UPC · Release
Charles Munch
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The UPC for “The Legacy Of Charles Munch” by Charles Munch is 028948402199. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2020-01-01. Label: Decca. This release contains 143 tracks, each with its own ISRC. Tracks include GBF076610371, GBF076610372, GBF076610373.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto For The Left Hand | — | ||
| 2 | Fantasie For Piano And Orchestra | — | ||
| 3 | Sinfonia Concertante In B Flat Major, Hob.I:105: I. Allegro | — | ||
| 4 | Sinfonia Concertante In B Flat Major, Hob.I:105: II. Andante | — | ||
| 5 | Sinfonia Concertante In B Flat Major, Hob.I:105: III. Allegro con spirito | — | ||
| 6 | Adagio And Fugue In C Minor, KV 546: I. Adagio | — | ||
| 7 | Adagio And Fugue In C Minor, KV 546: II. Fugue | — | ||
| 2-1 | Symphony No. 8 In F Major, Op. 93: I. Allegro vivace e con brio | — | ||
| 2-2 | Symphony No. 8 In F Major, Op. 93: II. Allegretto scherzando | — | ||
| 2-3 | Symphony No. 8 In F Major, Op. 93: III. Tempo di menuetto | — | ||
| 2-4 | Symphony No. 8 In F Major, Op. 93: IV. Allegro vivace | — | ||
| 2-5 | Symphony No. 5 In D Minor, Op. 107 'Reformation': I. Andante - Allegro con fuoco | — | ||
| 2-6 | Symphony No. 5 In D Minor, Op. 107 'Reformation': I. Allegro vivace | — | ||
| 2-7 | Symphony No. 5 In D Minor, Op. 107 'Reformation': III. Andante | — | ||
| 2-8 | Symphony No. 5 In D Minor, Op. 107 'Reformation': IV. Choral "Ein' Feste Burg ist unser Gott!" | — | ||
| 3-1 | Benvenuto Cellini – Overture | — | ||
| 3-2 | Roméo et Juliette, Op. 17 (Scènes): I. Roméo seul - Tristesse - Concert et bal. | — | ||
| 3-3 | Roméo et Juliette, Op. 17 (Scènes): II. Scène d'amour | — | ||
| 3-4 | Roméo et Juliette, Op. 17 (Scènes): III. Scherzo. La Reine Mab | — | ||
| 3-5 | Les Troyens: Chasse Royale Et Orage | — | ||
| 3-6 | Le Corsaire – Overture, Op. 21 | — | ||
| 4-1 | Symphony No. 4 In D Minor, Op. 120: I. Ziemlich langsam - Lebhaft | — | ||
| 4-2 | Symphony No. 4 In D Minor, Op. 120: II. Romanze. Ziemlich langsam | — | ||
| 4-3 | Symphony No. 4 In D Minor, Op. 120: III. Scherzo | — | ||
| 4-4 | Symphony No. 4 In D Minor, Op. 120: IV. Langsam - Lebhaft - Schneller - Presto | — | ||
| 4-5 | Violin Concerto In D Major, Op. 77: I. Allegro non troppo | — | ||
| 4-6 | Violin Concerto In D Major, Op. 77: II. Adagio | — | ||
| 4-7 | Violin Concerto In D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | — | ||
| 5-1 | Variations symphoniques | — | ||
| 5-2 | Symphony In D Minor: I. Lento - Allegro ma non troppo - Allegro | — | ||
| 5-3 | Symphony In D Minor: II. Allegretto | — | ||
| 5-4 | Symphony In D Minor: III. Allegro non troppo | — | ||
| 5-5 | Le rouet d'Omphale, Op. 31 | — | ||
| 5-6 | Danse macabre, Op. 40 | — | ||
| 6-1 | Symphony In C Major: I. Allegro vivo | — | ||
| 6-2 | Symphony In C Major: II. Adagio | — | ||
| 6-3 | Symphony In C Major: III. Scherzo. Allegro vivace | — | ||
| 6-4 | Symphony In C Major: IV. Finale. Allegro vivace | — | ||
| 6-5 | La Jolie Fille de Perth - Danse Bohémienne | — | ||
