UPC · Release
Pierre Monteux
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028948347117 is the Universal Product Code (UPC barcode) for the release “Complete Decca Recordings” by Pierre Monteux, released 2019-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 256 tracks, each with its own ISRC. Tracks include GBF076010941, GBF076010942, GBF076010943.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Wiener Philharmoniker, Pierre Monteux | — | |
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Wiener Philharmoniker, Pierre Monteux | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace | Wiener Philharmoniker, Pierre Monteux | — | |
| 4 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | Wiener Philharmoniker, Pierre Monteux | T-318.676.528-2 | |
| 5 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | London Symphony Orchestra, Pierre Monteux | — | |
| 6 | Symphony no. 2 in D major, op. 36: II. Larghetto | London Symphony Orchestra, Pierre Monteux | — | |
| 7 | Symphony no. 2 in D major, op. 36: III. Scherzo: Allegro | London Symphony Orchestra, Pierre Monteux | — | |
| 8 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | London Symphony Orchestra, Pierre Monteux | — | |
| 9 | Overture "Fidelio", Op. 72c | London Symphony Orchestra, Pierre Monteux | — | |
| 10 | Egmont, op. 84: Overture. Sostenuto, ma non troppo | London Symphony Orchestra, Pierre Monteux | — | |
| 11 | King Stephen Overture, Op. 117 | London Symphony Orchestra, Pierre Monteux | — | |
| 2-1 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | Wiener Philharmoniker, Pierre Monteux | — | |
| 2-2 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre: Adagio assai | Wiener Philharmoniker, Pierre Monteux | — | |
| 2-3 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo: Allegro vivace | Wiener Philharmoniker, Pierre Monteux | — | |
| 2-4 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto | Wiener Philharmoniker, Pierre Monteux | T-318.676.528-2 | |
| 2-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Wiener Philharmoniker, Pierre Monteux | — | |
| 2-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Wiener Philharmoniker, Pierre Monteux | T-909.821.799-3 | |
| 2-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Wiener Philharmoniker, Pierre Monteux | T-909.821.799-3 | |
| 2-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Wiener Philharmoniker, Pierre Monteux | T-909.821.799-3 | |
| 3-1 | Symphony no. 4 in B-flat major. op. 60: I. Adagio - Allegro vivace | London Symphony Orchestra, Pierre Monteux | — | |
| 3-2 | Symphony no. 4 in B-flat major. op. 60: II. Adagio | London Symphony Orchestra, Pierre Monteux | T-001.444.317-4 | |
| 3-3 | Symphony no. 4 in B-flat major. op. 60: III. Scherzo - Trio: Allegro vivace | London Symphony Orchestra, Pierre Monteux | T-001.444.317-4 | |
| 3-4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | London Symphony Orchestra, Pierre Monteux | T-001.444.317-4 | |
| 3-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | London Symphony Orchestra, Pierre Monteux | — | |
| 3-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | London Symphony Orchestra, Pierre Monteux | T-915.710.750-1 | |
| 3-7 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto | London Symphony Orchestra, Pierre Monteux | T-915.710.750-1 | |
| 3-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | London Symphony Orchestra, Pierre Monteux | — | |
| 4-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | London Symphony Orchestra, Pierre Monteux | — | |
| 4-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | London Symphony Orchestra, Pierre Monteux | — | |
| 4-3 | Symphony no. 5 in C minor, op. 67: III. Scherzo: Allegro | London Symphony Orchestra, Pierre Monteux | — | |
| 4-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto | London Symphony Orchestra, Pierre Monteux | — | |
| 4-5 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Allegro ma non troppo) | Wiener Philharmoniker, Pierre Monteux | — | |
| 4-6 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach (Andante molto mosso) | Wiener Philharmoniker, Pierre Monteux | — | |
| 4-7 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute (Allegro) | Wiener Philharmoniker, Pierre Monteux | — | |
| 4-8 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm (Allegro) | Wiener Philharmoniker, Pierre Monteux | — | |
| 4-9 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Allegretto) | Wiener Philharmoniker, Pierre Monteux | — | |
| 5-1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | London Symphony Orchestra, Pierre Monteux | — | |
| 5-2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace - Presto | London Symphony Orchestra, Pierre Monteux | T-909.876.841-3 | |
| 5-3 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile | London Symphony Orchestra, Pierre Monteux | — | |
| 5-4 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto - Allegro Assai | The London Bach Choir, Regina Resnik, Elisabeth Söderström, Jon Vickers, David Ward, London Symphony Orchestra, Pierre Monteux | T-306.395.786-4 | |
| 6-1 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio | Royal Concertgebouw Orchestra, Pierre Monteux | — | |
| 6-2 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre: Adagio assai | Royal Concertgebouw Orchestra, Pierre Monteux | — | |
| 6-3 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo: Allegro vivace | Royal Concertgebouw Orchestra, Pierre Monteux | — | |
| 6-4 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale: Allegro molto | Royal Concertgebouw Orchestra, Pierre Monteux | T-318.676.528-2 | |
| 6-5 | Symphony no. 8 in B minor, D 759 “Unfinished”: I. Allegro moderato | — | ||
| 6-6 | Symphony no. 8 in B minor, D 759 “Unfinished”: II. Andante con moto | — | ||
| 7-1 | Rosamunde, Fürstin von Zypern, D797: Die Zauberharfe, D644: Ouvertüre | Wiener Philharmoniker, Pierre Monteux | — | |
| 7-2 | Rosamunde, Fürstin von Zypern, D797: Entr’acte no. 3: Andantino | Wiener Philharmoniker, Pierre Monteux | — | |
| 7-3 | Rosamunde, Fürstin von Zypern, D797: Ballet Music no. 1 | Wiener Philharmoniker, Pierre Monteux | — | |
| 7-4 | Rosamunde, Fürstin von Zypern, D797: Ballet Music no .2 | Wiener Philharmoniker, Pierre Monteux | — | |
| 7-5 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | Wiener Philharmoniker, Pierre Monteux | — | |
| 7-6 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo – L’istesso tempo, ma grazioso | Wiener Philharmoniker, Pierre Monteux | — | |
| 7-7 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino) – Presto, ma non assai – Tempo I | Wiener Philharmoniker, Pierre Monteux | — | |
| 7-8 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | Wiener Philharmoniker, Pierre Monteux | — | |
| 8-1 | Tragic Overture op. 81 | London Symphony Orchestra, Pierre Monteux | — | |
| 8-2 | Academic Festival Overture op. 80 | London Symphony Orchestra, Pierre Monteux | T-905.049.604-3 | |
| 8-3 | Variations on a Theme by Joseph Haydn, op. 56a: Tema: Chorale St. Antoni: Andante | — | ||
| 8-4 | Variations on a Theme by Joseph Haydn, op. 56a: Variation I: Poco più animato | — | ||
| 8-5 | Variations on a Theme by Joseph Haydn, op. 56a: Variation II: Più vivace | — | ||
| 8-6 | Variations on a Theme by Joseph Haydn, op. 56a: Variation III: Con moto | — | ||
| 8-7 | Variations on a Theme by Joseph Haydn, op. 56a: Variation IV: Andante con moto | — | ||
| 8-8 | Variations on a Theme by Joseph Haydn, op. 56a: Variation V: Vivace | — | ||
| 8-9 | Variations on a Theme by Joseph Haydn, op. 56a: Variation VI: Vivace | — | ||
| 8-10 | Variations on a Theme by Joseph Haydn, op. 56a: Variation VII: Grazioso | — | ||
