UPC · Release
Decca Sound: The Piano Edition
Various Artists
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028948322435 is the Universal Product Code (UPC barcode) for the release “Decca Sound: The Piano Edition” by Various Artists, released 2017-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 769 tracks, each with its own ISRC. Tracks include GBF077230601, GBF077230602, GBF077230603.
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Track List (769)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | — | ||
| 2 | Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo | — | ||
| 3 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | — | ||
| 4 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | — | ||
| 5 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio | — | ||
| 6 | Piano Concerto no. 1 in E-flat major, S. 124: III. Allegrotto vivace | — | ||
| 7 | Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | — | ||
| 8 | Piano Concerto no. 2 in A major, S. 125: Adagio sostenuto assai | — | ||
| 9 | Piano Concerto no. 2 in A major, S. 125: Allegro moderato | — | ||
| 10 | Piano Concerto no. 2 in A major, S. 125: Allegro deciso | — | ||
| 11 | Piano Concerto no. 2 in A major, S. 125: Allegro animato | — | ||
| 2-1 | Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 2-2 | Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 2-3 | Piano Concerto no. 2 in B-flat major, op. 83: III. Andante | — | ||
| 2-4 | Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | — | ||
| 2-5 | Piano Concerto no. 3 in C major, op. 26: I. Andante | — | ||
| 2-6 | Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni | — | ||
| 2-7 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | — | ||
| 3-1 | 12 Etudes, op. 10: No. 1 in C major | Vladimir Ashkenazy | T-329.456.966-3 | |
| 3-2 | 12 Etudes, op. 10: No. 2 in A minor "chromatique" | Vladimir Ashkenazy | T-329.458.384-5 | |
| 3-3 | Etude in E major, op. 10 no. 3 “Tristesse” | Vladimir Ashkenazy | T-039.190.232-1 | |
| 3-4 | 12 Etudes, op. 10: No. 4 in C-sharp minor | Vladimir Ashkenazy | T-329.457.500-7 | |
| 3-5 | Etude in G‐flat major, op. 10 no. 5 “Black Key” | Vladimir Ashkenazy | T-329.453.534-1 | |
| 3-6 | Etude, Op. 10 No. 6 in E-flat minor | Vladimir Ashkenazy | T-329.458.108-7 | |
| 3-7 | Etude, Op. 10 No. 7 in C major | Vladimir Ashkenazy | T-329.457.242-8 | |
| 3-8 | 12 Etudes, op. 10: No. 8 in F major | Vladimir Ashkenazy | T-329.458.487-1 | |
| 3-9 | 12 Etudes, op. 10: No. 9 in F minor | — | ||
| 3-10 | Etude, Op. 10 No. 10 in A-flat major | Vladimir Ashkenazy | T-329.454.326-9 | |
| 3-11 | Etude, Op. 10 No. 11 in E-flat major | Vladimir Ashkenazy | T-329.456.687-9 | |
| 3-12 | Etude in C minor, op. 10 no. 12 “Revolutionary” | Vladimir Ashkenazy | T-000.794.797-8 | |
| 3-13 | Etude, Op. 25 No. 1 in A-flat major | Vladimir Ashkenazy | — | |
| 3-14 | Etude, Op. 25 No. 2 in F minor | Vladimir Ashkenazy | T-329.456.945-8 | |
| 3-15 | Etude, Op. 25 No. 3 in F major | Vladimir Ashkenazy | T-329.456.945-8 | |
| 3-16 | 12 Etudes, op. 25: No. 4 in A minor | Vladimir Ashkenazy | T-329.457.500-7 | |
| 3-17 | 12 Etudes, op. 25: No. 5 in E minor | Vladimir Ashkenazy | T-329.458.108-7 | |
| 3-18 | 12 Etudes, op. 25: No. 6 in G-sharp minor | Vladimir Ashkenazy | — | |
| 3-19 | 12 Etudes, op. 25: No. 7 in C-sharp minor | Vladimir Ashkenazy | — | |
| 3-20 | 12 Etudes, op. 25: No. 8 in D-flat major | Vladimir Ashkenazy | — | |
| 3-21 | Etudes, Op. 25: No. 9 in G-flat major | Vladimir Ashkenazy | — | |
| 3-22 | 12 Etudes, op. 25: No. 10 in B minor | Vladimir Ashkenazy | T-329.456.945-8 | |
| 3-23 | Etude in A minor, op. 25 no. 11 “Winter Wind” | Vladimir Ashkenazy | T-308.381.369-4 | |
| 3-24 | Etude, Op. 25 No. 12 in C minor | Vladimir Ashkenazy | T-310.766.142-3 | |
| 3-25 | 3 Nouvelles Etudes op. posth "Methode Des Methodes": Etude in F minor | — | ||
| 3-26 | 3 Nouvelles Etudes op. posth "Methode Des Methodes": Etude in A-flat major | — | ||
| 3-27 | 3 Nouvelles Etudes op. posth "Methode Des Methodes": Etude in D-flat major | — | ||
| 4-1 | Suite no. 1 for 2 Pianos, op. 5: 1. Barcarolle | Vladimir Ashkenazy, André Previn | — | |
| 4-2 | Suite no. 1 for 2 Pianos, op. 5: 2. A night for love | Vladimir Ashkenazy, André Previn | — | |
| 4-3 | Suite no. 1 for 2 Pianos, op. 5: 3. Tears | Vladimir Ashkenazy, André Previn | — | |
| 4-4 | Suite no. 1 for Two Pianos, op. 5: IV. Pâques: Allegro maestoso | Vladimir Ashkenazy, André Previn | — | |
| 4-5 | Suite no. 2 for 2 Pianos, op. 17: I. Introduction: Alla marcia | Vladimir Ashkenazy, André Previn | T-000.768.497-0 | |
| 4-6 | Suite no. 2 for 2 Pianos, op. 17: II. Valse: Presto | Vladimir Ashkenazy, André Previn | — | |
| 4-7 | Suite no. 2 for 2 Pianos, op. 17: III. Romance: Andantino | Vladimir Ashkenazy, André Previn | — | |
| 4-8 | Suite no. 2 for 2 Pianos, op. 17: IV. Tarantelle | Vladimir Ashkenazy, André Previn | — | |
| 4-9 | Symphonic Dances for 2 Pianos, op. 45: I. Non allegro - Lento - Tempo I | Vladimir Ashkenazy, André Previn | — | |
| 4-10 | Symphonic Dances for 2 Pianos, op. 45: II. Andante con moto (Tempo di valse) | Vladimir Ashkenazy, André Previn | — | |
| 4-11 | Symphonic Dances for 2 Pianos, op. 45: III. Lento assai - Allegro vivace | Vladimir Ashkenazy, André Previn | — | |
| 5-1 | Piano Sonata no. 8 in C minor, op. 13 "Pathetique": I. Grave | — | ||
| 5-2 | Piano Sonata no. 8 in C minor, op. 13 "Pathetique": II. Adagio Cantabile | — | ||
| 5-3 | Piano Sonata no. 8 in C minor, op. 13 "Pathetique": III. Rondo | — | ||
| 5-4 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": I. Largo | — | ||
| 5-5 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": II. Adagio | — | ||
| 5-6 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": III. Allegretto | — | ||
| 5-7 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": I. Adagio | — | ||
| 5-8 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": II. Andante Espressivo | — | ||
| 5-9 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Vivacissimamente | — | ||
| 6-1 | Piano Sonata no. 25 in G major, op. 79: I. Presto alla tedesca | — | ||
| 6-2 | Piano Sonata no. 25 in G major, op. 79: II. Andante | — | ||
| 6-3 | Piano Sonata no. 25 in G major, op. 79: III. Vivace | — | ||
| 6-4 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso | — | ||
| 6-5 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta | — | ||
| 6-6 | Impromptu in A-flat major, op. 142 no. 2, D 935: Allegretto | — | ||
| 6-7 | Warum? Fantasiestücke, op. 12 no. 3 | — | ||
| 6-8 | Valse-Caprice in A minor, S 427 no. 6 | — | ||
| 6-9 | Intermezzo in C major, op. 119 no. 3 | — | ||
| 6-10 | Piano Sonata no. 48 in C major, Hob. XVI:48: I. Andante con espressione | — | ||
| 6-11 | Piano Sonata no. 48 in C major, Hob. XVI:48: II. Rondo | — | ||
| 6-12 | Piano Sonata no. 52 in E-flat major, Hob. XVI:52: I. Allegro | — | ||
| 6-13 | Piano Sonata no. 52 in E-flat major, Hob. XVI:52: II. Adagio | — | ||
| 6-14 | Piano Sonata no. 52 in E-flat major, Hob. XVI:52: III. Finale | — | ||
| 6-15 | Piano Sonata no. 34 in E minor, Hob. XVI:34: I. Presto | — | ||
