UPC · Release
Alicia de Larrocha
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028948341207 is the Universal Product Code (UPC barcode) for the release “Alicia de Larrocha: Complete Decca Recordings” by Alicia de Larrocha, released 2018-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 487 tracks, each with its own ISRC. Tracks include GBF077211963, GBF077210091, GBF077910491.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonatina: Ballet: Danza de la pastora | — | ||
| 2 | Sonatina: Ballet: Danza de la gitana | — | ||
| 3 | Trois Chansons et Danses Espagnoles | — | ||
| 4 | Tonadas, Vol. 2: 1IV. Canción de Labrador | — | ||
| 5 | Tonadas, Vol. 2: 1V. Copla Castellana | — | ||
| 6 | Tonadas, Vol. 2: 1IX. Canción Otoñal | — | ||
| 7 | Tonadas, Vol. 2: 2I. Seguidalla Murciana | — | ||
| 8 | Tonadas, Vol. 2: 2II. Canción de Trilla | — | ||
| 9 | Tonadas, Vol. 2: 2IV. Muñerra | — | ||
| 10 | Cançons i dansas: no. 4 | — | ||
| 11 | Cançons i dansas: no. 5 | — | ||
| 12 | Cançons i dansas: no. 6 | — | ||
| 13 | Sonatine pour Yvette: I. Vivo e spiritoso | — | ||
| 14 | Sonatine pour Yvette: II. Moderato molto | — | ||
| 15 | Sonatine pour Yvette: III. Allegretto | — | ||
| 16 | Divertimento no. 2 (Habañera) | — | ||
| 2-1 | Lyric Pieces Book V, op. 54: IV. Notturno | — | ||
| 2-2 | Piano Sonata in E minor, op. 7: I. Allegro moderato: Allegro molto | — | ||
| 2-3 | Piano Sonata in E minor, op. 7: II. Andante molto | — | ||
| 2-4 | Piano Sonata in E minor, op. 7: III. Alla menuetto, ma poco più lento | — | ||
| 2-5 | Piano Sonata in E minor, op. 7: IV. Finale (Molto allegro: Presto) | — | ||
| 2-6 | Three Caprices, op. 33: I. no. 1 in A minor, MWV U99 | — | ||
| 2-7 | Variations sérieuses, op. 54 (Complete) | — | ||
| 3-1 | Noches en los jardines de España: I. En el generalife | — | ||
| 3-2 | Noches en los jardines de España: II. Danza lejana | — | ||
| 3-3 | Noches en los jardines de España: III. En los jardines de la Sierra de Cordoba | — | ||
| 3-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 3-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 3-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 4-1 | Italian Concerto in F major, BWV 971: I. (Allegro) | — | ||
| 4-2 | Italian Concerto in F major, BWV 971: II. Andante | — | ||
| 4-3 | Italian Concerto in F major, BWV 971: III. Presto | — | ||
| 4-4 | French Suite no. 6 in E major, BWV 817: I. Allemande | — | ||
| 4-5 | French Suite no. 6 in E major, BWV 817: II. Courante | — | ||
| 4-6 | French Suite no. 6 in E major, BWV 817: III. Sarabande | — | ||
| 4-7 | French Suite no. 6 in E major, BWV 817: IV. Gavotte | — | ||
| 4-8 | French Suite no. 6 in E major, BWV 817: V. Polonaise | — | ||
| 4-9 | French Suite no. 6 in E major, BWV 817: VI. Menuet | — | ||
| 4-10 | French Suite no. 6 in E major, BWV 817: VII. Bourrée | — | ||
| 4-11 | French Suite no. 6 in E major, BWV 817: VIII. Gigue | — | ||
| 4-12 | Fantasia (And Unfinished Fugue) in C minor, BWV 906 | — | ||
| 4-13 | English Suite no. 2 in A minor, BWV 807: I. Prelude | — | ||
| 4-14 | English Suite no. 2 in A minor, BWV 807: II. Allemande | — | ||
| 4-15 | English Suite no. 2 in A minor, BWV 807: III. Courante | — | ||
| 4-16 | English Suite no. 2 in A minor, BWV 807: IV. Sarabande | — | ||
| 4-17 | English Suite no. 2 in A minor, BWV 807: V. Bourrée I & II | — | ||
| 4-18 | English Suite no. 2 in A minor, BWV 807: VI. Gigue | — | ||
| 4-19 | Liebster Jesu, wir sind hier, BWV 731: Arr. piano Harriet Cohen | — | ||
| 4-20 | Jesus nahm zu sich die Zwölfe, Cantata BWV 22, arr. for piano by Harriet Cohen (1895: 1967): Sanctify us | — | ||
| 4-21 | Partita for Violin Solo no. 2 in D minor, BWV 1004: Chaconne in D minor (Arr. Busoni) | — | ||
| 5-1 | Faschingsschwank aus Wien, op. 26: I. Allegro (Vivace assai) | — | ||
| 5-2 | Faschingsschwank aus Wien, op. 26: II. Romanze (Piuttosto lento) | — | ||
| 5-3 | Faschingsschwank aus Wien, op. 26: III. Scherzino | — | ||
| 5-4 | Faschingsschwank aus Wien, op. 26: IV. Intermezzo (Colla più grande energia) | — | ||
| 5-5 | Faschingsschwank aus Wien, op. 26: V. Finale (Il più vivace possibile) | — | ||
| 5-6 | Allegro in B minor, op. 8 | — | ||
| 5-7 | 3 Romanzen, op. 28: no. 2 in F-sharp (Einfach) | — | ||
| 5-8 | Fantasie in C, op. 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen: Im Legendenton - Erstes Tempo | — | ||
| 5-9 | Fantasie in C, op. 17: II. Mäßig. Durchaus energisch: Etwas langsamer - Viel bewegter | — | ||
| 5-10 | Fantasie in C, op. 17: III. Langsam getragen. Durchweg leise zu halten: Etwas bewegter | — | ||
| 6-1 | Carnaval, op. 9: I. Préambule | — | ||
| 6-2 | Carnaval, op. 9: II. Pierrot | — | ||
| 6-3 | Carnaval, op. 9: III. Arlequin | — | ||
| 6-4 | Carnaval, op. 9: IV. Valse noble | — | ||
| 6-5 | Carnaval, op. 9: V. Eusebius | — | ||
| 6-6 | Carnaval, op. 9: VI. Florestan | — | ||
| 6-7 | Carnaval, op. 9: VII. Coquette | — | ||
| 6-8 | Carnaval, op. 9: VIII. Réplique: Sphinxes | — | ||
| 6-9 | Carnaval, op. 9: IX. Papillons | — | ||
| 6-10 | Carnaval, op. 9: X. A.S. C.H.-S.C.H.A. (Lettres dansantes) | — | ||
| 6-11 | Carnaval, op. 9: 1I. Chiarina | — | ||
| 6-12 | Carnaval, op. 9: 1II. Chopin | — | ||
| 6-13 | Carnaval, op. 9: 1III. Estrella | — | ||
| 6-14 | Carnaval, op. 9: 1IV. Reconnaissance | — | ||
| 6-15 | Carnaval, op. 9: 1V. Pantalon et Colombine | — | ||
| 6-16 | Carnaval, op. 9: 1VI. Valse allemande: Intermezzo: Paganini | — | ||
| 6-17 | Carnaval, op. 9: 1VII. Aveu | — | ||
| 6-18 | Carnaval, op. 9: 1VIII. Promenade | — | ||
| 6-19 | Carnaval, op. 9: 1IX. Pause | — | ||
| 6-20 | Carnaval, op. 9: 20. Marche des "Davidsbündler" contre les Philistins | — | ||
| 6-21 | Kreisleriana, op. 16: I. Äusserst bewegt | — | ||
| 6-22 | Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch: Intermezzo I (Sehr lebhaft) - Tempo I - Intermezzo II (Etwas bewegter) - Tempo I | — | ||
| 6-23 | Kreisleriana, op. 16: III. Sehr aufgeregt | — | ||
| 6-24 | Kreisleriana, op. 16: IV. Sehr langsam | — | ||
| 6-25 | Kreisleriana, op. 16: V. Sehr lebhaft | — | ||
| 6-26 | Kreisleriana, op. 16: VI. Sehr langsam | — | ||
| 6-27 | Kreisleriana, op. 16: VII. Sehr rasch | — | ||
| 6-28 | Kreisleriana, op. 16: VIII. Schnell und spielend | — | ||
| 6-29 | Noveletten, op. 21: no. 8 in F-sharp minor (Sehr lebhaft) | — | ||
| 7-1 | Carnaval, op. 9: I. Préambule | — | ||
| 7-2 | Carnaval, op. 9: Pierrot-Arlequin-Valse noble | — | ||
| 7-3 | Carnaval, op. 9: 5-VI. Eusebius-Florestan | — | ||
| 7-4 | Carnaval, op. 9: 7-IX. Coquette-Replique-Papillons | — | ||
| 7-5 | Carnaval, op. 9: 10-1III. ASCH-SCHA-Chiarina-Chopin-Estrella | — | ||
| 7-6 | Carnaval, op. 9: 14-1V. Reconnaissance-Pantalon et Colombine | — | ||
| 7-7 | Carnaval, op. 9: 16-1VIII. Valse allemande-Paganini-Aveu-Promenade | — | ||
| 7-8 | Carnaval, op. 9: 19-20. Pause-Marche des Davidsbundler contre les Philistins | — | ||
| 7-9 | Allegro in B minor, op. 8 | — | ||
| 7-10 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | — | ||
| 7-11 | Piano Concerto in A minor, op. 54: II. Intermezzo (Andantino grazioso) | — | ||
| 7-12 | Piano Concerto in A minor, op. 54: III. Allegro vivace | — | ||
| 8-1 | Piano Concerto in D-Flat major: I. Allegro ma non troppo e maestoso | — | ||
| 8-2 | Piano Concerto in D-Flat major: II. Andante con anima | — | ||
| 8-3 | Piano Concerto in D-flat major: III. Allegro brilliante | Alicia de Larrocha, London Philharmonic Orchestra, Rafael Frühbeck de Burgos | — | |
| 8-4 | Symphonic Variations | London Philharmonic Orchestra, Rafael Frühbeck de Burgos, Alicia de Larrocha | T-911.781.420-7 | |
| 8-5 | Piano Sonata in B minor, S. 178: Lento assai: Allegro energico - Grandioso - Recitativo | — | ||
| 8-6 | Piano Sonata in B minor, S. 178: II. Andante sostenuto | — | ||
| 8-7 | Piano Sonata in B minor, S. 178: Allegro energico: Andante sostenuto - Lento assai | — | ||
| 9-1 | Piano Concerto in G major, M. 83: I. Allegramente | — | ||
| 9-2 | Piano Concerto in G major, M. 83: II. Adagio assai | — | ||
| 9-3 | Piano Concerto in G major, M. 83: III. Presto | — | ||
| 9-4 | Piano Concerto For The Left Hand in D, M. 82 | — | ||
| 9-5 | Fantaisie for piano & orchestra, op. 111 | — | ||
| 10-1 | Iberia, B. 47, Book 1: I. Evocación | — | ||
| 10-2 | Iberia, B. 47, Book 1: II. El Puerto | — | ||
| 10-3 | Iberia, B. 47, Book 1: III. El Corpus en Sevilla | — | ||
| 10-4 | Iberia, B. 47, Book 2: IV. Rondeña | — | ||
| 10-5 | Iberia, B. 47, Book 2: V. Almeria | — | ||
| 10-6 | Iberia, B. 47, Book 2: VI. Triana | — | ||
| 10-7 | Iberia, B. 47, Book 3: VII. El Albaicín | — | ||
| 10-8 | Iberia, B. 47, Book 3: VIII. El Polo | — | ||
