UPC · Release
Antal Doráti
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The UPC for “The Mercury Masters: The Mono Recordings” by Antal Doráti is 028948440641. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2023-01-01. Label: Mercury. This release contains 325 tracks, each with its own ISRC. Tracks include NLA505310021, NLA505310022, NLA505310023.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 2 in B minor: I. Allegro | — | ||
| 2 | Symphony no. 2 in B minor: II. Scherzo. Prestissimo - Allegretto | — | ||
| 3 | Symphony no. 2 in B minor: III. Andante | — | ||
| 4 | Symphony no. 2 in B minor: IV. Finale: Allegro | — | ||
| 5 | The Firebird Suite: Introduction | — | ||
| 6 | The Firebird Suite: Dance of the Firebird | — | ||
| 7 | The Firebird Suite: Round Dance of the Princesses | — | ||
| 8 | The Firebird Suite: Infernal Dance of King Kastchei | — | ||
| 9 | The Firebird Suite: Berceuse | — | ||
| 10 | The Firebird Suite: Finale | — | ||
| 2-1 | Roman Carnival Overture, H 95 | — | ||
| 2-2 | Pavane pour une infante défunte, M. 19 | — | ||
| 2-3 | Alborada del gracioso, M. 43 | — | ||
| 2-4 | Nocturnes, L. 91: no. 1, Nuages. Modéré | — | ||
| 2-5 | Nocturnes, L. 91: no. 2, Fêtes. Animé et très rythmé | — | ||
| 2-6 | Nocturnes, L. 91: no. 3, Sirènes. Modérément animé | — | ||
| 3-1 | Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima | — | ||
| 3-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 3-3 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | — | ||
| 3-4 | Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso | — | ||
| 4-1 | Scheherazade. op. 35: I. The Sea and Sinbad's Ship | — | ||
| 4-2 | Scheherazade. op. 35: II. The Story of the Kalendar Prince | — | ||
| 4-3 | Scheherazade. op. 35: III. The Young Prince and the Young Princess | — | ||
| 4-4 | Scheherazade. op. 35: IV. Festival at Baghdad. The Sea. The Ship Breaks against a Cliff Surmounted by a Bronze Horseman | — | ||
| 5-1 | Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 5-2 | Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto | Minneapolis Symphony Orchestra, Antal Doráti | T-303.792.628-2 | |
| 5-3 | Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 5-4 | Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto | Minneapolis Symphony Orchestra, Antal Doráti | T-925.645.332-4 | |
| 5-5 | Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto | Minneapolis Symphony Orchestra, Antal Doráti | T-003.035.132-6 | |
| 5-6 | Symphony no. 40 in G minor, K. 550 “Great”: II. Andante | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 5-7 | Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 5-8 | Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai | Minneapolis Symphony Orchestra, Antal Doráti | T-306.395.786-4 | |
| 6-1 | Pini Di Roma, P. 141: I. I pini di Villa Borghese | — | ||
| 6-2 | Pini Di Roma, P. 141: II. Pini presso una catacomba | — | ||
| 6-3 | Pini Di Roma, P. 141: III. I pini del Gianicolo | — | ||
| 6-4 | Pini Di Roma, P. 141: IV. I pini della Via Appia | — | ||
| 6-5 | Fontane Di Roma, P. 106: I. La fontana de Valle Giulia à l'alba | — | ||
| 6-6 | Fontane Di Roma, P. 106: II. La fontana del Tritone al mattino | — | ||
| 6-7 | Fontane Di Roma, P. 106: III. La fontana di Trevi al meriggio | — | ||
| 6-8 | Fontane Di Roma, P. 106: IV. La fontana di Villa Medici al tramonto | — | ||
| 7-1 | Ein Heldenleben: Der Held | — | ||
| 7-2 | Ein Heldenleben: Des Helden Widersacher | — | ||
| 7-3 | Ein Heldenleben: Des Helden Gefährtin | — | ||
| 7-4 | Ein Heldenleben: Des Helden Walstatt | — | ||
| 7-5 | Ein Heldenleben: Des Helden Friedenswerke | — | ||
| 7-6 | Ein Heldenleben: Des Helden Weltflucht und Vollendung | — | ||
| 8-1 | Porgy and Bess: A Symphonic Picture | — | ||
| 8-2 | Spirituals In Five Movements For String Choir And Orchestra: I. Proclamation | — | ||
| 8-3 | Spirituals In Five Movements For String Choir And Orchestra: II. Sermon | — | ||
| 8-4 | Spirituals In Five Movements For String Choir And Orchestra: III. A Little Bit of Sin | — | ||
| 8-5 | Spirituals In Five Movements For String Choir And Orchestra: IV. Protest | — | ||
| 8-6 | Spirituals In Five Movements For String Choir And Orchestra: V. Jubilee | — | ||
| 9-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 9-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 9-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 9-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 9-5 | Egmont Overture, op. 84 | — | ||
| 9-6 | Coriolan Overture, op. 62 | — | ||
| 9-7 | Leonora Overture no. 3, op. 72b | — | ||
| 10-1 | Symphony no. 3: I. Molto moderato | — | ||
| 10-2 | Symphony no. 3: II. Allegro molto | — | ||
| 10-3 | Symphony no. 3: III. Andantino quasi allegretto | — | ||
| 10-4 | Symphony no. 3: IV. Molto deliberato (Fanfare) -- Allegro risoluto | — | ||
| 11-1 | Wiener Blut, op. 354 | — | ||
| 11-2 | Wein Weib Und Gesang, op. 333 | — | ||
| 11-3 | Geschichten Aus Dem Wienerwald, op. 325 | — | ||
| 11-4 | Kaiser Walzer, op. 437 | — | ||
| 12-1 | The Rite of Spring: Part I: The Adoration of the Earth: Introduction | — | ||
| 12-2 | The Rite of Spring: Part I: The Adoration of the Earth: Augurs of Spring - Dances of the Young Girls | — | ||
| 12-3 | The Rite of Spring: Part I: The Adoration of the Earth: Ritual of Abduction | — | ||
| 12-4 | The Rite of Spring: Part I: The Adoration of the Earth: Spring Rounds | — | ||
| 12-5 | The Rite of Spring: Part I: The Adoration of the Earth: Ritual of the Rival Tribes | — | ||
| 12-6 | The Rite of Spring: Part I: The Adoration of the Earth: Procession of the Sage | — | ||
| 12-7 | The Rite of Spring: Part I: The Adoration of the Earth: The Sage | — | ||
| 12-8 | The Rite of Spring: Part I: The Adoration of the Earth: Dance of the Earth | — | ||
| 12-9 | The Rite of Spring: Part II: The Sacrifice: Introduction | — | ||
| 12-10 | The Rite of Spring: Part II: The Sacrifice: Mystic Circles of the Young Girls | — | ||
| 12-11 | The Rite of Spring: Part II: The Sacrifice: Glorification of the Chosen One | — | ||
| 12-12 | The Rite of Spring: Part II: The Sacrifice: Evocation of the Ancestors | — | ||
| 12-13 | The Rite of Spring: Part II: The Sacrifice: Ritual Action of the Ancestors | — | ||
| 12-14 | The Rite of Spring: Part II: The Sacrifice: Sacrificial Dance: The Chosen One | — | ||
| 13-1 | The Nutcracker, op. 71, TH 14: Overture | — | ||
| 13-2 | The Nutcracker, op. 71, TH 14, Act I: no. 1, Decoration and Lighting of the Christmas Tree | — | ||
| 13-3 | The Nutcracker, op. 71, TH 14, Act I: no. 2, March | — | ||
| 13-4 | The Nutcracker, op. 71, TH 14, Act I: no. 3, Children’s Gallop and Dance of the Parents | — | ||
| 13-5 | The Nutcracker, op. 71, TH 14, Act I: no. 4, Dance Scene | — | ||
| 13-6 | The Nutcracker, op. 71, TH 14, Act I: no. 5, Scene - Grandfather Waltz | — | ||
| 13-7 | The Nutcracker, op. 71, TH 14, Act I: no. 6, Scene - The Guests Depart - Night | — | ||
| 13-8 | The Nutcracker, op. 71, TH 14, Act I: no. 7, The Battle | — | ||
