UPC · Release
Aafje Heynis
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028948448999 is the Universal Product Code (UPC barcode) for the release “Aafje Heynis Edition” by Aafje Heynis. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 232 tracks, each with its own ISRC. Tracks include NLA506100010, NLA506000035, NLA506100327.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Gott soll allein mein Herze haben, BWV 169: I. Sinfonia | — | ||
| 2 | Gott soll allein mein Herze haben, BWV 169: II. Arioso e Recit. Gott soll allein mein Herze haben | — | ||
| 3 | Gott soll allein mein Herze haben, BWV 169: III. Aria. Gott soll allein mein Herze haben | — | ||
| 4 | Gott soll allein mein Herze haben, BWV 169: IV. Recit. Was ist die Liebe Gottes? | — | ||
| 5 | Gott soll allein mein Herze haben, BWV 169: V. Aria. Stirb in mir | — | ||
| 6 | Gott soll allein mein Herze haben, BWV 169: VI. Recit. Doch meint es auch dabei | — | ||
| 7 | Gott soll allein mein Herze haben, BWV 169: VII. Chorale. Du süsse Liebe, schenk uns deine Gunst | — | ||
| 8 | Vergnügte Ruh', beliebte Seelenlust, BWV 170: I. Aria. Vergnügte Ruh', beliebte Seelenlust | — | ||
| 9 | Vergnügte Ruh', beliebte Seelenlust, BWV 170: II. Recit. Die Welt, das Sündenhaus | — | ||
| 10 | Vergnügte Ruh', beliebte Seelenlust, BWV 170: III. Aria. Wie jammern mich doch die verkehrten Herzen | — | ||
| 11 | Vergnügte Ruh', beliebte Seelenlust, BWV 170: IV. Recit. Wer sollte sich demnach wohl hier zu leben wünschen | — | ||
| 12 | Vergnügte Ruh', beliebte Seelenlust, BWV 170: V. Aria. Mir ekelt mehr zu leben | — | ||
| 2-1 | St. Matthew Passion, BWV 244: Erbarme dich | Aafje Heynis, Walter Schneiderhan, Wiener Symphoniker, Hans Gillesberger | T-101.607.667-6 | |
| 2-2 | Johannes-Passion, BWV 245, Pt. 2: No. 30, Aria. Es ist vollbracht! (Alto) | — | ||
| 2-3 | Mass in B minor, BWV 232: Aria. Agnus Dei | — | ||
| 2-4 | Weihnachts-Oratorium, BWV 248, Pt. 1: No. 4, Aria. Bereite dich, Zion, mit zärtlichen Trieben | — | ||
| 2-5 | Weihnachts-Oratorium, BWV 248, Pt. 2: No. 19, Aria. Schlafe, mein Liebster, geniesse der Ruh | — | ||
| 2-6 | Es ist euch gut, dass ich hingehe, Cantata BWV 108: Was mein Herz von dir begehrt | Aafje Heynis, Wiener Symphoniker, Hans Gillesberger | — | |
| 2-7 | O ewiges Feuer, o Ursprung der Liebe, BWV 34: III. Aria. Wohl euch, ihr auserwählten Seelen (Alto) | — | ||
| 2-8 | Judas Maccabaeus, HWV 63, Pt. 3: No. 53, Air. Father of Heav'n! From Thy Eternal Throne (Priest) | — | ||
| 2-9 | Samson, HWV 57, Act II: No. 34, Air. Return, Oh God of Hosts! | — | ||
| 2-10 | Messiah, HWV 56, Pt. 2: No. 23, Aria. He Was Despised and Rejected of Men (Alto) | — | ||
| 2-11 | Messiah, HWV 56, Pt. 1: No. 9, Aria & Chorus. O Thou That Tellest Good Tidings to Zion (Alto, Chorus) | — | ||
| 3-2 | Dettingen Te Deum in D major, HWV 283: I. We Praise Thee, O God | — | ||
| 3-3 | Dettingen Te Deum in D major, HWV 283: II. All the Earth Doth Worship Thee | — | ||
| 3-4 | Dettingen Te Deum in D major, HWV 283: III. To Thee All Angels Cry Aloud | — | ||
| 3-5 | Dettingen Te Deum in D major, HWV 283: IV. To Thee Cherubin and Seraphin Continually Do Cry | — | ||
| 3-6 | Dettingen Te Deum in D major, HWV 283: V. The Glorious Company of the Apostles Praise Thee | — | ||
| 3-7 | Dettingen Te Deum in D major, HWV 283: VI. Thine Honourable, True, and Only Son | — | ||
| 3-8 | Dettingen Te Deum in D major, HWV 283: VII. Thou Art the King of Glory | — | ||
| 3-9 | Dettingen Te Deum in D major, HWV 283: VIII. When Thou Tookest upon Thee To Deliver Man | — | ||
| 3-10 | Dettingen Te Deum in D major, HWV 283: IXa. When Thou Hadst Overcome the Sharpness of Death | — | ||
| 3-11 | Dettingen Te Deum in D major, HWV 283: IXb. Thou Didst Open the Kingdom of Heaven | — | ||
| 3-12 | Dettingen Te Deum in D major, HWV 283: Xa. Thou Sittest at the Right Hand of God – Xb. We Believe That Thou Shalt Come | — | ||
| 3-13 | Dettingen Te Deum in D major, HWV 283: Xc. Sinfonia | — | ||
| 3-14 | Dettingen Te Deum in D major, HWV 283: XI. We Therefore Pray Thee, Help Thy Servants | — | ||
| 3-15 | Dettingen Te Deum in D major, HWV 283: XII. Make Them to Be Numbered with Thy Saints | — | ||
| 3-16 | Dettingen Te Deum in D major, HWV 283: XIII. Day by Day We Magnify Thee | — | ||
