UPC · Release
Gil Shaham
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The UPC for “The Complete Deutsche Grammophon Recordings” by Gil Shaham is 028948363346. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-01-01. Label: Deutsche Grammophon. This release contains 232 tracks, each with its own ISRC. Tracks include DEF059303141, DEF059303142, DEF059303143.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Concerto, op. 14: I. Allegro | Gil Shaham, London Symphony Orchestra, André Previn | T-070.160.313-5 | |
| 2 | Violin Concerto, op. 14: II. Andante | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 3 | Violin Concerto, op. 14: III. Presto in moto perpetuo | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 4 | Violin Concerto in D major, op. 35: I. Moderato nobile | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 5 | Violin Concerto in D major, op. 35: II. Romance: Andante | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 6 | Violin Concerto in D major, op. 35: III. Finale: Allegro assai vivace | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 7 | Much Ado about Nothing, op. 11: I. The Maiden in the Bridal Chamber: Lento - Molto moderato, with charm and grace | Gil Shaham, André Previn | — | |
| 8 | Much Ado about Nothing, op. 11: II. Dogberry and Verges. March of the Watch: In the tempo of a grotesque funeral march | Gil Shaham, André Previn | — | |
| 9 | Much Ado about Nothing, op. 11: III. Scene in the Garden: Molto espressivo (broad, but not too slow) | Gil Shaham, André Previn | — | |
| 10 | Much Ado about Nothing, op. 11: IV. Masquerade: Hornpipe: Animato | Gil Shaham, André Previn | T-902.876.200-7 | |
| 2-1 | Concerto for Violin and Orchestra no. 2, Sz. 112: I. Allegro non troppo | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — | |
| 2-2 | Concerto for Violin and Orchestra no. 2, Sz. 112: II. Andante tranquillo | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — | |
| 2-3 | Concerto for Violin and Orchestra no. 2, Sz. 112: III. Allegro molto | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — | |
| 2-4 | Rhapsody for Violin and Orchestra no. 1, Sz.87: I. Lassú: Moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — | |
| 2-5 | Rhapsody for Violin and Orchestra no. 1, Sz.87: II. Friss: Allegretto moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — | |
| 2-6 | Rhapsody for Violin and Orchestra no. 2, Sz. 90: I. Lassú: Moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — | |
| 2-7 | Rhapsody for Violin and Orchestra no. 2, Sz. 90: II. Friss: Allegro moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — | |
| 3-1 | Violin Concerto in D major, op. 77: I. Allegro non troppo | — | ||
| 3-2 | Violin Concerto in D major, op. 77: II. Adagio | — | ||
| 3-3 | Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace – Poco più presto | — | ||
| 3-4 | Double Concerto in A minor, op. 102: I. Allegro | — | ||
| 3-5 | Double Concerto in A minor, op. 102: II. Andante | — | ||
| 3-6 | Double Concerto in A minor, op. 102: III. Vivace non troppo – Poco meno allegro – Tempo I | — | ||
| 4-1 | Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato - Attacca | — | ||
| 4-2 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio | — | ||
| 4-3 | Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico - Presto | — | ||
| 4-4 | Violin Concerto no. 1 in E minor, op. 64: I. Allegro molto appassionato | — | ||
| 4-5 | Violin Concerto no. 1 in E minor, op. 64: II. Andante | — | ||
| 4-6 | Violin Concerto no. 1 in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 5-1 | Sonata in F major, op. 57 (B. 106): 1. Allegro, ma non troppo | Gil Shaham, Orli Shaham | — | |
| 5-2 | Sonata in F major, op. 57 (B. 106): 2. Poco sostenuto | Gil Shaham, Orli Shaham | T-902.798.523-5 | |
| 5-3 | Sonata in F major, op. 57 (B. 106): 3. Allegro molto | Gil Shaham, Orli Shaham | — | |
| 5-4 | Romantic Pieces, op. 75 (B. 150): 1. Allegro moderato | Gil Shaham, Orli Shaham | — | |
| 5-5 | Romantic Pieces, op. 75 (B. 150): 2. Allegro maestoso | Gil Shaham, Orli Shaham | — | |
| 5-6 | Romantic Pieces, op. 75 (B. 150): 3. Allegro appassionato | Gil Shaham, Orli Shaham | — | |
| 5-7 | Romantic Pieces, op. 75 (B. 150): 4. Larghetto | Gil Shaham, Orli Shaham | — | |
| 5-8 | Sonatina in G major, op. 100 (B. 183): 1. Allegro risoluto | Gil Shaham, Orli Shaham | — | |
| 5-9 | Sonatina in G major, op. 100 (B. 183): 2. Larghetto – Poco più mosso – Meno mosso, Tempo I | Gil Shaham, Orli Shaham | — | |
| 5-10 | Sonatina in G major, op. 100 (B. 183): 3. Scherzo: Molto vivace – Trio | Gil Shaham, Orli Shaham | — | |
| 5-11 | Sonatina in G major, op. 100 (B. 183): 4. Finale: Allegro – Molto tranquillo – Tempo I | Gil Shaham, Orli Shaham | T-003.055.867-8 | |
| 6-1 | Violin Concerto in A minor, Op. 82: I. Moderato | — | ||
| 6-2 | Violin Concerto in A minor, Op. 82: II. Andante | — | ||
| 6-3 | Violin Concerto in A minor, Op. 82: III. Allegro | — | ||
| 6-4 | Violin Concerto in C major, op. 48: I. Allegro molto e con brio | — | ||
| 6-5 | Violin Concerto in C major, op. 48: II. Andantino cantabile | — | ||
| 6-6 | Violin Concerto in C major, op. 48: III. Vivace giocoso | — | ||
| 6-7 | Souvenir d'un lieu cher, Op. 42: I. Méditation in D minor | — | ||
| 6-8 | Souvenir d'un lieu cher, Op. 42: II. Scherzo in C minor | — | ||
| 6-9 | Souvenir d'un lieu cher, Op. 42: III. Mélodie in E-flat | — | ||
| 6-10 | Valse-Scherzo in C major, Op. 34 | — | ||