| 10-9 | Iberia, B. 47, Book 3: IX. Lavapiés | — | ||
| 10-10 | Iberia, B. 47, Book 4: X. Málaga | — | ||
| 10-11 | Iberia, B. 47, Book 4: 1I. Jérez | — | ||
| 10-12 | Iberia, B. 47, Book 4: 1II. Eritaña | — | ||
| 11-1 | Navarra | — | ||
| 11-2 | Cantos de España, op. 232: I. Prelude | — | ||
| 11-3 | Cantos de España, op. 232: II. Orientale | — | ||
| 11-4 | Cantos de España, op. 232: III. Sous le palmier | — | ||
| 11-5 | Cantos de España, op. 232: IV. Cordoba | — | ||
| 11-6 | Cantos de España, op. 232: V. Seguidillas | — | ||
| 11-7 | Sonata in D major | — | ||
| 11-8 | Recuerdos de Viaje, op. 71: VIII. Rumores de la caleta: Malagueña | — | ||
| 11-9 | Pavana-Capricho, op. 12 | — | ||
| 11-10 | Recuerdos de Viaje, op. 71: VI. Puerta de tierra: Bolero | — | ||
| 11-11 | Malagueña, op. 165, no. 3 | — | ||
| 11-12 | España, op. 165: II. Tango | — | ||
| 11-13 | Suite española no. 1, op. 47: Sevilla (Sevillanas) | — | ||
| 11-14 | Sonata in G minor | — | ||
| 11-15 | Sonata in D | — | ||
| 11-16 | Spanish Dance, op. 37, no. 7: "Valenciana" | — | ||
| 11-17 | Spanish Dance, op. 37, no. 5: "Andaluza" | — | ||
| 11-18 | Danzas Gitanas, Set 1 op. 55: V. Sacro-Monte | — | ||
| 11-19 | Danzas Andaluzas, op. 8: III. Zapateado | — | ||
| 12-1 | Piano Sonata no. 11 in A major, K. 331: I. Tema (Andante grazioso) con variazioni | — | ||
| 12-2 | Piano Sonata no. 11 in A major, K. 331: II. Menuetto | — | ||
| 12-3 | Piano Sonata no. 11 in A major, K. 331: III. Alla Turca (Allegretto) | — | ||
| 12-4 | Fantasia in C minor, K. 475 | — | ||
| 12-5 | Rondo in D major, K. 485 | — | ||
| 12-6 | Piano Sonata no. 9 in D major, K. 311: I. Allegro con spirito | — | ||
| 12-7 | Piano Sonata no. 9 in D major, K. 311: II. Andantino con espressione | — | ||
| 12-8 | Piano Sonata no. 9 in D major, K. 311: III. Rondeau (Allegro) | — | ||
| 12-9 | Piano Sonata no. 10 in C major, K. 330: I. Allegro moderato | — | ||
| 12-10 | Piano Sonata no. 10 in C major, K. 330: II. Andante cantabile | — | ||
| 12-11 | Piano Sonata no. 10 in C major, K. 330: III. Allegretto | — | ||
| 12-12 | Fantasia in D minor, K. 397 | — | ||
| 13-1 | Piano Sonata no. 12 in F major, K. 332: I. Allegro | — | ||
| 13-2 | Piano Sonata no. 12 in F major, K. 332: II. Adagio | — | ||
| 13-3 | Piano Sonata no. 12 in F major, K. 332: III. Allegro assai | — | ||
| 13-4 | Piano Sonata no. 16 in C major, K. 545 "Sonata facile": I. Allegro | — | ||
| 13-5 | Piano Sonata no. 16 in C major, K. 545 "Sonata facile": II. Andante | — | ||
| 13-6 | Piano Sonata no. 16 in C major, K. 545 "Sonata facile": III. Rondo (Allegro) | — | ||
| 13-7 | Piano Sonata no. 18 in D major, K. 576: I. Allegro | — | ||
| 13-8 | Piano Sonata no. 18 in D major, K. 576: II. Adagio | — | ||
| 13-9 | Piano Sonata no. 18 in D major, K. 576: III. Allegretto | — | ||
| 13-10 | Piano Sonata no. 4 in E-flat major, K. 282: I. Adagio | Alicia de Larrocha | — | |
| 13-11 | Piano Sonata no. 4 in E-flat major, K. 282: II. Menuetto I-II | Alicia de Larrocha | — | |
| 13-12 | Piano Sonata no. 4 in E-flat major, K. 282: III. Allegro | Alicia de Larrocha | — | |
| 13-13 | Piano Sonata no. 8 in A minor, K. 310: I. Allegro maestoso | Alicia de Larrocha | — | |
| 13-14 | Piano Sonata no. 8 in A minor, K. 310: II. Andante cantabile con espressione | Alicia de Larrocha | — | |
| 13-15 | Piano Sonata no. 8 in A minor, K. 310: III. Presto | Alicia de Larrocha | — | |
| 14-1 | Piano Sonata no. 14 in C minor, K. 457: I. Molto allegro | — | ||
| 14-2 | Piano Sonata no. 14 in C minor, K. 457: II. Adagio | — | ||
| 14-3 | Piano Sonata no. 14 in C minor, K. 457: III. Allegro assai | — | ||
| 14-4 | Fantasia in C minor, K. 475 | — | ||
| 14-5 | Andante con variazoni in F minor, H.XVII no. 6 | — | ||
| 14-6 | Clavier Concerto in D major, Hob. 18: 2: I. Vivace | — | ||
| 14-7 | Clavier Concerto in D major, Hob. 18: 2: II. Un poco adagio | — | ||
| 14-8 | Clavier Concerto in D major, Hob. 18: 2: III. Rondo all'Ungherese. Allegro assai | — | ||
| 15-1 | Cuatro piezas españolas: I. Aragonesa | — | ||
| 15-2 | Cuatro piezas españolas: II. Cubana | — | ||
| 15-3 | Cuatro piezas españolas: III. Montanesa | — | ||
| 15-4 | Cuatro piezas españolas: IV. Andaluza | — | ||
| 15-5 | Fantasia Baetica | — | ||
| 15-6 | El sombrero de tres picos, Transcr. for Piano, Pt. 2: Dance of the Neighbours | — | ||
| 15-7 | El sombrero de tres picos, Pt. 2: The miller's dance | — | ||
| 15-8 | El sombrero de tres picos, Transcr. for Piano, Pt. 1: Dance of the Miller's Wife | — | ||
| 15-9 | El Amor Brujo, Arr. for piano: Pantomima | — | ||
| 15-10 | El Amor Brujo, Arr. for piano: Chanson du Feu Follet | — | ||
| 15-11 | El Amor Brujo, Arr. for piano: Danse de la Frayeur | — | ||
| 15-12 | El Amor Brujo, Arr. for piano: Le Cercle Magique (Recit du Pecheur) | — | ||
| 15-13 | El Amor Brujo, Arr. for piano: Danse Rituelle du Feu | — | ||
| 16-1 | 24 Préludes, op. 28, C. 166-189: I. Agitato in C major, C. 166 | — | ||
| 16-2 | 24 Préludes, op. 28, C. 166-189: II. Lento in A minor, C. 167 | — | ||
| 16-3 | 24 Préludes, op. 28, C. 166-189: III. Vivace in G major, C. 168 | — | ||
| 16-4 | 24 Préludes, op. 28, C. 166-189: IV. Largo in E minor, C. 169 | — | ||
| 16-5 | 24 Préludes, op. 28, C. 166-189: V. Molto allegro in D major, C. 170 | — | ||
| 16-6 | 24 Préludes, op. 28, C. 166-189: VI. Lento assai in B minor, C. 171 | — | ||
| 16-7 | 24 Préludes, op. 28, C. 166-189: VII. Andantino in A major, C. 172 | — | ||
| 16-8 | 24 Préludes, op. 28, C. 166-189: VIII. Molto agitato in F-Sharp minor, C. 173 | — | ||
| 16-9 | 24 Préludes, op. 28, C. 166-189: IX. Largo in E major, C. 174 | — | ||
| 16-10 | 24 Préludes, op. 28, C. 166-189: X. Molto allegro in C-Sharp minor, C. 175 | — | ||
| 16-11 | 24 Préludes, op. 28, C. 166-189: 1I. Vivace in B major, C. 176 | — | ||
| 16-12 | 24 Préludes, op. 28, C. 166-189: 1II. Presto in G-Sharp minor, C. 177 | — | ||
| 16-13 | 24 Préludes, op. 28, C. 166-189: 1III. Lento in F-Sharp major, C. 178 | — | ||
| 16-14 | 24 Préludes, op. 28, C. 166-189: 1IV. Allegro in E-Flat minor, C. 179 | — | ||
| 16-15 | 24 Préludes, op. 28, C. 166-189: 1V. Sostenuto in D-Flat major, C. 180 "Raindrop" | — | ||
| 16-16 | 24 Préludes, op. 28, C. 166-189: 1VI. Presto con fuoco in B-Flat minor, C. 181 | — | ||
| 16-17 | 24 Préludes, op. 28, C. 166-189: 1VII. Allegretto in A-Flat major, C. 182 | — | ||
| 16-18 | 24 Préludes, op. 28, C. 166-189: 1VIII. Molto allegro in F minor, C. 183 | — | ||
| 16-19 | 24 Préludes, op. 28, C. 166-189: 1IX. Vivace in E-Flat major, C. 184 | — | ||
| 16-20 | 24 Préludes, op. 28, C. 166-189: 20. Largo in C minor, C. 185 | — | ||
| 16-21 | 24 Préludes, op. 28, C. 166-189: 2I. Cantabile in B-Flat major, C. 186 | — | ||
| 16-22 | 24 Préludes, op. 28, C. 166-189: 2II. Molto agitato in G minor, C. 187 | — | ||
| 16-23 | 24 Préludes, op. 28, C. 166-189: 2III. Moderato in F major, C. 188 | — | ||
| 16-24 | 24 Préludes, op. 28, C. 166-189: 2IV. Allegro appassionato in D minor, C. 189 | — | ||
| 16-25 | Berceuse in D-Flat major, op. 57 | — | ||
| 17-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | — | ||
| 17-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo (Adagio) | — | ||
| 17-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale (Alla breve) | — | ||
| 17-4 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | — | ||
| 17-5 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | — | ||
| 17-6 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | — | ||
| 18-1 | Concerto Breve: I. Energico | — | ||
| 18-2 | Concerto Breve: II. Dolce | — | ||
| 18-3 | Concerto Breve: III. Vivo | — | ||
| 18-4 | Concerto for Piano & Orchestra: I. Allegro | — | ||
| 18-5 | Concerto for Piano & Orchestra: II. Larghetto | — | ||
| 18-6 | Concerto for Piano & Orchestra: III. Vivace con fuoco | — | ||
| 19-1 | Goyescas: Suite: I. Los requiebros | — | ||
| 19-2 | Goyescas: Suite: II. Coloquio en la reja | — | ||
| 19-3 | Goyescas: Suite: III. El Fandango del Candil | — | ||
| 19-4 | Goyescas: Suite: IV. Quejas ó la maja y el ruiseñor | — | ||
| 19-5 | Goyescas: Suite: V. El amor y la muerte (Balada) | — | ||
| 19-6 | Goyescas: Suite: VI. Epilogo (Serenata del espectro) | — | ||
| 19-7 | Goyescas: Suite: VII. El pelele (Escena goyesca) | — | ||
| 20-1 | Tonadillas: I. La Maja de Goya | — | ||
| 20-2 | Tonadillas: II. Amor y Odio | — | ||
| 20-3 | Tonadillas: III. El Tra-La-La y el Punteado | — | ||
| 20-4 | Tonadillas: IV. El Majo Olvidado | — | ||
| 20-5 | Tonadillas: V. El Majo Tímido | — | ||
| 20-6 | Tonadillas: VI. Callejeo | — | ||
| 20-7 | Tonadillas: VII. El Mirar de la Maja | — | ||
| 20-8 | Tonadillas: VIII. Las Currutacas Modestas | — | ||
| 20-9 | Tonadillas: IX. El Majo Discreto | — | ||
| 20-10 | Tonadillas: X. La Maja Dolorosa no. 1 (Oh muerte cruel!) | — | ||
| 20-11 | Tonadillas: 1I. La Maja Dolorosa no. 2 (Ay majo de mi vida) | — | ||
| 20-12 | Tonadillas: 1II. La Maja Dolorosa no. 3 (De aquel majo amante) | — | ||
| 20-13 | Canciónes Amatorias: I. Mira que soy Niña | — | ||
| 20-14 | Canciónes Amatorias: II. Iban al Pinar | — | ||
| 20-15 | Canciónes Amatorias: III. Mañanica era | — | ||
| 20-16 | Canciónes Amatorias: IV. No lloreís Ojuelos | — | ||
| 20-17 | Canciónes Amatorias: V. Llorad Corazón | — | ||
| 20-18 | Canciónes Amatorias: VI. Gracia mía | — | ||
| 21-1 | Piano Concerto no. 25 in C major, K. 503: I. Allegro maestoso | Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 21-2 | Piano Concerto no. 25 in C major, K. 503: II. Andante | Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 21-3 | Piano Concerto no. 25 in C major, K. 503: III. Allegretto | Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 21-4 | Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro | Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti | T-011.422.353-8 | |
| 21-5 | Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto | Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti | T-802.445.410-3 | |
| 21-6 | Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro | Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 22-1 | Piano Concerto no. 24 in C minor, K. 491: I. Allegro | Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti | T-011.422.353-8 | |
| 22-2 | Piano Concerto no. 24 in C minor, K. 491: II. Larghetto | Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti | T-802.445.410-3 | |
| 22-3 | Piano Concerto no. 24 in C minor, K. 491: III. Allegretto | Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 22-4 | Piano Concerto no. 26 in D major, K. 537 “Coronation”: I. Allegro | Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti | T-070.160.313-5 | |
| 22-5 | Piano Concerto no. 26 in D major, K. 537 “Coronation”: II. Larghetto | Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti | T-802.445.410-3 | |
| 22-6 | Piano Concerto no. 26 in D major, K. 537 “Coronation”: III. Allegretto | Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 23-1 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": I. Allegro | — | ||
| 23-2 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 23-3 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": III. Rondo (Allegro) | — | ||
| 23-4 | 7 Bagatelles, op. 33: I. Andante grazioso, quasi Allegretto | Alicia de Larrocha | — | |
| 23-5 | 7 Bagatelles, Op. 33: 2. Scherzo. Allegro | Alicia de Larrocha | — | |
| 23-6 | 7 Bagatelles, op. 33: III. Allegretto | Alicia de Larrocha | — | |
| 23-7 | 7 Bagatelles, op. 33: IV. Andante | Alicia de Larrocha | — | |
| 23-8 | 7 Bagatelles, op. 33: V. Allegro, ma non troppo | Alicia de Larrocha | T-921.408.279-8 | |
| 23-9 | 7 Bagatelles, op. 33: VI. Allegretto quasi Andante | Alicia de Larrocha | — | |
| 23-10 | 7 Bagatelles, op. 33: VII. Presto | Alicia de Larrocha | — | |
| 24-1 | Piano Concerto no. 12 in A major, K. 414: I. Allegro | — | ||
| 24-2 | Piano Concerto no. 12 in A major, K. 414: II. Andante | — | ||
| 24-3 | Piano Concerto no. 12 in A major, K. 414: III. Rondeau (Allegretto) | — | ||
| 24-4 | Concerto for Harpsichord, Strings, and Continuo no. 5 in F minor, BWV 1056, Piano performance: I. (Allegro) | — | ||
| 24-5 | Concerto for Harpsichord, Strings, and Continuo no. 5 in F minor, BWV 1056, Piano performance: II. Largo | — | ||
| 24-6 | Concerto for Harpsichord, Strings, and Continuo no. 5 in F minor, BWV 1056, Piano performance: III. Presto | — | ||
| 25-1 | Spanish Dance, op. 37, no. 1 "Minueto" | — | ||
| 25-2 | Spanish Dance, op. 37, no. 2: "Oriental" | — | ||
| 25-3 | Spanish Dance, op. 37, no. 3 "Zarabanda" | — | ||
| 25-4 | Spanish Dance, op. 37, no. 4: "Villanesca" | — | ||
| 25-5 | Spanish Dance, op. 37, no. 5: "Andaluza" | — | ||
| 25-6 | Spanish Dance op. 37, no. 6 "Rondalla aragonesa" | — | ||
| 25-7 | Spanish Dance, op. 37, no. 7: "Valenciana" | — | ||
| 25-8 | Spanish Dance, op. 37, no. 8: "Asturiana" | — | ||
| 25-9 | Spanish Dance, op. 37, no. 9: "Mazurca" | — | ||
| 25-10 | Spanish Dance, op. 37, no. 10: "Danza triste" | — | ||
| 25-11 | Spanish Dance, op. 37, no. 11 "Zambra" | — | ||
| 25-12 | Spanish Dance, op. 37, no. 12 "Arabesca" | — | ||
| 26-1 | Sonata in D minor, K. 9 | — | ||
| 26-2 | Sonata in F, K. 6 | — | ||
| 26-3 | Sonata in D minor, K. 10 | — | ||
| 26-4 | Sonata in G minor, Kk8 | — | ||
| 26-5 | Sonata in G, Kk13 | — | ||
| 26-6 | Sonata in C minor, K. 11 | — | ||
| 26-7 | Sonata in E, Kk28 | — | ||
| 26-8 | Partita for Violin Solo no. 2 in D minor, BWV 1004: Chaconne in D minor (Arr. Busoni) | — | ||
| 26-9 | Harpsichord Suite no. 5 in E major, HWV 430 "The Harmonious Blacksmith": I. Prélude | — | ||
| 26-10 | Harpsichord Suite no. 5 in E major, HWV 430 "The Harmonious Blacksmith": II. Allemande | — | ||
| 26-11 | Harpsichord Suite no. 5 in E major, HWV 430 "The Harmonious Blacksmith": III. Courante | — | ||
| 26-12 | Harpsichord Suite no. 5 in E major, HWV 430 "The Harmonious Blacksmith": IV. Air con variazioni ("The Harmonious Blacksmith") | — | ||
| 26-13 | Sonata in D minor | — | ||
| 26-14 | Sonata in C-sharp minor | — | ||
| 26-15 | Sonata in D | — | ||
| 26-16 | Sonata in G minor | — | ||
| 26-17 | Sonata in F-sharp minor: Allegretto | — | ||
| 26-18 | Sonata in F: Allegro | — | ||
| 27-1 | Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro | — | ||
| 27-2 | Piano Concerto no. 22 in E-flat major, K. 482: II. Andante | — | ||
| 27-3 | Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro: Andante cantabile - Tempo I | — | ||
| 27-4 | Piano Concerto no. 19 in F major, K. 459: I. Allegro vivace | — | ||
| 27-5 | Piano Concerto no. 19 in F major, K. 459: II. Allegretto | — | ||
| 27-6 | Piano Concerto no. 19 in F major, K. 459: III. Allegro assai | — | ||
| 28-1 | Piano Sonata no. 13 in A major, D. 664: I. Allegro moderato | — | ||
| 28-2 | Piano Sonata no. 13 in A major, D. 664: II. Andante | — | ||
| 28-3 | Piano Sonata no. 13 in A major, D. 664: III. Allegro | — | ||
| 28-4 | Impromptu in A-flat, D.899 no. 4 | — | ||
| 28-5 | 6 Moments musicaux, op. 94, D. 780: VI. Allegretto | — | ||
| 28-6 | Piano Sonata no. 21 in B-Flat major, D. 960: I. Molto moderato | — | ||
| 28-7 | Piano Sonata no. 21 in B-Flat major, D. 960: II. Andante sostenuto | — | ||
| 28-8 | Piano Sonata no. 21 in B-Flat major, D. 960: III. Scherzo (Allegro vivace con delicatezza) | — | ||
| 28-9 | Piano Sonata no. 21 in B-Flat major, D. 960: IV. Allegro ma non troppo | — | ||
| 29-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 29-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 29-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo (Allegro scherzando) | — | ||
| 29-4 | Piano Concerto no. 2 in B-Flat major, op. 19: I. Allegro con brio | — | ||
| 29-5 | Piano Concerto no. 2 in B-Flat major, op. 19: II. Adagio | — | ||
| 29-6 | Piano Concerto no. 2 in B-Flat major, op. 19: III. Rondo (Molto allegro) | — | ||
| 30-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 30-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 30-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo (Allegro) | — | ||
| 30-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 30-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 30-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo (Vivace) | — | ||
| 31-1 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": I. Allegro | — | ||
| 31-2 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 31-3 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": III. Rondo (Allegro) | — | ||
| 31-4 | Fantasia for Piano, Chorus and Orchestra in C minor, op. 80 | — | ||
| 32-1 | Impresiones intimas: I. Planys I | — | ||
| 32-2 | Impresiones intimas: II. Planys II | — | ||
| 32-3 | Impresiones intimas: III. Planys III | — | ||
| 32-4 | Impresiones intimas: IV. Planys IV | — | ||
| 32-5 | Impresiones intimas: V. Pajaro triste | — | ||
| 32-6 | Impresiones intimas: VI. La barca | — | ||
| 32-7 | Impresiones intimas: VII. Cuna | — | ||
| 32-8 | Impresiones intimas: VIII. Secreto | — | ||
| 32-9 | Impresiones intimas: IX. Gitano | — | ||
| 32-10 | Preludio VII a Alicia de Larrocha | — | ||
| 32-11 | Musica Callada, Book 4 | — | ||
| 32-12 | Cançons i dansas: no. 1 | — | ||
| 32-13 | Cançons i dansas: no. 2 | — | ||
| 32-14 | Cançons i dansas: no. 3 | — | ||
| 32-15 | Cançons i dansas: no. 14 | — | ||
| 33-1 | 6 Pieces on Spanish Folksongs: 0. Preludio | — | ||
| 33-2 | 6 Pieces on Spanish Folksongs: I. Añoranza | — | ||