| 6-6 | Pelléas Et Mélisande, Op. 80 – Suite: I. Prélude | — | ||
| 6-7 | Pelléas Et Mélisande, Op. 80 – Suite: II. Fileuse | — | ||
| 6-8 | Pelléas Et Mélisande, Op. 80 – Suite: III. Sicilienne | — | ||
| 6-9 | Pelléas Et Mélisande, Op. 80 – Suite: IV. La mort de Mélisande | — | ||
| 6-10 | Pavane, Op. 50 | — | ||
| 6-11 | Fervaal Op. 40: Prélude (Act I) | — | ||
| 7-1 | Symphony No. 1 In D Major, Op. 25 'Classical': I. Allegro | — | ||
| 7-2 | Symphony No. 1 In D Major, Op. 25 'Classical': II. Larghetto | — | ||
| 7-3 | Symphony No. 1 In D Major, Op. 25 'Classical': III. Gavotta. Non troppo allegro | — | ||
| 7-4 | Symphony No. 1 In D Major, Op. 25 'Classical': IV. Finale. Vivace | — | ||
| 7-5 | Symphony No. 6 In B Minor, Op. 74 'Pathétique': I. Adagio - Allegro non troppo | — | ||
| 7-6 | Symphony No. 6 In B Minor, Op. 74 'Pathétique': II. Allegro con grazia | — | ||
| 7-7 | Symphony No. 6 In B Minor, Op. 74 'Pathétique': III. Allegro molto vivace | — | ||
| 7-8 | Symphony No. 6 In B Minor, Op. 74 'Pathétique': IV. Finale. Adagio lamentoso - Andante | — | ||
| 8-1 | Ibéria (No. 2 Of Images Pour Orchestra): I. Par les rues et par les chemins | — | ||
| 8-2 | Ibéria (No. 2 Of Images Pour Orchestra): II. Les parfums de la nuit | — | ||
| 8-3 | Ibéria (No. 2 Of Images Pour Orchestra): III. Le matin d'un jour de fête | — | ||
| 8-4 | Berceuse héroïque | — | ||
| 8-5 | Petit Suite, Op. 39: I. Aubade | — | ||
| 8-6 | Petit Suite, Op. 39: II. Pastorale | — | ||
| 8-7 | Petit Suite, Op. 39: III. Masquerade | — | ||
| 8-8 | Le Festin De L'Araignée, Op. 17 - Fragments Symphoniques: I. Prélude | — | ||
| 8-9 | Le Festin De L'Araignée, Op. 17 - Fragments Symphoniques: II. Entrée des fournis | — | ||
| 8-10 | Le Festin De L'Araignée, Op. 17 - Fragments Symphoniques: III. Danse du papillon | — | ||
| 8-11 | Le Festin De L'Araignée, Op. 17 - Fragments Symphoniques: IV. Eclosion de l'éphémère | — | ||
| 8-12 | Le Festin De L'Araignée, Op. 17 - Fragments Symphoniques: V. Danse de l'éphémère et des chenilles | — | ||
| 8-13 | Le Festin De L'Araignée, Op. 17 - Fragments Symphoniques: VI. Funérailles de l'éphémère | — | ||
| 8-14 | Le Festin De L'Araignée, Op. 17 - Fragments Symphoniques: VII. La nuit tombe sur le jardin solitaire | — | ||
| 8-15 | Suite In F Major, Op. 33: I. Prélude | — | ||
| 8-16 | Suite In F Major, Op. 33: II. Sarabande | — | ||
| 8-17 | Suite In F Major, Op. 33: III. Gigue | — | ||
| 9-1 | Piano Concerto In G Major: I. Allegramente | — | ||
| 9-2 | Piano Concerto In G Major: II. Adagio assai | — | ||
| 9-3 | Piano Concerto In G Major: III. Presto | — | ||
| 9-4 | Daphnis Et Chloé – Suite No.1: I. Nocturne | — | ||
| 9-5 | Daphnis Et Chloé – Suite No.1: III. Danse guerrière | — | ||
| 9-6 | Daphnis Et Chloé – Suite No. 2: I. Lever du jour | — | ||
| 9-7 | Daphnis Et Chloé – Suite No. 2: II. Pantomime | — | ||
| 9-8 | Daphnis Et Chloé – Suite No. 2: III. Danse générale | — | ||
| 9-9 | Boléro | — | ||
| 10-1 | Gaîté parisienne : I. Overture | — | ||
| 10-2 | Gaîté parisienne : II. Allegro Brillante | — | ||
| 10-3 | Gaîté parisienne : III. Polka | — | ||
| 10-4 | Gaîté parisienne : IV. Allegro, Valse | — | ||
| 10-5 | Gaîté parisienne : V. Mazurka | — | ||
| 10-6 | Gaîté parisienne : VI. Valse | — | ||
| 10-7 | Gaîté parisienne : VII. Peruvian Dance (Allegro) | — | ||
| 10-8 | Gaîté parisienne : VIII. Polka | — | ||
| 10-9 | Gaîté parisienne : IX. Valse Lente | — | ||
| 10-10 | Gaîté parisienne : X. Tempo di marcia | — | ||
| 10-11 | Gaîté parisienne : XI. Valse | — | ||
| 10-12 | Gaîté parisienne : XII. Vivo / XIII. Valse | — | ||
| 10-13 | Gaîté parisienne : XIV. Allegro Molto | — | ||
| 10-14 | Gaîté parisienne : XV. Valse | — | ||
| 10-15 | Gaîté parisienne : XVI. Allegro / XVII. Cancan | — | ||
| 10-16 | Gaîté parisienne : XVIII. Quadrille - Cancan | — | ||
| 10-17 | Gaîté parisienne : XIX. Allegro Moderato | — | ||
| 10-18 | Gaîté parisienne : XX. Allegro | — | ||
| 10-19 | Gaîté parisienne : XXI: Leggiero | — | ||
| 10-20 | Gaîté parisienne : XXII. Vivo | — | ||
| 10-21 | Gaîté parisienne : XXIII. Barcarolle | — | ||
| 10-22 | Carmen Suite no. 1: VI. Les toréadors | New Philharmonia Orchestra, Charles Munch | T-071.519.108-4 | |
| 10-23 | Carmen Suite no. 1: II. Aragonaise | New Philharmonia Orchestra, Charles Munch | T-071.519.108-4 | |
| 10-24 | Carmen Suite no. 1: III. Intermezzo | New Philharmonia Orchestra, Charles Munch | T-900.138.033-2 | |
| 10-25 | Carmen Suite no. 1: V. Les dragons d'Alcala | New Philharmonia Orchestra, Charles Munch | T-071.519.108-4 | |
| 10-26 | Carmen Suite no. 2: II. Habanera | New Philharmonia Orchestra, Charles Munch | T-011.124.733-6 | |
| 10-27 | Carmen Suite no. 2: V. La garde montante | New Philharmonia Orchestra, Charles Munch | T-902.759.521-7 | |
| 10-28 | Carmen Suite no. 2: VI. Danse bohème | New Philharmonia Orchestra, Charles Munch | T-050.122.082-1 | |
| 11-1 | Pines Of Rome: The Pines Of The Villa Borghese | — | ||
| 11-2 | Pines Of Rome: Pines Near A Catacomb | — | ||
| 11-3 | Pines Of Rome: The Pines Of The Gianicolo | — | ||
| 11-4 | Pines Of Rome: The Pines Of The Appian Way | — | ||
| 11-5 | Fountains Of Rome: The Fountain Of The Valle Giulia At Dawn | — | ||
| 11-6 | Fountains Of Rome: The Triton Fountain At Morning | — | ||
| 11-7 | Fountains Of Rome: The Trevi Fountain At Midday | — | ||
| 11-8 | Fountains Of Rome: The Villa Medici Fountain At Sunset | — | ||
| 11-9 | L'Arlésienne Suite no. 1: I. Prélude, Allegro deciso | New Philharmonia Orchestra, Charles Munch | T-900.143.514-9 | |
| 11-10 | L'Arlésienne Suite no. 1: II. Minuet, Allegro giocoso | New Philharmonia Orchestra, Charles Munch | T-010.194.862-2 | |
| 11-11 | L'Arlésienne Suite no. 1: III. Adagietto | New Philharmonia Orchestra, Charles Munch | T-910.448.362-7 | |
| 11-12 | L'Arlésienne Suite no. 1: IV. Carillon, Allegro moderato | New Philharmonia Orchestra, Charles Munch | — | |
| 11-13 | L'Arlésienne Suite no. 2: IV. Farandole | New Philharmonia Orchestra, Charles Munch | T-010.194.866-6 | |
| 12-1 | Symphony No. 3: I. Pesante e marcato | — | ||
| 12-2 | Symphony No. 3: II. Presto | — | ||
| 12-3 | Symphony No. 3: III. Adagio | — | ||
| 12-4 | Symphony No. 3: IV. Energetico | — | ||