| 7-1 | Quatuor pour la fin du temps: I. Liturgie de cristal | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 7-2 | Quatuor pour la fin du temps: II. Vocalise, pour l'Ange qui annonce la fin du temps | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 7-3 | Quatuor pour la fin du temps: III. Abîme des oiseaux | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 7-4 | Quatuor pour la fin du temps: IV. Intermède | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 7-5 | Quatuor pour la fin du temps: V. Louange à l'Eternité de Jésus | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 7-6 | Quatuor pour la fin du temps: VI. Danse de la fureur, pour les sept trompettes | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 7-7 | Quatuor pour la fin du temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui announce la fin du temps | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 7-8 | Quatuor pour la fin du temps: VIII. Lourange à l'Immortalité de Jésus | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 8-1 | Violin Concerto no. 1 in D, op. 6: I. Allegro maestoso | — | ||
| 8-2 | Violin Concerto no. 1 in D, op. 6: II. Adagio | — | ||
| 8-3 | Violin Concerto no. 1 in D, op. 6: III. Rondo. Allegro spirituoso | — | ||
| 8-4 | Violin Concerto no. 3 in B minor, op. 61: I. Allegro non troppo | — | ||
| 8-5 | Violin Concerto no. 3 in B minor, op. 61: II. Andantino quasi allegretto | — | ||
| 8-6 | Violin Concerto no. 3 in B minor, op. 61: III. Molto moderato e maestoso | — | ||
| 9-1 | Sonata concertata per chitarra e violino in A major, M.S. 2: II. Adagio, assai espressivo | Gil Shaham, Göran Söllscher | — | |
| 9-2 | Sonata concertata per chitarra e violino in A major, M.S. 2: II. Adagio, assai espressivo | Gil Shaham, Göran Söllscher | — | |
| 9-3 | Sonata concertata per chitarra e violino in A major, M.S. 2: II. Adagio, assai espressivo | Gil Shaham, Göran Söllscher | — | |
| 9-4 | Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 1: I. Larghetto | Gil Shaham, Göran Söllscher | — | |
| 9-5 | Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 1: I. Larghetto | Gil Shaham, Göran Söllscher | — | |
| 9-6 | Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 4: II. Allegretto | Gil Shaham, Göran Söllscher | — | |
| 9-7 | Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 4: II. Allegretto | Gil Shaham, Göran Söllscher | — | |
| 9-8 | Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 6 in E minor: I. Andante | Gil Shaham, Göran Söllscher | — | |
| 9-9 | Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 6 in E minor: I. Andante | Gil Shaham, Göran Söllscher | — | |
| 9-10 | Grand sonata per chitarra e violino in A major, M.S. 109: Romance - Più tosto Largo, Amorosamente [excerpt] | Gil Shaham, Göran Söllscher | — | |
| 9-11 | Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 2 in D major: II. Rondoncino. Andantino, Tempo di polacca - minore | Gil Shaham, Göran Söllscher | — | |
| 9-12 | Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 2 in D major: II. Rondoncino. Andantino, Tempo di polacca - minore | Gil Shaham, Göran Söllscher | — | |
| 9-13 | Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 4 in A major: II. Rondo. Andantino. Allegretto - minore - maggiore | Gil Shaham, Göran Söllscher | — | |
| 9-14 | Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 4 in A major: II. Rondo. Andantino. Allegretto - minore - maggiore | Gil Shaham, Göran Söllscher | — | |
| 9-15 | Cantabile per violino e chitarra (pianoforte) in D major, M.S. 109 | Gil Shaham, Göran Söllscher | — | |
| 10-1 | Fratres (for violin, string orchestra, and percussion) | — | ||
| 10-2 | Tabula Rasa: I. Ludus: Con moto | — | ||
| 10-3 | Tabula Rasa: II. Silentium: Senza moto | — | ||
| 10-4 | Symphony no. 3: I. Attacca | Göteborgs Symfoniker, Neeme Järvi | — | |
| 10-5 | Symphony no. 3: II. Più mosso – attacca | Göteborgs Symfoniker, Neeme Järvi | — | |
| 10-6 | Symphony no. 3: III. Alla breve | Göteborgs Symfoniker, Neeme Järvi | — | |
| 11-1 | Concerto for Violin no. 1, op. 19: I. Andantino | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 11-2 | Concerto for Violin no. 1, op. 19: II. Scherzo: Vivacissimo | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 11-3 | Concerto for Violin no. 1, op. 19: III. Moderato | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 11-4 | Concerto for Violin no. 2, op. 63: I. Allegro moderato | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 11-5 | Concerto for Violin no. 2, op. 63: II. Andante assai | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 11-6 | Concerto for Violin no. 2, op. 63: III. Allegro, ben marcato | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 11-7 | Sonata for Solo Violin, op. 115: I. Moderato | Gil Shaham | — | |
| 11-8 | Sonata for Solo Violin, op. 115: II. Andante dolce | Gil Shaham | — | |
| 11-9 | Sonata for Solo Violin, op. 115: III. Con brio | Gil Shaham | — | |
| 12-1 | Sonata for Violin and Piano no. 1, op. 75: I. Allegro agitato - Adagio | — | ||
| 12-2 | Sonata for Violin and Piano no. 1, op. 75: II. Allegretto moderato - Allegro molto | — | ||
| 12-3 | Sonata for Violin and Piano in A major: I. Allegretto moderato | — | ||
| 12-4 | Sonata for Violin and Piano in A major: II. Allegro | — | ||
| 12-5 | Sonata for Violin and Piano in A major: III. Recitative - Fantasia. Ben moderato | — | ||
| 12-6 | Sonata for Violin and Piano in A major: IV. Allegretto poco mosso | — | ||
| 12-7 | Tzigane | Gil Shaham, Gerhard Oppitz | T-070.136.799-8 | |
| 13-1 | Sonata D 384: I. Allegro molto | — | ||
| 13-2 | Sonata D 384: II. Andante | — | ||
| 13-3 | Sonata D 384: III. Allegro vivace | — | ||
| 13-4 | Moment musical D 780 no. 3 | — | ||
| 13-5 | Ständchen (Serenade) D 957 no. 4 | — | ||
| 13-6 | Valse noble D 969 no. 4 | — | ||
| 13-7 | Ländler D 790 no. 3 | — | ||
| 13-8 | Valse (Ländler) D 146 no. 12 | — | ||
| 13-9 | Valse noble D 969 no. 3 | — | ||
| 13-10 | German Dance D 783 no. 10 | — | ||
| 13-11 | Sonata D 821 “Arpeggione”: I. Allegro moderato | — | ||
| 13-12 | Sonata D 821 “Arpeggione”: II. Adagio | — | ||
| 13-13 | Sonata D 821 “Arpeggione”: III. Allegretto | — | ||
| 13-14 | Valse D 365 no. 36 | — | ||
| 13-15 | German Dance D 783 no. 2 | — | ||
| 13-16 | Valse D 365 no. 2 | — | ||
| 13-17 | 15 Original from D 365: No. 1 | — | ||
| 13-18 | 15 Original from D 365: No. 19 | — | ||
| 13-19 | 15 Original from D 365: No. 20 | — | ||
| 13-20 | 15 Original from D 365: No. 21 | — | ||
| 13-21 | 15 Original from D 365: No. 6 | — | ||
| 13-22 | 15 Original from D 365: No. 2 | — | ||
| 13-23 | 15 Original from D 365: No. 3 | — | ||
| 13-24 | 15 Original from D 365: No. 4 | — | ||
| 13-25 | 15 Original from D 365: No. 16 | — | ||
| 13-26 | 15 Original from D 365: No. 23 | — | ||
| 13-27 | 15 Original from D 365: No. 7 | — | ||
| 13-28 | 15 Original from D 365: No. 11 | — | ||
| 13-29 | 15 Original from D 365: No. 12 | — | ||
| 13-30 | 15 Original from D 365: No. 9 | — | ||
| 13-31 | 15 Original from D 365: No. 10 | — | ||
| 13-32 | Ave Maria (Ellen's Song III) D 839 | — | ||
| 14-1 | Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto | Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 14-2 | Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto | Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 14-3 | Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto | Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 14-4 | Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo | Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 14-5 | Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo | Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 14-6 | Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo | Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 15-1 | Sonata for Violin and Piano in E flat, Op. 18: 1. Allegro ma non troppo | — | ||
| 15-2 | Sonata for Violin and Piano in E flat, Op. 18: 2. Improvisation (Andante cantabile) | — | ||
| 15-3 | Sonata for Violin and Piano in E flat, Op. 18: 3. Finale (Andante‐Allegro) | — | ||
| 15-4 | 3 Romances, Op. 94: No. 2 Einfach, innig | — | ||
| 15-5 | 24 Caprices for Violin, Op. 1 - transcribed for violin and piano by Robert Schumann: No. 1 in E flat major | — | ||
| 15-6 | Tempo di menuetto (in the style of Pugnani) | — | ||
| 15-7 | 3 Old Viennese Dances: 2. Liebesleid | — | ||
| 15-8 | La Capricieuse, Op. 17 | — | ||
| 15-9 | Carmen Fantasy, Op. 25: Introduction. Allegro moderato | — | ||
| 15-10 | Carmen Fantasy, Op. 25: 1. Moderato | — | ||
| 15-11 | Carmen Fantasy, Op. 25: 2. Lento assai | — | ||
| 15-12 | Carmen Fantasy, Op. 25: 3. Allegro moderato | — | ||
| 15-13 | Carmen Fantasy, Op. 25: 4. Moderato | — | ||
| 16-1 | Les Quatre Saisons : « Le Printemps » : Allegro | Gil Shaham, Orpheus Chamber Orchestra | T-911.640.004-5 | |
| 16-2 | Concerto in E major "Spring", RV 269: II. Largo e pianissimo sempre | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-3 | Concerto in E major "Spring", RV 269: III. Danza pastorale - Allegro | Gil Shaham, Orpheus Chamber Orchestra | T-902.836.120-8 | |
| 16-4 | Concerto in G minor "Summer ", RV 315: I. Allegro non molto | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-5 | Concerto in G minor "Summer ", RV 315: II. Adagio - Presto | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-6 | Concerto in G minor "Summer ", RV 315: III. Presto | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-7 | Concerto in F major "Autumn", RV 293: I. Allegro | Gil Shaham, Orpheus Chamber Orchestra | T-911.640.004-5 | |
| 16-8 | Violin Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio molto | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-9 | Concerto in F major "Autumn", RV 293: III. Allegro | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-10 | Concerto in F minor "Winter", RV 297: I. Allegro non molto | Gil Shaham, Orpheus Chamber Orchestra | T-910.793.958-2 | |
| 16-11 | Violin Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-12 | Concerto in F minor "Winter", RV 297: III. Allegro | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-13 | Concerto for Violin in the Style of Vivaldi in C major: I. Allegro moderato e maestoso | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-14 | Concerto for Violin in the Style of Vivaldi in C major: II. Andante doloroso | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-15 | Concerto for Violin in the Style of Vivaldi in C major: III. Allegro assai | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 17-1 | Concerto for Violin and Orchestra No. 1 in F-sharp minor, Op. 14: I. Allegro moderato | — | ||
| 17-2 | Concerto for Violin and Orchestra No. 1 in F-sharp minor, Op. 14: II. Preghiera. Larghetto | — | ||
| 17-3 | Concerto for Violin and Orchestra No. 1 in F-sharp minor, Op. 14: III. Rondo. Allegro giocoso | — | ||
| 17-4 | Concerto for Violin and Orchestra No. 2 in D minor, Op. 22: I. Allegro moderato | — | ||
| 17-5 | Concerto for Violin and Orchestra No. 2 in D minor, Op. 22: II. Romance. Andante non troppo | — | ||
| 17-6 | Concerto for Violin and Orchestra No. 2 in D minor, Op. 22: III. Allegro con fuoco-Allegro moderato (à la Zingara) | — | ||
| 17-7 | Legende, Op. 17: Andante. Allegro moderato. Tempo I | — | ||
| 17-8 | Zigeunerweisen, Op. 20: Moderato. Lento. Un peu plus lent. Allegro molto vivace | — | ||
| 17-9 | Concert Fantasy on Themes From Bizet's Carmen, op. 25 | — | ||
| 18-1 | TreeSong: Dreamly. "Doctor Hu and the Metasequoia" | Gil Shaham, Boston Symphony Orchestra, John Williams | — | |
| 18-2 | TreeSong: Twice as fast - Deciso. "Trunks, Branches and Leaves" | Gil Shaham, Boston Symphony Orchestra, John Williams | — | |
| 18-3 | TreeSong: Tempo primo. "The Tree Sings" | Gil Shaham, Boston Symphony Orchestra, John Williams | — | |
| 18-4 | Concerto for Violin and Orchestra: Moderato | Gil Shaham, Boston Symphony Orchestra, John Williams | — | |
| 18-5 | Concerto for Violin and Orchestra: Slowly (in peaceful contemplation) | Gil Shaham, Boston Symphony Orchestra, John Williams | — | |
| 18-6 | Concerto for Violin and Orchestra: Broadly (Maestoso) - Quickly | Gil Shaham, Boston Symphony Orchestra, John Williams | — | |
| 18-7 | Three Pieces from Schindler's List: Theme. Lente | Gil Shaham, Boston Symphony Orchestra, John Williams | T-700.121.101-6 | |
| 18-8 | Three Pieces from Schindler's List: Jewish Town (Kraków Ghetto - Winter '41). Andante | Gil Shaham, Boston Symphony Orchestra, John Williams | T-904.475.811-4 | |
| 18-9 | Three Pieces from Schindler's List: Remembrances. Andante | Gil Shaham, Boston Symphony Orchestra, John Williams | T-904.475.811-4 | |
| 19-1 | Prelude no. 1 in B-flat major: Allegro ben ritmato e deciso (arr. violin & piano: Jascha Heifetz) | — | ||
| 19-2 | Prelude no. 2 in C-sharp minor: Andante con moto e poco rubato (arr. violin & piano: Jascha Heifetz) | — | ||
| 19-3 | Prelude no. 3 in E-flat minor: Allegro ben ritmato e deciso (arr. violin & piano: Jascha Heifetz) | — | ||
| 19-4 | Two pieces for violin & piano, no. 1: Nocturne | — | ||
| 19-5 | Sonata for violin & piano "Vineyard": I. Flowing and Calm | — | ||
| 19-6 | Sonata for violin & piano "Vineyard": II. Slowly - Fast, shadowy - Tempo I | — | ||
| 19-7 | Sonata for violin & piano "Vineyard": III. Fast and Brilliant - Waltz Tempo - Slowly - Tempo ad lib - quasi cadenza (Slowly, gradually faster) - Tempo primo | — | ||
| 19-8 | Sonata for violin & piano: I. Andante semplice - Allegro - Più mosso - Tempo II - Twice as slow (Tempo I) | — | ||
| 19-9 | Sonata for violin & piano: II. Lento - Poco più mosso - Tempo I | — | ||
| 19-10 | Sonata for violin & piano: III. Allegretto giusto - Presto - Twice as slow - Tempo I - Presto - Molto allargando (Twice as slow) - Tempo of Mov. I (Andante) | — | ||
| 19-11 | Canzone for violin & piano: Moderato | — | ||
| 20-1 | The Barber of Seville: Paraphrase on “Largo al factotum” | — | ||
| 20-2 | The Magic Flute: Fantaisie | — | ||
| 20-3 | Orphée et Euridice: Mélodie (Dance of the Blessed Spirits) | — | ||
| 20-4 | Tancredi: I palpiti | — | ||
| 20-5 | The Love for Three Oranges: March | — | ||
| 20-6 | Der Rosenkavalier: Waltzes | — | ||
| 20-7 | Porgy and Bess: “Summertime” | — | ||
| 20-8 | Porgy and Bess: “My Man's Gone Now” | — | ||
| 20-9 | Porgy and Bess: “Bess, You Is My Woman Now” | — | ||
| 20-10 | Porgy and Bess: “It Ain't Necessarily So” | — | ||
| 20-11 | Porgy and Bess: Tempo di Blues | — | ||
| 20-12 | Sadko: Hindoo Song (Song of India) | — | ||
| 20-13 | Carmen: Fantaisie brillante | — | ||
| 21-1 | Devil's Dance from "The Witches of Eastwick" | Jonathan Feldman, Gil Shaham | — | |
| 21-2 | A Transylvanian Lullaby from "Young Frankenstein" | Jonathan Feldman, Gil Shaham | — | |
| 21-3 | Lyric Pieces X, Op. 71 No. 3: Kobold | Jonathan Feldman, Gil Shaham | T-802.456.190-9 | |
| 21-4 | Danse macabre in G minor, Op. 40 | Jonathan Feldman, Gil Shaham | T-003.008.160-7 | |
| 21-5 | Caprice Fantastique (Wichtelmännchen) | Jonathan Feldman, Gil Shaham | — | |
| 21-6 | Walpurgisnacht "Lieb Mutter, heut Nacht...", Op. 75 No. 4 | Jonathan Feldman, Gil Shaham | — | |
| 21-7 | Andres Maienlied "Hexenlied" / "Die Schwalbe fliegt", Op. 8 No. 8 | Jonathan Feldman, Gil Shaham | — | |
| 21-8 | La Ronde des Lutins, scherzo fantastique, Op. 25 | Jonathan Feldman, Gil Shaham | — | |
| 21-9 | The Graceful Ghost | Jonathan Feldman, Gil Shaham | — | |
| 21-10 | Concert Fantasy on themes from Gounod's "Faust" | Jonathan Feldman, Gil Shaham | — | |
| 21-11 | Caprice for Solo Violin in B flat major, Op. 1 No. 13 | Jonathan Feldman, Gil Shaham | — | |
| 21-12 | Sonata in G minor "The Devil's Trill", B. g5 | Jonathan Feldman, Gil Shaham | — | |
| 21-13 | Violin Sonata No. 2 in A minor "Obsession", Op. 27 No. 2: I. Obsession: Prelude | Jonathan Feldman, Gil Shaham | T-901.467.048-5 | |
| 22-1 | Salut d’amour | — | ||
| 22-2 | Schön Rosmarin | — | ||
| 22-3 | Romance in G major | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 22-4 | Liebesfreud | — | ||
| 22-5 | Romance no. 1 in G major, op. 40 | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 22-6 | Romance no. 2 in F major, op. 50 | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 22-7 | Liebesleid | — | ||
| 22-8 | Serenade melancolique in B minor, op. 26 | — | ||
| 22-9 | Romanza Andaluza, op. 22 no. 1 | — | ||
| 22-10 | Romance in F minor, op. 11 | — |
Identifier Graph
028948363346 is a Universal Product Code (UPC) assigned to The Complete Deutsche Grammophon Recordings by Gil Shaham. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 232 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Moses Variations | Gil Shaham, Göran Söllscher | — |
| Allegro vivace a movimento perpetuo per violino e chitarra in C major, M.S. 72 Op. 11 (Lars Hannibal revised guitar part version) | Gil Shaham, Göran Söllscher | — |
| Les Quatre Saisons : « Le Printemps » : Allegro | Gil Shaham, Orpheus Chamber Orchestra | T-900.263.726-5 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Complete Deutsche Grammophon Recordings” by Gil Shaham is 028948363346. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-01-01. Label: Deutsche Grammophon. This release contains 232 tracks, each with its own ISRC. Tracks include DEF059303141, DEF059303142, DEF059303143.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Concerto, op. 14: I. Allegro | Gil Shaham, London Symphony Orchestra, André Previn | T-070.160.313-5 | |
| 2 | Violin Concerto, op. 14: II. Andante | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 3 | Violin Concerto, op. 14: III. Presto in moto perpetuo | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 4 | Violin Concerto in D major, op. 35: I. Moderato nobile | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 5 | Violin Concerto in D major, op. 35: II. Romance: Andante | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 6 | Violin Concerto in D major, op. 35: III. Finale: Allegro assai vivace | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 7 | Much Ado about Nothing, op. 11: I. The Maiden in the Bridal Chamber: Lento - Molto moderato, with charm and grace | Gil Shaham, André Previn | — | |
| 8 | Much Ado about Nothing, op. 11: II. Dogberry and Verges. March of the Watch: In the tempo of a grotesque funeral march | Gil Shaham, André Previn | — | |
| 9 | Much Ado about Nothing, op. 11: III. Scene in the Garden: Molto espressivo (broad, but not too slow) | Gil Shaham, André Previn | — | |
| 10 | Much Ado about Nothing, op. 11: IV. Masquerade: Hornpipe: Animato | Gil Shaham, André Previn | T-902.876.200-7 | |
| 2-1 | Concerto for Violin and Orchestra no. 2, Sz. 112: I. Allegro non troppo | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — | |
| 2-2 | Concerto for Violin and Orchestra no. 2, Sz. 112: II. Andante tranquillo | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — | |
| 2-3 | Concerto for Violin and Orchestra no. 2, Sz. 112: III. Allegro molto | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — | |
| 2-4 | Rhapsody for Violin and Orchestra no. 1, Sz.87: I. Lassú: Moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — | |
| 2-5 | Rhapsody for Violin and Orchestra no. 1, Sz.87: II. Friss: Allegretto moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — | |
| 2-6 | Rhapsody for Violin and Orchestra no. 2, Sz. 90: I. Lassú: Moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — | |
| 2-7 | Rhapsody for Violin and Orchestra no. 2, Sz. 90: II. Friss: Allegro moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — | |
| 3-1 | Violin Concerto in D major, op. 77: I. Allegro non troppo | — | ||
| 3-2 | Violin Concerto in D major, op. 77: II. Adagio | — | ||
| 3-3 | Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace – Poco più presto | — | ||
| 3-4 | Double Concerto in A minor, op. 102: I. Allegro | — | ||
| 3-5 | Double Concerto in A minor, op. 102: II. Andante | — | ||
| 3-6 | Double Concerto in A minor, op. 102: III. Vivace non troppo – Poco meno allegro – Tempo I | — | ||
| 4-1 | Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato - Attacca | — | ||
| 4-2 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio | — | ||
| 4-3 | Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico - Presto | — | ||
| 4-4 | Violin Concerto no. 1 in E minor, op. 64: I. Allegro molto appassionato | — | ||
| 4-5 | Violin Concerto no. 1 in E minor, op. 64: II. Andante | — | ||
| 4-6 | Violin Concerto no. 1 in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 5-1 | Sonata in F major, op. 57 (B. 106): 1. Allegro, ma non troppo | Gil Shaham, Orli Shaham | — | |
| 5-2 | Sonata in F major, op. 57 (B. 106): 2. Poco sostenuto | Gil Shaham, Orli Shaham | T-902.798.523-5 | |
| 5-3 | Sonata in F major, op. 57 (B. 106): 3. Allegro molto | Gil Shaham, Orli Shaham | — | |
| 5-4 | Romantic Pieces, op. 75 (B. 150): 1. Allegro moderato | Gil Shaham, Orli Shaham | — | |
| 5-5 | Romantic Pieces, op. 75 (B. 150): 2. Allegro maestoso | Gil Shaham, Orli Shaham | — | |
| 5-6 | Romantic Pieces, op. 75 (B. 150): 3. Allegro appassionato | Gil Shaham, Orli Shaham | — | |
| 5-7 | Romantic Pieces, op. 75 (B. 150): 4. Larghetto | Gil Shaham, Orli Shaham | — | |
| 5-8 | Sonatina in G major, op. 100 (B. 183): 1. Allegro risoluto | Gil Shaham, Orli Shaham | — | |
| 5-9 | Sonatina in G major, op. 100 (B. 183): 2. Larghetto – Poco più mosso – Meno mosso, Tempo I | Gil Shaham, Orli Shaham | — | |
| 5-10 | Sonatina in G major, op. 100 (B. 183): 3. Scherzo: Molto vivace – Trio | Gil Shaham, Orli Shaham | — | |
| 5-11 | Sonatina in G major, op. 100 (B. 183): 4. Finale: Allegro – Molto tranquillo – Tempo I | Gil Shaham, Orli Shaham | T-003.055.867-8 | |
| 6-1 | Violin Concerto in A minor, Op. 82: I. Moderato | — | ||
| 6-2 | Violin Concerto in A minor, Op. 82: II. Andante | — | ||
| 6-3 | Violin Concerto in A minor, Op. 82: III. Allegro | — | ||
| 6-4 | Violin Concerto in C major, op. 48: I. Allegro molto e con brio | — | ||
| 6-5 | Violin Concerto in C major, op. 48: II. Andantino cantabile | — | ||
| 6-6 | Violin Concerto in C major, op. 48: III. Vivace giocoso | — | ||
| 6-7 | Souvenir d'un lieu cher, Op. 42: I. Méditation in D minor | — | ||
| 6-8 | Souvenir d'un lieu cher, Op. 42: II. Scherzo in C minor | — | ||
| 6-9 | Souvenir d'un lieu cher, Op. 42: III. Mélodie in E-flat | — | ||
| 6-10 | Valse-Scherzo in C major, Op. 34 | — | ||