| 6-16 | Piano Sonata no. 34 in E minor, Hob. XVI:34: II. Adagio | — | ||
| 6-17 | Piano Sonata no. 34 in E minor, Hob. XVI:34: III. Vivace molto | — | ||
| 6-18 | Fantasia in C major, Hob. XVII:4 | — | ||
| 7-1 | Étude No. 1 in C major (Diatonic; Chopin Op. 10 No. 1) | — | ||
| 7-2 | Étude No. 5 in D-flat major (For the Left Hand Alone; Op. 10 No. 3) | — | ||
| 7-3 | Étude No. 7 in G-flat major (On the Black Keys; Op. 10 No. 5) | — | ||
| 7-4 | Étude No. 12 in G-flat major (Inversion, on the Black Keys; Op. 10 No. 5) | — | ||
| 7-5 | Étude No. 13 in E-flat minor (For the Left Hand Alone; Op. 10 No. 6) | — | ||
| 7-6 | Étude No. 15 in G-flat major ("Nocturne"; Op. 10 No. 7) | — | ||
| 7-7 | Étude No. 25 in A-flat major (Op. 25 No. 1) | — | ||
| 7-8 | Étude No. 44 in F minor (For the Left Hand Alone; Trois Nouvelles Études, Op. Posth. No. 1) | — | ||
| 7-9 | Waltz No. 6 in D-flat major (Op. 64 No. 1) | — | ||
| 7-10 | Waltz No. 8 in A-flat major (Op. 64 No. 3) | — | ||
| 7-11 | Waltz No. 9 in A-flat major (Op. 69 No. 1) | — | ||
| 7-12 | Waltz No. 12 in F minor (Op. 70 No. 2) | — | ||
| 7-13 | Waltz No. 13 in D-flat major (Op. 70 No. 3) | — | ||
| 7-14 | Concert Paraphrase in E-flat major (Grande Valse Brillante, Op. 18) | — | ||
| 8-1 | Die Forelle, S. 564 Piano Transcription After Schubert | — | ||
| 8-2 | Der Müller Und Der Bach (After Schubert) | — | ||
| 8-3 | Wohin?, S. 565/5 (After Schubert) | — | ||
| 8-4 | Lebe Wohl!, S. 563/1 (After Schubert) | — | ||
| 8-5 | Das Wandern, S. 565/1 (After Schubert) | — | ||
| 8-6 | Der Lindenbaum, S. 246/7 (After Schubert) | — | ||
| 8-7 | Ständchen ("Horch, Horch! Die Lerch"), S. 558 No. 9 Piano Transcription After Schubert | — | ||
| 8-8 | Auf Dem Wasser Zu Singen, S. 558 No. 2 Piano Transcription After Schubert | — | ||
| 8-9 | Die Post, S. 561/4 (After Schubert) | — | ||
| 8-10 | Schwanengesang, S. 560 - Piano Transcriptions After Schubert: No.3 Aufenthalt | — | ||
| 8-11 | Lob Der Tränen, S. 557 (After Schubert) | — | ||
| 8-12 | Erlkonig (Schubert) | Jorge Bolet | — | |
| 9-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non troppo | Shura Cherkassky, Royal Philharmonic Orchestra, Yuri Temirkanov | — | |
| 9-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo | Shura Cherkassky, Royal Philharmonic Orchestra, Yuri Temirkanov | — | |
| 9-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale: Alla breve | Shura Cherkassky, Royal Philharmonic Orchestra, Yuri Temirkanov | — | |
| 9-4 | Piano Concerto No.4 in D minor Op.70 - I. Moderato Assai | — | ||
| 9-5 | Piano Concerto No.4 in D minor Op.70 - II. Andante | — | ||
| 9-6 | Piano Concerto No.4 in D minor Op.70 - III. Allegro | — | ||
| 10-1 | Wein, Weib Und Gesang, op. 333 | — | ||
| 10-2 | The Swan | — | ||
| 10-3 | Tambourin | — | ||
| 10-4 | Waltz-Poem IV | — | ||
| 10-5 | Moment Musical no. 3 in F minor | — | ||
| 10-6 | Tango, op. 165 no. 2 | — | ||
| 10-7 | Alt Wien | — | ||
| 10-8 | Kaleidoscope, op. 40 no. 4 | — | ||
| 10-9 | Melody in F major, op. 3 no. 1 | Shura Cherkassky | — | |
| 10-10 | Nocturne in C-sharp minor, op. 19 no. 4 | — | ||
| 10-11 | Waltz in D major, op. 42 no. 3 | — | ||
| 10-12 | Autrefois, op. 87 | — | ||
| 10-13 | Capriccio Espagnole, op. 37 | — | ||
| 10-14 | Prelude in G minor, op. 23 no. 5 | — | ||
| 10-15 | Barcarolle in G minor, op. 10 no. 3 | — | ||
| 10-16 | Melodie in E major, op. 3 no. 3 | — | ||
| 10-17 | Prelude in G-sharp minor, op. 32 no. 12 | — | ||
| 10-18 | Prelude in C-sharp minor, op. 3 no. 2 | — | ||
| 11-1 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - I. Introduzione Col Basso Del Tema | — | ||
| 11-2 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation I | — | ||
| 11-3 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation II | — | ||
| 11-4 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation III | — | ||
| 11-5 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation IV | — | ||
| 11-6 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation V | — | ||
| 11-7 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation VI | — | ||
| 11-8 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation VII | — | ||
| 11-9 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation VIII | — | ||
| 11-10 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation IX | — | ||
| 11-11 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation X | — | ||
| 11-12 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation XI | — | ||
| 11-13 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation XII | — | ||
| 11-14 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation XIII | — | ||
| 11-15 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation XIV | — | ||
| 11-16 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Variation XV | — | ||
| 11-17 | 15 Variations and Fugue in E-flat major Op.35 'Eroica' - Finale | — | ||
| 11-18 | 6 Moments Musicaux D780 - I. Moderato | — | ||
| 11-19 | 6 Moments Musicaux D780 - II. Andantino | — | ||
| 11-20 | 6 Moments Musicaux D780 - III. Allegro Moderato | — | ||
| 11-21 | 6 Moments Musicaux D780 - IV. Moderato | — | ||
| 11-22 | 6 Moments Musicaux D780 - V. Allegro Vivace | — | ||
| 11-23 | 6 Moments Musicaux D780 - VI. Allegretto | — | ||
| 11-24 | Introduction and Rondo Alla Burlesca Op.23 No.1 | — | ||
| 11-25 | Mazurka Elegiaca Op.23 No.2 | — | ||
| 12-1 | Piano Concerto no. 20 in D minor, K. 466: I. Allegro | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-001.312.909-3 | |
| 12-2 | Piano Concerto no. 20 in D minor, K. 466: II. Romance | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | — | |
| 12-3 | Piano Concerto no. 20 in D minor, K. 466: III. Rondo: Allegro assai | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-306.395.786-4 | |
| 12-4 | Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-011.619.733-1 | |
| 12-5 | Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-926.819.124-8 | |
| 12-6 | Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-306.395.786-4 | |
| 13-1 | Piano Concerto no. 23 in A major, K. 488: I. Allegro | Clifford Curzon, London Symphony Orchestra, István Kertész | T-011.619.733-1 | |
| 13-2 | Piano Concerto no. 23 in A major, K. 488: II. Adagio | Sir Clifford Curzon, London Symphony Orchestra, István Kertész | T-802.445.410-3 | |
| 13-3 | Piano Concerto no. 23 in A major, K. 488: III. Allegro assai | Clifford Curzon, London Symphony Orchestra, István Kertész | T-306.395.786-4 | |
| 13-4 | Piano Concerto no. 24 in C minor, K. 491: I .Allegro | Clifford Curzon, London Symphony Orchestra, István Kertész | T-001.312.909-3 | |
| 13-5 | Piano Concerto no. 24 in C minor, K. 491: II. Larghetto | Clifford Curzon, London Symphony Orchestra, István Kertész | T-926.819.124-8 | |
| 13-6 | Piano Concerto no. 24 in C minor, K. 491: III. Allegretto | Clifford Curzon, London Symphony Orchestra, István Kertész | — | |
| 14-1 | Souvenirs d’Andalousie | — | ||
| 14-2 | Le Mancenillier | — | ||
| 14-3 | Manchega | — | ||
| 14-4 | Souvenir de Porto Rico | — | ||
| 14-5 | Ô ma charmante épargnez‐moi | — | ||
| 14-6 | Suis‐moi | — | ||
| 14-7 | The Banjo | — | ||
| 14-8 | Pasquinade | — | ||
