Ernst Haefliger: Essentials

UPC · Release

Ernst Haefliger: Essentials

Ernst Haefliger

028948372560
25 tracksReleased 2019-06-28

Last verified:

028948372560 is the Universal Product Code (UPC barcode) for the release Ernst Haefliger: Essentials by Ernst Haefliger, released 2019-06-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 25 tracks, each with its own ISRC. Tracks include DEF055530509, DEF055603290, DEF055603410.

Format

0Number system
28948Manufacturer
37256Product
0Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCErnst Haefliger: Essentials
ISRC25 recordings
ISWC4 works

Track List (25)

Die Zauberflöte: Dies Bildnis ist bezaubernd schön
Ernst Haefliger, RIAS Symphonie-Orchester Berlin, Ferenc Fricsay
Der Jüngling an der Quelle, D. 300
Der Jüngling an der Quelle, D. 300
Ernst Haefliger, Hertha Klust
9 Gesänge, op. 69: 5. Tambourlied
9 Gesänge, op. 69: 5. Tambourlied
Ernst Haefliger, Hertha Klust
Stabat Mater: 2. Aria. Allegretto maestoso. "Cujus animam gementem" (tenore)
Ernst Haefliger, RIAS-Symphonie-Orchester Berlin, Ferenc Fricsay
Die lustigen Weiber von Windsor: “Horch, die Lerche singt im Hain”
Die lustigen Weiber von Windsor: “Horch, die Lerche singt im Hain”
Ernst Haefliger, Bamberger Symphoniker, Hans Löwlein
Der getreue Music-Meister: 27. Aria aus der Opera 'Eginhard'
Der getreue Music-Meister: 27. Aria aus der Opera 'Eginhard'
Ernst Haefliger, Eduard Melkus, Josef Ulsamer
Balades: 18. De petit po
Balades: 18. De petit po
Ernst Haefliger, Christopher Schmidt, Hannelore Müller, Walter Stiftner, August Wenzinger
Kantate, BWV 8 “Liebster Gott, wann werd’ ich sterben?”: II. Arie (Tenor): »Was willst du dich, mein Geist, entsetzen«
Kantate, BWV 8 “Liebster Gott, wann werd’ ich sterben?”: II. Arie (Tenor): »Was willst du dich, mein Geist, entsetzen«
Ernst Haefliger, Münchener Bach-Orchester, Karl Richter
Vier Lieder, op. 14: 1. An meine Mutter
Vier Lieder, op. 14: 1. An meine Mutter
Ernst Haefliger, Hertha Klust
Winterreise, D. 911: 5. Der Lindenbaum
Winterreise, D. 911: 5. Der Lindenbaum
Ernst Haefliger, Michio Kobayashi
Mörike‐Lieder: 17. Der Gärtner
Mörike‐Lieder: 17. Der Gärtner
Ernst Haefliger, Hertha Klust
Das Lied von der Erde: I. Allegro pesante „Das Trinklied vom Jammer der Erde“
Das Lied von der Erde: I. Allegro pesante „Das Trinklied vom Jammer der Erde“
Ernst Haefliger, Koninklijk Concertgebouworkest, Eugen Jochum
Der fliegende Holländer: Erster Aufzug. »Mit Gewitter und Sturm« (Steuermann)
Der fliegende Holländer: Erster Aufzug. »Mit Gewitter und Sturm« (Steuermann)
Ernst Haefliger, RIAS-Symphonie-Orchester Berlin, Ferenc Fricsay
Manon: “Ich bin allein”
Manon: “Ich bin allein”
Ernst Haefliger, Deutsches Symphonie-Orchester Berlin, Ernst Märzendorfer
Magnificat, BWV 243: VIII. Arie (Tenor) "Deposuit potentes"
Magnificat, BWV 243: VIII. Arie (Tenor) "Deposuit potentes"
Münchener Bach-Orchester, Karl Richter
Der Messias, HWV 56: 41. “Der da thronet im Himmel” … “Du zerschlägst sie mit dem eisernen Zepter”
Der Messias, HWV 56: 41. “Der da thronet im Himmel” … “Du zerschlägst sie mit dem eisernen Zepter”
Ernst Haefliger, Münchener Bach-Orchester, Karl Richter, Hedwig Bilgram
Die schöne Müllerin, op. 25, D. 795: 1. Das Wandern
Die schöne Müllerin, op. 25, D. 795: 1. Das Wandern
Ernst Haefliger, Jacqueline Bonneau
Myrthen, op. 25: 3. Der Nussbaum
Myrthen, op. 25: 3. Der Nussbaum
Ernst Haefliger, Hertha Klust
Dichterliebe, op. 48: 11. Ein Jüngling liebt ein Mädchen
Dichterliebe, op. 48: 11. Ein Jüngling liebt ein Mädchen
Ernst Haefliger, Erik Werba
Mass in B Minor: XXIV. Arie: Benedictus, qui venit
Ernst Haefliger, Münchener Bach-Orchester, Karl Richter
Serse, HWV 40: Recitativo "Frondi tenere" / Aria "Ombra mai fu"
Serse, HWV 40: Recitativo "Frondi tenere" / Aria "Ombra mai fu"
Ernst Haefliger, Münchener Bach-Orchester, Karl Richter
Adelaïde, op. 46
Adelaïde, op. 46
Ernst Haefliger, Erik Werba
Schwanengesang, D. 957: 4. Ständchen
Schwanengesang, D. 957: 4. Ständchen
Ernst Haefliger, Erik Werba
Sei mir gegrüsst, D. 741
Sei mir gegrüsst, D. 741
Ernst Haefliger, Hertha Klust
Don Giovanni, K. 527: Atto secondo, N. 21a. Aria: “Il mio tesoro intanto” (Don Ottavio)
Don Giovanni, K. 527: Atto secondo, N. 21a. Aria: “Il mio tesoro intanto” (Don Ottavio)
Ernst Haefliger, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

Identifier Graph

UPCErnst Haefliger…ISRCDie Zauberflöte…ISRCDer Jüngling an…ISRC9 Gesänge, op. …ISRCStabat Mater: 2…ISRCDie lustigen We…

People also ask

What is UPC 028948372560?
UPC 028948372560 is the Universal Product Code (barcode) for "Ernst Haefliger: Essentials" by Ernst Haefliger.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028948372560?
UPC 028948372560 contains 25 tracks, each with its own ISRC.
SourcesMusicBrainz

Verified on

What is UPC 028948372560?

028948372560 is a Universal Product Code (UPC) assigned to Ernst Haefliger: Essentials by Ernst Haefliger. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 25 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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