UPC · Release
Claudio Arrau
Last verified:
028948329847 is the Universal Product Code (UPC barcode) for the release “Complete Philips Recordings” by Claudio Arrau, released 2018-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 871 tracks, each with its own ISRC. Tracks include NLA508600706, NLA506200535, NLA506200536.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonata for Piano no. 1 in F minor, op. 2 no. 1: I. Allegro | — | ||
| 2 | Sonata for Piano no. 1 in F minor, op. 2 no. 1: II. Adagio | — | ||
| 3 | Sonata for Piano no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegretto | — | ||
| 4 | Sonata for Piano no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | — | ||
| 5 | Sonata for Piano no. 2 in A major, op. 2 no. 2: I. Allegro vivace | — | ||
| 6 | Sonata for Piano no. 2 in A major, op. 2 no. 2: II. Largo appassionato | — | ||
| 7 | Sonata for Piano no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto | — | ||
| 8 | Sonata for Piano no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso | — | ||
| 9 | Sonata for Piano no. 3 in C major, op. 2 no. 3: I. Allegro con brio | — | ||
| 10 | Sonata for Piano no. 3 in C major, op. 2 no. 3: II. Adagio | — | ||
| 11 | Sonata for Piano no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro | — | ||
| 12 | Sonata for Piano no. 3 in C major, op. 2 no. 3: IV. Allegro assai | — | ||
| 2-1 | Sonata for Piano no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | — | ||
| 2-2 | Sonata for Piano no. 4 in E-flat major, op. 7: II. Largo, con gran espressione | — | ||
| 2-3 | Sonata for Piano no. 4 in E-flat major, op. 7: III. Allegro | — | ||
| 2-4 | Sonata for Piano no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso | — | ||
| 2-5 | Sonata for Piano no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | — | ||
| 2-6 | Sonata for Piano no. 5 in C minor, op. 10 no. 1: II. Adagio molto | — | ||
| 2-7 | Sonata for Piano no. 5 in C minor, op. 10 no. 1: III. Prestissimo | — | ||
| 3-1 | Sonata for Piano no. 6 in F major, op. 10 no. 2: I. Allegro | — | ||
| 3-2 | Sonata for Piano no. 6 in F major, op. 10 no. 2: II. Allegretto | — | ||
| 3-3 | Sonata for Piano no. 6 in F major, op. 10 no. 2: III. Presto | — | ||
| 3-4 | Sonata for Piano no. 7 in D major, op. 10 no. 3: I. Presto | — | ||
| 3-5 | Sonata for Piano no. 7 in D major, op. 10 no. 3: II. Largo e mesto | — | ||
| 3-6 | Sonata for Piano no. 7 in D major, op. 10 no. 3: III. Menuetto. Allegro | — | ||
| 3-7 | Sonata for Piano no. 7 in D major, op. 10 no. 3: IV. Rondo. Allegro | — | ||
| 3-8 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | — | ||
| 3-9 | Sonate Nr. 8 c-Moll op. 13 »Pathétique«: 2. Adagio cantabile | Claudio Arrau | T-310.333.204-9 | |
| 3-10 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro | — | ||
| 3-11 | Sonata for Piano no. 9 in E major, op. 14 no. 1: I. Allegro | — | ||
| 3-12 | Sonata for Piano no. 9 in E major, op. 14 no. 1: II. Allegretto | — | ||
| 3-13 | Sonata for Piano no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo | — | ||
| 4-1 | Sonata for Piano no. 10 in G major, op. 14 no. 2: I. Allegro | — | ||
| 4-2 | Sonata for Piano no. 10 in G major, op. 14 no. 2: II. Andante | — | ||
| 4-3 | Sonata for Piano no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai | — | ||
| 4-4 | Sonata for Piano no. 11 in B-flat major, op. 22: I. Allegro con brio | — | ||
| 4-5 | Sonata for Piano no. 11 in B-flat major, op. 22: II. Adagio con molto espressione | — | ||
| 4-6 | Sonata for Piano no. 11 in B-flat major, op. 22: III. Menuetto | — | ||
| 4-7 | Sonata for Piano no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto | — | ||
| 4-8 | Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": I. Andante con Variazioni | — | ||
| 4-9 | Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": II. Scherzo. Allegro molto | — | ||
| 4-10 | Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": III. Marcia funebre sulla morte d'un Eroe | — | ||
| 4-11 | Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": IV. Allegro | — | ||
| 5-1 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: I. Andante | — | ||
| 5-2 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: II. Allegro molto e vivace | — | ||
| 5-3 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: III. Adagio con espressione | — | ||
| 5-4 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: IV. Allegro vivace | — | ||
| 5-5 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Claudio Arrau | — | |
| 5-6 | Sonate Nr. 14 cis-Moll op. 27,2 »Mondschein-Sonate«: 2. Allegretto | Claudio Arrau | — | |
| 5-7 | Sonate Nr. 14 cis-Moll op. 27,2 »Mondschein-Sonate«: 3. Presto agitato | Claudio Arrau | — | |
| 5-8 | Sonata for Piano no. 15 in D major, op. 28 "Pastorale": I. Allegro | — | ||
| 5-9 | Sonata for Piano no. 15 in D major, op. 28 "Pastorale": II. Andante | — | ||
| 5-10 | Sonata for Piano no. 15 in D major, op. 28 "Pastorale": III. Scherzo. Allegro vivace | — | ||
| 5-11 | Sonata for Piano no. 15 in D major, op. 28 "Pastorale": IV. Rondo. Allegro ma non troppo | — | ||
| 6-1 | Sonata for Piano no. 16 in G major, op. 31 no. 1: I. Allegro vivace | — | ||
| 6-2 | Sonata for Piano no. 16 in G major, op. 31 no. 1: II. Adagio grazioso | — | ||
| 6-3 | Sonata for Piano no. 16 in G major, op. 31 no. 1: III. Rondo. Allegretto | — | ||
| 6-4 | Sonata for Piano no. 17 in D minor, op. 31 no. 2 "Storm": I. Largo - Allegro | — | ||
| 6-5 | Sonata for Piano no. 17 in D minor, op. 31 no. 2 "Storm": II. Adagio | — | ||
| 6-6 | Sonata for Piano no. 17 in D minor, op. 31 no. 2 "Storm": III. Allegretto | — | ||
| 6-7 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: I. Allegro | — | ||
| 6-8 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: II. Scherzo. Allegretto vivace | — | ||
| 6-9 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: III. Minuetto. Moderato e grazioso | — | ||
| 6-10 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco | — | ||
| 7-1 | Sonata for Piano no. 19 in G minor, op. 49 no. 1: I. Andante | — | ||
| 7-2 | Sonata for Piano no. 19 in G minor, op. 49 no. 1: II. Rondo. Allegro | — | ||
| 7-3 | Sonata for Piano no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo | — | ||
| 7-4 | Sonata for Piano no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto | — | ||
| 7-5 | Sonata for Piano no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio | — | ||
| 7-6 | Sonata for Piano no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto | — | ||
| 7-7 | Sonata for Piano no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo | — | ||
| 7-8 | Sonata for Piano no. 22 in F major, op. 54: I. Tempo di menuetto | — | ||
| 7-9 | Sonata for Piano no. 22 in F major, op. 54: IIa. Allegretto | — | ||
| 7-10 | Sonata for Piano no. 22 in F major, op. 54: IIb. Più allegro | — | ||
| 7-11 | Sonata for Piano no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | — | ||
| 7-12 | Sonata for Piano no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto | — | ||
| 7-13 | Sonata for Piano no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 8-1 | Sonata for Piano no. 24 in F-sharp major, op. 78 "A Thérèse": I. Adagio cantabile - Allegro ma non troppo | — | ||
| 8-2 | Sonata for Piano no. 24 in F-sharp major, op. 78 "A Thérèse": II. Allegro assai | — | ||
| 8-3 | Sonata for Piano no. 25 in G major, op. 79 "Cuckoo": I. Presto alla tedesca | — | ||
| 8-4 | Sonata for Piano no. 25 in G major, op. 79 "Cuckoo": II. Andante espressivo | — | ||
| 8-5 | Sonata for Piano no. 25 in G major, op. 79 "Cuckoo": III. Vivace | — | ||
| 8-6 | Sonata for Piano no. 26 in E-flat major, op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro "Les Adieux" | — | ||
| 8-7 | Sonata for Piano no. 26 in E-flat major, op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo "L'Absence" | — | ||
| 8-8 | Sonata for Piano no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente "Le Retour" | — | ||
| 8-9 | Sonata for Piano no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 8-10 | Sonata for Piano no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | — | ||
| 9-1 | Sonata for Piano no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | — | ||
| 9-2 | Sonata for Piano no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | — | ||
| 9-3 | Sonata for Piano no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affeto | — | ||
| 9-4 | Sonata for Piano no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro | — | ||
| 9-5 | Sonata for Piano no. 29 in B-flat major, op. 106 "Hammerklavier": I. Allegro | — | ||
| 9-6 | Sonata for Piano no. 29 in B-flat major, op. 106 "Hammerklavier": II. Scherzo. Assai vivace | — | ||
| 9-7 | Sonata for Piano no. 29 in B-flat major, op. 106 "Hammerklavier": III. Adagio sostenuto. Appassionato e molto con sentimento | — | ||
| 9-8 | Sonata for Piano no. 29 in B-flat major, op. 106 "Hammerklavier": IV. Largo - Allegro risoluto | — | ||
| 10-1 | Sonata for Piano no. 30 in E major, op. 109: I. Vivace, ma non troppo - II. Prestissimo | — | ||
| 10-2 | Sonata for Piano no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | — | ||
| 10-3 | Sonata for Piano no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | — | ||
| 10-4 | Sonata for Piano no. 31 in A-flat major, op. 110: II. Allegro molto | — | ||
| 10-5 | Sonata for Piano no. 31 in A-flat major, op. 110: IIIa. Adagio, ma non troppo | — | ||
| 10-6 | Sonata for Piano no. 31 in A-flat major, op. 110: IIIb. Fuga. Allegro ma non troppo | — | ||
| 10-7 | Sonata for Piano no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 10-8 | Sonata for Piano no. 32 in C minor, op. 111: II. Arietta. Adagio molto semplice e cantabile | — | ||
| 11-1 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Introduzione col basso del tema. Allegretto vivace - Tema | — | ||
| 11-2 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Var. I - Var. XV. | — | ||
| 11-3 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Coda - Finale. Alla fuga. Allegro con brio - Andante con moto | — | ||
| 11-4 | 32 Variations for Piano in C minor on an Original Theme, WoO 80 | — | ||
| 11-5 | 6 Variations for Piano in F major on an Original Theme, op. 34: Thema. Adagio. Cantabile - Var. I - Var II. Allegro ma non troppo - Var III. Allegretto - Var. IV. Tempo di menuetto - Var. V. Marcia. Allegretto - Var. VI. Allegretto - Adagio molto | — | ||
| 11-6 | Rondo in G, op. 51 No.2 | — | ||
| 12-1 | Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio | — | ||
| 12-2 | Piano Concerto No. 1 in C major, Op. 15: II. Largo | — | ||
| 12-3 | Piano Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro scherzando | — | ||
| 12-4 | Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio | — | ||
| 12-5 | Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio | — | ||
| 12-6 | Piano Concerto No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro | — | ||
| 13-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 13-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 13-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 13-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Claudio Arrau, Royal Concertgebouw Orchestra Amsterdam, Bernard Haitink | — | |
| 13-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Claudio Arrau, Royal Concertgebouw Orchestra Amsterdam, Bernard Haitink | — | |
| 13-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Claudio Arrau, Royal Concertgebouw Orchestra Amsterdam, Bernard Haitink | — | |
| 14-1 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro | Claudio Arrau, Royal Concertgebouw Orchestra Amsterdam, Bernard Haitink | — | |
| 14-2 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco moto - attacca | Claudio Arrau, Royal Concertgebouw Orchestra Amsterdam, Bernard Haitink | T-928.635.608-9 | |
| 14-3 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo (Allegro) | Claudio Arrau, Royal Concertgebouw Orchestra Amsterdam, Bernard Haitink | — | |
| 14-4 | Triple Concerto for Piano, Violin & Cello in C major, Op. 56: I. Allegro | — | ||
| 14-5 | Triple Concerto for Piano, Violin & Cello in C major, Op. 56: II. Largo | — | ||
| 14-6 | Triple Concerto for Piano, Violin & Cello in C major, Op. 56: III. Rondo alla Polacca | — | ||
| 15-1 | Sonata for violin & piano no. 1 in D major, op. 12 no. 1: I. Allegro con brio | — | ||
| 15-2 | Sonata for violin & piano no. 1 in D major, op. 12 no. 1: II. Tema con variazioni | — | ||
| 15-3 | Sonata for violin & piano no. 1 in D major, op. 12 no. 1: III. Rondo (Allegro) | — | ||
| 15-4 | Sonata for violin & piano no. 2 in A major, op. 12 no. 2: I. Allegro vivace | — | ||
| 15-5 | Sonata for violin & piano no. 2 in A major, op. 12 no. 2: II. Andante piu tosto allegretto | — | ||
| 15-6 | Sonata for violin & piano no. 2 in A major, op. 12 no. 2: III. Allegro piacevole | — | ||
| 15-7 | Sonata for violin & piano no. 4 in A minor, op. 23: I. Presto | — | ||
| 15-8 | Sonata for violin & piano no. 4 in A minor, op. 23: II. Andante | — | ||
| 15-9 | Sonata for violin & piano no. 4 in A minor, op. 23: III. Allegro molto | — | ||
| 16-1 | Sonata for violin & piano no. 5 in F major ("Spring"), op. 24: I. Allegro | — | ||
| 16-2 | Sonata for violin & piano no. 5 in F major ("Spring"), op. 24: II. Adagio molto espressivo | — | ||
| 16-3 | Sonata for violin & piano no. 5 in F major ("Spring"), op. 24: III. Scherzo (Allegro molto) | — | ||
| 16-4 | Sonata for violin & piano no. 5 in F major ("Spring"), op. 24: IV. Rondo (Allegro ma non troppo) | — | ||
| 16-5 | Sonata for violin & piano no. 7 in C minor ("Eroica"), op. 30 no. 2: I. Allegro con brio | — | ||
| 16-6 | Sonata for violin & piano no. 7 in C minor ("Eroica"), op. 30 no. 2: II. Adagio cantabile | — | ||
| 16-7 | Sonata for violin & piano no. 7 in C minor ("Eroica"), op. 30 no. 2: III. Scherzo (Allegro) | — | ||
| 16-8 | Sonata for violin & piano no. 7 in C minor ("Eroica"), op. 30 no. 2: IV. Finale (Allegro) | — | ||
| 16-9 | Sonata for violin & piano no. 8 in G major, op. 30 no. 3: I. Allegro assai | — | ||
| 16-10 | Sonata for violin & piano no. 8 in G major, op. 30 no. 3: II. Tempo di menuetto, ma molto moderato e grazioso | — | ||
| 16-11 | Sonata for violin & piano no. 8 in G major, op. 30 no. 3: III. Allegro vivace | — | ||
| 17-1 | Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | — | ||
| 17-2 | Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | — | ||
| 17-3 | Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegretto | — | ||
| 17-4 | Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | — | ||
| 17-5 | Piano Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace | — | ||
| 17-6 | Piano Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato | — | ||
| 17-7 | Piano Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto | — | ||
| 17-8 | Piano Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso | — | ||
| 17-9 | Sonata No. 3 in C major, Op. 2 No. 3: I. Allegro con brio | Claudio Arrau | — | |
| 17-10 | Sonata No. 3 in C major, Op. 2 No. 3: II. Adagio | Claudio Arrau | — | |
| 17-11 | Sonata No. 3 in C major, Op. 2 No. 3: III. Scherzo. Allegro | Claudio Arrau | — | |
| 17-12 | Sonata No. 3 in C major, Op. 2 No. 3: IV. Allegro assai | Claudio Arrau | — | |
| 18-1 | Piano Sonata no. 4 in E-flat major, op. 7 "Grand Sonata": I. Allegro molto e con brio | — | ||
| 18-2 | Piano Sonata no. 4 in E-flat major, op. 7 "Grand Sonata": II. Largo, con gran espressione | — | ||
| 18-3 | Piano Sonata no. 4 in E-flat major, op. 7 "Grand Sonata": III. Allegro | — | ||
| 18-4 | Piano Sonata no. 4 in E-flat major, op. 7 "Grand Sonata": IV. Rondo, Poco Allegretto e grazioso | — | ||
| 18-5 | Piano Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | — | ||
| 18-6 | Piano Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto | — | ||
| 18-7 | Piano Sonata no. 5 in C minor, op. 10 no. 1: III. Finale, Prestissimo | — | ||
| 18-8 | Piano Sonata no. 6 in F major, op. 10 no. 2: I. Allegro | — | ||
| 18-9 | Piano Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto | — | ||
| 18-10 | Piano Sonata no. 6 in F major, op. 10 no. 2: III. Presto | — | ||
| 19-1 | Piano Sonata no. 7 in D major, op. 10 no. 3: I. Presto | — | ||
| 19-2 | Piano Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto | — | ||
| 19-3 | Piano Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto, Allegro | — | ||
| 19-4 | Piano Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo, Allegro | — | ||
| 19-5 | Sonata No. 8 in C minor, Op. 13 "Pathétique": I. Grave – Allegro di molto e con brio | Claudio Arrau | — | |
| 19-6 | Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile | Claudio Arrau | — | |
| 19-7 | Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro | Claudio Arrau | — | |
| 19-8 | Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | — | ||
| 19-9 | Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto | — | ||
| 19-10 | Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo, Allegro comodo | — | ||
| 19-11 | Piano Sonata no. 10 in G major, op. 14 no. 2: I. Allegro | — | ||
| 19-12 | Piano Sonata no. 10 in G major, op. 14 no. 2: II. Andante | — | ||
| 19-13 | Piano Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo, Allegro assai | — | ||
| 20-1 | Piano Sonata no. 11 in B-flat major, op. 22: I. Allegro con brio | — | ||
| 20-2 | Piano Sonata no. 11 in B-flat major, op. 22: II. Adagio con molta espressione | — | ||
| 20-3 | Piano Sonata no. 11 in B-flat major, op. 22: III. Menuetto | — | ||
| 20-4 | Piano Sonata no. 11 in B-flat major, op. 22: IV. Rondo, Allegretto | — | ||
| 20-5 | Piano Sonata no. 12 in A-flat major, op. 26 "Funeral March": I. Andante con Variazoni | — | ||
| 20-6 | Piano Sonata no. 12 in A-flat major, op. 26 "Funeral March": II. Scherzo, Allegro molto | — | ||