| 33-3 | 6 Pieces on Spanish Folksongs: II. Ecos de la Parranda | — | ||
| 33-4 | 6 Pieces on Spanish Folksongs: III. Vascongada | — | ||
| 33-5 | 6 Pieces on Spanish Folksongs: IV. Marcha Oriental | — | ||
| 33-6 | 6 Pieces on Spanish Folksongs: V. Zambra | — | ||
| 33-7 | 6 Pieces on Spanish Folksongs: VI. Zapateado | — | ||
| 33-8 | Allegro de Concierto | — | ||
| 33-9 | Escenas Románticas: I. Mazurka | — | ||
| 33-10 | Escenas Románticas: II. Berceuse | — | ||
| 33-11 | Escenas Románticas: III. Lento con extasis | — | ||
| 33-12 | Escenas Románticas: IV. Allegretto | — | ||
| 33-13 | Escenas Románticas: V. Allegretto appassionato | — | ||
| 33-14 | Escenas Románticas: VI. Epilogo: Andantino spianato | — | ||
| 34-1 | Noches en los jardines de España: I. En el generalife | — | ||
| 34-2 | Noches en los jardines de España: II. Danza lejana | — | ||
| 34-3 | Noches en los jardines de España: III. En los jardines de la Sierra de Cordoba | — | ||
| 34-4 | Rapsodia Española: Orch. Cristobel Halffter | — | ||
| 34-5 | Rapsodia sinfonica | — | ||
| 35-1 | Iberia, B. 47, Piano (Pub.1906), Book 1: I. Evocación | — | ||
| 35-2 | Iberia, B. 47, Piano (Pub.1906), Book 1: II. El Puerto | — | ||
| 35-3 | Iberia, B. 47, Piano (Pub.1906), Book 1: III. Fête: Dieu à Seville | — | ||
| 35-4 | Iberia, B. 47, Piano (Pub.1906), Book 2: IV. Rondena | — | ||
| 35-5 | Iberia, B. 47, Piano (Pub.1906), Book 2: V. Almeria | — | ||
| 35-6 | Iberia, B. 47, Piano (Pub.1906), Book 2: VI. Triana | — | ||
| 35-7 | Iberia, B. 47, Piano (Pub.1906), Book 3: VII. El Albaicin | — | ||
| 35-8 | Iberia, B. 47, Piano (Pub.1906), Book 3: VIII. El Polo | — | ||
| 35-9 | Iberia, B. 47, Piano (Pub.1906), Book 3: IX. Lavapies | — | ||
| 36-1 | Iberia, B. 47, Piano (Pub.1906), Book 4: X. Malaga | — | ||
| 36-2 | Iberia, B. 47, Piano (Pub.1906), Book 4: 1I. Jerez | — | ||
| 36-3 | Iberia, B. 47, Piano (Pub.1906), Book 4: 1II. Eritana | — | ||
| 36-4 | Navarra | — | ||
| 36-5 | Suite española no. 1, op. 47: Granada (Serenata) | — | ||
| 36-6 | Suite española no. 1, op. 47: Cataluña (Corranda) | — | ||
| 36-7 | Suite española no. 1, op. 47: Sevilla (Sevillanas) | — | ||
| 36-8 | Suite española no. 1, op. 47: Cádiz (Canción) (Op. 181) | — | ||
| 36-9 | Suite española no. 1, op. 47: Asturias (Leyenda) (Op. 232/1) | Alicia de Larrocha | — | |
| 36-10 | Suite española no. 1, op. 47: Aragón (Fantasia) (Op. 164/1) | — | ||
| 36-11 | Suite española no. 1, op. 47: Cuba (Capricho) | — | ||
| 36-12 | Suite española no. 1, op. 47: Castilla (Seguidillas) (Op. 232/5) | — | ||
| 37-1 | Sonata Espanola, op. 53, I. Andante romantico: 1. Andante romantico | — | ||
| 37-2 | Sonata Espanola, op. 53, I. Andante romantico: II. Mazurka sopra un tema popolare | — | ||
| 37-3 | Sonata Espanola, op. 53, I. Andante romantico: III. Allegro brioso | — | ||
| 37-4 | Danzas de Espana: IV. Rustico | — | ||
| 37-5 | Danzas de Espana: V. Danza de la Tres Doncellas | — | ||
| 37-6 | Danzas de Espana: VI. Serrana | — | ||
| 37-7 | Danzas Espanolas: VII. no. 1 in G | — | ||
| 37-8 | Danzas Espanolas: VIII. no. 2 in C minor | — | ||
| 37-9 | Danzas Espanolas: IX. no. 3 in D | — | ||
| 37-10 | Danzas Espanolas: X. no. 4 in G | — | ||
| 37-11 | Danzas Espanolas: 1I. no. 5 in E minor | — | ||
| 37-12 | Danzas Espanolas: 1II. no. 6 in D | — | ||
| 37-13 | Danzas Espanolas: 1III. no. 7 in G | — | ||
| 37-14 | Danzas Espanolas: 1IV. no. 8 in C | — | ||
| 37-15 | Danzas Espanolas: 1V. no. 9 in B-flat | — | ||
| 37-16 | Danzas Espanolas: 1VI. no. 10 in G | — | ||
| 37-17 | Danzas Espanolas: 1VII. no. 11 in G minor | — | ||
| 37-18 | Danzas Espanolas: 1VIII. no. 12 in A minor | — | ||
| 38-1 | Danzas Fantásticas, op. 22: I. Exaltación | — | ||
| 38-2 | Danzas Fantásticas, op. 22: II. Ensueño | — | ||
| 38-3 | Danzas Fantásticas, op. 22: III. Orgía | — | ||
| 38-4 | Preludios, op. 80 (Ciclo pianistico, VII): I. Adagio | — | ||
| 38-5 | Preludios, op. 80 (Ciclo pianistico, VII): II. Allegretto | — | ||
| 38-6 | Preludios, op. 80 (Ciclo pianistico, VII): III. Allegro giusto | — | ||
| 38-7 | Preludios, op. 80 (Ciclo pianistico, VII): IV. Allegretto | — | ||
| 38-8 | Preludios, op. 80 (Ciclo pianistico, VII): V. Adagio: Allegro vivo | — | ||
| 38-9 | Recuerdos de la antigua España, op. 48: I. La eterna Carmen | — | ||
| 38-10 | Recuerdos de la antigua España, op. 48: II. Habanera | — | ||
| 38-11 | Recuerdos de la antigua España, op. 48: III. Don Juan | — | ||
| 38-12 | Recuerdos de la antigua España, op. 48: IV. Estudiantina | — | ||
| 38-13 | Partita, op. 57 (Ciclo pianistico, II): I. Preludio | — | ||
| 38-14 | Partita, op. 57 (Ciclo pianistico, II): II. Zarabanda | — | ||
| 38-15 | Partita, op. 57 (Ciclo pianistico, II): III. Capricho | — | ||
| 38-16 | Partita, op. 57 (Ciclo pianistico, II): IV. Introducción y giga | — | ||
| 38-17 | Escenas Románticas: I. Mazurka | — | ||
| 38-18 | Escenas Románticas: II. Berceuse | — | ||
| 38-19 | Escenas Románticas: III. Lento con extasis | — | ||
| 38-20 | Escenas Románticas: IV. Allegretto | — | ||
| 38-21 | Escenas Románticas: V. Allegretto appassionato | — | ||
| 38-22 | Escenas Románticas: VI. Epilogo: Andantino spianato | — | ||
| 39-1 | Goyescas: Suite: I. Los requiebros | — | ||
| 39-2 | Goyescas: Suite: II. Coloquio en la reja | — | ||
| 39-3 | Goyescas: Suite: III. El Fandango del Candil | — | ||
| 39-4 | Goyescas: Suite: IV. Quejas ó la maja y el ruiseñor | — | ||
| 39-5 | Goyescas: Suite: V. El amor y la muerte (Balada) | — | ||
| 39-6 | Goyescas: Suite: VI. Epilogo (Serenata del espectro) | — | ||
| 39-7 | Goyescas: Suite: VII. El pelele (Escena goyesca) | — | ||
| 39-8 | Impresiones intimas: I. Planys I | — | ||
| 39-9 | Impresiones intimas: II. Planys II | — | ||
| 39-10 | Impresiones intimas: III. Planys III | — | ||
| 39-11 | Impresiones intimas: IV. Planys IV | — | ||
| 39-12 | Impresiones intimas: V. Pajaro triste | — | ||
| 39-13 | Impresiones intimas: VI. La barca | — | ||
| 39-14 | Impresiones intimas: VII. Cuna | — | ||
| 39-15 | Impresiones intimas: VIII. Secreto | — | ||
| 39-16 | Impresiones intimas: IX. Gitano | — | ||
| 40-1 | Bagatelle no. 25 in A minor, WoO 59 "Für Elise" | — | ||
| 40-2 | Liebestraum no. 3 in A-Flat, S. 541 | — | ||
| 40-3 | 5 Morceaux de Fantaisie, op. 3: no. 2 Prelude in C-Sharp minor | — | ||
| 40-4 | Suite bergamasque, L. 75: III. Clair de lune | — | ||
| 40-5 | 6 Moments musicaux, op. 94, D. 780: III. Allegro moderato | — | ||
| 40-6 | 36 German Dances, op. 9, Arranged for flute or violin and guitar by Schubert: German Dance no. 1 (D 365, No.1) | — | ||
| 40-7 | Pièces de clavecin: Troisième livre, 13ème ordre: II. Les rozeaux | — | ||
| 40-8 | Piano Sonata no. 16 in C major, K. 545 "Sonata facile": I. Allegro | — | ||
| 40-9 | Piano Sonata no. 16 in C major, K. 545 "Sonata facile": II. Andante | — | ||
| 40-10 | Piano Sonata no. 16 in C major, K. 545 "Sonata facile": III. Rondo (Allegro) | — | ||
| 40-11 | Piano Sonata no. 11 in A major, K. 331: III. Alla Turca (Allegretto) | — | ||
| 40-12 | Lieder ohne Worte, op. 67: no. IV. Presto in C "Spinning Song", MWV U182 | — | ||
| 40-13 | Lieder ohne Worte, op. 62: no. 6 Allegretto grazioso in A major -"Frühlingslied" (Spring Song) | — | ||
| 40-14 | The Seasons, op. 37a, TH 135: 1I. November: On the Troika | — | ||
| 40-15 | 3 Waltzes, op. 64: no. 2 in C-sharp minor | — | ||
| 40-16 | 3 Nocturnes, op. 9: no. 2 in E-flat | — | ||
| 40-17 | Impromptu no. 4 in C-sharp minor, op. 66 "Fantaisie-Impromptu" | — | ||
| 40-18 | 12 Etudes, op. 10: no. 3 in E major | — | ||
| 40-19 | Polonaise no. 6 in A-Flat, op. 53 "Heroic" | — | ||
| 41-1 | Hungarian Rhapsody no. 2 in C-Sharp minor, S. 244/2 | — | ||
| 41-2 | Consolation no. 3 in D-flat major | — | ||
| 41-3 | La Campanella | — | ||
| 41-4 | Impromptu in A-flat, D.899 no. 4 | — | ||
| 41-5 | Nocturne in F-Sharp major, op. 15, no. 2 | — | ||
| 41-6 | 12 Etudes, op. 25: no. 9 in G-Flat major: "Butterfly Wings" | — | ||
| 41-7 | Waltz no. 4 in F major, op. 34 No.3 "Grande Valse Brilliante" | — | ||
| 41-8 | Rondo capriccioso in E major, op. 14, MWV U67 | — | ||
| 41-9 | Menuet in G Opus 14 no. 1 | — | ||
| 41-10 | Nocturne no. 3 in A-flat major, op. 33 No.3 | — | ||
| 41-11 | 2 Arabesques, L. 66: no. 1, Andante con moto | — | ||
| 41-12 | 2 Arabesques, L. 66: no. 2, Allegretto scherzando | — | ||
| 41-13 | Aufforderung zum Tanze, op. 65, J.260 | — | ||
