UPC · Release
Aafje Heynis Edition
Aafje Heynis
028948448999
232 tracks
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028948448999 is the Universal Product Code (UPC barcode) for the release “Aafje Heynis Edition” by Aafje Heynis. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 232 tracks, each with its own ISRC. Tracks include NLA506100010, NLA506000035, NLA506100327.
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Track List (232)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Gott soll allein mein Herze haben, BWV 169: I. Sinfonia | — | ||
| 2 | Gott soll allein mein Herze haben, BWV 169: II. Arioso e Recit. Gott soll allein mein Herze haben | — | ||
| 3 | Gott soll allein mein Herze haben, BWV 169: III. Aria. Gott soll allein mein Herze haben | — | ||
| 4 | Gott soll allein mein Herze haben, BWV 169: IV. Recit. Was ist die Liebe Gottes? | — | ||
| 5 | Gott soll allein mein Herze haben, BWV 169: V. Aria. Stirb in mir | — | ||
| 6 | Gott soll allein mein Herze haben, BWV 169: VI. Recit. Doch meint es auch dabei | — | ||
| 7 | Gott soll allein mein Herze haben, BWV 169: VII. Chorale. Du süsse Liebe, schenk uns deine Gunst | — | ||
| 8 | Vergnügte Ruh', beliebte Seelenlust, BWV 170: I. Aria. Vergnügte Ruh', beliebte Seelenlust | — | ||
| 9 | Vergnügte Ruh', beliebte Seelenlust, BWV 170: II. Recit. Die Welt, das Sündenhaus | — | ||
| 10 | Vergnügte Ruh', beliebte Seelenlust, BWV 170: III. Aria. Wie jammern mich doch die verkehrten Herzen | — | ||
| 11 | Vergnügte Ruh', beliebte Seelenlust, BWV 170: IV. Recit. Wer sollte sich demnach wohl hier zu leben wünschen | — | ||
| 12 | Vergnügte Ruh', beliebte Seelenlust, BWV 170: V. Aria. Mir ekelt mehr zu leben | — | ||
| 2-1 | St. Matthew Passion, BWV 244: Erbarme dich | Aafje Heynis, Walter Schneiderhan, Wiener Symphoniker, Hans Gillesberger | T-101.607.667-6 | |
| 2-2 | Johannes-Passion, BWV 245, Pt. 2: No. 30, Aria. Es ist vollbracht! (Alto) | — | ||
| 2-3 | Mass in B minor, BWV 232: Aria. Agnus Dei | — | ||
| 2-4 | Weihnachts-Oratorium, BWV 248, Pt. 1: No. 4, Aria. Bereite dich, Zion, mit zärtlichen Trieben | — | ||
| 2-5 | Weihnachts-Oratorium, BWV 248, Pt. 2: No. 19, Aria. Schlafe, mein Liebster, geniesse der Ruh | — | ||
| 2-6 | Es ist euch gut, dass ich hingehe, Cantata BWV 108: Was mein Herz von dir begehrt | Aafje Heynis, Wiener Symphoniker, Hans Gillesberger | — | |
| 2-7 | O ewiges Feuer, o Ursprung der Liebe, BWV 34: III. Aria. Wohl euch, ihr auserwählten Seelen (Alto) | — | ||
| 2-8 | Judas Maccabaeus, HWV 63, Pt. 3: No. 53, Air. Father of Heav'n! From Thy Eternal Throne (Priest) | — | ||
| 2-9 | Samson, HWV 57, Act II: No. 34, Air. Return, Oh God of Hosts! | — | ||
| 2-10 | Messiah, HWV 56, Pt. 2: No. 23, Aria. He Was Despised and Rejected of Men (Alto) | — | ||
| 2-11 | Messiah, HWV 56, Pt. 1: No. 9, Aria & Chorus. O Thou That Tellest Good Tidings to Zion (Alto, Chorus) | — | ||
| 3-2 | Dettingen Te Deum in D major, HWV 283: I. We Praise Thee, O God | — | ||
| 3-3 | Dettingen Te Deum in D major, HWV 283: II. All the Earth Doth Worship Thee | — | ||
| 3-4 | Dettingen Te Deum in D major, HWV 283: III. To Thee All Angels Cry Aloud | — | ||
| 3-5 | Dettingen Te Deum in D major, HWV 283: IV. To Thee Cherubin and Seraphin Continually Do Cry | — | ||
| 3-6 | Dettingen Te Deum in D major, HWV 283: V. The Glorious Company of the Apostles Praise Thee | — | ||
| 3-7 | Dettingen Te Deum in D major, HWV 283: VI. Thine Honourable, True, and Only Son | — | ||
| 3-8 | Dettingen Te Deum in D major, HWV 283: VII. Thou Art the King of Glory | — | ||
| 3-9 | Dettingen Te Deum in D major, HWV 283: VIII. When Thou Tookest upon Thee To Deliver Man | — | ||
| 3-10 | Dettingen Te Deum in D major, HWV 283: IXa. When Thou Hadst Overcome the Sharpness of Death | — | ||
| 3-11 | Dettingen Te Deum in D major, HWV 283: IXb. Thou Didst Open the Kingdom of Heaven | — | ||
| 3-12 | Dettingen Te Deum in D major, HWV 283: Xa. Thou Sittest at the Right Hand of God – Xb. We Believe That Thou Shalt Come | — | ||
| 3-13 | Dettingen Te Deum in D major, HWV 283: Xc. Sinfonia | — | ||
| 3-14 | Dettingen Te Deum in D major, HWV 283: XI. We Therefore Pray Thee, Help Thy Servants | — | ||
| 3-15 | Dettingen Te Deum in D major, HWV 283: XII. Make Them to Be Numbered with Thy Saints | — | ||
| 3-16 | Dettingen Te Deum in D major, HWV 283: XIII. Day by Day We Magnify Thee | — | ||
| 3-17 | Dettingen Te Deum in D major, HWV 283: XIV. And We Worship Thy Name | — | ||
| 3-18 | Dettingen Te Deum in D major, HWV 283: XV. Vouchsafe, O Lord, To Keep Us This Day Without Sin | — | ||
| 3-19 | Dettingen Te Deum in D major, HWV 283: XVI. O Lord, in Thee Have I Trusted | — | ||
| 3-20 | O amantissime sponse Jesu | — | ||
| 4-1 | Dixit Dominus, HWV 232: I. Dixit Dominus | — | ||
| 4-2 | Dixit Dominus, HWV 232: II. Virgam virtutis tuae | — | ||
| 4-3 | Dixit Dominus, HWV 232: III. Tecum principium in die virtutis | — | ||
| 4-4 | Dixit Dominus, HWV 232: IV. Juravit Dominus | — | ||
| 4-5 | Dixit Dominus, HWV 232: V. Tu es sacerdos in aeternum | — | ||
| 4-6 | Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | — | ||
| 4-7 | Dixit Dominus, HWV 232: VII. De torrente in via bibet | — | ||
| 4-8 | Dixit Dominus, HWV 232: VIII. Gloria Patri, et Filio | — | ||
| 4-9 | Ave Maria, CG 89a (After J.S. Bach: Prelude in C major, BWV 846) | — | ||
| 4-10 | Panis angelicus, CFF 209 | — | ||
| 4-11 | Dank sei dir, Herr | — | ||
| 4-12 | Bist du bei mir (Prev. Attrib. Bach as BWV 508) | — | ||
| 4-13 | Serse, HWV 40: Frondi tenere – Ombra mai fù "Largo" | — | ||
| 4-14 | Ave Maria, Ellens Gesang III, D. 839 | — | ||
| 5-1 | Symphony No. 9 In D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 5-2 | Symphony No. 9 In D Minor, Op. 125 "Choral": II. Molto vivace | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 5-3 | Symphony No. 9 In D Minor, Op. 125 "Choral": III. Adagio molto e cantabile | Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 5-4 | Symphony No. 9 In D Minor, Op. 125 "Choral": IV. Presto - Allegro assai | Hilde Gueden, Aafje Heynis, Fritz Uhl, Heinz Rehfuss, Oratorienchor Karlsruhe, Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 5-5 | Alto Rhapsody, op. 53 | — | ||
| 6-1 | Rosamunde, D. 797: Die Zauberharfe, Overture, D. 644 | — | ||
| 6-2 | Rosamunde, D. 797: No. 1, Entracte I in B minor. Allegro molto moderato | — | ||
| 6-3 | Rosamunde, D. 797: No. 3b, Romance. Der Vollmond strahlt | — | ||
| 6-4 | Rosamunde, D. 797: No. 4, Chorus of Spirits. In der Tiefe wohnt das Licht | — | ||
| 6-5 | Rosamunde, D. 797: No. 3a, Entracte II in D major. Andante | — | ||
| 6-6 | Rosamunde, D. 797: No. 2, Ballet Music 1. Allegro moderato – Andante un poco assai | — | ||
| 6-7 | Rosamunde, D. 797: No. 6, Shepherds' Melodies | — | ||
| 6-8 | Rosamunde, D. 797: No. 7, Shepherds' Chorus. Hier auf den Fluren | — | ||
| 6-9 | Rosamunde, D. 797: No. 5, Entracte III in B-flat major. Andantino | — | ||
| 6-10 | Rosamunde, D. 797: No. 8, Hunters' Chorus. Wie lebt sich's so fröhlich im Grünen | — | ||
| 6-11 | Rosamunde, D. 797: No. 9, Ballet Music 2. Andantino | — | ||
| 6-12 | Alto Rhapsody, op. 53 | — | ||
| 7-1 | Symphony no. 2 "Resurrection": I. Allegro maestoso | — | ||
| 7-2 | Symphony no. 2 "Resurrection": II. Andante moderato | — | ||
| 7-3 | Symphony no. 2 "Resurrection": III. Scherzo. In ruhig fliessender Bewegung | — | ||
| 7-4 | Symphony no. 2 "Resurrection": IV. Urlicht. O Röschen rot! | — | ||
| 7-5 | Symphony no. 2 "Resurrection": V. Finale: a-d. Im Tempo des Scherzos... Wieder sehr breit | — | ||
| 7-6 | Symphony no. 2 "Resurrection": V. Finale: e-f. Maestoso. Sehr zurückhaltend – Wieder zurückhaltend – | — | ||
| 7-7 | Symphony no. 2 "Resurrection": V. Finale: g. Sehr langsam und gedehnt – | — | ||
| 7-8 | Symphony no. 2 "Resurrection": V. Finale: h-i. Aufersteh'n, ja aufersteh'n wirst du. Langsam. Misterioso | — | ||