| 20-7 | Piano Sonata no. 12 in A-flat major, op. 26 "Funeral March": III. Marcia funebre sulla morte d'un Eroe | — | ||
| 20-8 | Piano Sonata no. 12 in A-flat major, op. 26 "Funeral March": IV. Allegro | — | ||
| 20-9 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1 "Quasi una fantasia": I. Andante - Allegro | — | ||
| 20-10 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1 "Quasi una fantasia": II. Allegro molto e vivace | Claudio Arrau | — | |
| 20-11 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1 "Quasi una fantasia": III. Adagio con espressione - Allegro vivace | — | ||
| 20-12 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1 "Quasi una fantasia": IV. Allegro Vivace, Tempo 1, Presto | — | ||
| 21-1 | Piano Sonata no. 15 in D major, op. 28 "Pastoral": I. Allegro | — | ||
| 21-2 | Piano Sonata no. 15 in D major, op. 28 "Pastoral": II. Andante | — | ||
| 21-3 | Piano Sonata no. 15 in D major, op. 28 "Pastoral": III. Scherzo, Allegro assai | — | ||
| 21-4 | Piano Sonata no. 15 in D major, op. 28 "Pastoral": IV. Rondo, Allegro ma non troppo | — | ||
| 21-5 | Piano Sonata no. 16 in G major, op. 31 no. 1: I. Allegro vivace | — | ||
| 21-6 | Piano Sonata no. 16 in G major, op. 31 no. 1: II. Adagio grazioso | — | ||
| 21-7 | Piano Sonata no. 16 in G major, op. 31 no. 1: III. Rondo, Allegretto | — | ||
| 21-8 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": I. Largo - Allegro | — | ||
| 21-9 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": II. Adagio / Allegretto | — | ||
| 21-10 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto | — | ||
| 22-1 | Piano Sonata no. 18 in E-flat major, op. 31 no. 3 "Hunt": I. Allegro | — | ||
| 22-2 | Piano Sonata no. 18 in E-flat major, op. 31 no. 3 "Hunt": II. Allegretto vivace | — | ||
| 22-3 | Piano Sonata no. 18 in E-flat major, op. 31 no. 3 "Hunt": III. Meneutto, Moderato e grazioso | — | ||
| 22-4 | Piano Sonata no. 18 in E-flat major, op. 31 no. 3 "Hunt": IV. Presto con fuoco | — | ||
| 22-5 | Piano Sonata no. 19 in G minor, op. 49 no. 1: I. Andante | — | ||
| 22-6 | Piano Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo, Allegro | — | ||
| 22-7 | Piano Sonata no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo | — | ||
| 22-8 | Piano Sonata no. 20 in G major, op. 49 no. 2: II. Tempo di Menuetto | — | ||
| 22-9 | Andante for Piano in F major, WoO 57 "Andante favori" | — | ||
| 22-10 | 32 Variations for Piano in C minor on an Original Theme, WoO 80 | — | ||
| 23-1 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio | — | ||
| 23-2 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": II. Introduzione: Adagio molto | — | ||
| 23-3 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": III. Rondo: Allegretto moderato, prestissimo | — | ||
| 23-4 | Piano Sonata no. 22 in F major, op. 54: I. In tempo d'un Menuetto | — | ||
| 23-5 | Piano Sonata no. 22 in F major, op. 54: II. Allegretto | — | ||
| 23-6 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | — | ||
| 23-7 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto | Claudio Arrau | — | |
| 23-8 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 24-1 | Piano Sonata no. 24 in F-sharp major, op. 78 "A Thérèse": I. Adagio cantabile - Allegro ma non troppo | — | ||
| 24-2 | Piano Sonata no. 24 in F-sharp major, op. 78 "A Thérèse": II. Allegro vivace | — | ||
| 24-3 | Piano Sonata no. 25 in G major, op. 79 "Cuckoo": I. Presto alla tedesca | — | ||
| 24-4 | Piano Sonata no. 25 in G major, op. 79 "Cuckoo": II. Andante | — | ||
| 24-5 | Piano Sonata no. 25 in G major, op. 79 "Cuckoo": III. Vivace | — | ||
| 24-6 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": I. Adagio, Allegro | — | ||
| 24-7 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": II. Andante espressivo | — | ||
| 24-8 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Vivacissimamente | — | ||
| 24-9 | Piano Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 24-10 | Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen | — | ||
| 24-11 | Piano Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung: Allegretto, ma non troppo | — | ||
| 24-12 | Piano Sonata no. 28 in A major, op. 101: II. Lebhaft, marschmäßig, Vivace alla Marcia | — | ||
| 24-13 | Piano Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll: Adagio, ma non troppo, on affetto; IV. Geschwinde, doch nicht zu sehr, und mit Entschlossenheit: Allegro | — | ||
| 25-1 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo | — | ||
| 25-2 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | — | ||
| 25-3 | Piano Sonata no. 30 in E major, op. 109: III. Andante molto cantabile ed espressivo, Gesangvoll, mit innigster Empfindung | — | ||
| 25-4 | Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | — | ||
| 25-5 | Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | — | ||
| 25-6 | Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio ma non troppo - Fuga, Allegro ma non troppo | — | ||
| 25-7 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 25-8 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta, Adagio molto semplice e cantabile | — | ||
| 26-1 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Tema. Vivace / Var. I. Alla marcia maestoso | — | ||
| 26-2 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. II. Poco allegro | — | ||
| 26-3 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. III. L'istesso tempo | — | ||
| 26-4 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. IV. Un poco più vivace | — | ||
| 26-5 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. V. Allegro vivace | — | ||
| 26-6 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. VI. Allegro ma non troppo e serioso | — | ||
| 26-7 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. VII. Un poco più allegro | — | ||
| 26-8 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. VIII. Poco vivace | — | ||
| 26-9 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. IX. Allegro pesante e risoluto | — | ||
| 26-10 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. X. Presto | — | ||
| 26-11 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XI. Allegretto | — | ||
| 26-12 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XII. Un poco più moto | — | ||
| 26-13 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XIII. Vivace | — | ||
| 26-14 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XIV. Grave e maestoso | — | ||
| 26-15 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XV. Presto scherzando | — | ||
| 26-16 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XVI. Allegro | — | ||
| 26-17 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XVII. | — | ||
| 26-18 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XVIII. Poco moderato | — | ||
| 26-19 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XIX. Presto | — | ||
| 26-20 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XX. Andante | — | ||
| 26-21 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXI. Allegro con brio - Meno allegro | — | ||
| 26-22 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXII. Allegro molto (alla "Notte e giorno faticar" di Mozart) | — | ||
| 26-23 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXIII. Allegro assai | — | ||
| 26-24 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXIV. Fughetta. Andante | — | ||
| 26-25 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXV. Allegro | — | ||
| 26-26 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXVI. | — | ||
| 26-27 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXVII. Vivace | — | ||
| 26-28 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXVIII. Allegro | — | ||
| 26-29 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXIX. Adagio ma non troppo | — | ||
| 26-30 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXX. Andante, sempre cantabile | — | ||
| 26-31 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXXI. Largo, molto espressivo | — | ||
| 26-32 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXXII. Fuga. Allegro - Poco adagio | — | ||
| 26-33 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXXIII. Tempo di menuetto moderato | — | ||
| 27-1 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | — | |
| 27-2 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | — | |
| 27-3 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | — | |
| 27-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | — | |
| 27-5 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | — | |
| 27-6 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | — | |
| 28-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | — | |
| 28-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | — | |
| 28-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | T-800.132.125-2 | |
| 28-4 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | — | |
| 28-5 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | — | |
| 28-6 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | — | |
| 29-1 | Piano Concerto no. 5 in E-flat, op. 73 "Emperor": I. Allegro | Claudio Arrau, Sächsische Staatskapelle Dresden, Sir Colin Davis | — | |
| 29-2 | Piano Concerto no. 5 in E-flat, op. 73 "Emperor": II. Adagio un poco mosso | Claudio Arrau, Sächsische Staatskapelle Dresden, Sir Colin Davis | T-928.635.608-9 | |
| 29-3 | Piano Concerto no. 5 in E-flat, op. 73 "Emperor": III. Rondo. Allegro | Claudio Arrau, Sächsische Staatskapelle Dresden, Sir Colin Davis | T-700.095.171-5 | |
| 30-1 | Piano Sonata No.1 in C, K.279: I. Allegro | — | ||
| 30-2 | Piano Sonata No.1 in C, K.279: II. Andante | — | ||
| 30-3 | Piano Sonata No.1 in C, K.279: III. Allegro | — | ||
| 30-4 | Piano Sonata No.2 in F, K.280: I. Allegro assai | — | ||
| 30-5 | Piano Sonata No.2 in F, K.280: II. Adagio | — | ||
| 30-6 | Piano Sonata No.2 in F, K.280: III. Presto | — | ||
| 30-7 | Piano Sonata No.3 in B flat, K.281: I. Allegro | — | ||
| 30-8 | Piano Sonata No.3 in B flat, K.281: II. Andante amoroso | — | ||
| 30-9 | Piano Sonata No.3 in B flat, K.281: III. Rondeau - Allegro | — | ||
| 30-10 | Rondo in D, K.485 | — | ||
| 31-1 | Sonata in E-flat, K282: I. Adagio | — | ||
| 31-2 | Sonata in E flat, K282: II. Minuetto | — | ||
| 31-3 | Sonata in E-flat, K282: III. Allegro | — | ||
| 31-4 | Sonata in G, K283: I. Allegro | — | ||
| 31-5 | Sonata in G, K283: II. Andante | — | ||
| 31-6 | Sonata in G, K283: III. Presto | — | ||
| 31-7 | Sonata in D, K284: I. Allegro | — | ||
| 31-8 | Sonata in D, K284: II. Rondò e Polonaise | — | ||
| 31-9 | Sonata in D, K284: III. Tema con variazioni | — | ||
| 32-1 | Piano Sonata in C, K. 309: I. Allegro con spirito | — | ||
| 32-2 | Piano Sonata in C, K. 309: II. Andante un poco adagio | — | ||
| 32-3 | Piano Sonata in C, K. 309: III. Rondeau (allegretto grazioso) | — | ||
| 32-4 | Piano Sonata in A minor, K. 310: I. Allegro maestoso | — | ||
| 32-5 | Piano Sonata in A minor, K. 310: II. Andante cantabile con espressione | — | ||
| 32-6 | Piano Sonata in A minor, K. 310: III. Presto | — | ||
| 32-7 | Piano Sonata in D, K. 311: I. Allegro con spirito | — | ||
| 32-8 | Piano Sonata in D, K. 311: II. Andante con espressione | — | ||
| 32-9 | Piano Sonata in D, K. 311: III. Rondeau (Allegro) | — | ||
| 33-1 | Piano Sonata in C major, K. 330: I. Allegro moderato | — | ||
| 33-2 | Piano Sonata in C major, K. 330: II. Andante cantabile | — | ||
| 33-3 | Piano Sonata in C major, K. 330: III. Allegretto | — | ||
| 33-4 | Sonata in A, K. 331: I. Andante grazioso (Tema con variazioni) | — | ||
| 33-5 | Sonata in A, K. 331: II. Menuetto | — | ||
| 33-6 | Sonata in A, K. 331: III. Alla turca (allegretto) | — | ||
| 33-7 | Adagio in B minor, K. 540 | — | ||
| 34-1 | Piano Sonata No.12 in F, K. 332: I. Allegro | — | ||
| 34-2 | Piano Sonata No.12 in F, K. 332: II. Adagio | — | ||
| 34-3 | Piano Sonata No.12 in F, K. 332: III. Allegro assai | — | ||
| 34-4 | Piano Sonata No.13 in B flat, K. 333: I. Allegro | — | ||
| 34-5 | Piano Sonata No.13 in B flat, K. 333: II. Andante cantabile | — | ||
| 34-6 | Piano Sonata No.13 in B flat, K. 333: III. Allegretto grazioso | — | ||
| 35-1 | Sonata for Piano No. 15 in F major, K. 494+533: I. Allegro | — | ||
| 35-2 | Sonata for Piano No. 15 in F major, K. 494+533: II. Andante | — | ||
| 35-3 | Sonata for Piano No. 15 in F major, K. 494+533: III. Rondeau | — | ||
| 35-4 | Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": I. Allegro | — | ||
| 35-5 | Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": II. Andante | — | ||
| 35-6 | Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": III. Rondo. Allegro | — | ||
| 35-7 | Sonata for Piano No. 17 in B-flat major, K. 570: I. Allegro | — | ||
| 35-8 | Sonata for Piano No. 17 in B-flat major, K. 570: II. Adagio | — | ||
| 35-9 | Sonata for Piano No. 17 in B-flat major, K. 570: III. Allegretto | — | ||
| 36-1 | Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": I. Allegro | — | ||
| 36-2 | Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": II. Adagio | — | ||
| 36-3 | Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": III. Allegretto | — | ||
| 36-4 | Fantasia for Piano in C minor, K. 475 | — | ||
| 36-5 | Sonata for Piano No. 14 in C minor, K. 457: I. Allegro molto | — | ||
| 36-6 | Sonata for Piano No. 14 in C minor, K. 457: II. Adagio | — | ||
| 36-7 | Sonata for Piano No. 14 in C minor, K. 457: III. Allegro assai | — | ||
| 36-8 | Fantasia for Piano in D minor, K. 385g / 397 Fr *1782e (fragment): Andante - adagio - presto - tempo primo - presto - tempo primo - allegretto - a tempo | — | ||
| 36-9 | Rondo for Piano No. 3 in A minor, K. 511: Andante | Claudio Arrau | T-917.144.482-9 | |
| 37-1 | Piano Sonata in A major, Op. Posth. 120, D 664: I. Allegro moderato | — | ||
| 37-2 | Piano Sonata in A major, Op. Posth. 120, D 664: II. Andante | — | ||
| 37-3 | Piano Sonata in A major, Op. Posth. 120, D 664: III. Allegro | — | ||
| 37-4 | Piano Sonata in G major, D 894: I. Molto moderato e cantabile | — | ||
| 37-5 | Piano Sonata in G major, D 894: II. Andante | — | ||
| 37-6 | Piano Sonata in G major, D 894: III. Menuetto (Allegro moderato) | — | ||
| 37-7 | Piano Sonata in G major, D 894: IV. Allegretto | — | ||
| 38-1 | Piano Sonata in C minor, D 958: I. Allegro | — | ||
| 38-2 | Piano Sonata in C minor, D 958: II. Adagio | — | ||
| 38-3 | Piano Sonata in C minor, D 958: III. Menuetto (Allegro) | — | ||
| 38-4 | Piano Sonata in C minor, D 958: IV. Allegro | — | ||
| 38-5 | Piano Sonata in A major, D 959: I. Allegro | — | ||
| 38-6 | Piano Sonata in A major, D 959: II. Andantino | — | ||
| 38-7 | Piano Sonata in A major, D 959: III. Scherzo (Allegro vivace) | — | ||
| 38-8 | Piano Sonata in A major, D 959: IV. Rondo (Allegretto) | — | ||
| 39-1 | Piano Sonata in B-flat major, D. 960: I. Molto moderato | — | ||
| 39-2 | Piano Sonata in B-flat major, D. 960: II. Andante sostenuto | — | ||
| 39-3 | Piano Sonata in B-flat major, D. 960: III. Scherzo (Allegro vivace con delicatezza) | — | ||
| 39-4 | Piano Sonata in B-flat major, D. 960: IV. Allegro, ma non troppo | — | ||
| 40-1 | Impromptus, Op. 90 D. 899: No. 1 in C minor | — | ||
| 40-2 | Impromptus, Op. 90 D. 899: No. 2 in E-flat major | — | ||
| 40-3 | Impromptus, op. 90, D. 899: No. 3 in G-flat major | Claudio Arrau | — | |
| 40-4 | Impromptus, Op. 90 D. 899: No. 4 in A-flat major | — | ||
| 40-5 | Impromptus, Op. 142 D. 935: No. 1 in F minor | — | ||
| 40-6 | Impromptus, Op. 142 D. 935: No. 2 in A-flat major | — | ||
| 40-7 | Impromptus, Op. 142 D. 935: No. 3 in B-flat major | — | ||
| 40-8 | Impromptus, Op. 142 D. 935: No. 4 in F minor | — | ||
| 41-1 | Klavierstücke, D. 946: No. 1 in E-flat minor: Allegro assai | — | ||
| 41-2 | Klavierstücke, D. 946: No. 2 in E-flat major: Allegretto | — | ||
| 41-3 | Klavierstücke, D. 946: No. 3 in C major: Allegro | — | ||
| 41-4 | Moments musicaux, D. 780: No. 1 in C major: Moderato | — | ||
| 41-5 | Moments musicaux, D. 780: No. 2 in A-flat major: Andantino | — | ||
| 41-6 | Moments Musicaux, D. 780: no. 3 in F minor | Claudio Arrau | — | |
| 41-7 | Moments musicaux, D. 780: No. 4 in C-sharp minor: Moderato | — | ||
| 41-8 | Moments musicaux, D. 780: No. 5 in F minor: Allegro vivace | — | ||
| 41-9 | Moments musicaux, D. 780: No. 6 in A-flat major: Allegretto | — | ||
| 41-10 | Allegretto in C minor, D. 915 | Claudio Arrau | T-011.751.253-4 | |
| 42-1 | 24 Préludes, op. 28 no. 1 in C major | Claudio Arrau | — | |
| 42-2 | 24 Préludes, op. 28 no. 2 in A minor | Claudio Arrau | — | |
| 42-3 | 24 Préludes, op. 28 no. 3 in G major | Claudio Arrau | — | |
| 42-4 | 24 Préludes, op. 28 no. 4 in E minor | Claudio Arrau | T-910.009.246-4 | |
| 42-5 | 24 Préludes, op. 28 no. 5 in D major | Claudio Arrau | — | |
| 42-6 | 24 Préludes, op. 28 no. 6 in B minor | Claudio Arrau | T-308.384.655-9 | |
| 42-7 | 24 Préludes, op. 28 no. 7 in A major | Claudio Arrau | T-915.710.750-1 | |
| 42-8 | 24 Préludes, op. 28 no. 8 in F‐sharp minor | Claudio Arrau | — | |
| 42-9 | 24 Préludes, op. 28 no. 9 in E major | Claudio Arrau | T-906.148.797-6 | |
| 42-10 | 24 Préludes, op. 28 no. 10 in C‐sharp minor | Claudio Arrau | — | |
| 42-11 | 24 Préludes, op. 28 no. 11 in B major | Claudio Arrau | — | |
| 42-12 | 24 Préludes, op. 28 no. 12 in G‐sharp minor | Claudio Arrau | — | |
| 42-13 | 24 Préludes, op. 28 no. 13 in F‐sharp major | Claudio Arrau | T-306.230.833-8 | |
| 42-14 | 24 Préludes, op. 28 no. 14 in E‐flat minor | Claudio Arrau | T-921.530.967-4 | |
| 42-15 | 24 Préludes, op. 28 no. 15 in D‐flat major “Raindrop” | Claudio Arrau | — | |
| 42-16 | 24 Préludes, op. 28 no. 16 in B‐flat minor | Claudio Arrau | — | |
| 42-17 | 24 Préludes, op. 28 no. 17 in A‐flat major | Claudio Arrau | T-913.821.070-5 | |
| 42-18 | 24 Préludes, op. 28 no. 18 in F minor | Claudio Arrau | T-918.063.801-1 | |
