UPC · Release
The Complete Deutsche Grammophon Recordings
Gil Shaham
028948363346
232 tracksReleased 2019-01-01Deutsche Grammophon
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028948363346 is the Universal Product Code (UPC barcode) for the release “The Complete Deutsche Grammophon Recordings” by Gil Shaham, released 2019-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 232 tracks, each with its own ISRC. Tracks include DEF059303141, DEF059303142, DEF059303143.
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UPCThe Complete Deutsche Grammophon Recordings
ISRC110 recordings
ISWC16 works
IPI4 songwriters
Track List (232)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Concerto, op. 14: I. Allegro | Gil Shaham, London Symphony Orchestra, André Previn | T-070.160.313-5 | |
| 2 | Violin Concerto, op. 14: II. Andante | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 3 | Violin Concerto, op. 14: III. Presto in moto perpetuo | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 4 | Violin Concerto in D major, op. 35: I. Moderato nobile | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 5 | Violin Concerto in D major, op. 35: II. Romance: Andante | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 6 | Violin Concerto in D major, op. 35: III. Finale: Allegro assai vivace | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 7 | Much Ado about Nothing, op. 11: I. The Maiden in the Bridal Chamber: Lento - Molto moderato, with charm and grace | Gil Shaham, André Previn | — | |
| 8 | Much Ado about Nothing, op. 11: II. Dogberry and Verges. March of the Watch: In the tempo of a grotesque funeral march | Gil Shaham, André Previn | — | |
| 9 | Much Ado about Nothing, op. 11: III. Scene in the Garden: Molto espressivo (broad, but not too slow) | Gil Shaham, André Previn | — | |
| 10 | Much Ado about Nothing, op. 11: IV. Masquerade: Hornpipe: Animato | Gil Shaham, André Previn | T-902.876.200-7 | |
| 2-1 | Concerto for Violin and Orchestra no. 2, Sz. 112: I. Allegro non troppo | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — | |
| 2-2 | Concerto for Violin and Orchestra no. 2, Sz. 112: II. Andante tranquillo | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — | |
| 2-3 | Concerto for Violin and Orchestra no. 2, Sz. 112: III. Allegro molto | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — | |
| 2-4 | Rhapsody for Violin and Orchestra no. 1, Sz.87: I. Lassú: Moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — | |
| 2-5 | Rhapsody for Violin and Orchestra no. 1, Sz.87: II. Friss: Allegretto moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — | |
| 2-6 | Rhapsody for Violin and Orchestra no. 2, Sz. 90: I. Lassú: Moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — | |
| 2-7 | Rhapsody for Violin and Orchestra no. 2, Sz. 90: II. Friss: Allegro moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — | |
| 3-1 | Violin Concerto in D major, op. 77: I. Allegro non troppo | — | ||
| 3-2 | Violin Concerto in D major, op. 77: II. Adagio | — | ||
| 3-3 | Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace – Poco più presto | — | ||
| 3-4 | Double Concerto in A minor, op. 102: I. Allegro | — | ||
| 3-5 | Double Concerto in A minor, op. 102: II. Andante | — | ||
| 3-6 | Double Concerto in A minor, op. 102: III. Vivace non troppo – Poco meno allegro – Tempo I | — | ||
| 4-1 | Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato - Attacca | — | ||
| 4-2 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio | — | ||
| 4-3 | Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico - Presto | — | ||
| 4-4 | Violin Concerto no. 1 in E minor, op. 64: I. Allegro molto appassionato | — | ||
| 4-5 | Violin Concerto no. 1 in E minor, op. 64: II. Andante | — | ||
| 4-6 | Violin Concerto no. 1 in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 5-1 | Sonata in F major, op. 57 (B. 106): 1. Allegro, ma non troppo | Gil Shaham, Orli Shaham | — | |
| 5-2 | Sonata in F major, op. 57 (B. 106): 2. Poco sostenuto | Gil Shaham, Orli Shaham | T-902.798.523-5 | |
| 5-3 | Sonata in F major, op. 57 (B. 106): 3. Allegro molto | Gil Shaham, Orli Shaham | — | |
| 5-4 | Romantic Pieces, op. 75 (B. 150): 1. Allegro moderato | Gil Shaham, Orli Shaham | — | |
| 5-5 | Romantic Pieces, op. 75 (B. 150): 2. Allegro maestoso | Gil Shaham, Orli Shaham | — | |
| 5-6 | Romantic Pieces, op. 75 (B. 150): 3. Allegro appassionato | Gil Shaham, Orli Shaham | — | |
| 5-7 | Romantic Pieces, op. 75 (B. 150): 4. Larghetto | Gil Shaham, Orli Shaham | — | |
| 5-8 | Sonatina in G major, op. 100 (B. 183): 1. Allegro risoluto | Gil Shaham, Orli Shaham | — | |
| 5-9 | Sonatina in G major, op. 100 (B. 183): 2. Larghetto – Poco più mosso – Meno mosso, Tempo I | Gil Shaham, Orli Shaham | — | |
| 5-10 | Sonatina in G major, op. 100 (B. 183): 3. Scherzo: Molto vivace – Trio | Gil Shaham, Orli Shaham | — | |
| 5-11 | Sonatina in G major, op. 100 (B. 183): 4. Finale: Allegro – Molto tranquillo – Tempo I | Gil Shaham, Orli Shaham | T-003.055.867-8 | |
