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Alicia de Larrocha: Complete Decca Recordings
Alicia de Larrocha
028948341207
487 tracksReleased 2018-01-01Decca
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028948341207 is the Universal Product Code (UPC barcode) for the release “Alicia de Larrocha: Complete Decca Recordings” by Alicia de Larrocha, released 2018-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 487 tracks, each with its own ISRC. Tracks include GBF077211963, GBF077210091, GBF077910491.
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UPCAlicia de Larrocha: Complete Decca Recordings
ISRC28 recordings
ISWC6 works
IPI1 songwriter
Track List (487)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonatina: Ballet: Danza de la pastora | — | ||
| 2 | Sonatina: Ballet: Danza de la gitana | — | ||
| 3 | Trois Chansons et Danses Espagnoles | — | ||
| 4 | Tonadas, Vol. 2: 1IV. Canción de Labrador | — | ||
| 5 | Tonadas, Vol. 2: 1V. Copla Castellana | — | ||
| 6 | Tonadas, Vol. 2: 1IX. Canción Otoñal | — | ||
| 7 | Tonadas, Vol. 2: 2I. Seguidalla Murciana | — | ||
| 8 | Tonadas, Vol. 2: 2II. Canción de Trilla | — | ||
| 9 | Tonadas, Vol. 2: 2IV. Muñerra | — | ||
| 10 | Cançons i dansas: no. 4 | — | ||
| 11 | Cançons i dansas: no. 5 | — | ||
| 12 | Cançons i dansas: no. 6 | — | ||
| 13 | Sonatine pour Yvette: I. Vivo e spiritoso | — | ||
| 14 | Sonatine pour Yvette: II. Moderato molto | — | ||
| 15 | Sonatine pour Yvette: III. Allegretto | — | ||
| 16 | Divertimento no. 2 (Habañera) | — | ||
| 2-1 | Lyric Pieces Book V, op. 54: IV. Notturno | — | ||
| 2-2 | Piano Sonata in E minor, op. 7: I. Allegro moderato: Allegro molto | — | ||
| 2-3 | Piano Sonata in E minor, op. 7: II. Andante molto | — | ||
| 2-4 | Piano Sonata in E minor, op. 7: III. Alla menuetto, ma poco più lento | — | ||
| 2-5 | Piano Sonata in E minor, op. 7: IV. Finale (Molto allegro: Presto) | — | ||
| 2-6 | Three Caprices, op. 33: I. no. 1 in A minor, MWV U99 | — | ||
| 2-7 | Variations sérieuses, op. 54 (Complete) | — | ||
| 3-1 | Noches en los jardines de España: I. En el generalife | — | ||
| 3-2 | Noches en los jardines de España: II. Danza lejana | — | ||
| 3-3 | Noches en los jardines de España: III. En los jardines de la Sierra de Cordoba | — | ||
| 3-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 3-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 3-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 4-1 | Italian Concerto in F major, BWV 971: I. (Allegro) | — | ||
| 4-2 | Italian Concerto in F major, BWV 971: II. Andante | — | ||
| 4-3 | Italian Concerto in F major, BWV 971: III. Presto | — | ||
| 4-4 | French Suite no. 6 in E major, BWV 817: I. Allemande | — | ||
| 4-5 | French Suite no. 6 in E major, BWV 817: II. Courante | — | ||
| 4-6 | French Suite no. 6 in E major, BWV 817: III. Sarabande | — | ||
| 4-7 | French Suite no. 6 in E major, BWV 817: IV. Gavotte | — | ||
| 4-8 | French Suite no. 6 in E major, BWV 817: V. Polonaise | — | ||
| 4-9 | French Suite no. 6 in E major, BWV 817: VI. Menuet | — | ||
| 4-10 | French Suite no. 6 in E major, BWV 817: VII. Bourrée | — | ||
| 4-11 | French Suite no. 6 in E major, BWV 817: VIII. Gigue | — | ||
| 4-12 | Fantasia (And Unfinished Fugue) in C minor, BWV 906 | — | ||
| 4-13 | English Suite no. 2 in A minor, BWV 807: I. Prelude | — | ||
| 4-14 | English Suite no. 2 in A minor, BWV 807: II. Allemande | — | ||
| 4-15 | English Suite no. 2 in A minor, BWV 807: III. Courante | — | ||
| 4-16 | English Suite no. 2 in A minor, BWV 807: IV. Sarabande | — | ||
| 4-17 | English Suite no. 2 in A minor, BWV 807: V. Bourrée I & II | — | ||
| 4-18 | English Suite no. 2 in A minor, BWV 807: VI. Gigue | — | ||
| 4-19 | Liebster Jesu, wir sind hier, BWV 731: Arr. piano Harriet Cohen | — | ||
| 4-20 | Jesus nahm zu sich die Zwölfe, Cantata BWV 22, arr. for piano by Harriet Cohen (1895: 1967): Sanctify us | — | ||
| 4-21 | Partita for Violin Solo no. 2 in D minor, BWV 1004: Chaconne in D minor (Arr. Busoni) | — | ||
| 5-1 | Faschingsschwank aus Wien, op. 26: I. Allegro (Vivace assai) | — | ||
| 5-2 | Faschingsschwank aus Wien, op. 26: II. Romanze (Piuttosto lento) | — | ||
| 5-3 | Faschingsschwank aus Wien, op. 26: III. Scherzino | — | ||
| 5-4 | Faschingsschwank aus Wien, op. 26: IV. Intermezzo (Colla più grande energia) | — | ||
| 5-5 | Faschingsschwank aus Wien, op. 26: V. Finale (Il più vivace possibile) | — | ||
| 5-6 | Allegro in B minor, op. 8 | — | ||
| 5-7 | 3 Romanzen, op. 28: no. 2 in F-sharp (Einfach) | — | ||
| 5-8 | Fantasie in C, op. 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen: Im Legendenton - Erstes Tempo | — | ||
| 5-9 | Fantasie in C, op. 17: II. Mäßig. Durchaus energisch: Etwas langsamer - Viel bewegter | — | ||
| 5-10 | Fantasie in C, op. 17: III. Langsam getragen. Durchweg leise zu halten: Etwas bewegter | — | ||
| 6-1 | Carnaval, op. 9: I. Préambule | — | ||
| 6-2 | Carnaval, op. 9: II. Pierrot | — | ||
| 6-3 | Carnaval, op. 9: III. Arlequin | — | ||
| 6-4 | Carnaval, op. 9: IV. Valse noble | — | ||
| 6-5 | Carnaval, op. 9: V. Eusebius | — | ||
| 6-6 | Carnaval, op. 9: VI. Florestan | — | ||
| 6-7 | Carnaval, op. 9: VII. Coquette | — | ||
| 6-8 | Carnaval, op. 9: VIII. Réplique: Sphinxes | — | ||
| 6-9 | Carnaval, op. 9: IX. Papillons | — | ||
| 6-10 | Carnaval, op. 9: X. A.S. C.H.-S.C.H.A. (Lettres dansantes) | — | ||
| 6-11 | Carnaval, op. 9: 1I. Chiarina | — | ||
| 6-12 | Carnaval, op. 9: 1II. Chopin | — | ||
| 6-13 | Carnaval, op. 9: 1III. Estrella | — | ||
| 6-14 | Carnaval, op. 9: 1IV. Reconnaissance | — | ||
| 6-15 | Carnaval, op. 9: 1V. Pantalon et Colombine | — | ||
| 6-16 | Carnaval, op. 9: 1VI. Valse allemande: Intermezzo: Paganini | — | ||
| 6-17 | Carnaval, op. 9: 1VII. Aveu | — | ||
| 6-18 | Carnaval, op. 9: 1VIII. Promenade | — | ||
| 6-19 | Carnaval, op. 9: 1IX. Pause | — | ||
| 6-20 | Carnaval, op. 9: 20. Marche des "Davidsbündler" contre les Philistins | — | ||
| 6-21 | Kreisleriana, op. 16: I. Äusserst bewegt | — | ||
| 6-22 | Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch: Intermezzo I (Sehr lebhaft) - Tempo I - Intermezzo II (Etwas bewegter) - Tempo I | — | ||
| 6-23 | Kreisleriana, op. 16: III. Sehr aufgeregt | — | ||
| 6-24 | Kreisleriana, op. 16: IV. Sehr langsam | — | ||
| 6-25 | Kreisleriana, op. 16: V. Sehr lebhaft | — | ||
| 6-26 | Kreisleriana, op. 16: VI. Sehr langsam | — | ||
| 6-27 | Kreisleriana, op. 16: VII. Sehr rasch | — | ||
| 6-28 | Kreisleriana, op. 16: VIII. Schnell und spielend | — | ||
| 6-29 | Noveletten, op. 21: no. 8 in F-sharp minor (Sehr lebhaft) | — | ||
| 7-1 | Carnaval, op. 9: I. Préambule | — | ||
| 7-2 | Carnaval, op. 9: Pierrot-Arlequin-Valse noble | — | ||
| 7-3 | Carnaval, op. 9: 5-VI. Eusebius-Florestan | — | ||
| 7-4 | Carnaval, op. 9: 7-IX. Coquette-Replique-Papillons | — | ||
| 7-5 | Carnaval, op. 9: 10-1III. ASCH-SCHA-Chiarina-Chopin-Estrella | — | ||
| 7-6 | Carnaval, op. 9: 14-1V. Reconnaissance-Pantalon et Colombine | — | ||
| 7-7 | Carnaval, op. 9: 16-1VIII. Valse allemande-Paganini-Aveu-Promenade | — | ||
| 7-8 | Carnaval, op. 9: 19-20. Pause-Marche des Davidsbundler contre les Philistins | — | ||
| 7-9 | Allegro in B minor, op. 8 | — | ||
| 7-10 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | — | ||
| 7-11 | Piano Concerto in A minor, op. 54: II. Intermezzo (Andantino grazioso) | — | ||
| 7-12 | Piano Concerto in A minor, op. 54: III. Allegro vivace | — | ||
| 8-1 | Piano Concerto in D-Flat major: I. Allegro ma non troppo e maestoso | — | ||
| 8-2 | Piano Concerto in D-Flat major: II. Andante con anima | — | ||
| 8-3 | Piano Concerto in D-flat major: III. Allegro brilliante | Alicia de Larrocha, London Philharmonic Orchestra, Rafael Frühbeck de Burgos | — | |
| 8-4 | Symphonic Variations | London Philharmonic Orchestra, Rafael Frühbeck de Burgos, Alicia de Larrocha | T-911.781.420-7 | |
| 8-5 | Piano Sonata in B minor, S. 178: Lento assai: Allegro energico - Grandioso - Recitativo | — | ||
| 8-6 | Piano Sonata in B minor, S. 178: II. Andante sostenuto | — | ||
| 8-7 | Piano Sonata in B minor, S. 178: Allegro energico: Andante sostenuto - Lento assai | — | ||
| 9-1 | Piano Concerto in G major, M. 83: I. Allegramente | — | ||
| 9-2 | Piano Concerto in G major, M. 83: II. Adagio assai | — | ||
| 9-3 | Piano Concerto in G major, M. 83: III. Presto | — | ||