| 42-19 | 24 Préludes, op. 28 no. 19 in E‐flat major | Claudio Arrau | T-906.148.797-6 | |
| 42-20 | 24 Préludes, op. 28 no. 20 in C minor | Claudio Arrau | T-308.384.655-9 | |
| 42-21 | 24 Préludes, op. 28 no. 21 in B‐flat major | Claudio Arrau | — | |
| 42-22 | 24 Préludes, op. 28 no. 22 in G minor | Claudio Arrau | T-917.141.447-4 | |
| 42-23 | 24 Préludes, op. 28 no. 23 in F major | Claudio Arrau | — | |
| 42-24 | 24 Préludes, op. 28 no. 24 in D minor | Claudio Arrau | — | |
| 42-25 | Prélude no. 25 in C‐sharp minor, op. 45 | Claudio Arrau | — | |
| 42-26 | Prélude no. 26 in A‐flat major, op. posth. | Claudio Arrau | — | |
| 42-27 | Impromptu no. 1 in A‐flat major, op. 29 | Claudio Arrau | — | |
| 42-28 | Impromptu no. 2 in F‐sharp minor, op. 36 | Claudio Arrau | T-306.230.833-8 | |
| 42-29 | Impromptu no. 3 in G‐flat major, op. 51 | Claudio Arrau | — | |
| 42-30 | Impromptu no. 4 in C‐sharp minor, op. 66 | Claudio Arrau | — | |
| 43-1 | Waltz no. 1 in E-flat major, op. 18 "Grand valse brillante" | Claudio Arrau | T-930.825.003-5 | |
| 43-2 | Waltz no. 2 in A-flat major, op. 34 no. 1 "Valse brillante" | Claudio Arrau | — | |
| 43-3 | Waltz no. 3 in A minor, op. 34 no. 2 | Claudio Arrau | — | |
| 43-4 | Waltz no. 4 in F major, op. 34 no. 3 "Valse brillante" | Claudio Arrau | — | |
| 43-5 | Waltz no. 5 in A-flat major, op. 42 "Grande valse" | Claudio Arrau | — | |
| 43-6 | Waltz no. 6 in D-flat major, op. 64 no. 1 "Minute" | Claudio Arrau | T-900.010.694-5 | |
| 43-7 | Waltz no. 7 in C-sharp minor, op. 64 no. 2 | Claudio Arrau | T-922.054.556-2 | |
| 43-8 | Waltz no. 8 in A-flat major, op. 64 no. 3 | Claudio Arrau | — | |
| 43-9 | Waltz no. 9 in A-flat major, op. 69 no. 1 "Valse de l'adieu" | Claudio Arrau | — | |
| 43-10 | Waltz no. 10 in B minor, op. 69 no. 2 | Claudio Arrau | T-913.274.588-1 | |
| 43-11 | Waltz no. 11 in G-flat major, op. 70 no. 1 | Claudio Arrau | — | |
| 43-12 | Waltz no. 12 F minor/A-flat major, op. 70 no. 2 | Claudio Arrau | — | |
| 43-13 | Waltz no. 13 in D-flat major, op. 70 no. 3 | Claudio Arrau | — | |
| 43-14 | Waltz no. 14 in E minor, op. posth. | Claudio Arrau | — | |
| 43-15 | Waltz no. 16 in A-flat major, op. posth. | Claudio Arrau | — | |
| 43-16 | Waltz no. 15 in E major, op. posth. | Claudio Arrau | — | |
| 43-17 | Waltz no. 19 in A minor, op. posth. | Claudio Arrau | T-310.208.314-3 | |
| 43-18 | Waltz no. 18 in E-flat major, op. posth. | Claudio Arrau | — | |
| 43-19 | Waltz no. 17 in E-flat major, op. posth. | Claudio Arrau | T-918.019.319-5 | |
| 44-1 | Ballade no. 1 in G minor, op. 23 | Claudio Arrau | T-917.141.447-4 | |
| 44-2 | Ballade no. 2 in F major, op. 38 | Claudio Arrau | — | |
| 44-3 | Ballade no. 3 in A-flat major, op. 47 | Claudio Arrau | T-913.821.070-5 | |
| 44-4 | Ballade no. 4 in F minor, op. 52 | Claudio Arrau | — | |
| 44-5 | Barcarolle in F-sharp major, op. 60 | Claudio Arrau | T-303.629.706-6 | |
| 44-6 | Fantaisie in F minor, op. 49 | Claudio Arrau | — | |
| 45-1 | Scherzo no. 1 in B minor, op. 20 | Claudio Arrau | T-308.384.655-9 | |
| 45-2 | Scherzo no. 2 in B-flat minor, op. 31 | Claudio Arrau | — | |
| 45-3 | Scherzo no. 3 in C-sharp minor, op. 39 | Claudio Arrau | T-918.063.801-1 | |
| 45-4 | Scherzo no. 4 in E major, op. 54 | Claudio Arrau | — | |
| 45-5 | Polonaise no. 7 in A-flat major, op. 61 “Polonaise-fantaisie” | Claudio Arrau | — | |
| 46-1 | Nocturne no. 1 in B-flat minor, op. 9 no. 1 | Claudio Arrau | T-312.441.574-9 | |
| 46-2 | Nocturne no. 2 in E-flat major, op. 9 no. 2 | Claudio Arrau | T-316.578.060-5 | |
| 46-3 | Nocturne no. 3 in B major, op. 9 no. 3 | Claudio Arrau | T-329.457.236-0 | |
| 46-4 | Nocturne no. 4 in F major, op. 15 no. 1 | Claudio Arrau | — | |
| 46-5 | Nocturne no. 5 in F-sharp major, op. 15 no. 2 | Claudio Arrau | T-306.230.833-8 | |
| 46-6 | Nocturne no. 6 in G minor, op. 15 no. 3 | Claudio Arrau | — | |
| 46-7 | Nocturne no. 7 in C-sharp minor, op. 27 no. 1 | Claudio Arrau | — | |
| 46-8 | Nocturne no. 8 in D-flat major, op. 27 no. 2 | Claudio Arrau | T-906.148.797-6 | |
| 46-9 | Nocturne no. 9 in B major, op. 32 no. 1 | Claudio Arrau | — | |
| 46-10 | Nocturne no. 10 in A-flat major, op. 32 no. 2 | Claudio Arrau | — | |
| 46-11 | Nocturne no. 11 in G minor, op. 37 no. 1 | Claudio Arrau | T-917.141.447-4 | |
| 47-1 | Nocturne no. 12 in G major, op. 37 no. 2 | Claudio Arrau | T-301.829.579-5 | |
| 47-2 | Nocturne no. 13 in C minor, op. 48 no. 1 | Claudio Arrau | — | |
| 47-3 | Nocturne no. 14 in F-sharp minor, op. 48 no. 2 | Claudio Arrau | — | |
| 47-4 | Nocturne no. 15 in F minor, op. 55 no. 1 | Claudio Arrau | T-321.286.787-9 | |
| 47-5 | Nocturne no. 16 in E-flat major, op. 55 no. 2 | Claudio Arrau | — | |
| 47-6 | Nocturne no. 17 in B major, op. 62 no. 1 | Claudio Arrau | — | |
| 47-7 | Nocturne no. 18 in E major, op. 62 no. 2 | Claudio Arrau | — | |
| 47-8 | Nocturne no. 19 in E minor, op. 72 no. 1 | Claudio Arrau | — | |
| 47-9 | Nocturne no. 20 in C-sharp minor, op. posth. | Claudio Arrau | T-928.543.689-7 | |
| 47-10 | Nocturne no. 21 in C minor, op. posth. | Claudio Arrau | — | |
| 48-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 48-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romance (Larghetto) | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | T-308.381.369-4 | |
| 48-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo (Vivace) | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 48-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 48-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | T-800.132.125-2 | |
| 48-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | T-902.804.388-1 | |
| 49-1 | Variations on "Là ci darem la mano" (from Mozart's "Don Giovanni") in B flat major, Op. 2 | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 49-2 | Fantasia on Polish Airs in A major, op. 13 | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 49-3 | Krakowiak - Concerto Rondo in F, op. 14: Introduction - Rondeau | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 49-4 | Andante spianato in G major and Grande Polonaise brillante in E-flat major, op. 22 | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 50-1 | Abegg Variations, Op. 1: Thema | — | ||
| 50-2 | Abegg Variations, Op. 1: Var. 1 | — | ||
| 50-3 | Abegg Variations, Op. 1: Var. 2 | — | ||
| 50-4 | Abegg Variations, Op. 1: Var. 3 | — | ||
| 50-5 | Abegg Variations, Op. 1: Cantabile | — | ||
| 50-6 | Abegg Variations, Op. 1: Finale alla Fantasia | — | ||
| 50-7 | Papillons, Op. 2 | — | ||
| 50-8 | Fantasy in C major, Op. 17: I. Il tutto fantastico ed appassionato - In modo d'una leggenda | — | ||
| 50-9 | Fantasy in C major, Op. 17: II. Moderato con energia - Poco meno mosso - Più animato | — | ||
| 50-10 | Fantasy in C major, Op. 17: III. Lento sostenuto. Il tutto piano - Poco più animato | — | ||
| 50-11 | Nachtstücke, Op. 23: I. Mehr langsam, oft zurückhaltend | — | ||
| 50-12 | Nachtstücke, Op. 23: II. Markiert und lebhaft | — | ||
| 50-13 | Nachtstücke, Op. 23: III. Mit großer Lebhaftigkeit | — | ||
| 50-14 | Nachtstücke, Op. 23: IV. Ad libitum - Einfach | — | ||
| 51-1 | Carnaval, Op. 9: I. Préambule | Claudio Arrau | — | |
| 51-2 | Carnaval, Op. 9: II. Pierrot | Claudio Arrau | — | |
| 51-3 | Carnaval, Op. 9: III. Arlequin | Claudio Arrau | — | |
| 51-4 | Carnaval, Op. 9: IV. Valse noble | Claudio Arrau | — | |
| 51-5 | Carnaval, Op. 9: V. Eusebius | Claudio Arrau | — | |
| 51-6 | Carnaval, Op. 9: VI. Florestan | Claudio Arrau | — | |
| 51-7 | Carnaval, Op. 9: VII. Coquette | Claudio Arrau | — | |
| 51-8 | Carnaval, Op. 9: VIII. Réplique | Claudio Arrau | — | |
| 51-9 | Carnaval, Op. 9: IX. Papillons | Claudio Arrau | — | |
| 51-10 | Carnaval, Op. 9: X. ASCH-SCHA Lettres dansantes | Claudio Arrau | — | |
| 51-11 | Carnaval, Op. 9: XI. Chiarina | Claudio Arrau | — | |
| 51-12 | Carnaval, Op. 9: XII. Chopin | Claudio Arrau | — | |
| 51-13 | Carnaval, Op. 9: XIII. Estrella | Claudio Arrau | — | |
| 51-14 | Carnaval, Op. 9: XIV. Reconnaissance | Claudio Arrau | — | |
| 51-15 | Carnaval, Op. 9: XV. Pantalon e Colombine | Claudio Arrau | — | |
| 51-16 | Carnaval, Op. 9: XVI. Valse allemande - Intermezzo - Paganini - Valse allemande reprise | Claudio Arrau | — | |
| 51-17 | Carnaval, Op. 9: XVII. Aveu | Claudio Arrau | — | |
| 51-18 | Carnaval, Op. 9: XVIII. Promenade | Claudio Arrau | — | |
| 51-19 | Carnaval, Op. 9: XIX. Pause | Claudio Arrau | — | |
| 51-20 | Carnaval, Op. 9: XX. Marche des "Davidsbundler" contre les Philistins | Claudio Arrau | — | |
| 51-21 | Sonata No. 1 in F-sharp minor, Op. 11: I. Introduzione | — | ||
| 51-22 | Sonata No. 1 in F-sharp minor, Op. 11: II. Aria | — | ||
| 51-23 | Sonata No. 1 in F-sharp minor, Op. 11: III. Scherzo ed intermezzo | — | ||
| 51-24 | Sonata No. 1 in F-sharp minor, Op. 11: IV. Finale | — | ||
| 51-25 | 3 Fantasiestücke, Op. 111: I. Molto vivace et appasionatamente | — | ||
| 51-26 | 3 Fantasiestücke, Op. 111: II. Piuttosto lento | — | ||
| 51-27 | 3 Fantasiestücke, Op. 111: III. Con forza, assai marcato | — | ||
| 52-1 | Fantasiestücke, op. 12: I. Des Abends | Claudio Arrau | — | |
| 52-2 | Fantasiestücke, op. 12: II. Aufschwung | Claudio Arrau | — | |
| 52-3 | Fantasiestücke, Op. 12: III. Warum? | — | ||
| 52-4 | Fantasiestücke, Op. 12: IV. Grillen | — | ||
| 52-5 | Fantasiestücke, Op. 12: V. Fantasiestück no.9 | — | ||
| 52-6 | Fantasiestücke, Op. 12: VI. In der Nacht | — | ||
| 52-7 | Fantasiestücke, Op. 12: VII. Fabel | — | ||
| 52-8 | Fantasiestücke, Op. 12: VIII. Traumes Wirren | — | ||
| 52-9 | Fantasiestücke, Op. 12: IX. Ende vom Lied | — | ||
| 52-10 | Symphonic Etudes, Op. 13: Theme | — | ||
| 52-11 | Symphonic Etudes, Op. 13: Etude #1 | — | ||
| 52-12 | Symphonic Etudes, Op. 13: Var. 1 (Aus dem Nachlass) | — | ||
| 52-13 | Symphonic Etudes, Op. 13: Etude #2 | — | ||
| 52-14 | Symphonic Etudes, Op. 13: Etude #3 | — | ||
| 52-15 | Symphonic Etudes, Op. 13: Etude #4 | — | ||
| 52-16 | Symphonic Etudes, Op. 13: Etude #5 | — | ||
| 52-17 | Symphonic Etudes, Op. 13: Var. 4 (Aus dem Nachlass) | — | ||
| 52-18 | Symphonic Etudes, Op. 13: Etude #6 | — | ||
| 52-19 | Symphonic Etudes, Op. 13: Etude #7 | — | ||
| 52-20 | Symphonic Etudes, Op. 13: Var. 2 (Aus dem Nachlass) | — | ||
| 52-21 | Symphonic Etudes, Op. 13: Var. 5 (Aus dem Nachlass) | — | ||
| 52-22 | Symphonic Etudes, Op. 13: Etude #8 | — | ||
| 52-23 | Symphonic Etudes, Op. 13: Etude #9 | — | ||
| 52-24 | Symphonic Etudes, Op. 13: Var. 3 (Aus dem Nachlass) | — | ||
| 52-25 | Symphonic Etudes, Op. 13: Etude #10 | — | ||
| 52-26 | Symphonic Etudes, Op. 13: Etude #11 | — | ||
| 52-27 | Symphonic Etudes, Op. 13: Etude #12 | — | ||
| 52-28 | Arabeske in C, Op. 18 | — | ||
| 53-1 | Kinderszenen, op. 15: Von fremden Ländern und Menschen | Claudio Arrau | T-314.629.927-2 | |
| 53-2 | Kinderszenen, op. 15: Kuriöse Geschichten | Claudio Arrau | — | |
| 53-3 | Kinderszenen, op. 15: Hasche-Mann | Claudio Arrau | — | |
| 53-4 | Kinderszenen, op. 15: Bittendes Kind | Claudio Arrau | — | |
| 53-5 | Kinderszenen, op. 15: Glückes Genug | Claudio Arrau | — | |
| 53-6 | Kinderszenen, op. 15: Wichtige Begebenheit | Claudio Arrau | — | |
| 53-7 | Kinderszenen, op. 15: Träumerei | Claudio Arrau | — | |
| 53-8 | Kinderszenen, op. 15: Am Kamin | Claudio Arrau | — | |
| 53-9 | Kinderszenen, op. 15: Ritter vom Steckenpferd | Claudio Arrau | — | |
| 53-10 | Kinderszenen, op. 15: Fast zu ernst | Claudio Arrau | — | |
| 53-11 | Kinderszenen, op. 15: Fürchtenmachen | Claudio Arrau | — | |
| 53-12 | Kinderszenen, op. 15: Kind im Einschlummern | Claudio Arrau | — | |
| 53-13 | Kinderszenen, op. 15: Der Dichter spricht | Claudio Arrau | — | |
| 53-14 | Kreisleriana Op.16: 1. Agitatissimo | — | ||
| 53-15 | Kreisleriana Op.16: 2a. Con molto espressione, non troppo presto | — | ||
| 53-16 | Kreisleriana Op.16: 2b. Intermezzo I - Molto vivace | — | ||
| 53-17 | Kreisleriana Op.16: 2c. Tempo I | — | ||
| 53-18 | Kreisleriana Op.16: 2d. Intermezzo II - Poco più mosso | — | ||
| 53-19 | Kreisleriana Op.16: 2e. Tempo I | — | ||
| 53-20 | Kreisleriana Op.16: 3. Molto agitato | — | ||
| 53-21 | Kreisleriana Op.16: 4. Lento assai | — | ||
| 53-22 | Kreisleriana Op.16: 5. Vivace assai | — | ||
| 53-23 | Kreisleriana Op.16: 6. Lento assai | — | ||
| 53-24 | Kreisleriana Op.16: 7. Molto presto | — | ||
| 53-25 | Kreisleriana Op.16: 8. Vivace e scherzando | — | ||
| 53-26 | Waldszenen, Op. 82: I. Eintritt Nicht zu schnell | Claudio Arrau | — | |
| 53-27 | Waldszenen, Op. 82: II. Jäger auf der Lauer - Hochst lebhaft | Claudio Arrau | — | |
| 53-28 | Waldszenen, Op. 82: III. Einsame Blumen Einfach | Claudio Arrau | — | |
| 53-29 | Waldszenen, Op. 82: IV. Verrufene Stelle - Ziemlich langsamb | Claudio Arrau | — | |
| 53-30 | Waldszenen, Op. 82: V. Freundliche Lanschaft Schnell | Claudio Arrau | — | |
| 53-31 | Waldszenen, Op. 82: VI. Herberge Massig | Claudio Arrau | — | |
| 53-32 | Waldszenen, Op. 82: VII. Vogel als Prophet Langs | Claudio Arrau | — | |
| 53-33 | Waldszenen, Op. 82: VIII. Jagdlied Rasch kraftig | Claudio Arrau | — | |
| 53-34 | Waldszenen, op. 82: IX. Abschied Nicht zu | Claudio Arrau | — | |
| 54-1 | Davidsbündlertänze, Op. 6: I. Lebhaft | — | ||
| 54-2 | Davidsbündlertänze, Op. 6: II. Innig | — | ||
| 54-3 | Davidsbündlertänze, Op. 6: III. Mit Humor (Etwas hahnbüchen) | — | ||
| 54-4 | Davidsbündlertänze, Op. 6: IV. Ungeduldig | — | ||
| 54-5 | Davidsbündlertänze, Op. 6: V. Einfach | — | ||
| 54-6 | Davidsbündlertänze, Op. 6: VI. Sehr rasch und in sich hinein | — | ||
| 54-7 | Davidsbündlertänze, Op. 6: VII. Nicht schnell mit äußerst starker Empfindung | — | ||
| 54-8 | Davidsbündlertänze, Op. 6: VIII. Frisch | — | ||
| 54-9 | Davidsbündlertänze, Op. 6: IX. Lebhaft | — | ||
| 54-10 | Davidsbündlertänze, Op. 6: X. Balladenmäßig, sehr rasch | — | ||
| 54-11 | Davidsbündlertänze, Op. 6: XI. Einfach | — | ||
| 54-12 | Davidsbündlertänze, Op. 6: XII. Mit Humor | — | ||
| 54-13 | Davidsbündlertänze, Op. 6: XIII. Wild und lustig | — | ||
| 54-14 | Davidsbündlertänze, Op. 6: XIV. Zart und singend | — | ||
| 54-15 | Davidsbündlertänze, Op. 6: XV. Frisch | — | ||
| 54-16 | Davidsbündlertänze, Op. 6: XVI. Mit gutem Humor | — | ||
| 54-17 | Davidsbündlertänze, Op. 6: XVII. Wie aus der Ferne | — | ||
| 54-18 | Davidsbündlertänze, Op. 6: XVIII. Nicht schnell (Ganz zum Überfluss) | — | ||
| 54-19 | Blumenstück, Op. 19: Blumenstück | — | ||
| 54-20 | Humoreske, Op. 20: I. Einfach | — | ||
| 54-21 | Humoreske, Op. 20: II. Sehr rasch und leicht | — | ||
| 54-22 | Humoreske, Op. 20: III. Hastig | — | ||
| 54-23 | Humoreske, Op. 20: IV. Einfach und zart | — | ||
| 54-24 | Humoreske, Op. 20: V. Intermezzo | — | ||
| 54-25 | Humoreske, Op. 20: VI. Innig | — | ||
| 54-26 | Humoreske, Op. 20: VII. Sehr lebhaft | — | ||
| 54-27 | Humoreske, Op. 20: VIII. Finale | — | ||
| 55-1 | Novelletten, Op. 21 No. 1: Markiert und kräftig | — | ||
| 55-2 | Novelletten, Op. 21 No. 2: Äusserst rasch und mit Bravour | — | ||
| 55-3 | Novelletten, Op. 21 No. 3: Leicht und mit Humor | — | ||
| 55-4 | Novelletten, Op. 21 No. 4: Ballmässig, sehr munter | — | ||
| 55-5 | Novelletten, Op. 21 No. 5: Rauschend und festlich | — | ||
| 55-6 | Novelletten, Op. 21 No. 6: Sehr lebhaft, mit vielem Humor | — | ||
| 55-7 | Novelletten, Op. 21 No. 7: Äusserst rasch | — | ||
| 55-8 | Novelletten, Op. 21 No. 8: Sehr lebhaft | — | ||
| 55-9 | Sonata No. 2 in G minor, Op. 22: I. So rasch wie möglich - schneller - noch schneller | — | ||
| 55-10 | Sonata No. 2 in G minor, Op. 22: II. Andantino | — | ||
| 55-11 | Sonata No. 2 in G minor, Op. 22: III. Scherzo | — | ||
| 55-12 | Sonata No. 2 in G minor, Op. 22: IV. Rondo | — | ||
| 55-13 | Sonata No. 2 in G minor, Op. 22: IV. Presto (Appendix) | — | ||
| 56-1 | Faschingsschwank aus Wien, op. 26: I. Allegro | Claudio Arrau | — | |
| 56-2 | Faschingsschwank aus Wien, op. 26: II. Romanze | Claudio Arrau | — | |
| 56-3 | Faschingsschwank aus Wien, op. 26: III. Scherzino | Claudio Arrau | — | |
| 56-4 | Faschingsschwank aus Wien, op. 26: IV. Intermezzo | Claudio Arrau | — | |
| 56-5 | Faschingsschwank aus Wien, op. 26: IV. Finale | Claudio Arrau | — | |
| 56-6 | Three Romances, Op. 28 No. 1: In B Flat Minor | — | ||
| 56-7 | Three Romances, Op. 28 No. 2: In F Sharp | — | ||
| 56-8 | Three Romances, Op. 28 No. 3: In B | — | ||
| 56-9 | Piano Concerto in A minor, Op. 54: I. Allegro affettuoso | — | ||
| 56-10 | Piano Concerto in A minor, Op. 54: II. Intermezzo, andantino grazioso | — | ||
| 56-11 | Piano Concerto in A minor, Op. 54: III. Allegro vivace | — | ||
| 57-1 | Sonata in B minor: Lento assai - Allegro energico | Claudio Arrau | — | |
| 57-2 | Sonata in B minor: Grandioso - Recitativo | Claudio Arrau | — | |
| 57-3 | Sonata in B minor: Andante sostenuto | Claudio Arrau | T-011.189.063-1 | |
| 57-4 | Sonata in B minor: Allegro energico - Andante sostenuto - Lento assai | Claudio Arrau | — | |
| 57-5 | Concerto for Piano and Orchestra no. 1 in E-flat major: I. Allegro maestoso | Claudio Arrau, London Symphony Orchestra, Sir Colin Davis | — | |
| 57-6 | Concerto for Piano and Orchestra no. 1 in E-flat major: II. Quasi adagio | Claudio Arrau, London Symphony Orchestra, Sir Colin Davis | — | |
| 57-7 | Concerto for Piano and Orchestra no. 1 in E-flat major: III. Allegretto vivace - Allegro animato | Claudio Arrau, London Symphony Orchestra, Sir Colin Davis | — | |
| 57-8 | Concerto for Piano and Orchestra no. 1 in E-flat major: IV. Allegro marziale animato | Claudio Arrau, London Symphony Orchestra, Sir Colin Davis | — | |
| 57-9 | Concerto for Piano and Orchestra no. 2 in A major: Adagio sostenuto assai - Allegro agitato assai | Claudio Arrau, London Symphony Orchestra, Sir Colin Davis | — | |
| 57-10 | Concerto for Piano and Orchestra no. 2 in A major: Allegro moderato | Claudio Arrau, London Symphony Orchestra, Sir Colin Davis | — | |
