UPC · Release
Christian Thielemann
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The UPC for “The Orchestral Recordings on Deutsche Grammophon” by Christian Thielemann is 028948364237. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-01-01. Label: Deutsche Grammophon. This release contains 187 tracks, each with its own ISRC. Tracks include DEF059504200, DEF059504210, DEF059504220.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Palestrina: Vorspiel zum I. Akt: Ruhig (andante) | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 2 | Palestrina: Vorspiel zum II. Akt: Mit Wucht und Wildheit | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 3 | Palestrina: Vorspiel zum III. Akt: Langsam, sehr getragen | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 4 | Das Herz, op. 39: Liebesmelodie: Sehr ruhig, lieblich (Molto tranquillo, dolce) | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 5 | Das Käthchen von Heilbronn, op. 17: Ouvertüre: Kräftig, frisch und schnell | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 6 | Guntram, op. 25: Vorspiel zum I. Akt: Mässig langsam | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 7 | Capriccio, op. 85: Vorspiel (Streichsextett): Andante con moto | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 8 | Feuersnot, op. 50: Liebesszene: Lansam - Sehr ruhig - Bewegt - Sehr leidenschaftlich bewegt - Mässig | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 2-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 2-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 2-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 2-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 2-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace | — | ||
| 2-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 2-7 | Symphony no. 7 in A major, op. 92: III. Presto | — | ||
| 2-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | — | ||
| 3-1 | Cantata on the Death of Emperor Joseph II for solo voices, chorus and orchestra, WoO 87: No. 1 Chorus: “Tot! Tot, stöhnt es durch die öde Nacht” (chorus, soli) | — | ||
| 3-2 | Cantata on the Death of Emperor Joseph II for solo voices, chorus and orchestra, WoO 87: No. 2 Recitative: “Ein Ungeheuer, sein Name Fanatismus” (bass) | — | ||
| 3-3 | Cantata on the Death of Emperor Joseph II for solo voices, chorus and orchestra, WoO 87: No. 3 Aria: “Da kam Joseph” (bass) | — | ||
| 3-4 | Cantata on the Death of Emperor Joseph II for solo voices, chorus and orchestra, WoO 87: No. 4 Aria with Chorus: “Da stiegen die Menschen an's Licht” (soprano, chorus) | — | ||
| 3-5 | Cantata on the Death of Emperor Joseph II for solo voices, chorus and orchestra, WoO 87: No. 5 Recitative: “Er schläft, von den Sorgen seiner Welten entladen” (soprano) | — | ||
| 3-6 | Cantata on the Death of Emperor Joseph II for solo voices, chorus and orchestra, WoO 87: No. 6 Aria: “Hier schlummert seinen stillen Frieden der große Dulder” (soprano) | — | ||
| 3-7 | Cantata on the Death of Emperor Joseph II for solo voices, chorus and orchestra, WoO 87: No. 7 Chorus: “Tot! Tot, stöhnt es durch die öde Nacht” (chorus, soli) | — | ||
| 3-8 | Cantata on the Accession of Emperor Leopold II for solo voices, chorus and orchestra, WoO 88: No. 1 Recitative: “Er schlummert” (soprano, chorus) | — | ||
| 3-9 | Cantata on the Accession of Emperor Leopold II for solo voices, chorus and orchestra, WoO 88: No. 2 Aria: “Fließe, Wonnezähre, fließe!” (soprano) | — | ||
| 3-10 | Cantata on the Accession of Emperor Leopold II for solo voices, chorus and orchestra, WoO 88: No. 3 Recitative: “Ihr staunt, Völker der Erde!” (bass) | — | ||
| 3-11 | Cantata on the Accession of Emperor Leopold II for solo voices, chorus and orchestra, WoO 88: No. 4 Recitative: “Wie bebt mein Herz vor Wonne!” (tenor) | — | ||
| 3-12 | Cantata on the Accession of Emperor Leopold II for solo voices, chorus and orchestra, WoO 88: No. 5 Trio: “Ihr, die Joseph ihren Vater nannten” (tenor, bass, soprano) | — | ||
| 3-13 | Cantata on the Accession of Emperor Leopold II for solo voices, chorus and orchestra, WoO 88: No. 6 Chorus: “Heil! Stürzet nieder, Millionen” (chorus, soli) | — | ||
| 4-1 | Overture “Manfred”, op. 115 | — | ||
| 4-2 | Konzertstück in F major for four Horns and Orchestra, op. 86: I. Lebhaft | — | ||
| 4-3 | Konzertstück in F major for four Horns and Orchestra, op. 86: II. Romanze. Ziemlich langsam, doch nicht schleppend | — | ||
| 4-4 | Konzertstück in F major for four Horns and Orchestra, op. 86: III. Sehr lebhaft | — | ||
| 4-5 | Symphony no. 2 in C, op. 61: I. Sostenuto assai - Allegro ma non troppo | — | ||
| 4-6 | Symphony no. 2 in C, op. 61: II. Scherzo (Allegro vivace) | — | ||
| 4-7 | Symphony no. 2 in C, op. 61: III. Adagio espressivo | — | ||
| 4-8 | Symphony no. 2 in C, op. 61: IV. Allegro molto vivace | — | ||
| 5-1 | Die Meistersinger von Nürnberg, WWV 96: Akt I. Vorspiel | — | ||
| 5-2 | Lohengrin, WWV 75: Akt I. Vorspiel | — | ||
| 5-3 | Lohengrin, Akt III.: Vorspiel | The Philadelphia Orchestra, Christian Thielemann | — | |
| 5-4 | Parsifal, WWV 111: Akt I. Vorspiel | — | ||
| 5-5 | Parsifal, WWV 111: Akt III. Karfreitagszauber | — | ||
| 5-6 | Tristan und Isolde, WWV 90: Akt I. Vorspiel | — | ||
| 5-7 | Tristan und Isolde, WWV 90: Akt III, Szene III. “Mild und leise wie er lächelt” | — | ||
| 6-1 | Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-2 | Carmina Burana: Fortuna Imperatrix Mundi: 2. Fortune plango vulnera | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-3 | Carmina Burana: I. Primo vere: 3. Veris leta facies | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-5 | Carmina Burana: I. Primo vere: 5.Ecce gratum | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-6 | Carmina Burana: Uf dem anger: 7. Floret silva nobilis | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-306.378.550-8 | |
| 6-7 | """FLORET SILVA NOBILIS""" | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 6-8 | Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-9 | Carmina Burana: Uf dem anger: 9. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-10 | Carmina Burana: Uf dem anger: 10. Were diu werlt alle min | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-11 | Carmina Burana: II. In taberna: 11. Estuans interius | Simon Keenlyside, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-12 | Carmina Burana: II. In taberna: 12. Olim lacus colueram | Chor der Deutschen Oper Berlin, David Kuebler, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-13 | Carmina Burana: II. In taberna: 13. Ego sum abbas | Chor der Deutschen Oper Berlin, Simon Keenlyside, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-14 | Carmina Burana: II. In taberna: 14. In taberna quando sumus | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-15 | Carmina Burana: III. Cour d’amours: 15. Amor volat undique | Berliner Knabenchor, Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-16 | Carmina Burana: III. Cour d’amours: 16. Dies, nox et omnia | Simon Keenlyside, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-17 | Carmina Burana: III. Cour d’amours: 17. Stetit puella | Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-18 | Carmina Burana: III. Cour d’amours: 18. Circa mea pectora | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-19 | Carmina Burana: III. Cour d’amours: 19. Si puer cum puellula | Chor der Deutschen Oper Berlin, Simon Keenlyside, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-20 | Carmina Burana: III. Cour d’amours: 20. Veni, veni, venias | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-21 | Carmina Burana: III. Cour d’amours: 22. Tempus est iocundum | Berliner Knabenchor, Chor der Deutschen Oper Berlin, Simon Keenlyside, Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 6-22 | Carmina Burana: III. Cour d’amours: 22. Tempus est iocundum | Berliner Knabenchor, Chor der Deutschen Oper Berlin, Simon Keenlyside, Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 6-23 | Carmina Burana: III. Cour d’amours: 23. Dulcissime | Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-24 | Carmina Burana: Blanziflor et Helena: 24. Ave, formosissima | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-25 | Carmina Burana: Fortuna Imperatrix Mundi: 25. O Fortuna | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 7-1 | “Genoveva” Overture, op. 81 | Philharmonia Orchestra, Christian Thielemann | — | |
| 7-2 | Overture, Scherzo & Finale, op. 52: I. Overture. Andante con moto - allegro | Philharmonia Orchestra, Christian Thielemann | — | |
| 7-3 | Overture, Scherzo & Finale, op. 52: II. Scherzo. Vivo - trio. L’istesso tempo | Philharmonia Orchestra, Christian Thielemann | T-011.742.574-7 | |
| 7-4 | Overture, Scherzo & Finale, op. 52: III. Finale. Allegro molto vivace | Philharmonia Orchestra, Christian Thielemann | — | |
| 7-5 | Symphony No. 3 in E-flat major, op. 97 “Rhenish”: I. Lebhaft | Philharmonia Orchestra, Christian Thielemann | — | |
| 7-6 | Symphony No. 3 in E-flat major, op. 97 “Rhenish”: II. Scherzo. Sehr mäßig | Philharmonia Orchestra, Christian Thielemann | — | |
| 7-7 | Symphony No. 3 in E-flat major, op. 97 “Rhenish”: III. Nicht schnell | Philharmonia Orchestra, Christian Thielemann | — | |
| 7-8 | Symphony No. 3 in E-flat major, op. 97 “Rhenish”: IV. Feierlich | Philharmonia Orchestra, Christian Thielemann | — | |
| 7-9 | Symphony No. 3 in E-flat major, op. 97 “Rhenish”: V. Lebhaft | Philharmonia Orchestra, Christian Thielemann | T-902.876.200-7 | |
| 8-1 | Pelleas und Melisande, op. 5: Die Note ein wenig bewegt - zögernd | — | ||
| 8-2 | Pelleas und Melisande, op. 5: Heftig | — | ||
| 8-3 | Pelleas und Melisande, op. 5: Lebhaft (Partiturziffer / Rehearsal number/Chiffre 9) | — | ||
| 8-4 | Pelleas und Melisande, op. 5: Sehr rasch (16) | — | ||
| 8-5 | Pelleas und Melisande, op. 5: Ein wenig bewegt (33) | — | ||
| 8-6 | Pelleas und Melisande, op. 5: Langsam (36) | — | ||
| 8-7 | Pelleas und Melisande, op. 5: Ein wenig bewegter (43) | — | ||
| 8-8 | Pelleas und Melisande, op. 5: Sehr langsam (50) | — | ||
| 8-9 | Pelleas und Melisande, op. 5: Etwas bewegt (55) | — | ||
| 8-10 | Pelleas und Melisande, op. 5: In gehender Bewegung (59) | — | ||
| 8-11 | Pelleas und Melisande, op. 5: Breit (62) | — | ||
| 8-12 | Siegfried Idyll | — | ||
| 9-1 | Eine Alpensinfonie, op. 64: Nacht | Wiener Philharmoniker, Christian Thielemann | T-913.095.484-6 | |
| 9-2 | Eine Alpensinfonie, op. 64: Sonnenuntergang | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-3 | Eine Alpensinfonie, op. 64: Der Anstieg | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-4 | Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bache | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-5 | Eine Alpensinfonie, op. 64: Am Wasserfall - Erscheinung | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-6 | Eine Alpensinfonie, op. 64: Auf blumigen Wiesen | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-7 | Eine Alpensinfonie, op. 64: Auf der Alm | Wiener Philharmoniker, Christian Thielemann | T-009.048.047-9 | |
| 9-8 | Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-9 | Eine Alpensinfonie, op. 64: Auf dem Gletscher | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-10 | Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-11 | Eine Alpensinfonie, op. 64: Auf dem Gipfel | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-12 | Eine Alpensinfonie, op. 64: Vision | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-13 | Eine Alpensinfonie, op. 64: Nebel steigen auf - Die Sonne verdüstert sich allmählich - Elegie - Stille vor dem Sturm | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-14 | Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-15 | Eine Alpensinfonie, op. 64: Sonnenuntergang | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-16 | Eine Alpensinfonie, op. 64: Ausklang | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-17 | Eine Alpensinfonie, op. 64: Nacht | Wiener Philharmoniker, Christian Thielemann | T-801.277.424-3 | |
| 9-18 | Concert Suite From "Der Rosenkavalier", TrV 227d: Con moto agitato | — | ||
| 9-19 | Concert Suite From "Der Rosenkavalier", TrV 227d: Allegro molto | — | ||
| 9-20 | Concert Suite From "Der Rosenkavalier", TrV 227d: Tempo di Valse, assai comodo da primo | — | ||
| 9-21 | Concert Suite From "Der Rosenkavalier", TrV 227d: Moderato molto sostenuto | — | ||
| 9-22 | Concert Suite From "Der Rosenkavalier", TrV 227d: Quick Waltz. Molto con moto | — | ||
| 10-1 | Symphony No. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace | — | ||
| 10-2 | Symphony No. 1 in B-flat major, op. 38 "Spring": II. Larghetto | — | ||
| 10-3 | Symphony No. 1 in B-flat major, op. 38 "Spring": III. Scherzo. Molto vivace | — | ||
| 10-4 | Symphony No. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso | — | ||
| 10-5 | Symphony No. 4 in D minor, op. 120: I. Ziemlich Langsam - Lebhaft | — | ||
| 10-6 | Symphony No. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam | — | ||
| 10-7 | Symphony No. 4 in D minor, op. 120: III. Scherzo. Lebhaft | — | ||
| 10-8 | Symphony No. 4 in D minor, op. 120: IV. Langsam - Lebhaft | — | ||
| 11-1 | Fantasie from "Die Frau ohne Schatten" | — | ||
| 11-2 | Der Held | — | ||
| 11-3 | Des Helden Widersacher | — | ||
| 11-4 | Des Helden Gefährtin | — | ||
| 11-5 | Des Helden Walstatt | — | ||
| 11-6 | Des Helden Friedenswerke | — | ||
| 11-7 | Des Helden Weltflucht und Vollendung | — | ||
| 12-1 | A Midsummer Night's Dream, op. 21: Overture | — | ||
| 12-2 | Euryanthe, op. 81, J. 291: Overture | — | ||
| 12-3 | Oberon, J. 306: Overture | — | ||
| 12-4 | The Hebrides, op. 26 - "Fingal's Cave" - Allegro moderato | — | ||
| 12-5 | Die lustigen Weiber von Windsor - Overture | — | ||
| 12-6 | Hans Heiling, op. 80 - Overture | — | ||
| 12-7 | Rienzi, WWV 49 - Overture | — | ||
| 13-1 | Symphony no. 5 in B-flat major: I. Introduction: Adagio - Allegro | Münchner Philharmoniker, Christian Thielemann | — | |
| 13-2 | Symphony no. 5 in B-flat major: II. Adagio: Sehr langsam | Münchner Philharmoniker, Christian Thielemann | — | |
| 13-3 | Symphony no. 5 in B-flat major: III. Scherzo. Molto vivace (Schnell) - Trio im gleichen Tempo | Münchner Philharmoniker, Christian Thielemann | — | |
| 13-4 | Symphony no. 5 in B-flat major: IV. Finale: Adagio - Allegro moderato | Münchner Philharmoniker, Christian Thielemann | — | |
| 14-1 | Requiem in D minor, K. 626: I. Introitus: Requiem | — | ||
| 14-2 | Requiem in D minor, K. 626: II. Kyrie | — | ||
| 14-3 | Requiem in D minor, K. 626: III. Sequentia: Dies irae | — | ||
| 14-4 | Requiem in D minor, K. 626: III. Sequentia: Tuba mirum | Lioba Braun, Steve Davislim, Sibylla Rubens, Georg Zeppenfeld, Friedemann Winklhofer, Münchner Philharmoniker, Christian Thielemann | — | |
| 14-5 | Requiem in D minor, K. 626: III. Sequentia: Rex tremendae | — | ||
| 14-6 | Requiem in D minor, K. 626: III. Sequentia: Recordae | — | ||
| 14-7 | Requiem in D minor, K. 626: III. Sequentia: Confutatis | Chor des Bayerischen Rundfunks, Friedemann Winklhofer, Münchner Philharmoniker, Christian Thielemann | — | |
| 14-8 | Requiem in D minor, K. 626: III. Sequentia: Lacrimosa | Chor des Bayerischen Rundfunks, Friedemann Winklhofer, Münchner Philharmoniker, Christian Thielemann | — | |
| 14-9 | Requiem in D minor, K. 626: IV. Offertorium: Domine Jesu | — | ||
| 14-10 | Requiem in D minor, K. 626: IV. Offertorium: Hostias | — | ||
| 14-11 | Requiem in D minor, K. 626: V. Sanctus | — | ||
| 14-12 | Requiem in D minor, K. 626: VI. Benedictus | — | ||
| 14-13 | Requiem in D minor, K. 626: VII. Agnus dei | — | ||
| 14-14 | Requiem in D minor, K. 626: VIII. Communio | — | ||
| 15-1 | Egmont, Op. 84: Ouvertüre | — | ||
| 15-2 | Symphonie No. 1, Op. 68: Allegro, un poco sostenuto | — | ||
| 15-3 | Symphonie No. 1, Op. 68: Andante, sostenuto | — | ||
| 15-4 | Symphonie No. 1, Op. 68: Un poco allegretto e grazioso | — | ||
| 15-5 | Symphonie No. 1, Op. 68: Adagio, piu andante, allegro non troppo, ma con brio | — | ||
| 16-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso: Poco più moderato | — | ||
| 16-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 16-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo (Allegro non troppo) | — | ||
| 17-1 | Violin Concerto in D, op. 77: I. Allegro non troppo | Lisa Batiashvili, Staatskapelle Dresden, Christian Thielemann | T-031.682.208-8 | |
| 17-2 | Violin Concerto in D, op. 77: II. Adagio | Lisa Batiashvili, Staatskapelle Dresden, Christian Thielemann | — | |
| 17-3 | Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | Lisa Batiashvili, Staatskapelle Dresden, Christian Thielemann | — | |
| 17-4 | 3 Romances for Violin and Piano, op. 22: I. Andante molto | Lisa Batiashvili, Alice Sara Ott | — | |
| 17-5 | 3 Romances for Violin and Piano, op. 22: II. Allegretto | Lisa Batiashvili, Alice Sara Ott | — | |
| 17-6 | 3 Romances for Violin and Piano, op. 22: III. Leidenschaftlich schnell | Lisa Batiashvili, Alice Sara Ott | — | |
| 18-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 18-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 18-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante - Più adagio | — | ||
| 18-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso - Un poco più presto | — | ||
| 19-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro | — | ||
| 19-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 19-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 19-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Piu Andante - Allegro non troppo ma con brio | — | ||
| 19-5 | Tragische Overtüre, op. 81 | — | ||
| 20-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 20-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | — | ||
| 20-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso | — | ||
| 20-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 20-5 | Akademische Festovertüre, op. 80 | — | ||
| 21-1 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | — | ||
| 21-2 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 21-3 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | — | ||
| 21-4 | Symphony no. 3 in F major, op. 90: IV. Allegro | — | ||
| 21-5 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 21-6 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 21-7 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso – Poco meno presto – Tempo I | — | ||
| 21-8 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato – Più allegro | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Requiem in D minor, K. 626: III. Sequentia: Tuba mirum | Lioba Braun, Steve Davislim, Sibylla Rubens, Georg Zeppenfeld, Friedemann Winklhofer, Münchner Philharmoniker, Christian Thielemann | — |
| Requiem in D minor, K. 626: III. Sequentia: Confutatis | Chor des Bayerischen Rundfunks, Friedemann Winklhofer, Münchner Philharmoniker, Christian Thielemann | — |
Musical Works (ISWC)
Identifier Graph
028948364237 is a Universal Product Code (UPC) assigned to The Orchestral Recordings on Deutsche Grammophon by Christian Thielemann. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 187 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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The UPC for “The Orchestral Recordings on Deutsche Grammophon” by Christian Thielemann is 028948364237. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-01-01. Label: Deutsche Grammophon. This release contains 187 tracks, each with its own ISRC. Tracks include DEF059504200, DEF059504210, DEF059504220.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Palestrina: Vorspiel zum I. Akt: Ruhig (andante) | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 2 | Palestrina: Vorspiel zum II. Akt: Mit Wucht und Wildheit | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 3 | Palestrina: Vorspiel zum III. Akt: Langsam, sehr getragen | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 4 | Das Herz, op. 39: Liebesmelodie: Sehr ruhig, lieblich (Molto tranquillo, dolce) | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 5 | Das Käthchen von Heilbronn, op. 17: Ouvertüre: Kräftig, frisch und schnell | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 6 | Guntram, op. 25: Vorspiel zum I. Akt: Mässig langsam | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 7 | Capriccio, op. 85: Vorspiel (Streichsextett): Andante con moto | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 8 | Feuersnot, op. 50: Liebesszene: Lansam - Sehr ruhig - Bewegt - Sehr leidenschaftlich bewegt - Mässig | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 2-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 2-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 2-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 2-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 2-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace | — | ||
| 2-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 2-7 | Symphony no. 7 in A major, op. 92: III. Presto | — | ||
| 2-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | — | ||
| 3-1 | Cantata on the Death of Emperor Joseph II for solo voices, chorus and orchestra, WoO 87: No. 1 Chorus: “Tot! Tot, stöhnt es durch die öde Nacht” (chorus, soli) | — | ||
| 3-2 | Cantata on the Death of Emperor Joseph II for solo voices, chorus and orchestra, WoO 87: No. 2 Recitative: “Ein Ungeheuer, sein Name Fanatismus” (bass) | — | ||
| 3-3 | Cantata on the Death of Emperor Joseph II for solo voices, chorus and orchestra, WoO 87: No. 3 Aria: “Da kam Joseph” (bass) | — | ||
| 3-4 | Cantata on the Death of Emperor Joseph II for solo voices, chorus and orchestra, WoO 87: No. 4 Aria with Chorus: “Da stiegen die Menschen an's Licht” (soprano, chorus) | — | ||
| 3-5 | Cantata on the Death of Emperor Joseph II for solo voices, chorus and orchestra, WoO 87: No. 5 Recitative: “Er schläft, von den Sorgen seiner Welten entladen” (soprano) | — | ||
| 3-6 | Cantata on the Death of Emperor Joseph II for solo voices, chorus and orchestra, WoO 87: No. 6 Aria: “Hier schlummert seinen stillen Frieden der große Dulder” (soprano) | — | ||
| 3-7 | Cantata on the Death of Emperor Joseph II for solo voices, chorus and orchestra, WoO 87: No. 7 Chorus: “Tot! Tot, stöhnt es durch die öde Nacht” (chorus, soli) | — | ||
| 3-8 | Cantata on the Accession of Emperor Leopold II for solo voices, chorus and orchestra, WoO 88: No. 1 Recitative: “Er schlummert” (soprano, chorus) | — | ||
| 3-9 | Cantata on the Accession of Emperor Leopold II for solo voices, chorus and orchestra, WoO 88: No. 2 Aria: “Fließe, Wonnezähre, fließe!” (soprano) | — | ||
| 3-10 | Cantata on the Accession of Emperor Leopold II for solo voices, chorus and orchestra, WoO 88: No. 3 Recitative: “Ihr staunt, Völker der Erde!” (bass) | — | ||
| 3-11 | Cantata on the Accession of Emperor Leopold II for solo voices, chorus and orchestra, WoO 88: No. 4 Recitative: “Wie bebt mein Herz vor Wonne!” (tenor) | — | ||
| 3-12 | Cantata on the Accession of Emperor Leopold II for solo voices, chorus and orchestra, WoO 88: No. 5 Trio: “Ihr, die Joseph ihren Vater nannten” (tenor, bass, soprano) | — | ||
| 3-13 | Cantata on the Accession of Emperor Leopold II for solo voices, chorus and orchestra, WoO 88: No. 6 Chorus: “Heil! Stürzet nieder, Millionen” (chorus, soli) | — | ||
| 4-1 | Overture “Manfred”, op. 115 | — | ||
| 4-2 | Konzertstück in F major for four Horns and Orchestra, op. 86: I. Lebhaft | — | ||
| 4-3 | Konzertstück in F major for four Horns and Orchestra, op. 86: II. Romanze. Ziemlich langsam, doch nicht schleppend | — | ||
| 4-4 | Konzertstück in F major for four Horns and Orchestra, op. 86: III. Sehr lebhaft | — | ||
| 4-5 | Symphony no. 2 in C, op. 61: I. Sostenuto assai - Allegro ma non troppo | — | ||
| 4-6 | Symphony no. 2 in C, op. 61: II. Scherzo (Allegro vivace) | — | ||
| 4-7 | Symphony no. 2 in C, op. 61: III. Adagio espressivo | — | ||
| 4-8 | Symphony no. 2 in C, op. 61: IV. Allegro molto vivace | — | ||
| 5-1 | Die Meistersinger von Nürnberg, WWV 96: Akt I. Vorspiel | — | ||
| 5-2 | Lohengrin, WWV 75: Akt I. Vorspiel | — | ||
| 5-3 | Lohengrin, Akt III.: Vorspiel | The Philadelphia Orchestra, Christian Thielemann | — | |
| 5-4 | Parsifal, WWV 111: Akt I. Vorspiel | — | ||
| 5-5 | Parsifal, WWV 111: Akt III. Karfreitagszauber | — | ||
| 5-6 | Tristan und Isolde, WWV 90: Akt I. Vorspiel | — | ||
| 5-7 | Tristan und Isolde, WWV 90: Akt III, Szene III. “Mild und leise wie er lächelt” | — | ||
| 6-1 | Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-2 | Carmina Burana: Fortuna Imperatrix Mundi: 2. Fortune plango vulnera | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-3 | Carmina Burana: I. Primo vere: 3. Veris leta facies | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-5 | Carmina Burana: I. Primo vere: 5.Ecce gratum | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-6 | Carmina Burana: Uf dem anger: 7. Floret silva nobilis | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-306.378.550-8 | |
| 6-7 | """FLORET SILVA NOBILIS""" | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 6-8 | Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-9 | Carmina Burana: Uf dem anger: 9. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-10 | Carmina Burana: Uf dem anger: 10. Were diu werlt alle min | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-11 | Carmina Burana: II. In taberna: 11. Estuans interius | Simon Keenlyside, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-12 | Carmina Burana: II. In taberna: 12. Olim lacus colueram | Chor der Deutschen Oper Berlin, David Kuebler, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-13 | Carmina Burana: II. In taberna: 13. Ego sum abbas | Chor der Deutschen Oper Berlin, Simon Keenlyside, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-14 | Carmina Burana: II. In taberna: 14. In taberna quando sumus | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-15 | Carmina Burana: III. Cour d’amours: 15. Amor volat undique | Berliner Knabenchor, Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-16 | Carmina Burana: III. Cour d’amours: 16. Dies, nox et omnia | Simon Keenlyside, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-17 | Carmina Burana: III. Cour d’amours: 17. Stetit puella | Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-18 | Carmina Burana: III. Cour d’amours: 18. Circa mea pectora | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-19 | Carmina Burana: III. Cour d’amours: 19. Si puer cum puellula | Chor der Deutschen Oper Berlin, Simon Keenlyside, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-20 | Carmina Burana: III. Cour d’amours: 20. Veni, veni, venias | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-21 | Carmina Burana: III. Cour d’amours: 22. Tempus est iocundum | Berliner Knabenchor, Chor der Deutschen Oper Berlin, Simon Keenlyside, Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 6-22 | Carmina Burana: III. Cour d’amours: 22. Tempus est iocundum | Berliner Knabenchor, Chor der Deutschen Oper Berlin, Simon Keenlyside, Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 6-23 | Carmina Burana: III. Cour d’amours: 23. Dulcissime | Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-24 | Carmina Burana: Blanziflor et Helena: 24. Ave, formosissima | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 6-25 | Carmina Burana: Fortuna Imperatrix Mundi: 25. O Fortuna | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T-800.639.771-4 | |
| 7-1 | “Genoveva” Overture, op. 81 | Philharmonia Orchestra, Christian Thielemann | — | |
| 7-2 | Overture, Scherzo & Finale, op. 52: I. Overture. Andante con moto - allegro | Philharmonia Orchestra, Christian Thielemann | — | |
| 7-3 | Overture, Scherzo & Finale, op. 52: II. Scherzo. Vivo - trio. L’istesso tempo | Philharmonia Orchestra, Christian Thielemann | T-011.742.574-7 | |
| 7-4 | Overture, Scherzo & Finale, op. 52: III. Finale. Allegro molto vivace | Philharmonia Orchestra, Christian Thielemann | — | |
| 7-5 | Symphony No. 3 in E-flat major, op. 97 “Rhenish”: I. Lebhaft | Philharmonia Orchestra, Christian Thielemann | — | |
| 7-6 | Symphony No. 3 in E-flat major, op. 97 “Rhenish”: II. Scherzo. Sehr mäßig | Philharmonia Orchestra, Christian Thielemann | — | |
| 7-7 | Symphony No. 3 in E-flat major, op. 97 “Rhenish”: III. Nicht schnell | Philharmonia Orchestra, Christian Thielemann | — | |
| 7-8 | Symphony No. 3 in E-flat major, op. 97 “Rhenish”: IV. Feierlich | Philharmonia Orchestra, Christian Thielemann | — | |
| 7-9 | Symphony No. 3 in E-flat major, op. 97 “Rhenish”: V. Lebhaft | Philharmonia Orchestra, Christian Thielemann | T-902.876.200-7 | |
| 8-1 | Pelleas und Melisande, op. 5: Die Note ein wenig bewegt - zögernd | — | ||
| 8-2 | Pelleas und Melisande, op. 5: Heftig | — | ||
| 8-3 | Pelleas und Melisande, op. 5: Lebhaft (Partiturziffer / Rehearsal number/Chiffre 9) | — | ||
| 8-4 | Pelleas und Melisande, op. 5: Sehr rasch (16) | — | ||
| 8-5 | Pelleas und Melisande, op. 5: Ein wenig bewegt (33) | — | ||
| 8-6 | Pelleas und Melisande, op. 5: Langsam (36) | — | ||
| 8-7 | Pelleas und Melisande, op. 5: Ein wenig bewegter (43) | — | ||
| 8-8 | Pelleas und Melisande, op. 5: Sehr langsam (50) | — | ||
| 8-9 | Pelleas und Melisande, op. 5: Etwas bewegt (55) | — | ||
| 8-10 | Pelleas und Melisande, op. 5: In gehender Bewegung (59) | — | ||
| 8-11 | Pelleas und Melisande, op. 5: Breit (62) | — | ||
| 8-12 | Siegfried Idyll | — | ||
| 9-1 | Eine Alpensinfonie, op. 64: Nacht | Wiener Philharmoniker, Christian Thielemann | T-913.095.484-6 | |
| 9-2 | Eine Alpensinfonie, op. 64: Sonnenuntergang | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-3 | Eine Alpensinfonie, op. 64: Der Anstieg | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-4 | Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bache | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-5 | Eine Alpensinfonie, op. 64: Am Wasserfall - Erscheinung | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-6 | Eine Alpensinfonie, op. 64: Auf blumigen Wiesen | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-7 | Eine Alpensinfonie, op. 64: Auf der Alm | Wiener Philharmoniker, Christian Thielemann | T-009.048.047-9 | |
| 9-8 | Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-9 | Eine Alpensinfonie, op. 64: Auf dem Gletscher | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-10 | Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-11 | Eine Alpensinfonie, op. 64: Auf dem Gipfel | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-12 | Eine Alpensinfonie, op. 64: Vision | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-13 | Eine Alpensinfonie, op. 64: Nebel steigen auf - Die Sonne verdüstert sich allmählich - Elegie - Stille vor dem Sturm | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-14 | Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-15 | Eine Alpensinfonie, op. 64: Sonnenuntergang | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-16 | Eine Alpensinfonie, op. 64: Ausklang | Wiener Philharmoniker, Christian Thielemann | — | |
| 9-17 | Eine Alpensinfonie, op. 64: Nacht | Wiener Philharmoniker, Christian Thielemann | T-801.277.424-3 | |
| 9-18 | Concert Suite From "Der Rosenkavalier", TrV 227d: Con moto agitato | — | ||
| 9-19 | Concert Suite From "Der Rosenkavalier", TrV 227d: Allegro molto | — | ||
| 9-20 | Concert Suite From "Der Rosenkavalier", TrV 227d: Tempo di Valse, assai comodo da primo | — | ||
| 9-21 | Concert Suite From "Der Rosenkavalier", TrV 227d: Moderato molto sostenuto | — | ||
| 9-22 | Concert Suite From "Der Rosenkavalier", TrV 227d: Quick Waltz. Molto con moto | — | ||
| 10-1 | Symphony No. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace | — | ||
| 10-2 | Symphony No. 1 in B-flat major, op. 38 "Spring": II. Larghetto | — | ||
| 10-3 | Symphony No. 1 in B-flat major, op. 38 "Spring": III. Scherzo. Molto vivace | — | ||
| 10-4 | Symphony No. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso | — | ||
| 10-5 | Symphony No. 4 in D minor, op. 120: I. Ziemlich Langsam - Lebhaft | — | ||
| 10-6 | Symphony No. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam | — | ||
| 10-7 | Symphony No. 4 in D minor, op. 120: III. Scherzo. Lebhaft | — | ||
| 10-8 | Symphony No. 4 in D minor, op. 120: IV. Langsam - Lebhaft | — | ||
| 11-1 | Fantasie from "Die Frau ohne Schatten" | — | ||
| 11-2 | Der Held | — | ||
| 11-3 | Des Helden Widersacher | — | ||
| 11-4 | Des Helden Gefährtin | — | ||
| 11-5 | Des Helden Walstatt | — | ||
| 11-6 | Des Helden Friedenswerke | — | ||
| 11-7 | Des Helden Weltflucht und Vollendung | — | ||
| 12-1 | A Midsummer Night's Dream, op. 21: Overture | — | ||
| 12-2 | Euryanthe, op. 81, J. 291: Overture | — | ||
| 12-3 | Oberon, J. 306: Overture | — | ||
| 12-4 | The Hebrides, op. 26 - "Fingal's Cave" - Allegro moderato | — | ||
| 12-5 | Die lustigen Weiber von Windsor - Overture | — | ||
| 12-6 | Hans Heiling, op. 80 - Overture | — | ||
| 12-7 | Rienzi, WWV 49 - Overture | — | ||
| 13-1 | Symphony no. 5 in B-flat major: I. Introduction: Adagio - Allegro | Münchner Philharmoniker, Christian Thielemann | — | |
| 13-2 | Symphony no. 5 in B-flat major: II. Adagio: Sehr langsam | Münchner Philharmoniker, Christian Thielemann | — | |
| 13-3 | Symphony no. 5 in B-flat major: III. Scherzo. Molto vivace (Schnell) - Trio im gleichen Tempo | Münchner Philharmoniker, Christian Thielemann | — | |
| 13-4 | Symphony no. 5 in B-flat major: IV. Finale: Adagio - Allegro moderato | Münchner Philharmoniker, Christian Thielemann | — | |
| 14-1 | Requiem in D minor, K. 626: I. Introitus: Requiem | — | ||
| 14-2 | Requiem in D minor, K. 626: II. Kyrie | — | ||
| 14-3 | Requiem in D minor, K. 626: III. Sequentia: Dies irae | — | ||
| 14-4 | Requiem in D minor, K. 626: III. Sequentia: Tuba mirum | Lioba Braun, Steve Davislim, Sibylla Rubens, Georg Zeppenfeld, Friedemann Winklhofer, Münchner Philharmoniker, Christian Thielemann | — | |
| 14-5 | Requiem in D minor, K. 626: III. Sequentia: Rex tremendae | — | ||
| 14-6 | Requiem in D minor, K. 626: III. Sequentia: Recordae | — | ||
| 14-7 | Requiem in D minor, K. 626: III. Sequentia: Confutatis | Chor des Bayerischen Rundfunks, Friedemann Winklhofer, Münchner Philharmoniker, Christian Thielemann | — | |
| 14-8 | Requiem in D minor, K. 626: III. Sequentia: Lacrimosa | Chor des Bayerischen Rundfunks, Friedemann Winklhofer, Münchner Philharmoniker, Christian Thielemann | — | |
| 14-9 | Requiem in D minor, K. 626: IV. Offertorium: Domine Jesu | — | ||
| 14-10 | Requiem in D minor, K. 626: IV. Offertorium: Hostias | — | ||
| 14-11 | Requiem in D minor, K. 626: V. Sanctus | — | ||
| 14-12 | Requiem in D minor, K. 626: VI. Benedictus | — | ||
| 14-13 | Requiem in D minor, K. 626: VII. Agnus dei | — | ||
| 14-14 | Requiem in D minor, K. 626: VIII. Communio | — | ||
| 15-1 | Egmont, Op. 84: Ouvertüre | — | ||
| 15-2 | Symphonie No. 1, Op. 68: Allegro, un poco sostenuto | — | ||
| 15-3 | Symphonie No. 1, Op. 68: Andante, sostenuto | — | ||
| 15-4 | Symphonie No. 1, Op. 68: Un poco allegretto e grazioso | — | ||
| 15-5 | Symphonie No. 1, Op. 68: Adagio, piu andante, allegro non troppo, ma con brio | — | ||
| 16-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso: Poco più moderato | — | ||
| 16-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 16-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo (Allegro non troppo) | — | ||
| 17-1 | Violin Concerto in D, op. 77: I. Allegro non troppo | Lisa Batiashvili, Staatskapelle Dresden, Christian Thielemann | T-031.682.208-8 | |
| 17-2 | Violin Concerto in D, op. 77: II. Adagio | Lisa Batiashvili, Staatskapelle Dresden, Christian Thielemann | — | |
| 17-3 | Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | Lisa Batiashvili, Staatskapelle Dresden, Christian Thielemann | — | |
| 17-4 | 3 Romances for Violin and Piano, op. 22: I. Andante molto | Lisa Batiashvili, Alice Sara Ott | — | |
| 17-5 | 3 Romances for Violin and Piano, op. 22: II. Allegretto | Lisa Batiashvili, Alice Sara Ott | — | |
| 17-6 | 3 Romances for Violin and Piano, op. 22: III. Leidenschaftlich schnell | Lisa Batiashvili, Alice Sara Ott | — | |
| 18-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 18-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 18-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante - Più adagio | — | ||
| 18-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso - Un poco più presto | — | ||
| 19-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro | — | ||
| 19-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 19-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 19-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Piu Andante - Allegro non troppo ma con brio | — | ||
| 19-5 | Tragische Overtüre, op. 81 | — | ||
| 20-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 20-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | — | ||
| 20-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso | — | ||
| 20-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 20-5 | Akademische Festovertüre, op. 80 | — | ||
| 21-1 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | — | ||
| 21-2 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 21-3 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | — | ||
| 21-4 | Symphony no. 3 in F major, op. 90: IV. Allegro | — | ||
| 21-5 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 21-6 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 21-7 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso – Poco meno presto – Tempo I | — | ||
| 21-8 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato – Più allegro | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Requiem in D minor, K. 626: III. Sequentia: Tuba mirum | Lioba Braun, Steve Davislim, Sibylla Rubens, Georg Zeppenfeld, Friedemann Winklhofer, Münchner Philharmoniker, Christian Thielemann | — |
| Requiem in D minor, K. 626: III. Sequentia: Confutatis | Chor des Bayerischen Rundfunks, Friedemann Winklhofer, Münchner Philharmoniker, Christian Thielemann | — |