| 7-9 | Symphony no. 2 "Resurrection": V. Finale: j-k. O glaube, mein Herz, o glaube. Etwas bewegter – Mit Aufschwung, aber nicht | — | ||
| 8-1 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 1, Chorus. Ah, se intorno a quest'urna funesta | — | ||
| 8-2 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 2, Recit. Basta, basta, o compagni! | — | ||
| 8-3 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 7, Aria. Chiamo il mio ben così – No. 8, Recit. Euridice, ombra cara – | — | ||
| 8-4 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 16, Recit. Che disse? che ascoltai? | — | ||
| 8-5 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 18, Ballo. Maestoso – No. 19, Chorus. Chi mai dell'Erebo | — | ||
| 8-6 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 20, Ballo. Presto | — | ||
| 8-7 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 22, Solo & Chorus. Deh! placatevi con me | — | ||
| 8-8 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 23, Chorus. Misero giovane | — | ||
| 8-9 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 24, Aria. Mille pene, ombre moleste | — | ||
| 8-10 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 25, Chorus. Ah, quale incognito | — | ||
| 8-11 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 29, Ballo. Dance of the Blessed Spiritsa. Andante | — | ||
| 8-12 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 33, Arioso. Che puro ciel, che chiaro sol | — | ||
| 8-13 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 34, Chorus. Vieni a' regni del riposo | — | ||
| 8-14 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 36, Recit. Anime avventurose | — | ||
| 8-15 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 37, Chorus. Torna, o bello, al tuo consorte | — | ||
| 8-16 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 42, Recit. Ahimè! Dove trascorsi? | — | ||
| 8-17 | Orfeo ed Euridice, Wq. 30 (1762 Edition), Act III: No. 43, Aria. Che farò senza Euridice? | — | ||
| 9-1 | Alcina, HWV 34, Act II: Aria. Verdi prati | — | ||
| 9-2 | Stabat Mater, Hob. XXa:1: IX. Fac me vere tecum flere | — | ||
| 9-4 | Biblical Songs, op. 99, B. 185: No. 4, Gott ist mein Hirte | — | ||
| 9-5 | Biblical Songs, op. 99, B. 185: No. 5, Herr! Nun sing' ich dir ein neues Lied | — | ||
| 9-6 | Biblical Songs, op. 99, B. 185: No. 8, Wende dich zu mir | — | ||
| 9-7 | Biblical Songs, op. 99, B. 185: No. 10, Singet ein neues Lied | — | ||
| 9-8 | La procession, CFF 160 | — | ||
| 9-9 | Nocturne. O fraîche nuit!, CFF 156 | — | ||
| 9-10 | L’Orgue mystique, Cycle après la Pentecôte, op. 57, no. 49 "Dominica XXI": I. Prelude a l'endroit | — | ||
| 9-11 | L’Orgue mystique, Cycle après la Pentecôte, op. 57, no. 49 "Dominica XXI": III. Elevation | — | ||
| 9-12 | L’Orgue mystique, Cycle après la Pentecôte, op. 57, no. 49 "Dominica XXI": IV. Communion | — | ||
| 9-13 | Les prières: I. Oraison dominicale | — | ||
| 9-14 | Les prières: II. Salutation angélique | — | ||
| 9-15 | Les prières: III. Symbole des apôtres | — | ||
| 9-16 | 4 Ernste Gesänge, op. 121: No. 1, Denn es gehet dem Menschen | — | ||
| 9-17 | 4 Ernste Gesänge, op. 121: No. 2, Ich wandte mich und sahe an alle | — | ||
| 9-18 | 4 Ernste Gesänge, op. 121: No. 3, O Tod, wie bitter bist du | — | ||
| 9-19 | 4 Ernste Gesänge, op. 121: No. 4, Wenn ich mit Menschen und mit Engelzungen redete | — | ||
| 10-1 | 4 Ernste Gesänge, op. 121: No. 1, Denn es gehet dem Menschen | — | ||
| 10-2 | 4 Ernste Gesänge, op. 121: No. 2, Ich wandte mich und sahe an alle | — | ||
| 10-3 | 4 Ernste Gesänge, op. 121: No. 3, O Tod, wie bitter bist du | — | ||
| 10-4 | 4 Ernste Gesänge, op. 121: No. 4, Wenn ich mit Menschen und mit Engelzungen redete | — | ||
| 10-5 | Auf der Donau, D. 553 | — | ||
| 10-6 | Am Bach im Frühling, D. 361 | — | ||
| 10-7 | Der Tod und das Mädchen, D. 531 | — | ||
| 10-8 | 8 Gedichte aus Letzte Blätter, op. 10: No. 1, Zueignung | — | ||
| 10-9 | 8 Gedichte aus Letzte Blätter, op. 10: No. 3, Die Nacht | — | ||