| 57-11 | Concerto for Piano and Orchestra no. 2 in A major: Allegro deciso - Marziale un poco meno allegro | Claudio Arrau, London Symphony Orchestra, Sir Colin Davis | — | |
| 57-12 | Concerto for Piano and Orchestra no. 2 in A major: Allegro animato | Claudio Arrau, London Symphony Orchestra, Sir Colin Davis | — | |
| 58-1 | Études d'exécution transcendante: I. Preludio in C major | — | ||
| 58-2 | Études d'exécution transcendante: II. Étude in A minor. Molto vivace | — | ||
| 58-3 | Études d'exécution transcendante: III. "Paysage" in F major. Poco adagio | — | ||
| 58-4 | Études d'exécution transcendante: IV. "Mazeppa" in D minor. Allegro | — | ||
| 58-5 | 12 Études d'exécution transcendante: Feux follets (Allegretto) | Claudio Arrau | T-924.490.462-9 | |
| 58-6 | Études d'exécution transcendante: VI. "Vision" in G minor. Lento | — | ||
| 58-7 | Études d'exécution transcendante: VII. "Eroica" in E-flat major. Allegro | — | ||
| 58-8 | Études d'exécution transcendante: VIII. "Wilde Jagd" in C minor. Presto furioso | — | ||
| 58-9 | Études d'exécution transcendante: IX. "Ricordanza" in A-flat major. Andantino, improvisato | — | ||
| 58-10 | Études d'exécution transcendante: X. Étude in F minor. Allegro agitato molto | — | ||
| 58-11 | Études d'exécution transcendante: XI. "Harmonies du soir" in D-flat major. Andantino | — | ||
| 58-12 | Études d'exécution transcendante: XII. "Chasse-neige" in B-flat minor. Andante con moto | — | ||
| 59-1 | Valse oubliée in F-sharp major | — | ||
| 59-2 | 6 Chants polonais de Chopin: Souhait d'une jeune fille | — | ||
| 59-3 | 6 Chants polonais de Chopin: Printemps | — | ||
| 59-4 | 6 Chants polonais de Chopin: Le Petit anneau | — | ||
| 59-5 | 6 Chants polonais de Chopin: Bacchanale | — | ||
| 59-6 | 6 Chants polonais de Chopin: Ma mignonne | — | ||
| 59-7 | 6 Chants polonais de Chopin: Le Fiancé | — | ||
| 59-8 | Funérailles | — | ||
| 59-9 | Bénédiction de Dieu dans la solitude: Moderato | Claudio Arrau | — | |
| 59-10 | Harmonies poétiques et religieuses, S. 173: No. 3. Bénédiction de Dieu dans la solitude: Andante | Claudio Arrau | T-106.677.158-0 | |
| 59-11 | Bénédiction de Dieu dans la solitude: Più sostenuto quasi preludio | Claudio Arrau | — | |
| 59-12 | Ballade no. 2 in B minor | — | ||
| 60-1 | Liebestraum no. 3 in A-flat major | — | ||
| 60-2 | Paraphrases de concert sur des opéras de Verdi: Rigoletto | Claudio Arrau | — | |
| 60-3 | Paraphrases de concert sur des opéras de Verdi: Ernani | Claudio Arrau | — | |
| 60-4 | Paraphrases de concert sur des opéras de Verdi: Il trovatore | Claudio Arrau | — | |
| 60-5 | Paraphrases de concert sur des opéras de Verdi: I lombardi | Claudio Arrau | — | |
| 60-6 | Paraphrases de concert sur des opéras de Verdi: Aida | Claudio Arrau | — | |
| 60-7 | Paraphrases de concert sur des opéras de Verdi: Don Carlos | Claudio Arrau | — | |
| 60-8 | Paraphrases de concert sur des opéras de Verdi: Simone Boccanegra | Claudio Arrau | — | |
| 60-9 | Mephisto Waltz no. 1 | — | ||
| 61-1 | Études de concert: Waldesrauschen | Claudio Arrau | T-917.141.447-4 | |
| 61-2 | Études de concert: Gnomenreigen | — | ||
| 61-3 | Trois Études de concert: Il lamento | Claudio Arrau | — | |
| 61-4 | Trois Études de concert: La leggierezza | Claudio Arrau | — | |
| 61-5 | Trois Études de concert: Un sospiro | Claudio Arrau | — | |
| 61-6 | Sonata in B minor: Lento assai - Allegro energico | — | ||
| 61-7 | Sonata in B minor: Andante sostenuto | — | ||
| 61-8 | Sonata in B minor: Allegro energico | — | ||
| 61-9 | Sonata in B minor: Andante sostenuto - Lento assai | — | ||
| 62-1 | Années de pèlerinage: Les Jeux d'eaux à la Villa d'Este | — | ||
| 62-2 | Années de pèlerinage: Vallée d'Obermann | — | ||
| 62-3 | Années de pèlerinage: Après une lecture du Dante | — | ||
| 62-4 | Années de pèlerinage: Sonetto 104 del Petrarca | — | ||
| 62-5 | Années de pèlerinage: Sonetto 123 del Petrarca | — | ||
| 62-6 | Années de pèlerinage: La Chapelle de Guillaume Tell | — | ||
| 63-1 | Ballades, op. 10 no. 1 in D minor | — | ||
| 63-2 | Ballades, op. 10 no. 2 in D | — | ||
| 63-3 | Ballades, op. 10 no. 3 in B minor | — | ||
| 63-4 | Ballades, op. 10 no. 4 in B | — | ||
| 63-5 | Variations on a Theme by Haendel in B-flat, op. 24 | — | ||
| 63-6 | Variations on a Theme by Paganini in A minor, op. 35: Book I | — | ||
| 63-7 | Variations on a Theme by Paganini in A minor, op. 35: Book II | — | ||
| 64-1 | Sonata no. 2 in F-sharp minor, op. 2: Allegro non troppo | — | ||
| 64-2 | Sonata no. 2 in F-sharp minor, op. 2: Andante | — | ||
| 64-3 | Sonata no. 2 in F-sharp minor, op. 2: Scherzo | — | ||
| 64-4 | Sonata no. 2 in F-sharp minor, op. 2: Finale | — | ||
| 64-5 | Sonata no. 3 in F minor, op. 5: Allegro maestoso | — | ||
| 64-6 | Sonata no. 3 in F minor, op. 5: Andante | — | ||
| 64-7 | Sonata no. 3 in F minor, op. 5: Scherzo | — | ||
| 64-8 | Sonata no. 3 in F minor, op. 5: Intermezzo | — | ||
| 64-9 | Sonata no. 3 in F minor, op. 5: Finale | — | ||
| 64-10 | Scherzo in E-flat minor, op. 4 | — | ||
| 65-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 65-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 65-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 66-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | T-322.446.876-8 | |
| 66-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | T-322.446.817-7 | |
| 66-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante - Più adagio | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | T-322.449.900-3 | |
| 66-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 67-1 | Piano Concerto no. 1 in B-flat minor, op. 23: 1. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 67-2 | Piano Concerto no. 1 in B-flat minor, op. 23: 2. Andantino semplice - Prestissimo - Tempo I | — | ||
| 67-3 | Piano Concerto no. 1 in B-flat minor, op. 23: 3. Allegro con fuoco | — | ||
| 67-4 | Piano Concerto in A minor, Op. 16: I. Allegro molto moderato | — | ||
| 67-5 | Piano Concerto in A minor, Op. 16: II. Adagio | — | ||
| 67-6 | Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato, quasi presto, andante maestoso | — | ||
| 68-1 | Piano Concerto in A minor, Op. 16: I. Allegro molto moderato | — | ||
| 68-2 | Piano Concerto in A minor, Op. 16: II. Adagio | — | ||
| 68-3 | Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso | — | ||
| 68-4 | Piano Concerto in A minor, Op. 54: I. Allegro affettuoso | — | ||
| 68-5 | Piano Concerto in A minor, Op. 54: II. Intermezzo (Andantino grazioso) | — | ||
| 68-6 | Piano Concerto in A minor, Op. 54: III. Allegro vivace | — | ||
| 69-1 | Préludes, Livre 1, L. 117 No. 1: Danseuses de Delphes | — | ||
| 69-2 | Préludes, Livre 1, L. 117 No. 2: Voiles | — | ||
| 69-3 | Préludes, Livre 1, L. 117 No. 3: Le vent dans la plaine | — | ||
| 69-4 | Préludes, Livre 1, L. 117 No. 4: "Les sons et les parfums tournent dans l'air du soir" | — | ||
| 69-5 | Préludes, Livre 1, L. 117 No. 5: Les collines d'Anacapri | — | ||
| 69-6 | Préludes, Livre 1, L. 117 No. 6: Des pas sur la neige | — | ||
| 69-7 | Préludes, Livre 1, L. 117 No. 7: Ce qu'a vu le vent d'Ouest | — | ||
| 69-8 | Préludes, Livre 1, L. 117 No. 8: La fille aux cheveux de lin | Claudio Arrau | — | |
| 69-9 | Préludes, Livre 1, L. 117 No. 9: La sérénade interrompue | — | ||
| 69-10 | Préludes, Livre 1, L. 117 No. 10: La cathédrale engloutie | — | ||
| 69-11 | Préludes, Livre 1, L. 117 No. 11: La danse de Puck | — | ||
| 69-12 | Préludes, Livre 1, L. 117 No. 12: Minstrels | — | ||
| 69-13 | Images, Livre 1, L. 110 No. 1: Reflets dans l'eau | — | ||
| 69-14 | Images, Livre 1, L. 110 No. 2: Hommage à Rameau | — | ||
| 69-15 | Images, Livre 1, L. 110 No. 3: Mouvement | — | ||
| 69-16 | Estampes, L. 100 No. 1: Pagodes | — | ||
| 69-17 | Estampes, L. 100 No. 2: Soirée dans Grenade | — | ||
| 69-18 | Estampes, L. 100 No. 3: Jardins sous la pluie | — | ||
| 70-1 | Préludes, Livre 2, L. 123 No. 1: Brouillards | — | ||
| 70-2 | Préludes, Livre 2, L. 123 No. 2: Feuilles mortes | — | ||
| 70-3 | Préludes, Livre 2, L. 123 No. 3: La Puerta del Vino | — | ||
| 70-4 | Préludes, Livre 2, L. 123 No. 4: "Les Fées sont d'exquises danseuses" | — | ||
| 70-5 | Préludes, Livre 2, L. 123 No. 5: Bruyères | — | ||
| 70-6 | Préludes, Livre 2, L. 123 No. 6: General Lavine - eccentric | — | ||
| 70-7 | Préludes, Livre 2, L. 123 No. 7: La terrasse des audiences du clair de lune | — | ||
| 70-8 | Préludes, Livre 2, L. 123 No. 8: Ondine | — | ||
| 70-9 | Préludes, Livre 2, L. 123 No. 9: Hommage à Samuel Pickwick Esq. P.P.M.P.C. | — | ||
| 70-10 | Préludes, Livre 2, L. 123 No. 10: Canope | — | ||
| 70-11 | Préludes, Livre 2, L. 123 No. 11: Les tierces alternées | — | ||
| 70-12 | Préludes, Livre 2, L. 123 No. 12: Feux d'artifice | — | ||
| 70-13 | Images, Livre 2, L. 111 No. 1 : Cloches à travers les feuilles | — | ||
| 70-14 | Images, Livre 2, L. 111 No. 2: Et la lune descend sur le temple qui fut | — | ||
| 70-15 | Images, Livre 2, L. 111 No. 3: Poissons d'or | — | ||
| 71-1 | Suite bergamasque, L. 75: I. Prélude | — | ||
| 71-2 | Suite bergamasque, L. 75: II. Menuet | — | ||
| 71-3 | Suite bergamasque, L. 75: III. Clair de lune | — | ||
| 71-4 | Suite bergamasque, L. 75: IV. Passepied | — | ||
| 71-5 | Pour le piano, L. 95: II. Sarabande | — | ||
| 71-6 | La plus que lente, valse, L. 121 | — | ||
| 71-7 | Valse romantique, L. 71 | — | ||
| 72-1 | Partita No. 2 in C minor, BWV 826: 1. Sinfonia (Grave adagio - Andante) | — | ||
| 72-2 | Partita No. 2 in C minor, BWV 826: 2. Allemande | — | ||
| 72-3 | Partita No. 2 in C minor, BWV 826: 3. Courante | — | ||
| 72-4 | Partita No. 2 in C minor, BWV 826: 4. Sarabande | — | ||
| 72-5 | Partita No. 2 in C minor, BWV 826: 5. Rondeaux | — | ||
| 72-6 | Partita No. 2 in C minor, BWV 826: 6. Capriccio | — | ||
| 72-7 | Partita No. 1 in B flat, BWV 825: 1. Praeludium | — | ||
| 72-8 | Partita No. 1 in B flat, BWV 825: 2. Allemande | — | ||
| 72-9 | Partita No. 1 in B flat, BWV 825: 3. Corrente | — | ||
| 72-10 | Partita No. 1 in B flat, BWV 825: 4. Sarabande | — | ||
| 72-11 | Partita No. 1 in B flat, BWV 825: 5/6. Menuet I - Menuet II | — | ||
| 72-12 | Partita No. 1 in B flat, BWV 825: 7. Giga | — | ||
| 73-1 | Partita no. 5 in G major, BWV 829: I. Praeambulum | — | ||
| 73-2 | Partita no. 5 in G major, BWV 829: II. Allemande | — | ||
| 73-3 | Partita no. 5 in G major, BWV 829: III. Courante | — | ||
| 73-4 | Partita no. 5 in G major, BWV 829: IV. Sarabande | — | ||
| 73-5 | Partita no. 5 in G major, BWV 829: V. Tempo di Minuetto | — | ||
| 73-6 | Partita no. 5 in G major, BWV 829: VI. Passepied | — | ||
| 73-7 | Partita no. 5 in G major, BWV 829: VII. Gigue | — | ||
| 73-8 | Partita no. 3 in A minor, BWV 827: I. Fantaisie | — | ||
| 73-9 | Partita no. 3 in A minor, BWV 827: II. Allemande | — | ||
| 73-10 | Partita no. 3 in A minor, BWV 827: III. Courante | — | ||
| 73-11 | Partita no. 3 in A minor, BWV 827: IV. Sarabande | — | ||
| 73-12 | Partita no. 3 in A minor, BWV 827: V. Burlesca | — | ||
| 73-13 | Partita no. 3 in A minor, BWV 827: VI. Scherzo | Claudio Arrau | — | |
| 73-14 | Partita no. 3 in A minor, BWV 827: VII. Gigue | — | ||
| 74-1 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | — | ||
| 74-2 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto | — | ||
| 74-3 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 74-4 | Ballade no. 2 in B minor, S. 171 | — | ||
| 74-5 | Scherzo no. 1 in B minor, op. 20 | — | ||
| 75-1 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Tema. Vivace | — | ||
| 75-2 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. I. Alla marcia maestoso | — | ||
| 75-3 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. II. Poco allegro | — | ||
| 75-4 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. III. L'istesso tempo | — | ||
| 75-5 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. IV. Un poco più vivace | — | ||
| 75-6 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. V. Allegro vivace | — | ||
| 75-7 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. VI. Allegro ma non troppo e serioso | — | ||
| 75-8 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. VII. Un poco più allegro | — | ||
| 75-9 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. VIII. Poco vivace | — | ||
| 75-10 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. IX. Allegro pesante e risoluto | — | ||
| 75-11 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. X. Presto | — | ||
| 75-12 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XI. Allegretto | — | ||
| 75-13 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XII. Un poco più moto | — | ||
| 75-14 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XIII. Vivace | — | ||
| 75-15 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XIV. Grave e maestoso | — | ||
| 75-16 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XV. Presto scherzando | — | ||
| 75-17 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XVI. Allegro | — | ||
| 75-18 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XVII. | — | ||
| 75-19 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XVIII. Poco moderato | — | ||
| 75-20 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XIX. Presto | — | ||
| 75-21 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XX. Andante | — | ||
| 75-22 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXI. Allegro con brio - Meno allegro | — | ||
| 75-23 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXII. Allegro molto (alla "Notte e giorno faticar" di Mozart) | — | ||
| 75-24 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXIII. Allegro assai | — | ||
| 75-25 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXIV. Fughetta. Andante | — | ||
| 75-26 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXV. Allegro | — | ||
| 75-27 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXVI. | — | ||
| 75-28 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXVII. Vivace | — | ||
| 75-29 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXVIII. Allegro | — | ||
| 75-30 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXIX. Adagio ma non troppo | — | ||
| 75-31 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXX. Andante, sempre cantabile | — | ||
| 75-32 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXXI. Largo, molto espressivo | — | ||
| 75-33 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXXII. Fuga (Allegro - Poco adagio) | — | ||
| 75-34 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXXIII. Tempo di menuetto moderato | — | ||
| 75-35 | 15 Variations and Fugue in E-Flat Major, Op. 35: 'Eroica Variations' | Claudio Arrau | — | |
| 76-1 | Piano Sonata no. 29 in B-Flat major, op. 106 -"Hammerklavier": I. Allegro | — | ||
| 76-2 | Piano Sonata no. 29 in B-Flat major, op. 106 -"Hammerklavier": II. Scherzo. Assai vivace | — | ||
| 76-3 | Piano Sonata no. 29 in B-Flat major, op. 106 -"Hammerklavier": III. Adagio sostenuto | — | ||
| 76-4 | Piano Sonata no. 29 in B-Flat major, op. 106 -"Hammerklavier": IV. Largo: Allegro risoluto | — | ||
| 76-5 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": I. Grave: Allegro di molto e con brio | — | ||
| 76-6 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | — | ||
| 76-7 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": III. Rondo (Allegro) | — | ||
| 77-1 | Piano Sonata no. 14 in C-Sharp minor, op. 27 No. 2 "Moonlight": I. Adagio sostenuto | — | ||
| 77-2 | Piano Sonata no. 14 in C-Sharp minor, op. 27 No. 2 "Moonlight": II. Allegretto | — | ||
| 77-3 | Piano Sonata no. 14 in C-Sharp minor, op. 27 No. 2 "Moonlight": III. Presto agitato | — | ||
| 77-4 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | — | ||
| 77-5 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto | — | ||
| 77-6 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 77-7 | Piano Sonata no. 26 in E-Flat major, op. 81a "Les Adieux": I. Das Lebewohl (Adagio: Allegro) | — | ||
| 77-8 | Piano Sonata no. 26 in E-Flat major, op. 81a "Les Adieux": II. Abwesenheit (Andante espressivo) | — | ||
| 77-9 | Piano Sonata no. 26 in E-Flat major, op. 81a "Les Adieux": III. Das Wiedersehen (Vivacissimamente) | — | ||
| 77-10 | Fantaisie in F minor, op. 49 | — | ||
| 78-1 | Scherzo no. 1 in B minor, op. 20 | — | ||
| 78-2 | Scherzo no. 2 in B-Flat minor, op. 31 | — | ||
| 78-3 | Scherzo no. 3 in C-sharp minor, op. 39 | Claudio Arrau | T-918.063.801-1 | |
| 78-4 | Scherzo no. 4 in E, op. 54 | — | ||
| 78-5 | Ballade no. 1 in G minor, op. 23 | — | ||
| 78-6 | Ballade no. 2 in F major, op. 38 | — | ||
| 78-7 | Ballade no. 3 in A-Flat major, op. 47 | — | ||
| 78-8 | Ballade no. 4 in F minor, op. 52 | — | ||
| 79-1 | Impromptu no. 1 in A-flat major, op. 29 | Claudio Arrau | — | |
| 79-2 | Impromptu no. 2 in F-sharp minor, op. 36 | Claudio Arrau | T-306.230.833-8 | |
| 79-3 | Impromptu no. 3 in G-flat, op. 51 | — | ||
| 79-4 | Impromptu no. 4 in C-sharp minor, op. 66 | Claudio Arrau | — | |
| 79-5 | Barcarolle in F-Sharp major, op. 60 | — | ||
| 79-6 | Islamey | Claudio Arrau | — | |
| 79-7 | Claudio Arrau Interview 1964 | — | ||
| 79-8 | Claudio Arrau: Thoughts On Beethoven Sonatas | — | ||
| 80-1 | Overture "Leonore no. 3", op. 72a | — | ||
