UPC · Release
Retrospective II
Jóhann Jóhannsson
028948379484
156 tracksReleased 2020-01-01Deutsche Grammophon
Last verified:
028948379484 is the Universal Product Code (UPC barcode) for the release “Retrospective II” by Jóhann Jóhannsson, released 2020-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 156 tracks, each with its own ISRC. Tracks include USQ4E1401092, USQ4E1401093, USQ4E1401094.
Format
0Number system
28948Manufacturer
37948Product
4Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCRetrospective II
ISRC114 recordings
ISWC30 works
IPI3 songwriters
Track List (156)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cambridge, 1963 | Jóhann Jóhannsson | T-915.904.162-0 | |
| 2 | Rowing | Jóhann Jóhannsson | T-915.887.376-8 | |
| 3 | Domestic Pressures | Jóhann Jóhannsson | T-915.887.568-4 | |
| 4 | Chalkboard | Jóhann Jóhannsson | T-915.887.426-1 | |
| 5 | Cavendish Lab | Jóhann Jóhannsson | T-915.904.167-5 | |
| 6 | Collapsing Inwards | Jóhann Jóhannsson | T-915.904.172-2 | |
| 7 | A Game of Croquet | Jóhann Jóhannsson | T-915.887.436-3 | |
| 8 | The Origins of Time | Jóhann Jóhannsson | T-915.904.217-8 | |
| 9 | Viva Voce | Jóhann Jóhannsson | T-915.904.228-1 | |
| 10 | The Wedding | Jóhann Jóhannsson | T-915.887.444-3 | |
| 11 | The Dreams That Stuff Is Made Of | Jóhann Jóhannsson | T-915.904.190-4 | |
| 12 | A Spacetime Singularity | Jóhann Jóhannsson | T-915.904.197-1 | |
| 13 | The Stairs | Jóhann Jóhannsson | T-915.904.199-3 | |
| 14 | A Normal Family | Jóhann Jóhannsson | T-915.904.208-7 | |
| 15 | Forces of Attraction | Jóhann Jóhannsson | T-915.904.128-8 | |
| 17 | Camping | Jóhann Jóhannsson | T-915.887.396-2 | |
| 18 | Coma | Jóhann Jóhannsson | T-915.887.397-3 | |
| 19 | The Spelling Board | Jóhann Jóhannsson | T-915.904.198-2 | |
| 20 | The Voice Box | Jóhann Jóhannsson | T-915.904.230-5 | |
| 21 | A Brief History of Time | Jóhann Jóhannsson | T-915.887.582-2 | |
| 22 | Daisy, Daisy | Jóhann Jóhannsson | T-915.904.181-3 | |
| 23 | A Model of the Universe | Jóhann Jóhannsson | T-915.904.192-6 | |
| 24 | The Theory of Everything | Jóhann Jóhannsson | T-915.904.185-7 | |
| 25 | London, 1988 | Jóhann Jóhannsson | T-915.904.186-8 | |
| 26 | Epilogue | Jóhann Jóhannsson | T-804.363.828-5 | |
| 27 | The Whirling Ways of Stars That Pass | Jóhann Jóhannsson | T-915.904.241-8 | |
| 2-1 | Armoured Vehicle | Jóhann Jóhannsson | — | |
| 2-2 | The Beast | Jóhann Jóhannsson | T-900.000.815-1 | |
| 2-3 | The Border | Jóhann Jóhannsson | T-918.398.422-7 | |
| 2-4 | Drywall | Jóhann Jóhannsson | T-918.398.420-5 | |
| 2-5 | Explosion | Jóhann Jóhannsson | — | |
| 2-6 | Desert Music | Jóhann Jóhannsson | — | |
| 2-7 | Target | Jóhann Jóhannsson | T-306.129.465-9 | |
| 2-8 | Convoy | Jóhann Jóhannsson | T-917.878.742-3 | |
| 2-9 | The Bank | Jóhann Jóhannsson | — | |
| 2-10 | Surveillance | Jóhann Jóhannsson | T-917.878.763-8 | |
| 2-11 | Reflection | Jóhann Jóhannsson | T-917.878.861-9 | |
| 2-12 | Melancholia | Jóhann Jóhannsson | — | |
| 2-13 | Night Vision | Jóhann Jóhannsson | T-917.878.754-7 | |
| 2-14 | Tunnel Music | Jóhann Jóhannsson | — | |
| 2-15 | Fausto | Jóhann Jóhannsson | T-917.878.747-8 | |
| 2-16 | Balcony | Jóhann Jóhannsson | — | |
| 2-17 | Soccer Game | Jóhann Jóhannsson | — | |
| 2-18 | Alejandro’s Song | Jóhann Jóhannsson | T-917.878.723-0 | |
| 3-1 | Arrival | Jóhann Jóhannsson | T-902.866.796-1 | |
| 3-2 | Heptapod B (from "Arrival" soundtrack) | Jóhann Jóhannsson | T-921.972.659-7 | |
| 3-3 | Sapir‐Whorf | Jóhann Jóhannsson | — | |
| 3-4 | Hydraulic Lift | Jóhann Jóhannsson | T-922.388.021-5 | |
| 3-5 | First Encounter | Jóhann Jóhannsson | T-922.241.949-0 | |
| 3-6 | Transmutation at a Distance | Jóhann Jóhannsson | — | |
| 3-7 | Around‐the‐Clock News | Jóhann Jóhannsson | T-922.088.040-0 | |
| 3-8 | Xenolinguistics | Jóhann Jóhannsson | — | |
| 3-9 | Ultimatum | Jóhann Jóhannsson | T-920.964.140-7 | |
| 3-10 | Principle of Least Time | Jóhann Jóhannsson | — | |
| 3-11 | Hazmat | Jóhann Jóhannsson | — | |
| 3-12 | Hammers and Nails | Jóhann Jóhannsson | T-923.240.628-9 | |
| 3-13 | Xenoanthropology | Jóhann Jóhannsson | — | |
| 3-14 | Non‐Zero‐Sum Game | Jóhann Jóhannsson | — | |
| 3-15 | Properties of Explosive Materials | Jóhann Jóhannsson | T-925.946.429-4 | |
| 3-16 | Escalation | Jóhann Jóhannsson | T-923.240.627-8 | |
| 3-17 | Decyphering | Jóhann Jóhannsson | — | |
| 3-18 | One of Twelve | Jóhann Jóhannsson | T-920.964.147-4 | |
| 3-19 | Rise | Jóhann Jóhannsson | — | |
| 3-20 | Kangaru | Jóhann Jóhannsson | T-921.972.876-4 | |
| 3-21 | Hannah | — | ||
| 3-22 | Epilogue | — | ||
| 4-1 | Flight From the City | — | ||
| 4-2 | A Song for Europa | — | ||
| 4-3 | The Drowned World | — | ||
| 4-4 | A Deal With Chaos | — | ||
| 4-5 | A Pile of Dust | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | — | |
| 4-6 | A Sparrow Alighted Upon Our Shoulder | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | — | |
| 4-7 | Fragment I | — | ||
| 4-8 | By the Rose, and by the Hinds of the Field | — | ||
| 4-9 | The Radiant City | The Dirac Quartet, Jóhann Jóhannsson | — | |
| 4-10 | Fragment II | — | ||
| 4-11 | The Burning Mountain | — | ||
| 4-12 | De Luce Et Umbra | — | ||
| 4-13 | Good Morning, Midnight | Johann Johannsson, Air Lyndhurst String Orchestra, Anthony Weeden | — | |
| 4-14 | Good Night, Day | — | ||
| 4-15 | Orphic Hymn | — | ||
| 4-16 | A Perfect Machine at the Centre of Time | — | ||
| 4-17 | The Markovian Parallax Denigrade | — | ||
| 4-18 | Flight From the City (Víkingur Ólafsson rework) | — | ||
| 5-1 | Flares (From “the Mercy” Soundtrack) | Johann Johannsson | — | |
| 5-2 | Boating for Beginners (From “the Mercy” Soundtrack) | Johann Johannsson, Rutger Hoedemaekers | — | |
| 5-3 | The Good Ship Teignmouth Electron | Jóhann Jóhannsson | — | |
| 5-4 | A Sparrow Alighted Upon Our Shoulder | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | — | |
| 5-5 | Terra Firma (From “the Mercy” Soundtrack) | Johann Johannsson, Rutger Hoedemaekers | T-910.315.699-6 | |
| 5-6 | Into the Wide and Deep Unknown | Jóhann Jóhannsson | — | |
| 5-7 | Good Morning, Midnight | Johann Johannsson, Air Lyndhurst String Orchestra, Anthony Weeden | — | |
| 5-8 | A Sea Without Shores | Jóhann Jóhannsson | — | |
| 5-9 | Karen býr til engil | Jóhann Jóhannsson | — | |
| 5-10 | Innocence (From „free the Mind” Soundtrack) | Johann Johannsson | — | |
| 5-11 | The Doldrums (From “the Mercy” Soundtrack) | Johann Johannsson, Rutger Hoedemaekers | — | |
| 5-12 | Meditation (From „free the Mind” Soundtrack) | Johann Johannsson | — | |
| 5-13 | The Horse Latitudes | Jóhann Jóhannsson | — | |
| 5-14 | Radio | Jóhann Jóhannsson | — | |
| 5-15 | The Furious Sea of Fogs and Squalls | Jóhann Jóhannsson | — | |
| 5-16 | Three Thousand Five Hundred and Ninety One Benches | Jóhann Jóhannsson | — | |
| 5-17 | The Captain’s Log | Jóhann Jóhannsson | — | |
| 5-18 | The Mercy | Jóhann Jóhannsson | — | |
| 5-19 | She Loves to Ride the Port Ferry When It Rains | Jóhann Jóhannsson | — | |
| 5-20 | The Radiant City | The Dirac Quartet, Jóhann Jóhannsson | — | |
| 5-21 | A Pile of Dust | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | — | |
| 5-22 | At 19°41′10.40 North 79°52′37.83 West, Lies the Shadow | Jóhann Jóhannsson | — | |
| 6-1 | Odi et Amo | Jóhann Jóhannsson | — | |
| 6-2 | Englabörn | Jóhann Jóhannsson | — | |
| 6-3 | Jói & Karen (remastered) | Jóhann Jóhannsson | — | |
| 6-4 | Þetta gerist á bestu bæjum | Jóhann Jóhannsson | — | |
| 6-5 | Sálfræðingur | Jóhann Jóhannsson | — | |
| 6-6 | “Ég sleppi þér aldrei” | Jóhann Jóhannsson | — | |
| 6-7 | Sálfræðingur deyr | Jóhann Jóhannsson | — | |
| 6-8 | Bað | Jóhann Jóhannsson | — | |
| 6-9 | “Ég heyrði allt án þess að hlusta” | Jóhann Jóhannsson | T-922.418.039-6 | |
| 6-10 | Karen býr til engil | Jóhann Jóhannsson | — | |
| 6-11 | Englabörn – tilbrigði | Jóhann Jóhannsson | — | |
| 6-12 | “Ég átti gráa æsku” | Jóhann Jóhannsson | — | |
| 6-13 | Krókódíll | Jóhann Jóhannsson | — | |
| 6-14 | “Ef ég hefði aldrei…” | Jóhann Jóhannsson | — | |
| 6-15 | …eins og venjulegt fólk | Jóhann Jóhannsson | — | |
| 6-16 | Odi et Amo – bis | Jóhann Jóhannsson | — | |
| 7-1 | “Ég heyrði allt án þess að hlusta” (A Winged Victory for the Sullen rework) | Jóhann Jóhannsson | T-922.418.039-6 | |
| 7-2 | Odi et Amo (Jóhannson/Donadello rework) | Jóhann Jóhannsson | — | |
| 7-4 | Jói & Karen (Ryuichi Sakamoto rework) | Jóhann Jóhannsson | — | |
| 7-6 | Englabörn (Viktor Orri Árnason rework) | Jóhann Jóhannsson | — | |
| 7-7 | Odi et Amo – bis (Alex Somers rework) | Jóhann Jóhannsson | — | |
| 7-8 | Sálfræðingur deyr (Hildur Guðnadóttir rework) | Jóhann Jóhannsson | — | |
| 7-9 | Odi et Amo – bis (Jóhannson/Donadello rework) | Jóhann Jóhannsson | — | |
| 7-10 | …eins og venjulegt fólk (Paul Corley rework) | Jóhann Jóhannsson | — | |
| 8-1 | Manifest | — | ||
| 8-2 | Low | — | ||
| 8-3 | Stuk | — | ||
| 8-4 | Shell | — | ||
| 8-5 | Zurich | — | ||
| 8-6 | Harm | — | ||
| 8-7 | Lacrimosa | — | ||
| 8-8 | Pol | — | ||
| 8-9 | Form | — | ||
| 8-10 | Arc | — | ||
| 8-11 | Danse | — | ||
| 8-12 | Gold | — | ||
| 9-1 | Opening | — | ||
| 9-2 | A Song for Europa (From Orphée) | — | ||
| 9-3 | De Luce Et Umbra (From Orphée) | — | ||
| 9-4 | A Sparrow Alighted Upon Our Shoulder (From Orphée) | — | ||
| 9-5 | Sálfræðingur (From Englabörn) | — | ||
| 9-6 | Jói & Karen (From Englabörn) | — | ||
| 9-7 | The Drowned World (From Orphée) | — | ||
| 9-8 | A Deal With Chaos (From Orphée) | — | ||
| 9-9 | Through Falling Snow (From Prisoners) | — | ||
| 9-10 | Flight From the City (From Orphée) | — | ||
| 9-11 | Part 1 / Ibm 1401 Processing Unit (From Ibm 1401, a User's Manual) | — | ||
| 9-12 | Odi Et Amo (From Englabörn) | — | ||
| 9-13 | Englabörn (From Englabörn) | — | ||
| 9-14 | Fordlândia (From Englabörn) | — |
Armoured Vehicle
Jóhann Jóhannsson
—
Explosion
Jóhann Jóhannsson
—
Desert Music
Jóhann Jóhannsson
—
The Bank
Jóhann Jóhannsson
—
Melancholia
Jóhann Jóhannsson
—
Tunnel Music
Jóhann Jóhannsson
—
Balcony
Jóhann Jóhannsson
—
Soccer Game
Jóhann Jóhannsson
—
Sapir‐Whorf
Jóhann Jóhannsson
—
Transmutation at a Distance
Jóhann Jóhannsson
—
Xenolinguistics
Jóhann Jóhannsson
—
Principle of Least Time
Jóhann Jóhannsson
—
Hazmat
Jóhann Jóhannsson
—
Xenoanthropology
Jóhann Jóhannsson
—
Non‐Zero‐Sum Game
Jóhann Jóhannsson
—
Decyphering
Jóhann Jóhannsson
—
Rise
Jóhann Jóhannsson
—
Hannah
—
Epilogue
—
Flight From the City
—
A Song for Europa
—
The Drowned World
—
A Deal With Chaos
—
A Pile of Dust
Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden
—
A Sparrow Alighted Upon Our Shoulder
Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden
—
Fragment I
—
By the Rose, and by the Hinds of the Field
—
The Radiant City
The Dirac Quartet, Jóhann Jóhannsson
—
Fragment II
—
The Burning Mountain
—
De Luce Et Umbra
—
Good Morning, Midnight
Johann Johannsson, Air Lyndhurst String Orchestra, Anthony Weeden
—
Good Night, Day
—
Orphic Hymn
—
A Perfect Machine at the Centre of Time
—
The Markovian Parallax Denigrade
—
Flight From the City (Víkingur Ólafsson rework)
—
Flares (From “the Mercy” Soundtrack)
Johann Johannsson
—
Boating for Beginners (From “the Mercy” Soundtrack)
Johann Johannsson, Rutger Hoedemaekers
—
The Good Ship Teignmouth Electron
Jóhann Jóhannsson
—
A Sparrow Alighted Upon Our Shoulder
Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden
—
Into the Wide and Deep Unknown
Jóhann Jóhannsson
—
Good Morning, Midnight
Johann Johannsson, Air Lyndhurst String Orchestra, Anthony Weeden
—
A Sea Without Shores
Jóhann Jóhannsson
—
Karen býr til engil
Jóhann Jóhannsson
—
Innocence (From „free the Mind” Soundtrack)
Johann Johannsson
—
The Doldrums (From “the Mercy” Soundtrack)
Johann Johannsson, Rutger Hoedemaekers
—
Meditation (From „free the Mind” Soundtrack)
Johann Johannsson
—
The Horse Latitudes
Jóhann Jóhannsson
—
Radio
Jóhann Jóhannsson
—
The Furious Sea of Fogs and Squalls
Jóhann Jóhannsson
—
Three Thousand Five Hundred and Ninety One Benches
Jóhann Jóhannsson
—
The Captain’s Log
Jóhann Jóhannsson
—
The Mercy
Jóhann Jóhannsson
—
She Loves to Ride the Port Ferry When It Rains
Jóhann Jóhannsson
—
The Radiant City
The Dirac Quartet, Jóhann Jóhannsson
—
A Pile of Dust
Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden
—
At 19°41′10.40 North 79°52′37.83 West, Lies the Shadow
Jóhann Jóhannsson
—
Odi et Amo
Jóhann Jóhannsson
—
Englabörn
Jóhann Jóhannsson
—
Jói & Karen (remastered)
Jóhann Jóhannsson
—
Þetta gerist á bestu bæjum
Jóhann Jóhannsson
—
Sálfræðingur
Jóhann Jóhannsson
—
“Ég sleppi þér aldrei”
Jóhann Jóhannsson
—
Sálfræðingur deyr
Jóhann Jóhannsson
—
Bað
Jóhann Jóhannsson
—
Karen býr til engil
Jóhann Jóhannsson
—
Englabörn – tilbrigði
Jóhann Jóhannsson
—
“Ég átti gráa æsku”
Jóhann Jóhannsson
—
Krókódíll
Jóhann Jóhannsson
—
“Ef ég hefði aldrei…”
Jóhann Jóhannsson
—
…eins og venjulegt fólk
Jóhann Jóhannsson
—
Odi et Amo – bis
Jóhann Jóhannsson
—
Odi et Amo (Jóhannson/Donadello rework)
Jóhann Jóhannsson
—
Jói & Karen (Ryuichi Sakamoto rework)
Jóhann Jóhannsson
—
Englabörn (Viktor Orri Árnason rework)
Jóhann Jóhannsson
—
Odi et Amo – bis (Alex Somers rework)
Jóhann Jóhannsson
—
Sálfræðingur deyr (Hildur Guðnadóttir rework)
Jóhann Jóhannsson
—
Odi et Amo – bis (Jóhannson/Donadello rework)
Jóhann Jóhannsson
—
…eins og venjulegt fólk (Paul Corley rework)
Jóhann Jóhannsson
—
Manifest
—
Low
—
Stuk
—
Shell
—
Zurich
—
Harm
—
Lacrimosa
—
Pol
—
Form
—
Arc
—
Danse
—
Gold
—
Opening
—
A Song for Europa (From Orphée)
—
De Luce Et Umbra (From Orphée)
—
A Sparrow Alighted Upon Our Shoulder (From Orphée)
—
Sálfræðingur (From Englabörn)
—
Jói & Karen (From Englabörn)
—
The Drowned World (From Orphée)
—
A Deal With Chaos (From Orphée)
—
Through Falling Snow (From Prisoners)
—
Flight From the City (From Orphée)
—
Part 1 / Ibm 1401 Processing Unit (From Ibm 1401, a User's Manual)
—
Odi Et Amo (From Englabörn)
—
Englabörn (From Englabörn)
—
Fordlândia (From Englabörn)
—
Additional database matches (5)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Englabörn (Víkingur Ólafsson piano version) | Jóhann Jóhannsson | — |
| Holy Thursday (“Ég heyrði allt án þess að hlusta”) (Theatre of Voices version) | Jóhann Jóhannsson | T-920.479.019-2 |
| Odi et Amo (Theatre of Voices version) | Jóhann Jóhannsson | — |
| Three Thousand Five Hundred and Ninety One Benches | Jóhann Jóhannsson | — |
| She Loves to Ride the Port Ferry When It Rains | Jóhann Jóhannsson | — |
Englabörn (Víkingur Ólafsson piano version)
Jóhann Jóhannsson
—
Odi et Amo (Theatre of Voices version)
Jóhann Jóhannsson
—
Three Thousand Five Hundred and Ninety One Benches
Jóhann Jóhannsson
—
She Loves to Ride the Port Ferry When It Rains
Jóhann Jóhannsson
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-306.129.465-9T-804.363.828-5T-900.000.815-1T-902.866.796-1T-910.315.699-6T-915.887.376-8T-915.887.396-2T-915.887.397-3T-915.887.426-1T-915.887.436-3
+20 more
T-915.887.444-3T-915.887.568-4T-915.887.582-2T-915.904.128-8T-915.904.162-0T-915.904.167-5T-915.904.172-2T-915.904.181-3T-915.904.185-7T-915.904.186-8T-915.904.190-4T-915.904.192-6T-915.904.197-1T-915.904.198-2T-915.904.199-3T-915.904.208-7T-915.904.217-8T-915.904.228-1T-915.904.230-5T-915.904.241-8
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 028948379484?
028948379484 is a Universal Product Code (UPC) assigned to Retrospective II by Jóhann Jóhannsson. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 156 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm