression intense | — | ||
| 27-7 | Valses nobles et sentimentales: III. Modéré | — | ||
| 27-8 | Valses nobles et sentimentales: IV. Assez animé | — | ||
| 27-9 | Valses nobles et sentimentales: V. Presque lent, dans un sentiment intime | — | ||
| 27-10 | Valses nobles et sentimentales: VI. Vif | — | ||
| 27-11 | Valses nobles et sentimentales: VII. Moins vif | — | ||
| 27-12 | Valses nobles et sentimentales: VIII. Épilogue, lent | — | ||
| 28-1 | Two Pieces for String Quartet: I. Elegy in F-sharp minor | Ioan Davies, Fitzwilliam String Quartet, Alan George, Jonathan Sparey, Daniel Zisman | — | |
| 28-2 | Two Pieces for String Quartet: II. Polka in B-flat major | Ioan Davies, Fitzwilliam String Quartet, Alan George, Jonathan Sparey, Daniel Zisman | — | |
| 28-3 | Seven Romances on Poems of Alexander Blok, op. 127: Pesnya Ofelii (Ophelia's Song) | — | ||
| 28-4 | Seven Romances on Poems of Alexander Blok, op. 127: Gamayun, ptitsa veshchaya (Hamayun, the prophetic bird) | — | ||
| 28-5 | Seven Romances on Poems of Alexander Blok, op. 127: My byli vmeste (We were together) | — | ||
| 28-6 | Seven Romances on Poems of Alexander Blok, op. 127: Gorod spit (The city is asleep) | — | ||
| 28-7 | Seven Romances on Poems of Alexander Blok, op. 127: Burya (The Storm) | — | ||
| 28-8 | Seven Romances on Poems of Alexander Blok, op. 127: Yayniye znaki (Secret signs) | — | ||
| 28-9 | Seven Romances on Poems of Alexander Blok, op. 127: Muzyka (Music) | — | ||
| 28-10 | Piano Quintet in G minor, op. 57: Prelude. Lento | Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey | T-011.422.353-8 | |
| 28-11 | Piano Quintet in G minor, op. 57: Fugue. Adagio | Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey | — | |
| 28-12 | Piano Quintet in G minor, op. 57: Scherzo. Allegretto | Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey | — | |
| 28-13 | Piano Quintet in G minor, op. 57: Intermezzo. Lento | Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey | — | |
| 28-14 | Piano Quintet in G minor, op. 57: Finale. Allegretto | Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey | — | |
| 29-1 | Sonata for Cello and Piano in G minor, op. 19: I. Lento - Allegro moderato | Vladimir Ashkenazy, Lynn Harrell | — | |
| 29-2 | Sonata for Cello and Piano in G minor, op. 19: II. Allegro scherzando | Vladimir Ashkenazy, Lynn Harrell | T-071.926.821-9 | |
| 29-3 | Sonata for Cello and Piano in G minor, op. 19: III. Andante | Vladimir Ashkenazy, Lynn Harrell | T-902.907.611-7 | |
| 29-4 | Sonata for Cello and Piano in G minor, op. 19: IV. Allegro mosso | Vladimir Ashkenazy, Lynn Harrell | — | |
| 29-5 | Prelude, op. 2 no. 1 | Vladimir Ashkenazy, Lynn Harrell | T-070.160.313-5 | |
| 29-6 | Oriental Dance, op. 2 no. 2 | Vladimir Ashkenazy, Lynn Harrell | — | |
| 29-7 | Melodie on a theme by Rachmaninov | Vladimir Ashkenazy, Lynn Harrell | — | |
| 29-8 | Lied in F minor | Vladimir Ashkenazy, Lynn Harrell | — | |
| 29-9 | Vocalise, op. 34 no. 14 | Vladimir Ashkenazy, Lynn Harrell | T-900.222.366-7 | |
| 30-1 | Piano Sonata no. 1 in F minor, op. 6: I. Allegro con fuoco | Vladimir Ashkenazy | — | |
| 30-2 | Piano Sonata no. 1 in F minor, op. 6: II. ♩ = 40 [Adagio] | Vladimir Ashkenazy | T-802.445.410-3 | |
| 30-3 | Piano Sonata no. 1 in F minor, op. 6: III. Presto | Vladimir Ashkenazy | — | |
| 30-4 | Piano Sonata no. 1 in F minor, op. 6: IV. Funèbre | Vladimir Ashkenazy | — | |
| 30-5 | 4 Pieces, op. 51: Fragilité | Vladimir Ashkenazy | — | |
| 30-6 | 4 Pieces, op. 51: Prélude | Vladimir Ashkenazy | — | |
| 30-7 | 4 Pieces, op. 51: Poeme ailé | Vladimir Ashkenazy | — | |
| 30-8 | 4 Pieces, op. 51: Danse languide | Vladimir Ashkenazy | — | |
| 30-9 | Piano Sonata no. 6, op. 62 | Vladimir Ashkenazy | — | |
| 30-10 | Piano Sonata no. 8, op. 66 | — | ||
| 31-1 | Cello Sonata no. 1 in F major, op. 5 no. 1: Ia. Adagio sostenuto | Vladimir Ashkenazy, Lynn Harrell | — | |
| 31-2 | Cello Sonata no. 1 in F major, op. 5 no. 1: Ib. Allegro | Vladimir Ashkenazy, Lynn Harrell | T-905.049.604-3 | |
| 31-3 | Cello Sonata no. 1 in F major, op. 5 no. 1: II. Rondo. Allegro vivace | Vladimir Ashkenazy, Lynn Harrell | — | |
| 31-4 | Cello Sonata no. 2 in G minor, op. 5 no. 2: Ia. Adagio sostenuto ed espressivo | Vladimir Ashkenazy, Lynn Harrell | — | |
| 31-5 | Cello Sonata no. 2 in G minor, op. 5 no. 2: Ib. Allegro molto più tosto presto | Vladimir Ashkenazy, Lynn Harrell | — | |
| 31-6 | Cello Sonata no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Vladimir Ashkenazy, Lynn Harrell | — | |
| 32-1 | Sonata for Cello and Piano no. 3 in A major, op. 69: I. Allegro ma non tanto | Vladimir Ashkenazy, Lynn Harrell | T-318.567.058-6 | |
| 32-2 | Sonata for Cello and Piano no. 3 in A major, op. 69: II. Scherzo. Allegro molto | Vladimir Ashkenazy, Lynn Harrell | — | |
| 32-3 | Sonata for Cello and Piano no. 3 in A major, op. 69: III. Adagio cantabile | Vladimir Ashkenazy, Lynn Harrell | T-001.397.158-8 | |
| 32-4 | Sonata for Cello and Piano no. 3 in A major, op. 69: IV. Allegro vivace | Vladimir Ashkenazy, Lynn Harrell | — | |
| 32-5 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: Ia. Andante | Vladimir Ashkenazy, Lynn Harrell | — | |
| 32-6 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: IIc. Allegro vivace | Vladimir Ashkenazy, Lynn Harrell | — | |
| 32-7 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: IIa. Adagio | Vladimir Ashkenazy, Lynn Harrell | — | |
| 32-8 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: IIb. Tempo d'andante | Vladimir Ashkenazy, Lynn Harrell | — | |
| 32-9 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: Ib. Allegro vivace | Vladimir Ashkenazy, Lynn Harrell | — | |
| 32-10 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Vladimir Ashkenazy, Lynn Harrell | — | |
| 32-11 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto | Vladimir Ashkenazy, Lynn Harrell | — | |
| 32-12 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: III. Allegro | Vladimir Ashkenazy, Lynn Harrell | — | |
| 33-1 | Cello Sonata in D minor, op. 40: I. Allegro non troppo - Largo | Vladimir Ashkenazy, Lynn Harrell | — | |
| 33-2 | Cello Sonata in D minor, op. 40: II. Allegro | Vladimir Ashkenazy, Lynn Harrell | — | |
| 33-3 | Cello Sonata in D minor, op. 40: III. Largo | Vladimir Ashkenazy, Lynn Harrell | T-005.005.728-7 | |
| 33-4 | Cello Sonata in D minor, op. 40: IV. Allegro | Vladimir Ashkenazy, Lynn Harrell | — | |
| 33-5 | Sonata for cello and piano in C major, op. 119: I. Andante grave - Moderato animato | Vladimir Ashkenazy, Lynn Harrell | — | |
| 33-6 | Sonata for cello and piano in C major, op. 119: II. Moderato | Vladimir Ashkenazy, Lynn Harrell | — | |
| 33-7 | Sonata for cello and piano in C major, op. 119: III. Allegro ma non troppo | Vladimir Ashkenazy, Lynn Harrell | T-031.682.208-8 | |
| 33-8 | Moderato for Cello and Piano, op. 40a | Vladimir Ashkenazy, Lynn Harrell | — | |
| 34-1 | Horn Trio in E-flat major, op. 40: I. Andante - Poco più animato | — | ||
| 34-2 | Horn Trio in E-flat major, op. 40: II. Scherzo: Allegro | — | ||
| 34-3 | Horn Trio in E-flat major, op. 40: III. Adagio mesto | — | ||
| 34-4 | Horn Trio in E-flat major, op. 40: IV. Finale: Allegro con brio | — | ||
| 34-5 | Andante and Variations in B-flat major, op. 46 | — | ||
| 34-6 | Adagio and Allegro in A-flat major for Horn and Piano, op. 70: Langsam, mit innigem Ausdruck | — | ||
| 34-7 | Adagio and Allegro in A-flat major for Horn and Piano, op. 70: Rasch und feurig | — | ||
| 35-1 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Aria - Variations 1-4 | — | ||
| 35-2 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variations 5-6 | — | ||
| 35-3 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variations 7-8 | — | ||
| 35-4 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variations 9-12 | — | ||
| 35-5 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variations 13-18 | — | ||
| 35-6 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variations 19-21 | — | ||
| 35-7 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variations 22-25 | — | ||
| 35-8 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Fugue | — | ||
| 35-9 | Piano Sonata no. 3 in F minor, op. 5: I. Allegro maestoso | — | ||
| 35-10 | Piano Sonata no. 3 in F minor, op. 5: II. Andante espressivo | — | ||
| 35-11 | Piano Sonata no. 3 in F minor, op. 5: III. Scherzo: Allegro energico | — | ||
| 35-12 | Piano Sonata no. 3 in F minor, op. 5: IV. Intermezzo: Andante molto | — | ||
| 35-13 | Piano Sonata no. 3 in F minor, op. 5: V. Finale: Allegro moderato ma rubato | — | ||
| 36-1 | 24 Préludes, op. 28: No. 1 in C major | — | ||
| 36-2 | 24 Préludes, op. 28: No. 2 in A minor | — | ||
| 36-3 | 24 Préludes, op. 28: No. 3 in G major | — | ||
| 36-4 | 24 Préludes, op. 28: No. 4 in E minor | — | ||
| 36-5 | 24 Préludes, op. 28: No. 5 in D major | — | ||
| 36-6 | 24 Préludes, op. 28: No. 6 in B minor | — | ||
| 36-7 | 24 Préludes, op. 28: No. 7 in A major | — | ||
| 36-8 | 24 Préludes, op. 28: No. 8 in F-sharp major | — | ||
| 36-9 | 24 Préludes, op. 28: No. 9 in E major | — | ||
| 36-10 | 24 Préludes, op. 28: No. 10 in C-sharp major | — | ||
| 36-11 | 24 Préludes, op. 28: No. 11 in B major | — | ||
| 36-12 | 24 Préludes, op. 28: No. 12 in G-sharp minor | — | ||
| 36-13 | 24 Préludes, op. 28: No. 13 in F-sharp major | — | ||
| 36-14 | 24 Préludes, op. 28: No. 14 in E-flat minor | — | ||
| 36-15 | 24 Préludes, op. 28: No. 15 in D-flat major “Raindrop” | — | ||
| 36-16 | 24 Préludes, op. 28: No. 16 in B-flat minor | — | ||
| 36-17 | 24 Préludes, op. 28: No. 17 in A-flat major | — | ||
| 36-18 | 24 Préludes, op. 28: No. 18 in F minor | — | ||
| 36-19 | 24 Préludes, op. 28: No. 19 in E-flat major | — | ||
| 36-20 | 24 Préludes, op. 28: No. 20 in C minor | — | ||
| 36-21 | 24 Préludes, op. 28: No. 21 in B-flat major | — | ||
| 36-22 | 24 Préludes, op. 28: No. 22 in G minor | — | ||
| 36-23 | 24 Préludes, op. 28: No. 23 in F major | — | ||
| 36-24 | 24 Préludes, op. 28: No. 24 in D minor | — | ||
| 36-25 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | — | ||
| 36-26 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: Molto vivace | — | ||
| 36-27 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | — | ||
| 36-28 | Piano Sonata no. 3 in B minor, op. 58: IV. Finale: Presto non tanto | — | ||
| 36-29 | Mazurka no. 51 in F minor, op. 68 no. 4 | — | ||
| 37-1 | “Abegg” Variations, op. 1 | — | ||
| 37-2 | Fantasie in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen - Im Legendenton | — | ||
| 37-3 | Fantasie in C major, op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter | — | ||
| 37-4 | Fantasie in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas bewegter | — | ||
| 37-5 | Faschingsschwank aus Wien, op. 26: I. Allegro: Vivace assai | — | ||
| 37-6 | Faschingsschwank aus Wien, op. 26: II. Romanze: Piuttosto lento | — | ||
| 37-7 | Faschingsschwank aus Wien, op. 26: III. Scherzino | — | ||
| 37-8 | Faschingsschwank aus Wien, op. 26: IV. Intermezzo: Colla più grande energia | — | ||
| 37-9 | Faschingsschwank aus Wien, op. 26: V. Finale: Il più vivace possible | — | ||
| 38-1 | Piano Trio in A minor, M. 67: 1. Modéré | Vladimir Ashkenazy, Lynn Harrell, Itzhak Perlman | — | |
| 38-2 | Piano Trio in A minor, M. 67: 2. Pantoum (Assez vif) | Vladimir Ashkenazy, Lynn Harrell, Itzhak Perlman | — | |
| 38-3 | Piano Trio in A minor, M. 67: 3. Passacaille (Très large) | Vladimir Ashkenazy, Lynn Harrell, Itzhak Perlman | — | |
| 38-4 | Piano Trio in A minor, M. 67: 4. Final (Animé) | Vladimir Ashkenazy, Lynn Harrell, Itzhak Perlman | — | |
| 38-5 | Sonate pour violon et piano: I. Allegro vivo | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 38-6 | Sonate pour violon et piano: II. Intermède: Fantasque et léger | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 38-7 | Sonate pour violon et piano: III. Finale: Très animé | Vladimir Ashkenazy, Itzhak Perlman | T-902.717.414-7 | |
| 38-8 | Sonate pour violoncelle et piano: I. Prologue | Vladimir Ashkenazy, Lynn Harrell | — | |
| 38-9 | Sonate pour violoncelle et piano: II. Sérénade: Modérément animé | Vladimir Ashkenazy, Lynn Harrell | — | |
| 38-10 | Sonate pour violoncelle et piano: III. Finale: Animé | Vladimir Ashkenazy, Lynn Harrell | — | |
| 39-1 | 10 Pieces for Piano from “Romeo and Juliet”, op. 75: Folk Dance | — | ||
| 39-2 | 10 Pieces for Piano from “Romeo and Juliet”, op. 75: Scene: The Street Awakens | — | ||
| 39-3 | 10 Pieces for Piano from “Romeo and Juliet”, op. 75: Arrival of the Guards | — | ||
| 39-4 | 10 Pieces for Piano from “Romeo and Juliet”, op. 75: The Young Juliet | — | ||
| 39-5 | 10 Pieces for Piano from “Romeo and Juliet”, op. 75: Masks | — | ||
| 39-6 | 10 Pieces for Piano from “Romeo and Juliet”, op. 75: Montagues and Capulets | — | ||
| 39-7 | 10 Pieces for Piano from “Romeo and Juliet”, op. 75: Friar Laurence | — | ||
| 39-8 | 10 Pieces for Piano from “Romeo and Juliet”, op. 75: Mercutio | — | ||
| 39-9 | 10 Pieces for Piano from “Romeo and Juliet”, op. 75: Dance of the Girls with Lilies | — | ||
| 39-10 | 10 Pieces for Piano from “Romeo and Juliet”, op. 75: Romeo Bids Juliet Farewell | — | ||
| 39-11 | War and Peace: Waltz, op. 96 no. 1 | — | ||
| 39-12 | 2 Pieces from The Love of Three Oranges, op. 33b: March | — | ||
| 39-13 | 2 Pieces from The Love of Three Oranges, op. 33b: Scherzo | — | ||
| 39-14 | 6 Pieces from “Cinderella”, op. 102: Waltz (Cinderella and the Prince) | — | ||
| 39-15 | 6 Pieces from “Cinderella”, op. 102: Cinderella's Variation | — | ||
| 39-16 | 6 Pieces from “Cinderella”, op. 102: Quarrel | — | ||
| 39-17 | 6 Pieces from “Cinderella”, op. 102: Waltz (Cinderella's Departure for the Ball) | — | ||
| 39-18 | 6 Pieces from “Cinderella”, op. 102: Shawl Dance | — | ||
| 39-19 | 6 Pieces from “Cinderella”, op. 102: Amoroso (Cinderella and the Prince) | — | ||
| 40-1 | Piano Sonata no. 6 in A major, op. 82: I. Allegro moderato | — | ||
| 40-2 | Piano Sonata no. 6 in A major, op. 82: II. Allegretto | — | ||
| 40-3 | Piano Sonata no. 6 in A major, op. 82: III. Tempo di valzer lentissimo | — | ||
| 40-4 | Piano Sonata no. 6 in A major, op. 82: IV. Vivace | — | ||
| 40-5 | Piano Sonata no. 7 in B-flat major, op. 83: I. Allegro inquieto - Andantino - Allegro inquieto - Andantino - Allegro inquieto | — | ||
| 40-6 | Piano Sonata no. 7 in B-flat major, op. 83: II. Andante caloroso - Poco più animato - Più largamente - Un poco agitato - Tempo I | — | ||
| 40-7 | Piano Sonata no. 7 in B-flat major, op. 83: III. Precipitato | — | ||
| 40-8 | Piano Sonata no. 8 in B-flat major, op. 84: I. Andante dolce - Allegro moderato - Andante - Andante dolce come prima - Allegro | — | ||
| 40-9 | Piano Sonata no. 8 in B-flat major, op. 84: II. Andante sognando | — | ||
| 40-10 | Piano Sonata no. 8 in B-flat major, op. 84: III. Vivace - Allegro ben marcato - Andantino - Vivace | — | ||
| 41-1 | Fantasia in C minor, K. 475 | — | ||
| 41-2 | Sonata no. 17 in B-flat major, K. 570: I. Allegro | — | ||
| 41-3 | Sonata no. 17 in B-flat major, K. 570: II. Adagio | — | ||
| 41-4 | Sonata no. 17 in B-flat major, K. 570: III. Allegretto | — | ||
| 41-5 | Sonata no. 14 in C minor, K. 457: I. Molto allegro | — | ||
| 41-6 | Sonata no. 14 in C minor, K. 457: II. Adagio | — | ||
| 41-7 | Sonata no. 14 in C minor, K. 457: III. Allegro assai | — | ||
| 41-8 | Adagio in B minor, K. 540 | — | ||
| 41-9 | Sonata no. 9 in D major, K. 311: I. Allegro con spirito | — | ||
| 41-10 | Sonata no. 9 in D major, K. 311: II. Andantino con espressione | — | ||
| 41-11 | Sonata no. 9 in D major, K. 311: III. Rondeau: Allegro | — | ||
| 42-1 | Myrthen, op. 25: No. 1. Widmung "Du meine Seele, du mein Herz" | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-2 | Myrthen, op. 25: No. 3. Der Nußbaum "Es grunet ein Nußbaum" | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-3 | Myrthen, op. 25: No. 7. Die Lotosblume "Die Lotosblume angstigt sich" | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-4 | Myrthen, op. 25: No. 9. Lied der Suleika "Wie, mit innigstem Behagen" | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-5 | Er ist gekommen in Sturm und Regen, op. 12 no. 1 | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-6 | Liebst du um Schönheit, op. 12 no. 2 | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-7 | Das Veilchen | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-8 | Lorelei | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-9 | Mein Stern | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-10 | Frauenliebe und -leben, op. 42: No. 1. Seit ich ihn gesehen | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-11 | Frauenliebe und -leben, op. 42: No. 2. Er, der Herrlichste von allen | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-12 | Frauenliebe und -leben, op. 42: No. 3. Ich kann's nicht fassen, nicht glauben | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-13 | Frauenliebe und -leben, op. 42: No. 4. Du Ring an meinem Finger | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-14 | Frauenliebe und -leben, op. 42: No. 5. Helft mir, ihr Schwestern | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-15 | Frauenliebe und -leben, op. 42: No. 6. Süßer Freund, du blickest | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-16 | Frauenliebe und -leben, op. 42: No. 7. An meinem Herzen, an meiner Brust | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-17 | Frauenliebe und -leben, op. 42: No. 8. Nun hast du mir den ersten Schmerz getan | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-18 | Ich stand in dunklen Träumen, op. 13 no. 1 | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-19 | Sie liebten sich beide, op. 13 no. 2 | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-20 | Liebeszauber, op. 13 no. 3 | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-21 | Der Mond kommt still gegangen, op. 13 no. 4 | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-22 | Ich hab' in deinem Auge, op. 13 no. 5 | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-23 | Die stille Lotosblume, op. 13 no. 6 | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-24 | Liederkreis, op. 39: No. 3. Waldesgespräch "Es ist schon spat" | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-25 | Liederkreis, op. 39: No. 5. Mondnacht "Es war, als hatt' der Himmel die Erde still gekusst" | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-26 | Song Album for the Young, op. 79: No. 24. Er ist's | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-27 | Lieder und Gesänge (II) no. 1: Sehnsucht | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-28 | Minnespiel, op. 101: No 4. Mein schöner Stern! | Barbara Bonney, Vladimir Ashkenazy | — | |
| 42-29 | Song Album for the Young, op. 79: No. 29. Mignon | Barbara Bonney, Vladimir Ashkenazy | — | |
| 43-1 | Piano Trio no. 1 in B-flat major, D. 898: I. Allegro moderato | — | ||
| 43-2 | Piano Trio no. 1 in B-flat major, D. 898: II. Andante un poco mosso | — | ||
| 43-3 | Piano Trio no. 1 in B-flat major, D. 898: III. Scherzo: Allegro | — | ||
| 43-4 | Piano Trio no. 1 in B-flat major, D. 898: IV. Rondo: Allegro vivace | — | ||
| 44-1 | Piano Trio no. 2 in E-flat major, D. 929: I. Allegro | — | ||
| 44-2 | Piano Trio no. 2 in E-flat major, D. 929: II. Andante con moto | — | ||
| 44-3 | Piano Trio no. 2 in E-flat major, D. 929: III. Scherzo: Allegro moderato | — | ||
| 44-4 | Piano Trio no. 2 in E-flat major, D. 929: IV. Allegro moderato | — | ||
| 45-1 | 24 Preludes and Fugues, op. 87: No. 1 in C major: Prelude | — | ||
| 45-2 | 24 Preludes and Fugues, op. 87: No. 1 in C major: Fugue | — | ||
| 45-3 | 24 Preludes and Fugues, op. 87: No. 2 in A minor: Prelude | — | ||
| 45-4 | 24 Preludes and Fugues, op. 87: No. 2 in A minor: Fugue | — | ||
| 45-5 | 24 Preludes and Fugues, op. 87: No. 3 in G major: Prelude | — | ||
| 45-6 | 24 Preludes and Fugues, op. 87: No. 3 in G major: Fugue | — | ||
| 45-7 | 24 Preludes and Fugues, op. 87: No. 4 in E minor: Prelude | — | ||
| 45-8 | 24 Preludes and Fugues, op. 87: No. 4 in E minor: Fugue | — | ||
| 45-9 | 24 Preludes and Fugues, op. 87: No. 5 in D major: Prelude | — | ||
| 45-10 | 24 Preludes and Fugues, op. 87: No. 5 in D major: Fugue | — | ||
| 45-11 | 24 Preludes and Fugues, op. 87: No. 6 in B minor: Prelude | — | ||
| 45-12 | 24 Preludes and Fugues, op. 87: No. 6 in B minor: Fugue | — | ||
| 45-13 | 24 Preludes and Fugues, op. 87: No. 7 in A major: Prelude | — | ||
| 45-14 | 24 Preludes and Fugues, op. 87: No. 7 in A major: Fugue | — | ||
| 45-15 | 24 Preludes and Fugues, op. 87: No. 8 in F-sharp minor: Prelude | — | ||
| 45-16 | 24 Preludes and Fugues, op. 87: No. 8 in F-sharp minor: Fugue | — | ||
| 45-17 | 24 Preludes and Fugues, op. 87: No. 9 in E major: Prelude | — | ||
| 45-18 | 24 Preludes and Fugues, op. 87: No. 9 in E major: Fugue | — | ||
| 45-19 | 24 Preludes and Fugues, op. 87: No. 10 in C-sharp minor: Prelude | — | ||
| 45-20 | 24 Preludes and Fugues, op. 87: No. 10 in C-sharp minor: Fugue | — | ||
| 45-21 | 24 Preludes and Fugues, op. 87: No. 11 in B major: Prelude | — | ||
| 45-22 | 24 Preludes and Fugues, op. 87: No. 11 in B major: Fugue | — | ||
| 45-23 | 24 Preludes and Fugues, op. 87: No. 12 in G-sharp minor: Prelude | — | ||
| 45-24 | 24 Preludes and Fugues, op. 87: No. 12 in G-sharp minor: Fugue | — | ||
| 46-1 | 24 Preludes and Fugues, op. 87: No. 13 in F-sharp major: Prelude | — | ||
| 46-2 | 24 Preludes and Fugues, op. 87: No. 13 in F-sharp major: Fugue | — | ||
| 46-3 | 24 Preludes and Fugues, op. 87: No. 14 in E-flat minor: Prelude | — | ||
| 46-4 | 24 Preludes and Fugues, op. 87: No. 14 in E-flat minor: Fugue | — | ||
| 46-5 | 24 Preludes and Fugues, op. 87: No. 15 in D-flat major: Prelude | — | ||
| 46-6 | 24 Preludes and Fugues, op. 87: No. 15 in D-flat major: Fugue | — | ||
| 46-7 | 24 Preludes and Fugues, op. 87: No. 16 in B-flat minor: Prelude | — | ||
| 46-8 | 24 Preludes and Fugues, op. 87: No. 16 in B-flat minor: Fugue | — | ||
| 46-9 | 24 Preludes and Fugues, op. 87: No. 17 in A-flat major: Prelude | — | ||
| 46-10 | 24 Preludes and Fugues, op. 87: No. 17 in A-flat major: Fugue | — | ||
| 46-11 | 24 Preludes and Fugues, op. 87: No. 18 in F minor: Prelude | — | ||
| 46-12 | 24 Preludes and Fugues, op. 87: No. 18 in F minor: Fugue | — | ||
| 46-13 | 24 Preludes and Fugues, op. 87: No. 19 in E-flat major: Prelude | — | ||
| 46-14 | 24 Preludes and Fugues, op. 87: No. 19 in E-flat major: Fugue | — | ||
| 46-15 | 24 Preludes and Fugues, op. 87: No. 20 in C minor: Prelude | — | ||
| 46-16 | 24 Preludes and Fugues, op. 87: No. 20 in C minor: Fugue | — | ||
| 46-17 | 24 Preludes and Fugues, op. 87: No. 21 in B-flat major: Prelude | — | ||
| 46-18 | 24 Preludes and Fugues, op. 87: No. 21 in B-flat major: Fugue | — | ||
| 46-19 | 24 Preludes and Fugues, op. 87: No. 22 in G minor: Prelude | — | ||
| 46-20 | 24 Preludes and Fugues, op. 87: No. 22 in G minor: Fugue | — | ||
| 46-21 | 24 Preludes and Fugues, op. 87: No. 23 in F major: Prelude | — | ||
| 46-22 | 24 Preludes and Fugues, op. 87: No. 23 in F major: Fugue | — | ||
| 46-23 | 24 Preludes and Fugues, op. 87: No. 24 in D minor: Prelude | — | ||
| 46-24 | 24 Preludes and Fugues, op. 87: No. 24 in D minor: Fugue | — | ||
| 47-1 | Méditation, op. 72 no. 5 | — | ||
| 47-2 | Polka peu dansante, op. 51 no. 2 | — | ||
| 47-3 | Aveu passionné | — | ||
| 47-4 | Tendres Reproches, op. 72 no. 3 | — | ||
| 47-5 | Berceuse, op. 72 no. 2 | — | ||
| 47-6 | Les Saisons, op. 37a: Janvier: Au coin du feu | — | ||
| 47-7 | Les Saisons, op. 37a: Février: Carnaval | — | ||
| 47-8 | Les Saisons, op. 37a: Mars: Chant de l'alouette | — | ||
| 47-9 | Les Saisons, op. 37a: Avril: Pence-neige | — | ||
| 47-10 | Les Saisons, op. 37a: Mai: Les Nuits de mai | — | ||
| 47-11 | Les Saisons, op. 37a: Juin: Barcarolle | Vladimir Ashkenazy | — | |
| 47-12 | Les Saisons, op. 37a: Juillet: Chant du faucher | — | ||
| 47-13 | Les Saisons, op. 37a: Août: La Moisson | — | ||
| 47-14 | Les Saisons, op. 37a: Septembre: La Chasse | — | ||
| 47-15 | Les Saisons, op. 37a: Octobre: Chant d'automne | — | ||
| 47-16 | Les Saisons, op. 37a: Novembre: Troika | — | ||
| 47-17 | Les Saisons, op. 37a: Decembre: Noël | — | ||
| 48-1 | Piano Sonata no. 2, op. 61: I. Allegretto | Vladimir Ashkenazy | — | |
| 48-2 | Piano Sonata no. 2, op. 61: II. Largo | Vladimir Ashkenazy | — | |
| 48-3 | Piano Sonata no. 2, op. 61: III. Moderato con moto | Vladimir Ashkenazy | — | |
| 48-4 | Three Fantastic Dances, op. 5: I. Allegretto | Vladimir Ashkenazy | — | |
| 48-5 | Three Fantastic Dances, op. 5: II. Andantino: Allegretto | Vladimir Ashkenazy | — | |
| 48-6 | Three Fantastic Dances, op. 5: III. Allegretto | Vladimir Ashkenazy | — | |
| 48-7 | Five Preludes: I. Allegro moderato e scherzando | Vladimir Ashkenazy | — | |
| 48-8 | Five Preludes: II. Andante | Vladimir Ashkenazy | — | |
| 48-9 | Five Preludes: III. Allegro moderato | Vladimir Ashkenazy | — | |
| 48-10 | Five Preludes: IV. Moderato | Vladimir Ashkenazy | — | |
| 48-11 | Five Preludes: V. Andantino | Vladimir Ashkenazy | — | |
| 48-12 | Lyric Waltz (from Dances of the Dolls) | Vladimir Ashkenazy | — | |
| 48-13 | Short Piece (from The Gadfly, op. 97) | Vladimir Ashkenazy | — | |
| 48-14 | Spanish Dance (from The Gadfly, op. 97) | Vladimir Ashkenazy | — | |
| 48-15 | Nocturne (from The Limpid Stream, op. 39) | Vladimir Ashkenazy | — | |
| 48-16 | Aphorisms, op. 13: I. Recitative | Vladimir Ashkenazy | — | |
| 48-17 | Aphorisms, op. 13: II. Serenade | Vladimir Ashkenazy | — | |
| 48-18 | Aphorisms, op. 13: III. Nocturne | Vladimir Ashkenazy | — | |
| 48-19 | Aphorisms, op. 13: IV. Elegy | Vladimir Ashkenazy | — | |
| 48-20 | Aphorisms, op. 13: V. Marche funèbre | Vladimir Ashkenazy | — | |
| 48-21 | Aphorisms, op. 13: VI. Etude | Vladimir Ashkenazy | — | |
| 48-22 | Aphorisms, op. 13: VII. Dance of Death | Vladimir Ashkenazy | — | |
| 48-23 | Aphorisms, op. 13: VIII. Canon | Vladimir Ashkenazy | — | |
| 48-24 | Aphorisms, op. 13: IX. Legend | Vladimir Ashkenazy | — | |
| 48-25 | Aphorisms, op. 13: X. Lullaby | Vladimir Ashkenazy | — | |
| 48-26 | Polka (from The Golden Age, op. 22) | Vladimir Ashkenazy | — | |
| 49-1 | Das Wohltemperierte Klavier: Book 1, BWV 846-869: Prelude in C major BWV 846 | Vladimir Ashkenazy | T-910.415.372-2 | |
| 49-2 | The Well-Tempered Clavier, Book I: No. 1 in C major, BWV 846: Fugue | — | ||
| 49-3 | The Well-Tempered Clavier, Book I: No. 2 in C minor, BWV 847: Prelude | — | ||
| 49-4 | The Well-Tempered Clavier, Book I: No. 2 in C minor, BWV 847: Fugue | — | ||
| 49-5 | The Well-Tempered Clavier, Book I: No. 3 in C-sharp major, BWV 848: Prelude | — | ||
| 49-6 | The Well-Tempered Clavier, Book I: No. 3 in C-sharp major, BWV 848: Fugue | — | ||
| 49-7 | The Well-Tempered Clavier, Book I: No. 4 in C-sharp minor, BWV 848: Prelude | — | ||
| 49-8 | The Well-Tempered Clavier, Book I: No. 4 in C-sharp minor, BWV 848: Fugue | — | ||
| 49-9 | The Well-Tempered Clavier, Book I: No. 5 in D major, BWV 850: Prelude | — | ||
| 49-10 | The Well-Tempered Clavier, Book I: No. 5 in D major, BWV 850: Fugue | — | ||
| 49-11 | The Well‐Tempered Clavier, Book I: No. 6 in D minor, BWV 851: Prelude | Vladimir Ashkenazy | — | |
| 49-12 | The Well-Tempered Clavier, Book I: No. 6 in D minor, BWV 851: Fugue | — | ||
| 49-13 | The Well-Tempered Clavier, Book I: No. 7 in E-flat major, BWV 852: Prelude | — | ||