| 6-1 | Violin Concerto in A minor, Op. 82: I. Moderato | — | ||
| 6-2 | Violin Concerto in A minor, Op. 82: II. Andante | — | ||
| 6-3 | Violin Concerto in A minor, Op. 82: III. Allegro | — | ||
| 6-4 | Violin Concerto in C major, op. 48: I. Allegro molto e con brio | — | ||
| 6-5 | Violin Concerto in C major, op. 48: II. Andantino cantabile | — | ||
| 6-6 | Violin Concerto in C major, op. 48: III. Vivace giocoso | — | ||
| 6-7 | Souvenir d'un lieu cher, Op. 42: I. Méditation in D minor | — | ||
| 6-8 | Souvenir d'un lieu cher, Op. 42: II. Scherzo in C minor | — | ||
| 6-9 | Souvenir d'un lieu cher, Op. 42: III. Mélodie in E-flat | — | ||
| 6-10 | Valse-Scherzo in C major, Op. 34 | — | ||
| 7-1 | Quatuor pour la fin du temps: I. Liturgie de cristal | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 7-2 | Quatuor pour la fin du temps: II. Vocalise, pour l'Ange qui annonce la fin du temps | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 7-3 | Quatuor pour la fin du temps: III. Abîme des oiseaux | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 7-4 | Quatuor pour la fin du temps: IV. Intermède | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 7-5 | Quatuor pour la fin du temps: V. Louange à l'Eternité de Jésus | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 7-6 | Quatuor pour la fin du temps: VI. Danse de la fureur, pour les sept trompettes | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 7-7 | Quatuor pour la fin du temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui announce la fin du temps | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 7-8 | Quatuor pour la fin du temps: VIII. Lourange à l'Immortalité de Jésus | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 8-1 | Violin Concerto no. 1 in D, op. 6: I. Allegro maestoso | — | ||
| 8-2 | Violin Concerto no. 1 in D, op. 6: II. Adagio | — | ||
| 8-3 | Violin Concerto no. 1 in D, op. 6: III. Rondo. Allegro spirituoso | — | ||
| 8-4 | Violin Concerto no. 3 in B minor, op. 61: I. Allegro non troppo | — | ||
| 8-5 | Violin Concerto no. 3 in B minor, op. 61: II. Andantino quasi allegretto | — | ||
| 8-6 | Violin Concerto no. 3 in B minor, op. 61: III. Molto moderato e maestoso | — | ||
| 9-1 | Sonata concertata per chitarra e violino in A major, M.S. 2: II. Adagio, assai espressivo | Gil Shaham, Göran Söllscher | — | |
| 9-2 | Sonata concertata per chitarra e violino in A major, M.S. 2: II. Adagio, assai espressivo | Gil Shaham, Göran Söllscher | — | |
| 9-3 | Sonata concertata per chitarra e violino in A major, M.S. 2: II. Adagio, assai espressivo | Gil Shaham, Göran Söllscher | — | |
| 9-4 | Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 1: I. Larghetto | Gil Shaham, Göran Söllscher | — | |
| 9-5 | Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 1: I. Larghetto | Gil Shaham, Göran Söllscher | — | |
| 9-6 | Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 4: II. Allegretto | Gil Shaham, Göran Söllscher | — | |
| 9-7 | Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 4: II. Allegretto | Gil Shaham, Göran Söllscher | — | |
| 9-8 | Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 6 in E minor: I. Andante | Gil Shaham, Göran Söllscher | — | |
| 9-9 | Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 6 in E minor: I. Andante | Gil Shaham, Göran Söllscher | — | |
| 9-10 | Grand sonata per chitarra e violino in A major, M.S. 109: Romance - Più tosto Largo, Amorosamente [excerpt] | Gil Shaham, Göran Söllscher | — | |
| 9-11 | Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 2 in D major: II. Rondoncino. Andantino, Tempo di polacca - minore | Gil Shaham, Göran Söllscher | — | |
| 9-12 | Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 2 in D major: II. Rondoncino. Andantino, Tempo di polacca - minore | Gil Shaham, Göran Söllscher | — | |
| 9-13 | Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 4 in A major: II. Rondo. Andantino. Allegretto - minore - maggiore | Gil Shaham, Göran Söllscher | — | |
| 9-14 | Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 4 in A major: II. Rondo. Andantino. Allegretto - minore - maggiore | Gil Shaham, Göran Söllscher | — | |
| 9-15 | Cantabile per violino e chitarra (pianoforte) in D major, M.S. 109 | Gil Shaham, Göran Söllscher | — | |
| 10-1 | Fratres (for violin, string orchestra, and percussion) | — | ||
| 10-2 | Tabula Rasa: I. Ludus: Con moto | — | ||
| 10-3 | Tabula Rasa: II. Silentium: Senza moto | — | ||
| 10-4 | Symphony no. 3: I. Attacca | Göteborgs Symfoniker, Neeme Järvi | — | |
| 10-5 | Symphony no. 3: II. Più mosso – attacca | Göteborgs Symfoniker, Neeme Järvi | — | |
| 10-6 | Symphony no. 3: III. Alla breve | Göteborgs Symfoniker, Neeme Järvi | — | |
| 11-1 | Concerto for Violin no. 1, op. 19: I. Andantino | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 11-2 | Concerto for Violin no. 1, op. 19: II. Scherzo: Vivacissimo | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 11-3 | Concerto for Violin no. 1, op. 19: III. Moderato | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 11-4 | Concerto for Violin no. 2, op. 63: I. Allegro moderato | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 11-5 | Concerto for Violin no. 2, op. 63: II. Andante assai | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 11-6 | Concerto for Violin no. 2, op. 63: III. Allegro, ben marcato | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 11-7 | Sonata for Solo Violin, op. 115: I. Moderato | Gil Shaham | — | |
| 11-8 | Sonata for Solo Violin, op. 115: II. Andante dolce | Gil Shaham | — | |
| 11-9 | Sonata for Solo Violin, op. 115: III. Con brio | Gil Shaham | — | |
| 12-1 | Sonata for Violin and Piano no. 1, op. 75: I. Allegro agitato - Adagio | — | ||
| 12-2 | Sonata for Violin and Piano no. 1, op. 75: II. Allegretto moderato - Allegro molto | — | ||
| 12-3 | Sonata for Violin and Piano in A major: I. Allegretto moderato | — | ||
| 12-4 | Sonata for Violin and Piano in A major: II. Allegro | — | ||
| 12-5 | Sonata for Violin and Piano in A major: III. Recitative - Fantasia. Ben moderato | — | ||
| 12-6 | Sonata for Violin and Piano in A major: IV. Allegretto poco mosso | — | ||
| 12-7 | Tzigane | Gil Shaham, Gerhard Oppitz | T-070.136.799-8 | |
| 13-1 | Sonata D 384: I. Allegro molto | — | ||
| 13-2 | Sonata D 384: II. Andante | — | ||
| 13-3 | Sonata D 384: III. Allegro vivace | — | ||
| 13-4 | Moment musical D 780 no. 3 | — | ||
| 13-5 | Ständchen (Serenade) D 957 no. 4 | — | ||
| 13-6 | Valse noble D 969 no. 4 | — | ||
| 13-7 | Ländler D 790 no. 3 | — | ||
| 13-8 | Valse (Ländler) D 146 no. 12 | — | ||
| 13-9 | Valse noble D 969 no. 3 | — | ||
| 13-10 | German Dance D 783 no. 10 | — | ||
| 13-11 | Sonata D 821 “Arpeggione”: I. Allegro moderato | — | ||
| 13-12 | Sonata D 821 “Arpeggione”: II. Adagio | — | ||
| 13-13 | Sonata D 821 “Arpeggione”: III. Allegretto | — | ||
| 13-14 | Valse D 365 no. 36 | — | ||
| 13-15 | German Dance D 783 no. 2 | — | ||
| 13-16 | Valse D 365 no. 2 | — | ||
| 13-17 | 15 Original from D 365: No. 1 | — | ||
| 13-18 | 15 Original from D 365: No. 19 | — | ||
| 13-19 | 15 Original from D 365: No. 20 | — | ||
| 13-20 | 15 Original from D 365: No. 21 | — | ||
| 13-21 | 15 Original from D 365: No. 6 | — | ||
| 13-22 | 15 Original from D 365: No. 2 | — | ||
| 13-23 | 15 Original from D 365: No. 3 | — | ||
| 13-24 | 15 Original from D 365: No. 4 | — | ||
| 13-25 | 15 Original from D 365: No. 16 | — | ||
| 13-26 | 15 Original from D 365: No. 23 | — | ||
| 13-27 | 15 Original from D 365: No. 7 | — | ||
| 13-28 | 15 Original from D 365: No. 11 | — | ||
| 13-29 | 15 Original from D 365: No. 12 | — | ||
| 13-30 | 15 Original from D 365: No. 9 | — | ||
| 13-31 | 15 Original from D 365: No. 10 | — | ||
| 13-32 | Ave Maria (Ellen's Song III) D 839 | — | ||
| 14-1 | Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto | Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 14-2 | Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto | Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 14-3 | Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto | Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 14-4 | Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo | Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 14-5 | Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo | Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 14-6 | Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo | Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 15-1 | Sonata for Violin and Piano in E flat, Op. 18: 1. Allegro ma non troppo | — | ||
| 15-2 | Sonata for Violin and Piano in E flat, Op. 18: 2. Improvisation (Andante cantabile) | — | ||
| 15-3 | Sonata for Violin and Piano in E flat, Op. 18: 3. Finale (Andante‐Allegro) | — | ||
| 15-4 | 3 Romances, Op. 94: No. 2 Einfach, innig | — | ||
| 15-5 | 24 Caprices for Violin, Op. 1 - transcribed for violin and piano by Robert Schumann: No. 1 in E flat major | — | ||
| 15-6 | Tempo di menuetto (in the style of Pugnani) | — | ||
| 15-7 | 3 Old Viennese Dances: 2. Liebesleid | — | ||
| 15-8 | La Capricieuse, Op. 17 | — | ||
| 15-9 | Carmen Fantasy, Op. 25: Introduction. Allegro moderato | — | ||
| 15-10 | Carmen Fantasy, Op. 25: 1. Moderato | — | ||
| 15-11 | Carmen Fantasy, Op. 25: 2. Lento assai | — | ||
| 15-12 | Carmen Fantasy, Op. 25: 3. Allegro moderato | — | ||
| 15-13 | Carmen Fantasy, Op. 25: 4. Moderato | — | ||
| 16-1 | Les Quatre Saisons : « Le Printemps » : Allegro | Gil Shaham, Orpheus Chamber Orchestra | T-911.640.004-5 | |
| 16-2 | Concerto in E major "Spring", RV 269: II. Largo e pianissimo sempre | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-3 | Concerto in E major "Spring", RV 269: III. Danza pastorale - Allegro | Gil Shaham, Orpheus Chamber Orchestra | T-902.836.120-8 | |
| 16-4 | Concerto in G minor "Summer ", RV 315: I. Allegro non molto | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-5 | Concerto in G minor "Summer ", RV 315: II. Adagio - Presto | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-6 | Concerto in G minor "Summer ", RV 315: III. Presto | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-7 | Concerto in F major "Autumn", RV 293: I. Allegro | Gil Shaham, Orpheus Chamber Orchestra | T-911.640.004-5 | |
| 16-8 | Violin Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio molto | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-9 | Concerto in F major "Autumn", RV 293: III. Allegro | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-10 | Concerto in F minor "Winter", RV 297: I. Allegro non molto | Gil Shaham, Orpheus Chamber Orchestra | T-910.793.958-2 | |
| 16-11 | Violin Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-12 | Concerto in F minor "Winter", RV 297: III. Allegro | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-13 | Concerto for Violin in the Style of Vivaldi in C major: I. Allegro moderato e maestoso | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-14 | Concerto for Violin in the Style of Vivaldi in C major: II. Andante doloroso | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-15 | Concerto for Violin in the Style of Vivaldi in C major: III. Allegro assai | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 17-1 | Concerto for Violin and Orchestra No. 1 in F-sharp minor, Op. 14: I. Allegro moderato | — | ||
| 17-2 | Concerto for Violin and Orchestra No. 1 in F-sharp minor, Op. 14: II. Preghiera. Larghetto | — | ||
| 17-3 | Concerto for Violin and Orchestra No. 1 in F-sharp minor, Op. 14: III. Rondo. Allegro giocoso | — | ||
| 17-4 | Concerto for Violin and Orchestra No. 2 in D minor, Op. 22: I. Allegro moderato | — | ||
| 17-5 | Concerto for Violin and Orchestra No. 2 in D minor, Op. 22: II. Romance. Andante non troppo | — | ||
| 17-6 | Concerto for Violin and Orchestra No. 2 in D minor, Op. 22: III. Allegro con fuoco-Allegro moderato (à la Zingara) | — | ||
| 17-7 | Legende, Op. 17: Andante. Allegro moderato. Tempo I | — | ||
| 17-8 | Zigeunerweisen, Op. 20: Moderato. Lento. Un peu plus lent. Allegro molto vivace | — | ||
| 17-9 | Concert Fantasy on Themes From Bizet's Carmen, op. 25 | — | ||
| 18-1 | TreeSong: Dreamly. "Doctor Hu and the Metasequoia" | Gil Shaham, Boston Symphony Orchestra, John Williams | — | |
| 18-2 | TreeSong: Twice as fast - Deciso. "Trunks, Branches and Leaves" | Gil Shaham, Boston Symphony Orchestra, John Williams | — | |
| 18-3 | TreeSong: Tempo primo. "The Tree Sings" | Gil Shaham, Boston Symphony Orchestra, John Williams | — | |
| 18-4 | Concerto for Violin and Orchestra: Moderato | Gil Shaham, Boston Symphony Orchestra, John Williams | — | |
| 18-5 | Concerto for Violin and Orchestra: Slowly (in peaceful contemplation) | Gil Shaham, Boston Symphony Orchestra, John Williams | — | |
| 18-6 | Concerto for Violin and Orchestra: Broadly (Maestoso) - Quickly | Gil Shaham, Boston Symphony Orchestra, John Williams | — | |
| 18-7 | Three Pieces from Schindler's List: Theme. Lente | Gil Shaham, Boston Symphony Orchestra, John Williams | T-700.121.101-6 | |
| 18-8 | Three Pieces from Schindler's List: Jewish Town (Kraków Ghetto - Winter '41). Andante | Gil Shaham, Boston Symphony Orchestra, John Williams | T-904.475.811-4 | |
| 18-9 | Three Pieces from Schindler's List: Remembrances. Andante | Gil Shaham, Boston Symphony Orchestra, John Williams | T-904.475.811-4 | |
| 19-1 | Prelude no. 1 in B-flat major: Allegro ben ritmato e deciso (arr. violin & piano: Jascha Heifetz) | — | ||
| 19-2 | Prelude no. 2 in C-sharp minor: Andante con moto e poco rubato (arr. violin & piano: Jascha Heifetz) | — | ||
| 19-3 | Prelude no. 3 in E-flat minor: Allegro ben ritmato e deciso (arr. violin & piano: Jascha Heifetz) | — | ||
| 19-4 | Two pieces for violin & piano, no. 1: Nocturne | — | ||
| 19-5 | Sonata for violin & piano "Vineyard": I. Flowing and Calm | — | ||
| 19-6 | Sonata for violin & piano "Vineyard": II. Slowly - Fast, shadowy - Tempo I | — | ||
| 19-7 | Sonata for violin & piano "Vineyard": III. Fast and Brilliant - Waltz Tempo - Slowly - Tempo ad lib - quasi cadenza (Slowly, gradually faster) - Tempo primo | — | ||
| 19-8 | Sonata for violin & piano: I. Andante semplice - Allegro - Più mosso - Tempo II - Twice as slow (Tempo I) | — | ||
| 19-9 | Sonata for violin & piano: II. Lento - Poco più mosso - Tempo I | — | ||
| 19-10 | Sonata for violin & piano: III. Allegretto giusto - Presto - Twice as slow - Tempo I - Presto - Molto allargando (Twice as slow) - Tempo of Mov. I (Andante) | — | ||
| 19-11 | Canzone for violin & piano: Moderato | — | ||
| 20-1 | The Barber of Seville: Paraphrase on “Largo al factotum” | — | ||
| 20-2 | The Magic Flute: Fantaisie | — | ||
| 20-3 | Orphée et Euridice: Mélodie (Dance of the Blessed Spirits) | — | ||
| 20-4 | Tancredi: I palpiti | — | ||
| 20-5 | The Love for Three Oranges: March | — | ||
| 20-6 | Der Rosenkavalier: Waltzes | — | ||
| 20-7 | Porgy and Bess: “Summertime” | — | ||
| 20-8 | Porgy and Bess: “My Man's Gone Now” | — | ||
| 20-9 | Porgy and Bess: “Bess, You Is My Woman Now” | — | ||
| 20-10 | Porgy and Bess: “It Ain't Necessarily So” | — | ||
| 20-11 | Porgy and Bess: Tempo di Blues | — | ||
| 20-12 | Sadko: Hindoo Song (Song of India) | — | ||
| 20-13 | Carmen: Fantaisie brillante | — | ||
| 21-1 | Devil's Dance from "The Witches of Eastwick" | Jonathan Feldman, Gil Shaham | — | |
| 21-2 | A Transylvanian Lullaby from "Young Frankenstein" | Jonathan Feldman, Gil Shaham | — | |
| 21-3 | Lyric Pieces X, Op. 71 No. 3: Kobold | Jonathan Feldman, Gil Shaham | T-802.456.190-9 | |
| 21-4 | Danse macabre in G minor, Op. 40 | Jonathan Feldman, Gil Shaham | T-003.008.160-7 | |
| 21-5 | Caprice Fantastique (Wichtelmännchen) | Jonathan Feldman, Gil Shaham | — | |
| 21-6 | Walpurgisnacht "Lieb Mutter, heut Nacht...", Op. 75 No. 4 | Jonathan Feldman, Gil Shaham | — | |
| 21-7 | Andres Maienlied "Hexenlied" / "Die Schwalbe fliegt", Op. 8 No. 8 | Jonathan Feldman, Gil Shaham | — | |
| 21-8 | La Ronde des Lutins, scherzo fantastique, Op. 25 | Jonathan Feldman, Gil Shaham | — | |
| 21-9 | The Graceful Ghost | Jonathan Feldman, Gil Shaham | — | |
| 21-10 | Concert Fantasy on themes from Gounod's "Faust" | Jonathan Feldman, Gil Shaham | — | |
| 21-11 | Caprice for Solo Violin in B flat major, Op. 1 No. 13 | Jonathan Feldman, Gil Shaham | — | |
| 21-12 | Sonata in G minor "The Devil's Trill", B. g5 | Jonathan Feldman, Gil Shaham | — | |
| 21-13 | Violin Sonata No. 2 in A minor "Obsession", Op. 27 No. 2: I. Obsession: Prelude | Jonathan Feldman, Gil Shaham | T-901.467.048-5 | |
| 22-1 | Salut d’amour | — | ||
| 22-2 | Schön Rosmarin | — | ||
| 22-3 | Romance in G major | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 22-4 | Liebesfreud | — | ||
| 22-5 | Romance no. 1 in G major, op. 40 | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 22-6 | Romance no. 2 in F major, op. 50 | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 22-7 | Liebesleid | — | ||
| 22-8 | Serenade melancolique in B minor, op. 26 | — | ||
| 22-9 | Romanza Andaluza, op. 22 no. 1 | — | ||
| 22-10 | Romance in F minor, op. 11 | — |
Gil Shaham, London Symphony Orchestra, André Previn
Violin Concerto, op. 14: II. Andante
Gil Shaham, London Symphony Orchestra, André Previn
—
Violin Concerto, op. 14: III. Presto in moto perpetuo
Gil Shaham, London Symphony Orchestra, André Previn
—
Violin Concerto in D major, op. 35: I. Moderato nobile
Gil Shaham, London Symphony Orchestra, André Previn
—
Violin Concerto in D major, op. 35: II. Romance: Andante
Gil Shaham, London Symphony Orchestra, André Previn
—
Violin Concerto in D major, op. 35: III. Finale: Allegro assai vivace
Gil Shaham, London Symphony Orchestra, André Previn
—
Much Ado about Nothing, op. 11: I. The Maiden in the Bridal Chamber: Lento - Molto moderato, with charm and grace
Gil Shaham, André Previn
—
Much Ado about Nothing, op. 11: II. Dogberry and Verges. March of the Watch: In the tempo of a grotesque funeral march
Gil Shaham, André Previn
—
Much Ado about Nothing, op. 11: III. Scene in the Garden: Molto espressivo (broad, but not too slow)
Gil Shaham, André Previn
—
Gil Shaham, André Previn
Concerto for Violin and Orchestra no. 2, Sz. 112: I. Allegro non troppo
Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez
—
Concerto for Violin and Orchestra no. 2, Sz. 112: II. Andante tranquillo
Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez
—
Concerto for Violin and Orchestra no. 2, Sz. 112: III. Allegro molto
Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez
—
Rhapsody for Violin and Orchestra no. 1, Sz.87: I. Lassú: Moderato
Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez
—
Rhapsody for Violin and Orchestra no. 1, Sz.87: II. Friss: Allegretto moderato
Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez
—
Rhapsody for Violin and Orchestra no. 2, Sz. 90: I. Lassú: Moderato
Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez
—
Rhapsody for Violin and Orchestra no. 2, Sz. 90: II. Friss: Allegro moderato
Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez
—
Violin Concerto in D major, op. 77: I. Allegro non troppo
—
Violin Concerto in D major, op. 77: II. Adagio
—
Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace – Poco più presto
—
Double Concerto in A minor, op. 102: I. Allegro
—
Double Concerto in A minor, op. 102: II. Andante
—
Double Concerto in A minor, op. 102: III. Vivace non troppo – Poco meno allegro – Tempo I
—
Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato - Attacca
—
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
—
Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico - Presto
—
Violin Concerto no. 1 in E minor, op. 64: I. Allegro molto appassionato
—
Violin Concerto no. 1 in E minor, op. 64: II. Andante
—