| 8-11 | Variations on a Theme by Joseph Haydn, op. 56a: Variation VIII: Presto non troppo | — | ||
| 8-12 | Variations on a Theme by Joseph Haydn, op. 56a: Finale: Andante | — | ||
| 8-13 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 8-14 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo – L’istesso tempo, ma grazioso | — | ||
| 8-15 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino) – Presto, ma non assai – Tempo I | — | ||
| 8-16 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 9-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | — | ||
| 9-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 9-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | — | ||
| 9-4 | Symphony no. 7 in D minor, op. 70: 1. Allegro maestoso | London Symphony Orchestra, Pierre Monteux | — | |
| 9-5 | Symphony no. 7 in D minor, op. 70: 2. Poco adagio | London Symphony Orchestra, Pierre Monteux | — | |
| 9-6 | Symphony no. 7 in D minor, op. 70: 3. Scherzo (Vivace) | London Symphony Orchestra, Pierre Monteux | — | |
| 9-7 | Symphony no. 7 in D minor, op. 70: 4. Finale (Allegro) | London Symphony Orchestra, Pierre Monteux | — | |
| 10-1 | Roméo et Juliette : Première partie : Introduction : Combats – Tumulte – Intervention du prince | — | ||
| 10-2 | Roméo et Juliette : Première partie : Prologue : Récitatif choral : D’anciennes haines endormies | — | ||
| 10-3 | Roméo et Juliette : Première partie : Prologue : Strophes : Premiers transports que nul n’oublie! | — | ||
| 10-4 | Roméo et Juliette : Première partie : Prologue : Récitatif et scherzetto : Bientôt de Roméo, la pâle rêverie | — | ||
| 10-5 | Roméo et Juliette : Deuxième partie : Roméo seul – Tristesse – Bruits lointains de concert et de bal – Grande fête chez Capulet | — | ||
| 10-6 | Roméo et Juliette : Deuxième partie : Scène d’amour: Nuit sereine – Le jardin de Capulet silencieux et désert – Les jeunes Capulets sortant de la fête passent en chantant des réminiscences de la musique du bal | — | ||
| 11-1 | Roméo et Juliette : Deuxième partie : Scherzo: La reine Mab, ou la fée des songes | — | ||
| 11-2 | Roméo et Juliette : Troisième partie : Convoi funèbre de Juliette : Jetez des fleurs pour la vierge expirée | — | ||
| 11-3 | Roméo et Juliette : Troisième partie : Roméo au tombeau des Capulets : Invocation – Réveil de Juliette – Joie délirante, désespoir – Dernières angoisses et mort des deux amants / Finale : La foule accourt au cimetière – Rixe des Capulets et des Montagus – Récitatif et air du père Laurence – Serment de réconciliation | — | ||
| 11-4 | Roméo et Juliette : Finale : Chœurs et récitatif du père Laurence | — | ||
| 11-5 | Roméo et Juliette : Finale : Air : Pauvres enfants que je pleure | — | ||
| 11-6 | Roméo et Juliette : Finale : Serment : Jurez donc, par l’auguste symbole | — | ||
| 12-1 | Symphonie fantastique, op. 14 : I. Rêveries – Passions. Largo – Allegro agitato ed appassionato assai | — | ||
| 12-2 | Symphonie fantastique, op. 14 : II. Un bal. Valse. Allegro non troppo | — | ||
| 12-3 | Symphonie fantastique, op. 14 : III. Scène aux champs. Adagio | — | ||
| 12-4 | Symphonie fantastique, op. 14 : IV. Marche au supplice. Allegretto non troppo – attacca | — | ||
| 12-5 | Symphonie fantastique, op. 14 : V. Songe d’une nuit de Sabbat. Larghetto – Allegro | — | ||
| 12-6 | A Midsummer Night’s Dream: Overture, op.21 | — | ||
| 12-7 | A Midsummer Night’s Dream: Incidental Music, op. 61: No. 1 Scherzo | — | ||
| 12-8 | A Midsummer Night’s Dream: Incidental Music, op. 61: No. 7 Nocturne | — | ||
| 12-9 | A Midsummer Night’s Dream: Incidental Music, op. 61: No. 9 Wedding March | — | ||
| 13-1 | Symphony no. 94 in G major, Hob. I:94 "Surprise": I. Adagio - Vivace assai | Wiener Philharmoniker, Pierre Monteux | — | |
| 13-2 | Symphony no. 94 in G major, Hob. I:94 "Surprise": II. Andante | Wiener Philharmoniker, Pierre Monteux | — | |
| 13-3 | Symphony no. 94 in G major, Hob. I:94 "Surprise": III. Menuet (Allegro molto) | Wiener Philharmoniker, Pierre Monteux | — | |
| 13-4 | Symphony no. 94 in G major, Hob. I:94 "Surprise": IV. Finale (Allegro di molto) | Wiener Philharmoniker, Pierre Monteux | — | |
| 13-5 | Symphony no. 101 in D major, Hob. I:101 "The Clock": I. Adagio - Presto | Wiener Philharmoniker, Pierre Monteux | — | |
| 13-6 | Symphony no. 101 in D major, Hob. I:101 "The Clock": II. Andante | Wiener Philharmoniker, Pierre Monteux | — | |
| 13-7 | Symphony no. 101 in D major, Hob. I:101 "The Clock": III. Menuet (Allegretto) - Trio | Wiener Philharmoniker, Pierre Monteux | — | |
| 13-8 | Symphony no. 101 in D major, Hob. I:101 "The Clock": IV. Finale (Vivace) | Wiener Philharmoniker, Pierre Monteux | T-318.676.528-2 | |
| 14-1 | The Sleeping Beauty, op. 66, TH.13: Prologue: Introduction | London Symphony Orchestra, Pierre Monteux | — | |
| 14-2 | The Sleeping Beauty, op. 66, TH.13: Prologue: 1. Marche (Entrance of King and Court) | London Symphony Orchestra, Pierre Monteux | — | |
| 14-3 | The Sleeping Beauty, op. 66, TH.13: Prologue: 3. Pas de six: Intrada – Adagio (Allegro vivo) | London Symphony Orchestra, Pierre Monteux | — | |
| 14-4 | The Sleeping Beauty, op. 66, TH.13: Prologue: 3f. Pas de six: Variation IV (Song-bird Fairy) | London Symphony Orchestra, Pierre Monteux | — | |
| 14-5 | The Sleeping Beauty, op. 66, TH.13: Prologue: 3g. Pas de six: Variation V (Violente) | London Symphony Orchestra, Pierre Monteux | — | |
| 14-6 | The Sleeping Beauty, op. 66, TH.13: Act I: 6. Valse | London Symphony Orchestra, Pierre Monteux | — | |
| 14-7 | The Sleeping Beauty, op. 66, TH.13: Act I: Rose Adagio | London Symphony Orchestra, Pierre Monteux | T-070.243.265-2 | |
| 14-8 | The Sleeping Beauty, op. 66, TH.13: Act I: 8c. Pas d’action: Variation d'Aurore | London Symphony Orchestra, Pierre Monteux | — | |
| 14-9 | The Sleeping Beauty, op. 66, TH.13: Act I: 8d. Pas d’action: Coda | London Symphony Orchestra, Pierre Monteux | — | |
| 14-10 | The Sleeping Beauty, op. 66, TH.13: Act I: 9. Final (La Fée des lilas paraît) | London Symphony Orchestra, Pierre Monteux | — | |
| 14-11 | The Sleeping Beauty, op. 66, TH.13: Act II: 13a. Farandole: Scène | London Symphony Orchestra, Pierre Monteux | — | |
| 14-12 | The Sleeping Beauty, op. 66, TH.13: Act II: 17. Panorama (Andantino) | London Symphony Orchestra, Pierre Monteux | — | |
| 14-13 | The Sleeping Beauty, op. 66, TH.13: Act III: 22. Polacca (Allegro moderato) | London Symphony Orchestra, Pierre Monteux | — | |
| 14-14 | The Sleeping Beauty, op. 66, TH.13: Act III: 23a. Pas de quatre: Intrada (Allegro non tanto) | London Symphony Orchestra, Pierre Monteux | — | |
| 14-15 | The Sleeping Beauty, op. 66, TH.13: Act III: 23c. Pas de quatre: Variation II (Polka)(Silver Fairy) | London Symphony Orchestra, Pierre Monteux | — | |
| 14-16 | The Sleeping Beauty, op. 66, TH.13: Act III: 23e. Pas de quatre: Variation IV (Diamond Fairy) | London Symphony Orchestra, Pierre Monteux | — | |
| 14-17 | The Sleeping Beauty, op. 66, TH.13: Act III: 23f. Pas de quatre: Coda | London Symphony Orchestra, Pierre Monteux | — | |
| 14-18 | The Sleeping Beauty, op. 66, TH.13: Act III: 25a. Pas de quatre: Adagio | London Symphony Orchestra, Pierre Monteux | T-922.332.148-0 | |
| 14-19 | The Sleeping Beauty, op. 66, TH.13: Act III: 25b. Pas de quatre: Variation 1: Cinderella & Fortune | London Symphony Orchestra, Pierre Monteux | — | |
| 14-20 | The Sleeping Beauty, op. 66, TH.13: Act III: 25c: Pas de quatre: Variation 2: The Bluebird & Princess Florine | London Symphony Orchestra, Pierre Monteux | — | |
| 14-21 | The Sleeping Beauty, op. 66, TH.13: Act III: 25d: Pas de quatre – Coda | London Symphony Orchestra, Pierre Monteux | — | |
