UPC · Release
Various Artists
Last verified:
The UPC for “Decca Sound: The Piano Edition” by Various Artists is 028948322435. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Decca. This release contains 769 tracks, each with its own ISRC. Tracks include GBF077230601, GBF077230602, GBF077230603.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | — | ||
| 2 | Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo | — | ||
| 3 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | — | ||
| 4 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | — | ||
| 5 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio | — | ||
| 6 | Piano Concerto no. 1 in E-flat major, S. 124: III. Allegrotto vivace | — | ||
| 7 | Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | — | ||
| 8 | Piano Concerto no. 2 in A major, S. 125: Adagio sostenuto assai | — | ||
| 9 | Piano Concerto no. 2 in A major, S. 125: Allegro moderato | — | ||
| 10 | Piano Concerto no. 2 in A major, S. 125: Allegro deciso | — | ||
| 11 | Piano Concerto no. 2 in A major, S. 125: Allegro animato | — | ||
| 2-1 | Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 2-2 | Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 2-3 | Piano Concerto no. 2 in B-flat major, op. 83: III. Andante | — | ||
| 2-4 | Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | — | ||
| 2-5 | Piano Concerto no. 3 in C major, op. 26: I. Andante | — | ||
| 2-6 | Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni | — | ||
| 2-7 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | — | ||
| 3-1 | 12 Etudes, op. 10: No. 1 in C major | Vladimir Ashkenazy | T-329.456.966-3 | |
| 3-2 | 12 Etudes, op. 10: No. 2 in A minor "chromatique" | Vladimir Ashkenazy | T-329.458.384-5 | |
| 3-3 | Etude in E major, op. 10 no. 3 “Tristesse” | Vladimir Ashkenazy | T-039.190.232-1 | |
| 3-4 | 12 Etudes, op. 10: No. 4 in C-sharp minor | Vladimir Ashkenazy | T-329.457.500-7 | |
| 3-5 | Etude in G‐flat major, op. 10 no. 5 “Black Key” | Vladimir Ashkenazy | T-329.453.534-1 | |
| 3-6 | Etude, Op. 10 No. 6 in E-flat minor | Vladimir Ashkenazy | T-329.458.108-7 | |
| 3-7 | Etude, Op. 10 No. 7 in C major | Vladimir Ashkenazy | T-329.457.242-8 | |
| 3-8 | 12 Etudes, op. 10: No. 8 in F major | Vladimir Ashkenazy | T-329.458.487-1 | |
| 3-9 | 12 Etudes, op. 10: No. 9 in F minor | — | ||
| 3-10 | Etude, Op. 10 No. 10 in A-flat major | Vladimir Ashkenazy | T-329.454.326-9 | |
| 3-11 | Etude, Op. 10 No. 11 in E-flat major | Vladimir Ashkenazy | T-329.456.687-9 | |
| 3-12 | Etude in C minor, op. 10 no. 12 “Revolutionary” | Vladimir Ashkenazy | T-000.794.797-8 | |
| 3-13 | Etude, Op. 25 No. 1 in A-flat major | Vladimir Ashkenazy | — | |
| 3-14 | Etude, Op. 25 No. 2 in F minor | Vladimir Ashkenazy | T-329.456.945-8 | |
| 3-15 | Etude, Op. 25 No. 3 in F major | Vladimir Ashkenazy | T-329.456.945-8 | |
| 3-16 | 12 Etudes, op. 25: No. 4 in A minor | Vladimir Ashkenazy | T-329.457.500-7 | |
| 3-17 | 12 Etudes, op. 25: No. 5 in E minor | Vladimir Ashkenazy | T-329.458.108-7 | |
| 3-18 | 12 Etudes, op. 25: No. 6 in G-sharp minor | Vladimir Ashkenazy | — | |
| 3-19 | 12 Etudes, op. 25: No. 7 in C-sharp minor | Vladimir Ashkenazy | — | |
| 3-20 | 12 Etudes, op. 25: No. 8 in D-flat major | Vladimir Ashkenazy | — | |
| 3-21 | Etudes, Op. 25: No. 9 in G-flat major | Vladimir Ashkenazy | — | |
| 3-22 | 12 Etudes, op. 25: No. 10 in B minor | Vladimir Ashkenazy | T-329.456.945-8 | |
| 3-23 | Etude in A minor, op. 25 no. 11 “Winter Wind” | Vladimir Ashkenazy | T-308.381.369-4 | |
| 3-24 | Etude, Op. 25 No. 12 in C minor | Vladimir Ashkenazy | T-310.766.142-3 | |
| 3-25 | 3 Nouvelles Etudes op. posth "Methode Des Methodes": Etude in F minor | — | ||
| 3-26 | 3 Nouvelles Etudes op. posth "Methode Des Methodes": Etude in A-flat major | — | ||
| 3-27 | 3 Nouvelles Etudes op. posth "Methode Des Methodes": Etude in D-flat major | — | ||
| 4-1 | Suite no. 1 for 2 Pianos, op. 5: 1. Barcarolle | Vladimir Ashkenazy, André Previn | — | |
| 4-2 | Suite no. 1 for 2 Pianos, op. 5: 2. A night for love | Vladimir Ashkenazy, André Previn | — | |
| 4-3 | Suite no. 1 for 2 Pianos, op. 5: 3. Tears | Vladimir Ashkenazy, André Previn | — | |
| 4-4 | Suite no. 1 for Two Pianos, op. 5: IV. Pâques: Allegro maestoso | Vladimir Ashkenazy, André Previn | — | |
| 4-5 | Suite no. 2 for 2 Pianos, op. 17: I. Introduction: Alla marcia | Vladimir Ashkenazy, André Previn | T-000.768.497-0 | |
| 4-6 | Suite no. 2 for 2 Pianos, op. 17: II. Valse: Presto | Vladimir Ashkenazy, André Previn | — | |
| 4-7 | Suite no. 2 for 2 Pianos, op. 17: III. Romance: Andantino | Vladimir Ashkenazy, André Previn | — | |
| 4-8 | Suite no. 2 for 2 Pianos, op. 17: IV. Tarantelle | Vladimir Ashkenazy, André Previn | — | |
| 4-9 | Symphonic Dances for 2 Pianos, op. 45: I. Non allegro - Lento - Tempo I | Vladimir Ashkenazy, André Previn | — | |
| 4-10 | Symphonic Dances for 2 Pianos, op. 45: II. Andante con moto (Tempo di valse) | Vladimir Ashkenazy, André Previn | — | |
| 4-11 | Symphonic Dances for 2 Pianos, op. 45: III. Lento assai - Allegro vivace | Vladimir Ashkenazy, André Previn | — | |
| 5-1 | Piano Sonata no. 8 in C minor, op. 13 "Pathetique": I. Grave | — | ||
| 5-2 | Piano Sonata no. 8 in C minor, op. 13 "Pathetique": II. Adagio Cantabile | — | ||
| 5-3 | Piano Sonata no. 8 in C minor, op. 13 "Pathetique": III. Rondo | — | ||
| 5-4 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": I. Largo | — | ||
| 5-5 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": II. Adagio | — | ||
| 5-6 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": III. Allegretto | — | ||
| 5-7 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": I. Adagio | — | ||
| 5-8 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": II. Andante Espressivo | — | ||
| 5-9 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Vivacissimamente | — | ||
| 6-1 | Piano Sonata no. 25 in G major, op. 79: I. Presto alla tedesca | — | ||
| 6-2 | Piano Sonata no. 25 in G major, op. 79: II. Andante | — | ||
| 6-3 | Piano Sonata no. 25 in G major, op. 79: III. Vivace | — | ||
| 6-4 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso | — | ||
| 6-5 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta | — | ||
| 6-6 | Impromptu in A-flat major, op. 142 no. 2, D 935: Allegretto | — | ||
| 6-7 | Warum? Fantasiestücke, op. 12 no. 3 | — | ||
| 6-8 | Valse-Caprice in A minor, S 427 no. 6 | — | ||
| 6-9 | Intermezzo in C major, op. 119 no. 3 | — | ||
| 6-10 | Piano Sonata no. 48 in C major, Hob. XVI:48: I. Andante con espressione | — | ||
| 6-11 | Piano Sonata no. 48 in C major, Hob. XVI:48: II. Rondo | — | ||
| 6-12 | Piano Sonata no. 52 in E-flat major, Hob. XVI:52: I. Allegro | — | ||
| 6-13 | Piano Sonata no. 52 in E-flat major, Hob. XVI:52: II. Adagio | — | ||
| 6-14 | Piano Sonata no. 52 in E-flat major, Hob. XVI:52: III. Finale | — | ||
| 6-15 | Piano Sonata no. 34 in E minor, Hob. XVI:34: I. Presto | — | ||
| 6-16 | Piano Sonata no. 34 in E minor, Hob. XVI:34: II. Adagio | — | ||
| 6-17 | Piano Sonata no. 34 in E minor, Hob. XVI:34: III. Vivace molto | — | ||
| 6-18 | Fantasia in C major, Hob. XVII:4 | — | ||
| 7-1 | Étude No. 1 in C major (Diatonic; Chopin Op. 10 No. 1) | — | ||
| 7-2 | Étude No. 5 in D-flat major (For the Left Hand Alone; Op. 10 No. 3) | — | ||
| 7-3 | Étude No. 7 in G-flat major (On the Black Keys; Op. 10 No. 5) | — | ||
| 7-4 | Étude No. 12 in G-flat major (Inversion, on the Black Keys; Op. 10 No. 5) | — | ||
| 7-5 | Étude No. 13 in E-flat minor (For the Left Hand Alone; Op. 10 No. 6) | — | ||
| 7-6 | Étude No. 15 in G-flat major ("Nocturne"; Op. 10 No. 7) | — | ||
| 7-7 | Étude No. 25 in A-flat major (Op. 25 No. 1) | — | ||
| 7-8 | Étude No. 44 in F minor (For the Left Hand Alone; Trois Nouvelles Études, Op. Posth. No. 1) | — | ||
| 7-9 | Waltz No. 6 in D-flat major (Op. 64 No. 1) | — | ||
| 7-10 | Waltz No. 8 in A-flat major (Op. 64 No. 3) | — | ||
| 7-11 | Waltz No. 9 in A-flat major (Op. 69 No. 1) | — | ||
| 7-12 | Waltz No. 12 in F minor (Op. 70 No. 2) | — | ||
| 7-13 | Waltz No. 13 in D-flat major (Op. 70 No. 3) | — | ||
| 7-14 | Concert Paraphrase in E-flat major (Grande Valse Brillante, Op. 18) | — | ||
| 8-1 | Die Forelle, S. 564 Piano Transcription After Schubert | — | ||
| 8-2 | Der Müller Und Der Bach (After Schubert) | — | ||
| 8-3 | Wohin?, S. 565/5 (After Schubert) | — | ||
| 8-4 | Lebe Wohl!, S. 563/1 (After Schubert) | — | ||
| 8-5 | Das Wandern, S. 565/1 (After Schubert) | — | ||
| 8-6 | Der Lindenbaum, S. 246/7 (After Schubert) | — | ||
| 8-7 | Ständchen ("Horch, Horch! Die Lerch"), S. 558 No. 9 Piano Transcription After Schubert | — | ||
| 8-8 | Auf Dem Wasser Zu Singen, S. 558 No. 2 Piano Transcription After Schubert | — | ||
| 8-9 | Die Post, S. 561/4 (After Schubert) | — | ||
| 8-10 | Schwanengesang, S. 560 - Piano Transcriptions After Schubert: No.3 Aufenthalt | — | ||
| 8-11 | Lob Der Tränen, S. 557 (After Schubert) | — | ||
| 8-12 | Erlkonig (Schubert) | Jorge Bolet | — | |
| 9-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non troppo | Shura Cherkassky, Royal Philharmonic Orchestra, Yuri Temirkanov | — | |
| 9-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo | Shura Cherkassky, Royal Philharmonic Orchestra, Yuri Temirkanov | — | |
| 9-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale: Alla breve | Shura Cherkassky, Royal Philharmonic Orchestra, Yuri Temirkanov | — | |
| 9-4 | Piano Concerto No.4 in D minor Op.70 - I. Moderato Assai | — | ||
| 9-5 | Piano Concerto No.4 in D minor Op.70 - II. Andante | — | ||
| 9-6 | Piano Concerto No.4 in D minor Op.70 - III. Allegro | — | ||
| 10-1 | Wein, Weib Und Gesang, op. 333 | — | ||
| 10-2 | The Swan | — | ||
| 10-3 | Tambourin | — | ||
| 10-4 | Waltz-Poem IV | — | ||
| 10-5 | Moment Musical no. 3 in F minor | — | ||
| 10-6 | Tango, op. 165 no. 2 | — | ||
| 10-7 | Alt Wien | — | ||
| 10-8 | Kaleidoscope, op. 40 no. 4 | — | ||
| 10-9 | Melody in F major, op. 3 no. 1 | Shura Cherkassky | — | |
| 10-10 | Nocturne in C-sharp minor, op. 19 no. 4 | — | ||
| 10-11 | Waltz in D major, op. 42 no. 3 | — | ||
| 10-12 | Autrefois, op. 87 | — | ||
| 10-13 | Capriccio Espagnole, op. 37 | — | ||
| 10-14 | Prelude in G minor, op. 23 no. 5 | — | ||
| 10-15 | Barcarolle in G minor, op. 10 no. 3 | — | ||
| 10-16 | Melodie in E major, op. 3 no. 3 | — | ||
| 10-17 | Prelude in G-sharp minor, op. 32 no. 12 | — | ||
| 10-18 | Prelude in C-sharp minor, op. 3 no. 2 | — | ||
| 11-1 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - I. Introduzione Col Basso Del Tema | — | ||
| 11-2 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation I | — | ||
| 11-3 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation II | — | ||
| 11-4 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation III | — | ||
| 11-5 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation IV | — | ||
| 11-6 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation V | — | ||
| 11-7 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation VI | — | ||
| 11-8 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation VII | — | ||
| 11-9 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation VIII | — | ||
| 11-10 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation IX | — | ||
| 11-11 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation X | — | ||
| 11-12 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation XI | — | ||
| 11-13 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation XII | — | ||
| 11-14 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation XIII | — | ||
| 11-15 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation XIV | — | ||
| 11-16 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation XV | — | ||
| 11-17 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Finale | — | ||
| 11-18 | 6 Moments Musicaux D780 - I. Moderato | — | ||
| 11-19 | 6 Moments Musicaux D780 - II. Andantino | — | ||
| 11-20 | 6 Moments Musicaux D780 - III. Allegro Moderato | — | ||
| 11-21 | 6 Moments Musicaux D780 - IV. Moderato | — | ||
| 11-22 | 6 Moments Musicaux D780 - V. Allegro Vivace | — | ||
| 11-23 | 6 Moments Musicaux D780 - VI. Allegretto | — | ||
| 11-24 | Introduction and Rondo Alla Burlesca Op.23 No.1 | — | ||
| 11-25 | Mazurka Elegiaca Op.23 No.2 | — | ||
| 12-1 | Piano Concerto no. 20 in D minor, K. 466: I. Allegro | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-001.312.909-3 | |
| 12-2 | Piano Concerto no. 20 in D minor, K. 466: II. Romance | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | — | |
| 12-3 | Piano Concerto no. 20 in D minor, K. 466: III. Rondo: Allegro assai | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-306.395.786-4 | |
| 12-4 | Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-011.619.733-1 | |
| 12-5 | Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-926.819.124-8 | |
| 12-6 | Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-306.395.786-4 | |
| 13-1 | Piano Concerto no. 23 in A major, K. 488: I. Allegro | Clifford Curzon, London Symphony Orchestra, István Kertész | T-011.619.733-1 | |
| 13-2 | Piano Concerto no. 23 in A major, K. 488: II. Adagio | Sir Clifford Curzon, London Symphony Orchestra, István Kertész | T-802.445.410-3 | |
| 13-3 | Piano Concerto no. 23 in A major, K. 488: III. Allegro assai | Clifford Curzon, London Symphony Orchestra, István Kertész | T-306.395.786-4 | |
| 13-4 | Piano Concerto no. 24 in C minor, K. 491: I .Allegro | Clifford Curzon, London Symphony Orchestra, István Kertész | T-001.312.909-3 | |
| 13-5 | Piano Concerto no. 24 in C minor, K. 491: II. Larghetto | Clifford Curzon, London Symphony Orchestra, István Kertész | T-926.819.124-8 | |
| 13-6 | Piano Concerto no. 24 in C minor, K. 491: III. Allegretto | Clifford Curzon, London Symphony Orchestra, István Kertész | — | |
| 14-1 | Souvenirs d’Andalousie | — | ||
| 14-2 | Le Mancenillier | — | ||
| 14-3 | Manchega | — | ||
| 14-4 | Souvenir de Porto Rico | — | ||
| 14-5 | Ô ma charmante épargnez‐moi | — | ||
| 14-6 | Suis‐moi | — | ||
| 14-7 | The Banjo | — | ||
| 14-8 | Pasquinade | — | ||
| 14-9 | Grand Scherzo | — | ||
| 14-10 | Le Bananier | — | ||
| 14-11 | The Dying Poet | — | ||
| 14-12 | Tournament Galop | — | ||