| 10-10 | 4 Lieder, op. 27: No. 4, Morgen | — | ||
| 10-11 | 4 Lieder, op. 27: No. 3, Heimliche Aufforderung | — | ||
| 10-12 | 5 Lieder, op. 94: No. 4, Sapphische Ode | — | ||
| 10-13 | Spanisches Liederbuch: No. 3, Nun wandre, Maria | — | ||
| 10-14 | Spanisches Liederbuch: No. 6, Ach, des Knaben augen | — | ||
| 10-15 | Des Knaben Wunderhorn: Das irdische Leben | — | ||
| 10-16 | Lieder und Gesänge II: No. 4, Starke Einbildungskraft | — | ||
| 10-17 | Gypsy Songs, op. 55, B. 104: No. 1, Mein Lied ertönt | — | ||
| 10-18 | Gypsy Songs, op. 55, B. 104: No. 2, Ei, wie mein Triangel | — | ||
| 10-19 | Gypsy Songs, op. 55, B. 104: No. 3, Ales je tichy kolem kol | — | ||
| 10-20 | Gypsy Songs, op. 55, B. 104: No. 4, Als die alte Mutter | — | ||
| 10-21 | Gypsy Songs, op. 55, B. 104: No. 5, Reingestimmt die Saiten | — | ||
| 10-22 | Gypsy Songs, op. 55, B. 104: No. 6, In dem weiten, breiten, lüft'gen Leinenkleide | — | ||
| 10-23 | Gypsy Songs, op. 55, B. 104: No. 7, Darf des Falken Schwinge | — | ||
| 11-1 | Daar kwam een boer van Zwitserland | — | ||
| 11-2 | Een Meisje Van Scheveningen | — | ||
| 11-3 | Het kwezelken | — | ||
| 11-4 | Des winters als het regent | — | ||
| 11-5 | De Boer Had Maar Enen Schoen | — | ||
| 11-6 | Een vrijer aan de deur | — | ||
| 11-7 | Ik zag Cecilia komen | — | ||
| 11-8 | Die Winter Is Vergangen | — | ||
| 11-9 | Gekwetst ben ik van binnen | — | ||
| 11-10 | Sneeuwwit vogeltje | — | ||
| 11-11 | 't Haasken | — | ||
| 11-12 | Hoe laat is 't / Suze Naanje, ik waige di / Ik zat op 't hooi | — | ||
| 11-13 | Slaap, kindje slaap | — | ||
| 11-14 | Er is een kindetje geboren op 't toppetje van 't huis | — | ||
| 11-15 | Zie de boerin met haar rokje zwaaien | — | ||
| 11-16 | Altijd Is Kortjakje Ziek / Een Kalemanden Rok | — | ||
| 11-17 | Jezus' Bloemhof | — | ||
| 11-18 | In Den Hemel Is Enen Dans | — | ||
| 11-19 | Here, Kere Van Ons Af | — | ||
| 11-20 | O Heer, Die Daar Des Hemels Tente Spreidt | — | ||
| 11-21 | Daar boven uit 't vensterke | — | ||
| 11-22 | Vier weverkens | — | ||
| 11-23 | Mien dochter, wilt toe traauwen? | — | ||
| 12-1 | The Keel Row (Northumbrian Folk Song) | — | ||
| 12-2 | My dancing day | — | ||
| 12-3 | Greensleeves | — | ||
| 12-4 | Comin' Thro' The Rye | — | ||
| 12-5 | Bobby Shaftoe | — | ||
| 12-6 | Down by the Sally Gardens | — | ||
| 12-7 | I Gave My Love a Cherry | — | ||
| 12-8 | O Dear, What Can the Matter Be? | — | ||
| 12-9 | Drink to Me Only with Thine Eyes | — | ||
| 12-10 | Early One Morning | — | ||
| 12-11 | O No John | — | ||
| 12-12 | Annie Laurie | — | ||
| 12-13 | All Through the Night | — | ||
| 12-14 | The Wee Cooper of Five | — | ||
| 12-15 | Loch Lomond (Scotland) | — | ||
| 12-16 | Can You Sew Cushions | — | ||
| 12-17 | My Luve Is Like a Red, Red Rose | — | ||
| 12-18 | Ye Banks and Braes | — | ||
| 12-19 | Air from County Derry | — | ||
| 12-20 | The Ash Grove | — | ||
| 12-21 | Go to Sleep | — | ||
| 13-1 | Jesus Neigt Sein Haupt Und Stirbt | — | ||
| 13-2 | Es Ist Volbracht! Vergiss ja nicht dies Wort, BWV 458 | — | ||
| 13-3 | Jesus, unser Trost und Leben, BWV 475 | — | ||
| 13-4 | Auf Auf! Mein Herz Mit Freuden, BWV 441 | — | ||
| 13-5 | Mein Jesu, was für Seelenweh, BWV 487 | — | ||
| 13-6 | So gehts Du nun, mein Jesu, hin BWV 500 | Aafje Heynis, Simon C. Jansen | — | |
| 13-7 | Mit Freuden Zart | — | ||
| 13-8 | Heut triumphieret Gottes Sohn, BWV 630 | — | ||
| 13-9 | Halleluja, Lof Gezongen | — | ||
| 13-10 | Grote God, wij loven U | — | ||
| 13-11 | Op bergen en in dalen | — | ||
| 13-12 | Schoonste Heer Jezus | — | ||
| 13-13 | O Heer, die daar des hemels tente spreidt | — | ||
| 13-14 | Erekoning, in uw woning | — | ||
| 13-15 | Beveel gerust uw wegen | — | ||
| 13-16 | Neem, Heer, mijn beide handen | — | ||
| 13-17 | De Heer is mijn herder | — | ||
| 13-18 | Wat vlied' of bezwijk | — | ||
| 13-19 | Als ik Hem maar kenne | — | ||
| 13-20 | 'k Wil U, o God, mijn dank betalen | — | ||