| 14-22 | The Sleeping Beauty, op. 66, TH.13: Act III: 26: Pas de caractère – Red Riding Hood & The Wolf | London Symphony Orchestra, Pierre Monteux | — | |
| 14-23 | The Sleeping Beauty, op. 66, TH.13: Act III: 28b: Pas de deux – Adagio | London Symphony Orchestra, Pierre Monteux | — | |
| 14-24 | The Sleeping Beauty, op. 66, TH.13: Act III: 28e: Pas de deux – Coda | London Symphony Orchestra, Pierre Monteux | — | |
| 14-25 | The Sleeping Beauty, op. 66, TH.13: Act III: 30: Finale – Allegro Brillante (Mazurka) | London Symphony Orchestra, Pierre Monteux | — | |
| 14-26 | The Sleeping Beauty, op. 66, TH.13: Act III: 30b: Finale – Apotheosis | London Symphony Orchestra, Pierre Monteux | — | |
| 15-1 | Swan Lake, Op. 20, Act I: No. 1 Scène: Allegro giusto | London Symphony Orchestra, Pierre Monteux | — | |
| 15-2 | Swan Lake, Op. 20, Act I: No. 2 Waltz: Tempo di valse | London Symphony Orchestra, Pierre Monteux | — | |
| 15-3 | Swan Lake: Act I. no. 3. Scène / no. 8. Danse des coupes | London Symphony Orchestra, Pierre Monteux | — | |
| 15-4 | Swan Lake: Scene No. 10 (Anna Karenina) | London Symphony Orchestra, Pierre Monteux | — | |
| 15-5 | Swan Lake, op. 20, TH.12: Act II: No. 13a Danse des cygnes: Valse | London Symphony Orchestra, Pierre Monteux | — | |
| 15-6 | Swan Lake: Act II. no. 13e. Pas d'action: Odette et le prince | Hugh Maguire, London Symphony Orchestra, Pierre Monteux | — | |
| 15-7 | Swan Lake: Act II. no. 13d. Danse des (petits) cygnes | London Symphony Orchestra, Pierre Monteux | — | |
| 15-8 | Swan Lake, op. 20, TH.12: Act II: No. 13g Danse des cygnes: Coda (Allegro vivace) | London Symphony Orchestra, Pierre Monteux | — | |
| 15-9 | Swan Lake, Op. 20, Act III: No. 17 Entrance of the Guests and Waltz: Allegro, Tempo di valse | London Symphony Orchestra, Pierre Monteux | — | |
| 15-10 | Swan Lake: Act III. no. 21. Danse espagnole | London Symphony Orchestra, Pierre Monteux | — | |
| 15-11 | Swan Lake: Act III. no. 20. Danse hongroise | London Symphony Orchestra, Pierre Monteux | — | |
| 15-12 | Swan Lake, op. 20, TH.12: Act III: No. 23 Mazurka | London Symphony Orchestra, Pierre Monteux | — | |
| 15-13 | Swan Lake: Act III. no. 5. Pas de deux | Hugh Maguire, London Symphony Orchestra, Pierre Monteux | — | |
| 15-14 | Swan Lake: Act IV. no. 27. Danses des petits cygnes | London Symphony Orchestra, Pierre Monteux | — | |
| 15-15 | Swan Lake: Act IV. no. 29. Scène finale | London Symphony Orchestra, Pierre Monteux | — | |
| 16-1 | Scheherazade, op. 35: The Sea and Sinbad’s Ship | — | ||
| 16-2 | Scheherazade, op. 35: The Story of the Kalendar Prince | — | ||
| 16-3 | Scheherazade, op. 35: The Young Prince and the Young Princess | — | ||
| 16-4 | Scheherazade, op. 35: Festival at Baghdad – The Sea – Shipwreck | — | ||
| 16-5 | The Firebird: Introduction | Paris Concervatoire Orchestra, Pierre Monteux | T-901.571.571-6 | |
| 16-6 | The Firebird: Dance of the Firebird | Paris Concervatoire Orchestra, Pierre Monteux | — | |
| 16-7 | The Firebird: Round Dance of the Princess | Paris Concervatoire Orchestra, Pierre Monteux | — | |
| 16-8 | The Firebird: Infernal Dance of King Katchei | Paris Concervatoire Orchestra, Pierre Monteux | — | |
| 16-9 | The Firebird: Berceuse | Paris Concervatoire Orchestra, Pierre Monteux | — | |
| 16-10 | The Firebird: Finale | Paris Concervatoire Orchestra, Pierre Monteux | T-073.071.144-0 | |
| 17-1 | Petrushka, 1st Tableau: The Shrovetide Fair | Julius Katchen, Paris Conservatoire Orchestra, Pierre Monteux | — | |
| 17-2 | Petrushka, 2nd Tableau: In Petruschka's Room | Julius Katchen, Paris Conservatoire Orchestra, Pierre Monteux | — | |
| 17-3 | Petrushka, 3rd Tableau: In the Moor's Room | Julius Katchen, Paris Conservatoire Orchestra, Pierre Monteux | — | |
| 17-4 | Petrushka, 4th Tableau: The Shrovetide Fair (Evening) | Julius Katchen, Paris Conservatoire Orchestra, Pierre Monteux | — | |
| 17-5 | Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-6 | Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-7 | Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-8 | Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-9 | Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-10 | Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-11 | Le Sacre du printemps : Première partie : L’Adoration de la terre : Le Sage | — | ||
| 17-12 | Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-13 | Le Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-14 | Le Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-15 | Le Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-16 | Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-17 | Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-18 | Le Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 18-1 | Prélude à l’apres-midi d’un faune | London Symphony Orchestra, Pierre Monteux | — | |
| 18-2 | Nocturnes: I. Nuages | London Symphony Orchestra, Pierre Monteux | — | |
| 18-3 | Nocturnes: II. Fêtes | London Symphony Orchestra, Pierre Monteux | — | |
| 18-4 | Images: I. Gigues | London Symphony Orchestra, Pierre Monteux | — | |
| 18-5 | Images: II. Iberia: I. Par les rues et par les chemins | London Symphony Orchestra, Pierre Monteux | — | |
| 18-6 | Images for orchestra, L. 122: Iberia, Perfumes of the Night | London Symphony Orchestra, Pierre Monteux | — | |
| 18-7 | Images: II. Iberia: III. Le matin d'un jour de fete | London Symphony Orchestra, Pierre Monteux | — | |
| 18-8 | Images: III. Rondes de printemps | London Symphony Orchestra, Pierre Monteux | — | |
| 18-9 | Le martyre de Saint Sébastien I. La Cour de Lys | London Symphony Orchestra, Pierre Monteux | — | |
| 18-10 | Le martyre de Saint Sébastien II. Danse extatique et Finale du 1er acte | London Symphony Orchestra, Pierre Monteux | — | |
| 18-11 | Le martyre de Saint Sébastien III. La Passion | London Symphony Orchestra, Pierre Monteux | — | |
| 18-12 | Le martyre de Saint Sébastien IV. Le Bon Pasteur | London Symphony Orchestra, Pierre Monteux | — | |
| 19-1 | Daphnis et Chloé, Part I: Introduction et Danse religieuse | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | T-004.014.574-1 | |
| 19-2 | Daphnis et Chloé, Part I: Danse générale | London Symphony Orchestra, Pierre Monteux | T-305.194.628-8 | |
| 19-3 | Daphnis et Chloé, Part I: Danse grotesque de Dorcon | London Symphony Orchestra, Pierre Monteux | T-305.194.628-8 | |
| 19-4 | Daphnis et Chloé, Part I: Danse légère et gracieuse de Daphnis | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | T-003.008.231-5 | |
| 19-5 | Daphnis et Chloé, Part I: Danse de Lycéion | London Symphony Orchestra, Pierre Monteux | T-003.008.231-5 | |
| 19-6 | Daphnis et Chloé, Part I: Danse lente et mystérieuse des Nymphes | London Symphony Orchestra, Pierre Monteux | T-003.008.231-5 | |
| 19-7 | Daphnis et Chloé, Part II: Introduction | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | T-003.008.231-5 | |
| 19-8 | Daphnis et Chloé, Part II: Danse guerrière | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | T-003.008.231-5 | |
| 19-9 | Daphnis et Chloé, Part II: Danse suppliante de Chloé | London Symphony Orchestra, Pierre Monteux | T-003.008.231-5 | |
| 19-10 | Daphnis et Chloé, Part III: Lever du jour | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | — | |
| 19-11 | Daphnis et Chloé, Part III: Pantomime | London Symphony Orchestra, Pierre Monteux | T-003.008.231-5 | |
| 19-12 | Daphnis et Chloé, Part III: Danse générale | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | T-003.008.231-5 | |
| 19-13 | Rapsodie espagnole : I. Prélude à la nuit | London Symphony Orchestra, Pierre Monteux | T-003.015.127-9 | |