| 12-5 | Bacchus Et Ariane, Op. 43 - Ballet Suite No. 2: I. Prélude. Ariane dort - Réveil d'Ariane | — | ||
| 12-6 | Bacchus Et Ariane, Op. 43 - Ballet Suite No. 2: II. Elle regarde avec étonnement de tous côtés | — | ||
| 12-7 | Bacchus Et Ariane, Op. 43 - Ballet Suite No. 2: III. Le baiser - L'enchantement dionysiaque | — | ||
| 12-8 | Bacchus Et Ariane, Op. 43 - Ballet Suite No. 2: IV. Danse d'Ariane et de Bacchus - Bacchanale - Le couronnement d'Ariane | — | ||
| 13-1 | Symphonie Fantastique, Op. 14: I. Rêveries - Passions. Largo - Allegro agitato e appassionato assai - Religiosamente | — | ||
| 13-2 | Symphonie Fantastique, Op. 14: II. Un bal. Valse. Allegro non troppo | — | ||
| 13-3 | Symphonie Fantastique, Op. 14: III. Scène aux champs. Adagio | — | ||
| 13-4 | Symphonie Fantastique, Op. 14: IV. Marche au supplice. Allegretto non troppo | — | ||
| 13-5 | Symphonie Fantastique, Op. 14: V. Songe d’une nuit de sabbat. Larghetto - Allegro | — | ||
| 13-6 | Requiem, Op. 5 (Grande Messe Des Morts): I. Requiem - Kyrie | — | ||
| 13-7 | Requiem, Op. 5 (Grande Messe Des Morts): II. Dies irae - Tuba mirum | — | ||
| 14-1 | Requiem: 3. Quid sum miser | — | ||
| 14-2 | Requiem: 4. Rex tremendae | — | ||
| 14-3 | Requiem: 5. Quaerens me | — | ||
| 14-4 | Requiem: 6. Lacrymosa | — | ||
| 14-5 | Requiem: 7. Offertorium | — | ||
| 14-6 | Requiem: 8. Hostias | — | ||
| 14-7 | Requiem: 9. Sanctus | — | ||
| 14-8 | Requiem: 10. Agnus Dei | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028948402199 is a Universal Product Code (UPC) assigned to The Legacy Of Charles Munch by Charles Munch. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 143 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Legacy Of Charles Munch” by Charles Munch is 028948402199. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2020-01-01. Label: Decca. This release contains 143 tracks, each with its own ISRC. Tracks include GBF076610371, GBF076610372, GBF076610373.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto For The Left Hand | — | ||
| 2 | Fantasie For Piano And Orchestra | — | ||
| 3 | Sinfonia Concertante In B Flat Major, Hob.I:105: I. Allegro | — | ||
| 4 | Sinfonia Concertante In B Flat Major, Hob.I:105: II. Andante | — | ||
| 5 | Sinfonia Concertante In B Flat Major, Hob.I:105: III. Allegro con spirito | — | ||
| 6 | Adagio And Fugue In C Minor, KV 546: I. Adagio | — | ||
| 7 | Adagio And Fugue In C Minor, KV 546: II. Fugue | — | ||
| 2-1 | Symphony No. 8 In F Major, Op. 93: I. Allegro vivace e con brio | — | ||
| 2-2 | Symphony No. 8 In F Major, Op. 93: II. Allegretto scherzando | — | ||
| 2-3 | Symphony No. 8 In F Major, Op. 93: III. Tempo di menuetto | — | ||
| 2-4 | Symphony No. 8 In F Major, Op. 93: IV. Allegro vivace | — | ||
| 2-5 | Symphony No. 5 In D Minor, Op. 107 'Reformation': I. Andante - Allegro con fuoco | — | ||
| 2-6 | Symphony No. 5 In D Minor, Op. 107 'Reformation': I. Allegro vivace | — | ||
| 2-7 | Symphony No. 5 In D Minor, Op. 107 'Reformation': III. Andante | — | ||
| 2-8 | Symphony No. 5 In D Minor, Op. 107 'Reformation': IV. Choral "Ein' Feste Burg ist unser Gott!" | — | ||
| 3-1 | Benvenuto Cellini – Overture | — | ||
| 3-2 | Roméo et Juliette, Op. 17 (Scènes): I. Roméo seul - Tristesse - Concert et bal. | — | ||
| 3-3 | Roméo et Juliette, Op. 17 (Scènes): II. Scène d'amour | — | ||
| 3-4 | Roméo et Juliette, Op. 17 (Scènes): III. Scherzo. La Reine Mab | — | ||
| 3-5 | Les Troyens: Chasse Royale Et Orage | — | ||
| 3-6 | Le Corsaire – Overture, Op. 21 | — | ||
| 4-1 | Symphony No. 4 In D Minor, Op. 120: I. Ziemlich langsam - Lebhaft | — | ||
| 4-2 | Symphony No. 4 In D Minor, Op. 120: II. Romanze. Ziemlich langsam | — | ||
| 4-3 | Symphony No. 4 In D Minor, Op. 120: III. Scherzo | — | ||
| 4-4 | Symphony No. 4 In D Minor, Op. 120: IV. Langsam - Lebhaft - Schneller - Presto | — | ||
| 4-5 | Violin Concerto In D Major, Op. 77: I. Allegro non troppo | — | ||
| 4-6 | Violin Concerto In D Major, Op. 77: II. Adagio | — | ||
| 4-7 | Violin Concerto In D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | — | ||
| 5-1 | Variations symphoniques | — | ||
| 5-2 | Symphony In D Minor: I. Lento - Allegro ma non troppo - Allegro | — | ||
| 5-3 | Symphony In D Minor: II. Allegretto | — | ||
| 5-4 | Symphony In D Minor: III. Allegro non troppo | — | ||
| 5-5 | Le rouet d'Omphale, Op. 31 | — | ||
| 5-6 | Danse macabre, Op. 40 | — | ||
| 6-1 | Symphony In C Major: I. Allegro vivo | — | ||
| 6-2 | Symphony In C Major: II. Adagio | — | ||
| 6-3 | Symphony In C Major: III. Scherzo. Allegro vivace | — | ||
| 6-4 | Symphony In C Major: IV. Finale. Allegro vivace | — | ||
| 6-5 | La Jolie Fille de Perth - Danse Bohémienne | — | ||
| 6-6 | Pelléas Et Mélisande, Op. 80 – Suite: I. Prélude | — | ||
| 6-7 | Pelléas Et Mélisande, Op. 80 – Suite: II. Fileuse | — | ||
| 6-8 | Pelléas Et Mélisande, Op. 80 – Suite: III. Sicilienne | — | ||
| 6-9 | Pelléas Et Mélisande, Op. 80 – Suite: IV. La mort de Mélisande | — | ||
| 6-10 | Pavane, Op. 50 | — | ||
| 6-11 | Fervaal Op. 40: Prélude (Act I) | — | ||
| 7-1 | Symphony No. 1 In D Major, Op. 25 'Classical': I. Allegro | — | ||
| 7-2 | Symphony No. 1 In D Major, Op. 25 'Classical': II. Larghetto | — | ||
| 7-3 | Symphony No. 1 In D Major, Op. 25 'Classical': III. Gavotta. Non troppo allegro | — | ||
| 7-4 | Symphony No. 1 In D Major, Op. 25 'Classical': IV. Finale. Vivace | — | ||
| 7-5 | Symphony No. 6 In B Minor, Op. 74 'Pathétique': I. Adagio - Allegro non troppo | — | ||
| 7-6 | Symphony No. 6 In B Minor, Op. 74 'Pathétique': II. Allegro con grazia | — | ||
| 7-7 | Symphony No. 6 In B Minor, Op. 74 'Pathétique': III. Allegro molto vivace | — | ||
| 7-8 | Symphony No. 6 In B Minor, Op. 74 'Pathétique': IV. Finale. Adagio lamentoso - Andante | — | ||
| 8-1 | Ibéria (No. 2 Of Images Pour Orchestra): I. Par les rues et par les chemins | — | ||
| 8-2 | Ibéria (No. 2 Of Images Pour Orchestra): II. Les parfums de la nuit | — | ||
| 8-3 | Ibéria (No. 2 Of Images Pour Orchestra): III. Le matin d'un jour de fête | — | ||
| 8-4 | Berceuse héroïque | — | ||
| 8-5 | Petit Suite, Op. 39: I. Aubade | — | ||
| 8-6 | Petit Suite, Op. 39: II. Pastorale | — | ||