| 14-1 | Naar Bethlehem wilt allen gaan | — | ||
| 14-2 | Het is gebeurd op een winterdag | — | ||
| 14-3 | Naar 't kribbeken des Heeren | — | ||
| 14-4 | Engelkens met blijde stem | — | ||
| 14-5 | Komt allen tezamen | — | ||
| 14-6 | Stille Nacht, Heilige Nacht | — | ||
| 14-7 | Ik kniel aan uwe kribbe neer | — | ||
| 14-8 | Er kwamen drie koningen | — | ||
| 14-9 | Hoe leit dit kindeke | — | ||
| 14-10 | Maria die zoude naar Bethlehem gaan | — | ||
| 14-11 | Het was een maged uitverkoren | — | ||
| 14-12 | Een roze fris ontloken | — | ||
| 14-13 | De herdertjes lagen bij nachte | — | ||
| 14-14 | Engelkens door 't luchtruim zwevend | — | ||
| 14-15 | Nu zijt wellekome | — | ||
| 14-16 | Er is een kindetje geboren op d'aard | — | ||
| 14-17 | O kindeke klein, o kindeke teer | — | ||
| 14-18 | O herders laat uw bokskens en schapen | — | ||
| 14-19 | Het comet een schip geladen | — | ||
| 14-20 | O suver maeght van Israel | — | ||
| 14-21 | Het was zo stille | — | ||
| 14-22 | Ere zij God | — | ||
| 14-23 | Personent hodie | — | ||
| 14-24 | Down in Your Forest | — | ||
| 14-25 | Hark! The Herald Angels Sing | — | ||
| 14-26 | Bethlehem | — | ||
| 14-27 | The First Nowell | — | ||
| 14-28 | Mary Had a Baby | — |
Gott soll allein mein Herze haben, BWV 169: I. Sinfonia
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Gott soll allein mein Herze haben, BWV 169: II. Arioso e Recit. Gott soll allein mein Herze haben
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Gott soll allein mein Herze haben, BWV 169: III. Aria. Gott soll allein mein Herze haben
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Gott soll allein mein Herze haben, BWV 169: IV. Recit. Was ist die Liebe Gottes?
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Gott soll allein mein Herze haben, BWV 169: V. Aria. Stirb in mir
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Gott soll allein mein Herze haben, BWV 169: VI. Recit. Doch meint es auch dabei
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Gott soll allein mein Herze haben, BWV 169: VII. Chorale. Du süsse Liebe, schenk uns deine Gunst
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Vergnügte Ruh', beliebte Seelenlust, BWV 170: I. Aria. Vergnügte Ruh', beliebte Seelenlust
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Vergnügte Ruh', beliebte Seelenlust, BWV 170: II. Recit. Die Welt, das Sündenhaus
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Vergnügte Ruh', beliebte Seelenlust, BWV 170: III. Aria. Wie jammern mich doch die verkehrten Herzen
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Vergnügte Ruh', beliebte Seelenlust, BWV 170: IV. Recit. Wer sollte sich demnach wohl hier zu leben wünschen
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Vergnügte Ruh', beliebte Seelenlust, BWV 170: V. Aria. Mir ekelt mehr zu leben
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Aafje Heynis, Walter Schneiderhan, Wiener Symphoniker, Hans Gillesberger
Johannes-Passion, BWV 245, Pt. 2: No. 30, Aria. Es ist vollbracht! (Alto)
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Mass in B minor, BWV 232: Aria. Agnus Dei
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Weihnachts-Oratorium, BWV 248, Pt. 1: No. 4, Aria. Bereite dich, Zion, mit zärtlichen Trieben
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Weihnachts-Oratorium, BWV 248, Pt. 2: No. 19, Aria. Schlafe, mein Liebster, geniesse der Ruh
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Es ist euch gut, dass ich hingehe, Cantata BWV 108: Was mein Herz von dir begehrt
Aafje Heynis, Wiener Symphoniker, Hans Gillesberger
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O ewiges Feuer, o Ursprung der Liebe, BWV 34: III. Aria. Wohl euch, ihr auserwählten Seelen (Alto)
—
Judas Maccabaeus, HWV 63, Pt. 3: No. 53, Air. Father of Heav'n! From Thy Eternal Throne (Priest)
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Samson, HWV 57, Act II: No. 34, Air. Return, Oh God of Hosts!
