UPC · Release
Igor Markevitch
Last verified:
The UPC for “The Philips Legacy” by Igor Markevitch is 028948417445. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-01-01. Label: Decca. This release contains 281 tracks, each with its own ISRC. Tracks include NLA505900212, NLA505900213, NLA505900214.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 103 in E-flat major, Hob. I:103 “Drum Roll”: 1. Adagio – Allegro con spirito | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 2 | Symphony no. 103 in E-flat major, Hob. I:103 “Drum Roll”: 2. Andante più tosto allegretto | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 3 | Symphony no. 103 in E-flat major, Hob. I:103 “Drum Roll”: 3. Menuet – Trio | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 4 | Symphony no. 103 in E-flat major, Hob. I:103 “Drum Roll”: 4. Finale. Allegro con spirito | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 5 | Symphony no. 104 in D major, Hob. I:104 “London”: 1. Adagio – Allegro | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 6 | Symphony no. 104 in D major, Hob. I:104 “London”: 2. Andante | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 7 | Symphony no. 104 in D major, Hob. I:104 “London”: 3. Menuet. Allegro | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 8 | Symphony no. 104 in D major, Hob. I:104 “London”: 4. Finale. Spiritoso | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 9 | Overture “Preciosa”, op. 78 | Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 2-1 | Concerto for Piano No. 20 in D minor, K. 466: I. Allegro | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | T-011.422.353-8 | |
| 2-2 | Concerto for Piano No. 20 in D minor, K. 466: II. Romanze | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 2-3 | Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | T-306.395.786-4 | |
| 2-4 | Concerto for Piano No. 24 in C minor, K. 491: I. Allegro | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | T-011.422.353-8 | |
| 2-5 | Concerto for Piano No. 24 in C minor, K. 491: II. Larghetto | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 2-6 | Concerto for Piano No. 24 in C minor, K. 491: III. Allegretto | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 3-1 | Symphony No. 1 In C Major, Op. 21: I. Adagio molto - Allegro con brio | Orchestre des Concerts Lamoureux, Igor Markevitch | T-915.714.772-3 | |
| 3-2 | Symphony No. 1 In C Major, Op. 21: II. Andante cantabile con moto | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 3-3 | Symphony No. 1 In C Major, Op. 21: III. Menuetto. Allegro molto e vivace | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 3-4 | Symphony No. 1 In C Major, Op. 21: IV. Finale. Adagio - Allegro molto e vivace | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 3-5 | Symphony No. 5 In C Minor, Op. 67: I. Allegro con brio | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 3-6 | Symphony No. 5 In C Minor, Op. 67: II. Andante con moto | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 3-7 | Symphony No. 5 In C Minor, Op. 67: III. Scherzo. Allegro - Trio | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 3-8 | Symphony No. 5 In C Minor, Op. 67: IV. Allegro | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 3-9 | Symphony No. 8 In F Major, Op. 93: I. Allegro vivace e con brio | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 3-10 | Symphony No. 8 In F Major, Op. 93: II. Allegretto scherzando | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 3-11 | Symphony No. 8 In F Major, Op. 93: III. Tempo di menuetto | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 3-12 | Symphony No. 8 In F Major, Op. 93: IV. Allegro vivace | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 4-1 | Symphony No. 9 In D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 4-2 | Symphony No. 9 In D Minor, Op. 125 "Choral": II. Molto vivace | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 4-3 | Symphony No. 9 In D Minor, Op. 125 "Choral": III. Adagio molto e cantabile | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 4-4 | Symphony No. 9 In D Minor, Op. 125 "Choral": IV. Presto - Allegro assai | Hilde Gueden, Aafje Heynis, Fritz Uhl, Heinz Rehfuss, Oratorienchor Karlsruhe, Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 5-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 5-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 5-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo: Allegro | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 5-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 5-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 5-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | T-902.804.388-1 | |
| 6-1 | Concerto for Violin and Orchestra "To the Memory of an Angel": I. Andante - Allegro | Arthur Grumiaux, Concertgebouworkest, Igor Markevitch | — | |