| 3-17 | Dettingen Te Deum in D major, HWV 283: XIV. And We Worship Thy Name | — | ||
| 3-18 | Dettingen Te Deum in D major, HWV 283: XV. Vouchsafe, O Lord, To Keep Us This Day Without Sin | — | ||
| 3-19 | Dettingen Te Deum in D major, HWV 283: XVI. O Lord, in Thee Have I Trusted | — | ||
| 3-20 | O amantissime sponse Jesu | — | ||
| 4-1 | Dixit Dominus, HWV 232: I. Dixit Dominus | — | ||
| 4-2 | Dixit Dominus, HWV 232: II. Virgam virtutis tuae | — | ||
| 4-3 | Dixit Dominus, HWV 232: III. Tecum principium in die virtutis | — | ||
| 4-4 | Dixit Dominus, HWV 232: IV. Juravit Dominus | — | ||
| 4-5 | Dixit Dominus, HWV 232: V. Tu es sacerdos in aeternum | — | ||
| 4-6 | Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | — | ||
| 4-7 | Dixit Dominus, HWV 232: VII. De torrente in via bibet | — | ||
| 4-8 | Dixit Dominus, HWV 232: VIII. Gloria Patri, et Filio | — | ||
| 4-9 | Ave Maria, CG 89a (After J.S. Bach: Prelude in C major, BWV 846) | — | ||
| 4-10 | Panis angelicus, CFF 209 | — | ||
| 4-11 | Dank sei dir, Herr | — | ||
| 4-12 | Bist du bei mir (Prev. Attrib. Bach as BWV 508) | — | ||
| 4-13 | Serse, HWV 40: Frondi tenere – Ombra mai fù "Largo" | — | ||
| 4-14 | Ave Maria, Ellens Gesang III, D. 839 | — | ||
| 5-1 | Symphony No. 9 In D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 5-2 | Symphony No. 9 In D Minor, Op. 125 "Choral": II. Molto vivace | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 5-3 | Symphony No. 9 In D Minor, Op. 125 "Choral": III. Adagio molto e cantabile | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 5-4 | Symphony No. 9 In D Minor, Op. 125 "Choral": IV. Presto - Allegro assai | Hilde Gueden, Aafje Heynis, Fritz Uhl, Heinz Rehfuss, Oratorienchor Karlsruhe, Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 5-5 | Alto Rhapsody, op. 53 | — | ||
| 6-1 | Rosamunde, D. 797: Die Zauberharfe, Overture, D. 644 | — | ||
| 6-2 | Rosamunde, D. 797: No. 1, Entracte I in B minor. Allegro molto moderato | — | ||
| 6-3 | Rosamunde, D. 797: No. 3b, Romance. Der Vollmond strahlt | — | ||
| 6-4 | Rosamunde, D. 797: No. 4, Chorus of Spirits. In der Tiefe wohnt das Licht | — | ||
| 6-5 | Rosamunde, D. 797: No. 3a, Entracte II in D major. Andante | — | ||
| 6-6 | Rosamunde, D. 797: No. 2, Ballet Music 1. Allegro moderato – Andante un poco assai | — | ||
| 6-7 | Rosamunde, D. 797: No. 6, Shepherds' Melodies | — | ||
| 6-8 | Rosamunde, D. 797: No. 7, Shepherds' Chorus. Hier auf den Fluren | — | ||
| 6-9 | Rosamunde, D. 797: No. 5, Entracte III in B-flat major. Andantino | — | ||
| 6-10 | Rosamunde, D. 797: No. 8, Hunters' Chorus. Wie lebt sich's so fröhlich im Grünen | — | ||
| 6-11 | Rosamunde, D. 797: No. 9, Ballet Music 2. Andantino | — | ||
| 6-12 | Alto Rhapsody, op. 53 | — | ||
| 7-1 | Symphony no. 2 "Resurrection": I. Allegro maestoso | — | ||
| 7-2 | Symphony no. 2 "Resurrection": II. Andante moderato | — | ||
| 7-3 | Symphony no. 2 "Resurrection": III. Scherzo. In ruhig fliessender Bewegung | — | ||
| 7-4 | Symphony no. 2 "Resurrection": IV. Urlicht. O Röschen rot! | — | ||
| 7-5 | Symphony no. 2 "Resurrection": V. Finale: a-d. Im Tempo des Scherzos... Wieder sehr breit | — | ||
| 7-6 | Symphony no. 2 "Resurrection": V. Finale: e-f. Maestoso. Sehr zurückhaltend – Wieder zurückhaltend – | — | ||
| 7-7 | Symphony no. 2 "Resurrection": V. Finale: g. Sehr langsam und gedehnt – | — | ||
| 7-8 | Symphony no. 2 "Resurrection": V. Finale: h-i. Aufersteh'n, ja aufersteh'n wirst du. Langsam. Misterioso | — | ||
| 7-9 | Symphony no. 2 "Resurrection": V. Finale: j-k. O glaube, mein Herz, o glaube. Etwas bewegter – Mit Aufschwung, aber nicht | — | ||
| 8-1 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 1, Chorus. Ah, se intorno a quest'urna funesta | — | ||
| 8-2 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 2, Recit. Basta, basta, o compagni! | — | ||
| 8-3 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 7, Aria. Chiamo il mio ben così – No. 8, Recit. Euridice, ombra cara – | — | ||
| 8-4 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 16, Recit. Che disse? che ascoltai? | — | ||
| 8-5 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 18, Ballo. Maestoso – No. 19, Chorus. Chi mai dell'Erebo | — | ||