| 8-7 | Petit Suite, Op. 39: III. Masquerade | — | ||
| 8-8 | Le Festin De L'Araignée, Op. 17 - Fragments Symphoniques: I. Prélude | — | ||
| 8-9 | Le Festin De L'Araignée, Op. 17 - Fragments Symphoniques: II. Entrée des fournis | — | ||
| 8-10 | Le Festin De L'Araignée, Op. 17 - Fragments Symphoniques: III. Danse du papillon | — | ||
| 8-11 | Le Festin De L'Araignée, Op. 17 - Fragments Symphoniques: IV. Eclosion de l'éphémère | — | ||
| 8-12 | Le Festin De L'Araignée, Op. 17 - Fragments Symphoniques: V. Danse de l'éphémère et des chenilles | — | ||
| 8-13 | Le Festin De L'Araignée, Op. 17 - Fragments Symphoniques: VI. Funérailles de l'éphémère | — | ||
| 8-14 | Le Festin De L'Araignée, Op. 17 - Fragments Symphoniques: VII. La nuit tombe sur le jardin solitaire | — | ||
| 8-15 | Suite In F Major, Op. 33: I. Prélude | — | ||
| 8-16 | Suite In F Major, Op. 33: II. Sarabande | — | ||
| 8-17 | Suite In F Major, Op. 33: III. Gigue | — | ||
| 9-1 | Piano Concerto In G Major: I. Allegramente | — | ||
| 9-2 | Piano Concerto In G Major: II. Adagio assai | — | ||
| 9-3 | Piano Concerto In G Major: III. Presto | — | ||
| 9-4 | Daphnis Et Chloé – Suite No.1: I. Nocturne | — | ||
| 9-5 | Daphnis Et Chloé – Suite No.1: III. Danse guerrière | — | ||
| 9-6 | Daphnis Et Chloé – Suite No. 2: I. Lever du jour | — | ||
| 9-7 | Daphnis Et Chloé – Suite No. 2: II. Pantomime | — | ||
| 9-8 | Daphnis Et Chloé – Suite No. 2: III. Danse générale | — | ||
| 9-9 | Boléro | — | ||
| 10-1 | Gaîté parisienne : I. Overture | — | ||
| 10-2 | Gaîté parisienne : II. Allegro Brillante | — | ||
| 10-3 | Gaîté parisienne : III. Polka | — | ||
| 10-4 | Gaîté parisienne : IV. Allegro, Valse | — | ||
| 10-5 | Gaîté parisienne : V. Mazurka | — | ||
| 10-6 | Gaîté parisienne : VI. Valse | — | ||
| 10-7 | Gaîté parisienne : VII. Peruvian Dance (Allegro) | — | ||
| 10-8 | Gaîté parisienne : VIII. Polka | — | ||
| 10-9 | Gaîté parisienne : IX. Valse Lente | — | ||
| 10-10 | Gaîté parisienne : X. Tempo di marcia | — | ||
| 10-11 | Gaîté parisienne : XI. Valse | — | ||
| 10-12 | Gaîté parisienne : XII. Vivo / XIII. Valse | — | ||
| 10-13 | Gaîté parisienne : XIV. Allegro Molto | — | ||
| 10-14 | Gaîté parisienne : XV. Valse | — | ||
| 10-15 | Gaîté parisienne : XVI. Allegro / XVII. Cancan | — | ||
| 10-16 | Gaîté parisienne : XVIII. Quadrille - Cancan | — | ||
| 10-17 | Gaîté parisienne : XIX. Allegro Moderato | — | ||
| 10-18 | Gaîté parisienne : XX. Allegro | — | ||
| 10-19 | Gaîté parisienne : XXI: Leggiero | — | ||
| 10-20 | Gaîté parisienne : XXII. Vivo | — | ||
| 10-21 | Gaîté parisienne : XXIII. Barcarolle | — | ||
| 10-22 | Carmen Suite no. 1: VI. Les toréadors | New Philharmonia Orchestra, Charles Munch | T-071.519.108-4 | |
| 10-23 | Carmen Suite no. 1: II. Aragonaise | New Philharmonia Orchestra, Charles Munch | T-071.519.108-4 | |
| 10-24 | Carmen Suite no. 1: III. Intermezzo | New Philharmonia Orchestra, Charles Munch | T-900.138.033-2 | |
| 10-25 | Carmen Suite no. 1: V. Les dragons d'Alcala | New Philharmonia Orchestra, Charles Munch | T-071.519.108-4 | |