| 9-4 | Piano Concerto For The Left Hand in D, M. 82 | — | ||
| 9-5 | Fantaisie for piano & orchestra, op. 111 | — | ||
| 10-1 | Iberia, B. 47, Book 1: I. Evocación | — | ||
| 10-2 | Iberia, B. 47, Book 1: II. El Puerto | — | ||
| 10-3 | Iberia, B. 47, Book 1: III. El Corpus en Sevilla | — | ||
| 10-4 | Iberia, B. 47, Book 2: IV. Rondeña | — | ||
| 10-5 | Iberia, B. 47, Book 2: V. Almeria | — | ||
| 10-6 | Iberia, B. 47, Book 2: VI. Triana | — | ||
| 10-7 | Iberia, B. 47, Book 3: VII. El Albaicín | — | ||
| 10-8 | Iberia, B. 47, Book 3: VIII. El Polo | — | ||
| 10-9 | Iberia, B. 47, Book 3: IX. Lavapiés | — | ||
| 10-10 | Iberia, B. 47, Book 4: X. Málaga | — | ||
| 10-11 | Iberia, B. 47, Book 4: 1I. Jérez | — | ||
| 10-12 | Iberia, B. 47, Book 4: 1II. Eritaña | — | ||
| 11-1 | Navarra | — | ||
| 11-2 | Cantos de España, op. 232: I. Prelude | — | ||
| 11-3 | Cantos de España, op. 232: II. Orientale | — | ||
| 11-4 | Cantos de España, op. 232: III. Sous le palmier | — | ||
| 11-5 | Cantos de España, op. 232: IV. Cordoba | — | ||
| 11-6 | Cantos de España, op. 232: V. Seguidillas | — | ||
| 11-7 | Sonata in D major | — | ||
| 11-8 | Recuerdos de Viaje, op. 71: VIII. Rumores de la caleta: Malagueña | — | ||
| 11-9 | Pavana-Capricho, op. 12 | — | ||
| 11-10 | Recuerdos de Viaje, op. 71: VI. Puerta de tierra: Bolero | — | ||
| 11-11 | Malagueña, op. 165, no. 3 | — | ||
| 11-12 | España, op. 165: II. Tango | — | ||
| 11-13 | Suite española no. 1, op. 47: Sevilla (Sevillanas) | — | ||
| 11-14 | Sonata in G minor | — | ||
| 11-15 | Sonata in D | — | ||
| 11-16 | Spanish Dance, op. 37, no. 7: "Valenciana" | — | ||
| 11-17 | Spanish Dance, op. 37, no. 5: "Andaluza" | — | ||
| 11-18 | Danzas Gitanas, Set 1 op. 55: V. Sacro-Monte | — | ||
| 11-19 | Danzas Andaluzas, op. 8: III. Zapateado | — | ||
| 12-1 | Piano Sonata no. 11 in A major, K. 331: I. Tema (Andante grazioso) con variazioni | — | ||
| 12-2 | Piano Sonata no. 11 in A major, K. 331: II. Menuetto | — | ||
| 12-3 | Piano Sonata no. 11 in A major, K. 331: III. Alla Turca (Allegretto) | — | ||
| 12-4 | Fantasia in C minor, K. 475 | — | ||
| 12-5 | Rondo in D major, K. 485 | — | ||
| 12-6 | Piano Sonata no. 9 in D major, K. 311: I. Allegro con spirito | — | ||
| 12-7 | Piano Sonata no. 9 in D major, K. 311: II. Andantino con espressione | — | ||
| 12-8 | Piano Sonata no. 9 in D major, K. 311: III. Rondeau (Allegro) | — | ||
| 12-9 | Piano Sonata no. 10 in C major, K. 330: I. Allegro moderato | — | ||
| 12-10 | Piano Sonata no. 10 in C major, K. 330: II. Andante cantabile | — | ||
| 12-11 | Piano Sonata no. 10 in C major, K. 330: III. Allegretto | — | ||
| 12-12 | Fantasia in D minor, K. 397 | — | ||
| 13-1 | Piano Sonata no. 12 in F major, K. 332: I. Allegro | — | ||
| 13-2 | Piano Sonata no. 12 in F major, K. 332: II. Adagio | — | ||
| 13-3 | Piano Sonata no. 12 in F major, K. 332: III. Allegro assai | — | ||
| 13-4 | Piano Sonata no. 16 in C major, K. 545 "Sonata facile": I. Allegro | — | ||
| 13-5 | Piano Sonata no. 16 in C major, K. 545 "Sonata facile": II. Andante | — | ||
| 13-6 | Piano Sonata no. 16 in C major, K. 545 "Sonata facile": III. Rondo (Allegro) | — | ||
| 13-7 | Piano Sonata no. 18 in D major, K. 576: I. Allegro | — | ||
| 13-8 | Piano Sonata no. 18 in D major, K. 576: II. Adagio | — | ||
| 13-9 | Piano Sonata no. 18 in D major, K. 576: III. Allegretto | — | ||
| 13-10 | Piano Sonata no. 4 in E-flat major, K. 282: I. Adagio | Alicia de Larrocha | — | |
| 13-11 | Piano Sonata no. 4 in E-flat major, K. 282: II. Menuetto I-II | Alicia de Larrocha | — | |
| 13-12 | Piano Sonata no. 4 in E-flat major, K. 282: III. Allegro | Alicia de Larrocha | — | |
| 13-13 | Piano Sonata no. 8 in A minor, K. 310: I. Allegro maestoso | Alicia de Larrocha | — | |
| 13-14 | Piano Sonata no. 8 in A minor, K. 310: II. Andante cantabile con espressione | Alicia de Larrocha | — | |
| 13-15 | Piano Sonata no. 8 in A minor, K. 310: III. Presto | Alicia de Larrocha | — | |
| 14-1 | Piano Sonata no. 14 in C minor, K. 457: I. Molto allegro | — | ||
| 14-2 | Piano Sonata no. 14 in C minor, K. 457: II. Adagio | — | ||
| 14-3 | Piano Sonata no. 14 in C minor, K. 457: III. Allegro assai | — | ||
| 14-4 | Fantasia in C minor, K. 475 | — | ||
| 14-5 | Andante con variazoni in F minor, H.XVII no. 6 | — | ||
| 14-6 | Clavier Concerto in D major, Hob. 18: 2: I. Vivace | — | ||
| 14-7 | Clavier Concerto in D major, Hob. 18: 2: II. Un poco adagio | — | ||
| 14-8 | Clavier Concerto in D major, Hob. 18: 2: III. Rondo all'Ungherese. Allegro assai | — | ||
| 15-1 | Cuatro piezas españolas: I. Aragonesa | — | ||
| 15-2 | Cuatro piezas españolas: II. Cubana | — | ||
| 15-3 | Cuatro piezas españolas: III. Montanesa | — | ||
| 15-4 | Cuatro piezas españolas: IV. Andaluza | — | ||
| 15-5 | Fantasia Baetica | — | ||
| 15-6 | El sombrero de tres picos, Transcr. for Piano, Pt. 2: Dance of the Neighbours | — | ||
| 15-7 | El sombrero de tres picos, Pt. 2: The miller's dance | — | ||
| 15-8 | El sombrero de tres picos, Transcr. for Piano, Pt. 1: Dance of the Miller's Wife | — | ||
| 15-9 | El Amor Brujo, Arr. for piano: Pantomima | — | ||
| 15-10 | El Amor Brujo, Arr. for piano: Chanson du Feu Follet | — | ||
| 15-11 | El Amor Brujo, Arr. for piano: Danse de la Frayeur | — | ||
| 15-12 | El Amor Brujo, Arr. for piano: Le Cercle Magique (Recit du Pecheur) | — | ||
| 15-13 | El Amor Brujo, Arr. for piano: Danse Rituelle du Feu | — | ||
| 16-1 | 24 Préludes, op. 28, C. 166-189: I. Agitato in C major, C. 166 | — | ||
| 16-2 | 24 Préludes, op. 28, C. 166-189: II. Lento in A minor, C. 167 | — | ||
| 16-3 | 24 Préludes, op. 28, C. 166-189: III. Vivace in G major, C. 168 | — | ||
| 16-4 | 24 Préludes, op. 28, C. 166-189: IV. Largo in E minor, C. 169 | — | ||
| 16-5 | 24 Préludes, op. 28, C. 166-189: V. Molto allegro in D major, C. 170 | — | ||
| 16-6 | 24 Préludes, op. 28, C. 166-189: VI. Lento assai in B minor, C. 171 | — | ||
| 16-7 | 24 Préludes, op. 28, C. 166-189: VII. Andantino in A major, C. 172 | — | ||
| 16-8 | 24 Préludes, op. 28, C. 166-189: VIII. Molto agitato in F-Sharp minor, C. 173 | — | ||
| 16-9 | 24 Préludes, op. 28, C. 166-189: IX. Largo in E major, C. 174 | — | ||
| 16-10 | 24 Préludes, op. 28, C. 166-189: X. Molto allegro in C-Sharp minor, C. 175 | — | ||
| 16-11 | 24 Préludes, op. 28, C. 166-189: 1I. Vivace in B major, C. 176 | — | ||
| 16-12 | 24 Préludes, op. 28, C. 166-189: 1II. Presto in G-Sharp minor, C. 177 | — | ||
| 16-13 | 24 Préludes, op. 28, C. 166-189: 1III. Lento in F-Sharp major, C. 178 | — | ||
| 16-14 | 24 Préludes, op. 28, C. 166-189: 1IV. Allegro in E-Flat minor, C. 179 | — | ||
| 16-15 | 24 Préludes, op. 28, C. 166-189: 1V. Sostenuto in D-Flat major, C. 180 "Raindrop" | — | ||
| 16-16 | 24 Préludes, op. 28, C. 166-189: 1VI. Presto con fuoco in B-Flat minor, C. 181 | — | ||
| 16-17 | 24 Préludes, op. 28, C. 166-189: 1VII. Allegretto in A-Flat major, C. 182 | — | ||
| 16-18 | 24 Préludes, op. 28, C. 166-189: 1VIII. Molto allegro in F minor, C. 183 | — | ||
| 16-19 | 24 Préludes, op. 28, C. 166-189: 1IX. Vivace in E-Flat major, C. 184 | — | ||
| 16-20 | 24 Préludes, op. 28, C. 166-189: 20. Largo in C minor, C. 185 | — | ||
| 16-21 | 24 Préludes, op. 28, C. 166-189: 2I. Cantabile in B-Flat major, C. 186 | — | ||
| 16-22 | 24 Préludes, op. 28, C. 166-189: 2II. Molto agitato in G minor, C. 187 | — | ||
| 16-23 | 24 Préludes, op. 28, C. 166-189: 2III. Moderato in F major, C. 188 | — | ||
| 16-24 | 24 Préludes, op. 28, C. 166-189: 2IV. Allegro appassionato in D minor, C. 189 | — | ||
| 16-25 | Berceuse in D-Flat major, op. 57 | — | ||
| 17-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | — | ||
| 17-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo (Adagio) | — | ||
| 17-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale (Alla breve) | — | ||
| 17-4 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | — | ||
| 17-5 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | — | ||
| 17-6 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | — | ||
| 18-1 | Concerto Breve: I. Energico | — | ||
| 18-2 | Concerto Breve: II. Dolce | — | ||
| 18-3 | Concerto Breve: III. Vivo | — | ||
| 18-4 | Concerto for Piano & Orchestra: I. Allegro | — | ||
| 18-5 | Concerto for Piano & Orchestra: II. Larghetto | — | ||
| 18-6 | Concerto for Piano & Orchestra: III. Vivace con fuoco | — | ||