| 80-2 | Piano Concerto no. 4 in G major, op. 58: 1. Allegro moderato | Claudio Arrau, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 80-3 | Piano Concerto no. 4 in G major, op. 58: 2. Andante con moto | Claudio Arrau, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 80-4 | Piano Concerto no. 4 in G major, op. 58: 3. Rondo (Vivace) | Claudio Arrau, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028948329847 is a Universal Product Code (UPC) assigned to Complete Philips Recordings by Claudio Arrau. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 871 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028948329847 is the Universal Product Code (UPC barcode) for the release “Complete Philips Recordings” by Claudio Arrau, released 2018-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 871 tracks, each with its own ISRC. Tracks include NLA508600706, NLA506200535, NLA506200536.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonata for Piano no. 1 in F minor, op. 2 no. 1: I. Allegro | — | ||
| 2 | Sonata for Piano no. 1 in F minor, op. 2 no. 1: II. Adagio | — | ||
| 3 | Sonata for Piano no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegretto | — | ||
| 4 | Sonata for Piano no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | — | ||
| 5 | Sonata for Piano no. 2 in A major, op. 2 no. 2: I. Allegro vivace | — | ||
| 6 | Sonata for Piano no. 2 in A major, op. 2 no. 2: II. Largo appassionato | — | ||
| 7 | Sonata for Piano no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto | — | ||
| 8 | Sonata for Piano no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso | — | ||
| 9 | Sonata for Piano no. 3 in C major, op. 2 no. 3: I. Allegro con brio | — | ||
| 10 | Sonata for Piano no. 3 in C major, op. 2 no. 3: II. Adagio | — | ||
| 11 | Sonata for Piano no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro | — | ||
| 12 | Sonata for Piano no. 3 in C major, op. 2 no. 3: IV. Allegro assai | — | ||
| 2-1 | Sonata for Piano no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | — | ||
| 2-2 | Sonata for Piano no. 4 in E-flat major, op. 7: II. Largo, con gran espressione | — | ||
| 2-3 | Sonata for Piano no. 4 in E-flat major, op. 7: III. Allegro | — | ||
| 2-4 | Sonata for Piano no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso | — | ||
| 2-5 | Sonata for Piano no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | — | ||
| 2-6 | Sonata for Piano no. 5 in C minor, op. 10 no. 1: II. Adagio molto | — | ||
| 2-7 | Sonata for Piano no. 5 in C minor, op. 10 no. 1: III. Prestissimo | — | ||
| 3-1 | Sonata for Piano no. 6 in F major, op. 10 no. 2: I. Allegro | — | ||
| 3-2 | Sonata for Piano no. 6 in F major, op. 10 no. 2: II. Allegretto | — | ||
| 3-3 | Sonata for Piano no. 6 in F major, op. 10 no. 2: III. Presto | — | ||
| 3-4 | Sonata for Piano no. 7 in D major, op. 10 no. 3: I. Presto | — | ||
| 3-5 | Sonata for Piano no. 7 in D major, op. 10 no. 3: II. Largo e mesto | — | ||
| 3-6 | Sonata for Piano no. 7 in D major, op. 10 no. 3: III. Menuetto. Allegro | — | ||
| 3-7 | Sonata for Piano no. 7 in D major, op. 10 no. 3: IV. Rondo. Allegro | — | ||
| 3-8 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | — | ||
| 3-9 | Sonate Nr. 8 c-Moll op. 13 »Pathétique«: 2. Adagio cantabile | Claudio Arrau | T-310.333.204-9 | |
| 3-10 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro | — | ||
| 3-11 | Sonata for Piano no. 9 in E major, op. 14 no. 1: I. Allegro | — | ||
| 3-12 | Sonata for Piano no. 9 in E major, op. 14 no. 1: II. Allegretto | — | ||
| 3-13 | Sonata for Piano no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo | — | ||
| 4-1 | Sonata for Piano no. 10 in G major, op. 14 no. 2: I. Allegro | — | ||
| 4-2 | Sonata for Piano no. 10 in G major, op. 14 no. 2: II. Andante | — | ||
| 4-3 | Sonata for Piano no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai | — | ||
| 4-4 | Sonata for Piano no. 11 in B-flat major, op. 22: I. Allegro con brio | — | ||
| 4-5 | Sonata for Piano no. 11 in B-flat major, op. 22: II. Adagio con molto espressione | — | ||
| 4-6 | Sonata for Piano no. 11 in B-flat major, op. 22: III. Menuetto | — | ||
| 4-7 | Sonata for Piano no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto | — | ||
| 4-8 | Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": I. Andante con Variazioni | — | ||
| 4-9 | Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": II. Scherzo. Allegro molto | — | ||
| 4-10 | Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": III. Marcia funebre sulla morte d'un Eroe | — | ||
| 4-11 | Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": IV. Allegro | — | ||
| 5-1 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: I. Andante | — | ||
| 5-2 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: II. Allegro molto e vivace | — | ||
| 5-3 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: III. Adagio con espressione | — | ||
| 5-4 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: IV. Allegro vivace | — | ||
| 5-5 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Claudio Arrau | — | |
| 5-6 | Sonate Nr. 14 cis-Moll op. 27,2 »Mondschein-Sonate«: 2. Allegretto | Claudio Arrau | — | |
| 5-7 | Sonate Nr. 14 cis-Moll op. 27,2 »Mondschein-Sonate«: 3. Presto agitato | Claudio Arrau | — | |
| 5-8 | Sonata for Piano no. 15 in D major, op. 28 "Pastorale": I. Allegro | — | ||
| 5-9 | Sonata for Piano no. 15 in D major, op. 28 "Pastorale": II. Andante | — | ||
| 5-10 | Sonata for Piano no. 15 in D major, op. 28 "Pastorale": III. Scherzo. Allegro vivace | — | ||
| 5-11 | Sonata for Piano no. 15 in D major, op. 28 "Pastorale": IV. Rondo. Allegro ma non troppo | — | ||
| 6-1 | Sonata for Piano no. 16 in G major, op. 31 no. 1: I. Allegro vivace | — | ||
| 6-2 | Sonata for Piano no. 16 in G major, op. 31 no. 1: II. Adagio grazioso | — | ||
| 6-3 | Sonata for Piano no. 16 in G major, op. 31 no. 1: III. Rondo. Allegretto | — | ||
| 6-4 | Sonata for Piano no. 17 in D minor, op. 31 no. 2 "Storm": I. Largo - Allegro | — | ||
| 6-5 | Sonata for Piano no. 17 in D minor, op. 31 no. 2 "Storm": II. Adagio | — | ||
| 6-6 | Sonata for Piano no. 17 in D minor, op. 31 no. 2 "Storm": III. Allegretto | — | ||
| 6-7 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: I. Allegro | — | ||
| 6-8 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: II. Scherzo. Allegretto vivace | — | ||
| 6-9 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: III. Minuetto. Moderato e grazioso | — | ||
| 6-10 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco | — | ||
| 7-1 | Sonata for Piano no. 19 in G minor, op. 49 no. 1: I. Andante | — | ||
| 7-2 | Sonata for Piano no. 19 in G minor, op. 49 no. 1: II. Rondo. Allegro | — | ||
| 7-3 | Sonata for Piano no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo | — | ||
| 7-4 | Sonata for Piano no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto | — | ||
| 7-5 | Sonata for Piano no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio | — | ||
| 7-6 | Sonata for Piano no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto | — | ||
| 7-7 | Sonata for Piano no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo | — | ||
| 7-8 | Sonata for Piano no. 22 in F major, op. 54: I. Tempo di menuetto | — | ||
| 7-9 | Sonata for Piano no. 22 in F major, op. 54: IIa. Allegretto | — | ||
| 7-10 | Sonata for Piano no. 22 in F major, op. 54: IIb. Più allegro | — | ||
| 7-11 | Sonata for Piano no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | — | ||
| 7-12 | Sonata for Piano no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto | — | ||
| 7-13 | Sonata for Piano no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 8-1 | Sonata for Piano no. 24 in F-sharp major, op. 78 "A Thérèse": I. Adagio cantabile - Allegro ma non troppo | — | ||
| 8-2 | Sonata for Piano no. 24 in F-sharp major, op. 78 "A Thérèse": II. Allegro assai | — | ||
| 8-3 | Sonata for Piano no. 25 in G major, op. 79 "Cuckoo": I. Presto alla tedesca | — | ||
| 8-4 | Sonata for Piano no. 25 in G major, op. 79 "Cuckoo": II. Andante espressivo | — | ||
| 8-5 | Sonata for Piano no. 25 in G major, op. 79 "Cuckoo": III. Vivace | — | ||
| 8-6 | Sonata for Piano no. 26 in E-flat major, op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro "Les Adieux" | — | ||
| 8-7 | Sonata for Piano no. 26 in E-flat major, op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo "L'Absence" | — | ||
| 8-8 | Sonata for Piano no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente "Le Retour" | — | ||
| 8-9 | Sonata for Piano no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 8-10 | Sonata for Piano no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | — | ||
| 9-1 | Sonata for Piano no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | — | ||
| 9-2 | Sonata for Piano no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | — | ||
| 9-3 | Sonata for Piano no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affeto | — | ||
| 9-4 | Sonata for Piano no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro | — | ||
| 9-5 | Sonata for Piano no. 29 in B-flat major, op. 106 "Hammerklavier": I. Allegro | — | ||
| 9-6 | Sonata for Piano no. 29 in B-flat major, op. 106 "Hammerklavier": II. Scherzo. Assai vivace | — | ||
| 9-7 | Sonata for Piano no. 29 in B-flat major, op. 106 "Hammerklavier": III. Adagio sostenuto. Appassionato e molto con sentimento | — | ||
| 9-8 | Sonata for Piano no. 29 in B-flat major, op. 106 "Hammerklavier": IV. Largo - Allegro risoluto | — | ||
| 10-1 | Sonata for Piano no. 30 in E major, op. 109: I. Vivace, ma non troppo - II. Prestissimo | — | ||
| 10-2 | Sonata for Piano no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | — | ||
| 10-3 | Sonata for Piano no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | — | ||
| 10-4 | Sonata for Piano no. 31 in A-flat major, op. 110: II. Allegro molto | — | ||
| 10-5 | Sonata for Piano no. 31 in A-flat major, op. 110: IIIa. Adagio, ma non troppo | — | ||
| 10-6 | Sonata for Piano no. 31 in A-flat major, op. 110: IIIb. Fuga. Allegro ma non troppo | — | ||
| 10-7 | Sonata for Piano no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 10-8 | Sonata for Piano no. 32 in C minor, op. 111: II. Arietta. Adagio molto semplice e cantabile | — | ||
| 11-1 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Introduzione col basso del tema. Allegretto vivace - Tema | — | ||
| 11-2 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Var. I - Var. XV. | — | ||
| 11-3 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Coda - Finale. Alla fuga. Allegro con brio - Andante con moto | — | ||
| 11-4 | 32 Variations for Piano in C minor on an Original Theme, WoO 80 | — | ||
| 11-5 | 6 Variations for Piano in F major on an Original Theme, op. 34: Thema. Adagio. Cantabile - Var. I - Var II. Allegro ma non troppo - Var III. Allegretto - Var. IV. Tempo di menuetto - Var. V. Marcia. Allegretto - Var. VI. Allegretto - Adagio molto | — | ||
| 11-6 | Rondo in G, op. 51 No.2 | — | ||
| 12-1 | Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio | — | ||
| 12-2 | Piano Concerto No. 1 in C major, Op. 15: II. Largo | — | ||
| 12-3 | Piano Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro scherzando | — | ||
| 12-4 | Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio | — | ||
| 12-5 | Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio | — | ||
| 12-6 | Piano Concerto No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro | — | ||
| 13-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 13-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 13-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 13-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Claudio Arrau, Royal Concertgebouw Orchestra Amsterdam, Bernard Haitink | — | |
| 13-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Claudio Arrau, Royal Concertgebouw Orchestra Amsterdam, Bernard Haitink | — | |
| 13-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Claudio Arrau, Royal Concertgebouw Orchestra Amsterdam, Bernard Haitink | — | |
| 14-1 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro | Claudio Arrau, Royal Concertgebouw Orchestra Amsterdam, Bernard Haitink | — | |
| 14-2 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco moto - attacca | Claudio Arrau, Royal Concertgebouw Orchestra Amsterdam, Bernard Haitink | T-928.635.608-9 | |
| 14-3 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo (Allegro) | Claudio Arrau, Royal Concertgebouw Orchestra Amsterdam, Bernard Haitink | — | |
| 14-4 | Triple Concerto for Piano, Violin & Cello in C major, Op. 56: I. Allegro | — | ||
| 14-5 | Triple Concerto for Piano, Violin & Cello in C major, Op. 56: II. Largo | — | ||
| 14-6 | Triple Concerto for Piano, Violin & Cello in C major, Op. 56: III. Rondo alla Polacca | — | ||
| 15-1 | Sonata for violin & piano no. 1 in D major, op. 12 no. 1: I. Allegro con brio | — | ||
| 15-2 | Sonata for violin & piano no. 1 in D major, op. 12 no. 1: II. Tema con variazioni | — | ||
| 15-3 | Sonata for violin & piano no. 1 in D major, op. 12 no. 1: III. Rondo (Allegro) | — | ||
| 15-4 | Sonata for violin & piano no. 2 in A major, op. 12 no. 2: I. Allegro vivace | — | ||
| 15-5 | Sonata for violin & piano no. 2 in A major, op. 12 no. 2: II. Andante piu tosto allegretto | — | ||
| 15-6 | Sonata for violin & piano no. 2 in A major, op. 12 no. 2: III. Allegro piacevole | — | ||
| 15-7 | Sonata for violin & piano no. 4 in A minor, op. 23: I. Presto | — | ||
| 15-8 | Sonata for violin & piano no. 4 in A minor, op. 23: II. Andante | — | ||
| 15-9 | Sonata for violin & piano no. 4 in A minor, op. 23: III. Allegro molto | — | ||
| 16-1 | Sonata for violin & piano no. 5 in F major ("Spring"), op. 24: I. Allegro | — | ||
| 16-2 | Sonata for violin & piano no. 5 in F major ("Spring"), op. 24: II. Adagio molto espressivo | — | ||
| 16-3 | Sonata for violin & piano no. 5 in F major ("Spring"), op. 24: III. Scherzo (Allegro molto) | — | ||
| 16-4 | Sonata for violin & piano no. 5 in F major ("Spring"), op. 24: IV. Rondo (Allegro ma non troppo) | — | ||
| 16-5 | Sonata for violin & piano no. 7 in C minor ("Eroica"), op. 30 no. 2: I. Allegro con brio | — | ||
| 16-6 | Sonata for violin & piano no. 7 in C minor ("Eroica"), op. 30 no. 2: II. Adagio cantabile | — | ||
| 16-7 | Sonata for violin & piano no. 7 in C minor ("Eroica"), op. 30 no. 2: III. Scherzo (Allegro) | — | ||
| 16-8 | Sonata for violin & piano no. 7 in C minor ("Eroica"), op. 30 no. 2: IV. Finale (Allegro) | — | ||
| 16-9 | Sonata for violin & piano no. 8 in G major, op. 30 no. 3: I. Allegro assai | — | ||
| 16-10 | Sonata for violin & piano no. 8 in G major, op. 30 no. 3: II. Tempo di menuetto, ma molto moderato e grazioso | — | ||
| 16-11 | Sonata for violin & piano no. 8 in G major, op. 30 no. 3: III. Allegro vivace | — | ||
| 17-1 | Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | — | ||
| 17-2 | Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | — | ||
| 17-3 | Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegretto | — | ||
| 17-4 | Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | — | ||
| 17-5 | Piano Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace | — | ||
| 17-6 | Piano Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato | — | ||
| 17-7 | Piano Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto | — | ||
| 17-8 | Piano Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso | — | ||
| 17-9 | Sonata No. 3 in C major, Op. 2 No. 3: I. Allegro con brio | Claudio Arrau | — | |
| 17-10 | Sonata No. 3 in C major, Op. 2 No. 3: II. Adagio | Claudio Arrau | — | |
| 17-11 | Sonata No. 3 in C major, Op. 2 No. 3: III. Scherzo. Allegro | Claudio Arrau | — | |
| 17-12 | Sonata No. 3 in C major, Op. 2 No. 3: IV. Allegro assai | Claudio Arrau | — | |
| 18-1 | Piano Sonata no. 4 in E-flat major, op. 7 "Grand Sonata": I. Allegro molto e con brio | — | ||
| 18-2 | Piano Sonata no. 4 in E-flat major, op. 7 "Grand Sonata": II. Largo, con gran espressione | — | ||
| 18-3 | Piano Sonata no. 4 in E-flat major, op. 7 "Grand Sonata": III. Allegro | — | ||
| 18-4 | Piano Sonata no. 4 in E-flat major, op. 7 "Grand Sonata": IV. Rondo, Poco Allegretto e grazioso | — | ||
| 18-5 | Piano Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | — | ||
| 18-6 | Piano Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto | — | ||
| 18-7 | Piano Sonata no. 5 in C minor, op. 10 no. 1: III. Finale, Prestissimo | — | ||
| 18-8 | Piano Sonata no. 6 in F major, op. 10 no. 2: I. Allegro | — | ||
| 18-9 | Piano Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto | — | ||
| 18-10 | Piano Sonata no. 6 in F major, op. 10 no. 2: III. Presto | — | ||
| 19-1 | Piano Sonata no. 7 in D major, op. 10 no. 3: I. Presto | — | ||
| 19-2 | Piano Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto | — | ||
| 19-3 | Piano Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto, Allegro | — | ||
| 19-4 | Piano Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo, Allegro | — | ||
| 19-5 | Sonata No. 8 in C minor, Op. 13 "Pathétique": I. Grave – Allegro di molto e con brio | Claudio Arrau | — | |
| 19-6 | Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile | Claudio Arrau | — | |
| 19-7 | Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro | Claudio Arrau | — | |
| 19-8 | Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | — | ||
| 19-9 | Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto | — | ||
| 19-10 | Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo, Allegro comodo | — | ||
| 19-11 | Piano Sonata no. 10 in G major, op. 14 no. 2: I. Allegro | — | ||
| 19-12 | Piano Sonata no. 10 in G major, op. 14 no. 2: II. Andante | — | ||
| 19-13 | Piano Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo, Allegro assai | — | ||
| 20-1 | Piano Sonata no. 11 in B-flat major, op. 22: I. Allegro con brio | — | ||
| 20-2 | Piano Sonata no. 11 in B-flat major, op. 22: II. Adagio con molta espressione | — | ||
| 20-3 | Piano Sonata no. 11 in B-flat major, op. 22: III. Menuetto | — | ||
| 20-4 | Piano Sonata no. 11 in B-flat major, op. 22: IV. Rondo, Allegretto | — | ||
| 20-5 | Piano Sonata no. 12 in A-flat major, op. 26 "Funeral March": I. Andante con Variazoni | — | ||