| 19-14 | Rapsodie espagnole : II. Malagueña | London Symphony Orchestra, Pierre Monteux | T-003.015.127-9 | |
| 19-15 | Rapsodie espagnole : III. Habañera | London Symphony Orchestra, Pierre Monteux | T-003.015.127-9 | |
| 19-16 | Rapsodie espagnole : IV. Feria | London Symphony Orchestra, Pierre Monteux | T-003.015.127-9 | |
| 19-17 | Pavane pour une infante défunte | London Symphony Orchestra, Pierre Monteux | T-003.013.767-7 | |
| 20-1 | Boléro | London Symphony Orchestra, Pierre Monteux | T-003.006.377-4 | |
| 20-2 | La Valse | London Symphony Orchestra, Pierre Monteux | T-305.194.234-4 | |
| 20-3 | Ma mère l’Oye : Prélude | London Symphony Orchestra, Pierre Monteux | T-900.798.614-3 | |
| 20-4 | Ma mère l’Oye : 1. Danse du rouet et scène – Interlude | London Symphony Orchestra, Pierre Monteux | T-305.194.387-0 | |
| 20-5 | Ma mère l’Oye : 2. Pavane de la Belle au bois dormant | London Symphony Orchestra, Pierre Monteux | — | |
| 20-6 | Ma mère l’Oye : Interlude I | London Symphony Orchestra, Pierre Monteux | — | |
| 20-7 | Ma mère l’Oye : 3. Les entretiens de la Belle et de la Bête | London Symphony Orchestra, Pierre Monteux | — | |
| 20-8 | Ma mère l’Oye : Interlude II | London Symphony Orchestra, Pierre Monteux | — | |
| 20-9 | Ma mère l’Oye : 4. Petit Poucet | London Symphony Orchestra, Pierre Monteux | T-931.938.780-9 | |
| 20-10 | Ma mère l’Oye : Interlude III | London Symphony Orchestra, Pierre Monteux | — | |
| 20-11 | Ma mère l’Oye : 5. Laideronnette, impératrice des pagodes | London Symphony Orchestra, Pierre Monteux | — | |
| 20-12 | Ma mère l’Oye : Interlude IV | London Symphony Orchestra, Pierre Monteux | T-310.755.127-5 | |
| 20-13 | Ma mère l’Oye : 6. Apothèose : Le jardin féerique | London Symphony Orchestra, Pierre Monteux | — | |
| 21-1 | Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro | London Symphony Orchestra, Pierre Monteux | — | |
| 21-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Andante sostenuto | London Symphony Orchestra, Pierre Monteux | — | |
| 21-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Largamente | London Symphony Orchestra, Pierre Monteux | — | |
| 21-4 | Symphony no. 2 in D major, op. 43: IV. Finale (Allegro moderato) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-5 | Enigma Variations: Theme (Andante) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-6 | Enigma Variations: C.A.E. (Andante) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-7 | Enigma Variations: H.D.S.‐P (Allegro) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-8 | Enigma Variations: R.B.T. (Allegretto) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-9 | Enigma Variations: W.M.B. (Allegro di Molto) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-10 | Enigma Variations: R.P.A. (Moderato) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-11 | Enigma Variations: Ysobel (Andantino) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-12 | Enigma Variations: Troyte (Presto) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-13 | Enigma Variations: W.N. (Allegretto) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-14 | Enigma Variations: Nimrod (Adagio) | London Symphony Orchestra, Pierre Monteux | T-010.115.427-1 | |
| 21-15 | Enigma Variations: Dorabella: Intermezzo (Allegretto) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-16 | Enigma Variations: G.R.S. (Allegro di Molto) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-17 | Enigma Variations: B.G.N. (Andante) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-18 | Enigma Variations: *** Romanza (Moderato) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-19 | Enigma Variations: E.D.U. Finale (Allegro) | London Symphony Orchestra, Pierre Monteux | — | |
| 22-1 | Orchestral Suite No. 2 In B Minor, BWV 1067: 1. Ouverture | Claude Monteux, London Symphony Orchestra, Pierre Monteux | — | |
| 22-2 | Orchestral Suite No. 2 In B Minor, BWV 1067: 2. Rondeau | Claude Monteux, London Symphony Orchestra, Pierre Monteux | — | |
| 22-3 | Orchestral Suite No. 2 In B Minor, BWV 1067: 3. Sarabande | Claude Monteux, London Symphony Orchestra, Pierre Monteux | — | |
| 22-4 | Orchestral Suite No. 2 In B Minor, BWV 1067: 4. Bourrée I-II | Claude Monteux, London Symphony Orchestra, Pierre Monteux | T-929.302.990-0 | |
| 22-5 | Orchestral Suite No. 2 In B Minor, BWV 1067: 6. Polonaise | Claude Monteux, London Symphony Orchestra, Pierre Monteux | — | |
| 22-6 | Orchestral Suite No. 2 In B Minor, BWV 1067: 7. Menuet | Claude Monteux, London Symphony Orchestra, Pierre Monteux | T-011.654.484-3 | |
| 22-7 | Orchestral Suite no. 2 in B minor, BWV 1067: Badinerie | Claude Monteux, London Symphony Orchestra, Pierre Monteux | T-011.654.484-3 | |
| 22-8 | Dance of Blessed Spirits From Orfeo ed Euridice | Claude Monteux, London Symphony Orchestra, Pierre Monteux | — | |
| 22-9 | Flute Concerto No.2 In D, K.314: 1. Allegro Aperto | Claude Monteux, London Symphony Orchestra, Pierre Monteux | — | |
| 22-10 | Flute Concerto No.2 In D, K.314: 2. Andante Ma Non Troppo | Claude Monteux, London Symphony Orchestra, Pierre Monteux | — | |
| 22-11 | Flute Concerto No.2 In D, K.314: 3. Allegro | Claude Monteux, London Symphony Orchestra, Pierre Monteux | — | |
| 23-1 | Boléro | London Symphony Orchestra, Pierre Monteux | — | |
| 23-2 | La Valse | London Symphony Orchestra, Pierre Monteux | — | |
| 23-3 | Pavane pour une infante défunte | — | ||
| 24-1 | Symphony no. 3 in E flat major op. 55 'Eroica' ii Marcia funèbre, Adagio assai (rehearsal) | — | ||
| 24-2 | Symphony No. 9 Rehearsal Sketch: Rehearsal 1 | Elisabeth Söderström, Regina Resnik, Jon Vickers, David Ward, London Bach Choir, London Symphony Orchestra, Pierre Monteux | — | |
| 24-3 | Symphony No. 9 Rehearsal Sketch: Rehearsal 2 | Elisabeth Söderström, Regina Resnik, Jon Vickers, David Ward, London Bach Choir, London Symphony Orchestra, Pierre Monteux | — | |
| 24-4 | Symphony No. 9 Rehearsal Sketch: Rehearsal 3 | Elisabeth Söderström, Regina Resnik, Jon Vickers, David Ward, London Bach Choir, London Symphony Orchestra, Pierre Monteux | — | |
| 24-5 | Daphnis et Chloe (rehearsal) | — | ||
| 24-6 | La Marseillaise | London Symphony Orchestra, Pierre Monteux | T-301.249.916-6 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| La Marseillaise | London Symphony Orchestra, Pierre Monteux | — |
| Prélude à l’apres-midi d’un faune | London Symphony Orchestra, Pierre Monteux | — |
| Ma mère l’Oye : Prélude | London Symphony Orchestra, Pierre Monteux | — |
| Ma mère l’Oye : 1. Danse du rouet et scène – Interlude | London Symphony Orchestra, Pierre Monteux | — |
| Ma mère l’Oye : 2. Pavane de la Belle au bois dormant | London Symphony Orchestra, Pierre Monteux | — |
| Ma mère l’Oye : Interlude I | London Symphony Orchestra, Pierre Monteux | — |
| Ma mère l’Oye : 3. Les entretiens de la Belle et de la Bête | London Symphony Orchestra, Pierre Monteux | — |
| Ma mère l’Oye : Interlude II | London Symphony Orchestra, Pierre Monteux | — |
| Ma mère l’Oye : 4. Petit Poucet | London Symphony Orchestra, Pierre Monteux | — |
| Ma mère l’Oye : Interlude III | London Symphony Orchestra, Pierre Monteux | — |
| Ma mère l’Oye : 5. Laideronnette, impératrice des pagodes | London Symphony Orchestra, Pierre Monteux | — |
| Ma mère l’Oye : Interlude IV | London Symphony Orchestra, Pierre Monteux | — |
| Ma mère l’Oye : 6. Apothèose : Le jardin féerique | London Symphony Orchestra, Pierre Monteux | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