| 14-13 | Le Carnaval des animaux: I. Introduction et Marche royale du lion | — | ||
| 14-14 | Le Carnaval des animaux: II. Poules et coqs | — | ||
| 14-15 | Le Carnaval des animaux: III. Hemiones | — | ||
| 14-16 | Le Carnaval des animaux: IV. Tortues | — | ||
| 14-17 | Le Carnaval des animaux: V. L’Élephant | — | ||
| 14-18 | Le Carnaval des animaux: VI. Kangourous | — | ||
| 14-19 | Le Carnaval des animaux: VII. Aquarium | — | ||
| 14-20 | Le Carnaval des animaux: VIII. Personnages à longues oreilles | — | ||
| 14-21 | Le Carnaval des animaux: IX. Le Coucou au fond des bois | — | ||
| 14-22 | Le Carnaval des animaux: X. Volière | — | ||
| 14-23 | Le Carnaval des animaux: XI. Pianistes | — | ||
| 14-24 | Le Carnaval des animaux: XII. Fossiles | — | ||
| 14-25 | Le Carnaval des animaux: XIII. Le Cygne | — | ||
| 14-26 | Le Carnaval des animaux: XIV. Final | — | ||
| 15-1 | Barcarolle | — | ||
| 15-2 | Fantastic Waltz | — | ||
| 15-3 | Polka and Fugue | — | ||
| 15-4 | L'Embarquement Pour Cythere | — | ||
| 15-5 | Valse | — | ||
| 15-6 | Rondo in D major, op. 138, D 608 | — | ||
| 15-7 | 16 Waltzes, op. 39: No. 9 in D minor | — | ||
| 15-8 | 16 Waltzes, op. 39: No. 10 in G major | — | ||
| 15-9 | 16 Waltzes, op. 39: No. 11 in B minor | — | ||
| 15-10 | 16 Waltzes, op. 39: No. 15 in A-flat major | — | ||
| 15-11 | 16 Waltzes, op. 39: No. 16 in C-sharp minor | — | ||
| 15-12 | Sechs Studien in Kanonischer Form, op. 56: No. 2. Mit Innigem Ausdruck | — | ||
| 15-13 | Sechs Studien in Kanonischer Form, op. 56: No. 3. Andantino | — | ||
| 15-14 | Sechs Studien in Kanonischer Form, op. 56: No. 4. Innig | — | ||
| 15-15 | Sonate Pour Piano a Quatre Mains, FP 8: I. Prelude | — | ||
| 15-16 | Sonate Pour Piano a Quatre Mains, FP 8: II. Rustique | — | ||
| 15-17 | Sonate Pour Piano a Quatre Mains, FP 8: III. Final | — | ||
| 15-18 | Scaramouche: I. Vif | — | ||
| 15-19 | Scaramouche: II. Modere | — | ||
| 15-20 | Scaramouche: III. Brazileira | — | ||
| 15-21 | Variations on a Theme by Paganini | — | ||
| 16-1 | Concert Etude | — | ||
| 16-2 | Après un rêve | — | ||
| 16-3 | Manchega | — | ||
| 16-4 | Scottish Legend | — | ||
| 16-5 | Tyrolean Valse-Fantaisie | — | ||
| 16-6 | Fireflies | — | ||
| 16-7 | The Union | — | ||
| 16-8 | A Hermit Thrush at Eve | — | ||
| 16-9 | Hexentanz | — | ||
| 16-10 | Nell | — | ||
| 16-11 | Now, o Now, I Needs Must Part | — | ||
| 16-12 | Corbeille de Fleurs | — | ||
| 16-13 | Home Sweet Home | — | ||
| 16-14 | Souvenir de Porto Rico | — | ||
| 16-15 | Irish Tune From County Derry | — | ||
| 16-16 | The Man I Love | — | ||
| 16-17 | Gershwin, Trans. Wodehouse: Clap Yo' Hands | — | ||
| 17-1 | Carnaval das Crianças: I. O ginête do pierrozinho | Nelson Freire | — | |
| 17-2 | Carnaval das Crianças: II. O chicote do diabinho | Nelson Freire | — | |
| 17-3 | Carnaval das Crianças: III. A manha da pierrete | Nelson Freire | — | |
| 17-4 | Carnaval das Crianças: IV. Os guizos do dominozinho | Nelson Freire | — | |
| 17-5 | Carnaval das Crianças: V. As peripécias do trapeirozinho | Nelson Freire | — | |
| 17-6 | Carnaval das Crianças: VI. As traquinices do mascarado mignon | Nelson Freire | — | |
| 17-7 | Carnaval das Crianças: VII. A gaita de um precoce fantasiado | Nelson Freire | — | |
| 17-8 | Choros no. 5 "Alma Brasileira", W207 | Nelson Freire | T-901.135.990-3 | |
| 17-9 | A Maré Encheu (Guia Prático no. 76) | Nelson Freire | — | |
| 17-10 | Valsa da Dor | Nelson Freire | — | |
| 17-11 | Saudades das Selvas Brasileiras no. 2 | Nelson Freire | — | |
| 17-12 | Pobre Cega | Nelson Freire | — | |
| 17-13 | Cirandas: XIV. A Canoa Virou | Nelson Freire | — | |
| 17-14 | A Lenda do Caboclo | Nelson Freire | — | |
| 17-15 | Dança Negra | Nelson Freire | T-039.007.723-2 | |
| 17-16 | Ponteio no. 24 | Nelson Freire | T-039.446.225-9 | |
| 17-17 | Toccata | Nelson Freire | — | |
| 17-18 | Valse lente | Nelson Freire | — | |
| 17-19 | Tango Brasileiro | Nelson Freire | T-039.071.694-5 | |
| 17-20 | Minha Terra | Nelson Freire | — | |
| 17-21 | Três Estudos em forma de Sonatina, op. 62: I. Allegro con brio | Nelson Freire | T-039.115.777-9 | |
| 17-22 | Três Estudos em forma de Sonatina, op. 62: II. Moderato | Nelson Freire | T-039.115.777-9 | |
| 17-23 | Três Estudos em forma de Sonatina, op. 62: III. Allegro scherzoso | Nelson Freire | T-039.115.777-9 | |
| 17-24 | Prole do bebê, Livro 2 – Os Bichinhos (1921): II. O Gatinho de Papelão | Nelson Freire | — | |
| 17-25 | Paulistana no. 1 | Nelson Freire | — | |
| 17-26 | Toccata | Nelson Freire | — | |
| 17-27 | New York Skyline, W407 | Nelson Freire | — | |
| 17-28 | Valse élégante | Nelson Freire | T-039.391.055-8 | |
| 17-29 | Quatro Peças Brasileiras: I. Maroca | Nelson Freire | T-039.071.640-1 | |
| 17-30 | Congada | Nelson Freire | — | |
| 18-1 | Scherzo no. 1 in B minor, op. 20 | Benjamin Grosvenor | T-308.384.655-9 | |
| 18-2 | Nocturne No. 5 in F‐Sharp Major, Op. 15, No. 2 | Benjamin Grosvenor | T-306.230.833-8 | |
| 18-3 | Scherzo no. 4 in E major, op. 54 | Benjamin Grosvenor | — | |
| 18-4 | Nocturne in E minor, op. posth. 72 no. 1 | Benjamin Grosvenor | T-905.040.158-6 | |
| 18-5 | Scherzo no. 3 in C-sharp minor, op. 39 | Benjamin Grosvenor | T-918.063.801-1 | |
| 18-6 | Nocturne in C-sharp minor | Benjamin Grosvenor | T-702.884.109-2 | |
| 18-7 | Scherzo no. 2 in B-flat minor, op. 31 | Benjamin Grosvenor | T-309.554.578-7 | |
| 18-8 | Six Polish Songs, S. 480: My Joys | Benjamin Grosvenor | — | |
| 18-9 | Six Polish Songs, S. 480: The Maiden’s Wish | Benjamin Grosvenor | — | |
| 18-10 | En rêve - Nocturne, S. 207 | Benjamin Grosvenor | — | |
| 18-11 | Gaspard de la nuit: Ondine | Benjamin Grosvenor | — | |
| 18-12 | Gaspard de la nuit: Le Gibet | Benjamin Grosvenor | T-902.777.490-9 | |
| 18-13 | Gaspard de la nuit: Scarbo | Benjamin Grosvenor | T-902.777.490-9 | |
| 18-14 | Gnomenreigen | — | ||
| 18-15 | Siciliano Flute Sonata no. 2 in E-flat major, BWV 1031 | — | ||
| 19-1 | Piano Concerto No.1 in C major Op.15 - I. Allegro Con Brio | — | ||
| 19-2 | Piano Concerto No.1 in C major Op.15 - II. Largo | — | ||
| 19-3 | Piano Concerto No.1 in C major Op.15 - III. Rondo | — | ||
| 19-4 | Piano Concerto No.2 in B-flat major Op.19 - I. Allegro Con Brio | — | ||
| 19-5 | Piano Concerto No.2 in B-flat major Op.19 - II. Adagio | — | ||
| 19-6 | Piano Concerto No.2 in B-flat major Op.19 - III. Rondo | — | ||
| 20-1 | Das Wolhtemperierte Clavier Book I, No. 15: Prelude and Fugue in G, BWV 860 | — | ||
| 20-2 | Partita No. 1 in B-Flat, BWV 825: Menuet I - Menuet II | — | ||
| 20-3 | Toccata, BWV 911: Fugue | — | ||
| 20-4 | Bagatelles, Op. 119: No. 11 Andante, Ma Non Troppo | — | ||
| 20-5 | 6 Écossaises, Woo 83 | — | ||
| 20-6 | Berceuse in D-Flat, Op. 57 | — | ||
| 20-7 | 12 Études, Op. 25: Étude No. 1 in A-Flat | — | ||
| 20-8 | 12 Études, Op. 25: Étude No. 2 in F minor | — | ||
| 20-9 | Ballade No. 3 in A-Flat, Op. 47 | — | ||
| 20-10 | Piano Sonata No. 7 in B-Flat, Op. 83: I. Allegro Inquieto - Andantino - Allegro Inquieto - Andantino - Allegro Inquieto | — | ||
| 20-11 | Piano Sonata No. 7 in B-Flat, Op. 83: II. Andante Caloroso - Poco Più Animato - Più Largamente | — | ||
| 20-12 | Piano Sonata No. 7 in B-Flat, Op. 83: III. Precipitato | — | ||
| 20-13 | L'Isle Joyeuse, CD 109 | — | ||
| 20-14 | Images, 1ʳᵉ Série, CD 105: Reflets Dans L'Eau | — | ||
| 20-15 | Sonata No. 18 in D, K. 576: I. Allegro | — | ||
| 20-16 | Sonata No. 18 in D, K. 576: II. Adagio | — | ||
| 20-17 | Sonata No. 18 in D, K. 576: III. Allegretto | — | ||
| 21-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | — | ||
| 21-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice | — | ||
| 21-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 21-4 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | — | ||
| 21-5 | Piano Concerto in A minor, op. 16: II. Adagio | — | ||
| 21-6 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato | — | ||
| 21-7 | Variations on a Theme by Paganini | — | ||
| 22-1 | Preludes – Book I: I. Dancers of Delphi | — | ||
| 22-2 | Preludes – Book I: II. Sails | — | ||
| 22-3 | Preludes – Book I: III. The Wind in the Plain | — | ||
| 22-4 | Preludes – Book I: IV. ‘Sounds and Perfumes Mingle in the Evening Air’ | — | ||
| 22-5 | Preludes – Book I: V. The Hills of Anacapri | — | ||
| 22-6 | Preludes – Book I: VI. Footprints in the Snow | — | ||
| 22-7 | Preludes – Book I: XII. What the West Wind Saw | — | ||
| 22-8 | Preludes – Book I: VIII. The Girl With the Flaxen Hair | — | ||
| 22-9 | Preludes – Book I: IX. Interrupted Serenade | — | ||
| 22-10 | Preludes – Book I: X. The Sunken Cathedral | — | ||
| 22-11 | Preludes – Book I: XI. Puc’s Dance | — | ||
| 22-12 | Preludes – Book I: XII. Minstrels | — | ||
| 22-13 | Preludes – Book II: I. Bists | — | ||
| 22-14 | Preludes – Book II: II. Dead Leaves | — | ||
| 22-15 | Preludes – Book II: III. Die Weinpforte | — | ||
| 22-16 | Preludes – Book II: IV. ‘The Fairies Are Exquisite Dancers’ | — | ||
| 22-17 | Preludes – Book II: V. Hearth | — | ||
| 22-18 | Preludes – Book II: VI. ‘General Lavine’ | — | ||
| 22-19 | Preludes – Book II: VII. The Terrace for Moonlight Audiences | — | ||
| 22-20 | Preludes – Book II: VIII. Ondine | — | ||
| 22-21 | Preludes – Book II: IX. Hommage a Samuel Pickwick Esq P.P.M.P.C | — | ||
| 22-22 | Preludes – Book II: X. Canopic Jar | — | ||
| 22-23 | Preludes – Book II: XI. Alternating Thirds | — | ||
| 22-24 | Preludes – Book II: XII. Fireworks | — | ||
| 23-1 | Hungarian Dance no. 1 | Julius Katchen | T-329.391.159-4 | |
| 23-2 | Hungarian Dances Woo 1 - Book I - No.2 in D minor | — | ||
| 23-3 | Hungarian Dances Woo 1 - Book I - No3 in F major | — | ||
| 23-4 | Hungarian Dances Woo 1 - Book I - No.4 in F-sharp minor | — | ||
| 23-5 | Hungarian Dance no. 5 | Julius Katchen | T-050.177.410-2 | |
| 23-6 | Hungarian Dance for Solo Piano in D‐flat major, WoO 1 no. 6: Vivace – Molto sostenuto | Julius Katchen | T-917.141.515-9 | |
| 23-7 | Hungarian Dances Woo 1 - Book II - No.7 in A major | — | ||
| 23-8 | Hungarian Dances Woo 1 - Book II - No.8 in A minor | — | ||
| 23-9 | Hungarian Dances Woo 1 - Book II - No.9 in E minor | — | ||
| 23-10 | Hungarian Dances Woo 1 - Book II - No.10 in F major | — | ||
| 23-11 | Hungarian Dances Woo 1 - Book III - No.11 in D minor | — | ||
| 23-12 | Hungarian Dances Woo 1 - Book III - No.12 in D minor | — | ||
| 23-13 | Hungarian Dances Woo 1 - Book III - No.13 in D major | — | ||
| 23-14 | Hungarian Dances Woo 1 - Book III - No.14 in D minor | — | ||
| 23-15 | Hungarian Dances Woo 1 - Book III - No.15 in B-flat major | — | ||
| 23-16 | Hungarian Dances Woo 1 - Book III - No.16 in F minor | — | ||
| 23-17 | Hungarian Dances Woo 1 - Book III - No.17 in F-sharp minor | — | ||
| 23-18 | Hungarian Dances Woo 1 - Book III - No.18 in D major | — | ||
| 23-19 | Hungarian Dances Woo 1 - Book III - No.19 in B minor | — | ||
| 23-20 | Hungarian Dances Woo 1 - Book III - No.20 in E minor | — | ||
| 23-21 | Hungarian Dances Woo 1 - Book III - No.21 in E minor | — | ||
| 23-22 | Variations on a Theme by Paganini Op.35 - Book I | — | ||
| 23-23 | Variations on a Theme by Paganini Op.35 - Book II | — | ||
| 24-1 | Rhapsody On A Theme Of Paganini, op. 43: Introduction And Variation 1 | — | ||
| 24-2 | Rhapsody On A Theme Of Paganini, op. 43: Theme | — | ||
| 24-3 | Rhapsody On A Theme Of Paganini, op. 43: Variation 2 | — | ||
| 24-4 | Rhapsody On A Theme Of Paganini, op. 43: Variation 3 | — | ||
| 24-5 | Rhapsody On A Theme Of Paganini, op. 43: Variation 4 | — | ||
| 24-6 | Rhapsody On A Theme Of Paganini, op. 43: Variation 5 | — | ||
| 24-7 | Rhapsody On A Theme Of Paganini, op. 43: Variation 6 | — | ||
| 24-8 | Rhapsody On A Theme Of Paganini, op. 43: Variation 7 | — | ||
| 24-9 | Rhapsody On A Theme Of Paganini, op. 43: Variation 8 | — | ||
| 24-10 | Rhapsody On A Theme Of Paganini, op. 43: Variation 9 | — | ||
| 24-11 | Rhapsody On A Theme Of Paganini, op. 43: Variation 10 | — | ||
| 24-12 | Rhapsody On A Theme Of Paganini, op. 43: Variation 11 | — | ||
| 24-13 | Rhapsody On A Theme Of Paganini, op. 43: Variation 12 | — | ||
| 24-14 | Rhapsody On A Theme Of Paganini, op. 43: Variation 13 | — | ||
| 24-15 | Rhapsody On A Theme Of Paganini, op. 43: Variation 14 | — | ||
| 24-16 | Rhapsody On A Theme Of Paganini, op. 43: Variation 15 | — | ||
| 24-17 | Rhapsody On A Theme Of Paganini, op. 43: Variation 16 | — | ||
| 24-18 | Rhapsody On A Theme Of Paganini, op. 43: Variation 17 | — | ||
| 24-19 | Rhapsody On A Theme Of Paganini, op. 43: Variation 18 | — | ||
| 24-20 | Rhapsody On A Theme Of Paganini, op. 43: Variation 19 | — | ||
| 24-21 | Rhapsody On A Theme Of Paganini, op. 43: Variation 20 | — | ||
| 24-22 | Rhapsody On A Theme Of Paganini, op. 43: Variation 21 | — | ||
| 24-23 | Rhapsody On A Theme Of Paganini, op. 43: Variation 22 | — | ||
| 24-24 | Rhapsody On A Theme Of Paganini, op. 43: Variation 23 | — | ||
| 24-25 | Rhapsody On A Theme Of Paganini, op. 43: Variation 24 | — | ||
| 24-26 | Variations on a Nursery Tune op. 25: Introduzione | — | ||
| 24-27 | Variations on a Nursery Tune op. 25: Tema | — | ||
| 24-28 | Variations on a Nursery Tune op. 25: Variation 1 | — | ||
| 24-29 | Variations on a Nursery Tune op. 25: Variation 2 | — | ||
| 24-30 | Variations on a Nursery Tune op. 25: Variation 3 | — | ||
| 24-31 | Variations on a Nursery Tune op. 25: Variation 4 | — | ||
| 24-32 | Variations on a Nursery Tune op. 25: Variation 5 | — | ||
| 24-33 | Variations on a Nursery Tune op. 25: Variation 6 | — | ||
| 24-34 | Variations on a Nursery Tune op. 25: Variation 7 | — | ||
| 24-35 | Variations on a Nursery Tune op. 25: Variation 8 | — | ||
| 24-36 | Variations on a Nursery Tune op. 25: Variation 9 | — | ||
| 24-37 | Variations on a Nursery Tune op. 25: Variation 10 | — | ||
| 24-38 | Variations on a Nursery Tune op. 25: Variation 11 | — | ||
| 24-39 | Variations on a Nursery Tune op. 25: Finale Fugato | — | ||
| 24-40 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Julius Katchen, London Symphony Orchestra, Sir Georg Solti | — | |
| 24-41 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Julius Katchen, London Symphony Orchestra, Sir Georg Solti | — | |