| 14-9 | Grand Scherzo | — | ||
| 14-10 | Le Bananier | — | ||
| 14-11 | The Dying Poet | — | ||
| 14-12 | Tournament Galop | — | ||
| 14-13 | Le Carnaval des animaux: I. Introduction et Marche royale du lion | — | ||
| 14-14 | Le Carnaval des animaux: II. Poules et coqs | — | ||
| 14-15 | Le Carnaval des animaux: III. Hemiones | — | ||
| 14-16 | Le Carnaval des animaux: IV. Tortues | — | ||
| 14-17 | Le Carnaval des animaux: V. L’Élephant | — | ||
| 14-18 | Le Carnaval des animaux: VI. Kangourous | — | ||
| 14-19 | Le Carnaval des animaux: VII. Aquarium | — | ||
| 14-20 | Le Carnaval des animaux: VIII. Personnages à longues oreilles | — | ||
| 14-21 | Le Carnaval des animaux: IX. Le Coucou au fond des bois | — | ||
| 14-22 | Le Carnaval des animaux: X. Volière | — | ||
| 14-23 | Le Carnaval des animaux: XI. Pianistes | — | ||
| 14-24 | Le Carnaval des animaux: XII. Fossiles | — | ||
| 14-25 | Le Carnaval des animaux: XIII. Le Cygne | — | ||
| 14-26 | Le Carnaval des animaux: XIV. Final | — | ||
| 15-1 | Barcarolle | — | ||
| 15-2 | Fantastic Waltz | — | ||
| 15-3 | Polka and Fugue | — | ||
| 15-4 | L'Embarquement Pour Cythere | — | ||
| 15-5 | Valse | — | ||
| 15-6 | Rondo in D major, op. 138, D 608 | — | ||
| 15-7 | 16 Waltzes, op. 39: No. 9 in D minor | — | ||
| 15-8 | 16 Waltzes, op. 39: No. 10 in G major | — | ||
| 15-9 | 16 Waltzes, op. 39: No. 11 in B minor | — | ||
| 15-10 | 16 Waltzes, op. 39: No. 15 in A-flat major | — | ||
| 15-11 | 16 Waltzes, op. 39: No. 16 in C-sharp minor | — | ||
| 15-12 | Sechs Studien in Kanonischer Form, op. 56: No. 2. Mit Innigem Ausdruck | — | ||
| 15-13 | Sechs Studien in Kanonischer Form, op. 56: No. 3. Andantino | — | ||
| 15-14 | Sechs Studien in Kanonischer Form, op. 56: No. 4. Innig | — | ||
| 15-15 | Sonate Pour Piano a Quatre Mains, FP 8: I. Prelude | — | ||
| 15-16 | Sonate Pour Piano a Quatre Mains, FP 8: II. Rustique | — | ||
| 15-17 | Sonate Pour Piano a Quatre Mains, FP 8: III. Final | — | ||
| 15-18 | Scaramouche: I. Vif | — | ||
| 15-19 | Scaramouche: II. Modere | — | ||
| 15-20 | Scaramouche: III. Brazileira | — | ||
| 15-21 | Variations on a Theme by Paganini | — | ||
| 16-1 | Concert Etude | — | ||
| 16-2 | Après un rêve | — | ||
| 16-3 | Manchega | — | ||
| 16-4 | Scottish Legend | — | ||
| 16-5 | Tyrolean Valse-Fantaisie | — | ||
| 16-6 | Fireflies | — | ||
| 16-7 | The Union | — | ||
| 16-8 | A Hermit Thrush at Eve | — | ||
| 16-9 | Hexentanz | — | ||
| 16-10 | Nell | — | ||
| 16-11 | Now, o Now, I Needs Must Part | — | ||
| 16-12 | Corbeille de Fleurs | — | ||
| 16-13 | Home Sweet Home | — | ||
| 16-14 | Souvenir de Porto Rico | — | ||
| 16-15 | Irish Tune From County Derry | — | ||
| 16-16 | The Man I Love | — | ||
| 16-17 | Gershwin, Trans. Wodehouse: Clap Yo' Hands | — | ||
| 17-1 | Carnaval das Crianças: I. O ginête do pierrozinho | Nelson Freire | — | |
| 17-2 | Carnaval das Crianças: II. O chicote do diabinho | Nelson Freire | — | |
| 17-3 | Carnaval das Crianças: III. A manha da pierrete | Nelson Freire | — | |
| 17-4 | Carnaval das Crianças: IV. Os guizos do dominozinho | Nelson Freire | — | |
| 17-5 | Carnaval das Crianças: V. As peripécias do trapeirozinho | Nelson Freire | — | |
| 17-6 | Carnaval das Crianças: VI. As traquinices do mascarado mignon | Nelson Freire | — | |
| 17-7 | Carnaval das Crianças: VII. A gaita de um precoce fantasiado | Nelson Freire | — | |
| 17-8 | Choros no. 5 "Alma Brasileira", W207 | Nelson Freire | T-901.135.990-3 | |
| 17-9 | A Maré Encheu (Guia Prático no. 76) | Nelson Freire | — | |
| 17-10 | Valsa da Dor | Nelson Freire | — | |
| 17-11 | Saudades das Selvas Brasileiras no. 2 | Nelson Freire | — | |
| 17-12 | Pobre Cega | Nelson Freire | — | |
| 17-13 | Cirandas: XIV. A Canoa Virou | Nelson Freire | — | |
| 17-14 | A Lenda do Caboclo | Nelson Freire | — | |
| 17-15 | Dança Negra | Nelson Freire | T-039.007.723-2 | |
| 17-16 | Ponteio no. 24 | Nelson Freire | T-039.446.225-9 | |
| 17-17 | Toccata | Nelson Freire | — | |
| 17-18 | Valse lente | Nelson Freire | — | |
| 17-19 | Tango Brasileiro | Nelson Freire | T-039.071.694-5 | |
| 17-20 | Minha Terra | Nelson Freire | — | |
| 17-21 | Três Estudos em forma de Sonatina, op. 62: I. Allegro con brio | Nelson Freire | T-039.115.777-9 | |
| 17-22 | Três Estudos em forma de Sonatina, op. 62: II. Moderato | Nelson Freire | T-039.115.777-9 | |
| 17-23 | Três Estudos em forma de Sonatina, op. 62: III. Allegro scherzoso | Nelson Freire | T-039.115.777-9 | |
| 17-24 | Prole do bebê, Livro 2 – Os Bichinhos (1921): II. O Gatinho de Papelão | Nelson Freire | — | |
| 17-25 | Paulistana no. 1 | Nelson Freire | — | |
| 17-26 | Toccata | Nelson Freire | — | |
| 17-27 | New York Skyline, W407 | Nelson Freire | — | |
| 17-28 | Valse élégante | Nelson Freire | T-039.391.055-8 | |
| 17-29 | Quatro Peças Brasileiras: I. Maroca | Nelson Freire | T-039.071.640-1 | |
| 17-30 | Congada | Nelson Freire | — | |
| 18-1 | Scherzo no. 1 in B minor, op. 20 | Benjamin Grosvenor | T-308.384.655-9 | |
| 18-2 | Nocturne No. 5 in F‐Sharp Major, Op. 15, No. 2 | Benjamin Grosvenor | T-306.230.833-8 | |
| 18-3 | Scherzo no. 4 in E major, op. 54 | Benjamin Grosvenor | — | |
| 18-4 | Nocturne in E minor, op. posth. 72 no. 1 | Benjamin Grosvenor | T-905.040.158-6 | |
| 18-5 | Scherzo no. 3 in C-sharp minor, op. 39 | Benjamin Grosvenor | T-918.063.801-1 | |
| 18-6 | Nocturne in C-sharp minor | Benjamin Grosvenor | T-702.884.109-2 | |
| 18-7 | Scherzo no. 2 in B-flat minor, op. 31 | Benjamin Grosvenor | T-309.554.578-7 | |
| 18-8 | Six Polish Songs, S. 480: My Joys | Benjamin Grosvenor | — | |
| 18-9 | Six Polish Songs, S. 480: The Maiden’s Wish | Benjamin Grosvenor | — | |
| 18-10 | En rêve - Nocturne, S. 207 | Benjamin Grosvenor | — | |
| 18-11 | Gaspard de la nuit: Ondine | Benjamin Grosvenor | — | |
| 18-12 | Gaspard de la nuit: Le Gibet | Benjamin Grosvenor | T-902.777.490-9 | |
| 18-13 | Gaspard de la nuit: Scarbo | Benjamin Grosvenor | T-902.777.490-9 | |
| 18-14 | Gnomenreigen | — | ||
| 18-15 | Siciliano Flute Sonata no. 2 in E-flat major, BWV 1031 | — | ||
| 19-1 | Piano Concerto No.1 in C major Op.15 - I. Allegro Con Brio | — | ||
| 19-2 | Piano Concerto No.1 in C major Op.15 - II. Largo | — | ||
| 19-3 | Piano Concerto No.1 in C major Op.15 - III. Rondo | — | ||
| 19-4 | Piano Concerto No.2 in B-flat major Op.19 - I. Allegro Con Brio | — | ||
| 19-5 | Piano Concerto No.2 in B-flat major Op.19 - II. Adagio | — | ||
| 19-6 | Piano Concerto No.2 in B-flat major Op.19 - III. Rondo | — | ||
| 20-1 | Das Wolhtemperierte Clavier Book I, No. 15: Prelude and Fugue in G, BWV 860 | — | ||
| 20-2 | Partita No. 1 in B-Flat, BWV 825: Menuet I - Menuet II | — | ||
| 20-3 | Toccata, BWV 911: Fugue | — | ||
| 20-4 | Bagatelles, Op. 119: No. 11 Andante, Ma Non Troppo | — | ||
| 20-5 | 6 Écossaises, Woo 83 | — | ||
| 20-6 | Berceuse in D-Flat, Op. 57 | — | ||
| 20-7 | 12 Études, Op. 25: Étude No. 1 in A-Flat | — | ||
| 20-8 | 12 Études, Op. 25: Étude No. 2 in F minor | — | ||
| 20-9 | Ballade No. 3 in A-Flat, Op. 47 | — | ||
| 20-10 | Piano Sonata No. 7 in B-Flat, Op. 83: I. Allegro Inquieto - Andantino - Allegro Inquieto - Andantino - Allegro Inquieto | — | ||