| 13-9 | The Nutcracker, op. 71, TH 14, Act I: no. 8, Scene - A Forest of Fir‐Trees in Winter | — | ||
| 13-10 | The Nutcracker, op. 71, TH 14, Act I: no. 9, Waltz of the Snowflakes | — | ||
| 13-11 | The Nutcracker, op. 71, TH 14, Act II: no. 10, The Enchanted Palace in the Kingdom of Sweets | — | ||
| 13-12 | The Nutcracker, op. 71, TH 14, Act II: no. 11, The Arrival of the Nutcracker and Clara | — | ||
| 13-13 | The Nutcracker, op. 71, TH 14, Act II: no. 12a, Character Dances: Chocolate (Spanish Dance) | — | ||
| 13-14 | The Nutcracker, op. 71, TH 14, Act II: no. 12b, Character Dances: Coffee (Arabian Dance) | — | ||
| 13-15 | The Nutcracker, op. 71, TH 14, Act II: no. 12c, Character Dances: Tea (Chinese Dance) | — | ||
| 13-16 | The Nutcracker, op. 71, TH 14, Act II: no. 12d, Character Dances: Trépak (Russian Dance) | — | ||
| 13-17 | The Nutcracker, op. 71, TH 14, Act II: no. 12e, Character Dances: Dance of the Reed Pipes | — | ||
| 13-18 | The Nutcracker, op. 71, TH 14, Act II: no. 12f, Character Dances: Mother Gigogne and the Clowns | — | ||
| 13-19 | The Nutcracker, op. 71, TH 14, Act II: no. 13, Waltz of the Flowers | — | ||
| 13-20 | The Nutcracker, op. 71, TH 14, Act II: no. 14a, Pas de deux: Intrada | — | ||
| 13-21 | The Nutcracker, op. 71, TH 14, Act II: no. 14b, Pas de deux: Var. 1. Tarantella | — | ||
| 13-22 | The Nutcracker, op. 71, TH 14, Act II: no. 14c, pas de deux: Var. 2. Dance of the Sugar‐Plum Fairy | — | ||
| 13-23 | The Nutcracker, op. 71, TH 14, Act II: no. 14d, Pas de deux: Coda | — | ||
| 13-24 | The Nutcracker, op. 71, TH 14, Act II: no. 15, Final Waltz and Apotheosis | — | ||
| 14-1 | Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace | — | ||
| 14-2 | Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando | — | ||
| 14-3 | Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo | — | ||
| 14-4 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | — | ||
| 14-5 | Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto | — | ||
| 15-1 | Symphonie fantastique, H. 48: I. Rêveries - Passions | — | ||
| 15-2 | Symphonie fantastique, H. 48: II. Un bal. Valse | — | ||
| 15-3 | Symphonie fantastique, H. 48: III. Scène aux champs | — | ||
| 15-4 | Symphonie fantastique, H. 48: IV. Marche au supplice | — | ||
| 15-5 | Symphonie fantastique, H. 48: V. Songe d’une nuit de sabbat | — | ||
| 16-1 | Daphnis et Chloé, M. 57, Pt. 1: Introduction - Lent - Trè modéré | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-2 | Daphnis et Chloé, M. 57, Pt. 1: Danse religieuse - Modéré | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-3 | Daphnis et Chloé, M. 57, Pt. 1: Danse des jeunes filles - Danse génerale | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-4 | Daphnis et Chloé, M. 57, Pt. 1: Danse grotesque de Dorcon - Scène | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-5 | Daphnis et Chloé, M. 57, Pt. 1: Danse légère et gracieuse de Daphnis | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-6 | Daphnis et Chloé, M. 57, Pt. 1: Lyceion entre - Lyceion danse | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-7 | Daphnis et Chloé, M. 57, Pt. 2: Nocturne - Danse lente et mysterieuse | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-8 | Daphnis et Chloé, M. 57, Pt. 2: Interlude | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-9 | Daphnis et Chloé, M. 57, Pt. 2: Danse guerrière | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-10 | Daphnis et Chloé, M. 57, Pt. 2: Scène - Danse suppliante de Chloé | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-11 | Daphnis et Chloé, M. 57, Pt. 3: Lever du jour | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-12 | Daphnis et Chloé, M. 57, Pt. 3: Pantomime | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-13 | Daphnis et Chloé, M. 57, Pt. 3: Devant l’autel des nymphes - Danse générale | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 17-1 | Roman Festivals, P. 157: I. Circenses | — | ||
| 17-2 | Roman Festivals, P. 157: II. Il giubileo | — | ||
| 17-3 | Roman Festivals, P. 157: III. L’Ottobrata | — | ||
| 17-4 | Roman Festivals, P. 157: IV. La Befana | — | ||
| 17-5 | Church Windows, P. 150: I. The Flight Into Egypt | — | ||
| 17-6 | Church Windows, P. 150: II. St. Michael Archangel | — | ||
| 17-7 | Church Windows, P. 150: III. The Matins Of St. Clare | — | ||
| 17-8 | Church Windows, P. 150: IV. St. Gregory The Great | — | ||
| 18-1 | Variaciones concertantes, op. 23: 1. Theme for Cello & Harp | — | ||
| 18-2 | Variaciones concertantes, op. 23: 2. Interlude for Strings | — | ||
| 18-3 | Variaciones concertantes, op. 23: 3. "Giocoso" Variation for Flute | — | ||
| 18-4 | Variaciones concertantes, op. 23: 4. "Scherzo" Variation for Clarinet | — | ||
| 18-5 | Variaciones concertantes, op. 23: 5. Dramatic Variation for Viola | — | ||
| 18-6 | Variaciones concertantes, op. 23: 6. Canonic Variation for Oboe & Bassoon | — | ||
| 18-7 | Variaciones concertantes, op. 23: 7. Rhythmic Variation for Trumpet & Trombone | — | ||
| 18-8 | Variaciones concertantes, op. 23: 8. "Perpetual Motion" Variation for Violin | — | ||
| 18-9 | Variaciones concertantes, op. 23: 9. Pastoral Variation for French Horn | — | ||
| 18-10 | Variaciones concertantes, op. 23: 10. Interlude for Winds | — | ||
| 18-11 | Variaciones concertantes, op. 23: 11. Recapitulation of the Theme for Double Bass & Harp | — | ||
| 18-12 | Variaciones concertantes, op. 23: 12. Final Variation in Rondo Form for Full Orchestra | — | ||
| 18-13 | The Young Person's Guide to the Orchestra, op. 34: Theme - Allegro maestoso e largamente (without spoken text) | — | ||
| 18-14 | The Young Person's Guide to the Orchestra, op. 34: Variation A: Flutes & Piccolo - Presto (without spoken text) | — | ||
| 18-15 | The Young Person's Guide to the Orchestra, op. 34: Variation B: Oboes - Lento (without spoken text) | — | ||
| 18-16 | The Young Person's Guide to the Orchestra, op. 34: Variation C: Clarinets - Moderato (without spoken text) | — | ||
| 18-17 | The Young Person's Guide to the Orchestra, op. 34: Variation D: Bassoons - Allegro alla marcia (without spoken text) | — | ||
| 18-18 | The Young Person's Guide to the Orchestra, op. 34: Variation E: Violins - Brillante - alla polacca (without spoken text) | — | ||
| 18-19 | The Young Person's Guide to the Orchestra, op. 34: Variation F: Violas - Meno mosso (without spoken text) | — | ||
| 18-20 | The Young Person's Guide to the Orchestra, op. 34: Variation G: Cellos (without spoken text) | — | ||
| 18-21 | The Young Person's Guide to the Orchestra, op. 34: Variation H: Double Basses - Cominciando lento ma poco a poco accelerando (without spoken text) | — | ||
| 18-22 | The Young Person's Guide to the Orchestra, op. 34: Variation I: Harp - Maestoso (without spoken text) | — | ||
| 18-23 | The Young Person's Guide to the Orchestra, op. 34: Variation J: Horns - L'istesso tempo (without spoken text) | — | ||
| 18-24 | The Young Person's Guide to the Orchestra, op. 34: Variation K: Trumpets - Vivace (without spoken text) | — | ||