Violin Concerto no. 1 in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace
—
Sonata in F major, op. 57 (B. 106): 1. Allegro, ma non troppo
Gil Shaham, Orli Shaham
—
Sonata in F major, op. 57 (B. 106): 3. Allegro molto
Gil Shaham, Orli Shaham
—
Romantic Pieces, op. 75 (B. 150): 1. Allegro moderato
Gil Shaham, Orli Shaham
—
Romantic Pieces, op. 75 (B. 150): 2. Allegro maestoso
Gil Shaham, Orli Shaham
—
Romantic Pieces, op. 75 (B. 150): 3. Allegro appassionato
Gil Shaham, Orli Shaham
—
Romantic Pieces, op. 75 (B. 150): 4. Larghetto
Gil Shaham, Orli Shaham
—
Sonatina in G major, op. 100 (B. 183): 1. Allegro risoluto
Gil Shaham, Orli Shaham
—
Sonatina in G major, op. 100 (B. 183): 2. Larghetto – Poco più mosso – Meno mosso, Tempo I
Gil Shaham, Orli Shaham
—
Sonatina in G major, op. 100 (B. 183): 3. Scherzo: Molto vivace – Trio
Gil Shaham, Orli Shaham
—
Gil Shaham, Orli Shaham
Violin Concerto in A minor, Op. 82: I. Moderato
—
Violin Concerto in A minor, Op. 82: II. Andante
—
Violin Concerto in A minor, Op. 82: III. Allegro
—
Violin Concerto in C major, op. 48: I. Allegro molto e con brio
—
Violin Concerto in C major, op. 48: II. Andantino cantabile
—
Violin Concerto in C major, op. 48: III. Vivace giocoso
—
Souvenir d'un lieu cher, Op. 42: I. Méditation in D minor
—
Souvenir d'un lieu cher, Op. 42: II. Scherzo in C minor
—
Souvenir d'un lieu cher, Op. 42: III. Mélodie in E-flat
—
Valse-Scherzo in C major, Op. 34
—
Gil Shaham, Paul Meyer, 王健, 정명훈
Gil Shaham, Paul Meyer, 王健, 정명훈
Gil Shaham, Paul Meyer, 王健, 정명훈
Quatuor pour la fin du temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui announce la fin du temps
Gil Shaham, Paul Meyer, 王健, 정명훈
Gil Shaham, Paul Meyer, 王健, 정명훈
Violin Concerto no. 1 in D, op. 6: I. Allegro maestoso
—
Violin Concerto no. 1 in D, op. 6: II. Adagio
—
Violin Concerto no. 1 in D, op. 6: III. Rondo. Allegro spirituoso
—
Violin Concerto no. 3 in B minor, op. 61: I. Allegro non troppo
—
Violin Concerto no. 3 in B minor, op. 61: II. Andantino quasi allegretto
—
Violin Concerto no. 3 in B minor, op. 61: III. Molto moderato e maestoso
—
Sonata concertata per chitarra e violino in A major, M.S. 2: II. Adagio, assai espressivo
Gil Shaham, Göran Söllscher
—
Sonata concertata per chitarra e violino in A major, M.S. 2: II. Adagio, assai espressivo
Gil Shaham, Göran Söllscher
—
Sonata concertata per chitarra e violino in A major, M.S. 2: II. Adagio, assai espressivo
Gil Shaham, Göran Söllscher
—
Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 1: I. Larghetto
Gil Shaham, Göran Söllscher
—
Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 1: I. Larghetto
Gil Shaham, Göran Söllscher
—
Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 4: II. Allegretto
Gil Shaham, Göran Söllscher
—
Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 4: II. Allegretto
Gil Shaham, Göran Söllscher
—
Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 6 in E minor: I. Andante
Gil Shaham, Göran Söllscher
—
Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 6 in E minor: I. Andante
Gil Shaham, Göran Söllscher
—
Grand sonata per chitarra e violino in A major, M.S. 109: Romance - Più tosto Largo, Amorosamente [excerpt]
Gil Shaham, Göran Söllscher
—
Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 2 in D major: II. Rondoncino. Andantino, Tempo di polacca - minore
Gil Shaham, Göran Söllscher
—
Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 2 in D major: II. Rondoncino. Andantino, Tempo di polacca - minore
Gil Shaham, Göran Söllscher
—
Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 4 in A major: II. Rondo. Andantino. Allegretto - minore - maggiore
Gil Shaham, Göran Söllscher
—
Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 4 in A major: II. Rondo. Andantino. Allegretto - minore - maggiore
Gil Shaham, Göran Söllscher
—
Cantabile per violino e chitarra (pianoforte) in D major, M.S. 109
Gil Shaham, Göran Söllscher
—
Fratres (for violin, string orchestra, and percussion)
—
Tabula Rasa: I. Ludus: Con moto
—
Tabula Rasa: II. Silentium: Senza moto
—
Symphony no. 3: I. Attacca
Göteborgs Symfoniker, Neeme Järvi
—
Symphony no. 3: II. Più mosso – attacca
Göteborgs Symfoniker, Neeme Järvi
—
Symphony no. 3: III. Alla breve
Göteborgs Symfoniker, Neeme Järvi
—
Concerto for Violin no. 1, op. 19: I. Andantino
Gil Shaham, London Symphony Orchestra, André Previn
—
Concerto for Violin no. 1, op. 19: II. Scherzo: Vivacissimo
Gil Shaham, London Symphony Orchestra, André Previn
—
Concerto for Violin no. 1, op. 19: III. Moderato
Gil Shaham, London Symphony Orchestra, André Previn
—
Concerto for Violin no. 2, op. 63: I. Allegro moderato
Gil Shaham, London Symphony Orchestra, André Previn
—
Concerto for Violin no. 2, op. 63: II. Andante assai
Gil Shaham, London Symphony Orchestra, André Previn
—
Concerto for Violin no. 2, op. 63: III. Allegro, ben marcato
Gil Shaham, London Symphony Orchestra, André Previn
—
Sonata for Solo Violin, op. 115: I. Moderato
Gil Shaham
—
Sonata for Solo Violin, op. 115: II. Andante dolce
Gil Shaham
—
Sonata for Solo Violin, op. 115: III. Con brio
Gil Shaham
—
Sonata for Violin and Piano no. 1, op. 75: I. Allegro agitato - Adagio
—
Sonata for Violin and Piano no. 1, op. 75: II. Allegretto moderato - Allegro molto
—
Sonata for Violin and Piano in A major: I. Allegretto moderato
—
Sonata for Violin and Piano in A major: II. Allegro
—
Sonata for Violin and Piano in A major: III. Recitative - Fantasia. Ben moderato
—
Sonata for Violin and Piano in A major: IV. Allegretto poco mosso
—
Sonata D 384: I. Allegro molto
—
Sonata D 384: II. Andante
—
Sonata D 384: III. Allegro vivace
—
Moment musical D 780 no. 3
—
Ständchen (Serenade) D 957 no. 4
—
Valse noble D 969 no. 4
—
Ländler D 790 no. 3
—
Valse (Ländler) D 146 no. 12
—
Valse noble D 969 no. 3
—
German Dance D 783 no. 10
—
Sonata D 821 “Arpeggione”: I. Allegro moderato
—
Sonata D 821 “Arpeggione”: II. Adagio
—
Sonata D 821 “Arpeggione”: III. Allegretto
—
Valse D 365 no. 36
—
German Dance D 783 no. 2
—
Valse D 365 no. 2
—
15 Original from D 365: No. 1
—
15 Original from D 365: No. 19
—
15 Original from D 365: No. 20
—
15 Original from D 365: No. 21
—
15 Original from D 365: No. 6
—
15 Original from D 365: No. 2
—
15 Original from D 365: No. 3
—
15 Original from D 365: No. 4
—
15 Original from D 365: No. 16
—
15 Original from D 365: No. 23
—
15 Original from D 365: No. 7
—
15 Original from D 365: No. 11
—
15 Original from D 365: No. 12
—
15 Original from D 365: No. 9
—
15 Original from D 365: No. 10
—
Ave Maria (Ellen's Song III) D 839
—
Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto
Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli
—
Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto
Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli
—
Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto
Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli
—
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo
Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli
—
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo
Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli
—
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo
Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli
—
Sonata for Violin and Piano in E flat, Op. 18: 1. Allegro ma non troppo
—
Sonata for Violin and Piano in E flat, Op. 18: 2. Improvisation (Andante cantabile)
—
Sonata for Violin and Piano in E flat, Op. 18: 3. Finale (Andante‐Allegro)
—
3 Romances, Op. 94: No. 2 Einfach, innig
—
24 Caprices for Violin, Op. 1 - transcribed for violin and piano by Robert Schumann: No. 1 in E flat major
—
Tempo di menuetto (in the style of Pugnani)
—
3 Old Viennese Dances: 2. Liebesleid
—
La Capricieuse, Op. 17
—
Carmen Fantasy, Op. 25: Introduction. Allegro moderato
—
Carmen Fantasy, Op. 25: 1. Moderato
—
Carmen Fantasy, Op. 25: 2. Lento assai
—
Carmen Fantasy, Op. 25: 3. Allegro moderato
—
Carmen Fantasy, Op. 25: 4. Moderato
—
Concerto in E major "Spring", RV 269: II. Largo e pianissimo sempre
Gil Shaham, Orpheus Chamber Orchestra
—
Gil Shaham, Orpheus Chamber Orchestra
Concerto in G minor "Summer ", RV 315: I. Allegro non molto
Gil Shaham, Orpheus Chamber Orchestra
—
Concerto in G minor "Summer ", RV 315: II. Adagio - Presto
Gil Shaham, Orpheus Chamber Orchestra
—
Concerto in G minor "Summer ", RV 315: III. Presto
Gil Shaham, Orpheus Chamber Orchestra
—
Gil Shaham, Orpheus Chamber Orchestra
Violin Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio molto
Gil Shaham, Orpheus Chamber Orchestra
—
Concerto in F major "Autumn", RV 293: III. Allegro
Gil Shaham, Orpheus Chamber Orchestra
—
Gil Shaham, Orpheus Chamber Orchestra
Violin Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo
Gil Shaham, Orpheus Chamber Orchestra
—
Concerto in F minor "Winter", RV 297: III. Allegro
Gil Shaham, Orpheus Chamber Orchestra
—
Concerto for Violin in the Style of Vivaldi in C major: I. Allegro moderato e maestoso
Gil Shaham, Orpheus Chamber Orchestra
—
Concerto for Violin in the Style of Vivaldi in C major: II. Andante doloroso
Gil Shaham, Orpheus Chamber Orchestra
—
Concerto for Violin in the Style of Vivaldi in C major: III. Allegro assai
Gil Shaham, Orpheus Chamber Orchestra
—
Concerto for Violin and Orchestra No. 1 in F-sharp minor, Op. 14: I. Allegro moderato
—
Concerto for Violin and Orchestra No. 1 in F-sharp minor, Op. 14: II. Preghiera. Larghetto
—
Concerto for Violin and Orchestra No. 1 in F-sharp minor, Op. 14: III. Rondo. Allegro giocoso
—
Concerto for Violin and Orchestra No. 2 in D minor, Op. 22: I. Allegro moderato
—
Concerto for Violin and Orchestra No. 2 in D minor, Op. 22: II. Romance. Andante non troppo
—
Concerto for Violin and Orchestra No. 2 in D minor, Op. 22: III. Allegro con fuoco-Allegro moderato (à la Zingara)
—
Legende, Op. 17: Andante. Allegro moderato. Tempo I
—
Zigeunerweisen, Op. 20: Moderato. Lento. Un peu plus lent. Allegro molto vivace
—
Concert Fantasy on Themes From Bizet's Carmen, op. 25
—