| 7-1 | Quatuor pour la fin du temps: I. Liturgie de cristal | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 7-2 | Quatuor pour la fin du temps: II. Vocalise, pour l'Ange qui annonce la fin du temps | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 7-3 | Quatuor pour la fin du temps: III. Abîme des oiseaux | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 7-4 | Quatuor pour la fin du temps: IV. Intermède | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 7-5 | Quatuor pour la fin du temps: V. Louange à l'Eternité de Jésus | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 7-6 | Quatuor pour la fin du temps: VI. Danse de la fureur, pour les sept trompettes | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 7-7 | Quatuor pour la fin du temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui announce la fin du temps | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 7-8 | Quatuor pour la fin du temps: VIII. Lourange à l'Immortalité de Jésus | Gil Shaham, Paul Meyer, 王健, 정명훈 | T-003.014.967-7 | |
| 8-1 | Violin Concerto no. 1 in D, op. 6: I. Allegro maestoso | — | ||
| 8-2 | Violin Concerto no. 1 in D, op. 6: II. Adagio | — | ||
| 8-3 | Violin Concerto no. 1 in D, op. 6: III. Rondo. Allegro spirituoso | — | ||
| 8-4 | Violin Concerto no. 3 in B minor, op. 61: I. Allegro non troppo | — | ||
| 8-5 | Violin Concerto no. 3 in B minor, op. 61: II. Andantino quasi allegretto | — | ||
| 8-6 | Violin Concerto no. 3 in B minor, op. 61: III. Molto moderato e maestoso | — | ||
| 9-1 | Sonata concertata per chitarra e violino in A major, M.S. 2: II. Adagio, assai espressivo | Gil Shaham, Göran Söllscher | — | |
| 9-2 | Sonata concertata per chitarra e violino in A major, M.S. 2: II. Adagio, assai espressivo | Gil Shaham, Göran Söllscher | — | |
| 9-3 | Sonata concertata per chitarra e violino in A major, M.S. 2: II. Adagio, assai espressivo | Gil Shaham, Göran Söllscher | — | |
| 9-4 | Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 1: I. Larghetto | Gil Shaham, Göran Söllscher | — | |
| 9-5 | Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 1: I. Larghetto | Gil Shaham, Göran Söllscher | — | |
| 9-6 | Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 4: II. Allegretto | Gil Shaham, Göran Söllscher | — | |
| 9-7 | Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 4: II. Allegretto | Gil Shaham, Göran Söllscher | — | |
| 9-8 | Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 6 in E minor: I. Andante | Gil Shaham, Göran Söllscher | — | |
| 9-9 | Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 6 in E minor: I. Andante | Gil Shaham, Göran Söllscher | — | |
| 9-10 | Grand sonata per chitarra e violino in A major, M.S. 109: Romance - Più tosto Largo, Amorosamente [excerpt] | Gil Shaham, Göran Söllscher | — | |
| 9-11 | Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 2 in D major: II. Rondoncino. Andantino, Tempo di polacca - minore | Gil Shaham, Göran Söllscher | — | |
| 9-12 | Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 2 in D major: II. Rondoncino. Andantino, Tempo di polacca - minore | Gil Shaham, Göran Söllscher | — | |
| 9-13 | Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 4 in A major: II. Rondo. Andantino. Allegretto - minore - maggiore | Gil Shaham, Göran Söllscher | — | |
| 9-14 | Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 4 in A major: II. Rondo. Andantino. Allegretto - minore - maggiore | Gil Shaham, Göran Söllscher | — | |
| 9-15 | Cantabile per violino e chitarra (pianoforte) in D major, M.S. 109 | Gil Shaham, Göran Söllscher | — | |
| 10-1 | Fratres (for violin, string orchestra, and percussion) | — | ||
| 10-2 | Tabula Rasa: I. Ludus: Con moto | — | ||
| 10-3 | Tabula Rasa: II. Silentium: Senza moto | — | ||
| 10-4 | Symphony no. 3: I. Attacca | Göteborgs Symfoniker, Neeme Järvi | — | |
| 10-5 | Symphony no. 3: II. Più mosso – attacca | Göteborgs Symfoniker, Neeme Järvi | — | |
| 10-6 | Symphony no. 3: III. Alla breve | Göteborgs Symfoniker, Neeme Järvi | — | |
| 11-1 | Concerto for Violin no. 1, op. 19: I. Andantino | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 11-2 | Concerto for Violin no. 1, op. 19: II. Scherzo: Vivacissimo | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 11-3 | Concerto for Violin no. 1, op. 19: III. Moderato | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 11-4 | Concerto for Violin no. 2, op. 63: I. Allegro moderato | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 11-5 | Concerto for Violin no. 2, op. 63: II. Andante assai | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 11-6 | Concerto for Violin no. 2, op. 63: III. Allegro, ben marcato | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 11-7 | Sonata for Solo Violin, op. 115: I. Moderato | Gil Shaham | — | |
| 11-8 | Sonata for Solo Violin, op. 115: II. Andante dolce | Gil Shaham | — | |
| 11-9 | Sonata for Solo Violin, op. 115: III. Con brio | Gil Shaham | — | |
| 12-1 | Sonata for Violin and Piano no. 1, op. 75: I. Allegro agitato - Adagio | — | ||
| 12-2 | Sonata for Violin and Piano no. 1, op. 75: II. Allegretto moderato - Allegro molto | — | ||
| 12-3 | Sonata for Violin and Piano in A major: I. Allegretto moderato | — | ||
| 12-4 | Sonata for Violin and Piano in A major: II. Allegro | — | ||
| 12-5 | Sonata for Violin and Piano in A major: III. Recitative - Fantasia. Ben moderato | — | ||
| 12-6 | Sonata for Violin and Piano in A major: IV. Allegretto poco mosso | — | ||
| 12-7 | Tzigane | Gil Shaham, Gerhard Oppitz | T-070.136.799-8 | |
| 13-1 | Sonata D 384: I. Allegro molto | — | ||
| 13-2 | Sonata D 384: II. Andante | — | ||
| 13-3 | Sonata D 384: III. Allegro vivace | — | ||
| 13-4 | Moment musical D 780 no. 3 | — | ||
| 13-5 | Ständchen (Serenade) D 957 no. 4 | — | ||
| 13-6 | Valse noble D 969 no. 4 | — | ||
| 13-7 | Ländler D 790 no. 3 | — | ||
| 13-8 | Valse (Ländler) D 146 no. 12 | — | ||
| 13-9 | Valse noble D 969 no. 3 | — | ||
| 13-10 | German Dance D 783 no. 10 | — | ||
| 13-11 | Sonata D 821 “Arpeggione”: I. Allegro moderato | — | ||
| 13-12 | Sonata D 821 “Arpeggione”: II. Adagio | — | ||
| 13-13 | Sonata D 821 “Arpeggione”: III. Allegretto | — | ||
| 13-14 | Valse D 365 no. 36 | — | ||
| 13-15 | German Dance D 783 no. 2 | — | ||
| 13-16 | Valse D 365 no. 2 | — | ||
| 13-17 | 15 Original from D 365: No. 1 | — | ||
| 13-18 | 15 Original from D 365: No. 19 | — | ||
| 13-19 | 15 Original from D 365: No. 20 | — | ||
| 13-20 | 15 Original from D 365: No. 21 | — | ||
| 13-21 | 15 Original from D 365: No. 6 | — | ||
| 13-22 | 15 Original from D 365: No. 2 | — | ||
| 13-23 | 15 Original from D 365: No. 3 | — | ||
| 13-24 | 15 Original from D 365: No. 4 | — | ||
| 13-25 | 15 Original from D 365: No. 16 | — | ||
| 13-26 | 15 Original from D 365: No. 23 | — | ||
| 13-27 | 15 Original from D 365: No. 7 | — | ||
| 13-28 | 15 Original from D 365: No. 11 | — | ||
| 13-29 | 15 Original from D 365: No. 12 | — | ||
| 13-30 | 15 Original from D 365: No. 9 | — | ||
| 13-31 | 15 Original from D 365: No. 10 | — | ||
| 13-32 | Ave Maria (Ellen's Song III) D 839 | — | ||
| 14-1 | Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto | Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 14-2 | Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto | Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 14-3 | Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto | Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 14-4 | Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo | Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 14-5 | Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo | Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 14-6 | Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo | Gil Shaham, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 15-1 | Sonata for Violin and Piano in E flat, Op. 18: 1. Allegro ma non troppo | — | ||
| 15-2 | Sonata for Violin and Piano in E flat, Op. 18: 2. Improvisation (Andante cantabile) | — | ||
| 15-3 | Sonata for Violin and Piano in E flat, Op. 18: 3. Finale (Andante‐Allegro) | — | ||
| 15-4 | 3 Romances, Op. 94: No. 2 Einfach, innig | — | ||
| 15-5 | 24 Caprices for Violin, Op. 1 - transcribed for violin and piano by Robert Schumann: No. 1 in E flat major | — | ||
| 15-6 | Tempo di menuetto (in the style of Pugnani) | — | ||
| 15-7 | 3 Old Viennese Dances: 2. Liebesleid | — | ||
| 15-8 | La Capricieuse, Op. 17 | — | ||
| 15-9 | Carmen Fantasy, Op. 25: Introduction. Allegro moderato | — | ||
| 15-10 | Carmen Fantasy, Op. 25: 1. Moderato | — | ||
| 15-11 | Carmen Fantasy, Op. 25: 2. Lento assai | — | ||
| 15-12 | Carmen Fantasy, Op. 25: 3. Allegro moderato | — | ||
| 15-13 | Carmen Fantasy, Op. 25: 4. Moderato | — | ||
| 16-1 | Les Quatre Saisons : « Le Printemps » : Allegro | Gil Shaham, Orpheus Chamber Orchestra | T-911.640.004-5 | |
| 16-2 | Concerto in E major "Spring", RV 269: II. Largo e pianissimo sempre | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-3 | Concerto in E major "Spring", RV 269: III. Danza pastorale - Allegro | Gil Shaham, Orpheus Chamber Orchestra | T-902.836.120-8 | |
| 16-4 | Concerto in G minor "Summer ", RV 315: I. Allegro non molto | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-5 | Concerto in G minor "Summer ", RV 315: II. Adagio - Presto | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-6 | Concerto in G minor "Summer ", RV 315: III. Presto | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-7 | Concerto in F major "Autumn", RV 293: I. Allegro | Gil Shaham, Orpheus Chamber Orchestra | T-911.640.004-5 | |
| 16-8 | Violin Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio molto | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-9 | Concerto in F major "Autumn", RV 293: III. Allegro | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-10 | Concerto in F minor "Winter", RV 297: I. Allegro non molto | Gil Shaham, Orpheus Chamber Orchestra | T-910.793.958-2 | |
| 16-11 | Violin Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-12 | Concerto in F minor "Winter", RV 297: III. Allegro | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-13 | Concerto for Violin in the Style of Vivaldi in C major: I. Allegro moderato e maestoso | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-14 | Concerto for Violin in the Style of Vivaldi in C major: II. Andante doloroso | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 16-15 | Concerto for Violin in the Style of Vivaldi in C major: III. Allegro assai | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 17-1 | Concerto for Violin and Orchestra No. 1 in F-sharp minor, Op. 14: I. Allegro moderato | — | ||
| 17-2 | Concerto for Violin and Orchestra No. 1 in F-sharp minor, Op. 14: II. Preghiera. Larghetto | — | ||
| 17-3 | Concerto for Violin and Orchestra No. 1 in F-sharp minor, Op. 14: III. Rondo. Allegro giocoso | — | ||
| 17-4 | Concerto for Violin and Orchestra No. 2 in D minor, Op. 22: I. Allegro moderato | — | ||
| 17-5 | Concerto for Violin and Orchestra No. 2 in D minor, Op. 22: II. Romance. Andante non troppo | — | ||
| 17-6 | Concerto for Violin and Orchestra No. 2 in D minor, Op. 22: III. Allegro con fuoco-Allegro moderato (à la Zingara) | — | ||
| 17-7 | Legende, Op. 17: Andante. Allegro moderato. Tempo I | — | ||
| 17-8 | Zigeunerweisen, Op. 20: Moderato. Lento. Un peu plus lent. Allegro molto vivace | — | ||
| 17-9 | Concert Fantasy on Themes From Bizet's Carmen, op. 25 | — | ||
| 18-1 | TreeSong: Dreamly. "Doctor Hu and the Metasequoia" | Gil Shaham, Boston Symphony Orchestra, John Williams | — | |
| 18-2 | TreeSong: Twice as fast - Deciso. "Trunks, Branches and Leaves" | Gil Shaham, Boston Symphony Orchestra, John Williams | — | |
| 18-3 | TreeSong: Tempo primo. "The Tree Sings" | Gil Shaham, Boston Symphony Orchestra, John Williams | — | |
| 18-4 | Concerto for Violin and Orchestra: Moderato | Gil Shaham, Boston Symphony Orchestra, John Williams | — | |
| 18-5 | Concerto for Violin and Orchestra: Slowly (in peaceful contemplation) | Gil Shaham, Boston Symphony Orchestra, John Williams | — | |
| 18-6 | Concerto for Violin and Orchestra: Broadly (Maestoso) - Quickly | Gil Shaham, Boston Symphony Orchestra, John Williams | — | |
| 18-7 | Three Pieces from Schindler's List: Theme. Lente | Gil Shaham, Boston Symphony Orchestra, John Williams | T-700.121.101-6 | |
| 18-8 | Three Pieces from Schindler's List: Jewish Town (Kraków Ghetto - Winter '41). Andante | Gil Shaham, Boston Symphony Orchestra, John Williams | T-904.475.811-4 | |
| 18-9 | Three Pieces from Schindler's List: Remembrances. Andante | Gil Shaham, Boston Symphony Orchestra, John Williams | T-904.475.811-4 | |
| 19-1 | Prelude no. 1 in B-flat major: Allegro ben ritmato e deciso (arr. violin & piano: Jascha Heifetz) | — | ||
| 19-2 | Prelude no. 2 in C-sharp minor: Andante con moto e poco rubato (arr. violin & piano: Jascha Heifetz) | — | ||
| 19-3 | Prelude no. 3 in E-flat minor: Allegro ben ritmato e deciso (arr. violin & piano: Jascha Heifetz) | — | ||
| 19-4 | Two pieces for violin & piano, no. 1: Nocturne | — | ||
| 19-5 | Sonata for violin & piano "Vineyard": I. Flowing and Calm | — | ||
| 19-6 | Sonata for violin & piano "Vineyard": II. Slowly - Fast, shadowy - Tempo I | — | ||
| 19-7 | Sonata for violin & piano "Vineyard": III. Fast and Brilliant - Waltz Tempo - Slowly - Tempo ad lib - quasi cadenza (Slowly, gradually faster) - Tempo primo | — | ||
| 19-8 | Sonata for violin & piano: I. Andante semplice - Allegro - Più mosso - Tempo II - Twice as slow (Tempo I) | — | ||
| 19-9 | Sonata for violin & piano: II. Lento - Poco più mosso - Tempo I | — | ||
| 19-10 | Sonata for violin & piano: III. Allegretto giusto - Presto - Twice as slow - Tempo I - Presto - Molto allargando (Twice as slow) - Tempo of Mov. I (Andante) | — | ||
| 19-11 | Canzone for violin & piano: Moderato | — | ||
| 20-1 | The Barber of Seville: Paraphrase on “Largo al factotum” | — | ||
| 20-2 | The Magic Flute: Fantaisie | — | ||
| 20-3 | Orphée et Euridice: Mélodie (Dance of the Blessed Spirits) | — | ||
| 20-4 | Tancredi: I palpiti | — | ||
| 20-5 | The Love for Three Oranges: March | — | ||
| 20-6 | Der Rosenkavalier: Waltzes | — | ||
| 20-7 | Porgy and Bess: “Summertime” | — | ||
| 20-8 | Porgy and Bess: “My Man's Gone Now” | — | ||
| 20-9 | Porgy and Bess: “Bess, You Is My Woman Now” | — | ||
| 20-10 | Porgy and Bess: “It Ain't Necessarily So” | — | ||
| 20-11 | Porgy and Bess: Tempo di Blues | — | ||
| 20-12 | Sadko: Hindoo Song (Song of India) | — | ||
| 20-13 | Carmen: Fantaisie brillante | — | ||
| 21-1 | Devil's Dance from "The Witches of Eastwick" | Jonathan Feldman, Gil Shaham | — | |
| 21-2 | A Transylvanian Lullaby from "Young Frankenstein" | Jonathan Feldman, Gil Shaham | — | |
| 21-3 | Lyric Pieces X, Op. 71 No. 3: Kobold | Jonathan Feldman, Gil Shaham | T-802.456.190-9 | |
| 21-4 | Danse macabre in G minor, Op. 40 | Jonathan Feldman, Gil Shaham | T-003.008.160-7 | |
| 21-5 | Caprice Fantastique (Wichtelmännchen) | Jonathan Feldman, Gil Shaham | — | |
| 21-6 | Walpurgisnacht "Lieb Mutter, heut Nacht...", Op. 75 No. 4 | Jonathan Feldman, Gil Shaham | — | |
| 21-7 | Andres Maienlied "Hexenlied" / "Die Schwalbe fliegt", Op. 8 No. 8 | Jonathan Feldman, Gil Shaham | — | |
| 21-8 | La Ronde des Lutins, scherzo fantastique, Op. 25 | Jonathan Feldman, Gil Shaham | — | |
| 21-9 | The Graceful Ghost | Jonathan Feldman, Gil Shaham | — | |
| 21-10 | Concert Fantasy on themes from Gounod's "Faust" | Jonathan Feldman, Gil Shaham | — | |
| 21-11 | Caprice for Solo Violin in B flat major, Op. 1 No. 13 | Jonathan Feldman, Gil Shaham | — | |
| 21-12 | Sonata in G minor "The Devil's Trill", B. g5 | Jonathan Feldman, Gil Shaham | — | |
| 21-13 | Violin Sonata No. 2 in A minor "Obsession", Op. 27 No. 2: I. Obsession: Prelude | Jonathan Feldman, Gil Shaham | T-901.467.048-5 | |
| 22-1 | Salut d’amour | — | ||
| 22-2 | Schön Rosmarin | — | ||
| 22-3 | Romance in G major | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 22-4 | Liebesfreud | — | ||
| 22-5 | Romance no. 1 in G major, op. 40 | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 22-6 | Romance no. 2 in F major, op. 50 | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 22-7 | Liebesleid | — | ||
| 22-8 | Serenade melancolique in B minor, op. 26 | — | ||
| 22-9 | Romanza Andaluza, op. 22 no. 1 | — | ||
| 22-10 | Romance in F minor, op. 11 | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Moses Variations | Gil Shaham, Göran Söllscher | — |
| Allegro vivace a movimento perpetuo per violino e chitarra in C major, M.S. 72 Op. 11 (Lars Hannibal revised guitar part version) | Gil Shaham, Göran Söllscher | — |
| Les Quatre Saisons : « Le Printemps » : Allegro | Gil Shaham, Orpheus Chamber Orchestra | T-900.263.726-5 |