| 18-25 | The Young Person's Guide to the Orchestra, op. 34: Variation L: Trombones & Bass Tuba - Allegro pomposo (without spoken text) | — | ||
| 18-26 | The Young Person's Guide to the Orchestra, op. 34: Variation M: Percussion - Moderato (without spoken text) | — | ||
| 18-27 | The Young Person's Guide to the Orchestra, op. 34: Fugue - Allegro molto (without spoken text) | — | ||
| 19-1 | Swan Lake: Introduction: Moderato assai, Allegro non troppo | — | ||
| 19-2 | Swan Lake: Act I, no. 1. Scène: Allegro giusto | — | ||
| 19-3 | Swan Lake: Act I, no. 2. Valse: Tempo di valse | — | ||
| 19-4 | Swan Lake: Act I, no. 3. Scène: Allegro moderato | — | ||
| 19-5 | Swan Lake: Act I, no. 4. Pas de trois: I. Intrada: Allegro | — | ||
| 19-6 | Swan Lake: Act I, no. 4. Pas de trois: II. Andante sostenuto | — | ||
| 19-7 | Swan Lake: Act I, no. 4. Pas de trois: III. Variation: Allegro semplice, Presto | — | ||
| 19-8 | Swan Lake: Act I, no. 4. Pas de trois: IV. Variation: Moderato | — | ||
| 19-9 | Swan Lake: Act I, no. 4. Pas de trois: V. Variation: Allegro | — | ||
| 19-10 | Swan Lake: Act I, no. 4. Pas de trois: VI. Coda: Allegro vivace | — | ||
| 19-11 | Swan Lake: Act I, no. 5. Pas de deux: I. Tempo di valse ma non troppo vivo, quasi moderato | — | ||
| 19-12 | Swan Lake: Act I, no. 5. Pas de deux: II. Andante, Allegro | — | ||
| 19-13 | Swan Lake: Act I, no. 5. Pas de deux: III. Variation: Tempo di valse | — | ||
| 19-14 | Swan Lake: Act I, no. 5. Pas de deux: IV. Coda: Allegro vivace | — | ||
| 19-15 | Swan Lake: Act I, no. 6. Pas d'action: Andantino quasi moderato, allegro | — | ||
| 19-16 | Swan Lake: Act I, no. 7. Sujet | — | ||
| 19-17 | Swan Lake: Act I, no. 8. Danse des Coupes: Tempo di polacca | — | ||
| 19-18 | Swan Lake: Act I, no. 9. Finale: Sujet, andante | — | ||
| 19-19 | Swan Lake: Act II, no. 10. Scène: Moderato | — | ||
| 19-20 | Swan Lake: Act II, no. 11. Scène: Allegro moderato, Moderato, Allegro vivo | — | ||
| 19-21 | Swan Lake: Act II, no. 12. Scène: Allegro, Moderato assai quasi andante | — | ||
| 19-22 | Swan Lake: Act II, no. 13. Danses des cygnes: I. Tempo di valse | — | ||
| 19-23 | Swan Lake: Act II, no. 13. Danses des cygnes: II. Moderato assai | — | ||
| 19-24 | Swan Lake: Act II, no. 13. Danses des cygnes: III. Tempo di valse | — | ||
| 19-25 | Swan Lake: Act II, no. 13. Danses des cygnes: IV. Allegro moderato | — | ||
| 19-26 | Swan Lake: Act II, no. 13. Danses des cygnes: V. Pas d'action: Andante, Andante non troppo, Allegro | — | ||
| 19-27 | Swan Lake: Act II, no. 13. Danses des cygnes: VI. Tempo di valse | — | ||
| 19-28 | Swan Lake: Act II, no. 13. Danses des cygnes: VII. Coda: Allegro vivo | — | ||
| 19-29 | Swan Lake: Act II, no. 14. Scène: Moderato | — | ||
| 20-1 | Swan Lake: Act III. no. 15. Allegro | — | ||
| 20-2 | Swan Lake: Act III. no. 16. Danses du corps de ballet et des nains | — | ||
| 20-3 | Swan Lake: Act III. no. 17. La sortie des invites et la valse | — | ||
| 20-4 | Swan Lake: Act III. no. 18. Scène | — | ||
| 20-5 | Swan Lake: Act III. no. 19. Pas de six: A. Intrada | — | ||
| 20-6 | Swan Lake: Act III. no. 19. Pas de six: B. Variation I | — | ||
| 20-7 | Swan Lake: Act III. no. 19. Pas de six: C. Variation II | — | ||
| 20-8 | Swan Lake: Act III. no. 19. Pas de six: D. Variation III | — | ||
| 20-9 | Swan Lake: Act III. no. 19. Pas de six: E. Variation IV | — | ||
| 20-10 | Swan Lake: Act III. no. 19. Pas de six: F. Variation V | — | ||
| 20-11 | Swan Lake: Act III. no. 19. Pas de six: G. Coda | — | ||
| 20-12 | Swan Lake: Act III. no. 20: Dance hongroise | — | ||
| 20-13 | Swan Lake: Act III. no. 21: Dance espagnole | — | ||
| 20-14 | Swan Lake: Act III. no. 22: Dance napolitaine | — | ||
| 20-15 | Swan Lake: Act III. no. 22a: Dance russe | — | ||
| 20-16 | Swan Lake: Act III. no. 23: Mazurka | — | ||
| 20-17 | Swan Lake: Act III. no. 24: Scène | — | ||
| 20-18 | Swan Lake: Act IV, no. 25: Entr'acte | — | ||
| 20-19 | Swan Lake: Act IV, no. 26: Scène | — | ||
| 20-20 | Swan Lake: Act IV, no. 27: Dances des petits cygnes | — | ||
| 20-21 | Swan Lake: Act IV, no. 28: Scène: Allegro agitato | — | ||
| 20-22 | Swan Lake: Act IV, no. 29: Finale | — | ||
| 21-1 | Overture 1812, op. 49 | — | ||
| 21-2 | Commentary to the “1812 Overture” | — | ||
| 21-3 | Capriccio Italien, op. 45 | Minneapolis Symphony Orchestra, Antal Doráti | T-304.396.368-0 | |
| 22-1 | The Young Person’s Guide to the Orchestra, op. 34 (With Narration) | — | ||
| 22-2 | Narration to Tchaikovsky’s “Nutcracker”: Miniature Overture | — | ||
| 22-3 | The Nutcracker, Suite, op. 71a, TH 35: I. Miniature Overture | — | ||
| 22-4 | Narration to Tchaikovsky’s “Nutcracker”: March | — | ||
| 22-5 | The Nutcracker, Suite, op. 71a, TH 35: IIa. March | — | ||
| 22-6 | Narration to Tchaikovsky’s “Nutcracker”: Dance of the Sugar‐Plum Fairy | — | ||
| 22-7 | The Nutcracker, Suite, op. 71a, TH 35: IIb. Dance of the Sugar‐Plum Fairy | — | ||
| 22-8 | Narration to Tchaikovsky’s “Nutcracker”: Russian Dance (Trepak) | — | ||
| 22-9 | The Nutcracker, Suite, op. 71a, TH 35: IIc. Russian Dance (Trepak) | — | ||
| 22-10 | Narration to Tchaikovsky’s “Nutcracker”: Arabian Dance | — | ||
| 22-11 | The Nutcracker, Suite, op. 71a, TH 35: IId. Arabian Dance (Coffee) | — | ||
| 22-12 | Narration to Tchaikovsky’s “Nutcracker”: Chinese Dance | — | ||
| 22-13 | The Nutcracker, Suite, op. 71a, TH 35: IIe. Chinese Dance (Tea) | — | ||
| 22-14 | Narration to Tchaikovsky’s “Nutcracker”: Dance of the Mirlitons | — | ||
| 22-15 | The Nutcracker, Suite, op. 71a, TH 35: IIf. Dance of the Reed Flutes (Mirlitons) | — | ||
| 22-16 | Narration to Tchaikovsky’s “Nutcracker”: Waltz of the Flowers | — | ||
| 22-17 | The Nutcracker, Suite, op. 71a, TH 35: III. Waltz of the Flowers | — | ||
| 23-1 | Petrushka, K012, Scene 1: I. The Shrovetide Fair - The Crowds - The Conjuring‐Trick - Russian Dance | — | ||
| 23-2 | Petrushka, K012, Scene 2: II. Petrushka’s Room | — | ||
| 23-3 | Petrushka, K012, Scene 3: III. The Moor’s Room - Dance of the Ballerina - Waltz. The Ballerina and the Moor | — | ||
| 23-4 | Petrushka, K012, Scene 4: IV. The Shrovetide Fair - The Coachmen and the Grooms - The Masqueraders - Petrouchka’s Death | — | ||
| 24-1 | The Sleeping Beauty, op. 66, TH 13, Prologue: no. 1, Marche | — | ||
| 24-2 | The Sleeping Beauty, op. 66, TH 13, Prologue: no. 2, Scène dansante | — | ||
| 24-3 | The Sleeping Beauty, op. 66, TH 13, Prologue: no. 3a, Pas de six: Intrada | — | ||
| 24-4 | The Sleeping Beauty, op. 66, TH 13, Prologue: no. 3b, Pas de six: Variation I (Candite) | — | ||
| 24-5 | The Sleeping Beauty, op. 66, TH 13, Prologue: no. 3c, Pas de six: Variation II (Coulante, Fleur de Farine) | — | ||
| 24-6 | The Sleeping Beauty, op. 66, TH 13, Prologue: no. 3d, Pas de six: Variation III (Miettes qui tombent) | — | ||
| 24-7 | The Sleeping Beauty, op. 66, TH 13, Prologue: no. 3e, Pas de six: Variation IV (Canari qui chante) | — | ||
| 24-8 | The Sleeping Beauty, op. 66, TH 13, Prologue: no. 3f, Pas de six: Variation V (Violente) | — | ||