| 20-11 | Piano Sonata No. 7 in B-Flat, Op. 83: II. Andante Caloroso - Poco Più Animato - Più Largamente | — | ||
| 20-12 | Piano Sonata No. 7 in B-Flat, Op. 83: III. Precipitato | — | ||
| 20-13 | L'Isle Joyeuse, CD 109 | — | ||
| 20-14 | Images, 1ʳᵉ Série, CD 105: Reflets Dans L'Eau | — | ||
| 20-15 | Sonata No. 18 in D, K. 576: I. Allegro | — | ||
| 20-16 | Sonata No. 18 in D, K. 576: II. Adagio | — | ||
| 20-17 | Sonata No. 18 in D, K. 576: III. Allegretto | — | ||
| 21-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | — | ||
| 21-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice | — | ||
| 21-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 21-4 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | — | ||
| 21-5 | Piano Concerto in A minor, op. 16: II. Adagio | — | ||
| 21-6 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato | — | ||
| 21-7 | Variations on a Theme by Paganini | — | ||
| 22-1 | Preludes – Book I: I. Dancers of Delphi | — | ||
| 22-2 | Preludes – Book I: II. Sails | — | ||
| 22-3 | Preludes – Book I: III. The Wind in the Plain | — | ||
| 22-4 | Preludes – Book I: IV. ‘Sounds and Perfumes Mingle in the Evening Air’ | — | ||
| 22-5 | Preludes – Book I: V. The Hills of Anacapri | — | ||
| 22-6 | Preludes – Book I: VI. Footprints in the Snow | — | ||
| 22-7 | Preludes – Book I: XII. What the West Wind Saw | — | ||
| 22-8 | Preludes – Book I: VIII. The Girl With the Flaxen Hair | — | ||
| 22-9 | Preludes – Book I: IX. Interrupted Serenade | — | ||
| 22-10 | Preludes – Book I: X. The Sunken Cathedral | — | ||
| 22-11 | Preludes – Book I: XI. Puc’s Dance | — | ||
| 22-12 | Preludes – Book I: XII. Minstrels | — | ||
| 22-13 | Preludes – Book II: I. Bists | — | ||
| 22-14 | Preludes – Book II: II. Dead Leaves | — | ||
| 22-15 | Preludes – Book II: III. Die Weinpforte | — | ||
| 22-16 | Preludes – Book II: IV. ‘The Fairies Are Exquisite Dancers’ | — | ||
| 22-17 | Preludes – Book II: V. Hearth | — | ||
| 22-18 | Preludes – Book II: VI. ‘General Lavine’ | — | ||
| 22-19 | Preludes – Book II: VII. The Terrace for Moonlight Audiences | — | ||
| 22-20 | Preludes – Book II: VIII. Ondine | — | ||
| 22-21 | Preludes – Book II: IX. Hommage a Samuel Pickwick Esq P.P.M.P.C | — | ||
| 22-22 | Preludes – Book II: X. Canopic Jar | — | ||
| 22-23 | Preludes – Book II: XI. Alternating Thirds | — | ||
| 22-24 | Preludes – Book II: XII. Fireworks | — | ||
| 23-1 | Hungarian Dance no. 1 | Julius Katchen | T-329.391.159-4 | |
| 23-2 | Hungarian Dances Woo 1 - Book I - No.2 in D minor | — | ||
| 23-3 | Hungarian Dances Woo 1 - Book I - No3 in F major | — | ||
| 23-4 | Hungarian Dances Woo 1 - Book I - No.4 in F-sharp minor | — | ||
| 23-5 | Hungarian Dance no. 5 | Julius Katchen | — | |
| 23-6 | Hungarian Dance for Solo Piano in D‐flat major, WoO 1 no. 6: Vivace – Molto sostenuto | Julius Katchen | T-917.141.515-9 | |
| 23-7 | Hungarian Dances Woo 1 - Book II - No.7 in A major | — | ||
| 23-8 | Hungarian Dances Woo 1 - Book II - No.8 in A minor | — | ||
| 23-9 | Hungarian Dances Woo 1 - Book II - No.9 in E minor | — | ||
| 23-10 | Hungarian Dances Woo 1 - Book II - No.10 in F major | — | ||
| 23-11 | Hungarian Dances Woo 1 - Book III - No.11 in D minor | — | ||
| 23-12 | Hungarian Dances Woo 1 - Book III - No.12 in D minor | — | ||
| 23-13 | Hungarian Dances Woo 1 - Book III - No.13 in D major | — | ||
| 23-14 | Hungarian Dances Woo 1 - Book III - No.14 in D minor | — | ||
| 23-15 | Hungarian Dances Woo 1 - Book III - No.15 in B-flat major | — | ||
| 23-16 | Hungarian Dances Woo 1 - Book III - No.16 in F minor | — | ||
| 23-17 | Hungarian Dances Woo 1 - Book III - No.17 in F-sharp minor | — | ||
| 23-18 | Hungarian Dances Woo 1 - Book III - No.18 in D major | — | ||
| 23-19 | Hungarian Dances Woo 1 - Book III - No.19 in B minor | — | ||
| 23-20 | Hungarian Dances Woo 1 - Book III - No.20 in E minor | — | ||
| 23-21 | Hungarian Dances Woo 1 - Book III - No.21 in E minor | — | ||
| 23-22 | Variations on a Theme by Paganini Op.35 - Book I | — | ||
| 23-23 | Variations on a Theme by Paganini Op.35 - Book II | — | ||
| 24-1 | Rhapsody On A Theme Of Paganini, op. 43: Introduction And Variation 1 | — | ||
| 24-2 | Rhapsody On A Theme Of Paganini, op. 43: Theme | — | ||
| 24-3 | Rhapsody On A Theme Of Paganini, op. 43: Variation 2 | — | ||
| 24-4 | Rhapsody On A Theme Of Paganini, op. 43: Variation 3 | — | ||
| 24-5 | Rhapsody On A Theme Of Paganini, op. 43: Variation 4 | — | ||
| 24-6 | Rhapsody On A Theme Of Paganini, op. 43: Variation 5 | — | ||
| 24-7 | Rhapsody On A Theme Of Paganini, op. 43: Variation 6 | — | ||
| 24-8 | Rhapsody On A Theme Of Paganini, op. 43: Variation 7 | — | ||
| 24-9 | Rhapsody On A Theme Of Paganini, op. 43: Variation 8 | — | ||
| 24-10 | Rhapsody On A Theme Of Paganini, op. 43: Variation 9 | — | ||
| 24-11 | Rhapsody On A Theme Of Paganini, op. 43: Variation 10 | — | ||
| 24-12 | Rhapsody On A Theme Of Paganini, op. 43: Variation 11 | — | ||
| 24-13 | Rhapsody On A Theme Of Paganini, op. 43: Variation 12 | — | ||
| 24-14 | Rhapsody On A Theme Of Paganini, op. 43: Variation 13 | — | ||
| 24-15 | Rhapsody On A Theme Of Paganini, op. 43: Variation 14 | — | ||
| 24-16 | Rhapsody On A Theme Of Paganini, op. 43: Variation 15 | — | ||
| 24-17 | Rhapsody On A Theme Of Paganini, op. 43: Variation 16 | — | ||
| 24-18 | Rhapsody On A Theme Of Paganini, op. 43: Variation 17 | — | ||
| 24-19 | Rhapsody On A Theme Of Paganini, op. 43: Variation 18 | — | ||
| 24-20 | Rhapsody On A Theme Of Paganini, op. 43: Variation 19 | — | ||
| 24-21 | Rhapsody On A Theme Of Paganini, op. 43: Variation 20 | — | ||
| 24-22 | Rhapsody On A Theme Of Paganini, op. 43: Variation 21 | — | ||
| 24-23 | Rhapsody On A Theme Of Paganini, op. 43: Variation 22 | — | ||
| 24-24 | Rhapsody On A Theme Of Paganini, op. 43: Variation 23 | — | ||
| 24-25 | Rhapsody On A Theme Of Paganini, op. 43: Variation 24 | — | ||
| 24-26 | Variations on a Nursery Tune op. 25: Introduzione | — | ||
| 24-27 | Variations on a Nursery Tune op. 25: Tema | — | ||
| 24-28 | Variations on a Nursery Tune op. 25: Variation 1 | — | ||
| 24-29 | Variations on a Nursery Tune op. 25: Variation 2 | — | ||
| 24-30 | Variations on a Nursery Tune op. 25: Variation 3 | — | ||
| 24-31 | Variations on a Nursery Tune op. 25: Variation 4 | — | ||
| 24-32 | Variations on a Nursery Tune op. 25: Variation 5 | — | ||
| 24-33 | Variations on a Nursery Tune op. 25: Variation 6 | — | ||
| 24-34 | Variations on a Nursery Tune op. 25: Variation 7 | — | ||
| 24-35 | Variations on a Nursery Tune op. 25: Variation 8 | — | ||
| 24-36 | Variations on a Nursery Tune op. 25: Variation 9 | — | ||
| 24-37 | Variations on a Nursery Tune op. 25: Variation 10 | — | ||
| 24-38 | Variations on a Nursery Tune op. 25: Variation 11 | — | ||
| 24-39 | Variations on a Nursery Tune op. 25: Finale Fugato | — | ||
| 24-40 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Julius Katchen, London Symphony Orchestra, Sir Georg Solti | — | |
| 24-41 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Julius Katchen, London Symphony Orchestra, Sir Georg Solti | — | |