| 24-42 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | Julius Katchen, London Symphony Orchestra, Sir Georg Solti | T-071.926.821-9 | |
| 25-1 | Piano Concerto No. 1 in G minor, Op 25 - I. Molto Allegro Con Fuoco | — | ||
| 25-2 | Piano Concerto No. 1 in G minor, Op 25 - II. Andante | — | ||
| 25-3 | Piano Concerto No. 1 in G minor, Op 25 - III. Presto, Molto Allegro E Vivace | — | ||
| 25-4 | Piano Concerto No. 2 in D minor, Op 40 - I. Allegro Appassionato | — | ||
| 25-5 | Piano Concerto No. 2 in D minor, Op 40 - II. Adagio (Molto Sustenuto) | — | ||
| 25-6 | Piano Concerto No. 2 in D minor, Op 40 - III. Presto Scherzando | — | ||
| 25-7 | Capriccio Brilliant in B minor, Op 22 | — | ||
| 25-8 | Rondo Brilliant in E-flat major, Op 29 | — | ||
| 26-1 | Chromatic Fantasia and Fugue in D minor BWV 903 | — | ||
| 26-2 | Nun Komm, Der Heiden Heiland BWV659 | — | ||
| 26-3 | Jesus Bleibet Meine Freude BWV 147 | — | ||
| 26-4 | Herzlich Tut Mich Verlangen BWV727 | — | ||
| 26-5 | In Dulci Jubilo BWV729 | — | ||
| 26-6 | Nun Freut Euch, Liebe Christen G'Mein BWV734 | — | ||
| 26-7 | Siciliano BWV1031 | — | ||
| 26-8 | Wachet Auf, Ruft Uns Die Stimme BWV140 | — | ||
| 26-9 | Air Con Variazioni HWV430 | — | ||
| 26-10 | Menuet From Harpsichord Suite No.1 HWV434 | — | ||
| 26-11 | Le Carillon de Cithere | — | ||
| 26-12 | Le Rappel Des Oiseaux | — | ||
| 26-13 | Bagatelle in C minor Woo 52 | — | ||
| 26-14 | Bagatelle in A minor Woo 59 'Für Elise' | — | ||
| 27-1 | Piano Sonata No.16 in A minor D845 - I. Moderato | — | ||
| 27-2 | Piano Sonata No.16 in A minor D845 - II. Andante, Poco Mosso | — | ||
| 27-3 | Piano Sonata No.16 in A minor D845 - III. Scherzo | — | ||
| 27-4 | Piano Sonata No.16 in A minor D845 - IV. Rondo | — | ||
| 27-5 | Piano Sonata No.21 in B-flat major D960 - I. Molto Moderato | — | ||
| 27-6 | Piano Sonata No.21 in B-flat major D960 - II. Andante Sostenuto | — | ||
| 27-7 | Piano Sonata No.21 in B-flat major D960 - III. Scherzo | — | ||
| 27-8 | Piano Sonata No.21 in B-flat major D960 - IV. Allegro Ma Non Troppo | — | ||
| 28-1 | Iberia - Book I - Evocación | — | ||
| 28-2 | Iberia - Book I - El Puerto | — | ||
| 28-3 | Iberia - Book I - El Corpus Christi En Sevilla | — | ||
| 28-4 | Iberia - Book II - Rondena | — | ||
| 28-5 | Iberia - Book II - Almeria | — | ||
| 28-6 | Iberia - Book II - Triana | — | ||
| 28-7 | Iberia - Book III - El Albaicín | — | ||
| 28-8 | Iberia - Book III - El Polo | — | ||
| 28-9 | Iberia - Book III - Lavapiés | — | ||
| 28-10 | Iberia - Book IV - Málaga | — | ||
| 28-11 | Iberia - Book IV - Jerez | — | ||
| 28-12 | Iberia - Book IV - Eritaña | — | ||
| 29-1 | Piano Sonata in B minor, S. 178: I. Lento assai | — | ||
| 29-2 | Piano Sonata in B minor, S. 178: II. Andante sostenuto | — | ||
| 29-3 | Piano Sonata in B minor, S. 178: III. Allegro energico | — | ||
| 29-4 | Fantasie in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich | — | ||
| 29-5 | Fantasie in C major, op. 17: II. Mäßig | — | ||
| 29-6 | Fantasie in C major, op. 17: III. Langsam getragen | — | ||
| 29-7 | Noches en los jardines de España: I. En el Generalife | — | ||
| 29-8 | Noches en los jardines de España: II. Danza lejana | — | ||
| 29-9 | Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba | — | ||
| 30-1 | Piano Concerto in G major: I. Allegramente | — | ||
| 30-2 | Piano Concerto in G major: II. Adagio assai | — | ||
| 30-3 | Piano Concerto in G major: III. Presto | — | ||
| 30-4 | Piano Concerto in D major for the Left Hand | — | ||
| 30-5 | Fantaisie for Piano and Orchestra, op. 111 | — | ||
| 30-6 | Variations Symphoniques | — | ||
| 31-1 | Piano Concerto no. 9 in E-flat major, K. 271 “Jeunehomme”: 1. Allegro | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-2 | Piano Concerto no. 9 in E-flat major, K. 271 “Jeunehomme”: 2. Andantino | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-3 | Piano Concerto no. 9 in E-flat major, K. 271 “Jeunehomme”: 3. Rondeau (Presto) | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-4 | Piano Concerto no. 12 in A major, K. 414: 1. Allegro | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-5 | Piano Concerto no. 12 in A major, K. 414: 2. Andante | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-6 | Piano Concerto no. 12 in A major, K. 414: 3. Rondeau (Allegretto) | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-7 | Piano Concerto no. 11 in F major, K. 413: I. Allegro | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-8 | Piano Concerto no. 11 in F major, K. 413: II. Larghetto | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-9 | Concerto for Piano no. 11 in F major, K. 387a/413: III. Tempo di Minuetto | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 32-1 | Concerto for Piano and Orchestra in A minor, op.54: I. Allegro affettuoso | — | ||
| 32-2 | Concerto for Piano and Orchestra in A minor, op.54: II. Intermezzo | — | ||
| 32-3 | Concerto for Piano and Orchestra in A minor, op.54: III. Allegro vivace | — | ||
| 32-4 | Piano Concerto no. 2 in G major, op. 44: I. Allegro brillante | — | ||
| 32-5 | Piano Concerto no. 2 in G major, op. 44: II. Andante non troppo | — | ||
| 32-6 | Piano Concerto no. 2 in G major, op. 44: III. Allegro con fuoco | — | ||
| 33-1 | Ellens Gesang III (Ave Maria), S. 558 no. 12 (after Schubert’s D. 839) | Valentina Lisitsa | — | |
| 33-2 | Ballade No.2 in B minor | — | ||
| 33-3 | Aida | — | ||
| 33-4 | La Contrabandista | — | ||
| 33-5 | Gute Nacht | — | ||
| 33-6 | Des Mädchens Klage | — | ||
| 33-7 | Erlkönig, S. 558 no. 4 (after Schubert’s D. 328) | Valentina Lisitsa | — | |
| 33-8 | Der Müller Und Der Bach | — | ||
| 33-9 | Hungarian Rhapsody No.12 | — | ||
| 34-1 | Piano Concerto No.24 in C minor K491 - I. Allegro | — | ||
| 34-2 | Piano Concerto No.24 in C minor K491 - II. Larghetto | — | ||
| 34-3 | Piano Concerto No.24 in C minor K491 - III. Allegretto | — | ||
| 34-4 | Piano Concerto No.4 in G major Op.58 - I. Allegro Madorato | — | ||
| 34-5 | Piano Concerto No.4 in G major Op.58 - II. Andante Con Moto | — | ||
| 34-6 | Piano Concerto No.4 in G major Op.58 - III. Rondo | — | ||
| 34-7 | Waldszenen Op.82 - I. Entry | — | ||
| 34-8 | Waldszenen Op.82 - II. Hunters on the Lookout | — | ||
| 34-9 | Waldszenen Op.82 - III. Solitary Flowers | — | ||
| 34-10 | Waldszenen Op.82 - IV. Place of Ill Omen | — | ||
| 34-11 | Waldszenen Op.82 - V. Pleasant Landscape | — | ||
| 34-12 | Waldszenen Op.82 - VI. Shelter | — | ||
| 34-13 | Waldszenen Op.82 - VII. The Prophet-Bird | — | ||
| 34-14 | Waldszenen Op.82 - VIII. Hunting Song | — | ||
| 34-15 | Waldszenen Op.82 - IX. Farewell | — | ||
| 35-1 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: I. Allegro | Radu Lupu, Israel Philharmonic Orchestra, Zubin Mehta | T-011.619.733-1 | |
| 35-2 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco mosso | Radu Lupu, Israel Philharmonic Orchestra, Zubin Mehta | T-928.635.608-9 | |
| 35-3 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: III. Rondo. Allegro ma non troppo | Radu Lupu, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 35-4 | Piano Concerto no. 3 in C minor op. 37 - I. Allegro Con Brio | — | ||
| 35-5 | Piano Concerto no. 3 in C minor op. 37 - II. Largo | — | ||
| 35-6 | Piano Concerto no. 3 in C minor op. 37 - III. Rondo | — | ||
| 36-1 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Radu Lupu | — | |
| 36-2 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto | Radu Lupu | — | |
| 36-3 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato | Radu Lupu | — | |
| 36-4 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | Radu Lupu | — | |
| 36-5 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Radu Lupu | T-001.397.158-8 | |
| 36-6 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro | Radu Lupu | — | |
| 36-7 | Sonata for Piano no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio | Radu Lupu | — | |
| 36-8 | Sonata for Piano no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto | Radu Lupu | — | |
| 36-9 | Sonata for Piano no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo | Radu Lupu | T-312.439.094-5 | |
| 36-10 | 32 Variations for Piano in C minor on an Original Theme, WoO 80 | Radu Lupu | — | |
| 37-1 | 6 Klavierstücke op. 118 - I. Intermezzo in A minor | — | ||
| 37-2 | 6 Klavierstücke op. 118 - II. Intermezzo in A major | — | ||
| 37-3 | 6 Klavierstücke op. 118 - III. Ballade in G minor | — | ||
| 37-4 | 6 Klavierstücke op. 118 - IV. Intermezzo in F minor | — | ||
| 37-5 | 6 Klavierstücke op. 118 - V. Romanze in F major | — | ||
| 37-6 | 6 Klavierstücke op. 118 - VI. Intermezzo in E-flat minor | — | ||
| 37-7 | 4 Klavierstücke op. 119 - I. Intermezzo in B minor | — | ||
| 37-8 | 4 Klavierstücke op. 119 - II. Intermezzo in E minor | — | ||
| 37-9 | 4 Klavierstücke op. 119 - III. Intermezzo in C major | — | ||
| 37-10 | 4 Klavierstücke op. 119 - IV. Rhapsodie in E-flat major | — | ||
| 37-11 | Rhapsody in G minor op. 79 no. 2 | — | ||
| 37-12 | Rhapsody in B minor op. 79 no. 1 | — | ||
| 37-13 | 3 Intermezzos op. 117 - I. E Flat Major | — | ||
| 37-14 | 3 Intermezzos op. 117 - II. B Flat Minor | — | ||
| 37-15 | 3 Intermezzos op. 117 - III. C Sharp Minor | — | ||
| 37-16 | Theme and Variations in D minor | — | ||
| 38-1 | Piano Concerto in D-flat major - I. Allegro Ma Non Troppo E Maestoso | — | ||
| 38-2 | Piano Concerto in D-flat major - II. Andante Con Anima | — | ||
| 38-3 | Piano Concerto in D-flat major - III. Allegro Brillanto | — | ||
| 38-4 | Piano Concerto No.2 in G minor Op.22 - I. Andante Sostenuto | — | ||
| 38-5 | Piano Concerto No.2 in G minor Op.22 - II. Allegro Scherzando | — | ||
| 38-6 | Piano Concerto No.2 in G minor Op.22 - III. Presto | — | ||
| 39-1 | Piano Sonata No.32 in C minor Op.111 - I. Maestoso | — | ||
| 39-2 | Piano Sonata No.32 in C minor Op.111 - II. Arietta | — | ||
| 39-3 | Piano Sonata No.5 in C major - I. Andante | — | ||
| 39-4 | Piano Sonata No.5 in C major - II. Allegro | — | ||
| 39-5 | Piano Sonata No.5 in C major - III. Allegro Assai | — | ||
| 39-6 | Keyboard Sonata in C minor Kk 11 | — | ||
| 39-7 | Keyboard Sonata in C major Kk 159 | — | ||
| 39-8 | Keyboard Sonata in A major Kk 322 | — | ||
| 39-9 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro | Wiener Philharmoniker, Leonard Bernstein | — | |
| 39-10 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante] | Wiener Philharmoniker, Leonard Bernstein | — | |
| 39-11 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro | Wiener Philharmoniker, Leonard Bernstein | — | |
| 40-1 | Concerto in D major for Piano and Orchestra - I. Allegro Non Troppo | — | ||
| 40-2 | Concerto in D major for Piano and Orchestra - II. Larghetto | — | ||
| 40-3 | Concerto in D major for Piano and Orchestra - III. Rondo | — | ||
| 40-4 | Concerto in D major for Keyboard and Strings BWV1054 - I. Allegro | — | ||
| 40-5 | Concerto in D major for Keyboard and Strings BWV1054 - II. Adagio E Piano Sempre | — | ||
| 40-6 | Concerto in D major for Keyboard and Strings BWV1054 - III. Allegro | — | ||
| 40-7 | 24 Preludes Op.34 - No.1 in C major | — | ||
| 40-8 | 24 Preludes Op.34 - No.2 in A minor | — | ||
| 40-9 | 24 Preludes Op.34 - No.3 in G major | — | ||
| 40-10 | 24 Preludes Op.34 - No.4 in E minor | — | ||
| 40-11 | 24 Preludes Op.34 - No.5 in D major | — | ||
| 40-12 | 24 Preludes Op.34 - No.6 in B minor | — | ||
| 40-13 | 24 Preludes Op.34 - No.7 in A major | — | ||
| 40-14 | 24 Preludes Op.34 - No.8 in F-sharp minor | — | ||
| 40-15 | 24 Preludes Op.34 - No.9 in E major | — | ||
| 40-16 | 24 Preludes Op.34 - No.10 in C-sharp minor | — | ||
| 40-17 | 24 Preludes Op.34 - No.11 in B major | — | ||
| 40-18 | 24 Preludes Op.34 - No.12 in G-sharp minor | — | ||
| 40-19 | 24 Preludes Op.34 - No.13 in F-sharp major | — | ||
| 40-20 | 24 Preludes Op.34 - No.14 in E-flat minor | — | ||
| 40-21 | 24 Preludes Op.34 - No.15 in D-flat major | — | ||
| 40-22 | 24 Preludes Op.34 - No.16 in B-flat minor | — | ||
| 40-23 | 24 Preludes Op.34 - No.17 in A-flat major | — | ||
| 40-24 | 24 Preludes Op.34 - No.18 in F minor | — | ||
| 40-25 | 24 Preludes Op.34 - No.19 in E-flat major | — | ||
| 40-26 | 24 Preludes Op.34 - No.20 in C minor | — | ||
| 40-27 | 24 Preludes Op.34 - No.21 in F-flat major | — | ||
| 40-28 | 24 Preludes Op.34 - No.22 in G minor | — | ||
| 40-29 | 24 Preludes Op.34 - No.23 in F major | — | ||
| 40-30 | 24 Preludes Op.34 - No.24 in D minor | — | ||
| 41-1 | Vingt Regards Sur L'Enfant-Jesus - I. Regard Du Pere | — | ||
| 41-2 | Vingt Regards Sur L'Enfant-Jesus - II. Regard de L'Etoile | — | ||
| 41-3 | Vingt Regards Sur L'Enfant-Jesus - III. L'Echange | — | ||
| 41-4 | Vingt Regards Sur L'Enfant-Jesus - IV. Rergard de La Vierge | — | ||
| 41-5 | Vingt Regards Sur L'Enfant-Jesus - V. Regard Du Fils Sur Le Fils | — | ||
| 41-6 | Vingt Regards Sur L'Enfant-Jesus - VI. Par Lui Tout a Ete Fait | — | ||
| 41-7 | Vingt Regards Sur L'Enfant-Jesus - VII. Regard Du La Croix | — | ||
| 41-8 | Vingt Regards Sur L'Enfant-Jesus - VIII. Regard Des Hauteurs | — | ||
| 41-9 | Vingt Regards Sur L'Enfant-Jesus - IX. Regard Du Temps | — | ||
| 41-10 | Vingt Regards Sur L'Enfant-Jesus - X. Regard de L'Esprit de Joie | — | ||
| 41-11 | Vingt Regards Sur L'Enfant-Jesus - XI. Premiere Communion de La Vierge | — | ||
| 41-12 | Vingt Regards Sur L'Enfant-Jesus - XII. La Parole Tout-Puissante | — | ||
| 41-13 | Vingt Regards Sur L'Enfant-Jesus - XIII. Noel | — | ||
| 41-14 | Vingt Regards Sur L'Enfant-Jesus - XIV. Regard Des Anges | — | ||
| 41-15 | Vingt Regards Sur L'Enfant-Jesus - XV. Le Maiser de L'Enfant-Jesus | — | ||
| 42-1 | Vingt Regards Sur L'Enfant-Jesus - XVI. Regard Des Prophetes, Des Bergers Et Des Mages | — | ||
| 42-2 | Vingt Regards Sur L'Enfant-Jesus - XVII. Regard Du Silence | — | ||
| 42-3 | Vingt Regards Sur L'Enfant-Jesus - XVIII. Regard de L'Onction Terrible | — | ||
| 42-4 | Vingt Regards Sur L'Enfant-Jesus - XIX. Je Dors, Mais Mon Coeur Veille | — | ||
| 42-5 | Vingt Regards Sur L'Enfant-Jesus - XX. Regard Do L'Eglise D'Amour | — | ||
| 42-6 | Piano Concerto Op.13 - I. Toccata | — | ||
| 42-7 | Piano Concerto Op.13 - II. Valtz | — | ||
| 42-8 | Piano Concerto Op.13 - III. Impromptu | — | ||
| 42-9 | Piano Concerto Op.13 - IV. March | — | ||