| 24-9 | The Sleeping Beauty, op. 66, TH 13, Prologue: no. 3g, Pas de six: Variation VI (La Fée des lilas) | — | ||
| 24-10 | The Sleeping Beauty, op. 66, TH 13, Prologue: no. 3h, Pas de six: Coda | — | ||
| 24-11 | The Sleeping Beauty, op. 66, TH 13, Prologue: no. 4, Scène et final | — | ||
| 24-12 | The Sleeping Beauty, op. 66, TH 13, Act I: no. 5, Scène | — | ||
| 24-13 | The Sleeping Beauty, op. 66, TH 13, Act I: no. 6, Grande valse villageoise | — | ||
| 24-14 | The Sleeping Beauty, op. 66, TH 13, Act I: no. 7, Entrée d’Aurore | — | ||
| 24-15 | The Sleeping Beauty, op. 66, TH 13, Act I: no. 8a, Pas d’action: Adagio (“Rose Adagio”) | — | ||
| 24-16 | The Sleeping Beauty, op. 66, TH 13, Act I: no. 8b, Pas d’action: Danse des demoiselles d’honneur et des pages | — | ||
| 24-17 | The Sleeping Beauty, op. 66, TH 13, Act I: no. 8c, Pas d’action: Variation d’Aurore | — | ||
| 24-18 | The Sleeping Beauty, op. 66, TH 13, Act I: no. 8d, Pas d’action: Coda | — | ||
| 24-19 | The Sleeping Beauty, op. 66, TH 13, Act I: no. 9, Final (La Fée des lilas paraît) | — | ||
| 25-1 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 10, Entr’acte et scène | — | ||
| 25-2 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 11, Colin‐Maillard | — | ||
| 25-3 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 12a, Scène | — | ||
| 25-4 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 12b, Danse des duchesses | — | ||
| 25-5 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 12c, Danse des baronnes | — | ||
| 25-6 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 12d, Danse des comtesses | — | ||
| 25-7 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 12e, Danse des marquises | — | ||
| 25-8 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 13a, Farandole: Scène | — | ||
| 25-9 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 13b, Farandole: Danse | — | ||
| 25-10 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 14, Scène et départ des chasseurs | — | ||
| 25-11 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 15a, Pas d’action: Vision of Aurora | — | ||
| 25-12 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 15b, Variation d’Aurore | — | ||
| 25-13 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 15c, Coda | — | ||
| 25-14 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 16, Scène | — | ||
| 25-15 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 17, Panorama | — | ||
| 25-16 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 18, Entr’acte | — | ||
| 25-17 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 19, Entr’acte symphonique - Scène | — | ||
| 25-18 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 20, Final | — | ||
| 26-1 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 21, Marche | — | ||
| 26-2 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 22, Grand polonaise dansée | — | ||
| 26-3 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 23a, Pas de quatre: Intrada | — | ||
| 26-4 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 23b, Pas de quatre: Variation de la fée‐Or | — | ||
| 26-5 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 23c, Pas de quatre: Variation de la fée‐Argent | — | ||
| 26-6 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 23d, Pas de quatre: Variation de la fée‐Saphir | — | ||
| 26-7 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 23e, Pas de quatre: Variation de la fée‐Diamant | — | ||
| 26-8 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 23f, Pas de quatre: Coda | — | ||
| 26-9 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 24, Pas de caractère | — | ||
| 26-10 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 25a, Pas de quatre: Entrée | — | ||
| 26-11 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 25b, Pas de quatre: Variation de Cendrillon et Prince Fortuné | — | ||
| 26-12 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 25c, Pas de quatre: Variation de l’Oiseau bleu la Princesse Florine | — | ||
| 26-13 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 25d, Pas de quatre: Coda | — | ||
| 26-14 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 26a, Chaperon Rouge et le Loup | — | ||
| 26-15 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 26b, Cendrillon et le prince Fortune | — | ||
| 26-16 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 27a, Pas berrichon | — | ||
| 26-17 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 27b, Coda | — | ||
| 26-18 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 28a, Pas de deux: Aurora and Prince Desire | — | ||
| 26-19 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 28b, Pas de deux: Intrada | — | ||
| 26-20 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 28c, Pas de deux: Grand adage | — | ||
| 26-21 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 28d, Pas de deux: Variation du Prince Désiré | — | ||
| 26-22 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 28e, Pas de deux: Variation d’Aurore | — | ||
| 26-23 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 28f, Pas de deux: Coda | — | ||
| 26-24 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 29, Sarabande | — | ||
| 26-25 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 30a, Finale: Allegro brillante | — | ||
| 26-26 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 30b, Finale: Apothéose | — | ||
| 27-1 | Tragic Overture, op. 81 | — | ||
| 27-2 | Academic Festival Overture, op. 80 | — | ||
| 27-3 | Symphony no. 3 in F major, op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I | — | ||
| 27-4 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 27-5 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | — | ||
| 27-6 | Symphony no. 3 in F major, op. 90: IV. Allegro | — | ||
| 27-7 | Tragic Overture, op. 81 - Stereo Version | — | ||
| 27-8 | Academic Festival Overture, op. 80 - Stereo Version | — | ||
| 28-1 | Symphony no. 4 in B‐Flat major, op. 60: I. Adagio - Allegro vivace | — | ||
| 28-2 | Symphony no. 4 in B‐Flat major, op. 60: II. Adagio | — | ||
| 28-3 | Symphony no. 4 in B‐Flat major, op. 60: III. Allegro vivace | — | ||
| 28-4 | Symphony no. 4 in B‐Flat major, op. 60: IV. Allegro ma non troppo | — | ||
| 28-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 28-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 28-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | — | ||
| 28-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 29-1 | The Story of the Nutcracker Prince | — | ||
| 29-2 | The Story of the Twelve Dancing Princesses | — | ||
| 29-3 | Till Eulenspiegel’s Merry Pranks | — | ||
| 30-1 | Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato | — | ||
| 30-2 | Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto | — | ||
| 30-3 | Romeo and Juliet Fantasy Overture, TH 42 | — | ||
| 31-1 | Peacock Variations | — | ||
| 31-2 | The Miraculous Mandarin, op. 19, Sz. 73 | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