| 24-42 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | Julius Katchen, London Symphony Orchestra, Sir Georg Solti | T-071.926.821-9 | |
| 25-1 | Piano Concerto No. 1 in G minor, Op 25 - I. Molto Allegro Con Fuoco | — | ||
| 25-2 | Piano Concerto No. 1 in G minor, Op 25 - II. Andante | — | ||
| 25-3 | Piano Concerto No. 1 in G minor, Op 25 - III. Presto, Molto Allegro E Vivace | — | ||
| 25-4 | Piano Concerto No. 2 in D minor, Op 40 - I. Allegro Appassionato | — | ||
| 25-5 | Piano Concerto No. 2 in D minor, Op 40 - II. Adagio (Molto Sustenuto) | — | ||
| 25-6 | Piano Concerto No. 2 in D minor, Op 40 - III. Presto Scherzando | — | ||
| 25-7 | Capriccio Brilliant in B minor, Op 22 | — | ||
| 25-8 | Rondo Brilliant in E-flat major, Op 29 | — | ||
| 26-1 | Chromatic Fantasia and Fugue in D minor BWV 903 | — | ||
| 26-2 | Nun Komm, Der Heiden Heiland BWV659 | — | ||
| 26-3 | Jesus Bleibet Meine Freude BWV 147 | — | ||
| 26-4 | Herzlich Tut Mich Verlangen BWV727 | — | ||
| 26-5 | In Dulci Jubilo BWV729 | — | ||
| 26-6 | Nun Freut Euch, Liebe Christen G'Mein BWV734 | — | ||
| 26-7 | Siciliano BWV1031 | — | ||
| 26-8 | Wachet Auf, Ruft Uns Die Stimme BWV140 | — | ||
| 26-9 | Air Con Variazioni HWV430 | — | ||
| 26-10 | Menuet From Harpsichord Suite No.1 HWV434 | — | ||
| 26-11 | Le Carillon de Cithere | — | ||
| 26-12 | Le Rappel Des Oiseaux | — | ||
| 26-13 | Bagatelle in C minor Woo 52 | — | ||
| 26-14 | Bagatelle in A minor Woo 59 'Für Elise' | — | ||
| 27-1 | Piano Sonata No.16 in A minor D845 - I. Moderato | — | ||
| 27-2 | Piano Sonata No.16 in A minor D845 - II. Andante, Poco Mosso | — | ||
| 27-3 | Piano Sonata No.16 in A minor D845 - III. Scherzo | — | ||
| 27-4 | Piano Sonata No.16 in A minor D845 - IV. Rondo | — | ||
| 27-5 | Piano Sonata No.21 in B-flat major D960 - I. Molto Moderato | — | ||
| 27-6 | Piano Sonata No.21 in B-flat major D960 - II. Andante Sostenuto | — | ||
| 27-7 | Piano Sonata No.21 in B-flat major D960 - III. Scherzo | — | ||
| 27-8 | Piano Sonata No.21 in B-flat major D960 - IV. Allegro Ma Non Troppo | — | ||
| 28-1 | Iberia - Book I - Evocación | — | ||
| 28-2 | Iberia - Book I - El Puerto | — | ||
| 28-3 | Iberia - Book I - El Corpus Christi En Sevilla | — | ||
| 28-4 | Iberia - Book II - Rondena | — | ||
| 28-5 | Iberia - Book II - Almeria | — | ||
| 28-6 | Iberia - Book II - Triana | — | ||
| 28-7 | Iberia - Book III - El Albaicín | — | ||
| 28-8 | Iberia - Book III - El Polo | — | ||
| 28-9 | Iberia - Book III - Lavapiés | — | ||
| 28-10 | Iberia - Book IV - Málaga | — | ||
| 28-11 | Iberia - Book IV - Jerez | — | ||
| 28-12 | Iberia - Book IV - Eritaña | — | ||
| 29-1 | Piano Sonata in B minor, S. 178: I. Lento assai | — | ||
| 29-2 | Piano Sonata in B minor, S. 178: II. Andante sostenuto | — | ||
| 29-3 | Piano Sonata in B minor, S. 178: III. Allegro energico | — | ||
| 29-4 | Fantasie in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich | — | ||
| 29-5 | Fantasie in C major, op. 17: II. Mäßig | — | ||
| 29-6 | Fantasie in C major, op. 17: III. Langsam getragen | — | ||
| 29-7 | Noches en los jardines de España: I. En el Generalife | — | ||
| 29-8 | Noches en los jardines de España: II. Danza lejana | — | ||
| 29-9 | Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba | — | ||
| 30-1 | Piano Concerto in G major: I. Allegramente | — | ||
| 30-2 | Piano Concerto in G major: II. Adagio assai | — | ||
| 30-3 | Piano Concerto in G major: III. Presto | — | ||
| 30-4 | Piano Concerto in D major for the Left Hand | — | ||
| 30-5 | Fantaisie for Piano and Orchestra, op. 111 | — | ||
| 30-6 | Variations Symphoniques | — | ||
| 31-1 | Piano Concerto no. 9 in E-flat major, K. 271 “Jeunehomme”: 1. Allegro | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-2 | Piano Concerto no. 9 in E-flat major, K. 271 “Jeunehomme”: 2. Andantino | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-3 | Piano Concerto no. 9 in E-flat major, K. 271 “Jeunehomme”: 3. Rondeau (Presto) | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-4 | Piano Concerto no. 12 in A major, K. 414: 1. Allegro | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-5 | Piano Concerto no. 12 in A major, K. 414: 2. Andante | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-6 | Piano Concerto no. 12 in A major, K. 414: 3. Rondeau (Allegretto) | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-7 | Piano Concerto no. 11 in F major, K. 413: I. Allegro | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-8 | Piano Concerto no. 11 in F major, K. 413: II. Larghetto | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 31-9 | Concerto for Piano no. 11 in F major, K. 387a/413: III. Tempo di Minuetto | Robert Levin, Academy of Ancient Music, Christopher Hogwood | — | |
| 32-1 | Concerto for Piano and Orchestra in A minor, op.54: I. Allegro affettuoso | — | ||
| 32-2 | Concerto for Piano and Orchestra in A minor, op.54: II. Intermezzo | — | ||
| 32-3 | Concerto for Piano and Orchestra in A minor, op.54: III. Allegro vivace | — | ||
| 32-4 | Piano Concerto no. 2 in G major, op. 44: I. Allegro brillante | — | ||
| 32-5 | Piano Concerto no. 2 in G major, op. 44: II. Andante non troppo | — | ||
| 32-6 | Piano Concerto no. 2 in G major, op. 44: III. Allegro con fuoco | — | ||
| 33-1 | Ellens Gesang III (Ave Maria), S. 558 no. 12 (after Schubert’s D. 839) | Valentina Lisitsa | — | |
| 33-2 | Ballade No.2 in B minor | — | ||
| 33-3 | Aida | — | ||
| 33-4 | La Contrabandista | — | ||
| 33-5 | Gute Nacht | — | ||
| 33-6 | Des Mädchens Klage | — | ||
| 33-7 | Erlkönig, S. 558 no. 4 (after Schubert’s D. 328) | Valentina Lisitsa | — | |
| 33-8 | Der Müller Und Der Bach | — | ||
| 33-9 | Hungarian Rhapsody No.12 | — | ||
| 34-1 | Piano Concerto No.24 in C minor K491 - I. Allegro | — | ||
| 34-2 | Piano Concerto No.24 in C minor K491 - II. Larghetto | — | ||
| 34-3 | Piano Concerto No.24 in C minor K491 - III. Allegretto | — | ||
| 34-4 | Piano Concerto No.4 in G major Op.58 - I. Allegro Madorato | — | ||
| 34-5 | Piano Concerto No.4 in G major Op.58 - II. Andante Con Moto | — | ||
| 34-6 | Piano Concerto No.4 in G major Op.58 - III. Rondo | — | ||
| 34-7 | Waldszenen Op.82 - I. Entry | — | ||
| 34-8 | Waldszenen Op.82 - II. Hunters on the Lookout | — | ||
| 34-9 | Waldszenen Op.82 - III. Solitary Flowers | — | ||
| 34-10 | Waldszenen Op.82 - IV. Place of Ill Omen | — | ||
| 34-11 | Waldszenen Op.82 - V. Pleasant Landscape | — | ||
| 34-12 | Waldszenen Op.82 - VI. Shelter | — | ||
| 34-13 | Waldszenen Op.82 - VII. The Prophet-Bird | — | ||
| 34-14 | Waldszenen Op.82 - VIII. Hunting Song | — | ||
| 34-15 | Waldszenen Op.82 - IX. Farewell | — | ||
| 35-1 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: I. Allegro | Radu Lupu, Israel Philharmonic Orchestra, Zubin Mehta | T-011.619.733-1 | |
| 35-2 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco mosso | Radu Lupu, Israel Philharmonic Orchestra, Zubin Mehta | T-928.635.608-9 | |
| 35-3 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: III. Rondo. Allegro ma non troppo | Radu Lupu, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 35-4 | Piano Concerto no. 3 in C minor op. 37 - I. Allegro Con Brio | — | ||