| 19-1 | Goyescas: Suite: I. Los requiebros | — | ||
| 19-2 | Goyescas: Suite: II. Coloquio en la reja | — | ||
| 19-3 | Goyescas: Suite: III. El Fandango del Candil | — | ||
| 19-4 | Goyescas: Suite: IV. Quejas ó la maja y el ruiseñor | — | ||
| 19-5 | Goyescas: Suite: V. El amor y la muerte (Balada) | — | ||
| 19-6 | Goyescas: Suite: VI. Epilogo (Serenata del espectro) | — | ||
| 19-7 | Goyescas: Suite: VII. El pelele (Escena goyesca) | — | ||
| 20-1 | Tonadillas: I. La Maja de Goya | — | ||
| 20-2 | Tonadillas: II. Amor y Odio | — | ||
| 20-3 | Tonadillas: III. El Tra-La-La y el Punteado | — | ||
| 20-4 | Tonadillas: IV. El Majo Olvidado | — | ||
| 20-5 | Tonadillas: V. El Majo Tímido | — | ||
| 20-6 | Tonadillas: VI. Callejeo | — | ||
| 20-7 | Tonadillas: VII. El Mirar de la Maja | — | ||
| 20-8 | Tonadillas: VIII. Las Currutacas Modestas | — | ||
| 20-9 | Tonadillas: IX. El Majo Discreto | — | ||
| 20-10 | Tonadillas: X. La Maja Dolorosa no. 1 (Oh muerte cruel!) | — | ||
| 20-11 | Tonadillas: 1I. La Maja Dolorosa no. 2 (Ay majo de mi vida) | — | ||
| 20-12 | Tonadillas: 1II. La Maja Dolorosa no. 3 (De aquel majo amante) | — | ||
| 20-13 | Canciónes Amatorias: I. Mira que soy Niña | — | ||
| 20-14 | Canciónes Amatorias: II. Iban al Pinar | — | ||
| 20-15 | Canciónes Amatorias: III. Mañanica era | — | ||
| 20-16 | Canciónes Amatorias: IV. No lloreís Ojuelos | — | ||
| 20-17 | Canciónes Amatorias: V. Llorad Corazón | — | ||
| 20-18 | Canciónes Amatorias: VI. Gracia mía | — | ||
| 21-1 | Piano Concerto no. 25 in C major, K. 503: I. Allegro maestoso | Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 21-2 | Piano Concerto no. 25 in C major, K. 503: II. Andante | Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 21-3 | Piano Concerto no. 25 in C major, K. 503: III. Allegretto | Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 21-4 | Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro | Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti | T-011.422.353-8 | |
| 21-5 | Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto | Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti | T-802.445.410-3 | |
| 21-6 | Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro | Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 22-1 | Piano Concerto no. 24 in C minor, K. 491: I. Allegro | Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti | T-011.422.353-8 | |
| 22-2 | Piano Concerto no. 24 in C minor, K. 491: II. Larghetto | Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti | T-802.445.410-3 | |
| 22-3 | Piano Concerto no. 24 in C minor, K. 491: III. Allegretto | Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 22-4 | Piano Concerto no. 26 in D major, K. 537 “Coronation”: I. Allegro | Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti | T-070.160.313-5 | |
| 22-5 | Piano Concerto no. 26 in D major, K. 537 “Coronation”: II. Larghetto | Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti | T-802.445.410-3 | |
| 22-6 | Piano Concerto no. 26 in D major, K. 537 “Coronation”: III. Allegretto | Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 23-1 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": I. Allegro | — | ||
| 23-2 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 23-3 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": III. Rondo (Allegro) | — | ||
| 23-4 | 7 Bagatelles, op. 33: I. Andante grazioso, quasi Allegretto | Alicia de Larrocha | — | |
| 23-5 | 7 Bagatelles, Op. 33: 2. Scherzo. Allegro | Alicia de Larrocha | — | |
| 23-6 | 7 Bagatelles, op. 33: III. Allegretto | Alicia de Larrocha | — | |
| 23-7 | 7 Bagatelles, op. 33: IV. Andante | Alicia de Larrocha | — | |
| 23-8 | 7 Bagatelles, op. 33: V. Allegro, ma non troppo | Alicia de Larrocha | T-921.408.279-8 | |
| 23-9 | 7 Bagatelles, op. 33: VI. Allegretto quasi Andante | Alicia de Larrocha | — | |
| 23-10 | 7 Bagatelles, op. 33: VII. Presto | Alicia de Larrocha | — | |
| 24-1 | Piano Concerto no. 12 in A major, K. 414: I. Allegro | — | ||
| 24-2 | Piano Concerto no. 12 in A major, K. 414: II. Andante | — | ||
| 24-3 | Piano Concerto no. 12 in A major, K. 414: III. Rondeau (Allegretto) | — | ||
| 24-4 | Concerto for Harpsichord, Strings, and Continuo no. 5 in F minor, BWV 1056, Piano performance: I. (Allegro) | — | ||
| 24-5 | Concerto for Harpsichord, Strings, and Continuo no. 5 in F minor, BWV 1056, Piano performance: II. Largo | — | ||
| 24-6 | Concerto for Harpsichord, Strings, and Continuo no. 5 in F minor, BWV 1056, Piano performance: III. Presto | — | ||
| 25-1 | Spanish Dance, op. 37, no. 1 "Minueto" | — | ||
| 25-2 | Spanish Dance, op. 37, no. 2: "Oriental" | — | ||
| 25-3 | Spanish Dance, op. 37, no. 3 "Zarabanda" | — | ||
| 25-4 | Spanish Dance, op. 37, no. 4: "Villanesca" | — | ||
| 25-5 | Spanish Dance, op. 37, no. 5: "Andaluza" | — | ||
| 25-6 | Spanish Dance op. 37, no. 6 "Rondalla aragonesa" | — | ||
| 25-7 | Spanish Dance, op. 37, no. 7: "Valenciana" | — | ||
| 25-8 | Spanish Dance, op. 37, no. 8: "Asturiana" | — | ||
| 25-9 | Spanish Dance, op. 37, no. 9: "Mazurca" | — | ||
| 25-10 | Spanish Dance, op. 37, no. 10: "Danza triste" | — | ||
| 25-11 | Spanish Dance, op. 37, no. 11 "Zambra" | — | ||
| 25-12 | Spanish Dance, op. 37, no. 12 "Arabesca" | — | ||
| 26-1 | Sonata in D minor, K. 9 | — | ||
| 26-2 | Sonata in F, K. 6 | — | ||
| 26-3 | Sonata in D minor, K. 10 | — | ||
| 26-4 | Sonata in G minor, Kk8 | — | ||
| 26-5 | Sonata in G, Kk13 | — | ||
| 26-6 | Sonata in C minor, K. 11 | — | ||
| 26-7 | Sonata in E, Kk28 | — | ||
| 26-8 | Partita for Violin Solo no. 2 in D minor, BWV 1004: Chaconne in D minor (Arr. Busoni) | — | ||
| 26-9 | Harpsichord Suite no. 5 in E major, HWV 430 "The Harmonious Blacksmith": I. Prélude | — | ||
| 26-10 | Harpsichord Suite no. 5 in E major, HWV 430 "The Harmonious Blacksmith": II. Allemande | — | ||
| 26-11 | Harpsichord Suite no. 5 in E major, HWV 430 "The Harmonious Blacksmith": III. Courante | — | ||
| 26-12 | Harpsichord Suite no. 5 in E major, HWV 430 "The Harmonious Blacksmith": IV. Air con variazioni ("The Harmonious Blacksmith") | — | ||
| 26-13 | Sonata in D minor | — | ||
| 26-14 | Sonata in C-sharp minor | — | ||
| 26-15 | Sonata in D | — | ||
| 26-16 | Sonata in G minor | — | ||
| 26-17 | Sonata in F-sharp minor: Allegretto | — | ||
| 26-18 | Sonata in F: Allegro | — | ||
| 27-1 | Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro | — | ||
| 27-2 | Piano Concerto no. 22 in E-flat major, K. 482: II. Andante | — | ||
| 27-3 | Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro: Andante cantabile - Tempo I | — | ||
| 27-4 | Piano Concerto no. 19 in F major, K. 459: I. Allegro vivace | — | ||
| 27-5 | Piano Concerto no. 19 in F major, K. 459: II. Allegretto | — | ||
| 27-6 | Piano Concerto no. 19 in F major, K. 459: III. Allegro assai | — | ||
| 28-1 | Piano Sonata no. 13 in A major, D. 664: I. Allegro moderato | — | ||
| 28-2 | Piano Sonata no. 13 in A major, D. 664: II. Andante | — | ||
| 28-3 | Piano Sonata no. 13 in A major, D. 664: III. Allegro | — | ||
| 28-4 | Impromptu in A-flat, D.899 no. 4 | — | ||
| 28-5 | 6 Moments musicaux, op. 94, D. 780: VI. Allegretto | — | ||
| 28-6 | Piano Sonata no. 21 in B-Flat major, D. 960: I. Molto moderato | — | ||
| 28-7 | Piano Sonata no. 21 in B-Flat major, D. 960: II. Andante sostenuto | — | ||
| 28-8 | Piano Sonata no. 21 in B-Flat major, D. 960: III. Scherzo (Allegro vivace con delicatezza) | — | ||
| 28-9 | Piano Sonata no. 21 in B-Flat major, D. 960: IV. Allegro ma non troppo | — | ||
| 29-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 29-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 29-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo (Allegro scherzando) | — | ||
| 29-4 | Piano Concerto no. 2 in B-Flat major, op. 19: I. Allegro con brio | — | ||
| 29-5 | Piano Concerto no. 2 in B-Flat major, op. 19: II. Adagio | — | ||
| 29-6 | Piano Concerto no. 2 in B-Flat major, op. 19: III. Rondo (Molto allegro) | — | ||
| 30-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 30-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 30-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo (Allegro) | — | ||
| 30-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 30-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 30-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo (Vivace) | — | ||
| 31-1 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": I. Allegro | — | ||
| 31-2 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 31-3 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": III. Rondo (Allegro) | — | ||
| 31-4 | Fantasia for Piano, Chorus and Orchestra in C minor, op. 80 | — | ||
| 32-1 | Impresiones intimas: I. Planys I | — | ||
| 32-2 | Impresiones intimas: II. Planys II | — | ||
| 32-3 | Impresiones intimas: III. Planys III | — | ||
| 32-4 | Impresiones intimas: IV. Planys IV | — | ||
| 32-5 | Impresiones intimas: V. Pajaro triste | — | ||
| 32-6 | Impresiones intimas: VI. La barca | — | ||
| 32-7 | Impresiones intimas: VII. Cuna | — | ||
| 32-8 | Impresiones intimas: VIII. Secreto | — | ||
| 32-9 | Impresiones intimas: IX. Gitano | — | ||
| 32-10 | Preludio VII a Alicia de Larrocha | — | ||
| 32-11 | Musica Callada, Book 4 | — | ||
| 32-12 | Cançons i dansas: no. 1 | — | ||
| 32-13 | Cançons i dansas: no. 2 | — | ||
| 32-14 | Cançons i dansas: no. 3 | — | ||
| 32-15 | Cançons i dansas: no. 14 | — | ||
| 33-1 | 6 Pieces on Spanish Folksongs: 0. Preludio | — | ||
| 33-2 | 6 Pieces on Spanish Folksongs: I. Añoranza | — | ||
| 33-3 | 6 Pieces on Spanish Folksongs: II. Ecos de la Parranda | — | ||
| 33-4 | 6 Pieces on Spanish Folksongs: III. Vascongada | — | ||
| 33-5 | 6 Pieces on Spanish Folksongs: IV. Marcha Oriental | — | ||
| 33-6 | 6 Pieces on Spanish Folksongs: V. Zambra | — | ||
| 33-7 | 6 Pieces on Spanish Folksongs: VI. Zapateado | — | ||
| 33-8 | Allegro de Concierto | — | ||
| 33-9 | Escenas Románticas: I. Mazurka | — | ||
| 33-10 | Escenas Románticas: II. Berceuse | — | ||
| 33-11 | Escenas Románticas: III. Lento con extasis | — | ||
| 33-12 | Escenas Románticas: IV. Allegretto | — | ||
| 33-13 | Escenas Románticas: V. Allegretto appassionato | — | ||
| 33-14 | Escenas Románticas: VI. Epilogo: Andantino spianato | — | ||
| 34-1 | Noches en los jardines de España: I. En el generalife | — | ||
| 34-2 | Noches en los jardines de España: II. Danza lejana | — | ||
| 34-3 | Noches en los jardines de España: III. En los jardines de la Sierra de Cordoba | — | ||
| 34-4 | Rapsodia Española: Orch. Cristobel Halffter | — | ||
| 34-5 | Rapsodia sinfonica | — | ||
| 35-1 | Iberia, B. 47, Piano (Pub.1906), Book 1: I. Evocación | — | ||
| 35-2 | Iberia, B. 47, Piano (Pub.1906), Book 1: II. El Puerto | — | ||
| 35-3 | Iberia, B. 47, Piano (Pub.1906), Book 1: III. Fête: Dieu à Seville | — | ||
| 35-4 | Iberia, B. 47, Piano (Pub.1906), Book 2: IV. Rondena | — | ||
| 35-5 | Iberia, B. 47, Piano (Pub.1906), Book 2: V. Almeria | — | ||
| 35-6 | Iberia, B. 47, Piano (Pub.1906), Book 2: VI. Triana | — | ||
| 35-7 | Iberia, B. 47, Piano (Pub.1906), Book 3: VII. El Albaicin | — | ||
| 35-8 | Iberia, B. 47, Piano (Pub.1906), Book 3: VIII. El Polo | — | ||
| 35-9 | Iberia, B. 47, Piano (Pub.1906), Book 3: IX. Lavapies | — | ||
| 36-1 | Iberia, B. 47, Piano (Pub.1906), Book 4: X. Malaga | — | ||
| 36-2 | Iberia, B. 47, Piano (Pub.1906), Book 4: 1I. Jerez | — | ||
| 36-3 | Iberia, B. 47, Piano (Pub.1906), Book 4: 1II. Eritana | — | ||
| 36-4 | Navarra | — | ||
| 36-5 | Suite española no. 1, op. 47: Granada (Serenata) | — | ||
| 36-6 | Suite española no. 1, op. 47: Cataluña (Corranda) | — | ||
| 36-7 | Suite española no. 1, op. 47: Sevilla (Sevillanas) | — | ||
| 36-8 | Suite española no. 1, op. 47: Cádiz (Canción) (Op. 181) | — | ||
| 36-9 | Suite española no. 1, op. 47: Asturias (Leyenda) (Op. 232/1) | Alicia de Larrocha | — | |
| 36-10 | Suite española no. 1, op. 47: Aragón (Fantasia) (Op. 164/1) | — | ||
| 36-11 | Suite española no. 1, op. 47: Cuba (Capricho) | — | ||
| 36-12 | Suite española no. 1, op. 47: Castilla (Seguidillas) (Op. 232/5) | — | ||
| 37-1 | Sonata Espanola, op. 53, I. Andante romantico: 1. Andante romantico | — | ||
| 37-2 | Sonata Espanola, op. 53, I. Andante romantico: II. Mazurka sopra un tema popolare | — | ||
| 37-3 | Sonata Espanola, op. 53, I. Andante romantico: III. Allegro brioso | — | ||
| 37-4 | Danzas de Espana: IV. Rustico | — | ||
| 37-5 | Danzas de Espana: V. Danza de la Tres Doncellas | — | ||
| 37-6 | Danzas de Espana: VI. Serrana | — | ||
| 37-7 | Danzas Espanolas: VII. no. 1 in G | — | ||
| 37-8 | Danzas Espanolas: VIII. no. 2 in C minor | — | ||
| 37-9 | Danzas Espanolas: IX. no. 3 in D | — | ||
| 37-10 | Danzas Espanolas: X. no. 4 in G | — | ||
| 37-11 | Danzas Espanolas: 1I. no. 5 in E minor | — | ||
| 37-12 | Danzas Espanolas: 1II. no. 6 in D | — | ||
| 37-13 | Danzas Espanolas: 1III. no. 7 in G | — | ||
| 37-14 | Danzas Espanolas: 1IV. no. 8 in C | — | ||
| 37-15 | Danzas Espanolas: 1V. no. 9 in B-flat | — | ||
| 37-16 | Danzas Espanolas: 1VI. no. 10 in G | — | ||
| 37-17 | Danzas Espanolas: 1VII. no. 11 in G minor | — | ||
| 37-18 | Danzas Espanolas: 1VIII. no. 12 in A minor | — | ||
| 38-1 | Danzas Fantásticas, op. 22: I. Exaltación | — | ||
| 38-2 | Danzas Fantásticas, op. 22: II. Ensueño | — | ||
| 38-3 | Danzas Fantásticas, op. 22: III. Orgía | — | ||
| 38-4 | Preludios, op. 80 (Ciclo pianistico, VII): I. Adagio | — | ||
| 38-5 | Preludios, op. 80 (Ciclo pianistico, VII): II. Allegretto | — | ||
| 38-6 | Preludios, op. 80 (Ciclo pianistico, VII): III. Allegro giusto | — | ||
| 38-7 | Preludios, op. 80 (Ciclo pianistico, VII): IV. Allegretto | — | ||
| 38-8 | Preludios, op. 80 (Ciclo pianistico, VII): V. Adagio: Allegro vivo | — | ||
| 38-9 | Recuerdos de la antigua España, op. 48: I. La eterna Carmen | — | ||
| 38-10 | Recuerdos de la antigua España, op. 48: II. Habanera | — | ||
| 38-11 | Recuerdos de la antigua España, op. 48: III. Don Juan | — | ||
| 38-12 | Recuerdos de la antigua España, op. 48: IV. Estudiantina | — | ||
| 38-13 | Partita, op. 57 (Ciclo pianistico, II): I. Preludio | — | ||
| 38-14 | Partita, op. 57 (Ciclo pianistico, II): II. Zarabanda | — | ||
| 38-15 | Partita, op. 57 (Ciclo pianistico, II): III. Capricho | — | ||
| 38-16 | Partita, op. 57 (Ciclo pianistico, II): IV. Introducción y giga | — | ||
| 38-17 | Escenas Románticas: I. Mazurka | — | ||
| 38-18 | Escenas Románticas: II. Berceuse | — | ||
| 38-19 | Escenas Románticas: III. Lento con extasis | — | ||
| 38-20 | Escenas Románticas: IV. Allegretto | — | ||
| 38-21 | Escenas Románticas: V. Allegretto appassionato | — | ||
| 38-22 | Escenas Románticas: VI. Epilogo: Andantino spianato | — | ||
| 39-1 | Goyescas: Suite: I. Los requiebros | — | ||
| 39-2 | Goyescas: Suite: II. Coloquio en la reja | — | ||
| 39-3 | Goyescas: Suite: III. El Fandango del Candil | — | ||
| 39-4 | Goyescas: Suite: IV. Quejas ó la maja y el ruiseñor | — | ||
| 39-5 | Goyescas: Suite: V. El amor y la muerte (Balada) | — | ||
| 39-6 | Goyescas: Suite: VI. Epilogo (Serenata del espectro) | — | ||
| 39-7 | Goyescas: Suite: VII. El pelele (Escena goyesca) | — | ||
| 39-8 | Impresiones intimas: I. Planys I | — | ||
| 39-9 | Impresiones intimas: II. Planys II | — | ||
| 39-10 | Impresiones intimas: III. Planys III | — | ||
| 39-11 | Impresiones intimas: IV. Planys IV | — | ||
| 39-12 | Impresiones intimas: V. Pajaro triste | — | ||
| 39-13 | Impresiones intimas: VI. La barca | — | ||
| 39-14 | Impresiones intimas: VII. Cuna | — | ||
| 39-15 | Impresiones intimas: VIII. Secreto | — | ||
| 39-16 | Impresiones intimas: IX. Gitano | — | ||
| 40-1 | Bagatelle no. 25 in A minor, WoO 59 "Für Elise" | — | ||
| 40-2 | Liebestraum no. 3 in A-Flat, S. 541 | — | ||
| 40-3 | 5 Morceaux de Fantaisie, op. 3: no. 2 Prelude in C-Sharp minor | — | ||
| 40-4 | Suite bergamasque, L. 75: III. Clair de lune | — | ||
| 40-5 | 6 Moments musicaux, op. 94, D. 780: III. Allegro moderato | — | ||
| 40-6 | 36 German Dances, op. 9, Arranged for flute or violin and guitar by Schubert: German Dance no. 1 (D 365, No.1) | — | ||
| 40-7 | Pièces de clavecin: Troisième livre, 13ème ordre: II. Les rozeaux | — | ||
| 40-8 | Piano Sonata no. 16 in C major, K. 545 "Sonata facile": I. Allegro | — | ||
| 40-9 | Piano Sonata no. 16 in C major, K. 545 "Sonata facile": II. Andante | — | ||
| 40-10 | Piano Sonata no. 16 in C major, K. 545 "Sonata facile": III. Rondo (Allegro) | — | ||
| 40-11 | Piano Sonata no. 11 in A major, K. 331: III. Alla Turca (Allegretto) | — | ||
| 40-12 | Lieder ohne Worte, op. 67: no. IV. Presto in C "Spinning Song", MWV U182 | — | ||
| 40-13 | Lieder ohne Worte, op. 62: no. 6 Allegretto grazioso in A major -"Frühlingslied" (Spring Song) | — | ||
| 40-14 | The Seasons, op. 37a, TH 135: 1I. November: On the Troika | — | ||
| 40-15 | 3 Waltzes, op. 64: no. 2 in C-sharp minor | — | ||
| 40-16 | 3 Nocturnes, op. 9: no. 2 in E-flat | — | ||
| 40-17 | Impromptu no. 4 in C-sharp minor, op. 66 "Fantaisie-Impromptu" | — | ||
| 40-18 | 12 Etudes, op. 10: no. 3 in E major | — | ||
| 40-19 | Polonaise no. 6 in A-Flat, op. 53 "Heroic" | — | ||
| 41-1 | Hungarian Rhapsody no. 2 in C-Sharp minor, S. 244/2 | — | ||
| 41-2 | Consolation no. 3 in D-flat major | — | ||
| 41-3 | La Campanella | — | ||
| 41-4 | Impromptu in A-flat, D.899 no. 4 | — | ||
| 41-5 | Nocturne in F-Sharp major, op. 15, no. 2 | — | ||
| 41-6 | 12 Etudes, op. 25: no. 9 in G-Flat major: "Butterfly Wings" | — | ||
| 41-7 | Waltz no. 4 in F major, op. 34 No.3 "Grande Valse Brilliante" | — | ||
| 41-8 | Rondo capriccioso in E major, op. 14, MWV U67 | — | ||
| 41-9 | Menuet in G Opus 14 no. 1 | — | ||
| 41-10 | Nocturne no. 3 in A-flat major, op. 33 No.3 | — | ||
| 41-11 | 2 Arabesques, L. 66: no. 1, Andante con moto | — | ||
| 41-12 | 2 Arabesques, L. 66: no. 2, Allegretto scherzando | — | ||
| 41-13 | Aufforderung zum Tanze, op. 65, J.260 | — | ||
| 41-14 | El amor brujo: Suite, G. 69, El Amor Brujo - Suite for Piano from the Ballet: IV. Danza del ritual del fuego fatuo | — |
Sonatina: Ballet: Danza de la pastora
—
Sonatina: Ballet: Danza de la gitana
—
Trois Chansons et Danses Espagnoles
—
Tonadas, Vol. 2: 1IV. Canción de Labrador
—
Tonadas, Vol. 2: 1V. Copla Castellana
—
Tonadas, Vol. 2: 1IX. Canción Otoñal
—
Tonadas, Vol. 2: 2I. Seguidalla Murciana
—
Tonadas, Vol. 2: 2II. Canción de Trilla
—
Tonadas, Vol. 2: 2IV. Muñerra
—
Cançons i dansas: no. 4
—
Cançons i dansas: no. 5
—
Cançons i dansas: no. 6
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Sonatine pour Yvette: I. Vivo e spiritoso
—
Sonatine pour Yvette: II. Moderato molto
—
Sonatine pour Yvette: III. Allegretto
—
Divertimento no. 2 (Habañera)
—
Lyric Pieces Book V, op. 54: IV. Notturno
—
Piano Sonata in E minor, op. 7: I. Allegro moderato: Allegro molto
—
Piano Sonata in E minor, op. 7: II. Andante molto
—
Piano Sonata in E minor, op. 7: III. Alla menuetto, ma poco più lento
—
Piano Sonata in E minor, op. 7: IV. Finale (Molto allegro: Presto)
—
Three Caprices, op. 33: I. no. 1 in A minor, MWV U99
—
Variations sérieuses, op. 54 (Complete)
—
Noches en los jardines de España: I. En el generalife
—
Noches en los jardines de España: II. Danza lejana
—
Noches en los jardines de España: III. En los jardines de la Sierra de Cordoba
—
Piano Concerto no. 2 in F minor, op. 21: I. Maestoso
—
Piano Concerto no. 2 in F minor, op. 21: II. Larghetto
—
Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace
—
Italian Concerto in F major, BWV 971: I. (Allegro)
—
Italian Concerto in F major, BWV 971: II. Andante
—
Italian Concerto in F major, BWV 971: III. Presto
—
French Suite no. 6 in E major, BWV 817: I. Allemande
—
French Suite no. 6 in E major, BWV 817: II. Courante
—
French Suite no. 6 in E major, BWV 817: III. Sarabande
—
French Suite no. 6 in E major, BWV 817: IV. Gavotte
—
French Suite no. 6 in E major, BWV 817: V. Polonaise
—
French Suite no. 6 in E major, BWV 817: VI. Menuet
—
French Suite no. 6 in E major, BWV 817: VII. Bourrée
—
French Suite no. 6 in E major, BWV 817: VIII. Gigue
—
Fantasia (And Unfinished Fugue) in C minor, BWV 906
—
English Suite no. 2 in A minor, BWV 807: I. Prelude
—
English Suite no. 2 in A minor, BWV 807: II. Allemande
—
English Suite no. 2 in A minor, BWV 807: III. Courante
—
English Suite no. 2 in A minor, BWV 807: IV. Sarabande
—
English Suite no. 2 in A minor, BWV 807: V. Bourrée I & II
—
English Suite no. 2 in A minor, BWV 807: VI. Gigue
—
Liebster Jesu, wir sind hier, BWV 731: Arr. piano Harriet Cohen
—
Jesus nahm zu sich die Zwölfe, Cantata BWV 22, arr. for piano by Harriet Cohen (1895: 1967): Sanctify us
—
Partita for Violin Solo no. 2 in D minor, BWV 1004: Chaconne in D minor (Arr. Busoni)
—
Faschingsschwank aus Wien, op. 26: I. Allegro (Vivace assai)
—
Faschingsschwank aus Wien, op. 26: II. Romanze (Piuttosto lento)
—
Faschingsschwank aus Wien, op. 26: III. Scherzino
—
Faschingsschwank aus Wien, op. 26: IV. Intermezzo (Colla più grande energia)
—
Faschingsschwank aus Wien, op. 26: V. Finale (Il più vivace possibile)
—
Allegro in B minor, op. 8
—
3 Romanzen, op. 28: no. 2 in F-sharp (Einfach)
—
Fantasie in C, op. 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen: Im Legendenton - Erstes Tempo
—
Fantasie in C, op. 17: II. Mäßig. Durchaus energisch: Etwas langsamer - Viel bewegter
—
Fantasie in C, op. 17: III. Langsam getragen. Durchweg leise zu halten: Etwas bewegter
—
Carnaval, op. 9: I. Préambule
—
Carnaval, op. 9: II. Pierrot
—
Carnaval, op. 9: III. Arlequin
—
Carnaval, op. 9: IV. Valse noble
—
Carnaval, op. 9: V. Eusebius
—
Carnaval, op. 9: VI. Florestan
—
Carnaval, op. 9: VII. Coquette
—
Carnaval, op. 9: VIII. Réplique: Sphinxes
—
Carnaval, op. 9: IX. Papillons
—
Carnaval, op. 9: X. A.S. C.H.-S.C.H.A. (Lettres dansantes)
—
Carnaval, op. 9: 1I. Chiarina
—
Carnaval, op. 9: 1II. Chopin
—
Carnaval, op. 9: 1III. Estrella
—
Carnaval, op. 9: 1IV. Reconnaissance
—
Carnaval, op. 9: 1V. Pantalon et Colombine
—
Carnaval, op. 9: 1VI. Valse allemande: Intermezzo: Paganini
—
Carnaval, op. 9: 1VII. Aveu
—
Carnaval, op. 9: 1VIII. Promenade
—
Carnaval, op. 9: 1IX. Pause
—
Carnaval, op. 9: 20. Marche des "Davidsbündler" contre les Philistins
—
Kreisleriana, op. 16: I. Äusserst bewegt
—
Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch: Intermezzo I (Sehr lebhaft) - Tempo I - Intermezzo II (Etwas bewegter) - Tempo I
—
Kreisleriana, op. 16: III. Sehr aufgeregt
—
Kreisleriana, op. 16: IV. Sehr langsam
—
Kreisleriana, op. 16: V. Sehr lebhaft
—
Kreisleriana, op. 16: VI. Sehr langsam
—
Kreisleriana, op. 16: VII. Sehr rasch
—
Kreisleriana, op. 16: VIII. Schnell und spielend
—
Noveletten, op. 21: no. 8 in F-sharp minor (Sehr lebhaft)
—
Carnaval, op. 9: I. Préambule
—
Carnaval, op. 9: Pierrot-Arlequin-Valse noble
—
Carnaval, op. 9: 5-VI. Eusebius-Florestan
—
Carnaval, op. 9: 7-IX. Coquette-Replique-Papillons
—
Carnaval, op. 9: 10-1III. ASCH-SCHA-Chiarina-Chopin-Estrella
—
Carnaval, op. 9: 14-1V. Reconnaissance-Pantalon et Colombine
—
Carnaval, op. 9: 16-1VIII. Valse allemande-Paganini-Aveu-Promenade
—
Carnaval, op. 9: 19-20. Pause-Marche des Davidsbundler contre les Philistins
—
Allegro in B minor, op. 8
—
Piano Concerto in A minor, op. 54: I. Allegro affettuoso
—
Piano Concerto in A minor, op. 54: II. Intermezzo (Andantino grazioso)
—
Piano Concerto in A minor, op. 54: III. Allegro vivace
—
Piano Concerto in D-Flat major: I. Allegro ma non troppo e maestoso
—
Piano Concerto in D-Flat major: II. Andante con anima
—
Piano Concerto in D-flat major: III. Allegro brilliante
Alicia de Larrocha, London Philharmonic Orchestra, Rafael Frühbeck de Burgos
—
London Philharmonic Orchestra, Rafael Frühbeck de Burgos, Alicia de Larrocha
Piano Sonata in B minor, S. 178: Lento assai: Allegro energico - Grandioso - Recitativo
—
Piano Sonata in B minor, S. 178: II. Andante sostenuto
—
Piano Sonata in B minor, S. 178: Allegro energico: Andante sostenuto - Lento assai
—
Piano Concerto in G major, M. 83: I. Allegramente
—
Piano Concerto in G major, M. 83: II. Adagio assai
—
Piano Concerto in G major, M. 83: III. Presto
—
Piano Concerto For The Left Hand in D, M. 82
—
Fantaisie for piano & orchestra, op. 111
—
Iberia, B. 47, Book 1: I. Evocación
—
Iberia, B. 47, Book 1: II. El Puerto
—
Iberia, B. 47, Book 1: III. El Corpus en Sevilla
—
Iberia, B. 47, Book 2: IV. Rondeña
—
Iberia, B. 47, Book 2: V. Almeria
—
Iberia, B. 47, Book 2: VI. Triana
—
Iberia, B. 47, Book 3: VII. El Albaicín
—
Iberia, B. 47, Book 3: VIII. El Polo
—
Iberia, B. 47, Book 3: IX. Lavapiés
—
Iberia, B. 47, Book 4: X. Málaga
—
Iberia, B. 47, Book 4: 1I. Jérez
—
Iberia, B. 47, Book 4: 1II. Eritaña
—
Navarra
—
Cantos de España, op. 232: I. Prelude
—
Cantos de España, op. 232: II. Orientale
—
Cantos de España, op. 232: III. Sous le palmier
—
Cantos de España, op. 232: IV. Cordoba
—
Cantos de España, op. 232: V. Seguidillas
—
Sonata in D major
—
Recuerdos de Viaje, op. 71: VIII. Rumores de la caleta: Malagueña
—
Pavana-Capricho, op. 12
—