| 6-2 | Concerto for Violin and Orchestra "To the Memory of an Angel": II. Allegro - Adagio | Arthur Grumiaux, Concertgebouworkest, Igor Markevitch | — | |
| 6-3 | Tragic Overture, in D minor, Op. 81 | USSR State Symphony Orchestra, Igor Markevitch | — | |
| 6-4 | Alto Rhapsody, for alto, male chorus & orchestra, Op. 53 | Irina Arkhipova, Russian State Academy Choir, USSR State Symphony Orchestra, Igor Markevitch | T-322.186.562-5 | |
| 6-5 | Psalmus Hungaricus, oratorio for tenor, chorus, children's chorus ad lib, orchestra & organ, Op. 13 | Róbert Ilosfalvy, Russian State Academy Choir, USSR State Symphony Orchestra, Igor Markevitch | — | |
| 7-1 | Carmen Suite n°1 - Les Toréadors | Orchestre des Concerts Lamoureux, Igor Markevitch | T-900.143.514-9 | |
| 7-2 | Carmen Suite n°1 - Prélude | Orchestre des Concerts Lamoureux, Igor Markevitch | T-308.092.565-7 | |
| 7-3 | Carmen Suite n°1 - Aragonaise | Orchestre des Concerts Lamoureux, Igor Markevitch | T-903.060.246-1 | |
| 7-4 | Carmen Suite n°1 - Intermezzo | Orchestre des Concerts Lamoureux, Igor Markevitch | T-010.194.849-5 | |
| 7-5 | Carmen Suite n°1 - Les Dragons d'Alcala | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 7-6 | Carmen Suite n°2 - Marche des contrebandiers | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 7-7 | Carmen Suite n°2 - Habanera | Orchestre des Concerts Lamoureux, Igor Markevitch | T-928.635.317-1 | |
| 7-8 | Carmen Suite n°2 - Nocturne | Orchestre des Concerts Lamoureux, Igor Markevitch | T-010.194.853-1 | |
| 7-9 | Carmen Suite n°2 - La Garde montante | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 7-10 | Carmen Suite n°2 - Danse bohème | Orchestre des Concerts Lamoureux, Igor Markevitch | T-050.122.082-1 | |
| 7-11 | L'Arlésienne Suite n°1 - Prélude | Orchestre des Concerts Lamoureux, Igor Markevitch | T-900.143.514-9 | |
| 7-12 | L'Arlésienne Suite n°1 - Minuetto | Orchestre des Concerts Lamoureux, Igor Markevitch | T-010.194.862-2 | |
| 7-13 | L'Arlésienne Suite n°1 - Adagietto | Orchestre des Concerts Lamoureux, Igor Markevitch | T-910.448.362-7 | |
| 7-14 | L'Arlésienne Suite n°1 - Carillon | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 7-15 | L'Arlésienne Suite n°2 - Pastorale | Orchestre des Concerts Lamoureux, Igor Markevitch | T-071.478.968-0 | |
| 7-16 | L'Arlésienne Suite n°2 - Menuet | Orchestre des Concerts Lamoureux, Igor Markevitch | T-310.225.113-4 | |
| 7-17 | L'Arlésienne Suite n°2 - Farandole | Orchestre des Concerts Lamoureux, Igor Markevitch | T-010.194.866-6 | |
| 8-1 | Symphony no. 1 in G minor, op. 13 “Winter Daydreams”: I. Allegro tranquillo | London Symphony Orchestra, Igor Markevitch | — | |
| 8-2 | Symphony no. 1 in G minor, op. 13 “Winter Daydreams”: II. Adagio cantabile ma non tanto | London Symphony Orchestra, Igor Markevitch | — | |
| 8-3 | Symphony no. 1 in G minor, op. 13 “Winter Daydreams”: III. Scherzo. Allegro scherzando giocoso | London Symphony Orchestra, Igor Markevitch | — | |
| 8-4 | Symphony no. 1 in G minor, op. 13 “Winter Daydreams”: IV. Finale. Andante lugubre | London Symphony Orchestra, Igor Markevitch | — | |
| 8-5 | Symphony no. 2 in C minor, op. 17 “Little Russian”: I. Andante sostenuto - Allegro vivo | London Symphony Orchestra, Igor Markevitch | — | |
| 8-6 | Symphony no. 2 in C minor, op. 17 “Little Russian”: II. Andantino marziale, quasi moderato | London Symphony Orchestra, Igor Markevitch | — | |
| 8-7 | Symphony no. 2 in C minor, op. 17 “Little Russian”: III. Scherzo. Allegro molto vivace | London Symphony Orchestra, Igor Markevitch | — | |
| 8-8 | Symphony no. 2 in C minor, op. 17 “Little Russian”: IV. Finale. Moderato assai - Presto | London Symphony Orchestra, Igor Markevitch | — | |
| 9-1 | Symphony no. 3 in D major, op. 29 “Polish”: I. Introduzione e Allegro | London Symphony Orchestra, Igor Markevitch | — | |
| 9-2 | Symphony no. 3 in D major, op. 29 “Polish”: II. Alla tedesca - Allegro moderato e semplice | London Symphony Orchestra, Igor Markevitch | — | |
| 9-3 | Symphony no. 3 in D major, op. 29 “Polish”: III. Andante elegiaco | London Symphony Orchestra, Igor Markevitch | — | |
| 9-4 | Symphony no. 3 in D major, op. 29 “Polish”: IV. Scherzo. Allegro vivo | London Symphony Orchestra, Igor Markevitch | — | |
| 9-5 | Symphony no. 3 in D major, op. 29 “Polish”: V. Finale. Allegro con fuoco | London Symphony Orchestra, Igor Markevitch | — | |
| 9-6 | Francesca da Rimini, op. 32 | New Philharmonia Orchestra, Igor Markevitch | T-010.194.429-9 | |
| 10-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto, moderato con anima | London Symphony Orchestra, Igor Markevitch | — | |
| 10-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona | London Symphony Orchestra, Igor Markevitch | — | |
| 10-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo - Pizzicato ostinato, allegro | London Symphony Orchestra, Igor Markevitch | — | |
