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The Bel Canto Violin
Alfredo Campoli
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028948463145 is the Universal Product Code (UPC barcode) for the release “The Bel Canto Violin” by Alfredo Campoli. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 241 tracks, each with its own ISRC. Tracks include GBF075110231, GBF075110232, GBF075110233.
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Track List (241)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Tango, op. 165 no. 2 (Arr. Dushkin for Violin & Piano) | — | ||
| 2 | Valse bluette | — | ||
| 3 | Souvenir | — | ||
| 4 | Tambourin chinois, op. 3 | — | ||
| 5 | Salut d'amour, op. 12 | — | ||
| 6 | La capricieuse, op. 17 | — | ||
| 7 | Caprice viennois, op. 2 | — | ||
| 8 | La ronde des lutins, op. 25 | — | ||
| 9 | An Old Violin | — | ||
| 10 | By the Waters of Minnetonka | — | ||
| 11 | Frasquita Serenade | — | ||
| 12 | Pale Moon (Arr. Kreisler for Violin & Piano) | — | ||
| 13 | Aloha 'Oe (Arr. Kreisler for Violin & Piano) | — | ||
| 14 | Minuet in G Major, op. 14 no. 1 | — | ||
| 15 | Sicilienne & Rigaudon "by François Francoeur" | — | ||
| 16 | Guitarre, op. 45 no. 2 (Transcr. Sarasate) | — | ||
| 17 | Sérénade Espagnole, op. 150 | — | ||
| 18 | Variations on a Theme of Corelli "by Giuseppe Tartini" | — | ||
| 19 | Softly Awakes My Heart (From "Samson and Delilah") | — | ||
| 20 | Kinderszenen, op. 15: no. 7, Träumerei (Arr. for Violin, Cello & Piano) | — | ||
| 21 | Indian Love Call (From "Rose Marie") | — | ||
| 22 | Violin Song (From "Tina") | — | ||
| 2-1 | Annie Laurie | — | ||
| 2-2 | Londonderry Air | — | ||
| 2-3 | Abide With Me | — | ||
| 2-4 | Serse, HWV 40: Largo (Arr. Campoli for Violin & Organ) | — | ||
| 2-5 | Csárdás | — | ||
| 2-6 | Schön Rosmarin, Old Viennese Dance No. 3 | — | ||
| 2-7 | Hejre Kati, Op. 32 No. 4 | — | ||
| 2-8 | Der Opernball, Op. 40: Midnight Bells (Arr. Kreisler for Violin & Piano) | — | ||
| 2-9 | Le canari | — | ||
| 2-10 | Si mes vers avaient des ailes | — | ||
| 2-11 | Twentieth Century Nocturne | — | ||
| 2-12 | Barbara Allen | — | ||
| 2-13 | Drink to Me Only With Thine Eyes | — | ||
| 2-14 | The Mill | — | ||
| 2-15 | Etudes, Op.10: No. 3, Tristesse | — | ||
| 2-16 | Berceuse (Arr. Sharpe for Violin & String Quartet) | — | ||
| 2-17 | My Old Kentucky Home | — | ||
| 2-18 | Molly on the Shore | — | ||
| 2-19 | Tambourin | — | ||
| 2-20 | Kinderszenen, Op. 15: No. 7, Träumerei | — | ||
| 3-1 | Serenade, op. 21 - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 3-2 | Tales from the Vienna Woods, op. 325 - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 3-3 | Komm, Zigány (From “Countess Matitza”) - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 3-4 | Waltzes from Vienna - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 3-5 | The Chocolate Soldier (Selections) - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 3-6 | Voices of Spring, op. 410 - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 3-7 | The Blue Danube, op. 314 - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 3-8 | The Skaters Waltz, op. 183 - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 3-9 | España - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 3-10 | The Student Prince (Selections) - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 3-11 | Andantino in D‐Flat Major, WoO 1 - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 3-12 | La belle Hélène (Selections) - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 3-13 | Chopin, Mendelssohn & Liszt Medley - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 3-14 | Ah! Sweet Mystery of Life (From “Naughty Marietta”) - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 3-15 | Poème in D‐Flat Major, op. 39a - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 3-16 | The Dancing Doll - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 3-17 | Only My Song - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 3-18 | Second Serenade - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 3-19 | Dear Love, My Love - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 4-1 | La bohème (Selections) - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 4-2 | The Fortune Teller: Gypsy Song - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 4-3 | Serenade for Strings, op. 20 - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 4-4 | Melody in F Major, op. 3 no. 1 - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 4-5 | Spring Song, op. 62 no. 6 - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 4-6 | Le carnaval des animaux, R. 125: XIII. Le cygne - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 4-7 | Narcissus (Arr. for Violin & Orchestra) - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 4-8 | Operantics - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 4-9 | The Eric Coates Parade - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 4-10 | With the Classics - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 4-11 | 6 Morceaux, op. 85: no. 3, Cavatina (Arr. for Violin & Orchestra) - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 4-12 | Cavatine, op. 13 (Arr. for Violin & Orchestra) - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 5-1 | Violin Sonata in G Minor, GT 2.g10 “Didone abbandonata”: I. Adagio ma non troppo - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 5-2 | Violin Sonata in G Minor, GT 2.g10 “Didone abbandonata”: II. Presto - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 5-3 | Violin Sonata in G Minor, GT 2.g10 “Didone abbandonata”: III. [Largo] - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 5-4 | Violin Sonata in G Minor, GT 2.g10 “Didone abbandonata”: IV. Allegro comodo - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 5-5 | Keyboard Concerto no. 5 in F Minor, BWV 1056: II. Arioso (Arr. Franco for Violin & Piano) - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 5-6 | 24 Caprices for Solo Violin, op. 1, MS 25: no. 13 in B‐Flat Major “The Devil’s Laughter”. Allegro (Arr. Kreisler for Violin & Piano) - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 5-7 | 24 Caprices for Solo Violin, op. 1, MS 25: no. 20 in D Major. Allegretto (Arr. Kreisler for Violin & Piano) - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 5-8 | La campanella, op. 7 (Arr. Kreisler for Violin & Piano) - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 5-9 | Orchestral Suite no. 3 in D Major, BWV 1068: II. Air “on the G String” - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 5-10 | Violin Concerto no. 1 in D Major, op. 6 - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 5-11 | Violin Sonata no. 12 in D Minor, op. 5/12 “La Folia” - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 6-1 | La ronde des lutins, op. 25 - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 6-2 | 6 Blumenleben for Violin & Piano, op. 30: no. 5, Der Zephir - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 6-3 | Rondo in E‐Flat Major, op. 11 - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 6-4 | Préludes, Book 1, CD 125: VIII. La fille aux cheveux de lin (Arr. Hartmann for Violin & Piano) - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 6-5 | Violin Sonata no. 7 in D Minor, op. 5/7: III. Sarabanda. Largo (Arr. Moffat for Violin & Piano) - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 6-6 | Partita no. 2 for Solo Violin in D Minor, BWV 1004: I. Allemande - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 6-7 | Partita no. 2 for Solo Violin in D Minor, BWV 1004: II. Corrente - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 6-8 | Partita no. 2 for Solo Violin in D Minor, BWV 1004: III. Sarabande - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 6-9 | Partita no. 2 for Solo Violin in D Minor, BWV 1004: IV. Giga - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 6-10 | Partita no. 2 for Solo Violin in D Minor, BWV 1004: V. Ciaccona - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 6-11 | Violin Sonata in G Minor, GT 2.g05 “The Devil’s Trill”: I. Larghetto affettuoso - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 6-12 | Violin Sonata in G Minor, GT 2.g05 “The Devil’s Trill”: II. Tempo giusto. Allegro - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 6-13 | Violin Sonata in G Minor, GT 2.g05 “The Devil’s Trill”: III. Andante – Allegro assai – Trillo del Diavolo – Andante – Allegro assai – Adagio - Remastered by Mark Obert‐Thorn, 2024 | — | ||
| 7-1 | Violin Sonata, FP 119: III. Presto tragico – Strictement la double plus lent | — | ||
| 7-2 | Suite española no. 1, op. 47: III. Sevilla. Sevillanas (Arr. Catemario for Violin & Piano) | — | ||
| 7-3 | Violin Concerto in E minor, op. 64, MWV O14: I. Allegro molto appassionato | — | ||
| 7-4 | Violin Concerto in E minor, op. 64, MWV O14: II. Andante | — | ||
| 7-5 | Violin Concerto in E minor, op. 64, MWV O14: III. Allegretto non troppo – Allegro molto vivace | — | ||
| 7-6 | Presto in B-Flat Major | — | ||
| 7-8 | Pièce en forme de Habanera, M. 51 | — | ||
| 7-9 | Hungarian Dance no. 7 in A Major, WoO 1, no. 7 (Arr. Joachim for Violin & Piano) | — | ||
| 7-10 | Hungarian Dance no. 20 in E Minor, WoO 1, no. 20 (Arr. Joachim for Violin & Piano) | — | ||
| 7-11 | Meditation from Thaïs (Arr. for Violin & Piano) | — | ||
| 7-12 | Nocturne no. 2 in E-Flat Major, op. 9 no. 2 (Arr. Sarasate for VIolin & Piano) | — | ||
| 7-13 | Serenade in D Major, K. 250 "Haffner": IV. Rondo. Allegro (Arr. Kreisler for Violin & Piano) | — | ||
| 8-1 | Violin Concerto in D, op. 61: 1. Allegro ma non troppo | Alfredo Campoli, London Symphony Orchestra, Josef Krips | — | |
| 8-2 | Violin Concerto in D, op. 61: 2. Larghetto | Alfredo Campoli, London Symphony Orchestra, Josef Krips | — | |
| 8-3 | Violin Concerto in D, op. 61: 3. Rondo (Allegro) | Alfredo Campoli, London Symphony Orchestra, Josef Krips | — | |
| 9-1 | Sonata in A major, op. 1 no. 3, HWV 361: 1. Andante | — | ||
| 9-2 | Sonata in A major, op. 1 no. 3, HWV 361: 2. Allegro | — | ||
| 9-3 | Sonata in A major, op. 1 no. 3, HWV 361: 3. Adagio | — | ||
| 9-4 | Sonata in A major, op. 1 no. 3, HWV 361: 4. Allegro | — | ||
| 9-5 | Sonata in G Minor, op. 1 no. 10, HWV 368: 1. Andante | — | ||
| 9-6 | Sonata in G Minor, op. 1 no. 10, HWV 368: 2. Allegro | — | ||
| 9-7 | Sonata in G Minor, op. 1 no. 10, HWV 368: 3. Adagio | — | ||
| 9-8 | Sonata in G Minor, op. 1 no. 10, HWV 368: 4. Allegro | — | ||
| 9-9 | Sonata in F major, op. 1 no. 12, HWV 370: 1. Adagio | — | ||
| 9-10 | Sonata in F major, op. 1 no. 12, HWV 370: 2. Allegro | — | ||
| 9-11 | Sonata in F major, op. 1 no. 12, HWV 370: 3. Largo | — | ||
| 9-12 | Sonata in F major, op. 1 no. 12, HWV 370: 4. Allegro | — | ||
| 9-13 | Sonata in D major, op. 1 no. 13, HWV 371: 1. Affetuoso | — | ||
| 9-14 | Sonata in D major, op. 1 no. 13, HWV 371: 2. Allegro | — | ||
| 9-15 | Sonata in D major, op. 1 no. 13, HWV 371: 3. Larghetto | — | ||
| 9-16 | Sonata in D major, op. 1 no. 13, HWV 371: 4. Allegro | — | ||
| 9-17 | Sonata in A major, op. 1 no. 14, HWV 372: 1. Adagio | — | ||
| 9-18 | Sonata in A major, op. 1 no. 14, HWV 372: 2. Allegro | — | ||
| 9-19 | Sonata in A major, op. 1 no. 14, HWV 372: 3. Larghetto | — | ||
| 9-20 | Sonata in A major, op. 1 no. 14, HWV 372: 4. Allegro | — | ||
| 9-21 | Sonata in E major, op. 1 no. 15, HWV 373: 1. Adagio | — | ||
| 9-22 | Sonata in E major, op. 1 no. 15, HWV 373: 2. Allegro | — | ||
| 9-23 | Sonata in E major, op. 1 no. 15, HWV 373: 3. Largo | — | ||
| 9-24 | Sonata in E major, op. 1 no. 15, HWV 373: 4. Allegro | — | ||
| 10-1 | Symphonie espagnole, Op. 21: I. Allegro non troppo - Remastered 2024 | — | ||
| 10-2 | Symphonie espagnole, Op. 21: II. Scherzando. Allegro molto - Remastered 2024 | — | ||
| 10-3 | Symphonie espagnole, Op. 21: III. Intermezzo. Allegretto non troppo - Remastered 2024 | — | ||
| 10-4 | Symphonie espagnole, Op. 21: IV. Andante - Remastered 2024 | — | ||
| 10-5 | Symphonie espagnole, Op. 21: V. Rondo. Allegro - Remastered 2024 | — | ||
| 10-6 | Havanaise, Op. 83 - Remastered 2024 | — | ||
| 10-7 | Introduction et Rondo Capriccioso, Op. 28 - Remastered 2024 | — | ||
| 11-1 | 5 Pieces from "Ruralia Hungarica", op. 32a: Presto | — | ||
| 11-2 | 5 Pieces from "Ruralia Hungarica", op. 32a: Andante rubato alla zingaresca | — | ||
| 11-3 | 5 Pieces from "Ruralia Hungarica", op. 32a: Molto vivace | — | ||
| 11-4 | 24 Caprices for Violin, op. 1: Caprice no. 13 | — | ||
| 11-5 | 24 Caprices for Violin, op. 1: Caprice no. 20 | — | ||
| 11-6 | La Campanella, op. 7 | — | ||
| 11-7 | Poem, op. 41 no. 14 | — | ||
| 11-8 | Estrellita | — | ||
| 11-9 | Souvenir | — | ||
| 11-10 | Pièces de clavecin, op. 1: Allegro | — | ||
| 11-11 | The Bee, op. 13 no. 9 | — | ||
| 11-12 | Tango | — | ||
| 11-13 | Der Opernball. Overture: Midnight Bells | — | ||
| 11-14 | Auf Flügeln des Gesanges, op. 34 no. 2 | — | ||
| 11-15 | Valse Bluette | — | ||
| 11-16 | La Capricieuse, op. 17 | — | ||
| 11-17 | From the Canebrake | — | ||
| 11-18 | Deep River | — | ||
| 11-19 | Préludes, Book 1, L.117: Minstrels | — | ||
| 11-20 | Old Folks at Home | — | ||
| 12-1 | Praeludium and Allegro | — | ||
| 12-2 | Liebesleid | — | ||
| 12-3 | Liebesfreud | — | ||
| 12-4 | Polichinelle-Serenade | — | ||
| 12-5 | Schön Rosmarin | — | ||
| 12-6 | Caprice viennois | — | ||
| 12-7 | Tambourin chinois | — | ||
| 12-8 | Minuet in G | — | ||
| 12-9 | Caprice in E flat | — | ||
| 12-10 | Caprice in A minor | — | ||
| 12-11 | Rondino on a theme by Beethoven | — | ||
| 12-12 | La Chasse | — | ||
| 12-13 | La gitana | — | ||
| 12-14 | Danse Espagnole | — | ||
| 12-15 | Variations on a theme by Corelli | — | ||
| 13-1 | Violin Concerto in B minor, op. 61: I. Allegro | Alfredo Campoli, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 13-2 | Violin Concerto in B minor, op. 61: II. Andante | Alfredo Campoli, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 13-3 | Violin Concerto in B minor, op. 61: III. Allegro molto | Alfredo Campoli, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 14-1 | Violin Sonata in G Minor, GT 2.g05 "The Devil's Trill": I. Larghetto affettuoso | — | ||
| 14-2 | Violin Sonata in G Minor, GT 2.g05 "The Devil's Trill": II. Tempo giusto. Allegro | — | ||
| 14-3 | Violin Sonata in G Minor, GT 2.g05 "The Devil's Trill": III. Andante – Allegro assai – Trillo del Diavolo – Andante – All | — | ||
| 14-4 | Violin Sonata in G Minor, GT 2.g10 "Didone abbandonata": I. Adagio ma non troppo | — | ||
| 14-5 | Violin Sonata in G Minor, GT 2.g10 "Didone abbandonata": II. Presto | — | ||
| 14-6 | Violin Sonata in G Minor, GT 2.g10 "Didone abbandonata": III. [Largo] - Allegro | — | ||
| 14-7 | Violin Concerto no. 1 in G Minor, op. 26: I. Vorspiel. Allegro moderato | — | ||
| 14-8 | Violin Concerto no. 1 in G Minor, op. 26: II. Adagio | — | ||
| 14-9 | Violin Concerto no. 1 in G Minor, op. 26: III. Finale. Allegro energico | — | ||
| 15-1 | Concerto for Violin & Orchestra, F. 111: 1. Allegro ma non troppo | — | ||
| 15-2 | Concerto for Violin & Orchestra, F. 111: 2. Scherzo (vivo) | — | ||
| 15-3 | Concerto for Violin & Orchestra, F. 111: 3. Introduzione - allegro deciso in modo zingara | — | ||
| 15-4 | Concerto for Violin & Orchestra, F. 111: 2. Scherzo (vivo) | — | ||
| 15-5 | Theme and Cadenza | — | ||
| 16-1 | Violin Concerto no. 3 in B minor, op. 61: 1. Allegro non troppo | — | ||
| 16-2 | Violin Concerto no. 3 in B minor, op. 61: 2. Andantino quasi allegretto | — | ||
| 16-3 | Violin Concerto no. 3 in B minor, op. 61: 3. Molto moderato e maestoso | — | ||
| 16-5 | Legende, op. 17 | — | ||
| 16-6 | Zigeunerweisen, op. 20 | — | ||
| 17-1 | Violin Concerto in D Major, op. 35: I. Allegro moderato | — | ||
| 17-2 | Violin Concerto in D Major, op. 35: II. Canzonetta. Andante | — | ||
| 17-3 | Violin Concerto in D Major, op. 35: III. Finale. Allegro vivacissimo | — | ||
| 17-4 | Swan Lake, op. 20, Act II: no. 13, Danses des cygnes: b. Moderato assai "Odette’s Solo" | — | ||
| 17-5 | Swan Lake, op. 20, Act III: no. 19a, Pas de deux: Introduction. Moderato – Vars. 1 & 2 – Coda | — | ||
| 18-1 | Violin Concerto in E Minor, op. 64: I. Allegro molto appassionato | — | ||
| 18-2 | Violin Concerto in E Minor, op. 64: II. Andante | — | ||
| 18-3 | Violin Concerto in E Minor, op. 64: III. Allegretto non troppo – Allegro molto vivace | — | ||
| 18-4 | Scottish Fantasy, op. 46: 1. Adagio cantabile | — | ||
| 18-5 | Scottish Fantasy, op. 46: 2. Scherzo - Allegro; Adagio | — | ||
| 18-6 | Scottish Fantasy, op. 46: 3. Andante sostenuto | — | ||
| 18-7 | Scottish Fantasy, op. 46: 4. Finale (Allegro guerriero) | — | ||
| 19-1 | España, op. 165 - Arr. Dushkin: 2. Tango | — | ||
| 19-2 | La Ronde des Lutins: Scherzo fantastique, op. 25 | — | ||
| 19-3 | 16 Waltzes, op. 39 - Arr. Violin & piano: no. 15 in A‐flat | — | ||
| 19-4 | Red dragonfly (Arr. Campoli) | — | ||
| 19-5 | Concerto for Harpsichord, Strings, and Continuo no. 5 in F minor, BWV 1056 - Arr. Johann Franco: Arioso | — | ||
| 19-6 | Ave Maria, D.839 | — | ||
| 19-7 | The rain on Jogashima (Arr. Campoli) | — | ||
| 19-8 | Violin Concerto No. 2, op. 7 - Arr. Fritz Kreisler: 3. Rondo “La Campanella” | — | ||
| 19-9 | 24 Caprices for Violin, op. 1, no 13 in B‐flat major | — | ||
| 19-10 | 24 Caprices for Violin, op. 1 no. 20 in D major | — | ||
| 19-11 | Serenade in D, K. 250 “Haffner” - Arr. Fritz Kreisler: 4. Rondo (Allegro) | — | ||
| 20-1 | Danzas Españolas, op. 21: 1. Malagueña | — | ||
| 20-2 | Danzas Españolas, op. 21: 2. Habañera | — | ||
| 20-3 | Danzas Españolas, op. 22: 1. Romanza Andaluza | — | ||
| 20-4 | Danzas Españolas, op. 22: 2. Jota Navarra | — | ||
| 20-5 | Danzas Españolas, op. 23: 1. Playera | — | ||
| 20-6 | Danzas Españolas, op. 23: 2. Zapateado | — | ||
| 20-7 | Danzas Españolas, op. 26: 1. Vito | — | ||
| 20-8 | Danzas Españolas, op. 26: 2. Habañera | — | ||
| 20-9 | Navarra For Two Violins, op. 33 | — | ||
| 21-1 | Polonaise no. 1 in D, op. 4 | — | ||
| 21-2 | Legende, op. 17 | — | ||
| 21-3 | Two Mazurkas, op. 19: 1. Obertass | — | ||
| 21-4 | Two Mazurkas, op. 19: 2. Le ménétrier (Dudziarz) | — | ||
| 21-5 | Souvenir de Moscou, op. 6 | — | ||
| 21-6 | Scherzo-Tarantelle, op. 16 | — | ||
| 21-7 | Romance from Violin Concerto no. 2 in D minor, op. 22 - Arr. violin & piano: 2. Romance | — | ||
| 21-8 | Capriccio-Valse, op. 7 | — | ||
| 21-9 | Polonaise Brillante no. 2, op. 21 | — |
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What is UPC 028948463145?
028948463145 is a Universal Product Code (UPC) assigned to The Bel Canto Violin by Alfredo Campoli. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 241 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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