Recuerdos de Viaje, op. 71: VI. Puerta de tierra: Bolero
—
Malagueña, op. 165, no. 3
—
España, op. 165: II. Tango
—
Suite española no. 1, op. 47: Sevilla (Sevillanas)
—
Sonata in G minor
—
Sonata in D
—
Spanish Dance, op. 37, no. 7: "Valenciana"
—
Spanish Dance, op. 37, no. 5: "Andaluza"
—
Danzas Gitanas, Set 1 op. 55: V. Sacro-Monte
—
Danzas Andaluzas, op. 8: III. Zapateado
—
Piano Sonata no. 11 in A major, K. 331: I. Tema (Andante grazioso) con variazioni
—
Piano Sonata no. 11 in A major, K. 331: II. Menuetto
—
Piano Sonata no. 11 in A major, K. 331: III. Alla Turca (Allegretto)
—
Fantasia in C minor, K. 475
—
Rondo in D major, K. 485
—
Piano Sonata no. 9 in D major, K. 311: I. Allegro con spirito
—
Piano Sonata no. 9 in D major, K. 311: II. Andantino con espressione
—
Piano Sonata no. 9 in D major, K. 311: III. Rondeau (Allegro)
—
Piano Sonata no. 10 in C major, K. 330: I. Allegro moderato
—
Piano Sonata no. 10 in C major, K. 330: II. Andante cantabile
—
Piano Sonata no. 10 in C major, K. 330: III. Allegretto
—
Fantasia in D minor, K. 397
—
Piano Sonata no. 12 in F major, K. 332: I. Allegro
—
Piano Sonata no. 12 in F major, K. 332: II. Adagio
—
Piano Sonata no. 12 in F major, K. 332: III. Allegro assai
—
Piano Sonata no. 16 in C major, K. 545 "Sonata facile": I. Allegro
—
Piano Sonata no. 16 in C major, K. 545 "Sonata facile": II. Andante
—
Piano Sonata no. 16 in C major, K. 545 "Sonata facile": III. Rondo (Allegro)
—
Piano Sonata no. 18 in D major, K. 576: I. Allegro
—
Piano Sonata no. 18 in D major, K. 576: II. Adagio
—
Piano Sonata no. 18 in D major, K. 576: III. Allegretto
—
Piano Sonata no. 4 in E-flat major, K. 282: I. Adagio
Alicia de Larrocha
—
Piano Sonata no. 4 in E-flat major, K. 282: II. Menuetto I-II
Alicia de Larrocha
—
Piano Sonata no. 4 in E-flat major, K. 282: III. Allegro
Alicia de Larrocha
—
Piano Sonata no. 8 in A minor, K. 310: I. Allegro maestoso
Alicia de Larrocha
—
Piano Sonata no. 8 in A minor, K. 310: II. Andante cantabile con espressione
Alicia de Larrocha
—
Piano Sonata no. 8 in A minor, K. 310: III. Presto
Alicia de Larrocha
—
Piano Sonata no. 14 in C minor, K. 457: I. Molto allegro
—
Piano Sonata no. 14 in C minor, K. 457: II. Adagio
—
Piano Sonata no. 14 in C minor, K. 457: III. Allegro assai
—
Fantasia in C minor, K. 475
—
Andante con variazoni in F minor, H.XVII no. 6
—
Clavier Concerto in D major, Hob. 18: 2: I. Vivace
—
Clavier Concerto in D major, Hob. 18: 2: II. Un poco adagio
—
Clavier Concerto in D major, Hob. 18: 2: III. Rondo all'Ungherese. Allegro assai
—
Cuatro piezas españolas: I. Aragonesa
—
Cuatro piezas españolas: II. Cubana
—
Cuatro piezas españolas: III. Montanesa
—
Cuatro piezas españolas: IV. Andaluza
—
Fantasia Baetica
—
El sombrero de tres picos, Transcr. for Piano, Pt. 2: Dance of the Neighbours
—
El sombrero de tres picos, Pt. 2: The miller's dance
—
El sombrero de tres picos, Transcr. for Piano, Pt. 1: Dance of the Miller's Wife
—
El Amor Brujo, Arr. for piano: Pantomima
—
El Amor Brujo, Arr. for piano: Chanson du Feu Follet
—
El Amor Brujo, Arr. for piano: Danse de la Frayeur
—
El Amor Brujo, Arr. for piano: Le Cercle Magique (Recit du Pecheur)
—
El Amor Brujo, Arr. for piano: Danse Rituelle du Feu
—
24 Préludes, op. 28, C. 166-189: I. Agitato in C major, C. 166
—
24 Préludes, op. 28, C. 166-189: II. Lento in A minor, C. 167
—
24 Préludes, op. 28, C. 166-189: III. Vivace in G major, C. 168
—
24 Préludes, op. 28, C. 166-189: IV. Largo in E minor, C. 169
—
24 Préludes, op. 28, C. 166-189: V. Molto allegro in D major, C. 170
—
24 Préludes, op. 28, C. 166-189: VI. Lento assai in B minor, C. 171
—
24 Préludes, op. 28, C. 166-189: VII. Andantino in A major, C. 172
—
24 Préludes, op. 28, C. 166-189: VIII. Molto agitato in F-Sharp minor, C. 173
—
24 Préludes, op. 28, C. 166-189: IX. Largo in E major, C. 174
—
24 Préludes, op. 28, C. 166-189: X. Molto allegro in C-Sharp minor, C. 175
—
24 Préludes, op. 28, C. 166-189: 1I. Vivace in B major, C. 176
—
24 Préludes, op. 28, C. 166-189: 1II. Presto in G-Sharp minor, C. 177
—
24 Préludes, op. 28, C. 166-189: 1III. Lento in F-Sharp major, C. 178
—
24 Préludes, op. 28, C. 166-189: 1IV. Allegro in E-Flat minor, C. 179
—
24 Préludes, op. 28, C. 166-189: 1V. Sostenuto in D-Flat major, C. 180 "Raindrop"
—
24 Préludes, op. 28, C. 166-189: 1VI. Presto con fuoco in B-Flat minor, C. 181
—
24 Préludes, op. 28, C. 166-189: 1VII. Allegretto in A-Flat major, C. 182
—
24 Préludes, op. 28, C. 166-189: 1VIII. Molto allegro in F minor, C. 183
—
24 Préludes, op. 28, C. 166-189: 1IX. Vivace in E-Flat major, C. 184
—
24 Préludes, op. 28, C. 166-189: 20. Largo in C minor, C. 185
—
24 Préludes, op. 28, C. 166-189: 2I. Cantabile in B-Flat major, C. 186
—
24 Préludes, op. 28, C. 166-189: 2II. Molto agitato in G minor, C. 187
—
24 Préludes, op. 28, C. 166-189: 2III. Moderato in F major, C. 188
—
24 Préludes, op. 28, C. 166-189: 2IV. Allegro appassionato in D minor, C. 189
—
Berceuse in D-Flat major, op. 57
—
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto
—
Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo (Adagio)
—
Piano Concerto no. 3 in D minor, op. 30: III. Finale (Alla breve)
—
Piano Concerto no. 2 in C minor, op. 18: I. Moderato
—
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
—
Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando
—
Concerto Breve: I. Energico
—
Concerto Breve: II. Dolce
—
Concerto Breve: III. Vivo
—
Concerto for Piano & Orchestra: I. Allegro
—
Concerto for Piano & Orchestra: II. Larghetto
—
Concerto for Piano & Orchestra: III. Vivace con fuoco
—
Goyescas: Suite: I. Los requiebros
—
Goyescas: Suite: II. Coloquio en la reja
—
Goyescas: Suite: III. El Fandango del Candil
—
Goyescas: Suite: IV. Quejas ó la maja y el ruiseñor
—
Goyescas: Suite: V. El amor y la muerte (Balada)
—
Goyescas: Suite: VI. Epilogo (Serenata del espectro)
—
Goyescas: Suite: VII. El pelele (Escena goyesca)
—
Tonadillas: I. La Maja de Goya
—
Tonadillas: II. Amor y Odio
—
Tonadillas: III. El Tra-La-La y el Punteado
—
Tonadillas: IV. El Majo Olvidado
—
Tonadillas: V. El Majo Tímido
—
Tonadillas: VI. Callejeo
—
Tonadillas: VII. El Mirar de la Maja
—
Tonadillas: VIII. Las Currutacas Modestas
—
Tonadillas: IX. El Majo Discreto
—
Tonadillas: X. La Maja Dolorosa no. 1 (Oh muerte cruel!)
—
Tonadillas: 1I. La Maja Dolorosa no. 2 (Ay majo de mi vida)
—
Tonadillas: 1II. La Maja Dolorosa no. 3 (De aquel majo amante)
—
Canciónes Amatorias: I. Mira que soy Niña
—
Canciónes Amatorias: II. Iban al Pinar
—
Canciónes Amatorias: III. Mañanica era
—
Canciónes Amatorias: IV. No lloreís Ojuelos
—
Canciónes Amatorias: V. Llorad Corazón
—
Canciónes Amatorias: VI. Gracia mía
—
Piano Concerto no. 25 in C major, K. 503: I. Allegro maestoso
Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti
—
Piano Concerto no. 25 in C major, K. 503: II. Andante
Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti
—
Piano Concerto no. 25 in C major, K. 503: III. Allegretto
Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti
—
Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti
Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti
Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro
Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti
—
Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti
Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti
Piano Concerto no. 24 in C minor, K. 491: III. Allegretto
Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti
—
Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti
Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti
Piano Concerto no. 26 in D major, K. 537 “Coronation”: III. Allegretto
Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti
—
Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": I. Allegro
—
Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": II. Adagio un poco mosso
—
Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": III. Rondo (Allegro)
—
7 Bagatelles, op. 33: I. Andante grazioso, quasi Allegretto
Alicia de Larrocha
—
7 Bagatelles, Op. 33: 2. Scherzo. Allegro
Alicia de Larrocha
—
7 Bagatelles, op. 33: III. Allegretto
Alicia de Larrocha
—
7 Bagatelles, op. 33: IV. Andante
Alicia de Larrocha
—
7 Bagatelles, op. 33: VI. Allegretto quasi Andante
Alicia de Larrocha
—
7 Bagatelles, op. 33: VII. Presto
Alicia de Larrocha
—
Piano Concerto no. 12 in A major, K. 414: I. Allegro