028948347117 is a Universal Product Code (UPC) assigned to Complete Decca Recordings by Pierre Monteux. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 256 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028948347117 is the Universal Product Code (UPC barcode) for the release “Complete Decca Recordings” by Pierre Monteux, released 2019-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 256 tracks, each with its own ISRC. Tracks include GBF076010941, GBF076010942, GBF076010943.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Wiener Philharmoniker, Pierre Monteux | — | |
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Wiener Philharmoniker, Pierre Monteux | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace | Wiener Philharmoniker, Pierre Monteux | — | |
| 4 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | Wiener Philharmoniker, Pierre Monteux | T-318.676.528-2 | |
| 5 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | London Symphony Orchestra, Pierre Monteux | — | |
| 6 | Symphony no. 2 in D major, op. 36: II. Larghetto | London Symphony Orchestra, Pierre Monteux | — | |
| 7 | Symphony no. 2 in D major, op. 36: III. Scherzo: Allegro | London Symphony Orchestra, Pierre Monteux | — | |
| 8 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | London Symphony Orchestra, Pierre Monteux | — | |
| 9 | Overture "Fidelio", Op. 72c | London Symphony Orchestra, Pierre Monteux | — | |
| 10 | Egmont, op. 84: Overture. Sostenuto, ma non troppo | London Symphony Orchestra, Pierre Monteux | — | |
| 11 | King Stephen Overture, Op. 117 | London Symphony Orchestra, Pierre Monteux | — | |
| 2-1 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | Wiener Philharmoniker, Pierre Monteux | — | |
| 2-2 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre: Adagio assai | Wiener Philharmoniker, Pierre Monteux | — | |
| 2-3 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo: Allegro vivace | Wiener Philharmoniker, Pierre Monteux | — | |
| 2-4 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto | Wiener Philharmoniker, Pierre Monteux | T-318.676.528-2 | |
| 2-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Wiener Philharmoniker, Pierre Monteux | — | |
| 2-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Wiener Philharmoniker, Pierre Monteux | T-909.821.799-3 | |
| 2-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Wiener Philharmoniker, Pierre Monteux | T-909.821.799-3 | |
| 2-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Wiener Philharmoniker, Pierre Monteux | T-909.821.799-3 | |
| 3-1 | Symphony no. 4 in B-flat major. op. 60: I. Adagio - Allegro vivace | London Symphony Orchestra, Pierre Monteux | — | |
| 3-2 | Symphony no. 4 in B-flat major. op. 60: II. Adagio | London Symphony Orchestra, Pierre Monteux | T-001.444.317-4 | |
| 3-3 | Symphony no. 4 in B-flat major. op. 60: III. Scherzo - Trio: Allegro vivace | London Symphony Orchestra, Pierre Monteux | T-001.444.317-4 | |
| 3-4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | London Symphony Orchestra, Pierre Monteux | T-001.444.317-4 | |
| 3-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | London Symphony Orchestra, Pierre Monteux | — | |
| 3-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | London Symphony Orchestra, Pierre Monteux | T-915.710.750-1 | |
| 3-7 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto | London Symphony Orchestra, Pierre Monteux | T-915.710.750-1 | |
| 3-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | London Symphony Orchestra, Pierre Monteux | — | |
| 4-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | London Symphony Orchestra, Pierre Monteux | — | |
| 4-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | London Symphony Orchestra, Pierre Monteux | — | |
| 4-3 | Symphony no. 5 in C minor, op. 67: III. Scherzo: Allegro | London Symphony Orchestra, Pierre Monteux | — | |
| 4-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto | London Symphony Orchestra, Pierre Monteux | — | |
| 4-5 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Allegro ma non troppo) | Wiener Philharmoniker, Pierre Monteux | — | |
| 4-6 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach (Andante molto mosso) | Wiener Philharmoniker, Pierre Monteux | — | |
| 4-7 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute (Allegro) | Wiener Philharmoniker, Pierre Monteux | — | |
| 4-8 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm (Allegro) | Wiener Philharmoniker, Pierre Monteux | — | |
| 4-9 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Allegretto) | Wiener Philharmoniker, Pierre Monteux | — | |
| 5-1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | London Symphony Orchestra, Pierre Monteux | — | |
| 5-2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace - Presto | London Symphony Orchestra, Pierre Monteux | T-909.876.841-3 | |
| 5-3 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile | London Symphony Orchestra, Pierre Monteux | — | |
| 5-4 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto - Allegro Assai | The London Bach Choir, Regina Resnik, Elisabeth Söderström, Jon Vickers, David Ward, London Symphony Orchestra, Pierre Monteux | T-306.395.786-4 | |
| 6-1 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio | Royal Concertgebouw Orchestra, Pierre Monteux | — | |
| 6-2 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre: Adagio assai | Royal Concertgebouw Orchestra, Pierre Monteux | — | |
| 6-3 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo: Allegro vivace | Royal Concertgebouw Orchestra, Pierre Monteux | — | |
| 6-4 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale: Allegro molto | Royal Concertgebouw Orchestra, Pierre Monteux | T-318.676.528-2 | |
| 6-5 | Symphony no. 8 in B minor, D 759 “Unfinished”: I. Allegro moderato | — | ||
| 6-6 | Symphony no. 8 in B minor, D 759 “Unfinished”: II. Andante con moto | — | ||
| 7-1 | Rosamunde, Fürstin von Zypern, D797: Die Zauberharfe, D644: Ouvertüre | Wiener Philharmoniker, Pierre Monteux | — | |
| 7-2 | Rosamunde, Fürstin von Zypern, D797: Entr’acte no. 3: Andantino | Wiener Philharmoniker, Pierre Monteux | — | |
| 7-3 | Rosamunde, Fürstin von Zypern, D797: Ballet Music no. 1 | Wiener Philharmoniker, Pierre Monteux | — | |
| 7-4 | Rosamunde, Fürstin von Zypern, D797: Ballet Music no .2 | Wiener Philharmoniker, Pierre Monteux | — | |
| 7-5 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | Wiener Philharmoniker, Pierre Monteux | — | |
| 7-6 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo – L’istesso tempo, ma grazioso | Wiener Philharmoniker, Pierre Monteux | — | |
| 7-7 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino) – Presto, ma non assai – Tempo I | Wiener Philharmoniker, Pierre Monteux | — | |
| 7-8 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | Wiener Philharmoniker, Pierre Monteux | — | |
| 8-1 | Tragic Overture op. 81 | London Symphony Orchestra, Pierre Monteux | — | |
| 8-2 | Academic Festival Overture op. 80 | London Symphony Orchestra, Pierre Monteux | T-905.049.604-3 | |
| 8-3 | Variations on a Theme by Joseph Haydn, op. 56a: Tema: Chorale St. Antoni: Andante | — | ||
| 8-4 | Variations on a Theme by Joseph Haydn, op. 56a: Variation I: Poco più animato | — | ||
| 8-5 | Variations on a Theme by Joseph Haydn, op. 56a: Variation II: Più vivace | — | ||
| 8-6 | Variations on a Theme by Joseph Haydn, op. 56a: Variation III: Con moto | — | ||
| 8-7 | Variations on a Theme by Joseph Haydn, op. 56a: Variation IV: Andante con moto | — | ||
| 8-8 | Variations on a Theme by Joseph Haydn, op. 56a: Variation V: Vivace | — | ||
| 8-9 | Variations on a Theme by Joseph Haydn, op. 56a: Variation VI: Vivace | — | ||
| 8-10 | Variations on a Theme by Joseph Haydn, op. 56a: Variation VII: Grazioso | — | ||
| 8-11 | Variations on a Theme by Joseph Haydn, op. 56a: Variation VIII: Presto non troppo | — | ||
| 8-12 | Variations on a Theme by Joseph Haydn, op. 56a: Finale: Andante | — | ||
| 8-13 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 8-14 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo – L’istesso tempo, ma grazioso | — | ||
| 8-15 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino) – Presto, ma non assai – Tempo I | — | ||
| 8-16 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 9-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | — | ||
| 9-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 9-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | — | ||
| 9-4 | Symphony no. 7 in D minor, op. 70: 1. Allegro maestoso | London Symphony Orchestra, Pierre Monteux | — | |
| 9-5 | Symphony no. 7 in D minor, op. 70: 2. Poco adagio | London Symphony Orchestra, Pierre Monteux | — | |
| 9-6 | Symphony no. 7 in D minor, op. 70: 3. Scherzo (Vivace) | London Symphony Orchestra, Pierre Monteux | — | |
| 9-7 | Symphony no. 7 in D minor, op. 70: 4. Finale (Allegro) | London Symphony Orchestra, Pierre Monteux | — | |
| 10-1 | Roméo et Juliette : Première partie : Introduction : Combats – Tumulte – Intervention du prince | — | ||
| 10-2 | Roméo et Juliette : Première partie : Prologue : Récitatif choral : D’anciennes haines endormies | — | ||
| 10-3 | Roméo et Juliette : Première partie : Prologue : Strophes : Premiers transports que nul n’oublie! | — | ||
| 10-4 | Roméo et Juliette : Première partie : Prologue : Récitatif et scherzetto : Bientôt de Roméo, la pâle rêverie | — | ||
| 10-5 | Roméo et Juliette : Deuxième partie : Roméo seul – Tristesse – Bruits lointains de concert et de bal – Grande fête chez Capulet | — | ||
| 10-6 | Roméo et Juliette : Deuxième partie : Scène d’amour: Nuit sereine – Le jardin de Capulet silencieux et désert – Les jeunes Capulets sortant de la fête passent en chantant des réminiscences de la musique du bal | — | ||
| 11-1 | Roméo et Juliette : Deuxième partie : Scherzo: La reine Mab, ou la fée des songes | — | ||
| 11-2 | Roméo et Juliette : Troisième partie : Convoi funèbre de Juliette : Jetez des fleurs pour la vierge expirée | — | ||
| 11-3 | Roméo et Juliette : Troisième partie : Roméo au tombeau des Capulets : Invocation – Réveil de Juliette – Joie délirante, désespoir – Dernières angoisses et mort des deux amants / Finale : La foule accourt au cimetière – Rixe des Capulets et des Montagus – Récitatif et air du père Laurence – Serment de réconciliation | — | ||
| 11-4 | Roméo et Juliette : Finale : Chœurs et récitatif du père Laurence | — | ||
| 11-5 | Roméo et Juliette : Finale : Air : Pauvres enfants que je pleure | — | ||
| 11-6 | Roméo et Juliette : Finale : Serment : Jurez donc, par l’auguste symbole | — | ||
| 12-1 | Symphonie fantastique, op. 14 : I. Rêveries – Passions. Largo – Allegro agitato ed appassionato assai | — | ||
| 12-2 | Symphonie fantastique, op. 14 : II. Un bal. Valse. Allegro non troppo | — | ||
| 12-3 | Symphonie fantastique, op. 14 : III. Scène aux champs. Adagio | — | ||
| 12-4 | Symphonie fantastique, op. 14 : IV. Marche au supplice. Allegretto non troppo – attacca | — | ||
| 12-5 | Symphonie fantastique, op. 14 : V. Songe d’une nuit de Sabbat. Larghetto – Allegro | — | ||
| 12-6 | A Midsummer Night’s Dream: Overture, op.21 | — | ||
| 12-7 | A Midsummer Night’s Dream: Incidental Music, op. 61: No. 1 Scherzo | — | ||
| 12-8 | A Midsummer Night’s Dream: Incidental Music, op. 61: No. 7 Nocturne | — | ||
| 12-9 | A Midsummer Night’s Dream: Incidental Music, op. 61: No. 9 Wedding March | — | ||
| 13-1 | Symphony no. 94 in G major, Hob. I:94 "Surprise": I. Adagio - Vivace assai | Wiener Philharmoniker, Pierre Monteux | — | |
| 13-2 | Symphony no. 94 in G major, Hob. I:94 "Surprise": II. Andante | Wiener Philharmoniker, Pierre Monteux | — | |
| 13-3 | Symphony no. 94 in G major, Hob. I:94 "Surprise": III. Menuet (Allegro molto) | Wiener Philharmoniker, Pierre Monteux | — | |
| 13-4 | Symphony no. 94 in G major, Hob. I:94 "Surprise": IV. Finale (Allegro di molto) | Wiener Philharmoniker, Pierre Monteux | — | |
| 13-5 | Symphony no. 101 in D major, Hob. I:101 "The Clock": I. Adagio - Presto | Wiener Philharmoniker, Pierre Monteux | — | |
| 13-6 | Symphony no. 101 in D major, Hob. I:101 "The Clock": II. Andante | Wiener Philharmoniker, Pierre Monteux | — | |
| 13-7 | Symphony no. 101 in D major, Hob. I:101 "The Clock": III. Menuet (Allegretto) - Trio | Wiener Philharmoniker, Pierre Monteux | — | |
| 13-8 | Symphony no. 101 in D major, Hob. I:101 "The Clock": IV. Finale (Vivace) | Wiener Philharmoniker, Pierre Monteux | T-318.676.528-2 | |
| 14-1 | The Sleeping Beauty, op. 66, TH.13: Prologue: Introduction | London Symphony Orchestra, Pierre Monteux | — | |
| 14-2 | The Sleeping Beauty, op. 66, TH.13: Prologue: 1. Marche (Entrance of King and Court) | London Symphony Orchestra, Pierre Monteux | — | |
| 14-3 | The Sleeping Beauty, op. 66, TH.13: Prologue: 3. Pas de six: Intrada – Adagio (Allegro vivo) | London Symphony Orchestra, Pierre Monteux | — | |
| 14-4 | The Sleeping Beauty, op. 66, TH.13: Prologue: 3f. Pas de six: Variation IV (Song-bird Fairy) | London Symphony Orchestra, Pierre Monteux | — | |
| 14-5 | The Sleeping Beauty, op. 66, TH.13: Prologue: 3g. Pas de six: Variation V (Violente) | London Symphony Orchestra, Pierre Monteux | — | |
| 14-6 | The Sleeping Beauty, op. 66, TH.13: Act I: 6. Valse | London Symphony Orchestra, Pierre Monteux | — | |
| 14-7 | The Sleeping Beauty, op. 66, TH.13: Act I: Rose Adagio | London Symphony Orchestra, Pierre Monteux | T-070.243.265-2 | |
| 14-8 | The Sleeping Beauty, op. 66, TH.13: Act I: 8c. Pas d’action: Variation d'Aurore | London Symphony Orchestra, Pierre Monteux | — | |
| 14-9 | The Sleeping Beauty, op. 66, TH.13: Act I: 8d. Pas d’action: Coda | London Symphony Orchestra, Pierre Monteux | — | |
| 14-10 | The Sleeping Beauty, op. 66, TH.13: Act I: 9. Final (La Fée des lilas paraît) | London Symphony Orchestra, Pierre Monteux | — | |
| 14-11 | The Sleeping Beauty, op. 66, TH.13: Act II: 13a. Farandole: Scène | London Symphony Orchestra, Pierre Monteux | — | |
| 14-12 | The Sleeping Beauty, op. 66, TH.13: Act II: 17. Panorama (Andantino) | London Symphony Orchestra, Pierre Monteux | — | |
| 14-13 | The Sleeping Beauty, op. 66, TH.13: Act III: 22. Polacca (Allegro moderato) | London Symphony Orchestra, Pierre Monteux | — | |
| 14-14 | The Sleeping Beauty, op. 66, TH.13: Act III: 23a. Pas de quatre: Intrada (Allegro non tanto) | London Symphony Orchestra, Pierre Monteux | — | |
| 14-15 | The Sleeping Beauty, op. 66, TH.13: Act III: 23c. Pas de quatre: Variation II (Polka)(Silver Fairy) | London Symphony Orchestra, Pierre Monteux | — | |
| 14-16 | The Sleeping Beauty, op. 66, TH.13: Act III: 23e. Pas de quatre: Variation IV (Diamond Fairy) | London Symphony Orchestra, Pierre Monteux | — | |
| 14-17 | The Sleeping Beauty, op. 66, TH.13: Act III: 23f. Pas de quatre: Coda | London Symphony Orchestra, Pierre Monteux | — | |
| 14-18 | The Sleeping Beauty, op. 66, TH.13: Act III: 25a. Pas de quatre: Adagio | London Symphony Orchestra, Pierre Monteux | T-922.332.148-0 | |
| 14-19 | The Sleeping Beauty, op. 66, TH.13: Act III: 25b. Pas de quatre: Variation 1: Cinderella & Fortune | London Symphony Orchestra, Pierre Monteux | — | |
| 14-20 | The Sleeping Beauty, op. 66, TH.13: Act III: 25c: Pas de quatre: Variation 2: The Bluebird & Princess Florine | London Symphony Orchestra, Pierre Monteux | — | |