| 10-4 | Symphony no. 4 in F minor, op. 36: IV. Finale - Allegro con fuoco | London Symphony Orchestra, Igor Markevitch | — | |
| 10-5 | Hamlet, Op. 67a: Fantasy-Overture | New Philharmonia Orchestra, Igor Markevitch | — | |
| 11-1 | Symphony no. 5 in E minor, op. 64: I. Andante, allegro con anima | London Symphony Orchestra, Igor Markevitch | — | |
| 11-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | London Symphony Orchestra, Igor Markevitch | — | |
| 11-3 | Symphony no. 5 in E minor, op. 64: III. Valse - allegro moderato | London Symphony Orchestra, Igor Markevitch | — | |
| 11-4 | Symphony no. 5 in E minor, op. 64: IV. Finale : Andante maestoso, allegro vivo | London Symphony Orchestra, Igor Markevitch | — | |
| 12-1 | Symphony no. 6 in B minor, op. 74, "Pathétique": I. Adagio, allegro non troppo | London Symphony Orchestra, Igor Markevitch | — | |
| 12-2 | Symphony no. 6 in B minor, op. 74, "Pathétique": II. Allegro con grazia | London Symphony Orchestra, Igor Markevitch | — | |
| 12-3 | Symphony no. 6 in B minor, op. 74, "Pathétique": III. Allegro molto vivace | London Symphony Orchestra, Igor Markevitch | — | |
| 12-4 | Symphony no. 6 in B minor, op. 74, "Pathétique": IV. Finale - Adagio lamentoso, andante | London Symphony Orchestra, Igor Markevitch | — | |
| 13-1 | Manfred Symphony, op. 58: I. Lento lugubre: Moderato con moto – Andante | London Symphony Orchestra, Igor Markevitch | — | |
| 13-2 | Manfred Symphony, op. 58: II. Vivace con spirito | London Symphony Orchestra, Igor Markevitch | — | |
| 13-3 | Manfred Symphony, op. 58: III. Andante con moto | London Symphony Orchestra, Igor Markevitch | — | |
| 13-4 | Manfred Symphony, op. 58: IV. Allegro con fuoco | London Symphony Orchestra, Igor Markevitch | — | |
| 14-1 | Capriccio Espagnol, op. 34: 1. Alborada | London Symphony Orchestra, Igor Markevitch | — | |
| 14-2 | Capriccio Espagnol, op. 34: 2. Variazioni | London Symphony Orchestra, Igor Markevitch | — | |
| 14-3 | Capriccio Espagnol, op. 34: 3. Alborada | London Symphony Orchestra, Igor Markevitch | — | |
| 14-4 | Capriccio Espagnol, op. 34: 4. Scena e canto gitano | London Symphony Orchestra, Igor Markevitch | — | |
| 14-5 | Capriccio Espagnol, op. 34: 5. Fandango asturiano | London Symphony Orchestra, Igor Markevitch | — | |
| 14-6 | Scheherazade, op. 35 – Symphonic Suite: The Sea and Sinbad’s Ship | Erich Gruenberg, London Symphony Orchestra, Igor Markevitch | — | |
| 14-7 | Scheherazade, op. 35 – Symphonic Suite: The Tale of the Kalendar Prince | Erich Gruenberg, London Symphony Orchestra, Igor Markevitch | — | |
| 14-8 | Scheherazade, op. 35 – Symphonic Suite: The Young Prince and the Young Princess | Erich Gruenberg, London Symphony Orchestra, Igor Markevitch | — | |
| 14-9 | Scheherazade, op. 35 – Symphonic Suite: Festival at Baghdad – The Sea – The Shipwreck | Erich Gruenberg, London Symphony Orchestra, Igor Markevitch | — | |
| 15-1 | 1812 Overture | Koninklijk Concertgebouworkest, Igor Markevitch | — | |
| 15-2 | Russian Easter Overture | Concertgebouworkest, Igor Markevitch | — | |
| 15-3 | Polovtsian Dances from Prince Igor | Netherlands Radio Chorus, Concertgebouworkest, Igor Markevitch | — | |
| 16-11 | Suite No. 1 For Small Orchestra (Arrangement Of Nos. 1–4 From Five Easy Pieces For Piano Duet): I. Andante | London Symphony Orchestra, Igor Markevitch | — | |
| 16-12 | Suite No. 1 For Small Orchestra (Arrangement Of Nos. 1–4 From Five Easy Pieces For Piano Duet): II. Napolitana | London Symphony Orchestra, Igor Markevitch | — | |
| 16-13 | Suite No. 1 For Small Orchestra (Arrangement Of Nos. 1–4 From Five Easy Pieces For Piano Duet): III. Española | London Symphony Orchestra, Igor Markevitch | — | |
| 16-14 | Suite No. 1 For Small Orchestra (Arrangement Of Nos. 1–4 From Five Easy Pieces For Piano Duet): IV. Balalaika | London Symphony Orchestra, Igor Markevitch | — | |
| 16-15 | Suite No. 2 For Small Orchestra (Arrangement Of Nos. 1–4 From Three Easy Pieces For Piano Duet And No. 5 Of Five Easy Pieces For Piano Duet): 1. March | London Symphony Orchestra, Igor Markevitch | — | |
| 16-16 | Suite No. 2 For Small Orchestra (Arrangement Of Nos. 1–4 From Three Easy Pieces For Piano Duet And No. 5 Of Five Easy Pieces For Piano Duet): 2. Waltz | London Symphony Orchestra, Igor Markevitch | — | |
| 16-17 | Suite No. 2 For Small Orchestra (Arrangement Of Nos. 1–4 From Three Easy Pieces For Piano Duet And No. 5 Of Five Easy Pieces For Piano Duet): 3. Polka | London Symphony Orchestra, Igor Markevitch | — | |
| 16-18 | Suite No. 2 For Small Orchestra (Arrangement Of Nos. 1–4 From Three Easy Pieces For Piano Duet And No. 5 Of Five Easy Pieces For Piano Duet): 4. Galop | London Symphony Orchestra, Igor Markevitch | — | |
| 16-19 | Four Norwegian Moods: I. Intrada | London Symphony Orchestra, Igor Markevitch | — | |
| 16-20 | Four Norwegian Moods: II. Song | London Symphony Orchestra, Igor Markevitch | — | |
| 16-21 | Four Norwegian Moods: III. Wedding Dance | London Symphony Orchestra, Igor Markevitch | — | |
| 16-22 | Four Norwegian Moods: IV. Cortège | London Symphony Orchestra, Igor Markevitch | — | |
| 16-23 | Circus Polka for a Young Elephant | London Symphony Orchestra, Igor Markevitch | — | |
| 17-1 | Histoire du soldat - Part 1: Marche du soldat | Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 17-2 | Histoire du soldat - Part 1: "Voilà un joli endroit" | Jean Cocteau, Jean-Marie Fertey | — | |
| 17-3 | Histoire du soldat - Part 1: Musique de la première scène | Jean Cocteau, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 17-4 | Histoire du soldat - Part 1: Le diable: "Donnez moi votre violon" | Jean Cocteau, Peter Ustinov, Jean-Marie Fertey | — | |
| 17-5 | Histoire du soldat - Part 1: Marche du soldat | Jean Cocteau, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 17-6 | Histoire du soldat - Part 1: Le soldat: "Bravo" | Jean Cocteau, Jean-Marie Fertey | — | |
| 17-7 | Histoire du soldat - Part 1: Musique de la deuxième scène | Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 17-8 | Histoire du soldat - Part 1: Le soldat: "Ah! Brigand" | Peter Ustinov, Jean-Marie Fertey | — | |
| 17-9 | Histoire du soldat - Part 1: Musique de la fin du deuxième scène | Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 17-10 | Histoire du soldat - Part 1: Le lecteur: "Il s'était mis" | Jean Cocteau, Peter Ustinov, Jean-Marie Fertey, Charles Peschier, Igor Markevitch | — | |
| 17-11 | Histoire du soldat - Part 1: Musique de la fin du deuxième scène | Ulysse Delécluse, Joachim Gut, Igor Markevitch | — | |
| 17-12 | Histoire du soldat - Part 1: Le diable : "Regarder, Monsieur" | Jean Cocteau, Peter Ustinov, Jean-Marie Fertey | — | |
| 17-13 | Histoire du soldat - Part 1: Musique de la troisième scène | Jean Cocteau, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 17-14 | Histoire du soldat - Part 2: Marche du soldat | Jean Cocteau, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 17-15 | Histoire du soldat - Part 2: Le lecteur: "Un autre pays" | Jean Cocteau, Jean-Marie Fertey, Charles Peschier, Igor Markevitch | — | |
| 17-16 | Histoire du soldat - Part 2: Marche royale | Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 17-17 | Histoire du soldat - Part 2: Le lecteur: "On a fait marcher" | Jean Cocteau, Peter Ustinov, Jean-Marie Fertey | — | |
| 17-18 | Histoire du soldat - Part 2: Petit concert | Jean Cocteau, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 17-19 | Histoire du soldat - Part 2: Trois danses: Tango-Valse-Ragtime | Jean Cocteau, Peter Ustinov, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 17-20 | Histoire du soldat - Part 2: Danse du diable | Jean Cocteau, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 17-21 | Histoire du soldat - Part 2: Petit choral | Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 17-22 | Histoire du soldat - Part 2: Couplet du diable | Peter Ustinov, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 17-23 | Histoire du soldat - Part 2: Grand choral | Jean Cocteau, Jean-Marie Fertey, Anne Tonietti, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 17-24 | Histoire du soldat - Part 2: Marche triomphale du diable | Jean Cocteau, Anne Tonietti, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 17-25 | Symphonie De Psaumes: 1. Exaudi orationem meam, Domine | Boys' and Male Voices of the Russian State Academic Choir, Russian State Academy Orchestra, Igor Markevitch | — | |
| 17-26 | Symphonie De Psaumes: 2. Expectans expectavi Dominum | Boys' and Male Voices of the Russian State Academic Choir, Russian State Academy Orchestra, Igor Markevitch | — | |
| 17-27 | Symphonie De Psaumes: 3. Alleluia, laudate Dominum | Boys' and Male Voices of the Russian State Academic Choir, Russian State Academy Orchestra, Igor Markevitch | — | |
| 18-1 | 6 Songs: Lullaby | Galina Vishnevskaya, Moscow Philharmonic Orchestra, Igor Markevitch | T-924.024.078-2 | |
| 18-2 | 6 Songs: The Magpie | Galina Vishnevskaya, Moscow Philharmonic Orchestra, Igor Markevitch | — | |
| 18-3 | 6 Songs: Night | Galina Vishnevskaya, Moscow Philharmonic Orchestra, Igor Markevitch | — | |
| 18-4 | 6 Songs: Where Art Thou, Little Star? | Galina Vishnevskaya, Moscow Philharmonic Orchestra, Igor Markevitch | — | |
| 18-5 | 6 Songs: The Ragamuffin | Galina Vishnevskaya, Moscow Philharmonic Orchestra, Igor Markevitch | — | |
| 18-6 | 6 Songs: On the Dnieper | Galina Vishnevskaya, Moscow Philharmonic Orchestra, Igor Markevitch | — | |
| 18-7 | Tati-Tati : I. Introduction - Theme - 24 Variations (Arr. of Paraphrases, No. 1 by Cui, Lyadov, Rimsky-Korsakov) | Olga Rostropovich, USSR Symphony Orchestra, Igor Markevitch | — | |
| 18-8 | Tati-Tati : II. Prelude (Arr. of Paraphrases, No. 1a by Liszt) | Olga Rostropovich, USSR Symphony Orchestra, Igor Markevitch | — | |
| 18-9 | Tati-Tati : III. Berceuse (Arr. of Paraphrases, No. 5 by Rimsky-Korsakov) | Olga Rostropovich, USSR Symphony Orchestra, Igor Markevitch | — | |
| 18-10 | Tati-Tati : IV. Tarantella (Arr. of Paraphrases, No. 9 by Rimsky-Korsakov) | Olga Rostropovich, USSR Symphony Orchestra, Igor Markevitch | — | |
| 18-11 | Tati-Tati : V. Valse (Arr. of Paraphrases, No. 4 & 11 by Lyadov, Cui) | Olga Rostropovich, USSR Symphony Orchestra, Igor Markevitch | — | |
| 18-12 | Tati-Tati : VI. Gigue (Arr. of Paraphrases, No. 7 by Lyadov) | Olga Rostropovich, USSR Symphony Orchestra, Igor Markevitch | — | |
| 18-13 | Tati-Tati : VII. Carillon (Arr. of Paraphrases, No. 13 by Rimsky-Korsakov) | Olga Rostropovich, USSR Symphony Orchestra, Igor Markevitch | — | |
| 18-14 | Cassation in G Major for Orchestra and Toys : 1. Allegro | USSR Symphony Orchestra, Igor Markevitch | — | |
| 18-15 | Cassation in G Major for Orchestra and Toys : 2. Minuet & Trio | USSR Symphony Orchestra, Igor Markevitch | — | |
| 18-16 | Cassation in G Major for Orchestra and Toys : 3. Finale | USSR Symphony Orchestra, Igor Markevitch | — | |
| 18-17 | Jeux d'enfants, Op. 22 WD 56 - Petite Suite : 1. Marche: Trompette et tambour | USSR Symphony Orchestra, Igor Markevitch | — | |
| 18-18 | Jeux d'enfants, Op. 22 WD 56 - Petite Suite : 2. Berceuse: La Poupée | USSR Symphony Orchestra, Igor Markevitch | — | |
| 18-19 | Jeux d'enfants, Op. 22 WD 56 - Petite Suite : 3. Impromptu: La toupie | USSR Symphony Orchestra, Igor Markevitch | — | |
| 18-20 | Jeux d'enfants, Op. 22 WD 56 - Petite Suite : 4. Duo: Petit mari, petite femme | USSR Symphony Orchestra, Igor Markevitch | — | |
| 18-21 | Jeux d'enfants, Op. 22 WD 56 - Petite Suite : 5. Galop: Le bal | USSR Symphony Orchestra, Igor Markevitch | — | |
| 19-1 | La forza del destino: Overture | New Philharmonia Orchestra, Igor Markevitch | T-306.483.068-4 | |
| 19-2 | Macbeth: Ballet Music (Act III) | New Philharmonia Orchestra, Igor Markevitch | T-010.287.722-4 | |
| 19-3 | La Traviata: Prelude (Act I) | New Philharmonia Orchestra, Igor Markevitch | — | |
| 19-4 | Luisa Miller: Overture | New Philharmonia Orchestra, Igor Markevitch | T-909.574.378-5 | |
| 19-5 | Aida: Overture | New Philharmonia Orchestra, Igor Markevitch | T-900.065.376-9 | |
| 19-6 | Giovanna D'Arco: Overture | New Philharmonia Orchestra, Igor Markevitch | T-909.574.378-5 | |
| 19-7 | La Traviata: Prelude (Act III) | New Philharmonia Orchestra, Igor Markevitch | — | |
| 19-8 | I Vespri Siciliani: Overture | New Philharmonia Orchestra, Igor Markevitch | T-909.574.378-5 | |
| 20-1 | Messa da Requiem: 1a. Requiem | Russian State Academy Choir, Moscow State Philharmonic Academy Orchestra, Igor Markevitch | — | |
| 20-2 | Messa da Requiem: 1b. Kyrie Eleison | Galina Vishnevskaya, Nina Isakova, Vladimir Ivanovsky, Ivan Petrov, Russian State Academy Choir, Moscow State Philharmonic Academy Orchestra, Igor Markevitch | — | |
| 20-3 | Messa da Requiem: 2a. Dies irae | Galina Vishnevskaya, Nina Isakova, Vladimir Ivanovsky, Ivan Petrov, Russian State Academy Choir, Moscow State Philharmonic Academy Orchestra, Igor Markevitch | — | |
| 20-4 | Messa da Requiem: 2b. Tuba mirum | Galina Vishnevskaya, Nina Isakova, Vladimir Ivanovsky, Ivan Petrov, Russian State Academy Choir, Moscow State Philharmonic Academy Orchestra, Igor Markevitch | — | |
| 20-5 | Messa da Requiem: 2c. Mors stupebit | Ivan Petrov, Moscow State Philharmonic Academy Orchestra, Igor Markevitch | — | |
| 20-6 | Messa da Requiem: 2d. Liber scriptus | Nina Isakova, Russian State Academy Choir, Moscow State Philharmonic Academy Orchestra, Igor Markevitch | — | |
| 20-7 | Messa da Requiem: 2e. Quid sum miser | Galina Vishnevskaya, Nina Isakova, Vladimir Ivanovsky, Russian State Academy Choir, Академический симфонический оркестр Московской филармонии, Igor Markevitch | — | |
| 20-8 | Messa da Requiem: 2f. Rex tremendae | Galina Vishnevskaya, Nina Isakova, Vladimir Ivanovsky, Ivan Petrov, Russian State Academy Choir, Moscow State Philharmonic Academy Orchestra, Igor Markevitch | — | |
| 20-9 | Messa da Requiem: 2g. Recordare | Galina Vishnevskaya, Nina Isakova, Russian State Academy Choir, Moscow State Philharmonic Academy Orchestra, Igor Markevitch | — | |
| 20-10 | Messa da Requiem: 2h. Ingemisco | Vladimir Ivanovsky, Russian State Academy Choir, Moscow State Philharmonic Academy Orchestra, Igor Markevitch | — | |
| 20-11 | Messa da Requiem: 2i. Confutatis | Ivan Petrov, Russian State Academy Choir, Moscow State Philharmonic Academy Orchestra, Igor Markevitch | — | |
| 20-12 | Messa da Requiem: 2j. Lacrymosa | Galina Vishnevskaya, Nina Isakova, Vladimir Ivanovsky, Ivan Petrov, Russian State Academy Choir, Moscow State Philharmonic Academy Orchestra, Igor Markevitch | — | |
| 20-13 | Messa da Requiem: 3a. Offertorium: Domine, Jesu Christe | Galina Vishnevskaya, Nina Isakova, Vladimir Ivanovsky, Ivan Petrov, Russian State Academy Choir, Moscow State Philharmonic Academy Orchestra, Igor Markevitch | — | |
| 20-14 | Messa da Requiem: 3b. Offertorium: Hostias | Galina Vishnevskaya, Nina Isakova, Vladimir Ivanovsky, Ivan Petrov, Russian State Academy Choir, Moscow State Philharmonic Academy Orchestra, Igor Markevitch | — | |
| 20-15 | Messa da Requiem: 4. Sanctus | Russian State Academy Choir, Moscow State Philharmonic Academy Orchestra, Igor Markevitch | — | |
| 20-16 | Messa da Requiem: 5. Agnus Dei | Galina Vishnevskaya, Nina Isakova, Russian State Academy Choir, Moscow State Philharmonic Academy Orchestra, Igor Markevitch | — | |
| 20-17 | Messa da Requiem: 6. Lux aeterna | Nina Isakova, Vladimir Ivanovsky, Ivan Petrov, Russian State Academy Choir, Академический симфонический оркестр Московской филармонии, Igor Markevitch | — | |
| 20-18 | Messa da Requiem: 7a. Libera me: Libera me | Galina Vishnevskaya, Russian State Academy Choir, Moscow State Philharmonic Academy Orchestra, Igor Markevitch | — | |
| 20-19 | Messa da Requiem: 7b. Libera me: Dies irae | Galina Vishnevskaya, Russian State Academy Choir, Moscow State Philharmonic Academy Orchestra, Igor Markevitch | — | |
| 20-20 | Messa da Requiem: 7c. Libera me: Requiem aeternam | Galina Vishnevskaya, Nina Isakova, Vladimir Ivanovsky, Ivan Petrov, Russian State Academy Choir, Moscow State Philharmonic Academy Orchestra, Igor Markevitch | — | |
| 20-21 | Messa da Requiem: 7d. Libera me: Libera me | Galina Vishnevskaya, Nina Isakova, Vladimir Ivanovsky, Ivan Petrov, Russian State Academy Choir, Moscow State Philharmonic Academy Orchestra, Igor Markevitch | — | |
| 21-1 | Los improperios: I. Preludio | Peter Christoph Runge, Orquesta Sinfónica, Coros de la RTV Española, Alberto Blancafort, Igor Markevitch | — | |
| 21-2 | Los improperios: II. Popule meus | Peter Christoph Runge, Orquesta Sinfónica, Coros de la RTV Española, Alberto Blancafort, Igor Markevitch | — | |
| 21-3 | Los improperios: III. Hagios o Theos – Sancte Deus | Peter Christoph Runge, Orquesta Sinfónica, Coros de la RTV Española, Alberto Blancafort, Igor Markevitch | — | |
| 21-4 | Los improperios: IV. Quia eduxi te | Peter Christoph Runge, Orquesta Sinfónica, Coros de la RTV Española, Alberto Blancafort, Igor Markevitch | — | |
| 21-5 | Los improperios: V. Sanctus Deus | Peter Christoph Runge, Orquesta Sinfónica, Coros de la RTV Española, Alberto Blancafort, Igor Markevitch | — | |
| 21-6 | Los improperios: VI. Ego propter te flagellavi | Peter Christoph Runge, Orquesta Sinfónica, Coros de la RTV Española, Alberto Blancafort, Igor Markevitch | — | |
| 21-7 | Los improperios: VII. Ego te exaltavi | Peter Christoph Runge, Orquesta Sinfónica, Coros de la RTV Española, Alberto Blancafort, Igor Markevitch | — | |
| 21-8 | Los improperios: VIII. Crucem tuam adoramus, Domine | Peter Christoph Runge, Orquesta Sinfónica, Coros de la RTV Española, Alberto Blancafort, Igor Markevitch | — | |
| 21-9 | Ave Maria for 8 Voices | Escolanía de nuestra Señora del Buen Retiro, César Sanchez, Coro de la RTV Española, Alberto Blancafort, Igor Markevitch | — | |
| 21-10 | Vexilla regis | Escolanía de nuestra Señora del Buen Retiro, César Sanchez, Coro de la RTV Española, Alberto Blancafort, Igor Markevitch | T-900.088.013-7 | |
| 21-11 | Lamentación 1a: Incipit lamentatio Jeremiae prophetae | Ángeles Chamorro, Norma Lerer, Julian Molina, Orquesta Sinfónica, Coros de la RTV Española, Igor Markevitch | — | |
| 21-12 | Lamentación 1a: Omnes amici ejus | Ángeles Chamorro, Norma Lerer, Julian Molina, Orquesta Sinfónica, Coros de la RTV Española, Igor Markevitch | — | |
| 21-13 | Lamentación 1a: Migravit Judas propter afflictionem | Ángeles Chamorro, Norma Lerer, Julian Molina, Orquesta Sinfónica, Coros de la RTV Española, Igor Markevitch | — | |
| 21-14 | Lamentación 1a: Viae Sion lugent eo | Ángeles Chamorro, Norma Lerer, Julian Molina, Orquesta Sinfónica, Coros de la RTV Española, Igor Markevitch | — | |
| 21-15 | Lamentación 1a: Facti sunt hostes | Ángeles Chamorro, Norma Lerer, Julian Molina, Orquesta Sinfónica, Coros de la RTV Española, Igor Markevitch | — | |
| 21-16 | Lamentación 1a: Jerusalem convertere | Ángeles Chamorro, Norma Lerer, Julian Molina, Orquesta Sinfónica, Coros de la RTV Española, Igor Markevitch | — | |
| 22-1 | Magnificat: Magnificat | Coro de la RTV Española, Alberto Blancafort | T-922.042.217-3 | |
| 22-2 | Magnificat: Quia respexit | Coro de la RTV Española, Alberto Blancafort | — | |
| 22-3 | Magnificat: Quia fecit | Coro de la RTV Española, Alberto Blancafort | — | |
| 22-4 | Magnificat: Et misericordia ejus | Coro de la RTV Española, Alberto Blancafort | — | |
| 22-5 | Magnificat: Fecit potentiam | Coro de la RTV Española, Alberto Blancafort | — | |
| 22-6 | Magnificat: Suscepit Israel | Coro de la RTV Española, Alberto Blancafort | — | |
| 22-7 | Magnificat: Sicut locutus est | Coro de la RTV Española, Alberto Blancafort | — | |
| 22-8 | Magnificat: Gloria patri et filio | Coro de la RTV Española, Alberto Blancafort | — | |
| 22-9 | De profundis: I. Clamavi | Ángeles Chamorro, Ines Rivadeneyra, Carlo del Monte, Antonio Blancas, Coros de la RTV Española, Alberto Blancafort, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 22-10 | De profundis: II. Fiant aures tuae | Ángeles Chamorro, Ines Rivadeneyra, Carlo del Monte, Antonio Blancas, Coros de la RTV Española, Alberto Blancafort, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 22-11 | De profundis: III. Si iniquitates | Ángeles Chamorro, Ines Rivadeneyra, Carlo del Monte, Antonio Blancas, Coros de la RTV Española, Alberto Blancafort, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 22-12 | De profundis: IV. Et Ipse redimet Israel | Ángeles Chamorro, Ines Rivadeneyra, Carlo del Monte, Antonio Blancas, Coros de la RTV Española, Alberto Blancafort, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 22-13 | Canticum in memoriam PP Johannem XXIII | Ángeles Chamorro, Antonio Blancas, Coros de la RTV Española, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 22-14 | Veni Creator | Coros de la RTV Española, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 23-1 | 7 Canciones populares españolas: 1. El paño moruno | Ángeles Chamorro, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 23-2 | 7 Canciones populares españolas: 2. Seguidilla murciana | Ángeles Chamorro, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 23-3 | 7 Canciones populares españolas: 3. Asturiana | Ángeles Chamorro, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 23-4 | 7 Canciones populares españolas: 4. Jota | Ángeles Chamorro, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 23-5 | 7 Canciones populares españolas: 5. Nana | Ángeles Chamorro, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 23-6 | 7 Canciones populares españolas: 6. Canción | Ángeles Chamorro, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 23-7 | 7 Canciones populares españolas: 7. Polo | Ángeles Chamorro, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 23-8 | Catalonia | Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 23-9 | Fanfare | Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 23-10 | 12 Danzas españolas, op. 37: 9. Mazurka romántica | Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 23-11 | 12 Danzas españolas, op. 37: 4. Villanesca | Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 23-12 | Goyescas: Intermezzo | Orquesta Sinfónica de la RTV Española, Igor Markevitch | T-041.950.835-2 | |
| 23-13 | 6 Pieces on Spanish Folksongs: 6. Zapateado | Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 23-14 | 12 Danzas españolas, op. 37: 8. Sardana – Asturiana | Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 24-1 | Noches en los jardines de España: I. En el Generalife | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 24-2 | Noches en los jardines de España: II. Danza lejana | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 24-3 | Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | T-041.489.075-7 | |
| 24-4 | El amor brujo: I. Introducción y escena | Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 24-5 | El amor brujo: II. En la cueva (La noche) | Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 24-6 | El amor brujo: III. Canción del amor dolido | Ines Rivadeneyra, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 24-7 | El amor brujo: XI. Pantomima: El aparecido | Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 24-8 | El amor brujo: VI. El círculo mágico (Romance del pescador) | Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 24-9 | El amor brujo: VI. El círculo mágico (Romance del pescador) | Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 24-10 | El amor brujo: XI. Pantomima: A media noche. Los sortilegios | Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 24-11 | El amor brujo: XI. Pantomima: Danza ritual del fuego, para ahuyentar los malos espíritos | Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 24-12 | El amor brujo: XI. Pantomima: Escena | Orquesta Sinfónica de la RTV Española, Igor Markevitch | T-041.489.062-2 | |
| 24-13 | El amor brujo: XI. Pantomima: Canción del fuego fátuo | Ines Rivadeneyra, Orquesta Sinfónica de la RTV Española, Igor Markevitch | T-041.489.063-3 | |
| 24-14 | El amor brujo: XI. Pantomima | Orquesta Sinfónica de la RTV Española, Igor Markevitch | T-041.489.063-3 | |
| 24-15 | El amor brujo: XII. Danza del juego del amor | Ines Rivadeneyra, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 24-16 | El amor brujo: XIII. Final (Las campanas del amanecer) | Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 24-17 | España | Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 24-18 | Bolero | Orquesta Sinfónica de la RTV Española, Igor Markevitch | T-003.006.377-4 | |
| 25-1 | La Tempranica: “A trabajá con fatiga – A la nanita nana – Triquitra, triquitra” | Ángeles Chamorro, Norma Lerer, Angel Custodio, José Le Matt, Julio Catania, Coro de la RTV Española, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 25-2 | La Tempranica: “Yo no se al verte que me ha pasao” | Ángeles Chamorro, José Le Matt, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 25-3 | La Tempranica: “Sierra de Granada, ya nos de la Vega” | Ángeles Chamorro, Coro de la RTV Española, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 25-4 | Doña Francisquita: Fandango | Orquesta Sinfónica de la RTV Española, Igor Markevitch | T-041.489.087-1 | |
| 25-5 | Doña Francisquita: “Ea! Fuera! Ya se acabó!” | Ángeles Chamorro, Norma Lerer, Carlo del Monte, José Le Matt, Rafael Enderis, Coro de la RTV Española, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 25-6 | El baile de Luis Alonso: Intermezzo | Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 25-7 | La corte de Faraón: “Son las mujeres de Babilonia. ¡Ay, Ba!” | Norma Lerer, Coro de la RTV Española, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 25-8 | El Niño Judìo: Danza India | Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 25-9 | El Niño Judìo: “De España vengo” | Ángeles Chamorro, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 25-10 | El Niño Judìo: “Soy un rayito de luna” | Carlo del Monte, Gregorio Gil, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 25-11 | La Verbena de la Paloma: “También la gente del pueblo…El aceito de ricino” | Julio Fuente, José Le Matt, Alicia de la Victoria, Carlo del Monte, Jesús Coiras, José Granados, Antonio Lagar, Jesus Coiras, Coro de la RTV Española, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 25-12 | La Verbena de la Paloma: “El niño está dormido” | Julio Fuente, José Le Matt, Alicia de la Victoria, Carlo del Monte, Jesús Coiras, José Granados, Antonio Lagar, Jesus Coiras, Coro de la RTV Española, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 25-13 | La Verbena de la Paloma: “Por ser la Virgen de la Paloma” | Julio Fuente, José Le Matt, Alicia de la Victoria, Carlo del Monte, Jesús Coiras, José Granados, Antonio Lagar, Jesus Coiras, Coro de la RTV Española, Orquesta Sinfónica de la RTV Española, Igor Markevitch | T-041.001.170-9 | |
| 26-1 | El gato montés, Act II: Pasadoble | Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 26-2 | La Calesera: Dice el Rey que le debe guardar (Pasacalle) | Norma Lerer, Coros de la RTV Española, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 26-3 | La revoltosa: Guajiras: “Cuando clava mi moreno” | Norma Lerer, Coros de la RTV Española, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 26-4 | La revoltosa: “Por qué de mis ojos los tuyos retiros?” | Ángeles Chamorro, Carlo del Monte, Coros de la RTV Española, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 26-5 | Agua, Azucarillos y Aguardiente: Coro de barquilleros | Coro de la RTV Española, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 26-6 | La Tempranica: Zapateado “La tarántula é un bicho mú malo” | Norma Lerer, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 26-7 | La boda de Luis Alonso: Intermedio | Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 26-8 | El tambor de granaderos: Preludio | Orquesta Sinfónica de la RTV Española, Igor Markevitch | T-324.020.403-5 | |
| 26-9 | El barberillo de Lavapiés: Preludio: “Dicen que en el Pardo, madre” | Carlo del Monte, José Antonio Viñe, Alicia de la Victoria, Coros de la RTV Española, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 26-10 | El barberillo de Lavapiés: Tirana: “No hay que guitar los hilvanes” | Ángeles Chamorro, Carlo del Monte, Coros de la RTV Española, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 26-11 | El barberillo de Lavapiés: Seguidillas Manchegas: “En el templo de marte” | Carlo del Monte, Coros de la RTV Española, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 26-12 | El rey que rabió: Coro de doctores | Coro de la RTV Española, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 26-13 | Enseñanza libre: Gavota | Alicia de la Victoria, Antonio Lagar, Coros de la RTV Española, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — | |
| 26-14 | Gigantes y Cabezudos: Luchando tercos y rudos | Norma Lerer, Coro de la RTV Española, Orquesta Sinfónica de la RTV Española, Igor Markevitch | — |
Identifier Graph
028948417445 is a Universal Product Code (UPC) assigned to The Philips Legacy by Igor Markevitch. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 281 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Philips Legacy” by Igor Markevitch is 028948417445. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-01-01. Label: Decca. This release contains 281 tracks, each with its own ISRC. Tracks include NLA505900212, NLA505900213, NLA505900214.