| 43-1 | Krakowiak, op. 14 | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 43-2 | Fantasy on Polish Airs Op.13 - I. Introduction | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 43-3 | Fantasy on Polish Airs Op.13 - II. Air | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 43-4 | Fantasy on Polish Airs Op.13 - III. Theme de Charles Kurpinski | Frederic Chopin, Kun Woo Paik, Warsaw Philharmanic Orchestra, Antoni Wit | — | |
| 43-5 | Fantasy on Polish Airs Op.13 - IV. Kujawiak | Frederic Chopin, Kun Woo Paik, Warsaw Philharmanic Orchestra, Antoni Wit | — | |
| 43-6 | Piano Concerto no. 1 in E minor, op. 11: 1. Allegro maestoso | Frederic Chopin, Kun Woo Paik, Warsaw Philharmanic Orchestra, Antoni Wit | — | |
| 43-7 | Piano Concerto no. 1 in E minor, op. 11: 2. Romance (Larghetto) | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 43-8 | Piano Concerto no. 1 in E minor, op. 11: 3. Rondo (Vivace) | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 44-1 | Andante spianato et Grande Polonaise brillante in E flat, Op. 22: Andante spianato | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 44-2 | Andante spianato et Grande Polonaise brillante in E flat, Op. 22: Grande Polonaise | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | T-915.735.005-5 | |
| 44-3 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Introduction (Largo) | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-4 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Tema | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-5 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Variation 1 (Brillante) | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-6 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Variation 2 (Veloce, ma accuratamente) | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-7 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Variation 3 (Sempre sostenuto) | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-8 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Variation 4 | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-9 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Variation 5 (Adagio) | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-10 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Alla Polacca | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-11 | Piano Concerto No. 2 in F minor, Op. 21: 1. Maestoso | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 44-12 | Piano Concerto No. 2 in F minor, Op. 21: 2. Larghetto | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 44-13 | Piano Concerto No. 2 in F minor, Op. 21: 3. Allegro vivace | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | T-902.804.388-1 | |
| 45-1 | Goyescas Suite - I. Los Requiebros | — | ||
| 45-2 | Goyescas Suite - II. Coloquio En La Reja | — | ||
| 45-3 | Goyescas Suite - III. El Fandango Del Candil | — | ||
| 45-4 | Goyescas Suite - IV. Quejas o La Maja Y El Ruiseñor | — | ||
| 45-5 | Goyescas Suite - VII. El Pelele (Escena Goyesca) | — | ||
| 45-6 | Goyescas Suite - V. El Amor Y La Muerte (Balada) | — | ||
| 45-7 | Bachianas Brasileiras No. 4 - I. Preludio (Introducão) | — | ||
| 45-8 | Bachianas Brasileiras No. 4 - II. Coral (Canto Do Sertão) | — | ||
| 45-9 | Bachianas Brasileiras No. 4 - III. Aria (Cantiga) | — | ||
| 45-10 | Bachianas Brasileiras No. 4 - VI. Dansa (Miudinho) | — | ||
| 45-11 | Alta Gracia | — | ||
| 45-12 | Danzas Cubanas | — | ||
| 45-13 | Andalucia Suite: Malagueña | — | ||
| 46-1 | Piano Concerto No.1 BB91 - I. Allegro Moderato | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-2 | Piano Concerto No.1 BB91 - II. Andante | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-3 | Piano Concerto No.1 BB91 - III. Allegro Molto | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-4 | Piano Concerto No.2 BB101 - I. Allegro | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-5 | Piano Concerto No.2 BB101 - II. Adagio | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-6 | Piano Concerto No.2 BB101 - III. Allegro Molto | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-7 | Piano Concerto No.3 BB127 - I. Allegretto | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-8 | Piano Concerto No.3 BB127 - II. Adagio Religioso | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-9 | Piano Concerto No.3 BB127 - III. Allegro Vivace | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 47-1 | Impromptu no. 2 in F minor/major op. 31 | — | ||
| 47-2 | Impromptu no. 3 in A‐flat major op. 34 | — | ||
| 47-3 | Nocturne no. 1 in E-flat minor, op. 33 no. 1 | Pascal Rogé | — | |
| 47-4 | Nocturne no. 2 in B major, op. 33: No. 2 | Pascal Rogé | — | |
| 47-5 | Nocturne no. 3 in A-flat major, op. 33: No. 3 | Pascal Rogé | — | |
| 47-6 | Nocturne no. 4 in E‐flat major, op. 36 | Pascal Rogé | — | |
| 47-7 | Nocturne no. 5 in B-flat major, op. 37 | Pascal Rogé | — | |
| 47-8 | Trois Romances sans paroles op. 17 : No. 1 in A‐flat major | — | ||
| 47-9 | Trois Romances sans paroles op. 17 : No. 2 in A minor | — | ||
| 47-10 | Trois Romances sans paroles op. 17 : No. 3 in A‐flat major | — | ||
| 47-11 | Barcarolle no. 1 in A minor op. 26 | — | ||
| 47-12 | Barcarolle no. 2 in G major op. 41 | — | ||
| 47-13 | Barcarolle no. 4 in A‐flat major op. 44 | — | ||
| 47-14 | Valse‐Caprice no. 1 in A major op. 30 | — | ||
| 48-1 | Gymnopédie no. 1 | Pascal Rogé | T-050.018.340-3 | |
| 48-2 | Gymnopédie no. 2 | Pascal Rogé | T-050.018.340-3 | |
| 48-3 | Gymnopédie no. 3 | Pascal Rogé | T-011.688.813-1 | |
| 48-4 | Je te veux | Pascal Rogé | T-050.395.147-0 | |
| 48-5 | 4 Préludes flasques pour un chien | Pascal Rogé | T-003.014.610-1 | |
| 48-6 | Prélude en tapisserie | Pascal Rogé | — | |
| 48-7 | Cinq Nocturnes : Nocturne no. 4 | Pascal Rogé | — | |
| 48-8 | Vieux séquins et vieilles cuirasses | Pascal Rogé | T-703.053.628-0 | |
| 48-9 | Embryons desséchés | Pascal Rogé | T-703.053.620-2 | |
| 48-10 | Gnossienne no. 1 | Pascal Rogé | T-003.010.023-2 | |
| 48-11 | Gnossienne no. 2 | Pascal Rogé | T-003.010.023-2 | |
| 48-12 | Gnossienne no. 3 | Pascal Rogé | T-004.016.586-3 | |
| 48-13 | Gnossienne no. 4 | Pascal Rogé | — | |
| 48-14 | Gnossienne no. 5 | Pascal Rogé | T-916.194.049-4 | |
| 48-15 | Gnossienne no. 6 | Pascal Rogé | T-315.303.705-5 | |
| 48-16 | Sonatine bureaucratique | Pascal Rogé | T-003.016.329-1 | |
| 48-17 | Le Picadilly | Pascal Rogé | — | |
| 49-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | Arthur Rubinstein, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 49-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | Arthur Rubinstein, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 49-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | Arthur Rubinstein, Israel Philharmonic Orchestra, Zubin Mehta | T-031.682.208-8 | |
| 49-4 | Rhapsody for Piano and Orchestra Bb36b | — | ||
| 50-1 | Goldberg Variations in G major, BWV 988: I. Aria | András Schiff | T-305.723.872-5 | |
| 50-2 | Goldberg Variations in G major, BWV 988 - II. Variatio 1 a 1 Clav. | — | ||
| 50-3 | Goldberg Variations in G major, BWV 988: III. Variatio 2 a 1 Clav. | András Schiff | T-902.128.688-4 | |
| 50-4 | Goldberg Variations in G major, BWV 988 - IV. Variatio 3 a 1 Clav. Canone All’Unisuono | — | ||
| 50-5 | Goldberg Variations in G major, BWV 988 - V. Variatio 4 a 1 Clav. | — | ||
| 50-6 | Goldberg Variations in G major, BWV 988 - VI. Variatio 5 a 1 Ovvero 2 Clav. | — | ||
| 50-7 | Goldberg Variations in G major, BWV 988: VII. Variatio 6 a 1 Clav. Canone alla Seconda | András Schiff | T-902.128.688-4 | |
| 50-8 | Goldberg Variations in G major, BWV 988 - VIII. Variatio 7 a 1 Ovvero 2 Clav. | — | ||
| 50-9 | Goldberg Variations in G major, BWV 988 - IX. Variatio 8 a 2 Clav. | — | ||
| 50-10 | Goldberg Variations in G major, BWV 988: X. Variatio 9 a 1 Clav. Canone alla Terza | András Schiff | T-902.128.688-4 | |
| 50-11 | Goldberg Variations in G major, BWV 988 - XI. Variatio 10 a 1 Clav. Fughetta | — | ||
| 50-12 | Goldberg Variations in G major, BWV 988 - XII. Variatio 11 a 2 Clav. | — | ||
| 50-13 | Goldberg Variations in G major, BWV 988 - XIII. Variatio 12 a 1 Clav. Canone Alla Quarta | — | ||
| 50-14 | Goldberg Variations in G major, BWV 988 - XIV. Variatio 13 a 2 Clav. | — | ||
| 50-15 | Goldberg Variations in G major, BWV 988 - XV. Variatio 14 a 2 Clav. | — | ||
| 50-16 | Goldberg Variations in G major, BWV 988 - XVI. Variatio 15 a 1 Clav. Canone Alla Quinta | — | ||
| 50-17 | Goldberg Variations in G major, BWV 988 - XVII. Variatio 16 a 1 Clav. Ouverture | — | ||
| 50-18 | Goldberg Variations in G major, BWV 988 - XVIII. Variatio 17 a 2 Clav. | — | ||
| 50-19 | Goldberg Variations in G major, BWV 988 - XIX. Variatio 18 a 1 Clav. Canone Alla Sexta | — | ||
| 50-20 | Goldberg Variations in G major, BWV 988: XX. Variatio 19 a 1 Clav. | András Schiff | T-902.128.688-4 | |
| 50-21 | Goldberg Variations in G major, BWV 988 - XXI. Variatio 20 a 2 Clav. | — | ||
| 50-22 | Goldberg Variations in G major, BWV 988 - XXII. Variatio 21 a 2 Clav. Canone Alla Settima | — | ||
| 50-23 | Goldberg Variations in G major, BWV 988 - XXIII. Variatio 22 a 1 Clav. | — | ||
| 50-24 | Goldberg Variations in G major, BWV 988 - XXIV. Variatio 23 a 2 Clav. Alla Breve | — | ||
| 50-25 | Goldberg Variations in G major, BWV 988 - XXV. Variatio 24 a 1 Clav. Canone All’Ottava | — | ||
| 50-26 | Goldberg Variations in G major, BWV 988 - XXVI. Variatio 25 a 2 Clav. | — | ||
| 50-27 | Goldberg Variations in G major, BWV 988 - XXVII. Variatio 26 a 2 Clav. | — | ||
| 50-28 | Goldberg Variations in G major, BWV 988 - XXVIII. Variatio 27 a 2 Clav. Canone Alla Nona | — | ||
| 50-29 | Goldberg Variations in G major, BWV 988 - XXIX. Variatio 28 a 2 Clav. | — | ||
| 50-30 | Goldberg Variations in G major, BWV 988 - XXX. Variatio 29 a 1 Ovvero 2 Clav. | — | ||
| 50-31 | Goldberg Variations in G major, BWV 988 - XXXI. Variatio 30 a 1 Clav. Quodlibet | — | ||
| 50-32 | Goldberg Variations in G major, BWV 988: XXXII. Aria | András Schiff | T-801.806.984-7 | |
| 51-1 | Sonata for Piano duet in C, K. 521: I. Allegro | András Schiff, George Malcolm | T-070.160.313-5 | |
| 51-2 | Sonata for Piano duet in C, K. 521: II. Andante | András Schiff, George Malcolm | — | |
| 51-3 | Sonata for Piano duet in C, K. 521: III. Allegretto | András Schiff, George Malcolm | — | |
| 51-4 | Andante and Five Variations in G major for Piano (4-Hands), K. 501 | András Schiff, George Malcolm | T-902.919.739-5 | |
| 51-5 | Adagio and Allegro for Organ in F minor, K. 594 | András Schiff, George Malcolm | — | |
| 51-6 | Sonata for Piano duet in F, K. 497: I. Adagio: Allegro di molto | András Schiff, George Malcolm | — | |
| 51-7 | Sonata for Piano duet in F, K. 497: II. Andante | András Schiff, George Malcolm | — | |
| 51-8 | Sonata for Piano duet in F, K. 497: III. Allegro | András Schiff, George Malcolm | — | |
| 51-9 | Orgelstück (Fantasia) für eine Uhr in F minor, K. 608 | András Schiff, George Malcolm | — | |
| 52-1 | Keyboard Sonata K175 in A minor: Allegro | András Schiff | — | |
| 52-2 | Keyboard Sonata K513 in C major: Pastorale: Moderato - Molto allegro - Presto | András Schiff | — | |
| 52-3 | Keyboard Sonata K402 in E minor: Andante | András Schiff | — | |
| 52-4 | Keyboard Sonata K403 in E major: Allegro | András Schiff | — | |
| 52-5 | Keyboard Sonata K144 in G major: Cantabile | András Schiff | T-001.397.158-8 | |
| 52-6 | Keyboard Sonata K115 in C minor: Allegro | András Schiff | — | |
| 52-7 | Keyboard Sonata K116 in C minor: Allegro | András Schiff | — | |
| 52-8 | Keyboard Sonata K474 in E-flat major: Andante e cantabile | András Schiff | T-001.397.158-8 | |
| 52-9 | Keyboard Sonata K475 in E-flat major: Allegrissimo | András Schiff | — | |
| 52-10 | Keyboard Sonata K449 in G major: Allegro | András Schiff | — | |
| 52-11 | Keyboard Sonata K450 in G minor: Allegrissimo | András Schiff | — | |
| 52-12 | Keyboard Sonata K544 in B-flat major: Cantabile | András Schiff | T-001.397.158-8 | |
| 52-13 | Keyboard Sonata K545 in B-flat major: Prestissimo | András Schiff | — | |
| 52-14 | Keyboard Sonata K516 in D minor: Allegretto | András Schiff | — | |
| 52-15 | Keyboard Sonata K517 in D minor: Prestissimo | András Schiff | — | |
| 53-1 | Polonaise in A-flat major, Op. 53 "Héroïque" | — | ||
| 53-2 | Waltz in D-flat major, Op. 64 No. 1 "Minute" | — | ||
| 53-3 | Prelude in E minor, Op. 28 No. 4 | — | ||
| 53-4 | Mazurka in F minor, Op. 68 No. 4 | — | ||
| 53-5 | Grande Valse Brillante in E-flat major, Op. 18 | — | ||
| 53-6 | Nocturne in B-flat minor, Op. 9 No. 1 | — | ||
| 53-7 | Scherzo No. 2 in B-flat minor, Op. 31 | — | ||
| 53-8 | Barcarolle in F-sharp major, Op. 60 | — | ||
| 53-9 | Nocturne in E-flat major, op. 9 no. 2 | Jean-Yves Thibaudet | T-321.286.788-0 | |
| 53-10 | Étude in F major, Op. 25 No. 3 | — | ||
| 53-11 | Mazurka in B-flat major, Op. 7 No. 1 | — | ||
| 53-12 | Ballade No. 1 in G minor, Op. 23 | — | ||
| 53-13 | Étude in A-flat major, Op. 25 No. 1 "Aeolian" | — | ||
| 53-14 | Étude in C minor, Op. 10 No. 12 "Revolutionary" | — | ||
| 53-15 | Prelude in D minor, Op. 28 No. 24 | — | ||
| 53-16 | Prelude in D-flat major, Op. 28 No. 15 "Raindrop" | — | ||
| 53-17 | Étude in F major, Op. 25 No. 3 | — | ||
| 53-18 | Nocturne in C-sharp minor, Op. Posth. | — | ||
| 53-19 | Prelude in D minor, Op. 28 No. 24 | — | ||
| 54-1 | Conversations With Bill Evans - Song for Helen | — | ||
| 54-2 | Waltz for Debby | — | ||
| 54-3 | Turn Out the Stars | — | ||
| 54-4 | Noelle's Theme | — | ||
| 54-5 | Reflections in D | — | ||
| 54-6 | Here's That Rainy Day | — | ||
| 54-7 | Hull, Bolinas | — | ||
| 54-8 | Love Theme From 'Spartacus' | — | ||
| 54-9 | Since We Met | — | ||
| 54-10 | Peace Piece | — | ||
| 54-11 | Your Story | — | ||
| 54-12 | Lucky to Be Me | — | ||
| 54-13 | The Heart Asks Pleasure First (The Piano) | — | ||
| 54-14 | Silver-Fingered Fling (The Piano) | — | ||
| 55-1 | Rhapsody in Blue | — | ||
| 55-2 | 'I Got Rhythm' Variations | — | ||
| 55-3 | Piano Concerto in F - I. Allegro | — | ||
| 55-4 | Piano Concerto in F - II. Andante Con Moto | — | ||
| 55-5 | Piano Concerto in F - III. Allegro Con Brio | — |
Identifier Graph