| 41-14 | El amor brujo: Suite, G. 69, El Amor Brujo - Suite for Piano from the Ballet: IV. Danza del ritual del fuego fatuo | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028948341207 is a Universal Product Code (UPC) assigned to Alicia de Larrocha: Complete Decca Recordings by Alicia de Larrocha. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 487 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028948341207 is the Universal Product Code (UPC barcode) for the release “Alicia de Larrocha: Complete Decca Recordings” by Alicia de Larrocha, released 2018-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 487 tracks, each with its own ISRC. Tracks include GBF077211963, GBF077210091, GBF077910491.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonatina: Ballet: Danza de la pastora | — | ||
| 2 | Sonatina: Ballet: Danza de la gitana | — | ||
| 3 | Trois Chansons et Danses Espagnoles | — | ||
| 4 | Tonadas, Vol. 2: 1IV. Canción de Labrador | — | ||
| 5 | Tonadas, Vol. 2: 1V. Copla Castellana | — | ||
| 6 | Tonadas, Vol. 2: 1IX. Canción Otoñal | — | ||
| 7 | Tonadas, Vol. 2: 2I. Seguidalla Murciana | — | ||
| 8 | Tonadas, Vol. 2: 2II. Canción de Trilla | — | ||
| 9 | Tonadas, Vol. 2: 2IV. Muñerra | — | ||
| 10 | Cançons i dansas: no. 4 | — | ||
| 11 | Cançons i dansas: no. 5 | — | ||
| 12 | Cançons i dansas: no. 6 | — | ||
| 13 | Sonatine pour Yvette: I. Vivo e spiritoso | — | ||
| 14 | Sonatine pour Yvette: II. Moderato molto | — | ||
| 15 | Sonatine pour Yvette: III. Allegretto | — | ||
| 16 | Divertimento no. 2 (Habañera) | — | ||
| 2-1 | Lyric Pieces Book V, op. 54: IV. Notturno | — | ||
| 2-2 | Piano Sonata in E minor, op. 7: I. Allegro moderato: Allegro molto | — | ||
| 2-3 | Piano Sonata in E minor, op. 7: II. Andante molto | — | ||
| 2-4 | Piano Sonata in E minor, op. 7: III. Alla menuetto, ma poco più lento | — | ||
| 2-5 | Piano Sonata in E minor, op. 7: IV. Finale (Molto allegro: Presto) | — | ||
| 2-6 | Three Caprices, op. 33: I. no. 1 in A minor, MWV U99 | — | ||
| 2-7 | Variations sérieuses, op. 54 (Complete) | — | ||
| 3-1 | Noches en los jardines de España: I. En el generalife | — | ||
| 3-2 | Noches en los jardines de España: II. Danza lejana | — | ||
| 3-3 | Noches en los jardines de España: III. En los jardines de la Sierra de Cordoba | — | ||
| 3-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 3-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 3-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 4-1 | Italian Concerto in F major, BWV 971: I. (Allegro) | — | ||
| 4-2 | Italian Concerto in F major, BWV 971: II. Andante | — | ||
| 4-3 | Italian Concerto in F major, BWV 971: III. Presto | — | ||
| 4-4 | French Suite no. 6 in E major, BWV 817: I. Allemande | — | ||
| 4-5 | French Suite no. 6 in E major, BWV 817: II. Courante | — | ||
| 4-6 | French Suite no. 6 in E major, BWV 817: III. Sarabande | — | ||
| 4-7 | French Suite no. 6 in E major, BWV 817: IV. Gavotte | — | ||
| 4-8 | French Suite no. 6 in E major, BWV 817: V. Polonaise | — | ||
| 4-9 | French Suite no. 6 in E major, BWV 817: VI. Menuet | — | ||
| 4-10 | French Suite no. 6 in E major, BWV 817: VII. Bourrée | — | ||
| 4-11 | French Suite no. 6 in E major, BWV 817: VIII. Gigue | — | ||
| 4-12 | Fantasia (And Unfinished Fugue) in C minor, BWV 906 | — | ||
| 4-13 | English Suite no. 2 in A minor, BWV 807: I. Prelude | — | ||
| 4-14 | English Suite no. 2 in A minor, BWV 807: II. Allemande | — | ||
| 4-15 | English Suite no. 2 in A minor, BWV 807: III. Courante | — | ||
| 4-16 | English Suite no. 2 in A minor, BWV 807: IV. Sarabande | — | ||
| 4-17 | English Suite no. 2 in A minor, BWV 807: V. Bourrée I & II | — | ||
| 4-18 | English Suite no. 2 in A minor, BWV 807: VI. Gigue | — | ||
| 4-19 | Liebster Jesu, wir sind hier, BWV 731: Arr. piano Harriet Cohen | — | ||
| 4-20 | Jesus nahm zu sich die Zwölfe, Cantata BWV 22, arr. for piano by Harriet Cohen (1895: 1967): Sanctify us | — | ||
| 4-21 | Partita for Violin Solo no. 2 in D minor, BWV 1004: Chaconne in D minor (Arr. Busoni) | — | ||
| 5-1 | Faschingsschwank aus Wien, op. 26: I. Allegro (Vivace assai) | — | ||
| 5-2 | Faschingsschwank aus Wien, op. 26: II. Romanze (Piuttosto lento) | — | ||
| 5-3 | Faschingsschwank aus Wien, op. 26: III. Scherzino | — | ||
| 5-4 | Faschingsschwank aus Wien, op. 26: IV. Intermezzo (Colla più grande energia) | — | ||
| 5-5 | Faschingsschwank aus Wien, op. 26: V. Finale (Il più vivace possibile) | — | ||
| 5-6 | Allegro in B minor, op. 8 | — | ||
| 5-7 | 3 Romanzen, op. 28: no. 2 in F-sharp (Einfach) | — | ||
| 5-8 | Fantasie in C, op. 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen: Im Legendenton - Erstes Tempo | — | ||
| 5-9 | Fantasie in C, op. 17: II. Mäßig. Durchaus energisch: Etwas langsamer - Viel bewegter | — | ||
| 5-10 | Fantasie in C, op. 17: III. Langsam getragen. Durchweg leise zu halten: Etwas bewegter | — | ||
| 6-1 | Carnaval, op. 9: I. Préambule | — | ||
| 6-2 | Carnaval, op. 9: II. Pierrot | — | ||
| 6-3 | Carnaval, op. 9: III. Arlequin | — | ||
| 6-4 | Carnaval, op. 9: IV. Valse noble | — | ||
| 6-5 | Carnaval, op. 9: V. Eusebius | — | ||
| 6-6 | Carnaval, op. 9: VI. Florestan | — | ||
| 6-7 | Carnaval, op. 9: VII. Coquette | — | ||
| 6-8 | Carnaval, op. 9: VIII. Réplique: Sphinxes | — | ||
| 6-9 | Carnaval, op. 9: IX. Papillons | — | ||
| 6-10 | Carnaval, op. 9: X. A.S. C.H.-S.C.H.A. (Lettres dansantes) | — | ||
| 6-11 | Carnaval, op. 9: 1I. Chiarina | — | ||
| 6-12 | Carnaval, op. 9: 1II. Chopin | — | ||
| 6-13 | Carnaval, op. 9: 1III. Estrella | — | ||
| 6-14 | Carnaval, op. 9: 1IV. Reconnaissance | — | ||
| 6-15 | Carnaval, op. 9: 1V. Pantalon et Colombine | — | ||
| 6-16 | Carnaval, op. 9: 1VI. Valse allemande: Intermezzo: Paganini | — | ||
| 6-17 | Carnaval, op. 9: 1VII. Aveu | — | ||
| 6-18 | Carnaval, op. 9: 1VIII. Promenade | — | ||
| 6-19 | Carnaval, op. 9: 1IX. Pause | — | ||
| 6-20 | Carnaval, op. 9: 20. Marche des "Davidsbündler" contre les Philistins | — | ||
| 6-21 | Kreisleriana, op. 16: I. Äusserst bewegt | — | ||
| 6-22 | Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch: Intermezzo I (Sehr lebhaft) - Tempo I - Intermezzo II (Etwas bewegter) - Tempo I | — | ||
| 6-23 | Kreisleriana, op. 16: III. Sehr aufgeregt | — | ||
| 6-24 | Kreisleriana, op. 16: IV. Sehr langsam | — | ||
| 6-25 | Kreisleriana, op. 16: V. Sehr lebhaft | — | ||
| 6-26 | Kreisleriana, op. 16: VI. Sehr langsam | — | ||
| 6-27 | Kreisleriana, op. 16: VII. Sehr rasch | — | ||
| 6-28 | Kreisleriana, op. 16: VIII. Schnell und spielend | — | ||
| 6-29 | Noveletten, op. 21: no. 8 in F-sharp minor (Sehr lebhaft) | — | ||
| 7-1 | Carnaval, op. 9: I. Préambule | — | ||
| 7-2 | Carnaval, op. 9: Pierrot-Arlequin-Valse noble | — | ||
| 7-3 | Carnaval, op. 9: 5-VI. Eusebius-Florestan | — | ||
| 7-4 | Carnaval, op. 9: 7-IX. Coquette-Replique-Papillons | — | ||
| 7-5 | Carnaval, op. 9: 10-1III. ASCH-SCHA-Chiarina-Chopin-Estrella | — | ||
| 7-6 | Carnaval, op. 9: 14-1V. Reconnaissance-Pantalon et Colombine | — | ||
| 7-7 | Carnaval, op. 9: 16-1VIII. Valse allemande-Paganini-Aveu-Promenade | — | ||
| 7-8 | Carnaval, op. 9: 19-20. Pause-Marche des Davidsbundler contre les Philistins | — | ||
| 7-9 | Allegro in B minor, op. 8 | — | ||
| 7-10 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | — | ||
| 7-11 | Piano Concerto in A minor, op. 54: II. Intermezzo (Andantino grazioso) | — | ||
| 7-12 | Piano Concerto in A minor, op. 54: III. Allegro vivace | — | ||
| 8-1 | Piano Concerto in D-Flat major: I. Allegro ma non troppo e maestoso | — | ||
| 8-2 | Piano Concerto in D-Flat major: II. Andante con anima | — | ||
| 8-3 | Piano Concerto in D-flat major: III. Allegro brilliante | Alicia de Larrocha, London Philharmonic Orchestra, Rafael Frühbeck de Burgos | — | |
| 8-4 | Symphonic Variations | London Philharmonic Orchestra, Rafael Frühbeck de Burgos, Alicia de Larrocha | T-911.781.420-7 | |
| 8-5 | Piano Sonata in B minor, S. 178: Lento assai: Allegro energico - Grandioso - Recitativo | — | ||
| 8-6 | Piano Sonata in B minor, S. 178: II. Andante sostenuto | — | ||
| 8-7 | Piano Sonata in B minor, S. 178: Allegro energico: Andante sostenuto - Lento assai | — | ||
| 9-1 | Piano Concerto in G major, M. 83: I. Allegramente | — | ||
| 9-2 | Piano Concerto in G major, M. 83: II. Adagio assai | — | ||
| 9-3 | Piano Concerto in G major, M. 83: III. Presto | — | ||
| 9-4 | Piano Concerto For The Left Hand in D, M. 82 | — | ||
| 9-5 | Fantaisie for piano & orchestra, op. 111 | — | ||
| 10-1 | Iberia, B. 47, Book 1: I. Evocación | — | ||
| 10-2 | Iberia, B. 47, Book 1: II. El Puerto | — | ||
| 10-3 | Iberia, B. 47, Book 1: III. El Corpus en Sevilla | — | ||
| 10-4 | Iberia, B. 47, Book 2: IV. Rondeña | — | ||
| 10-5 | Iberia, B. 47, Book 2: V. Almeria | — | ||
| 10-6 | Iberia, B. 47, Book 2: VI. Triana | — | ||
| 10-7 | Iberia, B. 47, Book 3: VII. El Albaicín | — | ||
| 10-8 | Iberia, B. 47, Book 3: VIII. El Polo | — | ||
| 10-9 | Iberia, B. 47, Book 3: IX. Lavapiés | — | ||
| 10-10 | Iberia, B. 47, Book 4: X. Málaga | — | ||
| 10-11 | Iberia, B. 47, Book 4: 1I. Jérez | — | ||
| 10-12 | Iberia, B. 47, Book 4: 1II. Eritaña | — | ||
| 11-1 | Navarra | — | ||
| 11-2 | Cantos de España, op. 232: I. Prelude | — | ||
| 11-3 | Cantos de España, op. 232: II. Orientale | — | ||
| 11-4 | Cantos de España, op. 232: III. Sous le palmier | — | ||
| 11-5 | Cantos de España, op. 232: IV. Cordoba | — | ||
| 11-6 | Cantos de España, op. 232: V. Seguidillas | — | ||
| 11-7 | Sonata in D major | — | ||
| 11-8 | Recuerdos de Viaje, op. 71: VIII. Rumores de la caleta: Malagueña | — | ||
| 11-9 | Pavana-Capricho, op. 12 | — | ||
| 11-10 | Recuerdos de Viaje, op. 71: VI. Puerta de tierra: Bolero | — | ||
| 11-11 | Malagueña, op. 165, no. 3 | — | ||
| 11-12 | España, op. 165: II. Tango | — | ||
| 11-13 | Suite española no. 1, op. 47: Sevilla (Sevillanas) | — | ||
| 11-14 | Sonata in G minor | — | ||
| 11-15 | Sonata in D | — | ||
| 11-16 | Spanish Dance, op. 37, no. 7: "Valenciana" | — | ||
| 11-17 | Spanish Dance, op. 37, no. 5: "Andaluza" | — | ||
| 11-18 | Danzas Gitanas, Set 1 op. 55: V. Sacro-Monte | — | ||
| 11-19 | Danzas Andaluzas, op. 8: III. Zapateado | — | ||
| 12-1 | Piano Sonata no. 11 in A major, K. 331: I. Tema (Andante grazioso) con variazioni | — | ||
| 12-2 | Piano Sonata no. 11 in A major, K. 331: II. Menuetto | — | ||
| 12-3 | Piano Sonata no. 11 in A major, K. 331: III. Alla Turca (Allegretto) | — | ||
| 12-4 | Fantasia in C minor, K. 475 | — | ||
| 12-5 | Rondo in D major, K. 485 | — | ||
| 12-6 | Piano Sonata no. 9 in D major, K. 311: I. Allegro con spirito | — | ||
| 12-7 | Piano Sonata no. 9 in D major, K. 311: II. Andantino con espressione | — | ||
| 12-8 | Piano Sonata no. 9 in D major, K. 311: III. Rondeau (Allegro) | — | ||
| 12-9 | Piano Sonata no. 10 in C major, K. 330: I. Allegro moderato | — | ||
| 12-10 | Piano Sonata no. 10 in C major, K. 330: II. Andante cantabile | — | ||
| 12-11 | Piano Sonata no. 10 in C major, K. 330: III. Allegretto | — | ||
| 12-12 | Fantasia in D minor, K. 397 | — | ||
| 13-1 | Piano Sonata no. 12 in F major, K. 332: I. Allegro | — | ||
| 13-2 | Piano Sonata no. 12 in F major, K. 332: II. Adagio | — | ||
| 13-3 | Piano Sonata no. 12 in F major, K. 332: III. Allegro assai | — | ||
| 13-4 | Piano Sonata no. 16 in C major, K. 545 "Sonata facile": I. Allegro | — | ||
| 13-5 | Piano Sonata no. 16 in C major, K. 545 "Sonata facile": II. Andante | — | ||
| 13-6 | Piano Sonata no. 16 in C major, K. 545 "Sonata facile": III. Rondo (Allegro) | — | ||
| 13-7 | Piano Sonata no. 18 in D major, K. 576: I. Allegro | — | ||
| 13-8 | Piano Sonata no. 18 in D major, K. 576: II. Adagio | — | ||
| 13-9 | Piano Sonata no. 18 in D major, K. 576: III. Allegretto | — | ||
| 13-10 | Piano Sonata no. 4 in E-flat major, K. 282: I. Adagio | Alicia de Larrocha | — | |
| 13-11 | Piano Sonata no. 4 in E-flat major, K. 282: II. Menuetto I-II | Alicia de Larrocha | — | |
| 13-12 | Piano Sonata no. 4 in E-flat major, K. 282: III. Allegro | Alicia de Larrocha | — | |
| 13-13 | Piano Sonata no. 8 in A minor, K. 310: I. Allegro maestoso | Alicia de Larrocha | — | |
| 13-14 | Piano Sonata no. 8 in A minor, K. 310: II. Andante cantabile con espressione | Alicia de Larrocha | — | |
| 13-15 | Piano Sonata no. 8 in A minor, K. 310: III. Presto | Alicia de Larrocha | — | |
| 14-1 | Piano Sonata no. 14 in C minor, K. 457: I. Molto allegro | — | ||
| 14-2 | Piano Sonata no. 14 in C minor, K. 457: II. Adagio | — | ||
| 14-3 | Piano Sonata no. 14 in C minor, K. 457: III. Allegro assai | — | ||
| 14-4 | Fantasia in C minor, K. 475 | — | ||
| 14-5 | Andante con variazoni in F minor, H.XVII no. 6 | — | ||
| 14-6 | Clavier Concerto in D major, Hob. 18: 2: I. Vivace | — | ||
| 14-7 | Clavier Concerto in D major, Hob. 18: 2: II. Un poco adagio | — | ||
| 14-8 | Clavier Concerto in D major, Hob. 18: 2: III. Rondo all'Ungherese. Allegro assai | — | ||
| 15-1 | Cuatro piezas españolas: I. Aragonesa | — | ||
| 15-2 | Cuatro piezas españolas: II. Cubana | — | ||
| 15-3 | Cuatro piezas españolas: III. Montanesa | — | ||
| 15-4 | Cuatro piezas españolas: IV. Andaluza | — | ||
| 15-5 | Fantasia Baetica | — | ||
| 15-6 | El sombrero de tres picos, Transcr. for Piano, Pt. 2: Dance of the Neighbours | — | ||
| 15-7 | El sombrero de tres picos, Pt. 2: The miller's dance | — | ||
| 15-8 | El sombrero de tres picos, Transcr. for Piano, Pt. 1: Dance of the Miller's Wife | — | ||
| 15-9 | El Amor Brujo, Arr. for piano: Pantomima | — | ||
| 15-10 | El Amor Brujo, Arr. for piano: Chanson du Feu Follet | — | ||
| 15-11 | El Amor Brujo, Arr. for piano: Danse de la Frayeur | — | ||
| 15-12 | El Amor Brujo, Arr. for piano: Le Cercle Magique (Recit du Pecheur) | — | ||
| 15-13 | El Amor Brujo, Arr. for piano: Danse Rituelle du Feu | — | ||
| 16-1 | 24 Préludes, op. 28, C. 166-189: I. Agitato in C major, C. 166 | — | ||
| 16-2 | 24 Préludes, op. 28, C. 166-189: II. Lento in A minor, C. 167 | — | ||
| 16-3 | 24 Préludes, op. 28, C. 166-189: III. Vivace in G major, C. 168 | — | ||
| 16-4 | 24 Préludes, op. 28, C. 166-189: IV. Largo in E minor, C. 169 | — | ||
| 16-5 | 24 Préludes, op. 28, C. 166-189: V. Molto allegro in D major, C. 170 | — | ||
| 16-6 | 24 Préludes, op. 28, C. 166-189: VI. Lento assai in B minor, C. 171 | — | ||
| 16-7 | 24 Préludes, op. 28, C. 166-189: VII. Andantino in A major, C. 172 | — | ||
| 16-8 | 24 Préludes, op. 28, C. 166-189: VIII. Molto agitato in F-Sharp minor, C. 173 | — | ||
| 16-9 | 24 Préludes, op. 28, C. 166-189: IX. Largo in E major, C. 174 | — | ||
| 16-10 | 24 Préludes, op. 28, C. 166-189: X. Molto allegro in C-Sharp minor, C. 175 | — | ||
| 16-11 | 24 Préludes, op. 28, C. 166-189: 1I. Vivace in B major, C. 176 | — | ||
| 16-12 | 24 Préludes, op. 28, C. 166-189: 1II. Presto in G-Sharp minor, C. 177 | — | ||
| 16-13 | 24 Préludes, op. 28, C. 166-189: 1III. Lento in F-Sharp major, C. 178 | — | ||
| 16-14 | 24 Préludes, op. 28, C. 166-189: 1IV. Allegro in E-Flat minor, C. 179 | — | ||
| 16-15 | 24 Préludes, op. 28, C. 166-189: 1V. Sostenuto in D-Flat major, C. 180 "Raindrop" | — | ||
| 16-16 | 24 Préludes, op. 28, C. 166-189: 1VI. Presto con fuoco in B-Flat minor, C. 181 | — | ||
| 16-17 | 24 Préludes, op. 28, C. 166-189: 1VII. Allegretto in A-Flat major, C. 182 | — | ||
| 16-18 | 24 Préludes, op. 28, C. 166-189: 1VIII. Molto allegro in F minor, C. 183 | — | ||
| 16-19 | 24 Préludes, op. 28, C. 166-189: 1IX. Vivace in E-Flat major, C. 184 | — | ||
| 16-20 | 24 Préludes, op. 28, C. 166-189: 20. Largo in C minor, C. 185 | — | ||
| 16-21 | 24 Préludes, op. 28, C. 166-189: 2I. Cantabile in B-Flat major, C. 186 | — | ||
| 16-22 | 24 Préludes, op. 28, C. 166-189: 2II. Molto agitato in G minor, C. 187 | — | ||
| 16-23 | 24 Préludes, op. 28, C. 166-189: 2III. Moderato in F major, C. 188 | — | ||
| 16-24 | 24 Préludes, op. 28, C. 166-189: 2IV. Allegro appassionato in D minor, C. 189 | — | ||
| 16-25 | Berceuse in D-Flat major, op. 57 | — | ||
| 17-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | — | ||
| 17-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo (Adagio) | — | ||
| 17-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale (Alla breve) | — | ||
| 17-4 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | — | ||
| 17-5 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | — | ||
| 17-6 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | — | ||
| 18-1 | Concerto Breve: I. Energico | — | ||
| 18-2 | Concerto Breve: II. Dolce | — | ||
| 18-3 | Concerto Breve: III. Vivo | — | ||
| 18-4 | Concerto for Piano & Orchestra: I. Allegro | — | ||
| 18-5 | Concerto for Piano & Orchestra: II. Larghetto | — | ||
| 18-6 | Concerto for Piano & Orchestra: III. Vivace con fuoco | — | ||
| 19-1 | Goyescas: Suite: I. Los requiebros | — | ||
| 19-2 | Goyescas: Suite: II. Coloquio en la reja | — | ||
| 19-3 | Goyescas: Suite: III. El Fandango del Candil | — | ||
| 19-4 | Goyescas: Suite: IV. Quejas ó la maja y el ruiseñor | — | ||
| 19-5 | Goyescas: Suite: V. El amor y la muerte (Balada) | — | ||
| 19-6 | Goyescas: Suite: VI. Epilogo (Serenata del espectro) | — | ||
| 19-7 | Goyescas: Suite: VII. El pelele (Escena goyesca) | — | ||
| 20-1 | Tonadillas: I. La Maja de Goya | — | ||
| 20-2 | Tonadillas: II. Amor y Odio | — | ||
| 20-3 | Tonadillas: III. El Tra-La-La y el Punteado | — | ||
| 20-4 | Tonadillas: IV. El Majo Olvidado | — | ||
| 20-5 | Tonadillas: V. El Majo Tímido | — | ||
| 20-6 | Tonadillas: VI. Callejeo | — | ||
| 20-7 | Tonadillas: VII. El Mirar de la Maja | — | ||
| 20-8 | Tonadillas: VIII. Las Currutacas Modestas | — | ||
| 20-9 | Tonadillas: IX. El Majo Discreto | — | ||
| 20-10 | Tonadillas: X. La Maja Dolorosa no. 1 (Oh muerte cruel!) | — | ||
| 20-11 | Tonadillas: 1I. La Maja Dolorosa no. 2 (Ay majo de mi vida) | — | ||
| 20-12 | Tonadillas: 1II. La Maja Dolorosa no. 3 (De aquel majo amante) | — | ||
| 20-13 | Canciónes Amatorias: I. Mira que soy Niña | — | ||
| 20-14 | Canciónes Amatorias: II. Iban al Pinar | — | ||
| 20-15 | Canciónes Amatorias: III. Mañanica era | — | ||
| 20-16 | Canciónes Amatorias: IV. No lloreís Ojuelos | — | ||
| 20-17 | Canciónes Amatorias: V. Llorad Corazón | — | ||
| 20-18 | Canciónes Amatorias: VI. Gracia mía | — | ||
| 21-1 | Piano Concerto no. 25 in C major, K. 503: I. Allegro maestoso | Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 21-2 | Piano Concerto no. 25 in C major, K. 503: II. Andante | Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 21-3 | Piano Concerto no. 25 in C major, K. 503: III. Allegretto | Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 21-4 | Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro | Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti | T-011.422.353-8 | |
| 21-5 | Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto | Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti | T-802.445.410-3 | |
| 21-6 | Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro | Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 22-1 | Piano Concerto no. 24 in C minor, K. 491: I. Allegro | Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti | T-011.422.353-8 | |
| 22-2 | Piano Concerto no. 24 in C minor, K. 491: II. Larghetto | Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti | T-802.445.410-3 | |
| 22-3 | Piano Concerto no. 24 in C minor, K. 491: III. Allegretto | Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 22-4 | Piano Concerto no. 26 in D major, K. 537 “Coronation”: I. Allegro | Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti | T-070.160.313-5 | |
| 22-5 | Piano Concerto no. 26 in D major, K. 537 “Coronation”: II. Larghetto | Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti | T-802.445.410-3 | |
| 22-6 | Piano Concerto no. 26 in D major, K. 537 “Coronation”: III. Allegretto | Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 23-1 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": I. Allegro | — | ||
| 23-2 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 23-3 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": III. Rondo (Allegro) | — | ||
| 23-4 | 7 Bagatelles, op. 33: I. Andante grazioso, quasi Allegretto | Alicia de Larrocha | — | |
| 23-5 | 7 Bagatelles, Op. 33: 2. Scherzo. Allegro | Alicia de Larrocha | — | |
| 23-6 | 7 Bagatelles, op. 33: III. Allegretto | Alicia de Larrocha | — | |
| 23-7 | 7 Bagatelles, op. 33: IV. Andante | Alicia de Larrocha | — | |
| 23-8 | 7 Bagatelles, op. 33: V. Allegro, ma non troppo | Alicia de Larrocha | T-921.408.279-8 | |
| 23-9 | 7 Bagatelles, op. 33: VI. Allegretto quasi Andante | Alicia de Larrocha | — | |
| 23-10 | 7 Bagatelles, op. 33: VII. Presto | Alicia de Larrocha | — | |
| 24-1 | Piano Concerto no. 12 in A major, K. 414: I. Allegro | — | ||
| 24-2 | Piano Concerto no. 12 in A major, K. 414: II. Andante | — | ||
| 24-3 | Piano Concerto no. 12 in A major, K. 414: III. Rondeau (Allegretto) | — | ||
| 24-4 | Concerto for Harpsichord, Strings, and Continuo no. 5 in F minor, BWV 1056, Piano performance: I. (Allegro) | — | ||
| 24-5 | Concerto for Harpsichord, Strings, and Continuo no. 5 in F minor, BWV 1056, Piano performance: II. Largo | — | ||
| 24-6 | Concerto for Harpsichord, Strings, and Continuo no. 5 in F minor, BWV 1056, Piano performance: III. Presto | — | ||
| 25-1 | Spanish Dance, op. 37, no. 1 "Minueto" | — | ||
| 25-2 | Spanish Dance, op. 37, no. 2: "Oriental" | — | ||
| 25-3 | Spanish Dance, op. 37, no. 3 "Zarabanda" | — | ||
| 25-4 | Spanish Dance, op. 37, no. 4: "Villanesca" | — | ||
| 25-5 | Spanish Dance, op. 37, no. 5: "Andaluza" | — | ||
| 25-6 | Spanish Dance op. 37, no. 6 "Rondalla aragonesa" | — | ||
| 25-7 | Spanish Dance, op. 37, no. 7: "Valenciana" | — | ||
| 25-8 | Spanish Dance, op. 37, no. 8: "Asturiana" | — | ||
| 25-9 | Spanish Dance, op. 37, no. 9: "Mazurca" | — | ||
| 25-10 | Spanish Dance, op. 37, no. 10: "Danza triste" | — | ||
| 25-11 | Spanish Dance, op. 37, no. 11 "Zambra" | — | ||
| 25-12 | Spanish Dance, op. 37, no. 12 "Arabesca" | — | ||
| 26-1 | Sonata in D minor, K. 9 | — | ||
| 26-2 | Sonata in F, K. 6 | — | ||
| 26-3 | Sonata in D minor, K. 10 | — | ||
| 26-4 | Sonata in G minor, Kk8 | — | ||
| 26-5 | Sonata in G, Kk13 | — | ||
| 26-6 | Sonata in C minor, K. 11 | — | ||
| 26-7 | Sonata in E, Kk28 | — | ||
| 26-8 | Partita for Violin Solo no. 2 in D minor, BWV 1004: Chaconne in D minor (Arr. Busoni) | — | ||
| 26-9 | Harpsichord Suite no. 5 in E major, HWV 430 "The Harmonious Blacksmith": I. Prélude | — | ||
| 26-10 | Harpsichord Suite no. 5 in E major, HWV 430 "The Harmonious Blacksmith": II. Allemande | — | ||
| 26-11 | Harpsichord Suite no. 5 in E major, HWV 430 "The Harmonious Blacksmith": III. Courante | — | ||
| 26-12 | Harpsichord Suite no. 5 in E major, HWV 430 "The Harmonious Blacksmith": IV. Air con variazioni ("The Harmonious Blacksmith") | — | ||
| 26-13 | Sonata in D minor | — | ||
| 26-14 | Sonata in C-sharp minor | — | ||
| 26-15 | Sonata in D | — | ||
| 26-16 | Sonata in G minor | — | ||
| 26-17 | Sonata in F-sharp minor: Allegretto | — | ||
| 26-18 | Sonata in F: Allegro | — | ||
| 27-1 | Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro | — | ||
| 27-2 | Piano Concerto no. 22 in E-flat major, K. 482: II. Andante | — | ||
| 27-3 | Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro: Andante cantabile - Tempo I | — | ||
| 27-4 | Piano Concerto no. 19 in F major, K. 459: I. Allegro vivace | — | ||
| 27-5 | Piano Concerto no. 19 in F major, K. 459: II. Allegretto | — | ||
| 27-6 | Piano Concerto no. 19 in F major, K. 459: III. Allegro assai | — | ||
| 28-1 | Piano Sonata no. 13 in A major, D. 664: I. Allegro moderato | — | ||
| 28-2 | Piano Sonata no. 13 in A major, D. 664: II. Andante | — | ||
| 28-3 | Piano Sonata no. 13 in A major, D. 664: III. Allegro | — | ||
| 28-4 | Impromptu in A-flat, D.899 no. 4 | — | ||
| 28-5 | 6 Moments musicaux, op. 94, D. 780: VI. Allegretto | — | ||
| 28-6 | Piano Sonata no. 21 in B-Flat major, D. 960: I. Molto moderato | — | ||
| 28-7 | Piano Sonata no. 21 in B-Flat major, D. 960: II. Andante sostenuto | — | ||
| 28-8 | Piano Sonata no. 21 in B-Flat major, D. 960: III. Scherzo (Allegro vivace con delicatezza) | — | ||
| 28-9 | Piano Sonata no. 21 in B-Flat major, D. 960: IV. Allegro ma non troppo | — | ||
| 29-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 29-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 29-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo (Allegro scherzando) | — | ||
| 29-4 | Piano Concerto no. 2 in B-Flat major, op. 19: I. Allegro con brio | — | ||
| 29-5 | Piano Concerto no. 2 in B-Flat major, op. 19: II. Adagio | — | ||
| 29-6 | Piano Concerto no. 2 in B-Flat major, op. 19: III. Rondo (Molto allegro) | — | ||
| 30-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 30-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 30-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo (Allegro) | — | ||
| 30-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 30-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 30-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo (Vivace) | — | ||
| 31-1 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": I. Allegro | — | ||
| 31-2 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 31-3 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": III. Rondo (Allegro) | — | ||
| 31-4 | Fantasia for Piano, Chorus and Orchestra in C minor, op. 80 | — | ||
| 32-1 | Impresiones intimas: I. Planys I | — | ||
| 32-2 | Impresiones intimas: II. Planys II | — | ||
| 32-3 | Impresiones intimas: III. Planys III | — | ||
| 32-4 | Impresiones intimas: IV. Planys IV | — | ||
| 32-5 | Impresiones intimas: V. Pajaro triste | — | ||
| 32-6 | Impresiones intimas: VI. La barca | — | ||
| 32-7 | Impresiones intimas: VII. Cuna | — | ||
| 32-8 | Impresiones intimas: VIII. Secreto | — | ||
| 32-9 | Impresiones intimas: IX. Gitano | — | ||
| 32-10 | Preludio VII a Alicia de Larrocha | — | ||
| 32-11 | Musica Callada, Book 4 | — | ||
| 32-12 | Cançons i dansas: no. 1 | — | ||
| 32-13 | Cançons i dansas: no. 2 | — | ||
| 32-14 | Cançons i dansas: no. 3 | — | ||
| 32-15 | Cançons i dansas: no. 14 | — | ||
| 33-1 | 6 Pieces on Spanish Folksongs: 0. Preludio | — | ||
| 33-2 | 6 Pieces on Spanish Folksongs: I. Añoranza | — | ||
| 33-3 | 6 Pieces on Spanish Folksongs: II. Ecos de la Parranda | — | ||
| 33-4 | 6 Pieces on Spanish Folksongs: III. Vascongada | — | ||
| 33-5 | 6 Pieces on Spanish Folksongs: IV. Marcha Oriental | — | ||
| 33-6 | 6 Pieces on Spanish Folksongs: V. Zambra | — | ||
| 33-7 | 6 Pieces on Spanish Folksongs: VI. Zapateado | — | ||
| 33-8 | Allegro de Concierto | — | ||
| 33-9 | Escenas Románticas: I. Mazurka | — | ||
| 33-10 | Escenas Románticas: II. Berceuse | — | ||
| 33-11 | Escenas Románticas: III. Lento con extasis | — | ||
| 33-12 | Escenas Románticas: IV. Allegretto | — | ||
| 33-13 | Escenas Románticas: V. Allegretto appassionato | — | ||
| 33-14 | Escenas Románticas: VI. Epilogo: Andantino spianato | — | ||
| 34-1 | Noches en los jardines de España: I. En el generalife | — | ||
| 34-2 | Noches en los jardines de España: II. Danza lejana | — | ||
| 34-3 | Noches en los jardines de España: III. En los jardines de la Sierra de Cordoba | — | ||
| 34-4 | Rapsodia Española: Orch. Cristobel Halffter | — | ||
| 34-5 | Rapsodia sinfonica | — | ||
| 35-1 | Iberia, B. 47, Piano (Pub.1906), Book 1: I. Evocación | — | ||
| 35-2 | Iberia, B. 47, Piano (Pub.1906), Book 1: II. El Puerto | — | ||
| 35-3 | Iberia, B. 47, Piano (Pub.1906), Book 1: III. Fête: Dieu à Seville | — | ||
| 35-4 | Iberia, B. 47, Piano (Pub.1906), Book 2: IV. Rondena | — | ||
| 35-5 | Iberia, B. 47, Piano (Pub.1906), Book 2: V. Almeria | — | ||
| 35-6 | Iberia, B. 47, Piano (Pub.1906), Book 2: VI. Triana | — | ||
| 35-7 | Iberia, B. 47, Piano (Pub.1906), Book 3: VII. El Albaicin | — | ||
| 35-8 | Iberia, B. 47, Piano (Pub.1906), Book 3: VIII. El Polo | — | ||
| 35-9 | Iberia, B. 47, Piano (Pub.1906), Book 3: IX. Lavapies | — | ||
| 36-1 | Iberia, B. 47, Piano (Pub.1906), Book 4: X. Malaga | — | ||
| 36-2 | Iberia, B. 47, Piano (Pub.1906), Book 4: 1I. Jerez | — | ||
| 36-3 | Iberia, B. 47, Piano (Pub.1906), Book 4: 1II. Eritana | — | ||
| 36-4 | Navarra | — | ||
| 36-5 | Suite española no. 1, op. 47: Granada (Serenata) | — | ||
| 36-6 | Suite española no. 1, op. 47: Cataluña (Corranda) | — | ||
| 36-7 | Suite española no. 1, op. 47: Sevilla (Sevillanas) | — | ||
| 36-8 | Suite española no. 1, op. 47: Cádiz (Canción) (Op. 181) | — | ||
| 36-9 | Suite española no. 1, op. 47: Asturias (Leyenda) (Op. 232/1) | Alicia de Larrocha | — | |
| 36-10 | Suite española no. 1, op. 47: Aragón (Fantasia) (Op. 164/1) | — | ||
| 36-11 | Suite española no. 1, op. 47: Cuba (Capricho) | — | ||
| 36-12 | Suite española no. 1, op. 47: Castilla (Seguidillas) (Op. 232/5) | — | ||
| 37-1 | Sonata Espanola, op. 53, I. Andante romantico: 1. Andante romantico | — | ||
| 37-2 | Sonata Espanola, op. 53, I. Andante romantico: II. Mazurka sopra un tema popolare | — | ||
| 37-3 | Sonata Espanola, op. 53, I. Andante romantico: III. Allegro brioso | — | ||
| 37-4 | Danzas de Espana: IV. Rustico | — | ||
| 37-5 | Danzas de Espana: V. Danza de la Tres Doncellas | — | ||
| 37-6 | Danzas de Espana: VI. Serrana | — | ||
| 37-7 | Danzas Espanolas: VII. no. 1 in G | — | ||
| 37-8 | Danzas Espanolas: VIII. no. 2 in C minor | — | ||
| 37-9 | Danzas Espanolas: IX. no. 3 in D | — | ||
| 37-10 | Danzas Espanolas: X. no. 4 in G | — | ||
| 37-11 | Danzas Espanolas: 1I. no. 5 in E minor | — | ||
| 37-12 | Danzas Espanolas: 1II. no. 6 in D | — | ||
| 37-13 | Danzas Espanolas: 1III. no. 7 in G | — | ||
| 37-14 | Danzas Espanolas: 1IV. no. 8 in C | — | ||
| 37-15 | Danzas Espanolas: 1V. no. 9 in B-flat | — | ||
| 37-16 | Danzas Espanolas: 1VI. no. 10 in G | — | ||
| 37-17 | Danzas Espanolas: 1VII. no. 11 in G minor | — | ||
| 37-18 | Danzas Espanolas: 1VIII. no. 12 in A minor | — | ||
| 38-1 | Danzas Fantásticas, op. 22: I. Exaltación | — | ||
| 38-2 | Danzas Fantásticas, op. 22: II. Ensueño | — | ||
| 38-3 | Danzas Fantásticas, op. 22: III. Orgía | — | ||
| 38-4 | Preludios, op. 80 (Ciclo pianistico, VII): I. Adagio | — | ||
| 38-5 | Preludios, op. 80 (Ciclo pianistico, VII): II. Allegretto | — | ||
| 38-6 | Preludios, op. 80 (Ciclo pianistico, VII): III. Allegro giusto | — | ||
| 38-7 | Preludios, op. 80 (Ciclo pianistico, VII): IV. Allegretto | — | ||
| 38-8 | Preludios, op. 80 (Ciclo pianistico, VII): V. Adagio: Allegro vivo | — | ||
| 38-9 | Recuerdos de la antigua España, op. 48: I. La eterna Carmen | — | ||
| 38-10 | Recuerdos de la antigua España, op. 48: II. Habanera | — | ||
| 38-11 | Recuerdos de la antigua España, op. 48: III. Don Juan | — | ||
| 38-12 | Recuerdos de la antigua España, op. 48: IV. Estudiantina | — | ||
| 38-13 | Partita, op. 57 (Ciclo pianistico, II): I. Preludio | — | ||
| 38-14 | Partita, op. 57 (Ciclo pianistico, II): II. Zarabanda | — | ||
| 38-15 | Partita, op. 57 (Ciclo pianistico, II): III. Capricho | — | ||
| 38-16 | Partita, op. 57 (Ciclo pianistico, II): IV. Introducción y giga | — | ||
| 38-17 | Escenas Románticas: I. Mazurka | — | ||
| 38-18 | Escenas Románticas: II. Berceuse | — | ||
| 38-19 | Escenas Románticas: III. Lento con extasis | — | ||
| 38-20 | Escenas Románticas: IV. Allegretto | — | ||
| 38-21 | Escenas Románticas: V. Allegretto appassionato | — | ||
| 38-22 | Escenas Románticas: VI. Epilogo: Andantino spianato | — | ||
| 39-1 | Goyescas: Suite: I. Los requiebros | — | ||
| 39-2 | Goyescas: Suite: II. Coloquio en la reja | — | ||
| 39-3 | Goyescas: Suite: III. El Fandango del Candil | — | ||
| 39-4 | Goyescas: Suite: IV. Quejas ó la maja y el ruiseñor | — | ||
| 39-5 | Goyescas: Suite: V. El amor y la muerte (Balada) | — | ||
| 39-6 | Goyescas: Suite: VI. Epilogo (Serenata del espectro) | — | ||
| 39-7 | Goyescas: Suite: VII. El pelele (Escena goyesca) | — | ||
| 39-8 | Impresiones intimas: I. Planys I | — | ||
| 39-9 | Impresiones intimas: II. Planys II | — | ||
| 39-10 | Impresiones intimas: III. Planys III | — | ||
| 39-11 | Impresiones intimas: IV. Planys IV | — | ||
| 39-12 | Impresiones intimas: V. Pajaro triste | — | ||
| 39-13 | Impresiones intimas: VI. La barca | — | ||
| 39-14 | Impresiones intimas: VII. Cuna | — | ||
| 39-15 | Impresiones intimas: VIII. Secreto | — | ||
| 39-16 | Impresiones intimas: IX. Gitano | — | ||
| 40-1 | Bagatelle no. 25 in A minor, WoO 59 "Für Elise" | — | ||
| 40-2 | Liebestraum no. 3 in A-Flat, S. 541 | — | ||
| 40-3 | 5 Morceaux de Fantaisie, op. 3: no. 2 Prelude in C-Sharp minor | — | ||
| 40-4 | Suite bergamasque, L. 75: III. Clair de lune | — | ||
| 40-5 | 6 Moments musicaux, op. 94, D. 780: III. Allegro moderato | — | ||
| 40-6 | 36 German Dances, op. 9, Arranged for flute or violin and guitar by Schubert: German Dance no. 1 (D 365, No.1) | — | ||
| 40-7 | Pièces de clavecin: Troisième livre, 13ème ordre: II. Les rozeaux | — | ||
| 40-8 | Piano Sonata no. 16 in C major, K. 545 "Sonata facile": I. Allegro | — | ||
| 40-9 | Piano Sonata no. 16 in C major, K. 545 "Sonata facile": II. Andante | — | ||
| 40-10 | Piano Sonata no. 16 in C major, K. 545 "Sonata facile": III. Rondo (Allegro) | — | ||
| 40-11 | Piano Sonata no. 11 in A major, K. 331: III. Alla Turca (Allegretto) | — | ||
| 40-12 | Lieder ohne Worte, op. 67: no. IV. Presto in C "Spinning Song", MWV U182 | — | ||
| 40-13 | Lieder ohne Worte, op. 62: no. 6 Allegretto grazioso in A major -"Frühlingslied" (Spring Song) | — | ||
| 40-14 | The Seasons, op. 37a, TH 135: 1I. November: On the Troika | — | ||
| 40-15 | 3 Waltzes, op. 64: no. 2 in C-sharp minor | — | ||
| 40-16 | 3 Nocturnes, op. 9: no. 2 in E-flat | — | ||
| 40-17 | Impromptu no. 4 in C-sharp minor, op. 66 "Fantaisie-Impromptu" | — | ||
| 40-18 | 12 Etudes, op. 10: no. 3 in E major | — | ||
| 40-19 | Polonaise no. 6 in A-Flat, op. 53 "Heroic" | — | ||
| 41-1 | Hungarian Rhapsody no. 2 in C-Sharp minor, S. 244/2 | — | ||
| 41-2 | Consolation no. 3 in D-flat major | — | ||
| 41-3 | La Campanella | — | ||
| 41-4 | Impromptu in A-flat, D.899 no. 4 | — | ||
| 41-5 | Nocturne in F-Sharp major, op. 15, no. 2 | — | ||
| 41-6 | 12 Etudes, op. 25: no. 9 in G-Flat major: "Butterfly Wings" | — | ||
| 41-7 | Waltz no. 4 in F major, op. 34 No.3 "Grande Valse Brilliante" | — | ||
| 41-8 | Rondo capriccioso in E major, op. 14, MWV U67 | — | ||
| 41-9 | Menuet in G Opus 14 no. 1 | — | ||
| 41-10 | Nocturne no. 3 in A-flat major, op. 33 No.3 | — | ||
| 41-11 | 2 Arabesques, L. 66: no. 1, Andante con moto | — | ||
| 41-12 | 2 Arabesques, L. 66: no. 2, Allegretto scherzando | — | ||
| 41-13 | Aufforderung zum Tanze, op. 65, J.260 | — | ||
| 41-14 | El amor brujo: Suite, G. 69, El Amor Brujo - Suite for Piano from the Ballet: IV. Danza del ritual del fuego fatuo | — |