| 49-14 | The Well-Tempered Clavier, Book I: No. 7 in E-flat major, BWV 852: Fugue | — | ||
| 49-15 | The Well-Tempered Clavier, Book I: No. 8 in E-flat minor/D-sharp minor, BWV 853: Prelude | — | ||
| 49-16 | The Well-Tempered Clavier, Book I: No. 8 in E-flat minor/D-sharp minor, BWV 853: Fugue | — | ||
| 49-17 | The Well-Tempered Clavier, Book I: No. 9 in E major, BWV 854: Prelude | — | ||
| 49-18 | The Well-Tempered Clavier, Book I: No. 9 in E major, BWV 854: Fugue | — | ||
| 49-19 | The Well-Tempered Clavier, Book I: No. 10 in E minor, BWV 855: Prelude | — | ||
| 49-20 | The Well-Tempered Clavier, Book I: No. 10 in E minor, BWV 855: Fugue | — | ||
| 49-21 | The Well-Tempered Clavier, Book I: No. 11 in F major, BWV 856: Prelude | — | ||
| 49-22 | The Well-Tempered Clavier, Book I: No. 11 in F major, BWV 856: Fugue | — | ||
| 49-23 | The Well-Tempered Clavier, Book I: No. 12 in F minor, BWV 857: Prelude | — | ||
| 49-24 | The Well-Tempered Clavier, Book I: No. 12 in F minor, BWV 857: Fugue | — | ||
| 49-25 | The Well-Tempered Clavier, Book I: No. 13 in F-sharp major, BWV 858: Prelude | — | ||
| 49-26 | The Well-Tempered Clavier, Book I: No. 13 in F-sharp major, BWV 858: Fugue | — | ||
| 49-27 | The Well-Tempered Clavier, Book I: No. 14 in F-sharp minor, BWV 859: Prelude | — | ||
| 49-28 | The Well-Tempered Clavier, Book I: No. 14 in F-sharp minor, BWV 859: Fugue | — | ||
| 49-29 | The Well-Tempered Clavier, Book I: No. 15 in G major, BWV 860: Prelude | — | ||
| 49-30 | The Well-Tempered Clavier, Book I: No. 15 in G major, BWV 860: Fugue | — | ||
| 49-31 | The Well-Tempered Clavier, Book I: No. 16 in G minor, BWV 861: Prelude | — | ||
| 49-32 | The Well-Tempered Clavier, Book I: No. 16 in G minor, BWV 861: Fugue | — | ||
| 49-33 | The Well-Tempered Clavier, Book I: No. 17 in A-flat major, BWV 862: Prelude | — | ||
| 49-34 | The Well-Tempered Clavier, Book I: No. 17 in A-flat major, BWV 862: Fugue | — | ||
| 49-35 | The Well-Tempered Clavier, Book I: No. 18 in G-sharp minor, BWV 863: Prelude | — | ||
| 49-36 | The Well-Tempered Clavier, Book I: No. 18 in G-sharp minor, BWV 863: Fugue | — | ||
| 50-1 | The Well-Tempered Clavier, Book I: Prelude No. 19 in A major, BWV 864 | Vladimir Ashkenazy | — | |
| 50-2 | The Well-Tempered Clavier, Book I: No. 19 in A major, BWV 864: Fugue | — | ||
| 50-3 | The Well-Tempered Clavier, Book I: No. 20 in A minor, BWV 865: Prelude | — | ||
| 50-4 | The Well-Tempered Clavier, Book I: No. 20 in A minor, BWV 865: Fugue | — | ||
| 50-5 | The Well-Tempered Clavier, Book I: No. 21 in B-flat major, BWV 866: Prelude | — | ||
| 50-6 | The Well-Tempered Clavier, Book I: No. 21 in B-flat major, BWV 866: Fugue | — | ||
| 50-7 | The Well-Tempered Clavier, Book I: No. 22 in B-flat minor, BWV 867: Prelude | — | ||
| 50-8 | The Well-Tempered Clavier, Book I: No. 22 in B-flat minor, BWV 867: Fugue | — | ||
| 50-9 | The Well-Tempered Clavier, Book I: No. 23 in B major, BWV 868: Prelude | — | ||
| 50-10 | The Well-Tempered Clavier, Book I: No. 23 in B major, BWV 868: Fugue | — | ||
| 50-11 | The Well-Tempered Clavier, Book I: No. 24 in B minor, BWV 869: Prelude | — | ||
| 50-12 | The Well-Tempered Clavier, Book I: No. 24 in B minor, BWV 869: Fugue | — | ||
| 50-13 | The Well-Tempered Clavier, Book II: No. 1 in C major, BWV 870: Prelude | — | ||
| 50-14 | The Well-Tempered Clavier, Book II: No. 1 in C major, BWV 870: Fugue | — | ||
| 50-15 | The Well-Tempered Clavier, Book II: No. 2 in C minor, BWV 871: Prelude | — | ||
| 50-16 | The Well-Tempered Clavier, Book II: No. 2 in C minor, BWV 871: Fugue | — | ||
| 50-17 | The Well-Tempered Clavier, Book II: No. 3 in C-sharp major, BWV 872: Prelude | — | ||
| 50-18 | The Well-Tempered Clavier, Book II: No. 3 in C-sharp major, BWV 872: Fugue | — | ||
| 50-19 | The Well-Tempered Clavier, Book II: No. 4 in C-sharp minor, BWV 873: Prelude | — | ||
| 50-20 | The Well-Tempered Clavier, Book II: No. 4 in C-sharp minor, BWV 873: Fugue | — | ||
| 50-21 | The Well-Tempered Clavier, Book II: No. 5 in D major, BWV 874: Prelude | — | ||
| 50-22 | The Well-Tempered Clavier, Book II: No. 5 in D major, BWV 874: Fugue | — | ||
| 50-23 | The Well-Tempered Clavier, Book II: No. 6 in D minor, BWV 875: Prelude | — | ||
| 50-24 | The Well-Tempered Clavier, Book II: No. 6 in D minor, BWV 875: Fugue | — | ||
| 50-25 | The Well-Tempered Clavier, Book II: No. 7 in E-flat major, BWV 876: Prelude | — | ||
| 50-26 | The Well-Tempered Clavier, Book II: No. 7 in E-flat major, BWV 876: Fugue | — | ||
| 50-27 | The Well-Tempered Clavier, Book II: No. 8 in D-sharp minor, BWV 877: Prelude | — | ||
| 50-28 | The Well-Tempered Clavier, Book II: No. 8 in D-sharp minor, BWV 877: Fugue | — | ||
| 50-29 | The Well-Tempered Clavier, Book II: No. 9 in E major, BWV 878: Prelude | — | ||
| 50-30 | The Well-Tempered Clavier, Book II: No. 9 in E major, BWV 878: Fugue | — | ||
| 51-1 | The Well-Tempered Clavier, Book II: No. 10 in E minor, BWV 879: Prelude | — | ||
| 51-2 | The Well-Tempered Clavier, Book II: No. 10 in E minor, BWV 879: Fugue | — | ||
| 51-3 | The Well-Tempered Clavier, Book II: No. 11 in F major, BWV 880: Prelude | — | ||
| 51-4 | The Well-Tempered Clavier, Book II: No. 11 in F major, BWV 880: Fugue | — | ||
| 51-5 | The Well-Tempered Clavier, Book II: No. 12 in F minor, BWV 881: Prelude | — | ||
| 51-6 | The Well-Tempered Clavier, Book II: No. 12 in F minor, BWV 881: Fugue | — | ||
| 51-7 | The Well-Tempered Clavier, Book II: No. 13 in F-sharp major, BWV 882: Prelude | — | ||
| 51-8 | The Well-Tempered Clavier, Book II: No. 13 in F-sharp major, BWV 882: Fugue | — | ||
| 51-9 | The Well-Tempered Clavier, Book II: No. 14 in F-sharp minor, BWV 883: Prelude | — | ||
| 51-10 | The Well-Tempered Clavier, Book II: No. 14 in F-sharp minor, BWV 883: Fugue | — | ||
| 51-11 | The Well-Tempered Clavier, Book II: No. 15 in G major, BWV 884: Prelude | — | ||
| 51-12 | The Well-Tempered Clavier, Book II: No. 15 in G major, BWV 884: Fugue | — | ||
| 51-13 | The Well-Tempered Clavier, Book II: No. 16 in G minor, BWV 885: Prelude | — | ||
| 51-14 | The Well-Tempered Clavier, Book II: No. 16 in G minor, BWV 885: Fugue | — | ||
| 51-15 | The Well-Tempered Clavier, Book II: No. 17 in A-flat major, BWV 886: Prelude | — | ||
| 51-16 | The Well-Tempered Clavier, Book II: No. 17 in A-flat major, BWV 886: Fugue | — | ||
| 51-17 | The Well-Tempered Clavier, Book II: No. 18 in G-sharp minor, BWV 887: Prelude | — | ||
| 51-18 | The Well-Tempered Clavier, Book II: No. 18 in G-sharp minor, BWV 887: Fugue | — | ||
| 51-19 | The Well-Tempered Clavier, Book II: No. 19 in A major, BWV 888: Prelude | — | ||
| 51-20 | The Well‐Tempered Clavier, Book II: Fugue no. 19 in A major, BWV 888 | Vladimir Ashkenazy | — | |
| 51-21 | The Well-Tempered Clavier, Book II: No. 20 in A minor, BWV 889: Prelude | — | ||
| 51-22 | The Well-Tempered Clavier, Book II: No. 20 in A minor, BWV 889: Fugue | — | ||
| 51-23 | The Well-Tempered Clavier, Book II: No. 21 in B-flat major, BWV 890: Prelude | — | ||
| 51-24 | The Well-Tempered Clavier, Book II: No. 21 in B-flat major, BWV 890: Fugue | — | ||
| 51-25 | The Well-Tempered Clavier, Book II: No. 22 in B-flat minor, BWV 891: Prelude | — | ||
| 51-26 | The Well-Tempered Clavier, Book II: No. 22 in B-flat minor, BWV 891: Fugue | — | ||
| 51-27 | The Well-Tempered Clavier, Book II: No. 23 in B major, BWV 892: Prelude | — | ||
| 51-28 | The Well-Tempered Clavier, Book II: No. 23 in B major, BWV 892: Fugue | — | ||
| 51-29 | The Well-Tempered Clavier, Book II: No. 24 in B minor, BWV 893: Prelude | — | ||
| 51-30 | The Well-Tempered Clavier, Book II: No. 24 in B minor, BWV 893: Fugue | — | ||
| 52-1 | 33 Piano Variations, op. 120: Tema (Vivace) - Variation I (Alla marcia maestoso) | Vladimir Ashkenazy | — | |
| 52-2 | 33 Piano Variations, op. 120: Variation 2 (Poco allegro) | Vladimir Ashkenazy | — | |
| 52-3 | 33 Piano Variations, op. 120: Variation 3 (L'istesso tempo) | Vladimir Ashkenazy | — | |
| 52-4 | 33 Piano Variations, op. 120: Variation 4 (Un poco più vivace) | Vladimir Ashkenazy | — | |
| 52-5 | 33 Piano Variations, op. 120: Variation 5 (Allegro vivace) | Vladimir Ashkenazy | — | |
| 52-6 | 33 Piano Variations, op. 120: Variation 6 (Allegro ma non troppo e serioso) | Vladimir Ashkenazy | — | |
| 52-7 | 33 Piano Variations, op. 120: Variation 7 (Un poco più allegro) | Vladimir Ashkenazy | — | |
| 52-8 | 33 Piano Variations, op. 120: Variation 8 (Poco vivace) | Vladimir Ashkenazy | — | |
| 52-9 | 33 Piano Variations, op. 120: Variation 9 (Allegro pesante e risoluto) | Vladimir Ashkenazy | — | |
| 52-10 | 33 Piano Variations, op. 120: Variation 10 (Presto) | Vladimir Ashkenazy | — | |
| 52-11 | 33 Piano Variations, op. 120: Variation 11 (Allegretto) | Vladimir Ashkenazy | — | |
| 52-12 | 33 Piano Variations, op. 120: Variation 12 (Un poco più moto) | Vladimir Ashkenazy | — | |
| 52-13 | 33 Piano Variations, op. 120: Variation 13 (Vivace) | Vladimir Ashkenazy | — | |
| 52-14 | 33 Piano Variations, op. 120: Variation 14 (Grave e maestoso) | Vladimir Ashkenazy | — | |
| 52-15 | 33 Piano Variations, op. 120: Variation 15 (Presto scherzando) | Vladimir Ashkenazy | — | |
| 52-16 | 33 Piano Variations, op. 120: Variation 16 (Allegro) | Vladimir Ashkenazy | — | |
| 52-17 | 33 Piano Variations, op. 120: Variation 17 | Vladimir Ashkenazy | — | |
| 52-18 | 33 Piano Variations, op. 120: Variation 18 (Poco moderato) | Vladimir Ashkenazy | — | |
| 52-19 | 33 Piano Variations, op. 120: Variation 19 (Presto) | Vladimir Ashkenazy | — | |
| 52-20 | 33 Piano Variations, op. 120: Variation 20 (Andante) | Vladimir Ashkenazy | — | |
| 52-21 | 33 Piano Variations, op. 120: Variation 21 (Allegro con brio - Meno allegro - Tempo I) | Vladimir Ashkenazy | — | |
| 52-22 | 33 Piano Variations, op. 120: Variation 22 (Allegro molto): Alla "Notte e giorno faticar" di Mozart | Vladimir Ashkenazy | — | |
| 52-23 | 33 Piano Variations, op. 120: Variation 23 (Allegro assai) | Vladimir Ashkenazy | — | |
| 52-24 | 33 Piano Variations, op. 120: Variation 24 Fughetta (Andante) | Vladimir Ashkenazy | — | |
| 52-25 | 33 Piano Variations, op. 120: Variation 25 (Allegro) | Vladimir Ashkenazy | — | |
| 52-26 | 33 Piano Variations, op. 120: Variation 26 | Vladimir Ashkenazy | — | |
| 52-27 | 33 Piano Variations, op. 120: Variation 27 (Vivace) | Vladimir Ashkenazy | — | |
| 52-28 | 33 Piano Variations, op. 120: Variation 28 (Allegro) | Vladimir Ashkenazy | — | |
| 52-29 | 33 Piano Variations, op. 120: Variation 29 (Adagio ma non troppo) | Vladimir Ashkenazy | — | |
| 52-30 | 33 Piano Variations, op. 120: Variation 30 (Andante, sempre cantabile) | Vladimir Ashkenazy | — | |
| 52-31 | 33 Piano Variations, op. 120: Variation 31 (Largo, molto espressivo) | Vladimir Ashkenazy | — | |
| 52-32 | 33 Piano Variations, op. 120: Variation 32 Fuga (Allegro - Poco adagio) | Vladimir Ashkenazy | — | |
| 52-33 | 33 Piano Variations, op. 120: Variation 33 (Tempo di minuetto moderato, ma non tirarsi dietro) | Vladimir Ashkenazy | — | |
| 52-34 | 12 Variations on the Russian Dance from the Ballet "Das Waldmadschen", WoO 71 | Vladimir Ashkenazy | — | |
| 53-1 | Partita for Violin Solo no. 3 in E, BWV 1006 (arr. by Rachmaninov): 1. Preludio | Vladimir Ashkenazy | T-041.917.934-2 | |
| 53-2 | Partita for Violin Solo no. 3 in E, BWV 1006 (arr. by Rachmaninov): 3. Gavotte | Vladimir Ashkenazy | T-902.821.642-4 | |
| 53-3 | Partita for Violin Solo no. 3 in E, BWV 1006 (arr. by Rachmaninov): 6. Gigue | Vladimir Ashkenazy | T-900.766.423-5 | |
| 53-4 | Die schöne Müllerin, D. 795: Wohin? (transcribed by Rachmaninov) | Vladimir Ashkenazy | T-011.751.253-4 | |
| 53-5 | A Midsummer Night's Dream, op. 61: Scherzo (arr. by Rachmaninov) | Vladimir Ashkenazy | T-905.312.129-2 | |
| 53-6 | L'Arlésienne Suite no. 1: Menuet (transcribed by Rachmaninov) | Vladimir Ashkenazy | — | |
| 53-7 | Sorochintsy Fair: Hopak (transcribed by Rachmaninov) | Vladimir Ashkenazy | — | |
| 53-8 | The Flight of the Bumble-Bee (transcribed by Rachmaninov) | Vladimir Ashkenazy | T-900.766.425-7 | |
| 53-9 | Lullaby, op. 16 no. 1 (transcribed by Rachmaninov) | Vladimir Ashkenazy | — | |
| 53-10 | Lachtäuben as "Polka de W.R." (arr. by Rachmaninov) | Vladimir Ashkenazy | — | |
| 53-11 | Lilacs, op. 21 no. 5 (arr. for piano by composer) | Vladimir Ashkenazy | — | |
| 53-12 | Margaritki, op. 38 no. 3 (arr. for piano by composer) | Vladimir Ashkenazy | T-902.891.143-5 | |
| 53-13 | Liebesleid (arr. by Rachmaninov) | Vladimir Ashkenazy | — | |
| 53-14 | Liebesfreud (arr. by Rachmaninov) | Vladimir Ashkenazy | — | |
| 53-15 | Six Pieces, op. 11: No. 1. Barcarolle | Vladimir Ashkenazy, Vovka Ashkenazy | — | |
| 53-16 | Six Pieces, op. 11: No. 2. Scherzo | Vladimir Ashkenazy, Vovka Ashkenazy | — | |
| 53-17 | Six Pieces, op. 11: No. 3. Russian Theme | Vladimir Ashkenazy, Vovka Ashkenazy | — | |
| 53-18 | Six Pieces, op. 11: No. 4. Waltz | Vladimir Ashkenazy, Vovka Ashkenazy | — | |
| 53-19 | Six Pieces, op. 11: No. 5. Romance | Vladimir Ashkenazy, Vovka Ashkenazy | — | |
| 53-20 | Six Pieces, op. 11: No. 6. Slava (Glory) | Vladimir Ashkenazy, Vovka Ashkenazy | — | |
| 53-21 | Waltz in A (6 hands) | Thorunn Ashkenazy, Vladimir Ashkenazy, Vovka Ashkenazy | — | |
| 53-22 | Romance in A (6 hands) | Thorunn Ashkenazy, Vladimir Ashkenazy, Vovka Ashkenazy | — | |
| 53-23 | Italian Polka (for 4-handed piano & trumpet) | Vladimir Ashkenazy, Vovka Ashkenazy, Alistair Mackie | — | |
| 53-24 | The Star-Spangled Banner (transcribed by Rachmaninov) | Vladimir Ashkenazy | T-902.271.705-1 | |
| 54-1 | Trio élégiaque no. 1 in G minor for Piano, Violin and Cello | — | ||
| 54-2 | Trio élégiaque no. 2 in D minor for Piano, Violin and Cello, op. 9: I. Moderato - Allegro vivace | — | ||
| 54-3 | Trio élégiaque no. 2 in D minor for Piano, Violin and Cello, op. 9: II. Quasi variazione | — | ||
| 54-4 | Trio élégiaque no. 2 in D minor for Piano, Violin and Cello, op. 9: III. Allegro risoluto | — | ||
| 54-5 | Vocalise, op. 34 no. 14 | — | ||
| 54-6 | A Dream (Son), op. 38 no. 5 | — | ||
| 55-1 | Walking in the Air (excerpt “Lifecycle”), op. 310 | Vladimir Ashkenazy | T-010.055.180-1 | |
| 55-2 | The Changeling, op. 274: Music Box Theme | — | ||
| 55-3 | The Duellists, op. 247: Lara's Theme | — | ||
| 55-4 | Prelude fpr Vova, op. 640 | — | ||
| 55-5 | Speech After Long Silence, op. 610 | — | ||
| 55-6 | 8 Piano Pieces (from op. 177): 1. Prelude | — | ||
| 55-7 | 8 Piano Pieces (from op. 177): 2. Nocturne | — | ||
| 55-8 | 8 Piano Pieces (from op. 177): 3. Impromptu | — | ||
| 55-9 | 8 Piano Pieces (from op. 177): 4. Toccatina | — | ||
| 55-10 | 8 Piano Pieces (from op. 177): 5. Mazurka | — | ||
| 55-11 | 8 Piano Pieces (from op. 177): 6. Walking Song | — | ||
| 55-12 | 8 Piano Pieces (from op. 177): 7. Chaconne in D minor | — | ||
| 55-13 | 8 Piano Pieces (from op. 177): 8. Scherzo in D major | — | ||
| 55-14 | Dances for 2 Pianos, op. 217a: 1. Parade | — | ||
| 55-15 | Dances for 2 Pianos, op. 217a: 2. Slow Ragtime | — | ||
| 55-16 | Dances for 2 Pianos, op. 217a: 3. Jump | — | ||
| 55-17 | Dances for 2 Pianos, op. 217a: 4. Medium Rock | — | ||
| 55-18 | Dances for 2 Pianos, op. 217a: 5. Folk Ballad | — | ||
| 55-19 | Dances for 2 Pianos, op. 217a: 6. Boogie | — | ||
| 55-20 | Dances for 2 Pianos, op. 217a: 7. Jazz Waltz | — | ||
| 55-21 | Dances for 2 Pianos, op. 217a: 8. Cha-cha | — | ||
| 55-22 | Dances for 2 Pianos, op. 217a: 9. Galop | — | ||
| 55-23 | Sonata for 2 Pianos, op. 130: I. Allegro | — | ||
| 55-24 | Sonata for 2 Pianos, op. 130: II. Lento | — | ||
| 55-25 | Sonata for 2 Pianos, op. 130: III. Scherzando | — | ||
| 55-26 | Sonata for 2 Pianos, op. 130: IV. Presto | — | ||
| 55-27 | Piano Fantasy, op. 1 | — | ||
| 55-28 | 4 Easy Pieces, op. 1b | — | ||
| 55-29 | Romanza, op. 5f | — | ||
| 55-30 | Haiku for Yu-Chee | — | ||
| 55-31 | Parting, op. 650a | — | ||
| 56-1 | Piano Trio no. 1 in C minor, op. 8 | — | ||
| 56-2 | Piano Trio no. 2 in E minor, op. 67: I. Andante - Moderato - Poco più mosso | — | ||
| 56-3 | Piano Trio no. 2 in E minor, op. 67: II. Allegro con brio | — | ||
| 56-4 | Piano Trio no. 2 in E minor, op. 67: III. Largo | — | ||
| 56-5 | Piano Trio no. 2 in E minor, op. 67: IV. Allegretto - Adagio | — | ||
| 56-6 | Sonata for Viola and Piano, op. 147: I. Moderato | — | ||
| 56-7 | Sonata for Viola and Piano, op. 147: II. Allegretto | — | ||
| 56-8 | Sonata for Viola and Piano, op. 147: III. Adagio | — |