028948322435 is a Universal Product Code (UPC) assigned to Decca Sound: The Piano Edition by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 769 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
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The UPC for “Decca Sound: The Piano Edition” by Various Artists is 028948322435. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Decca. This release contains 769 tracks, each with its own ISRC. Tracks include GBF077230601, GBF077230602, GBF077230603.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | — | ||
| 2 | Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo | — | ||
| 3 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | — | ||
| 4 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | — | ||
| 5 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio | — | ||
| 6 | Piano Concerto no. 1 in E-flat major, S. 124: III. Allegrotto vivace | — | ||
| 7 | Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | — | ||
| 8 | Piano Concerto no. 2 in A major, S. 125: Adagio sostenuto assai | — | ||
| 9 | Piano Concerto no. 2 in A major, S. 125: Allegro moderato | — | ||
| 10 | Piano Concerto no. 2 in A major, S. 125: Allegro deciso | — | ||
| 11 | Piano Concerto no. 2 in A major, S. 125: Allegro animato | — | ||
| 2-1 | Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 2-2 | Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 2-3 | Piano Concerto no. 2 in B-flat major, op. 83: III. Andante | — | ||
| 2-4 | Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | — | ||
| 2-5 | Piano Concerto no. 3 in C major, op. 26: I. Andante | — | ||
| 2-6 | Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni | — | ||
| 2-7 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | — | ||
| 3-1 | 12 Etudes, op. 10: No. 1 in C major | Vladimir Ashkenazy | T-329.456.966-3 | |
| 3-2 | 12 Etudes, op. 10: No. 2 in A minor "chromatique" | Vladimir Ashkenazy | T-329.458.384-5 | |
| 3-3 | Etude in E major, op. 10 no. 3 “Tristesse” | Vladimir Ashkenazy | T-039.190.232-1 | |
| 3-4 | 12 Etudes, op. 10: No. 4 in C-sharp minor | Vladimir Ashkenazy | T-329.457.500-7 | |
| 3-5 | Etude in G‐flat major, op. 10 no. 5 “Black Key” | Vladimir Ashkenazy | T-329.453.534-1 | |
| 3-6 | Etude, Op. 10 No. 6 in E-flat minor | Vladimir Ashkenazy | T-329.458.108-7 | |
| 3-7 | Etude, Op. 10 No. 7 in C major | Vladimir Ashkenazy | T-329.457.242-8 | |
| 3-8 | 12 Etudes, op. 10: No. 8 in F major | Vladimir Ashkenazy | T-329.458.487-1 | |
| 3-9 | 12 Etudes, op. 10: No. 9 in F minor | — | ||
| 3-10 | Etude, Op. 10 No. 10 in A-flat major | Vladimir Ashkenazy | T-329.454.326-9 | |
| 3-11 | Etude, Op. 10 No. 11 in E-flat major | Vladimir Ashkenazy | T-329.456.687-9 | |
| 3-12 | Etude in C minor, op. 10 no. 12 “Revolutionary” | Vladimir Ashkenazy | T-000.794.797-8 | |
| 3-13 | Etude, Op. 25 No. 1 in A-flat major | Vladimir Ashkenazy | — | |
| 3-14 | Etude, Op. 25 No. 2 in F minor | Vladimir Ashkenazy | T-329.456.945-8 | |
| 3-15 | Etude, Op. 25 No. 3 in F major | Vladimir Ashkenazy | T-329.456.945-8 | |
| 3-16 | 12 Etudes, op. 25: No. 4 in A minor | Vladimir Ashkenazy | T-329.457.500-7 | |
| 3-17 | 12 Etudes, op. 25: No. 5 in E minor | Vladimir Ashkenazy | T-329.458.108-7 | |
| 3-18 | 12 Etudes, op. 25: No. 6 in G-sharp minor | Vladimir Ashkenazy | — | |
| 3-19 | 12 Etudes, op. 25: No. 7 in C-sharp minor | Vladimir Ashkenazy | — | |
| 3-20 | 12 Etudes, op. 25: No. 8 in D-flat major | Vladimir Ashkenazy | — | |
| 3-21 | Etudes, Op. 25: No. 9 in G-flat major | Vladimir Ashkenazy | — | |
| 3-22 | 12 Etudes, op. 25: No. 10 in B minor | Vladimir Ashkenazy | T-329.456.945-8 | |
| 3-23 | Etude in A minor, op. 25 no. 11 “Winter Wind” | Vladimir Ashkenazy | T-308.381.369-4 | |
| 3-24 | Etude, Op. 25 No. 12 in C minor | Vladimir Ashkenazy | T-310.766.142-3 | |
| 3-25 | 3 Nouvelles Etudes op. posth "Methode Des Methodes": Etude in F minor | — | ||
| 3-26 | 3 Nouvelles Etudes op. posth "Methode Des Methodes": Etude in A-flat major | — | ||
| 3-27 | 3 Nouvelles Etudes op. posth "Methode Des Methodes": Etude in D-flat major | — | ||
| 4-1 | Suite no. 1 for 2 Pianos, op. 5: 1. Barcarolle | Vladimir Ashkenazy, André Previn | — | |
| 4-2 | Suite no. 1 for 2 Pianos, op. 5: 2. A night for love | Vladimir Ashkenazy, André Previn | — | |
| 4-3 | Suite no. 1 for 2 Pianos, op. 5: 3. Tears | Vladimir Ashkenazy, André Previn | — | |
| 4-4 | Suite no. 1 for Two Pianos, op. 5: IV. Pâques: Allegro maestoso | Vladimir Ashkenazy, André Previn | — | |
| 4-5 | Suite no. 2 for 2 Pianos, op. 17: I. Introduction: Alla marcia | Vladimir Ashkenazy, André Previn | T-000.768.497-0 | |
| 4-6 | Suite no. 2 for 2 Pianos, op. 17: II. Valse: Presto | Vladimir Ashkenazy, André Previn | — | |
| 4-7 | Suite no. 2 for 2 Pianos, op. 17: III. Romance: Andantino | Vladimir Ashkenazy, André Previn | — | |
| 4-8 | Suite no. 2 for 2 Pianos, op. 17: IV. Tarantelle | Vladimir Ashkenazy, André Previn | — | |
| 4-9 | Symphonic Dances for 2 Pianos, op. 45: I. Non allegro - Lento - Tempo I | Vladimir Ashkenazy, André Previn | — | |
| 4-10 | Symphonic Dances for 2 Pianos, op. 45: II. Andante con moto (Tempo di valse) | Vladimir Ashkenazy, André Previn | — | |
| 4-11 | Symphonic Dances for 2 Pianos, op. 45: III. Lento assai - Allegro vivace | Vladimir Ashkenazy, André Previn | — | |
| 5-1 | Piano Sonata no. 8 in C minor, op. 13 "Pathetique": I. Grave | — | ||
| 5-2 | Piano Sonata no. 8 in C minor, op. 13 "Pathetique": II. Adagio Cantabile | — | ||
| 5-3 | Piano Sonata no. 8 in C minor, op. 13 "Pathetique": III. Rondo | — | ||
| 5-4 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": I. Largo | — | ||
| 5-5 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": II. Adagio | — | ||
| 5-6 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": III. Allegretto | — | ||
| 5-7 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": I. Adagio | — | ||
| 5-8 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": II. Andante Espressivo | — | ||
| 5-9 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Vivacissimamente | — | ||
| 6-1 | Piano Sonata no. 25 in G major, op. 79: I. Presto alla tedesca | — | ||
| 6-2 | Piano Sonata no. 25 in G major, op. 79: II. Andante | — | ||
| 6-3 | Piano Sonata no. 25 in G major, op. 79: III. Vivace | — | ||
| 6-4 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso | — | ||
| 6-5 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta | — | ||
| 6-6 | Impromptu in A-flat major, op. 142 no. 2, D 935: Allegretto | — | ||
| 6-7 | Warum? Fantasiestücke, op. 12 no. 3 | — | ||
| 6-8 | Valse-Caprice in A minor, S 427 no. 6 | — | ||
| 6-9 | Intermezzo in C major, op. 119 no. 3 | — | ||
| 6-10 | Piano Sonata no. 48 in C major, Hob. XVI:48: I. Andante con espressione | — | ||
| 6-11 | Piano Sonata no. 48 in C major, Hob. XVI:48: II. Rondo | — | ||
| 6-12 | Piano Sonata no. 52 in E-flat major, Hob. XVI:52: I. Allegro | — | ||
| 6-13 | Piano Sonata no. 52 in E-flat major, Hob. XVI:52: II. Adagio | — | ||
| 6-14 | Piano Sonata no. 52 in E-flat major, Hob. XVI:52: III. Finale | — | ||
| 6-15 | Piano Sonata no. 34 in E minor, Hob. XVI:34: I. Presto | — | ||
| 6-16 | Piano Sonata no. 34 in E minor, Hob. XVI:34: II. Adagio | — | ||
| 6-17 | Piano Sonata no. 34 in E minor, Hob. XVI:34: III. Vivace molto | — | ||
| 6-18 | Fantasia in C major, Hob. XVII:4 | — | ||
| 7-1 | Étude No. 1 in C major (Diatonic; Chopin Op. 10 No. 1) | — | ||
| 7-2 | Étude No. 5 in D-flat major (For the Left Hand Alone; Op. 10 No. 3) | — | ||
| 7-3 | Étude No. 7 in G-flat major (On the Black Keys; Op. 10 No. 5) | — | ||
| 7-4 | Étude No. 12 in G-flat major (Inversion, on the Black Keys; Op. 10 No. 5) | — | ||
| 7-5 | Étude No. 13 in E-flat minor (For the Left Hand Alone; Op. 10 No. 6) | — | ||
| 7-6 | Étude No. 15 in G-flat major ("Nocturne"; Op. 10 No. 7) | — | ||
| 7-7 | Étude No. 25 in A-flat major (Op. 25 No. 1) | — | ||
| 7-8 | Étude No. 44 in F minor (For the Left Hand Alone; Trois Nouvelles Études, Op. Posth. No. 1) | — | ||
| 7-9 | Waltz No. 6 in D-flat major (Op. 64 No. 1) | — | ||
| 7-10 | Waltz No. 8 in A-flat major (Op. 64 No. 3) | — | ||
| 7-11 | Waltz No. 9 in A-flat major (Op. 69 No. 1) | — | ||
| 7-12 | Waltz No. 12 in F minor (Op. 70 No. 2) | — | ||
| 7-13 | Waltz No. 13 in D-flat major (Op. 70 No. 3) | — | ||
| 7-14 | Concert Paraphrase in E-flat major (Grande Valse Brillante, Op. 18) | — | ||
| 8-1 | Die Forelle, S. 564 Piano Transcription After Schubert | — | ||
| 8-2 | Der Müller Und Der Bach (After Schubert) | — | ||
| 8-3 | Wohin?, S. 565/5 (After Schubert) | — | ||
| 8-4 | Lebe Wohl!, S. 563/1 (After Schubert) | — | ||
| 8-5 | Das Wandern, S. 565/1 (After Schubert) | — | ||
| 8-6 | Der Lindenbaum, S. 246/7 (After Schubert) | — | ||
| 8-7 | Ständchen ("Horch, Horch! Die Lerch"), S. 558 No. 9 Piano Transcription After Schubert | — | ||
| 8-8 | Auf Dem Wasser Zu Singen, S. 558 No. 2 Piano Transcription After Schubert | — | ||
| 8-9 | Die Post, S. 561/4 (After Schubert) | — | ||
| 8-10 | Schwanengesang, S. 560 - Piano Transcriptions After Schubert: No.3 Aufenthalt | — | ||
| 8-11 | Lob Der Tränen, S. 557 (After Schubert) | — | ||
| 8-12 | Erlkonig (Schubert) | Jorge Bolet | — | |
| 9-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non troppo | Shura Cherkassky, Royal Philharmonic Orchestra, Yuri Temirkanov | — | |
| 9-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo | Shura Cherkassky, Royal Philharmonic Orchestra, Yuri Temirkanov | — | |
| 9-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale: Alla breve | Shura Cherkassky, Royal Philharmonic Orchestra, Yuri Temirkanov | — | |
| 9-4 | Piano Concerto No.4 in D minor Op.70 - I. Moderato Assai | — | ||
| 9-5 | Piano Concerto No.4 in D minor Op.70 - II. Andante | — | ||
| 9-6 | Piano Concerto No.4 in D minor Op.70 - III. Allegro | — | ||
| 10-1 | Wein, Weib Und Gesang, op. 333 | — | ||
| 10-2 | The Swan | — | ||
| 10-3 | Tambourin | — | ||
| 10-4 | Waltz-Poem IV | — | ||
| 10-5 | Moment Musical no. 3 in F minor | — | ||
| 10-6 | Tango, op. 165 no. 2 | — | ||
| 10-7 | Alt Wien | — | ||
| 10-8 | Kaleidoscope, op. 40 no. 4 | — | ||
| 10-9 | Melody in F major, op. 3 no. 1 | Shura Cherkassky | — | |
| 10-10 | Nocturne in C-sharp minor, op. 19 no. 4 | — | ||
| 10-11 | Waltz in D major, op. 42 no. 3 | — | ||
| 10-12 | Autrefois, op. 87 | — | ||
| 10-13 | Capriccio Espagnole, op. 37 | — | ||
| 10-14 | Prelude in G minor, op. 23 no. 5 | — | ||
| 10-15 | Barcarolle in G minor, op. 10 no. 3 | — | ||
| 10-16 | Melodie in E major, op. 3 no. 3 | — | ||
| 10-17 | Prelude in G-sharp minor, op. 32 no. 12 | — | ||
| 10-18 | Prelude in C-sharp minor, op. 3 no. 2 | — | ||
| 11-1 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - I. Introduzione Col Basso Del Tema | — | ||
| 11-2 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation I | — | ||
| 11-3 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation II | — | ||
| 11-4 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation III | — | ||
| 11-5 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation IV | — | ||
| 11-6 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation V | — | ||
| 11-7 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation VI | — | ||
| 11-8 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation VII | — | ||
| 11-9 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation VIII | — | ||
| 11-10 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation IX | — | ||
| 11-11 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation X | — | ||
| 11-12 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation XI | — | ||
| 11-13 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation XII | — | ||
| 11-14 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation XIII | — | ||
| 11-15 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation XIV | — | ||
| 11-16 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation XV | — | ||
| 11-17 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Finale | — | ||
| 11-18 | 6 Moments Musicaux D780 - I. Moderato | — | ||
| 11-19 | 6 Moments Musicaux D780 - II. Andantino | — | ||
| 11-20 | 6 Moments Musicaux D780 - III. Allegro Moderato | — | ||
| 11-21 | 6 Moments Musicaux D780 - IV. Moderato | — | ||
| 11-22 | 6 Moments Musicaux D780 - V. Allegro Vivace | — | ||
| 11-23 | 6 Moments Musicaux D780 - VI. Allegretto | — | ||
| 11-24 | Introduction and Rondo Alla Burlesca Op.23 No.1 | — | ||
| 11-25 | Mazurka Elegiaca Op.23 No.2 | — | ||
| 12-1 | Piano Concerto no. 20 in D minor, K. 466: I. Allegro | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-001.312.909-3 | |
| 12-2 | Piano Concerto no. 20 in D minor, K. 466: II. Romance | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | — | |
| 12-3 | Piano Concerto no. 20 in D minor, K. 466: III. Rondo: Allegro assai | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-306.395.786-4 | |
| 12-4 | Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-011.619.733-1 | |
| 12-5 | Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-926.819.124-8 | |
| 12-6 | Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-306.395.786-4 | |
| 13-1 | Piano Concerto no. 23 in A major, K. 488: I. Allegro | Clifford Curzon, London Symphony Orchestra, István Kertész | T-011.619.733-1 | |
| 13-2 | Piano Concerto no. 23 in A major, K. 488: II. Adagio | Sir Clifford Curzon, London Symphony Orchestra, István Kertész | T-802.445.410-3 | |
| 13-3 | Piano Concerto no. 23 in A major, K. 488: III. Allegro assai | Clifford Curzon, London Symphony Orchestra, István Kertész | T-306.395.786-4 | |
| 13-4 | Piano Concerto no. 24 in C minor, K. 491: I .Allegro | Clifford Curzon, London Symphony Orchestra, István Kertész | T-001.312.909-3 | |
| 13-5 | Piano Concerto no. 24 in C minor, K. 491: II. Larghetto | Clifford Curzon, London Symphony Orchestra, István Kertész | T-926.819.124-8 | |
| 13-6 | Piano Concerto no. 24 in C minor, K. 491: III. Allegretto | Clifford Curzon, London Symphony Orchestra, István Kertész | — | |
| 14-1 | Souvenirs d’Andalousie | — | ||
| 14-2 | Le Mancenillier | — | ||
| 14-3 | Manchega | — | ||
| 14-4 | Souvenir de Porto Rico | — | ||
| 14-5 | Ô ma charmante épargnez‐moi | — | ||
| 14-6 | Suis‐moi | — | ||
| 14-7 | The Banjo | — | ||
| 14-8 | Pasquinade | — | ||
| 14-9 | Grand Scherzo | — | ||
