UPC · Release
Reflections Pt. 4 / Debussy: Pour le piano
Víkingur Ólafsson, Claude Debussy, Clark
Last verified:
028948398218 is the Universal Product Code (UPC barcode) for the release “Reflections Pt. 4 / Debussy: Pour le piano” by Víkingur Ólafsson, Claude Debussy, Clark, released 2021-03-12. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 4 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (4)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Pour le piano, L. 95 : Debussy: Pour le piano, L. 95 - I. Prélude | — | ||
| 2 | Pour le piano, L. 95 : Debussy: Pour le piano, L. 95 - II. Sarabande | — | ||
| 3 | Pour le piano, L. 95 : Debussy: Pour le piano, L. 95 - III. Toccata | — | ||
| 4 | Drowned Haiku | — |
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
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What is UPC 028948398218?
028948398218 is a Universal Product Code (UPC) assigned to Reflections Pt. 4 / Debussy: Pour le piano by Víkingur Ólafsson, Claude Debussy, Clark. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 4 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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