| 8-6 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 20, Ballo. Presto | — | ||
| 8-7 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 22, Solo & Chorus. Deh! placatevi con me | — | ||
| 8-8 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 23, Chorus. Misero giovane | — | ||
| 8-9 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 24, Aria. Mille pene, ombre moleste | — | ||
| 8-10 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 25, Chorus. Ah, quale incognito | — | ||
| 8-11 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 29, Ballo. Dance of the Blessed Spiritsa. Andante | — | ||
| 8-12 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 33, Arioso. Che puro ciel, che chiaro sol | — | ||
| 8-13 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 34, Chorus. Vieni a' regni del riposo | — | ||
| 8-14 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 36, Recit. Anime avventurose | — | ||
| 8-15 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 37, Chorus. Torna, o bello, al tuo consorte | — | ||
| 8-16 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 42, Recit. Ahimè! Dove trascorsi? | — | ||
| 8-17 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act III: No. 43, Aria. Che farò senza Euridice? | — | ||
| 9-1 | Alcina, HWV 34, Act II: Aria. Verdi prati | — | ||
| 9-2 | Stabat Mater, Hob. XXa:1: IX. Fac me vere tecum flere | — | ||
| 9-4 | Biblical Songs, op. 99, B. 185: No. 4, Gott ist mein Hirte | — | ||
| 9-5 | Biblical Songs, op. 99, B. 185: No. 5, Herr! Nun sing' ich dir ein neues Lied | — | ||
| 9-6 | Biblical Songs, op. 99, B. 185: No. 8, Wende dich zu mir | — | ||
| 9-7 | Biblical Songs, op. 99, B. 185: No. 10, Singet ein neues Lied | — | ||
| 9-8 | La procession, CFF 160 | — | ||
| 9-9 | Nocturne. O fraîche nuit!, CFF 156 | — | ||
| 9-10 | L’Orgue mystique, Cycle après la Pentecôte, op. 57, no. 49 "Dominica XXI": I. Prelude a l'endroit | — | ||
| 9-11 | L’Orgue mystique, Cycle après la Pentecôte, op. 57, no. 49 "Dominica XXI": III. Elevation | — | ||
| 9-12 | L’Orgue mystique, Cycle après la Pentecôte, op. 57, no. 49 "Dominica XXI": IV. Communion | — | ||
| 9-13 | Les prières: I. Oraison dominicale | — | ||
| 9-14 | Les prières: II. Salutation angélique | — | ||
| 9-15 | Les prières: III. Symbole des apôtres | — | ||
| 9-16 | 4 Ernste Gesänge, op. 121: No. 1, Denn es gehet dem Menschen | — | ||
| 9-17 | 4 Ernste Gesänge, op. 121: No. 2, Ich wandte mich und sahe an alle | — | ||
| 9-18 | 4 Ernste Gesänge, op. 121: No. 3, O Tod, wie bitter bist du | — | ||
| 9-19 | 4 Ernste Gesänge, op. 121: No. 4, Wenn ich mit Menschen und mit Engelzungen redete | — | ||
| 10-1 | 4 Ernste Gesänge, op. 121: No. 1, Denn es gehet dem Menschen | — | ||
| 10-2 | 4 Ernste Gesänge, op. 121: No. 2, Ich wandte mich und sahe an alle | — | ||
| 10-3 | 4 Ernste Gesänge, op. 121: No. 3, O Tod, wie bitter bist du | — | ||
| 10-4 | 4 Ernste Gesänge, op. 121: No. 4, Wenn ich mit Menschen und mit Engelzungen redete | — | ||
| 10-5 | Auf der Donau, D. 553 | — | ||
| 10-6 | Am Bach im Frühling, D. 361 | — | ||
| 10-7 | Der Tod und das Mädchen, D. 531 | — | ||
| 10-8 | 8 Gedichte aus Letzte Blätter, op. 10: No. 1, Zueignung | — | ||
| 10-9 | 8 Gedichte aus Letzte Blätter, op. 10: No. 3, Die Nacht | — | ||
| 10-10 | 4 Lieder, op. 27: No. 4, Morgen | — | ||
| 10-11 | 4 Lieder, op. 27: No. 3, Heimliche Aufforderung | — | ||
| 10-12 | 5 Lieder, op. 94: No. 4, Sapphische Ode | — | ||
| 10-13 | Spanisches Liederbuch: No. 3, Nun wandre, Maria | — | ||
| 10-14 | Spanisches Liederbuch: No. 6, Ach, des Knaben augen | — | ||
| 10-15 | Des Knaben Wunderhorn: Das irdische Leben | — | ||
| 10-16 | Lieder und Gesänge II: No. 4, Starke Einbildungskraft | — | ||
| 10-17 | Gypsy Songs, op. 55, B. 104: No. 1, Mein Lied ertönt | — | ||
| 10-18 | Gypsy Songs, op. 55, B. 104: No. 2, Ei, wie mein Triangel | — | ||
| 10-19 | Gypsy Songs, op. 55, B. 104: No. 3, Ales je tichy kolem kol | — | ||
| 10-20 | Gypsy Songs, op. 55, B. 104: No. 4, Als die alte Mutter | — | ||
| 10-21 | Gypsy Songs, op. 55, B. 104: No. 5, Reingestimmt die Saiten | — | ||
| 10-22 | Gypsy Songs, op. 55, B. 104: No. 6, In dem weiten, breiten, lüft'gen Leinenkleide | — | ||
| 10-23 | Gypsy Songs, op. 55, B. 104: No. 7, Darf des Falken Schwinge | — | ||