TreeSong: Dreamly. "Doctor Hu and the Metasequoia"
Gil Shaham, Boston Symphony Orchestra, John Williams
—
TreeSong: Twice as fast - Deciso. "Trunks, Branches and Leaves"
Gil Shaham, Boston Symphony Orchestra, John Williams
—
TreeSong: Tempo primo. "The Tree Sings"
Gil Shaham, Boston Symphony Orchestra, John Williams
—
Concerto for Violin and Orchestra: Moderato
Gil Shaham, Boston Symphony Orchestra, John Williams
—
Concerto for Violin and Orchestra: Slowly (in peaceful contemplation)
Gil Shaham, Boston Symphony Orchestra, John Williams
—
Concerto for Violin and Orchestra: Broadly (Maestoso) - Quickly
Gil Shaham, Boston Symphony Orchestra, John Williams
—
Gil Shaham, Boston Symphony Orchestra, John Williams
Gil Shaham, Boston Symphony Orchestra, John Williams
Gil Shaham, Boston Symphony Orchestra, John Williams
Prelude no. 1 in B-flat major: Allegro ben ritmato e deciso (arr. violin & piano: Jascha Heifetz)
—
Prelude no. 2 in C-sharp minor: Andante con moto e poco rubato (arr. violin & piano: Jascha Heifetz)
—
Prelude no. 3 in E-flat minor: Allegro ben ritmato e deciso (arr. violin & piano: Jascha Heifetz)
—
Two pieces for violin & piano, no. 1: Nocturne
—
Sonata for violin & piano "Vineyard": I. Flowing and Calm
—
Sonata for violin & piano "Vineyard": II. Slowly - Fast, shadowy - Tempo I
—
Sonata for violin & piano "Vineyard": III. Fast and Brilliant - Waltz Tempo - Slowly - Tempo ad lib - quasi cadenza (Slowly, gradually faster) - Tempo primo
—
Sonata for violin & piano: I. Andante semplice - Allegro - Più mosso - Tempo II - Twice as slow (Tempo I)
—
Sonata for violin & piano: II. Lento - Poco più mosso - Tempo I
—
Sonata for violin & piano: III. Allegretto giusto - Presto - Twice as slow - Tempo I - Presto - Molto allargando (Twice as slow) - Tempo of Mov. I (Andante)
—
Canzone for violin & piano: Moderato
—
The Barber of Seville: Paraphrase on “Largo al factotum”
—
The Magic Flute: Fantaisie
—
Orphée et Euridice: Mélodie (Dance of the Blessed Spirits)
—
Tancredi: I palpiti
—
The Love for Three Oranges: March
—
Der Rosenkavalier: Waltzes
—
Porgy and Bess: “Summertime”
—
Porgy and Bess: “My Man's Gone Now”
—
Porgy and Bess: “Bess, You Is My Woman Now”
—
Porgy and Bess: “It Ain't Necessarily So”
—
Porgy and Bess: Tempo di Blues
—
Sadko: Hindoo Song (Song of India)
—
Carmen: Fantaisie brillante
—
Devil's Dance from "The Witches of Eastwick"
Jonathan Feldman, Gil Shaham
—
A Transylvanian Lullaby from "Young Frankenstein"
Jonathan Feldman, Gil Shaham
—
Caprice Fantastique (Wichtelmännchen)
Jonathan Feldman, Gil Shaham
—
Walpurgisnacht "Lieb Mutter, heut Nacht...", Op. 75 No. 4
Jonathan Feldman, Gil Shaham
—
Andres Maienlied "Hexenlied" / "Die Schwalbe fliegt", Op. 8 No. 8
Jonathan Feldman, Gil Shaham
—
La Ronde des Lutins, scherzo fantastique, Op. 25
Jonathan Feldman, Gil Shaham
—
The Graceful Ghost
Jonathan Feldman, Gil Shaham
—
Concert Fantasy on themes from Gounod's "Faust"
Jonathan Feldman, Gil Shaham
—
Caprice for Solo Violin in B flat major, Op. 1 No. 13
Jonathan Feldman, Gil Shaham
—
Sonata in G minor "The Devil's Trill", B. g5
Jonathan Feldman, Gil Shaham
—
Jonathan Feldman, Gil Shaham
Salut d’amour
—
Schön Rosmarin
—
Romance in G major
Gil Shaham, Orpheus Chamber Orchestra
—
Liebesfreud
—
Romance no. 1 in G major, op. 40
Gil Shaham, Orpheus Chamber Orchestra
—
Romance no. 2 in F major, op. 50
Gil Shaham, Orpheus Chamber Orchestra
—
Liebesleid
—
Serenade melancolique in B minor, op. 26
—
Romanza Andaluza, op. 22 no. 1
—
Romance in F minor, op. 11
—
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Moses Variations | Gil Shaham, Göran Söllscher | — |
| Allegro vivace a movimento perpetuo per violino e chitarra in C major, M.S. 72 Op. 11 (Lars Hannibal revised guitar part version) | Gil Shaham, Göran Söllscher | — |
| Les Quatre Saisons : « Le Printemps » : Allegro | Gil Shaham, Orpheus Chamber Orchestra | T-900.263.726-5 |
Moses Variations
Gil Shaham, Göran Söllscher
—
Allegro vivace a movimento perpetuo per violino e chitarra in C major, M.S. 72 Op. 11 (Lars Hannibal revised guitar part version)
Gil Shaham, Göran Söllscher
—
Gil Shaham, Orpheus Chamber Orchestra
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055170411000000008345069900000000835622600000000084132641000000009622034X00000001086065740000000108653637000000010888658800000001092028110000000109416801
+19 more
0000000110203918000000011032697700000001105920010000000114554862000000011462079400000001157133510000000118812208000000011954617500000001195660880000000120191498000000012034109700000001209597190000000121144247000000012146879400000001216150370000000121695196000000012187009700000001234791980000000403968412
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What is UPC 028948363346?
028948363346 is a Universal Product Code (UPC) assigned to The Complete Deutsche Grammophon Recordings by Gil Shaham. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
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