| 20-6 | Piano Sonata no. 12 in A-flat major, op. 26 "Funeral March": II. Scherzo, Allegro molto | — | ||
| 20-7 | Piano Sonata no. 12 in A-flat major, op. 26 "Funeral March": III. Marcia funebre sulla morte d'un Eroe | — | ||
| 20-8 | Piano Sonata no. 12 in A-flat major, op. 26 "Funeral March": IV. Allegro | — | ||
| 20-9 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1 "Quasi una fantasia": I. Andante - Allegro | — | ||
| 20-10 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1 "Quasi una fantasia": II. Allegro molto e vivace | Claudio Arrau | — | |
| 20-11 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1 "Quasi una fantasia": III. Adagio con espressione - Allegro vivace | — | ||
| 20-12 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1 "Quasi una fantasia": IV. Allegro Vivace, Tempo 1, Presto | — | ||
| 21-1 | Piano Sonata no. 15 in D major, op. 28 "Pastoral": I. Allegro | — | ||
| 21-2 | Piano Sonata no. 15 in D major, op. 28 "Pastoral": II. Andante | — | ||
| 21-3 | Piano Sonata no. 15 in D major, op. 28 "Pastoral": III. Scherzo, Allegro assai | — | ||
| 21-4 | Piano Sonata no. 15 in D major, op. 28 "Pastoral": IV. Rondo, Allegro ma non troppo | — | ||
| 21-5 | Piano Sonata no. 16 in G major, op. 31 no. 1: I. Allegro vivace | — | ||
| 21-6 | Piano Sonata no. 16 in G major, op. 31 no. 1: II. Adagio grazioso | — | ||
| 21-7 | Piano Sonata no. 16 in G major, op. 31 no. 1: III. Rondo, Allegretto | — | ||
| 21-8 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": I. Largo - Allegro | — | ||
| 21-9 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": II. Adagio / Allegretto | — | ||
| 21-10 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto | — | ||
| 22-1 | Piano Sonata no. 18 in E-flat major, op. 31 no. 3 "Hunt": I. Allegro | — | ||
| 22-2 | Piano Sonata no. 18 in E-flat major, op. 31 no. 3 "Hunt": II. Allegretto vivace | — | ||
| 22-3 | Piano Sonata no. 18 in E-flat major, op. 31 no. 3 "Hunt": III. Meneutto, Moderato e grazioso | — | ||
| 22-4 | Piano Sonata no. 18 in E-flat major, op. 31 no. 3 "Hunt": IV. Presto con fuoco | — | ||
| 22-5 | Piano Sonata no. 19 in G minor, op. 49 no. 1: I. Andante | — | ||
| 22-6 | Piano Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo, Allegro | — | ||
| 22-7 | Piano Sonata no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo | — | ||
| 22-8 | Piano Sonata no. 20 in G major, op. 49 no. 2: II. Tempo di Menuetto | — | ||
| 22-9 | Andante for Piano in F major, WoO 57 "Andante favori" | — | ||
| 22-10 | 32 Variations for Piano in C minor on an Original Theme, WoO 80 | — | ||
| 23-1 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio | — | ||
| 23-2 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": II. Introduzione: Adagio molto | — | ||
| 23-3 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": III. Rondo: Allegretto moderato, prestissimo | — | ||
| 23-4 | Piano Sonata no. 22 in F major, op. 54: I. In tempo d'un Menuetto | — | ||
| 23-5 | Piano Sonata no. 22 in F major, op. 54: II. Allegretto | — | ||
| 23-6 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | — | ||
| 23-7 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto | Claudio Arrau | — | |
| 23-8 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 24-1 | Piano Sonata no. 24 in F-sharp major, op. 78 "A Thérèse": I. Adagio cantabile - Allegro ma non troppo | — | ||
| 24-2 | Piano Sonata no. 24 in F-sharp major, op. 78 "A Thérèse": II. Allegro vivace | — | ||
| 24-3 | Piano Sonata no. 25 in G major, op. 79 "Cuckoo": I. Presto alla tedesca | — | ||
| 24-4 | Piano Sonata no. 25 in G major, op. 79 "Cuckoo": II. Andante | — | ||
| 24-5 | Piano Sonata no. 25 in G major, op. 79 "Cuckoo": III. Vivace | — | ||
| 24-6 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": I. Adagio, Allegro | — | ||
| 24-7 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": II. Andante espressivo | — | ||
| 24-8 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Vivacissimamente | — | ||
| 24-9 | Piano Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 24-10 | Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen | — | ||
| 24-11 | Piano Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung: Allegretto, ma non troppo | — | ||
| 24-12 | Piano Sonata no. 28 in A major, op. 101: II. Lebhaft, marschmäßig, Vivace alla Marcia | — | ||
| 24-13 | Piano Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll: Adagio, ma non troppo, on affetto; IV. Geschwinde, doch nicht zu sehr, und mit Entschlossenheit: Allegro | — | ||
| 25-1 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo | — | ||
| 25-2 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | — | ||
| 25-3 | Piano Sonata no. 30 in E major, op. 109: III. Andante molto cantabile ed espressivo, Gesangvoll, mit innigster Empfindung | — | ||
| 25-4 | Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | — | ||
| 25-5 | Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | — | ||
| 25-6 | Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio ma non troppo - Fuga, Allegro ma non troppo | — | ||
| 25-7 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 25-8 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta, Adagio molto semplice e cantabile | — | ||
| 26-1 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Tema. Vivace / Var. I. Alla marcia maestoso | — | ||
| 26-2 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. II. Poco allegro | — | ||
| 26-3 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. III. L'istesso tempo | — | ||
| 26-4 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. IV. Un poco più vivace | — | ||
| 26-5 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. V. Allegro vivace | — | ||
| 26-6 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. VI. Allegro ma non troppo e serioso | — | ||
| 26-7 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. VII. Un poco più allegro | — | ||
| 26-8 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. VIII. Poco vivace | — | ||
| 26-9 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. IX. Allegro pesante e risoluto | — | ||
| 26-10 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. X. Presto | — | ||
| 26-11 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XI. Allegretto | — | ||
| 26-12 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XII. Un poco più moto | — | ||
| 26-13 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XIII. Vivace | — | ||
| 26-14 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XIV. Grave e maestoso | — | ||
| 26-15 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XV. Presto scherzando | — | ||
| 26-16 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XVI. Allegro | — | ||
| 26-17 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XVII. | — | ||
| 26-18 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XVIII. Poco moderato | — | ||
| 26-19 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XIX. Presto | — | ||
| 26-20 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XX. Andante | — | ||
| 26-21 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXI. Allegro con brio - Meno allegro | — | ||
| 26-22 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXII. Allegro molto (alla "Notte e giorno faticar" di Mozart) | — | ||
| 26-23 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXIII. Allegro assai | — | ||
| 26-24 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXIV. Fughetta. Andante | — | ||
| 26-25 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXV. Allegro | — | ||
| 26-26 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXVI. | — | ||
| 26-27 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXVII. Vivace | — | ||
| 26-28 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXVIII. Allegro | — | ||
| 26-29 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXIX. Adagio ma non troppo | — | ||
| 26-30 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXX. Andante, sempre cantabile | — | ||
| 26-31 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXXI. Largo, molto espressivo | — | ||
| 26-32 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXXII. Fuga. Allegro - Poco adagio | — | ||
| 26-33 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXXIII. Tempo di menuetto moderato | — | ||
| 27-1 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | — | |
| 27-2 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | — | |
| 27-3 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | — | |
| 27-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | — | |
| 27-5 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | — | |
| 27-6 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | — | |
| 28-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | — | |
| 28-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | — | |
| 28-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | T-800.132.125-2 | |
| 28-4 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | — | |
| 28-5 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | — | |
| 28-6 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | — | |
| 29-1 | Piano Concerto no. 5 in E-flat, op. 73 "Emperor": I. Allegro | Claudio Arrau, Sächsische Staatskapelle Dresden, Sir Colin Davis | — | |
| 29-2 | Piano Concerto no. 5 in E-flat, op. 73 "Emperor": II. Adagio un poco mosso | Claudio Arrau, Sächsische Staatskapelle Dresden, Sir Colin Davis | T-928.635.608-9 | |
| 29-3 | Piano Concerto no. 5 in E-flat, op. 73 "Emperor": III. Rondo. Allegro | Claudio Arrau, Sächsische Staatskapelle Dresden, Sir Colin Davis | T-700.095.171-5 | |
| 30-1 | Piano Sonata No.1 in C, K.279: I. Allegro | — | ||
| 30-2 | Piano Sonata No.1 in C, K.279: II. Andante | — | ||
| 30-3 | Piano Sonata No.1 in C, K.279: III. Allegro | — | ||
| 30-4 | Piano Sonata No.2 in F, K.280: I. Allegro assai | — | ||
| 30-5 | Piano Sonata No.2 in F, K.280: II. Adagio | — | ||
| 30-6 | Piano Sonata No.2 in F, K.280: III. Presto | — | ||
| 30-7 | Piano Sonata No.3 in B flat, K.281: I. Allegro | — | ||
| 30-8 | Piano Sonata No.3 in B flat, K.281: II. Andante amoroso | — | ||
| 30-9 | Piano Sonata No.3 in B flat, K.281: III. Rondeau - Allegro | — | ||
| 30-10 | Rondo in D, K.485 | — | ||
| 31-1 | Sonata in E-flat, K282: I. Adagio | — | ||
| 31-2 | Sonata in E flat, K282: II. Minuetto | — | ||
| 31-3 | Sonata in E-flat, K282: III. Allegro | — | ||
| 31-4 | Sonata in G, K283: I. Allegro | — | ||
| 31-5 | Sonata in G, K283: II. Andante | — | ||
| 31-6 | Sonata in G, K283: III. Presto | — | ||
| 31-7 | Sonata in D, K284: I. Allegro | — | ||
| 31-8 | Sonata in D, K284: II. Rondò e Polonaise | — | ||
| 31-9 | Sonata in D, K284: III. Tema con variazioni | — | ||
| 32-1 | Piano Sonata in C, K. 309: I. Allegro con spirito | — | ||
| 32-2 | Piano Sonata in C, K. 309: II. Andante un poco adagio | — | ||
| 32-3 | Piano Sonata in C, K. 309: III. Rondeau (allegretto grazioso) | — | ||
| 32-4 | Piano Sonata in A minor, K. 310: I. Allegro maestoso | — | ||
| 32-5 | Piano Sonata in A minor, K. 310: II. Andante cantabile con espressione | — | ||
| 32-6 | Piano Sonata in A minor, K. 310: III. Presto | — | ||
| 32-7 | Piano Sonata in D, K. 311: I. Allegro con spirito | — | ||
| 32-8 | Piano Sonata in D, K. 311: II. Andante con espressione | — | ||
| 32-9 | Piano Sonata in D, K. 311: III. Rondeau (Allegro) | — | ||
| 33-1 | Piano Sonata in C major, K. 330: I. Allegro moderato | — | ||
| 33-2 | Piano Sonata in C major, K. 330: II. Andante cantabile | — | ||
| 33-3 | Piano Sonata in C major, K. 330: III. Allegretto | — | ||
| 33-4 | Sonata in A, K. 331: I. Andante grazioso (Tema con variazioni) | — | ||
| 33-5 | Sonata in A, K. 331: II. Menuetto | — | ||
| 33-6 | Sonata in A, K. 331: III. Alla turca (allegretto) | — | ||
| 33-7 | Adagio in B minor, K. 540 | — | ||
| 34-1 | Piano Sonata No.12 in F, K. 332: I. Allegro | — | ||
| 34-2 | Piano Sonata No.12 in F, K. 332: II. Adagio | — | ||
| 34-3 | Piano Sonata No.12 in F, K. 332: III. Allegro assai | — | ||
| 34-4 | Piano Sonata No.13 in B flat, K. 333: I. Allegro | — | ||
| 34-5 | Piano Sonata No.13 in B flat, K. 333: II. Andante cantabile | — | ||
| 34-6 | Piano Sonata No.13 in B flat, K. 333: III. Allegretto grazioso | — | ||
| 35-1 | Sonata for Piano No. 15 in F major, K. 494+533: I. Allegro | — | ||
| 35-2 | Sonata for Piano No. 15 in F major, K. 494+533: II. Andante | — | ||
| 35-3 | Sonata for Piano No. 15 in F major, K. 494+533: III. Rondeau | — | ||
| 35-4 | Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": I. Allegro | — | ||
| 35-5 | Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": II. Andante | — | ||
| 35-6 | Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": III. Rondo. Allegro | — | ||
| 35-7 | Sonata for Piano No. 17 in B-flat major, K. 570: I. Allegro | — | ||
| 35-8 | Sonata for Piano No. 17 in B-flat major, K. 570: II. Adagio | — | ||
| 35-9 | Sonata for Piano No. 17 in B-flat major, K. 570: III. Allegretto | — | ||
| 36-1 | Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": I. Allegro | — | ||
| 36-2 | Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": II. Adagio | — | ||
| 36-3 | Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": III. Allegretto | — | ||
| 36-4 | Fantasia for Piano in C minor, K. 475 | — | ||
| 36-5 | Sonata for Piano No. 14 in C minor, K. 457: I. Allegro molto | — | ||
| 36-6 | Sonata for Piano No. 14 in C minor, K. 457: II. Adagio | — | ||
| 36-7 | Sonata for Piano No. 14 in C minor, K. 457: III. Allegro assai | — | ||
| 36-8 | Fantasia for Piano in D minor, K. 385g / 397 Fr *1782e (fragment): Andante - adagio - presto - tempo primo - presto - tempo primo - allegretto - a tempo | — | ||
| 36-9 | Rondo for Piano No. 3 in A minor, K. 511: Andante | Claudio Arrau | T-917.144.482-9 | |
| 37-1 | Piano Sonata in A major, Op. Posth. 120, D 664: I. Allegro moderato | — | ||
| 37-2 | Piano Sonata in A major, Op. Posth. 120, D 664: II. Andante | — | ||
| 37-3 | Piano Sonata in A major, Op. Posth. 120, D 664: III. Allegro | — | ||
| 37-4 | Piano Sonata in G major, D 894: I. Molto moderato e cantabile | — | ||
| 37-5 | Piano Sonata in G major, D 894: II. Andante | — | ||
| 37-6 | Piano Sonata in G major, D 894: III. Menuetto (Allegro moderato) | — | ||
| 37-7 | Piano Sonata in G major, D 894: IV. Allegretto | — | ||
| 38-1 | Piano Sonata in C minor, D 958: I. Allegro | — | ||
| 38-2 | Piano Sonata in C minor, D 958: II. Adagio | — | ||
| 38-3 | Piano Sonata in C minor, D 958: III. Menuetto (Allegro) | — | ||
| 38-4 | Piano Sonata in C minor, D 958: IV. Allegro | — | ||
| 38-5 | Piano Sonata in A major, D 959: I. Allegro | — | ||
| 38-6 | Piano Sonata in A major, D 959: II. Andantino | — | ||
| 38-7 | Piano Sonata in A major, D 959: III. Scherzo (Allegro vivace) | — | ||
| 38-8 | Piano Sonata in A major, D 959: IV. Rondo (Allegretto) | — | ||
| 39-1 | Piano Sonata in B-flat major, D. 960: I. Molto moderato | — | ||
| 39-2 | Piano Sonata in B-flat major, D. 960: II. Andante sostenuto | — | ||
| 39-3 | Piano Sonata in B-flat major, D. 960: III. Scherzo (Allegro vivace con delicatezza) | — | ||
| 39-4 | Piano Sonata in B-flat major, D. 960: IV. Allegro, ma non troppo | — | ||
| 40-1 | Impromptus, Op. 90 D. 899: No. 1 in C minor | — | ||
| 40-2 | Impromptus, Op. 90 D. 899: No. 2 in E-flat major | — | ||
| 40-3 | Impromptus, op. 90, D. 899: No. 3 in G-flat major | Claudio Arrau | — | |
| 40-4 | Impromptus, Op. 90 D. 899: No. 4 in A-flat major | — | ||
| 40-5 | Impromptus, Op. 142 D. 935: No. 1 in F minor | — | ||
| 40-6 | Impromptus, Op. 142 D. 935: No. 2 in A-flat major | — | ||
| 40-7 | Impromptus, Op. 142 D. 935: No. 3 in B-flat major | — | ||
| 40-8 | Impromptus, Op. 142 D. 935: No. 4 in F minor | — | ||
| 41-1 | Klavierstücke, D. 946: No. 1 in E-flat minor: Allegro assai | — | ||
| 41-2 | Klavierstücke, D. 946: No. 2 in E-flat major: Allegretto | — | ||
| 41-3 | Klavierstücke, D. 946: No. 3 in C major: Allegro | — | ||
| 41-4 | Moments musicaux, D. 780: No. 1 in C major: Moderato | — | ||
| 41-5 | Moments musicaux, D. 780: No. 2 in A-flat major: Andantino | — | ||
| 41-6 | Moments Musicaux, D. 780: no. 3 in F minor | Claudio Arrau | — | |
| 41-7 | Moments musicaux, D. 780: No. 4 in C-sharp minor: Moderato | — | ||
| 41-8 | Moments musicaux, D. 780: No. 5 in F minor: Allegro vivace | — | ||
| 41-9 | Moments musicaux, D. 780: No. 6 in A-flat major: Allegretto | — | ||
| 41-10 | Allegretto in C minor, D. 915 | Claudio Arrau | T-011.751.253-4 | |
| 42-1 | 24 Préludes, op. 28 no. 1 in C major | Claudio Arrau | — | |
| 42-2 | 24 Préludes, op. 28 no. 2 in A minor | Claudio Arrau | — | |
| 42-3 | 24 Préludes, op. 28 no. 3 in G major | Claudio Arrau | — | |
| 42-4 | 24 Préludes, op. 28 no. 4 in E minor | Claudio Arrau | T-910.009.246-4 | |
| 42-5 | 24 Préludes, op. 28 no. 5 in D major | Claudio Arrau | — | |
| 42-6 | 24 Préludes, op. 28 no. 6 in B minor | Claudio Arrau | T-308.384.655-9 | |
| 42-7 | 24 Préludes, op. 28 no. 7 in A major | Claudio Arrau | T-915.710.750-1 | |
| 42-8 | 24 Préludes, op. 28 no. 8 in F‐sharp minor | Claudio Arrau | — | |
| 42-9 | 24 Préludes, op. 28 no. 9 in E major | Claudio Arrau | T-906.148.797-6 | |
| 42-10 | 24 Préludes, op. 28 no. 10 in C‐sharp minor | Claudio Arrau | — | |
| 42-11 | 24 Préludes, op. 28 no. 11 in B major | Claudio Arrau | — | |
| 42-12 | 24 Préludes, op. 28 no. 12 in G‐sharp minor | Claudio Arrau | — | |
| 42-13 | 24 Préludes, op. 28 no. 13 in F‐sharp major | Claudio Arrau | T-306.230.833-8 | |
| 42-14 | 24 Préludes, op. 28 no. 14 in E‐flat minor | Claudio Arrau | T-921.530.967-4 | |
| 42-15 | 24 Préludes, op. 28 no. 15 in D‐flat major “Raindrop” | Claudio Arrau | — | |
| 42-16 | 24 Préludes, op. 28 no. 16 in B‐flat minor | Claudio Arrau | — | |
| 42-17 | 24 Préludes, op. 28 no. 17 in A‐flat major | Claudio Arrau | T-913.821.070-5 | |
| 42-18 | 24 Préludes, op. 28 no. 18 in F minor | Claudio Arrau | T-918.063.801-1 | |
| 42-19 | 24 Préludes, op. 28 no. 19 in E‐flat major | Claudio Arrau | T-906.148.797-6 | |
| 42-20 | 24 Préludes, op. 28 no. 20 in C minor | Claudio Arrau | T-308.384.655-9 | |
| 42-21 | 24 Préludes, op. 28 no. 21 in B‐flat major | Claudio Arrau | — | |
| 42-22 | 24 Préludes, op. 28 no. 22 in G minor | Claudio Arrau | T-917.141.447-4 | |
| 42-23 | 24 Préludes, op. 28 no. 23 in F major | Claudio Arrau | — | |
| 42-24 | 24 Préludes, op. 28 no. 24 in D minor | Claudio Arrau | — | |
| 42-25 | Prélude no. 25 in C‐sharp minor, op. 45 | Claudio Arrau | — | |
| 42-26 | Prélude no. 26 in A‐flat major, op. posth. | Claudio Arrau | — | |
| 42-27 | Impromptu no. 1 in A‐flat major, op. 29 | Claudio Arrau | — | |
| 42-28 | Impromptu no. 2 in F‐sharp minor, op. 36 | Claudio Arrau | T-306.230.833-8 | |
| 42-29 | Impromptu no. 3 in G‐flat major, op. 51 | Claudio Arrau | — | |
| 42-30 | Impromptu no. 4 in C‐sharp minor, op. 66 | Claudio Arrau | — | |
| 43-1 | Waltz no. 1 in E-flat major, op. 18 "Grand valse brillante" | Claudio Arrau | T-930.825.003-5 | |
| 43-2 | Waltz no. 2 in A-flat major, op. 34 no. 1 "Valse brillante" | Claudio Arrau | — | |
| 43-3 | Waltz no. 3 in A minor, op. 34 no. 2 | Claudio Arrau | — | |
| 43-4 | Waltz no. 4 in F major, op. 34 no. 3 "Valse brillante" | Claudio Arrau | — | |
| 43-5 | Waltz no. 5 in A-flat major, op. 42 "Grande valse" | Claudio Arrau | — | |
| 43-6 | Waltz no. 6 in D-flat major, op. 64 no. 1 "Minute" | Claudio Arrau | T-900.010.694-5 | |
| 43-7 | Waltz no. 7 in C-sharp minor, op. 64 no. 2 | Claudio Arrau | T-922.054.556-2 | |
| 43-8 | Waltz no. 8 in A-flat major, op. 64 no. 3 | Claudio Arrau | — | |
| 43-9 | Waltz no. 9 in A-flat major, op. 69 no. 1 "Valse de l'adieu" | Claudio Arrau | — | |
| 43-10 | Waltz no. 10 in B minor, op. 69 no. 2 | Claudio Arrau | T-913.274.588-1 | |
| 43-11 | Waltz no. 11 in G-flat major, op. 70 no. 1 | Claudio Arrau | — | |
| 43-12 | Waltz no. 12 F minor/A-flat major, op. 70 no. 2 | Claudio Arrau | — | |
| 43-13 | Waltz no. 13 in D-flat major, op. 70 no. 3 | Claudio Arrau | — | |
| 43-14 | Waltz no. 14 in E minor, op. posth. | Claudio Arrau | — | |
| 43-15 | Waltz no. 16 in A-flat major, op. posth. | Claudio Arrau | — | |
| 43-16 | Waltz no. 15 in E major, op. posth. | Claudio Arrau | — | |
| 43-17 | Waltz no. 19 in A minor, op. posth. | Claudio Arrau | T-310.208.314-3 | |
| 43-18 | Waltz no. 18 in E-flat major, op. posth. | Claudio Arrau | — | |
| 43-19 | Waltz no. 17 in E-flat major, op. posth. | Claudio Arrau | T-918.019.319-5 | |
| 44-1 | Ballade no. 1 in G minor, op. 23 | Claudio Arrau | T-917.141.447-4 | |
| 44-2 | Ballade no. 2 in F major, op. 38 | Claudio Arrau | — | |
| 44-3 | Ballade no. 3 in A-flat major, op. 47 | Claudio Arrau | T-913.821.070-5 | |
| 44-4 | Ballade no. 4 in F minor, op. 52 | Claudio Arrau | — | |
| 44-5 | Barcarolle in F-sharp major, op. 60 | Claudio Arrau | T-303.629.706-6 | |
| 44-6 | Fantaisie in F minor, op. 49 | Claudio Arrau | — | |
| 45-1 | Scherzo no. 1 in B minor, op. 20 | Claudio Arrau | T-308.384.655-9 | |
| 45-2 | Scherzo no. 2 in B-flat minor, op. 31 | Claudio Arrau | — | |
| 45-3 | Scherzo no. 3 in C-sharp minor, op. 39 | Claudio Arrau | T-918.063.801-1 | |
| 45-4 | Scherzo no. 4 in E major, op. 54 | Claudio Arrau | — | |
| 45-5 | Polonaise no. 7 in A-flat major, op. 61 “Polonaise-fantaisie” | Claudio Arrau | — | |
| 46-1 | Nocturne no. 1 in B-flat minor, op. 9 no. 1 | Claudio Arrau | T-312.441.574-9 | |
| 46-2 | Nocturne no. 2 in E-flat major, op. 9 no. 2 | Claudio Arrau | T-316.578.060-5 | |
| 46-3 | Nocturne no. 3 in B major, op. 9 no. 3 | Claudio Arrau | T-329.457.236-0 | |
| 46-4 | Nocturne no. 4 in F major, op. 15 no. 1 | Claudio Arrau | — | |
| 46-5 | Nocturne no. 5 in F-sharp major, op. 15 no. 2 | Claudio Arrau | T-306.230.833-8 | |
| 46-6 | Nocturne no. 6 in G minor, op. 15 no. 3 | Claudio Arrau | — | |
| 46-7 | Nocturne no. 7 in C-sharp minor, op. 27 no. 1 | Claudio Arrau | — | |
| 46-8 | Nocturne no. 8 in D-flat major, op. 27 no. 2 | Claudio Arrau | T-906.148.797-6 | |
| 46-9 | Nocturne no. 9 in B major, op. 32 no. 1 | Claudio Arrau | — | |
| 46-10 | Nocturne no. 10 in A-flat major, op. 32 no. 2 | Claudio Arrau | — | |
| 46-11 | Nocturne no. 11 in G minor, op. 37 no. 1 | Claudio Arrau | T-917.141.447-4 | |
| 47-1 | Nocturne no. 12 in G major, op. 37 no. 2 | Claudio Arrau | T-301.829.579-5 | |
| 47-2 | Nocturne no. 13 in C minor, op. 48 no. 1 | Claudio Arrau | — | |
| 47-3 | Nocturne no. 14 in F-sharp minor, op. 48 no. 2 | Claudio Arrau | — | |
| 47-4 | Nocturne no. 15 in F minor, op. 55 no. 1 | Claudio Arrau | T-321.286.787-9 | |
| 47-5 | Nocturne no. 16 in E-flat major, op. 55 no. 2 | Claudio Arrau | — | |
| 47-6 | Nocturne no. 17 in B major, op. 62 no. 1 | Claudio Arrau | — | |
| 47-7 | Nocturne no. 18 in E major, op. 62 no. 2 | Claudio Arrau | — | |
| 47-8 | Nocturne no. 19 in E minor, op. 72 no. 1 | Claudio Arrau | — | |
| 47-9 | Nocturne no. 20 in C-sharp minor, op. posth. | Claudio Arrau | T-928.543.689-7 | |
| 47-10 | Nocturne no. 21 in C minor, op. posth. | Claudio Arrau | — | |
| 48-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 48-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romance (Larghetto) | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | T-308.381.369-4 | |
| 48-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo (Vivace) | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 48-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 48-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | T-800.132.125-2 | |
| 48-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | T-902.804.388-1 | |
| 49-1 | Variations on "Là ci darem la mano" (from Mozart's "Don Giovanni") in B flat major, Op. 2 | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 49-2 | Fantasia on Polish Airs in A major, op. 13 | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 49-3 | Krakowiak - Concerto Rondo in F, op. 14: Introduction - Rondeau | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 49-4 | Andante spianato in G major and Grande Polonaise brillante in E-flat major, op. 22 | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 50-1 | Abegg Variations, Op. 1: Thema | — | ||
| 50-2 | Abegg Variations, Op. 1: Var. 1 | — | ||
| 50-3 | Abegg Variations, Op. 1: Var. 2 | — | ||
| 50-4 | Abegg Variations, Op. 1: Var. 3 | — | ||
| 50-5 | Abegg Variations, Op. 1: Cantabile | — | ||
| 50-6 | Abegg Variations, Op. 1: Finale alla Fantasia | — | ||
| 50-7 | Papillons, Op. 2 | — | ||
| 50-8 | Fantasy in C major, Op. 17: I. Il tutto fantastico ed appassionato - In modo d'una leggenda | — | ||
| 50-9 | Fantasy in C major, Op. 17: II. Moderato con energia - Poco meno mosso - Più animato | — | ||
| 50-10 | Fantasy in C major, Op. 17: III. Lento sostenuto. Il tutto piano - Poco più animato | — | ||
| 50-11 | Nachtstücke, Op. 23: I. Mehr langsam, oft zurückhaltend | — | ||
| 50-12 | Nachtstücke, Op. 23: II. Markiert und lebhaft | — | ||
| 50-13 | Nachtstücke, Op. 23: III. Mit großer Lebhaftigkeit | — | ||
| 50-14 | Nachtstücke, Op. 23: IV. Ad libitum - Einfach | — | ||
| 51-1 | Carnaval, Op. 9: I. Préambule | Claudio Arrau | — | |
| 51-2 | Carnaval, Op. 9: II. Pierrot | Claudio Arrau | — | |
| 51-3 | Carnaval, Op. 9: III. Arlequin | Claudio Arrau | — | |
| 51-4 | Carnaval, Op. 9: IV. Valse noble | Claudio Arrau | — | |
| 51-5 | Carnaval, Op. 9: V. Eusebius | Claudio Arrau | — | |
| 51-6 | Carnaval, Op. 9: VI. Florestan | Claudio Arrau | — | |
| 51-7 | Carnaval, Op. 9: VII. Coquette | Claudio Arrau | — | |
| 51-8 | Carnaval, Op. 9: VIII. Réplique | Claudio Arrau | — | |
| 51-9 | Carnaval, Op. 9: IX. Papillons | Claudio Arrau | — | |
| 51-10 | Carnaval, Op. 9: X. ASCH-SCHA Lettres dansantes | Claudio Arrau | — | |
| 51-11 | Carnaval, Op. 9: XI. Chiarina | Claudio Arrau | — | |
| 51-12 | Carnaval, Op. 9: XII. Chopin | Claudio Arrau | — | |
| 51-13 | Carnaval, Op. 9: XIII. Estrella | Claudio Arrau | — | |
| 51-14 | Carnaval, Op. 9: XIV. Reconnaissance | Claudio Arrau | — | |
| 51-15 | Carnaval, Op. 9: XV. Pantalon e Colombine | Claudio Arrau | — | |
| 51-16 | Carnaval, Op. 9: XVI. Valse allemande - Intermezzo - Paganini - Valse allemande reprise | Claudio Arrau | — | |
| 51-17 | Carnaval, Op. 9: XVII. Aveu | Claudio Arrau | — | |
| 51-18 | Carnaval, Op. 9: XVIII. Promenade | Claudio Arrau | — | |
| 51-19 | Carnaval, Op. 9: XIX. Pause | Claudio Arrau | — | |
| 51-20 | Carnaval, Op. 9: XX. Marche des "Davidsbundler" contre les Philistins | Claudio Arrau | — | |
| 51-21 | Sonata No. 1 in F-sharp minor, Op. 11: I. Introduzione | — | ||
| 51-22 | Sonata No. 1 in F-sharp minor, Op. 11: II. Aria | — | ||
| 51-23 | Sonata No. 1 in F-sharp minor, Op. 11: III. Scherzo ed intermezzo | — | ||
| 51-24 | Sonata No. 1 in F-sharp minor, Op. 11: IV. Finale | — | ||
| 51-25 | 3 Fantasiestücke, Op. 111: I. Molto vivace et appasionatamente | — | ||
| 51-26 | 3 Fantasiestücke, Op. 111: II. Piuttosto lento | — | ||
| 51-27 | 3 Fantasiestücke, Op. 111: III. Con forza, assai marcato | — | ||
| 52-1 | Fantasiestücke, op. 12: I. Des Abends | Claudio Arrau | — | |
| 52-2 | Fantasiestücke, op. 12: II. Aufschwung | Claudio Arrau | — | |
| 52-3 | Fantasiestücke, Op. 12: III. Warum? | — | ||
| 52-4 | Fantasiestücke, Op. 12: IV. Grillen | — | ||
| 52-5 | Fantasiestücke, Op. 12: V. Fantasiestück no.9 | — | ||
| 52-6 | Fantasiestücke, Op. 12: VI. In der Nacht | — | ||
| 52-7 | Fantasiestücke, Op. 12: VII. Fabel | — | ||
| 52-8 | Fantasiestücke, Op. 12: VIII. Traumes Wirren | — | ||
| 52-9 | Fantasiestücke, Op. 12: IX. Ende vom Lied | — | ||
| 52-10 | Symphonic Etudes, Op. 13: Theme | — | ||
| 52-11 | Symphonic Etudes, Op. 13: Etude #1 | — | ||
| 52-12 | Symphonic Etudes, Op. 13: Var. 1 (Aus dem Nachlass) | — | ||
| 52-13 | Symphonic Etudes, Op. 13: Etude #2 | — | ||
| 52-14 | Symphonic Etudes, Op. 13: Etude #3 | — | ||
| 52-15 | Symphonic Etudes, Op. 13: Etude #4 | — | ||
| 52-16 | Symphonic Etudes, Op. 13: Etude #5 | — | ||
| 52-17 | Symphonic Etudes, Op. 13: Var. 4 (Aus dem Nachlass) | — | ||
| 52-18 | Symphonic Etudes, Op. 13: Etude #6 | — | ||
| 52-19 | Symphonic Etudes, Op. 13: Etude #7 | — | ||
| 52-20 | Symphonic Etudes, Op. 13: Var. 2 (Aus dem Nachlass) | — | ||
| 52-21 | Symphonic Etudes, Op. 13: Var. 5 (Aus dem Nachlass) | — | ||
| 52-22 | Symphonic Etudes, Op. 13: Etude #8 | — | ||
| 52-23 | Symphonic Etudes, Op. 13: Etude #9 | — | ||
| 52-24 | Symphonic Etudes, Op. 13: Var. 3 (Aus dem Nachlass) | — | ||
| 52-25 | Symphonic Etudes, Op. 13: Etude #10 | — | ||
| 52-26 | Symphonic Etudes, Op. 13: Etude #11 | — | ||
| 52-27 | Symphonic Etudes, Op. 13: Etude #12 | — | ||
| 52-28 | Arabeske in C, Op. 18 | — | ||
| 53-1 | Kinderszenen, op. 15: Von fremden Ländern und Menschen | Claudio Arrau | T-314.629.927-2 | |
| 53-2 | Kinderszenen, op. 15: Kuriöse Geschichten | Claudio Arrau | — | |
| 53-3 | Kinderszenen, op. 15: Hasche-Mann | Claudio Arrau | — | |
| 53-4 | Kinderszenen, op. 15: Bittendes Kind | Claudio Arrau | — | |
| 53-5 | Kinderszenen, op. 15: Glückes Genug | Claudio Arrau | — | |
| 53-6 | Kinderszenen, op. 15: Wichtige Begebenheit | Claudio Arrau | — | |
| 53-7 | Kinderszenen, op. 15: Träumerei | Claudio Arrau | — | |
| 53-8 | Kinderszenen, op. 15: Am Kamin | Claudio Arrau | — | |
| 53-9 | Kinderszenen, op. 15: Ritter vom Steckenpferd | Claudio Arrau | — | |
| 53-10 | Kinderszenen, op. 15: Fast zu ernst | Claudio Arrau | — | |
| 53-11 | Kinderszenen, op. 15: Fürchtenmachen | Claudio Arrau | — | |
| 53-12 | Kinderszenen, op. 15: Kind im Einschlummern | Claudio Arrau | — | |
| 53-13 | Kinderszenen, op. 15: Der Dichter spricht | Claudio Arrau | — | |
| 53-14 | Kreisleriana Op.16: 1. Agitatissimo | — | ||
| 53-15 | Kreisleriana Op.16: 2a. Con molto espressione, non troppo presto | — | ||
| 53-16 | Kreisleriana Op.16: 2b. Intermezzo I - Molto vivace | — | ||
| 53-17 | Kreisleriana Op.16: 2c. Tempo I | — | ||
| 53-18 | Kreisleriana Op.16: 2d. Intermezzo II - Poco più mosso | — | ||
| 53-19 | Kreisleriana Op.16: 2e. Tempo I | — | ||
| 53-20 | Kreisleriana Op.16: 3. Molto agitato | — | ||
| 53-21 | Kreisleriana Op.16: 4. Lento assai | — | ||
| 53-22 | Kreisleriana Op.16: 5. Vivace assai | — | ||
| 53-23 | Kreisleriana Op.16: 6. Lento assai | — | ||
| 53-24 | Kreisleriana Op.16: 7. Molto presto | — | ||
| 53-25 | Kreisleriana Op.16: 8. Vivace e scherzando | — | ||
| 53-26 | Waldszenen, Op. 82: I. Eintritt Nicht zu schnell | Claudio Arrau | — | |
| 53-27 | Waldszenen, Op. 82: II. Jäger auf der Lauer - Hochst lebhaft | Claudio Arrau | — | |
| 53-28 | Waldszenen, Op. 82: III. Einsame Blumen Einfach | Claudio Arrau | — | |
| 53-29 | Waldszenen, Op. 82: IV. Verrufene Stelle - Ziemlich langsamb | Claudio Arrau | — | |
| 53-30 | Waldszenen, Op. 82: V. Freundliche Lanschaft Schnell | Claudio Arrau | — | |
| 53-31 | Waldszenen, Op. 82: VI. Herberge Massig | Claudio Arrau | — | |
| 53-32 | Waldszenen, Op. 82: VII. Vogel als Prophet Langs | Claudio Arrau | — | |
| 53-33 | Waldszenen, Op. 82: VIII. Jagdlied Rasch kraftig | Claudio Arrau | — | |
| 53-34 | Waldszenen, op. 82: IX. Abschied Nicht zu | Claudio Arrau | — | |
| 54-1 | Davidsbündlertänze, Op. 6: I. Lebhaft | — | ||
| 54-2 | Davidsbündlertänze, Op. 6: II. Innig | — | ||
| 54-3 | Davidsbündlertänze, Op. 6: III. Mit Humor (Etwas hahnbüchen) | — | ||
| 54-4 | Davidsbündlertänze, Op. 6: IV. Ungeduldig | — | ||
| 54-5 | Davidsbündlertänze, Op. 6: V. Einfach | — | ||
| 54-6 | Davidsbündlertänze, Op. 6: VI. Sehr rasch und in sich hinein | — | ||
| 54-7 | Davidsbündlertänze, Op. 6: VII. Nicht schnell mit äußerst starker Empfindung | — | ||
| 54-8 | Davidsbündlertänze, Op. 6: VIII. Frisch | — | ||
| 54-9 | Davidsbündlertänze, Op. 6: IX. Lebhaft | — | ||
| 54-10 | Davidsbündlertänze, Op. 6: X. Balladenmäßig, sehr rasch | — | ||
| 54-11 | Davidsbündlertänze, Op. 6: XI. Einfach | — | ||
| 54-12 | Davidsbündlertänze, Op. 6: XII. Mit Humor | — | ||
| 54-13 | Davidsbündlertänze, Op. 6: XIII. Wild und lustig | — | ||
| 54-14 | Davidsbündlertänze, Op. 6: XIV. Zart und singend | — | ||
| 54-15 | Davidsbündlertänze, Op. 6: XV. Frisch | — | ||
| 54-16 | Davidsbündlertänze, Op. 6: XVI. Mit gutem Humor | — | ||
| 54-17 | Davidsbündlertänze, Op. 6: XVII. Wie aus der Ferne | — | ||
| 54-18 | Davidsbündlertänze, Op. 6: XVIII. Nicht schnell (Ganz zum Überfluss) | — | ||
| 54-19 | Blumenstück, Op. 19: Blumenstück | — | ||
| 54-20 | Humoreske, Op. 20: I. Einfach | — | ||
| 54-21 | Humoreske, Op. 20: II. Sehr rasch und leicht | — | ||
| 54-22 | Humoreske, Op. 20: III. Hastig | — | ||
| 54-23 | Humoreske, Op. 20: IV. Einfach und zart | — | ||
| 54-24 | Humoreske, Op. 20: V. Intermezzo | — | ||
| 54-25 | Humoreske, Op. 20: VI. Innig | — | ||
| 54-26 | Humoreske, Op. 20: VII. Sehr lebhaft | — | ||
| 54-27 | Humoreske, Op. 20: VIII. Finale | — | ||
| 55-1 | Novelletten, Op. 21 No. 1: Markiert und kräftig | — | ||
| 55-2 | Novelletten, Op. 21 No. 2: Äusserst rasch und mit Bravour | — | ||
| 55-3 | Novelletten, Op. 21 No. 3: Leicht und mit Humor | — | ||
| 55-4 | Novelletten, Op. 21 No. 4: Ballmässig, sehr munter | — | ||
| 55-5 | Novelletten, Op. 21 No. 5: Rauschend und festlich | — | ||
| 55-6 | Novelletten, Op. 21 No. 6: Sehr lebhaft, mit vielem Humor | — | ||
| 55-7 | Novelletten, Op. 21 No. 7: Äusserst rasch | — | ||
| 55-8 | Novelletten, Op. 21 No. 8: Sehr lebhaft | — | ||
| 55-9 | Sonata No. 2 in G minor, Op. 22: I. So rasch wie möglich - schneller - noch schneller | — | ||
| 55-10 | Sonata No. 2 in G minor, Op. 22: II. Andantino | — | ||
| 55-11 | Sonata No. 2 in G minor, Op. 22: III. Scherzo | — | ||
| 55-12 | Sonata No. 2 in G minor, Op. 22: IV. Rondo | — | ||
| 55-13 | Sonata No. 2 in G minor, Op. 22: IV. Presto (Appendix) | — | ||
| 56-1 | Faschingsschwank aus Wien, op. 26: I. Allegro | Claudio Arrau | — | |
| 56-2 | Faschingsschwank aus Wien, op. 26: II. Romanze | Claudio Arrau | — | |
| 56-3 | Faschingsschwank aus Wien, op. 26: III. Scherzino | Claudio Arrau | — | |
| 56-4 | Faschingsschwank aus Wien, op. 26: IV. Intermezzo | Claudio Arrau | — | |
| 56-5 | Faschingsschwank aus Wien, op. 26: IV. Finale | Claudio Arrau | — | |
| 56-6 | Three Romances, Op. 28 No. 1: In B Flat Minor | — | ||
| 56-7 | Three Romances, Op. 28 No. 2: In F Sharp | — | ||
| 56-8 | Three Romances, Op. 28 No. 3: In B | — | ||
| 56-9 | Piano Concerto in A minor, Op. 54: I. Allegro affettuoso | — | ||
| 56-10 | Piano Concerto in A minor, Op. 54: II. Intermezzo, andantino grazioso | — | ||
| 56-11 | Piano Concerto in A minor, Op. 54: III. Allegro vivace | — | ||
| 57-1 | Sonata in B minor: Lento assai - Allegro energico | Claudio Arrau | — | |
| 57-2 | Sonata in B minor: Grandioso - Recitativo | Claudio Arrau | — | |
| 57-3 | Sonata in B minor: Andante sostenuto | Claudio Arrau | T-011.189.063-1 | |
| 57-4 | Sonata in B minor: Allegro energico - Andante sostenuto - Lento assai | Claudio Arrau | — | |
| 57-5 | Concerto for Piano and Orchestra no. 1 in E-flat major: I. Allegro maestoso | Claudio Arrau, London Symphony Orchestra, Sir Colin Davis | — | |
| 57-6 | Concerto for Piano and Orchestra no. 1 in E-flat major: II. Quasi adagio | Claudio Arrau, London Symphony Orchestra, Sir Colin Davis | — | |
| 57-7 | Concerto for Piano and Orchestra no. 1 in E-flat major: III. Allegretto vivace - Allegro animato | Claudio Arrau, London Symphony Orchestra, Sir Colin Davis | — | |
| 57-8 | Concerto for Piano and Orchestra no. 1 in E-flat major: IV. Allegro marziale animato | Claudio Arrau, London Symphony Orchestra, Sir Colin Davis | — | |
| 57-9 | Concerto for Piano and Orchestra no. 2 in A major: Adagio sostenuto assai - Allegro agitato assai | Claudio Arrau, London Symphony Orchestra, Sir Colin Davis | — | |
| 57-10 | Concerto for Piano and Orchestra no. 2 in A major: Allegro moderato | Claudio Arrau, London Symphony Orchestra, Sir Colin Davis | — | |
| 57-11 | Concerto for Piano and Orchestra no. 2 in A major: Allegro deciso - Marziale un poco meno allegro | Claudio Arrau, London Symphony Orchestra, Sir Colin Davis | — | |
| 57-12 | Concerto for Piano and Orchestra no. 2 in A major: Allegro animato | Claudio Arrau, London Symphony Orchestra, Sir Colin Davis | — | |
| 58-1 | Études d'exécution transcendante: I. Preludio in C major | — | ||
| 58-2 | Études d'exécution transcendante: II. Étude in A minor. Molto vivace | — | ||
| 58-3 | Études d'exécution transcendante: III. "Paysage" in F major. Poco adagio | — | ||
| 58-4 | Études d'exécution transcendante: IV. "Mazeppa" in D minor. Allegro | — | ||
| 58-5 | 12 Études d'exécution transcendante: Feux follets (Allegretto) | Claudio Arrau | T-924.490.462-9 | |
| 58-6 | Études d'exécution transcendante: VI. "Vision" in G minor. Lento | — | ||
| 58-7 | Études d'exécution transcendante: VII. "Eroica" in E-flat major. Allegro | — | ||
| 58-8 | Études d'exécution transcendante: VIII. "Wilde Jagd" in C minor. Presto furioso | — | ||
| 58-9 | Études d'exécution transcendante: IX. "Ricordanza" in A-flat major. Andantino, improvisato | — | ||
| 58-10 | Études d'exécution transcendante: X. Étude in F minor. Allegro agitato molto | — | ||
| 58-11 | Études d'exécution transcendante: XI. "Harmonies du soir" in D-flat major. Andantino | — | ||
| 58-12 | Études d'exécution transcendante: XII. "Chasse-neige" in B-flat minor. Andante con moto | — | ||
| 59-1 | Valse oubliée in F-sharp major | — | ||
| 59-2 | 6 Chants polonais de Chopin: Souhait d'une jeune fille | — | ||
| 59-3 | 6 Chants polonais de Chopin: Printemps | — | ||
| 59-4 | 6 Chants polonais de Chopin: Le Petit anneau | — | ||
| 59-5 | 6 Chants polonais de Chopin: Bacchanale | — | ||
| 59-6 | 6 Chants polonais de Chopin: Ma mignonne | — | ||
| 59-7 | 6 Chants polonais de Chopin: Le Fiancé | — | ||
| 59-8 | Funérailles | — | ||
| 59-9 | Bénédiction de Dieu dans la solitude: Moderato | Claudio Arrau | — | |
| 59-10 | Harmonies poétiques et religieuses, S. 173: No. 3. Bénédiction de Dieu dans la solitude: Andante | Claudio Arrau | T-106.677.158-0 | |
| 59-11 | Bénédiction de Dieu dans la solitude: Più sostenuto quasi preludio | Claudio Arrau | — | |
| 59-12 | Ballade no. 2 in B minor | — | ||
| 60-1 | Liebestraum no. 3 in A-flat major | — | ||
| 60-2 | Paraphrases de concert sur des opéras de Verdi: Rigoletto | Claudio Arrau | — | |
| 60-3 | Paraphrases de concert sur des opéras de Verdi: Ernani | Claudio Arrau | — | |
| 60-4 | Paraphrases de concert sur des opéras de Verdi: Il trovatore | Claudio Arrau | — | |
| 60-5 | Paraphrases de concert sur des opéras de Verdi: I lombardi | Claudio Arrau | — | |
| 60-6 | Paraphrases de concert sur des opéras de Verdi: Aida | Claudio Arrau | — | |
| 60-7 | Paraphrases de concert sur des opéras de Verdi: Don Carlos | Claudio Arrau | — | |
| 60-8 | Paraphrases de concert sur des opéras de Verdi: Simone Boccanegra | Claudio Arrau | — | |
| 60-9 | Mephisto Waltz no. 1 | — | ||
| 61-1 | Études de concert: Waldesrauschen | Claudio Arrau | T-917.141.447-4 | |
| 61-2 | Études de concert: Gnomenreigen | — | ||
| 61-3 | Trois Études de concert: Il lamento | Claudio Arrau | — | |
| 61-4 | Trois Études de concert: La leggierezza | Claudio Arrau | — | |
| 61-5 | Trois Études de concert: Un sospiro | Claudio Arrau | — | |
| 61-6 | Sonata in B minor: Lento assai - Allegro energico | — | ||
| 61-7 | Sonata in B minor: Andante sostenuto | — | ||
| 61-8 | Sonata in B minor: Allegro energico | — | ||
| 61-9 | Sonata in B minor: Andante sostenuto - Lento assai | — | ||
| 62-1 | Années de pèlerinage: Les Jeux d'eaux à la Villa d'Este | — | ||
| 62-2 | Années de pèlerinage: Vallée d'Obermann | — | ||
| 62-3 | Années de pèlerinage: Après une lecture du Dante | — | ||
| 62-4 | Années de pèlerinage: Sonetto 104 del Petrarca | — | ||
| 62-5 | Années de pèlerinage: Sonetto 123 del Petrarca | — | ||
| 62-6 | Années de pèlerinage: La Chapelle de Guillaume Tell | — | ||
| 63-1 | Ballades, op. 10 no. 1 in D minor | — | ||
| 63-2 | Ballades, op. 10 no. 2 in D | — | ||
| 63-3 | Ballades, op. 10 no. 3 in B minor | — | ||
| 63-4 | Ballades, op. 10 no. 4 in B | — | ||
| 63-5 | Variations on a Theme by Haendel in B-flat, op. 24 | — | ||
| 63-6 | Variations on a Theme by Paganini in A minor, op. 35: Book I | — | ||
| 63-7 | Variations on a Theme by Paganini in A minor, op. 35: Book II | — | ||
| 64-1 | Sonata no. 2 in F-sharp minor, op. 2: Allegro non troppo | — | ||
| 64-2 | Sonata no. 2 in F-sharp minor, op. 2: Andante | — | ||
| 64-3 | Sonata no. 2 in F-sharp minor, op. 2: Scherzo | — | ||
| 64-4 | Sonata no. 2 in F-sharp minor, op. 2: Finale | — | ||
| 64-5 | Sonata no. 3 in F minor, op. 5: Allegro maestoso | — | ||
| 64-6 | Sonata no. 3 in F minor, op. 5: Andante | — | ||
| 64-7 | Sonata no. 3 in F minor, op. 5: Scherzo | — | ||
| 64-8 | Sonata no. 3 in F minor, op. 5: Intermezzo | — | ||
| 64-9 | Sonata no. 3 in F minor, op. 5: Finale | — | ||
| 64-10 | Scherzo in E-flat minor, op. 4 | — | ||
| 65-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 65-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 65-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 66-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | T-322.446.876-8 | |
| 66-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | T-322.446.817-7 | |
| 66-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante - Più adagio | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | T-322.449.900-3 | |
| 66-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 67-1 | Piano Concerto no. 1 in B-flat minor, op. 23: 1. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 67-2 | Piano Concerto no. 1 in B-flat minor, op. 23: 2. Andantino semplice - Prestissimo - Tempo I | — | ||
| 67-3 | Piano Concerto no. 1 in B-flat minor, op. 23: 3. Allegro con fuoco | — | ||
| 67-4 | Piano Concerto in A minor, Op. 16: I. Allegro molto moderato | — | ||
| 67-5 | Piano Concerto in A minor, Op. 16: II. Adagio | — | ||
| 67-6 | Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato, quasi presto, andante maestoso | — | ||
| 68-1 | Piano Concerto in A minor, Op. 16: I. Allegro molto moderato | — | ||
| 68-2 | Piano Concerto in A minor, Op. 16: II. Adagio | — | ||
| 68-3 | Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso | — | ||
| 68-4 | Piano Concerto in A minor, Op. 54: I. Allegro affettuoso | — | ||
| 68-5 | Piano Concerto in A minor, Op. 54: II. Intermezzo (Andantino grazioso) | — | ||
| 68-6 | Piano Concerto in A minor, Op. 54: III. Allegro vivace | — | ||
| 69-1 | Préludes, Livre 1, L. 117 No. 1: Danseuses de Delphes | — | ||
| 69-2 | Préludes, Livre 1, L. 117 No. 2: Voiles | — | ||
| 69-3 | Préludes, Livre 1, L. 117 No. 3: Le vent dans la plaine | — | ||
| 69-4 | Préludes, Livre 1, L. 117 No. 4: "Les sons et les parfums tournent dans l'air du soir" | — | ||
| 69-5 | Préludes, Livre 1, L. 117 No. 5: Les collines d'Anacapri | — | ||
| 69-6 | Préludes, Livre 1, L. 117 No. 6: Des pas sur la neige | — | ||
| 69-7 | Préludes, Livre 1, L. 117 No. 7: Ce qu'a vu le vent d'Ouest | — | ||
| 69-8 | Préludes, Livre 1, L. 117 No. 8: La fille aux cheveux de lin | Claudio Arrau | — | |
| 69-9 | Préludes, Livre 1, L. 117 No. 9: La sérénade interrompue | — | ||
| 69-10 | Préludes, Livre 1, L. 117 No. 10: La cathédrale engloutie | — | ||
| 69-11 | Préludes, Livre 1, L. 117 No. 11: La danse de Puck | — | ||
| 69-12 | Préludes, Livre 1, L. 117 No. 12: Minstrels | — | ||
| 69-13 | Images, Livre 1, L. 110 No. 1: Reflets dans l'eau | — | ||
| 69-14 | Images, Livre 1, L. 110 No. 2: Hommage à Rameau | — | ||
| 69-15 | Images, Livre 1, L. 110 No. 3: Mouvement | — | ||
| 69-16 | Estampes, L. 100 No. 1: Pagodes | — | ||
| 69-17 | Estampes, L. 100 No. 2: Soirée dans Grenade | — | ||
| 69-18 | Estampes, L. 100 No. 3: Jardins sous la pluie | — | ||
| 70-1 | Préludes, Livre 2, L. 123 No. 1: Brouillards | — | ||
| 70-2 | Préludes, Livre 2, L. 123 No. 2: Feuilles mortes | — | ||
| 70-3 | Préludes, Livre 2, L. 123 No. 3: La Puerta del Vino | — | ||
| 70-4 | Préludes, Livre 2, L. 123 No. 4: "Les Fées sont d'exquises danseuses" | — | ||
| 70-5 | Préludes, Livre 2, L. 123 No. 5: Bruyères | — | ||
| 70-6 | Préludes, Livre 2, L. 123 No. 6: General Lavine - eccentric | — | ||
| 70-7 | Préludes, Livre 2, L. 123 No. 7: La terrasse des audiences du clair de lune | — | ||
| 70-8 | Préludes, Livre 2, L. 123 No. 8: Ondine | — | ||
| 70-9 | Préludes, Livre 2, L. 123 No. 9: Hommage à Samuel Pickwick Esq. P.P.M.P.C. | — | ||
| 70-10 | Préludes, Livre 2, L. 123 No. 10: Canope | — | ||
| 70-11 | Préludes, Livre 2, L. 123 No. 11: Les tierces alternées | — | ||
| 70-12 | Préludes, Livre 2, L. 123 No. 12: Feux d'artifice | — | ||
| 70-13 | Images, Livre 2, L. 111 No. 1 : Cloches à travers les feuilles | — | ||
| 70-14 | Images, Livre 2, L. 111 No. 2: Et la lune descend sur le temple qui fut | — | ||
| 70-15 | Images, Livre 2, L. 111 No. 3: Poissons d'or | — | ||
| 71-1 | Suite bergamasque, L. 75: I. Prélude | — | ||
| 71-2 | Suite bergamasque, L. 75: II. Menuet | — | ||
| 71-3 | Suite bergamasque, L. 75: III. Clair de lune | — | ||
| 71-4 | Suite bergamasque, L. 75: IV. Passepied | — | ||
| 71-5 | Pour le piano, L. 95: II. Sarabande | — | ||
| 71-6 | La plus que lente, valse, L. 121 | — | ||
| 71-7 | Valse romantique, L. 71 | — | ||
| 72-1 | Partita No. 2 in C minor, BWV 826: 1. Sinfonia (Grave adagio - Andante) | — | ||
| 72-2 | Partita No. 2 in C minor, BWV 826: 2. Allemande | — | ||
| 72-3 | Partita No. 2 in C minor, BWV 826: 3. Courante | — | ||
| 72-4 | Partita No. 2 in C minor, BWV 826: 4. Sarabande | — | ||
| 72-5 | Partita No. 2 in C minor, BWV 826: 5. Rondeaux | — | ||
| 72-6 | Partita No. 2 in C minor, BWV 826: 6. Capriccio | — | ||
| 72-7 | Partita No. 1 in B flat, BWV 825: 1. Praeludium | — | ||
| 72-8 | Partita No. 1 in B flat, BWV 825: 2. Allemande | — | ||
| 72-9 | Partita No. 1 in B flat, BWV 825: 3. Corrente | — | ||
| 72-10 | Partita No. 1 in B flat, BWV 825: 4. Sarabande | — | ||
| 72-11 | Partita No. 1 in B flat, BWV 825: 5/6. Menuet I - Menuet II | — | ||
| 72-12 | Partita No. 1 in B flat, BWV 825: 7. Giga | — | ||
| 73-1 | Partita no. 5 in G major, BWV 829: I. Praeambulum | — | ||
| 73-2 | Partita no. 5 in G major, BWV 829: II. Allemande | — | ||
| 73-3 | Partita no. 5 in G major, BWV 829: III. Courante | — | ||
| 73-4 | Partita no. 5 in G major, BWV 829: IV. Sarabande | — | ||
| 73-5 | Partita no. 5 in G major, BWV 829: V. Tempo di Minuetto | — | ||
| 73-6 | Partita no. 5 in G major, BWV 829: VI. Passepied | — | ||
| 73-7 | Partita no. 5 in G major, BWV 829: VII. Gigue | — | ||
| 73-8 | Partita no. 3 in A minor, BWV 827: I. Fantaisie | — | ||
| 73-9 | Partita no. 3 in A minor, BWV 827: II. Allemande | — | ||
| 73-10 | Partita no. 3 in A minor, BWV 827: III. Courante | — | ||
| 73-11 | Partita no. 3 in A minor, BWV 827: IV. Sarabande | — | ||
| 73-12 | Partita no. 3 in A minor, BWV 827: V. Burlesca | — | ||
| 73-13 | Partita no. 3 in A minor, BWV 827: VI. Scherzo | Claudio Arrau | — | |
| 73-14 | Partita no. 3 in A minor, BWV 827: VII. Gigue | — | ||
| 74-1 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | — | ||
| 74-2 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto | — | ||
| 74-3 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 74-4 | Ballade no. 2 in B minor, S. 171 | — | ||
| 74-5 | Scherzo no. 1 in B minor, op. 20 | — | ||
| 75-1 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Tema. Vivace | — | ||
| 75-2 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. I. Alla marcia maestoso | — | ||
| 75-3 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. II. Poco allegro | — | ||
| 75-4 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. III. L'istesso tempo | — | ||
| 75-5 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. IV. Un poco più vivace | — | ||
| 75-6 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. V. Allegro vivace | — | ||
| 75-7 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. VI. Allegro ma non troppo e serioso | — | ||
| 75-8 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. VII. Un poco più allegro | — | ||
| 75-9 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. VIII. Poco vivace | — | ||
| 75-10 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. IX. Allegro pesante e risoluto | — | ||
| 75-11 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. X. Presto | — | ||
| 75-12 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XI. Allegretto | — | ||
| 75-13 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XII. Un poco più moto | — | ||
| 75-14 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XIII. Vivace | — | ||
| 75-15 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XIV. Grave e maestoso | — | ||
| 75-16 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XV. Presto scherzando | — | ||
| 75-17 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XVI. Allegro | — | ||
| 75-18 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XVII. | — | ||
| 75-19 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XVIII. Poco moderato | — | ||
| 75-20 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XIX. Presto | — | ||
| 75-21 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XX. Andante | — | ||
| 75-22 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXI. Allegro con brio - Meno allegro | — | ||
| 75-23 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXII. Allegro molto (alla "Notte e giorno faticar" di Mozart) | — | ||
| 75-24 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXIII. Allegro assai | — | ||
| 75-25 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXIV. Fughetta. Andante | — | ||
| 75-26 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXV. Allegro | — | ||
| 75-27 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXVI. | — | ||
| 75-28 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXVII. Vivace | — | ||
| 75-29 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXVIII. Allegro | — | ||
| 75-30 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXIX. Adagio ma non troppo | — | ||
| 75-31 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXX. Andante, sempre cantabile | — | ||
| 75-32 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXXI. Largo, molto espressivo | — | ||
| 75-33 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXXII. Fuga (Allegro - Poco adagio) | — | ||
| 75-34 | 33 Variations in C on a Waltz by Anton Diabelli, Op. 120: Var. XXXIII. Tempo di menuetto moderato | — | ||
| 75-35 | 15 Variations and Fugue in E-Flat Major, Op. 35: 'Eroica Variations' | Claudio Arrau | — | |
| 76-1 | Piano Sonata no. 29 in B-Flat major, op. 106 -"Hammerklavier": I. Allegro | — | ||
| 76-2 | Piano Sonata no. 29 in B-Flat major, op. 106 -"Hammerklavier": II. Scherzo. Assai vivace | — | ||
| 76-3 | Piano Sonata no. 29 in B-Flat major, op. 106 -"Hammerklavier": III. Adagio sostenuto | — | ||
| 76-4 | Piano Sonata no. 29 in B-Flat major, op. 106 -"Hammerklavier": IV. Largo: Allegro risoluto | — | ||
| 76-5 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": I. Grave: Allegro di molto e con brio | — | ||
| 76-6 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | — | ||
| 76-7 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": III. Rondo (Allegro) | — | ||
| 77-1 | Piano Sonata no. 14 in C-Sharp minor, op. 27 No. 2 "Moonlight": I. Adagio sostenuto | — | ||
| 77-2 | Piano Sonata no. 14 in C-Sharp minor, op. 27 No. 2 "Moonlight": II. Allegretto | — | ||
| 77-3 | Piano Sonata no. 14 in C-Sharp minor, op. 27 No. 2 "Moonlight": III. Presto agitato | — | ||
| 77-4 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | — | ||
| 77-5 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto | — | ||
| 77-6 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 77-7 | Piano Sonata no. 26 in E-Flat major, op. 81a "Les Adieux": I. Das Lebewohl (Adagio: Allegro) | — | ||
| 77-8 | Piano Sonata no. 26 in E-Flat major, op. 81a "Les Adieux": II. Abwesenheit (Andante espressivo) | — | ||
| 77-9 | Piano Sonata no. 26 in E-Flat major, op. 81a "Les Adieux": III. Das Wiedersehen (Vivacissimamente) | — | ||
| 77-10 | Fantaisie in F minor, op. 49 | — | ||
| 78-1 | Scherzo no. 1 in B minor, op. 20 | — | ||
| 78-2 | Scherzo no. 2 in B-Flat minor, op. 31 | — | ||
| 78-3 | Scherzo no. 3 in C-sharp minor, op. 39 | Claudio Arrau | T-918.063.801-1 | |
| 78-4 | Scherzo no. 4 in E, op. 54 | — | ||
| 78-5 | Ballade no. 1 in G minor, op. 23 | — | ||
| 78-6 | Ballade no. 2 in F major, op. 38 | — | ||
| 78-7 | Ballade no. 3 in A-Flat major, op. 47 | — | ||
| 78-8 | Ballade no. 4 in F minor, op. 52 | — | ||
| 79-1 | Impromptu no. 1 in A-flat major, op. 29 | Claudio Arrau | — | |
| 79-2 | Impromptu no. 2 in F-sharp minor, op. 36 | Claudio Arrau | T-306.230.833-8 | |
| 79-3 | Impromptu no. 3 in G-flat, op. 51 | — | ||
| 79-4 | Impromptu no. 4 in C-sharp minor, op. 66 | Claudio Arrau | — | |
| 79-5 | Barcarolle in F-Sharp major, op. 60 | — | ||
| 79-6 | Islamey | Claudio Arrau | — | |
| 79-7 | Claudio Arrau Interview 1964 | — | ||
| 79-8 | Claudio Arrau: Thoughts On Beethoven Sonatas | — | ||
| 80-1 | Overture "Leonore no. 3", op. 72a | — | ||
| 80-2 | Piano Concerto no. 4 in G major, op. 58: 1. Allegro moderato | Claudio Arrau, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 80-3 | Piano Concerto no. 4 in G major, op. 58: 2. Andante con moto | Claudio Arrau, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 80-4 | Piano Concerto no. 4 in G major, op. 58: 3. Rondo (Vivace) | Claudio Arrau, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — |