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Messiah, HWV 56, Pt. 2: No. 23, Aria. He Was Despised and Rejected of Men (Alto)
—
Messiah, HWV 56, Pt. 1: No. 9, Aria & Chorus. O Thou That Tellest Good Tidings to Zion (Alto, Chorus)
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Dettingen Te Deum in D major, HWV 283: I. We Praise Thee, O God
—
Dettingen Te Deum in D major, HWV 283: II. All the Earth Doth Worship Thee
—
Dettingen Te Deum in D major, HWV 283: III. To Thee All Angels Cry Aloud
—
Dettingen Te Deum in D major, HWV 283: IV. To Thee Cherubin and Seraphin Continually Do Cry
—
Dettingen Te Deum in D major, HWV 283: V. The Glorious Company of the Apostles Praise Thee
—
Dettingen Te Deum in D major, HWV 283: VI. Thine Honourable, True, and Only Son
—
Dettingen Te Deum in D major, HWV 283: VII. Thou Art the King of Glory
—
Dettingen Te Deum in D major, HWV 283: VIII. When Thou Tookest upon Thee To Deliver Man
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Dettingen Te Deum in D major, HWV 283: IXa. When Thou Hadst Overcome the Sharpness of Death
—
Dettingen Te Deum in D major, HWV 283: IXb. Thou Didst Open the Kingdom of Heaven
—
Dettingen Te Deum in D major, HWV 283: Xa. Thou Sittest at the Right Hand of God – Xb. We Believe That Thou Shalt Come
—
Dettingen Te Deum in D major, HWV 283: Xc. Sinfonia
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Dettingen Te Deum in D major, HWV 283: XI. We Therefore Pray Thee, Help Thy Servants
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Dettingen Te Deum in D major, HWV 283: XII. Make Them to Be Numbered with Thy Saints
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Dettingen Te Deum in D major, HWV 283: XIII. Day by Day We Magnify Thee
—
Dettingen Te Deum in D major, HWV 283: XIV. And We Worship Thy Name
—
Dettingen Te Deum in D major, HWV 283: XV. Vouchsafe, O Lord, To Keep Us This Day Without Sin
—
Dettingen Te Deum in D major, HWV 283: XVI. O Lord, in Thee Have I Trusted
—
O amantissime sponse Jesu
—
Dixit Dominus, HWV 232: I. Dixit Dominus
—
Dixit Dominus, HWV 232: II. Virgam virtutis tuae
—
Dixit Dominus, HWV 232: III. Tecum principium in die virtutis
—
Dixit Dominus, HWV 232: IV. Juravit Dominus
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Dixit Dominus, HWV 232: V. Tu es sacerdos in aeternum
—
Dixit Dominus, HWV 232: VI. Dominus a dextris tuis
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Dixit Dominus, HWV 232: VII. De torrente in via bibet
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Dixit Dominus, HWV 232: VIII. Gloria Patri, et Filio
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Ave Maria, CG 89a (After J.S. Bach: Prelude in C major, BWV 846)
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Panis angelicus, CFF 209
—
Dank sei dir, Herr
—
Bist du bei mir (Prev. Attrib. Bach as BWV 508)
—
Serse, HWV 40: Frondi tenere – Ombra mai fù "Largo"
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Ave Maria, Ellens Gesang III, D. 839
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Symphony No. 9 In D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso
Orchestre des Concerts Lamoureux, Igor Markevitch
—
Symphony No. 9 In D Minor, Op. 125 "Choral": II. Molto vivace
Orchestre des Concerts Lamoureux, Igor Markevitch
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Symphony No. 9 In D Minor, Op. 125 "Choral": III. Adagio molto e cantabile
Orchestre des Concerts Lamoureux, Igor Markevitch
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Symphony No. 9 In D Minor, Op. 125 "Choral": IV. Presto - Allegro assai
Hilde Gueden, Aafje Heynis, Fritz Uhl, Heinz Rehfuss, Oratorienchor Karlsruhe, Orchestre des Concerts Lamoureux, Igor Markevitch
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Alto Rhapsody, op. 53
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Rosamunde, D. 797: Die Zauberharfe, Overture, D. 644
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Rosamunde, D. 797: No. 1, Entracte I in B minor. Allegro molto moderato
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Rosamunde, D. 797: No. 3b, Romance. Der Vollmond strahlt
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Rosamunde, D. 797: No. 4, Chorus of Spirits. In der Tiefe wohnt das Licht
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Rosamunde, D. 797: No. 3a, Entracte II in D major. Andante
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Rosamunde, D. 797: No. 2, Ballet Music 1. Allegro moderato – Andante un poco assai
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Rosamunde, D. 797: No. 6, Shepherds' Melodies
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Rosamunde, D. 797: No. 7, Shepherds' Chorus. Hier auf den Fluren
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Rosamunde, D. 797: No. 5, Entracte III in B-flat major. Andantino
—
Rosamunde, D. 797: No. 8, Hunters' Chorus. Wie lebt sich's so fröhlich im Grünen
—
Rosamunde, D. 797: No. 9, Ballet Music 2. Andantino
—
Alto Rhapsody, op. 53
—
Symphony no. 2 "Resurrection": I. Allegro maestoso
—
Symphony no. 2 "Resurrection": II. Andante moderato
—
Symphony no. 2 "Resurrection": III. Scherzo. In ruhig fliessender Bewegung
—
Symphony no. 2 "Resurrection": IV. Urlicht. O Röschen rot!
—
Symphony no. 2 "Resurrection": V. Finale: a-d. Im Tempo des Scherzos... Wieder sehr breit
—
Symphony no. 2 "Resurrection": V. Finale: e-f. Maestoso. Sehr zurückhaltend – Wieder zurückhaltend –
—
Symphony no. 2 "Resurrection": V. Finale: g. Sehr langsam und gedehnt –
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Symphony no. 2 "Resurrection": V. Finale: h-i. Aufersteh'n, ja aufersteh'n wirst du. Langsam. Misterioso
—
Symphony no. 2 "Resurrection": V. Finale: j-k. O glaube, mein Herz, o glaube. Etwas bewegter – Mit Aufschwung, aber nicht
—
Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 1, Chorus. Ah, se intorno a quest'urna funesta
—
Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 2, Recit. Basta, basta, o compagni!
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Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 7, Aria. Chiamo il mio ben così – No. 8, Recit. Euridice, ombra cara –
—
Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 16, Recit. Che disse? che ascoltai?
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Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 18, Ballo. Maestoso – No. 19, Chorus. Chi mai dell'Erebo
—
Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 20, Ballo. Presto
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Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 22, Solo & Chorus. Deh! placatevi con me
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Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 23, Chorus. Misero giovane
—
Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 24, Aria. Mille pene, ombre moleste
—
Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 25, Chorus. Ah, quale incognito
—
Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 29, Ballo. Dance of the Blessed Spiritsa. Andante
—
Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 33, Arioso. Che puro ciel, che chiaro sol
—
Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 34, Chorus. Vieni a' regni del riposo
—
Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 36, Recit. Anime avventurose
—
Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 37, Chorus. Torna, o bello, al tuo consorte
—
Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 42, Recit. Ahimè! Dove trascorsi?
—
Orfeo ed Euridice, Wq. 30 (1762 Edition), Act III: No. 43, Aria. Che farò senza Euridice?
—
Alcina, HWV 34, Act II: Aria. Verdi prati
—
Stabat Mater, Hob. XXa:1: IX. Fac me vere tecum flere
—
Biblical Songs, op. 99, B. 185: No. 4, Gott ist mein Hirte
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Biblical Songs, op. 99, B. 185: No. 5, Herr! Nun sing' ich dir ein neues Lied
—
Biblical Songs, op. 99, B. 185: No. 8, Wende dich zu mir
—
Biblical Songs, op. 99, B. 185: No. 10, Singet ein neues Lied
—
La procession, CFF 160
—
Nocturne. O fraîche nuit!, CFF 156
—
L’Orgue mystique, Cycle après la Pentecôte, op. 57, no. 49 "Dominica XXI": I. Prelude a l'endroit
—
L’Orgue mystique, Cycle après la Pentecôte, op. 57, no. 49 "Dominica XXI": III. Elevation
—
L’Orgue mystique, Cycle après la Pentecôte, op. 57, no. 49 "Dominica XXI": IV. Communion
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Les prières: I. Oraison dominicale
—
Les prières: II. Salutation angélique
—
Les prières: III. Symbole des apôtres
—
4 Ernste Gesänge, op. 121: No. 1, Denn es gehet dem Menschen
—
4 Ernste Gesänge, op. 121: No. 2, Ich wandte mich und sahe an alle
—
4 Ernste Gesänge, op. 121: No. 3, O Tod, wie bitter bist du
—
4 Ernste Gesänge, op. 121: No. 4, Wenn ich mit Menschen und mit Engelzungen redete
—
4 Ernste Gesänge, op. 121: No. 1, Denn es gehet dem Menschen
—
4 Ernste Gesänge, op. 121: No. 2, Ich wandte mich und sahe an alle
—
4 Ernste Gesänge, op. 121: No. 3, O Tod, wie bitter bist du
—
4 Ernste Gesänge, op. 121: No. 4, Wenn ich mit Menschen und mit Engelzungen redete
—
Auf der Donau, D. 553
—
Am Bach im Frühling, D. 361
—
Der Tod und das Mädchen, D. 531
—
8 Gedichte aus Letzte Blätter, op. 10: No. 1, Zueignung
—
8 Gedichte aus Letzte Blätter, op. 10: No. 3, Die Nacht
—
4 Lieder, op. 27: No. 4, Morgen
—
4 Lieder, op. 27: No. 3, Heimliche Aufforderung
—
5 Lieder, op. 94: No. 4, Sapphische Ode
—
Spanisches Liederbuch: No. 3, Nun wandre, Maria
—
Spanisches Liederbuch: No. 6, Ach, des Knaben augen
—
Des Knaben Wunderhorn: Das irdische Leben
—
Lieder und Gesänge II: No. 4, Starke Einbildungskraft
—
Gypsy Songs, op. 55, B. 104: No. 1, Mein Lied ertönt
—
Gypsy Songs, op. 55, B. 104: No. 2, Ei, wie mein Triangel
—
Gypsy Songs, op. 55, B. 104: No. 3, Ales je tichy kolem kol
—
Gypsy Songs, op. 55, B. 104: No. 4, Als die alte Mutter
—
Gypsy Songs, op. 55, B. 104: No. 5, Reingestimmt die Saiten
—
Gypsy Songs, op. 55, B. 104: No. 6, In dem weiten, breiten, lüft'gen Leinenkleide
—
Gypsy Songs, op. 55, B. 104: No. 7, Darf des Falken Schwinge
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Daar kwam een boer van Zwitserland
—
Een Meisje Van Scheveningen
—
Het kwezelken
—
Des winters als het regent
—
De Boer Had Maar Enen Schoen
—
Een vrijer aan de deur
—
Ik zag Cecilia komen
—
Die Winter Is Vergangen
—
Gekwetst ben ik van binnen
—
Sneeuwwit vogeltje
—
't Haasken
—
Hoe laat is 't / Suze Naanje, ik waige di / Ik zat op 't hooi
—
Slaap, kindje slaap
—
Er is een kindetje geboren op 't toppetje van 't huis
—
Zie de boerin met haar rokje zwaaien
—
Altijd Is Kortjakje Ziek / Een Kalemanden Rok
—
Jezus' Bloemhof
—
In Den Hemel Is Enen Dans
—
Here, Kere Van Ons Af
—
O Heer, Die Daar Des Hemels Tente Spreidt
—
Daar boven uit 't vensterke
—
Vier weverkens
—
Mien dochter, wilt toe traauwen?
—
The Keel Row (Northumbrian Folk Song)
—
My dancing day
—
Greensleeves
—
Comin' Thro' The Rye
—
Bobby Shaftoe
—
Down by the Sally Gardens
—
I Gave My Love a Cherry
—
O Dear, What Can the Matter Be?
—
Drink to Me Only with Thine Eyes
—
Early One Morning
—
O No John
—
Annie Laurie
—
All Through the Night
—
The Wee Cooper of Five
—
Loch Lomond (Scotland)
—
Can You Sew Cushions
—
My Luve Is Like a Red, Red Rose
—
Ye Banks and Braes
—
Air from County Derry
—
The Ash Grove
—
Go to Sleep
—
Jesus Neigt Sein Haupt Und Stirbt
—
Es Ist Volbracht! Vergiss ja nicht dies Wort, BWV 458
—
Jesus, unser Trost und Leben, BWV 475
—
Auf Auf! Mein Herz Mit Freuden, BWV 441
—
Mein Jesu, was für Seelenweh, BWV 487
—
So gehts Du nun, mein Jesu, hin BWV 500
Aafje Heynis, Simon C. Jansen
—
Mit Freuden Zart
—
Heut triumphieret Gottes Sohn, BWV 630
—
Halleluja, Lof Gezongen
—
Grote God, wij loven U
—
Op bergen en in dalen
—
Schoonste Heer Jezus
—
O Heer, die daar des hemels tente spreidt
—
Erekoning, in uw woning
—
Beveel gerust uw wegen
—
Neem, Heer, mijn beide handen
—
De Heer is mijn herder
—
Wat vlied' of bezwijk
—
Als ik Hem maar kenne
—
'k Wil U, o God, mijn dank betalen
—
Naar Bethlehem wilt allen gaan
—
Het is gebeurd op een winterdag
—
Naar 't kribbeken des Heeren
—
Engelkens met blijde stem
—
Komt allen tezamen
—
Stille Nacht, Heilige Nacht
—
Ik kniel aan uwe kribbe neer
—
Er kwamen drie koningen
—
Hoe leit dit kindeke
—
Maria die zoude naar Bethlehem gaan
—
Het was een maged uitverkoren
—
Een roze fris ontloken
—
De herdertjes lagen bij nachte
—
Engelkens door 't luchtruim zwevend
—
Nu zijt wellekome
—
Er is een kindetje geboren op d'aard
—
O kindeke klein, o kindeke teer
—
O herders laat uw bokskens en schapen
—
Het comet een schip geladen
—
O suver maeght van Israel
—
Het was zo stille
—
Ere zij God
—
Personent hodie
—
Down in Your Forest
—
Hark! The Herald Angels Sing
—
Bethlehem
—
The First Nowell
—
Mary Had a Baby
—
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
0000000038479628000000003888894X0000000055192231000000005937239500000000634498180000000073671455000000007977851X00000000799981330000000083638018000000010861745X
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0000000108653776000000010921023X00000001094421880000000109442305000000010979261200000001103795690000000112869991000000011455018300000001148024240000000115756482000000011875148400000001203401740000000121020877000000012107672300000001210907600000000121546262000000036579661200000003695265210000000396084669
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028948448999 is a Universal Product Code (UPC) assigned to Aafje Heynis Edition by Aafje Heynis. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
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