| 11-1 | Daar kwam een boer van Zwitserland | — | ||
| 11-2 | Een Meisje Van Scheveningen | — | ||
| 11-3 | Het kwezelken | — | ||
| 11-4 | Des winters als het regent | — | ||
| 11-5 | De Boer Had Maar Enen Schoen | — | ||
| 11-6 | Een vrijer aan de deur | — | ||
| 11-7 | Ik zag Cecilia komen | — | ||
| 11-8 | Die Winter Is Vergangen | — | ||
| 11-9 | Gekwetst ben ik van binnen | — | ||
| 11-10 | Sneeuwwit vogeltje | — | ||
| 11-11 | 't Haasken | — | ||
| 11-12 | Hoe laat is 't / Suze Naanje, ik waige di / Ik zat op 't hooi | — | ||
| 11-13 | Slaap, kindje slaap | — | ||
| 11-14 | Er is een kindetje geboren op 't toppetje van 't huis | — | ||
| 11-15 | Zie de boerin met haar rokje zwaaien | — | ||
| 11-16 | Altijd Is Kortjakje Ziek / Een Kalemanden Rok | — | ||
| 11-17 | Jezus' Bloemhof | — | ||
| 11-18 | In Den Hemel Is Enen Dans | — | ||
| 11-19 | Here, Kere Van Ons Af | — | ||
| 11-20 | O Heer, Die Daar Des Hemels Tente Spreidt | — | ||
| 11-21 | Daar boven uit 't vensterke | — | ||
| 11-22 | Vier weverkens | — | ||
| 11-23 | Mien dochter, wilt toe traauwen? | — | ||
| 12-1 | The Keel Row (Northumbrian Folk Song) | — | ||
| 12-2 | My dancing day | — | ||
| 12-3 | Greensleeves | — | ||
| 12-4 | Comin' Thro' The Rye | — | ||
| 12-5 | Bobby Shaftoe | — | ||
| 12-6 | Down by the Sally Gardens | — | ||
| 12-7 | I Gave My Love a Cherry | — | ||
| 12-8 | O Dear, What Can the Matter Be? | — | ||
| 12-9 | Drink to Me Only with Thine Eyes | — | ||
| 12-10 | Early One Morning | — | ||
| 12-11 | O No John | — | ||
| 12-12 | Annie Laurie | — | ||
| 12-13 | All Through the Night | — | ||
| 12-14 | The Wee Cooper of Five | — | ||
| 12-15 | Loch Lomond (Scotland) | — | ||
| 12-16 | Can You Sew Cushions | — | ||
| 12-17 | My Luve Is Like a Red, Red Rose | — | ||
| 12-18 | Ye Banks and Braes | — | ||
| 12-19 | Air from County Derry | — | ||
| 12-20 | The Ash Grove | — | ||
| 12-21 | Go to Sleep | — | ||
| 13-1 | Jesus Neigt Sein Haupt Und Stirbt | — | ||
| 13-2 | Es Ist Volbracht! Vergiss ja nicht dies Wort, BWV 458 | — | ||
| 13-3 | Jesus, unser Trost und Leben, BWV 475 | — | ||
| 13-4 | Auf Auf! Mein Herz Mit Freuden, BWV 441 | — | ||
| 13-5 | Mein Jesu, was für Seelenweh, BWV 487 | — | ||
| 13-6 | So gehts Du nun, mein Jesu, hin BWV 500 | Aafje Heynis, Simon C. Jansen | — | |
| 13-7 | Mit Freuden Zart | — | ||
| 13-8 | Heut triumphieret Gottes Sohn, BWV 630 | — | ||
| 13-9 | Halleluja, Lof Gezongen | — | ||
| 13-10 | Grote God, wij loven U | — | ||
| 13-11 | Op bergen en in dalen | — | ||
| 13-12 | Schoonste Heer Jezus | — | ||
| 13-13 | O Heer, die daar des hemels tente spreidt | — | ||
| 13-14 | Erekoning, in uw woning | — | ||
| 13-15 | Beveel gerust uw wegen | — | ||
| 13-16 | Neem, Heer, mijn beide handen | — | ||
| 13-17 | De Heer is mijn herder | — | ||
| 13-18 | Wat vlied' of bezwijk | — | ||
| 13-19 | Als ik Hem maar kenne | — | ||
| 13-20 | 'k Wil U, o God, mijn dank betalen | — | ||
| 14-1 | Naar Bethlehem wilt allen gaan | — | ||
| 14-2 | Het is gebeurd op een winterdag | — | ||
| 14-3 | Naar 't kribbeken des Heeren | — | ||
| 14-4 | Engelkens met blijde stem | — | ||
| 14-5 | Komt allen tezamen | — | ||
| 14-6 | Stille Nacht, Heilige Nacht | — | ||
| 14-7 | Ik kniel aan uwe kribbe neer | — | ||
| 14-8 | Er kwamen drie koningen | — | ||
| 14-9 | Hoe leit dit kindeke | — | ||
| 14-10 | Maria die zoude naar Bethlehem gaan | — | ||
| 14-11 | Het was een maged uitverkoren | — | ||
| 14-12 | Een roze fris ontloken | — | ||
| 14-13 | De herdertjes lagen bij nachte | — | ||
| 14-14 | Engelkens door 't luchtruim zwevend | — | ||
| 14-15 | Nu zijt wellekome | — | ||
| 14-16 | Er is een kindetje geboren op d'aard | — | ||
| 14-17 | O kindeke klein, o kindeke teer | — | ||
| 14-18 | O herders laat uw bokskens en schapen | — | ||
| 14-19 | Het comet een schip geladen | — | ||
| 14-20 | O suver maeght van Israel | — | ||
| 14-21 | Het was zo stille | — | ||
| 14-22 | Ere zij God | — | ||
| 14-23 | Personent hodie | — | ||
| 14-24 | Down in Your Forest | — | ||
| 14-25 | Hark! The Herald Angels Sing | — | ||
| 14-26 | Bethlehem | — | ||
| 14-27 | The First Nowell | — | ||
| 14-28 | Mary Had a Baby | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
028948448999 is a Universal Product Code (UPC) assigned to Aafje Heynis Edition by Aafje Heynis. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 232 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028948448999 is the Universal Product Code (UPC barcode) for the release “Aafje Heynis Edition” by Aafje Heynis. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 232 tracks, each with its own ISRC. Tracks include NLA506100010, NLA506000035, NLA506100327.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Gott soll allein mein Herze haben, BWV 169: I. Sinfonia | — | ||
| 2 | Gott soll allein mein Herze haben, BWV 169: II. Arioso e Recit. Gott soll allein mein Herze haben | — | ||
| 3 | Gott soll allein mein Herze haben, BWV 169: III. Aria. Gott soll allein mein Herze haben | — | ||
| 4 | Gott soll allein mein Herze haben, BWV 169: IV. Recit. Was ist die Liebe Gottes? | — | ||
| 5 | Gott soll allein mein Herze haben, BWV 169: V. Aria. Stirb in mir | — | ||
| 6 | Gott soll allein mein Herze haben, BWV 169: VI. Recit. Doch meint es auch dabei | — | ||
| 7 | Gott soll allein mein Herze haben, BWV 169: VII. Chorale. Du süsse Liebe, schenk uns deine Gunst | — | ||
| 8 | Vergnügte Ruh', beliebte Seelenlust, BWV 170: I. Aria. Vergnügte Ruh', beliebte Seelenlust | — | ||
| 9 | Vergnügte Ruh', beliebte Seelenlust, BWV 170: II. Recit. Die Welt, das Sündenhaus | — | ||
| 10 | Vergnügte Ruh', beliebte Seelenlust, BWV 170: III. Aria. Wie jammern mich doch die verkehrten Herzen | — | ||
| 11 | Vergnügte Ruh', beliebte Seelenlust, BWV 170: IV. Recit. Wer sollte sich demnach wohl hier zu leben wünschen | — | ||
| 12 | Vergnügte Ruh', beliebte Seelenlust, BWV 170: V. Aria. Mir ekelt mehr zu leben | — | ||
| 2-1 | St. Matthew Passion, BWV 244: Erbarme dich | Aafje Heynis, Walter Schneiderhan, Wiener Symphoniker, Hans Gillesberger | T-101.607.667-6 | |
| 2-2 | Johannes-Passion, BWV 245, Pt. 2: No. 30, Aria. Es ist vollbracht! (Alto) | — | ||
| 2-3 | Mass in B minor, BWV 232: Aria. Agnus Dei | — | ||
| 2-4 | Weihnachts-Oratorium, BWV 248, Pt. 1: No. 4, Aria. Bereite dich, Zion, mit zärtlichen Trieben | — | ||
| 2-5 | Weihnachts-Oratorium, BWV 248, Pt. 2: No. 19, Aria. Schlafe, mein Liebster, geniesse der Ruh | — | ||
| 2-6 | Es ist euch gut, dass ich hingehe, Cantata BWV 108: Was mein Herz von dir begehrt | Aafje Heynis, Wiener Symphoniker, Hans Gillesberger | — | |
| 2-7 | O ewiges Feuer, o Ursprung der Liebe, BWV 34: III. Aria. Wohl euch, ihr auserwählten Seelen (Alto) | — | ||
| 2-8 | Judas Maccabaeus, HWV 63, Pt. 3: No. 53, Air. Father of Heav'n! From Thy Eternal Throne (Priest) | — | ||
| 2-9 | Samson, HWV 57, Act II: No. 34, Air. Return, Oh God of Hosts! | — | ||
| 2-10 | Messiah, HWV 56, Pt. 2: No. 23, Aria. He Was Despised and Rejected of Men (Alto) | — | ||
| 2-11 | Messiah, HWV 56, Pt. 1: No. 9, Aria & Chorus. O Thou That Tellest Good Tidings to Zion (Alto, Chorus) | — | ||
| 3-2 | Dettingen Te Deum in D major, HWV 283: I. We Praise Thee, O God | — | ||
| 3-3 | Dettingen Te Deum in D major, HWV 283: II. All the Earth Doth Worship Thee | — | ||
| 3-4 | Dettingen Te Deum in D major, HWV 283: III. To Thee All Angels Cry Aloud | — | ||
| 3-5 | Dettingen Te Deum in D major, HWV 283: IV. To Thee Cherubin and Seraphin Continually Do Cry | — | ||
| 3-6 | Dettingen Te Deum in D major, HWV 283: V. The Glorious Company of the Apostles Praise Thee | — | ||
| 3-7 | Dettingen Te Deum in D major, HWV 283: VI. Thine Honourable, True, and Only Son | — | ||
| 3-8 | Dettingen Te Deum in D major, HWV 283: VII. Thou Art the King of Glory | — | ||
| 3-9 | Dettingen Te Deum in D major, HWV 283: VIII. When Thou Tookest upon Thee To Deliver Man | — | ||
| 3-10 | Dettingen Te Deum in D major, HWV 283: IXa. When Thou Hadst Overcome the Sharpness of Death | — | ||
| 3-11 | Dettingen Te Deum in D major, HWV 283: IXb. Thou Didst Open the Kingdom of Heaven | — | ||
| 3-12 | Dettingen Te Deum in D major, HWV 283: Xa. Thou Sittest at the Right Hand of God – Xb. We Believe That Thou Shalt Come | — | ||
| 3-13 | Dettingen Te Deum in D major, HWV 283: Xc. Sinfonia | — | ||
| 3-14 | Dettingen Te Deum in D major, HWV 283: XI. We Therefore Pray Thee, Help Thy Servants | — | ||
| 3-15 | Dettingen Te Deum in D major, HWV 283: XII. Make Them to Be Numbered with Thy Saints | — | ||
| 3-16 | Dettingen Te Deum in D major, HWV 283: XIII. Day by Day We Magnify Thee | — | ||
| 3-17 | Dettingen Te Deum in D major, HWV 283: XIV. And We Worship Thy Name | — | ||
| 3-18 | Dettingen Te Deum in D major, HWV 283: XV. Vouchsafe, O Lord, To Keep Us This Day Without Sin | — | ||
| 3-19 | Dettingen Te Deum in D major, HWV 283: XVI. O Lord, in Thee Have I Trusted | — | ||
| 3-20 | O amantissime sponse Jesu | — | ||
| 4-1 | Dixit Dominus, HWV 232: I. Dixit Dominus | — | ||
| 4-2 | Dixit Dominus, HWV 232: II. Virgam virtutis tuae | — | ||
| 4-3 | Dixit Dominus, HWV 232: III. Tecum principium in die virtutis | — | ||
| 4-4 | Dixit Dominus, HWV 232: IV. Juravit Dominus | — | ||
| 4-5 | Dixit Dominus, HWV 232: V. Tu es sacerdos in aeternum | — | ||
| 4-6 | Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | — | ||
| 4-7 | Dixit Dominus, HWV 232: VII. De torrente in via bibet | — | ||
| 4-8 | Dixit Dominus, HWV 232: VIII. Gloria Patri, et Filio | — | ||
| 4-9 | Ave Maria, CG 89a (After J.S. Bach: Prelude in C major, BWV 846) | — | ||
| 4-10 | Panis angelicus, CFF 209 | — | ||
| 4-11 | Dank sei dir, Herr | — | ||
| 4-12 | Bist du bei mir (Prev. Attrib. Bach as BWV 508) | — | ||
| 4-13 | Serse, HWV 40: Frondi tenere – Ombra mai fù "Largo" | — | ||
| 4-14 | Ave Maria, Ellens Gesang III, D. 839 | — | ||
| 5-1 | Symphony No. 9 In D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 5-2 | Symphony No. 9 In D Minor, Op. 125 "Choral": II. Molto vivace | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 5-3 | Symphony No. 9 In D Minor, Op. 125 "Choral": III. Adagio molto e cantabile | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 5-4 | Symphony No. 9 In D Minor, Op. 125 "Choral": IV. Presto - Allegro assai | Hilde Gueden, Aafje Heynis, Fritz Uhl, Heinz Rehfuss, Oratorienchor Karlsruhe, Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 5-5 | Alto Rhapsody, op. 53 | — | ||
| 6-1 | Rosamunde, D. 797: Die Zauberharfe, Overture, D. 644 | — | ||
| 6-2 | Rosamunde, D. 797: No. 1, Entracte I in B minor. Allegro molto moderato | — | ||
| 6-3 | Rosamunde, D. 797: No. 3b, Romance. Der Vollmond strahlt | — | ||
| 6-4 | Rosamunde, D. 797: No. 4, Chorus of Spirits. In der Tiefe wohnt das Licht | — | ||
| 6-5 | Rosamunde, D. 797: No. 3a, Entracte II in D major. Andante | — | ||
| 6-6 | Rosamunde, D. 797: No. 2, Ballet Music 1. Allegro moderato – Andante un poco assai | — | ||
| 6-7 | Rosamunde, D. 797: No. 6, Shepherds' Melodies | — | ||
| 6-8 | Rosamunde, D. 797: No. 7, Shepherds' Chorus. Hier auf den Fluren | — | ||
| 6-9 | Rosamunde, D. 797: No. 5, Entracte III in B-flat major. Andantino | — | ||
| 6-10 | Rosamunde, D. 797: No. 8, Hunters' Chorus. Wie lebt sich's so fröhlich im Grünen | — | ||
| 6-11 | Rosamunde, D. 797: No. 9, Ballet Music 2. Andantino | — | ||
| 6-12 | Alto Rhapsody, op. 53 | — | ||
| 7-1 | Symphony no. 2 "Resurrection": I. Allegro maestoso | — | ||
| 7-2 | Symphony no. 2 "Resurrection": II. Andante moderato | — | ||
| 7-3 | Symphony no. 2 "Resurrection": III. Scherzo. In ruhig fliessender Bewegung | — | ||
| 7-4 | Symphony no. 2 "Resurrection": IV. Urlicht. O Röschen rot! | — | ||
| 7-5 | Symphony no. 2 "Resurrection": V. Finale: a-d. Im Tempo des Scherzos... Wieder sehr breit | — | ||
| 7-6 | Symphony no. 2 "Resurrection": V. Finale: e-f. Maestoso. Sehr zurückhaltend – Wieder zurückhaltend – | — | ||
| 7-7 | Symphony no. 2 "Resurrection": V. Finale: g. Sehr langsam und gedehnt – | — | ||
| 7-8 | Symphony no. 2 "Resurrection": V. Finale: h-i. Aufersteh'n, ja aufersteh'n wirst du. Langsam. Misterioso | — | ||
| 7-9 | Symphony no. 2 "Resurrection": V. Finale: j-k. O glaube, mein Herz, o glaube. Etwas bewegter – Mit Aufschwung, aber nicht | — | ||
| 8-1 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 1, Chorus. Ah, se intorno a quest'urna funesta | — | ||
| 8-2 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 2, Recit. Basta, basta, o compagni! | — | ||
| 8-3 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 7, Aria. Chiamo il mio ben così – No. 8, Recit. Euridice, ombra cara – | — | ||
| 8-4 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 16, Recit. Che disse? che ascoltai? | — | ||
| 8-5 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 18, Ballo. Maestoso – No. 19, Chorus. Chi mai dell'Erebo | — | ||
| 8-6 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 20, Ballo. Presto | — | ||
| 8-7 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 22, Solo & Chorus. Deh! placatevi con me | — | ||
| 8-8 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 23, Chorus. Misero giovane | — | ||
| 8-9 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 24, Aria. Mille pene, ombre moleste | — | ||
| 8-10 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 25, Chorus. Ah, quale incognito | — | ||
| 8-11 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 29, Ballo. Dance of the Blessed Spiritsa. Andante | — | ||
| 8-12 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 33, Arioso. Che puro ciel, che chiaro sol | — | ||
| 8-13 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 34, Chorus. Vieni a' regni del riposo | — | ||
| 8-14 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 36, Recit. Anime avventurose | — | ||
| 8-15 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 37, Chorus. Torna, o bello, al tuo consorte | — | ||
| 8-16 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 42, Recit. Ahimè! Dove trascorsi? | — | ||
| 8-17 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act III: No. 43, Aria. Che farò senza Euridice? | — | ||
| 9-1 | Alcina, HWV 34, Act II: Aria. Verdi prati | — | ||
| 9-2 | Stabat Mater, Hob. XXa:1: IX. Fac me vere tecum flere | — | ||
| 9-4 | Biblical Songs, op. 99, B. 185: No. 4, Gott ist mein Hirte | — | ||
| 9-5 | Biblical Songs, op. 99, B. 185: No. 5, Herr! Nun sing' ich dir ein neues Lied | — | ||
| 9-6 | Biblical Songs, op. 99, B. 185: No. 8, Wende dich zu mir | — | ||
| 9-7 | Biblical Songs, op. 99, B. 185: No. 10, Singet ein neues Lied | — | ||
| 9-8 | La procession, CFF 160 | — | ||
| 9-9 | Nocturne. O fraîche nuit!, CFF 156 | — | ||
| 9-10 | L’Orgue mystique, Cycle après la Pentecôte, op. 57, no. 49 "Dominica XXI": I. Prelude a l'endroit | — | ||
| 9-11 | L’Orgue mystique, Cycle après la Pentecôte, op. 57, no. 49 "Dominica XXI": III. Elevation | — | ||
| 9-12 | L’Orgue mystique, Cycle après la Pentecôte, op. 57, no. 49 "Dominica XXI": IV. Communion | — | ||
| 9-13 | Les prières: I. Oraison dominicale | — | ||
| 9-14 | Les prières: II. Salutation angélique | — | ||
| 9-15 | Les prières: III. Symbole des apôtres | — | ||
| 9-16 | 4 Ernste Gesänge, op. 121: No. 1, Denn es gehet dem Menschen | — | ||
| 9-17 | 4 Ernste Gesänge, op. 121: No. 2, Ich wandte mich und sahe an alle | — | ||
| 9-18 | 4 Ernste Gesänge, op. 121: No. 3, O Tod, wie bitter bist du | — | ||
| 9-19 | 4 Ernste Gesänge, op. 121: No. 4, Wenn ich mit Menschen und mit Engelzungen redete | — | ||
| 10-1 | 4 Ernste Gesänge, op. 121: No. 1, Denn es gehet dem Menschen | — | ||
| 10-2 | 4 Ernste Gesänge, op. 121: No. 2, Ich wandte mich und sahe an alle | — | ||
| 10-3 | 4 Ernste Gesänge, op. 121: No. 3, O Tod, wie bitter bist du | — | ||
| 10-4 | 4 Ernste Gesänge, op. 121: No. 4, Wenn ich mit Menschen und mit Engelzungen redete | — | ||
| 10-5 | Auf der Donau, D. 553 | — | ||
| 10-6 | Am Bach im Frühling, D. 361 | — | ||
| 10-7 | Der Tod und das Mädchen, D. 531 | — | ||
| 10-8 | 8 Gedichte aus Letzte Blätter, op. 10: No. 1, Zueignung | — | ||
| 10-9 | 8 Gedichte aus Letzte Blätter, op. 10: No. 3, Die Nacht | — | ||
| 10-10 | 4 Lieder, op. 27: No. 4, Morgen | — | ||
| 10-11 | 4 Lieder, op. 27: No. 3, Heimliche Aufforderung | — | ||
| 10-12 | 5 Lieder, op. 94: No. 4, Sapphische Ode | — | ||
| 10-13 | Spanisches Liederbuch: No. 3, Nun wandre, Maria | — | ||
| 10-14 | Spanisches Liederbuch: No. 6, Ach, des Knaben augen | — | ||
| 10-15 | Des Knaben Wunderhorn: Das irdische Leben | — | ||
| 10-16 | Lieder und Gesänge II: No. 4, Starke Einbildungskraft | — | ||
| 10-17 | Gypsy Songs, op. 55, B. 104: No. 1, Mein Lied ertönt | — | ||
| 10-18 | Gypsy Songs, op. 55, B. 104: No. 2, Ei, wie mein Triangel | — | ||
| 10-19 | Gypsy Songs, op. 55, B. 104: No. 3, Ales je tichy kolem kol | — | ||
| 10-20 | Gypsy Songs, op. 55, B. 104: No. 4, Als die alte Mutter | — | ||
| 10-21 | Gypsy Songs, op. 55, B. 104: No. 5, Reingestimmt die Saiten | — | ||
| 10-22 | Gypsy Songs, op. 55, B. 104: No. 6, In dem weiten, breiten, lüft'gen Leinenkleide | — | ||
| 10-23 | Gypsy Songs, op. 55, B. 104: No. 7, Darf des Falken Schwinge | — | ||
| 11-1 | Daar kwam een boer van Zwitserland | — | ||
| 11-2 | Een Meisje Van Scheveningen | — | ||
| 11-3 | Het kwezelken | — | ||
| 11-4 | Des winters als het regent | — | ||
| 11-5 | De Boer Had Maar Enen Schoen | — | ||
| 11-6 | Een vrijer aan de deur | — | ||
| 11-7 | Ik zag Cecilia komen | — | ||
| 11-8 | Die Winter Is Vergangen | — | ||
| 11-9 | Gekwetst ben ik van binnen | — | ||
| 11-10 | Sneeuwwit vogeltje | — | ||
| 11-11 | 't Haasken | — | ||
| 11-12 | Hoe laat is 't / Suze Naanje, ik waige di / Ik zat op 't hooi | — | ||
| 11-13 | Slaap, kindje slaap | — | ||
| 11-14 | Er is een kindetje geboren op 't toppetje van 't huis | — | ||
| 11-15 | Zie de boerin met haar rokje zwaaien | — | ||
| 11-16 | Altijd Is Kortjakje Ziek / Een Kalemanden Rok | — | ||
| 11-17 | Jezus' Bloemhof | — | ||
| 11-18 | In Den Hemel Is Enen Dans | — | ||
| 11-19 | Here, Kere Van Ons Af | — | ||
| 11-20 | O Heer, Die Daar Des Hemels Tente Spreidt | — | ||
| 11-21 | Daar boven uit 't vensterke | — | ||
| 11-22 | Vier weverkens | — | ||
| 11-23 | Mien dochter, wilt toe traauwen? | — | ||
| 12-1 | The Keel Row (Northumbrian Folk Song) | — | ||
| 12-2 | My dancing day | — | ||
| 12-3 | Greensleeves | — | ||
| 12-4 | Comin' Thro' The Rye | — | ||
| 12-5 | Bobby Shaftoe | — | ||
| 12-6 | Down by the Sally Gardens | — | ||
| 12-7 | I Gave My Love a Cherry | — | ||
| 12-8 | O Dear, What Can the Matter Be? | — | ||
| 12-9 | Drink to Me Only with Thine Eyes | — | ||
| 12-10 | Early One Morning | — | ||
| 12-11 | O No John | — | ||
| 12-12 | Annie Laurie | — | ||
| 12-13 | All Through the Night | — | ||
| 12-14 | The Wee Cooper of Five | — | ||
| 12-15 | Loch Lomond (Scotland) | — | ||
| 12-16 | Can You Sew Cushions | — | ||
| 12-17 | My Luve Is Like a Red, Red Rose | — | ||
| 12-18 | Ye Banks and Braes | — | ||
| 12-19 | Air from County Derry | — | ||
| 12-20 | The Ash Grove | — | ||
| 12-21 | Go to Sleep | — | ||
| 13-1 | Jesus Neigt Sein Haupt Und Stirbt | — | ||
| 13-2 | Es Ist Volbracht! Vergiss ja nicht dies Wort, BWV 458 | — | ||
| 13-3 | Jesus, unser Trost und Leben, BWV 475 | — | ||
| 13-4 | Auf Auf! Mein Herz Mit Freuden, BWV 441 | — | ||
| 13-5 | Mein Jesu, was für Seelenweh, BWV 487 | — | ||
| 13-6 | So gehts Du nun, mein Jesu, hin BWV 500 | Aafje Heynis, Simon C. Jansen | — | |
| 13-7 | Mit Freuden Zart | — | ||
| 13-8 | Heut triumphieret Gottes Sohn, BWV 630 | — | ||
| 13-9 | Halleluja, Lof Gezongen | — | ||
| 13-10 | Grote God, wij loven U | — | ||
| 13-11 | Op bergen en in dalen | — | ||
| 13-12 | Schoonste Heer Jezus | — | ||
| 13-13 | O Heer, die daar des hemels tente spreidt | — | ||
| 13-14 | Erekoning, in uw woning | — | ||
| 13-15 | Beveel gerust uw wegen | — | ||
| 13-16 | Neem, Heer, mijn beide handen | — | ||
| 13-17 | De Heer is mijn herder | — | ||
| 13-18 | Wat vlied' of bezwijk | — | ||
| 13-19 | Als ik Hem maar kenne | — | ||
| 13-20 | 'k Wil U, o God, mijn dank betalen | — | ||
| 14-1 | Naar Bethlehem wilt allen gaan | — | ||
| 14-2 | Het is gebeurd op een winterdag | — | ||
| 14-3 | Naar 't kribbeken des Heeren | — | ||
| 14-4 | Engelkens met blijde stem | — | ||
| 14-5 | Komt allen tezamen | — | ||
| 14-6 | Stille Nacht, Heilige Nacht | — | ||
| 14-7 | Ik kniel aan uwe kribbe neer | — | ||
| 14-8 | Er kwamen drie koningen | — | ||
| 14-9 | Hoe leit dit kindeke | — | ||
| 14-10 | Maria die zoude naar Bethlehem gaan | — | ||
| 14-11 | Het was een maged uitverkoren | — | ||
| 14-12 | Een roze fris ontloken | — | ||
| 14-13 | De herdertjes lagen bij nachte | — | ||
| 14-14 | Engelkens door 't luchtruim zwevend | — | ||
| 14-15 | Nu zijt wellekome | — | ||
| 14-16 | Er is een kindetje geboren op d'aard | — | ||
| 14-17 | O kindeke klein, o kindeke teer | — | ||
| 14-18 | O herders laat uw bokskens en schapen | — | ||
| 14-19 | Het comet een schip geladen | — | ||
| 14-20 | O suver maeght van Israel | — | ||
| 14-21 | Het was zo stille | — | ||
| 14-22 | Ere zij God | — | ||
| 14-23 | Personent hodie | — | ||
| 14-24 | Down in Your Forest | — | ||
| 14-25 | Hark! The Herald Angels Sing | — | ||
| 14-26 | Bethlehem | — | ||
| 14-27 | The First Nowell | — | ||
| 14-28 | Mary Had a Baby | — |