—
Piano Concerto no. 12 in A major, K. 414: II. Andante
—
Piano Concerto no. 12 in A major, K. 414: III. Rondeau (Allegretto)
—
Concerto for Harpsichord, Strings, and Continuo no. 5 in F minor, BWV 1056, Piano performance: I. (Allegro)
—
Concerto for Harpsichord, Strings, and Continuo no. 5 in F minor, BWV 1056, Piano performance: II. Largo
—
Concerto for Harpsichord, Strings, and Continuo no. 5 in F minor, BWV 1056, Piano performance: III. Presto
—
Spanish Dance, op. 37, no. 1 "Minueto"
—
Spanish Dance, op. 37, no. 2: "Oriental"
—
Spanish Dance, op. 37, no. 3 "Zarabanda"
—
Spanish Dance, op. 37, no. 4: "Villanesca"
—
Spanish Dance, op. 37, no. 5: "Andaluza"
—
Spanish Dance op. 37, no. 6 "Rondalla aragonesa"
—
Spanish Dance, op. 37, no. 7: "Valenciana"
—
Spanish Dance, op. 37, no. 8: "Asturiana"
—
Spanish Dance, op. 37, no. 9: "Mazurca"
—
Spanish Dance, op. 37, no. 10: "Danza triste"
—
Spanish Dance, op. 37, no. 11 "Zambra"
—
Spanish Dance, op. 37, no. 12 "Arabesca"
—
Sonata in D minor, K. 9
—
Sonata in F, K. 6
—
Sonata in D minor, K. 10
—
Sonata in G minor, Kk8
—
Sonata in G, Kk13
—
Sonata in C minor, K. 11
—
Sonata in E, Kk28
—
Partita for Violin Solo no. 2 in D minor, BWV 1004: Chaconne in D minor (Arr. Busoni)
—
Harpsichord Suite no. 5 in E major, HWV 430 "The Harmonious Blacksmith": I. Prélude
—
Harpsichord Suite no. 5 in E major, HWV 430 "The Harmonious Blacksmith": II. Allemande
—
Harpsichord Suite no. 5 in E major, HWV 430 "The Harmonious Blacksmith": III. Courante
—
Harpsichord Suite no. 5 in E major, HWV 430 "The Harmonious Blacksmith": IV. Air con variazioni ("The Harmonious Blacksmith")
—
Sonata in D minor
—
Sonata in C-sharp minor
—
Sonata in D
—
Sonata in G minor
—
Sonata in F-sharp minor: Allegretto
—
Sonata in F: Allegro
—
Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro
—
Piano Concerto no. 22 in E-flat major, K. 482: II. Andante
—
Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro: Andante cantabile - Tempo I
—
Piano Concerto no. 19 in F major, K. 459: I. Allegro vivace
—
Piano Concerto no. 19 in F major, K. 459: II. Allegretto
—
Piano Concerto no. 19 in F major, K. 459: III. Allegro assai
—
Piano Sonata no. 13 in A major, D. 664: I. Allegro moderato
—
Piano Sonata no. 13 in A major, D. 664: II. Andante
—
Piano Sonata no. 13 in A major, D. 664: III. Allegro
—
Impromptu in A-flat, D.899 no. 4
—
6 Moments musicaux, op. 94, D. 780: VI. Allegretto
—
Piano Sonata no. 21 in B-Flat major, D. 960: I. Molto moderato
—
Piano Sonata no. 21 in B-Flat major, D. 960: II. Andante sostenuto
—
Piano Sonata no. 21 in B-Flat major, D. 960: III. Scherzo (Allegro vivace con delicatezza)
—
Piano Sonata no. 21 in B-Flat major, D. 960: IV. Allegro ma non troppo
—
Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio
—
Piano Concerto no. 1 in C major, op. 15: II. Largo
—
Piano Concerto no. 1 in C major, op. 15: III. Rondo (Allegro scherzando)
—
Piano Concerto no. 2 in B-Flat major, op. 19: I. Allegro con brio
—
Piano Concerto no. 2 in B-Flat major, op. 19: II. Adagio
—
Piano Concerto no. 2 in B-Flat major, op. 19: III. Rondo (Molto allegro)
—
Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio
—
Piano Concerto no. 3 in C minor, op. 37: II. Largo
—
Piano Concerto no. 3 in C minor, op. 37: III. Rondo (Allegro)
—
Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato
—
Piano Concerto no. 4 in G major, op. 58: II. Andante con moto
—
Piano Concerto no. 4 in G major, op. 58: III. Rondo (Vivace)
—
Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": I. Allegro
—
Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": II. Adagio un poco mosso
—
Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": III. Rondo (Allegro)
—
Fantasia for Piano, Chorus and Orchestra in C minor, op. 80
—
Impresiones intimas: I. Planys I
—
Impresiones intimas: II. Planys II
—
Impresiones intimas: III. Planys III
—
Impresiones intimas: IV. Planys IV
—
Impresiones intimas: V. Pajaro triste
—
Impresiones intimas: VI. La barca
—
Impresiones intimas: VII. Cuna
—
Impresiones intimas: VIII. Secreto
—
Impresiones intimas: IX. Gitano
—
Preludio VII a Alicia de Larrocha
—
Musica Callada, Book 4
—
Cançons i dansas: no. 1
—
Cançons i dansas: no. 2
—
Cançons i dansas: no. 3
—
Cançons i dansas: no. 14
—
6 Pieces on Spanish Folksongs: 0. Preludio
—
6 Pieces on Spanish Folksongs: I. Añoranza
—
6 Pieces on Spanish Folksongs: II. Ecos de la Parranda
—
6 Pieces on Spanish Folksongs: III. Vascongada
—
6 Pieces on Spanish Folksongs: IV. Marcha Oriental
—
6 Pieces on Spanish Folksongs: V. Zambra
—
6 Pieces on Spanish Folksongs: VI. Zapateado
—
Allegro de Concierto
—
Escenas Románticas: I. Mazurka
—
Escenas Románticas: II. Berceuse
—
Escenas Románticas: III. Lento con extasis
—
Escenas Románticas: IV. Allegretto
—
Escenas Románticas: V. Allegretto appassionato
—
Escenas Románticas: VI. Epilogo: Andantino spianato
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Noches en los jardines de España: I. En el generalife
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Noches en los jardines de España: II. Danza lejana
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Noches en los jardines de España: III. En los jardines de la Sierra de Cordoba
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Rapsodia Española: Orch. Cristobel Halffter
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Rapsodia sinfonica
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Iberia, B. 47, Piano (Pub.1906), Book 1: I. Evocación
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Iberia, B. 47, Piano (Pub.1906), Book 1: II. El Puerto
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Iberia, B. 47, Piano (Pub.1906), Book 1: III. Fête: Dieu à Seville
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Iberia, B. 47, Piano (Pub.1906), Book 2: IV. Rondena
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Iberia, B. 47, Piano (Pub.1906), Book 2: V. Almeria
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Iberia, B. 47, Piano (Pub.1906), Book 2: VI. Triana
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Iberia, B. 47, Piano (Pub.1906), Book 3: VII. El Albaicin
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Iberia, B. 47, Piano (Pub.1906), Book 3: VIII. El Polo
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Iberia, B. 47, Piano (Pub.1906), Book 3: IX. Lavapies
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Iberia, B. 47, Piano (Pub.1906), Book 4: X. Malaga
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Iberia, B. 47, Piano (Pub.1906), Book 4: 1I. Jerez
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Iberia, B. 47, Piano (Pub.1906), Book 4: 1II. Eritana
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Navarra
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Suite española no. 1, op. 47: Granada (Serenata)
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Suite española no. 1, op. 47: Cataluña (Corranda)
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Suite española no. 1, op. 47: Sevilla (Sevillanas)
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Suite española no. 1, op. 47: Cádiz (Canción) (Op. 181)
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Suite española no. 1, op. 47: Asturias (Leyenda) (Op. 232/1)
Alicia de Larrocha
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Suite española no. 1, op. 47: Aragón (Fantasia) (Op. 164/1)
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Suite española no. 1, op. 47: Cuba (Capricho)
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Suite española no. 1, op. 47: Castilla (Seguidillas) (Op. 232/5)
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Sonata Espanola, op. 53, I. Andante romantico: 1. Andante romantico
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Sonata Espanola, op. 53, I. Andante romantico: II. Mazurka sopra un tema popolare
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Sonata Espanola, op. 53, I. Andante romantico: III. Allegro brioso
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Danzas de Espana: IV. Rustico
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Danzas de Espana: V. Danza de la Tres Doncellas
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Danzas de Espana: VI. Serrana
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Danzas Espanolas: VII. no. 1 in G
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Danzas Espanolas: VIII. no. 2 in C minor
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Danzas Espanolas: IX. no. 3 in D
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Danzas Espanolas: X. no. 4 in G
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Danzas Espanolas: 1I. no. 5 in E minor
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Danzas Espanolas: 1II. no. 6 in D
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Danzas Espanolas: 1III. no. 7 in G
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Danzas Espanolas: 1IV. no. 8 in C
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Danzas Espanolas: 1V. no. 9 in B-flat
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Danzas Espanolas: 1VI. no. 10 in G
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Danzas Espanolas: 1VII. no. 11 in G minor
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Danzas Espanolas: 1VIII. no. 12 in A minor
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Danzas Fantásticas, op. 22: I. Exaltación
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Danzas Fantásticas, op. 22: II. Ensueño
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Danzas Fantásticas, op. 22: III. Orgía
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Preludios, op. 80 (Ciclo pianistico, VII): I. Adagio
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Preludios, op. 80 (Ciclo pianistico, VII): II. Allegretto
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Preludios, op. 80 (Ciclo pianistico, VII): III. Allegro giusto
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Preludios, op. 80 (Ciclo pianistico, VII): IV. Allegretto
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Preludios, op. 80 (Ciclo pianistico, VII): V. Adagio: Allegro vivo
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Recuerdos de la antigua España, op. 48: I. La eterna Carmen
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Recuerdos de la antigua España, op. 48: II. Habanera
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Recuerdos de la antigua España, op. 48: III. Don Juan
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Recuerdos de la antigua España, op. 48: IV. Estudiantina
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Partita, op. 57 (Ciclo pianistico, II): I. Preludio
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Partita, op. 57 (Ciclo pianistico, II): II. Zarabanda
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Partita, op. 57 (Ciclo pianistico, II): III. Capricho
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Partita, op. 57 (Ciclo pianistico, II): IV. Introducción y giga
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Escenas Románticas: I. Mazurka
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Escenas Románticas: II. Berceuse
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Escenas Románticas: III. Lento con extasis
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Escenas Románticas: IV. Allegretto
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Escenas Románticas: V. Allegretto appassionato
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Escenas Románticas: VI. Epilogo: Andantino spianato
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Goyescas: Suite: I. Los requiebros
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Goyescas: Suite: II. Coloquio en la reja
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Goyescas: Suite: III. El Fandango del Candil
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Goyescas: Suite: IV. Quejas ó la maja y el ruiseñor
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Goyescas: Suite: V. El amor y la muerte (Balada)
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Goyescas: Suite: VI. Epilogo (Serenata del espectro)
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Goyescas: Suite: VII. El pelele (Escena goyesca)
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Impresiones intimas: I. Planys I
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Impresiones intimas: II. Planys II
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Impresiones intimas: III. Planys III
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Impresiones intimas: IV. Planys IV
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Impresiones intimas: V. Pajaro triste
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Impresiones intimas: VI. La barca
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Impresiones intimas: VII. Cuna
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Impresiones intimas: VIII. Secreto
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Impresiones intimas: IX. Gitano
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Bagatelle no. 25 in A minor, WoO 59 "Für Elise"
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Liebestraum no. 3 in A-Flat, S. 541
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5 Morceaux de Fantaisie, op. 3: no. 2 Prelude in C-Sharp minor
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Suite bergamasque, L. 75: III. Clair de lune
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6 Moments musicaux, op. 94, D. 780: III. Allegro moderato
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36 German Dances, op. 9, Arranged for flute or violin and guitar by Schubert: German Dance no. 1 (D 365, No.1)
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Pièces de clavecin: Troisième livre, 13ème ordre: II. Les rozeaux
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Piano Sonata no. 16 in C major, K. 545 "Sonata facile": I. Allegro
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Piano Sonata no. 16 in C major, K. 545 "Sonata facile": II. Andante
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Piano Sonata no. 16 in C major, K. 545 "Sonata facile": III. Rondo (Allegro)
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Piano Sonata no. 11 in A major, K. 331: III. Alla Turca (Allegretto)
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Lieder ohne Worte, op. 67: no. IV. Presto in C "Spinning Song", MWV U182
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Lieder ohne Worte, op. 62: no. 6 Allegretto grazioso in A major -"Frühlingslied" (Spring Song)
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The Seasons, op. 37a, TH 135: 1I. November: On the Troika
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3 Waltzes, op. 64: no. 2 in C-sharp minor
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3 Nocturnes, op. 9: no. 2 in E-flat
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Impromptu no. 4 in C-sharp minor, op. 66 "Fantaisie-Impromptu"
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12 Etudes, op. 10: no. 3 in E major
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Polonaise no. 6 in A-Flat, op. 53 "Heroic"
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Hungarian Rhapsody no. 2 in C-Sharp minor, S. 244/2
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Consolation no. 3 in D-flat major
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La Campanella
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Impromptu in A-flat, D.899 no. 4
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Nocturne in F-Sharp major, op. 15, no. 2
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12 Etudes, op. 25: no. 9 in G-Flat major: "Butterfly Wings"
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Waltz no. 4 in F major, op. 34 No.3 "Grande Valse Brilliante"
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Rondo capriccioso in E major, op. 14, MWV U67
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Menuet in G Opus 14 no. 1
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Nocturne no. 3 in A-flat major, op. 33 No.3
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2 Arabesques, L. 66: no. 1, Andante con moto
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2 Arabesques, L. 66: no. 2, Allegretto scherzando
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Aufforderung zum Tanze, op. 65, J.260
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El amor brujo: Suite, G. 69, El Amor Brujo - Suite for Piano from the Ballet: IV. Danza del ritual del fuego fatuo
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