| 14-21 | The Sleeping Beauty, op. 66, TH.13: Act III: 25d: Pas de quatre – Coda | London Symphony Orchestra, Pierre Monteux | — | |
| 14-22 | The Sleeping Beauty, op. 66, TH.13: Act III: 26: Pas de caractère – Red Riding Hood & The Wolf | London Symphony Orchestra, Pierre Monteux | — | |
| 14-23 | The Sleeping Beauty, op. 66, TH.13: Act III: 28b: Pas de deux – Adagio | London Symphony Orchestra, Pierre Monteux | — | |
| 14-24 | The Sleeping Beauty, op. 66, TH.13: Act III: 28e: Pas de deux – Coda | London Symphony Orchestra, Pierre Monteux | — | |
| 14-25 | The Sleeping Beauty, op. 66, TH.13: Act III: 30: Finale – Allegro Brillante (Mazurka) | London Symphony Orchestra, Pierre Monteux | — | |
| 14-26 | The Sleeping Beauty, op. 66, TH.13: Act III: 30b: Finale – Apotheosis | London Symphony Orchestra, Pierre Monteux | — | |
| 15-1 | Swan Lake, Op. 20, Act I: No. 1 Scène: Allegro giusto | London Symphony Orchestra, Pierre Monteux | — | |
| 15-2 | Swan Lake, Op. 20, Act I: No. 2 Waltz: Tempo di valse | London Symphony Orchestra, Pierre Monteux | — | |
| 15-3 | Swan Lake: Act I. no. 3. Scène / no. 8. Danse des coupes | London Symphony Orchestra, Pierre Monteux | — | |
| 15-4 | Swan Lake: Scene No. 10 (Anna Karenina) | London Symphony Orchestra, Pierre Monteux | — | |
| 15-5 | Swan Lake, op. 20, TH.12: Act II: No. 13a Danse des cygnes: Valse | London Symphony Orchestra, Pierre Monteux | — | |
| 15-6 | Swan Lake: Act II. no. 13e. Pas d'action: Odette et le prince | Hugh Maguire, London Symphony Orchestra, Pierre Monteux | — | |
| 15-7 | Swan Lake: Act II. no. 13d. Danse des (petits) cygnes | London Symphony Orchestra, Pierre Monteux | — | |
| 15-8 | Swan Lake, op. 20, TH.12: Act II: No. 13g Danse des cygnes: Coda (Allegro vivace) | London Symphony Orchestra, Pierre Monteux | — | |
| 15-9 | Swan Lake, Op. 20, Act III: No. 17 Entrance of the Guests and Waltz: Allegro, Tempo di valse | London Symphony Orchestra, Pierre Monteux | — | |
| 15-10 | Swan Lake: Act III. no. 21. Danse espagnole | London Symphony Orchestra, Pierre Monteux | — | |
| 15-11 | Swan Lake: Act III. no. 20. Danse hongroise | London Symphony Orchestra, Pierre Monteux | — | |
| 15-12 | Swan Lake, op. 20, TH.12: Act III: No. 23 Mazurka | London Symphony Orchestra, Pierre Monteux | — | |
| 15-13 | Swan Lake: Act III. no. 5. Pas de deux | Hugh Maguire, London Symphony Orchestra, Pierre Monteux | — | |
| 15-14 | Swan Lake: Act IV. no. 27. Danses des petits cygnes | London Symphony Orchestra, Pierre Monteux | — | |
| 15-15 | Swan Lake: Act IV. no. 29. Scène finale | London Symphony Orchestra, Pierre Monteux | — | |
| 16-1 | Scheherazade, op. 35: The Sea and Sinbad’s Ship | — | ||
| 16-2 | Scheherazade, op. 35: The Story of the Kalendar Prince | — | ||
| 16-3 | Scheherazade, op. 35: The Young Prince and the Young Princess | — | ||
| 16-4 | Scheherazade, op. 35: Festival at Baghdad – The Sea – Shipwreck | — | ||
| 16-5 | The Firebird: Introduction | Paris Concervatoire Orchestra, Pierre Monteux | T-901.571.571-6 | |
| 16-6 | The Firebird: Dance of the Firebird | Paris Concervatoire Orchestra, Pierre Monteux | — | |
| 16-7 | The Firebird: Round Dance of the Princess | Paris Concervatoire Orchestra, Pierre Monteux | — | |
| 16-8 | The Firebird: Infernal Dance of King Katchei | Paris Concervatoire Orchestra, Pierre Monteux | — | |
| 16-9 | The Firebird: Berceuse | Paris Concervatoire Orchestra, Pierre Monteux | — | |
| 16-10 | The Firebird: Finale | Paris Concervatoire Orchestra, Pierre Monteux | T-073.071.144-0 | |
| 17-1 | Petrushka, 1st Tableau: The Shrovetide Fair | Julius Katchen, Paris Conservatoire Orchestra, Pierre Monteux | — | |
| 17-2 | Petrushka, 2nd Tableau: In Petruschka's Room | Julius Katchen, Paris Conservatoire Orchestra, Pierre Monteux | — | |
| 17-3 | Petrushka, 3rd Tableau: In the Moor's Room | Julius Katchen, Paris Conservatoire Orchestra, Pierre Monteux | — | |
| 17-4 | Petrushka, 4th Tableau: The Shrovetide Fair (Evening) | Julius Katchen, Paris Conservatoire Orchestra, Pierre Monteux | — | |
| 17-5 | Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-6 | Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-7 | Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-8 | Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-9 | Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-10 | Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-11 | Le Sacre du printemps : Première partie : L’Adoration de la terre : Le Sage | — | ||
| 17-12 | Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-13 | Le Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-14 | Le Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-15 | Le Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-16 | Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-17 | Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 17-18 | Le Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue | Orchestre de la Société des Concerts du Conservatoire, Pierre Monteux | — | |
| 18-1 | Prélude à l’apres-midi d’un faune | London Symphony Orchestra, Pierre Monteux | — | |
| 18-2 | Nocturnes: I. Nuages | London Symphony Orchestra, Pierre Monteux | — | |
| 18-3 | Nocturnes: II. Fêtes | London Symphony Orchestra, Pierre Monteux | — | |
| 18-4 | Images: I. Gigues | London Symphony Orchestra, Pierre Monteux | — | |
| 18-5 | Images: II. Iberia: I. Par les rues et par les chemins | London Symphony Orchestra, Pierre Monteux | — | |
| 18-6 | Images for orchestra, L. 122: Iberia, Perfumes of the Night | London Symphony Orchestra, Pierre Monteux | — | |
| 18-7 | Images: II. Iberia: III. Le matin d'un jour de fete | London Symphony Orchestra, Pierre Monteux | — | |
| 18-8 | Images: III. Rondes de printemps | London Symphony Orchestra, Pierre Monteux | — | |
| 18-9 | Le martyre de Saint Sébastien I. La Cour de Lys | London Symphony Orchestra, Pierre Monteux | — | |
| 18-10 | Le martyre de Saint Sébastien II. Danse extatique et Finale du 1er acte | London Symphony Orchestra, Pierre Monteux | — | |
| 18-11 | Le martyre de Saint Sébastien III. La Passion | London Symphony Orchestra, Pierre Monteux | — | |
| 18-12 | Le martyre de Saint Sébastien IV. Le Bon Pasteur | London Symphony Orchestra, Pierre Monteux | — | |
| 19-1 | Daphnis et Chloé, Part I: Introduction et Danse religieuse | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | T-004.014.574-1 | |
| 19-2 | Daphnis et Chloé, Part I: Danse générale | London Symphony Orchestra, Pierre Monteux | T-305.194.628-8 | |
| 19-3 | Daphnis et Chloé, Part I: Danse grotesque de Dorcon | London Symphony Orchestra, Pierre Monteux | T-305.194.628-8 | |
| 19-4 | Daphnis et Chloé, Part I: Danse légère et gracieuse de Daphnis | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | T-003.008.231-5 | |
| 19-5 | Daphnis et Chloé, Part I: Danse de Lycéion | London Symphony Orchestra, Pierre Monteux | T-003.008.231-5 | |
| 19-6 | Daphnis et Chloé, Part I: Danse lente et mystérieuse des Nymphes | London Symphony Orchestra, Pierre Monteux | T-003.008.231-5 | |
| 19-7 | Daphnis et Chloé, Part II: Introduction | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | T-003.008.231-5 | |
| 19-8 | Daphnis et Chloé, Part II: Danse guerrière | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | T-003.008.231-5 | |
| 19-9 | Daphnis et Chloé, Part II: Danse suppliante de Chloé | London Symphony Orchestra, Pierre Monteux | T-003.008.231-5 | |
| 19-10 | Daphnis et Chloé, Part III: Lever du jour | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | — | |
| 19-11 | Daphnis et Chloé, Part III: Pantomime | London Symphony Orchestra, Pierre Monteux | T-003.008.231-5 | |
| 19-12 | Daphnis et Chloé, Part III: Danse générale | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | T-003.008.231-5 | |
| 19-13 | Rapsodie espagnole : I. Prélude à la nuit | London Symphony Orchestra, Pierre Monteux | T-003.015.127-9 | |
| 19-14 | Rapsodie espagnole : II. Malagueña | London Symphony Orchestra, Pierre Monteux | T-003.015.127-9 | |
| 19-15 | Rapsodie espagnole : III. Habañera | London Symphony Orchestra, Pierre Monteux | T-003.015.127-9 | |
| 19-16 | Rapsodie espagnole : IV. Feria | London Symphony Orchestra, Pierre Monteux | T-003.015.127-9 | |
| 19-17 | Pavane pour une infante défunte | London Symphony Orchestra, Pierre Monteux | T-003.013.767-7 | |
| 20-1 | Boléro | London Symphony Orchestra, Pierre Monteux | T-003.006.377-4 | |
| 20-2 | La Valse | London Symphony Orchestra, Pierre Monteux | T-305.194.234-4 | |
| 20-3 | Ma mère l’Oye : Prélude | London Symphony Orchestra, Pierre Monteux | T-900.798.614-3 | |
| 20-4 | Ma mère l’Oye : 1. Danse du rouet et scène – Interlude | London Symphony Orchestra, Pierre Monteux | T-305.194.387-0 | |
| 20-5 | Ma mère l’Oye : 2. Pavane de la Belle au bois dormant | London Symphony Orchestra, Pierre Monteux | — | |
| 20-6 | Ma mère l’Oye : Interlude I | London Symphony Orchestra, Pierre Monteux | — | |
| 20-7 | Ma mère l’Oye : 3. Les entretiens de la Belle et de la Bête | London Symphony Orchestra, Pierre Monteux | — | |
| 20-8 | Ma mère l’Oye : Interlude II | London Symphony Orchestra, Pierre Monteux | — | |
| 20-9 | Ma mère l’Oye : 4. Petit Poucet | London Symphony Orchestra, Pierre Monteux | T-931.938.780-9 | |
| 20-10 | Ma mère l’Oye : Interlude III | London Symphony Orchestra, Pierre Monteux | — | |
| 20-11 | Ma mère l’Oye : 5. Laideronnette, impératrice des pagodes | London Symphony Orchestra, Pierre Monteux | — | |
| 20-12 | Ma mère l’Oye : Interlude IV | London Symphony Orchestra, Pierre Monteux | T-310.755.127-5 | |
| 20-13 | Ma mère l’Oye : 6. Apothèose : Le jardin féerique | London Symphony Orchestra, Pierre Monteux | — | |
| 21-1 | Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro | London Symphony Orchestra, Pierre Monteux | — | |
| 21-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Andante sostenuto | London Symphony Orchestra, Pierre Monteux | — | |
| 21-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Largamente | London Symphony Orchestra, Pierre Monteux | — | |
| 21-4 | Symphony no. 2 in D major, op. 43: IV. Finale (Allegro moderato) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-5 | Enigma Variations: Theme (Andante) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-6 | Enigma Variations: C.A.E. (Andante) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-7 | Enigma Variations: H.D.S.‐P (Allegro) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-8 | Enigma Variations: R.B.T. (Allegretto) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-9 | Enigma Variations: W.M.B. (Allegro di Molto) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-10 | Enigma Variations: R.P.A. (Moderato) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-11 | Enigma Variations: Ysobel (Andantino) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-12 | Enigma Variations: Troyte (Presto) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-13 | Enigma Variations: W.N. (Allegretto) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-14 | Enigma Variations: Nimrod (Adagio) | London Symphony Orchestra, Pierre Monteux | T-010.115.427-1 | |
| 21-15 | Enigma Variations: Dorabella: Intermezzo (Allegretto) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-16 | Enigma Variations: G.R.S. (Allegro di Molto) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-17 | Enigma Variations: B.G.N. (Andante) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-18 | Enigma Variations: *** Romanza (Moderato) | London Symphony Orchestra, Pierre Monteux | — | |
| 21-19 | Enigma Variations: E.D.U. Finale (Allegro) | London Symphony Orchestra, Pierre Monteux | — | |
| 22-1 | Orchestral Suite No. 2 In B Minor, BWV 1067: 1. Ouverture | Claude Monteux, London Symphony Orchestra, Pierre Monteux | — | |
| 22-2 | Orchestral Suite No. 2 In B Minor, BWV 1067: 2. Rondeau | Claude Monteux, London Symphony Orchestra, Pierre Monteux | — | |
| 22-3 | Orchestral Suite No. 2 In B Minor, BWV 1067: 3. Sarabande | Claude Monteux, London Symphony Orchestra, Pierre Monteux | — | |
| 22-4 | Orchestral Suite No. 2 In B Minor, BWV 1067: 4. Bourrée I-II | Claude Monteux, London Symphony Orchestra, Pierre Monteux | T-929.302.990-0 | |
| 22-5 | Orchestral Suite No. 2 In B Minor, BWV 1067: 6. Polonaise | Claude Monteux, London Symphony Orchestra, Pierre Monteux | — | |
| 22-6 | Orchestral Suite No. 2 In B Minor, BWV 1067: 7. Menuet | Claude Monteux, London Symphony Orchestra, Pierre Monteux | T-011.654.484-3 | |
| 22-7 | Orchestral Suite no. 2 in B minor, BWV 1067: Badinerie | Claude Monteux, London Symphony Orchestra, Pierre Monteux | T-011.654.484-3 | |
| 22-8 | Dance of Blessed Spirits From Orfeo ed Euridice | Claude Monteux, London Symphony Orchestra, Pierre Monteux | — | |
| 22-9 | Flute Concerto No.2 In D, K.314: 1. Allegro Aperto | Claude Monteux, London Symphony Orchestra, Pierre Monteux | — | |
| 22-10 | Flute Concerto No.2 In D, K.314: 2. Andante Ma Non Troppo | Claude Monteux, London Symphony Orchestra, Pierre Monteux | — | |
| 22-11 | Flute Concerto No.2 In D, K.314: 3. Allegro | Claude Monteux, London Symphony Orchestra, Pierre Monteux | — | |
| 23-1 | Boléro | London Symphony Orchestra, Pierre Monteux | — | |
| 23-2 | La Valse | London Symphony Orchestra, Pierre Monteux | — | |
| 23-3 | Pavane pour une infante défunte | — | ||
| 24-1 | Symphony no. 3 in E flat major op. 55 'Eroica' ii Marcia funèbre, Adagio assai (rehearsal) | — | ||
| 24-2 | Symphony No. 9 Rehearsal Sketch: Rehearsal 1 | Elisabeth Söderström, Regina Resnik, Jon Vickers, David Ward, London Bach Choir, London Symphony Orchestra, Pierre Monteux | — | |
| 24-3 | Symphony No. 9 Rehearsal Sketch: Rehearsal 2 | Elisabeth Söderström, Regina Resnik, Jon Vickers, David Ward, London Bach Choir, London Symphony Orchestra, Pierre Monteux | — | |
| 24-4 | Symphony No. 9 Rehearsal Sketch: Rehearsal 3 | Elisabeth Söderström, Regina Resnik, Jon Vickers, David Ward, London Bach Choir, London Symphony Orchestra, Pierre Monteux | — | |
| 24-5 | Daphnis et Chloe (rehearsal) | — | ||
| 24-6 | La Marseillaise | London Symphony Orchestra, Pierre Monteux | T-301.249.916-6 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| La Marseillaise | London Symphony Orchestra, Pierre Monteux | — |
| Prélude à l’apres-midi d’un faune | London Symphony Orchestra, Pierre Monteux | — |
| Ma mère l’Oye : Prélude | London Symphony Orchestra, Pierre Monteux | — |
| Ma mère l’Oye : 1. Danse du rouet et scène – Interlude | London Symphony Orchestra, Pierre Monteux | — |
| Ma mère l’Oye : 2. Pavane de la Belle au bois dormant | London Symphony Orchestra, Pierre Monteux | — |
| Ma mère l’Oye : Interlude I | London Symphony Orchestra, Pierre Monteux | — |
| Ma mère l’Oye : 3. Les entretiens de la Belle et de la Bête | London Symphony Orchestra, Pierre Monteux | — |
| Ma mère l’Oye : Interlude II | London Symphony Orchestra, Pierre Monteux | — |
| Ma mère l’Oye : 4. Petit Poucet | London Symphony Orchestra, Pierre Monteux | — |
| Ma mère l’Oye : Interlude III | London Symphony Orchestra, Pierre Monteux | — |
| Ma mère l’Oye : 5. Laideronnette, impératrice des pagodes | London Symphony Orchestra, Pierre Monteux | — |
| Ma mère l’Oye : Interlude IV | London Symphony Orchestra, Pierre Monteux | — |
| Ma mère l’Oye : 6. Apothèose : Le jardin féerique | London Symphony Orchestra, Pierre Monteux | — |