| 14-10 | Le Bananier | — | ||
| 14-11 | The Dying Poet | — | ||
| 14-12 | Tournament Galop | — | ||
| 14-13 | Le Carnaval des animaux: I. Introduction et Marche royale du lion | — | ||
| 14-14 | Le Carnaval des animaux: II. Poules et coqs | — | ||
| 14-15 | Le Carnaval des animaux: III. Hemiones | — | ||
| 14-16 | Le Carnaval des animaux: IV. Tortues | — | ||
| 14-17 | Le Carnaval des animaux: V. L’Élephant | — | ||
| 14-18 | Le Carnaval des animaux: VI. Kangourous | — | ||
| 14-19 | Le Carnaval des animaux: VII. Aquarium | — | ||
| 14-20 | Le Carnaval des animaux: VIII. Personnages à longues oreilles | — | ||
| 14-21 | Le Carnaval des animaux: IX. Le Coucou au fond des bois | — | ||
| 14-22 | Le Carnaval des animaux: X. Volière | — | ||
| 14-23 | Le Carnaval des animaux: XI. Pianistes | — | ||
| 14-24 | Le Carnaval des animaux: XII. Fossiles | — | ||
| 14-25 | Le Carnaval des animaux: XIII. Le Cygne | — | ||
| 14-26 | Le Carnaval des animaux: XIV. Final | — | ||
| 15-1 | Barcarolle | — | ||
| 15-2 | Fantastic Waltz | — | ||
| 15-3 | Polka and Fugue | — | ||
| 15-4 | L'Embarquement Pour Cythere | — | ||
| 15-5 | Valse | — | ||
| 15-6 | Rondo in D major, op. 138, D 608 | — | ||
| 15-7 | 16 Waltzes, op. 39: No. 9 in D minor | — | ||
| 15-8 | 16 Waltzes, op. 39: No. 10 in G major | — | ||
| 15-9 | 16 Waltzes, op. 39: No. 11 in B minor | — | ||
| 15-10 | 16 Waltzes, op. 39: No. 15 in A-flat major | — | ||
| 15-11 | 16 Waltzes, op. 39: No. 16 in C-sharp minor | — | ||
| 15-12 | Sechs Studien in Kanonischer Form, op. 56: No. 2. Mit Innigem Ausdruck | — | ||
| 15-13 | Sechs Studien in Kanonischer Form, op. 56: No. 3. Andantino | — | ||
| 15-14 | Sechs Studien in Kanonischer Form, op. 56: No. 4. Innig | — | ||
| 15-15 | Sonate Pour Piano a Quatre Mains, FP 8: I. Prelude | — | ||
| 15-16 | Sonate Pour Piano a Quatre Mains, FP 8: II. Rustique | — | ||
| 15-17 | Sonate Pour Piano a Quatre Mains, FP 8: III. Final | — | ||
| 15-18 | Scaramouche: I. Vif | — | ||
| 15-19 | Scaramouche: II. Modere | — | ||
| 15-20 | Scaramouche: III. Brazileira | — | ||
| 15-21 | Variations on a Theme by Paganini | — | ||
| 16-1 | Concert Etude | — | ||
| 16-2 | Après un rêve | — | ||
| 16-3 | Manchega | — | ||
| 16-4 | Scottish Legend | — | ||
| 16-5 | Tyrolean Valse-Fantaisie | — | ||
| 16-6 | Fireflies | — | ||
| 16-7 | The Union | — | ||
| 16-8 | A Hermit Thrush at Eve | — | ||
| 16-9 | Hexentanz | — | ||
| 16-10 | Nell | — | ||
| 16-11 | Now, o Now, I Needs Must Part | — | ||
| 16-12 | Corbeille de Fleurs | — | ||
| 16-13 | Home Sweet Home | — | ||
| 16-14 | Souvenir de Porto Rico | — | ||
| 16-15 | Irish Tune From County Derry | — | ||
| 16-16 | The Man I Love | — | ||
| 16-17 | Gershwin, Trans. Wodehouse: Clap Yo' Hands | — | ||
| 17-1 | Carnaval das Crianças: I. O ginête do pierrozinho | Nelson Freire | — | |
| 17-2 | Carnaval das Crianças: II. O chicote do diabinho | Nelson Freire | — | |
| 17-3 | Carnaval das Crianças: III. A manha da pierrete | Nelson Freire | — | |
| 17-4 | Carnaval das Crianças: IV. Os guizos do dominozinho | Nelson Freire | — | |
| 17-5 | Carnaval das Crianças: V. As peripécias do trapeirozinho | Nelson Freire | — | |
| 17-6 | Carnaval das Crianças: VI. As traquinices do mascarado mignon | Nelson Freire | — | |
| 17-7 | Carnaval das Crianças: VII. A gaita de um precoce fantasiado | Nelson Freire | — | |
| 17-8 | Choros no. 5 "Alma Brasileira", W207 | Nelson Freire | T-901.135.990-3 | |
| 17-9 | A Maré Encheu (Guia Prático no. 76) | Nelson Freire | — | |
| 17-10 | Valsa da Dor | Nelson Freire | — | |
| 17-11 | Saudades das Selvas Brasileiras no. 2 | Nelson Freire | — | |
| 17-12 | Pobre Cega | Nelson Freire | — | |
| 17-13 | Cirandas: XIV. A Canoa Virou | Nelson Freire | — | |
| 17-14 | A Lenda do Caboclo | Nelson Freire | — | |
| 17-15 | Dança Negra | Nelson Freire | T-039.007.723-2 | |
| 17-16 | Ponteio no. 24 | Nelson Freire | T-039.446.225-9 | |
| 17-17 | Toccata | Nelson Freire | — | |
| 17-18 | Valse lente | Nelson Freire | — | |
| 17-19 | Tango Brasileiro | Nelson Freire | T-039.071.694-5 | |
| 17-20 | Minha Terra | Nelson Freire | — | |
| 17-21 | Três Estudos em forma de Sonatina, op. 62: I. Allegro con brio | Nelson Freire | T-039.115.777-9 | |
| 17-22 | Três Estudos em forma de Sonatina, op. 62: II. Moderato | Nelson Freire | T-039.115.777-9 | |
| 17-23 | Três Estudos em forma de Sonatina, op. 62: III. Allegro scherzoso | Nelson Freire | T-039.115.777-9 | |
| 17-24 | Prole do bebê, Livro 2 – Os Bichinhos (1921): II. O Gatinho de Papelão | Nelson Freire | — | |
| 17-25 | Paulistana no. 1 | Nelson Freire | — | |
| 17-26 | Toccata | Nelson Freire | — | |
| 17-27 | New York Skyline, W407 | Nelson Freire | — | |
| 17-28 | Valse élégante | Nelson Freire | T-039.391.055-8 | |
| 17-29 | Quatro Peças Brasileiras: I. Maroca | Nelson Freire | T-039.071.640-1 | |
| 17-30 | Congada | Nelson Freire | — | |
| 18-1 | Scherzo no. 1 in B minor, op. 20 | Benjamin Grosvenor | T-308.384.655-9 | |
| 18-2 | Nocturne No. 5 in F‐Sharp Major, Op. 15, No. 2 | Benjamin Grosvenor | T-306.230.833-8 | |
| 18-3 | Scherzo no. 4 in E major, op. 54 | Benjamin Grosvenor | — | |
| 18-4 | Nocturne in E minor, op. posth. 72 no. 1 | Benjamin Grosvenor | T-905.040.158-6 | |
| 18-5 | Scherzo no. 3 in C-sharp minor, op. 39 | Benjamin Grosvenor | T-918.063.801-1 | |
| 18-6 | Nocturne in C-sharp minor | Benjamin Grosvenor | T-702.884.109-2 | |
| 18-7 | Scherzo no. 2 in B-flat minor, op. 31 | Benjamin Grosvenor | T-309.554.578-7 | |
| 18-8 | Six Polish Songs, S. 480: My Joys | Benjamin Grosvenor | — | |
| 18-9 | Six Polish Songs, S. 480: The Maiden’s Wish | Benjamin Grosvenor | — | |
| 18-10 | En rêve - Nocturne, S. 207 | Benjamin Grosvenor | — | |
| 18-11 | Gaspard de la nuit: Ondine | Benjamin Grosvenor | — | |
| 18-12 | Gaspard de la nuit: Le Gibet | Benjamin Grosvenor | T-902.777.490-9 | |
| 18-13 | Gaspard de la nuit: Scarbo | Benjamin Grosvenor | T-902.777.490-9 | |
| 18-14 | Gnomenreigen | — | ||
| 18-15 | Siciliano Flute Sonata no. 2 in E-flat major, BWV 1031 | — | ||
| 19-1 | Piano Concerto No.1 in C major Op.15 - I. Allegro Con Brio | — | ||
| 19-2 | Piano Concerto No.1 in C major Op.15 - II. Largo | — | ||
| 19-3 | Piano Concerto No.1 in C major Op.15 - III. Rondo | — | ||
| 19-4 | Piano Concerto No.2 in B-flat major Op.19 - I. Allegro Con Brio | — | ||
| 19-5 | Piano Concerto No.2 in B-flat major Op.19 - II. Adagio | — | ||
| 19-6 | Piano Concerto No.2 in B-flat major Op.19 - III. Rondo | — | ||
| 20-1 | Das Wolhtemperierte Clavier Book I, No. 15: Prelude and Fugue in G, BWV 860 | — | ||
| 20-2 | Partita No. 1 in B-Flat, BWV 825: Menuet I - Menuet II | — | ||
| 20-3 | Toccata, BWV 911: Fugue | — | ||
| 20-4 | Bagatelles, Op. 119: No. 11 Andante, Ma Non Troppo | — | ||
| 20-5 | 6 Écossaises, Woo 83 | — | ||
| 20-6 | Berceuse in D-Flat, Op. 57 | — | ||
| 20-7 | 12 Études, Op. 25: Étude No. 1 in A-Flat | — | ||
| 20-8 | 12 Études, Op. 25: Étude No. 2 in F minor | — | ||
| 20-9 | Ballade No. 3 in A-Flat, Op. 47 | — | ||
| 20-10 | Piano Sonata No. 7 in B-Flat, Op. 83: I. Allegro Inquieto - Andantino - Allegro Inquieto - Andantino - Allegro Inquieto | — | ||
| 20-11 | Piano Sonata No. 7 in B-Flat, Op. 83: II. Andante Caloroso - Poco Più Animato - Più Largamente | — | ||
| 20-12 | Piano Sonata No. 7 in B-Flat, Op. 83: III. Precipitato | — | ||
| 20-13 | L'Isle Joyeuse, CD 109 | — | ||
| 20-14 | Images, 1ʳᵉ Série, CD 105: Reflets Dans L'Eau | — | ||
| 20-15 | Sonata No. 18 in D, K. 576: I. Allegro | — | ||
| 20-16 | Sonata No. 18 in D, K. 576: II. Adagio | — | ||
| 20-17 | Sonata No. 18 in D, K. 576: III. Allegretto | — | ||
| 21-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | — | ||
| 21-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice | — | ||
| 21-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 21-4 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | — | ||
| 21-5 | Piano Concerto in A minor, op. 16: II. Adagio | — | ||
| 21-6 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato | — | ||
| 21-7 | Variations on a Theme by Paganini | — | ||
| 22-1 | Preludes – Book I: I. Dancers of Delphi | — | ||
| 22-2 | Preludes – Book I: II. Sails | — | ||
| 22-3 | Preludes – Book I: III. The Wind in the Plain | — | ||
| 22-4 | Preludes – Book I: IV. ‘Sounds and Perfumes Mingle in the Evening Air’ | — | ||
| 22-5 | Preludes – Book I: V. The Hills of Anacapri | — | ||
| 22-6 | Preludes – Book I: VI. Footprints in the Snow | — | ||
| 22-7 | Preludes – Book I: XII. What the West Wind Saw | — | ||
| 22-8 | Preludes – Book I: VIII. The Girl With the Flaxen Hair | — | ||
| 22-9 | Preludes – Book I: IX. Interrupted Serenade | — | ||
| 22-10 | Preludes – Book I: X. The Sunken Cathedral | — | ||
| 22-11 | Preludes – Book I: XI. Puc’s Dance | — | ||
| 22-12 | Preludes – Book I: XII. Minstrels | — | ||
| 22-13 | Preludes – Book II: I. Bists | — | ||
| 22-14 | Preludes – Book II: II. Dead Leaves | — | ||
| 22-15 | Preludes – Book II: III. Die Weinpforte | — | ||
| 22-16 | Preludes – Book II: IV. ‘The Fairies Are Exquisite Dancers’ | — | ||
| 22-17 | Preludes – Book II: V. Hearth | — | ||
| 22-18 | Preludes – Book II: VI. ‘General Lavine’ | — | ||
| 22-19 | Preludes – Book II: VII. The Terrace for Moonlight Audiences | — | ||
| 22-20 | Preludes – Book II: VIII. Ondine | — | ||
| 22-21 | Preludes – Book II: IX. Hommage a Samuel Pickwick Esq P.P.M.P.C | — | ||
| 22-22 | Preludes – Book II: X. Canopic Jar | — | ||
| 22-23 | Preludes – Book II: XI. Alternating Thirds | — | ||
| 22-24 | Preludes – Book II: XII. Fireworks | — | ||
| 23-1 | Hungarian Dance no. 1 | Julius Katchen | T-329.391.159-4 | |
| 23-2 | Hungarian Dances Woo 1 - Book I - No.2 in D minor | — | ||
| 23-3 | Hungarian Dances Woo 1 - Book I - No3 in F major | — | ||
| 23-4 | Hungarian Dances Woo 1 - Book I - No.4 in F-sharp minor | — | ||
| 23-5 | Hungarian Dance no. 5 | Julius Katchen | T-050.177.410-2 | |
| 23-6 | Hungarian Dance for Solo Piano in D‐flat major, WoO 1 no. 6: Vivace – Molto sostenuto | Julius Katchen | T-917.141.515-9 | |
| 23-7 | Hungarian Dances Woo 1 - Book II - No.7 in A major | — | ||
| 23-8 | Hungarian Dances Woo 1 - Book II - No.8 in A minor | — | ||
| 23-9 | Hungarian Dances Woo 1 - Book II - No.9 in E minor | — | ||
| 23-10 | Hungarian Dances Woo 1 - Book II - No.10 in F major | — | ||
| 23-11 | Hungarian Dances Woo 1 - Book III - No.11 in D minor | — | ||
| 23-12 | Hungarian Dances Woo 1 - Book III - No.12 in D minor | — | ||
| 23-13 | Hungarian Dances Woo 1 - Book III - No.13 in D major | — | ||
| 23-14 | Hungarian Dances Woo 1 - Book III - No.14 in D minor | — | ||
| 23-15 | Hungarian Dances Woo 1 - Book III - No.15 in B-flat major | — | ||
| 23-16 | Hungarian Dances Woo 1 - Book III - No.16 in F minor | — | ||
| 23-17 | Hungarian Dances Woo 1 - Book III - No.17 in F-sharp minor | — | ||
| 23-18 | Hungarian Dances Woo 1 - Book III - No.18 in D major | — | ||
| 23-19 | Hungarian Dances Woo 1 - Book III - No.19 in B minor | — | ||
| 23-20 | Hungarian Dances Woo 1 - Book III - No.20 in E minor | — | ||
| 23-21 | Hungarian Dances Woo 1 - Book III - No.21 in E minor | — | ||
| 23-22 | Variations on a Theme by Paganini Op.35 - Book I | — | ||
| 23-23 | Variations on a Theme by Paganini Op.35 - Book II | — | ||
| 24-1 | Rhapsody On A Theme Of Paganini, op. 43: Introduction And Variation 1 | — | ||
| 24-2 | Rhapsody On A Theme Of Paganini, op. 43: Theme | — | ||
| 24-3 | Rhapsody On A Theme Of Paganini, op. 43: Variation 2 | — | ||
| 24-4 | Rhapsody On A Theme Of Paganini, op. 43: Variation 3 | — | ||
| 24-5 | Rhapsody On A Theme Of Paganini, op. 43: Variation 4 | — | ||
| 24-6 | Rhapsody On A Theme Of Paganini, op. 43: Variation 5 | — | ||
| 24-7 | Rhapsody On A Theme Of Paganini, op. 43: Variation 6 | — | ||
| 24-8 | Rhapsody On A Theme Of Paganini, op. 43: Variation 7 | — | ||
| 24-9 | Rhapsody On A Theme Of Paganini, op. 43: Variation 8 | — | ||
| 24-10 | Rhapsody On A Theme Of Paganini, op. 43: Variation 9 | — | ||
| 24-11 | Rhapsody On A Theme Of Paganini, op. 43: Variation 10 | — | ||
| 24-12 | Rhapsody On A Theme Of Paganini, op. 43: Variation 11 | — | ||
| 24-13 | Rhapsody On A Theme Of Paganini, op. 43: Variation 12 | — | ||
| 24-14 | Rhapsody On A Theme Of Paganini, op. 43: Variation 13 | — | ||
| 24-15 | Rhapsody On A Theme Of Paganini, op. 43: Variation 14 | — | ||
| 24-16 | Rhapsody On A Theme Of Paganini, op. 43: Variation 15 | — | ||
| 24-17 | Rhapsody On A Theme Of Paganini, op. 43: Variation 16 | — | ||
| 24-18 | Rhapsody On A Theme Of Paganini, op. 43: Variation 17 | — | ||
| 24-19 | Rhapsody On A Theme Of Paganini, op. 43: Variation 18 | — | ||
| 24-20 | Rhapsody On A Theme Of Paganini, op. 43: Variation 19 | — | ||
| 24-21 | Rhapsody On A Theme Of Paganini, op. 43: Variation 20 | — | ||
| 24-22 | Rhapsody On A Theme Of Paganini, op. 43: Variation 21 | — | ||
| 24-23 | Rhapsody On A Theme Of Paganini, op. 43: Variation 22 | — | ||
| 24-24 | Rhapsody On A Theme Of Paganini, op. 43: Variation 23 | — | ||
| 24-25 | Rhapsody On A Theme Of Paganini, op. 43: Variation 24 | — | ||
| 24-26 | Variations on a Nursery Tune op. 25: Introduzione | — | ||
| 24-27 | Variations on a Nursery Tune op. 25: Tema | — | ||
| 24-28 | Variations on a Nursery Tune op. 25: Variation 1 | — | ||
| 24-29 | Variations on a Nursery Tune op. 25: Variation 2 | — | ||
| 24-30 | Variations on a Nursery Tune op. 25: Variation 3 | — | ||
| 24-31 | Variations on a Nursery Tune op. 25: Variation 4 | — | ||
| 24-32 | Variations on a Nursery Tune op. 25: Variation 5 | — | ||
| 24-33 | Variations on a Nursery Tune op. 25: Variation 6 | — | ||
| 24-34 | Variations on a Nursery Tune op. 25: Variation 7 | — | ||
| 24-35 | Variations on a Nursery Tune op. 25: Variation 8 | — | ||
| 24-36 | Variations on a Nursery Tune op. 25: Variation 9 | — | ||
| 24-37 | Variations on a Nursery Tune op. 25: Variation 10 | — | ||
| 24-38 | Variations on a Nursery Tune op. 25: Variation 11 | — | ||
| 24-39 | Variations on a Nursery Tune op. 25: Finale Fugato | — | ||
| 24-40 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Julius Katchen, London Symphony Orchestra, Sir Georg Solti | — | |
| 24-41 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Julius Katchen, London Symphony Orchestra, Sir Georg Solti | — | |
| 24-42 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | Julius Katchen, London Symphony Orchestra, Sir Georg Solti | T-071.926.821-9 | |
| 25-1 | Piano Concerto No. 1 in G minor, Op 25 - I. Molto Allegro Con Fuoco | — | ||
| 25-2 | Piano Concerto No. 1 in G minor, Op 25 - II. Andante | — | ||
| 25-3 | Piano Concerto No. 1 in G minor, Op 25 - III. Presto, Molto Allegro E Vivace | — | ||
| 25-4 | Piano Concerto No. 2 in D minor, Op 40 - I. Allegro Appassionato | — | ||
| 25-5 | Piano Concerto No. 2 in D minor, Op 40 - II. Adagio (Molto Sustenuto) | — | ||
| 25-6 | Piano Concerto No. 2 in D minor, Op 40 - III. Presto Scherzando | — | ||
| 25-7 | Capriccio Brilliant in B minor, Op 22 | — | ||
| 25-8 | Rondo Brilliant in E-flat major, Op 29 | — | ||
| 26-1 | Chromatic Fantasia and Fugue in D minor BWV 903 | — | ||
| 26-2 | Nun Komm, Der Heiden Heiland BWV659 | — | ||
| 26-3 | Jesus Bleibet Meine Freude BWV 147 | — | ||
| 26-4 | Herzlich Tut Mich Verlangen BWV727 | — | ||
| 26-5 | In Dulci Jubilo BWV729 | — | ||
| 26-6 | Nun Freut Euch, Liebe Christen G'Mein BWV734 | — | ||
| 26-7 | Siciliano BWV1031 | — | ||
| 26-8 | Wachet Auf, Ruft Uns Die Stimme BWV140 | — | ||
| 26-9 | Air Con Variazioni HWV430 | — | ||
| 26-10 | Menuet From Harpsichord Suite No.1 HWV434 | — | ||
| 26-11 | Le Carillon de Cithere | — | ||
| 26-12 | Le Rappel Des Oiseaux | — | ||
| 26-13 | Bagatelle in C minor Woo 52 | — | ||
| 26-14 | Bagatelle in A minor Woo 59 'Für Elise' | — | ||
| 27-1 | Piano Sonata No.16 in A minor D845 - I. Moderato | — | ||
| 27-2 | Piano Sonata No.16 in A minor D845 - II. Andante, Poco Mosso | — | ||
| 27-3 | Piano Sonata No.16 in A minor D845 - III. Scherzo | — | ||
| 27-4 | Piano Sonata No.16 in A minor D845 - IV. Rondo | — | ||
| 27-5 | Piano Sonata No.21 in B-flat major D960 - I. Molto Moderato | — | ||
| 27-6 | Piano Sonata No.21 in B-flat major D960 - II. Andante Sostenuto | — | ||
| 27-7 | Piano Sonata No.21 in B-flat major D960 - III. Scherzo | — | ||
| 27-8 | Piano Sonata No.21 in B-flat major D960 - IV. Allegro Ma Non Troppo | — | ||
| 28-1 | Iberia - Book I - Evocación | — | ||
| 28-2 | Iberia - Book I - El Puerto | — | ||
| 28-3 | Iberia - Book I - El Corpus Christi En Sevilla | — | ||
| 28-4 | Iberia - Book II - Rondena | — | ||
| 28-5 | Iberia - Book II - Almeria | — | ||
| 28-6 | Iberia - Book II - Triana | — | ||
| 28-7 | Iberia - Book III - El Albaicín | — | ||
| 28-8 | Iberia - Book III - El Polo | — | ||
| 28-9 | Iberia - Book III - Lavapiés | — | ||
| 28-10 | Iberia - Book IV - Málaga | — | ||
| 28-11 | Iberia - Book IV - Jerez | — | ||
| 28-12 | Iberia - Book IV - Eritaña | — | ||
| 29-1 | Piano Sonata in B minor, S. 178: I. Lento assai | — | ||
| 29-2 | Piano Sonata in B minor, S. 178: II. Andante sostenuto | — | ||
| 29-3 | Piano Sonata in B minor, S. 178: III. Allegro energico | — | ||
| 29-4 | Fantasie in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich | — | ||
| 29-5 | Fantasie in C major, op. 17: II. Mäßig | — | ||
| 29-6 | Fantasie in C major, op. 17: III. Langsam getragen | — | ||
| 29-7 | Noches en los jardines de España: I. En el Generalife | — | ||
| 29-8 | Noches en los jardines de España: II. Danza lejana | — | ||
| 29-9 | Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba | — | ||
| 30-1 | Piano Concerto in G major: I. Allegramente | — | ||
| 30-2 | Piano Concerto in G major: II. Adagio assai | — | ||
| 30-3 | Piano Concerto in G major: III. Presto | — | ||
| 30-4 | Piano Concerto in D major for the Left Hand | — | ||
| 30-5 | Fantaisie for Piano and Orchestra, op. 111 | — | ||
| 30-6 | Variations Symphoniques | — | ||
| 31-1 | Piano Concerto no. 9 in E-flat major, K. 271 “Jeunehomme”: 1. Allegro | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-2 | Piano Concerto no. 9 in E-flat major, K. 271 “Jeunehomme”: 2. Andantino | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-3 | Piano Concerto no. 9 in E-flat major, K. 271 “Jeunehomme”: 3. Rondeau (Presto) | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-4 | Piano Concerto no. 12 in A major, K. 414: 1. Allegro | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-5 | Piano Concerto no. 12 in A major, K. 414: 2. Andante | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-6 | Piano Concerto no. 12 in A major, K. 414: 3. Rondeau (Allegretto) | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-7 | Piano Concerto no. 11 in F major, K. 413: I. Allegro | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-8 | Piano Concerto no. 11 in F major, K. 413: II. Larghetto | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-9 | Concerto for Piano no. 11 in F major, K. 387a/413: III. Tempo di Minuetto | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 32-1 | Concerto for Piano and Orchestra in A minor, op.54: I. Allegro affettuoso | — | ||
| 32-2 | Concerto for Piano and Orchestra in A minor, op.54: II. Intermezzo | — | ||
| 32-3 | Concerto for Piano and Orchestra in A minor, op.54: III. Allegro vivace | — | ||
| 32-4 | Piano Concerto no. 2 in G major, op. 44: I. Allegro brillante | — | ||
| 32-5 | Piano Concerto no. 2 in G major, op. 44: II. Andante non troppo | — | ||
| 32-6 | Piano Concerto no. 2 in G major, op. 44: III. Allegro con fuoco | — | ||
| 33-1 | Ellens Gesang III (Ave Maria), S. 558 no. 12 (after Schubert’s D. 839) | Valentina Lisitsa | — | |
| 33-2 | Ballade No.2 in B minor | — | ||
| 33-3 | Aida | — | ||
| 33-4 | La Contrabandista | — | ||
| 33-5 | Gute Nacht | — | ||
| 33-6 | Des Mädchens Klage | — | ||
| 33-7 | Erlkönig, S. 558 no. 4 (after Schubert’s D. 328) | Valentina Lisitsa | — | |
| 33-8 | Der Müller Und Der Bach | — | ||
| 33-9 | Hungarian Rhapsody No.12 | — | ||
| 34-1 | Piano Concerto No.24 in C minor K491 - I. Allegro | — | ||
| 34-2 | Piano Concerto No.24 in C minor K491 - II. Larghetto | — | ||
| 34-3 | Piano Concerto No.24 in C minor K491 - III. Allegretto | — | ||
| 34-4 | Piano Concerto No.4 in G major Op.58 - I. Allegro Madorato | — | ||
| 34-5 | Piano Concerto No.4 in G major Op.58 - II. Andante Con Moto | — | ||
| 34-6 | Piano Concerto No.4 in G major Op.58 - III. Rondo | — | ||
| 34-7 | Waldszenen Op.82 - I. Entry | — | ||
| 34-8 | Waldszenen Op.82 - II. Hunters on the Lookout | — | ||
| 34-9 | Waldszenen Op.82 - III. Solitary Flowers | — | ||
| 34-10 | Waldszenen Op.82 - IV. Place of Ill Omen | — | ||
| 34-11 | Waldszenen Op.82 - V. Pleasant Landscape | — | ||
| 34-12 | Waldszenen Op.82 - VI. Shelter | — | ||
| 34-13 | Waldszenen Op.82 - VII. The Prophet-Bird | — | ||
| 34-14 | Waldszenen Op.82 - VIII. Hunting Song | — | ||
| 34-15 | Waldszenen Op.82 - IX. Farewell | — | ||
| 35-1 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: I. Allegro | Radu Lupu, Israel Philharmonic Orchestra, Zubin Mehta | T-011.619.733-1 | |
| 35-2 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco mosso | Radu Lupu, Israel Philharmonic Orchestra, Zubin Mehta | T-928.635.608-9 | |
| 35-3 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: III. Rondo. Allegro ma non troppo | Radu Lupu, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 35-4 | Piano Concerto no. 3 in C minor op. 37 - I. Allegro Con Brio | — | ||
| 35-5 | Piano Concerto no. 3 in C minor op. 37 - II. Largo | — | ||
| 35-6 | Piano Concerto no. 3 in C minor op. 37 - III. Rondo | — | ||
| 36-1 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Radu Lupu | — | |
| 36-2 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto | Radu Lupu | — | |
| 36-3 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato | Radu Lupu | — | |
| 36-4 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | Radu Lupu | — | |
| 36-5 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Radu Lupu | T-001.397.158-8 | |
| 36-6 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro | Radu Lupu | — | |
| 36-7 | Sonata for Piano no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio | Radu Lupu | — | |
| 36-8 | Sonata for Piano no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto | Radu Lupu | — | |
| 36-9 | Sonata for Piano no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo | Radu Lupu | T-312.439.094-5 | |
| 36-10 | 32 Variations for Piano in C minor on an Original Theme, WoO 80 | Radu Lupu | — | |
| 37-1 | 6 Klavierstücke op. 118 - I. Intermezzo in A minor | — | ||
| 37-2 | 6 Klavierstücke op. 118 - II. Intermezzo in A major | — | ||
| 37-3 | 6 Klavierstücke op. 118 - III. Ballade in G minor | — | ||
| 37-4 | 6 Klavierstücke op. 118 - IV. Intermezzo in F minor | — | ||
| 37-5 | 6 Klavierstücke op. 118 - V. Romanze in F major | — | ||
| 37-6 | 6 Klavierstücke op. 118 - VI. Intermezzo in E-flat minor | — | ||
| 37-7 | 4 Klavierstücke op. 119 - I. Intermezzo in B minor | — | ||
| 37-8 | 4 Klavierstücke op. 119 - II. Intermezzo in E minor | — | ||
| 37-9 | 4 Klavierstücke op. 119 - III. Intermezzo in C major | — | ||
| 37-10 | 4 Klavierstücke op. 119 - IV. Rhapsodie in E-flat major | — | ||
| 37-11 | Rhapsody in G minor op. 79 no. 2 | — | ||
| 37-12 | Rhapsody in B minor op. 79 no. 1 | — | ||
| 37-13 | 3 Intermezzos op. 117 - I. E Flat Major | — | ||
| 37-14 | 3 Intermezzos op. 117 - II. B Flat Minor | — | ||
| 37-15 | 3 Intermezzos op. 117 - III. C Sharp Minor | — | ||
| 37-16 | Theme and Variations in D minor | — | ||
| 38-1 | Piano Concerto in D-flat major - I. Allegro Ma Non Troppo E Maestoso | — | ||
| 38-2 | Piano Concerto in D-flat major - II. Andante Con Anima | — | ||
| 38-3 | Piano Concerto in D-flat major - III. Allegro Brillanto | — | ||
| 38-4 | Piano Concerto No.2 in G minor Op.22 - I. Andante Sostenuto | — | ||
| 38-5 | Piano Concerto No.2 in G minor Op.22 - II. Allegro Scherzando | — | ||
| 38-6 | Piano Concerto No.2 in G minor Op.22 - III. Presto | — | ||
| 39-1 | Piano Sonata No.32 in C minor Op.111 - I. Maestoso | — | ||
| 39-2 | Piano Sonata No.32 in C minor Op.111 - II. Arietta | — | ||
| 39-3 | Piano Sonata No.5 in C major - I. Andante | — | ||
| 39-4 | Piano Sonata No.5 in C major - II. Allegro | — | ||
| 39-5 | Piano Sonata No.5 in C major - III. Allegro Assai | — | ||
| 39-6 | Keyboard Sonata in C minor Kk 11 | — | ||
| 39-7 | Keyboard Sonata in C major Kk 159 | — | ||
| 39-8 | Keyboard Sonata in A major Kk 322 | — | ||
| 39-9 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro | Wiener Philharmoniker, Leonard Bernstein | — | |
| 39-10 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante] | Wiener Philharmoniker, Leonard Bernstein | — | |
| 39-11 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro | Wiener Philharmoniker, Leonard Bernstein | — | |
| 40-1 | Concerto in D major for Piano and Orchestra - I. Allegro Non Troppo | — | ||
| 40-2 | Concerto in D major for Piano and Orchestra - II. Larghetto | — | ||
| 40-3 | Concerto in D major for Piano and Orchestra - III. Rondo | — | ||
| 40-4 | Concerto in D major for Keyboard and Strings BWV1054 - I. Allegro | — | ||
| 40-5 | Concerto in D major for Keyboard and Strings BWV1054 - II. Adagio E Piano Sempre | — | ||
| 40-6 | Concerto in D major for Keyboard and Strings BWV1054 - III. Allegro | — | ||
| 40-7 | 24 Preludes Op.34 - No.1 in C major | — | ||
| 40-8 | 24 Preludes Op.34 - No.2 in A minor | — | ||
| 40-9 | 24 Preludes Op.34 - No.3 in G major | — | ||
| 40-10 | 24 Preludes Op.34 - No.4 in E minor | — | ||
| 40-11 | 24 Preludes Op.34 - No.5 in D major | — | ||
| 40-12 | 24 Preludes Op.34 - No.6 in B minor | — | ||
| 40-13 | 24 Preludes Op.34 - No.7 in A major | — | ||
| 40-14 | 24 Preludes Op.34 - No.8 in F-sharp minor | — | ||
| 40-15 | 24 Preludes Op.34 - No.9 in E major | — | ||
| 40-16 | 24 Preludes Op.34 - No.10 in C-sharp minor | — | ||
| 40-17 | 24 Preludes Op.34 - No.11 in B major | — | ||
| 40-18 | 24 Preludes Op.34 - No.12 in G-sharp minor | — | ||
| 40-19 | 24 Preludes Op.34 - No.13 in F-sharp major | — | ||
| 40-20 | 24 Preludes Op.34 - No.14 in E-flat minor | — | ||
| 40-21 | 24 Preludes Op.34 - No.15 in D-flat major | — | ||
| 40-22 | 24 Preludes Op.34 - No.16 in B-flat minor | — | ||
| 40-23 | 24 Preludes Op.34 - No.17 in A-flat major | — | ||
| 40-24 | 24 Preludes Op.34 - No.18 in F minor | — | ||
| 40-25 | 24 Preludes Op.34 - No.19 in E-flat major | — | ||
| 40-26 | 24 Preludes Op.34 - No.20 in C minor | — | ||
| 40-27 | 24 Preludes Op.34 - No.21 in F-flat major | — | ||
| 40-28 | 24 Preludes Op.34 - No.22 in G minor | — | ||
| 40-29 | 24 Preludes Op.34 - No.23 in F major | — | ||
| 40-30 | 24 Preludes Op.34 - No.24 in D minor | — | ||
| 41-1 | Vingt Regards Sur L'Enfant-Jesus - I. Regard Du Pere | — | ||
| 41-2 | Vingt Regards Sur L'Enfant-Jesus - II. Regard de L'Etoile | — | ||
| 41-3 | Vingt Regards Sur L'Enfant-Jesus - III. L'Echange | — | ||
| 41-4 | Vingt Regards Sur L'Enfant-Jesus - IV. Rergard de La Vierge | — | ||
| 41-5 | Vingt Regards Sur L'Enfant-Jesus - V. Regard Du Fils Sur Le Fils | — | ||
| 41-6 | Vingt Regards Sur L'Enfant-Jesus - VI. Par Lui Tout a Ete Fait | — | ||
| 41-7 | Vingt Regards Sur L'Enfant-Jesus - VII. Regard Du La Croix | — | ||
| 41-8 | Vingt Regards Sur L'Enfant-Jesus - VIII. Regard Des Hauteurs | — | ||
| 41-9 | Vingt Regards Sur L'Enfant-Jesus - IX. Regard Du Temps | — | ||
| 41-10 | Vingt Regards Sur L'Enfant-Jesus - X. Regard de L'Esprit de Joie | — | ||
| 41-11 | Vingt Regards Sur L'Enfant-Jesus - XI. Premiere Communion de La Vierge | — | ||
| 41-12 | Vingt Regards Sur L'Enfant-Jesus - XII. La Parole Tout-Puissante | — | ||
| 41-13 | Vingt Regards Sur L'Enfant-Jesus - XIII. Noel | — | ||
| 41-14 | Vingt Regards Sur L'Enfant-Jesus - XIV. Regard Des Anges | — | ||
| 41-15 | Vingt Regards Sur L'Enfant-Jesus - XV. Le Maiser de L'Enfant-Jesus | — | ||
| 42-1 | Vingt Regards Sur L'Enfant-Jesus - XVI. Regard Des Prophetes, Des Bergers Et Des Mages | — | ||
| 42-2 | Vingt Regards Sur L'Enfant-Jesus - XVII. Regard Du Silence | — | ||
| 42-3 | Vingt Regards Sur L'Enfant-Jesus - XVIII. Regard de L'Onction Terrible | — | ||
| 42-4 | Vingt Regards Sur L'Enfant-Jesus - XIX. Je Dors, Mais Mon Coeur Veille | — | ||
| 42-5 | Vingt Regards Sur L'Enfant-Jesus - XX. Regard Do L'Eglise D'Amour | — | ||
| 42-6 | Piano Concerto Op.13 - I. Toccata | — | ||
| 42-7 | Piano Concerto Op.13 - II. Valtz | — | ||
| 42-8 | Piano Concerto Op.13 - III. Impromptu | — | ||