| 10-26 | Carmen Suite no. 2: II. Habanera | New Philharmonia Orchestra, Charles Munch | T-011.124.733-6 | |
| 10-27 | Carmen Suite no. 2: V. La garde montante | New Philharmonia Orchestra, Charles Munch | T-902.759.521-7 | |
| 10-28 | Carmen Suite no. 2: VI. Danse bohème | New Philharmonia Orchestra, Charles Munch | T-050.122.082-1 | |
| 11-1 | Pines Of Rome: The Pines Of The Villa Borghese | — | ||
| 11-2 | Pines Of Rome: Pines Near A Catacomb | — | ||
| 11-3 | Pines Of Rome: The Pines Of The Gianicolo | — | ||
| 11-4 | Pines Of Rome: The Pines Of The Appian Way | — | ||
| 11-5 | Fountains Of Rome: The Fountain Of The Valle Giulia At Dawn | — | ||
| 11-6 | Fountains Of Rome: The Triton Fountain At Morning | — | ||
| 11-7 | Fountains Of Rome: The Trevi Fountain At Midday | — | ||
| 11-8 | Fountains Of Rome: The Villa Medici Fountain At Sunset | — | ||
| 11-9 | L'Arlésienne Suite no. 1: I. Prélude, Allegro deciso | New Philharmonia Orchestra, Charles Munch | T-900.143.514-9 | |
| 11-10 | L'Arlésienne Suite no. 1: II. Minuet, Allegro giocoso | New Philharmonia Orchestra, Charles Munch | T-010.194.862-2 | |
| 11-11 | L'Arlésienne Suite no. 1: III. Adagietto | New Philharmonia Orchestra, Charles Munch | T-910.448.362-7 | |
| 11-12 | L'Arlésienne Suite no. 1: IV. Carillon, Allegro moderato | New Philharmonia Orchestra, Charles Munch | — | |
| 11-13 | L'Arlésienne Suite no. 2: IV. Farandole | New Philharmonia Orchestra, Charles Munch | T-010.194.866-6 | |
| 12-1 | Symphony No. 3: I. Pesante e marcato | — | ||
| 12-2 | Symphony No. 3: II. Presto | — | ||
| 12-3 | Symphony No. 3: III. Adagio | — | ||
| 12-4 | Symphony No. 3: IV. Energetico | — | ||
| 12-5 | Bacchus Et Ariane, Op. 43 - Ballet Suite No. 2: I. Prélude. Ariane dort - Réveil d'Ariane | — | ||
| 12-6 | Bacchus Et Ariane, Op. 43 - Ballet Suite No. 2: II. Elle regarde avec étonnement de tous côtés | — | ||
| 12-7 | Bacchus Et Ariane, Op. 43 - Ballet Suite No. 2: III. Le baiser - L'enchantement dionysiaque | — | ||
| 12-8 | Bacchus Et Ariane, Op. 43 - Ballet Suite No. 2: IV. Danse d'Ariane et de Bacchus - Bacchanale - Le couronnement d'Ariane | — | ||
| 13-1 | Symphonie Fantastique, Op. 14: I. Rêveries - Passions. Largo - Allegro agitato e appassionato assai - Religiosamente | — | ||
| 13-2 | Symphonie Fantastique, Op. 14: II. Un bal. Valse. Allegro non troppo | — | ||
| 13-3 | Symphonie Fantastique, Op. 14: III. Scène aux champs. Adagio | — | ||
| 13-4 | Symphonie Fantastique, Op. 14: IV. Marche au supplice. Allegretto non troppo | — | ||
| 13-5 | Symphonie Fantastique, Op. 14: V. Songe d’une nuit de sabbat. Larghetto - Allegro | — | ||
| 13-6 | Requiem, Op. 5 (Grande Messe Des Morts): I. Requiem - Kyrie | — | ||
| 13-7 | Requiem, Op. 5 (Grande Messe Des Morts): II. Dies irae - Tuba mirum | — | ||
| 14-1 | Requiem: 3. Quid sum miser | — | ||
| 14-2 | Requiem: 4. Rex tremendae | — | ||
| 14-3 | Requiem: 5. Quaerens me | — | ||
| 14-4 | Requiem: 6. Lacrymosa | — | ||
| 14-5 | Requiem: 7. Offertorium | — | ||
| 14-6 | Requiem: 8. Hostias | — | ||
| 14-7 | Requiem: 9. Sanctus | — | ||
| 14-8 | Requiem: 10. Agnus Dei | — |