| 35-5 | Piano Concerto no. 3 in C minor op. 37 - II. Largo | — | ||
| 35-6 | Piano Concerto no. 3 in C minor op. 37 - III. Rondo | — | ||
| 36-1 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Radu Lupu | — | |
| 36-2 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto | Radu Lupu | — | |
| 36-3 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato | Radu Lupu | — | |
| 36-4 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | Radu Lupu | — | |
| 36-5 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Radu Lupu | T-001.397.158-8 | |
| 36-6 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro | Radu Lupu | — | |
| 36-7 | Sonata for Piano no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio | Radu Lupu | — | |
| 36-8 | Sonata for Piano no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto | Radu Lupu | — | |
| 36-9 | Sonata for Piano no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo | Radu Lupu | T-312.439.094-5 | |
| 36-10 | 32 Variations for Piano in C minor on an Original Theme, WoO 80 | Radu Lupu | — | |
| 37-1 | 6 Klavierstücke op. 118 - I. Intermezzo in A minor | — | ||
| 37-2 | 6 Klavierstücke op. 118 - II. Intermezzo in A major | — | ||
| 37-3 | 6 Klavierstücke op. 118 - III. Ballade in G minor | — | ||
| 37-4 | 6 Klavierstücke op. 118 - IV. Intermezzo in F minor | — | ||
| 37-5 | 6 Klavierstücke op. 118 - V. Romanze in F major | — | ||
| 37-6 | 6 Klavierstücke op. 118 - VI. Intermezzo in E-flat minor | — | ||
| 37-7 | 4 Klavierstücke op. 119 - I. Intermezzo in B minor | — | ||
| 37-8 | 4 Klavierstücke op. 119 - II. Intermezzo in E minor | — | ||
| 37-9 | 4 Klavierstücke op. 119 - III. Intermezzo in C major | — | ||
| 37-10 | 4 Klavierstücke op. 119 - IV. Rhapsodie in E-flat major | — | ||
| 37-11 | Rhapsody in G minor op. 79 no. 2 | — | ||
| 37-12 | Rhapsody in B minor op. 79 no. 1 | — | ||
| 37-13 | 3 Intermezzos op. 117 - I. E Flat Major | — | ||
| 37-14 | 3 Intermezzos op. 117 - II. B Flat Minor | — | ||
| 37-15 | 3 Intermezzos op. 117 - III. C Sharp Minor | — | ||
| 37-16 | Theme and Variations in D minor | — | ||
| 38-1 | Piano Concerto in D-flat major - I. Allegro Ma Non Troppo E Maestoso | — | ||
| 38-2 | Piano Concerto in D-flat major - II. Andante Con Anima | — | ||
| 38-3 | Piano Concerto in D-flat major - III. Allegro Brillanto | — | ||
| 38-4 | Piano Concerto No.2 in G minor Op.22 - I. Andante Sostenuto | — | ||
| 38-5 | Piano Concerto No.2 in G minor Op.22 - II. Allegro Scherzando | — | ||
| 38-6 | Piano Concerto No.2 in G minor Op.22 - III. Presto | — | ||
| 39-1 | Piano Sonata No.32 in C minor Op.111 - I. Maestoso | — | ||
| 39-2 | Piano Sonata No.32 in C minor Op.111 - II. Arietta | — | ||
| 39-3 | Piano Sonata No.5 in C major - I. Andante | — | ||
| 39-4 | Piano Sonata No.5 in C major - II. Allegro | — | ||
| 39-5 | Piano Sonata No.5 in C major - III. Allegro Assai | — | ||
| 39-6 | Keyboard Sonata in C minor Kk 11 | — | ||
| 39-7 | Keyboard Sonata in C major Kk 159 | — | ||
| 39-8 | Keyboard Sonata in A major Kk 322 | — | ||
| 39-9 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro | Wiener Philharmoniker, Leonard Bernstein | — | |
| 39-10 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante] | Wiener Philharmoniker, Leonard Bernstein | — | |
| 39-11 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro | Wiener Philharmoniker, Leonard Bernstein | — | |
| 40-1 | Concerto in D major for Piano and Orchestra - I. Allegro Non Troppo | — | ||
| 40-2 | Concerto in D major for Piano and Orchestra - II. Larghetto | — | ||
| 40-3 | Concerto in D major for Piano and Orchestra - III. Rondo | — | ||
| 40-4 | Concerto in D major for Keyboard and Strings BWV1054 - I. Allegro | — | ||
| 40-5 | Concerto in D major for Keyboard and Strings BWV1054 - II. Adagio E Piano Sempre | — | ||
| 40-6 | Concerto in D major for Keyboard and Strings BWV1054 - III. Allegro | — | ||
| 40-7 | 24 Preludes Op.34 - No.1 in C major | — | ||
| 40-8 | 24 Preludes Op.34 - No.2 in A minor | — | ||
| 40-9 | 24 Preludes Op.34 - No.3 in G major | — | ||
| 40-10 | 24 Preludes Op.34 - No.4 in E minor | — | ||
| 40-11 | 24 Preludes Op.34 - No.5 in D major | — | ||
| 40-12 | 24 Preludes Op.34 - No.6 in B minor | — | ||
| 40-13 | 24 Preludes Op.34 - No.7 in A major | — | ||
| 40-14 | 24 Preludes Op.34 - No.8 in F-sharp minor | — | ||
| 40-15 | 24 Preludes Op.34 - No.9 in E major | — | ||
| 40-16 | 24 Preludes Op.34 - No.10 in C-sharp minor | — | ||
| 40-17 | 24 Preludes Op.34 - No.11 in B major | — | ||
| 40-18 | 24 Preludes Op.34 - No.12 in G-sharp minor | — | ||
| 40-19 | 24 Preludes Op.34 - No.13 in F-sharp major | — | ||
| 40-20 | 24 Preludes Op.34 - No.14 in E-flat minor | — | ||
| 40-21 | 24 Preludes Op.34 - No.15 in D-flat major | — | ||
| 40-22 | 24 Preludes Op.34 - No.16 in B-flat minor | — | ||
| 40-23 | 24 Preludes Op.34 - No.17 in A-flat major | — | ||
| 40-24 | 24 Preludes Op.34 - No.18 in F minor | — | ||
| 40-25 | 24 Preludes Op.34 - No.19 in E-flat major | — | ||
| 40-26 | 24 Preludes Op.34 - No.20 in C minor | — | ||
| 40-27 | 24 Preludes Op.34 - No.21 in F-flat major | — | ||
| 40-28 | 24 Preludes Op.34 - No.22 in G minor | — | ||
| 40-29 | 24 Preludes Op.34 - No.23 in F major | — | ||
| 40-30 | 24 Preludes Op.34 - No.24 in D minor | — | ||
| 41-1 | Vingt Regards Sur L'Enfant-Jesus - I. Regard Du Pere | — | ||
| 41-2 | Vingt Regards Sur L'Enfant-Jesus - II. Regard de L'Etoile | — | ||
| 41-3 | Vingt Regards Sur L'Enfant-Jesus - III. L'Echange | — | ||
| 41-4 | Vingt Regards Sur L'Enfant-Jesus - IV. Rergard de La Vierge | — | ||
| 41-5 | Vingt Regards Sur L'Enfant-Jesus - V. Regard Du Fils Sur Le Fils | — | ||
| 41-6 | Vingt Regards Sur L'Enfant-Jesus - VI. Par Lui Tout a Ete Fait | — | ||
| 41-7 | Vingt Regards Sur L'Enfant-Jesus - VII. Regard Du La Croix | — | ||
| 41-8 | Vingt Regards Sur L'Enfant-Jesus - VIII. Regard Des Hauteurs | — | ||
| 41-9 | Vingt Regards Sur L'Enfant-Jesus - IX. Regard Du Temps | — | ||
| 41-10 | Vingt Regards Sur L'Enfant-Jesus - X. Regard de L'Esprit de Joie | — | ||
| 41-11 | Vingt Regards Sur L'Enfant-Jesus - XI. Premiere Communion de La Vierge | — | ||
| 41-12 | Vingt Regards Sur L'Enfant-Jesus - XII. La Parole Tout-Puissante | — | ||
| 41-13 | Vingt Regards Sur L'Enfant-Jesus - XIII. Noel | — | ||
| 41-14 | Vingt Regards Sur L'Enfant-Jesus - XIV. Regard Des Anges | — | ||
| 41-15 | Vingt Regards Sur L'Enfant-Jesus - XV. Le Maiser de L'Enfant-Jesus | — | ||
| 42-1 | Vingt Regards Sur L'Enfant-Jesus - XVI. Regard Des Prophetes, Des Bergers Et Des Mages | — | ||
| 42-2 | Vingt Regards Sur L'Enfant-Jesus - XVII. Regard Du Silence | — | ||
| 42-3 | Vingt Regards Sur L'Enfant-Jesus - XVIII. Regard de L'Onction Terrible | — | ||
| 42-4 | Vingt Regards Sur L'Enfant-Jesus - XIX. Je Dors, Mais Mon Coeur Veille | — | ||
| 42-5 | Vingt Regards Sur L'Enfant-Jesus - XX. Regard Do L'Eglise D'Amour | — | ||
| 42-6 | Piano Concerto Op.13 - I. Toccata | — | ||
| 42-7 | Piano Concerto Op.13 - II. Valtz | — | ||
| 42-8 | Piano Concerto Op.13 - III. Impromptu | — | ||
| 42-9 | Piano Concerto Op.13 - IV. March | — | ||
| 43-1 | Krakowiak, op. 14 | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 43-2 | Fantasy on Polish Airs Op.13 - I. Introduction | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 43-3 | Fantasy on Polish Airs Op.13 - II. Air | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 43-4 | Fantasy on Polish Airs Op.13 - III. Theme de Charles Kurpinski | Frederic Chopin, Kun Woo Paik, Warsaw Philharmanic Orchestra, Antoni Wit | — | |
| 43-5 | Fantasy on Polish Airs Op.13 - IV. Kujawiak | Frederic Chopin, Kun Woo Paik, Warsaw Philharmanic Orchestra, Antoni Wit | — | |
| 43-6 | Piano Concerto no. 1 in E minor, op. 11: 1. Allegro maestoso | Frederic Chopin, Kun Woo Paik, Warsaw Philharmanic Orchestra, Antoni Wit | — | |
| 43-7 | Piano Concerto no. 1 in E minor, op. 11: 2. Romance (Larghetto) | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 43-8 | Piano Concerto no. 1 in E minor, op. 11: 3. Rondo (Vivace) | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 44-1 | Andante spianato et Grande Polonaise brillante in E flat, Op. 22: Andante spianato | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 44-2 | Andante spianato et Grande Polonaise brillante in E flat, Op. 22: Grande Polonaise | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | T-915.735.005-5 | |
| 44-3 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Introduction (Largo) | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-4 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Tema | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-5 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Variation 1 (Brillante) | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-6 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Variation 2 (Veloce, ma accuratamente) | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-7 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Variation 3 (Sempre sostenuto) | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-8 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Variation 4 | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-9 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Variation 5 (Adagio) | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-10 | Variations in B flat "La ci darem la mano" from Mozart's "Don Giovanni": Alla Polacca | Kun Woo Paik, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 44-11 | Piano Concerto No. 2 in F minor, Op. 21: 1. Maestoso | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 44-12 | Piano Concerto No. 2 in F minor, Op. 21: 2. Larghetto | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 44-13 | Piano Concerto No. 2 in F minor, Op. 21: 3. Allegro vivace | Kun Woo Paik, Warsaw Philharmonic Orchestra, Antoni Wit | T-902.804.388-1 | |
| 45-1 | Goyescas Suite - I. Los Requiebros | — | ||
| 45-2 | Goyescas Suite - II. Coloquio En La Reja | — | ||
| 45-3 | Goyescas Suite - III. El Fandango Del Candil | — | ||
| 45-4 | Goyescas Suite - IV. Quejas o La Maja Y El Ruiseñor | — | ||
| 45-5 | Goyescas Suite - VII. El Pelele (Escena Goyesca) | — | ||
| 45-6 | Goyescas Suite - V. El Amor Y La Muerte (Balada) | — | ||
| 45-7 | Bachianas Brasileiras No. 4 - I. Preludio (Introducão) | — | ||
| 45-8 | Bachianas Brasileiras No. 4 - II. Coral (Canto Do Sertão) | — | ||
| 45-9 | Bachianas Brasileiras No. 4 - III. Aria (Cantiga) | — | ||
| 45-10 | Bachianas Brasileiras No. 4 - VI. Dansa (Miudinho) | — | ||
| 45-11 | Alta Gracia | — | ||
| 45-12 | Danzas Cubanas | — | ||
| 45-13 | Andalucia Suite: Malagueña | — | ||
| 46-1 | Piano Concerto No.1 BB91 - I. Allegro Moderato | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-2 | Piano Concerto No.1 BB91 - II. Andante | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-3 | Piano Concerto No.1 BB91 - III. Allegro Molto | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-4 | Piano Concerto No.2 BB101 - I. Allegro | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-5 | Piano Concerto No.2 BB101 - II. Adagio | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-6 | Piano Concerto No.2 BB101 - III. Allegro Molto | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-7 | Piano Concerto No.3 BB127 - I. Allegretto | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-8 | Piano Concerto No.3 BB127 - II. Adagio Religioso | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 46-9 | Piano Concerto No.3 BB127 - III. Allegro Vivace | Pascal Rogé, London Symphony Orchestra, Walter Weller | — | |
| 47-1 | Impromptu no. 2 in F minor/major op. 31 | — | ||
| 47-2 | Impromptu no. 3 in A‐flat major op. 34 | — | ||
| 47-3 | Nocturne no. 1 in E-flat minor, op. 33 no. 1 | Pascal Rogé | — | |
| 47-4 | Nocturne no. 2 in B major, op. 33: No. 2 | Pascal Rogé | — | |
| 47-5 | Nocturne no. 3 in A-flat major, op. 33: No. 3 | Pascal Rogé | — | |
| 47-6 | Nocturne no. 4 in E‐flat major, op. 36 | Pascal Rogé | — | |
| 47-7 | Nocturne no. 5 in B-flat major, op. 37 | Pascal Rogé | — | |
| 47-8 | Trois Romances sans paroles op. 17 : No. 1 in A‐flat major | — | ||
| 47-9 | Trois Romances sans paroles op. 17 : No. 2 in A minor | — | ||
| 47-10 | Trois Romances sans paroles op. 17 : No. 3 in A‐flat major | — | ||
| 47-11 | Barcarolle no. 1 in A minor op. 26 | — | ||
| 47-12 | Barcarolle no. 2 in G major op. 41 | — | ||
| 47-13 | Barcarolle no. 4 in A‐flat major op. 44 | — | ||
| 47-14 | Valse‐Caprice no. 1 in A major op. 30 | — | ||
| 48-1 | Gymnopédie no. 1 | Pascal Rogé | T-050.018.340-3 | |
| 48-2 | Gymnopédie no. 2 | Pascal Rogé | T-050.018.340-3 | |
| 48-3 | Gymnopédie no. 3 | Pascal Rogé | T-011.688.813-1 | |
| 48-4 | Je te veux | Pascal Rogé | T-050.395.147-0 | |
| 48-5 | 4 Préludes flasques pour un chien | Pascal Rogé | T-003.014.610-1 | |
| 48-6 | Prélude en tapisserie | Pascal Rogé | — | |
| 48-7 | Cinq Nocturnes : Nocturne no. 4 | Pascal Rogé | — | |
| 48-8 | Vieux séquins et vieilles cuirasses | Pascal Rogé | T-703.053.628-0 | |
| 48-9 | Embryons desséchés | Pascal Rogé | T-703.053.620-2 | |
| 48-10 | Gnossienne no. 1 | Pascal Rogé | T-003.010.023-2 | |
| 48-11 | Gnossienne no. 2 | Pascal Rogé | T-003.010.023-2 | |
| 48-12 | Gnossienne no. 3 | Pascal Rogé | T-004.016.586-3 | |
| 48-13 | Gnossienne no. 4 | Pascal Rogé | — | |
| 48-14 | Gnossienne no. 5 | Pascal Rogé | T-916.194.049-4 | |
| 48-15 | Gnossienne no. 6 | Pascal Rogé | T-315.303.705-5 | |
| 48-16 | Sonatine bureaucratique | Pascal Rogé | T-003.016.329-1 | |
| 48-17 | Le Picadilly | Pascal Rogé | — | |
| 49-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | Arthur Rubinstein, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 49-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | Arthur Rubinstein, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 49-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | Arthur Rubinstein, Israel Philharmonic Orchestra, Zubin Mehta | T-031.682.208-8 | |
| 49-4 | Rhapsody for Piano and Orchestra Bb36b | — | ||
| 50-1 | Goldberg Variations in G major, BWV 988: I. Aria | András Schiff | T-305.723.872-5 | |
| 50-2 | Goldberg Variations in G major, BWV 988 - II. Variatio 1 a 1 Clav. | — | ||
| 50-3 | Goldberg Variations in G major, BWV 988: III. Variatio 2 a 1 Clav. | András Schiff | T-902.128.688-4 | |
| 50-4 | Goldberg Variations in G major, BWV 988 - IV. Variatio 3 a 1 Clav. Canone All’Unisuono | — | ||
| 50-5 | Goldberg Variations in G major, BWV 988 - V. Variatio 4 a 1 Clav. | — | ||
| 50-6 | Goldberg Variations in G major, BWV 988 - VI. Variatio 5 a 1 Ovvero 2 Clav. | — | ||
| 50-7 | Goldberg Variations in G major, BWV 988: VII. Variatio 6 a 1 Clav. Canone alla Seconda | András Schiff | T-902.128.688-4 | |
| 50-8 | Goldberg Variations in G major, BWV 988 - VIII. Variatio 7 a 1 Ovvero 2 Clav. | — | ||
| 50-9 | Goldberg Variations in G major, BWV 988 - IX. Variatio 8 a 2 Clav. | — | ||
| 50-10 | Goldberg Variations in G major, BWV 988: X. Variatio 9 a 1 Clav. Canone alla Terza | András Schiff | T-902.128.688-4 | |
| 50-11 | Goldberg Variations in G major, BWV 988 - XI. Variatio 10 a 1 Clav. Fughetta | — | ||
| 50-12 | Goldberg Variations in G major, BWV 988 - XII. Variatio 11 a 2 Clav. | — | ||
| 50-13 | Goldberg Variations in G major, BWV 988 - XIII. Variatio 12 a 1 Clav. Canone Alla Quarta | — | ||
| 50-14 | Goldberg Variations in G major, BWV 988 - XIV. Variatio 13 a 2 Clav. | — | ||
| 50-15 | Goldberg Variations in G major, BWV 988 - XV. Variatio 14 a 2 Clav. | — | ||
| 50-16 | Goldberg Variations in G major, BWV 988 - XVI. Variatio 15 a 1 Clav. Canone Alla Quinta | — | ||
| 50-17 | Goldberg Variations in G major, BWV 988 - XVII. Variatio 16 a 1 Clav. Ouverture | — | ||
| 50-18 | Goldberg Variations in G major, BWV 988 - XVIII. Variatio 17 a 2 Clav. | — | ||
| 50-19 | Goldberg Variations in G major, BWV 988 - XIX. Variatio 18 a 1 Clav. Canone Alla Sexta | — | ||
| 50-20 | Goldberg Variations in G major, BWV 988: XX. Variatio 19 a 1 Clav. | András Schiff | T-902.128.688-4 | |
| 50-21 | Goldberg Variations in G major, BWV 988 - XXI. Variatio 20 a 2 Clav. | — | ||
| 50-22 | Goldberg Variations in G major, BWV 988 - XXII. Variatio 21 a 2 Clav. Canone Alla Settima | — | ||
| 50-23 | Goldberg Variations in G major, BWV 988 - XXIII. Variatio 22 a 1 Clav. | — | ||
| 50-24 | Goldberg Variations in G major, BWV 988 - XXIV. Variatio 23 a 2 Clav. Alla Breve | — | ||
| 50-25 | Goldberg Variations in G major, BWV 988 - XXV. Variatio 24 a 1 Clav. Canone All’Ottava | — | ||
| 50-26 | Goldberg Variations in G major, BWV 988 - XXVI. Variatio 25 a 2 Clav. | — | ||
| 50-27 | Goldberg Variations in G major, BWV 988 - XXVII. Variatio 26 a 2 Clav. | — | ||
| 50-28 | Goldberg Variations in G major, BWV 988 - XXVIII. Variatio 27 a 2 Clav. Canone Alla Nona | — | ||
| 50-29 | Goldberg Variations in G major, BWV 988 - XXIX. Variatio 28 a 2 Clav. | — | ||
| 50-30 | Goldberg Variations in G major, BWV 988 - XXX. Variatio 29 a 1 Ovvero 2 Clav. | — | ||
| 50-31 | Goldberg Variations in G major, BWV 988 - XXXI. Variatio 30 a 1 Clav. Quodlibet | — | ||
| 50-32 | Goldberg Variations in G major, BWV 988: XXXII. Aria | András Schiff | T-801.806.984-7 | |
| 51-1 | Sonata for Piano duet in C, K. 521: I. Allegro | András Schiff, George Malcolm | T-070.160.313-5 | |
| 51-2 | Sonata for Piano duet in C, K. 521: II. Andante | András Schiff, George Malcolm | — | |
| 51-3 | Sonata for Piano duet in C, K. 521: III. Allegretto | András Schiff, George Malcolm | — | |
| 51-4 | Andante and Five Variations in G major for Piano (4-Hands), K. 501 | András Schiff, George Malcolm | T-902.919.739-5 | |
| 51-5 | Adagio and Allegro for Organ in F minor, K. 594 | András Schiff, George Malcolm | — | |
| 51-6 | Sonata for Piano duet in F, K. 497: I. Adagio: Allegro di molto | András Schiff, George Malcolm | — | |
| 51-7 | Sonata for Piano duet in F, K. 497: II. Andante | András Schiff, George Malcolm | — | |
| 51-8 | Sonata for Piano duet in F, K. 497: III. Allegro | András Schiff, George Malcolm | — | |
| 51-9 | Orgelstück (Fantasia) für eine Uhr in F minor, K. 608 | András Schiff, George Malcolm | — | |
| 52-1 | Keyboard Sonata K175 in A minor: Allegro | András Schiff | — | |
| 52-2 | Keyboard Sonata K513 in C major: Pastorale: Moderato - Molto allegro - Presto | András Schiff | — | |
| 52-3 | Keyboard Sonata K402 in E minor: Andante | András Schiff | — | |
| 52-4 | Keyboard Sonata K403 in E major: Allegro | András Schiff | — | |
| 52-5 | Keyboard Sonata K144 in G major: Cantabile | András Schiff | T-001.397.158-8 | |
| 52-6 | Keyboard Sonata K115 in C minor: Allegro | András Schiff | — | |
| 52-7 | Keyboard Sonata K116 in C minor: Allegro | András Schiff | — | |
| 52-8 | Keyboard Sonata K474 in E-flat major: Andante e cantabile | András Schiff | T-001.397.158-8 | |
| 52-9 | Keyboard Sonata K475 in E-flat major: Allegrissimo | András Schiff | — | |
| 52-10 | Keyboard Sonata K449 in G major: Allegro | András Schiff | — | |
| 52-11 | Keyboard Sonata K450 in G minor: Allegrissimo | András Schiff | — | |
| 52-12 | Keyboard Sonata K544 in B-flat major: Cantabile | András Schiff | T-001.397.158-8 | |
| 52-13 | Keyboard Sonata K545 in B-flat major: Prestissimo | András Schiff | — | |
| 52-14 | Keyboard Sonata K516 in D minor: Allegretto | András Schiff | — | |
| 52-15 | Keyboard Sonata K517 in D minor: Prestissimo | András Schiff | — | |
| 53-1 | Polonaise in A-flat major, Op. 53 "Héroïque" | — | ||
| 53-2 | Waltz in D-flat major, Op. 64 No. 1 "Minute" | — | ||
| 53-3 | Prelude in E minor, Op. 28 No. 4 | — | ||
| 53-4 | Mazurka in F minor, Op. 68 No. 4 | — | ||
| 53-5 | Grande Valse Brillante in E-flat major, Op. 18 | — | ||
| 53-6 | Nocturne in B-flat minor, Op. 9 No. 1 | — | ||
| 53-7 | Scherzo No. 2 in B-flat minor, Op. 31 | — | ||
| 53-8 | Barcarolle in F-sharp major, Op. 60 | — | ||
| 53-9 | Nocturne in E-flat major, op. 9 no. 2 | Jean-Yves Thibaudet | T-321.286.788-0 | |
| 53-10 | Étude in F major, Op. 25 No. 3 | — | ||
| 53-11 | Mazurka in B-flat major, Op. 7 No. 1 | — | ||
| 53-12 | Ballade No. 1 in G minor, Op. 23 | — | ||
| 53-13 | Étude in A-flat major, Op. 25 No. 1 "Aeolian" | — | ||
| 53-14 | Étude in C minor, Op. 10 No. 12 "Revolutionary" | — | ||
| 53-15 | Prelude in D minor, Op. 28 No. 24 | — | ||
| 53-16 | Prelude in D-flat major, Op. 28 No. 15 "Raindrop" | — | ||
| 53-17 | Étude in F major, Op. 25 No. 3 | — | ||
| 53-18 | Nocturne in C-sharp minor, Op. Posth. | — | ||
| 53-19 | Prelude in D minor, Op. 28 No. 24 | — | ||
| 54-1 | Conversations With Bill Evans - Song for Helen | — | ||
| 54-2 | Waltz for Debby | — | ||
| 54-3 | Turn Out the Stars | — | ||
| 54-4 | Noelle's Theme | — | ||
| 54-5 | Reflections in D | — | ||
| 54-6 | Here's That Rainy Day | — | ||
| 54-7 | Hull, Bolinas | — | ||
| 54-8 | Love Theme From 'Spartacus' | — | ||
| 54-9 | Since We Met | — | ||
| 54-10 | Peace Piece | — | ||
| 54-11 | Your Story | — | ||
| 54-12 | Lucky to Be Me | — | ||
| 54-13 | The Heart Asks Pleasure First (The Piano) | — | ||
| 54-14 | Silver-Fingered Fling (The Piano) | — | ||
| 55-1 | Rhapsody in Blue | — | ||
| 55-2 | 'I Got Rhythm' Variations | — | ||
| 55-3 | Piano Concerto in F - I. Allegro | — | ||
| 55-4 | Piano Concerto in F - II. Andante Con Moto | — | ||
| 55-5 | Piano Concerto in F - III. Allegro Con Brio | — |
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