| 42-9 | Piano Concerto Op.13 - IV. March | — | ||
| 43-1 | Krakowiak, op. 14 | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 43-2 | Fantasy on Polish Airs Op.13 - I. Introduction | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 43-3 | Fantasy on Polish Airs Op.13 - II. Air | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 43-4 | Fantasy on Polish Airs Op.13 - III. Theme de Charles Kurpinski | Frederic Chopin, Kun Woo Paik, Warsaw Philharmanic Orchestra, Antoni Wit | — | |
| 43-5 | Fantasy on Polish Airs Op.13 - IV. Kujawiak | Frederic Chopin, Kun Woo Paik, Warsaw Philharmanic Orchestra, Antoni Wit | — | |
| 43-6 | Piano Concerto no. 1 in E minor, op. 11: 1. Allegro maestoso | Frederic Chopin, Kun Woo Paik, Warsaw Philharmanic Orchestra, Antoni Wit | — | |
| 43-7 | Piano Concerto no. 1 in E minor, op. 11: 2. Romance (Larghetto) | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 43-8 | Piano Concerto no. 1 in E minor, op. 11: 3. Rondo (Vivace) | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 44-1 | Andante spianato et Grande Polonaise brillante in E flat, Op. 22: Andante spianato | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 44-2 | Andante spianato et Grande Polonaise brillante in E flat, Op. 22: Grande Polonaise | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | T-915.735.005-5 | |
| 44-3 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Introduction (Largo) | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-4 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Tema | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-5 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Variation 1 (Brillante) | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-6 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Variation 2 (Veloce, ma accuratamente) | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-7 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Variation 3 (Sempre sostenuto) | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-8 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Variation 4 | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-9 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Variation 5 (Adagio) | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-10 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Alla Polacca | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-11 | Piano Concerto No. 2 in F minor, Op. 21: 1. Maestoso | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 44-12 | Piano Concerto No. 2 in F minor, Op. 21: 2. Larghetto | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 44-13 | Piano Concerto No. 2 in F minor, Op. 21: 3. Allegro vivace | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | T-902.804.388-1 | |
| 45-1 | Goyescas Suite - I. Los Requiebros | — | ||
| 45-2 | Goyescas Suite - II. Coloquio En La Reja | — | ||
| 45-3 | Goyescas Suite - III. El Fandango Del Candil | — | ||
| 45-4 | Goyescas Suite - IV. Quejas o La Maja Y El Ruiseñor | — | ||
| 45-5 | Goyescas Suite - VII. El Pelele (Escena Goyesca) | — | ||
| 45-6 | Goyescas Suite - V. El Amor Y La Muerte (Balada) | — | ||
| 45-7 | Bachianas Brasileiras No. 4 - I. Preludio (Introducão) | — | ||
| 45-8 | Bachianas Brasileiras No. 4 - II. Coral (Canto Do Sertão) | — | ||
| 45-9 | Bachianas Brasileiras No. 4 - III. Aria (Cantiga) | — | ||
| 45-10 | Bachianas Brasileiras No. 4 - VI. Dansa (Miudinho) | — | ||
| 45-11 | Alta Gracia | — | ||
| 45-12 | Danzas Cubanas | — | ||
| 45-13 | Andalucia Suite: Malagueña | — | ||
| 46-1 | Piano Concerto No.1 BB91 - I. Allegro Moderato | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-2 | Piano Concerto No.1 BB91 - II. Andante | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-3 | Piano Concerto No.1 BB91 - III. Allegro Molto | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-4 | Piano Concerto No.2 BB101 - I. Allegro | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-5 | Piano Concerto No.2 BB101 - II. Adagio | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-6 | Piano Concerto No.2 BB101 - III. Allegro Molto | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-7 | Piano Concerto No.3 BB127 - I. Allegretto | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-8 | Piano Concerto No.3 BB127 - II. Adagio Religioso | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-9 | Piano Concerto No.3 BB127 - III. Allegro Vivace | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 47-1 | Impromptu no. 2 in F minor/major op. 31 | — | ||
| 47-2 | Impromptu no. 3 in A‐flat major op. 34 | — | ||
| 47-3 | Nocturne no. 1 in E-flat minor, op. 33 no. 1 | Pascal Rogé | — | |
| 47-4 | Nocturne no. 2 in B major, op. 33: No. 2 | Pascal Rogé | — | |
| 47-5 | Nocturne no. 3 in A-flat major, op. 33: No. 3 | Pascal Rogé | — | |
| 47-6 | Nocturne no. 4 in E‐flat major, op. 36 | Pascal Rogé | — | |
| 47-7 | Nocturne no. 5 in B-flat major, op. 37 | Pascal Rogé | — | |
| 47-8 | Trois Romances sans paroles op. 17 : No. 1 in A‐flat major | — | ||
| 47-9 | Trois Romances sans paroles op. 17 : No. 2 in A minor | — | ||
| 47-10 | Trois Romances sans paroles op. 17 : No. 3 in A‐flat major | — | ||
| 47-11 | Barcarolle no. 1 in A minor op. 26 | — | ||
| 47-12 | Barcarolle no. 2 in G major op. 41 | — | ||
| 47-13 | Barcarolle no. 4 in A‐flat major op. 44 | — | ||
| 47-14 | Valse‐Caprice no. 1 in A major op. 30 | — | ||
| 48-1 | Gymnopédie no. 1 | Pascal Rogé | T-050.018.340-3 | |
| 48-2 | Gymnopédie no. 2 | Pascal Rogé | T-050.018.340-3 | |
| 48-3 | Gymnopédie no. 3 | Pascal Rogé | T-011.688.813-1 | |
| 48-4 | Je te veux | Pascal Rogé | T-050.395.147-0 | |
| 48-5 | 4 Préludes flasques pour un chien | Pascal Rogé | T-003.014.610-1 | |
| 48-6 | Prélude en tapisserie | Pascal Rogé | — | |
| 48-7 | Cinq Nocturnes : Nocturne no. 4 | Pascal Rogé | — | |
| 48-8 | Vieux séquins et vieilles cuirasses | Pascal Rogé | T-703.053.628-0 | |
| 48-9 | Embryons desséchés | Pascal Rogé | T-703.053.620-2 | |
| 48-10 | Gnossienne no. 1 | Pascal Rogé | T-003.010.023-2 | |
| 48-11 | Gnossienne no. 2 | Pascal Rogé | T-003.010.023-2 | |
| 48-12 | Gnossienne no. 3 | Pascal Rogé | T-004.016.586-3 | |
| 48-13 | Gnossienne no. 4 | Pascal Rogé | — | |
| 48-14 | Gnossienne no. 5 | Pascal Rogé | T-916.194.049-4 | |
| 48-15 | Gnossienne no. 6 | Pascal Rogé | T-315.303.705-5 | |
| 48-16 | Sonatine bureaucratique | Pascal Rogé | T-003.016.329-1 | |
| 48-17 | Le Picadilly | Pascal Rogé | — | |
| 49-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | Arthur Rubinstein, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 49-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | Arthur Rubinstein, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 49-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | Arthur Rubinstein, Israel Philharmonic Orchestra, Zubin Mehta | T-031.682.208-8 | |
| 49-4 | Rhapsody for Piano and Orchestra Bb36b | — | ||
| 50-1 | Goldberg Variations in G major, BWV 988: I. Aria | András Schiff | T-305.723.872-5 | |
| 50-2 | Goldberg Variations in G major, BWV 988 - II. Variatio 1 a 1 Clav. | — | ||
| 50-3 | Goldberg Variations in G major, BWV 988: III. Variatio 2 a 1 Clav. | András Schiff | T-902.128.688-4 | |
| 50-4 | Goldberg Variations in G major, BWV 988 - IV. Variatio 3 a 1 Clav. Canone All’Unisuono | — | ||
| 50-5 | Goldberg Variations in G major, BWV 988 - V. Variatio 4 a 1 Clav. | — | ||
| 50-6 | Goldberg Variations in G major, BWV 988 - VI. Variatio 5 a 1 Ovvero 2 Clav. | — | ||
| 50-7 | Goldberg Variations in G major, BWV 988: VII. Variatio 6 a 1 Clav. Canone alla Seconda | András Schiff | T-902.128.688-4 | |
| 50-8 | Goldberg Variations in G major, BWV 988 - VIII. Variatio 7 a 1 Ovvero 2 Clav. | — | ||
| 50-9 | Goldberg Variations in G major, BWV 988 - IX. Variatio 8 a 2 Clav. | — | ||
| 50-10 | Goldberg Variations in G major, BWV 988: X. Variatio 9 a 1 Clav. Canone alla Terza | András Schiff | T-902.128.688-4 | |
| 50-11 | Goldberg Variations in G major, BWV 988 - XI. Variatio 10 a 1 Clav. Fughetta | — | ||
| 50-12 | Goldberg Variations in G major, BWV 988 - XII. Variatio 11 a 2 Clav. | — | ||
| 50-13 | Goldberg Variations in G major, BWV 988 - XIII. Variatio 12 a 1 Clav. Canone Alla Quarta | — | ||
| 50-14 | Goldberg Variations in G major, BWV 988 - XIV. Variatio 13 a 2 Clav. | — | ||
| 50-15 | Goldberg Variations in G major, BWV 988 - XV. Variatio 14 a 2 Clav. | — | ||
| 50-16 | Goldberg Variations in G major, BWV 988 - XVI. Variatio 15 a 1 Clav. Canone Alla Quinta | — | ||
| 50-17 | Goldberg Variations in G major, BWV 988 - XVII. Variatio 16 a 1 Clav. Ouverture | — | ||
| 50-18 | Goldberg Variations in G major, BWV 988 - XVIII. Variatio 17 a 2 Clav. | — | ||
| 50-19 | Goldberg Variations in G major, BWV 988 - XIX. Variatio 18 a 1 Clav. Canone Alla Sexta | — | ||
| 50-20 | Goldberg Variations in G major, BWV 988: XX. Variatio 19 a 1 Clav. | András Schiff | T-902.128.688-4 | |
| 50-21 | Goldberg Variations in G major, BWV 988 - XXI. Variatio 20 a 2 Clav. | — | ||
| 50-22 | Goldberg Variations in G major, BWV 988 - XXII. Variatio 21 a 2 Clav. Canone Alla Settima | — | ||
| 50-23 | Goldberg Variations in G major, BWV 988 - XXIII. Variatio 22 a 1 Clav. | — | ||
| 50-24 | Goldberg Variations in G major, BWV 988 - XXIV. Variatio 23 a 2 Clav. Alla Breve | — | ||
| 50-25 | Goldberg Variations in G major, BWV 988 - XXV. Variatio 24 a 1 Clav. Canone All’Ottava | — | ||
| 50-26 | Goldberg Variations in G major, BWV 988 - XXVI. Variatio 25 a 2 Clav. | — | ||
| 50-27 | Goldberg Variations in G major, BWV 988 - XXVII. Variatio 26 a 2 Clav. | — | ||
| 50-28 | Goldberg Variations in G major, BWV 988 - XXVIII. Variatio 27 a 2 Clav. Canone Alla Nona | — | ||
| 50-29 | Goldberg Variations in G major, BWV 988 - XXIX. Variatio 28 a 2 Clav. | — | ||
| 50-30 | Goldberg Variations in G major, BWV 988 - XXX. Variatio 29 a 1 Ovvero 2 Clav. | — | ||
| 50-31 | Goldberg Variations in G major, BWV 988 - XXXI. Variatio 30 a 1 Clav. Quodlibet | — | ||
| 50-32 | Goldberg Variations in G major, BWV 988: XXXII. Aria | András Schiff | T-801.806.984-7 | |
| 51-1 | Sonata for Piano duet in C, K. 521: I. Allegro | András Schiff, George Malcolm | T-070.160.313-5 | |
| 51-2 | Sonata for Piano duet in C, K. 521: II. Andante | András Schiff, George Malcolm | — | |
| 51-3 | Sonata for Piano duet in C, K. 521: III. Allegretto | András Schiff, George Malcolm | — | |
| 51-4 | Andante and Five Variations in G major for Piano (4-Hands), K. 501 | András Schiff, George Malcolm | T-902.919.739-5 | |
| 51-5 | Adagio and Allegro for Organ in F minor, K. 594 | András Schiff, George Malcolm | — | |
| 51-6 | Sonata for Piano duet in F, K. 497: I. Adagio: Allegro di molto | András Schiff, George Malcolm | — | |
| 51-7 | Sonata for Piano duet in F, K. 497: II. Andante | András Schiff, George Malcolm | — | |
| 51-8 | Sonata for Piano duet in F, K. 497: III. Allegro | András Schiff, George Malcolm | — | |
| 51-9 | Orgelstück (Fantasia) für eine Uhr in F minor, K. 608 | András Schiff, George Malcolm | — | |
| 52-1 | Keyboard Sonata K175 in A minor: Allegro | András Schiff | — | |
| 52-2 | Keyboard Sonata K513 in C major: Pastorale: Moderato - Molto allegro - Presto | András Schiff | — | |
| 52-3 | Keyboard Sonata K402 in E minor: Andante | András Schiff | — | |
| 52-4 | Keyboard Sonata K403 in E major: Allegro | András Schiff | — | |
| 52-5 | Keyboard Sonata K144 in G major: Cantabile | András Schiff | T-001.397.158-8 | |
| 52-6 | Keyboard Sonata K115 in C minor: Allegro | András Schiff | — | |
| 52-7 | Keyboard Sonata K116 in C minor: Allegro | András Schiff | — | |
| 52-8 | Keyboard Sonata K474 in E-flat major: Andante e cantabile | András Schiff | T-001.397.158-8 | |
| 52-9 | Keyboard Sonata K475 in E-flat major: Allegrissimo | András Schiff | — | |
| 52-10 | Keyboard Sonata K449 in G major: Allegro | András Schiff | — | |
| 52-11 | Keyboard Sonata K450 in G minor: Allegrissimo | András Schiff | — | |
| 52-12 | Keyboard Sonata K544 in B-flat major: Cantabile | András Schiff | T-001.397.158-8 | |
| 52-13 | Keyboard Sonata K545 in B-flat major: Prestissimo | András Schiff | — | |
| 52-14 | Keyboard Sonata K516 in D minor: Allegretto | András Schiff | — | |
| 52-15 | Keyboard Sonata K517 in D minor: Prestissimo | András Schiff | — | |
| 53-1 | Polonaise in A-flat major, Op. 53 "Héroïque" | — | ||
| 53-2 | Waltz in D-flat major, Op. 64 No. 1 "Minute" | — | ||
| 53-3 | Prelude in E minor, Op. 28 No. 4 | — | ||
| 53-4 | Mazurka in F minor, Op. 68 No. 4 | — | ||
| 53-5 | Grande Valse Brillante in E-flat major, Op. 18 | — | ||
| 53-6 | Nocturne in B-flat minor, Op. 9 No. 1 | — | ||
| 53-7 | Scherzo No. 2 in B-flat minor, Op. 31 | — | ||
| 53-8 | Barcarolle in F-sharp major, Op. 60 | — | ||
| 53-9 | Nocturne in E-flat major, op. 9 no. 2 | Jean-Yves Thibaudet | T-321.286.788-0 | |
| 53-10 | Étude in F major, Op. 25 No. 3 | — | ||
| 53-11 | Mazurka in B-flat major, Op. 7 No. 1 | — | ||
| 53-12 | Ballade No. 1 in G minor, Op. 23 | — | ||
| 53-13 | Étude in A-flat major, Op. 25 No. 1 "Aeolian" | — | ||
| 53-14 | Étude in C minor, Op. 10 No. 12 "Revolutionary" | — | ||
| 53-15 | Prelude in D minor, Op. 28 No. 24 | — | ||
| 53-16 | Prelude in D-flat major, Op. 28 No. 15 "Raindrop" | — | ||
| 53-17 | Étude in F major, Op. 25 No. 3 | — | ||
| 53-18 | Nocturne in C-sharp minor, Op. Posth. | — | ||
| 53-19 | Prelude in D minor, Op. 28 No. 24 | — | ||
| 54-1 | Conversations With Bill Evans - Song for Helen | — | ||
| 54-2 | Waltz for Debby | — | ||
| 54-3 | Turn Out the Stars | — | ||
| 54-4 | Noelle's Theme | — | ||
| 54-5 | Reflections in D | — | ||
| 54-6 | Here's That Rainy Day | — | ||
| 54-7 | Hull, Bolinas | — | ||
| 54-8 | Love Theme From 'Spartacus' | — | ||
| 54-9 | Since We Met | — | ||
| 54-10 | Peace Piece | — | ||
| 54-11 | Your Story | — | ||
| 54-12 | Lucky to Be Me | — | ||
| 54-13 | The Heart Asks Pleasure First (The Piano) | — | ||
| 54-14 | Silver-Fingered Fling (The Piano) | — | ||
| 55-1 | Rhapsody in Blue | — | ||
| 55-2 | 'I Got Rhythm' Variations | — | ||
| 55-3 | Piano Concerto in F - I. Allegro | — | ||
| 55-4 | Piano Concerto in F - II. Andante Con Moto | — | ||
| 55-5 | Piano Concerto in F - III. Allegro Con Brio | — |