028948440641 is a Universal Product Code (UPC) assigned to The Mercury Masters: The Mono Recordings by Antal Doráti. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 325 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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The UPC for “The Mercury Masters: The Mono Recordings” by Antal Doráti is 028948440641. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2023-01-01. Label: Mercury. This release contains 325 tracks, each with its own ISRC. Tracks include NLA505310021, NLA505310022, NLA505310023.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 2 in B minor: I. Allegro | — | ||
| 2 | Symphony no. 2 in B minor: II. Scherzo. Prestissimo - Allegretto | — | ||
| 3 | Symphony no. 2 in B minor: III. Andante | — | ||
| 4 | Symphony no. 2 in B minor: IV. Finale: Allegro | — | ||
| 5 | The Firebird Suite: Introduction | — | ||
| 6 | The Firebird Suite: Dance of the Firebird | — | ||
| 7 | The Firebird Suite: Round Dance of the Princesses | — | ||
| 8 | The Firebird Suite: Infernal Dance of King Kastchei | — | ||
| 9 | The Firebird Suite: Berceuse | — | ||
| 10 | The Firebird Suite: Finale | — | ||
| 2-1 | Roman Carnival Overture, H 95 | — | ||
| 2-2 | Pavane pour une infante défunte, M. 19 | — | ||
| 2-3 | Alborada del gracioso, M. 43 | — | ||
| 2-4 | Nocturnes, L. 91: no. 1, Nuages. Modéré | — | ||
| 2-5 | Nocturnes, L. 91: no. 2, Fêtes. Animé et très rythmé | — | ||
| 2-6 | Nocturnes, L. 91: no. 3, Sirènes. Modérément animé | — | ||
| 3-1 | Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima | — | ||
| 3-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 3-3 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | — | ||
| 3-4 | Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso | — | ||
| 4-1 | Scheherazade. op. 35: I. The Sea and Sinbad's Ship | — | ||
| 4-2 | Scheherazade. op. 35: II. The Story of the Kalendar Prince | — | ||
| 4-3 | Scheherazade. op. 35: III. The Young Prince and the Young Princess | — | ||
| 4-4 | Scheherazade. op. 35: IV. Festival at Baghdad. The Sea. The Ship Breaks against a Cliff Surmounted by a Bronze Horseman | — | ||
| 5-1 | Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 5-2 | Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto | Minneapolis Symphony Orchestra, Antal Doráti | T-303.792.628-2 | |
| 5-3 | Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 5-4 | Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto | Minneapolis Symphony Orchestra, Antal Doráti | T-925.645.332-4 | |
| 5-5 | Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto | Minneapolis Symphony Orchestra, Antal Doráti | T-003.035.132-6 | |
| 5-6 | Symphony no. 40 in G minor, K. 550 “Great”: II. Andante | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 5-7 | Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 5-8 | Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai | Minneapolis Symphony Orchestra, Antal Doráti | T-306.395.786-4 | |
| 6-1 | Pini Di Roma, P. 141: I. I pini di Villa Borghese | — | ||
| 6-2 | Pini Di Roma, P. 141: II. Pini presso una catacomba | — | ||
| 6-3 | Pini Di Roma, P. 141: III. I pini del Gianicolo | — | ||
| 6-4 | Pini Di Roma, P. 141: IV. I pini della Via Appia | — | ||
| 6-5 | Fontane Di Roma, P. 106: I. La fontana de Valle Giulia à l'alba | — | ||
| 6-6 | Fontane Di Roma, P. 106: II. La fontana del Tritone al mattino | — | ||
| 6-7 | Fontane Di Roma, P. 106: III. La fontana di Trevi al meriggio | — | ||
| 6-8 | Fontane Di Roma, P. 106: IV. La fontana di Villa Medici al tramonto | — | ||
| 7-1 | Ein Heldenleben: Der Held | — | ||
| 7-2 | Ein Heldenleben: Des Helden Widersacher | — | ||
| 7-3 | Ein Heldenleben: Des Helden Gefährtin | — | ||
| 7-4 | Ein Heldenleben: Des Helden Walstatt | — | ||
| 7-5 | Ein Heldenleben: Des Helden Friedenswerke | — | ||
| 7-6 | Ein Heldenleben: Des Helden Weltflucht und Vollendung | — | ||
| 8-1 | Porgy and Bess: A Symphonic Picture | — | ||
| 8-2 | Spirituals In Five Movements For String Choir And Orchestra: I. Proclamation | — | ||
| 8-3 | Spirituals In Five Movements For String Choir And Orchestra: II. Sermon | — | ||
| 8-4 | Spirituals In Five Movements For String Choir And Orchestra: III. A Little Bit of Sin | — | ||
| 8-5 | Spirituals In Five Movements For String Choir And Orchestra: IV. Protest | — | ||
| 8-6 | Spirituals In Five Movements For String Choir And Orchestra: V. Jubilee | — | ||
| 9-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 9-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 9-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 9-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 9-5 | Egmont Overture, op. 84 | — | ||
| 9-6 | Coriolan Overture, op. 62 | — | ||
| 9-7 | Leonora Overture no. 3, op. 72b | — | ||
| 10-1 | Symphony no. 3: I. Molto moderato | — | ||
| 10-2 | Symphony no. 3: II. Allegro molto | — | ||
| 10-3 | Symphony no. 3: III. Andantino quasi allegretto | — | ||
| 10-4 | Symphony no. 3: IV. Molto deliberato (Fanfare) -- Allegro risoluto | — | ||
| 11-1 | Wiener Blut, op. 354 | — | ||
| 11-2 | Wein Weib Und Gesang, op. 333 | — | ||
| 11-3 | Geschichten Aus Dem Wienerwald, op. 325 | — | ||
| 11-4 | Kaiser Walzer, op. 437 | — | ||
| 12-1 | The Rite of Spring: Part I: The Adoration of the Earth: Introduction | — | ||
| 12-2 | The Rite of Spring: Part I: The Adoration of the Earth: Augurs of Spring - Dances of the Young Girls | — | ||
| 12-3 | The Rite of Spring: Part I: The Adoration of the Earth: Ritual of Abduction | — | ||
| 12-4 | The Rite of Spring: Part I: The Adoration of the Earth: Spring Rounds | — | ||
| 12-5 | The Rite of Spring: Part I: The Adoration of the Earth: Ritual of the Rival Tribes | — | ||
| 12-6 | The Rite of Spring: Part I: The Adoration of the Earth: Procession of the Sage | — | ||
| 12-7 | The Rite of Spring: Part I: The Adoration of the Earth: The Sage | — | ||
| 12-8 | The Rite of Spring: Part I: The Adoration of the Earth: Dance of the Earth | — | ||
| 12-9 | The Rite of Spring: Part II: The Sacrifice: Introduction | — | ||
| 12-10 | The Rite of Spring: Part II: The Sacrifice: Mystic Circles of the Young Girls | — | ||
| 12-11 | The Rite of Spring: Part II: The Sacrifice: Glorification of the Chosen One | — | ||
| 12-12 | The Rite of Spring: Part II: The Sacrifice: Evocation of the Ancestors | — | ||
| 12-13 | The Rite of Spring: Part II: The Sacrifice: Ritual Action of the Ancestors | — | ||
| 12-14 | The Rite of Spring: Part II: The Sacrifice: Sacrificial Dance: The Chosen One | — | ||
| 13-1 | The Nutcracker, op. 71, TH 14: Overture | — | ||
| 13-2 | The Nutcracker, op. 71, TH 14, Act I: no. 1, Decoration and Lighting of the Christmas Tree | — | ||
| 13-3 | The Nutcracker, op. 71, TH 14, Act I: no. 2, March | — | ||
| 13-4 | The Nutcracker, op. 71, TH 14, Act I: no. 3, Children’s Gallop and Dance of the Parents | — | ||
| 13-5 | The Nutcracker, op. 71, TH 14, Act I: no. 4, Dance Scene | — | ||
| 13-6 | The Nutcracker, op. 71, TH 14, Act I: no. 5, Scene - Grandfather Waltz | — | ||
| 13-7 | The Nutcracker, op. 71, TH 14, Act I: no. 6, Scene - The Guests Depart - Night | — | ||
| 13-8 | The Nutcracker, op. 71, TH 14, Act I: no. 7, The Battle | — | ||
| 13-9 | The Nutcracker, op. 71, TH 14, Act I: no. 8, Scene - A Forest of Fir‐Trees in Winter | — | ||
| 13-10 | The Nutcracker, op. 71, TH 14, Act I: no. 9, Waltz of the Snowflakes | — | ||
| 13-11 | The Nutcracker, op. 71, TH 14, Act II: no. 10, The Enchanted Palace in the Kingdom of Sweets | — | ||
| 13-12 | The Nutcracker, op. 71, TH 14, Act II: no. 11, The Arrival of the Nutcracker and Clara | — | ||
| 13-13 | The Nutcracker, op. 71, TH 14, Act II: no. 12a, Character Dances: Chocolate (Spanish Dance) | — | ||
| 13-14 | The Nutcracker, op. 71, TH 14, Act II: no. 12b, Character Dances: Coffee (Arabian Dance) | — | ||
| 13-15 | The Nutcracker, op. 71, TH 14, Act II: no. 12c, Character Dances: Tea (Chinese Dance) | — | ||
| 13-16 | The Nutcracker, op. 71, TH 14, Act II: no. 12d, Character Dances: Trépak (Russian Dance) | — | ||
| 13-17 | The Nutcracker, op. 71, TH 14, Act II: no. 12e, Character Dances: Dance of the Reed Pipes | — | ||
| 13-18 | The Nutcracker, op. 71, TH 14, Act II: no. 12f, Character Dances: Mother Gigogne and the Clowns | — | ||
| 13-19 | The Nutcracker, op. 71, TH 14, Act II: no. 13, Waltz of the Flowers | — | ||
| 13-20 | The Nutcracker, op. 71, TH 14, Act II: no. 14a, Pas de deux: Intrada | — | ||
| 13-21 | The Nutcracker, op. 71, TH 14, Act II: no. 14b, Pas de deux: Var. 1. Tarantella | — | ||
| 13-22 | The Nutcracker, op. 71, TH 14, Act II: no. 14c, pas de deux: Var. 2. Dance of the Sugar‐Plum Fairy | — | ||
| 13-23 | The Nutcracker, op. 71, TH 14, Act II: no. 14d, Pas de deux: Coda | — | ||
| 13-24 | The Nutcracker, op. 71, TH 14, Act II: no. 15, Final Waltz and Apotheosis | — | ||
| 14-1 | Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace | — | ||
| 14-2 | Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando | — | ||
| 14-3 | Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo | — | ||
| 14-4 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | — | ||
| 14-5 | Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto | — | ||
| 15-1 | Symphonie fantastique, H. 48: I. Rêveries - Passions | — | ||
| 15-2 | Symphonie fantastique, H. 48: II. Un bal. Valse | — | ||
| 15-3 | Symphonie fantastique, H. 48: III. Scène aux champs | — | ||
| 15-4 | Symphonie fantastique, H. 48: IV. Marche au supplice | — | ||
| 15-5 | Symphonie fantastique, H. 48: V. Songe d’une nuit de sabbat | — | ||
| 16-1 | Daphnis et Chloé, M. 57, Pt. 1: Introduction - Lent - Trè modéré | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-2 | Daphnis et Chloé, M. 57, Pt. 1: Danse religieuse - Modéré | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-3 | Daphnis et Chloé, M. 57, Pt. 1: Danse des jeunes filles - Danse génerale | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-4 | Daphnis et Chloé, M. 57, Pt. 1: Danse grotesque de Dorcon - Scène | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-5 | Daphnis et Chloé, M. 57, Pt. 1: Danse légère et gracieuse de Daphnis | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-6 | Daphnis et Chloé, M. 57, Pt. 1: Lyceion entre - Lyceion danse | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-7 | Daphnis et Chloé, M. 57, Pt. 2: Nocturne - Danse lente et mysterieuse | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-8 | Daphnis et Chloé, M. 57, Pt. 2: Interlude | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-9 | Daphnis et Chloé, M. 57, Pt. 2: Danse guerrière | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-10 | Daphnis et Chloé, M. 57, Pt. 2: Scène - Danse suppliante de Chloé | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-11 | Daphnis et Chloé, M. 57, Pt. 3: Lever du jour | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-12 | Daphnis et Chloé, M. 57, Pt. 3: Pantomime | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 16-13 | Daphnis et Chloé, M. 57, Pt. 3: Devant l’autel des nymphes - Danse générale | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 17-1 | Roman Festivals, P. 157: I. Circenses | — | ||
| 17-2 | Roman Festivals, P. 157: II. Il giubileo | — | ||
| 17-3 | Roman Festivals, P. 157: III. L’Ottobrata | — | ||
| 17-4 | Roman Festivals, P. 157: IV. La Befana | — | ||
| 17-5 | Church Windows, P. 150: I. The Flight Into Egypt | — | ||
| 17-6 | Church Windows, P. 150: II. St. Michael Archangel | — | ||
| 17-7 | Church Windows, P. 150: III. The Matins Of St. Clare | — | ||
| 17-8 | Church Windows, P. 150: IV. St. Gregory The Great | — | ||
| 18-1 | Variaciones concertantes, op. 23: 1. Theme for Cello & Harp | — | ||
| 18-2 | Variaciones concertantes, op. 23: 2. Interlude for Strings | — | ||
| 18-3 | Variaciones concertantes, op. 23: 3. "Giocoso" Variation for Flute | — | ||
| 18-4 | Variaciones concertantes, op. 23: 4. "Scherzo" Variation for Clarinet | — | ||
| 18-5 | Variaciones concertantes, op. 23: 5. Dramatic Variation for Viola | — | ||
| 18-6 | Variaciones concertantes, op. 23: 6. Canonic Variation for Oboe & Bassoon | — | ||
| 18-7 | Variaciones concertantes, op. 23: 7. Rhythmic Variation for Trumpet & Trombone | — | ||
| 18-8 | Variaciones concertantes, op. 23: 8. "Perpetual Motion" Variation for Violin | — | ||
| 18-9 | Variaciones concertantes, op. 23: 9. Pastoral Variation for French Horn | — | ||
| 18-10 | Variaciones concertantes, op. 23: 10. Interlude for Winds | — | ||
| 18-11 | Variaciones concertantes, op. 23: 11. Recapitulation of the Theme for Double Bass & Harp | — | ||
| 18-12 | Variaciones concertantes, op. 23: 12. Final Variation in Rondo Form for Full Orchestra | — | ||
| 18-13 | The Young Person's Guide to the Orchestra, op. 34: Theme - Allegro maestoso e largamente (without spoken text) | — | ||
| 18-14 | The Young Person's Guide to the Orchestra, op. 34: Variation A: Flutes & Piccolo - Presto (without spoken text) | — | ||
| 18-15 | The Young Person's Guide to the Orchestra, op. 34: Variation B: Oboes - Lento (without spoken text) | — | ||
| 18-16 | The Young Person's Guide to the Orchestra, op. 34: Variation C: Clarinets - Moderato (without spoken text) | — | ||
| 18-17 | The Young Person's Guide to the Orchestra, op. 34: Variation D: Bassoons - Allegro alla marcia (without spoken text) | — | ||
| 18-18 | The Young Person's Guide to the Orchestra, op. 34: Variation E: Violins - Brillante - alla polacca (without spoken text) | — | ||
| 18-19 | The Young Person's Guide to the Orchestra, op. 34: Variation F: Violas - Meno mosso (without spoken text) | — | ||
| 18-20 | The Young Person's Guide to the Orchestra, op. 34: Variation G: Cellos (without spoken text) | — | ||
| 18-21 | The Young Person's Guide to the Orchestra, op. 34: Variation H: Double Basses - Cominciando lento ma poco a poco accelerando (without spoken text) | — | ||
| 18-22 | The Young Person's Guide to the Orchestra, op. 34: Variation I: Harp - Maestoso (without spoken text) | — | ||
| 18-23 | The Young Person's Guide to the Orchestra, op. 34: Variation J: Horns - L'istesso tempo (without spoken text) | — | ||
| 18-24 | The Young Person's Guide to the Orchestra, op. 34: Variation K: Trumpets - Vivace (without spoken text) | — | ||
| 18-25 | The Young Person's Guide to the Orchestra, op. 34: Variation L: Trombones & Bass Tuba - Allegro pomposo (without spoken text) | — | ||
| 18-26 | The Young Person's Guide to the Orchestra, op. 34: Variation M: Percussion - Moderato (without spoken text) | — | ||
| 18-27 | The Young Person's Guide to the Orchestra, op. 34: Fugue - Allegro molto (without spoken text) | — | ||
| 19-1 | Swan Lake: Introduction: Moderato assai, Allegro non troppo | — | ||
| 19-2 | Swan Lake: Act I, no. 1. Scène: Allegro giusto | — | ||
| 19-3 | Swan Lake: Act I, no. 2. Valse: Tempo di valse | — | ||
| 19-4 | Swan Lake: Act I, no. 3. Scène: Allegro moderato | — | ||
| 19-5 | Swan Lake: Act I, no. 4. Pas de trois: I. Intrada: Allegro | — | ||
| 19-6 | Swan Lake: Act I, no. 4. Pas de trois: II. Andante sostenuto | — | ||
| 19-7 | Swan Lake: Act I, no. 4. Pas de trois: III. Variation: Allegro semplice, Presto | — | ||
| 19-8 | Swan Lake: Act I, no. 4. Pas de trois: IV. Variation: Moderato | — | ||
| 19-9 | Swan Lake: Act I, no. 4. Pas de trois: V. Variation: Allegro | — | ||
| 19-10 | Swan Lake: Act I, no. 4. Pas de trois: VI. Coda: Allegro vivace | — | ||
| 19-11 | Swan Lake: Act I, no. 5. Pas de deux: I. Tempo di valse ma non troppo vivo, quasi moderato | — | ||
| 19-12 | Swan Lake: Act I, no. 5. Pas de deux: II. Andante, Allegro | — | ||
| 19-13 | Swan Lake: Act I, no. 5. Pas de deux: III. Variation: Tempo di valse | — | ||
| 19-14 | Swan Lake: Act I, no. 5. Pas de deux: IV. Coda: Allegro vivace | — | ||
| 19-15 | Swan Lake: Act I, no. 6. Pas d'action: Andantino quasi moderato, allegro | — | ||
| 19-16 | Swan Lake: Act I, no. 7. Sujet | — | ||
| 19-17 | Swan Lake: Act I, no. 8. Danse des Coupes: Tempo di polacca | — | ||
| 19-18 | Swan Lake: Act I, no. 9. Finale: Sujet, andante | — | ||
| 19-19 | Swan Lake: Act II, no. 10. Scène: Moderato | — | ||
| 19-20 | Swan Lake: Act II, no. 11. Scène: Allegro moderato, Moderato, Allegro vivo | — | ||
| 19-21 | Swan Lake: Act II, no. 12. Scène: Allegro, Moderato assai quasi andante | — | ||
| 19-22 | Swan Lake: Act II, no. 13. Danses des cygnes: I. Tempo di valse | — | ||
| 19-23 | Swan Lake: Act II, no. 13. Danses des cygnes: II. Moderato assai | — | ||
| 19-24 | Swan Lake: Act II, no. 13. Danses des cygnes: III. Tempo di valse | — | ||
| 19-25 | Swan Lake: Act II, no. 13. Danses des cygnes: IV. Allegro moderato | — | ||
| 19-26 | Swan Lake: Act II, no. 13. Danses des cygnes: V. Pas d'action: Andante, Andante non troppo, Allegro | — | ||
| 19-27 | Swan Lake: Act II, no. 13. Danses des cygnes: VI. Tempo di valse | — | ||
| 19-28 | Swan Lake: Act II, no. 13. Danses des cygnes: VII. Coda: Allegro vivo | — | ||
| 19-29 | Swan Lake: Act II, no. 14. Scène: Moderato | — | ||
| 20-1 | Swan Lake: Act III. no. 15. Allegro | — | ||
| 20-2 | Swan Lake: Act III. no. 16. Danses du corps de ballet et des nains | — | ||
| 20-3 | Swan Lake: Act III. no. 17. La sortie des invites et la valse | — | ||
| 20-4 | Swan Lake: Act III. no. 18. Scène | — | ||
| 20-5 | Swan Lake: Act III. no. 19. Pas de six: A. Intrada | — | ||
| 20-6 | Swan Lake: Act III. no. 19. Pas de six: B. Variation I | — | ||
| 20-7 | Swan Lake: Act III. no. 19. Pas de six: C. Variation II | — | ||
| 20-8 | Swan Lake: Act III. no. 19. Pas de six: D. Variation III | — | ||
| 20-9 | Swan Lake: Act III. no. 19. Pas de six: E. Variation IV | — | ||
| 20-10 | Swan Lake: Act III. no. 19. Pas de six: F. Variation V | — | ||
| 20-11 | Swan Lake: Act III. no. 19. Pas de six: G. Coda | — | ||
| 20-12 | Swan Lake: Act III. no. 20: Dance hongroise | — | ||
| 20-13 | Swan Lake: Act III. no. 21: Dance espagnole | — | ||
| 20-14 | Swan Lake: Act III. no. 22: Dance napolitaine | — | ||
| 20-15 | Swan Lake: Act III. no. 22a: Dance russe | — | ||
| 20-16 | Swan Lake: Act III. no. 23: Mazurka | — | ||
| 20-17 | Swan Lake: Act III. no. 24: Scène | — | ||
| 20-18 | Swan Lake: Act IV, no. 25: Entr'acte | — | ||
| 20-19 | Swan Lake: Act IV, no. 26: Scène | — | ||
| 20-20 | Swan Lake: Act IV, no. 27: Dances des petits cygnes | — | ||
| 20-21 | Swan Lake: Act IV, no. 28: Scène: Allegro agitato | — | ||
| 20-22 | Swan Lake: Act IV, no. 29: Finale | — | ||
| 21-1 | Overture 1812, op. 49 | — | ||
| 21-2 | Commentary to the “1812 Overture” | — | ||
| 21-3 | Capriccio Italien, op. 45 | Minneapolis Symphony Orchestra, Antal Doráti | T-304.396.368-0 | |
| 22-1 | The Young Person’s Guide to the Orchestra, op. 34 (With Narration) | — | ||
| 22-2 | Narration to Tchaikovsky’s “Nutcracker”: Miniature Overture | — | ||
| 22-3 | The Nutcracker, Suite, op. 71a, TH 35: I. Miniature Overture | — | ||
| 22-4 | Narration to Tchaikovsky’s “Nutcracker”: March | — | ||
| 22-5 | The Nutcracker, Suite, op. 71a, TH 35: IIa. March | — | ||
| 22-6 | Narration to Tchaikovsky’s “Nutcracker”: Dance of the Sugar‐Plum Fairy | — | ||
| 22-7 | The Nutcracker, Suite, op. 71a, TH 35: IIb. Dance of the Sugar‐Plum Fairy | — | ||
| 22-8 | Narration to Tchaikovsky’s “Nutcracker”: Russian Dance (Trepak) | — | ||
| 22-9 | The Nutcracker, Suite, op. 71a, TH 35: IIc. Russian Dance (Trepak) | — | ||
| 22-10 | Narration to Tchaikovsky’s “Nutcracker”: Arabian Dance | — | ||
| 22-11 | The Nutcracker, Suite, op. 71a, TH 35: IId. Arabian Dance (Coffee) | — | ||
| 22-12 | Narration to Tchaikovsky’s “Nutcracker”: Chinese Dance | — | ||
| 22-13 | The Nutcracker, Suite, op. 71a, TH 35: IIe. Chinese Dance (Tea) | — | ||
| 22-14 | Narration to Tchaikovsky’s “Nutcracker”: Dance of the Mirlitons | — | ||
| 22-15 | The Nutcracker, Suite, op. 71a, TH 35: IIf. Dance of the Reed Flutes (Mirlitons) | — | ||
| 22-16 | Narration to Tchaikovsky’s “Nutcracker”: Waltz of the Flowers | — | ||
| 22-17 | The Nutcracker, Suite, op. 71a, TH 35: III. Waltz of the Flowers | — | ||
| 23-1 | Petrushka, K012, Scene 1: I. The Shrovetide Fair - The Crowds - The Conjuring‐Trick - Russian Dance | — | ||
| 23-2 | Petrushka, K012, Scene 2: II. Petrushka’s Room | — | ||
| 23-3 | Petrushka, K012, Scene 3: III. The Moor’s Room - Dance of the Ballerina - Waltz. The Ballerina and the Moor | — | ||
| 23-4 | Petrushka, K012, Scene 4: IV. The Shrovetide Fair - The Coachmen and the Grooms - The Masqueraders - Petrouchka’s Death | — | ||
| 24-1 | The Sleeping Beauty, op. 66, TH 13, Prologue: no. 1, Marche | — | ||
| 24-2 | The Sleeping Beauty, op. 66, TH 13, Prologue: no. 2, Scène dansante | — | ||
| 24-3 | The Sleeping Beauty, op. 66, TH 13, Prologue: no. 3a, Pas de six: Intrada | — | ||
| 24-4 | The Sleeping Beauty, op. 66, TH 13, Prologue: no. 3b, Pas de six: Variation I (Candite) | — | ||
| 24-5 | The Sleeping Beauty, op. 66, TH 13, Prologue: no. 3c, Pas de six: Variation II (Coulante, Fleur de Farine) | — | ||
| 24-6 | The Sleeping Beauty, op. 66, TH 13, Prologue: no. 3d, Pas de six: Variation III (Miettes qui tombent) | — | ||
| 24-7 | The Sleeping Beauty, op. 66, TH 13, Prologue: no. 3e, Pas de six: Variation IV (Canari qui chante) | — | ||
| 24-8 | The Sleeping Beauty, op. 66, TH 13, Prologue: no. 3f, Pas de six: Variation V (Violente) | — | ||
| 24-9 | The Sleeping Beauty, op. 66, TH 13, Prologue: no. 3g, Pas de six: Variation VI (La Fée des lilas) | — | ||
| 24-10 | The Sleeping Beauty, op. 66, TH 13, Prologue: no. 3h, Pas de six: Coda | — | ||
| 24-11 | The Sleeping Beauty, op. 66, TH 13, Prologue: no. 4, Scène et final | — | ||
| 24-12 | The Sleeping Beauty, op. 66, TH 13, Act I: no. 5, Scène | — | ||
| 24-13 | The Sleeping Beauty, op. 66, TH 13, Act I: no. 6, Grande valse villageoise | — | ||
| 24-14 | The Sleeping Beauty, op. 66, TH 13, Act I: no. 7, Entrée d’Aurore | — | ||
| 24-15 | The Sleeping Beauty, op. 66, TH 13, Act I: no. 8a, Pas d’action: Adagio (“Rose Adagio”) | — | ||
| 24-16 | The Sleeping Beauty, op. 66, TH 13, Act I: no. 8b, Pas d’action: Danse des demoiselles d’honneur et des pages | — | ||
| 24-17 | The Sleeping Beauty, op. 66, TH 13, Act I: no. 8c, Pas d’action: Variation d’Aurore | — | ||
| 24-18 | The Sleeping Beauty, op. 66, TH 13, Act I: no. 8d, Pas d’action: Coda | — | ||
| 24-19 | The Sleeping Beauty, op. 66, TH 13, Act I: no. 9, Final (La Fée des lilas paraît) | — | ||
| 25-1 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 10, Entr’acte et scène | — | ||
| 25-2 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 11, Colin‐Maillard | — | ||
| 25-3 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 12a, Scène | — | ||
| 25-4 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 12b, Danse des duchesses | — | ||
| 25-5 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 12c, Danse des baronnes | — | ||
| 25-6 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 12d, Danse des comtesses | — | ||
| 25-7 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 12e, Danse des marquises | — | ||
| 25-8 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 13a, Farandole: Scène | — | ||
| 25-9 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 13b, Farandole: Danse | — | ||
| 25-10 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 14, Scène et départ des chasseurs | — | ||
| 25-11 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 15a, Pas d’action: Vision of Aurora | — | ||
| 25-12 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 15b, Variation d’Aurore | — | ||
| 25-13 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 15c, Coda | — | ||
| 25-14 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 16, Scène | — | ||
| 25-15 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 17, Panorama | — | ||
| 25-16 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 18, Entr’acte | — | ||
| 25-17 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 19, Entr’acte symphonique - Scène | — | ||
| 25-18 | The Sleeping Beauty, op. 66, TH 13, Act II: no. 20, Final | — | ||
| 26-1 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 21, Marche | — | ||
| 26-2 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 22, Grand polonaise dansée | — | ||
| 26-3 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 23a, Pas de quatre: Intrada | — | ||
| 26-4 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 23b, Pas de quatre: Variation de la fée‐Or | — | ||
| 26-5 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 23c, Pas de quatre: Variation de la fée‐Argent | — | ||
| 26-6 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 23d, Pas de quatre: Variation de la fée‐Saphir | — | ||
| 26-7 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 23e, Pas de quatre: Variation de la fée‐Diamant | — | ||
| 26-8 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 23f, Pas de quatre: Coda | — | ||
| 26-9 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 24, Pas de caractère | — | ||
| 26-10 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 25a, Pas de quatre: Entrée | — | ||
| 26-11 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 25b, Pas de quatre: Variation de Cendrillon et Prince Fortuné | — | ||
| 26-12 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 25c, Pas de quatre: Variation de l’Oiseau bleu la Princesse Florine | — | ||
| 26-13 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 25d, Pas de quatre: Coda | — | ||
| 26-14 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 26a, Chaperon Rouge et le Loup | — | ||
| 26-15 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 26b, Cendrillon et le prince Fortune | — | ||
| 26-16 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 27a, Pas berrichon | — | ||
| 26-17 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 27b, Coda | — | ||
| 26-18 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 28a, Pas de deux: Aurora and Prince Desire | — | ||
| 26-19 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 28b, Pas de deux: Intrada | — | ||
| 26-20 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 28c, Pas de deux: Grand adage | — | ||
| 26-21 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 28d, Pas de deux: Variation du Prince Désiré | — | ||
| 26-22 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 28e, Pas de deux: Variation d’Aurore | — | ||
| 26-23 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 28f, Pas de deux: Coda | — | ||
| 26-24 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 29, Sarabande | — | ||
| 26-25 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 30a, Finale: Allegro brillante | — | ||
| 26-26 | The Sleeping Beauty, op. 66, TH 13, Act III: no. 30b, Finale: Apothéose | — | ||
| 27-1 | Tragic Overture, op. 81 | — | ||
| 27-2 | Academic Festival Overture, op. 80 | — | ||
| 27-3 | Symphony no. 3 in F major, op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I | — | ||
| 27-4 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 27-5 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | — | ||
| 27-6 | Symphony no. 3 in F major, op. 90: IV. Allegro | — | ||
| 27-7 | Tragic Overture, op. 81 - Stereo Version | — | ||
| 27-8 | Academic Festival Overture, op. 80 - Stereo Version | — | ||
| 28-1 | Symphony no. 4 in B‐Flat major, op. 60: I. Adagio - Allegro vivace | — | ||
| 28-2 | Symphony no. 4 in B‐Flat major, op. 60: II. Adagio | — | ||
| 28-3 | Symphony no. 4 in B‐Flat major, op. 60: III. Allegro vivace | — | ||
| 28-4 | Symphony no. 4 in B‐Flat major, op. 60: IV. Allegro ma non troppo | — | ||
| 28-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 28-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 28-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | — | ||
| 28-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 29-1 | The Story of the Nutcracker Prince | — | ||
| 29-2 | The Story of the Twelve Dancing Princesses | — | ||
| 29-3 | Till Eulenspiegel’s Merry Pranks | — | ||
| 30-1 | Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato | — | ||
| 30-2 | Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto | — | ||
| 30-3 | Romeo and Juliet Fantasy Overture, TH 42 | — | ||
| 31-1 | Peacock Variations | — | ||
| 31-2 | The Miraculous Mandarin, op. 19, Sz. 73 | — |
